125 avsnitt • Längd: 15 min • Veckovis: Lördag
Re: Dracula takes the famous horror tale, breaks it up chronologically (every entry of this epistolary novel has a date), and sends the story directly to your podcatcher as it happens. Every time something happens to the characters, Re: Dracula will publish an episode, in as close to real time as it happens. Some entries will be brief, and others will be long and intense.
The podcast Re: Dracula is created by Bloody FM. The podcast and the artwork on this page are embedded on this page using the public podcast feed (RSS).
Our Fair City is set in the dystopian future of Hartford, Connecticut. Outside is a frozen wasteland and inside is a largely subterranean city governed by HartLife. Once an insurance company, HartLife is now “all the life you’ll ever need.” This sprawling narrative introduces mad scientists, lightning riggers, the woken dead, giant ants, time travelers, and mole people. It originally ran from 2009-2016 covering 8 complete seasons and dozens of live shows, specials, and comic books. You can listen to Our Fair City on Apple Podcasts, Spotify, or your favorite podcast player!
Our Fair City Trailer Credits: Narrator: Ansel Burch, Vice President Davenport: Ben Aldred, MolePeople: Tyler Samples and Abby Doud, Dr. Herbert West: Ryan Schile.Trailer written by Eleanor Hyde. Sound Design by Ryan Schile, with Jeffrey Nils Gardner.
Transcript of Tal's Intro: Hi, I'm Tal Minear, executive producer of Re: Dracula. I'm here today to tell you about another audio drama I think you'd like. Our Fair City is a sprawling, darkly funny epic set in the dystopian future of Hartford, Connecticut, where a climate disaster has made the world outside a frozen wasteland. What remains of humanity lives inside a largely subterranean city governed by the remains of an insurance company. You’ll meet mad scientists, lightning riggers, the woken dead, giant ants, time travelers, and mole people. New episodes release every week! You can listen to Our Fair City where ever you find your podcasts, and learn more at AudaciousMachineCreative.com. Listen on for the trailer!
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7 Years Later: The end.
Transcript here.
This episode featured: Ben Galpin as Jonathan Harker; and Alan Burgon as Van Helsing. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. The song "Won't Look Back" was written and performed by Newt Schottelkotte. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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November 6: Quincey is happy to have been of any service.
This episode contains racist language and stereotypes. Transcript here.
This episode featured: Isabel Adomakoh Young as Mina Harker; Alan Burgon as Van Helsing; Ben Galpin as Jonathan Harker; Giancarlo Herrera as Quincey Morris; Karim Kronfli as Dracula; Jonathan Sims as Jack Seward; and David Ault as Lord Godalming. Directed by Ella Watts. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. The song, “Take My Heart Back To Texas,” was written by Newt Schottelkotte and performed by Giancarlo Herrera. A Bloody FM Production.
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November 5: Van Helsing does a terrible task.
Transcript here.
This episode featured: Alan Burgon as Van Helsing; Isabel Adomakoh Young as Mina Harker; Bonnie Calderwood Aspinwall, Caroline Mincks, and Madi Opincaru as Vampyresses; and Karim Kronfli as Dracula. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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November 4: The crew closes in.
Transcript here.
This episode featured: Jonathan Sims as Jack Seward; Alan Burgon as Van Helsing; Isabel Adomakoh Young as Mina Harker; Karim Kronfli as Dracula; and Ben Galpin as Jonathan Harker. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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November 3: Dr. Seward is cold.
Transcript here.
This episode featured Jonathan Sims as Jack Seward. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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November 2: Three days on the road.
Transcript here.
This episode featured: Ben Galpin as Jonathan Harker; Jonathan Sims as Jack Seward; Isabel Adomakoh Young as Mina Harker; and Karim Kronfli as Dracula. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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November 1: No news all day.
Transcript here.
This episode featured: Ben Galpin as Jonathan Harker; Isabel Adomakoh Young as Mina Harker; and Karim Kronfli as Dracula. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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October 31: Jonathan is still hurrying along.
Transcript here.
This episode featured: Ben Galpin as Jonathan Harker; Isabel Adomakoh Young as Mina Harker; and Karim Kronfli as Dracula. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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October 30: Mina forms a conclusion.
This episode contains an anti-Semitic stereotype, and suicidal ideation. Transcript here.
This episode featured: Jonathan Sims as Jack Seward; Isabel Adomakoh Young as Mina Harker; Karim Kronfli as Dracula; Alan Burgon as Van Helsing and Captain Donelson; Ben Galpin as Jonathan Harker; David Ault as Lord Godalming; and Giancarlo Herrera as Quincey Morris. Directed by Ella Watts and Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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October 29: Dracula is close to land.
Transcript here.
This episode featured: Jonathan Sims as Jack Seward; Isabel Adomakoh Young as Mina Harker; Karim Kronfli as Dracula; and Alan Burgon as Van Helsing. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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October 28: Van Helsing discusses Dracula.
This episode discusses at length principles of the pseudoscience of eugenics. Transcript here.
This episode featured: Graham Rowat as Rufus Smith; Jonathan Sims as Jack Seward; Alan Burgon as Van Helsing; Isabel Adomakoh Young as Mina Harker; David Ault as Lord Godalming; and Karim Kronfli as Dracula. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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October 27: No news yet of the ship.
Transcript here.
This episode featured: Jonathan Sims as Jack Seward; Karim Kronfli as Dracula; Isabel Adomakoh Young as Mina Harker; and Alan Burgon as Van Helsing. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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October 26: Seward continues watching.
Transcript here.
This episode featured: Jonathan Sims as Jack Seward. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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October 25: Seward misses his phonograph.
This episode references euthanasia. Transcript here.
This episode featured: Jonathan Sims as Jack Seward. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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October 24: A whole week of waiting.
Transcript here.
This episode featured: Ben Galpin as Jonathan Harker; David Ault as Lord Godalming; and Graham Rowat as Rufus Smith. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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The Holmwood Foundation is a bi-weekly Found Footage Horror-Fiction Podcast created by Fio Trethewey (Big Finish: Gallifrey War Room, 18th Wall Productions) and Georgia Cook (Big Finish: The Eleventh Doctor Chronicles, Gallifrey War Room, BBC Books, The Dracula Daily Sketch Collection). It is a modern day sequel to the gothic novel Dracula.
In The Holmwood Foundation, We follow Maddie Townsend (Rebecca Root) and Jeremy Larkin (Seán Carlsen), two co-workers at the Holmwood Foundation: a secret organisation that has been maintaining and studying the remains of Count Dracula over the last 130 years, as they are possessed by the ghosts of Jonathan and Mina Harker, and embark on a road trip across the country in an effort to achieve the Harker's wish: stop Dracula once and for all. This is a story about identity and self discovery, family loyalty and devotion, wrapped around a nightmare of a road trip with a rejuvenating severed head, incredibly sincere Victorian ghosts, and an analogue recorder.
The Holmwood Foundation is crowdfunding on Kickstarter now! Support them at kickstarter.com/projects/georgiacook/the-holmwood-foundation
Episode 1 transcript here.
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October 17: Jonathan prepares to welcome the Count.
Transcript here.
This episode featured: Ben Galpin as Jonathan Harker. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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October 16: Mina's report is still the same.
Transcript here.
This episode featured: Ben Galpin as Jonathan Harker. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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October 15: Jonathan is eager to get on.
Transcript here.
This episode featured: Ben Galpin as Jonathan Harker; Isabel Adomakoh Young as Mina Harker; and Karim Kronfli as Dracula. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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Tal sits down with Pacific (associate produce of Re: Dracula) to inquire:
Check out Poe Evermore and Dead Space: Deep Cover!
This bonus episode was made possible by our Patreon supporters! Thanks yall! It featured dialogue editing and additional production work by Tal Minear. The transcript was done by Tonia Ransom. This episode was produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright.
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October 11: Jonathan reads the Burial Service.
Transcript here.
This episode featured: Jonathan Sims as Jack Seward; Isabel Adomakoh Young as Mina Harker; Alan Burgon as Van Helsing; Giancarlo Herrera as Quincey Morris; David Ault as Lord Godalming; and Ben Galpin as Jonathan Harker. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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October 6: Quincey is all man.
Transcript here.
This episode featured: Ben Galpin as Jonathan Harker; Isabel Adomakoh Young as Mina Harker; Alan Burgon as Van Helsing; and Giancarlo Herrera as Quincey Morris. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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October 5: Van Helsing gives a speech.
Transcript here.
This episode featured: Jonathan Sims as Jack Seward; Alan Burgon as Van Helsing; Giancarlo Herrera as Quincey Morris; Isabel Adomakoh Young as Mina Harker; and Ben Galpin as Jonathan Harker. Directed by Ella Watts and Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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October 4: Mina has an idea.
Transcript here.
This episode featured: Ben Galpin as Jonathan Harker; Isabel Adomakoh Young as Mina Harker; Jonathan Sims as Jack Seward; and Alan Burgon as Van Helsing. Directed by Ella Watts. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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October 3: A lot happens.
This episode portrays and recounts a horrific assault. It also references the racist pseudoscience of craniometry, and contains a mention of suicide. Transcript here.
This episode may be especially distressing to those who have experienced assault. Don't want to listen to the episode or read the transcript? A summary of events can be found here. We've also provided resources below for those who may need it. Help is available now and you deserve support.
UK Resources: You can call the 24/7 national domestic abuse helpline on 0808 2000 247 and get free confidential advice at www.womensaid.org.uk. If you are over the age of 16, living in England & Wales, and have been affected by any form of sexual violence or abuse, specialist and confidential support is available 24/7 at 0808 500 2222 or 247sexualabusesupport.org.uk.
US Resources: You can call the 24/7 national domestic abuse hotline at 800-799-7233, text "START" to 88788, and get free confidential advice at www.thehotline.org. You can call the national sexual assault hotline for 24/7 confidential support at 800-656-4673 or use their online chat at online.rainn.org.
Information on International Resources can be found at www.domesticshelters.org/resources/national-global-organizations/international-organizations and www.rcne.com/links/sources-of-help-for-survivors/. Resources are not limited to what we have included here!
This episode featured: Jonathan Sims as Jack Seward; Nathan Blades as the Attendant; Alan Burgon as Van Helsing; Felix Trench as Renfield; David Ault as Lord Godalming; Giancarlo Herrera as Quincey Morris; Karim Kronfli as Dracula; Isabel Adomakoh Young as Mina Harker; and Ben Galpin as Jonathan Harker. Directed by Ella Watts and Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. The song “Inside You” was written by Newt Schottelkotte, performed by Karim Kronfli, with music by The Blasting Company. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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October 2: Renfield is met with an accident.
This episode contains medical ableism and the use of narcotics in a medical context. Transcript here.
This episode featured: Isabel Adomakoh Young as Mina Harker; Felix Trench as Renfield; Ben Galpin as Jonathan Harker; Bonnie Calderwood Aspinwall as Smollet; Graham Rowat as the Deputy; Nathan Blades as Bloxam; Ben Meredith as the Mitchell Businessman; Alan Burgon as Van Helsing; Giancarlo Herrera as Quincey Morris; David Ault as Lord Godalming; and Jonathan Sims as Jack Seward. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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October 1: Renfield makes a request.
This episode contains medical ableism and ableist language. Transcript here.
This episode featured: Jonathan Sims as Jack Seward; Nathan Blades as the Attendant; Alan Burgon as Van Helsing; David Ault as Lord Godalming; Giancarlo Herrera as Quincey Morris; Ben Galpin as Jonathan Harker; Felix Trench as Renfield; Isabel Adomakoh Young as Mina Harker; and Bonnie Calderwood Aspinwall as Smollet. Directed by Stephen Indrisano and Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves and Newt Schottelkotte. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 30: Quincey alarms Mina.
This episode contains medical ableism, outdated ethnic language, and the sound of a gunshot. Transcript here.
This episode featured: Jonathan Sims as Jack Seward; Ben Galpin as Jonathan Harker; Nathan Blades as the Carrier; Isabel Adomakoh Young as Mina Harker; Giancarlo Herrera as Quincey Morris; David Ault as Lord Godalming; and Felix Trench as Renfield. Directed by Ella Watts. Dialogue editing and sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 29: The gang does their grave duty.
This episode contains violence toward a child and an instance of historical racialized language now considered insensitive. Transcript here.
This episode featured: Jonathan Sims as Jack Seward; Alan Burgon as Van Helsing; David Ault as Lord Godalming; Giancarlo Herrera as Quincey Morris; Beth Eyre as Lucy Westenra; Isabel Adomakoh Young as Mina Harker; Ben Galpin as Jonathan Harker; and Graham Rowat as the Dockworker. Directed by Hannah Wright. Dialogue editing and sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 28: Dr. Seward got some sleep.
Transcript here.
This episode featured: Jonathan Sims as Jack Seward. Dialogue editing and sound design by Tal Minear. Featuring music by Travis Reaves and Brad Colbroock. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 27: Van Helsing makes plans.
Transcript here.
This episode featured: Jonathan Sims as Jack Seward; and Alan Burgon as Van Helsing. Directed by Hannah Wright. Dialogue editing and sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 26: Van Helsing wants Seward to believe in things he cannot.
This episode references the racist pseudoscience of craniometry and ableist language with regards to mental illness. Transcript here.
This episode featured: Ben Galpin as Jonathan Harker; Alan Burgon as Van Helsing; Jonathan Sims as Jack Seward; and Casper Stokhuyzen as Dr. Vincent. Directed by Ella Watts and Hannah Wright. Dialogue editing and sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 25: Children meet The Bloofer Lady.
This episode references the racist pseudoscience of craniometry. Transcript here.
This episode featured: Sasha Sienna as the Correspondent; Isabel Adomakoh Young as Mina Harker; Bonnie Calderwood Aspinwall as Mary; and Alan Burgon as Van Helsing. Directed by Ella Watts. Dialogue editing and sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 24: Mina meets Van Helsing.
Transcript here.
This episode featured: Isabel Adomakoh Young as Mina Harker; Ben Galpin as Jonathan Harker; and Alan Burgon as Van Helsing. Dialogue editing and sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 23: Mina reads a book.
Transcript here.
This episode featured: Isabel Adomakoh Young as Mina Harke. Dialogue editing and sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 22: Dr. Seward writes FINIS.
This episode references the racist pseudoscience of craniometry. Transcript here.
This episode featured: Isabel Adomakoh Young as Mina Harker; Ben Galpin as Jonathan Harker; Alan Burgon as Van Helsing; and Jonathan Sims as Jack Seward. Directed by Ella Watts and Hannah Wright. Dialogue editing and sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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Hannah sits down with Alan Burgon to discuss the art of acting, directing, and more! Alan is our Van Helsing, but he's got a prolific resume beyond that!
Content warning at for self harm and suicide, brought up within an artistic context.
Transcript here.
Check out The Amelia Project! They're also on instagram. You can follow Alan @alanburgon on instagram too!
This bonus episode was made possible by our Patreon supporters! Thanks yall! It featured dialogue editing by Stephen Indrisano, with additional production work by Tal Minear. The transcript was done by Asha. This episode was produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright.
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September 20: It is only the beginning.
This episode contains suicidal ideation. Transcript here.
This episode featured: Graham Rowat as Patrick Hennessy and Mr. Marquand; Nathan Blades as the Passerby; Felix Trench as Renfield; Jonathan Sims as Jack Seward; Alan Burgon as Van Helsing; Beth Eyre as Lucy Westenra; and David Ault as Lord Godalming. Directed by Ella Watts and Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. The song “Go To Sleep My Dear” was written by Tal Minear and performed by Sivan Raz, with melody and mastering by Brad Colbroock. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 19: Dr. Seward is worried.
Transcript here.
This episode featured: Jonathan Sims as Jack Seward. Dialogue editing and sound design by Tal Minear. Featuring music by Brad Colbroock. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 18: Our correspondent fills us in in their perilous adventure.
This episode contains references to animal cruelty and an instance of people accidentally dosed with a narcotic. Transcript here.
This episode featured: Sasha Sienna as the Correspondent; Jem Hawes as Mr. Tom Bilder; Ericka Sanderson as Mrs. Tom Bilder; Karim Kronfli as Dracula; Jonathan Sims as Jack Seward; Alan Burgon as Van Helsing; Bonnie Calderwood Aspinwall, Nathan Blades, and Caroline Mincks as Maids; Giancarlo Hererra as Quincey P. Morris; Beth Eyre as Lucy Westenra; and Isabel Adomakoh Young as Mina Harker. Directed by Ella Watts and Hannah Wright. Dialogue editing and sound design by Tal Minear. Featuring music by Travis Reaves and Brad Colbroock. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 17: Lucy has a bad night, again.
This episode contains an instance of people accidentally dosed with a narcotic. Transcript here.
This episode featured: Beth Eyre as Lucy Westenra; Jonathan Sims as Jack Seward; Felix Trench as Renfield; Isabel Adomakoh Young as Mina Harker; Graham Rowat as Peter Hawkins; Alan Burgon as Van Helsing; Sarah Golding as Mrs. Westenra; and Bonnie Calderwood Aspinwall, Nathan Blades, and Caroline Mincks as Maids. Dialogue editing and sound design by Tal Minear. Featuring music by Travis Reaves and Brad Colbroock. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 13: Van Helsing makes a donation.
This episode contains ableist language regarding mental illness, and use of narcotics in a medical context. Transcript here.
This episode featured: Jonathan Sims as Jack Seward; Sarah Golding as Mrs. Westenra; and Alan Burgon as Van Helsing. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 12: Lucy does not dread being alone.
Transcript here.
This episode featured: Beth Eyre as Lucy Westenra. Directed by Ella Watts. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 11: Van Helsing is confident.
Transcript here.
This episode featured: Jonathan Sims as Jack Seward; Alan Burgon as Van Helsing; and Beth Eyre as Lucy Westenra. Directed by Ella Watts. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 10: Seward makes a donation.
This episode mentions the use of narcotics in a medical context. Transcript here.
This episode featured: Alan Burgon as Van Helsing; Jonathan Sims as Jack Seward; and Sarah Golding as Mrs. Westenra. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves and Brad Colbroock. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 9: Seward is worn out.
Transcript here.
This episode featured: Jonathan Sims as Jack Seward; and Beth Eyre as Lucy Westenra. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 8: Lucy goes to sleep.
This episode contains the use of narcotics in a medical context. Transcript here.
This episode featured: Jonathan Sims as Jack Seward; and Beth Eyre as Lucy Westenra. Directed by Ella Watts. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Brad Colbroock. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 7: Van Helsing uses metaphors.
This episode contains the use of narcotics in a medical context. Transcript here.
This episode featured: Jonathan Sims as Jack Seward; Alan Burgon as Van Helsing; and David Ault as Arthur Holmwood. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 6: Seward has bad news.
Transcript here.
This episode featured: Jonathan Sims as Jack Seward. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 5: Seward sends a telegram.
Transcript here.
This episode featured: Jonathan Sims as Jack Seward. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 4: Renfield is sick of all that rubbish.
This episode contains medical ableism. Transcript here.
This episode featured: Jonathan Sims as Jack Seward; and Felix Trench as Renfield. Directed by Stephen Indrisano and Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 3: Seward and Van Helsing discuss.
This episode contains ableist language. Transcript here.
This episode featured: Jonathan Sims as Jack Seward; and Alan Burgon as Van Helsing. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 2: Van Helsing receives a letter.
Transcript here.
This episode featured: Jonathan Sims as Jack Seward; Beth Eyre as Lucy Westenra; and Alan Burgon as Van Helsing. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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September 1: Arthur sends a telegram.
Transcript here.
This episode featured: David Ault as Arthur Godalming. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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August 31: Arthur asks for a favor.
Transcript here.
This episode featured: David Ault as Arthur Godalming. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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August 30: Lucy is to be married.
Transcript here.
This episode featured: Beth Eyre as Lucy Westenra. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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August 25: Lucy has a bad night.
Transcript here.
This episode featured: Beth Eyre as Lucy Westenra. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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August 24: Jonathan gives Mina a book.
Transcript here.
This episode featured: Isabel Adomakoh Young as Mina Harker; Bonnie Calderwood Aspinwall as Sister Agatha; Ben Galpin as Jonathan Harker; and Beth Eyre as Lucy Westenra. Directed by Ella Watts and Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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August 23: The unexpected happens.
This episode contains medical ableism. Transcript here.
This episode featured: Jonathan Sims as Jack Seward; and Felix Trench as Renfield. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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August 13: Goods are Delivered.
Transcript here.
This episode featured: Nathan Blades as Carter, Paterson, & Co representative Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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August 20: Renfield waits.
This episode contains medical ableism. Transcript here.
This episode featured: Jonathan Simms as Jack Seward; and Felix Trench as Renfield. Directed by Stephen Indrisano and Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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August 19: Renfield tries to escape.
This episode contains medical ableism. Transcript here.
This episode featured: Isabel Adomakoh Young as Mina Murray; Jonathan Sims as Jack Seward; and Felix Trench as Renfield. Directed by Stephen Indrisano and Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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August 18: Lucy looks better.
Transcript here.
This episode featured: Isabel Adomakoh Young as Mina Murray; and Beth Eyre as Lucy Westenra. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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August 17: Lucy grows weaker.
Transcript here.
This episode featured: Isabel Adomakoh Young as Mina Murray; Beth Eyre as Lucy Westenra; and Nathan Blades as Samuel F. Billington. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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August 15: Lucy's mother tells Mina a secret.
Transcript here.
This episode featured: Isabel Adomakoh Young as Mina Murray. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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August 14: Lucy has a visitor.
Transcript here.
This episode featured: Isabel Adomakoh Young as Mina Murray; and Beth Eyre as Lucy Westenra. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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August 13: Mina has a quiet day.
Transcript here.
This episode featured: Isabel Adomakoh Young as Mina Murray. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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August 12: Sister Agatha talks about a patient.
Transcript here.
This episode featured: Isabel Adomakoh Young as Mina Murray; and Bonnie Calderwood Aspinwall as Sister Agatha. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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August 11: Lucy sleepwalks.
Transcript here.
This episode featured: Isabel Adomakoh Young as Mina Murray; and Beth Eyre as Lucy Westenra. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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August 10: Mina worries about Lucy.
This episode includes a brief description of animal cruelty. Transcript here.
This episode featured: Isabel Adomakoh Young as Mina Murray. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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August 9: The Captain is a hero.
Transcript here.
This episode featured: Sasha Sienna as the Correspondent; and Alasdair Stuart as the Captain of the Demeter. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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August 8: News from the Correspondent.
Transcript here.
This episode featured: Sasha Sienna as the Correspondent; and Isabel Adomakoh Young as Mina Murray. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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August 6: Mr. Swales notices something.
Transcript here.
This episode featured: Isabel Adomakoh Young as Mina Murray; Graham Rowat as Mr. Swales; and Nathan Blades as the Coast Guard. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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August 4: The Captain's final stand.
Transcript here. The song at the end of the episode contains descriptions of animal cruelty.
This episode featured: Alasdair Stuart as the Captain of the Demeter; and Karim Kronfli as Dracula. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. The song “The Ratcatcher” was written by Ester Ellis and performed by Stephen Indrisano, Josh Rubino, Brad Colbroock, Newt Schottelkotte, and Sivan Raz, with mixing and mastering by Tal Minear and Brad Colbroock. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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August 3: The First Mate goes swimming.
This episode contains contains depiction of a suicide. Transcript here.
This episode featured: Alasdair Stuart as the Captain of the Demeter; Sivan Raz as the Mate; and Isabel Adomakoh Young as Mina Murray. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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August 2: The Captain hears a cry.
Transcript here.
This episode featured: Alasdair Stuart as The Captain of the Demeter; and Mihai Matei as the unnamed crew member. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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August 1: The crew is demoralized. Mr. Swales shows off.
This episode contains contains a description of a suicide. Transcript here.
This episode featured: Alasdair Stuart as the Captain of the Demeter; Isabel Adomakoh Young as Mina Murray; Beth Eyre as Lucy Westenra; and Graham Rowat as Mr. Swales. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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July 30: The Captain nears England.
Transcript here.
This episode featured: Alasdair Stuart as The Captain of the Demeter. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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July 29: The Captain is without a second mate.
Transcript here.
This episode featured: Alasdair Stuart as The Captain of the Demeter. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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July 28: The Demeter is knocking about in a sort of maelstrom.
Transcript here.
This episode featured: Alasdair Stuart as The Captain of the Demeter. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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July 27: Mina Murray is getting uneasy about Jonathan.
Transcript here.
This episode featured: Isabel Adomakoh Young as Mina Murray. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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July 26: Mina Murray is anxious.
Transcript here.
This episode featured: Isabel Adomakoh Young as Mina Murray. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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Stephen reads The Fall of the House of Usher.
Transcript here.
The Fall of the House of Usher was written by Edgar Allen Poe and read by Stephen Indrisano. Roderick Usher was played by Sam Stark. Sound design by Tal Minear.
If you enjoyed this episode, we think you'll love Shelterwood! Shelterwood: A Suburban Gothic Shelterwood is a horror fiction podcast about one man’s journey to find his long-lost sister. The show mimics the format of True Crime podcasts, including dramatic narrations, slick production, and startling twists. It will launch with episodes 1 and 2 on August 15th, 2024, but you can subscribe now wherever you get your podcasts to follow along as the action unfolds.
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July 24: The Captain is a hand short. Mina Murray watches the harbour.
Transcript here.
This episode featured: Alasdair Stuart as the Captain of the Demeter; Isabel Adomakoh Young as Mina Murray; and Graham Rowat as Mr. Swales. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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July 22: The Captain praises men for work in bad weather.
Transcript here.
This episode featured: Alasdair Stuart as The Captain of the Demeter. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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July 20: The thought that has been buzzing about Seward's brain lately is complete.
This episode contains medical ableism, the use of narcotics in a medical context, and references to eugenics and animal cruelty. Transcript here.
This episode featured: Jonathan Sims as Jack Seward; and Nathan Blades as the Attendant. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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July 19: Seward and Renfield are progressing.
This episode contains medical ableism. Transcript here.
This episode featured: Jonathan Sims as Jack Seward; Felix Trench as Renfield. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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July 18: The log of the Demeter, Varna to Whitby.
Transcript here.
This episode featured: Alasdair Stuart as The Captain of the Demeter. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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July 8: Renfield gets a sparrow.
Transcript here.
This episode featured: Jonathan Sims as Jack Seward. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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July 1: Renfield's spiders become a great nuisance.
Transcript here.
This episode featured: Jonathan Sims as Jack Seward. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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June 30: Dracula takes a shovel to the face.
This episode contains contains racist language. Transcript here.
This episode featured: Ben Galpin as Jonathan Harker. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. The song “Bite” was written and performed by Newt Schottelkotte. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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June 29: Jonathan Harker's work is done.
Transcript here.
This episode featured: Ben Galpin as Jonathan Harker; Bonnie Calderwood Aspinwall, Caroline Mincks, and Madi Opincaru as Vampyresses; and Karim Kronfli as Dracula. Directed by Stephen Indrisano. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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June 25: Jonathan Harker makes a discovery.
Transcript here.
Check out Hello From The Hallowoods at hellofromthehallowoods.com!
This episode featured: Ben Galpin as Jonathan Harker. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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June 24: Jonathan Harker experiences identity theft.
This episode contains racist stereotypes. Transcript here.
This episode featured: Ben Galpin as Jonathan Harker; and Madi Opincaru as the Mother. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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June 18: Renfield has got several very big fellows in a box.
Transcript here.
This episode featured: Jonathan Sims as Dr. Seward. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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June 17: Jonathan Harker cudgels his brains.
This episode contains racist stereotypes. Transcript here.
This episode featured: Ben Galpin as Jonathan Harker. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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June 5: The case of Renfield grows more interesting.
Transcript here.
This episode featured: Jonathan Sims as Dr. Seward, and Felix Trench as Renfield. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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May 31: Jonathan Harker loses some items.
Transcript here.
This episode featured: Ben Galpin as Jonathan Harker. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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May 28: Jonathan Harker tries to send word home.
This episode contains racist language and stereotypes. Some slurs have been changed, but the sentiment remains. Transcript here.
This episode featured: Ben Galpin as Jonathan Harker; and Karim Kronfli as Dracula. Directed by Stephen Indrisano. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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May 26: Count me in every time. I bear messages which will make both your ears tingle. - ART
Transcript here.
This episode featured: David Ault as Arthur Holmwood. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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May 25: Dr. Seward and Quincey P. Morris handle rejection. Differently.
This episode contains medical ableism regarding mental illness. Transcript here.
This episode featured: Jonathan Sims as Jack Seward; and Giancarlo Herrerra as Quincey P. Morris. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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With your help, we were able to donate $1035 to Majed Shala and his family! Majed is a visual artist who lost his home, his studio, and all of the artistic works that he had worked on for 35 years because of the war on Gaza. His family of 10 is trying to get out of Gaza through Rafah border into Egypt. If you bought the audiobook this week, know you made a difference! If you missed it, you can support Majed directly here!
May 24: Lucy Westenra has three proposals.
This episode contains a literary reference with racist subtext. Exact wording has been changed, but the sentiment remains. Transcript here.
This episode featured: Beth Eyre as Lucy Westenra, Giancarlo Hererra as Quincey P. Morris. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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May 19: Jonathan Harker now knows the span of his life.
Transcript here.
This episode featured: Ben Galpin as Jonathan Harker; and Karim Kronfli as Dracula. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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May 18: Jonathan Harker must know the truth.
Transcript here.
This episode featured: Ben Galpin as Jonathan Harker. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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May 16: Dracula feeds his guests.
This episode contains the implied death of a child. Transcript here.
This episode featured: Ben Galpin as Jonathan Harker; Bonnie Calderwood Aspinwall, Caroline Mincks, and Madi Opincaru as Vampyresses; and Karim Kronfli as Dracula. Directed by Stephen Indrisano. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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May 15: Jonathan Harker goes exploring.
Transcript here.
This episode featured: Ben Galpin as Jonathan Harker. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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May 12: Jonathan Harker looks at the facts.
Transcript here.
This episode featured: Ben Galpin as Jonathan Harker; and Karim Kronfli as Dracula. Directed by Stephen Indrisano. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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May 11: Lucy Westenra is in love.
Transcript here.
This episode featured: Beth Eyre as Lucy Westenra. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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May 9: Mina Murray is simply overwhelmed with work.
Transcript here.
This episode featured: Isabel Adomakoh Young as Mina Murray. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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May 8: A wretched shaving glass does mischief.
This episode contains racial and ethnic stereotypes based in questionable history. Transcript here.
This episode featured: Ben Galpin as Jonathan Harker; and Karim Kronfli as Dracula. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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May 7: Dracula and Jonathan Harker talk.
Transcript here.
This episode featured: Ben Galpin as Jonathan Harker; and Karim Kronfli as Dracula. Directed by Stephen Indrisano. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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May 5: Jonathan Harker arrives at Castle Dracula.
This episode references the racist pseudoscience of craniometry. Transcript here.
This episode featured: Ben Galpin as Jonathan Harker; Sivan Raz as the Hungarian Man and additional voices; Mihai Matei as the driver and additional voices; Madi Opincaru as the German-speaking traveller and additional voices; Ioana Adăscăliței with additional voices; Graham Rowat as Peter Hawkins; and Karim Kronfli as Dracula. Directed by Stephen Indrisano. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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May 4: Jonathan Harker is given a gift.
Transcript here.
This episode featured: Ben Galpin as Jonathan Harker; and Ioana Adăscăliței as the Romanian Woman. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
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May 3: Jonathan Harker begins his journey.
This episode contains offensive ethnic stereotypes. Transcript here.
This episode featured: Ben Galpin as Jonathan Harker; Ioana Adăscăliței as the Romanian Woman; and Karim Kronfli as Dracula. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
We want to thank the folks who donated their work to the TTRPG bundle we used in crowdfunding! You can find all games on itch:
This Game Takes Place in Dracula's Castle by Jack Blair ($5). In this game, one of you is Dracula, the other is Jonathan Harker. You'll draw cards and answer prompts about moments where courtesy fails you in a precarious situation. Tension will build as you pull blocks from a tower. Will you get out without giving in to the monster?
Love/Hate Relationship: A 2 Player Dracula Based Letter Writing RPG by Tal Minear ($5). This game imagines what it would be like if Jonathan Harker and R. M. Renfield had a correspondence during the events of Dracula. One player writes as Jonathan, and the other writes as Renfield. Step into their shoes, build a story, and explore a lighter or darker ending to Dracula.
Four Sherlock Holmes and a Vampire (Who Is Also One of the Aforementioned Sherlock Holmes) by Andrew J. Young ($2). In this game, four players play four Sherlock Holmes who team up to solve mysteries and one-up each other. Secretly, one or more Sherlock Holmes may be vampires. Can the four Sherlock Holmes find out who among them could be a creature of the night?
I Want Your Bite by Rue Dickey ($10). In this game, a mysterious bachelor has recently purchased the manor house overlooking the town. They're in the process of starting a new life, and rumour has it they're looking for a partner. Compete against your fellow players for the chance at immortal love - a place by the Vampire's side.
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FYI: On May 1 we'll be clearing the feed of episodes so they can once more release chronologically with the Dracula season. If you're listening through, finish up this month, get your hands on the audiobook, or purchase the ad-free feed. Otherwise, wait for the E1 re-release on May 3!
Hannah, Stephen, and Tal sit down and answer listener questions! And each other's questions, just a little bit. It's very fun.
Transcript here.
Topics include:
This bonus episode was made possible by our Seed and Spark supporters AND our Patreon supporters! Thanks yall! It featured dialogue editing by Tal Minear and Stephen Indrisano, with additional production work by Tal Minear. The transcript was done by Rook Mogavero. This episode was produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A big thanks to everyone who sent us questions!
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Hannah interviews Ella about directing!
Topics include:
Transcript here.
Dialogue editing by Brad Colbroock with production work by Tal Minear. The transcript was done by Rook Mogavero. This episode was produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright.
Support more bonus episodes by joining our Patreon, and get early access to them!
Camlann is a post-apocalyptic urban fantasy podcast inspired by folklore and Arthurian legends. It's written and directed by Ella Watts (Doctor Who: Redacted, Eliza: A Robot Story), and produced by Amber Devereux at Tin Can Audio (The Tower, Folxlore), with production management from Ross McFarlane (Folxlore). The show is made possible with funding from Creative Scotland and the Inevitable Foundation. Find it on your podcast app!
This trailer featured: Amy Rockson as Recording 1, Ross McFarlane as Recording 2, Amber Devereux as Recording 3, Sarah Grant as Phone Operator, Robyn Holdaway as Perry, Angharad Phillips as Morgan, Nicole Miners as Gwen / Shújūn, Paul Warren as Gwaine and Tobias Weatherburn as Dai. The trailer was written and directed by Ella Watts, with music composition and sound design from Amber Devereux at Tin Can Audio, and production management from Ross McFarlane.
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Hannah interviews Matt Kirkland, the instigator of Dracula Daily.
Topics include:
Transcript here.
Dialogue editing by Tal Minear. The transcript was done by Rook Mogavero. This episode was produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright.
Check out Studio Kirkland's projects and subscribe to their newsletter!
Check out Matt's website!
Subscribe to Dracula Daily (if you haven't already) and/or get Matt's new book!
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Tune in for some more behind the scenes info as Stephen Indrisano and Tal Minear (the Re: Dracula sound team) sit down to chat all things audio production. This interview contains slight spoilers for the second half of the novel (again, sorry).
Topics include:
Transcript here.
Dialogue editing by Tal Minear. The transcript was done by Rook Mogavero. This episode was produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright.
The shows that got Stephen into podcasting: Pseudopod, Knifepoint Horror, and The Magnus Archives (for Tal, it's Bright Sessions).
The shows that inspired Shelterwood: Limetown, The Black Tapes, and Video Palace.
The shows Tal wants you to go support: bit.ly/shelterwoodpod and crowdfundr.com/innbetween5 (these are Stephen and Hannah's other audio dramas!)
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Tune in for some behind the scenes info as Hannah Wright talks about producing, directing, editing, and more. This interview contains spoilers for the second half of the novel!
Topics include:
Transcript here.
Dialogue editing by Tal Minear. The transcript was done by Rook Mogavero. This episode was produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright.
Audio Dramas Mentioned:
Inn Between: a fantasy-adventure between adventures, wherein five heroes encounter monsters, magic, fighting, and friendship in the conveniently located Goblin’s Head Inn. There will be laughs. There will be bickering. There will be character development. It's made by our very own Hannah Wright!
CARAVAN: a weird-west audio drama about going through hell with the people you love. It features our very own Giancarlo Herrera!
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Dr. Jamie Bernthal-Hooker (he/they), visiting fellow at The University of Suffolk, joins us for a chat about queer theory, reading literature through a queer lens, and detective stories. “The two things I love most in the world are books and being queer.” —Dr. Jamie Bernthal-Hooker
Dialogue editing by Stephen Indrisano with some extra sound design by Tal Minear. The transcript was done by Rook Mogavero and the shownotes were done by Hannah Wright.
Transcript here.
Check out Jamie’s book, Queering Agatha Christie, and follow them on Twitter @jcbernthal.
People who write about queer theory, two of whom Jamie loves: Judith Butler, Michel Foucault, and Eve Kosofsky Sedgewick.
Recommended detective stories to read queerly: Agatha Christie, Edgar Allan Poe, Wilkie Collins (for when Jamie’s in a bad mood), Iris Maddoch (for when Jamie’s in an angsty mood), Sir Arthur Conan Doyle, and Jamie’s favorite, Speedy Death by Gladys Mitchell.
Your homework assignment: look up Victorian magazines and read the short stories.
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Stephen sits down with Dr. Mary Going to discuss Antisemitism and the Gothic.
This interview contains spoilers for Dracula, so if that's something you care about you should save this bonus for later. This episode was hosted by Stephen Indrisano and edited by Tal Minear and Stephen Indrisano. The transcript was done by Rook Mogavero.
Transcript here.
Check out The Ghoul Guide, a digital multimedia project devoted to exploring, understanding, and enjoying the wonders and weirdness of the Gothic.
You can read about Dr. Going's research and publications here! We especially recommend her lecture on Antisemitism in the Gothic and Jewish Horror on the Romancing the Gothic Youtube Channel.
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Hannah sits down with Dr. Jen Sudgen to discuss the ideals of Victorian Class and Gender, and how they come across in Dracula. This interview contains spoilers for Dracula (and we're talking last-page-of-the-book spoilers!), so if that's something you care about you should save this bonus for later. This episode was hosted by Hannah Wright and edited by Tal Minear. The transcript was done by Rook Mogavero.
Transcript here.
Here are links to the various papers, articles, and media Dr. Sugden referenced:
Here are audio dramas you should listen to:
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In our first bonus episode, Hannah sits down with two vampire hunters in a very serious interview exploring the real life implications of real life vampires. This episode was hosted by Hannah Wright and edited by Tal Minear. The transcript was done by Rook Mogavero. This episode was originally published on April 1, so you can be sure that there's no shenanigans here. None at all.
The transcript is here.
Are we far enough into the show notes yet? Look away if you haven't listened to the episode yet! Alright... April Fools! I suspect you caught on, but these are not real life vampire hunters. Or vampires. We think. In this silly bonus episode, Helvetica was played by Brooke Jennett, a brilliant voice actor and producer on the excellent horror anthology podcast Thirteen (fans of horrifying audio drama, you have to check it out). Drakkon was played by Mason Amadeus, cohost of the nonfiction podcast Digital Folklore, and one third of the hilarious comedy show PodCube (if you want more ridiculous improv like this episode, PodCube’s the show for you). Our serious bonus episodes will start, along with the first of our letters from our good friend Jonathan Harker, on May 3.
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This bite-sized audio adaptation of the horror classic will release episodes chronologically, on the days that events happen in the text of Dracula. We've also got bonus episodes and original music for you, so stay tuned!
Crew
Executive Producers: Tal Minear, Stephen Indrisano, Hannah Wright
Associate Producers: Ella Watts, Pacific Obadiah
Directors: Ella Watts, Hannah Wright
Script Editors: Stephen Indrisano, Hannah Wright, Pacific Obadiah
Dialogue Editor: Stephen Indrisano
Sound Designer: Tal Minear
Lead Songwriter: Newton Schottelkotte
Cover Art: Tal Minear
Based on the novel by Bram Stoker.
Cast
Dracula: Karim Kronfli
Jonathan Harker: Ben Galpin
Mina Murray: Isabel Adomakoh Young
Lucy Westenra: Beth Eyre
Quincey Morris: Giancarlo Herrera
John Seward: Jonathan Sims
Van Helsing: Alan Burgon
...& more not featured in this trailer!
Transcript
[Guitar plays under these clips]
MINA: 6 November - It was late in the afternoon when the professor and I took our way towards the east whence I knew Jonathan was coming.
SEWARD: 11 October, evening - Jonathan Harker has asked me to note this… as he says he is hardly equal to the task, and he wants an exact record kept. I think none of us were surprised when we were asked to see Mrs. Harker a little before the time of sunset. We have of late come to understand that sunrise and sunset…
VAN HELSING: 25 September, 6 o’clock - Dear Madam Mina, … I have read your husband’s so wonderful diary. You may sleep without doubt. Strange and terrible as it is, it is true! I will pledge my life on it...
LUCY: 24 August - I must imitate Mina and keep writing things down. … Then we can have long talks when we do meet. I wonder when it will be. I wish she were here with me again...
QUINCEY: 25 May - My dear Art, we’ve told yarns by the camp-fire in the prairies; and dressed one another’s wounds...
JOHNATHAN HARKER: 3 May. Bistritz - I had for dinner, or rather supper, a chicken done up some way with red pepper. (Mem.: get recipe for Mina). I asked the waiter and he said it was called ‘paprika hendl’.
[Bite, by Newton Schottelkotte, plays]
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En liten tjänst av I'm With Friends. Finns även på engelska.