C86 Show – Indie Pop

Jez Willis in conversation with David Eastaugh

http://utahsaints.com/

Utah Saints were described as "the first true stadium house band" by the KLF's Bill Drummond, though their music is difficult to place into one genre. The dance group originally met as music promoters and DJs for the Mix Nightclub in Harrogate in the early 1990s. They began as MDMA, featuring two former The Cassandra Complex members Jez Willis and Keith Langley, along with Bobby Rae and guitarist Martin Scott. Willis started The Utah Saints with the addition of Tim Garbutt

Raymond Watts in conversation with David Eastaugh

https://www.pigindustries.com/

Following hot on the heels of his new album ‘Red Room’ (released in May 2024), industrial rock mainstay Raymond Watts aka PIG has today reissued a fully remastered version of his seminal mid-‘90s album ‘Sinsation’ via Metropolis Records (CD, digital) and Armalyte Industries (deluxe 2xLP vinyl). Out of print for almost three decades, it makes a timely reappearance just ahead of a North American tour.

'Sinsation' was originally released in 1995 on Nothing Records, the label established by Nine Inch Nails kingpin Trent Reznor, and not long after PIG had opened for NIN at a number of shows. Nothing was an influential and commercially successful label with a cult underground following that also issued records by Marilyn Manson, Squarepusher, Autechre, Meat Beat Manifesto, Pop Will Eat Itself, Einstürzende Neubauten and Plaid, as well as NIN themselves.

Steve Kilbey in conversation with David Eastaugh

https://www.thechurchband.com/

https://kilbeykennedy.bandcamp.com/

https://stevekilbey.bandcamp.com/

https://easyaction.co.uk/product/the-church-eros-zeta-the-perfumed-guitars-cd/

Richard King in conversation with David Eastaugh

https://www.faber.co.uk/product/9780571379668-travels-over-feeling/

An icon of New York’s downtown music scene is brought vividly to life in this tapestry of archive and oral history’ Guardian

The music of Arthur Russell defies classification. Across a twenty-year career he created a body of work which ranged from his pioneering compositions as part of the New York avant-garde alongside artists including Philip Glass and Allen Ginsberg, to his genre-expanding disco and art pop productions, to his posthumously released folk songs.

Travels Over Feeling is the result of extensive research by author Richard King, curating the ephemera and documentation found in both Arthur’s and other private archives, and consists of hand-written scores, lyrics, photos, letters and drawings. Throughout, King has conducted wide-ranging original interviews with Arthur’s collaborators, contemporaries, family and friends. The resulting book reveals a true picture of one of the most distinctive artists of the last fifty years.

Micky Greaney in conversation with David Eastaugh

https://mickygreaney.bandcamp.com/album/and-now-its-all-this

'Lost' album from Birmingham singer-songwriter Micky Greaney, originally recorded 1995-6, and now finally getting a release with all the loving care that we have come to expect from midlands independent label Seventeen Records. Elegantly arranged folk-rock that reminds us of Jeff Buckley, Nick Drake and the Kinks. 

Chris Gunstone in conversation with David Eastaugh

https://orkestargrupapecalbari.bandcamp.com/?fbclid=IwY2xjawE9yq5leHRuA2FlbQIxMAABHZDm_3cVz11MGq5Cl4V4A9WTzbFiU5-ifB_lYJCBT3RfOJPnN8wUwgt5tA_aem_avFXoze_4IGrhh50EjqT_Q

Blowzabella was formed in Whitechapel, London in 1978 by original members Bill O'Toole, Jon Swayne, Chris Gunstone,Dave Armitage and Juan Wijngaard. When the band first formed, Swayne, O'Toole, and Armitage were studying woodwind instrument making at the London College of Furniture, while Sam Palmer (joined Blowzabella in May 1979) had recently finished the course and had already began a career making hurdy-gurdies.

Marco Pirroni in conversation with David Eastaugh

Pirroni was lead guitarist and co-songwriter in the second incarnation of Adam and the Ants, co-penning two UK number ones and a further four 10 hits, with Ant. The two albums he co-wrote for Adam and the Ants, Kings of the Wild Frontier and Prince Charming, both made the Top 10 in the ("Kings" number 1; "Prince Charming" number 2).

When Adam and the Ants disbanded in 1982, Pirroni was retained as Adam Ant's co-writer and studio guitarist; they produced another number-one single ("Goody Two Shoes") and an album (Friend or Foe), followed by four more Top 20 hits. Ant and Pirroni won two shared Ivor Novello Awards for "Stand and Deliver".

Peter Prescott in conversation with David Eastaugh

https://minibeast.bandcamp.com/

American post-punk band from Boston, Massachusetts. The group formed in 1979 with Roger Miller on guitar, Clint Conley on bass, Peter Prescott on drums, and Martin Swope contributing audiotape manipulation and acting as the band’s sound engineer. In this initial lineup, Miller, Conley, and Prescott all shared singing and songwriting duties.

Magnus Karlsson in conversation with David Eastaugh

Happydeadmen were one of the first Swedish acts to have been given credit for inspiring the '90s explosion of pop acts. With the thank-you list that includes The Cardigans and Popsicle, Happydeadmen's melody of charming indie glee debuted in 1988. With their first full-length, "Eleven Pop Songs" (1990), and "Game, Set, Match" (1993) independently released, Happydeadmen would spend a part of 1995 touring Japan before their follow-up album, "Bullfights Every Sunday", came out two years later. After settling down the line-up in 1997 with Jan Hedin (vocals/guitar), Magnus Karlsson (guitar), Roger Kjellgren (bass), and Thomas Kristoffersson (drums), SummerSound Recordings eventually compiled a Happydeadmen best-of album to celebrate their ten-year existence. The fittingly titled "Happydeadmen Classics: A Decade in Pop" was released in January of 1999. ~ Mike DaRonco, Rovi

Line-up:
Jan Hedin - Vocals and acoustic guitar
Magnus Karlsson - Electric guitar
Roger Kjellgren - Bass
Thomas Kristoffersson - Drums
Patrik Jonsfjord - Electric guitar (1994-97)

Peter Crowley in conversation with David Eastaugh

https://www.amazon.co.uk/Down-at-Maxs-Peter-Crowley/dp/B0D7QR4F6Y

https://www.farwestpress.com/far-west-books/p/down-at-maxs-peter-crowley

Peter Crowley, the music curator of Max's Kansas City, tells it like it is in his first volume of stories. A teenage runaway from Vermont who has seen it all from the West Village in the 1960s to the color sound of California to managing and booking bands during the punk explosion of the 1970s. Like a beer for a breakfast, a reflection on what it was really like to be there (you know where). From someone who was.

Don Pyle in conversation with David Eastaugh

https://shadowymen.bandcamp.com/album/dim-the-lights-chill-the-ham

Pyle's first group was a punk band called Crash Kills Five, which was active from 1979 to 1981. Crash Kills Five released one EP in 1980, titled What Do You Do At Night?. It was in this four piece band that Pyle first played with two members, Reid Diamond and Brian Connelly, who would later become his bandmates in Shadowy Men on a Shadowy Planet. Shadowy Men on a Shadowy Planet were together for eleven years; during this time, they recorded three LPs and thirteen EPs and became widely known when the song "Having An Average Weekend" became the theme for the Canadian sketch comedy television series The Kids in the Hall.

Michael Alago in conversation with David Eastaugh

https://www.michaelalago.com/

https://www.amazon.co.uk/Am-Michael-Alago-Breathing-Metallica/dp/1617137251

https://www.youtube.com/watch?v=pgTBj2Zbr0w

Musician, nightlife impresario, record label executive, photographer, and author, Michael Alago takes readers through this amazing journey that is his life. Alago grew up in Brooklyn, New York, in a large, spirited, and devoted Puerto Rican family. Through his early passion for music, art, theater, and photography, he soon found himself rubbing elbows with many downtown NYC scene makers, from Stiv Bators to Jean Michel Basquiat, Cherry Vanilla and Wayne County to Deborah Harry and Robert Mapplethorpe. As an underage teenager going to Max's Kansas City, CBGB, and various art galleries, Alago also began running The Dead Boys fan club. A few years later, he became the assistant music director for legendary nightclubs the Ritz and the Red Parrot. At age twenty-four, he began a storied career as an A&R executive at Elektra Records that started with signing Metallica in the summer of 1984, changing the entire landscape of rock 'n' roll and heavy metal. Alago continued to work in A&R for both Palm Pictures and Geffen Records. He was thrilled to executive-produce albums by Cyndi Lauper, Public Image Ltd, White Zombie, and Nina Simone. 

Tom Ashton & Mat Thorpe in conversation with David Eastaugh

https://www.marchvioletsband.com/

https://marchvioletsband.bandcamp.com/album/crocodile-promises

Crocodile Promises, the all new album from legendary post-punk/goth rock act The March Violets builds upon the band's 40 year legacy. Founding members Rosie Garland and Tom Ashton are now joined by bassist Mat Thorpe. Crocodile Promises finds the March Violets in top form, creating a reinvigorated take on it's trademark boundary-shredding goth-tinged post punk.

Laura Davis-Chanin in conversation with David Eastaugh

http://backbeatbooks.com/books/9781617136870

https://www.amazon.co.uk/Infinite-Dreams-Life-Alan-Vega/dp/149307248X

Winner of the ASCAP Deems Taylor/Virgil Thomson Award for Excellence in Writing and named in Billboard's top 10 Music books of 2018 for her book, "The Girl in the Back," Laura is pursuing her second love, writing. Her first love, her daughters, bring her eternal sunshine everyday. Her second book, "I am Michael Alago," about the unique and remarkable person who brought Metallica to the world as well as Nina Simone's last album, was released in 2020 on Backbeat Books.

Just completed a biography of Alan Vega, front man for the band, Suicide, entitled "Infinite Dreams: The Life of Alan Vega" - released August 2024, while she finishes her novel based on true events entitled "A Finished Noise".

Liz Lamere in conversation with David Eastaugh

http://backbeatbooks.com/books/9781493072484

https://www.amazon.co.uk/Infinite-Dreams-Life-Alan-Vega/dp/149307248X

https://lizlamere.bandcamp.com/album/one-never-knows

Liz Lamere was Alan Vega’s wife and long-term creative collaborator. They met in 1985 when she was a corporate lawyer at a major Wall Street firm and played drums in a punk band, SSNUB. She co-wrote, co-produced, and recorded numerous songs with Vega. Now, she spearheads the ongoing release of recordings from the “Vega Vault,” a vast library of unreleased albums, songs, and sound recordings. She oversees the Vega archives of works on paper, extensive writings of lyrics, poetry and fine art Vega created until his passing in 2016.Lamere has recorded two solo albums "Keep it Alive" and "One Never Knows" on In the Red Records. She has toured internationally with Alan Vega and as a solo artist.

Simon Fisher Turner in conversation with David Eastaugh

https://simonfisherturner.bandcamp.com/album/instability-of-the-signal

https://www.youtube.com/watch?v=HMKWlALrBIA

English musician, songwriter, composer, producer and actor. After portraying Ned East in the 1971 BBC TV adaptation of Tom Brown's Schooldays and roles in films such as The Big Sleep (1978), Turner rose to fame as a teenage star in Britain when his mentor, Jonathan King, released Turner's eponymous first album on UK Records

Vix in conversation with David Eastaugh

https://www.youtube.com/watch?v=fXWqfxj-mlU

https://www.youtube.com/watch?v=dYlHXTesRos

https://www.happilife.uk/about

We've Got a Fuzzbox and We're Gonna Use It!!, often shortened to Fuzzbox, are a British alternative rock group. Formed in Birmingham in 1985, the all-female quartet originally consisted of Vix (Vickie Perks), Magz (Maggie Dunne), Jo Dunne and Tina O'Neill. The band's name was shortened to Fuzzbox for the US release of their debut studio album.

Mick McCarthy in conversation with David Eastaugh

When Blab Happy split up, singer/guitarist Mick McCarthy and bassist Tony Owen recruited John Waddington to form Perfume, initially releasing records on their own "Aromasound" label. Beginning with scented limited edition vinyl, they enjoyed a string of Indie Top 10 hits. Their first release was "Yoga/Perfume” in December 1993, the white label was played repeatedly on Radio 1 by Steve Lamacq and Jo Whiley. Second single "Young/Anointed” (which was also perfume-scented) appeared in April 1994. Third single "Lover" was picked up on by BBC Radio One DJ's Steve Lamacq and Jo Wiley (the latter getting the band in to record a session for her show).

Steve Wynn in conversation with David Eastaugh

https://www.stevewynn.net/

https://stevewynn1.bandcamp.com/merch

http://jawbonepress.com/i-wouldnt-say-it-if-it-wasnt-true/

Founding member of The Dream Syndicate, whose debut album, The Days Of Wine And Roses, is widely regarded as a cornerstone of the indie/alternative rock scene of the 1980s. He has also enjoyed a prolific solo career, touring the world on a regular basis and performing and recording in groups such as Danny & Dusty, Gutterball, and The Baseball Project (also featuring REM founders Mike Mills and Peter Buck). He scored two Norwegian hit TV shows, Dag and Exit, and his songs have been covered by Luna, Yo La Tengo, and Concrete Blonde, among others. I Wouldn’t Say It If It Wasn’t True is his first book.

Tiffany Murray in conversation with David Eastaugh

https://www.hachette.co.uk/titles/tiffany-murray/my-family-and-other-rock-stars/9780349727530/

https://www.amazon.co.uk/Family-Other-Rock-Stars-groundbreaking/dp/0349727538

It’s the late 1970s and Tiff lives with her mum, Joan, at Rockfield, the iconic recording studios. This place of legend, where some of the most famous rock albums of all time were recorded, is the background to a freewheeling, ever-changing whirlwind of a childhood. Tiff’s days are spent running around the farm, making friends with local wildlife and helping out with the endless array of dishes her mum creates to keep the bands fed. She’s looking for a dog, she’s looking for a father; but the one constant throughout is her and Joan, building an unconventional family in the most unlikely of locations.

My Family and Other Rock Stars is Tiff’s remarkable, truly unique story of growing up in a rural idyll, of Cordon Bleu cookery and of a childhood where the chances of bumping into Freddie Mercury playing piano, or a group of Hell’s Angels turning up to record for Lemmy, or even the hope of David Bowie appearing, were as normal as hopscotch and homework.

Joseph Arthur  in conversation with David Eastaugh

https://josepharthur.com/

https://westhampsteadarts.com/

Arthur was discovered by Peter Gabriel in the mid-1990s, and signed to Gabriel's Real World label as the first North American artist on the label's roster. Arthur released his debut album, Big City Secrets (1997), and follow-up, Come to Where I'm From (2000), on Real World before signing with various independent labels between 2002 and 2006. He established his own record label, Lonely Astronaut Records, in 2006, and released two studio albums, Let's Just Be (2007) and Temporary People (2008) with backing band The Lonely Astronauts.

Michael Beinhorn in conversation with David Eastaugh

https://michaelbeinhorn.com/

Michael Beinhorn started out as a musician in the early 1980's New York downtown scene where he played keyboards and handled electronics and tapes; he is probably best known for being a full member of Bill Laswell's collective Material (as musician, arranger and producer). In the mid 80's, he moved into engineering and producing and has since made himself a name as a big-time, Grammy-winning rock producer.

Worked with artists like Red Hot Chili Peppers, Soundgarden, Marilyn Manson, Korn, Hole etc. Began his career in the late 1970s, playing synth and guitar in the new wave band Material. His big mainstream break came in 1989 when he produced the Red Hot Chili Peppers' hit album Mother's Milk, which contained the smash single Higher Ground.

Stan Erraught in conversation with David Eastaugh

The Stars Of Heaven were formed in 1983 by Stephen Ryan (vocals, guitar), Stan Erraught (guitar, formerly of The Peridots), Peter O'Sullivan (bass guitar), and Bernard Walsh (drums).They were strongly influenced by The Byrds and Gram Parsons, even being labelled "Ireland's answer to The Byrds, Gram Parsons and the Velvet Underground all in one package". After a début single on the Hotwire label ("Clothes of Pride") which received airplay from John Peel, they were signed by Rough Trade, who issued the album Sacred Heart Hotel in 1986, which reached number 11 on the UK Independent Chart. Peel's patronage continued throughout their career, with the band recording four sessions for his BBC Radio 1 show, the first of which was included on Sacred Heart Hotel. They also appeared on RTÉ television. They released a further single and EP ("Never Saw You"/The Holyhead EP) which was a top five hit on the independent chart, and in 1988, Rough Trade released their second and final album, Speak Slowly, which peaked at number 6. Speak Slowly included the track Lights Of Tetouan, although this was not released as a single. The song is written by the band's singer, Stephen Ryan, about growing up on the south coast of Spain from where he could see the Moroccan town of Tetouan. Lights Of Tetouan was covered by Everything But the Girl on their 1994 EP Rollercoaster. Along with the original, as this version is a B-side, it is not widely known/available. However, it is available for listening/viewing online.

The band split up shortly after the release of Speak Slowly with Ryan going on to form a new band, The Revenants, along with former members of The Would-Be's and Something Happens, who released two albums (Horse of a Different Colour and Septober Nowonder) in 1993 and 1995, respectively.

Jack Meille in conversation with David Eastaugh

https://www.tygersofpantang.com/

The Tygers of Pan Tang were formed by guitarist Robb Weir (born Robert Mortimer Weir, 1958), Richard "Rocky" Laws (bass), Jess Cox (vocals) and Brian Dick (drums). They played in working men's clubs and were first signed by local independent label Neat Records before MCA gave them a major record deal. After several singles, they released their first album, Wild Cat, in 1980.

'Bloodlines' was released in 2023 featuring their two new members, followed by 'Live Blood' in 2024 showcasing songs from across the bands career. Recent gigs have shown a significant upturn in attendances and the Tygers will return to their original stomping ground, Whitley Bay, in November 2024 for a show at the prestigous Whitley Bay Playhouse. 

Peter Watts in conversation with David Eastaugh

https://www.spygenius.co.uk/

SPYGENIUS frontman and songwriter Peter Watts got his start in the 80s as the lead singer with the Murrumbidgee Whalers, whose jangle-pop classic "Giving Way to Trains" has recently been re-released on the Cherry Red C88 compilation. The 21st century saw the Watts moving on to create Spygenius, a classic British four piece pop-combo based in Canterbury and South London, who have built upon and extended that musical legacy. Ruth Rogers (bass), Matt Byrne (keys) and Alan Cannings (drums) complete the line-up - and everybody sings. Their music has echoes of all those classic 60s ‘B’ bands – Beatles, Byrds, Beach Boys, Buffalo Springfield, Bonzos. But it equally resonates with college-radio darlings of later generations like XTC, The Smiths, Robyn Hitchcock, R.E.M. There’s a lot of musical bric-a-brac in there too – souvenirs from surf and psych, folk and exotica, lounge and blues, rock and roll. The songs are carefully crafted: memorable melodies, heavenly harmonies, gorgeous guitars, perfect percussion, bitchin’ bass and kinky keyboards abound. 

Margarita Vasquez-Ponte in conversation with David Eastaugh

The original members of the band were Andrew Tully (guitars/vocals), Eric Webster and Angus McPake (bass guitar), Fran Schoppler (vocals), Margarita Vasquez-Ponte (drums), Kevin McMahon (guitars), and Stuart Clarke (guitar). Tully and Vasquez-Ponte were also members of Rote Kapelle, a band that was active from 1985–1988.

This initial line-up recorded the first two singles, "Splashing Along" and "The Rain Fell Down" (described by one reviewer as a "pop gem that's not to be missed") on Narodnik Records.

Karen Haglof in conversation with David Eastaugh

https://www.youtube.com/watch?v=XdAA7_gIr5w

http://www.howlinwuelf.com/clients/karen-haglof/

One Hand Up is the fourth full length release by guitarist/songwriter Karen Haglof.  The album was produced by Haglof and Mario Viele, recorded at Cowboy Technical Services and Excello studios in Brooklyn, primarily mixed by Viele. Three songs were mixed at the Fidelitorium in Kernersville NC by Mitch Easter and mastered by Scott Craggs at Old Colony Mastering in North Scituate, RI. One Hand Up is being released on CD, digital download and via streaming services on June 14.

One Hand Up is a collection of 14 songs that cover widely ranging sonic territory. The writing and production started prior to 2020 and was delayed by the pandemic. Because of a renewed interest in visual art, many of the songs on One Hand Up will be accompanied by visual components: hand-drawn 2D animation, motion graphics and video clips, adding up to a mixed media extravaganza.

Paul Haig in conversation with David Eastaugh

https://linktr.ee/paulhaig

Together with Orange Juice, Aztec Camera and The Go-Betweens, Josef K were one of the Postcard label's million dollar quartets, recording five smart singles and an album, The Only Fun In Town. Touring the album during July and August of 1981, however, the band split after a final show in Glasgow. The exact reasons behind the split - principally the decision of frontman Paul Haig - remain obscure, although it would seem that a combination of too-great expectations, too-small financial returns, Haig's dislike of touring, and unspecified disagreements over future direction were to blame. Fancifully, Postcard boss Alan Horne pointed the finger of blame at the NME... Whatever the truth, one of the Great White Hopes of the post-punk had self-destructed after just one long player, thus fulfilling their own brash prophecy.

Gerry Colvin in conversation with David Eastaugh

https://www.gerrycolvin.co.uk/index.html

In the 1970's Gerry joined pop band 'The Man Upstairs'. They released three singles and toured with 'The Smiths'.

In the early 1980's he co-founded and fronted the legendary John Peel favourite skiffle-cowpunk indie outfit 'Terry & Gerry'. This seminal band toured Europe and the USA and appeared on countless Radio and TV shows including "The Tube" and "The Old Grey Whistle Test". Their five singles and album all reached No.1 in the indie charts. In 2010 Cherry Red released 'Let's Get the Hell Back to Lubbock', the definitive 'Terry and Gerry' compilation.

Gaye Black in conversation with David Eastaugh

https://www.gayeblack.co.uk/

English punk rock musician, who played bass guitar in the band The Adverts in the late 1970s. She was one of the first female rock stars of the punk rock movement, whom The Virgin Encyclopedia of 70s Music called the "first female punk star". She was "one of punk’s first female icons". Dave Thompson wrote that her "photogenic" looks, "panda-eye make-up and omnipresent leather jacket defined the face of female punkdom until well into the next decade".

Gered Mankowitz in conversation with David Eastaugh

https://mankowitz.com/

https://www.amazon.co.uk/Rolling-Stones-Rare-Unseen-afterword/dp/1802797335

"Mankowitz (Goin' Home with the Rolling Stones '66), who at 18 became the official photographer for the then newly formed Rolling Stones, gathers a rich and revealing trove of images from the band's early years. Capturing the group as they were "finding their style and... becoming themselves," Mankowitz's photos depict the rockers in motion onstage; in their homes and luxury cars; and in heated exchanges with concert security, incidents that underlined their reputation as a more boisterous and rowdy alternative to the Beatles

Richard & Julian in conversation with David Eastaugh

https://redmoney.co.uk/

http://www.firestation-records.de/catalogue.html

Red Money emerged as an acoustic band in January 1990. Originally performing as a larger line up, fate stepped in to change both the format and sound of the band. Booked to play their first gig of the year at the Fulham Greyhound in London, various members then dropped out due to other commitments. Rather than cancelling, founder founders Richard and Jules hastily arranged a stripped down set and took to the stage with saxophone player Roz Bateman (who played on the single).

Rin Lennon, Michael George,Jay Smith-drums &  Alias Wilde  in conversation with David Eastaugh

https://monogroove.bandcamp.com/album/the-flip-side

http://www.rinsrescues.com

https://www.youtube.com/user/rinlennon4/featured

Johnnie Johnson in conversation with David Eastaugh

http://jawbonepress.com/through-the-crack-in-the-wall/

https://www.roughtrade.com/en-gb/product/johnnie-johnstone-foreword-by-stewart-lee/through-the-crack-in-the-wall-the-secret-history-of-josef-k#paperback-exclusive-signed-plus

Through The Crack in The Wall is the first ever biography of the band, tracing their story from their origins in the leafy suburbs of Edinburgh through to their untimely implosion four years later. It’s a tale of fun and frenzy, filled with highs and lows. From their thrilling live shows, which left onlookers spellbound, to more anxious occasions confronting a baying audience of rioting anarcho-punks in Brussels; from a brief spell as press darlings of the inkies to the fateful decision to pull their debut album just as pop stardom beckoned—one that continues to haunt them today.

Drawing extensively on new interviews with the band members and those around them as well as contemporary press articles, the book explores the band’s inner workings and analyses their relationships with Postcard Records supremo Alan Horne, labelmates Orange Juice, and manager Allan Campbell. It re-evaluates their position in the pantheon of post-punk greats and considers how their music helped shape the UK independent scene of the eighties. More than anything else, though, the book’s primary purpose is to celebrate the incredible music Josef K made and consider what makes it more vital today than ever.

Frank Deserto in conversation with David Eastaugh

https://www.cherryred.co.uk/no-songs-tomorrow-darkwave-ethereal-rock-and-coldwave-1981-1990-4cd-box-set

•    FEATURING THE CURE, DEAD CAN DANCE, CLAN OF XYMOX, COCTEAU TWINS, SOFT CELL, TONES ON TAIL, IN THE NURSERY, ATTRITION, IRON CURTAIN, ALIEN SEX FIEND, CRANES, KIRLIAN CAMERA, NEON AND MANY MORE.

•    4CD SET EXPLORING THE 1980s’ DARKWAVE/COLDWAVE SCENE THROUGHOUT THE UK, EUROPE AND THE UNITED STATES

•    A BROAD CHURCH TAKING IN ELECTRONICS, DARK AMBIENT, NEO-CLASSICAL NEW WAVE, GOTHIC SOUNDSCAPES AND COLD DREAM POP.

•    CURATED BY THE TEAM WHO BROUGHT YOU ‘CHERRY STARS COLLIDE’, ‘SILHOUETTES AND STATUES’ AND ‘STILL IN A DREAM’.

•    SLEEVENOTES COURTESY OF FRANK DESERTO.

Pat Thomas in conversation with David Eastaugh

https://allenginsberg.org/2023/11/w-n-29-2/

https://www.amazon.co.uk/Material-Wealth-Personal-Archive-Ginsberg/dp/1648230369

There are hundreds of thousands of items carefully stored and archived at Stanford University's Allen Ginsberg collection. Counterculture historian Pat Thomas, with the full cooperation of the Allen Ginsberg Estate's Peter Hale, has compiled and annotated a remarkable volume of material, unearthing in the process one astounding find after another. The result is a tome of previously unpublished historical paperwork and vintage graphics and photographs and ephemera that promises an unprecedented look inside one of the most prolific poets and agitators of cultural mores of the 20th century.

A poster for Patti Smith's first-ever poetry reading. Correspondence from Allen's stint as literary agent for William S. Burroughs and Herbert Huncke. Yippie manifestos from Jerry Rubin, Abbie Hoffman, and John Sinclair of the MC5. A ticket for a 1974 concert by Bob Dylan & The Band (with Yoko Ono's phone number scribbled on the back). Posters documenting early Beat Generation readings in 1950s San Francisco as well as later ones capturing the 1960s Haight-Ashbury Hippie era. 

Scott Phares in conversation with David Eastaugh

https://www.hollywoodstarsband.com/

https://thehollywoodstars.bandcamp.com/track/cant-do-it-right

American rock band formed in Los Angeles, California in late 1973 by manager/impresario Kim Fowley. The band was created as a West Coast answer to the New York Dolls during the height of the popularity of the glam rock genre. The band signed with Columbia Records in 1974 and with Arista Records in 1976, releasing one self-titled LP with the latter label in 1977 and opening for The Kinks on their Sleepwalker tour the same year. The band's song "Escape" was recorded by Alice Cooper and released on the album Welcome to my Nightmare (1975), while their song "King of the Night Time World" was recorded by Kiss and released on the album Destroyer (1976). Two archive albums recorded in 1974 and 1976 were released in 2013 and 2019 to critical acclaim, prompting the band to reform in 2018.

Roberto Amaral & David Clark Allen in conversation with David Eastaugh

https://www.cherryred.co.uk/carmen-the-albums-1973-1975-3cd-box-set

CARMEN initially came together in Los Angeles as seven-piece band formed by guitarist DAVID CLARK ALLEN and his sister ANGELA ALLEN in 1970. The band’s unique style blended both Progressive Rock and Flamenco styles, with Angela Allen also being an accomplished Flamenco dancer aside from being keyboard player.

Despite interest from music mogul Clive Davis, the band failed to make any headway in getting a record contract they relocated to London in 1973. The Allens soon assembled a new line-up of the band with Flamenco dancer and vocalist ROBERTO AMARAL and British musicians JOHN GLASCOCK (bass) and PAUL FENTON (drums).

John Schmersal in conversation with David Eastaugh

https://3ra1n1ac.com/

Schmersal was originally in the band Brainiac and formed Enon (named after the village in Ohio, which is close to Schmersal's hometown of Dayton) with Lee and Calhoon following the death of Brainiac's singer Timmy Taylor and their subsequent disbandment.

After Brainiac, Schmersal made a solo album under the name John Stuart Mill. Rick Lee and Steve Calhoon were both previous members of the band Skeleton Key, a befriended band Brainiac had toured with. Together they formed Enon. Lee created a number of percussion sounds for the band playing a "junk kit" including a Radio Flyer wagon, propane tank, and old hubcaps.

Valor Kand in conversation with David Eastaugh

https://officialchristiandeath.com/

American rock band formed  in 1979 by Rozz Williams. Williams was eventually joined by guitarist Rikk Agnew of the band Adolescents, James McGearty on bass guitar and George Belanger on drums. This line-up was responsible for producing the band's best known work, their 1982 debut studio album Only Theatre of Pain, which was highly influential in the development of the style of music known as death rock, as well as on the American gothic scene which also produced bands such as Kommunity FK and 45 Grave.

Following the release of Only Theatre of Pain, Christian Death's line-up fell apart, and by the time of the band's second studio album, Catastrophe Ballet (1984), Rozz had been joined by Valor Kand of tour mates Pompeii 99 on vocals and guitar. Following the release of the band's third studio album, Ashes, in 1985, Williams left the band and Kand became frontperson, with no original members of the band remaining. This resulted in a divide in the band's fanbase and created controversy that has continued to this day.

Man Parrish in conversation with David Eastaugh

https://www.manparrish.com

Parrish's early live shows at Bronx hip-hop clubs were spectacles of lights, glitter, and pyrotechnics, which drew as much from the Warhol mystique as the Cold Crush Brothers.

His first release was "Hip Hop, Be Bop (Don't Stop)" issued in 1982, which Parrish said faced a racial backlash from the African-American hip hop community: "I was making the music that they played, and then they found out I was white and gay they pulled it. It didn't hurt sales but it was shocking." The song was featured in the film Shaun of the Dead, the video game Grand Theft Auto: Vice City which sold millions of copies. It was sampled in Sway & King Tech's 1991 song "Follow 4 Now", from their second album, Concrete Jungle. His biggest chart success in the UK was his recording of "Male Stripper" with Man 2 Man, which peaked at No. 4 in the UK Singles Chart

Christopher Merrick Hughes in conversation with David Eastaugh

https://www.chrismerrickhughes.com/

music producer, songwriter, and former drummer of Adam and the Ants. Best known as producer of Tears for Fears' Songs from the Big Chair, and as the co-writer of "Everybody Wants to Rule the World", Hughes has a joint background as a musician, songwriter and producer. His career began with Adam and the Ants as drummer and producer of the "Cartrouble" and "Kings of the Wild Frontier" singles, then the Kings of the Wild Frontier album. Yielding three hit singles, the album earned Hughes Music Week's 'Producer of the Year Award'.

Simon Heavisides  in conversation with David Eastaugh

You can pre-order the book from Stichting Opposite Direction, Jean-Paul van Mierlo: [email protected]

https://louderthanwar.com/destiny-stopped-screaming-the-life-and-times-of-adrian-borland-book-review/

https://www.amazon.co.uk/Destiny-Stopped-Screaming-Adrian-Borland/

Adrian Borland, was singer/guitarist and main songwriter with The Sound, a band which between 1979 and 1987 released seven albums that never failed to be at the very least full of passion and raw emotion. They made their debut in 1979 with the "Physical World" e.p, but it wasn't until the release of the "Jeopardy" album in 1980 that it became clear how special the band was. Two more albums for WEA followed, "From The Lions Mouth" and "All Fall Down", which resulted in the band leaving the label. Indie label Statik signed the band and released "Shock Of Daylight" and "Heads & Hearts" along with the double live album "In The Hothouse". A move to the Belgium based Play It Again Sam brought with it
the band's final album "Thunder Up". They disintegrated at the end of 1987.

Lora Logic in conversation with David Eastaugh

https://www.essential-logic.co.uk/

https://essentiallogic.bandcamp.com/

fter co-founding X-Ray Spex, Lora Logic formed Essential Logic in 1978, shaping post-punk with unique sax, whimsical melodies. Their 1979 album, 'Beat Rhythm News,' stood out. After a long hiatus, Essential Logic returned in 2022 with 'Land of Kali.’

Essential Logic are an English post-punk band formed in 1978 by saxophonist Lora Logic after leaving X-Ray Spex. The band initially consisted of Lora on vocals, Phil Legg on guitar and vocals, William Bennett (later of Whitehouse) on guitar, Mark Turner on bass guitar, Rich Tea (Richard Thompson) on drums and Dave Wright on saxophone. Turner was later replaced by Sean Oliver (later of Rip, Rig & Panic) on bass. The band split in 1981 and reformed in 2001.

Monika Hempel in conversation with David Eastaugh

https://www.verlag-reiffer.de/produkt/nomi/v

Singing space robot. Galactic Pierrot. The thing from the other planet. To put the phenomenon of Klaus Nomi into words, the media prefers to stylize him as an alien. In fact, the artist cannot be classified into gender or genre categories and appears to be a hybrid creature of human, machine and Martian. 

He effortlessly bridges the gap from baroque opera to 1960s pop to new wave, from the frosty “Cold Song” to the ironic, infernal “Total Eclipse”. Despite a narrow oeuvre of two albums released during his lifetime, Nomi's influence is present not only in the world of music, but in all areas of art, forty years after his untimely death from AIDS. How did this ongoing fascination come about? 

Monika Hempel went looking for clues, spoke to friends and companions, looked through archives and Nomi's personal legacy. It tells the extraordinary life story of the singer born Klaus Sperber and explains why his voice still speaks to us after countless revolutions in orbit

Simon "Ding" Archer in conversation with David Eastaugh

https://www.6dbstudio.com/

Musician and producer from Manchester. He is a current member of the bands 1919 and Red Lorry Yellow Lorry, and a past member of The Fall and PJ Harvey. He is owner-operator of 6DB Studios in Salford, England.

Louise Rutkowski in conversation with David Eastuagh

https://louiserutkowski.com/

At 19, Louise was signed to CBS Records, recording three singles and an album with soul producer Pete Wingfield with the band Sunset Gun. Prior to forming this band with sister Dee and keyboard player Ross Campbell, Louise, along with sister Dee, performed as backing vocalists for Bourgie Bourgie; a band created by legendary Postcard Records' boss Alan Horne.

As part of the This Mortal Coil collective, Louise's distinctive voice can be heard on the Filigree & Shadow and Blood albums, and as lead vocalist on The Hope Blister's critically acclaimed 1998 Smile's OK album, all of which were released on the 4AD Records recording label.

Anita Gabrielle Tedder in conversation with David Eastaugh

https://zenana1.bandcamp.com/album/witches-with-the-spell-of-love

Zenana are a forward thinking 80s female trio whose synthesiser-based musical output was shaped in the front room of a terraced house in Cornwall, UK.

In September 23 they released a five track digital album of remixed and remastered recordings from the 1980s and four songs on a 12" vinyl record.

Zenana means 'pertaining to women' in Persian.

This historic limited-edition 12” release features Zenana's 1986 much sought after 'Witches' in a newly-remastered edition plus 'The Final Winter,' 'The Touch of a Woman' and 'When the Comet Comes' remixed and mastered for the first time for vinyl. The lavishly-produced package comes bundled with an extensive booklet documenting the previously untold story of Zenana through recollections and never-seen-before photographs. 

Simon Reynolds in conversation with David Eastaugh

https://store.whiterabbitbooks.co.uk/products/futuromania

Simon Reynolds's first book in eight years is a celebration of music that feels like a taste of tomorrow. Sounds that prefigure pop music's future - the vanguard genres and heroic innovators whose discoveries eventually get accepted by the wider mass audience.

Starting with an extraordinary chapter on Giorgio Moroder and Donna Summer, taking in illuminating profiles of Ryuichi Sakamoto, Boards of Canada, Burial, and Daft Punk, and arguing for Auto-Tune as the defining sound of 21st century pop, Futuromania shapes over two-dozen essays and interviews into a chronological narrative of machine-music from the 1970s to now. Reynolds explores the interface between pop music and science fiction's utopian dreams and nightmare visions, always emphasising the quirky human individuals abusing the technology as much as the era-defining advances in electronic hardware and digital software.

Taffy Hughes in conversation with David Eastaugh

https://thegirlwiththereplaceablehead.bandcamp.com/album/sometimes-she-lives-in-the-dark-sometimes-she-lives-in-the-light

Formed in the early 1980s and originally known as the Green-Eyed Children, Hurrah! initially consisted of Paul Handyside guitar/vocals), David 'Taffy' Hughes, Southmoor guitar/vocals), David Porthouse ;(bass), and Mark Sim (drums). Sim was soon replaced by Damien Mahoney.

Hurrah! were one of the first acts signed to Kitchenware Records, who issued the band's debut single, "The Sun Shines Here", in 1982. Second single "Hip Hip" was released the following year, and gave the band an hit, reaching No. 21.

The third single, "Who'd Have Thought," was another indie hit in 1984, reaching No. 7 on the UK chart. After one more single, "Gloria" – produced by Jimmy Miller, the band's early recordings were compiled on the Boxed album in 1985.

David Wolfenden in conversation with David Eastaugh

n 1982, the Lorries' manager Dave Hall provided independent record label Red Rhino with a cassette of the group's demos. Impressed by the quality of the songs, Red Rhino label head "Tony K" (Tony Kostrzewa) signed the band and immediately released "Beating My Head" unchanged from the demo as the band's debut single. Fagan and Smith soon departed the band, to be replaced by Dave Wolfenden and Paul Southern respectively. Afterwards, bassist Southern was replaced by Leon Phillips. While numerous additional personnel changes would occur in the history of the band, Wolfenden became a mainstay and a frequent songwriting partner of Reed's during the band's most productive period. In 1983 and 1984, the band released several more singles (including "He's Read" and "Monkeys On Juice", which reached No. 9 on the NME indie chart). John Peel was an early supporter, and the band recorded two radio sessions for him in March and November 1983 (released on CD in 2014 as BBC Sessions 1983 - 1984, part of the band's 3-CD compilation See the Fire).

Michael Wiener & Jim Coleman in conversation with David Eastaugh

https://thechildrenband.bandcamp.com/album/a-sudden-craving

Principal songwriters for The Children... are Michael Wiener (vocals/lyrics), Jim Coleman (electronics & various instruments) and Phil Puleo (drums, acoustic guitar & various instruments). Other core members, both live and on this recording: John Nowlin (bass), Rock Savage (drums) and Kirsten McCord (cello). Shelley Hirsch has been a memorable collaborator on several live shows. John Andersen was a founding member and important early collaborator. Norman Westberg (guitar) and Johnny Gasper (clarinet) were key contributors to the sessions for ‘A Sudden Craving’, which took place over the course of two years in the mid-late 2010s.

Danny Kroha in conversation with David Eastaugh

https://dannykroha.bandcamp.com/album/detroit-blues

https://www.facebook.com/hotepnefti

Danny Kroha, founding member of minimal garage rock trio the Gories, has recently been spending time perfecting and recording more traditional folk, blues, and gospel tunes from the public domain. His upcoming Detroit Blues could be considered part two of his solo debut LP - Angels Watching Over Me.

Muz Murray in conversation with David Eastaugh

https://www.muzmurray.com/

Muz Murray is a world-travelling mystic master with an international reputation, having given guidance for many years in his “SHARING THE QUEST” workshops—on Mantra Yoga, Mystical Awakening, Massage and Meditation—in the UK and Europe. He follows the way of the Universal Mystic—the Path of the Heart—embracing the essence of all traditions, but is attached to none.

In consequence, he became the Founder of a mystical community in London, known as “Gandalf’s Garden” which produced a world-distributed esoteric magazine of the same name. The magazine and work of this community became a spiritual inspiration to many thousands in Britain and on the Continent during the ‘Flower-Power’ Era of the late Sixties and early Seventies. The centre hosted Gurus and teachers of every tradition from all over the world and pioneered the spirit of ‘spiritual cross-fertilisation’ between isolated esoteric groups, which resulted in many more universally-minded centres blossoming in its wake in several countries.

Linda Smith in conversation with David Eastaugh

https://lindasmith2.bandcamp.com/

https://capturedtracks.com/artist/linda-smith/

A pioneer of the home recording movement, Linda Smith released several collections of delicate, bewitching solo music on cassette in the 1980s and 90s. The 2021 release of Till Another Time: 1988-1996, Captured Tracks’ compilation of Smith’s work, has helped bestow rightful critical acclaim to the ahead-of-her-time artist. Now, Captured Tracks dives deeper into Smith’s catalog with the release of two full-length companion albums, Nothing Else Matters and I So Liked Spring, available for the first time on vinyl & streaming formats.

Recorded at Smith’s home in Baltimore in 1995, Nothing Else Matters chronicles the tension between the mundanity of daily life and the creative impulse: ”I was working for Ringling Bros at their corporate headquarters in Northern VA and driving there and back to Baltimore on the DC beltway,” Smith remembers. “I aimed for detachment and some degree of humor in order to see things more clearly.” Traffic noises on the charmingly boisterous “Little To Be Won” showcase this levity, as does the addition of playful hand claps and a laugh track to her striking cover of Young Marble Giants’ “Salad Days.” Despite its homespun inception, the arrangements are sophisticated, as in the bright, percussive opener “The Answer To Your Question.” This complexity is also reflective of Smith’s evolving recording techniques – having outgrown her 4-track tape machine, she’d purchased a Fostex 8-track, on which she recorded both Nothing Else Matters and I So Liked Spring.

Stan Cullimore  in conversation with David Eastaugh

Max in conversation with David Eastaugh

https://ausgang-kabuki.bandcamp.com

https://www.facebook.com/ausgangkabuki/

Ausgang was formed by members of the band Kabuki. Some members had also been members of another band, the Solicitors. Max (vocals), Cub (bass guitar) and Matthew (guitar) were all previously in Kabuki, who released one 1982 single ("I Am a Horse") before splitting up. With drummer Ibo, they formed Ausgang and played their first gig in September 1983 at the Powerhouse in Birmingham. They toured with The Cult before signing to Criminal Damage Records, who released their debut EP, The Teachings of Web, in 1984. Their next release, the "Solid Glass Spine" 7" single, reached No. 28 on the UK Indie Chart. Their final release that year, the Head On ! EP, was produced by Andi Sex Gang.

Alan Lee Shaw in conversation with David Eastaugh

English guitarist whose career began after leaving art school, in music projects with Twink. He later formed short-lived The Rings with 'Twink' Alder & drummer Rod Latter, before he and Latter created punk band Maniacs with bassist Robert Crash.

In 1977 Shaw created glam-punksters Physicals, who released a single, with Paul Cook on drums. This was followed by stints in Brian James' "Brains" and "The Hellions" (managed by Miles Copeland) from 1980. During 1981, Shaw teamed up in a writing partnership with Kirsty MacColl.

During 1983 there was another brief band, "Hush Hush" with Chris Sol. Then, with Sol, the eponymous band album "Heaven And The Angels" in 1986 and a later shelved UK project with Dee Dee Ramone. Another brief spell with a Brian James band was followed by Shaw joining The Damned in 1993.

Chris Cuffaro in conversation with David Eastaugh

https://cuffarophoto.com/

https://cuffarohits.com/

https://cuffaroplus.com/

Over the past 50 years, Chris’ signature work with a galaxy of A-List actors, models, athletes and musicians has helped them define their public image while establishing his reputation as one of the most respected photographers in the entertainment industry.  Drawn to the excitement of music as a teenager growing up in Northern California, Chris began his career by shooting local rock shows for fun. He quickly graduated to headlining acts and, since moving to Los Angeles in the early 1980’s, has worked with a massive catalog of performers in the music and entertainment industry. 

He has shot the best of the best in the music world including ground-breaking bands like Jane’s Addiction, Pearl Jam, the Red Hot Chili Peppers and Nirvana, George Michael, Iggy Pop, No Doubt, Henry Rollins, Elvis Costello, Fiona Apple, Scott Weiland and Soundgarden.  These images have regularly appeared in Rolling Stone, Spin, RayGun, Vibe, Musician as well as on the covers of more than 300 record albums and CDs.

Ron Ward in conversation with David Eastaugh

https://www.youtube.com/watch?v=UiuNY6w6BEk&t=1s

https://www.youtube.com/watch?v=XAvTdONLJ4Q&t=1s

Kim Richey in conversation with David Eastaugh

https://kimrichey.com/news/

Over the past two decades Kim has released ten critically acclaimed albums, been listed in the ‘Top 10 Albums of 1999’ in Time Magazine for her album Glimmer, plus received 4-stars in Rolling Stone and named ‘Alt-Country Album of the Year’ in People Magazine for her album Rise. Her 2013 release Thorn In My Heart was named in year’s end best lists by No Depression, The Boston Globe and The Associated Press. She has written two #1 singles and had four others hit Top 10. Her songs have been recorded by Trisha Yearwood, Mary Chapin Capenter, James Morrison, Brooks and Dunn and many others. She has contributed backing vocals on albums by Trisha Yearwood, Ryan Adams, Shawn Colvin and Jason Isbell to name a few.

Ira A Robbins in conversation with David Eastaugh

https://trouserpress.com/

Trouser Press magazine began as a mimeographed fanzine in March 1974 and grew to a 60,000-circulation glossy rock music monthly. Started by two high school Who-freak friends and a Jeff Beck fanatic they’d recently met, Trouser Press published 96 issues over the following decade, covering everything from British Invasion bands, ’70s arena rock and prog to punk, new wave, synth-pop, post-punk and reggae.

Zip It Up! The Best of Trouser Press Magazine 1974-1984 is an annotated anthology of the music writing that appeared in the magazine.

Annotated with recollections and reflections on the changing times, the ridiculous business of independent magazine publishing and the colorful, complicated artists — illustrated with cartoons, covers, documents and ads from the Trouser Press archive — Zip It Up! is vintage rock journalism of a form that is no longer widely practiced: features heavy on historical detail and lengthy, probing interviews, all written with wit, intelligence and a willful expression of opinions and values. It is also an extensive document of rock’s evolution from the 1970s to the mid-’80s, often capturing now-iconic bands in the early stages of their existence. By turns reverent, snarky, adulatory and cynical, Zip It Up! is a rich grazing ground for fans and students of music and music journalism.

The book is divided into sections covering the Sixties, Classic Rock, Glam Rock, Art and Prog Rock, the Roots of Punk, US / UK Punk and New Wave, Reggae, Post-Punk and more.

Graeme Thomson in conversation with David Eastaugh

https://omnibuspress.com/products/small-hours-the-long-night-of-john-martyn

Small Hours is an intimate, unflinching biography of one of the great maverick artists. Though Martyn never had a hit single, his extraordinary voice, innovative guitar playing and profoundly soulful songs secured his status as a much admired pioneer.

Covered by Eric Clapton, revered by Lee Scratch Perry, produced by Phil Collins, Martyn influenced several generations of musicians, but beneath the songs lay a complicated and volatile personality. He lived his life the same way he made music: improvising as he went; scattering brilliance, beauty, rage and destruction in his wake.

Drawing on almost 100 new interviews, Small Hours is a raw and utterly gripping account of sixty years of daredevil creativity, soaring highs and sometimes unconscionable lows.

Justine Armatage in conversation with David Eastaugh

https://www.facebook.com/mirandasexgarden/?locale=en_GB

https://soundcloud.com/justinearmatage

Herman De Tollenaere in conversation with David Eastaugh

https://www.punkstudies.nl

https://www.punktuationmag.com/author/herman-tollenaere

https://cheapnnastyband410118468.wordpress.com

Co-founded Vipers band, Pin fanzine, Rock Against Racism Netherlands 1978, Cheap 'n' Nasty band 1979

Jeff Jacquin & Joey Cevetello in conversation with David Eastaugh

https://greyfactor.bandcamp.com/album/grey-factor-1979-1980-a-d-complete-studio-recordings

Pioneers of the Los Angeles underground art damage electronic music scene, Grey Factor have been more myth than legend for over 40 years. The band recorded two experimental synth/post-punk EPs and gigged sparingly before disbanding. None of their recordings have been officially released in physical format until now.

1979-1980 A.D. - Complete Studio Recordings includes Grey Factor’s two studio EPs remastered from the original analogue tapes and pressed on limited edition vinyl with a 16-page color booklet including archival photos, documents and flyers chronicling the band’s brief existence. It marks the launch of Damaged Disco, the new label founded by producer and musician Dave Trumfio (Pulsars, The Mekons).

In 1978 Jeff Jacquin, Joey Cevetello, Jon Pospisil, and Paul Fontana formulated the blueprint for their minimalist synth-based sound. Using what would today be considered a goldmine of vintage electronic equipment, they recorded The Perils of Popularity EP at Eldorado Recording Studios with a young engineer named Dave Jerden (prior to his work with The Talking Heads and Byrne/Eno). The EP was dubbed onto cassettes and distributed at one of the 20-odd gigs Grey Factor played at legendary L.A. punk venues like Madame Wong’s, The Hong Kong Café, and The Masque. Word spread quickly, and the “too cool to care” underground crowd were soon cramming their way in to view this new phenomenon.

In 1980, Paul Fontana left the band and was replaced by Anne Burns and Joey’s brother, John Cevetello, to create The Feel of Passion EP. The synthesizer and drum machine setup of the first EP was expanded to include guitar and bass, female vocals and saxophone. After a confrontational performance on the groundbreaking, influential and first-of-its-kind cable TV show New Wave Theater, Grey Factor called it quits, the members deciding that there was just nothing else left to do. 

Ted Milton in conversation with David Eastaugh

http://www.tedmilton.net/news/index.html

Poet and musician, best known for leading Blurt, an experimental art rock group.

He published some early poems in magazines like Paris Review and Brian Patten's Underdog. In 1969 his poetry was published in the anthology Children of Albion: Poetry of the Underground in Britain. In the mid-sixties he began performing as a puppeteer, participating in numerous international festivals and appearing on So It Goes, the TV show hosted by Tony Wilson. He contributed a short scene for Terry Gilliam's film Jabberwocky.

In Eric Clapton's autobiography he describes hanging out with Ted at Milton's girlfriend Clarissa's apartment often in the summer of 1965. "Ted was the most extraordinary man. A poet and a visionary ... he was the first person I ever saw physically interpreting music ... to enact it with his entire being, dancing and employing facial expressions to interpret what he was hearing. Watching him, I understood for the first time how you could really live music, how you could listen to it and completely make it come alive, so that it was part of your life. It was a real awakening."

Simon Finn in conversation with David Eastaugh

https://simonfinn.bandcamp.com/

First performance was opening for Al Stewart at the Marquee Club. He released his Pass the Distance LP in 1970, which in later years attained legendary status. "Pass the Distance" was remastered and re-released on Durtro/Jnana records in 2004 and again in 2008 on vinyl by Mayfair Music. In the same year, after a thirty-five-year absence from the music scene, he began touring again. His first performance was in support of the band Current 93 at St George the Martyr Church in Toronto in June 2004. His second album, Magic Moments, was his first new recording in 35 years and was released by Durtro/Jnana.

Rob Green in conversation with David Eastaugh

https://www.musicglue.com/the-fallen-leaves/

THE FALLEN LEAVES was formed in 2004 by Rob Green (Rob built himself a reputation singing at Bernie Rhodes’ “Club Left” and by performing with Vic Godard’s Subway Sect, notably supporting Siouxsie & The Banshees at the Music Machine in ’80), and by original ’76-’78 Subway Sect guitarist/founding member Rob Symmons whose distinctive discordant, stinging guitar sound was one of the defining features of the original Subway Sect which he formed with best friend Godard. Symmons & Green share a love of 60’s garage music, and ever-so stylish vintage suits. THE FALLEN LEAVES’ recordings are alive, heated and humming - preferring as they do to use vintage valve amps & mics, and recording live with no overdubs and minimal technology. They hark back to DIY punk days and concentrate on delivering impressive songs and performances. 

Jonny Polonsky in conversation with David Eastaugh

https://www.jonnypolonsky.com/

https://jonnypolonsky.bandcamp.com/music

Polonsky began writing, recording and self-releasing homemade cassettes as a teenager, under the name The Amazing Jonny Polonsky. Marc Ribot introduced New York composer John Zorn to these early tapes, and Zorn invited Polonsky to play his New Jewish Music festival in 1992 at CBGB's Gallery. Polonsky's band featured Marc Ribot on guitar, Sebastian Steinberg (Soul Coughing) on bass, and Sim Cain (Rollins Band) on drums. Of that performance, singer Jeff Buckley (who was in attendance) was later quoted as saying, "He came to CBGB's Gallery and ripped it up...He killed 'em...The charm of it is that he's brought it into his own thing. It's a nice miniature. He does it with soul; you can tell the difference between someone who just slips into The Beatles or something and someone like him."

Luke Haines in conversation with David Eastaugh

https://www.amazon.co.uk/Freaks-Out-Weirdos-Deviants-Righteous/dp/1788709349

https://www.facebook.com/lukehainesuk/

Haines formed numerous bands when he was at school. At college he joined The Servants who recorded two commercially unsuccessful albums. It was only when Haines formed The Auteurs with Glenn Collins and girlfriend Alice Readman, who had also been drafted into The Servants on occasion, in 1991, that he began to achieve some success.

Kate St John in conversation with David Eastaugh

http://www.katestjohn.co.uk/

https://www.cherryred.co.uk/the-dream-academy-religion-revolution-railways-7cd-box-set

Classically trained on oboe, St. John's first band was The Ravishing Beauties.. The trio joined The Teardrop Explodes during the winter of 1981 for a series of dates at small clubs and a UK tour in early 1982.

During the 1980s and early 1990s, she was a member of The Dream Academy with Nick Laird-Clowes and Gilbert Gabriel. In 1985 they had a worldwide hit with "Life In A Northern Town" and produced three albums: The Dream Academy (1985), Remembrance Days (1987) and A Different Kind Of Weather

Michael Kastelic in conversation with David

https://www.facebook.com/thecynics/

American garage rock band from Pittsburgh, Pennsylvania. The band, at the time consisting of guitarist Gregg Kostelich, drummer Bill Von Hagen, vocalist Michael Kastelic who joined in 1985, bass player Steve Magee, and keyboardist Becky Smith (later founder of New York City's Bellwether gallery), debuted with their first album, Blue Train Station in 1986. Many of their songs "carry the torch" for other favorite bands as cover songs or tributes. They underwent a number of lineup changes culminating in 1989's Rock and Roll album. They formed their own independent record label called Get Hip Records in 1986.

Billy Morrison in conversation with David Eastaugh

http://www.billymorrison.net/

https://billymorrison.bigcartel.com/

https://www.youtube.com/watch?v=8ayUXrZaaHA

British guitarist and singer, who plays guitar with Billy Idol and performs with the Los Angeles–based cover band Royal Machines. Morrison previously played with Camp Freddy and fronted the hard rock act Circus Diablo. He has also toured with the Cult.

Andy Ellison in conversation with David Eastaugh

https://easyaction.co.uk/product/andy-ellison-stunt-rocker-book/

Autobiography of one of rock music’s ‘Enfant Terrible’...from the mod beat of the mid 60s, Psychedelic Pop of the late 60s glam rock of the mid seventies punk rock of the late seventies. Andy Ellison fronted many cult bands like John’s Children (with Marc Bolan) Jet with members of Sparks and Roxy Music, The Radio Stars, all of which would see Andy performing hanging from Lighting rigs atop of speaker stacks, starting a riot on The Who’s tour of Germany and getting thrown off said tour, leaping into audiences from the stageand subsequently damaging himself in most performances...but aside from all that the real stories start to come through...of which they appear to be relentless like a machine gun each one more incredulous than the other. The book is liberally sprinkled with many photographs all the way through not clumped into two or three batches like most books and boasts a foreword by the one and only Simon Napier-Bell. Andy has some of THE Best stories of anyone from the music industry...and they’re in this book!

David Owen in conversation with David Eastaugh

http://www.theinkcorporation.co.uk/

From Leeds, England. The group named itself after the poem by T. S. Eliot. The members were David Ashmoore on vocals, Choque on guitar, Howard Taylor on bass, Brian E Roberts on guitar and Jonny Cragg on drums. Between 1985 and 1994 The Hollow Men released four albums .

Starting out as a two piece for the first single "Late Flowering Lust" (featuring session bassist John Dean) David Ashmoore (David Owen) and Choque (who was previously in Leeds band Salvation) were joined by permanent bassist Howard Taylor for debut album Tales Of The Riverbank released on their own Evensong record label.

The trio recorded another album The Man Who Would Be King again on Evensong before drummer Jonny Cragg, who had guested on the album and guitarist Brian E. Roberts, a former bandmate of Taylor's when they were in The Passmore Sisters together, joined.

John Fiddler in conversation with David Eastaugh

https://medicinehead.rocks/

Fiddler and Hope-Evans met while attending Wednesfield Grammar School, and later Stafford Art School and began performing together on an informal basis. In or around 1968, they began performing the blues and rock and roll songs in pubs and clubs in and around Birmingham. Radio DJ John Peel saw Fiddler and Hope-Evans perform at the Lafayette Club and later shared their music with John Lennon, Eric Clapton and Pete Townshend. At Lennon's insistence, the duo was signed by Dandelion Records.

The demo recording of "His Guiding Hand" was released as a single, Peel describing it as "the cheapest single ever made and one of the classic records of all time" and keeping the single in his box of most treasured records. The duo's first album, New Bottles Old Medicine, was recorded in a single two-hour session, and they toured with Peel at many of his gigs, Peel paying them out of his own fee. Their second album, Heavy on the Drum, was recorded with Keith Relf, formerly of The Yardbirds, as producer. The single "(And The) Pictures in the Sky" rose to number 22 on the UK Singles Chart in 1971. This was not included on Heavy on the Drum, but was added to CD reissues of their debut, New Bottles Old Medicine. "(And The) Pictures in the Sky" was the first hit on the Dandelion label.

Peter Case in conversation with David Eastaugh

https://petercase.com/

Case was born in Buffalo, New York. He wrote his first song "Stay Away," in 1965, at the age of eleven. A veteran of several rock bands and the local bar scene as a teenager, Case dropped out of high school when he was fifteen (he would later earn a GED), and after several years of traveling arrived in 1973 in San Francisco, where he performed as a street musician. During this period a documentary about the local music scene, Nightshift, directed by Bert Deivert, captured the young Case on film. In 1976, he teamed up with Jack Lee and Paul Collins to form the early punk-era band The Nerves in San Francisco. The group's 1976 EP track, "Hanging on the Telephone", was later recorded by Blondie.

Nick Laird-Clowes in conversation with David Eastaugh

https://www.cherryred.co.uk/product/the-dream-academy-religion-revolution-railways-7cd-box-set/

 Seven CD box set of the complete recordings of The Dream Academy.

Featuring their three official albums and including all official B-sides and remixes and unreleased tracks.

The band’s Nick Laird-Clowes has searched the Warner Bros archives to find rarities and unreleased tracks and has been closely involved with remastering, creating all new artwork, and choosing photographic material as well as writing comprehensive liner notes for the set.

The Dream Academy were a British band featuring singer/guitarist and songwriter Nick Laird- Clowes, multi-instrumentalist Kate St. John, and keyboardist/songwriter Gilbert Gabriel.

In I985 the group achieved worldwide success following the release of their first single ‘Life In A Northern Town’ which saw their subsequent debut album going into the American Top 20.

Their atmospheric music was the result of an unusual musical line-up of oboe and cor anglais, string synthesiser and acoustic guitar, while their three albums for Warner/Reprise brought them a large and devoted following.

Their close musical association with David Gilmour saw him co-producing two of their three albums. Other co-productions included both Lyndsey Buckingham and Hugh Padgham.

The cinematic nature of their recordings saw the band being asked to contribute music to films by both John Hughes (Ferris Bueller’s Day Off and Trains, Planes and Automobiles) and Diane Keaton (Heaven).
The group disbanded in 1990 and the intervening years have seen extensive sampling and cover versions of their debut single, (most notably by Dario G’s ‘Sunchyme’ and Sugarland And Little Big Town’s reworking of ‘Life In A Northern Town’) resulting in further international chart success and a Grammy nomination.

Sid Griffin in conversation with David Eastaugh

https://www.sidgriffin.com/

https://www.thelongryders.com/

American singer, songwriter, guitarist-mandolinist, bandleader, and author. He led the Long Ryders band in the 1980s, founded the Coal Porters group in the 1990s, has recorded several solo albums and is the author of volumes on Bob Dylan, Gram Parsons and bluegrass music.

In 2022, Sid Griffin was on hand to accept the International Trailblazers Award on behalf of the Long Ryders from the Americana Music Association UK. Griffin and his band are also part of an exhibition at the Country Music Hall of Fame in Nashville entitled “Western Edge: The Roots and Reverberations of Los Angeles Country-Rock.” His lyric sheets for the songs “Looking for Lewis and Clark” and “Gunslinger Man” are on display, as well as band photos, posters, album covers and an interactive listening station where visitors can hear Long Ryders recordings. The exhibition is scheduled to continue to May 2025.

Ivan Doroschuk in conversation with David Eastaugh

https://www.safetydance.com/

Men Without Hats are a Canadian new wave and synth-pop band, originally from Montreal, Quebec. Their music is characterized by the voice of their lead singer Ivan Doroschuk, as well as their elaborate use of synthesizers and electronic processing. They achieved their greatest popularity in the 1980s with "The Safety Dance", a worldwide top ten hit (No. 3 in the United States), and "Pop Goes the World". After a hiatus for most of the 1990s and 2000s, Doroschuk reformed the band in 2010, and released Love in the Age of War (2012). The group, based in Vancouver, has continued to perform, including tour dates announced in support of the release of two studio albums, Men Without Hats Again (Parts 1 & 2), in 2021 and 2022 respectively.

Rob Harvilla in conversation with David Eastaugh

https://robharvilla.com/

The 1990s were a chaotic and gritty and utterly magical time for music, a confounding barrage of genres and lifestyles and superstars, from grunge to hip-hop, from sumptuous R&B to rambunctious ska-punk, from Axl to Kurt to Missy to Santana to Tupac to Britney. In 60 SONGS THAT EXPLAIN THE '90s, Ringer music critic Rob Harvilla reimagines all the earwormy, iconic hits Gen Xers pine for with vivid historical storytelling, sharp critical analysis, rampant loopiness, and wryly personal ruminations on the most bizarre, joyous, and inescapable songs from a decade we both regret entirely and miss desperately.

Bob  Andrews in conversation with David Eastaugh

http://neworleanspiano.com/

http://neworleanspiano.com/minaandbob.html

Bob Andrews - I grew up in the thick of the 60's British music scene, beginning my musical career in 1966, and spent thirteen years on the road honing my Hammond organ and piano skills with cult bands BRINSLEY SCHWARZ and GRAHAM PARKER and THE RUMOUR. In the 80’s as a producer my credits included “THERE SHE GOES” by The La’s and UK top ten hits for THE BLUEBELLS and several STIFF RECORDS artists. At the turn of the 90's I moved to New Orleans, Louisiana, becoming in demand as a live performer. I currently live and work in Taos, New Mexico.

Roy in conversation with David Eastaugh

https://www.youtube.com/watch?v=o7gDxQ0FudI

The Bambi Slam were a UK based Canadian-British quartet with an unusual instrumental lineup of guitar, cello, bass, drums, led by singer/guitarist Roy and featuring cellist Linda Miller and drummer Nick Maynard. By the time of the release of the first full-length album, The Bambi Slam, in 1988, the group had splintered, leaving the Bambi Slam as a Feldon solo project. (The album credit reads, "Written, produced, arranged and performed by Roy," though former group members also contributed.)

John Sparrow in conversation with David Eastaugh

Long-time drummer and percussionist of iconic folk punk band Violent Femmes, John Sparrow has spent his life steeped in a wild mélange of music.

John joined Violent Femmes in 2005 as a member of the Horns of Dilemma, playing cajon. In 2016 he made his drumming debut with the band, playing a Weber Grill as part of his drum kit on “The Late Show with Stephen Colbert.” Several other notable performances with Violent Femmes include headlining Coachella, as well as orchestral engagements with the Tasmanian Symphony Orchestra, Los Angeles Symphony Orchestra at the Hollywood Bowl, and Kansas City Symphony Orchestra.

From Innovative Percussion

Andy Shernoff in conversation with David Eastaugh

https://www.andyshernoff.com/

Founding member of The Dictators, one of the original New York punk bands, in which he wrote nearly all of the songs, played bass guitar and keyboards, and sang backing vocals and occasional leads. He has been involved with a variety of other musical projects, most notably the heavily Dictators-populated Manitoba's Wild Kingdom and Joey Ramone's first studio album, Don't Worry About Me.

Gemma Townley in conversation with David Eastaugh

https://blueboy.bandcamp.com/

https://www.facebook.com/profile.php?id=100063570168121

https://www.janeduffus.com/sarah-records

Originally a duo of Keith Girdler (vocals) and Paul Stewart (guitars), Blueboy rose from the ashes of Reading band Feverfew. Mark Cousens (bass), Gemma Townley (cello, vocals), Lloyd Haggar (drums) and ex-Field Mouse Harvey Williams (guitar) joined the line-up, with Martin Rose later taking over on drums. They released six 7"s and two LPs on Sarah Records, and two 7"s and an album on Shinkansen

Ali Smith in conversation with David Eastaugh

http://www.alismith.com/

https://www.blackstoneindie.com/the-ballad-of-speedball-baby-gkno.html#541=2790081

https://www.theguardian.com/artanddesign/2024/feb/05/ali-smiths-90s-new-york-punk-scene-in-pictures

The Ballad of Speedball Baby is the thrilling, extremely funny, and heart-wrenchingly vulnerable story of Ali Smith―coming of age in ’90s New York―who commits to the messy, exhilarating life of a musician and must survive the slings and arrows society reserves for women who refuse to comply.

As an only child reeling from the demolition of her parents’ toxic marriage, the New York City underground music scene offers a young Ali a different family of misfits and talented outsiders to belong to.

She becomes the bass player for edgy band Speedball Baby, a decision that will take her around the world―from onstage at the legendary CBGBs to the red-light district of Amsterdam. She’s often the only girl in a broken-down tour van, being strip-searched at the Croatian border, chased by lunatics, and navigating the seedy underbelly of a male-dominated music scene full of addiction, violence, and misogyny―all while keeping her sharp wit and dark humor intact.

Rimmed with heavy black eyeliner and smelling faintly of cheap booze, The Ballad of Speedball Baby is a pulse-quickening, unpredictable ride through the ’90s music scene―alternately terrifying, hilarious, and painfully evocative―as well as a love letter to the power of female solidarity.

Allan Crockford  in conversation with David Eastaugh

http://www.thegalileo7.co.uk/

The Prisoners - British 1960s garage/mod/R'n'B-inspired band formed in early 1980 in Chatham, Kent, England as a three-piece. James Taylor joined early 1982 after he saw The Prisoners for the first time around Christmas 1981. Signed to Countdown (an offshot / subsidiary of Stiff Records) in the second half of 1985, but later decided to disband in 1986 following the parent label's bankruptcy. Last gig before several re-unions in the 1990's was on 18th September 1986.

Andy Spinoza in conversation with David Eastaugh

https://manchesteruniversitypress.co.uk/9781526174062/

At the end of the 1970s, Manchester seemed to be sliding into the dustbin of history. Today the city is an international destination for culture and sport, and one of the fastest-growing urban regions in Europe. This book offers a first-hand account of what happened in between.

Arriving in Manchester as a wide-eyed student in 1979, Andy Spinoza went on to establish the arts magazine City Life before working for the Manchester Evening News and creating his own PR firm. In a forty-year career he has encountered a who's who of Manchester personalities, from cultural icons such as Tony Wilson to Manchester United manager Sir Alex Ferguson and influential council leaders Sir Richard Leese and Sir Howard Bernstein.

His remarkable account traces Manchester's gradual emergence from its post-industrial malaise, centring on the legendary nightclub the Haçienda and the cultural renaissance it inspired.

Larry Schemel  in conversation with David Eastaugh

One time member of the Death Valley Girls - American rock band formed in 2013 in Los Angeles, California. The band consists of vocalist and keyboardist Bonnie Bloomgarden, guitarist Larry Schemel, bassist Sammy Westervelt, and drummer Rikki Styxx. Now entering a new musical phase. 

Kill Sybil were a five piece from Seattle; three chicks and two dicks, as they liked to say. Girl-pop reverb hell on shitty equipment, powered by Schmidt beer. They started out as "Sybil", but had to change their name after their first single to avoid legal trouble from some soul singer with the same name

Iain Matthews in conversation with David Eastaugh

http://iainmatthews.nl/

Iain Matthews first gained attention as a founding member and vocalist for the innovative Fairport Convention’s first three albums, changing the voice of folk music in his country. He moved on to create Matthews’ Southern Comfort, exploring his interest in American music. They had a No 1 hit in the UK with Joni Mitchell’s ‘Woodstock’. Never one to stand still for very long Iain moved on during the 1970’s with another group, Plainsong. 

Frank Secich in conversation with David Eastaugh

https://www.highvoltagepublishing.com/product/frank-secich-not-that-way-anymore

https://www.amazon.co.uk/Not-That-Anymore-Frank-Secich/dp/0994629060

Blue Ash is an American band, formed in Ohio in the summer of 1969 by bassist Frank Secich & vocalist Jim Kendzor. Guitarist Bill Yendrek and drummer David Evans were recruited later that summer.

The band debuted at "The Freak Out", a club in Youngstown, Ohio, on October 3, 1969. They gained a loyal following playing an endless stream of one-nighters over that year. In October 1970, Bill Yendrek, was replaced by guitarist/songwriter Bill "Cupid" Bartolin.

Blue Ash continued playing 250–300 dates a year throughout Pennsylvania, New York, Ohio and West Virginia, while the songwriting team Frank Secich and Bill Bartolin accumulated an enormous amount of original material. In June 1972, Blue Ash signed a production contract with Peppermint Productions of Youngstown and started recording and sending out demos. In late 1972, they were signed to Mercury Records by A&R man Paul Nelson. Their first album No More, No Less was released in May 1973 and received rave reviews in the rock press. It is considered a power pop classic, and is regarded as highly collectible among fans of that genre

Greg Roberts in conversation with David Eastaugh

https://www.dreadzone.com/

He was a member of Big Audio Dynamite from 1984 to 1990, a band led by , former lead guitarist, and co-lead vocalist of the Clash. He went on to form Screaming Target in 1991 with ex-Big Audio Dynamite members Don Letts and Leo "E-Zee Kill" Williams, then started Dreadzone with Tim Bran, Williams and Dan Donovan, another former Big Audio Dynamite member. Dreadzone had a No. 20 hit in the with "Little Britain" in 1996.

Dreadzone are an unstoppable force who have long been, and still are, one of the best live bands around with a loyal and ever growing fanbase due in part to their storming and energetic live shows. They have been releasing albums and progressively bettering, refining and perfecting their own unique and inimitable take on dub since their inception in 1993.

Wendy Houstoun in conversation with David Eastaugh

https://www.wendyhoustoun.com/

Edgehill University Performance coming up. You can book for this show - or Manchester Lowry 14th March 8.00 pm or Soho Theatre March 20th-23rd 7.00 pm

Wendy Houstoun is a director, choreographer and performance maker who was worked  with experimental movement and theatre forms since 1980.

Her solo works Haunted Daunted and Flaunted, Happy Hour , The 48 Almost Love Lyrics  , Desert Island Dances and  50 ACTS  have all toured Europe , Australia and the US.

Works were made with long collaboraters composer John Avery, lighting designer Nigel Edwards who also act as directorial voices

Collaborative work with companies and individual artists include:

Lloyd Newson and DV8 Physical Theatre , Tim Etchells and Forced Entertainment , Charlotte Vincent and Vincent Dance Company, film-maker David Hinton, dancer Jonathan Burrows, composer Matteo Fargion, performer Nigel Charnock, dancer Rachel Krische, artist Terry O'Connor ,  performance artist Rose English, Gloria Theatre, Lumiere & Son Theatre, Ludus Dance Comapany   in theatre and site specific pieces , films and installations.

Robert Hecker in conversation with David Eastaugh

http://www.itsoktheband.com/

Played lead guitar and sang with Redd Kross from 1984 to 1991, and again from 2006 to the present, in addition to occasional on-stage reunions throughout the 1990s. He has also played guitar and sang with the band It's OK! since 1992. As of 2013, he no longer actively tours with Redd Kross, but continues to perform live with It's OK!

It’s OK! is/are: Robert Hecker (chameleon-voiced guitar guru, Redd Kross), Ellen Rooney (five-octave vocalist), Dennis McGarry (eight-string bass & three-piece suit), & Roy McDonald (drummer extraordinaire, The Muffs & Redd Kross). Individually, they can all stand as shred-lords, but collectively, they make a beautiful, hyper melodic (& harmonic) sound. 

It’s OK! have released four sixteen-song albums on Econoclast Recordings, each & every one of them a triumph of eclecticism. It’s OK! have been compared to Queen, Guided By Voices, Poi Dog Pondering, Velvet Underground, Leonard Cohen, the Ink Spots, the BellRays, & A Giant Dog, to mention just a few. “We like all different kinds & sorts of music, so we write all different kinds & sorts of songs.” The band are currently constructing their fifth album. 

Dave Hill in conversation with David Eastaugh

https://www.davehillslade.com/the-band

Without doubt one of the most exciting bands to come out of Great Britain in the past 50 years. With their unique blend of perfect pop-rock'n'roll, outrageous flamboyance and pure fun, and no less than 23 Top-20 singles of which 6 were No-1 smash hits...plus 6 smash albums, Slade have become a firm favourite in the hearts of pop fans all over the world.

SLADE'S chart career has spanned 6 decades and their enduring songs “Far Far Away”, "Cum On Feel The Noize" and "Coz I Luv You" are still featured today in TV commercials for some of the Worlds biggest companies.

SLADE first hit the road in 1966, touring throughout Great Britain and Europe and becoming a regular concert attraction. Joining forces with the former Animals bass guitarist and Jimi Hendrix Experience manager, Chas Chandler, Slade achieved their first chart hit in May 1971 with the Bobby Marchan song "Get Down And Get With It" then, released in October of the same year "Coz I Luv You" was the bands first No-1 and a huge hit across Europe.

Throughout the seventies, Slade became one of Europe's biggest bands, touring and recording continually and making regular trips to America, Japan and other parts of the world. Slade's catalogue of hits are synonymous with the era:- "Take Me Bak 'Ome", "Mama We'er All Crazee Now", "Cum On Feel The Noize", "Gudbye T' Jane", along with the many others provided a soundtrack to the Glam Generation and are still today, heavily featured on any retrospective of the time.

Desmond Child in conversation with David Eastaugh

https://desmondchild.com/

Grammy-winning and Emmy-nominated songwriter Desmond Child is one of music’s most prolific and accomplished hitmakers. He’s a film, television, theater and music producer, recording artist, performer, and author. His credits appear on more than eighty Billboard Top 40 singles spanning six decades, including “Livin’ On A Prayer,” “You Give Love A Bad Name,” “I Was Made For Lovin’ You,” “Dude Looks Like A Lady,” “How Can We Be Lovers If We Can’t Be Friends,” “I Hate Myself For Loving You,” “Livin’ La Vida Loca,” “The Cup Of Life,” “Waking Up In Vegas,” “Kings & Queens” and many more.

Elizabeth Bruce in conversation with David Eastaugh

http://www.evergreendazed.com/

https://evergreendazed.bandcamp.com/

Evergreen Dazed were formed in Leicester, England, in 1991, when Elizabeth Bruce, a US student on a year long exchange, answered a 'vocalist wanted' advert by Mark Turrell.
 
They found an instant chemistry between his dreamy pop tunes and her smoky, jazz-tinged vocals, which can be heard on their first album, 'Cloudbeams In Your Eye' (CBBMLP3).

This was recorded at home and released in Nov 1992. It features acoustic pop in the style of The Sundays or Mazzy Star, electronic ambient pieces, and echo-laden space rock.

They played a couple of gigs in San Francisco, supporting an embryonic Richard Buckner, and bay area folk rocker Sonya Hunter. They also secured a feature article in UK psych magazine Ptolemaic Terrascope, and an entry in Chris William's book of underground bands 'Adrift In The Ether'.

The book drew the attention of Spanish indie-pop label Elefant, who wanted to release some of their music. This resulted in a 7" 3 track EP 'Ocean Beach', released in 1994, and appearances on a couple of label compilations, as well as a Felt tribute CD.

Steve Almaas in conversation with David Eastaugh

https://www.discogs.com/artist/633930-Steve-Almaas

https://www.facebook.com/salmaas

The Suicide Commandos are an American punk rock trio from Minneapolis. They formed in 1975 and released two 7-inch EPs on an indie label in 1976 and 1977 before signing with Blank Records (a subsidiary label of Mercury Records) in 1977 and releasing one album, Make a Record. Despite their short original 4-year stint together, the Suicide Commandos are considered the pioneers for jump-starting a punk rock music scene in the Twin Cities, which eventually produced bands like The Suburbs, Hüsker Dü, The Replacements and Soul Asylum

Caroline Azar & G.B. Jones in conversation with David Eastaugh

https://www.youtube.com/channel/UCYSvRgOMKKIY6SktAeGdFgg

Their first vinyl release was the 7" Boy-Girl EP produced in 1983 by Voicepondence Records.

The name of their first full-length recording To Sir With Hate was a play on the theme song from the British school film Produced by Michael Phillip Wojewoda, it is now considered a classic of Canadian music; at the 2016 Polaris Music Prize it was named a shortlisted nominee in the 1976-1985 category for the 2016 Polaris Music Prize, the 2017 Polaris Music Prize, and the 2018 Polaris Music Prize.

A song from this LP, "The Fairview Mall Story" was based on true events concerning media publication of the names of men arrested after being entrapped by police and was instrumental in paving the way for the emergence of the queercore scene. Their video for the song, directed by indie feature film director Steven Rumbelow, involved 50's images of men cruising in their new cars, shopping malls, and car crashes, was intercut with the band and go-go dancer Bruce La Bruce. A video for the song "Where Are they Now?" was also made, directed by Marc de Guerre.

Their live shows often included films played overtop of the band and a 'go-go' boy dancing. They were frequently accompanied by guest musicians who played instruments as varied as saxophone, trumpet, flute, or violin.

Robert Sellers and Nick Pendleton in conversation with David Eastaugh

http://www.paradiseroad.co.uk/marquee-the-story-of-the-worlds-greatest-music-venue

Marquee: The Story of the World’s Greatest Music Venue tells the story of both the music club and the festival, from the birth of the club in 1958 and festival in 1961, through to their sale by original owners Harold and Barbara Pendleton thirty years later.

Hardback, 320 pages, with 49 black & white illustrations

The Marquee is the most famous and iconic music club in the world. Melody Maker called it, ‛The most important venue in the history of pop music.’ 

The story of the Marquee is the story of popular music in Britain. This new book from Paradise Road evokes the hot, sweaty and sticky life and times of the club through the words of the musicians, management, staff and fans who were there to witness music history being made.

Terry Newman in conversation with David Eastaugh

https://www.accartbooks.com/uk/book/taylor-swift/

Terry Newman worked in the fashion industry for more than 20 years, both as an editor at i-D, Attitude, and Self Service and as a contributing writer for newspapers including the Guardian, the Independent, the Times, and the Sunday Times.

Taylor Swift is the quintessential millennial. Free-thinking and creative, she navigates pop stardom with boundless charisma and a keen eye on her digital presence. She has become a truly global phenomenon but remains intimately connected with her fans. A born storyteller, her outfits mark the different phases of her whirlwind life every bit as clearly as her songs. From cowboy boots to cottage-core, Saint Laurent to sci-fi, onstage and on the street, her clothes are always carefully chosen to match the moment. These pages reveal those moments in gorgeous photographic detail with reliably astute analysis from the author of Harry Styles and the Clothes He Wears. The latest in a popular celebrity fashion series, this book charts the style evolution of a hyper-chic superstar at the vanguard of 21st-century culture.

Steve Parsons in conversation with David Eastaugh

Sharks are a British rock band formed in 1972 by former Free bassist Andy Fraser upon his departure from Free. They were signed to Island Records and were highly rated by critics, especially for Chris Spedding's guitar work.

The original line-up consisted of Fraser (bass, piano), Snips (real name, Steve Parsons) (vocals), Spedding (guitar) and Marty Simon (drums).

Steve Parsons and Anke Trojan directed the 2023 documentary Not a Rock-Doc: A Shark's Tail, about the ups and downs in the story of this band, from the success heights in the '70 to the issues that led to its dissolution and then to further insights around the subsequent reunion. Filmed in Berlin, Tokyo and London, the film was noticed for its integration of various angles of raw footage and for its humor and irony. The narrative is stirred by interactions with Steve Parsons and Chris Spedding, notably Jordan Mooney (Pamela Rooke) managing to bring to light previously unknown nuances in discussions with an otherwise tight Chris Spedding.

Stephen Budd  in conversation with David Eastaugh

https://www.record-producers.com/

Stephen Budd is a British music industry executive based in London. He is a director of artist and producer management company Stephen Budd Music Ltd, the OneFest Festival, the Africa Express project and is the co-founder of the NH7 Weekender festivals in India.  In June 2017 he completed his 3-year term as co-chairman of the MMF (Music Managers Forum). He is a co-executive producer of Amnesty International and Sofar Sounds' ‘Give A Home’ global concert series. His current management roster includes the artists Dry The River and Nubiyan Twist, along with the record producers Rob Ellis, Tore Johansson, Valgeir Sigurdsson, Nick Zinner, Mike Hedges, and Arthur Verocai.

Gitane Demone in conversation with David Eastaugh

https://darkvinylrecords.bandcamp.com/album/the-new-young-kings-of-midnight?fbclid=IwAR2yqngs8N6zgEivN3YHKOsvq8e5u1cxCm4SBvX3TlMNwgU9Hg6Bd6TJAl4

https://gitanedemone.bandcamp.com/

American singer, musician and visual artist. Her career spans more than 30 years. She came to prominence in the mid-1980s as the keyboardist and backing vocalist of the influential band Christian Death. In addition to her work with Christian Death, Demone was previously a member of Pompeii 99, worked with Dreadful Shadows, and has had a solo career which has included three studio albums: Am I Wrong?, Stars of Trash and The Reflecting Shadow.

Derwood Andrews in conversation with David Eastaugh

https://derwoodandrews1.bandcamp.com/

Guitarist, writer and founding member for- Generation X, Empire, Westworld, Dead Horse, Moondogg, Speedtwinn, Tone Poet and other glorious stuff...

In late 1976, Andrews was playing lead guitar with an band called Paradox. Whilst performing at a gig at the Fulham Arts Centre he was talent-spotted by the punk-rocker Billy Idol, who was at that time looking for a guitar player to complete the line-up of a new band that he had just formed that would be named Generation X.

Mark Turrell in conversation with David Eastaugh

http://www.evergreendazed.com/home.html

Evergreen Dazed were formed in Leicester, England, in 1991, when Elizabeth Bruce, a US student on a year long exchange, answered a 'vocalist wanted' advert by Mark Turrell.
 
They found an instant chemistry between his dreamy pop tunes and her smoky, jazz-tinged vocals, which can be heard on their first album, 'Cloudbeams In Your Eye' (CBBMLP3).

This was recorded at home and released in Nov 1992. It features acoustic pop in the style of The Sundays or Mazzy Star, electronic ambient pieces, and echo-laden space rock.

They played a couple of gigs in San Francisco, supporting an embryonic Richard Buckner, and bay area folk rocker Sonya Hunter. They also secured a feature article in UK psych magazine Ptolemaic Terrascope, and an entry in Chris William's book of underground bands 'Adrift In The Ether'. 

Andy Prieboy in conversation with David Eastaugh

https://wallofvoodoo2.com/home

https://www.andyprieboy.com/home

In early 1984, he was invited to join Wall of Voodoo, occupying the vacated front-person position. Touring the world and recording three albums with the band, his composition Far Side of Crazy charted in foreign markets, going top ten in Australia. 

In the early 1990's, his solo work featured Tomorrow Wendy, covered by Concrete Blonde on their Bloodletting album. In addition, Emmylou Harris and Linda Ronstadt performed Loving the Highway Man as a duet on their Western Wall album. 

By the middle of the decade, he was writing, directing, and performing his acclaimed musical, White Trash Wins Lotto, a Gilbert and Hooligan take on the Guns n' Roses story. Between 1995 and 2001, White Trash Wins Lotto successfully ran at Largo and The Roxy Theater in Los Angeles. It was also featured at The HBO Comedy Festival, New York's PS 122, and on Conan O'Brien. 

In 2004, Andy co-authored a novel The Psycho-Ex Game with Emmy Award-winning writer Merrill Markoe for Random House. 

After taking time out to compose, Andy returned to the stage to present an autobiographical song cycle called A Thousand Gorgeous Lies at The Harold Williams Theatre at The Getty Center in Los Angeles. 

Most recently, Andy has been working on this collection of forgotten, abandoned, and unfinished songs which he calls "One and One Make Three."

Annie Haslam in conversation with David Eastaugh

https://anniehaslam.com/annie-haslam-original-art/

https://johnwettonlegacy.co.uk/

In February 1971, Haslam became the new lead singer of Renaissance after answering an advertisement in the British periodical Melody Maker - Haslam was lead vocalist on seven studio albums during their classic period (1972–1979), four studio albums from 1981–present, and a number of live albums.

In August 1978 the band's single "Northern Lights" reached the top 10 in the UK singles charts.

Nick Haeffner in conversation with David Eastaugh

https://nickhaeffnerdimplediscs.bandcamp.com/album/what-time-can-do-2

http://www.nickhaeffner.co.uk/index.html

In 1980 he joined post-punk band The Tea Set, recording an album and several singles and gigging extensively including supports for U2, Iggy Pop, The Clash and XTC. Nicks solo album The Great Indoors was released on Bam Caruso records in 1987.In 2019 after a number of years as a lecturer Nick has returned to music with self released music through Bandcamp. 

Kevin Armstrong in conversation with David Eastaugh

https://www.kevin-armstrong.com/

https://www.amazon.co.uk/Absolute-Beginner-Memoirs-least-known-guitarist/dp/1911036173

Armstrong was signed by Charlie Gillett's Oval Records in 1980 and formed the group Local Heroes SW9  and released two albums, Drip Dry Zone in 1980 and New Opium in 1981.

Armstrong took part in the recording of The Passions's third album Sanctuary, produced by Mick Glossop. The first single from that album was "Jump for Joy", which was released on 5 May 1982, followed by the album and the "Sanctuary" single on 18 September 1982.

Armstrong collaborated with David Bowie on the soundtrack for the film Absolute Beginners. He also played in the band for David Bowie's Live Aid appearance in 1985, and recorded the song "Dancing In The Street" with David Bowie and Mick Jagger.

He played guitar on the Iggy Pop 1986 album Blah Blah Blah and was musical director for Iggy Pop's world tour in 1986/87.

Mick Rossi in conversation with David Eastaugh

https://secretrecordslimited.com/products/seccd293

https://open.spotify.com/album/6CDdnpP6vmKBji4D0JLslu?si=-aD8bL4ySwuM8Je73_5geA

Legendary Slaughter & The Dogs guitarist Mick Rossi released solo album All The Saints and All The Souls in 2020 - his new album Gun St, named after the street where his family moved to in Ancoats in the 1930s, was released on Secret Records Ltd. 

Slaughter and the Dogs are an English punk rock band formed in 1975 in Wythenshawe, Manchester. Their original line-up consisted of singer Wayne Barrett McGrath, rhythm guitar Mick Rossi, drummer Brian "Mad Muffet" Grantham, lead guitarist Mike Day and bassist Howard Bates.

https://www.paul-simpson.co.uk/the-wild-swans/

https://www.roughtrade.com/en-gb/product/paul-simpson/revolutionary-spirit-a-post-punk-exorcism-the-teardrop-explodes-care-the-wild-swans-and-beyond

Part memoir, part social history, Revolutionary Spirit is the poignant, often hilarious story of a cult Liverpool musician's scenic route to fame and artistic validation, and marks the arrival of an original literary voice.

If Morrissey was the Oscar Wilde of the 1980s indie scene, Simpson was its William Blake; a self-destructive genius so lost in mystical visions of a new arcadia that he couldn't meet the rent.

Simpson's career begins alongside fellow Liverpool luminaries Ian McCulloch, Bill Drummond, Will Sergeant, Pete Wylie, Pete Burns, and Holly Johnson at the infamous Eric's club, where, in 1976, he finds himself at the birth of the city's second great musical explosion. He co-founds and christens the neo-psychedelic pop group The Teardrop Explodes with Julian Cope but walks out of the band just as they are about to break big and goes to work in a tearoom instead. He then forms The Wild Swans, the indie-band of choice for literary-minded teens in the early 1980s, and Care with Ian Broudie of The Lightning Seeds, sharing a flat with a seventeen-year-old Courtney Love along the way.

Inge Kuijt in conversation with David Eastaugh

https://www.comsatangels.org/missing.htm

Comsat's fan Inge Kuijt is publishing her book Band. Fans. Friends. Music. The book is Inge's autobiography, a highly personal account of her "life with the Comsats".

"I first saw and met the band in 1981. Since then I've seen them live 70 times. In the nineties I ran their Dutch fan club, and I am still regularly in touch with most band members.

Not only did I meet the band early on, we became friends as well. I know their history well, because I've more or less lived big chunks of it with them, being there at sound checks, in their dressing room, and going out for a drink with band members after a gig - witnessing everything, then going home and writing it all down, in detail, in my diary.

I have used these old diary entries as a basis for the book. They make up the main story line. It goes beyond my touring life though - the book includes my first visits to Sheffield and also the reunion gig of 2009.

The book follows the band's career, their records and their Dutch touring life in chronological order. I have included many private pictures, both on stage and backstage.

Celia Hemken in conversation with David Eastaugh

https://www.youtube.com/watch?v=a0Kq806pWqw

http://www.celiahemken.com/

https://www.youtube.com/watch?v=Ab15SRDfdc4

Bio by Celia Hemken of Blue Nouveaux:  Before I signed with Black and Blue records I had played classical flute with the Richard Hickox orchestra, recorded a John Peel session for UK Radio One and co-founded a theatre company. I’d busked (American transl: playing street music) round Europe playing flute as a Harlequin and had followed a Polish Circus with an Anglo/American punk-folk band. Back in England I appeared on Tyne Tees Television and at the London Hippodrome with a duo. I had made a music video based on the Twenties silent movie actress Louise Brooks and was a guerilla filmmaker with my first short, Dog Leap, throwing dummies off the 84 feet Newcastle Bridge. I’d done all this, but I hadn’t yet achieved a main ambition – to go to America. 

Paul Chastain in conmversation with David Eastaugh

https://thesmallsquare.bandcamp.com/album/ours-others

https://farmtolabelrecords.com/artists/the-small-square/

Velvet Crush is an American band from Providence, that achieved prominence in indie-rock circles in the early- and mid-1990s. The band broke up in 1996 but re-formed in 1998 and have continued to record, releasing their most recent album in 2004. Vocalist/bassist Paul Chastain and drummer Ric Menck are the band's core members, having previously worked together as Choo Choo Train, Bag-O-Shells, and The Springfields, and they share singing and songwriting duties.

Derek Philpott in conversation with David Eastaugh

Amazon UK

https://a.co/d/5t6o7QM Amazon Worldwide

For close to a decade and a half the Philpotts have been getting under the skin of musical artistes. Picking up on glaring errors in their lyrics or sometimes getting completely the wrong end of the stick (perhaps to irritate things a little further) they totally misunderstand the meaning of ‘poetic license’.

Hundreds of missives have landed on the real and virtual doormats of musicians, worldwide. In return, these lyrical legends have exercised their right to reply, correcting and sometimes confirming the authors’ summation of what went wrong... or right.

In this book, enquiries were aimed directly at U.K. Indie bands.. These included Adorable, The Bevis Frond, Bis, Catherine Wheel, Crazyhead, Cud, David Devant and this Spirit Wife, Flowered Up, Fuzzbox, Goodbye Mr. Mackenzie, The June Brides, Ned's Atomic Dustbin, New Fast Automatics Daffodils, The Nightingales, The Orchids, Paris Angels, Pele, Salad, Senseless Things, The Soup Dragons, Spacemen 3, Swervedriver, Talulah Gosh, That Petrol Emotion, 3 Colours Red, Thousand Yard Stare, The Telescopes and The Woodentops

'Dear Catherine Wheel" is the result.

Philomena Muinzer in conversation with David Eastaugh

http://www.cruelladeville.com/

https://soundcloud.com/cruelladevillemusic

Cruella de Ville, formerly known as Blazer, was a band from Northern Ireland that presented a mixture of post-punk and gothic rock from 1982 to 1984. They were mostly a studio band, who performed on television on at least two occasions and released a number of singles. Their best-known song is "Those Two Dreadful Children", and their re-released single "I'll Do the Talking" topped the Irish charts in 1985.

Steve Drewett in conversation with David Eastaugh

https://www.newtownneurotics.com/

https://www.youtube.com/watch?v=nvooaI5ePso

Formed in 1979 by Steve Drewett, they began like so many others to attempt to get their clumsy fingers around three chords and ape the Ramones who were their heroes. Sporting Joey Ramone length hair Steve would sneer at cries of "Bloody Hippie" from the audience but after a couple of numbers nobody cared they just went into pogo frenzy.

The early stuff from the band like "Hypocrite" and "When The Oil Runs out" singles were both great melodic punk songs on the type found in the early eighties but both were written prior to the election of the Thatcher monster.

The horror of this event changed what was the non-political writing style of Steve's lyrics into the other extreme, and so in June 1982 "Kick Out The Tories" was released on CNT records. This was a double "A" side shared with Mindless Violence as it was quite obvious that the political nature of "Tories" would prevent it some what from being Radio One's Tony Blackburn's single of the week!

Mike Baggetta in conversation with David Eastaugh

https://mikebaggetta.com/

mssv's second studio album Human Reaction , is released by BIG EGO Records as a digital download, 12” LP vinyl, and via streaming platforms on September 1. The band, composed of guitarist Mike Baggetta, Stephen Hodges (Tom Waits, David Lynch) on drums and avant-punk icon mike watt on bass, creates music that is a heretofore unimagined hybrid of a punk power-trio and a dreamy experimental rock band, though they prefer the term “post-genre.”

Jérôme Soligny in conversation with David Eastaugh

In David Bowie Rainbowman, Jérôme Soligny tells the story of David Bowie the musician with the help of those intimately involved with the creation of his music.

This uniquely exhaustive work on Bowie's 1967-1980 albums draws on over 150 interviews with the musicians, producers and friends who knew Bowie best, including Robert Fripp, Hermione Farthingale, Lou Reed, George Underwood, Mick Ronson, Carlos Alomar, Trevor Bolder, Mike Garson, Woody Woodmansey and many, many others. With an essay by Soligny on each album followed by oral histories from the most trusted and influential figures in Bowie's musical life, David Bowie Rainbowman is the definitive guide to a singular and mercurial genius - the Rainbowman himself.

Lloyd James in conversation with David Eastaugh

English punk rock band formed in 1977. An openly left-wing and anti-fascist band, they performed at rallies for Rock Against Racism and the Anti-Nazi League, and at Right to Work marches.

https://naevus.bandcamp.com/

Naevus is a British experimental rock group. Formed in London in 1998 by Lloyd James (vocals, acoustic guitar) and Joanne Owen (bass, accordion), Naevus were often categorised as part of the ‘neo-folk’ genre. Their music has also drawn comparison with acts such as Swans and Wire, and often includes elements of industrial music. 

Chris Matthews in conversation with David Eastaugh

https://quizshow.bandcamp.com/album/quiz-show

American indie rock trio Quiz Show release their debuut album this spring, the trio is made up of Chris Matthews (founding member of legendary DC alternative rock band Shudder To Think and his powerful rhythm section, bassist Jesse Krakow and drummer Joe Billy. But Quiz Show is not just any band - it's a continuation. After picking up his guitar and again writing songs, Matthews formed Quiz Show with former Shudder To Think drummer Kevin March (Guided By Voices, The Dambuilders).

The 'Quiz Show' LP brings together the singles the band recorded with award-winning producer Ray Ketchem (Guided By Voices, Luna, Versus, Elk City, Gramercy Arms) between 2017 and 2020 at his Magic Door Recording Studio in Montclair, NJ. Ketchem also re-mastered these tracks for this release. Interesting fact: through this process, Matthews discovered that he enjoys singing as much as playing guitar.

Jill Smith in conversation with David Eastauggh

https://www.jill-smith.co.uk/

Born in London, Jill trained as an actress at RADA, and was later known as Jill Bruce. In the 1970s and early 1980s, she was a Performance Artist in partnership with the late Bruce Lacey. For five years they received funding from the then Arts Council of Great Britain.

Evolving through science fantasy and alchemy, the performances were spectacular, largely outdoor, ceremonial, ritual celebrations of the turning cycles of earth and cosmos.

Jill evolved her wonderful costumes as a form of living sculpture, wearing them to evoke the spirits and energies of the elements and forces she was honouring.

The performances were at venues all over Britain: at fairs, festivals, art centres, colleges, art galleries; and alone at ancient sites – the documentation of these being later exhibited with installation and Performance at major exhibitions, including two at the Acme Gallery and one at the Serpentine.

Paul Nash in conversation with David Eastaugh

http://www.thedansesociety.com/

In June 2018 the band release an EP, The FUTUR1ST, including a cover of NIN's "Hurt" dedicated to the Sophie Lancaster Foundation, and the tracks "One Thought in Heaven" and "Scream" featuring drummer Joss Rylance who replaced Iain Hunter, and who has subsequently been replaced by Tom Davenport. September 2020 saw the release of the bands 7th Studio album Sailing Mirrors whilst celebrating their 40 years anniversary. And the band are currently in production of their 8th studio album 'The Loop' due to be released late 2023.

Jim Cregan in conversation with David Eastaugh

www.jimcregan.com

Rock guitarist and bassist, best known for his associations with Family, Steve Harley & Cockney Rebel and Rod Stewart. Cregan is a former husband of the singer Linda Lewis and worked with her as a record producer. He has also worked with London Quireboys, Glass Tiger, Katie Melua and formed Farm Dogs with Bernie Taupin.

Jean Cafffeine in conversation with David Eastaugh

https://jeancaffeine.bandcamp.com/album/sadie-saturday-nite

https://jeancaffeine.bandcamp.com/album/pulsallama-2

https://www.sadiesaturdaynite.com/?fbclid=IwAR1NYafhK0y8y3Ls0FJzRYZlYtkd59r1DyfGekS6r2CI4zDIQx_jw9togsg

Miss-Alternative-County-before-Alternative-Country-was-Cool 

Nicolas Dufaure &  Ronan Le Sergent in conversation with David Eastauugh

Formed in 1983 and originating from the region of Paris.

The band was originally composed of Olivier Champeau (vocals, keyboards) and Vincent Le Gallo (vocals, guitar, bass). Their first releases were two cassettes, La Cassette Froide (1986) and Past and Future (1987). Before the recording of their first EP, 1988's Private Life, the pair added Nicolas Dufaure, also known as "Bill" (bass, guitar, vocals).

On stage (and in the studio, starting in 1990), the group expanded to include Yves Charreire (drums), Ronan Le Sergent (keyboards, piano, organ), and Georges Remiet (guitar).

Little Nemo disbanded in 1992 but reformed in 2008 with a lineup of Le Gallo, Dufaure, Charreire, and Le Sergent, releasing the Out of the Blue comeback album on 21 September 2013.

Michael Blair in conversation with David Eastaugh

Michael Blair is an American drummer and percussionist who has worked on records and tours with Tom Waits (Rain Dogs, Franks Wild Years), Elvis Costello (King of America, Spike and Lou Reed (Magic and Loss). As a writer/arranger he has collaborated with legendary beat poet Allen Ginsberg, and as a producer he has worked with Victoria Williams, Ryan Adams and Soul Asylum.

Anthony Dolphin in conversation with David Eastaugh

https://santasprees.bandcamp.com/

https://bandcamp.com/anthonydolphin

The Anglo-Japanese band Santa Sprees have been advancing the art of unpopular song since 1994. Making questionable progress from the low-skilled, no-fidelity, no wave of their earliest cassettes to the largely futile primitive avant bubblegum of today, releasing ten collections to date on a trail of defunct labels and media.  

Jacqueline Bradley in conversation with David Eastaugh

The Hellfire Club, Glasgow - Rehearsal space and recording studio which was active in the early 1980's. Operated by David Henderson  and Jacqueline Bradley with help from Henderson's sister Jaine Henderson. 

Prince Stash in conversation with David Eastaugh

https://princestash.com/

Stanislas Klossowski de Rola is an Author, Entreprenuer, Actor, Singer, and Music Producer. He performed and worked with a various bands including The Beatles, The Rolling Stones, Vince Taylor & The Playboys, during the Swinging Sixties in London, Rome, Paris, and Los Angeles.

Known for his infamous arrest with The Rolling Stones founder, Brian Jones, his engagement to Italian superstar, Romina Power, and for being a deluxe hippie during the ‘60s, Prince Stash comes from a line of scandalous and very colorful figures in his ancestry.

Prince Stash currently spends his time between his Italian castle, Californian beach house, and other exotic international locations.

John Douglas in conversation with David Eastaugh

https://johndouglas.bandcamp.com/album/john-douglas-2023

https://trashcansinatras.com/

Scotland's Reveal Records is pleased to announce that the debut solo album from
one of Scotland’s finest songwriters - John Douglas (Trashcan Sinatras) - will be
released worldwide on October 6th.

At long last, fans and newcomers alike are treated to an intimate snapshot of the talent,
charisma and depth of this celebrated Scottish indie songsmith. With this release
comes the start of a new chapter in John Douglas' creative life as he simultaneously
looks back at a lifetime of musical adventures and accolades and moves forwards.
The album 'John Douglas' features new recordings of some of John's favourite
Traschcan Sinatras material, alongside new songs he has written and his own rendition
of the Prefab Sprout classic ‘We Let The Stars Go’.

The eleven songs on this record were performed solo, recorded live at Kyoti Studio in
Glasgow (with no overdubs)

Tom Hagler in conversation with David Eastaugh

https://www.waterstones.com/book/bowie-at-the-bbc/david-bowie/tom-hagler/9781802796209

Bowie at Thee BBC - A Life in Interviews

The life of an icon, in his own words.

David Bowie had a unique relationship with the BBC, making more appearances on 'the beeb' than any other broadcaster throughout his career. An anonymous pre-fame teenager, a blossoming starlet, a white-hot rock star and a veritable elder statesman of pop: the BBC had the inside scoop on it all.

In this fascinating collection of BBC television and radio transcripts, Bowie's life story is told in his own words, across more than 35 appearances spanning over forty years. Each provides an illuminating snapshot of moments in a remarkable career. But read together, they offer a completely new take on Bowie himself, a first-person look at the rise and rise of a star.

Compiled and guided by David Bowie expert and BBC journalist Tom Hagler, Bowie at the BBC is the complete story of an incredible life lived on the airwaves.

Mick Wall in conversation with David Eastaugh

Wall began his career contributing to the music weekly Sounds in 1977, where he wrote about punk and the new wave, and then rockabilly, funk, New Romantic pop and, eventually, hard rock and heavy metal. In 1979, he left music journalism to become the partner in his own PR firm, Heavy Publicity.

Latest book - Eagles - Dark Desert Highway: How America’s Dream Band Turned into a Nightmare

Sushil K. Dade & Ross A. Sinclair in conversation with David Eastaugh

https://www.facebook.com/p/The-Soup-Dragons-100057732055198/

Fri. Oct 2023. Manchester | Manchester Academy 2.

Sat. Oct 2023. Birmingham | O2 Academy2 Birmingham.

Sun. Oct 2023. Leeds | Brudenell Social Club. ...

Tue. Oct 2023. London | Electric Ballroom. ...

Wed. Nov 2023. Newcastle upon tyne | Boiler Shop. ...

Thu. Nov 2023. Glasgow | SWG3 Galvanizers.

The Soup Dragons formed in Bellshill, a town near Motherwell, in 1985. The line up was Sean Dickson (vocals, lead guitar), Jim McCulloch (guitar, second voice) who replaced Ian Whitehall, and Sushil K. Dade (bass). The original drummer Ross A. Sinclair left the group after the first album This Is Our Art to pursue a career in art, and he was replaced by Paul Quinn. Most of their songs were written by Sean Dickson.

Abbo & Spon in conversation with David Eastaugh

UK Decay was born from another Luton band called the Resiztors, who had formed in 1978. The Resiztors' line-up consisted of guitarist Steve "Abbo" Abbott, drummer Steven David Harle, bassist Martin "Segovia" Smith and vocalists Ricky Smith and Paul Wilson. After the vocalists' departure in the spring of 1979, the remaining band members changed their name to UK Decay, with Abbott as singer (and guitarist). They soon released the Split Single 7-inch EP in partnership with fellow local band Pneumania, on their own Plastic Records label. The EP featured two tracks from each band, with UK Decay contributing "UK Decay" and "Car Crash". At the same time, some UK Decay members produced their own monthly fanzine The Suss and ran their own punk record and clothes shop called Matrix. Guitarist Steve Spon was soon recruited from Pneumania, allowing Abbo to concentrate on frontman duties.

Jane Duffus in conversation with David Eastaugh

https://www.tangentbooks.co.uk/shop/these-things-happen-the-sarah-records-story-by-jane-duffus-signed-copies

https://www.janeduffus.com

This is the definitive history of Sarah Records; the Bristol-based label that signed the acts no major label would touch but who you wanted to hear.

Sarah put out a board game, produced cut 'n' paste fanzines and stuck two fingers up to the mainstream music industry. Sarah was your secret world and it was located in the heart of Bristol. Sarah Records lasted for seven years, nine months and 11 days. 

In These Things Happen, those who were there at the beating heart of the indie-pop world reveal the deepest, darkest secrets of what really went into making Sarah’s pop masterpieces. Featuring almost 130 interviews, including at least one member of every single band (as well as the world exclusive first interview with Christine of Christine’s Cat fame), this book is an oral history of a defining moment in pop history. 

Marc Lewis  in conversation with David Eastaugh

http://thesnakecorps.net/

The Snake Corps were formed in 1984 by members of Sad Lovers & Giants. Tristan Garel-Funk and Nigel Pollard conceived the band, but Pollard left prior to recording the first album. Vocalist Marc Lewis responded to an advert in Melody Maker for a singer and shared a flat with Garel-Funk, the pair recruited Liam McGuinness on Bass and John Greville of Rudimentary Peni on drums.

The music was an original fusion of post-punk, indie rock and a dynamic guitar and vocal soundscape. Not unlike Sad Lovers & Giants before them, they focused on creating dreamy rock anthems and at least partly, discarded the post-punk influences of many their contemporaries. Consequently, the band found that the European market was more aligned to their musical style and they toured abroad extensively.

Johnette Napolitano in conversation with David Eastaugh

https://www.johnettenapolitano.net/?fbclid=IwAR1wzeUP_R1uKMz0pBsxYlK2r7RPX9Dt3SFHuUlP0ga8Jk2YyEy7NATarCQ

In 1986, Napolitano co-founded Concrete Blonde with guitarist James Mankey. She sang and sometimes played bass guitar. The pair had worked together under a variety of names since 1982. They released seven studio albums between 1986 and 2004.

June Miles-Kingston in conversation with David Eastaugh

British singer and drummer, best known for her work with various successful bands and singers in the 1980s. She was a founding member of the post-punk group the Mo-dettes, which lasted from 1979 to 1982, and later became a session drummer and backing vocalist for a variety of British post-punk, new wave, and pop artists.

Simon 'Sice' Rowbottom in conversation with David Eastaugh

https://www.thebooradleys.com/

https://www.facebook.com/siceboo/events/?id=100032373476095&sk=events

The band's seventh studio album, Keep on with Falling, was released on 11 March 2022. Eight was announced on January 2023 to be released on the same year alongside the new single "Seeker".

Gary Newby in conversation with David Eastaugh

Factory Records recorded their debut single "A Gentle Sound" in 1986. This was followed by their first album, Reunion Wilderness in 1987. They left Factory shortly afterwards and were signed to Virgin Records.

1988 saw the release of their second album, Recurrence, on Virgin Records, and support tours with R.E.M. in Europe (Work Tour) and The Sugarcubes in the US. A national chart hit eluded them with singles "In the Meantime", "Somewhere South" and "Over and Over". In 1990, they released Native Place, an album that saw the band take a more pop oriented direction, with keyboard textures coming more to the fore than previously. "Every Beat of the Heart" became a top 40 hit in the UK with a peak at No. 24.

Paul Collins in conversation with David Eastaugh

https://thepaulcollinsbeat.com/

https://hozacrecords.com/product/idfi/

American writer, author, music producer, and multi-instrumentalist. He is best known for his work in the power pop groups The Nerves, The Breakaways and The Beat.

Thereza Bazar in conversation with David Eastaugh

https://linktr.ee/therezabazar?fbclid=IwAR1F6rdK47D-jMRNarXdfasSvU7DXAABq9W-myXrDHuI9rtciaHy79jtzJE

Thereza Bazar met with success in her late teens as a member of 1970s group Guys 'n' Dolls, who scored a 1975 hit with "There's A Whole Lot of Lovin'" and went on to have a period of chart success, which also included "Here I Go Again On My Own", a composition by the 17-year-old Bazar.

Formed Dollar in 1977. Their hits began with "Shooting Star" in 1978. They then had several big hits including "Love's Gotta Hold on Me" in 1979, "Mirror Mirror" in 1981 and "Give Me Back My Heart" in 1982, until "Oh L'amour" which hit the Top 10 across Europe in 1987.

David Jenkins in conversation with David Eastaugh

https://linktr.ee/themotionband?fbclid=IwAR2f3F_sT97ivcpZhXkbw3cLaSSPag4lccdIlU7ycEjM3YijLjIsC5w3rSQ

Tom Hingley in conversation with David Eastaugh

http://tomhingley.co.uk/

Hingley formed a band called Too Much Texas, and got a job collecting glasses at The Haçienda nightclub in Manchester. He joined Inspiral Carpets as lead vocalist in 1989. Inspiral Carpets broke up in 1995 and Hingley started a career as a solo artist, releasing Keep Britain Untidy (2000) and Soulfire (2002)

Paloma McLardy  in conversation with David Eastaugh

https://www.punkspalmolive.com/

Spanish drummer and songwriter who was a member of influential early punk bands. She founded the Slits toward the end of 1976. After leaving that group in 1978, she joined the Raincoats and performed on their first album, The Raincoats.

Deena Shoshkes in conversation with David Eastaugh

http://www.thecucumbers.net/

Old Shoes, The Cucumbers’ first collection of new material in almost two decades, although band mainstays Jon Fried and Deena Shoshkes have released several albums and singles of new music in the interim - Deena as a solo artist, Jon and Deena together in the NJ indie pop all-star ensemble The Campfire Flies. This is sent for your editorial use; please don't post or share. The Cucumbers were key figures on the Hoboken jangle pop scene of the 80s, whose catchy, quirky, danceable songs brought them a burst of national attention, and they remain a vital part of their local music scene.

Robin Dallaway in conversation with David Eastaugh

https://silverlakemusic.bandcamp.com/

The Very Things were an English Dadaist post-punk band from Redditch, Worcestershire, England, formed in 1983 and active until 1988. 

The Cravats - A neo-dadaist group from Redditch, UK, formed in March 1977. Guitarist / vocalist Martin Seys left the band early and drummer Ethos Yapp left after the recording of first single 'Gordon'. From there on, the 'classic' line up of The Shend, Robin Raymond Dallaway, Svor Naan and Dave Bennett managed to release six more singles and two full albums (most of them on Small Wonder; some appeared in the indie charts Top 30), interspersed with some dada happenings. Between July 1979 and November 1982, they were also asked to make four sessions for the legendary John Peel radio show. 

Wayne Hussey in conversation with David Eastaugh

https://themissionukband.com/home

Book - Heady Daze The Mission Years 1985-1990

Graham Parker in conversation with David Eastaugh

https://www.grahamparker.net/Home.html

In the spring of 1975, Graham Parker, a 24-year-old petrol pump attendant from Surrey, England, began to drive up to London to meet like-minded musicians and get a backing band behind his songs, which he now considered to be stronger and more interesting than anything he was hearing on the radio. By placing an advert in the Melody Maker he met Noel Brown, a guitarist, and Paul “Bassman” Riley, a bass player who had featured in Chilli Willi and The Red Hot Peppers, a so- called “pub rock” band that had recently split up. Riley thought Parker should meet Dave Robinson, a manager who ran a small studio above the Hope and Anchor pub in Islington. Robinson had previously managed Brinsley Schwarz, another demised pub rock outfit that included its eponymous guitarist, Nick Lowe on bass and Bob Andrews on keyboards. 

Annie Hogan  in conversation with David Eastaugh

https://annihogan.co.uk/

https://annihogan.bandcamp.com/

Annie Hogan studied piano before attending Leeds University in 1979 to study politics. It was while in Leeds she met Marc Almond and Dave Ball at a local music venue. In 1980, Hogan took a year out and began DJing and promoting in local clubs. Some of her first bookings were bands like Soft Cell and the Human League. Later in London, she met Matt Johnson from the The who introduced her to Simon Fisher Turner who she began recording with on an album titled Deux Filles. It was this recording that began her working relationship with Almond, after he had heard Hogan playing on the album. Almond then asked her to collaborate on his solo material. Her first ever live concert was performing with an early line up of Marc and the Mambas at the Theatre Royal, Drury Lane. The line up consisted of Hogan, Almond and Matt Johnson.

Vinita Joshi  in conversation with David Eastaugh

https://rocketgirl.co.uk/

Rocket Girl has evolved over two decades to become one of the UK’s most innovative and eclectic small independent labels, providing a home for a whole spectrum of alternative artists, new and established: Television Personalities, Cocteau Twins’ Robin Guthrie, Füxa, A Place to Bury Strangers, Piano Magic, God is an Astronaut, to name just a handful.

Allan Jones Allan Jones  in conversation with David Eastaugh

https://www.bloomsbury.com/uk/too-late-to-stop-now-9781448218257/

Alexander Hacke & Danielle de Picciotto in conversation with David Eastaugh

https://www.hackedepicciotto.de/

https://www.youtube.com/watch?v=zcpB_TGQIOg

Roxane Jessi in conversation with David Eastaugh

https://www.roxanejessi.com/

Thirty-five years into the Burning Man movement, there are now over 100 annual events around the world. In 2018, aid worker Roxane Jessi set out to experience seven of these events firsthand, to get to the heart of a culture that is creating community in a disconnected world. Her journey spanned five continents, from Afrikaburn to Black Rock City, Blazing Swan to Burning Japan, Fuego Austral, Midburn and Nowhere. This is the story of that eye-opening odyssey, and the first book of its kind to provide a glimpse into Burning Man's eclectic Regional Network.

David Cousins in conversation with David Eastaugh

https://strawbsweb.co.uk/index0.asp

Founded in 1964 as the Strawberry Hill Boys. The band started out as a bluegrass group, but eventually moved on to other styles such as folk rock and progressive rock.

They are best known for their hit "Part of the Union", which reached number two in the UK Singles Chart in February 1973, as well as for "Lay Down", a popular progressive rock hit from the same LP. Strawbs toured with Supertramp in their "Crime of the Century" tour, doing their own "Hero and Heroine" tour, which drew musical similarities and themes.

Wreckless Eric in conversation with David Eastaugh

https://www.wrecklesseric.com/#/

https://www.tapeterecords.de/artists/wreckless-eric

English rock/new wave singer-songwriter, best known for his 1977 single "Whole Wide World" on Stiff Records. More than two decades after its release, the song was included in Mojo magazine's list of the best punk rock singles of all time. It was also acclaimed as one of the "top 40 singles of the alternative era 1975–2000".

Daniel Jeanrenaud in conversation with David Eastaugh

https://thekingsnakes.bandcamp.com/album/live-at-the-old-waldorf-june-5-1981

THE KINGSNAKES – Live at the Old Waldorf: June 5, 1981 A wild and dangerous rockabilly band! That's what the Kingsnakes were in San Francisco in 1980, part of a local music scene comprised of punk, new wave, and hard rock acts. Led by Frenchman Daniel Jeanrenaud, a fervent disciple of Gene Vincent, the Kingsnakes also featured James Ferrell (guitar), Ze Moita (bass), Danny Mihm (drums) and Karl Malinowski (guitar). This previously unreleased live set captures the band opening for Robert Gordon at the Old Waldorf, just a few months before they supported Chuck Berry at the same venue. Local KALX deejay Terry Hammer was on hand to record the raucous soundboard mix. The final two songs on this album are bonus studio sessions. Live at the Old Waldorf: June 5, 1981, is part of Liberation Hall’s ongoing “Sounds from the San Francisco Underground” series.

Tymon Dogg in conversation with David Eastaugh

https://tymondogg.bandcamp.com/album/battle-of-wills-expanded-edition

https://tymondogg.uk/

English singer-songwriter and multi-instrumentalist. Dogg's career started early with shows at the Cavern and Peppermint Lounge in Liverpool when he was 15. As well as pursuing a solo career, he collaborated with many bands and musicians including The Clash, and was a member of Joe Strummer's last band, The Mescaleros.

Simon Dunford in conservation with David dEastaugh

https://linktr.ee/thebardots?fbclid=IwAR1eMGHnZPfEonJDLYhND6EJnW1S68i0qj_o0pNgtBFdhD4lFNBDENNDXXk

Greg Jarvis in conversation with David Eastaugh

https://www.flowersofhell.com/

https://flowersofhell.bandcamp.com/album/keshakhtaran

The Flowers of Hell are a transatlantic experimental orchestra made up of a revolving line-up of 16 or so independent musicians based in Toronto and London. Their mostly instrumental sound builds bridges between classical music and post-rock, shoegaze, space rock and drone music, often resulting in their being described as an orchestral extension of the work of The Velvet Underground and Spacemen 3. They are led by synesthete composer Greg Jarvis. Much of their repertoire is an exploration of the timbre-to-shape synesthesia that causes Jarvis to involuntarily perceive all sounds as floating abstract visual forms.

Tommy Stinson in conversation with David Eastaugh

https://www.tommystinson.com/

Stinson's latest venture is Cowboys in the Campfire. A duo with Chip Roberts, their debut album ‘Wronger’ is perhaps the most ‘American' album he has ever made, its ten songs riding a giddy trail of twang and grit, melody and (mostly lyrical) mayhem. The very first song, ‘Here We Go Again’, sets the tone; Stinson on ukulele, singing about the ardours of creativity, while horns swell and the only hint of percussion is from the tapping of feet by the musicians in the room. Stark and immediate, it is like sitting smack in the middle of a maelstrom.

Ginger Coyote inn conversation with David Eastaugh

White Trash Debutante deals with issues of gender equality and transcendence. The band's original line-up featured thirteen musicians, including lead vocalist Ginger Coyote, vocalists Ariana Uptime and Cindy Uptime, vocalist Roy Wonder, bassist Billy Gould, drummer Michael Crawford, guitarist Jay Crawford, trumpet player Terra Leong, harmonica player Jon Sugar, as well as Jennifer Blowdry, Dean Thomas. White Trash Debutante played its first show on August 30, 1986 at The Stone in San Francisco, opening for Devine.

One critic wrote: "Punk rock has always had its socio-political agitators as well as bands that simply wanted to entertain; White Trash Debutantes are a perfect example of the latter."

Blag in conversation with David Eastaugh

https://thedwarves.com/

https://thedwarves.bandcamp.com/album/blag-dahlia-introducing-ralph-champagne

Formed as a garage punk band under the name Suburban Nightmare, their career subsequently saw them move in a hardcore direction before settling into an eclectic punk rock sound emphasizing intentionally shocking lyrics. They have been described as "one of the last true bastions of punk rock ideology in the contemporary musical age".

Audrey Golden  in conversation with David Eastaugh

https://www.audreyjgolden.com/

Factory Records has become the stuff of legend. The histories of the label have been told from many perspectives, from visual catalogues and memoirs to exhibitions. Yet no in-depth history has ever been told from the perspectives of the women who were integral to Factory's cultural significance.

The untold history of Factory Records is one of women's work at nearly every turn: recording music, playing live gigs, running the label behind the scenes, managing and promoting bands, designing record sleeves, making films and music videos, pioneering sound technology, DJing, and running one of the most chaotic clubs on the planet, The Haçienda.

Factory Records has become the stuff of legend. The histories of the label have been told from many perspectives, from visual catalogues and memoirs to exhibitions. Yet no in-depth history has ever been told from the perspectives of the women who were integral to Factory's cultural significance.

The untold history of Factory Records is one of women's work at nearly every turn: recording music, playing live gigs, running the label behind the scenes, managing and promoting bands, designing record sleeves, making films and music videos, pioneering sound technology, DJing, and running one of the most chaotic clubs on the planet, The Haçienda. 

Ian Masters in conversation with David Eastaugh

https://isolatedgate.bandcamp.com/album/universe-in-reverseh

ttps://imsore.bandcamp.com/album/inside
https://hisnameisalive.bandcamp.com/album/-
http://www.eat78rpm.co.uk
https://bigbeautifulbluebottle.bandcamp.com/album/please-come-away-from-the-edge

Best known for being a founding member of the English indie pop band Pale Saints. Masters was their vocalist/bassist from their formation in 1987 until his departure from the group in 1992. Since then, he has gone on to perform in other notable groups including Spoonfed Hybrid, ESP Summer, and Friendly Science Orchestra. est known for being a founding member of the English indie pop band Pale Saints. Masters was their vocalist/bassist from their formation in 1987 until his departure from the group in 1992. Since then, he has gone on to perform in other notable groups including Spoonfed Hybrid, ESP Summer, and Friendly Science Orchestra.

Edgar Broughton in conversation with David Eastauugh

http://www.edgarbroughton.com/

The band started their career as a blues group under the name of The Edgar Broughton Blues Band, playing to a small following in the region around their hometown of Warwick. However, when the band began to lean towards the emerging psychedelic movement, dropping the 'Blues' from their name as well as their music, Victor Unitt left.

Their first single was "Evil"/"Death of an Electric Citizen", released in June 1969, which was also the first single released by Harvest.

Dave Formula in conversation with David Eastaugh

English keyboardist and film-soundtrack composer from Manchester, who played with the post-punk bands Magazine and Visage during the end of the 1970s and the beginning of the 1980s and in the "world music" band The Angel Brothers.

Formula was a member of Magazine, joining in 1978 after the departure of Bob Dickinson and the release of their debut single "Shot By Both Sides", until the band's breakup in 1981.

Formula joined Visage with Magazine's John McGeoch and Barry Adamson in 1978; he played on their first two albums, Visage and The Anvil.

Richard Langston inn conversation with David Eastaugh

https://hozacrecords.com/product/pull-down-the-shades/

https://hozacrecords.bandcamp.com/merch/pull-down-the-shades-garage-fanzine-1984-86-compendium-book-by-richard-langston

The incredible sound of New Zealand from Flying Nun Records and Xpressway in the 1980s-90s is the stuff of legend.

Hozac Books proudly presents Richard Langston’s ultra-obscure fanzine GARAGE, capturing the original six issues from 1984-86 at long last, in book form. Including new interviews and essays from the NZ underground’s luminaries among the likes of Alec Bathgate, David Kilgour, Roy Montgomery, Shayne Carter, Bill Direen, George Henderson, Francisca Griffin, Ronnie van Hout, Chris Heazlewood, Peter Jefferies, Stephen Cogle, Hamish Kilgour, Tom Lax, Stuart Page, Martin Phillipps, Bruce Russell, John Halvorsen, Dean Allen, Robert Scott, Brian Turner, Gary Olson, David Swift, Roger Shepherd, and don’t forget those incredible photos of The Clean from Carol Tippet.

Gregg Kostelich in conversation with David Eastaugh

https://gethip.com/

The Cynics are an American garage rock band from Pittsburgh, Pennsylvania. The band, at the time consisting of guitarist Gregg Kostelich, drummer Bill Von Hagen, vocalist Michael Kastelic who joined in 1985, bass player Steve Magee, and keyboardist Becky Smith (later founder of New York City's debuted with their first album, Blue Train Station in 1986. Many of their songs "carry the torch" for other favorite bands as cover songs or tributes. They underwent a number of lineup changes culminating in 1989's Rock and Roll album. They formed their own independent record label called Get Hip Records in 1986.

Lesley Woods in conversation with David Eastaugh

Touring with The Chameleons 20th June 2023 - 11th July 2023

British post-punk band that formed in Birmingham in 1978 and continued until 1983. They produced two studio albums and three singles. Their songs were said to have "contempt for the cliches of contemporary sexual politics" and their music has been compared to that of the Gang of Four and the Young Marble Giants. The band was led by Lesley Woods, who was once described as "one of the most striking women in British rock".

Alice Genese in conversation with David Eastauugh

https://alicegenese.bandcamp.com/album/sticks-and-bones

https://ovstarsmusic.com/music

Alice Genese recorded her first solo recording in 2014. She has been the bass player of Psychic TV from 2003 until present.
Hailing from the great city of Hoboken NJ Alice's first musical experiences were with Gut Bank (Coyote Records) and Sexpod (Slab/BMI)

Chris Low in conversation with David Eastaugh

https://optimomusic.bandcamp.com/album/cease-resist-sonic-subversion-anarcho-punk-in-the-uk-1979-86

https://www.facebook.com/chris.low1

https://i-d.vice.com/en/article/evn3ej/up-yours-photographing-tokyos-punk-scene?fbclid=IwAR1JkBfS_EYSwXnslemly7Wcjm2bz13VUIW3YJUHjclnzttSL578lN_RU0I

‘Cease & Resist - Sonic Subversion & Anarcho Punk In The UK 1979-1986’ examines the anarcho-punk scene from the end of the Seventies to the mid-Eighties. Differentiating from conventional punk chiefly because of the explicit political messaging contained therein, but also because of some incredible musical experimentation by many of its acts, this flourishing underground scene threw up real gems all but unknown to the mainstream. This eighteen track collection gathers up just a handful of them, with tracks by Poison Girls, Flux Of Pink Indians, The Ex, Chumbawamba (long before ‘Tubthumping’!), scene godfathers Crass, and many more.

Stephen Patman in conversation with David Eastaugh

https://www.cherryred.co.uk/product/chapterhouse-chronology-albums-singles-b-sides-remixes-demos-6cd-deluxe-box-set/

British shoegaze band - Formed in 1987 by Andrew Sherriff and Stephen Patman, the band began performing alongside Spacemen They released two albums: Whirlpool (1991) and Blood Music (1993). The group temporarily reformed in 2008 after being asked to join Ulrich Schnauss onstage to perform his cover version of their song "Love Forever" at the Truck Festival in Oxfordshire. The band finished the brief reunion with two gigs in London (2009–2010) and tours in North America and Japan in 2010.

John Wood in conversation with David Eastaugh

https://preciousrecordingsoflondon.bandcamp.com/album/pre-028-one-thousand-violins-john-peel-session-021286

The band was formed in 1985 by Darren Swindells (bass), Colin Gregory (guitar), John Wood (vocals), David Walmsley (keyboards/guitar), and Peter Day (drums). Gregory and Walmsley had previously played together in The Page Boys. Their first single, "Halcyon Days" was released in 1985. The B-side, "Like One Thousand Violins" was voted into that year's Festive 50 by listeners to John Peel's BBC Radio 1 show, the band having recorded a session for the show earlier that year. 1986 saw a second Peel session, and the band breaking into the indie chart with "Please Don't Sandblast My House", which reached number 11

Duncan Redmonds in conversation with David Eastaugh

https://www.snuffband.com/

New Snuff album which will be released on June 9th.
"Come And Have A Go If You Think You're Rachmaninoff" is a completely acoustic record and as such a bit of a departure from the norm.

The first and only single from the forthcoming new Snuff album, "Come And Have A Go If You Think You're Rachmaninov" is available now on all streaming sites.

In September 2019 Snuff released a new album, There's A Lot of It About, on Fat Wreck Chords, recorded in 2018. Lee Erinmez left the band shortly after the recording and was replaced by Dan Goatham. In May 2020 Snuff released a new EP, The Wrath of Thoth.

In 2021 Snuff began recording a brand new album with a small run of UK dates. This marks the return of Dave Redmonds on trombone with his daughter Flo Redmonds adding saxophone and giving the band a three part brass section.

In 2022 Snuff announced a new 10 track album Crepuscolo dorato della bruschetta borsetta calzetta cacchetta trombetta lambretta giallo ossido, ooooooh cosi magnifico!.

Jessica Griffin in conversation with David Eastaugh

https://would-be-goods.bandcamp.com/

On her first album, released on the él label, Griffin had no band of her own, and was backed by members of The Monochrome Set.The Camera Loves Me was critically acclaimed in the UK and Japan. In 1993 Griffin worked with the Monochrome Set on a second album, Mondo, produced by Monochrome Set singer Bid and released on the Japanese label Polystar.

In October 2020 Jessica Griffin began writing (and recording) a song a day, with a new title provided the previous evening by her partner and bandmate Peter Momtchiloff. All the songs were written and performed by Jessica. Twenty of the songs were released on Bandcamp (as four five-song EPs) in 2021. These songs were released as a CD, The Night Life, in 2023

Michelle Michi Yee-Chong in conversation with David Eastaugh

John Ford in conversation with David Eastaugh

In 1964, Ford joined with some school mates to form a band called Jaymes Fenda and the Vulcans. That November, they released two singles, "Mistletoe Love” and "The Only Girl", both of which were written by Ford. "Mistletoe Love" got some radio play through that Christmas season, but the band split up shortly afterwards.

In October 1966, Ford stepped in to replace the bass player of a South London R&B/soul band called the Five Proud Walkers, and made his debut when the band opened for Champion Jack Dupree. The Five Proud Walkers was a popular club band and played a constant stream of gigs in and around London. But, in the spring of 1967, they toured England with Pink Floyd and decided to make the shift to Psychedelic music. That July, they changed their name to Elmer Gantry’s Velvet Opera. The band released three albums and several singles but, in May 1970, Ford and drummer Richard Hudson left the band to join The Strawbs.

David Christian in conversation with David Eastaugh

https://comet-gain.bandcamp.com/album/the-misfit-jukebox

Comet Gain was formed in Oxford in 1992 by Christian with Phil Sutton; the band initially recorded and released homemade demos on cassette and made their live debut with short-lived bassist George Wright, before later adding vocalist Sarah Bleach to the line-up, with Jax Coombes on bass and Sam Pluck on guitar. Comet Gain's first vinyl release was two tracks on Wiiija double-7-inch EP Some Hearts Paid To Lie in 1993, alongside three riot grrrl bands, and early gigs included supports with Bikini Kill, Heavenly, Linus, etc. Following the Holloway Sweethearts EP on Soul Static Sound in 1994, Comet Gain signed with Wiiija and released debut album Casino Classics and second EP Gettin' Ready in 1995. The album featured sleevenotes by Television Personalities frontman Dan Treacy.

Cathi Unsworth in conversation with David Eastaugh

http://www.cathiunsworth.co.uk/

As Margaret Thatcher enters 10 Downing Street, a handful of bands born of punk - Siouxsie and the Banshees, Joy Division and the Cure - find a way to distil the dissonance and darkness of the shifting decade into a new form of music. Pushing at the taboos the Sex Pistols had unlocked and dancing with the fetishistic, all will become global stars of goth.

By the time Thatcher is cast out of office in 1990, the arrival of goth will have imprinted on the cultural landscape as much as the Iron Lady herself.

Now, forty years since its inception, author Cathi Unsworth provides the first comprehensive overview of the music, context and lasting legacy of goth. This is the story of how goth was shaped by the politics of the era - from the miners' strikes and privatisation to the Troubles and AIDS ­­- as well as how its rock 'n' roll outlaw imagery and innovative, atmospheric music cross-pollinated throughout Britain and internationally, speaking to a generation of alienated youths.

Shawn Stern in conversation with David Eastaugh

https://punkrockbowling.com/

Youth Brigade has released five studio albums of which the last was released in 1996. Almost each album was recorded with the original lineup of the Stern brothers (Mark, Adam and Shawn); bassist Bob Gnarly replaced Adam in 1985 during the recording of The Dividing Line, which was released as The Brigade. Adam returned in 1991 (when the band reunited) and contributed to the band's 1992 EP Come Again and their next two albums (Happy Hour and To Sell the Truth) before leaving once again in 2007.

Peter Woods in conversation with David Eastaugh

https://romeovoid.bandcamp.com/album/live-from-mabuhay-gardens-november-14-1980

https://romeovoid.com/

American new wave/post punk band from, formed in 1979. The band primarily consisted of saxophonist Benjamin Bossi, vocalist Debora Iyall, guitarist Peter Woods, and bassist Frank Zincavage.  The band released three albums, It's a Condition, Benefactor and Instincts, along with one EP. They are best known for the songs "Never Say Never" and "A Girl in Trouble (Is a Temporary Thing)"; the latter became a Top 40 pop single.

Paul Roland in conversation with David Eastauugh

https://www.paulroland.net/

https://paul-roland.bandcamp.com/

English singer-songwriter, author and music journalist. Roland typically writes his songs in the form of stories, often addressing historical figures, characters from literature and film, or his own creations. He has explored genres including gothic rock, psychedelic pop, folk and baroque.

Described by Music Week as a "psychedelic cult celebrity", Roland has enjoyed an underground career as opposed to mainstream success, gathering a stronger fanbase in mainland Europe than in his native UK. He has been credited with spearheading steampunk music.

Brenda Sauter in conversation with David Eastaugh

https://delmorerecordings.bandcamp.com/

http://www.thefeeliesweb.com/

https://wildcarnation1.bandcamp.com/

https://thefeelies.bandcamp.com/album/in-between

Delmore Recording Society's upcoming release of Wild Carnation’s Tricycle as a Record Store Day 2023 exclusive on April 22. This is sent for your editorial use; please don't post or share. Tricycle is the long out-of-print debut album from this New Jersey-based trio comprising Brenda Sauter (The Feelies) on vocals and bass, guitarist Rich Barnes and Chris O'Donovan (Grey District) on drums and vocals. This will be a limited 500 copy pressing on 12” Carnation White vinyl LP: Tricycle’s first release on vinyl. It’ll come with a download code for the remastered album, demos, and a blistering live set recorded in Hamburg, Germany January 27, 1997. The live recording features unreleased originals and a selection of covers including Patti Smith ("Dancing Barefoot"), Ian Tyson ("Four Strong Winds"), and The Grass Roots ("Wait A Million Years”)

Bob Collins & Mark Matthews in conversation with David Eastaugh

https://preciousrecordingsoflondon.bandcamp.com/album/pre-029-the-dentists-janice-long-session-020487

The band met at school in the early 1980s and began playing gigs in their local area around Chatham and Rochester. Their first single, "Strawberries are Growing in My Garden (and It's Wintertime)", was quickly followed by the album Some People Are On The Pitch They Think It's All Over It Is Now (a reference to Kenneth Wolstenholme's famous commentary at the end of the 1966 World Cup). The record was produced by Allan Crockford of fellow Medway band The Prisoners and featured the standout track, "I Had An Excellent Dream".

Colin Lloyd Tucker in conversation with David Eastaugh

https://colinlloydtucker.bandcamp.com/

Colin Lloyd-Tucker started making records and performing in the 1970's. His early work includes three albums with The Gadgets, a band that also included Matt Johnson from The The. Lloyd-Tucker would make occasional appearances in this band as well.

He released his solo debut album 'Toybox' in 1984. Three more albums followed between then and 1995. In 1986, he appeared as one of the aviators in Kate's music video for The Big Sky. In 1993, he provided backing vocals on Kate's tracks The Red Shoes and Constellation Of The Heart. In that same year, he recorded an album with Paddy Bush using the band name Bushtucker.

More recently he founded his own label Samphire Records, issuing more solo albums

Jamie Oliver in conversation with David Eastaugh 

http://ultrabombmusic.com

UltraBomb - Punk supergroup featuring Finny McConnell (lead vocals & guitar), Greg Norton (bass) 

May 2023 - touring the USA with our good friends the Barstool preachers! Huzzah!!! 17 shows taking us through the Midwest, Southwest and West Coast, and what’s more is we’ll be kicking it with the Dickies, Dropkick Murphy’s and Suicidal Tendencies along the way. Check out the events section for deets!

Vinnie Fiorello & Melanie Kaye in conversation with David Eastaugh

https://www.thepunkrockmuseum.com

It’s been 45+ years since punk rock pogo’d its way into music, fashion, film, and popular culture. April 1st, 2023, The Punk Rock Museum in Las Vegas opens its doors and proudly shoves in your face the history, culture, and absurdity of rock n’ roll’s bastard step-child. This museum invites lifelong fans and curious looky-loos of all ages to experience a hands-on, uniquely punk rock experience.

Linda Lewis in conversation with David Eastaugh

best known for the singles "Rock-a-Doodle-Doo" (1973), "Sideway Shuffle" (1973), and her version of Betty Everett's "Shoop Shoop Song (It's in His Kiss)" (1975).[1] Her discography includes solo albums, Lark (1972), Not a Little Girl Anymore (1975), Woman Overboard (1977), and the later Second Nature (1995),

Greg Norton in conversation with David Eastaugh 

http://ultrabombmusic.com

Norton played bass on all of Hüsker Dü's recordings from its formation to its breakup album Warehouse: Songs and Stories. While the majority of the band's songwriting was done by bandmates Bob Mould and Grant Hart, Norton contributed the songs "M.T.C.," "Don't Have a Life" and "Let's Go Die" to Hüsker Dü's debut EP Land Speed Record.

Dolan Hewison in conversation with David Eastaugh

https://www.au-turn.com/about

The band recorded three sessions for John Peel's radio show, the first two of which were compiled onto an album, The Peel Sessions in 1991. Their song "Big" also reached No. 14 in the Festive Fifty in 1990 and featured on the influential 1990 compilation album Happy Daze. Their lone charting success in the United States was the single "Stockholm", which reached No. 30 on the Billboard Modern Rock charts in 1993.

Naomi Yang in conversation with David Eastaugh 

https://www.naomivision.com

https://www.damonandnaomi.com

Yang was bassist and occasional vocalist with noted dreampop band Galaxie 500 on all their recordings from 1987 until their split in 1991. She then recorded three albums and toured with the psychedelic rock band Magic Hour. Since Galaxie 500's split she has worked as duo with her partner Damon Krukowski as Damon and Naomi

Alice Bag in conversation with David Eastaugh 

https://alicebag.com

American punk rock singer better known as Alice Bag. She is the lead vocalist and co-founder of the Bags, one of the first punk bands to form in Los Angeles in the mid-1970s. Her first book, Violence Girl: From East LA Rage to Hollywood Stage, tells the story of her childhood in East Los Angeles, her eventual move to Hollywood, and the euphoria and fallout from the first punk wave.

Bag has remained active in music since the late 1970s and released her second book in 2015. She released Alice Bag, her debut solo album on Don Giovanni Records in June 2016. A second solo album, Blueprint, was released in 2018, followed by 2020's Sister Dynamite.

Mark "Wiff" Smith in conversation with David Eastaugh

https://www.companyofjustice.com

The original line-up of Play Dead consisted of Rob Hickson (vocals), Pete Waddleton (bass guitar), Mark "Wiff" Smith (drums) and Re-Vox (guitar). In July 1981, Re-Vox was replaced by Steve Green.

During their active years, Play Dead supported a number of acts, including the likes of Killing Joke, The Cult and The Sisters Of Mercy in the UK. They also appeared on Channel 4's music TV show, The Tube in late 1984.

A string of singles were released (many through Stoke-based Clay Records) from late 1983, throughout 1984 and early 1985. Play Dead toured frequently around the UK and Europe and by 1985, felt they had enough material to be able to put out their first ever live album, Into The Fire, which was released in May of that year.

Chris Walton in conversation with David Eastaugh

Their first EP, Just Good Friends, was released on their own Stolen Records label in autumn, 1989. It reached number 18 on the UK Indie Chart. Their second single was "Give In" c/w "Whole Damn Nation" which featured a dance remix of the latter track. The band started headlining their own gigs and became regulars at venues such as the Warehouse in Leeds, The Boardwalk in Manchester and The Leadmill in Sheffield.

Their debut LP "Invisible To You" was a collection of previous Stolen Records releases with two new tracks. It was launched at a home town concert at Leeds Town Hall on 5 July which was also filmed for a video release. Despite its relative lack of new material, "Invisible" sold well and remained in the indie charts for six weeks.

Frank Zincavage in conversation with David Eastaugh

https://recordstoreday.com/SpecialRelease/15813

The band primarily consisted of saxophonist Benjamin Bossi, vocalist Debora Iyall, guitarist Peter Woods, and bassist Frank Zincavage. The band went through four drummers, starting with Jay Derrah and ending with Aaron Smith. The band released three albums, It's a Condition, Benefactor and Instincts, along with one EP. They are best known for the songs "Never Say Never" and "A Girl in Trouble (Is a Temporary Thing)"; the latter became a Top 40 pop single.

Tim Arnold in conversation with David Eastaugh

https://timarnold.co.uk

https://timarnold.bandcamp.com/album/super-connected#

Singer songwriter, film-maker, composer, social activist and founder of Save Soho.

In recognition of his constant change of musical direction, Iggy Pop noted in an interview with NME that Tim’s music reminded him of David Bowie.  Tim scored music for Iggy’s film, Blood Orange, featuring the theme song, “Money Kills Love.”  Tim is also the last artist to collaborate with Bowie and Kate Bush mentor, Lindsay Kemp. Their 2018 video single and live arts installation ‘What Love Would Want’ was inspired by the United Nations’ ‘He for She’ campaign for gender equality and has since sparked a movement for social and human rights in Europe and North America. Tim is an active and vocal LGBTQIA+ ally.

Wesley Doyle in conversation with David Eastaugh

http://jawbonepress.com/conform-to-deform/

Along with Factory, Mute, and Creation, Some Bizzare was the vanguard of outsider music in the 1980s. The label’s debut release reads like a who’s who of electronic music, featuring early tracks from Soft Cell, Depeche Mode, Blancmange, and THE THE, while over the next decade its roster would include artists such as Marc Almond, Cabaret Voltaire, Einstürzende Neubauten, Foetus, Swans, Coil, and Psychic TV.

For a time, Some Bizzare was the most exciting independent record label in the world, but the music is only half of the story. Self-styled label boss Stevo Pearce’s unconventional dealings with the industry are legendary. Sometimes they were playful, other times less so; either way, he was a force to be reckoned with. His preternatural ability to spot talent meant his label was responsible for releasing some of the decade’s most forward-thinking, transgressive, and influential music.

Rob Munk in conversation with David Eastaugh 

https://robmunk.bandcamp.com/album/phased-out

Rob Munk is a singer-songwriter, instrumentalist from the US, whose catchy, thought-provoking music is reminiscent of all the great guitar bands that emerged from the late 80s and early 90s. It’s music that goes back to the roots of neo-folk, alt-county, lo-fi, neo-blues, power-pop, Jangly-rock, and chamber-pop and creates an infectious stream of sing along tracks. Delivered with politically infused lyrics, and off-beat musings, Munk is an accomplished artist, whose music is warmly nostalgic, emphatic and mastered with impeccable professionalism.

Paul Linehan in conversation with David Eastaugh

https://www.frankandwalters.net

Signing for the Setanta label in 1991, the group debuted with the release EP1, and the lead track "Fashion Crisis Hits New York" became an indie hit. The follow-up EP EP.2 was released soon after, which was followed by the band's signing to the Go! Discs label, where The Frank and Walters partnered with producer Edwyn Collins to record the Happy Busman EP. They found success in the UK, and, following a tour in support of Carter USM, an Ian Broudie radio edit of the LP song "After All" reached the Top 20 in the UK Singles Chart, peaking at No. 11. It reached No. 5 in the Irish chart.

Debora Iyall in conversation with David Eastaugh

https://romeovoid.bandcamp.com/album/live-from-mabuhay-gardens-november-14-1980

https://romeovoid.com

American new wave/post punk band from formed in 1979. The band primarily consisted of saxophonist Benjamin Bossi, vocalist Debora Iyall, guitarist Peter Woods, and bassist Frank Zincavage.  The band released three albums, It's a Condition, Benefactor and Instincts, along with one EP. They are best known for the songs "Never Say Never" and "A Girl in Trouble (Is a Temporary Thing)"; the latter became a Top 40 pop single.

Adele Bertei in conversation with David Eastaugh

https://www.adelebertei.com

Bertei began her career playing guitar and singing in the Wolves, her first band with Laughner. She left Cleveland for New York City in 1977 shortly after Laughner died prematurely of complications due to alcoholism.

Bertei quickly became a prominent figure in the no wave art and music scene in NYC, playing Acetone organ and guitar in the original line up of the Contortions fronted by James Chance.

written three books as well. Published in 2013, Bertei’s first book is “Peter and the Wolves” about her friendship with musician Peter Laughner and their journey through the 1970’s underground punk scene. The book was rereleased in 2021. Bertei’s second book, Why Labelle Matters, is about the cultural and musical progress achieved by Patti Labelle and the Bluebelles in the 1960’s. The newest book by Bertei is a memoir titled “Twist: An American Girl.” The release date is set for spring of 2023 with publisher ZE Books.

Larry Stabbins in conversation with David Eastaugh

https://www.larrystabbins.com

Played in the cult pop group Weekend and started writing with its guitarist Simon Booth. This later evolved into Working Week, a band that took a mix of Latin, soul, jazz and funk into the pop charts. From the Latin Jazz Dance scene in London clubs, the band mixed jazz with Latin dance rhythms and vocals by singers such as Juliet Roberts, Julie Tippetts, Robert Wyatt and Tracy Thorn. The band toured extensively in Europe and Japan, performing at most of Europe's major Jazz Festivals and recording five albums for Virgin Records.

Charlie Beddoes in conversation with David Eastaugh

https://www.amazon.co.uk/OVERDRIVEN-story-dirty-sound-ambition-ebook/dp/B0BRNT417C

https://nastylittlelonely.bandcamp.com

Charlie Beddoes is a bass player and vocalist with over 20 years experience in the Music Industry. She was a founder member, songwriter and bass player for 90's rock band Rub Ultra, signed to Virgin Records and Sony Music Publishing.

Julia Gorton in conversation with David Eastaugh

http://www.juliagorton.com/coming-new-products/nowhere-new-york

With a synthesis of imagery, metaphor and feeling, in a space located between attraction and angst, Julia Gorton's photos of New York's No Wave scene, 1976-1980, capture a fleeting time with unique style. 192 pages and 170 photos.

Her beautiful vision of downtown Manhattan, in the moments before AIDS, crack, Disney and condos changed everything forever, focus on subjects including musicians and friends; Debbie Harry, Patti Smith, Tom Verlaine, David Byrne, Lydia Lunch, Iggy Pop, James Chance, Richard Hell, Anya Phillips and many others less well known, but certainly just as memorable. 

Geri Hornes in conversation with David Eastaugh

https://nellcotechronicles.com

The Curious Chronicles of Villa Nellcote is an exclusive 400-page book about the legendary Riviera-mansion Villa Nellcote. The Rolling Stones rented it. The wealthy and eccentric owned it. And the Nazis occupied it. But are all the rumours really true?

Produced in collaboration with the families having owned Nellcote, the book includes first-hand accounts, and exclusive, new contributions from the Rolling Stones´ entourage adding further insight about the bohemian recording of Exile on Main St. at Villa Nellcote in 1971.

Scrote in conversation with David Eastaugh 

https://scrotemusic.com

A press release states [via Rolling Stone] that the 2023 edition will “interpret Bowie’s greatest hits with a special emphasis on Bowie’s Ziggy Stardust proto punk era, his Berlin trilogy records (‘Low’, ‘Heroes’, and ‘Lodger’) and his later Trent Reznor infused years”.

Doug Martsch in conversation with David Eastaugh

https://www.builttospill.com

Martsch's first band was Farm Days, with Andy Capps and Brett Nelson in the early 1980s. His second band was Treepeople, with whom he released three albums and two EPs. He has been the lead singer and guitarist of Built to Spill since 1992

The band signed to Sub Pop in October 2021. On September 9, 2022, the band released their first album of new material since 2015, When the Wind Forgets Your Name.

Thalia Zedek in conversation with David Eastaugh

American singer and guitarist. Active since the early 1980s, she has been a member of several notable alternative rock groups, including Live Skull and Uzi both of which, according to Spin magazine, "made big noise in the underground", and Come. Critic Heather Phares writes that Zedek's music can be defined by "the permanent, aching rasp in her voice, her guitar's bluesy bite, the startlingly clear-eyed lyrics about life and loss."

Andy Blade in conversation with David Eastaugh

Andy Blade relaunched Eater in 2022, playing shows across The UK - an album is planned for release in 2023.

In October 2001, the band's second single, "Thinking of the USA" (originally released in June 1977), was included in Mojo magazine's list of the best punk rock singles of all time. In 1999, the track also appeared on the five-CD box set 1-2-3-4 Punk & New Wave 1976-1979.

Paul Clark in conversation with David Eastaugh

https://www.thebolshoibrothers.com

The original lineup consisted of singer/guitarist Trevor Tanner, drummer Jan Kalicki, and bassist Graham Cox. Tanner and Kalicki had previously played together in the short-lived punk band Moskow. Early gigs supported the likes of the Cult, the March Violets and the Lords of the New Church. After eight gigs bass player Graham Cox was replaced by Nick Chown. In 1985, the band released their debut single, "Sob Story", followed by the mini-album, Giants, and their hit song "Happy Boy". Word of mouth was such that the Bolshoi were able to sell out many of their early headlining performances.

Martha Johnson & Mark Gane in conversation with David Eastaugh

After another long layoff from being an active performing entity, Martha and the Muffins released a video and downloadable song in May 2020 called "Stay Home and Dance". A reworking of the 1984 M+M track "Come Out and Dance", the new song and video was released in response to the stay-at-home orders surrounding the COVID-19 pandemic.

In 2021 they released the compilation Marthology: In and Outtakes, collecting rarities and demo versions of past songs. At the same time they indicated that they were working on a new album, tentatively slated for release in 2022.

John Butler in conversation with David Eastaugh

https://www.dieselparkwest.com/

The tenth Diesel Park West album, ‘Not Quite The American Dream’ was released on July 29, 2022. The album was recorded during the COVID lockdowns of 2020. It was preceded by a couple of singles, 'One Shot of Happiness' and 'Secondary Modern Man'. Both of which have charted on the British Heritage Chart.

Rob Morris and Ian Michie have both left the band. A new band has been put together featuring John Butler, Rich Barton, Daryl Hopper (bass) and Dave Bryant (drums).

Pat Irwin in conversation with David Eastaugh

https://patirwinmusic.com

American composer and musician who was a founding member of two bands that grew out of New York City's No Wave scene in the late 1970s, the Raybeats and 8-Eyed Spy. He joined The B-52s from 1989 through 2008. He currently performs and records with SUSS who have released several records on the indie label Northern Spy.

Matthew Edwards in conversation with David Eastaugh 

https://matthewedwardsandtheunfortunates.bandcamp.com

Vernon Dewhurst in conversation with David Eastaugh

https://www.snapgalleries.com/product-category/photographers/vernon-dewhurst/

Vernon Dewhurst created the op art influenced cover photograph for David Bowie’s second album, released in 1969 was originally titled David Bowie, It subsequently became known as Space Oddity, in deference to its best-known track.

Dewhurst graduated from Regent Street Polytechnic School of Photography in 1966, and set up his studio in Dublin for a year. He then came back to London, working at the famous Studio Five in Mayfair shooting fashion and beauty. In London he shared house with David Bowie whom he shot several times. One of his pictures became the cover of the famous Space Oddity album in 1969. A few weeks after the shoot, Vernon moved to Paris where he worked for clients including Marie Claire, 20 Ans, Elle, Pierre Cardin, Yves Saint-Laurent, and photographed many French stars.

Hugh Birdsall in conversation with David Eastaugh

The Reducers’ history is a powerful testament to rock ‘n’ roll’s power to transcend and inspire, for those who create it as well as for those who consume it. These four working-class underdogs—Detmold and fellow singer-guitarist-songwriter Hugh Birdsall, drummer Tom Trombley and bassist/vocalist Kaika—spent most of their adult lives building a potent body of recordings and a far-reaching reputation as a scrappy, riveting live act that affirmed rock ‘n’ roll’s vibrant promise on a regular basis.

Rebecca Pidgeon in conversation with David Eastaugh

http://rebeccapidgeonmusic.com

From 1986 to 1990, Pidgeon was the lead singer of the British folk/pop band Ruby Blue. She left the group shortly after they signed to a major record label.

On her tenth full-length album of sensuous Art Pop, Parts of Speech Pieces of Sound, storyteller, singer, multi-instrumentalist, and actress Rebecca Pidgeon taps into the ongoing communication between body, mind and spirit through vibrations and energy.  Recorded in Los Angeles with co-producer Fernando Perdomo, the ten tracks here illuminate the connection between her art and her explorations of the sacred science behind yoga practice. Parts of Speech Pieces of Sound is being released on (give formats) on (give label) on September 24.

Simon Charterton - The Higsons - in conversation with David Eastaugh 

Founded in 1980 at the University of East Anglia in Norwich, Norfolk, England, The Higsons' first recordingwas on the Norwich - A Fine City compilation album. The Higsons' first single, "I Don't Want to Live with Monkeys", was released in 1981.[1] The band signed to the 2 Tone Records label, along with bands such as The Specials, The Beat and Madness.

The band's blend of high-energy funk and groove brought them some chart success: their most remembered track was "Conspiracy", released in 1982, with the refrain "Who stole my bongos?; Did you steal my bongos?". The band played their last gig in March 1986, disbanding by mutual consent.

Hugh Vivian - Omega Tribe - in conversation with David Eastaugh

https://omegatribe.bandcamp.com

Omega Tribe are an anarcho-punk band,  in 1981. With the roles of Hugh Vivian on guitar and vocals, Daryl Hardcastle on bass, Pete Fender on guitar and Pete Shepherd on drums, their first EP, Angry Songs, was produced by Penny Rimbaud and Pete Fender for Crass Records in 1982.

Their subsequent LP, No Love Lost,  won the hearts of many hardened anarchos and secured their place in anarcho-punk history. A far more melodic style, encouraged by producer and new guitarist Pete Fender created a highly influential template that many other bands were to build on.

Peppy Castro - Blues Magoos - in conversation with David Eastaugh 

https://www.peppycastro.com/about.html

The Blues Magoos are an American rock group from The Bronx, a borough of New York City, United States. They were at the forefront of the psychedelic music trend, beginning in 1966. They are best known for the hit song "(We Ain't Got) Nothin' Yet".

The band was formed in 1964 as The Trenchcoats. The original members were Emil "Peppy" Thielhelm a.k.a. "Peppy" Castro (vocals and guitar), Dennis LePore (lead guitar), Ralph Scala (organ and vocals), Ron Gilbert (bass) and Jon Finnegan (drums). The band made a name for itself in various clubs in Greenwich Village. The band changed its name first to the Bloos Magoos and by 1966 to the Blues Magoos. Mike Esposito joined as lead guitarist and Geoff Daking as drummer.

Jeff Drake - The Joneses - in conversation with David Eastaugh

https://hozacrecords.com/product/guilty/

The Joneses were a punk band from Anaheim, Southern California. In 1981 guitarist and singer Jeff Drake and professional skateboarder, Steve Olson, formed its nucleus but over the years the Joneses included numerous players with Drake being the only constant member. 

The Joneses' first seven-inch, 45 rpm single was "Criminals in My Car" b/w "Jonestown". They next released a pair of songs, "Graveyard Rock" and "Pillbox", on the 1982 BYO Records compilation, Someone Got Their Head Kicked In. The EP, Criminals, was the Joneses next released recording. Hell Comes to Your House Volume 2, included the two Joneses tracks: "I'm Bad" and "She's So Filthy".

Paul Roessler in conversation with David Eastaugh

https://paulroessler1.bandcamp.com

American musician and record producer. Roessler was a prominent member of the L.A. punk scene during the late 1970s and 1980s. He played keyboards in bands such as The Screamers, Twisted Roots, 45 Grave, Nervous Gender, SAUPG, Geza X and the Mommymen, Mike Watt and the Secondmen, Nina Hagen and The Deadbeats. Roessler has also released solo recordings such as "Abominable," "Curator," "The Arc," "6/12" and a rock opera entitled "Burnt Church" with Jeff Parker. He currently works as a record producer at Kitten Robot Studios in Los Angeles, California.

Vashti Bunyan in conversation with David Eastaugh

https://www.whiterabbitbooks.co.uk/titles/vashti-bunyan/wayward/9781474621939/

In 1968, Vashti Bunyan gave up everything and everybody she knew in London to take to the road with a horse, wagon, dog, guitar and her then partner.

They made the long journey up to the Outer Hebrides in an odyssey of discovery and heartbreak, full of the joy of freedom and the trudge of everyday reality, sleeping in the woods, fighting freezing winters and homelessness.

Along the way, Vashti wrote the songs that would lead to the recording of her 1970's album Just Another Diamond Day, the lilting lyrics and guitar conveying innocent wonder at the world around her, whilst disguising a deeper turmoil under the surface.

From an unconventional childhood in post-war London, to a fledgling career in mid-sixties pop - recording a single written by Mick Jagger and Keith Richards - to the despair and failure to make any headway with her own songs, she rejected the music world altogether and left it all behind. After retreating to a musical wilderness for thirty years, the rediscovery of her recordings in 2000 brought Vashti a second chance to write, record and perform once more.

One of the great hippie myths of the 1960s, Wayward, Just Another Life to Live, rewrites the narrative of a barefoot girl on the road to describe a life lived at full tilt from the first, revealing what it means to change course and her emotional struggle, learning to take back control of her own life.

Trevor Tanner - The Bolshoi - in conversation with David Eastaugh

https://www.thebolshoibrothers.com

In 1985, the band released their debut single, "Sob Story", followed by the mini-album, Giants, and their hit song "Happy Boy". Word of mouth was such that the Bolshoi were able to sell out many of their early headlining performances.

The band moved to London in 1985, and their line-up expanded to include Paul Clark on keyboards - In 1986, they released their first full-length album, Friends, and expanded their touring schedule to the U.S., South America and Poland. It was followed in 1987 by the album Lindy's Party, on which the sound was more pop-oriented. TC Wall, reviewing the album in Underground magazine, described Lindy's Party as "completely confident, commercial, professional, and dangerously catchy" and "a fine album that'll be caressed for generations."

Tara Milton - Five Thirty - in conversation with David Eastaugh 

Tara Milton and Nick Baker formed Five Thirty whilst still at school near Oxford in 1983. They met and recruited drummer Steve Beatty and played their first official gig in May 1984. This initial line-up played a number of gigs supporting bands like The Truth, Makin' Time and Direct Hits.

Baker decided to leave the band in March 1985, and American replacement Shawn Gwin (formerly of the bands East Cambodia and The Numbers in New Orleans) was spotted advertising his services in the then popular weekly Phoenix List. They quickly recorded a demo of Gwin's songs "Weight of the World", "Catcher in the Rye", "Mood Suite" and "Suburban Town". After Gwin left to return to New Orleans (and before Paul Bassett took over the reins) Five Thirty released their demo on 12" vinyl "Catcher in the Rye", was also included on a compilation entitled The Cutting Edge, a mod revival vinyl record that also contained songs by Purple Hearts, The Blades and The Dansette. Paul Bassett took over on guitar and vocals after Gwin left. Eventually, the original drummer Steve Beatty was replaced by Keith McCubbin and finally Phil Hopper. This line-up (Milton/Bassett/Hopper) then signed to Atco/East West Records in 1990 and released four singles and one album, Bed

Ivan Julian in conversation with David Eastaugh 

Julian is now releasing Swing Your Lanterns, his latest solo offering. Ivan’s had a long and distinguished career as a provocative songwriter and one of New York City’s most distinctive guitar stylists. As a founder member of Richard Hell & The Voidoids, Julian was an essential part of the original Punk scene while sowing the seeds for Post-Punk with the pointedly lopsided rhythms structures and scorched, askew guitar lines that comprised the Voidoids’ oeuvre. Swing Your Lanterns is being released by Pravda Records as download, CD, 12” vinyl LP and on streaming platforms. I hope you'll consider covering him via an interview, feature, news item or album review. Let me know if you need a download or CD.

Brian Vincent & Heather Spore - Make Me Famous - Edward Brezinski - in conversation with David Eastaugh

https://www.red-splat.com

This documentary brings forward a popular era while unearthing many artists, photographers, and stories that you may not already know. The 1980s art scene is famous for break-out artists like Jean-Michel Basquiat and Keith Haring, but there were many other artists who made a powerful impact.

Make Me Famous is the story of the Lower East Side art movement through an unknown artist, fully allowing the creativity itself to take centerstage. Set during arguably the last great art explosion in American history, Make Me Famous tells the story of unknown painter, Edward Brezinski in his quest for fame. Our film gives an intimate portrait of what it was like to be an artist in N.Y.C. in the 1980s. It delves into the spirit of the artists themselves, what drove their generation and what they were up against.

Michael Conroy - Modern English - in conversation with David Eastaugh

https://modernenglish.me/

English band formed in 1979. They are best known for their songs "I Melt with You", "Hands Across the Sea", and "Ink and Paper". The group disbanded in 1987, only to re-form two years later and then disband after another two years (1991). They reunited again in 1995 and have continued in various lineups since that time.

Mark Reeder in conversation with David Eastaugh

https://mfsberlin.com/mark-reeder/

https://markreeder.bandcamp.com

Reeder has been living and working in Berlin since 1978. He is the founder and owner of the German electronic dance music labels MFS and Flesh. In 1991, Reeder discovered the teenage Paul van Dyk, guiding and paving his way to build up his now international DJ superstardom.

Reeder's career has spanned more than four decades. He has been a participant and behind the scenes influence for many now-famous artists, spread over a wide cross-section of contemporary musical genres.

Daved Hild - The Girls, The Wooden Birds & The Pale Orchestra - in conversation with David Eastaugh 

Hild formed the experimental punk band The Girls with Robin Amos, George Condo and Mark Dagley. Their first and only studio release was the seven-inch single "Jeffrey I Hear You"/"The Elephant Man", produced by David Thomas of Pere Ubu fame. Eventually Hild joined Thomas in his band The Wooden Birds and played on Monster Walks the Winter Lake, released in 1986. He released several albums on Shimmy Disc with Ralph Carney and Kramer, serving as the primary lyricist, vocalist and drummer for the compositions.[2]

Arturo Bassick - 999 & The Lurkers - in conversation with David Eastaugh

https://www.nineninenine.net

999 are an English punk rock band, formed in December 1976. From the period of 1976 to 1985, the line-up of 999 consisted of Nick Cash (vocals, guitar), Guy Days (lead guitar), Jon Watson (bass guitar) and Pablo LaBritain (drums). LaBritain was temporarily replaced in 1980 by drummer Paul Edward aka 'Ed Case' while he recovered from a motor accident. Bassist Jon Watson left the band in 1985 and was replaced by Danny Palmer, who was succeeded by Arturo Bassick in 1991.

Penny Arcade in conversation with David Eastaugh

Penny Arcade Aka Susana Ventura is an internationally respected performance artist, writer, poet and experimental theatre maker known for her magnetic stage presence, her take no prisoners wit and her content rich plays and one liners. She is the author of 16 scripted performance plays and hundreds of performance art pieces. Her work has always focused on the other and the outsider, giving voice to those marginalized by society. Her willingness to speak truth to power at the expense of career concerns has made her an international icon of artistic resistance. Her decades long focus on the creation of community and inclusion as the goals of performance and her efforts to use performance as a transformative act mark her as a true original in American theatre and performance. Since 1992 Penny has collaborated with Steve Zehentner , a former architect turned video producer. In 1999 Penny and Steve launched The Lower East Side Biography Project “Stemming The Tide Of Cultural Amnesia” an oral history video project that has broadcast and streamed weekly since its inception..introducing highly self individuated people to the general public

Hugo Race in conversation with David Eastaugh

http://www.hugoracemusic.com

Originally from the 1980's Melbourne post-punk music scene, Hugo began writing for avantgarde theatre in Melbourne after winning a playwriting prize at age 16. Recruited by Nick Cave for his nascent Bad Seeds, he recorded on the first Seeds album and toured the world. Following this full immersion in the global post-punk scene, Hugo returned to Melbourne to create his first major band The Wreckery. Although The Wreckery produced several hit independent Australian singles and some remarkably ahead-of-their-time albums, the band never played outside Australia/NZ. By the end of the 1980s, Hugo had moved to Europe, first to London and then to West Berlin, where Hugo signed a record contract with German indie Normal Records (as Hugo Race & The True Spirit) releasing 5 albums– Rue Morgue Blues, Earls World, Spiritual Thirst, Stations of the Cross and Second Revelator (produced by former Bad Seed bandmate Mick Harvey). In 1995, Hugo signed with German independent label Glitterhouse Records who continue to release his work today with both The True Spirit and the Italy-based Hugo Race Fatalists who have released 3 critically acclaimed albums with a 4th album ‘Taken By The Dream’ in 2019. Fatalists’ 5th album, Once Upon A Time in Italy, is set for release in 2022.

Nick Chown - The Bolshoi - in conversation with David Eastaugh

The original lineup consisted of singer/guitarist Trevor Tanner, drummer Jan Kalicki, and bassist Graham Cox. After eight gigs bass player Graham Cox was replaced by Nick Chown. In 1985, the band released their debut single, "Sob Story", followed by the mini-album, Giants, and their hit song "Happy Boy".

In 1986, they released their first full-length album, Friends,[1]and expanded their touring schedule to the U.S., South America and Poland. It was followed in 1987 by the album Lindy's Party, on which the sound was more pop-oriented.

Marco Porsia - Rema Rema - in conversation with David Eastaugh 

https://www.docnrollfestival.com/films/what-you-could-not-visualise-rema-rema/

Marco Porsia is an award-winning director and editor - directed and cut music videos for a variety of bands, including The Wedding Present  and most recently a live concert film for Swans.

Rema-Rema rode the first wave of post-punk between 1978-1980.  Members Mark Cox, Mick Allen, Gary Asquith, Marco Pirroni, and Dorothy ‘Max’ Prior played only 11 gigs around London in 1979, and split up before the release of their one and only record.

James Elliott - Filigree & Shadow - in conversation with David Eastaugh

https://www.filigreeandshadow.co/

Founded in 2013, the name Filigree & Shadow emanates from a twice-borrowed reference to the song by Fever Tree. 

The late Robert Hermann wrote, “His series of ethereal and complex fragrances established him as a first-class natural perfumer, proving small indie perfumers can more than hold their own when running with the big dogs.

Jon Caffery in conversation with David Eastaugh

http://joncaffery.de

British music producer and engineer, born 1960 in Dorset, England, UK. Began his career in London, but moved to Germany in 1983.

Simon Jones - And Also the Trees - in conversation with David Eastaugh 

https://www.andalsothetrees.co.uk

The band made their live debut on 12 January 1980 at Grieg Memorial Hall in Alcester. A home demo tape was sent to The Cure, who were looking for support bands on their tour, leading to a friendship between the two bands. In 1981, And Also the Trees played several shows in support of The Cure'sUK tour. Their second demo tape, From Under the Hill (1982), was partly co-produced by Robert Smith and Mike Hedges. Graham Havas was replaced at this time by Steven Burrows.

In 1983, the band released their first single, "Shantell", which was produced by The Cure's Lol Tolhurst. Their second single, "The Secret Sea", followed in 1984 and was also produced by Tolhurst. Tolhurst also produced their debut studio album, And Also the Trees, which was released in February 1984. The band received the attention of BBC Radio 1 DJ John Peel, and were invited to do a session in April 1984, which was produced by Dale Griffin for broadcast on 24 April.

Ken Scott - Wasted Youth - in conversation with David Eastaugh

Wasted Youth have a tour starting in March 2023 and some festival appearances lined-up for summer. The newly formed WY Records are planning to have some vinyl and CD releases ready for March 2023. And that's something to look forward to.

Wasted Youth were an English post-punk band from London, England, active between 1979 and 1982, which blended post-punk/pre-Goth with dark acoustic strains of the sort associated with Nick Drake and Syd Barrett. The line-up of the band was Ken Scott (vocals and guitar), Rocco Barker (guitar), Nick Nicole (synth), Darren Murphy (bass) and Andy Scott (drums). 

James Fry - Earl Brutus & World of Twist  - in conversation with David Eastaugh

New book - A Licence to Rock and Pop - Slimvolume

https://www.jamesfryimage.com

https://www.slimvolume.org

https://boogalooradio.com/about/schedule/