Lost And Sound

When Jonnie Wilkes and former Lost and Sound guest JD Twitch began their Optimo Espacio night one sunday in 1997 at Glasgow’s Sub Club, did they think that their eclectic style of mixing house and techno with post-punk, krautrock and far outt exotic treats would kickstart an institution, as well as carve the way for a dancefloor seachange?

On this week’s show, Jonnie takes the mic to share his auditory odyssey with us. The narrative weaves between his distinct loves for both DJing and music production, and how this ties into a background in fine art. With over two decades of experience to his name, Jonnie offers profound insights into how his artistry has shaped and been shaped by the reverberations of the industry. This echoes into talking about jis recently released Naum Gabo album (made with James Savage and released on the hugely influential DFA Records) is a dark, post-industrial journey that explores the outer reaches of electronics.

Wilkes' candid reminiscences and musings on the emotional tapestry of live performances cast light on the intimate connections forged between DJ and audience, how our physical surroundings influence our creative process and the fluidity of art.

F.Lux by Naum Gabo is available now here.

Paul Hanford on Instagram

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s  book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is published by Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing.

Lost and Sound title music by Thomas Giddins

Matthew Collin has written some of the most seminal books about electronic music culture. His latest, ”Dream Machines," captures the essence of innovators who embraced technology to shape the future of music, through looking at electronic in Britain from Doctor Who to Acid House.  Our dialogue spans the rich textures of synth-pop, the deep grooves of dub, and the raw energy of hip-hop, all set against the backdrop of social and cultural revolutions that have ignited forward facing music.

Uncover the influences that have invigorated the electronic music scene, from the revolutionary tape recorders post-World War II to the democratisation of music production that gave rise to bedroom techno artists and acid house legends. Matthew sheds light on the Hartnoll brothers' epic "Chime," and how the biggest expense for the track was £3.50 for cassette. We navigate the complexity of maintaining inclusivity in an industry that's ever-evolving, especially as new technologies like generative AI continue to push the boundaries of what's possible in music innovation.

We explore the intriguing connections between psychedelic music and drugs, where the tabloid frenzy around acid house and ecstasy inadvertently fuelled a cultural movement. We reflect on the indelible marks left by pioneers like Delia Derbyshire and the BBC Radiophonic Workshop on synthesizer-driven pop. Matthew and Paul muse over the challenges of chronicling iconic figures and the importance of placing them within the ever-shifting cultural landscapes.

Dream Machines is available now, published by Omnibus Press

Paul Hanford on Instagram

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing.

Lost and Sound title music by Thomas Giddins

Chloé Caillet's career has blown up expodentially in the last couple of years and now with her LGBTQ+ party series SMIILE currently touring the world, the DJ, producer, label owner and party starter sits down with Paul to reflect on her journey.

Growing up between Paris, New York and London, Chloé taps into her rock origins, unveiling her advocacy for Queer party values and talks about balancing the demanding rhythm of a music career with the essential practices of mindfulness, fitness, and therapy. The episode pulsates with Chloe's drive to remain authentic in an industry that constantly evolves, and her insights are a beacon for those navigating the frenetic world of music and self-discovery.

This week's episode isn't just about beats and basslines; it's an anthem to the spaces that music creates and the communities it builds. Our conversation dives into the symbiotic dance between DJing, production, and the influence of diverse musical spaces – from band nights in Paris to the ecstatic communion of raves. We revel in the shared energy that courses through genres, binding the likes of Andrew Weatherall with the unadulterated joy of discovery.

Chloé and Paul round off with a reflection on the scene's metamorphosis, the social fabric of past and present raves, and the how social media is altering underground culture. We share the electric buzz of creating inclusive, empowering spaces that resonate with authenticity, as evidenced by a transformative party in Los Angeles where barriers were joyfully dismantled.

Follow SMIILE

Paul Hanford on Instagram

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing.

Lost and Sound title music by Thomas Giddins

Luke Slater has remained an authentic titan in underground clubland for over 35 years. Among the very first European DJs and producers to be influenced by the techno and house coming out of Detroit and Chicago, he speaks with Paul ahead of the release of his new LB Dub Corp album.

Luke and Paul dissect the seismic cultural shifts that propelled a once clandestine scene into a global phenomenon, pondering the balance between the rebellious soul of the genre and its mainstream allure. The dialogue ventures into the impact of technology on music creation, revealing how artists like Slater are not just navigating but shaping this science-fiction reality we live in today.

The episode crescendos as we explore Slater's alchemic process of fusing diverse musical influences, from dub to collaborating with legends like Robert Owens and a spontaneous musical partnership with Miss Kitten. As we recount the journey of Planetary Assault Systems and the birth of tracks shaped by the unique acoustics of venues like Berghain, we draw back the curtain on the philosophy that drives this techno virtuoso's life and art.

The new LB Dub Corp album ‚Saturn To Home‘ is out on Dekmantel on May 24th 2024. Pre-order it here.

Paul Hanford on Instagram

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing.

Lost and Sound title music by Thomas Giddins

Imagine stepping into a studio where the walls echo with a fusion of alt-pop and club ready electronic innovation, colored with the vibrant heritage of Honduran American culture. That's the journey we embark upon with multi-hyphenate Lorely Rodriguez, better known as Empress Of. Lorely doesn't just talk about her music, she takes us through the raw and transformative process of her creative process.

The conversation takes us deeper, where the art of music production unfolds in its most genuine form. Stripping back the layers, Lorely muses on how the simplest of melodies can sometimes reveal the true strength of a composition. The chat turns to tales of stepping into the unknown, embracing the newness of a studio gadget, or the raw vulnerability of an acoustic performance.

For Your Consideration by Empress Of is available now here.

Presented and produced by Paul Hanford 

Paul Hanford on Instagram

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing.

Lost and Sound title music by Thomas Giddins

Sebastian Mullaert, prodigious electronic musician and former classical violist, voted by Resident Advisor as one of the world’s top live acts and twice Swedish Grammy nominated, reveals the enigmatic blend of spontaneity and meticulous craftsmanship that defines his practice, from his transition into electronic music, his acclaimed Circle Of Live project and his latest collaborative project HIND with Henrik Frendin.

The essence of creativity and connection takes centre stage in this episode, where the interplay between intellect and emotion in music is dissected. Sebastian explores the transformative power of presence in the artistic process. Music lovers and creators alike will find resonance in our discussion on the challenges of pop production, and the importance of infusing recordings with the authenticity of the human touch.

Finally, we challenge conventional notions of creativity, venturing beyond the quantifiable into the realm of natural energy and life force. In a society that often equates creativity with productivity, Sebastian advocates for an approach that honours the ebb and flow of the artistic cycle, emphasising the importance of nurturing an environment where artists can truly thrive. Sebastian Mullaert's insights serve as both inspiration and invitation to rediscover the joys of unfettered artistic expression.

The album HIND – Sebastian‘s collaboration with Henrik Frendin is released 24th May via Lamour Records, pre-order it here.

Presented and produced by Paul Hanford 

Paul Hanford on Instagram

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing.

Lost and Sound title music by Thomas Giddins

Alt R&B sonic sculptor Eddington Again and I shared stories of our creative voyages—one leading to the bustling streets of Berlin, and the other to the quiet solitude of a writing nook. In our latest episode, the songwriter, singer and composer delves into their artistic metamorphosis, charting a course from their West Coast beginnings to the introspective melodies of their debut album "Naomi 9." Our conversation taps into how physical spaces, from sun-kissed coasts to the brooding German capital, leave an indelible mark on artistic expression.

There's an unspoken language in the meticulous composition of music, much like the careful curation of a living space. This episode peels back the layers of Eddington Again‘s songwriting craft, where each note is placed with intention, telling its own story. We wax poetic about the pressures of industry demands and the constant pursuit of output, celebrating the purest form of expression that emerges despite, or perhaps because of, these challenges. It's a dialogue that honors the intricate dance of creating art that resonates with the soul of listeners.

Finally, we bridge the gap between solitude and the rich tapestry of collaboration. Reflecting on the transition from pen to keyboard, and how our individual journeys through isolation can unexpectedly fuel the creative flames. Eddington Again opens up about the dynamics of working solo versus in harmony with others, and the search for those rare collaborators who share the same fervor for music.

Eddington Again‘s album Naomi9 is out now on !K7 Records here

Presented and produced by Paul Hanford 

Paul Hanford on Instagram

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing.

Lost and Sound title music by Thomas Giddins

INSTA

Have you ever wondered what it takes to assert artistic independence in the ever-changing maelstrom of the music industry? Alt popstar Allie X joins us this week to unravel the tapestry of her career, from the depths of Canada's underground to her rise to stardom, and the creative force behind her latest LP "The Girl With No Face." Together, we traverse the terrain of her musical influences, the unmistakable imprint of '80s new wave and synthpop on her work, and the challenges she had been secretly braving in the industry.

Through tales of attending legendary rock concerts to embracing the nuances of goth culture, we celebrate the journey of music-making and the intimate relationship between influence and personal expression. Allie X pulls back the curtain on the meticulous craft of album production, from the steep learning curves to mastering Ableton Live—all through the lens of an artist who maintains control over every beat of her journey.

As the spotlight intensifies, we get real about the seldom-discussed intersection of chronic illness and the music industry. The conversation shifts to the raw and vulnerable aspects of Allie X's life, challenging the norms of what it means to be a public figure with private battles. Hear how the power of fan support emboldens authenticity and risk-taking in an artist's evolution. We wrap up with the emotional highs and lows that accompany an artist's trajectory, emphasizing the significance of resilience and the profound impact of a community that listens and lifts each other up through the rhythm of life.

The Girl With No Face is available now, order it here.

Presented and produced by Paul Hanford 

Paul Hanford on Instagram

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing.

Lost and Sound title music by Thomas Giddins

Step into the ambient world of trailblazer Dr. Alex Paterson of The Orb, sharing his captivating story on Lost in Sound. Our journey with Alex takes us from the inception of ambient house to his acoustic adventures with the Sedibus project, all while uncovering the artistic vigor that has fueled his five-decade-long voyage through the music industry. We relish the nostalgia of chart-topping victories, a totally surreal chess-themed performance on Top of the Pops, and delve into the enduring resonance of "Little Fluffy Clouds."

With laughter and earnest reflection, Alex recalls the exuberance of the acid house scene, his time as a roadie for Killing Joke, and the antics of The KLF, painting a vibrant picture of the friendships and chaos that shaped an era. This episode isn't just a look back at the past; it's a testament to music's timeless journey and the undying passion that drives an artist like Alex, who eschews retirement and zeitgeist for the relentless pursuit of creation.

Finally, through candid anecdotes and personal memories, Alex provides insight into the lasting influence of late artists, muses humorously about secret islands for escaping fame, and shares how non-traditional musicians like himself have brought new sounds to the forefront. From wild rave stories to the enduring friendships forged in the heat of the acid house scene's heyday, this episode is an affectionate homage to the rhythms that keep legends like Dr. Alex Patterson crafting the soundtrack of our lives.

The second Sedibus album ‘SETI’ out now on Orbscure Recordings, check it out here. 

Presented and produced by Paul Hanford 

Paul Hanford on Instagram

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing.

Lost and Sound title music by Thomas Giddins

Embark on a journey through the innovative soundscape of Jasper Marsalis, known artistically as Slauson Malone 1, in a conversation that transcends the conventional boundaries of music genres. As we sit down with Jasper, we uncover the multifaceted layers of his album "Excelsior," a fusion of the avant-garde, alt R&B, and lo-fi rock that defies easy categorization. He talks about his rich heritage, his father being Pulitzer Prize winning jazz legend Winton Marsalis, yet this ain’t no nepo baby: Jasper is an acclaimed exhibiting visual artist and his music feels like the communication of a true outlier.

In a broader exploration of artistic expression, we tackle the subjective nature of art evaluation and the complex dynamics of inspiration. Through discussions on alter egos in music to the legacy of 60s experimental composers, we navigate the interwoven themes of music, societal commentary, and the creative legacy that define our cultural landscape. Jasper's reflections on balancing the weight of a musical family name with his individual path provide a candid glimpse into the world where personal history and artistic aspiration converge. Join us for this compelling episode, where we dissect the essence of what makes music a timeless form of human connection and self-expression.

Excelsior is out now on Warp Records

Presented and produced by Paul Hanford 

Paul Hanford on Instagram

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing.

Lost and Sound title music by Thomas Giddins

Paul heads into a deep dive into the transformative world of improvised music, where Anenon aka Brian Allen Simon shares his artistic evolution. From crafting beats in LA's vibrant Low End Theory scene to the raw, unedited improv of his latest work 'Moons Melt Milk Lights,' we uncover the emotional resonance that springs forth when production veils are lifted.

Embark on a journey through the creative ebbs and flows that define a musician's life, as Anenon recounts his transition from a digital realm to the tangible immediacy of live performance. The quiet of the pandemic served as an unlikely muse, presenting Anenon with the time to refine his mastery of saxophone and piano – a path that culminated in an album unmarked by edits, a pure expression of presence and vulnerability.

Moons Melt Milk Light is out now on Tonal Union

Presented and produced by Paul Hanford 

Paul Hanford on Instagram

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing.

Lost and Sound title music by Thomas Giddins

South London's yunè pinku is an artist whose tapestries of sound, blending club beats with poignant songwriting, perfectly soundtrack the season of new beginnings. With the echo of her EPs "Babylon IX" and "Bluff" in our ears, we navigate conversations around her journey, experiences with industry luminaries such as Charlie XCX and Joy Orbison, and the curious mix of excitement and uncertainty that marks the year ahead.

Our discussion pirouettes around Yunè Pinku's culturally vibrant background, where Irish folk songs meet the pulsing heart of electronic music, all under the watchful eye of her supportive mother. We talk about her artistic evolution, from initial sound experiments to a lockdown-fueled dedication that saw her shaping silence into rhythm, and the sweet irony of crafting club tracks in the quiet of solitude. Yuné Pinku opens up about her creative process, from frustrating blocks to the euphoric breakthroughs, and the freedom that comes from tossing genre constraints aside and letting inspiration lead the way.

Closing our session, Yune Pinku transports us to the global stages of music festivals, from the sun-baked fields of Australia to the electric buzz of American crowds. She reflects on the whirlwind nature of touring and the cultural awakenings therein, pondering the advice she might give her younger self.

Killing Bee by yunè pinku, available here

Presented and produced by Paul Hanford 

Paul Hanford on Instagram

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing.

Lost and Sound title music by Thomas Giddins

As the winter chill sets in, imagine cozying up with a warm cup of tea and the wall of noise psych-pop of Cults, the band that first took over the web with "Go Outside." In this episode, Brian Oblivion and Madeleine Follin join Paul to share their journey from a viral sensation to seasoned artists. We meander through their contrasting COVID experiences, with Brian finding solace in the snow-capped quiet of upstate New York while Maddie paints a vivid picture from the bustling downstate. Their anecdotes of musical resurgence on TikTok will remind you why "Always Forever" and "Gilded Lily" have found a new lease on life among listeners.

Have you ever wondered about the creative alchemy that fuels a band's sound? Brian and Maddie pull back the curtain on their songwriting and recording process, with a candid look at their winter studio sessions and the tightrope walk of their unique partnership. They offer a glimpse into their musical origins, from Maddie's punk band beginnings to Brian's unconventional path, all leading up to a serendipitous convergence that neither of them saw coming. Their reflections on navigating the music industry's ebbs and flows are as enlightening as they are inspiring.

To round off our chat, we explore the delicate interplay of hope and pragmatism that drives a musician's career. Brian and Maddie share insights into the validation they've felt from new platforms and the importance of staying humble and adaptable, echoing advice from family that has kept them grounded.

Presented and produced by Paul Hanford 

Paul Hanford on Instagram

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Lost and Sound title music by Thomas Giddins

When the heart speaks through music, it resonates with a truth that's undeniable. This sentiment rings clear with this week’s guest — Liv.e, the Dallas-born, LA-based multi-hyphenate whose album 'Girl in the Half Pearl' has captured hearts worldwide. Through her expressive melodies and psychedelic R&B, Liv.e crafts a narrative of love, loss, and the healing power of music. We wander through the raw emotional landscapes that inspired her album, uncovering the shared humanity in her collaborations with musical greats and the way her songs act as a conduit for collective experience.

Presented and produced by Paul Hanford 

Paul Hanford on Instagram

Liv’s second album ‘The Girl In The Half Pearl’ is available now here.

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing.

Lost and Sound title music by Thomas Giddins

What happens when an underground electronic artist decides to break over a decade-long hiatus and return to the music world in the midst of a global pandemic? This is exactly what Luke Blair aka Lukid did. 

Isolated in Lisbon, Lukid took to his music like a mad scientist, employing unconventional methods like the use of tapes to get that elusive unidentifiable sound. We unpick his creative process, discuss his views on the use of filters in films, and touch upon the traps of becoming too attached to a particular sound. Lukid's innovative approach to music production is intriguing, and his philosophy hinged on the uniqueness of sound sets an interesting precedent.

As we traverse the myriad facets of Lukid's musical journey, we also dive into the broader changes that the music and film industry have undergone in the digital age. We shed light on how streaming has revolutionized the way we consume music, the role of algorithms in music discovery, and the rising challenge of securing film scoring opportunities. From Lukid's early influences, his initiation to music production through Cubase.Tune in, get lost in sound, and unearth the story of a musical prodigy navigating the changing times and his own personal evolution.

Presented and produced by Paul Hanford 

Paul Hanford on Instagram

Lukid’s new album Tilt is out now on Glum, check it out here

Lost and Sound is sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing.

Lost and Sound title music by Thomas Giddins

Get ready for a deep, heartfelt talk with Samuel T. Herring, the spirited and dynamic frontman of the synth pop band Future Islands. Samuel's candidness will leave you thoughtful and inspired as he talks about his musical journey, the band's sudden rise to fame, personal struggles with addiction, and how he discovered his artistic voice through the likes of Marvin Gaye and John Coltrane. 

He talks with Paul about the effects of streaming services and social media on musicians. Additionally, he sheds light on the band's evolution and the challenges they faced while rising to stardom, including recording their first album amidst financial struggles, and the effect of constant touring on their songwriting process. 

As we conclude the conversation, Samuel opens up about his personal growth and self-reflection experienced during his journey. He speaks about how his music and lyrics have evolved to mirror his life changes. He further discusses his struggles with balancing his personal and professional life, underlining the importance of empathy and understanding in relationships. This episode will leave you with a deep understanding of the power of music, creativity, personal growth, and the resilience of the human spirit.

Presented and produced by Paul Hanford 

Paul Hanford on Instagram

Future Islands’ 6th albium ’People Who Aren't There Anymore’, out 26th January via 4AD. 

Pre-order a copy here.

Current single, 'The Tower' is out now

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing.

Lost and Sound title music by Thomas Giddins

Imagine a world where club beats meet experimental sounds, where ancient echoes mingle with modern AI voices. That's the universe inhabited by our guest, Lee Gamble. Paul sits down with Lee to discuss his latest album, Models, released on the hugely influential Hyperdub Records.  Not only do we delve into the influences that shaped this remarkable piece of work, but we also unpack how personal loss and the global pandemic have left indelible marks on Lee's creative process.

Lee's unique narrative is punctuated by the influence of Birmingham's drum and bass and techno history, and his journey as a DJ navigating the complexities of self-identity. We reflect on the intersections of technology, art, and emotion, examining how cutting-edge AI can both enhance and evoke a sense of longing within music. Lee also shares his insightful perspective on the powerful impact personal experiences and social class have on an artist's self-perception and creativity.

Presented and produced by Paul Hanford 

Paul Hanford on Instagram

Models by Lee Gamble is available here.

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing.

Lost and Sound title music by Thomas Giddins

Combing sound and rhythm, music and dance with producer, DJ and label owner GiGi FM.  As a rising star in the music industry, GiGi FM takes us behind the scenes of her artistic process, revealing how her personal experiences shape her tracks. Paul and GiGi engage in an intimate conversation, recorded in the creative ambiance of a Berlin gallery, where she shares her story and how she infuses it with her music.

The episode then transitions to an exploration of the transformative power of music and dance and how they serve as conduits between our inner selves and the collective consciousness. Remember the first time you lost yourself in a dance or a melody? That's the flow state we explore here, through personal narratives and insightful discussions with a successful DJ who shares her rapid rise from underground parties to Boiler Room, Berghain, Fabric, NTS and beyond. We also delve into the nuances of reading a crowd, creating energy, and understanding the dynamics of a party.

The journey continues further, as we navigate through the vibrant nightlife of Berlin and Japan, discussing the unique energies at different raves. We also dive deeper into the life of GiGi FM, discussing her move to Berlin, her own imprint, Sea~rène, and her love for mythology. Through her story, we uncover the symbiotic relationship between creativity, music, and life itself.

Presented and produced by Paul Hanford 

Paul Hanford on Instagram

Pre-order GiGi FM’s Kiwi Synthesis Diary Vol 2 here.

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing.

Lost and Sound title music by Thomas Giddins

This week we get deep on the dancefloor with Paul Rose, famed as Scuba — the DJ, producer, label owner, promoter and pocaster whose been shaping the world of bass-heavy electronic music over the last two decades with style. From his roots in the London underground garage scene to his adventures in Berlin, Scuba's sonic journey has been nothing short of transformative. We dissect his new mix tape, Digital Underground, a tribute to early hardcore rave.

Our conversation doesn't stop at Scuba's triumphant career. We also delve into the challenges of juggling multiple roles in the dynamic landscape of music. Scuba shares his philosophies on the pressure young artists face in self-promotion on social media, alongside revealing how he finds diverse outlets for expression. We discuss the indispensability of persistence, the importance of taking a break, and the intersection of his personal and professional life. 

As we rewind to the 90s club culture, we reflect on how Scuba's early encounters in the London music scene have shaped his perceptions of today's music environment. We examine the evolution of the atmosphere from then to now, emphasizing the increased focus on safety. Our exploration expands to the post-industrial music scene of Berlin and its influence on Scuba's music production. Finally, we navigate the complexities of purism in music, the idea of authenticity, and the significance of striking a balance between being open-minded and maintaining a perspective.

Presented and produced by Paul Hanford 

Paul Hanford on Instagram

Listen to Scuba’s ’Not A Diving Podcast’ here.

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing here.

Lost and Sound title music by Thomas Giddins

Engage your senses and prepare to be transported with godfather of electronic music, Jean-Michel Jarre. Producer, composer, 3 times Guinness World record holder and cultural ambassador, Jean is also one of the youngest 75 year olds you’ll ever hear, as Paul found out when the two spoke about his 50-year musical journey, his drive to continually look forward, and his latest creations – Oxymore and Oxymoreworks. 

Dive into the nuances of Jarre's unique creative process and how he reflects on his lineage, how Jarre's own iconic work, Oxygene, once faced rejection from record labels and how he drew inspiration From Pierre Henry on his latest work.


Oxymoreworks is available Friday Nov 3rd here.

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more.

Paul on Instagram

Subscribe to the Lost and Sound Substack for fresh updates and writing here.

Lost and Sound title music by Thomas Giddins

Adrian Sherwood — producer, mixologist, sonic innovator, dub technician and label runner joins Paul for an intimate exploration of his fascinating career, where they explore the profound influence of his dub techniques on the music industry, and his surprising contentment with remaining semi-underground. From working with Lee Scratch Perry and Prince Far I to Nine Inch Nails and Depeche Mode, you'll gain insight into not only his career, but also his recent work with African Head Charge, and his unique perspective on success.

Sherwood eloquently describes his early experiences with Jamaican sound systems, his perspective on the advancement of audio technology, and the undeniable power of bass in music. The conversation explores the influence of culture and politics on music creation. As Sherwood narrates his encounters with influential figures like James Brown and Keith LeBlanc. We discuss the joy of creating club tunes in mere hours, the human element in music, and the profound impact of Ecstasy on England. You'll also learn about the ever-evolving world of music production technology, the importance of character and expression for artists, and the challenges of monetizing creativity. 

African Head Charge’s new album A Trip To Bolgatanga is out now on On-U Sound

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing here.

Lost and Sound title music by Thomas Giddins

Paul talks with innovative producer, musician, and DJ, Carmen Villain, unravelling the key influences that have shaped her sound, ranging from hip hop, R&B to minimalism. Carmen opens up about her late start in music and her love for loops and textures, taking us behind her creative process, shedding light on her desires to blend dub influences with cosmic free jazz, electronic textures with scoring music for dance performance. The culmination of these experiences is what makes her latest album, Only Love From Now On, and her EP, Music From the Living Monuments, a testament to her artistic evolution.

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing here.

Lost and Sound title music by Thomas Giddins

Ready to pierce the myths of being a creative in the digital age? Paul sits down with Elijah, Grime and DIY pioneer, who, with over 15 years of industry experience, unpacks  "Close The App, Make The Ting", a phrase that has helped him steer his diverse roles - which range from DJ and label owner to teacher and producer - in an ever-evolving, noisy industry.

Through using Instagram as a canvas with short captions on yellow squares, with the principles he's gathered from his extensive music career, Elijah thoughtfully addresses the critical role of community, creativity and the music industry  in this digital era. We dive deep into what defines success in this digital age and how to strike that delicate balance between personal creativity and industry constraints.

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing here.

Lost and Sound title music by Thomas Giddins

Lost and Sound is live in Berlin, Oct 15th, 7.15pm at PodFest Berlin, buy tickets here.

Augustus Muller — Innovative electronic musician, producer, film composer and one half of cult duo Boy Harsher, talks with Paul about his approach to music, highlighting his journey from a high school discovery of synthesizers right through to a current sabbatical in New York. 

Augustus gives us an intimate look at his creative process. We delve into his experience with teaming up with Jae Mathews to form Boy Harsher, their DIY approach that led to the EBM/coldwave anthem Pain, the influence of film on his work and why a Hans Zimmer approach doesn’t work when scoring Vex Ashley's Femme-directed porn collected together on his recent Cellulosed Bodies album.

Augustus Muller's 'Cellulosed Bodies (Original Score)' — the album featuring two scores, 'Crash' and ‘Automaton'  is out  now via their own Nude Club Records.

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing here.

Lost and Sound title music by Thomas Giddins

Ever wondered how a composer plays with silence to create evocative music? Roger Eno has been honing his ambient and emotive music since 1983’s seminal Apollo: Atmosphere’s And Soundtracks, an album he made with his older brother Brian and the producer Daniel Lanois. 

Roger chats with Paul about his style and his unique approach of "decomposition" in the creation of music. They delve into his life's experiences, from being a music therapist to his recent signing with esteemed German classical label Deutsche Grammophon and how it has impacted his work. His new LP, The Skies They Shift Like Chords is a testament to his ability to play with silence, create space in music and make every sound intentional. Get to know about his influences, his inspirations, and his aspiration for listeners to fill in the gaps in his music with their own interpretations. 

They also discuss the influences of his upbringing, his close connection with the English countryside, and his creative processes.

Eno is set to release his second solo album for Deutsche Grammophon this autumn. Released 13th October, ‘The skies, they shift like chords…’

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing here.

Lost and Sound title music by Thomas Giddins

In the new episode of Lost and Sound Paul gets deep into conversation with DJ and producer, Simo Cell.  With his debut album Cuspide des Sirènes creating waves, Simo talks about  his artistic process, musical journey, his UK Bass influences, and the transformative experience of birthing a full-length album.

The Paris based DJ reveals the art of harnessing different genres and the importance of 'playing with silence' to let the sounds naturally emerge. Then, around 40 minutes in it all takes a twist, their conversation delves deep into the philosophical realm as Simo talks about his encounter with Eckhart Tolle's teachings and his tryst with enlightenment. We probe into his experiences with panic attacks, the therapeutic powers of The Power of Now as well as the concept of the spiritual bypass and his thoughts on self-reflection and context awareness.

Simo Cell’s debut 'Cuspide des Sirènes’ is available now on TEMƎT Music

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing here.

Lost and Sound title music by Thomas Giddins

Singer, songwriter, producer, political advocate and spiritual New Yorker in LA, Samantha Urbani cut her musical teeth in the Brooklyn indie band Friends, before collaborating with Dev Hynes, singing on 6 out of the 11 tracks on Blood Orange’s Cupid Deluxe. Her upcoming solo album, Showing Up, is bright and sharp and nods to both Tom Tom Club and Janet Jackson. She talks with Paul about how she aproaches the daily practices of creativity, about checking in with yourself on what you believe in, gender inbalance in music and the toxicity that can happen in male written yet femme sung love songs, plus the awesomeness of the late 90s rock-rap crossover trend and how it manifested on the 1998 Godzilla soundtrack

Samantha Urbani's LP Showing Up in available from Sep 22nd, pre-order here.

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing here.

Lost and Sound title music by Thomas Giddins

Mykki Blanco — musician, performance artist, poet and activist became canonised so soon after releasing their first mixtape that within a year they were a style icon, a recognised trailblazer and toured with Björk. With over a decade now of music, Mykki is constantly experimenting, pushing boundaries with their sound and how they project themselves. Their latest work, Postcards From Italia even leaves rap behind to namecheck Tom Petty. Mykki talks with Paul about their creative journey, identity, media perception, running away from home at the age of 16 to be a bohemian in New York and so much more.

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing here.

Lost and Sound title music by Thomas Giddins

Rrose makes enigmatic music that hits a sweet spot between techno and avant-garde composition, blurring gender identity and making work that feels like you’re listening to a living, tactile organism. New album, Please Touch is the latest stop over a long journey that began under a different pseudonym in the club scenes of 1990s California, involved at one point leaving the dancefloor behind for years to study composition at the prestigious Mills College (whose alumni and teachers have included Pauline Oliveros and Steve Reich) before rebirthing as Rrose. They talk with Paul about the sexual energy of dance music, the power of creating a persona and their creative story. 

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing here.

Lost and Sound title music by Thomas Giddins

Hania Rani, the acclaimed Polish-born composer, producer, pianist and singer makes a return visit to Lost and Sound. When Paul and Hania first spoke, it was during the weirdness of the pandemic, yet that conversation has gone on to be the most listened to episode of the show ever. Since then, she’s recorded a soundtrack, a classical album and a YouTube of a Parisian concert from last year has racked over 4 million views to date. Today, she catches up with Paul to talk about embracing creative evolution and the spectral themes that glide across her new album, Ghosts.

‘Ghosts’ released Oct 6th on Gondwana Records.

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing here.

Lost and Sound title music by Thomas Giddins

Mick Harvey - founding member of The Birthday Party, The Bad Seeds and Crime And The City Solution. On top of that,  he’s done everything from recording two albums of Serge Gainsbourg covers to being long term collaborator with PJ Harvey.  Amanda Acevedo was a fan in Mexico who, during lockdown, plucked up courage and asked him if he’d like to work on a song with her. Forward a few years and what started out as a sort of end of the world dare has morphed into an album of duets: Phantasmagoria in Blue. Mick and Amanda talk with Paul about everything from their creative process, which involved the guiding principle of making everything "slow and depressing" to how Nick Cave’s love of Karen Carpenter nearly derailed a gig at the Hacienda.

Their album, Phantasmagoria in Blue is available 1st September, pre-order here.

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Subscribe to the Lost and Sound Substack for fresh updates and writing here.

Lost and Sound title music by Thomas Giddins

Yann Tiersen and QUINQUIS (Emilie Tiersen) are on a boat with a manifesto, touring the Celtic Islands and playing community halls, pubs, record shops and places along the way. The producer/musician/composing couple talk with Paul about the environmental and consumerist impact of touring and their holistic approach to navigating this. Yann (who first appeared on Lost anf Sound two years ago) did the score to Amelie, which he’s not super hot on by all accounts, he did the score to Goodbye Lenin too, and his recent stuff on Mute plays with textures and atmosphere, Emilie’s work has that magic of early 4AD but in it’s own unique way. Together, they talk about their inspiring adventure and how it relates to our wider world.

YANN TIERSEN & QUINQUIS

NINNOG SUMMER TOUR - SAILING TO CELTIC LANDS

KERBER COMPLETE - MODULAR SYNTHESIS, SOLO PIANO, REMIXES

BOX SET WITH NEWLY RECORDED SOLO PIANO VERSION OF HIS 2021 ALBUM, KERBER - 15 SEP ON MUTE

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Lost and Sound title music by Thomas Giddins

Lost and Sound meets Kevin Rowland, singer, musician and the frontman of Dexys Midnight Runners, now shortened to simply Dexys.  A true pop maverick - from early 40 hour a week rehearsals and  a band name taken from the Northern Soul drug Dexadrine to those seismic 80s pop moments like Geno and Come On Eileen and the stone cold classic Searching For The Young Soul Rebels album, Kevin has flown in and out of favour, regenerating a bit like a post punk soul tinged Doctor Who. On the eve of the release of the 6th Dexys album, The Feminine Divine, Kevin talks to Paul about creativity, life, Roxy Music and the feminine awakening at the heart of the new music. 

Lost and Sound is proudly sponsored by Audio-Technica

The new Dexys album The Feminine Divine is available  from 28th July 2023

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Lost and Sound title music by Thomas Giddins

Psycho & Plastic found a way to express their deepest feelings through making ambient music. The duo had been playing their brand of underground electronica in Berlin for years until the events of 2020 put a stop to their live energy. Instead of beats, they channelled the raw emotion lurking in quietness, and it’s a sound they’ve cultivated ever since. The duo, Thomas Ticchai and Alexandre Decoupigny have known Paul for years, and together, the three friends talk about authenticity, creativity and the need to hear quiet voices in a world which values who can shout the loudest.

Psycho & Plastic’s most recent album, Phantom Bliss is out now, there’s a link in the online podcast description. And their track No End is on the Ambient Layers Vol 2 compilation on the 7K label.

Lost and Sound is proudly sponsored by Audio-Technica.

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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Manchester based Iceboy Violet fuses experimental club music with warped pop abstraction, noise and rap, adding vulnerability and a cheeky northern humour to their rhymes. They have a candid conversation with Paul about creativity and authenticity.

Since the release of the rapper, producer and performer’s 2018 mixtape MOOK, they’ve been pushing boundaries, along the way collaborating with artists including Loraine James, Blackhaine, Space Afrika, Slikback and aya. They speak with Paul to coincide with the release of their latest project, ‘Not A Dream But A Controlled Explosion’ - a project about the role desire and fantasy plays in our lives.

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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Finlay Shakespeare is that rare thing - equally both boffin and poet.  A childhood obsession with his parents’ record collection, then teenage years spent building his own synthesizers led on to a series of works, from improvised home recordings to the lush 80s inspired synth pop of his latest album, Illusion + Memory. He speaks with Paul about the need to leave our comfort zones in order to make good music (or art) and how seemingly meaningless lyics later reveal their true meaning and, of course, that love of the 80s. 

Finlay Shakespeare’s album Illusion + Memory is out nowon Alter.

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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It’s taken James Ellis Ford twenty plus years in the A game to release his debut solo record. In these years he’s become possibly the go to producer for anyone from Blur to Depeche Mode to Kylie to Gorillaz to Foals to Arctic Monkeys. He’s also a Simian Mobile Disco, a Last Shadow Puppet, an Eno protege and inadvertently responsible for the epoch defining mid noughties anthem We Are Your Friends. It would have been easy for him to have made a celeb heavy, zeitgeist grabbing debut, instead, The Hum, released on Warp, is a dense, widescreen ode to pastoral prog, 70s fusion, King Crimson and so much more. James chats with Paul about finding his confidence, the method he absorbed from Eno that go beyond the technical and the enigmatic eccentricity of English music.

James Ellis Ford’s album The Hum is available now on Warp Records. 

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Lost and Sound title music by E.S.O

North London DIY Icon Delilah Holliday once said she writes songs to make people feel less alone. Her band, Skinny Girl Diet, which she founded at the age of 14 with her sister Ursula and their cousin Amelia reignited a much needed Riot Grrl punk spirit, galvanising a community of like minded music lovers back in the early 2010s. Moving more recently into a lo-fi, electronic and soulful sound, developing her production style along with it and collaborating with Neneh Cherry, Vivienne Westwood and former guest of the show, Baxter Dury, she talks with Paul about her creative process, overcoming doubt, finding transformation and ponders what would a song sound like if it was left out in the sun. 

Delilah Holliday’s new EP ‘Invaluable Vol. 1’, on 7th July on One Little Independent Records.

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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Jessy Lanza - producer, singer and DJ, chats with Paul about finding her confidence through eschewing the rigours of a jazz education for making some of the sharpest, brightest and damn well fizzy leftfield pop music of the last ten years. And that’s exactly what it’s been, a decade, since her debut came out on the hugely influential Hyperdub label. Now, with the upcoming release of her new album, Love Hallucination, Jessy, currently in Ontario, talks with Paul about her creative process, how her van became the centre of a revelatory Boiler Room set and finding her own musical voice. 

Jessy Lanza’s new album Love Hallucination, out via Hyperdub on July 28

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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Audio/visual artist Richie Culver first realised he could make art at a rave afterparty when he picked up a book of Nan Golding’s photography. He rose to popular attention in recent years firstly in the art world after a work was featured in the Tate Modern and when the piece Did U Cum Yet, a comment about social media, went viral during the pandemic. His debut album, I Was Born By The Sea, mixes spoken word with experimental electronics and has echoes of his birth city of Hull’s Throbbing Gristle. Richie shares a frank and honest chat with Paul about addiction (Richie himself is 8 years sober) about discovering clubbing, about social media, about being present and his creative process. 

I Was Born By The Sea (The Remixes) is out on June 23rd on Participant Records. 

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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Dangermami set up Femme Bass Mafia as a mentoring program for femme, trans and non-binary people, with a focus on bass music and the creation of safer learning spaces. She talks with Paul about gender visibility in club culture and her own ascent as one of the most exciting new DJs to emerge out of post-pandemic Berlin. This episode was recorded live on stage for PodFest.

Lost and Sound is proudly sponsored by Audio-Technica

Thanks to Daniel and Josh at PodFest for inviting the show on stage live.

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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Baxter Dury - Musician, world class exponent of sprechtgasung, debonaire racontuer, immently an alternative English national treasure and a man whose travelled a long creative and life path since appearing on the cover of his Dad, Ian Dury’s New Boots And Panties album. 

“You’ve got to go through your owl turmoil to get somewhere, you can’t be lent turmoil,” he tells Paul at some point of a conversation on a Monday morning where Paul totally lost his questions, veered off from asking him about his new album and it’s distinctive balance of grit and swoon and instead just went with a flow that only a Monday morning could deliver - philosophical, profane and humble all at once. 

Baxter Dury’s new album, I Thought I Was Better Than You is out on June 2nd on Heavenly Recordings. Pre-order here. 

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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Gina Birch is a true trailblazer. Co-founder of the all girl post punk band The Raincoats, the music herself and Ana de Silva headed up, which so often hit the soft spot between experimental, choaotic and melodic in the truest Velvets sense, paved the way for decades of music to come and did so much for female visibility in bands. Along the way, the group picked up fans like Kurt Cobain, who invited them on tour. Now, balancing a life of creativity between music, painting and film, Gina talks with Paul about her debut solo LP I Play My Bass Loud and reflects on everything from seeing The Slits to stilletoes to Zoom ettiquette to creativity.

Gina Birch’s album I Play My Bass Loud is out now on Third Man Records.

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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When Daniel Miller and Gareth Jones make music together as Sunroof,  they sit either side of a table, adjusting the dials of modular synths and they look like two veteran chess players locked into a very long, perhaps even decades long game. Yet instead of being in competition, it’s like they raise each other’s vibration: one making a sound, the other responding. 

Both men have changed the way we hear electronic music in the last 40 years. Miller founded Mute Records initially to release his single Warm Leatherette. He met Gareth when they worked on Depeche Mode’s Berlin-connected ‘80s records. The Depeche Mode records we all like. Gareth has produced songs we’ve all danced to many times: Erasure, Wire, Grizzly Bear, Clinic, Interpol. For decades, they’ve been getting together and making these modular improvisations and have finally gotten round to releasing some of the stuff and it’s really good. 

Paul caught up with the pair to talk about how they work, how they met and what they think. 

Sunroof’s new album, Electronic Music Improvisations Volume 2 – out now on limited edition white vinyl and digitally, via the Parallel Series of Mute

Lost and Sound is proudly sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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Andrew Fearn’s stripped down, austere electro-punk productions and Jason Williamson’s biting yet absurdly humourous lyrics and delivery have been exploring austerity-era Britain, culture, and working class life for over a decade. Collectively as Sleaford Mods, they’ve always done exactly their own thing in their own way but their last album Spare Ribs connected with a wider audience, maybe they’ve even become generational spokespeople in the process too. Add to this, the new album’s title, UK Grim, couldn’t be more apt. Jason and Andrew talk with Paul about their status as spokespeople, humour as a form of resilience, the debilitating effect of the tory government on people and the band's creative process.

UK Grim by Sleaford Mods is out now on Rough Trade.

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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South London-based singer/songwriter, producer, and composer Lucinda Chua joins Paul for a conversation on the eve of the release of her debut long player, YIAN, on 4AD Records. In the past better known for her collaborations with artists such as FKA twigs and for her time in the post-rock duo Felix, her solo work mixes deep introspection with stunning atmosphere. Her NTS show is ace too. She chats with Paul about the scariness of putting yourself out there, authenticity and output and more. 

Lucinda Chua’s LP YIAN is available on 4AD Records from March 24th.

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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Suzanne Ciani is a true pioneer. One of the world’s first synth heroes.  “The diva of the diode.”  Ciani began experimenting with electronic music in 1960s California, at a time when to do so wasn’t just about a new style of music, but about creating a whole new language: a new form of music with this new technology. Like Delia Derbyshire and Cosey Fanni Tutti and many other female pioneers, it’s taken time for the world to catch up and for Ciani to be recognised for quite how significant her cultural contribution runs across how we hear what we hear. 

Now in her mid seventies, she shows no signs of slowing down, she speaks with Paul about some of the key musical moments in her life: California of the 60s, New York of the 70s, the importance of putting emotion into music and her work in spatial sound. 

Suzanne Ciani is touring from march to September this year, check out her tourdates here

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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This week, Paul meets New York-based, Korean-American musician Margaret Sohn aka Miss Grit. Their upcoming debut LP, Follow The Cyborg finds a personal connection between cyborg theory and her identity.  As a mixed-race, non-binary artist, Sohn has always rejected the limits of identity thrust upon them by the outside world, in favour of embracing a more fluid and complex understanding of the self. The conversation touches on Donna Haraway’s 1986 essay A Cyborg Manifesto, which uses the figure of the cyborg to urge an understanding beyond the limitations of traditional gender, feminism, and politics. Margaret and Paul talk about her work, which blends a sonic mixture of machine detail and human emotion, New York living and more. 

Miss Grit’s LP Follow The Cyborg is out Feb 24th on Mute

The single Lain (Phone Clone) is available now

This episode is sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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The Waeve is the coming together of two unique musical voices - Graham Coxon & Rose Elinor Dougall who've just come together to make a rather deep and magical record together as The Waeve.

Rose - started out in the Spector-eque girl group The Pipettes in the early millennium, has recorded since with Mark Ronson amongst others and her solo music, like on her most recent solo album A New Illusion, taps into a dreamy yet darkly tinged sound with elements like psychedelia, krautrock and folk in the mix. Graham is, what we call in England, somewhat of a national treasure. As guitarist from Blur, he’s been a major creative driving force behind some of the most iconic music of the last thirty years and like Thurston Moore or Jonny Marr, created a real alternative version of a guitar hero, one with vulnerability, angularity and curiosity in place of machismo and pomposity.  They spoke with Paul about how they came together and made a dark, richly layered album, along the way becoming a couple and they reflect on the difficult subject of Englishness, their creative processes and more.

The Waeve’s debut LP is out Feb 5th on Transgressive

This episode is sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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Lost and Sound is back after a seasonal break, and trying something new: Paul’s first guest of the year is actually a film maker. Isn’t this a music podcast? You might say, but Mark Jenkin’s hands-on approach and unique style, particularly when it comes to sound design, make him, for a podcast that meets outliers, innovators and outsiders, a spot on guest. 
 
Following on from his 2019 black and white Cornish-set Bait: a film nodody could have predicted would have become the hit it was, we spoke about his new offering, the 70s-set folk horror, Enys Men. It’s hauntology on screen: eerie and dream-like. The soundtrack, composed by Jenkin, is stand-alone good - particularly if you’re a fan of disintegrating drones and analogue loops that feel warped into some lost memory. 

Mark Jenkin’s original score for Enys Men is out now digitally on Invada Records. The film is released in the UK on 13 Jan. 

This episode is sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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Nastia  aka - Anastasia Topolskaia is a true techno outlier, the Ukrainian DJ is one of the most in-demand techno DJs travelling internationally yet keeps it real: her sets are hard, deep and come from an intrinsic sense of movement that is tied to her roots as a dancer. Unlike so many DJs, she has for most part not become a producer, rather concentrating on the dancefloor. She is also known for actively choosing to be selective where she plays, picking good venues with good sound systems over maximum exposure.

Uncompromising and without filter, Nastia talks with Paul about the effects of the Russian invasion, about why she spoke out on social media about Nina Kravitz,  why (connected to this) being honest and being true to yourself are essential to being an artist and more.

This episode is sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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Lost and Sound is about sharing conversations with the innovators, the outsiders, the mavericks, artists that do their own unique thing and this week’s guest is certainly all of those. Anton Newcombe. 

His musical project, the psychedelic trailblazers The Brian Jonestown Massacre, began in San Francisco in the early nineties. Outspoken and often misunderstood, he is in fact a clever, tenacious and conscientious artist whose carved out a unique DIY ecosystem. Acerbic, unfiltered, honest and funny - he talks with Paul about how he started out, creating musical ecosystems, the importance of being civic minded as the world turns more fascist and the math in his sound.

The 20th Brian Jonestown Massacre studio album - The Future Is Your Past is release date 10th February 2023 and the band are touring in Europe in Jan and Feb, tour dates and album info here.

This episode is sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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Lafawndah’s The Dawn Of Everything is a song that she says was born between unlearning the past and watching the future unfold and is dedicated to the people of Iran and their bravery in rising up after the murder of Masha Amini. Paul talks with the pan-global, pan-genre artist, herself with Iranian roots, about why it’s important for music to offer solidarity and protest, as she puts it “We have music for when we’re born, we have music for when we die and we have music for when we say no!”

The Dawn Of Everything is available only via Bandcamp for now and all proceeds from sales will be donated to the organisation Human Rights In Iran - persian.iranhumanrights.org

This episode is sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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Alison Cotton is like a musical painter: using voice, harmonium and viola to create textures that, on her most recent album, The Portrait You Painted Of Me, often hauntingly invoke the landscape of North East England. Paul had a chat with her about how she uses sound and her voice to express herself.

This episode is sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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To support this show, head on over to Paul’s Patreon at:

www.patreon.com/paulhanford

Ambient maestro Gigi Masin describes living in Venice and always being surrounded by water as making you like a sailor. His seminal 1986 LP Wind was almost entirely lost in a flood in this city, but over the years, his music has continued to find new fans, Gigi’s been sampled by everyone from Bjork to Post Malone and counts Oneohtrix Point Never, Devendra Bahanart and Caroline Polachek as supporters.

A philosphical, deeply empathic human in conversation, he talks to Paul about transforming grief into celebration, and how he did this through paying tribute to his late wife on his new album Vahinè. And when someone whose nearly 70 years old looks and sounds barely 50 - then its worth listening as they’re obviously doing something right. 

This episode is sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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To support this show, head on over to Paul’s Patreon at:

www.patreon.com/paulhanford

It’s the 75th episode of Lost and Sound, and to celebrate Oliver Ackermann of Brooklyn trio A Place To Bury Strangers gets into a conversation with Paul about the transgressive beauty of night-time and noise, of playing the long game and delivering his own custom made guitar effects boxes across the landscape of early noughties NY. 

The group’s seminal 2009 Exploding Head LP has been deluxe reissued on Mute/BMG along with a Death By Audio custom made effects pedal.

This episode is sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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To support this show, head on over to Paul’s Patreon at:

www.patreon.com/paulhanford

On the dancefloor and beyond, Steffi is like a swan gliding to her own tune, avoiding superstar DJ trappings, going for quality over quantity. 

In this week’s Lost and Sound, the Dutch selector and producer has a flowy conversation with Paul where she talks openly about the intuition and creativity that has been a hallmark of her style from her early days DJing in The Netherlands of the 90s to being one of the only DJs equally at home in both Panaroma Bar and Berghain.

She’s just released her fourth studio album, The Red Hunter, released on her own Candy Mountain label, her most personal and intricate record yet.

This episode is sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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To support this show, head on over to Paul’s Patreon at:

www.patreon.com/paulhanford

I’m so tall, I’m so tall. This episode is all about the comeback and consistency. It’s incredible to think that since they reactivated, Neil Arthur has recorded 10 albums as Blancmange in just over a decade. Beginning as a duo (with Stephan Luscombe)  at the dawn of the eighties, their lo-fi experiment electronic pop inspired Mute Records’ Daniel Miller to call them “The Maiden Aunts of Techno”.  Those timeless mega anthems, synonymous with that era like Living On The Ceiling followed, before they called it a day. Then, all of a sudden, 11 years ago, the project materialised again. Paul caught up with Neil, a true eighties survivor on something of a creative roll now.

Blancmange’s new album Private Life is available on London Records.

This episode is sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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To support this show, head on over to Paul’s Patreon at:

www.patreon.com/paulhanford

Montreal based producer and electronic musician Marie Davidson chats with Paul about her creative processes. Her caustic, often spoken vocals, sung in both English and French, provide a droll, razor sharp counterpoint to the club energy of tunes like Work It and albums Working Class Women and Adieux Au Dancefloor, and recently, her artistic evolution has been leading her music, led by feel, into unexpected sonics. Marie and Paul chat about energy, attitude and instinct in music. 

This episode is sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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To support this show, head on over to Paul’s Patreon at:

www.patreon.com/paulhanford

No other DJ epitomises the love of music as music in quite the same way as this week’s guest. JD Twitch aka Keith McIvor  began the legendary club night (and more recently label) Optimo (Espacio) in Glasgow ’97 with Johnny Wilkes to play the kind of music that they never heard out. Now, recently having celebrated their 25th Anniversary, JD has a bouncy chat with Paul about his free and joyful approaches to selecting music, which often hit a unique sweet spot between cratedigging and classics.

This episode is sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

JD Twitch’s Cease & Desist 002 - Polyphonic Cosmos: Sonic Innovations In Japan (1980 - 86) should be out now!

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To support this show, head on over to Paul’s Patreon at:

www.patreon.com/paulhanford

This week, Cosey Fanni Tutti:  musician, performance artist, writer, an absolute icon and inspiration, not just with music and art but for anyone who just wasn't born to follow the herd. Her work, from Throbbing Gristle and COUM,  to being half of Chris and Cosey, as one third of CarterTuttiVoid and her bestselling memoir Art Sex Music transcend and transgress boundaries. 

Once a cultural pariah described in the Houses of Parliament as a wrecker of civilisation,

she shares reflections with Paul about her new book Re-Sisters, which looks at the lives of three trailblazing women - Delia Derbyshire, Margery Kemp and herself and her new album Delia Derbyshire: The Myths and the Legendary Tapes, about the nature of art and communication and so much more. 

This episode is sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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To support this show, head on over to Paul’s Patreon at:

www.patreon.com/paulhanford

Trailblazing indie icon and now author Miki Berenyi joins Paul for a frank and open chat on the eve of the release of her memoir Fingers Crossed: How Music Saved Me From Success.

In the nineties, her band, Lush, makers of ethereal, jangly yet citrus-sharp pop music signed to 4AD and their albums Gala and Spooky inadvertently perhaps helped define what was just becoming termed by the music press as shoegaze. Their 1996 album, Lovelife, recorded during the height of Britpop moved the band higher into the charts with the caustic hit Ladykillers - a song which basically pre-dates the notion of the softboi by a good twenty years.

Miki was the cool as flame-haired frontperson of the sharpest indie gang: a little bolshy, cig in hand, spinning dreampop, yet, as her memoir goes into, music was a way of finding her voice and connecting with people through an eventful, unorthodox upbringing. Miki and Paul chat about finding spaces of social connection within scenes, the perils of music press and so much more.

This episode is sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

Fingers Crossed: How Music Saved Me From Success

By Miki Berenyi 

Published by Nine Eight Books on 29 September in hardback, audio and eBook

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To support this show, head on over to Paul’s Patreon at:

www.patreon.com/paulhanford

Electronic musician Clark is always redefining his own sonic boundries, from signing with Warp Records at a young age, producing over thirteen albums,  collaborations, remixing the likes of Depeche Mode and Thom Yorke to recently making his contemporary classical crossover with last year’s Playground In A Lake. 

Chris and Paul had an early morning, very flowy, frank and caffeinated conversation springboarded from the reissue of the album Body Riddle - initially released to little fanfare 16 years ago and now regarded as something of a classic and cited by producers including Arca, Rustie and Hudson Mohawke. Chris talks about creativity, validation and rushing your face off to 78bpm music. 

This episode is sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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To support this show and receive extra stuff, head on over to Paul’s Patreon at:

www.patreon.com/paulhanford

Having Mercury nominated, platinum selling indie rockers Editors on Lost And Sound might seem somewhat a curveball, but then so to is the band asking Benjamin John Power, aka electronic composer and Ivor Novello winning Blanck Mass to join as a full time member. Round about the time Editors were setting indie dancefloors alight with their mid noughties anthems, Munich and Blood, Benjamin was setting volumes alight as half of drone-rockers Fuck Buttons. It’s such an usunual pairing and Paul caught up with Benjamin alongside synth player Elliot Williams to talk about how an epic alt band and an experimentally leaning electronic producer came together on their new album, EBM, about 80s pop and industrial and lots more. 

This episode is sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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Composer, synthesist, producer Kaitlyn Aurelia Smith makes music that blends synthesizers with melodies and connects to external processes in her life like yoga, self learning, science and nature. Her 9th studio album Let’s Turn It Into Sound (released on Ghostly) follows on from acclaimed albums like Ears and The Kid, and her collaboration with electronic music pioner Suzanne Ciani. During the record of it, she dubbed it her sentimental robot drama. She spoke with Paul via the Pacific Northwest to talk about her approaches to music and life.

This episode is sponsored by Audio-Technica

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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To support this show and recieve extra stuff, head on over to Paul’s Patreon at:

www.patreon.com/paulhanford

Techno for punks, or punk for techno heads… DJ, artist, label owner Louisahhh makes music that hits the sweet spot between Boiler Room and CBGBs. A native New Yorker now living in France for almost a decade, she chats with your host Paul Hanford about cultural identity, diversity and performative success, the route of her album The Practice Of Freedom, playing great parties and playing not so great parties, and so much more. 

To support this show and recieve extra stuff, head on over to Paul’s Patreon at:

www.patreon.com/paulhanford

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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This episode is sponsored by Audio-Technica 

How does a rising selector with diverse tastes and a busy busy busy schedule keep sounding so fresh?  And what has changed since clubs have reopened? These are just two things your host Paul Hanford gets into with rising DJ Tash LC in the new Lost and Sound. Fresh and revitalised after a summer break and online now.

DJ, label owner, promoter, all round force of musical energy - from her residency on NTS, past residencies on Kiss FM, BBC Radio 1Xtra and long standing show on Worldwide FM, Tash LC lives up to her Insta handle “always listenin / dancin / chattin.”  She’s one of the UK’s most exciting DJs, connecting styles and sounds in a way that unites and melts differences. 

To support this show and recieve extra stuff, head on over to Paul’s Patreon at:

www.patreon.com/paulhanford

A massive thanks to Audio-Technica for  sponsoring this episode.

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. 

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This week on Lost and Sound, Hannah Peel, Mercury 2021 shortlisted artist, composer, producer and late night broadcaster chats with Paul about creativity, inspiration, the importance of finding a balance, Delia Derbyshire, the theramin ban on her score for the new TV adaptation of The Midwich Cuckoos and so much more. 

The Midwich Cuckoos score is out now via Invada Records. Catch Hannah presenting Night Tracks on BBC Radio 3 .

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press

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www.lostandsoundpodcast.com

The sublime sound alchemists Nik Colk Void (Factory Floor, Carter Tutti Void) and Alexander Tucker (Microcorps, Grumbling Fur) talk with Paul about collaboration and improvisation and how both these came together on their new project together, the pulsating, electronic BROOD X CYCLES. This chat goes deep and humanises what might often be considered mysterious arts, revealing in a surpisingly warm way processes that have helped them create such deep music.

Their collaborative album BROOD X CYCLES - Sleep Nameless Fear is out June 1st on The State 51 Conspiracy.

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press

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www.lostandsoundpodcast.com

Barry Adamson chats with Paul about his memoir, Up Above The City, Down Beneath The Stars, which begins before his birth, hearing Peggy Lee's Fever from inside his mother's womb, before going on to chronicle the first thirty years of his life growing up in 60s and 70s Manchester. Barry and Paul chat about this, the three absolutely seminal groups he joined: Magazine, The Birthday Party and The Bad Seeds, his solo work, which has been both Mercury nominated and has involved scoring David Lynch's Lost Highway and more.

Barry's 1996 LP Oedipus Schmeudipus (which features Jarvis Cocker and Nick Cave) is getting the reissue treatment on Mute on July 29th.

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press

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www.lostandsoundpodcast.com

This week on Lost and Sound, the very great Lucrecia Dalt. Musician, sound artist and now  composer for moving image. 

She speaks with Paul about her creative processes,  growing up in Colombia,  inhabiting the characters of her beguiling, sometimes otherwordly, sometimes darkly sensual music and how she approached composing  for horror the upcoming film The Seed and TV show The Baby.

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press

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Donate to the show’s production costs the price of a coffee here.

www.lostandsoundpodcast.com

Rosa Anschütz, artist , composer, vocalist, talks with Paul about rituals, transmedia art and the hypnotically great debut album, Votive, inwhich her voice combines with synthesizers to create something otherworldly and transcendental and, yes, ritual-like. 

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press

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Donate to the show’s production costs the price of a coffee here.

www.lostandsoundpodcast.com

Lost and Sound is back and Paul chats with Matthew Herbert, visionary producer, DJ, writer, all round innovator of sound, innovator of what can be done with samples. Be it making a brass band album about Brexit featuring over 100 musicians from across Europe or working with Bjork and Róisín Murphy, Matthew talks about ethical uses of sound and how stories can be told from the most unlikely of surroundings.

Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out May 5th on Velocity Press

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Donate to the show’s production costs the price of a coffee here.

www.lostandsoundpodcast.com

Nightmares On Wax, George Evelyn that is, thirty years into his musical journey, had a mortality scare,  forced into questioning his existence, and what freedom means to different people, has made the deepest NOW album yet, Shout Out! To Freedom. He spoke with me from his home in Ibiza to talk about being present in the moment, about gratitude, and about his early days at the height of warehouse rave, which included having someonce called Sven Vath as your tour driver. 

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The new Nightmares On Wax album, Shout Out! To Freedom, is available on Warp Records from October 29th here.

If you’d like to help fund Lost and Sound for the price of a coffee, head on over to the show’s Ko-Fi crowdsouce. 

Lauren Flax, boundary-shifting New York artist joins me this week for a conversation that really sums up the virtues of sticking to your guns.

Over a long multi-faceted career, starting in the parties of Detroit in the 90s, moving to New York, at one point being half of the project CREƎP with her friend Lauren Dillard, in which they collaborated with singers including Sia and Romy XX, through to making really deep, underground techno, being part of New York’s Bunker crew and her recent transcendentally good Out of Reality project. It feels like she’s reached some kind of crescendo of owning her appoaching to making art.

I loved chatting with Lauren about her journey, connecting on issues around belief and the emotional connection to music.

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Lauren Flax on Bandcamp 

If you’d like to help fund Lost and Sound for the price of a coffee, head on over to the show’s Ko-Fi crowdsouce. 

Marshall Vincent joined me for an in-person conversation to discuss how he uses his sublime alt-R&B to channel confidence, growing up in Chicago, adapting to German mannerisms, the virtues of collaboration and the power of singing in the toilet. His music is so intimate and so sonically expressive at the same time, and in person, he’s suave and witty company, and an inspiringly confident artist. In his own words: “I think when someone’s talking shit, it’s better to embarress them with my talent than in another way, if I can fight my battles on a stage rather than a message board, I’d totally rather do that.”

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Marshall Vincent’s new EP, In No Particular Order, is releases October 15, 2021 on SA Recordings. Here’s the Bandcamp.

If you’d like to help fund Lost and Sound for the price of a coffee, head on over to the show’s Ko-Fi crowdsouce. 

This week, I have an in-person conversation with the visionary Yann Tiersen. 

We talk about his new album, Kerber, which draws on the geography and atmosphere of the remote island Ushant, where he lives. Plus, he shares reflections on the deeper context of where his music comes from, how a life or death situation gave him an artistic epiphany and also, to be warned, what happens if you expect him to play songs from Amelie. It was lovely to have this conversation, and it took place amongst the synth-fest in a forest that is Berlin’s Superbooth Festival.

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The new Yann Tiersen album, Kerber, is available on Mute here.

If you’d like to help fund Lost and Sound for the price of a coffee, head on over to the show’s Ko-Fi crowdsouce. 

This week, J. Willgoose, Esq, from Public Service Broadcasting joins me. On the eve of the release of the band’s new LP, Bright Magic, an impressionistic journey through Berlin. So obviously we had to have a chat, right?

Enigmatic, immersive, atmospheric, each time PBS emerge, they take on a subject and to me, its like falling into a deep book. From exploring the cold war space race so well that Jodie Whitaker would listen to their LP, The Race For Space, to help her get into the zone to play Doctor Who, to tackling the British coal industry. 

Now, J. has made an album about Berlin. It’s got Blixa Bargeld on it, singer EERA the ace German actress Nina Hoss and they recorded it at Hansa, where Bowie recorded Low. J. Turns out to be a charming self-depracating chap and he opens up about the loneliness of being in a new city, talks frankly about finding creative sparks and there’s even a bit of politics too on contemporary Britain.

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The new Public Service Broadcasting album, Bright Magic, is available from September 12th here.

This week, DJ Fuckoff took a break from whipping up storms across parties in Berlin to have a raw, cute and frank in person chat with me. 

Propulsively mixing techno with juke, psy-trance and warehouse rave so potent you can practically smell the heat from the generator, all with sexually empowering lyrics. We met up for a coffee in Neukölln where she opened up about battling incels, the lingering misogyny in club culture and how she nurtures her own energy. In her own words: “I like to make people get out of their comfort zone and I think its important to be pushing this instead of how society is telling women how they should act. I want to fucking break this, I want to push this, I want to test this and by doing what I do and seeing how people react, I see that that’s happening.”

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Check out DJ Fuckoff’s recent streams and releases through her Linktree here.

If you’d like to help fund Lost and Sound for the price of a coffee, head on over to the show’s Ko-Fi crowdsouce. 

This week, I had a chat with Bob Stanley, musician, journalist, author, film producer and one third of the seminal Saint Etienne (the other two thirds being Sarah Cracknell and Pete Wiggs).  

Saint Etienne’s tenth studio album, I’ve Been Trying To Tell You, is out this Friday and we spoke about how it questions nostalgia and asks were the ‘90s as optimistic as we now think of them as being? Their sampladelic debut Foxbase Alpha, up front classics like Only Love Will Break Your Heart and Join Our Club arrived like a melancholic dream years before the hazy electronic beats of hypnogogic pop became a thing. We spoke over a Transeuropean cuppa about the appeal of melancholy, ask if nostalgia is an illusion and  we even share a couple of Carry On style double entendres.

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The new Saint Etienne album, I’ve Been Trying To Tell You, is available from September 10th here.

If you’d like to help fund Lost and Sound for the price of a coffee, head on over to the show’s Ko-Fi crowdsouce. 

This week, I spoke with the awesome Daniel Avery. Producer and DJ, author of the transcendetally good Drone Logic and the now equally amazing Together In Static LP. Coincidentally, although we’ve never met, we both grew up as indie noise kids in the same town and we chatted about this, about his early break as a Fabric resident, his friendship with Andrew Weatherall, how phones maybe aren’t the worst thing in clubs and getting lost, or rather, connecting with every person and every atom,  in the shared clubspace.

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The new Daniel Avery album, Together In static, is available now on Phantasy Sound, listen here.

If you’d like to help fund Lost and Sound for the price of a coffee, head on over to the show’s Ko-Fi crowdsouce. 

This week, Ramona Gonzales, aka. Nite Jewel. Producer, singer, musicologist. We spoke about how her transcendentally good new album, No Sun, uses Moog and voice and is a break-up album, made largely whilst living on a friend's couch,  but is also part of an investigation into the agency of the female voice through history. As well as this, she reflects on her emergence through the LA scene during the MySpace era and the power of sound making off grid.

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The new Nite Jewel album, No Sun, is available from August 27th, listen here.

If you’d like to help fund Lost and Sound for the price of a coffee, head on over to the show’s Ko-Fi crowdsource 

After a summer hiatus, we’re back. I spoke with Angus Andrew, who for over 20 years and now 10 albums, has been Liars. Always utterly fresh, idiosynchratic, intense and channelling something that seems to come from a realm beyond reinvention. We got into a chat about where this comes from, along the way taking in letting go of musical inhibitions, pcibocylin, drums, the Brooklyn scene, living remotely and way more.

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Liars Website

The new Liars album, The Apple Drops, is out now on Mute.

If you’d like to donate to the production costs of making the show for the price of a coffee, head on over to the show’s Ko-Fi crowdsource 

This week, we zap over to Norway to catch a conversation with producer Stian Balducci and pianist Kjetil Jerve about collaboration, jazz’s origins as a dancing music and their desire to make an “Improvised music of our age”.  Their joint LP, Tokyo Tapes mixes drone, jazz and frequency-pushing sonics and I think its a stunning listen, and before you think that maybe these are some serious dudes, prepare for some surprising music confessions. 

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I had a conversation with Amsterdam-based producer, songwriter and musician Tessa Douwstra, who records under the name Luwten and finds a way of blending nu-soul tinged vocals and textured, experimental production. Luwten means ‘Place without wind’ in Dutch and I was interested to ask her about the way her music feels so intimately personal yet sonically expressive.

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It’s been thirty years since they last met but I had a chat with A Guy Called Gerald and Trevor Miller.

Miller’s cult novel Trip City caught the early acid house zeitigest and it was released with an EP made by Gerald, riding high at the time with what are now the classics Voodoo Ray and Pacific State. To celebrate the book’s re-release I caught up with the two for a frank, revealing and at times hilarious chat. It was pretty much two old pals catching up with me somewhere in the middle. Enjoy!

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We’re back. Today, I spoke with Jim O’Rourke, iconocalstic producer, singer-songwriter, former Wilco and Sonic Youth collaborator, from his home half way up a mountain near Tokyo. 

The interview was originally recorded to talk about Jim’s film connection for the Lost and Sound - Playtronica collab podcast, Seeing Sound, but the conversation went into different realms and spilled out into this much, much longer version. 

Jim goes deep into working with Werner Herzog, his “just do it” mentality to the creative process, his Irish roots and speaking Japanese. It was such a pleasure for me to connect with a musician whose work I love so much and for him to turn out to be such an utterly humble, entertaining and damn well revealing human. Enjoy!

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Jim O’Rourke’s Bandcamp

You can check out Seeing Sound here

Lou Hayter’s on the show today. We spoke about the things and influences that have led up to her Roxy’eque space-disco tinged solo LP Private Sunshine, as well the New Young Pony Club days in the post punk and party mid noughties. Lou is a certified Steely Dan fan and she very kindly gives some advice too, on finding your way into the Dan’s catalogue.

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I met up with Roman Flügel, and boy did it feel good to be doing an in person interview again. And what a guest for that be to with. We did corona tests to be safe and met in his secret studio in Berlin, where he spoke about getting on board the early rave scene in Frankfurt, how electronic music is actual songwriting, the primal nature of dancing and of course, his fantastic new LP Eating Darkness, which evolves the lineage of deep, layered electronica he began with Happiness Is Happening . 

Roman is a true gentleman of sound. I was wondering if I’d wobble out or something, I'm so not used to being in a space and talking, but it felt like natural. 

Flora Yin-Wong: producer, DJ, writer, multi-disciplinarian spoke with me from London about the startling work of textural sound that is her debut LP, Holy Palm.

Her debut book Liturgy, offers glimpses across travels, traditions and religions and we had a conversation about balancing different jobs (she was digital editor at Dazed for some time and also worked for Berlin's PAN label) as well as the commonalities between music and words, field recordings,  growing up with an opera singing Mum and her DJ mixes, most recent of which, a Resident Advisor one that is so utterly not afraid to leave the dance floor.

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“Everyone whose listening… go off the grid!”

Sage advice from this weeks guest on Lost and Sound - musical polymath King Britt, beaming in from San Diego. Right now, he’s taken a lifetime in DJing, producing, remixing and just being an all round presence in electronic music’s evolution into the realms of education. We had a chat about whitewashing in electronic music and the need to have access to the lesser documented history.

Along the way we took in his roots from 5 year old King DJing at his Dad’s barber shop in Philly, the legendary Silk City in Philadelphia, forming partnerships with Josh Wink and Digable Planets, about his university course Blacktronica: Afrofuturism in Electronic Music - researching and honouring the people of colour, who've pioneered groundbreaking genres within the electronic music and even taking a trip into the future. His advice for future music? Go off the grid! What does that mean? You’ll have to listen to find out. Enjoy!

If you’re listening the week this episode comes out and want to get involved, check out Blacktronika presents Sound for Humanity, a series of performances by six music creative artists, who were asked to think about sound, not only in its sonic definition (noun) but sound as an adjective (sound mind) and verb (sound the alarm), and how their choices will contribute in some way to humanity. Hit the link if you want to join.

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I spoke with Gruff Rhys, the always inventive artist, frontman of Super Fury Animals, sometomes half of Neon Neon, author, director and all round potential Welsh national treasure.

Super Fury Animals, often considered the last great band on Creation Records gave  a sense of surreal adventure and a global musical pallet unusual for the Britpop era. They sung sometimes in Welsh, were politically conscious, at one point they had a tank, they mixed in techno, tropicalia and a million other sonic sources and of course there’s that song The Man Don’t Give A Fuck that sampled Steely Dan.

Then at some point, Gruff set out with a solo and collaborative body of work that’s seen his music grow into films, collaborations, such as Neon Neon (with Boom Bip) a book and a rather novel use of power point presentations.

We had a chat about language, about the Velvet Underground, about his film American Interior and about scoring a hit with a song that says “fuck” over 50 times. Enjoy!

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Fresh up in Lost and Sound today, legendary Brit in Berlin, Mark Reeder. 

Musician, record producer, label owner, the man who bought Joy Division to Berlin, who pioneered Trance with his MFS label, he’s been an outlier and creative force in the city from post-punk to now, whose story of arriving in Berlin over 40 years ago is vividly chronicled in the amazing doc B-Movie. 

This is a kind of redux. A really rather short version of this interview appeared in one of the very first episodes of Lost and Sound, the idea was always to share a much longer cut, because the story he tells, of arriving in Berlin in the 70s initially just to buy some records, and how he smuggled cassettes across the border into East Berlin, eventually setting up a punk gig under the noses of the Stasi, needs to be heard in full. 

Right now, he’s just released SUBVERSIV-DEKADENT, a double album featuring his own tracks, and remixes for the likes of New Order, Yello and Liars. But we recorded this conversation in a cafe on Zossener Strasse, a real cafe with real atmosphere in 2018 on the 1st of May, as the annual street celebrations were kicking off a kilometre away. Get ready to be transported back to the early 80s…

MFS Label Website
Mark Reeder

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I had a chat with Hannah Holland - DJ, producer, composer, promoter, label boss. Hannah’s played a key role in London’s alternative and queer club scene since the mid-noughties, firstly as resident at the legendary night Trailer Trash and then with Batty Bass. She’s played everywhere from Panorama Bar to Fabric. Now, not only composing the music for Channel 4’s Adult Material, she’s debuted the krautrock tinged single Midnight Horizon from her new LP.

I know Hannah a little bit from when I was living in east London, but havn’t spoken to her for years. We had a fun, open chat reflecting on the energy and freedom of the party scene in East London during the early naughties, her early experiences being super young and going to Goldie’s Metalheadz nights, building up to a 9 hour set at Panorama Bar and levelling up with new work.

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This week, I had a chat with Chilly Gonzales, the suave  all round musical polymath. 

Where do you start with Chilly? From early rap-infused works where he declared himself the President of the Berlin Underground, to his sublime Solo Piano albums, via collaborating with Daft Punk, Feist and Jarvis Cocker. Then there's running his own music school (The Gonzervtory) to holding the Guinness world record for the longest ever solo performance and of course writing a book about Enya. We got into a flow that took in everything from the hidden genius in Iggy Azalea’s Fancy to the connection between chamber music and bedroom producers. A charming and erudite gent to spend an hour with!

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I had a chat with Ella Zwietnig, film composer, sound designer, performer and songwriter. I’ve only recently discovered the Austrian artist’s music, and I was really captivated by the sonic soundworld she creates and the incredible things she does with vocal arrangements. We spoke about the shocking lack of female composers getting work in films, how making electronic music is a liberating power and lots more. It was a super fun chat to have and I hope you enjoy listening.

www.ellazwietnig.com

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I spoke with composer and producer Robot Koch. His music is a real cyborg mix of natural stuff like strings and high tech immersive 3D elements. He made an album that toured planetariums and in a change of pace, scored the music for the new Christiane F remake Wir Kinder Vom Banhof Zoo. We had a really warm talk  about the universe and leaving Berlin for LA, amongst other things.

https://www.robotsdontsleep.com

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I zoomed across to Scotland to have a chat with the one and only Arab Strap - Aidan Mofat and Malcolm Middleton. 

About to release their first new album together for over 15 years - As Days Get Dark, I’ve always loved the band’s confessional lyrics, often pre-occupied with sex and hedonism, half sung, half spoken in Aidan’s Falkirk accent, and the atmosphere they conjur up around this. I felt like I was dropping in on two old friends having a good lunchtime natter and I loved it.

https://www.arabstrap.scot

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Fresh up on the new Lost and Sound I connected to Istanbul, to chat with the influential pianist and interior architect Büsra Kayıkçı. Her compositions have a unique way of capturing something in the moment and her social media presence, particularly on instagram has become, I think, a really positive beacon in a world where its still perhaps unusual in the west to see a woman wearing a headscarf in a creative role.

I love her sound, the space and emotion she conjures up and I was so fascinated to discover more about how she combines all of her different disciplines, this is what happened one snowy Sunday when we had a chat.

I had a chat with pianist and composer Hania Rani, whose  two beautiful albums so far on the Gondwana label - Esja and last year’s Home to me, feel like the perfect listening for these  snowy days.

I love the atmosphere she’s able to conjure often with little more than piano and we got into a really nice conversation from Berlin to her home in Warsaw about, amongst other things, finding the things that give creative freedom, releasing sheet music, The Hobbit and pianos as objects.

Hania Rani Website

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I had an intimate and honest chat with Stuart Staples, frontman of Tindersticks,  who’ve been carving their  unique atmospheric music for over thirty years.

When I first heard them, I was immediately drawn to this kind of melancholic romanticism that they seem to tap so well into. I’d listen and in my mind picture a group of gentleman musicians that wear good  suits and read old paperbacks. On the eve of the release of new LP, Distractions, we had a conversation  from his home in France where we discussed the validity of being pretentious, film scoring, recording in lockdown and what drives his creativity.

Tindersticks

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I had a chat with Anna Meredith, who is the only person I can think of who has been awarded both an MBE and released albums on indie label Moshi Moshi.  

Mercury nominated Anna has been Composer in Residence with the BBC Scottish Symphony Orchestra and won the 2019 Ivor Novello Composer Award for Innovation. Not only that but was Goldie's mentor on the TV show Classic Goldie and at the same time I find her own LPs bristle with an impossible to define physical voltage . I love her unique approach to music, and we had a revealing and, I think, funny chat that debunks a lot of the romantic perceptions about creativity.

http://www.annameredith.com

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In the new episode, or should I say the Neu! episode, I had a chat with Michael Rother, of legendary Krautrock pioneers Neu! and Harmonia and ten solo LPs.

 I’ve always loved his music, which seemed to birth a kind of radical year zero approach to rock, mixing electronics, experimentation, drones and textures. He was also in a very early line-up of some band called Kraftwerk and we had a really warm chat on a cold morning about his complicated relationship with drummer Klaus Dinger, the new LP Dreaming, which he finished in lockdown and the way in the 70s West German music makers like him made music like nobody had ever heard before.

Michael Rother’s website

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Enjoy!

For the first Lost and Sound of the year I had the pleasure of chatting with KMRU aka Joseph Kamaru, one of 2020’s true breakout stars, whose stunning field recordings are helping redefine ambient music.
 
Last year he released two LPs, a cassette and tons of tracks and reached high up in much of the music press’ end of year lists. We had a chat about his move from Nairobi to Berlin, the influence of his grandfather, the Kenyan legendary cultural activist Joseph Kamaru and how he translates what he hears into emotive, beautiful sound. Enjoy!

Lost And Sound, is about meeting music people with real vision and together we delve into the culture that inspires them. New episode every Wednesday.

Listen to KMRU on Bandcamp

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I hope you enjoy listening!

Lost And Sound, is about meeting music people with real vision and together we delve into the culture that inspires them. 

I spoke with NZCA Lines, aka Micheal Lovett, whose neon-hued disco pop has charmed me since the middle of the last decade. He’s also played with Metronomy and Christine And The Queens and is currently living in New York. We had a really loose and easy chat about living in a new country, vulnerability, sandwiches, Beck’s Midnight Vultures, about having to show up for creativity to happen and the creative benefits of setting limitations. Enjoy!

NZCA Lines on Bandcamp

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I spoke with Zakia Sewell,  Broadcaster, DJ and Audio Producer. Her amazing BBC Radio 4 series, My Albion, goes deep into the songs, stories and symbols that make up British national identity and taps into a super inclusive, multicultural and magical look at folklore. Her show every Saturday morning on NTS delves deep into celestial grooves, spiritual jazz, mythical folk and hazy psychedelic sounds and always sets my weekend up in the right way.

I really enjoyed chatting with her about taking an inclusive look at  the land,  the ecosystems of music and  balancing the practical with the woo woo.

My Albion on BBC

Questing on NTS 

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I had a chat with Robert Henke, dare I say it a true electronic music pioneer. Composer, artist, software developer and co-creator of Ableton Live. Founding member of Monolake, who were making techno music in Berlin back when I was most likely bopping to Kula Shaker in the indie disco, not that there’s anything wrong with that of course. But we spoke in person before lockdown, and listening back I feel an extra wistfulness in his wonderful descriptions of clubbing as a space to both lose and find yourself. Enjoy! 

And also, from today, Lost and Sound goes weekly. In this strange, tough year the word lost has taken on a new unexpected meaning. But music gets me through and I honestly feel inspiration is flourishing more than ever, wether being forced to be creative about how we approach what we do or just hearing a piece of music in a new way. Sometimes talking about it is a pretty good antidote too. Let’s see how it goes. Lost and Sound, every Wednesday!

I had a chat with the one and only Peaches. Can you believe her seminal work The Teaches of Peaches has just turned 20? We spoke about this, about Daft Punk, about WAP, about her two massive shows last year and not only that, it was the day of the US election, how about that for hyper background ambience! She’s always been someone who I’ve felt to be fearless and totally raw in her work and I was super happy to chat with her.

Peaches website

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This episode is sponsored by talentful.com 

And hosted by bearradio.org , home of English language podcasts from Berlin 

In this episode of Lost and Sound, I spoke with Thurston Moore, founder member of the iconic Sonic Youth, now living in London where he’s inspired by the city’s improv scene. 

I remember as a kid handing over my pocket cash for a copy of the band’s album Daydream Nation and being blown away by the way they played rock music, suddenly, it seemed there were no rules, and that appealed massively. His latest album, By The Fire is incendiary and was recorded just before lockdown. We spoke in late October and had a really good chat about the dimensions of sound, New York’s post punk scene, improvisation, his thoughts about the future of live performance and the uncannily accurate future predicted in The Simpsons, amongst other things. 

A true sonic architect, he was a real gentleman in conversation and I hope you enjoy listening.  

Thurston Moore

Lost And Sound music by E S O

This episode is sponsored by talentful.com 

And hosted by bearradio.org , home of English language podcasts from Berlin 

I met up with Laetitia Sadier.

Singer with the hugely influential group Stereolab and solo artist, we got into a deep and frank conversation about creativity and the state of the world. Her music has been there in my life since I was a lanky teen, so I was thrilled to have this conversation and grateful to Laetitia for being so open! 

I hope you enjoy listening.

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www.instagram.com/___e.s.o/

Featuring excerpts from Laetitia Sadier Source Enseble's Find Me Finding You LP
www.laetitiasadier.bandcamp.com/album/find-me-finding-you

I met up with iconic DJ, producer and label owner Ellen Allien.

Part punk, part cosmic being. She talks about the early days of Berlin techno, being a resident in legendary venues like Tresor right through to dealing with this weird ol’ year, via playing in the town of her favourite spicy Mexican sauce and noticing the bling in nature.

She’s both a world touring techno icon and a uniquely homegrown hero and I hope you enjoy the chat we had.

https://www.facebook.com/EllenAllien

https://www.instagram.com/ellen.allien

Help support Lost And Sound at 
https://ko-fi.com/lostandsound

I had a chat with Merrill Garbus,  who with her long term collaborator and husband Nate Brenner, makes the wonderful sound that is Tune-Yards. 

The first time I heard Tune-Yards, I think it being on the 4AD label drew me in, I totally fell for the rhythms and harmonies bursting out of the at the time lo-fi production. Ever since then, new Tune-Yards material is always such heaven to my ears, whether its been on big tunes like Water Fountain or scoring the film Sorry To Bother You. 

Zapping in from Oakland, California, where the skies were still very much effected by fires. We speak about her long term support for Black Lives Matter, feminism and how that plays a role in her songwriting. In the process, the conversation kind of became an examination of the cultural issues behind Paul Simon’s Graceland. 

There’s also a new tune, Nowhere, Man out this week, which takes their sound to realms of squelchy funk.

I hope you enjoy listening.

For the first face to face interview in ages, I met up with the one and only Ghostpoet. 

Twice Mercury Prize nominated, genre-defying and also a really nice guy. We went for a tea and had a chat about his recent LP, the massively brooding and krauty I Grow Tired But Dare Not Fall Asleep, why he decided to move to Berlin during a pandemic and being a musical outsider. It’s definitely one of those interviews that just freewheels and does its thing, I had lots of fun, I hope you do listening.

www.ghostpoet.co.uk

In the new episode of Lost and Sound, we go over to Brooklyn to chat with DJ, producer and multi media artist Tygapaw. 

I love the ferocious, eclectic energy of her mixes. She talks about growing up in Jamaica, going to dancehall seshuns whilst also listening to Nirvana and how she grew in confidence as a DJ in New York and setting up the club night and label, Fake Accent to raise the visibility of black queer artists in New York.

Recently she made the EP, An Ode To Black Trans Lives, in one day during the height of the recent protests. A lot of ground gets covered, I loved chatting with Tygapaw and I hope you enjoy listening.

www.instagram.com/tygapaw/

www.instagram.com/fakeaccentrecords/

In Season 3, I’m setting off to discover how music can connect us all around the world now and in the future. And who better than choreographer and dancer Kianí Del Valle to talk about how music and the body are connected.

A true global traveller, her stunningly physical work has appeared in videos for Floating Points, Dirty Projectors, Matthew Dear and Clark, and her troupe The KDV Dance Ensemble recently headlined at Berlin’s legendary music venue Funkhaus. 

She talks about how music and physicality played a role in her childhood in Puerto Rico, how creativity in groups can evolve through the crisis and the benefits we can reap from shaking it all up.

Also, you lucky people, Kianí has made a kaleidoscopic playlist of music that’s inspired her, listen here…

https://open.spotify.com/playlist/1TNbxUnHlCAUI3zK3z3qK8?si=gibVAA9hTdO9kDHULHkeeg

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This episode features two tracks from Kiani’s playlist:

Tendril by Lyra Pramuk 

Laniakia by Ziúr

Mastered by Kieron Yates

Hosted by Bear Radio 

And you can check out other English language podcasts from Berlin by visiting 

www.bearradio.org

Please hit subscribe and leave a comment if you enjoyed

Hi and welcome back. In Season 3, I’m setting off to discover how music can connect us all around the world now and in the future.

And who better to start with than a true globe trotter, Ahmed Gallab, better known as Sinkane. I’ve always found it totally impossible to listen to his fusion of Afro rock, funk, krautrock and Sudanese pop and without feeling totally energised!

From his home in Brooklyn on a recent Sunday morning, he speaks about the importance of slowing down, and how creativity can shine through this.

A bloody charming chap, just like his music really. And I came away feeling super inspired, and much better in myself about slowing down over the last few months. I hope you enjoy and a little of his vibe rubs off on you too!

https://www.sinkane.com

My second day in Kyiv began meeting up with multi-media artist Georgiy Potopalskiy - who records as Ujif_Norfound. His studio is high up on a hill, surrounded by technology old and new, where he is immersed in street art, audio visual tech and has a new LP that is 5 hours long. Georgiy talks poetically about how the landscape around him influences his work.

Music Credits:

Process excerpt by Ujif_Notfound (Kvitnu Records)

Car Beat by Ujif_Notfound

http://kvitnu.com

http://www.un2114.com

Support the show (https://www.ko-fi.com/lostandsound)

Timur Dzhafarov records and DJs under the name John Object. He makes sublime, hectic electronic music that reflects the over-saturation of modern life. 

We met up in Ocean Plaza - the second largest shopping mall in Ukraine. We discuss difficult music, how a creative journey led from The Beatles to playing at Cxema - Kyiv’s most prominent techno party and how KFC is a metaphor for European capitalism. All of this in the coleslaw isle of a supermarket. 

Music Credits:

Bellweather by John Object

Available on his Heat EP

Released on the Bio Future Laboratory label

You can buy it digitally by going onto the Bio Future Laboratory Bandcamp

https://soundcloud.com/johnobject

https://soundcloud.com/bio-future-lab

Support the show (https://www.ko-fi.com/lostandsound)

Friday afternoon, I met up with Maya and Tanya, two thirds of Tight Magazine - the stylish online zine with an international and erudite approach to music culture. 

High up on a hill, overlooking the giant Motherland Monument,  we talk about how their new post-soviet generation are making the most of the shifting landscape in the city and forging new creative outlets and collaborations.

Check out the magazine here: https://en.tight.media

The music you heard in this episode, chosen by Maya and Tanya is…

Xtal by A-Body

VA Deck by Acid Jordan

Both these tracks released on the compilation ШЩЦ/SHITS 01

A kyiv based record label and experimental events series focussing on innovative and obscure underground music

You can buy the compilation as a Limited Edition DVD or as MP3 via their Bandcamp page. 

https://ssshitsss.bandcamp.com/releases

All the music you hear in this series is by Kiev based artists

Support the show (https://www.ko-fi.com/lostandsound)

It’s Friday night. Finally, I actually go clubbing. Kyiv’s top venue for underground music, Closer provides a valued space for the city's creatives to meet and dance. I meet up with the co-op’s PR officer, Alisa Mullen, who talks about how she quit a 9-5 job, like many others in the last few years, on a mission to give creativity, music and dancing a spectacular platform in the city. 

Music Credits:

Adventure Time by Ghetto Sunrise

Part of Criminal Practice, a Kyiv dj and producer community

Check out more on their Soundcloud:

https://soundcloud.com/ghetto_sunrise

https://soundcloud.com/criminal_practice

Kiss by John Object

https://soundcloud.com/johnobject

Support the show (https://www.ko-fi.com/lostandsound)

My first day in Kyiv, I met with Igor, Vera and Alex, the collective behind Kyiv party organisers and label, Rhythm Büro. They've created a niche for atmospheric and deep techno. We meet in their bunker-like studio where they talk about their backgrounds and how deep sounds inspire them.

Music credits

Log by Na Nich

The Key by Na Nich

And you can find out how to buy digital and 12” vinyl of that from their Soundcloud

https://soundcloud.com/rhythm-buro

All the music you hear in this series is by Kiev based artists

Support the show (https://www.ko-fi.com/lostandsound)

I’ve been living in Berlin for nearly two years now, I went to meet fellow Brit, Sasha Perera, aka Perera Elsewhere. Her soulful and experimental electronica feels both London and distinctly Berlin. She moved here at a time the Stadt was off many people’s radar and she talks frankly and with searing wit about cultural identity.

Lost and Sound In Berlin is a podcast exploring music and identity in Berlin written and produced by myself, Paul Hanford. Theme music by Tom Giddins

This episode also features Sunk In Motion by Perera Elsewhere Featuring Dis Fig

Check out her website

Wanna help support the production of these podcasts? Then buy me a digital coffee on Ko-Fi 

It’s a year full of change, and for the first podcast of the year the theme is Protest. 

I met up with DJ and film maker Ace of Demons, part of the No Shade crew, who explained to me the way gentrification threatens diversity in Berlin, and what we can do to make conscious decisions. 

Then I went to meet Berlin legend and Possibly the suavest man to have been a political prisoner, the leader of an experimental band and a one time housemate of Nick Cave - Christoph Dreher, who recounts the atmosphere and of protest in 1970s West Berlin and the incredible story that led to the birth of his band - Die Haut.

I met up for with three artists pushing club music expectations here in Berlin. Perel is signed to New York’s DFA label but sings in Deutsch. Her album, Hermetica, is one of my favourite’s this year, she talks frankly about finding her musical identity. Simon Kaiser runs the night, TRADE, bringing an experimental edge to the party scene. And Bakläxa brings touches of UK Bass to her genre-mashing sets, she joined me for a coffee along Graefestraße. Recorded on location in Kreuzberg and Neukölln.

www.facebook.com/perelmusic

www.facebook.com/tradeberlin

www.facebook.com/bklxa

I went off to explore how creating the right environment is so key to making music. Ulrike Haage, pianist, sound artist and composer talks about the way food unlocks creativity, and then over on Washauer Straße, Tom and Nadine talk about what inspired them to build the Michelberger Hotel, and how this space inspired a music festival.

Lebensqualität = Quality of Life

https://www.ulrikehaage.com

https://michelbergerhotel.com/de/

Paul starts the day in Neukölln, meeting electronic producer and DJ Mobilegirl. Then heads over to Karl Marx Allee to grab a coffee with producer Ziúr. These two artists share a similar approach that avoids easy categorisation. Then Paul heads to the historic surroundings of the Martin Gropius Bau museum to talk with Ben Fawkes from the ISM (The Institute For Sound and Music) about how electronic music is creating it's own immersive space within the art world. https://soundcloud.com/mobilegirl https://soundcloud.com/ziurziurziur https://www.berlin-ism.com 

Paul meets two legendary Brits who’ve made Berlin their special place. Daniel Miller, founder of Mute Records, and the man behind the original electro-erotic classic Warm Leatherette, talks about how Berlin inspired him and Mute artists such as The Birthday Party and Depeche Mode in the 80s to his first DJ set at Berghain. Then, Paul heads to Kreuzberg to meet Mancunian legend, label boss Mark Reeder, who came here forty years ago to buy some records, never left, and how he helped organise illegal punk gigs in East Berlin under the noses of the Stasi. You can find out about Mark’s new album Mauerstadt here… www.mauerstadt.com 

Paul meets No Shade, the all female and non-binary DJ collective addressing gender values on the dance-floor. Then he hotfoots it to Wedding to meet Daniella De Picciotto, the multi-disciplinery artist who co-founded one of the city’s most defining happenings - The Love Parade. Supported using public funding by The Arts Council of England

Paul arrives in Berlin and drinks tea with Alexander Hacke from Einstürzende Neubauten and then meets students and teachers at Music Unite - a music workshop for people who have experienced being refugees. 

Supported using public funding by The Arts Council of England