Floodlines

The first episode of a new podcast from The Atlantic. Holy Week: The story of a revolution undone.

Subscribe to Holy Week: theatlantic.com/holyweek

Apple Podcasts | Stitcher | Google Podcasts | Spotify

The story of Dr. Martin Luther King Jr.’s assassination on April 4, 1968, is often recounted as a conclusion to a powerful era of civil rights in America, but how did this hero’s murder come to be the stitching used to tie together a narrative of victory? The week that followed his killing was one of the most fiery, disruptive, and revolutionary, and is nearly forgotten.

Over the course of eight episodes, Holy Week brings forward the stories of the activists who turned heartbreak into action, families scorched by chaos, and politicians who worked to contain the grief. Seven days diverted the course of a social revolution and set the stage for modern clashes over voting rights, redlining, critical race theory, and the role of racial unrest in today’s post–George Floyd reckoning.

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Holy Week: The story of a revolution undone.

The assassination of Dr. Martin Luther King Jr. on April 4, 1968, is often recounted as a conclusion to a powerful era of civil rights in America, but how did this hero’s murder come to be the stitching used to tie together a narrative of victory? The week that followed his killing was one of the most fiery, disruptive, and revolutionary, and is nearly forgotten. Over the course of eight episodes, Holy Week brings forward the stories of the activists who turned heartbreak into action, families scorched by chaos, and politicians who worked to contain the grief. Seven days diverted the course of a social revolution and set the stage for modern clashes over voting rights, redlining, critical race theory, and the role of racial unrest in today’s post–George Floyd reckoning.

Subscribe and listen to all 8 episodes coming March 14: theatlantic.com/holyweek

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Here's a sneak peek of a Pushkin podcast called Some of My Best Friends Are. As in, "I'm not a racist, some of my best friends are..."

The show is hosted by Khalil Muhammad and Ben Austen, two best friends who grew up together on the South Side of Chicago in '80s. Khalil is Black; Ben is white. They met as teenagers bagging groceries for $3.25 an hour. Now Khalil is a Harvard historian and Ben is an award winning journalist. 

Khalil and Ben invite listeners into their conversations about the absurdities and intricacies of race in America. Mixing anecdotes, entertaining storytelling, and thoughtful debate, Some of My Best Friends Are... helps listeners make sense of our deeply divided country.

In the preview, Khalil and Ben are reeling from a terrible string of crimes that happened recently in their Chicago neighborhood. They wrestle with the question of how to respond to violence so people can feel safe, without over-policing communities.

You can hear more, by searching for Some of My Best Friends Are wherever you get your podcasts.

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Hello Floodlines listeners — a new podcast is here just for you. On The Review, The Atlantic's writers and guests discuss how we entertain ourselves and how that shapes the way we understand the world.

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Hello Floodlines listeners, we'd like to introduce you to a new show!

In this series, host Arthur Brooks digs into research and offers tools to help you live more joyfully. Join us for deep conversations with psychologists, experts, and friends of The Atlantic's Chief Happiness Correspondent. For more info, visit www.theatlantic.com/happy, or search for How to Build a Happy Life on your podcast app.

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A new podcast from The Atlantic and WNYC Studios, The Experiment, tells stories from our unfinished country. On this episode, Vann R. Newkirk II tells the story of his mother's life. Marylin Thurman Newkirk grew up as part of the first generation of Americans who lived in what Vann calls "true democracy" — but that democracy is now at risk.

Listen and subscribe to The Experiment: Apple Podcasts | Spotify | Stitcher| Google Podcasts

https://www.theatlantic.com/podcasts/experiment/

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Part VIII: Water, like history, repeats itself.

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Part VII: People try to come home. But does home want them anymore?

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Part VI: How could the levees have failed?

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Part V: A hero arrives. But not the one everyone expected.

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Part IV: Rumor becomes tragedy.

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Part III: A universe of rumor and misinformation plays out on television.

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Part II: In New Orleans, the disaster wasn’t the hurricane. The disaster was what happened after.

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Part I: It all started long before a hurricane named Katrina.

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A preview of the show.

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