67 avsnitt • Längd: 70 min • Månadsvis
Chris Lambert and Travis Bean are your guide to the movies. Entertaining, insightful discussions about movies and the latest in movie news.
The podcast Film Colossus is created by New School Critics. The podcast and the artwork on this page are embedded on this page using the public podcast feed (RSS).
This week, we walk through the beautiful, yet somehow grotesque world of: Barry Lyndon. This slow, meandering film offers quite a challenge for Chris and Travis—two diehard Stanley Kubrick fans—as they navigate through the movie’s commentary on ambition, as they trek the gorgeous landscapes that surround Barry’s sill existence, as they wonder if Kubrick truly did enough to bring his existential reflections to life.
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Music by Ross Bugden.
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This week, we traverse the psychological labyrinth known as: The Silence of the Lambs. We revisit this classic thriller and discuss its contents, finding a narrative in Clarice’s struggle to move on, to form an identity outside her trauma, to endure the psychiatric exercises of the one and only Hannibal Lecter.
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Music by Ross Bugden.
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This week, we delve into one of the most confounding movies ever: Synecdoche, New York. And we’re here to say the movie, while surreal and outlandish and subversive, is actually much simpler than it seems. We go down a strange path trying to put Charlie Kaufman’s bizarre movie into words—join us.
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This week, we share a winding, whirling discussion about the 1955 classic: Rebel Without a Cause. What follows isn’t just a thematic breakdown of the movie’s commentary on post-war generational tensions, but a macro discussion about the state of modern movies and how far we’ve come from the simple-yet-impactful cinematic eye of directors like Nicholas Ray.
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This week, we discuss the baseball classic: The Natural. It used to be one of Chris’s favorite movies—but does it still hold up? And is Travis impressed at all upon first watch? In some ways, yes…in many ways, no. Our discussion takes some interesting turns. Enjoy!
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Music by Ross Bugden.
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This week, we make everybody mad by defending the much-maligned superhero masterpiece: Batman v Superman: Dawn of Justice. We talk about the differences between the theatrical and director’s cut and how it helps the film’s themes and ideas coalesce into a commentary on a divided world.
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This week on the Film Colossus podcast, we complete our podcast discussion of Ti West’s epic Hollywood trilogy with: MaXXXine. We take a step back and survey how the story ultimately ties together with X and Pearl, as well as dissect the genre elements of the film and how West embraces art and humanity over industry politics.
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Music by Ross Bugden.
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This week on the Film Colossus podcast, we navigate the murky waters of religious hysteria with the 2024 Sydney Sweeney nun flick: Immaculate. Chris and Travis are at odds with what they find to be a clunky, stifling experience that never quite finds its footing and pales in comparison to much better horror films.
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Music by Ross Bugden.
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This week on the Film Colossus podcast, we break down the sexiest movie of 2024: Challengers. Chris and Travis suit up, grab their racquets, and step on opposite sides of the court to debate what is and isn't working in this wild, back and forth journey about what drives and inspires us, how we keep passion burning in our lives.
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Music by Ross Bugden.
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We’re back, baby!! (No pun intended.) And this week on the Film Colossus podcast, we discuss the epic, the unassailable, the oh-my-god-why-is-this-movie-so-long classic: Lawrence of Arabia. We break down the film’s incredible visualization of realizing one’s self, of how difficult it can be to remain true to your life vision, in all of its beautiful, sun-soaked, illuminating glory.
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Music by Ross Bugden.
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This week, we discuss the 2023 Oscar winner: The Zone of Interest. Chris is very much in the camp that the film is a modern masterpiece, while Travis…needs some convincing. They discuss sound design, slow cinema, and the film’s ultimate commentary on cultural apathy.
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Music by Ross Bugden.
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This week, we explore the brazen and bizarre Oscar winner: Poor Things. We react to Yorgos Lanthimos’ drastic changes in aesthetic and discuss how his focus on a single character allows the film to flourish and the ideology to coalesce like never before in his filmography.
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Music by Ross Bugden.
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This week, we recap the 96th Academy Awards—our favorite moments, the worst moments, and which people should and shouldn’t have taken home the golden statue. We talk a lot about Wikipedia mods. Yes we have complaints about the In Memoriam. And no we still don't like Oppenheimer. Have fun!
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Music by Ross Bugden.
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This week, we dive headfirst into what is currently the cinematic event of the century: Denis Villeneuve’s Dune: Part Two. We discuss both the good and the bad of this landmark series, with Chris praising Villeneuve’s take on the classic novel and Travis being his usual contrarian self.
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Music by Ross Bugden.
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This week, we celebrate Dune—no, not that Dune. We’re talking about that old polarizing one that David Lynch directed. We discuss everything that’s keeping 1984’s Dune from achieving Frank Herbert’s ultimate intent with the novel, as well as the idiosyncrasies that allow Lynch’s existential tale about the self to shine in enigmatic, bizarrely beautiful ways.
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Music by Ross Bugden.
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This week, we navigate through the insane terrain of Oliver Stone’s masterpiece: Any Given Sunday. We observe how perhaps the greatest football movie ever made actually serves as a metaphor for America’s story, for the angst and isolation—and, ultimately, the progression—that results from generational differences and constant change.
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This week, we enjoy a double feature from the great horror auteur Ti West: Pearl and X. We debate the effectiveness of Pearl’s warped character study in the first film and explore the depths of the latter’s sociological observations. All in all, it’s a bloody good time!
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Music by Ross Bugden.
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This week, we break down one of those movies that continues to confuse people to this day: American Psycho. We show how the movie’s core concepts and satiric approach can help make sense of and contextualize what, on the surface, appears to be an indecipherable movie.
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Music by Ross Bugden.
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This week, we give our reactions to the 2024 Oscar nominations. Chris is nice and gives praise where praise is due, while Travis mostly complains because the dumb movies he likes don’t get any love from the Academy. Plus we give our predictions for each category!
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Music by Ross Bugden.
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This week, we pick apart what’s considered one to be of the most enigmatic movies of all time: Mulholland Drive. Our discussion breaks this classic film down into simple terms, revealing the humanistic underbelly of David Lynch’s cautionary tale about Hollywood and fantasy.
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Music by Ross Bugden.
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This week, we dive into the most viral movie of 2023: Saltburn. We react to the movie’s most provocative moments and, through a discussion of the film's themes and deeper meaning, debate whether all the hype is warranted.
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This week, we count down our favorite (and least favorite) movies of the year. Chris sticks to movies that came out in 2023, while Travis picks the best from everything he watched this year. Get ready for some lively discussions!
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This week, we conclude our first season with yet another Lars von Trier film: The House That Jack Built. We discuss the movie’s meta commentary on using art to improve and define our lives, and how that message functions within what is essentially a serial killer comedy.
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This week, we discuss Lars von Trier’s bleak, bizarre film: Melancholia. There’s a strange meta quality to the film that consumes our conversation as we explore how the movie ultimately mirrors the human condition in the face of apocalypse.
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This week, we gush over the timeless classic The Princess Bride. Of course the characters and acting are amazing, but more than anything we’re fascinated by the film’s commentary on fairy tales and the ability for stories to transcend and connect generations.
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This week, we continue on the Paul Verhoeven train with RoboCop. We run through what makes this satirical masterpiece so great, from its dynamite cast to its incredible special effects to its multifaceted social commentary.
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This week, we discuss what was once considered the worst movie ever made: Showgirls. Of course, the film has had a cultural resurgence and earned cult status—and we couldn’t be more thrilled. We dig into what makes this misunderstood classic so great.
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This week, we dig into Ari Aster’s cult film: Midsommar. This episode involves a long-winded discussion of the horror genre and how Aster’s modern techniques both embrace and diverge from the norm. Be warned: one of us really did not like this movie.
If you'd like more insight into the deeper meaning of Scream, then check out Chris's explanation.
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Music by Ross Bugden.
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This week, we discuss the greatest meta horror movie ever made: Scream. We dissect just how deep the film’s meta commentary goes and what its message has to say about the genre, about media, about our individual growth as human beings.
If you'd like more insight into the deeper meaning of Scream, then check out Travis's explanation.
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Music by Ross Bugden.
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This week, we’re talking about that movie with the twist: Fight Club. It’s Chris’s favorite movie ever, so this is a special episode. We discuss the depth of the movie’s commentary and how the meta narrative helps the message thrive in a timeless way.
If you'd like more insight into the deeper meaning of Fight Club, then check out Chris's explanation.
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Music by Ross Bugden.
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This week, we take a journey into the dystopian abyss of Blade Runner 2049. Contrary to popular opinion, we aren’t crazy about Denis Villeneuve’s sci-fi sequel, with Chris disappointed in the story and Travis frustrated about the visuals. We dig into the movie’s deeper story and ultimately what’s holding it back.
If you'd like more insight into the deeper meaning of Blade Runner 2049, then check out Chris's explanation.
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Music by Ross Bugden.
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This week, we’re talking about the classic sci-fi meditation on living life to the fullest: Blade Runner. We discuss the film’s deeper philosophical intentions and all the reasons why it’s one of Chris’s top five movies—ever.
If you'd like more insight into Blade Runner, then check out Chris' definitive explanation of the film.
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Music by Ross Bugden.
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This week, we’re talking about the cult classic that still feels relevant 20 years after its release: Donnie Darko. We discuss how our interpretations of its cryptic story have changed over the years and debate the original cut vs. the director’s cut.
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This week, we discuss Charlotte Wells’s beloved coming-of-age story: Aftersun. We dig into how the film masterfully handles such delicate subject matter and uses meta techniques to showcase the power of memory and reflection.
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This week, we’re talking about a coming-of-age film that’s destined to become a classic: Bottoms. We discuss the history of high school movies and why this absurd take on growing up and finding your voice stands out.
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Music by Ross Bugden.
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This week, we gush over Celine Song’s debut film, Past Lives. We discuss her atmospheric approach to a story about diverging paths and how she captures that inescapable desire to romanticize what could have been. Letting go of that feeling isn’t easy, but necessary for realizing our best selves. Get ready for some existential reflection!
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Music by Ross Bugden.
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On today’s episode, we’ll be discussing Damien Chazelle’s Hollywood epic, Babylon. We go deep in this one as we analyze this love letter to movies and how cinema has evolved over time. Just as a preview: one of us likes the movie, while the other…well, there’s no nice way to put this: absolutely loathes it. Try to guess who’s who!
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Music by Ross Bugden.
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On today’s episode, we discuss Damien Chazelle’s adored musical, La La Land. If you love this movie, then be prepared, because neither Chris nor Travis particularly care for it. They discuss all the elements of what they perceive to be a very flawed movie with an unrealized ending.
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Music by Ross Bugden.
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Join us as we discuss the quiet, the hypnotic, the enigmatic Drive. Nicolas Winding Refn’s breakout film is seemingly simple yet says so much about loneliness, about Hollywood, about the human condition. Join us as we discuss our extensive history with Drive and examine the most profound aspects of the film.
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Music by Ross Bugden.
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On today’s episode, we’re talking about Vanilla Sky—a movie one of us really connected with. Our conversation covers all possible ground about this perplexing movie, from its broader philosophical insights to its wacky aesthetic to interesting behind-the-scenes stories. If you’re a fan of this movie, then get ready for an enlightening discussion.
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Music by Ross Bugden.
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On today’s episode, we discuss the deeper meaning of the behemoth known as Oppenheimer. As two people who aren’t huge fans of Christopher Nolan, our discussion involves our fraught history with his films and what we believe holds Oppenheimer back.
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Music by Ross Bugden.
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Today we’re talking all things Barbie—what we liked and what we didn’t like about Greta Gerwig’s biting satire of our world’s superfluous yet incredibly damaging gender roles. Get ready, because our conversation travels about as many trails as this movie goes down.
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Music by Ross Bugden.
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On today’s episode, we break down Phil Tippet’s stop-motion masterpiece Mad God. We discuss the film’s broader philosophical commentary, as well as address several of the movie’s more confusing elements. If you love this movie, then get ready for an illuminating conversation from two fellow fans.
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Music by Ross Bugden.
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This is it! On today's episode, Chris and Travis conclude their Fast & Furious marathon by discussing Hobbs & Shaw, F9, and Fast X. While they disagree on many, many things, they find some common ground and thankfully shake hands at the end. Family is more important than being right! Although Travis still thinks he's right. And so does Chris.
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Music by Ross Bugden.
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En liten tjänst av I'm With Friends. Finns även på engelska.