203 avsnitt • Längd: 130 min • Månadsvis
The podcast that takes one random episode of Top Of The Pops – the greatest TV Pop show ever – and breaks it down to its very last compound. Created by Sarah Bee, Neil Kulkarni, Taylor Parkes, Simon Price and David Stubbs (who all wrote for Melody Maker) and hosted by Al Needham (who didn’t), it’s an unflinching gaze into the open wound of pop culture and a celebration of Thursday evenings past.
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The podcast Chart Music: the Top Of The Pops Podcast is created by Chart Music. The podcast and the artwork on this page are embedded on this page using the public podcast feed (RSS).
The latest episode of the podcast which asks; The Osmonds – who’s the Sex King?
We’re BACK, Pop-Crazed Youngsters, and to commemorate this we’ve only gone and picked out one of the maddest episodes of Top Of The Pops ever. It’s the late Summer of 1974, Robin Nash has just bedded in, and he’s got big plans for our Thursday evening fizzy Pop treat. Sadly, one of them – a massive splurge on David Cassidy’s farewell tour – has been shagged up by a BBC technician’s strike. But this week, the BBC has taken full ownership of the First Family of Utah and have given over a six-day block of early evening real estate to Ken, Ken, Ken, Ken and Donny.
Consequently, this episode is a complete twisting of our Pop-Crazed melons. Out goes the studio in Television Centre, and in comes the BBC Television theatre, the natural domain of Crackerjack, That’s Life! and the Basil Brush Show. Out goes the usual melange of sullen youths chatting about lads and shoes and what they bought at Chelsea Girl last Saturday, and in comes 3,000 girls with their pants all of a piss at the sight of an Osmond. Yes, there is a presenter – Noel Edmonds, wearing possibly the most Different Times shirt ever – but he’s only there to stop the endless SCREAMING that might was well not be there.
Musicwise, well: Obviously the Osmonds get to plug their next single, but it’s a mixed bag of fag-end Glam, Black American sophistication, future advert jingles, and Brit-rubbish. The Glitter Band show off their Cyberman bukkake hairdos. Marie Osmond continues her reign as the World’s Oldest 14 Year-Old. Cozy Powell and his band of Egg and Chippers thud away. Pans People airlift a vital supply of Dadisfaction. Steve Harley and his pickup band look at each other in amused disbelief. The dark secret of Sara Leone is revealed. OH MY GOD IT’S THE BAY CITY ROLLERS. Sylvia pops up for a bit of Spanish Schlager – Schangria, if you will. The Osmonds get a massive plug for their next single, and the grown-ups enter the room with this week’s Number One.
Sarah Bee and Taylor Parkes join Al Needham for a good scream – at everything – in this episode, veering off on such tangents as Sovereign Citizens, the Osmonds’ Barbershop Raga, Mike Read’s Shakin’ Jackanory, a horrifying tale from the Wank Factory involving a tin of anchovies and the Eastenders Omnibus, Tam Paton’s Star Bar obsession, and the most Plastic item of clothing ever. Swearing a-plenty. BE CALM.
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Sarah Bee, Taylor Parkes and Al Needham conclude their investigation into this episode of Top Of The Pops, and are left shaking their heads at the success of the Bay City Rollers. The Osmonds take their final stand against the Tartan Gimmicks, the grown-ups enter the room for a properly decent No.1, and then it gets all Sunday Night At The London Palladium. RUN IN THE SUN HAVING FUN, POP-CRAZED YOUNGSTERS!
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Sarah Bee, Taylor Parkes and Al Needham continue their odyssey through one of the strangest TOTP episodes ever, with a right bunch of Egg n’ Chippers, a chance to see if you’re marriage material for Donny Osmond, a necessary blast of Dadisfaction, a foreshadowing of an advert 14 years from now, and the most Different Times incident we’ve ever come across...
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Sarah Bee, Taylor Parkes and Al Needham begin their quest through the dungeons of Castle Osmond. It’s August, it’s 1974, and the BBC have given an entire week over to Ken, Ken, Ken, Ken, Donny, Marie and Little Jimmy for six nights of Mormonised Borscht Belt Wisecracks, karate demonstrations and Barbershop Raga, live from the BBC Television Theatre. And tonight they’ve taken over our Thursday Evening Fizzy Pop Treat...
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We’re BACK, Pop-Crazed Youngsters, and we’ve foolishly decided to tuck into one of the strangest episodes of Top Of The Pops ever. But first, Sarah Bee, Taylor Parkes and Al Needham have a massive catch-up, which means tangents, a big flick through that week’s NME, and alarming news about the most Plastic item of clothing ever...
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We’re doing the London Podcast festival on September the 7th at Kings Place, Kings Cross! But Al never got round to mentioning it on Chart Music!
So – as a taster for those who have never experienced the thrill of people doing a podcast, but in front of other people – here’s the audio of our first ever gig, as Sarah Bee, David Stubbs and Taylor Parkes join Al Needham in a heroic attempt to squish a typical episode into 90 minutes.
Fortunately, the episode we covered – from the glory days of 1981 – has been truncated due to Spurs and Man City being unable to win the FA Cup the previous Saturday, meaning that it's only 19 minutes long as the replay is on after. Tommy Vance has been parachuted in from the Korean War, and he introduces a melange of late-period Eighventies curios. Thin Lizzy make their last-ever appearance. Sheena Easton's new bloke sounds like a right bell-end. Vaughn Toulouse recreates a porn DVD cover. Kim Carnes avoids a party of American Zoo Wankers. Tenpole Tudor actually play to some over-twelves for a change. And Adam Ant coats down some bloke in a coach for having a shit record collection.
Even though we're on the clock, there's still time for tangents, including a doomed stripping gig at a naval base in Portsmouth, the return of the Rock Expert, songs we lost our virginities to, Lewis Collins firing a shotgun in his own living room, and Basil Brush: Cock Nuisance. TUCK IN, POP-CRAZED YOUNGSTERS...
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Our mate Neil Kulkarni died in January. This episode is dedicated to him.
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Simon’s Quietus piece on Neil | Sofia’s Gofundme page
Special thanks to Lily Wilde for cover art.
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The latest episode of the podcast which asks; do we really have to hug? And rub-a-dub?
The Chart Music time sofa descends upon March of 1993, Pop-Crazed Youngsters – the Forgotten Nineties, if you will. A time where the only options available to The Kids were having their heads filled with rubbish by trampy Americans, or being exploited by Ian Beales in Hypercolor t-shirts who can’t play real music and want you to take loads of drugs. Your panel – ligging their way around London, ensconced in an Isleworth love nest and dealing with the misery of Gym Knickers, respectively – look back upon this strange perineum between Rave and Britpop, and have a tentative sniff at it
As for Our Favourite Thursday Evening Pop Treat, it’s currently weathering it’s 27th crisis under the stewardship of Stanley Appell, two years removed from its Year Zero clearout. The good news is he’s been given carte blanche to put on whoever he likes. The bad news is, he’s only a few months away from his 60th birthday, and there’s soon to be a new BBC1 controller in town who – according to rumour – is thinking about letting Janet Street Porter have a go.
Musicwise, it’s a reminder that everything is still up for grabs in the post-Neightnies musicsphere: Right Said Fred get the wind of BBC Star Power at their backs, which can be a bit uncomfortable when you’ve cut the arse out of your trousers. Lenny Kravitz is SuperMuso. After Some Rap, Brett Anderson gets dragged to the front of assembly to explain why he’s let the school down by singing too violently. Then it’s over to Hawaii to drop in on the Lower-Case Canadian, before she gets a shave off Cindy Crawford. Runrig make their TOTP debut, then Rage Against The Machine, fresh from getting Bruno Brookes suspended for a week, kick off the run of blipverts that passes for the Breakers section these days, which also takes in Bryan Ferry, The Jesus Lizard and Dead Madonna. Diana Ross and a Sexy Saxman appear on the set of a school play of Escape From New York, and we end with some sexy Belgian pinball action, all hosted by Mark Franklin, who was probably younger than you at the time, and still is.
Sarah Bee and Simon Price join Al Needham for a rummage under the sewn-on cushion on the Mastermind chair of 1993, veering off on such tangents as being mithered by members of Suede and Elastica at a student disco, why all snack wafers of the Eighties sound like Bryan Ferry LP titles, the Lesbian Elephant, Jonny Sex-Cat and the Accessible Gamesdog, Paintballing with Ride, and Al’s Secret Terror. SWEAR SWEAR, SWEAR-SWEAR SWEAR SWEAR, SWEAR-SWEAR SWEAR SWEAR, SWEAR-SWEAR THERE’S SOME SWEARING.
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Simon Price, Sarah Bee and Al Needham hit the final stretch of this episode of TOTP with the chance to hear 20 seconds of a Xmas Number One, Bryan Ferry going through the motions, some Americans who want to weld you into a chair and Dead Madonna, then Diana Ross gets all excited at the sight of an oiled-up saxman, and we continue our ongoing mission to praise the Belgians. REACH FOR THE SKIES, POP-CRAZED YOUNGSTERS!
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Sarah Bee, Simon Price and Al Needham end up having a massively deep dive on Suede, before being whipped over to Hawaii to watch the Lower-Case Canadian sit on a box for a bit. Oh, and Runrig!
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Simon Price, Sarah Bee and Al Needham begin their slog through an early-Nineties episode of The Pops with an examination of the changes Stanley Appell wrought upon our fave Thursday Evening Pop Treat. Then we’re immediately assailed by the sight of someone grabbing one of Right Said Fred’s arse as they do a bit for Comic Relief, followed by SuperMuso and Some Rap. STICK IT OUT, POP-CRAZED YOUNGSTERS!
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#73 (Pt 1): 4.3.93 – Frank Bald
Sarah Bee, Simon Price and Al Needham gird their loins for a plunge into a TOTP from the early Nineties, but before all that there’s a comprehensive leaf through that week’s NME. a heartrending discussion about the misery of gym knickers and hair loss, and a massive plug for our live show in Birmingham…
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The latest episode of the podcast which asks; so how do you set fire to a trophy?
Like a man in a cage, we find ourselves trapped in the mid-Eighties, imprisoned in a lurid enclosure of neon and rolled sleeves and appalling Number Ones, with Gary Davies – fresh from a birthday party in a garage in Cumbria and looking well Bisto – in the Mr McKay role. Oh, it’s a grim time to be young, Pop-Crazed Youngsters, when the only thing the youth can look forward to is a Giro, a chance to see the frontwoman of All Her Looks in concert and – if you’re really lucky – landing a plum YTS gig, like Paul Jordan has. He’s making his debut tonight, and we try to work out who he actually was.
Musicwise, hmm. Colonel Abrams pops up to deliver a telegram which reads HOUSE IS COMING STOP. Bruce Dickinson paints Paul D’Anno out of history. A pre-codpiece Cameo make their ‘first-ever television debut’ (thanks, Paul). Then the BBC runs an advert for a film made by someone from the Cradle Of Pop, followed by a double-whammy of Our Bands. The best duo in Pop history whose name begins with ‘Rene And’ pitch up and pretend to be Prince. The Top Ten gets fisted by Billy Idol. Red Box asks us if we’ve heard the good news about Jesus. A Success Coat containing Midge Ure receives its sympathy #1, and The Kids (and City Farm) have a sensible jig to Five Star.
Simon Price and Rock Expert David Stubbs join Al Needham for a good snuffle around the crotch of 1985, pausing along the way to shill their new books, followed by frank discussions about sexual awakenings under a massive poster of Pete Burns, the lamentable tale of Stubbs The Sap, the Great Top Valley Pupil Insurrection of 1985, Fetish Sporrans, being stared at by Morrissey at Chippenham Goldiggers, Quincy Punks, a comprehensive breakdown of the Chicken Dance, and a disgraceful run-in midway through the episode. SWEARING.
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Simon Price, Rock Expert David Stubbs and Al Needham hit the final stretch of this episode of TOTP, and pick through the ‘delights’ of the Top Ten. It’s a meaty fist in the air for Billy Idol, King of the Quincy Punks, before being subjected to a cult indoctrination video. We savour Midge Ure’s Sympathy Number One, and then it’s on to the dancefloor for some well-supervised fun with Five Star, before your Mam finds out who’s got Meeeshell in the club…
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Simon Price, Rock Expert David Stubbs and Al Needham plunge ever-onwards into a post-Live Aid episode of The Pops, and it turns out that 1985 is SKILL – well, it is when Cameo are slinking about on TOTP stage. Then we’re reminded of the dark times when John Parr pitches up to do a film advert. But then! It’s a double-barrelled blast of Our Bands, as the Smiths are forced to do a video, and Lol Tolhurst stinks out a wardrobe. And them some bloke starts going about thinking he’s Prince. GO FOR IT, POP-CRAZED YOUNGSTERS!
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Simon Price, Rock Expert David Stubbs and Al Needham set about this episode of TOTP with the usual gleeful abandon, asking themselves; what did Paul Jordan actually do to get nobbed off from Radio 1 in less than a year? And why does Gary Davies look like he’s been thrown into a tub of Bisto? Colonel Abrams gets us housetrained, Iron Maiden have a good widdle in California, and we’re subjected to a break-in…
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Simon Price, Rock Expert David Stubbs and Al Needham prepare for a punishing slog through a post-Live Aid episode of The Pops – but first, a good hard shill of their new books, which are out NOW/SOON. We leaf through that week’s NME, discuss a Norwegian newspaper article from the year 2000, and, y’know, go on a bit about pop music. TUCK IN, POP-CRAZED YOUNGSTERS!
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The latest episode of the podcast which asks; Whoops Scotties, Tasty Tarts Foster Grants or Allied For Carpets For You?
Oh yes – it’s back to the Eighventies we go, Pop-Crazed Youngsters, to a year where everyone was loaded into a cannon and fired into the dress-up box, or so we’re led to believe. One look at Peter Powell – who has turned up looking like he’s booked a week’s holiday on a canalboat through Hoseasons – will remind you it wasn’t quite like that.
It’s a boom time for TOTP, is early ’81: they’re pulling down Crossroads-level ratings week after week and they’ve got the Music TV field entirely to themselves, but – as this episode demonstrates – we’re not in the Yellow Hurll era just yet, and there’s a lot of dead wood to clear out. And, as the bill of fare tonight demonstrates, the Seventies are not done quite yet.
Musicwise, it’s a proper melange of young and old. Sharon Redd tries to be sexually overpowering in front of a grim tableau of gormless youths in visors doing the hand jive. The true icon of 1981 – The Man of Denim – spells out his five-year plan to tackle the social housing crisis in a special filmed broadcast. A punk lad gets dead excited at the sight of someone taking the stage in a PiL t-shirt, only to discover that it’s Dave ‘No, the other one’ Stewart.
The show takes a severe turn towards the elderly when The Who – fresh from their new LP being absolutely coated down in the music papers – followed by Legs & Co ‘neath a giant Scotch egg, and an encore performance of that paint pot on Phil Collins’ keyboard. But then! It’s the fresh, virile sound of Bucks Fizz in their first ever TOTP performance, followed by an actual video that looks like Proper 1981, by Strange The Clock. Duran Duran pop up for a repeat of their TOTP debut, and then, Oh God, it’s Toyah again, followed by Bryan Mirror and his new single, I Remember Johnny Lennon.
Neil Kulkarni and Taylor Parkes join Al Needham in order to throw some bricks and petrol bombs at 1981, pausing along the way to discuss Masonic tombolas, Grange Hill tube station, the career of The Who in egg form, the damage that the American Syd Little wrought upon the charts, and – unfortunately – Breakfast television-related masturbatory shame. SWEARING! AND A BIG ANNOUNCEMENT!
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Neil Kulkarni, Taylor Parkes and Al Needham finally stumble upon the real 1981 – Strange The Clock, and the New Street Station Dolls – while Al deals with an industrial dispute over Toyah by locking Neil and Taylor out and getting some robots in. And we finally get to grips with the most malign influence upon the charts of 1981 – the Syd Little of America…
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Neil Kulkarni, Taylor Parkes and Al Needham plough on through this episode from the tail-end of the Eighventies, stopping for a deep, deep, deep dive on the post-Moon Who. Legs & Co say farewell to Pauline by sitting about under a giant Scotch egg, the Paint Pot comes back for an encore, and Bucks Fizz make their debut and do that thing with the Velcro…
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Neil Kulkarni, Taylor Parkes and Al Needham commence their odyssey into the March 19th 1981 episode, and are horrified to discover that the Top Of The Pops Orchestra are still knocking about, and The Kids – who are supposed to be dressed up as nouveaux dandies – are wearing visors and doing the Blockbusters hand-jive. After a visit from Comrade Shaky – the Everlasting Gobstopper of Chart Music – it’s a frigid blast of Dad-Synth. Oh dear…
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Neil Kulkarni, Taylor Parkes and Al Needham prepare the stage for a late-Eighventies episode of The Pops – but first, it’s a flick through that week’s NME, Rod Hull and Emu pay tribute to Rolls-Royce, Neil speaks of his brush with the local Masonic Lodge (and fails to win the Tombola), Al shares not one but two embarrassing stories about teenage lust gone awry, and a BIG ANNOUNCEMENT…
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The latest episode of the podcast which asks; has Rock Expert David Stubbs come from The Sky?
After all the lovely Pop trifle we’ve had in recent episodes, Pop-Crazed Youngsters, it’s time for some necessary roughage, as we take a tentative walk down Nineteen Eighty Six Street once more. And yes, it’s stillone of the most rammel years for 20th Century Pop, but somehow we managed to find one which doesn’t have the whiff of the dog's arse about it.
It’s only four months into ’86, but our Favourite Thursday Evening Pop Treat is having another of its regular crises, this time brought on by the after effects of Michael Grade taking over at BBC1 and pissing about with the scheduling, meaning that ten whole minutes have been lopped off, and the results are not pretty; everything has been crammed in like a Japanese tube train at knocking-off time, videos have been cut off at the knees, there’s a neon set better suited for a Miss Wet T-Shirt competition in Romeo & Juliet’s Doncaster and the chart rundown – the whole point of the show, mark you – has been utterly defiled.
Musicwise, it’s better than it has any right to be. Gary Davies – a man bursting with so much sexual potency in 1986 that the sex workers of Amsterdam are pitching themselves through windows to get at him – has been given the chance to run the show solo for the first time in years, but we don’t see that much of him, because there's no time. Big Country pitch up in Success Coats. Michael Hurll practically rips the wig off Falco’s head and wipes his arse with it. A-Ha continue their spell as the premier teeny band and get creative with a bit of masking tape. Suzanne Vega gets judged by a poster of a German sex-colossus. And then, oh God, it’s the longest examination of a single EVER on Chart Music. Janet Jackson stares her ponce of a boyfriend out. It’s Immaterial look absolutely knackered and wonder why their label didn’t make a video. George Michael drops the weirdest Number One of the decade, and Whitney Houston spoils everything with a huge dollop of mawk.
Sarah Bee and Neil Kulkarni join Al Needham to gingerly pick through the wreckage of 1986, veering off on such tangents as Nick Ross’ Drug Buffet, Neil’s Gin and Vomit Shame, being mistaken for Pete Docherty’s stalker, the best way to tell an interview subject that their new album stinks of unwashed cock, how the Ukraine War would have shagged up TOTP if it was still going, an appreciation of Euro-Ponces, how the BBC thought Bob Monkhouse, Barry Cryer and Nigel Havers could stop youths on dingy estates from taking heroin, and a huge Birmingham Piss Troll update. You know the swearing is going to be intense on this one…
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Neil Kulkarni, Sarah Bee and Al Needham finally claw their way up the final furlong on an episode of TOTP that’s been better than any episode set in 1986 has a right to be. Neil issues a come-and-get-me statement to Janet Jackson, It’s Immaterial look knackered and bemused on the big new set, George Michael delivers the weirdest Number One of the entire decade, and then the real ’86 presents itself as Whitney Houston fills the Harlem Apollo with a concentrated blast of mawk. ALL YOU GOTTA DO IS BE YOURSELF, POP-CRAZED YOUNGSTERS…
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Sarah Bee, Neil Kulkarni and Al Needham plunge deeper into the 17.4.86 episode as we hit the Breakers section. Suzanne Vega slaps it about with assorted extras from Bonfire Of The Vanities, and then we get hit with REAL KIDS ISSUES as Grange Hill become child conscripts in the War On Drugs…
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Neil Kulkarni, Sarah Bee and Al Needham get stuck into the hellscape of 1986, and discover that it’s not that rammel, actually. We gaze upon the even-toed ungulate splendour of Gary Davies – a man who divides his time between going out on the pull with Brian Tilsley, bringing peace upon the houses of Fine Young Cannibals and Matt Bianco, and making the sex workers of Amsterdam plunge through windows to get at him, only to discover that he’s got a horrible jacket on. Big Country prepare to get properly massive, but und up buried under the weight of their record company’s expectations and really expensive Success Coats. Falco gets reduced into a tiny box, like the baddies in Superman. And A-Ha get all creative with a keyboard and some masking tape…
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Sarah Bee and Neil Kulkarni join Al Needham and prepare for some serious loin-girding as they prepare to tackle an episode of The Pops from the unappealing middle bit of the Aydeez – a neon wasteland where the Dinosaurs of Pop are running rampant in their Success Coats with sleeves a-rolled. But first, a flick through that week’s NME, and a vital BPT update…
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The latest episode of the podcast which asks; have any of Team Chart Music done a streak?
It’s late January, but the inflatable Jimmy Savile-as-Santa is still hanging off the roof of the Chart Music house and the wreath that looks like DLT still hangs on the door as we prepare to tuck into another end-of-year splurge of Pop, as our favourite Thursday evening pop treat gets shunted to a Friday teatime and another Selection Box of the hits of the year gets ripped into.
‘Tis the arse-end of 1974, Pop-Crazed Youngsters, and a definitely end-of-era feel hangs over this episode. Glam is in its last knockings, the teenybop icons are starting to fade, the brickies in Eyeliner are just brickies now, Mock n’ Roll is in the ascendancy, the Pop Famine of 1975/6 is beckoning, and although there’s much to love here, this could well be the very last episode of the Golden Age of Top Of The Pops. Noel Edmonds and Dave Lee Travis are on hand to take us through the smash hits of the year that weren’t introduced by Tony Blackburn and Jinglenonce OBE on Xmas Day, and are fucking unbearable.
Musicwise, like all end-of-year shows, it’s your typical running-away-from-a-crocodile episode. The Rubettes pitch up for a victory lap with a flashing bow tie. John Denver goes on about his missus again, before he takes a chainsaw to their bed. Alvin displays the most amazing standwork ever on TOTP if you discount Brian Connolly breaking one over his knee, before George McCrae attempts to introduce the TOTP Orchestra to Disco as he stands over a leftover turkey carcass. Stephanie De Sykes represents the Kings Oak Massive, and then Sparks completely go off. The Glitter Band do a Nazi love gesture at Bad King Gary as he performs his great lost Number One. Sylvia tells a load of underaged Osmonds fans about how she got her end away in Spain this summer. Queen set down a marker for their dominance of the next few years. Ray Stevens fails to get his cock out. After Suzi Quatro says goodbye to the massive bluescreen, the most perfect #1 single EVER is desecrated by the TOTPO. Terry Jacks reminds us that he’s still dying, and we close with the Blokes Of Pop taking over and claiming dominance of the year, while Travis plays a Christmas Tree. So long, Early Seventies, you were MINT and SKILL and we’ll never see your like again.
Taylor Parkes and Rock Expert David Stubbs join Al Needham for a celebration of all things ’74, veering off on such tangents as blind West Ham left-backs, Noele Gordon’s musical career, five year-olds demanding to be let into sex shops, the era-defining genius of Yus My Dear, disturbing scenes at Wombles gigs, a re-imagining of Do They Know It’s Christmas written by Chinnichap, and the introduction of the parlour game that’s going to sweep the dinner parties of 2023 – Pantomime Horse. HAPPY NEW SWEARING, POP-CREAZED YOUNGSTERS…
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David Stubbs, Taylor Parkes and Al Needham conclude their excavation of the last TOTP of 1974. After Ray Stevens lets us all down by refusing to lob it out, Suzy Quatro drops the last ever Glam Bomb and then – YESSSS! Carl Douglas gives another demonstration of Chinese-lettered-pyjama funk with the most perfect Number One EVER. Terry Jacks reminds us that he’s clinging on to life. And then the winners of 1974 – along with West Germany and Harold Wilson, twice – pitch up to remind us that for the next few years, the charts are going to be under the reign of the Blokes of Pop…
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Taylor Parkes and David Stubbs go deeper on the last TOTP of 1974 with Al Needham, and recoil at Dave Lee Travis looking none more Gnasher-like as he salivates over Stephanie De Sykes and then we’re hit with Another Chance To See the debut performance of Sparks, the Great Lost Gary Glitter Number One, Another Chance To See Sylvia telling some very young Osmonds fans about how she slagged it about in Spain this summer, and some very unfair jokes at the expense of Brian May…
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David Stubbs, Taylor Parkes and Al Needham begin their odyssey into the second part of TOTP’s review of ’74, but not before another few rounds of Pantomime Horse and having to deal with the rampaging egos of Noel Edmonds and The Living Gnasher Badge. The first #1 single that ever enraged Al is up first, then John Denver bangs on about his missus eight years before he ends up taking a chainsaw to their bed, followed by world-class mic-standsmanship by Alvin, and George McCrae gets into even more trouble with his missus as he emotes over a turkey carcass, and we don’t. Know. Why.
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The latest episode of the podcast which asks; have any of Chart Music ever had to deal with a Hard Lovin’ Woman?
As listeners to the World’s Greatest Podcast About Middle-Aged Hacks Banging On About Old Episodes Of Top Of The Pops, you’ll be fully aware of the general consensus on Nineteen Eighty, Pop-Crazed Youngsters; that it was the trough between the stratospheric peaks of ’79 and ’81. But in this episode, the case for the defence is comprehensively laid out, and if you’re here for the coat-downs, you’re going to be disappointed, because this episode is a bit SKILL.
We’re on the cusp of the Great Pop Famine of 1980 – which cost us six issues of NME and MM each and nine portions of our Favourite Thursday Evening Fizzy Pop Treat – and into the final month of the reign of Robin Nash. But although he’s on his way out, he’s already attempted to drag the show into the Aydeez by raiding the petty cash till for a new set – including a gun tower – and giving a debut cap to the Vicar of Rock himself, a 39 year-old Tommy Vance, who immediately puts himself about and makes a good account of himself, with one or two exceptions.
Musicwise, it’s a broad and diverse spread of 1980 fare. Leon Haywood gives the youth some timely advice about pegging. New Musik finally get their moment on Chart Music. There’s a chance to see American Pipou on Soul Train. The Chords represent the Mod Revival by disguising themselves as Generation X, before we’re hit by a megablast of Dadisfaction broadcast live from Bodie and Doyle’s living room. Then it’s a one-two-three punch of RRRROCKK from Whitesnake, Saxon and Motörhead, interrupted by Errol Brown’s mashed potato-mountain of a single, an obligatory dollop of the Nolans, another chance for us to drool over the Beat, Kate Bush being a clingfilm foetus, and a thrilling Number One where the Kids get hit in the face with a holdall, which they deserve for being so sullen and bovine.
Simon Price and Neil Kulkarni join Al Needham for a rampage through the middle of the Eighventies, and the tangents come thick and fast, including the correct way to modify a Harrington, the Nagasaki Hellblaster, Skinhead Discos, which living room accoutrements would make the best weapons against a home invasion of Street Punks, how Sham 69 got their name, tales of Machete Max, was Lemmy the Father Seamus Fitzpatrick of Metal, and the introduction of The BPT. SWEARING!
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Neil Kulkarni, Simon Price and Al Needham hit the final straight on this very decent episode of The Pops. After getting our obligatory serving of the Nolans, it’s the double-Harringtoned attack of The Beat, Kate Bush prepares to go Zorbing in a nudist camp, there’s a GLORIOUS Number One, and then we have to listen to Johnny Logan’s pain over some kaleidoscopic studio lights. And a BPT update!
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Simon Price, Neil Kulkarni and Al Needham continue their voyage into this episode of TOTP, and the thick musk of denim and leather is beginning to permeate the air. Whitesnake! Saxon! Motörhead! Three youths up the front giving themselves a headache! Rude t-shirts! Jimmy Ruffin in a Hawaiian shirt! Close Encounters of the Errol Brown kind! RRROCKKKK!
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Neil Kulkarni and Simon Price commence their gleeful rip into this episode of TOTP, egged on by Al Needham. Tommy Vance gets his debut cap, and lords it above everyone else from the confines of his gun tower. Funky Belts! New Musik’s keyboard player making a tit of himself! American Pipou! The Chords disguise themselves as Generation X! And some weapons-grade Dadisfaction…
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Simon Price and Neil Kulkarni join Al Needham to set the scene for an episode of Top Of The Pops from 1980 which comprehensively demolishes the theory that that year was a bit rammel, breaking off to riffle through that week’s issue of Sounds, discuss the pros and cons of organising a skinhead disco, and recoil at the introduction into Chart Music of The BPT…
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In the last episode of Chart Music, we broke down Nationwide's Jubilee Fair - an astonishing melange of forelock-tuggery, Trad Jazz and moaning that things were better when we had an empire and National Service, which offered its viewers both an opportunity to revel in the past and a chance to experience what it was going to be like in the entertainment room of a care home in the future.
But we stopped short of mentioning one thing: the ending, where the winner of the Nationwide Jubilee Song Contest got the chance to reprise their tune. And we’ve seen the final – 15 and a bit minutes of musical astonishment
So, let us take you back to the post-teatime haze of Thursday May 17th 1977, as the hundreds of musical tributes to the Queen have been whittled down to five, and a nation – or at least, the part of it who isn't watching Crossroads – baits its breath for a Jubular soundclash of monumental proportions.
Eric Smallshaw of Eccles gets the party started with a sultry Lancastro-Cuban call to Rhumbic Bacchanalia. The youth of Hucklow First School, Sheffield, praise the Queen with balalaikas for her ability to get on a massive boat and go around the world. Richard Gwyn and Cameo let an entire Principality down with their 'rocking' music. The Farringdon Infants School of Sunderland produce an indecipherable dirge of xylophone-bonging and recorder-blaring. And the Singing Butcher and the Coventry Kids shout their fealty to the Monarchy in a way that only 70s youths and a ginger meat-man can. But who will win? Only Richard Stilgoe knows...
Team ATVLand - Neil Kulkarni, Taylor Parkes and Al Needham - sit down and tuck into one of the most gloriously mental slivers of British TV we’ve ever come across, breaking off to discuss Other People’s Children, the Hexham Heads, the difference between United and City fans, the Asian Jubilee Song Contest, and lifeboat crews rescuing a rugby ball in tribute to the Queen, or summat. SHIMMY AND SHAKE TO THE NUMBER, POP-CRAZED YOUNGSTERS!
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The latest episode of the podcast which asks; are the Wurzels going to float in an eternal hellscape of bodily waste and toenails for singing about turning bulls gay?
This episode would have been perfect for the other month while Shakin’ Jubilee was occurring – but no matter, Pop-Crazed Youngsters, because we’re going right back to the apogee of the Silby Joobs, which no-one ever said in 1977 because people weren’t as rubbish as they are today. Flags! Bunting! Street parties! Massive patriotic Yorkshire puddings! Blatant chart-rigging! Your hosts are a) giving thousand-yard stares over some sausage rolls and praying that their father isn’t going to run off with a Characterful Dad in a dress and some balloons up their shirt, b) communing with nature with a Jubilee coin in their grubby paw and c) watching some Caledonian ultra-violence outside a pub and pretending to be asleep under a Union Jack listening to their Dad banging on about Elvis again, but they all unite on Thursday evening to witness a Tony Blackburn – who has just invented Fathers 4 Justice – introduce a decidedly mixed bag of Pop treats.
Musicwise, it’s a veritable trifle of Pop, layered with West Midlands Safari Park Hi-Life, Ormskirk Americana, Southampton Funk, and a thick, satisfying custard of Black American Pop. Frankie Miller pulls a mic stand about. The Pips warm up for a night at the rollerdisco. The Stranglers piss about and stomp on someone’s fingers. Demis Roussos lies to us about an island. Neil Innes drags TOTP into 1982. Legs & Co have to make something up on the spot. Bob Marley celebrates Jubilee week by telling us that Britain is rammel and we should clear out as soon as possible. The Wurzels bring us another unflinching examination of rural life. And we get ‘treated’ to Little Rabbit Arse. But there’s an elephant in bondage trousers in the room, isn’t there?
Neil Kulkarni and Taylor Parkes join Al Needham for a gargantuan street party of critical analysis, with tangents ahoy – including a trawl through the Nationwide Jubilee Fair, 35 hours of Triangle, Demis Roussos’ £30,000 bed, Retirement Pop, the dark link between the Wurzels and the Radio 1 Roadshow, and cycling tips from Simon Bates’ massive floating head. If you’re a fan of the Monarchy, best skip the first hour – and yes, swearing a –plenty…
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Taylor Parkes and Neil Kulkarni join Al Needham to put the Silver Jubilee episode of The Pops firmly to bed, as Legs & Co make do with Demis Roussos’ cast-offs, recount the time Bob Marley met the Wurzels, and examine the most shameful event in chart history, as Little Rabbit Arse holds down the Sex Pistols. GOD SAVE HISTOREE, POP-CRAZED YOUNGSTERS…
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Taylor Parkes and Neil Kulkarni continue their drill into the Silver Jubilee TOTP with Al Needham. Discover how the Wurzels let down Al at a visit to a farm in 1978! Thrill to the sight of Tony Blackburn pulling a bit of string so Neil Innes can look confused as he waves a tiny flag about! Gasp as the Stranglers take the strings off their instruments, swap them with each other, and slip in a drug reference! And stare aghast at the state of Honky!
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Neil Kulkarni, Taylor Parkes and Al Needham continue their journey into the Silver Jubilee episode of Top Of The Pops, pausing to gaze forlornly at Tony Blackburn – who is in full Fathers 4 Justice mode – before being a bit disappointed by Osibisa failing to do the West Midlands Safari Park advert, and having to talk about ELO AGAIN…
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Taylor Parkes and Neil Kulkarni join Al Needham for a massive street party to commemorate the Silver Jubilee episode of Top Of The Pops – but before that, it’s a coat-down for the Monarchy, a comprehensive breakdown of the Nationwide Jubilee Fair, a flick through that week’s Melody Maker, and a look at how the Department of Transport thought that a picture of Simon Bates massive unbespectacled floating head would teach the kids not to get killed on their Grifters in the mid-Eighties. IT’S A POTENTIAL H-BOMB OF AN EPISODE, POP-CRAZED YOUNGSTERS…
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The latest episode of the podcast which asks; has anyone ever lost their virginity while listening to a Jive Bunny record?
It’s the long-awaited return of Our Sarah and Taylor after their encounter with the Spiteful Armoured Bollock, Pop-Crazed Youngsters – and to welcome them back, Al allowed them to pick out an episode. Consequently, we’re heading deep into the heart of the Neighties. Your panel are a) being Arthur Seaton in Saturday Night and Sunday Morning without the sex, b) hovering over the pause button during the Top 40, and c) playing Human Frogger on the way to a Blue Boar, while the music scene is awash with flares! Pob faces! That dance where you look like you’re walking on a bouncy castle with a pint in each hand! Ridiculously misplaced optimism! And BLEDDEH DRUGS, of course!
Musicwise, crikey: we’re promised a Rock n’ Roll episode by Simon Mayo, who looks absolutely shagged out having been up since 5am, but the overriding theme tonight is British people finally coming to terms with dance music whilst plundering as much of the late Sixties as possible. Wayne Hussey warms up for his date with James Whale with some Pub Goth. New Kids On The Block do something pointless and futile with a basketball. Candy Flip – the Jedward of Madchester – cause the Kids to hysterically scream as if John Lennon had ripped himself from the grave and turned up at the studio to have it out with them. The B-52s have a better night out than you. Big Fun, Fish and Wet Wet Wet get about 20 seconds each. Bobby Omnishake prances like an absolute tit, everyone whoops at an Inspiral Carpets suicide anthem, Jive Bunny throws down some hardcore Dad-Hop, Quentin fancies Lindy I.D.S.T., and we get some actual House music at the end. For about 30 seconds.
Sarah Bee and Taylor Parkes join Al Needham for a clinically intensive rummage through the Spring of 1990, veering off on such tangents as a comprehensive drill-down into Mike Read’s Heritage Chart, what not to do when cleaning out a Fleshlight, the Stone Roses/New Kids war in the Smash Hits letters page, Showaddywaddy’s Bloods/Crips dilemma, how the Martians wisely self-isolated and wore masks for a couple of years, and some remarkably graphic sex talk. And swearing!
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Taylor Parkes and Sarah Bee straddle Al Needham and ride him hard in the final furlong of this episode of The Pops, pausing along the way to muse upon the hardcore Dad-hop of Jive Bunny, celebrate an actual decent #1 single, ask if you can get poppers in pound shops, and give full respect to the one with the Gordon Honeycombe hair in Inspiral Carpets. GET ON ONE, POP-CRAZED YOUNGSTERS!
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Sarah Bee and Taylor Parkes realign with Al Needham and – like the dog that returns to its own vomit – proceed to tuck in on this episode of The Pops. There’s a wodge of Breakers to wade through, followed by a chance for the Dads who were outraged by Candy Flip to have a good laugh at the absolute state of Bobby Omnishake…
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Taylor Parkes, Sarah Bee and Al Needham commence their excavation of this episode and rapidly uncover an extremely knackered Simon Mayo introducing some Pub Goth, New Kids On The Block playing some exceedingly futile basketball and trying to show off to some girls, and stare aghast as Candy Flip herald the dawning of the Age of Nadirius...
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Sarah Bee, Taylor Parkes and Al Needham ready themselves for a comprehensive rummage through an episode of The Pops from the spring of 1990, leafing through that week’s NME and its four-page spread on the Stone Roses chucking some paint about, and a discussion Human Frogger and the deepest of delves into Mike Read’s Heritage Chart, before concluding that the world is full of things that you can shove up your arse
.
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The latest episode of the podcast which asks; if Steve Miller is in a consensual relationship, and keeps away from certain designated areas, and he’s not just doing it to show off in front of his mates, is it acceptable in today’s society to reach out and grab her?
This episode, Pop-Crazed Youngsters, sees your panel – who are currently toting huge consignments of heroin around Leeds, swiftly climbing up the class system of Coventry and still getting over the terror of finding someone’s undergarments in a sex-grafitti’d public toilet in St Pancras station – on the horns of a dilemma; on one hand, a premium-strength episode of Yellow Hurll-era TOTP. On the other, a World Cup semi-final. The latter doesn’t kick off until we’re 30 minutes into this episode, but at what point do our heroes break and succumb to the boot-on-ball surrender? And will Al have to watch all of this on a black-and-white portable with a coat hanger for an ariel, or will his Dad slink off to the pub and let him watch it downstairs?
Musicwise, it’s a game of two halves, with two landmark events occurring and a blizzard of Huge Eighties Things being introduced to us for the first time ever. Imagination are at the top of their flouncy, slinky game. Bruno’s Dad lamps someone for ripping a speaker off his cab. Jeffrey Daniel reprises the Starman Moment of the Eighties and makes the Weetabix throw their Doc Martens in a skip. AC/DC get their cannons muffled. But just when you think this could be greatest TOTP episode ever, Jonathan King crashes in like Toni Schumacher on Patrick Battiston in order to curl off another dollop of rubbish American rammel (although he introduces the UK to Mr T. And Deeleyboppers).
But then! Out of nowhere come the Good Germans – Trio – who produce one of the greatest TOTP performances ever, followed by Odyssey slamming home one of the greatest singles ever, and all is well. But oh dear, that ‘3’ button is about to take a hammering as Bananarama pitch up in big nappies, Bucks Fizz take time out from bombing the Ruhr to cheat on each other, Captain Sensible ducks out of the pub to pretend to be the bastard son Worzel Gummidge and Toyah, and some magicians do their underwhelming pieces to the Steve Miller Band. Everything astoundingly life-affirmingly right and groin-punchingly wrong about early-Eighties TOTP is here, and it gets picked over in the usual manner.
Rock Expert David Stubbs and Neil Kulkarni join Al Needham for a dance on the car roof of 1982, veering off on such tangents as being nestled against Mr C’s packet, the Line-dancing community of Birmingham, being at a loss about what to say to Jimi Hendrix, wondering what ‘Eagle Farm Today’ actually means, and Top Of The Pops getting Bobby Gee to fight some swans in a cage in a desperate attempt to keep watching BBC1. And all that lovely swearing, too!
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Neil Kulkarni, David Stubbs and Al Needham fight to resist the Siren-like lure of the ‘ITV1’ button and the West Germany – France game as this episode of TOTP enters the final stretch. Odyssey drop one of the greatest singles EVER, Bananarama cock a leg in some giant nappies, Bucks Fizz have a day off from bombing Hamburg, Captain Sensible brings along some giant rabbits, and some underwhelming magicians pitch up…
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David Stubbs, Neil Kulkarni and Al Needham continue their intensive tuck-in of a wildly influential episode of The Pops. AC/DC get their cannons muffled, and then Jonathan King introduces the UK to Deeley Boppers, Mr T, and a steaming dollop of white American rubbish. But here come the Germans to save the day!
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Neil Kulkarni, David Stubbs and Al Needham commence a gleeful rip into an episode of The Pops smack in the middle of the Yellow Hurll era. And what a start! Kid Jensen pops up in a monarchist Robert Mugabe shirt, Imagination have a proper slink-about, Bruno’s dad lamps someone, and Jeffrey Daniel changes the face of shopping precincts on a Saturday for the rest of the decade…
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David Stubbs and Neil Kulkarni join Al Needham for a dance on the car roof of 1982, and prepare the ground for an episode of The Pops from that glorious, World Cup-drenched summer. Prepare for shocking revelations about the toilets in St Pancras Station 40 years ago and how the Rock Expert ended up On Top Of The Pops in someone’s codpiece…
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The latest episode of the podcast which asks; does playing Legend by Bob Marley constitute a hate crime?
Finally, Chart Music gets off its fat arse, gets on its bike and starts looking for a job, and it’s a particularly fraught one: rummaging through an episode from the arse-end of the Yellow Hurll era in an attempt to find anything nourishing and skill. It’s the other side of Easter ’84, and your panel are a) not bothering to revise for CSEs which are useless in Thatcher’s Britain, b) failing to understand the Greek alphabet and wondering why anyone in Coventry would need to learn it, and c) playing gigs in a Barry shopping centre and trying to make acoustic guitars sound like the Jesus and Mary Chain. The good news is that Top Of The Pops is still a beacon of Pop Nowness. The bad news: over a year ahead of schedule, the Dinosaurs of Pop have come lumbering back and Simon Bates – frighteningly – doesn’t look out of place in the studio for the first time ever. This, Pop-Crazed Youngsters, is your Dad’s Top Of The Pops – a half-hour Radio 2 of the soul.
Musicwise, oh dear; there’s only one teenager on stage in the entire episode. Morrissey shows how right-on and inclusive he is by letting Sandie Shaw borrow his band for a while. A cursed Mayan mask with the mouth of Phil Collins soundtracks some horrific morning dog-breathed snogging. Belle and the Devotions prepare to be booed at in Luxembourg. Island Records de-Rastacise Bob Marley by 110% and recreate the opening credits of Pigeon Street. Duran Duran make their long-awaited return to the UK and demonstrate that reports of their demise are premature. Willie Nelson and Julio Iglesias practically come on to each other. Our Bands are represented by Echo and the Bunnymen. The Flying Pickets have one last warm against the brazier of the charts before the Massive Clay Head pulls us into its orbit.
Neil Kulkarni and Simon Price join Al Needham for a long, hard stare at 1984, whirling off into such tangents as having Xmas ruined by Ed Sheeran, the majesty of studded gauntlets, recreating images of Bob Marley with football mascots, getting punched in the stomach by Eurovision winners, Effing and Jeffing in an Osmonds’ house, now not to commence that vital gig in a Chilean prison, petals in beer at Cardiff Uni, and the proud parents of Alien Sex Fiend. GO FOR IT, Pop-Crazed Youngsters – and enjoy all that lovely swearing…
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Neil Kulkarni, Simon Price and Al Needham bring this episode of Top Of The Pops to a close by blanching at the sight of Julio Iglesias practically caressing Willie Nelson’s beer gut, scratch their heads at Echo and the Bunnymen channelling the spirit of Spinal Tap, witnessing the Flying Pickets performing in front of a massive Guess Who board, and attempting to get a handle on Lionel Richie and his massive clay head…
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Simon Price, Neil Kulkarni and Al Needham continue to gingerly pick through the rubble of April ’84. After gasping at the outright Lijkenpikkerij of Belle and the Devotions, they tackle Lilt Advert Bob Marley, before getting out of the way of Duran Duran’s Come Tsunami…
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Neil Kulkarni, Simon Price and Al Needham commence their plunge into this episode of Top Of The Pops, stopping to pay respects to Our Janice and giving Simon Bates’s new jacket a thorough examination. There’s a rare opportunity to give a slight bit of credit to Morrissey for not being a complete bell-end four decades ago, before blanching at the sight of a Mayan mask with Phil Collins’ mouth…
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Simon Price, Neil Kulkarni and Al Needham gird their loins in anticipation for an episode of The Pops located slap bang in the middle of the Aydeez, taking the time to discuss the decline of New Pop, leaf through that week’s NME, and ruminate upon the career of The Mary Brennell Boy’s Murder…
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The latest episode of the podcast which asks; Singleton Noakes Purvis and Judd, or Baxter Woollard and Rodd – who was the better Prog band?
Santa has come once more to Chart Music, Pop-Crazed Youngsters – but this year he’s decided not to curl one off into our stocking, and has dropped off what is indisputably the greatest episode of the Pops we’ve chanced upon thus far in our five-year odyssey, plucked from the very dawning of the Golden Age. No, it’s not a Xmas Day one – that year’s episode, featuring Jinglenonce OBE introducing Clair by Gilbert O’Sullivan, has been plunged into the memory hole – but as always it’s an opportunity for the show ponies of Our Brand New Favourite Year For Pop to have a trot-about, egged on by Tony Blackburn and his foul nemesis Edmonds.
Musicwise, GASP: a combination of old chancers and young upstarts team up to drag Pop away from the foul mung of the Sixventies, the Heads are chased off by unkempt youths in spangles, and the result is a glorious year for singles – and this episode of TOTP is a non-stop barrage of banger after banger after banger after banger. Mike Leander invents the DNA of Glam. Donny Osmond demonstrates why eleven year-old girls turn up at his hotel with sledgehammers. After some KID’S LIB INNIT, Hilda Woodward casts an eerie spell and enchants the Kids into the worst occurrence of Granny Claps ever seen on Top Of The Pops. Roberta Flack takes over on piano. THE PEOPLE’S BAND shake a silvery top hat. Benny Hill delivers last year’s Xmas #1. Chicory Tip whip the silver and gold-booted hooligans of Sheffield into a frenzy. Cherry Gillespie’s three-day ordeal in wrapping paper bondage mercifully comes to an end. Mary Whitehouse’s masturbatory nightmares are relived once more, with the assistance of Rolf Harris. Then it’s the three-punch knockout of Utah Valhalla, the Jackson 5 and the Blessed Marc before Ringo pitches up at the end.
Neil Kulkarni and Taylor Parkes join Al Needham for a celebration of Top Of The Pops at its most godlike, gleefully veering off on such tangents as famous pianos we have played on, schoolkids in London being forced to watch The Third Ear Band, Saddam Hussein’s choice of Christmas chocolate, why Americans are so rubbish when it comes to Christmas #1’s, Levi Stubbs fails to get a good night’s sleep, and a brief chat about some film that the Beatles are in. TUCK IN, POP-CRAZED YOUNGSTERS – and treat yourself to some lovely festive swearing…
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Neil Kulkarni, Taylor Parkes and Al Needham gleefully rip into the final part of their exhumation of the last TOTP episode of 1972, and it’s banger after banger after banger. The Osmonds begin their journey on the Highway to whatever Mormons think is Hell! Chuck Berry tempts the youth into mutual masturbation in Coventry, while Rolf Harris tries to distract them! Michael Jackson and his family steal in near the end to drop the performance of the night! We drool over T Rex for ages! And there’s Ringo! HAPPY 1973, POP-CRAZED YOUNGSTERS!
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Taylor Parkes, Neil Kulkarni and Al Needham ramp up their excitement at this astonishing episode of The Pops as the hits keep on coming. We get the twin piano attack of Hilda Woodward and Roberta Flack, followed by the Wolverhampton Tramps of the Future. Benny Hill returns for one last slap of the bald head of chart success, Chicory Tip nick a hit record off poor Giogio Moroder, and Cherry Gillespie sits in a huge paper bag for three days, being let out to emote to Harry Nilsson…
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Taylor Parkes, Neil Kulkarni and Al Needham begin their submergence into Top Of The Pops ’72, and discuss the less-than-immaculate interplay between Tony Blackburn and his foul nemesis Edmonds. Mike Leander (and his singer, who we’re not supposed to talk about these days, but do) drops his magnum opus. Donny Osmond does some Weenybopper edging and bats his eyelids like a rabbit trapped in a fence. And Alice Cooper blows up a school and gets Mary Whiteshouse’s knickers in a twist…
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Neil Kulkarni, Taylor Parkes and Al Needham frenziedly lay out the most spanglfierous buffet of Pop ever witnessed on Chart Music, as we go all the way back to late 1972 and the dawning of the Golden Age of our weekly Thursday Night Pop Treat. As they assemble a pyramid of Watneys Party Four and fill a paddling pool with Angel Delight, they learn that people were moaning about Top Of The Pops even then, examine the musical output of the Inner London Education Authority, have a flick through Melody Maker and – in the spirit of the season – Neil tenderly forgives Al for accusing him of liking Kiss in 1986…
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The latest episode of the podcast which asks; if David picked potatoes on Jack Heap’s playing field for one hour, how many Fumanchews would he able to cram into his gaping maw?
Once again, Pop-Crazed Youngsters, Team Chart Music has returned to the safety of the late Seventies, and your panel is a) having their crayons thrown out of the window after an incident that could have been ripped from The Shining, b) being disappointed by Scalextric, and c) getting their arse tanned over an art installation on some concrete staircases. And all the time, the terror of Punk is looming, and no-one – particularly the canine population – is safe.
As it turns out, the only Punk-free zone at this time is the episode of The Pops we’re about to get stuck into. Like David’s Scalextric, the show – in Robin Nash’s safer-than-safe pair of hands – is running on rails by now. Unlike David’s Scalextric, everything fits together, and nothing is skidding off the table and smashing against the wall. This is Top Of The Pops in its purest form, Pop-Crazed Youngsters, and we savour every mouthful of it for over six hours.
Musicwise, it’s a veritable bestiary of Pop Gargantua, with Xmas on the way, some huge LP drops this week, and the Monsters of the Hit Parade already starting to fight over your forthcoming record token. Paul Weller makes a doomed attempt to get the BBC to post his guitar to his girlfriend. The Carpenters say hello to some aliens. The Barron Knights dare to have a pop at The Old Sailor. Freddie Mercury pitches up dressed like a bottle of Sheridan’s. Legs & Co hit up a sari shop in Shepherds Bush for a game of Sexy Lady Croquet. Status Quo predate Abba with an avatar bassist. Actual David Bowie pitches up to the studio, but can’t be bothered to button up his cuffs. Showaddywaddy have a group huddle. And Abba get down to a proper session of Scandinavian Sorry. All brought to you by Peter Powell in his debut TOTP appearance, and he immediately hits the ground running, even if he has to be nudged by the gallery into putting himself about with the maidens of the studio.
David Stubbs and Taylor Parkes join Al Needham for an intense drill into ’77, veering off on such tangents as the Great Dog Collar Crimewave of Coventry, why trying to crush a tennis ball on the school playground in order to impress girls is a wrong ‘un, NASA convincing aliens that British people are big Medieval jessies, the ELO-Faust War, Dave Lee Travis annoying Brian May, a review of Dave Bartram’s 2005 travelogue of caravan parks, Bruce Foxton stroke fiction, and the GOLDEN FLEECE OF CHART MUSIC has been located. Oh, the swearing in this one…
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Taylor Parkes, David Stubbs and Al Needham finish off this episode of The Pops in fine style. David Bowie watches his mate cheat on his missus up against a wall. Showaddywaddy nick some girl’s silver top hat with ‘VOTE FONZIE’ on it. Abba eschew all that Pop-A-Matic rammel and deliver another whopper of a #1. And Smokie are represented by a black void. PLUS Dave Bartram’s travelogue of rubbish holiday parks, what an audition for Opportunity Knocks looks like, and some properly obscene Bruce Foxton stroke fiction…
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David Stubbs and Taylor Parkes join Al Needham for further larks and japery in a classic slice of Jubilee-era Pops. The Barron Knights advance the theory that Irish people are stupid and homosexuals are amusing. Freddie Mercury pretends to be a bottle of Irish liqueur and encourages middle-class kids to rummage through their Dad’s golf bag. Legs and Co play Sexy Lady Croquet. And Status Quo get in Alan Partridge’s Wife on the bass…
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Taylor Parkes, David Stubbs and Al Needham get stuck into this episode of The Pops, but not even they can match the bundle of frizzy energy that is Peter Powell, who makes his debut and hits the ground running. He likes EVERYTHING! Meanwhile, the Great ELO-Faust Wars of Barrack-in-Elmet are re-examined, Paul Weller puts his girlfriend’s address on his guitar, and Karen Carpenter invites some aliens over for tea….
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David Stubbs, Taylor Parkes and Al Needham are planning a journey into the dark heart of late 1977 – a treacherous odyssey through a land strewn with gargantuan chart acts, shape-shifting monstrosities who can change from The Old Sailor to Him Out Of The Floaters in the blink of an eye, fertility symbols hewn from clay and feral youths who prey on unsuspecting Labradors. Dare you join them?
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The latest episode of the podcast which asks; has Al ever been tossed off by a robot?
Yes, Pop-Crazed Youngsters; after putting it off for ages, it’s finally time for another rare excursion into The Most Rubbish Century We’ve Ever Lived Through. It’s 2003, and your panel is currently 1) Doing a Sex in the Daily Mirror, 2) Baiting David Blaine with a Whopper, and 3) getting their head together in Lancaster by burying their face into a load of dogs. Top Of The Pops, on the other hand, is faring less well; we are in the Poochie Era of TOTP.
Pulling down the kind of ratings that would have ill-befitted a repeat of Top Cat on a Tuesday afternoon in 1978, being absolutely kicked to buggery every Friday night by Gail Platt and Vera Duckworth, being stalked by CD:UK and Popworld, and being threatened with permanent exile to BBC3, it’s a grim, grim time for our fave weekly Pop treat. But in this episode we finally get stuck into the tenure of Chris Cowey as Boss Of The Pops – an era which brought a shiny new studio, a spurning of videos and a modular, bolt-on, Ikea-like approach to scheduling which ensured that anyone who came remotely near the charts at the turn of the century has to pass through the TOTP studio.
Musicwise, it turns out that 2003 was possibly the last golden age of Pop, but this episode is a proper Lucky Bag of Randomness. Wayne Wonder is slight, and a bit rammel. Murderdolls have decided to employ a manky potato as their lead singer, who hairballs his way through White Wedding. D-Side get ambushed by the Mrs McClusky of reality shows. Super Furry Animals are dead good. Benny Benassi pitches up with some Oven Ready Women for some Ladisfaction. And Beyoncé crushes everything we’ve seen into dust with one mighty shake of her arse and the best single of this century. And possibly the next one.
Sarah Bee and Simon Price join Al Needham for a through evisceration of 2003, veering off on such tangents as how to create half a johnny, people trying to be erotic with lathes, the perils of running a club night in a venue owned by Sex Nazis, getting a love bite off The Strokes, James Brown’s opinions on fish supper accoutrements, Rock Star Death Fashion Shoots, and working with the Jimmy Savile Tweenie. Come for the discourse, stay for the swearing…
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Simon Price and Sarah Bee join Al Needham to finish off this episode of The Pops from the Poochie Era. Benny Benassi pitches up with some Oven Ready Women, The Coral are suddenly a big deal, Beyoncé reduces everything we’ve just seen into dust with one mighty shake of her arse, and D-Side flounce off. TUCK IN, Pop-Crazed Youngsters…
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Sarah Bee, Simon Price and Al Needham gasp in horror as this episode of Top Of The Pops is derailed by a massive plug for Fame Academy, and look on as poor D-Side get ambushed by a leathery headmaster. Thankfully, Super Furry Animals bring up the rear in a tribute to the Slag Brothers…
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Simon Price and Sarah Bee join Al Needham for their first tentative steps through the Poochie Era of TOTP. It’s an opportunity to put Chris Cowie’s tenure as Boss Of The Pops under the microscope – and fair play to him, the show by now is an absolute Swiss watch of precision and design. Fearne Cotton and Liz Bonnin are on hand to say things off the autocue, so what could go wrong? A very slight Wayne Wonder and a screaming potato, that’s what…
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Sarah Bee, Simon Price and Al Needham prepare for a rare excursion into an episode of The Pops from this rubbish century, pausing along the way to discuss their time at BANG! Magazine, hosting a club night at a venue run by Sex Nazis, leafing through that week’s NME, moaning about looking like a perverted Happy Eater Man in the Daily Mirror, and the usual Pop-Crazed blather…
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The latest episode of the podcast which asks; is the tie clip the least Rock accessory?
Remember the last Xmas episode? When 1983 revealed itself to be not as catshit as we thought it was? Well, in this episode your hosts – who at the time this episode went out were staring out of the window at the glorious panorama of Barry, writing plays about Jesus getting The Chair and electing to have a Tefal Man haircut, respectively - have a tentative sniff of a regular episode from that year, and what unfolded knocked us bandy. No word of a lie, Pop-Crazed Youngsters; this is possibly, pound-for-pound, the best episode of The Pops we’ve encountered so far. If you’ve come here for the coat-downs, you’re going to be massively disappointed.
Musicwise, Phwoorrrr. Simon Bates and Peter Powell are joined by the actual Kids From Fame, who have taken time out from smashing up dressing rooms and screaming at each other to stand there in the TOTP studio for some severe cross-platform brand synergisation. Dexys make their first appearance on Chart Music. Culture Club hijack a plane. Some Zoo Wankers dressed as the Bisto Kids get in the way of JoBoxers. Dee Snyder electrifies tomorrow morning’s playground and upsets your Dad. Tracie, the Everygirl of 1983, puts on her white shoes. Lots of Scottish people wear Millets shirts. And Nick Heyward remembers to mime.
Simon Price and Neil Kulkarni join Al Needham around the arse of 1983 and proceed to give it a severe tonguing, breaking off to discuss such matters as record shops adopting vagrants, more details about Simon chancing across Ian Asbury getting his Wolfchild out in a Birmingham car park, the Tracey Invasion of the UK, breaking up inter-school gang wars through the power of Darnce, and an outstanding lie about sharks. And swearing!
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Neil Kulkarni, Simon Price and Al Needham bring a nigh-perfect episode of Top Of The Pops to a close, as FR David spoils everything, Nick Heyward nervously looks out into the audience to see if anyone’s having sex at him, David Bowie brings a nuclear holocaust to Australia again, and Stuart Adamson goes; ‘SHAAAH!’ a lot. Be prepared for a full discussion of Ian Astbury getting his Wolfchild out in a Birmingham car park…
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Simon Price and Neil Kulkarni join Al Needham as banger after banger after banger rains down from the skies. JoBoxers get blocked out by Zoo. Michael Jackson stops people from hitting each other. Tracie Young performs with Rod, Jane and Freddie. And JESUS CHRIST IT’S DEE SNYDER!
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Neil Kulkarni and Simon Price gleefully begin to rip into this episode of The Pops with Al Needham, pausing to gaze upon the wonder of Peter Powell’s hessian Bananarama Vest and gasp at how much money Dave Lee Travis used to earn for spending an hour in a club, before bowing to the majesty of Dexys…
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Jesus and Buzz – Simon Price and Neil Kulkarni, respectively – help Al Needham lay the table for an absolute slap-up feast of Pop as we get ready to watch a glorious episode of The Pops from 1983, stopping along the way to leaf through that week’s NME and talk about wrong haircuts, juvenile delinquency in Barry, and the Action Man Massacre of 1983…
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The latest episode of the podcast which asks; The Monkees as the cast of Monkey - who's going to be Pigsy?
Jabbed up and preparing to throw itself back into the world (to the extent that they might go to that gig in Cheryl Baker's back garden, depending on what the toilet facilities are like), Team ATVland reunite for a massive trawl through an episode of The Pops from the long, mediocre, pointy-headstocked, porn-frizzed, success-coated Summer of '86. The World Cup hangover is still in full effect - so much so that the menfolk of Top Of The Pops appear to be too busy frothing at the mouth over Diego Maradona to attend and have left Janice ‘All Night’ Long to mind the shop.
And what an episode it is! Sure, like every episode in this era, it’s strewn with cat shit – but what interesting, marbled, and bizarrely-shaped cat shit it is. The Housemartins demonstrate that they’re not actually made of Plasticine. Gary Numan plays a gig at Stringfellows with Serving Suggestion. Saucy Soaraway Sam has a go at being a Vixtress with a former member of The Clash. Claire Usher delivers the last of the Kiddiepop bangers. Bucks Fizz invent World Music. A genuine actual brilliant single pitches up, before Wham! go Splat! with a remake of Parisienne Walkways set in Megas Wine Bar, Birmingham. And a presenter made out of fibreglass who isn’t Simon Bates pitches up.
Neil Kulkarni and Taylor Parkes join Al Needham for an intensive scowl across the landscape of the Fun Pub of 1986, veering off on such tangents as Mork’s body odour, the unbelievable grimness of British girls’ comics, being recognised in Scandinavia, the decline of Cheesy Wotsits, why Tommy Steele cried at his own party, and an intensive tutorial on the correct way to Tie Off. An obscene amount of swearing on this one, and too much appalling singing from Al: soz.
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Team ATVLand reach the denouement of this episode of Top Of The Pops, cheer to the rafters when an actual brilliant single from this year pops up, feels let down at the final hurrah of Wham!, and then conclude that Max Headroom was a bit of a let-down, apart from when he gets spanked with a fly swatter.
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Neil Kulkarni and Taylor Parkes join Al Needham for a proper evisceration of a mid-’86 TOTP, only to talk about what a ball-ache making covermounted videos for British grot mags was in the Nineties, how horribly grim girls comics of the Seventies were, and examine the aftermath of the Bucks Fizz coach crash…
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Team ATVLand finally get stuck into the meat of this episode, and shake their heads at the wrongness of cocktail sticks in headstocks, argue over the Housemartins, talk about being recognised in Finland, and conclude that 1986 was the least sexy non-plague year in history.
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Taylor Parkes, Neil Kulkarni and Al Needham lay the table for an episode of Top Of The Pops that is practically a tombstone for the Proper Eighties: Boy George is on the cover of the tabloids for falling victim to the Ready Salted of Junkiedom, Wham! have ripped down the goalposts of their career at Wembley Stadium, and the grim march out of the Eighties starts here – but not before we have a flick through that week’s Melody Maker, and talk about air fryers.
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#58: 23.10.1980 – Top Of The Gear
The latest episode of the podcast which asks: has anyone ever done that to someone else’s nostrils? Really?
Neither willing to go out and pissed off with staying in, your favourite podcast about old episodes of Top Of The Pops elects to bury its head once more into the comforting bosom of the Eighventies, so come and join us, Pop-Crazed Youngsters – it’s a many-teated beast.
This particular episode of The Pops sees our Thursday-evening treat still enclagged with the amorphous goo off the chrysalis it emerged from after the Musicians Union strike of the summer. They’ve had celebrity guests, a news section, two interviews with The Old Sailor and a wedding announcement from Dollar, but this week they’ve gone too far: they’ve done a tie-in with the 1980 Motor Show and filled the studio with cars that no-one can actually see and none of the audience gives the slightest fleck of a toss about. And oh dear; the combination of the smell of new car and the sight of bored-looking women in Talbot t-shirts standing about brings on predictable changes in our host, clad in a racing driver one-piece with the zip slung low: The Living Gnasher Badge…
Musicwise, it’s cast-iron proof that 1980 really was the Ken of the Eighventies. Quo tap their noses at us as they lumber into the new decade. The Nolans get ready to rip through Japan like a four-headed Kay’s Catalogue Godzilla. Andy McCluskey gets given a bass in a doomed attempt to put him off his dancing. Poor Legs & Co get stared at by blokes in cars, like a Disco version of Never Go With Strangers. The Number One is more adult-orientated rammel. And DLT goes full-on PLP with Elkie Brooks.
Rock Expert David Stubbs and Taylor Parkes join Al Needham for a leaf through the Exchange and Mart of Pop, swooping off on such tangents as how rubbish it’s going to be when we come out of lockdown, how unprepared your local market was for the onset of New Romantic, Gilbert O’Sullivan’s Erotic Meat Buffet, Eighties synth-duo intermarriage, and SCREW YOU, JOANNE GREENWOOD FROM CLASS 4A.
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Taylor Parkes, David Stubbs and Al Needham bring an appalling episode of Top Of The Pops to a close, as Travis has a final lunge at the Motor Show models, Barbra Streisand shows us her slides of all the Hollywood crumpet she’s dipped her bread in on, and Legs & Co invent dogging.
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David Stubbs, Taylor Parkes and Al Needham look on in horror as DLT goes full-on PLP (as in Pepe Le Pew) on Elkie Brooks, while Kelly Marie feels safe with her two chaperones. More car nonsense. And Christopher Lilliput.
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Taylor Parkes, David Stubbs and Al Needham commence an intensive evisceration of this episode of Top Of The Pops, but oh dear – Dave Lee Travis has decided to fill the studio with boxy cars and bored women in Talbot t-shirts...
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David Stubbs, Taylor Parkes and Al Needham prepare the ground for an intensive dissection of an episode of Top Of The Pops from 1980, a year which has very much established itself as the Ken of the Eighventies.
There’s a flick through the NME from that week, fond reminiscences about the Good Old Days of the first lockdown, Robin Askwith’s overuse of sticky tape in the 1970s, and Mr Benn: timewasting get. TUCK IN, POP-CRAZED YOUNGSTERS!
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The latest episode of the podcast which asks: would you let your daughter marry this episode of Top Of The Pops?
It’s the first episode of the year, Pop-Crazed Youngsters, so the ever-forward-looking Chart Music throws itself all the way back to the glorious year of ’73, where the hair grows wild and free, Bacofoil androgyny is at its peak, Look-In can operate as a dating service and no-one bats an eyelid, and – to quote Karen, aged 12 from Formby, The Colour Brown Is All Around.
And yet! All is not well in Top Of The Popsland. They’ve just come off their 500th episode and suffered a double-shoeing from the so-called Mainstream Media for a) encouraging ten year-old girls to get pregnant and b) being full of rubbish songs where you can’t make out what they’re saying performed by men who look like women and God help us if there’s a war. So how do they react? By wringing the last droplets out of Kenny Everett before he defects to Capital Radio and bunging on something for the Old’Uns inbetween the good stuff.
Musicwise, it’s a proper bag of Tiger Tots, with a few cubes of Oxo bunged in. David Cassidy gets his straw boater on. Slade finally – and fatally – learn how to spell properly. Elton John arses about with some oranges on Hollywood and Vine. Pans People transmogrify into five sexy Steve Austins. There’s a lad off Opportunity Knocks who isn’t Neil Reid. Jeff Lynne goes all UberTravis. Leicester Man is unveiled to a bemused audience. And the Top Of The Pops Orchestra earn some beer money on the side.
Simon Price and Neil Kulkarni – Jesus and Buzz themselves – get down to ’73 with Al Needham, breaking off on such tangents as fending off Brexity Oasis Bots, listening in silent awe to the sound of a soul legend’s toilet activities, Concerned Parent of Exeter, the art of making tapes for girls, and the glorious resurfacing of a 27 year-old demo tape about Eastenders. Swearing a-plenty!
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Simon Price, Neil Kulkarni and Al Needham bring this Golden Age episode of the Pops home, as Slade finally – and fatally – learn to spell single titles correctly, Limmie and Family Cookin’ do something that isn’t You Can Do Magic, the Top Of The Pops Orchestra earn some beer money on the side, and we get treated to one of the greatest singles of the year – for 29 seconds or so, because they’ve overrun. Sigh.
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Simon Price, Neil Kulkarni and Al Needham watch Kenny Everett patronise a choirboy, thrill to the sight of Status Quo in their natural environment, watch Pans People caper about like five sexy Steve Austins – the half-robot, not the wrestler – and stare aghast at the voluminous head of Engelbert Humperdinck…
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Simon Price, Neil Kulkarni and Al Needham examine the case of Kenny Everett – the Problem Child of Radio One – as he embarks upon his final stint on The Pops, while David Cassidy arses around with a dog, Jeff Lynne carries a hundredweight of hair on his head, and Elton John is stalked through the streets of Hollywood as he nips out to buy some cowboy gear…
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Simon Price, Neil Kulkarni and Al Needham reunite for a new year of picking at the open wound of random episodes of TOTP, discuss being a news item on Twitter for saying Oasis were lumbering and ponderous, and prepare the ground for a vintage episode by perusing that week’s issue of Melody Maker, paying particular attention to Welsh Glam tours and the rancid t-shirt adverts in the back pages…
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The latest episode of the podcast which asks: why do we always leave the end-of-year episodes to the actual end of the year?
Warning: if you listen to this episode, your ears will be breaking the Rule Of Six, and you ought to be ashamed of yourself, because Al has decided to throw a New Years party with all manner of special guests who will be dropping in, sitting by the fire, contemplating the meaning of the season, and – most importantly –picking at a Christmas Day episode of Top Of The Pops like a child picks at the scab on its knee.
And what an episode it is! We’re at the tail-end of 1983, a year Chart Music has deemed the beginning of the decline of New Pop, but on further examination turns out to be much better than we’d realised. The accounts department of Radio One – Gripper Peebles, Twankey Smith, Pigwanker General and ‘All Night’ Long – are in full effect, the Zoo Wankers are kept on a leash, and we are assailed by wave after wave after wave after wave of the top rank of ’83.
Musicwise, thwap! It’s bangers and monsters all the way. Freeeze drop the summer hit of the year. Michael Jackson reveals a hitherto-undiscovered love of Billy Britain and SWANT. We discover that just when you think you’ve got the measure of Shakin’ Stevens, he reveals new and unchartered depths as he jumps upon and seizes the white heat of Technology. Men At Work batter us with Australiana. Bonnie Tyler runs into a mirror. Miss Lennox glares at the classroom. Some American woman runs about a lot. Adam Ant begins to fade away. The Boogie-Woogie Bugle Boys of Quality Street look upward. Bucks Fizz give Larry The Lamb a go at lead vocals. The Lionel King puts on his best Jafakan accent. Carol Kenyon makes your dad drop his Satsuma. Bowie launches a nuclear attack on Sydney. Billy Joel looks at your big end and shakes his head. Death joins in on a Yazoo cover. And Jahwaddywaddy pinch out a loaf of Breggae.
The entire Chart Music team – Sarah Bee, Neil Kulkarni, Al Needham, Taylor Parkes, Simon Price and David Stubbs - link up for our longest episode ever, veering off to discuss ghosts appearing on sex tapes, a righteous loathing of the Big Light, satanic kangaroos, the contents of UB40’s fridge, Simon Bates partying down with The Green Goddess and Stu Francis, and – finally - the comprehensive review of Comrade Shaky’s Sinclair Spectrum game that the podcast world has been crying out for. Happy New Swearing!
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Into the final stretch of a whopping Xmas episode of TOTP, and some absolute beasts of 1983 hove into view. David Bowie plays a pub gig in NSW, Jahwaddywaddy invent Breggae, Billy Joel demonstrates that posh girls all want it off a petite mechanic, really, the Christmas #1 of ’83 pops up to rile Smash Hits readers, and Inky Peebles lies that the ‘party’ is going to continue into Boxing Day…
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Finally, the Gang’s all here when the Rock Expert pitches up, and the journey into the heart of the 1983 Xmas Top Of The Pops goes on. Adam Ant’s crown begins to slip, The Boogie-Woogie Bugle Boys from Quality Street look upwards, Bucks Fizz get all hard-hitting and mature, an American police officer has a bit of a dance, and Carol Kenyon makes your dad drop his Satsuma…
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The Chart Music works do – held after Christmas, because we’re proper mingebags – is kicking right off, and we’re only at the halfway mark of the ’83 Xmas extravaganza. Mike Smith has a wide-on for some Real Aussie Men, Our Sarah uncorks a stupendous slam poetry re-enactment of Bonnie Tyler’s finest five-and-a-bit minutes, Annie Lennox glares at us, Janice Long gets massively full-on, and there’s some rammel Thatcherite American dance-arse. TUCK IN, POP-CRAZED YOUNGSTERS!
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Our New Year’s do has only just begun, with two very special guests – Price the Wolfchild and The Incredible Kulk – dropping in to lob their coats in the spare bedroom and pick at the sumptuous buffet that is the Top of The Pops 1983 Xmas episode. Revel in the joy of Inky Peebles refusing to join in the Panto atmosphere as Freeez caper about, the Bad King of Pop reveals a hitherto undiscovered love of Billy Britain and SWANT, and Taylor and Sarah discover that just when you think you’ve got the measure of Shakin’ Stevens, he reveals even more denimy depths…
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Al Needham’s hosting a late New Year’s party, and all the Pop-Crazed Youngsters are invited. And unsurprisingly, it involves you being made to sit in an armchair and watch an episode of Top Of The Pops while other people shout at you – and this time, it’s the Xmas Day one from 1983. But before that, him and Sarah Bee and Taylor Parkes leaf though that week’s Melody Maker, reminisce on Xmases past, and get you all ’83-compliant for our LONGEST EPISODE EVER…
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Chart Music #55: 23.12.1982 – Hygge Pop
The latest episode of the podcast which asks: why hasn’t London got a Revels World?
It’s getting to look a lot like Christmas, Pop-Crazed Youngsters, and you know what that means: the Nanas of the Kingdom start fiddling with their purses at the counter of HMV and encrust our beloved charts with the mung of novelty. We can’t lie: this episode of The Pops has been freshly squeezed from the very ringpiece of the cat, and no amount of live weather reports from Kid Jensen or the appearance of a little Mediterranean Santa can distract us from that.
Musicwise, oof: Lol Mason fiddles about with the watch pocket of his slacks. David Bowie – the Death Angel of 1977 – has a fiddle on Bing Crosby’s posh English cousin’s piano for an awkward chat about kids, before flouncing off to EMI. Incantation perform the Andean puffalong Knees Up Madre Brown. The Double-Denimed Defender of Heterosexual Rock n’ Roll makes his balcony speech. The Seventies officially die as Abba make their last stand for the benefit of Noel Edmonds. Then the Seventies rip themselves from the grave for this year’s Number One. And there’s Modern Romance. And Orville. And Zoo.
Neil Kulkarni and Rock Expert David Stubbs – the Dads of Chart Music - join Al Needham for a grim death-march into the dark side of 1982, breaking off on such tangents as being parodied on BBC sketch shows two decades ago, the revelation that teachers never gave a toss about you, what Shakin’ Stevens’ version of the Fool’s Gold loaf would be, how to feed your children with promo vinyl, why Imagination should have been denied trousers, and invite you to contemplate in your mind’s eye the image of your parents having sex to the sounds of Renee and Renato. Warning: the language is as Blue as Shaky’s Christmas.
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Al Needham, David Stubbs and Neil Kulkarni watch aghast as Pop Santa curls one off into their stockings, as we reach the appalling dénouement of this episode of The Pops. It’s a full-on Nana takeover, as we submit to the sickening one-two punch of Emo duckling whinge and the West Midlands version of the Red Shoe Diaries…
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Neil Kulkarni, David Stubbs and Al Needham continue the death-march into the final TOTP of 1982, pausing to gaze upon Zoo having an ethnic knees-up, reflect upon the last stand of Abba, witness the slow afternoon of Imagination, and muse upon what Comrade Shaky’s version of the Fool’s Gold loaf would be…
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Flags! Balloons! Tinsel! Zoo Wankeridge! David Stubbs, Neil Kulkarni and Al Needham start to gum their critical teeth up on the manky, non-Cadbury selection box that is the last proper TOTP of ’82, and imagine a world where Bing Crosby and David Bowie cover Prince Buster…
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Al Needham, Neil Kulkarni and Rock Expert David Stubbs come together to reveal the Christmas Chart Music Top Ten, leaf through a Melody Maker with balloons and a Jam flexidisc on the cover, talk about keeping the electricity on at their house by flogging off armfuls of review copies at the Record and Tape Exchange, and prepare for a grim death-march into a Top Of The Pops from the arse-end of 1982…
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The latest episode of the podcast which asks: would you go to see Panties at Canning Town Bridge House?
Unbelievably, Pop-Crazed Youngsters, this appears to be only the second time we’ve chanced across 1978 – which is a shameful way for a podcast about Top Of The Pops to act, because this year is rammed with cultural behemoths dominating the landscape, with the musk of all the things that Chart Music cherishes hanging thick in the air. We're right on on the perineum ‘twixt Saturday Night Fever and Grease, Tony Blackburn has just slid into his Tony Manero outfit, and your panel are a) becoming massively disillusioned by school dinners, b) fancying Carol Chell, and c) drawing a picture of Hitler in a Mexico strip and getting ready to ice down his groin with some peas a week from now.
Musicwise, practically everything good – and bad – about ’78 is here. The Real Thing help Legs & Co recreate one of the scenes in The Stud that didn’t involve grubby pre-Eighventies Percy Filth. Jimmy Pursey says hello to Mum again. Yvonne Elliman and Tavares keep the SNF end up. Legs & Co – on their second shift – look as if they’ve been caught short or have had a serious wardrobe malfunction. Debbie Harry’s face splits like a spaceship door. Heatwave take jumper technology to the next level. ITV Quisling Cilla has a go at Disco. James Galway makes his first appearance since being run over by a motorbike in Switzerland. Ian Dury becomes the nation’s favourite Hard Bastard Uncle. The Scotland World Cup Squad have to sing around a disembodied cardboard cut-out of Rod Stewart. And the UK’s seventh biggest-selling single ever is Number One.
Team ATVLand – Taylor Parkes and Neil Kulkarni – help Al Needham fill out the wallchart of late May 1978, veering off on such tangents as the thought of Dave Bartram giving Joan Collins one in a lift, a forensic examination of the 1978 Eurovision Song Contest, urban myths about Melody Maker editors being whipped by chains, an inter-Journo fight over who liked Dexys Midnight Runners more, and – finally – the recasting of Prisoner: Cell Block H that the Pop-Crazed Youngsters have been crying out for. OVER SIX HOURS, Pop-Crazed Youngsters, and rest assured that a considerable amount of that involves both Effing and Geoffing…
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We’re into the final stretch for an outstanding episode of The Pops, and Al Needham, Taylor Parkes and Neil Kulkarni strain every sinew as they navigate Disco Cilla, avoid Jimmy Pursey as he tumbles to the floor, bow to the true bosses of 1978, and join Joe Jordan and Kenny Burns for a geographically incorrect carnival, just before they fall on their faces like Bobby Davro in front of Keith Chegwin and Jim Bowen…
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The twin cultural juggernauts of 1978 collide in this episode of Top Of The Pops, and Taylor Parkes and Neil Kulkarni beg Al Needham to slow down so they can have a good look at the splintered and mangled carnage. A second shift for Legs & Co appears to catch them with their pants down, the TOTP Orchestra lay off the Party Fours for a bit, and your Mam can’t take her eyes off Phil Lynott’s shiny trousers…
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Uh oh – The Pops has finally got some competition, as the pilot episode of Revolver crashes into ITV’s Saturday teatime schedule, so naturally Neil Kulkarni and Taylor Parkes have a look at it while Al Needham chivvys them through the opening shots of this week’s episode. Get ready for top-drawer critical analysis on disco strippers, late-Seventies jumper technology, a list of potential Oliver Tobias understudies, and razor-sharp criticism on whatever rubbish band photos are in the chart rundown this week…
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Team ATVLand – Al Needham, Taylor Parkes and Neil Kulkarni – reassemble for a catch-up about posture correctors, run down the brand new Chart Music Top Ten, leaf through that week’s NME, and gird each other’s loins in preparation for a massively intense burrow into a Top Of The Pops from the very the heart of 1978…
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Chart Music #53: May 12th 1988 – Boing! Boing! Boing!
The latest episode of the podcast which asks: if the first girl that Prince met on Alphabet St happened to be Blunder Woman, would he jerk his body like a horny pony would?
This episode – THE LONGEST EVER, Pop-Crazed Youngsters – finally sees us slipping the surly bonds of this rubbish century to touch the smiley face of 1988. We’re on the very cusp of the Second Summer of Love, but your panel are a) leafing through Athena posters and avoiding Neighbours, b) Gothed up to buggery and living with elderly Greek widows, and c) sifting through their own vomit in the Market Square. And Top Of The Pops is reacting to the Acid House and Hip-Hop explosion by, well, playing the shittiest examples of it they could find, hosted by two people going in opposite directions. Simon Mayo: hungrily eyeing the alpha-male position of Radio One. Mike Read: he grows old, he grows old, he shall wear the sleeves of his leather jacket rolled.
Musicwise, it’s a Pic ‘N’ Mix of the late Eighties – The Lateies, if you will – speckled with not one, not two, but three joke dance records. Harry Enfield and Star Turn On 45 Pints remind us what a progressive and hardcore act Jive Bunny was. Bill Shankly assumes the Malcolm X role. Derek B gets paid in pounds, not dollars. Belinda Carlisle slinks about on a beach. Ringo Ringo Ringo pass round the hat for Esther Rantzen. The Asda advert is Number One. And Prince and Prefab Sprout rush in to save the day.
Sarah Bee and Simon ‘Sorry, Girls – He’s Engaged’ Price don their Sun Bizarre Acid House t-shirts and dance around the abandoned warehouse of 1988, veering off on such tangents as knowing people off Withnail and I, Tony Blackburn’s face on a stick, how to cross our palm with Bummerdog, and Tony of Sneinton’s secret longings, painted on a living room wall in 1968. GET ON SOME SWEARING, matey!
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Chart Music #53: May 12th 1988 – Boing! Boing! Boing!
The latest episode of the podcast which asks: if the first girl that Prince met on Alphabet St happened to be Blunder Woman, would he jerk his body like a horny pony would?
This episode – THE LONGEST EVER, Pop-Crazed Youngsters – finally sees us slipping the surly bonds of this rubbish century to touch the smiley face of 1988. We’re on the very cusp of the Second Summer of Love, but your panel are a) leafing through Athena posters and avoiding Neighbours, b) Gothed up to buggery and living with elderly Greek widows, and c) sifting through their own vomit in the Market Square. And Top Of The Pops is reacting to the Acid House and Hip-Hop explosion by, well, playing the shittiest examples of it they could find, hosted by two people going in opposite directions. Simon Mayo: hungrily eyeing the alpha-male position of Radio One. Mike Read: he grows old, he grows old, he shall wear the sleeves of his leather jacket rolled.
Musicwise, it’s a Pic ‘N’ Mix of the late Eighties – The Lateies, if you will – speckled with not one, not two, but three joke dance records. Harry Enfield and Star Turn On 45 Pints remind us what a progressive and hardcore act Jive Bunny was. Bill Shankly assumes the Malcolm X role. Derek B gets paid in pounds, not dollars. Belinda Carlisle slinks about on a beach. Ringo Ringo Ringo pass round the hat for Esther Rantzen. The Asda advert is Number One. And Prince and Prefab Sprout rush in to save the day.
Sarah Bee and Simon ‘Sorry, Girls – He’s Engaged’ Price don their Sun Bizarre Acid House t-shirts and dance around the abandoned warehouse of 1988, veering off on such tangents as knowing people off Withnail and I, Tony Blackburn’s face on a stick, how to cross our palm with Bummerdog, and Tony of Sneinton’s secret longings, painted on a living room wall in 1968. GET ON SOME SWEARING, matey!
Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki
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Chart Music #53: May 12th 1988 – Boing! Boing! Boing!
The latest episode of the podcast which asks: if the first girl that Prince met on Alphabet St happened to be Blunder Woman, would he jerk his body like a horny pony would?
This episode – THE LONGEST EVER, Pop-Crazed Youngsters – finally sees us slipping the surly bonds of this rubbish century to touch the smiley face of 1988. We’re on the very cusp of the Second Summer of Love, but your panel are a) leafing through Athena posters and avoiding Neighbours, b) Gothed up to buggery and living with elderly Greek widows, and c) sifting through their own vomit in the Market Square. And Top Of The Pops is reacting to the Acid House and Hip-Hop explosion by, well, playing the shittiest examples of it they could find, hosted by two people going in opposite directions. Simon Mayo: hungrily eyeing the alpha-male position of Radio One. Mike Read: he grows old, he grows old, he shall wear the sleeves of his leather jacket rolled.
Musicwise, it’s a Pic ‘N’ Mix of the late Eighties – The Lateies, if you will – speckled with not one, not two, but three joke dance records. Harry Enfield and Star Turn On 45 Pints remind us what a progressive and hardcore act Jive Bunny was. Bill Shankly assumes the Malcolm X role. Derek B gets paid in pounds, not dollars. Belinda Carlisle slinks about on a beach. Ringo Ringo Ringo pass round the hat for Esther Rantzen. The Asda advert is Number One. And Prince and Prefab Sprout rush in to save the day.
Sarah Bee and Simon ‘Sorry, Girls – He’s Engaged’ Price don their Sun Bizarre Acid House t-shirts and dance around the abandoned warehouse of 1988, veering off on such tangents as knowing people off Withnail and I, Tony Blackburn’s face on a stick, how to cross our palm with Bummerdog, and Tony of Sneinton’s secret longings, painted on a living room wall in 1968. GET ON SOME SWEARING, matey!
Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki
Hosted on Acast. See acast.com/privacy for more information.
Chart Music #53: May 12th 1988 – Boing! Boing! Boing!
The latest episode of the podcast which asks: if the first girl that Prince met on Alphabet St happened to be Blunder Woman, would he jerk his body like a horny pony would?
This episode – THE LONGEST EVER, Pop-Crazed Youngsters – finally sees us slipping the surly bonds of this rubbish century to touch the smiley face of 1988. We’re on the very cusp of the Second Summer of Love, but your panel are a) leafing through Athena posters and avoiding Neighbours, b) Gothed up to buggery and living with elderly Greek widows, and c) sifting through their own vomit in the Market Square. And Top Of The Pops is reacting to the Acid House and Hip-Hop explosion by, well, playing the shittiest examples of it they could find, hosted by two people going in opposite directions. Simon Mayo: hungrily eyeing the alpha-male position of Radio One. Mike Read: he grows old, he grows old, he shall wear the sleeves of his leather jacket rolled.
Musicwise, it’s a Pic ‘N’ Mix of the late Eighties – The Lateies, if you will – speckled with not one, not two, but three joke dance records. Harry Enfield and Star Turn On 45 Pints remind us what a progressive and hardcore act Jive Bunny was. Bill Shankly assumes the Malcolm X role. Derek B gets paid in pounds, not dollars. Belinda Carlisle slinks about on a beach. Ringo Ringo Ringo pass round the hat for Esther Rantzen. The Asda advert is Number One. And Prince and Prefab Sprout rush in to save the day.
Sarah Bee and Simon ‘Sorry, Girls – He’s Engaged’ Price don their Sun Bizarre Acid House t-shirts and dance around the abandoned warehouse of 1988, veering off on such tangents as knowing people off Withnail and I, Tony Blackburn’s face on a stick, how to cross our palm with Bummerdog, and Tony of Sneinton’s secret longings, painted on a living room wall in 1968. GET ON SOME SWEARING, matey!
Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki
Hosted on Acast. See acast.com/privacy for more information.
Chart Music #53: May 12th 1988 – Boing! Boing! Boing!
The latest episode of the podcast which asks: if the first girl that Prince met on Alphabet St happened to be Blunder Woman, would he jerk his body like a horny pony would?
This episode – THE LONGEST EVER, Pop-Crazed Youngsters – finally sees us slipping the surly bonds of this rubbish century to touch the smiley face of 1988. We’re on the very cusp of the Second Summer of Love, but your panel are a) leafing through Athena posters and avoiding Neighbours, b) Gothed up to buggery and living with elderly Greek widows, and c) sifting through their own vomit in the Market Square. And Top Of The Pops is reacting to the Acid House and Hip-Hop explosion by, well, playing the shittiest examples of it they could find, hosted by two people going in opposite directions. Simon Mayo: hungrily eyeing the alpha-male position of Radio One. Mike Read: he grows old, he grows old, he shall wear the sleeves of his leather jacket rolled.
Musicwise, it’s a Pic ‘N’ Mix of the late Eighties – The Lateies, if you will – speckled with not one, not two, but three joke dance records. Harry Enfield and Star Turn On 45 Pints remind us what a progressive and hardcore act Jive Bunny was. Bill Shankly assumes the Malcolm X role. Derek B gets paid in pounds, not dollars. Belinda Carlisle slinks about on a beach. Ringo Ringo Ringo pass round the hat for Esther Rantzen. The Asda advert is Number One. And Prince and Prefab Sprout rush in to save the day.
Sarah Bee and Simon ‘Sorry, Girls – He’s Engaged’ Price don their Sun Bizarre Acid House t-shirts and dance around the abandoned warehouse of 1988, veering off on such tangents as knowing people off Withnail and I, Tony Blackburn’s face on a stick, how to cross our palm with Bummerdog, and Tony of Sneinton’s secret longings, painted on a living room wall in 1968. GET ON SOME SWEARING, matey!
Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki
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The latest episode of the podcast which asks: if The Smiths were still making singles today, would they have a still from Sex Lives Of The Potato Men on the cover?
The latest episode – another five hour-plus plunge into the very depths of your favourite Pop TV show – lands us on the very perineum ‘twixt Band Aid and Live Aid, in a shameful era when even the Weetabix are pretending to be American street youths, and on the very cusp of the achingly slow decline of The Pops. The majority of the Zoo Wankers have been culled, the flags and balloons are being reined in, and even though it’s Valentine’s Day, the roiling sexual chemistry between Simon Bates and Janice Long has been dialled right down. Thank God.
Musicwise, oof: Top Of The Pops throw the kitchen sink of Pop at us, with no less than 21 acts getting a shine, resulting in 1985 looking better than it has any right to be. This Year’s Most Lovable Bisexual puts a wrecking ball plastered with mirrors through the wall of the charts while he threatens legal action against his label for being mingebags. The Commodores don a black vinyl poppy for their fallen comrades. Bill Sharpe and Gary Numan look at a fax machine. The entire show is derailed when Jonathan King forces us to look at some chlorinated American stodge, but put firmly back on track when Jaz Coleman stares at us. Morrissey machine-guns the audience. Kool and the Gang channel the spirit of Girlyman. And there’s a load of mid-Eighties rammel.
Taylor Parkes and Neil Kulkarni wrap their Dads’ ties around their heads and join fellow Street Punk Al Needham for a rampage through the streets of 1985, veering off on such tangents as rubbish Americans not understanding Ribena, getting started on for laughing at the death of Apollo Creed, why standing on a boardroom table for a publicity shot isn’t a good idea, why sneering at girls singing a love song directly at their music teacher is a worse idea, and a revisit to the Perils of Priapic Price. You know there’s gonna be swearing.
Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki
Hosted on Acast. See acast.com/privacy for more information.
The latest episode of the podcast which asks: if The Smiths were still making singles today, would they have a still from Sex Lives Of The Potato Men on the cover?
The latest episode – another five hour-plus plunge into the very depths of your favourite Pop TV show – lands us on the very perineum ‘twixt Band Aid and Live Aid, in a shameful era when even the Weetabix are pretending to be American street youths, and on the very cusp of the achingly slow decline of The Pops. The majority of the Zoo Wankers have been culled, the flags and balloons are being reined in, and even though it’s Valentine’s Day, the roiling sexual chemistry between Simon Bates and Janice Long has been dialled right down. Thank God.
Musicwise, oof: Top Of The Pops throw the kitchen sink of Pop at us, with no less than 21 acts getting a shine, resulting in 1985 looking better than it has any right to be. This Year’s Most Lovable Bisexual puts a wrecking ball plastered with mirrors through the wall of the charts while he threatens legal action against his label for being mingebags. The Commodores don a black vinyl poppy for their fallen comrades. Bill Sharpe and Gary Numan look at a fax machine. The entire show is derailed when Jonathan King forces us to look at some chlorinated American stodge, but put firmly back on track when Jaz Coleman stares at us. Morrissey machine-guns the audience. Kool and the Gang channel the spirit of Girlyman. And there’s a load of mid-Eighties rammel.
Taylor Parkes and Neil Kulkarni wrap their Dads’ ties around their heads and join fellow Street Punk Al Needham for a rampage through the streets of 1985, veering off on such tangents as rubbish Americans not understanding Ribena, getting started on for laughing at the death of Apollo Creed, why standing on a boardroom table for a publicity shot isn’t a good idea, why sneering at girls singing a love song directly at their music teacher is a worse idea, and a revisit to the Perils of Priapic Price. You know there’s gonna be swearing.
Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki
Hosted on Acast. See acast.com/privacy for more information.
The latest episode of the podcast which asks: if The Smiths were still making singles today, would they have a still from Sex Lives Of The Potato Men on the cover?
The latest episode – another five hour-plus plunge into the very depths of your favourite Pop TV show – lands us on the very perineum ‘twixt Band Aid and Live Aid, in a shameful era when even the Weetabix are pretending to be American street youths, and on the very cusp of the achingly slow decline of The Pops. The majority of the Zoo Wankers have been culled, the flags and balloons are being reined in, and even though it’s Valentine’s Day, the roiling sexual chemistry between Simon Bates and Janice Long has been dialled right down. Thank God.
Musicwise, oof: Top Of The Pops throw the kitchen sink of Pop at us, with no less than 21 acts getting a shine, resulting in 1985 looking better than it has any right to be. This Year’s Most Lovable Bisexual puts a wrecking ball plastered with mirrors through the wall of the charts while he threatens legal action against his label for being mingebags. The Commodores don a black vinyl poppy for their fallen comrades. Bill Sharpe and Gary Numan look at a fax machine. The entire show is derailed when Jonathan King forces us to look at some chlorinated American stodge, but put firmly back on track when Jaz Coleman stares at us. Morrissey machine-guns the audience. Kool and the Gang channel the spirit of Girlyman. And there’s a load of mid-Eighties rammel.
Taylor Parkes and Neil Kulkarni wrap their Dads’ ties around their heads and join fellow Street Punk Al Needham for a rampage through the streets of 1985, veering off on such tangents as rubbish Americans not understanding Ribena, getting started on for laughing at the death of Apollo Creed, why standing on a boardroom table for a publicity shot isn’t a good idea, why sneering at girls singing a love song directly at their music teacher is a worse idea, and a revisit to the Perils of Priapic Price. You know there’s gonna be swearing.
Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki
Hosted on Acast. See acast.com/privacy for more information.
The latest episode of the podcast which asks: if The Smiths were still making singles today, would they have a still from Sex Lives Of The Potato Men on the cover?
The latest episode – another five hour-plus plunge into the very depths of your favourite Pop TV show – lands us on the very perineum ‘twixt Band Aid and Live Aid, in a shameful era when even the Weetabix are pretending to be American street youths, and on the very cusp of the achingly slow decline of The Pops. The majority of the Zoo Wankers have been culled, the flags and balloons are being reined in, and even though it’s Valentine’s Day, the roiling sexual chemistry between Simon Bates and Janice Long has been dialled right down. Thank God.
Musicwise, oof: Top Of The Pops throw the kitchen sink of Pop at us, with no less than 21 acts getting a shine, resulting in 1985 looking better than it has any right to be. This Year’s Most Lovable Bisexual puts a wrecking ball plastered with mirrors through the wall of the charts while he threatens legal action against his label for being mingebags. The Commodores don a black vinyl poppy for their fallen comrades. Bill Sharpe and Gary Numan look at a fax machine. The entire show is derailed when Jonathan King forces us to look at some chlorinated American stodge, but put firmly back on track when Jaz Coleman stares at us. Morrissey machine-guns the audience. Kool and the Gang channel the spirit of Girlyman. And there’s a load of mid-Eighties rammel.
Taylor Parkes and Neil Kulkarni wrap their Dads’ ties around their heads and join fellow Street Punk Al Needham for a rampage through the streets of 1985, veering off on such tangents as rubbish Americans not understanding Ribena, getting started on for laughing at the death of Apollo Creed, why standing on a boardroom table for a publicity shot isn’t a good idea, why sneering at girls singing a love song directly at their music teacher is a worse idea, and a revisit to the Perils of Priapic Price. You know there’s gonna be swearing.
Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki
Hosted on Acast. See acast.com/privacy for more information.
The latest episode of the podcast which asks: if The Smiths were still making singles today, would they have a still from Sex Lives Of The Potato Men on the cover?
The latest episode – another five hour-plus plunge into the very depths of your favourite Pop TV show – lands us on the very perineum ‘twixt Band Aid and Live Aid, in a shameful era when even the Weetabix are pretending to be American street youths, and on the very cusp of the achingly slow decline of The Pops. The majority of the Zoo Wankers have been culled, the flags and balloons are being reined in, and even though it’s Valentine’s Day, the roiling sexual chemistry between Simon Bates and Janice Long has been dialled right down. Thank God.
Musicwise, oof: Top Of The Pops throw the kitchen sink of Pop at us, with no less than 21 acts getting a shine, resulting in 1985 looking better than it has any right to be. This Year’s Most Lovable Bisexual puts a wrecking ball plastered with mirrors through the wall of the charts while he threatens legal action against his label for being mingebags. The Commodores don a black vinyl poppy for their fallen comrades. Bill Sharpe and Gary Numan look at a fax machine. The entire show is derailed when Jonathan King forces us to look at some chlorinated American stodge, but put firmly back on track when Jaz Coleman stares at us. Morrissey machine-guns the audience. Kool and the Gang channel the spirit of Girlyman. And there’s a load of mid-Eighties rammel.
Taylor Parkes and Neil Kulkarni wrap their Dads’ ties around their heads and join fellow Street Punk Al Needham for a rampage through the streets of 1985, veering off on such tangents as rubbish Americans not understanding Ribena, getting started on for laughing at the death of Apollo Creed, why standing on a boardroom table for a publicity shot isn’t a good idea, why sneering at girls singing a love song directly at their music teacher is a worse idea, and a revisit to the Perils of Priapic Price. You know there’s gonna be swearing.
Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki
Hosted on Acast. See acast.com/privacy for more information.
The latest episode of the podcast which asks: a party held by the Osmonds, or a party held by the Rollers?
The LONGEST EVER EPISODE OF CHART MUSIC finds your host and his chums still on lockdown but DILL DANDING, Pop-Crazed Youngsters, which gives us the opportunity to pick out an episode from the Dark Ages of the mid-Seventies and properly wang on about it. The Saxons are at their flappiest, the collars are condor, Tony Blackburn has been uncrated and set free, and all is as well with the world as it could be in 1975. If you ignore the fact that three of the acts involved would go on to kill later this year.
Musicwise, it’s the usual Seventies lucky bag, tainted with the musk of deceit and treachery: Kenny sport the kind of trousers Our Simon saw Rick Witter trying on at Portobello Market. There are obligatory appearances by Cliff and Lulu. Wigan’s Ovation have a massive wazz on the burning torch of Northern Soul. Guys ‘N’ Dolls do a biscuit advert, and Mike Reid makes a Northern boy cry, which is Bad Skit.
But there’s also Britfunk in the form of the Average White Band and, er, The Goodies, Pans People having a proper flounce to Barry White, and a Whatnautless Moments – whipped on by the Top Of The Pops Orchestra – seize the opportunity to tell us how much they like girls. And the Bay City Rollers rip down the goalposts of the #1 spot, while the Osmonds forlornly look out of their window wondering while no-one has showed up to their do.
David Stubbs and Taylor Parkes – the Humphries of Pop journalism – join Al Needham and dip their elongated critical straws deep into the milk bottle of 1975, pausing to veer off on such tangents as the glory of radiograms, what it would be like to get caned and watch porn with Tony Blackburn, our magazine plans which never came to fruition, a lament for Timbo, the importance of nipples and a big argument over a Kung Fu vest and pants set. Swearing? Loads of it.
Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki
Hosted on Acast. See acast.com/privacy for more information.
The latest episode of the podcast which asks: a party held by the Osmonds, or a party held by the Rollers?
The LONGEST EVER EPISODE OF CHART MUSIC finds your host and his chums still on lockdown but DILL DANDING, Pop-Crazed Youngsters, which gives us the opportunity to pick out an episode from the Dark Ages of the mid-Seventies and properly wang on about it. The Saxons are at their flappiest, the collars are condor, Tony Blackburn has been uncrated and set free, and all is as well with the world as it could be in 1975. If you ignore the fact that three of the acts involved would go on to kill later this year.
Musicwise, it’s the usual Seventies lucky bag, tainted with the musk of deceit and treachery: Kenny sport the kind of trousers Our Simon saw Rick Witter trying on at Portobello Market. There are obligatory appearances by Cliff and Lulu. Wigan’s Ovation have a massive wazz on the burning torch of Northern Soul. Guys ‘N’ Dolls do a biscuit advert, and Mike Reid makes a Northern boy cry, which is Bad Skit.
But there’s also Britfunk in the form of the Average White Band and, er, The Goodies, Pans People having a proper flounce to Barry White, and a Whatnautless Moments – whipped on by the Top Of The Pops Orchestra – seize the opportunity to tell us how much they like girls. And the Bay City Rollers rip down the goalposts of the #1 spot, while the Osmonds forlornly look out of their window wondering while no-one has showed up to their do.
David Stubbs and Taylor Parkes – the Humphries of Pop journalism – join Al Needham and dip their elongated critical straws deep into the milk bottle of 1975, pausing to veer off on such tangents as the glory of radiograms, what it would be like to get caned and watch porn with Tony Blackburn, our magazine plans which never came to fruition, a lament for Timbo, the importance of nipples and a big argument over a Kung Fu vest and pants set. Swearing? Loads of it.
Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki
Hosted on Acast. See acast.com/privacy for more information.
The latest episode of the podcast which asks: a party held by the Osmonds, or a party held by the Rollers?
The LONGEST EVER EPISODE OF CHART MUSIC finds your host and his chums still on lockdown but DILL DANDING, Pop-Crazed Youngsters, which gives us the opportunity to pick out an episode from the Dark Ages of the mid-Seventies and properly wang on about it. The Saxons are at their flappiest, the collars are condor, Tony Blackburn has been uncrated and set free, and all is as well with the world as it could be in 1975. If you ignore the fact that three of the acts involved would go on to kill later this year.
Musicwise, it’s the usual Seventies lucky bag, tainted with the musk of deceit and treachery: Kenny sport the kind of trousers Our Simon saw Rick Witter trying on at Portobello Market. There are obligatory appearances by Cliff and Lulu. Wigan’s Ovation have a massive wazz on the burning torch of Northern Soul. Guys ‘N’ Dolls do a biscuit advert, and Mike Reid makes a Northern boy cry, which is Bad Skit.
But there’s also Britfunk in the form of the Average White Band and, er, The Goodies, Pans People having a proper flounce to Barry White, and a Whatnautless Moments – whipped on by the Top Of The Pops Orchestra – seize the opportunity to tell us how much they like girls. And the Bay City Rollers rip down the goalposts of the #1 spot, while the Osmonds forlornly look out of their window wondering while no-one has showed up to their do.
David Stubbs and Taylor Parkes – the Humphries of Pop journalism – join Al Needham and dip their elongated critical straws deep into the milk bottle of 1975, pausing to veer off on such tangents as the glory of radiograms, what it would be like to get caned and watch porn with Tony Blackburn, our magazine plans which never came to fruition, a lament for Timbo, the importance of nipples and a big argument over a Kung Fu vest and pants set. Swearing? Loads of it.
Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki
Hosted on Acast. See acast.com/privacy for more information.
The latest episode of the podcast which asks: a party held by the Osmonds, or a party held by the Rollers?
The LONGEST EVER EPISODE OF CHART MUSIC finds your host and his chums still on lockdown but DILL DANDING, Pop-Crazed Youngsters, which gives us the opportunity to pick out an episode from the Dark Ages of the mid-Seventies and properly wang on about it. The Saxons are at their flappiest, the collars are condor, Tony Blackburn has been uncrated and set free, and all is as well with the world as it could be in 1975. If you ignore the fact that three of the acts involved would go on to kill later this year.
Musicwise, it’s the usual Seventies lucky bag, tainted with the musk of deceit and treachery: Kenny sport the kind of trousers Our Simon saw Rick Witter trying on at Portobello Market. There are obligatory appearances by Cliff and Lulu. Wigan’s Ovation have a massive wazz on the burning torch of Northern Soul. Guys ‘N’ Dolls do a biscuit advert, and Mike Reid makes a Northern boy cry, which is Bad Skit.
But there’s also Britfunk in the form of the Average White Band and, er, The Goodies, Pans People having a proper flounce to Barry White, and a Whatnautless Moments – whipped on by the Top Of The Pops Orchestra – seize the opportunity to tell us how much they like girls. And the Bay City Rollers rip down the goalposts of the #1 spot, while the Osmonds forlornly look out of their window wondering while no-one has showed up to their do.
David Stubbs and Taylor Parkes – the Humphries of Pop journalism – join Al Needham and dip their elongated critical straws deep into the milk bottle of 1975, pausing to veer off on such tangents as the glory of radiograms, what it would be like to get caned and watch porn with Tony Blackburn, our magazine plans which never came to fruition, a lament for Timbo, the importance of nipples and a big argument over a Kung Fu vest and pants set. Swearing? Loads of it.
Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki
Hosted on Acast. See acast.com/privacy for more information.
The latest episode of the podcast which asks: a party held by the Osmonds, or a party held by the Rollers?
The LONGEST EVER EPISODE OF CHART MUSIC finds your host and his chums still on lockdown but DILL DANDING, Pop-Crazed Youngsters, which gives us the opportunity to pick out an episode from the Dark Ages of the mid-Seventies and properly wang on about it. The Saxons are at their flappiest, the collars are condor, Tony Blackburn has been uncrated and set free, and all is as well with the world as it could be in 1975. If you ignore the fact that three of the acts involved would go on to kill later this year.
Musicwise, it’s the usual Seventies lucky bag, tainted with the musk of deceit and treachery: Kenny sport the kind of trousers Our Simon saw Rick Witter trying on at Portobello Market. There are obligatory appearances by Cliff and Lulu. Wigan’s Ovation have a massive wazz on the burning torch of Northern Soul. Guys ‘N’ Dolls do a biscuit advert, and Mike Reid makes a Northern boy cry, which is Bad Skit.
But there’s also Britfunk in the form of the Average White Band and, er, The Goodies, Pans People having a proper flounce to Barry White, and a Whatnautless Moments – whipped on by the Top Of The Pops Orchestra – seize the opportunity to tell us how much they like girls. And the Bay City Rollers rip down the goalposts of the #1 spot, while the Osmonds forlornly look out of their window wondering while no-one has showed up to their do.
David Stubbs and Taylor Parkes – the Humphries of Pop journalism – join Al Needham and dip their elongated critical straws deep into the milk bottle of 1975, pausing to veer off on such tangents as the glory of radiograms, what it would be like to get caned and watch porn with Tony Blackburn, our magazine plans which never came to fruition, a lament for Timbo, the importance of nipples and a big argument over a Kung Fu vest and pants set. Swearing? Loads of it.
Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki
Hosted on Acast. See acast.com/privacy for more information.
Here Comes Quizm: The Chart Music Pub Quiz – Number 5
It's BACK! The greatest music quiz in the world, hand-crafted by quizular artisans in Nottingham, The Cradle Of Pop, with assistance off their Nana. 42 questions! 7 rounds! Swearing! Download what you need to, grab a pen, pick out a suitably disgusting team name, and spend some time in the pub of your mind, Pop-Crazed Youngsters...
HERE IS ROUND ONE - THE PICTURE ROUND
Hosted on Acast. See acast.com/privacy for more information.
Chart Music #50: March 21st 1996 - The Movement That Wouldn't Feel The Benefit
The latest episode of the podcast which asks the question: What was David Stubbs doing while the Rainforest was falling?
It's our half-century. Pop-Crazed Youngsters, but we're not making a fuss about it, bar the raising of the bat and a nod to the stands before returning to the job of whacking at a random episode of Top Of The Pops. And oh dear: this particular slice of Thursday evenings past comes at us during the even more devastating Second Wave of Britpop, with Steve Lamacq and Jo Whiley playing the roles of Peelie and Janice.
Musicwise, we're fully into the Ric Blaxill era, so expect a morbid carousel of Proper Music played on Proper Instruments, with a smattering of past-it Eighties sorts thrown in, and all mixed together with an offensive distain for the charts. Rick Witter may or may not be wearing a Tena underneath his Martin Fry suit. Lionel Richie's head is lowered into a Desperate Dan beard. Prince Naseem Hamed pitches up with Kaliphz to remind us that dance music was somehow still going in the mid-Nineties. Menswear bring along a string section. Oh God, it's Madonna again. Celine Dion wafts about a circus putting in no graft whatsoever. Take That offer up the most half-arsed swan song in musical history, and - finally - Oasis enter the Chart Music arena.
Simon Price and Neil Kulkarni join Al Needham for a bit of Gay Exchange-advert-dancing upon the ashes of '96, veering off on such tangents as going into the off-licence in Napoleonic headjoy, stripping in front of someone off Coronation Street, being a Lion Bell-End, bum-rushing the Camden KFC, being made by a Manic Street Preacher to dance to the Ramadan No.1 of 1974, the Horseshoe Of Shame, and a rate and quality of swearing that times like this demand.
Video Playlist | Subscribe | Facebook | Twitter
Hosted on Acast. See acast.com/privacy for more information.
Chart Music #50: March 21st 1996 - The Movement That Wouldn't Feel The Benefit
The latest episode of the podcast which asks the question: What was David Stubbs doing while the Rainforest was falling?
It's our half-century. Pop-Crazed Youngsters, but we're not making a fuss about it, bar the raising of the bat and a nod to the stands before returning to the job of whacking at a random episode of Top Of The Pops. And oh dear: this particular slice of Thursday evenings past comes at us during the even more devastating Second Wave of Britpop, with Steve Lamacq and Jo Whiley playing the roles of Peelie and Janice.
Musicwise, we're fully into the Ric Blaxill era, so expect a morbid carousel of Proper Music played on Proper Instruments, with a smattering of past-it Eighties sorts thrown in, and all mixed together with an offensive distain for the charts. Rick Witter may or may not be wearing a Tena underneath his Martin Fry suit. Lionel Richie's head is lowered into a Desperate Dan beard. Prince Naseem Hamed pitches up with Kaliphz to remind us that dance music was somehow still going in the mid-Nineties. Menswear bring along a string section. Oh God, it's Madonna again. Celine Dion wafts about a circus putting in no graft whatsoever. Take That offer up the most half-arsed swan song in musical history, and - finally - Oasis enter the Chart Music arena.
Simon Price and Neil Kulkarni join Al Needham for a bit of Gay Exchange-advert-dancing upon the ashes of '96, veering off on such tangents as going into the off-licence in Napoleonic headjoy, stripping in front of someone off Coronation Street, being a Lion Bell-End, bum-rushing the Camden KFC, being made by a Manic Street Preacher to dance to the Ramadan No.1 of 1974, the Horseshoe Of Shame, and a rate and quality of swearing that times like this demand.
Video Playlist | Subscribe | Facebook | Twitter
Hosted on Acast. See acast.com/privacy for more information.
Chart Music #50: March 21st 1996 - The Movement That Wouldn't Feel The Benefit
The latest episode of the podcast which asks the question: What was David Stubbs doing while the Rainforest was falling?
It's our half-century. Pop-Crazed Youngsters, but we're not making a fuss about it, bar the raising of the bat and a nod to the stands before returning to the job of whacking at a random episode of Top Of The Pops. And oh dear: this particular slice of Thursday evenings past comes at us during the even more devastating Second Wave of Britpop, with Steve Lamacq and Jo Whiley playing the roles of Peelie and Janice.
Musicwise, we're fully into the Ric Blaxill era, so expect a morbid carousel of Proper Music played on Proper Instruments, with a smattering of past-it Eighties sorts thrown in, and all mixed together with an offensive distain for the charts. Rick Witter may or may not be wearing a Tena underneath his Martin Fry suit. Lionel Richie's head is lowered into a Desperate Dan beard. Prince Naseem Hamed pitches up with Kaliphz to remind us that dance music was somehow still going in the mid-Nineties. Menswear bring along a string section. Oh God, it's Madonna again. Celine Dion wafts about a circus putting in no graft whatsoever. Take That offer up the most half-arsed swan song in musical history, and - finally - Oasis enter the Chart Music arena.
Simon Price and Neil Kulkarni join Al Needham for a bit of Gay Exchange-advert-dancing upon the ashes of '96, veering off on such tangents as going into the off-licence in Napoleonic headjoy, stripping in front of someone off Coronation Street, being a Lion Bell-End, bum-rushing the Camden KFC, being made by a Manic Street Preacher to dance to the Ramadan No.1 of 1974, the Horseshoe Of Shame, and a rate and quality of swearing that times like this demand.
Video Playlist | Subscribe | Facebook | Twitter
Hosted on Acast. See acast.com/privacy for more information.
Chart Music #50: March 21st 1996 - The Movement That Wouldn't Feel The Benefit
The latest episode of the podcast which asks the question: What was David Stubbs doing while the Rainforest was falling?
It's our half-century. Pop-Crazed Youngsters, but we're not making a fuss about it, bar the raising of the bat and a nod to the stands before returning to the job of whacking at a random episode of Top Of The Pops. And oh dear: this particular slice of Thursday evenings past comes at us during the even more devastating Second Wave of Britpop, with Steve Lamacq and Jo Whiley playing the roles of Peelie and Janice.
Musicwise, we're fully into the Ric Blaxill era, so expect a morbid carousel of Proper Music played on Proper Instruments, with a smattering of past-it Eighties sorts thrown in, and all mixed together with an offensive distain for the charts. Rick Witter may or may not be wearing a Tena underneath his Martin Fry suit. Lionel Richie's head is lowered into a Desperate Dan beard. Prince Naseem Hamed pitches up with Kaliphz to remind us that dance music was somehow still going in the mid-Nineties. Menswear bring along a string section. Oh God, it's Madonna again. Celine Dion wafts about a circus putting in no graft whatsoever. Take That offer up the most half-arsed swan song in musical history, and - finally - Oasis enter the Chart Music arena.
Simon Price and Neil Kulkarni join Al Needham for a bit of Gay Exchange-advert-dancing upon the ashes of '96, veering off on such tangents as going into the off-licence in Napoleonic headjoy, stripping in front of someone off Coronation Street, being a Lion Bell-End, bum-rushing the Camden KFC, being made by a Manic Street Preacher to dance to the Ramadan No.1 of 1974, the Horseshoe Of Shame, and a rate and quality of swearing that times like this demand.
Video Playlist | Subscribe | Facebook | Twitter
Hosted on Acast. See acast.com/privacy for more information.
Chart Music #50: March 21st 1996 - The Movement That Wouldn't Feel The Benefit
The latest episode of the podcast which asks the question: What was David Stubbs doing while the Rainforest was falling?
It's our half-century. Pop-Crazed Youngsters, but we're not making a fuss about it, bar the raising of the bat and a nod to the stands before returning to the job of whacking at a random episode of Top Of The Pops. And oh dear: this particular slice of Thursday evenings past comes at us during the even more devastating Second Wave of Britpop, with Steve Lamacq and Jo Whiley playing the roles of Peelie and Janice.
Musicwise, we're fully into the Ric Blaxill era, so expect a morbid carousel of Proper Music played on Proper Instruments, with a smattering of past-it Eighties sorts thrown in, and all mixed together with an offensive distain for the charts. Rick Witter may or may not be wearing a Tena underneath his Martin Fry suit. Lionel Richie's head is lowered into a Desperate Dan beard. Prince Naseem Hamed pitches up with Kaliphz to remind us that dance music was somehow still going in the mid-Nineties. Menswear bring along a string section. Oh God, it's Madonna again. Celine Dion wafts about a circus putting in no graft whatsoever. Take That offer up the most half-arsed swan song in musical history, and - finally - Oasis enter the Chart Music arena.
Simon Price and Neil Kulkarni join Al Needham for a bit of Gay Exchange-advert-dancing upon the ashes of '96, veering off on such tangents as going into the off-licence in Napoleonic headjoy, stripping in front of someone off Coronation Street, being a Lion Bell-End, bum-rushing the Camden KFC, being made by a Manic Street Preacher to dance to the Ramadan No.1 of 1974, the Horseshoe Of Shame, and a rate and quality of swearing that times like this demand.
Video Playlist | Subscribe | Facebook | Twitter
Hosted on Acast. See acast.com/privacy for more information.
Here Comes Quizm #4
It’s a bit late, but it’s still the greatest music quiz in the world that’s been made in Nottingham by someone who usually does a podcast about old episodes of Top Of The Pops. It’s the usual bill of fare, Pop-Crazed Youngsters: 42 questions, 7 rounds, an old woman on an organ, and some shouting and swearing. Tuck in, why don’t you?
HERE IS ROUND NUMBER ONE - THE PICTURE ROUND
We’re editing Chart Music #50 now, so there may be another delay on the next quiz, but you never know…
Hosted on Acast. See acast.com/privacy for more information.
Here Comes Quizm #3
Oh yes – the music quiz that puts the TRAINERS to the ANUS is BACK. You know the drill: 42 questions, seven rounds, and an elderly woman throwing down on a Bontempi organ, put together and fired out by the host of the world’s greatest podcast about old episodes of Top Of The Pops. TUCK IN, POP-CRAZED YOUNGSTERS!
HERE IS ROUND NUMBER ONE - THE PICTURE ROUND
And don’t forget: if you’re throwing money at us on Patreon, you get this three days earlier…
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Subscribe to us on iTunes here. Support us on Patreon here.
Hosted on Acast. See acast.com/privacy for more information.
HERE COMES QUIZM #2
Oh yes; back again, and now rolling every week until all this bollocks is sorted out, comes the pub quiz that doesn't need a pub. It's the same format as before, Pop-Crazed Youngsters: an hour-long, seven-round, 42-questioned music quiz that you can cheat at if you like, as there aren't any prizes. All we ask is that you do not spoiler any of the answers in the comments section, while you're bragging about points you actually got. Have at it!
AND HERE IS ROUND ONE - THE PICTURE ROUND
And don’t forget: if you’re throwing money at us on Patreon, you get this three days earlier…
Subscribe | Facebook | Twitter | Chart Music Wiki
Subscribe to us on iTunes here. Support us on Patreon here.
Hosted on Acast. See acast.com/privacy for more information.
When Al isn't doing Chart Music - the world's greatest podcast about old episodes of Top Of The Pops - he's in assorted Nottingham pubs barking questions at folk. He can't do that at the moment, so he's taking it out on the Pop-Crazed Youngsters in an hour-long, seven-round, 42-questioned music quiz that you can cheat at if you like, as there aren't any prizes. First thing you need to do is download the answer sheet and pic round...
AND HERE IS ROUND ONE - THE PICTURE ROUND
This is going to be a weekly event while all this lockdown mither is going on, and the lovely people who throw money at us on Patreon will be getting it before everyone else.
Subscribe | Facebook | Twitter | Look at our Wiki, it's MINT
Subscribe to us on iTunes here. Support us on Patreon here.
Hosted on Acast. See acast.com/privacy for more information.
The latest episode of the podcast which asks: would you treat YOUR kids to a day out at Flick Colby's Zoo?
We're returning to one of our favourite years for music television discussion, Pop-Crazed Youngsters, but if you think it's another Eighventies splurge, think on; that era is not only officially dead, but its corpse is being gleefully stepped upon by assorted Pineapple dance studio chaff. Peter Powell - when he's not doing the Running Man - takes us through a chart which is coming out of hibernation after the Xmas truce, and what a battered selection box it turns out to be.
Musicwise, hmm: Zoo have their coming-out party, which involves a BDSM Cossack Human Centipede. Alton Edwards overdoes it with the Jheri Curl activator and fucks up his expensive jacket. There's an appalling video of Foreigner in 'action'. The pace picks up with Meat Loaf and Cher copping off with each other and the introduction of Romo Ralph Wiggum, but then The Mobiles forget to top themselves up. Shakatak. A bodybuilder with an eyepatch for pants makes an accidental Nazi salute at Peter Powell. Vangelis self-isolates with nine synths. The Number One Single reminds us how good things used to be. The Zoo Wankers desecrating Madness shows us how bad things are going to get.
Sarah Bee and Neil Kulkarni join Al Needham for an extensive tear-down of the first week of the Eighties Proper, veering off on such tangents as regional ITV, the humbling of Communism in Sneinton Market, mysterious greasy stains on bus windows, how 50% of Chart Music bonded over the Bummer's Conga in Bristol in 1995, and why hiding cock photos under your housemate's pillow isn't the done thing. Probably even more swearing than usual.
Video Playlist | Subscribe | Facebook | Twitter | Look at our Wiki, it's MINT
Subscribe to us on iTunes here. Support us on Patreon here.
Hosted on Acast. See acast.com/privacy for more information.
The latest episode of the podcast which asks: would you treat YOUR kids to a day out at Flick Colby's Zoo?
We're returning to one of our favourite years for music television discussion, Pop-Crazed Youngsters, but if you think it's another Eighventies splurge, think on; that era is not only officially dead, but its corpse is being gleefully stepped upon by assorted Pineapple dance studio chaff. Peter Powell - when he's not doing the Running Man - takes us through a chart which is coming out of hibernation after the Xmas truce, and what a battered selection box it turns out to be.
Musicwise, hmm: Zoo have their coming-out party, which involves a BDSM Cossack Human Centipede. Alton Edwards overdoes it with the Jheri Curl activator and fucks up his expensive jacket. There's an appalling video of Foreigner in 'action'. The pace picks up with Meat Loaf and Cher copping off with each other and the introduction of Romo Ralph Wiggum, but then The Mobiles forget to top themselves up. Shakatak. A bodybuilder with an eyepatch for pants makes an accidental Nazi salute at Peter Powell. Vangelis self-isolates with nine synths. The Number One Single reminds us how good things used to be. The Zoo Wankers desecrating Madness shows us how bad things are going to get.
Sarah Bee and Neil Kulkarni join Al Needham for an extensive tear-down of the first week of the Eighties Proper, veering off on such tangents as regional ITV, the humbling of Communism in Sneinton Market, mysterious greasy stains on bus windows, how 50% of Chart Music bonded over the Bummer's Conga in Bristol in 1995, and why hiding cock photos under your housemate's pillow isn't the done thing. Probably even more swearing than usual.
Video Playlist | Subscribe | Facebook | Twitter | Look at our Wiki, it's MINT
Subscribe to us on iTunes here. Support us on Patreon here.
Hosted on Acast. See acast.com/privacy for more information.
The latest episode of the podcast which asks: would you treat YOUR kids to a day out at Flick Colby's Zoo?
We're returning to one of our favourite years for music television discussion, Pop-Crazed Youngsters, but if you think it's another Eighventies splurge, think on; that era is not only officially dead, but its corpse is being gleefully stepped upon by assorted Pineapple dance studio chaff. Peter Powell - when he's not doing the Running Man - takes us through a chart which is coming out of hibernation after the Xmas truce, and what a battered selection box it turns out to be.
Musicwise, hmm: Zoo have their coming-out party, which involves a BDSM Cossack Human Centipede. Alton Edwards overdoes it with the Jheri Curl activator and fucks up his expensive jacket. There's an appalling video of Foreigner in 'action'. The pace picks up with Meat Loaf and Cher copping off with each other and the introduction of Romo Ralph Wiggum, but then The Mobiles forget to top themselves up. Shakatak. A bodybuilder with an eyepatch for pants makes an accidental Nazi salute at Peter Powell. Vangelis self-isolates with nine synths. The Number One Single reminds us how good things used to be. The Zoo Wankers desecrating Madness shows us how bad things are going to get.
Sarah Bee and Neil Kulkarni join Al Needham for an extensive tear-down of the first week of the Eighties Proper, veering off on such tangents as regional ITV, the humbling of Communism in Sneinton Market, mysterious greasy stains on bus windows, how 50% of Chart Music bonded over the Bummer's Conga in Bristol in 1995, and why hiding cock photos under your housemate's pillow isn't the done thing. Probably even more swearing than usual.
Video Playlist | Subscribe | Facebook | Twitter | Look at our Wiki, it's MINT
Subscribe to us on iTunes here. Support us on Patreon here.
Hosted on Acast. See acast.com/privacy for more information.
The latest episode of the podcast which asks: would you treat YOUR kids to a day out at Flick Colby's Zoo?
We're returning to one of our favourite years for music television discussion, Pop-Crazed Youngsters, but if you think it's another Eighventies splurge, think on; that era is not only officially dead, but its corpse is being gleefully stepped upon by assorted Pineapple dance studio chaff. Peter Powell - when he's not doing the Running Man - takes us through a chart which is coming out of hibernation after the Xmas truce, and what a battered selection box it turns out to be.
Musicwise, hmm: Zoo have their coming-out party, which involves a BDSM Cossack Human Centipede. Alton Edwards overdoes it with the Jheri Curl activator and fucks up his expensive jacket. There's an appalling video of Foreigner in 'action'. The pace picks up with Meat Loaf and Cher copping off with each other and the introduction of Romo Ralph Wiggum, but then The Mobiles forget to top themselves up. Shakatak. A bodybuilder with an eyepatch for pants makes an accidental Nazi salute at Peter Powell. Vangelis self-isolates with nine synths. The Number One Single reminds us how good things used to be. The Zoo Wankers desecrating Madness shows us how bad things are going to get.
Sarah Bee and Neil Kulkarni join Al Needham for an extensive tear-down of the first week of the Eighties Proper, veering off on such tangents as regional ITV, the humbling of Communism in Sneinton Market, mysterious greasy stains on bus windows, how 50% of Chart Music bonded over the Bummer's Conga in Bristol in 1995, and why hiding cock photos under your housemate's pillow isn't the done thing. Probably even more swearing than usual.
Video Playlist | Subscribe | Facebook | Twitter | Look at our Wiki, it's MINT
Subscribe to us on iTunes here. Support us on Patreon here.
Hosted on Acast. See acast.com/privacy for more information.
The latest episode of the podcast which asks: would you treat YOUR kids to a day out at Flick Colby's Zoo?
We're returning to one of our favourite years for music television discussion, Pop-Crazed Youngsters, but if you think it's another Eighventies splurge, think on; that era is not only officially dead, but its corpse is being gleefully stepped upon by assorted Pineapple dance studio chaff. Peter Powell - when he's not doing the Running Man - takes us through a chart which is coming out of hibernation after the Xmas truce, and what a battered selection box it turns out to be.
Musicwise, hmm: Zoo have their coming-out party, which involves a BDSM Cossack Human Centipede. Alton Edwards overdoes it with the Jheri Curl activator and fucks up his expensive jacket. There's an appalling video of Foreigner in 'action'. The pace picks up with Meat Loaf and Cher copping off with each other and the introduction of Romo Ralph Wiggum, but then The Mobiles forget to top themselves up. Shakatak. A bodybuilder with an eyepatch for pants makes an accidental Nazi salute at Peter Powell. Vangelis self-isolates with nine synths. The Number One Single reminds us how good things used to be. The Zoo Wankers desecrating Madness shows us how bad things are going to get.
Sarah Bee and Neil Kulkarni join Al Needham for an extensive tear-down of the first week of the Eighties Proper, veering off on such tangents as regional ITV, the humbling of Communism in Sneinton Market, mysterious greasy stains on bus windows, how 50% of Chart Music bonded over the Bummer's Conga in Bristol in 1995, and why hiding cock photos under your housemate's pillow isn't the done thing. Probably even more swearing than usual.
Video Playlist | Subscribe | Facebook | Twitter | Look at our Wiki, it's MINT
Subscribe to us on iTunes here. Support us on Patreon here.
Hosted on Acast. See acast.com/privacy for more information.
Chart Music #48: 24th January 1980 – Imagine If Charles Manson Had Heard This
The latest episode of the podcast which asks: Matchbox – big elderly Ted-racists, or just really keen on The Dukes Of Hazzard?
It’s a long-overdue return to the Pic n’ Mix counter of TOTP, Pop-Crazed Youngsters, and this time we’ve pulled out a plum from the early days of the new decade, which is now FORTY BASTARD YEARS AGO. Mike Read has been quarantined to the balcony, resplendent in a clankening of badges, and he is poised to drop an episode shot through with Eighventies goodness.
Musicwise, well: Trevor Horn and Geoff Downes mark time before going off to be Stunt Jon Anderson and Rick Wakeman. The Nolans drop the Staying Alive of Mum-Disco. Legs and Co have a bit of a float-around to the last knockings of Beardo Disco. Bob Geldof looks like Richard E Grant playing Rambo. Suzi Quatro has a whinge about her Walter the Softy-like boyfriend. David Van Day shoots John Lennon in the back a full eleven months before Mark Chapman gets the chance. The Specials con you into thinking every gig you’re going to go to when you grow up is going to be an incredible experience. Sheila and B Devotion (and more importantly, Chic) kick in the afterburners, and we get the First New Number One Of The Eighties.
Simon Price and Taylor Parkes join Al Needham for a comprehensive dismantling of early ’80, veering off on such tangents as Space Oppression, DAAANGERFREAKS, caravan warehouse-owning lions, The Great Jumpsuit Shortage, another examination of I’m Your Number One Fan, Nazi double basses, and Colleen Nolan’s unfortunate teenage crush. ALL THE SWEARING.
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Subscribe to us on iTunes here. Support us on Patreon here.
This podcast is a member of the Great Big Owl family.
Hosted on Acast. See acast.com/privacy for more information.
Chart Music #48: 24th January 1980 – Imagine If Charles Manson Had Heard This
The latest episode of the podcast which asks: Matchbox – big elderly Ted-racists, or just really keen on The Dukes Of Hazzard?
It’s a long-overdue return to the Pic n’ Mix counter of TOTP, Pop-Crazed Youngsters, and this time we’ve pulled out a plum from the early days of the new decade, which is now FORTY BASTARD YEARS AGO. Mike Read has been quarantined to the balcony, resplendent in a clankening of badges, and he is poised to drop an episode shot through with Eighventies goodness.
Musicwise, well: Trevor Horn and Geoff Downes mark time before going off to be Stunt Jon Anderson and Rick Wakeman. The Nolans drop the Staying Alive of Mum-Disco. Legs and Co have a bit of a float-around to the last knockings of Beardo Disco. Bob Geldof looks like Richard E Grant playing Rambo. Suzi Quatro has a whinge about her Walter the Softy-like boyfriend. David Van Day shoots John Lennon in the back a full eleven months before Mark Chapman gets the chance. The Specials con you into thinking every gig you’re going to go to when you grow up is going to be an incredible experience. Sheila and B Devotion (and more importantly, Chic) kick in the afterburners, and we get the First New Number One Of The Eighties.
Simon Price and Taylor Parkes join Al Needham for a comprehensive dismantling of early ’80, veering off on such tangents as Space Oppression, DAAANGERFREAKS, caravan warehouse-owning lions, The Great Jumpsuit Shortage, another examination of I’m Your Number One Fan, Nazi double basses, and Colleen Nolan’s unfortunate teenage crush. ALL THE SWEARING.
Video Playlist | Subscribe | Facebook | Twitter
Subscribe to us on iTunes here. Support us on Patreon here.
THE ENTIRE EPISODE IS OUT TOMORROW!
This podcast is a member of the Great Big Owl family.
Hosted on Acast. See acast.com/privacy for more information.
Chart Music #48: 24th January 1980 – Imagine If Charles Manson Had Heard This
The latest episode of the podcast which asks: Matchbox – big elderly Ted-racists, or just really keen on The Dukes Of Hazzard?
It’s a long-overdue return to the Pic n’ Mix counter of TOTP, Pop-Crazed Youngsters, and this time we’ve pulled out a plum from the early days of the new decade, which is now FORTY BASTARD YEARS AGO. Mike Read has been quarantined to the balcony, resplendent in a clankening of badges, and he is poised to drop an episode shot through with Eighventies goodness.
Musicwise, well: Trevor Horn and Geoff Downes mark time before going off to be Stunt Jon Anderson and Rick Wakeman. The Nolans drop the Staying Alive of Mum-Disco. Legs and Co have a bit of a float-around to the last knockings of Beardo Disco. Bob Geldof looks like Richard E Grant playing Rambo. Suzi Quatro has a whinge about her Walter the Softy-like boyfriend. David Van Day shoots John Lennon in the back a full eleven months before Mark Chapman gets the chance. The Specials con you into thinking every gig you’re going to go to when you grow up is going to be an incredible experience. Sheila and B Devotion (and more importantly, Chic) kick in the afterburners, and we get the First New Number One Of The Eighties.
Simon Price and Taylor Parkes join Al Needham for a comprehensive dismantling of early ’80, veering off on such tangents as Space Oppression, DAAANGERFREAKS, caravan warehouse-owning lions, The Great Jumpsuit Shortage, another examination of I’m Your Number One Fan, Nazi double basses, and Colleen Nolan’s unfortunate teenage crush. ALL THE SWEARING.
Video Playlist | Subscribe | Facebook | Twitter
Subscribe to us on iTunes here. Support us on Patreon here.
PART 4 OUT TOMORROW - AND THE ENTIRE EPISODE GETS RELEASED ON FRIDAY!
This podcast is a member of the Great Big Owl family.
Hosted on Acast. See acast.com/privacy for more information.
Chart Music #48: 24th January 1980 – Imagine If Charles Manson Had Heard This
The latest episode of the podcast which asks: Matchbox – big elderly Ted-racists, or just really keen on The Dukes Of Hazzard?
It’s a long-overdue return to the Pic n’ Mix counter of TOTP, Pop-Crazed Youngsters, and this time we’ve pulled out a plum from the early days of the new decade, which is now FORTY BASTARD YEARS AGO. Mike Read has been quarantined to the balcony, resplendent in a clankening of badges, and he is poised to drop an episode shot through with Eighventies goodness.
Musicwise, well: Trevor Horn and Geoff Downes mark time before going off to be Stunt Jon Anderson and Rick Wakeman. The Nolans drop the Staying Alive of Mum-Disco. Legs and Co have a bit of a float-around to the last knockings of Beardo Disco. Bob Geldof looks like Richard E Grant playing Rambo. Suzi Quatro has a whinge about her Walter the Softy-like boyfriend. David Van Day shoots John Lennon in the back a full eleven months before Mark Chapman gets the chance. The Specials con you into thinking every gig you’re going to go to when you grow up is going to be an incredible experience. Sheila and B Devotion (and more importantly, Chic) kick in the afterburners, and we get the First New Number One Of The Eighties.
Simon Price and Taylor Parkes join Al Needham for a comprehensive dismantling of early ’80, veering off on such tangents as Space Oppression, DAAANGERFREAKS, caravan warehouse-owning lions, The Great Jumpsuit Shortage, another examination of I’m Your Number One Fan, Nazi double basses, and Colleen Nolan’s unfortunate teenage crush. ALL THE SWEARING.
Video Playlist | Subscribe | Facebook | Twitter
Subscribe to us on iTunes here. Support us on Patreon here.
PART 3 OUT TOMORROW - AND THE ENTIRE EPISODE GETS RELEASED ON FRIDAY!
This podcast is a member of the Great Big Owl family.
Hosted on Acast. See acast.com/privacy for more information.
Chart Music #48: 24th January 1980 – Imagine If Charles Manson Had Heard This
The latest episode of the podcast which asks: Matchbox – big elderly Ted-racists, or just really keen on The Dukes Of Hazzard?
It’s a long-overdue return to the Pic n’ Mix counter of TOTP, Pop-Crazed Youngsters, and this time we’ve pulled out a plum from the early days of the new decade, which is now FORTY BASTARD YEARS AGO. Mike Read has been quarantined to the balcony, resplendent in a clankening of badges, and he is poised to drop an episode shot through with Eighventies goodness.
Musicwise, well: Trevor Horn and Geoff Downes mark time before going off to be Stunt Jon Anderson and Rick Wakeman. The Nolans drop the Staying Alive of Mum-Disco. Legs and Co have a bit of a float-around to the last knockings of Beardo Disco. Bob Geldof looks like Richard E Grant playing Rambo. Suzi Quatro has a whinge about her Walter the Softy-like boyfriend. David Van Day shoots John Lennon in the back a full eleven months before Mark Chapman gets the chance. The Specials con you into thinking every gig you’re going to go to when you grow up is going to be an incredible experience. Sheila and B Devotion (and more importantly, Chic) kick in the afterburners, and we get the First New Number One Of The Eighties.
Simon Price and Taylor Parkes join Al Needham for a comprehensive dismantling of early ’80, veering off on such tangents as Space Oppression, DAAANGERFREAKS, caravan warehouse-owning lions, The Great Jumpsuit Shortage, another examination of I’m Your Number One Fan, Nazi double basses, and Colleen Nolan’s unfortunate teenage crush. ALL THE SWEARING.
Video Playlist | Subscribe | Facebook | Twitter
Subscribe to us on iTunes here. Support us on Patreon here.
PART 2 OUT TOMORROW - AND THE ENTIRE EPISODE GETS RELEASED ON FRIDAY!
This podcast is a member of the Great Big Owl family.
Hosted on Acast. See acast.com/privacy for more information.
#47: 25/12/77 – The Last Supper Of Showaddywaddy
A sort-of-festive episode of the podcast which asks: Jesus, why do we always leave this to the last minute instead of doing it in August like everyone else?
It’s the arse-end of the year, and you know what that means, Pop-Crazed Youngsters: another ram of our hands into the Quality Street tin of a Xmas TOTP. This year, it’s 1977, which means that Noel Edmonds has taken one of his suits that all look the same out of the wardrobe – but this year he’s joined by Kid Jensen, in full Stylistics clobber. No trifle-related interplay this year, then, but it’s quadruple overtime for the Top Of The Pops Orchestra, who have stashed a dozen or so Party Sevens under their chairs to keep them going, and Team ATVland (combined age: 19) are sulking that they can’t hook their Binatone Pong to the telly, moaning that their Ricochet Racers isn’t much cop, and leafing through the 1978 Starsky and Hutch annual and dreaming of chocolate pancakes respectively.
There were some astonishing singles that came out in ’77, but musicwise, and bar a couple of exceptions, this is your Nana’s Top Of The Pops. Showaddywaddy pretend to have a futuristic buffet. Some kids are bussed into White City to wave a tassel on a stick (or just the stick). David Soul’s head floats in space. Johnny Mathis pops up again. You can hear Kenny Rogers’ arse as he lowers it onto a wicker bar stool. And oh God, it’s Manhattan Transfer. But here come Abba, Space, Denice Williams, Hot Chocolate, and the return of Floyd Flipper as a fruity Santa! Oh, and there’s Paul McCartney’s Living Shortbread Tin and Bing Crosby. It’s a massive, sixteen-song evisceration, Pop-Crazed Youngsters, done with the care and attention you’ve come to expect from the little elves of Chart Music.
Neil Kulkarni and Taylor Parkes join Al Needham for a long, hard stare at the winners circle of 1977, complete with such tangents as the Showaddywaddy Hanky Code, Lobbing It Out on Channel 4, assuming French is just English you don’t know yet, the gang war between Brighouse and Rastrick, Space Crumpet, when it’s time to finally let go of the Radio Times Xmas issue, and a chance to see someone from Chart Music looking like a massive potato on telly very soon. Merry Swearing!
Video Playlist | Subscribe | Facebook | Twitter
Subscribe to us on iTunes here. Support us on Patreon here.
This podcast is a member of the Great Big Owl family.
Hosted on Acast. See acast.com/privacy for more information.
#47: 25th December 1977 – The Last Supper Of Showaddywaddy
A sort-of-festive episode of the podcast which asks: Jesus, why do we always leave this to the last minute instead of doing it in August like everyone else?
It’s the arse-end of the year, and you know what that means, Pop-Crazed Youngsters: another ram of our hands into the Quality Street tin of a Xmas TOTP. This year, it’s 1977, which means that Noel Edmonds has taken one of his suits that all look the same out of the wardrobe – but this year he’s joined by Kid Jensen, in full Stylistics clobber. No trifle-related interplay this year, then, but it’s quadruple overtime for the Top Of The Pops Orchestra, who have stashed a dozen or so Party Sevens under their chairs to keep them going, and Team ATVland (combined age: 19) are sulking that they can’t hook their Binatone Pong to the telly, moaning that their Ricochet Racers isn’t much cop, and leafing through the 1978 Starsky and Hutch annual and dreaming of chocolate pancakes respectively.
There were some astonishing singles that came out in ’77, but musicwise, and bar a couple of exceptions, this is your Nana’s Top Of The Pops. Showaddywaddy pretend to have a futuristic buffet. Some kids are bussed into White City to wave a tassel on a stick (or just the stick). David Soul’s head floats in space. Johnny Mathis pops up again. You can hear Kenny Rogers’ arse as he lowers it onto a wicker bar stool. And oh God, it’s Manhattan Transfer. But here come Abba, Space, Denice Williams, Hot Chocolate, and the return of Floyd Flipper as a fruity Santa! Oh, and there’s Paul McCartney’s Living Shortbread Tin and Bing Crosby. It’s a massive, sixteen-song evisceration, Pop-Crazed Youngsters, done with the care and attention you’ve come to expect from the little elves of Chart Music.
Neil Kulkarni and Taylor Parkes join Al Needham for a long, hard stare at the winners circle of 1977, complete with such tangents as the Showaddywaddy Hanky Code, Lobbing It Out on Channel 4, assuming French is just English you don’t know yet, the gang war between Brighouse and Rastrick, Space Crumpet, when it’s time to finally let go of the Radio Times Xmas issue, and a chance to see someone from Chart Music looking like a massive potato on telly very soon. Merry Swearing!
Video Playlist | Subscribe | Facebook | Twitter
Subscribe to us on iTunes here. Support us on Patreon here.
This podcast is a member of the Great Big Owl family.
Hosted on Acast. See acast.com/privacy for more information.
#47: 25th December 1977 – The Last Supper Of Showaddywaddy
A sort-of-festive episode of the podcast which asks: Jesus, why do we always leave this to the last minute instead of doing it in August like everyone else?
It’s the arse-end of the year, and you know what that means, Pop-Crazed Youngsters: another ram of our hands into the Quality Street tin of a Xmas TOTP. This year, it’s 1977, which means that Noel Edmonds has taken one of his suits that all look the same out of the wardrobe – but this year he’s joined by Kid Jensen, in full Stylistics clobber. No trifle-related interplay this year, then, but it’s quadruple overtime for the Top Of The Pops Orchestra, who have stashed a dozen or so Party Sevens under their chairs to keep them going, and Team ATVland (combined age: 19) are sulking that they can’t hook their Binatone Pong to the telly, moaning that their Ricochet Racers isn’t much cop, and leafing through the 1978 Starsky and Hutch annual and dreaming of chocolate pancakes respectively.
There were some astonishing singles that came out in ’77, but musicwise, and bar a couple of exceptions, this is your Nana’s Top Of The Pops. Showaddywaddy pretend to have a futuristic buffet. Some kids are bussed into White City to wave a tassel on a stick (or just the stick). David Soul’s head floats in space. Johnny Mathis pops up again. You can hear Kenny Rogers’ arse as he lowers it onto a wicker bar stool. And oh God, it’s Manhattan Transfer. But here come Abba, Space, Denice Williams, Hot Chocolate, and the return of Floyd Flipper as a fruity Santa! Oh, and there’s Paul McCartney’s Living Shortbread Tin and Bing Crosby. It’s a massive, sixteen-song evisceration, Pop-Crazed Youngsters, done with the care and attention you’ve come to expect from the little elves of Chart Music.
Neil Kulkarni and Taylor Parkes join Al Needham for a long, hard stare at the winners circle of 1977, complete with such tangents as the Showaddywaddy Hanky Code, Lobbing It Out on Channel 4, assuming French is just English you don’t know yet, the gang war between Brighouse and Rastrick, Space Crumpet, when it’s time to finally let go of the Radio Times Xmas issue, and a chance to see someone from Chart Music looking like a massive potato on telly very soon. Merry Swearing!
Video Playlist | Subscribe | Facebook | Twitter
Subscribe to us on iTunes here. Support us on Patreon here.
This podcast is a member of the Great Big Owl family.
Hosted on Acast. See acast.com/privacy for more information.
#47: 25th December 1977 – The Last Supper Of Showaddywaddy
A sort-of-festive episode of the podcast which asks: Jesus, why do we always leave this to the last minute instead of doing it in August like everyone else?
It’s the arse-end of the year, and you know what that means, Pop-Crazed Youngsters: another ram of our hands into the Quality Street tin of a Xmas TOTP. This year, it’s 1977, which means that Noel Edmonds has taken one of his suits that all look the same out of the wardrobe – but this year he’s joined by Kid Jensen, in full Stylistics clobber. No trifle-related interplay this year, then, but it’s quadruple overtime for the Top Of The Pops Orchestra, who have stashed a dozen or so Party Sevens under their chairs to keep them going, and Team ATVland (combined age: 19) are sulking that they can’t hook their Binatone Pong to the telly, moaning that their Ricochet Racers isn’t much cop, and leafing through the 1978 Starsky and Hutch annual and dreaming of chocolate pancakes respectively.
There were some astonishing singles that came out in ’77, but musicwise, and bar a couple of exceptions, this is your Nana’s Top Of The Pops. Showaddywaddy pretend to have a futuristic buffet. Some kids are bussed into White City to wave a tassel on a stick (or just the stick). David Soul’s head floats in space. Johnny Mathis pops up again. You can hear Kenny Rogers’ arse as he lowers it onto a wicker bar stool. And oh God, it’s Manhattan Transfer. But here come Abba, Space, Denice Williams, Hot Chocolate, and the return of Floyd Flipper as a fruity Santa! Oh, and there’s Paul McCartney’s Living Shortbread Tin and Bing Crosby. It’s a massive, sixteen-song evisceration, Pop-Crazed Youngsters, done with the care and attention you’ve come to expect from the little elves of Chart Music.
Neil Kulkarni and Taylor Parkes join Al Needham for a long, hard stare at the winners circle of 1977, complete with such tangents as the Showaddywaddy Hanky Code, Lobbing It Out on Channel 4, assuming French is just English you don’t know yet, the gang war between Brighouse and Rastrick, Space Crumpet, when it’s time to finally let go of the Radio Times Xmas issue, and a chance to see someone from Chart Music looking like a massive potato on telly very soon. Merry Swearing!
Video Playlist | Subscribe | Facebook | Twitter
Subscribe to us on iTunes here. Support us on Patreon here.
This podcast is a member of the Great Big Owl family.
Hosted on Acast. See acast.com/privacy for more information.
#47: 25th December 1977 – The Last Supper Of Showaddywaddy
A sort-of-festive episode of the podcast which asks: Jesus, why do we always leave this to the last minute instead of doing it in August like everyone else?
It’s the arse-end of the year, and you know what that means, Pop-Crazed Youngsters: another ram of our hands into the Quality Street tin of a Xmas TOTP. This year, it’s 1977, which means that Noel Edmonds has taken one of his suits that all look the same out of the wardrobe – but this year he’s joined by Kid Jensen, in full Stylistics clobber. No trifle-related interplay this year, then, but it’s quadruple overtime for the Top Of The Pops Orchestra, who have stashed a dozen or so Party Sevens under their chairs to keep them going, and Team ATVland (combined age: 19) are sulking that they can’t hook their Binatone Pong to the telly, moaning that their Ricochet Racers isn’t much cop, and leafing through the 1978 Starsky and Hutch annual and dreaming of chocolate pancakes respectively.
There were some astonishing singles that came out in ’77, but musicwise, and bar a couple of exceptions, this is your Nana’s Top Of The Pops. Showaddywaddy pretend to have a futuristic buffet. Some kids are bussed into White City to wave a tassel on a stick (or just the stick). David Soul’s head floats in space. Johnny Mathis pops up again. You can hear Kenny Rogers’ arse as he lowers it onto a wicker bar stool. And oh God, it’s Manhattan Transfer. But here come Abba, Space, Denice Williams, Hot Chocolate, and the return of Floyd Flipper as a fruity Santa! Oh, and there’s Paul McCartney’s Living Shortbread Tin and Bing Crosby. It’s a massive, sixteen-song evisceration, Pop-Crazed Youngsters, done with the care and attention you’ve come to expect from the little elves of Chart Music.
Neil Kulkarni and Taylor Parkes join Al Needham for a long, hard stare at the winners circle of 1977, complete with such tangents as the Showaddywaddy Hanky Code, Lobbing It Out on Channel 4, assuming French is just English you don’t know yet, the gang war between Brighouse and Rastrick, Space Crumpet, when it’s time to finally let go of the Radio Times Xmas issue, and a chance to see someone from Chart Music looking like a massive potato on telly very soon. Merry Swearing!
Video Playlist | Subscribe | Facebook | Twitter
Subscribe to us on iTunes here. Support us on Patreon here.
This podcast is a member of the Great Big Owl family.
Hosted on Acast. See acast.com/privacy for more information.
The latest episode of the podcast which asks: why didn’t they let Simon Bates do Top Of The Pops USA?
We're out of the Critics' Choice series, Pop-Crazed Youngsters, so it's time to grasp the fly-encrusted and whiffy end of the Eighties Stick. It's a Thursday evening one week before Xmas in 1987, and your panel are a) in a Soho pub, chucking their musical-journalistic weight about, b) trapped in a bingo hall in Nottingham being handled like a piece of meat by randy octogenarians, and c) sprawled out on a rug in Yorkshire, with a garter snake wrapped around their glasses, waiting to be dazzled by the life-affirming beauty of Pop. Two of these people made the right choice that night.
Musicwise, this is a heavily adulterated, gelled-up, suity, unwiped arse of an episode, with only a couple of standouts. Mike Read and Gary Davies pretend to be mates. Wet Wet Wet attempt to do True and fail. Mel Smith's attempt to encourage kids to hide in fridges is denied by the BBC. Mick Hucknall - leader of the Kennyist band in Pop - reminds us he can sing a bit. Nat King Cole cock-blocks Rick Astley. We finally get to see a bit of Top Of The Pops USA. And Kirsty and Shane and Neil and Chris ride in to save the day. None of these people are The Young Gods.
David Stubbs and Sarah Bee join Al Needham for a rummage through the Quality Street tin of Xmas 1987, and - as always - the detours and tangents are manifold, including what it was like to work at Melody Maker in the Laties, how to buy a shark in Yorkshire, the lack of a decent wine cellar at Dingwalls, the pointlessness of CD Walkmans, the annual F-word debate, how Marti Pellow ruined Stars In Their Eyes, and an open apology to the Pogues for a 33 year-old LP review.
This is the bumper pack of all four parts which came out last week. It's not a repeat, it's been tweaked slightly, just like when they put TOTP on BBC4. Yeah, yeah, take it to OFCOM.
Video Playlist | Subscribe | Facebook | Twitter
Subscribe to us on iTunes here. Support us on Patreon here.
This podcast is a member of the Great Big Owl family.
Hosted on Acast. See acast.com/privacy for more information.
The latest episode of the podcast which asks: why didn’t they let Simon Bates do Top Of The Pops USA?
We're out of the Critics' Choice series, Pop-Crazed Youngsters, so it's time to grasp the fly-encrusted and whiffy end of the Eighties Stick. It's a Thursday evening one week before Xmas in 1987, and your panel are a) in a Soho pub, chucking their musical-journalistic weight about, b) trapped in a bingo hall in Nottingham being handled like a piece of meat by randy octogenarians, and c) sprawled out on a rug in Yorkshire, with a garter snake wrapped around their glasses, waiting to be dazzled by the life-affirming beauty of Pop. Two of these people made the right choice that night.
Musicwise, this is a heavily adulterated, gelled-up, suity, unwiped arse of an episode, with only a couple of standouts. Mike Read and Gary Davies pretend to be mates. Wet Wet Wet attempt to do True and fail. Mel Smith's attempt to encourage kids to hide in fridges is denied by the BBC. Mick Hucknall - leader of the Kennyist band in Pop - reminds us he can sing a bit. Nat King Cole cock-blocks Rick Astley. We finally get to see a bit of Top Of The Pops USA. And Kirsty and Shane and Neil and Chris ride in to save the day. None of these people are The Young Gods.
David Stubbs and Sarah Bee join Al Needham for a rummage through the Quality Street tin of Xmas 1987, and - as always - the detours and tangents are manifold, including what it was like to work at Melody Maker in the Laties, how to buy a shark in Yorkshire, the lack of a decent wine cellar at Dingwalls, the pointlessness of CD Walkmans, the annual F-word debate, how Marti Pellow ruined Stars In Their Eyes, and an open apology to the Pogues for a 33 year-old LP review. Now available in Fun-sized portions, and full of rich, chunky swearing.
Video Playlist | Subscribe | Facebook | Twitter
Subscribe to us on iTunes here. Support us on Patreon here.
This podcast is a member of the Great Big Owl family.
Hosted on Acast. See acast.com/privacy for more information.
The latest episode of the podcast which asks: why didn’t they let Simon Bates do Top Of The Pops USA?
We're out of the Critics' Choice series, Pop-Crazed Youngsters, so it's time to grasp the fly-encrusted and whiffy end of the Eighties Stick. It's a Thursday evening one week before Xmas in 1987, and your panel are a) in a Soho pub, chucking their musical-journalistic weight about, b) trapped in a bingo hall in Nottingham being handled like a piece of meat by randy octogenarians, and c) sprawled out on a rug in Yorkshire, with a garter snake wrapped around their glasses, waiting to be dazzled by the life-affirming beauty of Pop. Two of these people made the right choice that night.
Musicwise, this is a heavily adulterated, gelled-up, suity, unwiped arse of an episode, with only a couple of standouts. Mike Read and Gary Davies pretend to be mates. Wet Wet Wet attempt to do True and fail. Mel Smith's attempt to encourage kids to hide in fridges is denied by the BBC. Mick Hucknall - leader of the Kennyist band in Pop - reminds us he can sing a bit. Nat King Cole cock-blocks Rick Astley. We finally get to see a bit of Top Of The Pops USA. And Kirsty and Shane and Neil and Chris ride in to save the day. None of these people are The Young Gods.
David Stubbs and Sarah Bee join Al Needham for a rummage through the Quality Street tin of Xmas 1987, and - as always - the detours and tangents are manifold, including what it was like to work at Melody Maker in the Laties, how to buy a shark in Yorkshire, the lack of a decent wine cellar at Dingwalls, the pointlessness of CD Walkmans, the annual F-word debate, how Marti Pellow ruined Stars In Their Eyes, and an open apology to the Pogues for a 33 year-old LP review. Now available in Fun-sized portions, and full of rich, chunky swearing.
Video Playlist | Subscribe | Facebook | Twitter
Subscribe to us on iTunes here. Support us on Patreon here.
This podcast is a member of the Great Big Owl family.
Hosted on Acast. See acast.com/privacy for more information.
The latest episode of the podcast which asks: why didn’t they let Simon Bates do Top Of The Pops USA?
We're out of the Critics' Choice series, Pop-Crazed Youngsters, so it's time to grasp the fly-encrusted and whiffy end of the Eighties Stick. It's a Thursday evening one week before Xmas in 1987, and your panel are a) in a Soho pub, chucking their musical-journalistic weight about, b) trapped in a bingo hall in Nottingham being handled like a piece of meat by randy octogenarians, and c) sprawled out on a rug in Yorkshire, with a garter snake wrapped around their glasses, waiting to be dazzled by the life-affirming beauty of Pop. Two of these people made the right choice that night.
Musicwise, this is a heavily adulterated, gelled-up, suity, unwiped arse of an episode, with only a couple of standouts. Mike Read and Gary Davies pretend to be mates. Wet Wet Wet attempt to do True and fail. Mel Smith's attempt to encourage kids to hide in fridges is denied by the BBC. Mick Hucknall - leader of the Kennyist band in Pop - reminds us he can sing a bit. Nat King Cole cock-blocks Rick Astley. We finally get to see a bit of Top Of The Pops USA. And Kirsty and Shane and Neil and Chris ride in to save the day. None of these people are The Young Gods.
David Stubbs and Sarah Bee join Al Needham for a rummage through the Quality Street tin of Xmas 1987, and - as always - the detours and tangents are manifold, including what it was like to work at Melody Maker in the Laties, how to buy a shark in Yorkshire, the lack of a decent wine cellar at Dingwalls, the pointlessness of CD Walkmans, the annual F-word debate, how Marti Pellow ruined Stars In Their Eyes, and an open apology to the Pogues for a 33 year-old LP review. Now available in Fun-sized portions, and full of rich, chunky swearing.
Video Playlist | Subscribe | Facebook | Twitter
Subscribe to us on iTunes here. Support us on Patreon here.
This podcast is a member of the Great Big Owl family.
Hosted on Acast. See acast.com/privacy for more information.
The latest episode of the podcast which asks: why didn’t they let Simon Bates do Top Of The Pops USA?
We're out of the Critics' Choice series, Pop-Crazed Youngsters, so it's time to grasp the fly-encrusted and whiffy end of the Eighties Stick. It's a Thursday evening one week before Xmas in 1987, and your panel are a) in a Soho pub, chucking their musical-journalistic weight about, b) trapped in a bingo hall in Nottingham being handled like a piece of meat by randy octogenarians, and c) sprawled out on a rug in Yorkshire, with a garter snake wrapped around their glasses, waiting to be dazzled by the life-affirming beauty of Pop. Two of these people made the right choice that night.
Musicwise, this is a heavily adulterated, gelled-up, suity, unwiped arse of an episode, with only a couple of standouts. Mike Read and Gary Davies pretend to be mates. Wet Wet Wet attempt to do True and fail. Mel Smith's attempt to encourage kids to hide in fridges is denied by the BBC. Mick Hucknall - leader of the Kennyist band in Pop - reminds us he can sing a bit. Nat King Cole cock-blocks Rick Astley. We finally get to see a bit of Top Of The Pops USA. And Kirsty and Shane and Neil and Chris ride in to save the day. None of these people are The Young Gods.
David Stubbs and Sarah Bee join Al Needham for a rummage through the Quality Street tin of Xmas 1987, and - as always - the detours and tangents are manifold, including what it was like to work at Melody Maker in the Laties, how to buy a shark in Yorkshire, the lack of a decent wine cellar at Dingwalls, the pointlessness of CD Walkmans, the annual F-word debate, how Marti Pellow ruined Stars In Their Eyes, and an open apology to the Pogues for a 33 year-old LP review. Now available in Fun-sized portions, and full of rich, chunky swearing.
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The latest episode of the podcast which asks: who would win in a stage-show spaceship fight between Earth Wind and Fire, ELO and Funkadelic?
It's the final furlong of the Critics' Choice series, Pop-Crazed Youngsters, and Our Simon has dragged us back to the dawn of the Eighventies and pulled out a ridiculously bountiful episode with so much to talk about, making this our BIGGEST EPISODE EVER. It's the middle of the Summer Holiday Of Our Extreme Content, your panel have spent their downtime crying tears of laughter at the sight of nudists in supermarkets on telly, avoiding the Punk House, and having a break from the draconian private school system respectively, but are all clustered around the telly to see what Peter Powell has up his sleeve this Thursday eve, only to discover that he's not wearing any.
But so what? Because musicwise, this could well be the greatest episode of TOTP we've come across so far, and a solid case for '79 being even better than '81. The Dooleys are gotten out of the way early doors. Sham 69 have their end-of-term party. Olympic Runners get mithered by Some Bird. The weediest-looking lead singer in Pop history sings with his teeth. There's an actual naked woman playing a cello in a massive pram. Abba slap it about in a disco. Ron Mael stares at us. Legs & Co have a sultry mornge on some sand. And we see the debut performances of The Specials and BA Cunterson.
Simon Price and Neil Kulkarni join Al Needham as they just switch off their television set and go and do something less boring instead, veering off on such tangents as pulling your trackie bottoms up around your neck and running at girls, integrity-free reviewing jobs, your chance to have your achievements in the Welsh music scene recognised at last, wearing the wrong-coloured laces in your Docs, having a wazz on a Pop star's back door, and Exciting News For All Listeners. Swearing!
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The latest episode of the podcast which asks: who would win in a stage-show spaceship fight between Earth Wind and Fire, ELO and Funkadelic?
It's the final furlong of the Critics' Choice series, Pop-Crazed Youngsters, and Our Simon has dragged us back to the dawn of the Eighventies and pulled out a ridiculously bountiful episode with so much to talk about, making this our BIGGEST EPISODE EVER. It's the middle of the Summer Holiday Of Our Extreme Content, your panel have spent their downtime crying tears of laughter at the sight of nudists in supermarkets on telly, avoiding the Punk House, and having a break from the draconian private school system respectively, but are all clustered around the telly to see what Peter Powell has up his sleeve this Thursday eve, only to discover that he's not wearing any.
But so what? Because musicwise, this could well be the greatest episode of TOTP we've come across so far, and a solid case for '79 being even better than '81. The Dooleys are gotten out of the way early doors. Sham 69 have their end-of-term party. Olympic Runners get mithered by Some Bird. The weediest-looking lead singer in Pop history sings with his teeth. There's an actual naked woman playing a cello in a massive pram. Abba slap it about in a disco. Ron Mael stares at us. Legs & Co have a sultry mornge on some sand. And we see the debut performances of The Specials and BA Cunterson.
Simon Price and Neil Kulkarni join Al Needham as they just switch off their television set and go and do something less boring instead, veering off on such tangents as pulling your trackie bottoms up around your neck and running at girls, integrity-free reviewing jobs, your chance to have your achievements in the Welsh music scene recognised at last, wearing the wrong-coloured laces in your Docs, having a wazz on a Pop star's back door, and Exciting News For All Listeners. Swearing!
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The latest episode of the podcast which asks: who would win in a stage-show spaceship fight between Earth Wind and Fire, ELO and Funkadelic?
It's the final furlong of the Critics' Choice series, Pop-Crazed Youngsters, and Our Simon has dragged us back to the dawn of the Eighventies and pulled out a ridiculously bountiful episode with so much to talk about, making this our BIGGEST EPISODE EVER. It's the middle of the Summer Holiday Of Our Extreme Content, your panel have spent their downtime crying tears of laughter at the sight of nudists in supermarkets on telly, avoiding the Punk House, and having a break from the draconian private school system respectively, but are all clustered around the telly to see what Peter Powell has up his sleeve this Thursday eve, only to discover that he's not wearing any.
But so what? Because musicwise, this could well be the greatest episode of TOTP we've come across so far, and a solid case for '79 being even better than '81. The Dooleys are gotten out of the way early doors. Sham 69 have their end-of-term party. Olympic Runners get mithered by Some Bird. The weediest-looking lead singer in Pop history sings with his teeth. There's an actual naked woman playing a cello in a massive pram. Abba slap it about in a disco. Ron Mael stares at us. Legs & Co have a sultry mornge on some sand. And we see the debut performances of The Specials and BA Cunterson.
Simon Price and Neil Kulkarni join Al Needham as they just switch off their television set and go and do something less boring instead, veering off on such tangents as pulling your trackie bottoms up around your neck and running at girls, integrity-free reviewing jobs, your chance to have your achievements in the Welsh music scene recognised at last, wearing the wrong-coloured laces in your Docs, having a wazz on a Pop star's back door, and Exciting News For All Listeners. Swearing!
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Hosted on Acast. See acast.com/privacy for more information.
The latest episode of the podcast which asks: who would win in a stage-show spaceship fight between Earth Wind and Fire, ELO and Funkadelic?
It's the final furlong of the Critics' Choice series, Pop-Crazed Youngsters, and Our Simon has dragged us back to the dawn of the Eighventies and pulled out a ridiculously bountiful episode with so much to talk about, making this our BIGGEST EPISODE EVER. It's the middle of the Summer Holiday Of Our Extreme Content, your panel have spent their downtime crying tears of laughter at the sight of nudists in supermarkets on telly, avoiding the Punk House, and having a break from the draconian private school system respectively, but are all clustered around the telly to see what Peter Powell has up his sleeve this Thursday eve, only to discover that he's not wearing any.
But so what? Because musicwise, this could well be the greatest episode of TOTP we've come across so far, and a solid case for '79 being even better than '81. The Dooleys are gotten out of the way early doors. Sham 69 have their end-of-term party. Olympic Runners get mithered by Some Bird. The weediest-looking lead singer in Pop history sings with his teeth. There's an actual naked woman playing a cello in a massive pram. Abba slap it about in a disco. Ron Mael stares at us. Legs & Co have a sultry mornge on some sand. And we see the debut performances of The Specials and BA Cunterson.
Simon Price and Neil Kulkarni join Al Needham as they just switch off their television set and go and do something less boring instead, veering off on such tangents as pulling your trackie bottoms up around your neck and running at girls, integrity-free reviewing jobs, your chance to have your achievements in the Welsh music scene recognised at last, wearing the wrong-coloured laces in your Docs, having a wazz on a Pop star's back door, and Exciting News For All Listeners. Swearing!
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Hosted on Acast. See acast.com/privacy for more information.
The latest episode of the podcast which asks: who would win in a stage-show spaceship fight between Earth Wind and Fire, ELO and Funkadelic?
It's the final furlong of the Critics' Choice series, Pop-Crazed Youngsters, and Our Simon has dragged us back to the dawn of the Eighventies and pulled out a ridiculously bountiful episode with so much to talk about, making this our BIGGEST EPISODE EVER. It's the middle of the Summer Holiday Of Our Extreme Content, your panel have spent their downtime crying tears of laughter at the sight of nudists in supermarkets on telly, avoiding the Punk House, and having a break from the draconian private school system respectively, but are all clustered around the telly to see what Peter Powell has up his sleeve this Thursday eve, only to discover that he's not wearing any.
But so what? Because musicwise, this could well be the greatest episode of TOTP we've come across so far, and a solid case for '79 being even better than '81. The Dooleys are gotten out of the way early doors. Sham 69 have their end-of-term party. Olympic Runners get mithered by Some Bird. The weediest-looking lead singer in Pop history sings with his teeth. There's an actual naked woman playing a cello in a massive pram. Abba slap it about in a disco. Ron Mael stares at us. Legs & Co have a sultry mornge on some sand. And we see the debut performances of The Specials and BA Cunterson.
Simon Price and Neil Kulkarni join Al Needham as they just switch off their television set and go and do something less boring instead, veering off on such tangents as pulling your trackie bottoms up around your neck and running at girls, integrity-free reviewing jobs, your chance to have your achievements in the Welsh music scene recognised at last, wearing the wrong-coloured laces in your Docs, having a wazz on a Pop star's back door, and Exciting News For All Listeners. Swearing!
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The latest episode of the podcast which asks: is Simon Bates negging or cock-blocking? Into the penultimate stretch of the Critics' Choice series, Pop-Crazed Youngsters, and Our Sarah has taken us all the way back to the time when her keen Pop sensibilities were hauling itself upright from the ooze. And she. Has. Chosen. Well.
We're weeks away from Band Aid and the Eighties are already starting to ming of unwashed cock, but this episode - presented LIVE IN THE STUDIO by Geoffrey and Pigwanker General - is nowhere near as horrific as it could have been, even though there's some right catshit strewn about. Limahl has the last laugh, and is never heard of again. Status Quo are taken to the tip by the Council. Billy Ocean and Eugene Wilde give us a remake of Billie Jean and Sexual Shakin'. Gary Numan's weave makes its TOTP debut. But we get to see Depeche Mode's career turn on a sixpence while they bang on some hunks of concrete, and we get the best Number One of the year that doesn't involve Frankie.
Sarah Bee and Taylor Parkes join Al Needham for a critical piss that streams out the bottom of the trouser leg of 1984, veering off on such tangents as the uselessness of Godzooky, Eighties Video Cliche Watch, Numanoid laundry problems, Gary Davies Sex Music, and Heads-Down, No-Nonsense Masturbation. Oh, the swearing!
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The latest episode of the podcast which asks: Why didn't NASA do something for the old 'uns?
It's the mid-point of our Critics Choice series, Pop-Crazed Youngsters, and this time Our Taylor has taken us back - way back - to the spring of 1969, when two-thirds of Team ATVland weren't even thought of and the third was imprisoned in a cage made out of pallets, with all nails sticking out.
Musicwise, well: we are 301 days from the end of this decade - the greatest decade in history, mark you - and Top Of The Pops has failed to paint it black. Many things happen in this year, but mainly in America, and this episode is rammeth with Beat groups on their last legs, all expertly dealt with by the voice of Brentford Nylons. Dave Dee, Cuthbert, Dibble and Grub celebrate ritual animal abuse. Love Affair awkwardly wink at the camera as the sand runs out on their career. Lulu swings an imaginary beer stein frothing with Schlager as she makes her bid for Eurovision glory. The Tymes do something really impressive at the end of their song. The Bee Gees stop bitching at each other long enough to curl off another dud single. Stevie Wonder drops one of the all-time great TOTP performances. And Jesus in a jumpsuit, the state of the Number One.
Taylor Parkes and Neil Kulkarni join Al Needham on the barren, grey surface of Top Of The Pops in the Sixventies, pausing from their exploration to discuss Jon Pertwee's conversion to Rock, the G-Clamp Tree, Geoff Sex, Right-Wing Swingers, ridiculously blunt LP reviews, and Dick Emery getting preferential treatment over Moby Grape. The swearing is heavy, and progressive.
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The latest episode of the podcast which asks: What's more important, the Taint or the Love?
Part Two of our Critics' Choice series, Pop-Crazed Youngsters, and Our Neil has dragged us back to the idyllic summer of 1981, where the panel were a) replaying the 1970 World Cup with Subbuteo, b) wearing burgundy and c) playing The Omen in our bedroom respectively. And good Lord, what an episode he's picked!
Musicwise, it's a ridiculous mix of soaring highs and plunging lows, where the new era of synthiness forces the old guard to shed their facial hair, pare back on the widdliness and learn to rollerskate. Marc Almond throws the sunglasses to one side and delivers one of the landmark TOTP performances. Some Dads pretend to be the Bee Gees. Midge Ure comes on all Peaky Blinders. The Rolling Stones have a glorious piss-about. Cliff gets wanged across a shopping centre in Milton Keynes for some Danger Skating. Legs & Co are shackled to ELO again. And the Number One is, er, a Futurist pan-Asian classic.
Neil Kulkarni and Simon Price examine the potato bag of '81 for signs of blight with Al Needham, veering off on such tangents as playing football with Action Men, the star power of Stan Stennett, The Rumour, The Oriental Riff, The Pickwick Top Of The Pops compilations, Specials cover versions at Butlins, and Manslaughter On 45. There's swearing. But you knew that anyway.
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The latest episode of the podcast which asks: can you remember a wazz you had 43 years ago?
This episode, Pop-Crazed Youngsters, is the beginning of a five-part mini-series where members of Team Chart Music run a finger along our TOTP collection and select one of their favourites - and Our David has kicked it off by pulling out an absolute plum from the very end of the Drought. Your panel were killing time during the summer holidays sitting in hot cars, playing Shove Matchbox, or trying to be the Lord Killinan of the ladybirds, but over in the BBC TV Centre, Noel Edmonds has graciously taken time out from getting ready for Swap Shop (and presumably counting the excrement passing through the piping system) to deluge us all with another massive dollop of brightly-coloured Pop gunge.
Musicwise, it's a mainly above-par serving of the usual mid-70s melange: Manfred Mann turn up the knob on their synth. The Bee Gees lob a glitterball through the window of the charts. Robin Sarstedt - the Lothario of the Tea Dance - pitches up one more time. The Stylistics stand in a park on Dress-Down Friday. Gallagher and Lyle do something. The Chi-Lites are accompanied by a non-racist cartoon. OH MY GOD IS THAT CAN. And most importantly, we finally get round to Ruby Flipper, the dance troupe that actually featured men and - gasp! non-white people.
David Stubbs and Taylor Parkes join Al Needham for a lick of the Lolly Gobble Choc Bomb of '76, veering off on such tangents as belt shops in East London, mid-70s sexual health clinic procedures, Ian Hitler, the Brum Burger, Godzilla and Social Exclusion, and one of Chart Music being a retired male stripper. NOW WITH ADDED SEXUAL SWEAR WORDS WARNING!
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The 40th episode of the podcast which asks: so how do you get your pills out of a Kinder Surprise egg while wearing long opera gloves?
This episode, Pop-Crazed Youngsters, takes us nearly ten years away from the glory of the last one and plunges us deep into the turquoise shell-suited heart of the Neighnties - and oh dear, our beloved programme is right up Arsehole Street. The ratings are dropping like a Shed Seven release in its second week, newer and savvier shows are undercutting it, and the BBC have pissed about with the scheduling to such an extent that middle-aged spods with a craving for Judith Hann are sitting there shouting; "Oh, what's this bollocks? WHERE'S TOMORROW'S WORLD?"
Musicwise, hmm: Gary Davies, in a boxy denim jacked beloved of the era, just about manages to not look like he's too old for this shit (despite dropping a few clunky Dad-phrases). Inspiral Carpets - the Freddie and the Dreamers of Madchester - pitch up, demonstrating the bad haircuts that were available to youths at the time. Saffron-not-yet-of-Republica dresses up like a magician's assistant. The Mock Turtles do a mobile phone advert. The mid-Eighties refuses to piss off, in the shape of Feargal Sharkey, The Waterboys and Mike and the Mechanics. Still, there's a welcome opportunity for people who haven't got Sky yet to have a proper goz at The Simpsons, Black Box remind us that they did more than one record, and there's some dead good angel wings on your woman in C&C Music Factory. Chesney Hawkes - 'the iconic legend of the 80s and 90s', according to his website, which is roughly 1.96666 decades too many - punches the air.
Sarah Bee and Simon Price link up with Al Needham at the car boot sale of 1991, veering off on such tangents as being refused entry to gay clubs by National Front activists, why you should never install a plastic tank into your wardrobe to piss into, bragging at school that you've seen Sky at Centre Parcs, the phenomenon of Some Rap, and the misery of having to share a crappy Student Union with people who have been on Top Of The Pops more than you have. And there's swearing.
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The latest episode of the podcast which asks: did Phil Oakey ever have it out with the Undertones for coating him down on My Perfect Cousin?
This episode, Pop-Crazed Youngsters, is the longest EVER, but don't blame us - because there is so much going on in this episode of The Pops, and we take a concentrated blast of 1981 full in the face. No lie, it's wave after wave of late-Eighventies pop brilliance, broken up by assorted bits of rubbish, and Dave Lee Travis in an elongated hat. We've coated down the Living Gnasher Badge enough times, but in this episode, we step back and contemplate Dave Lee Travis: motorsport expert. Dave Lee Travis: Lennie Bennett-foil. Dave Lee Travis: Photographer. Dave Lee Travis: Renaissance Man.
Musicwise, fucking HELL: The Undertones readjust for the Eighties. Teardrop Explodes - possibly off their tits - show the youth that there's more to life than chicken pancetta. Kim Wilde vandalises a dead nice public toilet. The Beat (again). Chicken Steven (again). Smokey Robinson invents Airbnb. Legs & Co cause DLT to blast a jet of steam from out of his hairy earhole. The Human League steal the entire show, before Adam Ant jumps through a window and nicks it back. It's a glorious romp through quite possibly the greatest year in pop music history. And - finally - TOYAH IS IN RECEPTION.
Taylor Parkes and Neil Kulkarni join Al Needham for a hijack of the Alpine van of 1981, loaded with the fizziest and most colourful pop imaginable, and gleefully veer off on such tangents as the many different things you can do with a wall and a dog ball, the Kidderminster UB40 Club, Shaky dropping the strap at a Viz wrestling battle royal, obscene graffiti we have known and loved, the hell of being spotted in a cat cafe on your own, and a flick through Travis' photography book, where he asks attractive female celebrities what they're scared of, and brings their nightmares to life. You KNOW there's gonna be swearing.
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The latest episode of the podcast which asks: Rod Stewart - a grower or a shower?
This episode, Pop-Crazed Youngsters, involves one of the grimmer aspects of Top Of The Pops, as it comes in the wake of one of the regular audience members comitting suicide, the subsequent tabloid coverage when it was revealed that she'd left a diary behind, and the fallout from it - which continued right the way up to this decade. And it's something we can't not talk about.
Musicwise, it's a glorious mish-mash of fare from '71, the International Year of the Banjo. The beardiness is ramped up by McGuinness Flint. A man pretending to be R. Dean Taylor runs about in a quarry. Jonathan King lurks about. Pans People get busy to the Jackson 5, before showing up Lulu. The Mixtures give us an opportunity to have a good laugh at automobile fatalities. Ringo requires some Norwegian wood to stop his piano sinking into the snow. The Faces get the chance to plug their LP for eight whole minutes, but Dave and Ansil Collins steam in to drop one of the best Number Ones ever.
Simon Price and Taylor Parkes - the gentle people of Chart Music - get really mellow with Al Needham, breaking off to reason on such subjects as how to make it look as if you've been sweating at junior school end-of-term discos, Leaving Neverland, hot pants, and performative farting. As always, swearing.
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The latest episode of the podcast which asks: how did we manage to go on about 7 Days for 20 minutes without once adding the word 'Jankers' to it?
Jesus in a jumpsuit, Pop-Crazed Youngsters - it's a Top Of Pops from THIS ACTUAL CENTURY, and your three contributors, who are by now frantially sucking at the bone-dry and chapped teats of traditional media, are still upset that there are no Massive Glam Robots on, and it's not available in pill form. Be warned: this episode contains a lengthy and unflinching dissection of the last days of Melody Maker, and it is not pretty.
Musicwise, it's not quite as grim as we were expecting, because this is the Garage version of the Madchester episode. Craig David pops up in a Statement Wooly to tell you who he is and how he got his end away - EVEN THOUGH HE'S NOT NUMBER ONE ANYMORE. Wookie and Lain and MJ Cole complete the hat-trick. But fear not, the Alternative Nation fights back with, er, the last knockings of Reef and Mansun. There's some properly good fire-breathing over some dogshit techno. Ronan fucking Keating pops up for no good reason whatsoever to pretend to be Deco out of the Commitments. And Robbie fucking Williams pulls his trousers down.
Sarah Bee and Neil Kulkarni GO THE FUCK OFF on the bell-ends who ruined their magazine while Al Needham looks on with concern, veering off on such tangents as refusing to let bands into their own hospitality areas because their last album was shit, Mad Phil, why tweeting 'Fuck Off' in the early hours of the morning is never a good idea, having pop stars getting on their hands and knees and wiping tea off your shoes, scissor masturbation, and a thorough examination of the 'Craig David Having A Shit' cover. LONGEST EPISODE EVER. And quite possibly the sweariest. (the actual Top Of The Pops bit begins at 1:31:48. See what we mean?)
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The latest episode of the podcast which asks; how would Mike Read get on in the WWF? and how long would it take before someone took his guitar off him and stoved his head in with it?
It's been too long, Pop-Crazed Youngsters, but we're back from our spell of R&R at Pontins Camber Sands and are going armpit-deep into the cavity of one of the landmark episodes of Top Of The Pops - the one with the biggest TV audience ever. ITV are on strike, and the only other thing on the telly is carriage driving, of all things, leaving the field clear for Andy Peebles to make his TOTP debut in his ill-fitting suit.
Musicwise, it looks as if the BBC have ramped up the fun-for-all-the-family aspect in a desperate grab for as many eyeballs as possible, meaning we get a load of acts who are nowhere near the Top 40 mixed in with the usual fare. The Headboys get lumped into the New Wave thing and are not pleased about it. Jacko and Chic provide a devastating one-two punch. Scabby cowboys - in the shape of Dr Hook and Charlie Daniels - fill the air with the tang of unwashed denim. There's a fearsome soundclash between Errol Dunkley and The Dooleys. Cats UK get ignored by The Kids. Sue of Legs & Co slaps a warning sign on her knee. It's a glorious slab of the Eighventies, and it's picked over with the care and attention you've come to expect from us.
David Stubbs and Taylor Parkes join Al Needham for a huddle around the candle of late '79, veering off on tangents such as our favourite industrial disputes of the 70s, pestering your Dad to start wearing an eyepatch, the shocking antics of Gary's Mam in Leeds, being confused by questionnaires in Shoot!, getting pissed up with a dog that looked like Marilyn Monroe on Central Weekend, and why the Daily Express are a bunch of thick twats. Get ready for some proper swearing.
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A special-ish episode of the podcast which asks: why do we always leave the Xmas episodes to the last minute?
Another MASSIVE examination of Pop-telly nirvarna sees us tucking in to the annual Xmas day selection box - this time from the year of Nineteen and Seventy-Six. And lucky us: we've been invited to the head table of Radio One, dominated by the bearded gorgons of The Happy Sound themselves - DLT and Noel Edmonds - as they give the nation an opportunity to watch them pretend to like each other, have one massive trifle EACH, fuck about with bread and grip a fork with a Yorkshire pudding on the end of it with sheer uncontained LUST at Legs & Co.
Like all Xmas Day episodes, it's a look back at the flare-swingin' Sound of '76 - and as is its wont, the highs are stratospheric and the lows are subterranean. Abba remind us who the Dons of the era were with not one but two hits. Tina Charles cowers up in the lighting rig and wonders about her bloke. The Wurzels keep it rural. JJ Barrie angers every child across the nation once more. Demis Roussos - Fat Jesus himself - puts a tingle in the loins of Bev and Ange. The most unmemorable month-long No.1 in recorded history wafts in and out. Legs & Co slink about in bra and pants, with those ferrets on the last episode. Tony Blackburn is boiled alive, while being danced at by an alligator with tits.
Taylor Parkes and Simon Price join Al Needham to sneakily rip open a corner of the wrapping on the presents of 1976 to see what they are, veering off on such vital tangents as Hughie Green's Hard Right talking ballardry, Christmas cracker jokes about the Threat of Punk, the wrongness of England being in World Cup Subbuteo sets of the Seventies, and a heartwarming tale of getting pissed up and bothering Freddy Mercury. Apologies if the edit is rough as arseholes - we had considerable mither putting it together - but may it sustain you until we meet again in 2019.
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The latest episode of the podcast which asks; who is more important - a dead Beatle, or your Nana?
It's cold and dark, pop-crazed youngsters, so it's time once again to binge upon one of our favourite eras of Top Of The Pops. Your hosts are simultaneously deciding which 50 badges to wear for the school Xmas disco, still in hiding from the fake accusation that they had a good cry about someone dying, and going about their business unaware that Santa is going to let them down big style in a week's time. But for a glorious half-hour, we're all distracted by the sight of Pig-Wanker General himself, perched on a gantry, giving us our weekly shot of Pop randomness.
Musicwise, the highs are high and the lows are lower than low. The Beat and The Specials remind us who the daddies were in the Eighventies, but we also get the sickening one-two punch of the second most annoying singer with a lisp of 1980 and a festive celebration of drink-driving, sexual harrassment and homophobia. The Nolans have finally managed to get them dead tight satin trews off, but have replaced them for even tighter designer jeans. Chas and Dave lob out terrifying animal masks. Jona Lewie sets himself up for life. Legs & Co are attacked by ferrets as they pay tribute to Ghandi John. There's the most un-arsed xylophone solo ever. And Little and Large are asked what they think about Pop at the moment. It's brilliant.
Simon Price and Neil Kulkarni join Al Needham a pass-around of the UHU-filled crisp bag of late 1980, veering off on tangents such as gerontophiliac porn line adverts, Terry Hall turning your back on you, why having 'OMD' printed on the back of your Harrington is just plain wrong, the Summer of Chinese Death Stars, the wrongness of Gideon, and being sexually initiated by Yoko Ono in a Nottingham council house while eating a 10p mix. The swearing is up to its usual standard, you'll be pleased to hear.
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The latest episode of the podcast which asks; if God were one of us, who would he hate more out of M People and the Lighthouse Family?
The longest episode of Chart Music EVER sees us pitched into the second half of the Nineties for the first time - and oh dear, our favourite Pop show is beginning to enter its slow decline and being pissed about with big style. The guest presenters are still in effect - but luckily for us, this week's frontperson is Julian Cope, who has brought a giant It's A Knockout-style builder to help him stage a prime-time protest against the Newbury Bypass. There's not one but two of those live satellite broadcasts, which demonstrate that California's weather fluctuates like an absolute bastard. Everything's piling into the charts right near the top and then dropping down again. And where's the Britpop?
Musicwise, this is an absolute lucky bag of randomness, minus the chunky ring you wanted. Some Bedouin tribesmen sit around on a Trancey 'tip'. Joan Osbourne bangs on about God. Billy Corgan arses about in a car with The Teens. East 17 phone it in. Etta James is forced outside in the wind in order to make giant ships disappear and have a good lech at some sailors. Michael Jackson's nephews emote by some driftwood. Terrorvision jump about a bit. Alien Mr Benn gets everyone excited with the opening bars for this week's No.1, and then turns the dial right down to 16 rpm. And OH NO THE LIGHTHOUSE FAMILY GODDD.
Sarah Bee and Neil Kulkarni join Al Needham on an euphoric extended chill-out Archers and Lemonade House tip for a long, hard stare at the bulging packet of 1996, veering off to discuss the comedy value of jacket potatoes, self-grooming tips from the stars, how to mix a Pina Kulkarni, full-on problem page questions in Nineties gay magazines, Star Trek Bhangra, and having homoerotic fever dreams about acts in the Chart Music Top Ten. Very long, very strong, very sweary.
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The latest episode of the podcast which asks: why didn't Top Of The Pops do a Bonfire Night special instead, the traitorous, British-way-of-life-hating bastards?
Yeah yeah, we know: another early Eighties one. But if you thought we were going to wait another year before we got stuck into this particular episode, you don't know Chart Music. The Pops is entombed in its rah-rah-rah flags-and-balloons Zoo-wanker phase and has pulled out all the stops (i.e., gone through the BBC props cupboard) decided to do a Halloween special, even though Halloween means next to arse all in the UK in pre-ET 1982. And who else to guide us through this realm of piss-poor joke-shop terror than the Dark Lord Simon Bates?
Musicwise, it's a pic n' mix of razor blade-tainted apples and cat shit in shiny wrappers, with a diamond or two lurking at the bottom. The tang of Pebble Mill is strong in this one: Dionne Warwick glares at us in a Margo Leadbetter rig-out. Barry Manilow is DTF. The Beatles arise from the grave. Blue Zoo demonstrate why they're not going to be the next Duran Duran. Raw Silk pointedly ignore that they're performing to a room full of simpletons with net curtains over their heads and waving a cat on a stick. Eddy Grant gets round his horrible missus. Boy George has balloons thrown at him in an aggressive manner. Simon Bates rides a broomstick dressed as Ali Bongo. The Zoo Wankerage is jacked up to the absolute maximum. Meanwhile, in Newcastle, the crew of The Tube are rubbing their hands together with glee.
Taylor Parkes and Neil Kulkarni join Al Needham to suckle upon the throat early-Eighties Pop Mankiness, veering off on such tangents as the rubbishness of a British Halloween, being barred out of pubs in Nottingham for looking like Jimmy Savile, the truth about George Martin and the Mopfabs, Rambo Pumpkins, Cilla Back ramming chocolate into people's gobs, BBC4 butchering the only programme they run that anyone's interested in, having 40 Romantic Moments in one week, why we people never talk about Post-Disco, and an astonishing appearance on 3-2-1 by two Chart Music favourites. Penny for the Guy!
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The latest edition of the podcast which asks: that thing with the earlobes - the entire country didn't just imagine it, did they?
It's the summer of '83, Pop-Crazed Youngsters, and your avuncular host is battling a series of crises: not only is he still recovering from a de-bagging on the school field and sulking over the re-election of the foul hag Thatcherax, he's fending off rumours about his sexuality before he's even had the chance to do anything with the bastard. Luckily, all that's about to change, as his spiritual guide Paul Weller has got a new record out. And there's a video. Oh dear.
Musicwise, it's a proper pic'n'mix of early-Eighties confections, bagged up by elderly shop-lads Skinner and Vance, with a shocking lack of Dadisfaction. David Grant has a massive mid-life crisis and goes all Shakin' Shalamar. Mark King gives it some thumb. Toney Adleh Aaht Ter Spandaah Balleh ponces about in Spain. Siouxie goes all Jazzy, and wonders why she's the only woman on this episode. Robert Plant does some most unsavoury frog-kicking in some Dad trunks. The No.1 is a bit rubbish. And bleddy Depeche Mode AGAIN.
Simon Price and Taylor Parkes join Al 'The Cuppateano Kid' Needham for an awkward homoerotic roll-around upon the riverbank of mid-1983, breaking off to discuss such matters as being confused about Gus Honeybun, the boom in early-Eighties jumper technology, the fallacy of digging over a vegetable patch in calf-length white spats, being told off by the Mayor of Douglas, what leonine Rock gods have on their cheese cobs, and a very special episode of your favourite cartoon. Come for the incisive pop chat, stay for the swearing, and ram some money in our g-string.
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The latest episode of the podcast which asks: if Bummerdog was a band, what would they sound like?
This episode, Pop-Crazed Youngsters, is one of the absolute landmark moments of the long and storied history of The Pops - the week where all the rubbish of the Laties is finally driven into the sea by streetwise lairy youths with a malevolent shuffle and a drug-induced attitude. And as well as Big Fun, the Stone Roses and Happy Mondays are on too.
Those of you who remember this episode as a full-on Madchester takeover - with 808 State on as well, and Vera Duckworth gurning away in the audience in a Joe Bloggs top - are going to be sorely disappointed, however, as the supporting cast is the usual Neighnties rubbish. Jakki Brambles and Jenny Powell come off like the Philadelphia Cheese Advert women. Bobby Brown thrusts his groin at a shockingly young girl who's probably wondering when Tiffany is going to come on. Aaron Neville comes dressed up as a character in a Sega beat-'em-up. The Fine Young Cannibals get bum-rushed by the cast of Dance Energy. The Martians pitch up to blare some Housey rubbish at us. The #1 is cat shit. And Holy Horrible Soundtrack LPs, Batman, it's Prince.
Al Needham is joined by Sorted Simon Price and Top Lad Taylor Parkes for a trawl through the car boot sale of 1989, breaking off to discuss such important matters as Top Hatting, raiding your Dad's wardrobe to look suitably 'Double Good', Ian Brown shutting down a bar, sniffing silage, and the introduction of the Chart Music Top Ten. Get on some swearing, matey!
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The latest episode of the podcast which asks: if Midge Ure had become lead singer of the Sex Pistols, would we all still be wearing flares?
This episode, Pop-Crazed Youngsters, was foraged from the very dustbin of History, being one from early 1976 which missed out on the BBC4 treatment. And, as we very quickly discover, huge chunks of it should have stayed there. Diddy Fucking David Hamilton wears a nasty Christmas-present jumper. Barbara Dickson warms up for her season on the Two Ronnies. Smokie - again! - dispatch another throat full of phlegm upon The Kids. Slik - AGAIN! - deliver the stalkiest wedding song ever. And Sailor encourage the youth to bang on the side of their Dad's drinks cabinet.
As we all know, however, there is no such thing as a rubbish Top Of The Pops. Osibisa get properly togged up. Pans People pull one of their greatest performances out of their Quality Street Wrapper-panted arses, and the Number One has been there for so long it's practically the national anthem by now.
Al Needham is joined by Sarah Bee and David Stubbs for a furtle amongst the jumble sale of early '76, veering off to browse through the Music Star Annual of that year, whether calling someone a 'Lady' is acceptable these days, hitting your brother with a golf club for a tin of peaches, a giveaway of David's new book Mars By 1980, infant school bus trips to Africa, and the importance of not having a Cheepy. WE SWEAR LIKE BOGGERS.
[audio http://traffic.libsyn.com/chartmusic/29-January_22nd_1976_-_Heres_A_Song_About_A_Naughty_Lady.mp3]
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The latest episode of the podcast which asks: is there such a thing as a trendy wank?
This episode, Pop-Crazed Youngsters, drags us back to the dark Civil War of the mid-90s, when brother fought against brother over whether Roll With It was slightly less rubbish than Country House, and Oasis-loving loving wives imposed a 'nookie strike' upon their Blur-supporting husbands. Yes, it's the aftermath of the Battle of Britpop, and we fly over the rubble, dropping crates of analysis and sniping at assorted wrongness along the way.
If you're expecting non-stop Sons and Daughters of Albion adopting Mockney accents and walking about about monkeys, however, you're going to be sorely disappointed, as there are a lot of - gasp! - Americans on it, and even some Irish people. Dale Winton reaches the pinnacle of the journey he started when he was playing records in a biscuit factory. Berri and De'lacy provide an interesting - sort of - compare-and-contrast of Anglo and American House. Michael Jackson lolls about in a CGI Greek temple with Elvis' daughter. The theme tune from Friends pops up. Fucking Boyzone show up for no reason whatsoever. Montell Jordan arses about in a theme park. Echobelly break up from school forever. Michael Bolton, looking like a giant Womble, asks if he can fondle us. Blur show off.
Sarah Bee and Simon Price help Al Needham to walk through the minefield of Britpop like Lady Di, breaking off to discuss the early days of Television X, our shameful careers in pornography, watching Friends whilst ripped to the tits on Leytonstone speed, all the awards we've won and what we do with them, and - finally - Simon gets to talk about Romo. And Oh! what swearing!
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The latest episode of the podcast which asks: has there ever been a Good Bates?
The year is 1982, Pop-Crazed Youngsters, and the world is waiting for England. Actually, no - what the world is waiting for is for Tomorrow's World to piss off, because this episode of The Pops is a bit special. No less than three football teams have been hitting the BBC bar all afternoon and rubbing a manky-jumpered shoulder with the Pop Elite and partake in an unforgettable half-hour-and-a-bit of flag-waving, scarf-brandishing, dirge-chanting palaver.
It's not all footybollocks, though: Junior and Patrice Rushen get danced at by Zoo wankers. Original Junglists Tight Fit pretend to be Abba. Angry-yet-penitent Jim Diamond enters the fray. Bananarama get a leg-up by their mates Fun Boy Three. And Paul McCartney delivers a message to Racism: You Can Do One Right Now Please. And there's an actual war on. And fucking hell, it's Ken Baily!
Simon Price and Taylor Parkes join Al Needham for a snuffle at the gusset of the Union Jack shorts of 1982, breaking off on such tangents as time travel-assisted infanticide, using members of the 1982 Brazil squad to insult girls you don't like, the incredible England 1982 LP, seeing Him Out Of Tight Fit in a Welsh nightclub, and how to make your own bra out of the contents of your pants drawer. This time - more than any other time - the swearing is outstandingly prolific.
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The latest episode of the podcast which asks: that scrap between Reagan and Chernenko - whose coat would you be holding?
This episode, Pop-Crazed Youngsters, sees us refraining from fretting about Armageddon for a bit and getting blasted full in the face by non-stop Rah-Rah-Rah American Olympic nonsense instead, revelling in the thrill of being able to watch BBC1 at four in the morning and indulging in golf ball-assisted masturbation while pretending to be Daley Thompson. But if the IOC think that Top Of The Pops is going to be moved from its rightful slot on a Thursday evening, Baron de Coubertain can fuck right off. And there's just been an episode of Monkey on BBC2. Skill.
Musicwise, it's full-on Eighties, but not in a necessarily bad way. John Peel and Dickie Skinner pull on some horrific shirts, Tracey Ullman does the Mashed Potato with the ghosts of the Atomic Age, overshadowed by a massive deckchair. Windjammer dance right out of the sportswear section of the Littlewoods catalogue. Hazel Dean pretends to forget about some bloke. Jeffrey Osbourne sweats his tits off in some awful 80 knitwear. Blancmange deliver the aural equivalent of a Vesta packet curry, without the grittiness. And because it's 1984, you know what's No.1.
Taylor Parkes and Neil Kulkarni construct a shelter out of back issues of Smash Hits while Al Needham prepares a bin for toilet waste and observe the mushroom cloud of 1984, picking through the fallout and veering off to discuss erotic art in chip shops, the decline of the V-sign, going to the same place every Saturday for six weeks without realising it was a gay bar, Great Crisps of the Eighties, and East Germany's most popular wank mag. We stare, we contrast and compare, and we swear, swear, swear.
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The latest episode of the podcast which asks: Top Of The Pops? On a Friday? Arseholes to that!
This episode of The Pops has been hand-picked by the Pop-Crazed Youngsters on our Patreon account, and they did us proud with this one: a episode from the Most Seventies Year Ever hosted by none other than Kenny Everett. He only did six of these, and there's only one left in the BBC archives, but the one we're pulling apart is one that has been yanked from someone else's private collection. So how does the mad scientist of the twin Grundig reel-to-reel come off when he's not doing his own show and is being told what to do by an exasperated floor manager? Open your tabs to our sexy, sexy Pop-blather and find out for yourselves.
Musicwise, it's not the Glam-binge we were hoping for, but it's a very sugary Pic n' Mix of Pop confectionery. Brian Johnson - the Andy Capp of Metal - pitches up with Geordie. Barry White in full rut is coupled with Svankmajeresque stop-motion mentalness. Peters and Lee pop up again. Mr You-Can-Do-It-Right-Now-Please helps Roger Moore get his leg over Solitaire. Slade deliver the Great Missing #1 of the era, just before it all goes tragically wrong, Dave Edmunds lives the karaoke singer's worst nightmare, and some white herberts in Arthur Mullard flares burst out of the Trojan horse. And Pans People pull on stockings and suspenders and still manage to not be particularly sexy about it.
Al Needham, David Stubbs and Simon Price huddle around the flickering candle of 1973, veering off on tangents such as saying the wrong thing at Dad funerals, Leeds United-hating, hearing about death while watching people shagging on a podium, accepting an award for a Pop star and not bothering to give it to them, and what Noel Edmond's super-power would be. Oh, and two words: Bummerdog Update.
As always, there's loads of swearing, but it's all done in the best paahsable taste.
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The latest episode of the podcast which asks: no, really - how do you soil a bra?
This episode, Pop-Crazed Youngsters, sees us getting our hands down the back of the sofa on another random episode of Top Of The Pops - but as it's 1986 - a year we haven't done yet - we're half-expecting to touch a maggot-infested rat, or an open pot of hair gel with all mould on it. We needn't have worried, though, this particular episode has real-life Indie bands that you only see in the music papers in it, and they've actually let an actual woman co-present the show, a mere 21 years after it first started. The downside being that she's stuck with Mike Read, looking like the third member of Black Lace.
Musicwise, it's the usual mid-80s bag of cat's arseholes. As Morrissey pointed out at the time, you weren't allowed on Top Of The Pops unless you were black, a fact borne out by there being no less than five non-Caucasian appearances - Doris out of Five Star, Stedman out of Five Star, and the other three people who were in Five Star. Spandau Ballet make their comeback. Paul McCartney gets in people's way on the Bakerloo Line. Stan Ridgeway has a flashback with a storeroom dummy. Chris de Burgh shits out what could be the worst No.1 of the decade. And Morrissey starts becoming a proper bell-end.
Al Needham, Sarah Bee and Taylor Parkes come together for a long, hard stare at the summer of '86, veering off to discuss the buttons that do nothing on the Tube, Melchester Rovers' turbulent 1985/86 season, how difficult it is to carve someone's name on a bullet, and the proper way of reacting to someone asking you why you're so fucking crap. We swear. A lot.
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The latest edition of the podcast which asks: so how do you actually soil a bra, then?
This episode, Pop-Crazed Youngsters, takes us back, back, back to the autumn of '77, and it's a proper Lucky Bag of Randomness - just how we like it. The wake for Elvis is still dragging on, Punk is everywhere (apart from on Top Of The Pops, or in the charts), and Noel Edmonds is very keen to tell you that he's the Lion King of Radio One and he has two hours of telly on Saturday mornings, in his Hepworths suit, like a bell-end.
Musicwise, it's a proper continental dog's breakfast. La Belle Epoque has a go at this Disco lark, Baccara pitch up for a bit of an undulating swoon, Danny Mirror indulges in a bit of Deadly Spanking, and Giorgio Moroder and Legs and Co pitch us into 1988. But fear not, there's plenty of Brit-stodge in the shape of Smokie and the Steve Gibbons Band, while The Emotions and Deniece Williams spell out the difference between our telly and theirs: the former whoop it up on Soul Train, while the latter gets bludgeoned by the piss-headed jobsworths of the BBC Orchestra. And The Stranglers get their fingers burned. And there's a girl in a massive Jubilee bonnet.
Neil Kulkarni and Taylor Parkes join Al Needham 'neath the fraying red, white and blue bunting for a rummage round the back end of 1977, gleefully pinging off on vital tangents such as Bummerdog's Reign of Terror on the streets and playgrounds of Top Valley, Spanish Prog bands recording Sex Pistols LPs without knowing what the fuck Johnny Rotten is going on about, praying to God that your dad wasn't roaring like a Jesse in the pub over Elvis, the eternal Tiswas v Swap Shop debate, being the pub-related go-between for Hutch and Huggy Bear, the return of the Kulkarni Sandwich Test, and some moderately sizeable news for our Patreon subscribers. And lots of lovely, lovely swearing.
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The latest episode of the podcast which asks: have you got crabs?
In this edition, Pop-Crazed Youngsters, we decided to give you the opportunity to watch our selected episode of Pops along with us (providing you keep a finger on the pause button, as we're over five times longer). It's just come out on BBC4, giving you an invaluable opportunity to tut to yourself and say; "God, they didn't even mention that Richard Skinner keeps saying "It's the way you tell them" to Simon Bates, the thick twats."
Yes, we're smack in the middle of the Eighties, and a mere nine days away from Live Aid - and no-one realises yet what a massive fault-line it's going to create in Popland, when the dinosaurs come marching back and cram everything around them into their gaping maws. Least of all us, as we're too busy skulking around in a post sixth-form haze, sitting through a Saturday detention due to Tipp-Ex-related obscenities, and pitching a Pants Tent to George Michael in Barry Island Butlins.
Musicwise, however, this episode veers all over the shop, from Pete Burns taking the last stand for Pop Weirdness to Tears For Fears poncing about in Montreux to Paul Weller in his Pants to Oompah Reggae to Mick Hucknall annoying people trying to play pool to Roland Gift singing like he's got a hot bit of potato in his mouth to Ian Astbury dressing up like someone who reads palms in a caravan off Blackpool Pier. It's actually better than expected, although the No.1 is depressingly rammel. And as luck would have it, one of us - who was a Hip Young Cockleslinger at the Barry and District Times - has pulled out his scrapbook and treats us to his original reviews.
Neil Kulkarni and Simon Price join Al Needham for a solid pick at the scab of 1985, veering off on the usual tangents, which include having to go to school with the Topless Lovelies, the correct procedures of cock-drawing, trying to dress like Paul Weller and ending up looking like Eric Morecombe, Quincy Punks, and the Treacherous Steph of Basingstoke. Naturally, swearing is deployed. Often.
[audio http://traffic.libsyn.com/chartmusic/22_-_July_4th_1985_-_A_Horrible_Year_For_Crisps_And_Pop.mp3]
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The latest episode of the podcast which asks: er, can you spare us a few quid so we don't have to do these through shitty microphones any more? Please?
This episode, Pop-Crazed Youngsters, couldn't be more Nineties if it started off thinking England were a lock for the 1994 World Cup, and finished having a bit of a roar about Lady Di. We're smack in the middle of 1995, two-thirds of the panel were hammering out dispatches from the very frontline of Cool Britannia (while the other third was locked in a glass box, rummaging through bin bags filled with pictures of fannies), and one of us was actually in attendance when this very episode was filmed, sitting around with mopey young musos and slipping away for a crafty pull on a jazz fag when Celine Dion comes on.
Yes, there are a couple of Britpop acts on this episode, but it's a timely reminder that there was far more going on than that in '95, and most of it thick with of the tang of Hip-Hop. Montell Jordan rocks that urban Bully out of Bullseye look, Jonathan King introduces his latest proteges The Black Eyed Mushy Peas, some band we've never heard of drops an unexpected N-Bomb, Manchester United play Run-DMC to Status Quo's Aerosmith, and, er, Scatman John pitches up. And St Simon of Mayo emerges from the darkness every now and then like a Shakespearean ghost with some rib-tickling, cutting-edge 'burns' of the English Rugby Union and Bob Geldof's marital woes.
Naturally, because it's a Nineties episode, there's a chunk of blather about working in the music press, but the inevitable tangents include the death of the NME, the floppy-headed rubbishness of David Seaman, being sneered at by Menswe@r's roadie, an entire shopping centre being rammed out to see a radio presenter dressed up as a monk, Richard Desmond: Champion of Homosexual Media, and a plug or two for our new Patreon account. As always, there's swearing, swearing and more swearing.
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The latest episode of the podcast which asks: an emaciated John Lennon in a boxing match with the six months-dead Elvis Presley - who wins?
This episode, Pop-Crazed Youngsters, is mental. Come with us as we set the Time Sofa all the way into the very heart of the Eighventies, to a Bizarro-world where people actually thought – yes, with their actual brains – that Mike Read was sort of cool. Yes, it’s the Chart Music debut of Mr Blue Tulip himself, which may be touched upon at some point in this episode, we can’t remember.
Musicwise, it’s all over the shop, but always in a gloriously entertaining manner. Vaguely Punkish bands lumber about on their last legs, a giant hairy Belgian testicle in a muumuu has to jump up to reach his congas, Mike Oldfield’s sister and her mates break out of a Victorian asylum and pretend to be Martha and the Vandellas, Nazareth still think it’s 1973, Billy Joel has a cup of piss balanced precariously on his mixing desk, and a Birmingham taxi driver has a dark secret to reveal. And Debbie Harry looks down upon us all with her frosty hauteur as Legs & Co have to share four costumes between them. Meanwhile, at a party in New York, Sid Vicious is deciding to have another helping of trifle laced with heroin. End Of An Era.
Al Needham joins Taylor Parkes and Simon Price around the industrial dispute brazier of early ’79, veering off to discuss such important matters as wringing every last drop of juice out of your fledgling record collection, asking the Iranian kids at school if they were in the Shah’s or the Ayatollah’s gang, your Dad seeing the Sex Pistols kicking off about a lack of cabbage at a motorway service station, and a disturbing early internet craze called ‘Top Of The Pops Club’. And all the swearing you’ll need to see you through the month.
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The latest episode of the podcast which asks: what’s the difference between a Cartoon Time and a Cartoon Club?
This episode, Pop-Crazed Youngsters, sees the world’s No.1 authority on old episodes of a long-gone pop show casting its eyes and ears toward the summer of ’89 - but if you're expecting to see some Acid House tomfoolery or a full-on Madchester takeover, you're going to be massively disappointed: the only Acieeed references are on Sinitta's ears, and the only Manc in attendance is, er, Simon Parkin, who's been let out of the Broom Cupboard for his TOTP debut. And he looks like he's shitting himself throughout.
Still, this episode is a definite sign that things are getting better, as long as you avoid looking at the appalling shirts that men chose to wear in that era: Brit-Hop pitches up in the shape of the Rebel MC. REM finally escape from Student Discoland into our hearts and charts. Fuzzbox get all saucy with a massive pin . And Stock Aitken and Waterman finally admit defeat with the worst No.1 of the year that didn't involve a grown man in a rabbit costume.
Al Needham is joined by Sarah Bee and Neil Kulkarni for a ram of the critical arm up the cow's arse of '89, veering off to discuss being coated down by middle-aged Crusties, Mams who go into town wearing your favourite band t-shirts, suitable replacements for Africa pendants if you happen to be white and don't want to get battered, being stared at by Cyndi Lauper, and the disgusting lack of train etiquette displayed by second division pop stars. And - of course - all the swearing you could possibly need.
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The latest episode of the podcast which asks: what, him out of Brotherhood Of Man with the ‘tache? How old? Fucking hell!
After an extended hiatus, the greatest podcast in the world about old episodes of Top Of The Pops roars back with its usual melange of incisive music criticism, flare-baiting, dodgy microphones and the language of the billiard hall. This episode, we’re on the cusp of The Great Drought, and Tony Blackburn is on hand, bearing the gormlessly smiley visage of a man who knows he’s going to be giving his next-door neighbour a seeing-to in a Kensington flat after the show is over.
Musicwise, this episode is pitted with British rubbishness, saved by the advent of Disco and the intervention of black America, who are repaid with comedy racism. Yes, Diana Ross and Gladys Knight drop two of the greatest tunes of the era, but we’re forced to listen to the Genuine Concerns of Paul Nicholas, an early appearance of Midge Ure trying to be James Dean, some Racist Animal Disco, and the most hated lorry driver of the Seventies who wasn’t Peter Sutcliffe. Oh, and because it’s April 1976, you already know what the No.1 is. On the upside, we get two appearances by Pans People. On the downside, it’s because this is the week they are made redundant, marking the very end of TOTP’s Golden Age.
Taylor Parkes and Simon Price join Al Needham for a rummage through the skip of mid-70s Pop, breaking off to discuss if you can actually wring any kind of enjoyment out of 70s grot films, Monk Rock, the futility of CB radio, the lack of Birmingham accents in Pop, having your 8th birthday ruined by Manchester United, passing out in a lion suit, and some quality swearing.
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A moderately special episode of the podcast which asks: so what did Tony Orlando do to get banged up for three years, then?
This episode, Pop-Crazed Youngsters, is a massively-flared, clompy-heeled, zebra-printed celebration of one of the greatest traditions of any British Christmas Day: the opportunity to force the rest of your extended family to sit through an end-of year episode of The Pops and revel in the torrent of tutting coming out of your Nana’s mouth as she works their way through the Quality Street. Fourteen chart-toppers from The Most Seventies Year Ever are trotted out, from a time when the Number One single was either astoundingly brilliant or absolute cat shit.
Your hosts – Tony Blackburn and Noel Edmonds – really get into the Christmas spirit by shoving tree branches up each other’s arses and donning massive Lenny Kravitz-style scarves of tinsel as wave after wave of alternate Glam nirvana and easy-listening rubbishness floods the screen. On the downside, Donny Osmond spends Christmas alone, David Cassidy has a big sulk around Kew Gardens and we discover that Santa is actually an obnoxious American child with big teeth, but Dave Hill mutates into a Chicken Angel! Roy Wood plays a vacuum cleaner! Steve Priest radges up the grandparents of Britain in a sexy Nazi Bismark rig-out as Andy Scott whips out his third leg! And some dog-flouncing-off action!
David Stubbs and Taylor Parkes join Al Needham for a gleeful ripping-down of the gaudy paper chains of 1973, veering off to discuss Jody Scheckter Racing, the infinite superiority of the Beano Book over the Dandy annual, grandparental fantasies about Roy Wood being made to peel potatoes, Opportunity Knocks winners who were massive racists, what breaks Donny Osmond’s heart, a flick through the Music Star Annual 1974, being sang at by an entire factory when you’ve had an over-long shit, and so much more, with swearing.
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The latest edition of the podcast which asks: if the Thompson Twins made you a sandwich, would you want to eat it?
It’s Christmas Time, Pop-Crazed Youngsters, but there’s no need to be afraid – because we’re a full year away from any Band Aid rubbishness. It’s the last episode of The Pops before Xmas of 1983, and the studio is festooned with balloons and party hats, making it just like every other episode that year. And what a line-up – sneered at by John Peel and jollied along by Kid Jensen – it isn’t!
Musicwise, this is the mankiest Selection Box of teeth-loosening dessicated cat shit we’ve come across in a long while. Out go the Synth-mentalists of a few years ago, and in come in bare-footed, frizz-haired Serious Musicians. Terry and Arfur pop up to flog one of the crappiest Christmas songs ever, a Breakfast TV puppet with johnnies for ears defiles hip-hop, and Paul McCartney has a war with himself. On the plus side, Billy Joel goes back 20 years to leer at some girls having a pyjama party, Slade go back ten years and ignore a couple of Zoo Wankers, and Culture Club put a full orchestra in serious danger. And the No.1 is properly right-on.
Neil Kulkarni and Simon Price join Al Needham for this one, and have a good stare through the window of late 1983 like Dickensian urchins, breaking off to discuss such important matters as sex education videos of the 80s, running into Mrs McCluskey in a charity shop, asking lead singers how to get to Wales while they’re nobbing someone up against a tour bus, and the curse of Sta-Prest Fanny. With all the swearing you could ever want.
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The latest edition of the podcast which asks: what is the least Mod Dungeons & Dragons character?
This episode, Pop-Crazed Youngsters, has been cursed by the tang of man-flu and dodgy microphones, meaning it’s not at the usual hi-fidelity standard you’ve come to expect from Chart Music. But what an incident-packed go-around on the morbid carousel of Pop it is! There’s wave after wave of guest appearances from people who really shouldn’t have bothered, such as Cliff, his specky henchman Hank Marvin, and none other than co-host KEGGY KEEGLE HIMSELF facing down DLT in a perm-off.
Thanks to Simon getting an unexpected birthday present, we have possession of a full shooting script of an episode from The Popses’ post-strike regeneration, and we try to break the codes therein. Musicwise, the Mod revival rides itself right off the cliff, Kelly Marie and Sheena Easton put on their best Bingo Jumpsuits, Cliff does his Danger Dancing routine next to a keyboard player in Alan Partridge shorts, Randy Crawford’s heartbreakingly brilliant performance is ruined by a vision mixer who makes her look like the alien off Alien, and Nicholas Lyndhurst, Martin Shaw and Dennis Waterman rule over the charts.
Al Needham is joined by Simon Price and David Stubbs for a good hard leer at the autumn of 1980, veering off – as always – on tangents such as trying to be a 12 year-old Ace Face when everyone’s seen your Dad drag you out of a boating lake at Skegness Butlins, why adding the Poo-Poo drum machine over Joy Division records in clubs will never get old, having a good laugh at younger brothers who get beaten up in town for wearing the wrong badges, pathological hatred of Plastic Mods, and flares. And swearing, swearing, all the time swearing.
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The latest episode of the podcast which asks: how bad would your war have to get before you start thinking of calling up Johnny Hates Jazz?
This episode, Pop-Crazed Youngsters, sees the Chart Music gang trapped on the wrong side of Eightiestown, surrounded by a faceless herd of blandos in shitty suits with the sleeves rolled up, goaded into action by a wizened Don mincing about on top of a balcony. Bottom line: this episode of TOTP is absolute cat shit.
Because it’s co-presented by Mike Smith, who refused to have anything to do with Top Of The Pops after he left the show, you can rest assured that The BBC Won’t Show This when they get round to 1987 on their repeat run. And you’re not missing much, to be honest. Fucking Madonna Again gets all butch on a moving walkway in Turin, ABC turn into one of those bands of the era who want to be ABC in 1982, Jan Hammer looks extremely pleased with his brand new keytar, Mick Jagger holds children to ransom in an attempt to get his rubbish new single into the Top 40, and what the fuck is Gary Numan doing here?
Al Needham is joined by Taylor Parkes and Sarah Bee for a wince-inducing gaze into the open wound of the late Eighties, veering off on tangents including the CM verdict on Sounds Like Friday Night, how the hair gel of the era made it feel that you had a crusty tissue on your head, being forced to listen to Shakin’ Stevens on the school bus every day, discovering your def new high-tops are actually Bay City Rollers trainers, and more information on selling dirty knickers than anyone really needs. A colossal amount of swearing in this episode. Obviously.
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The thirteenth go-around of the podcast which asks: Showaddywaddy? Again? Really?
This episode, Pop-Crazed Youngsters, finally sees the good ship Chart Music sail way past the three-hour exclusion zone – but it can’t be helped, because the episode of Thursday Evening Pop Valhalla we dissect here is a classic.
Some of the big guns of the Seventies are pulled out, but are immediately bricked by snotty New Wave oiks in charity shop clothes, the foul spell of Revolting and Neutron-Bomb is banished forever, and Kid Jensen looks on from his Fortress of Solitude in approval and then asks some girls if they think he’s sexy. And they say ‘No’.
Musicwise, everything you’d expect from ’78 that isn’t caked in Grease is here. Freddie Mercury points out that he likes big butts and he cannot lie, Child pitch up in Brian Tilsley haircuts, Elton John looks like a droog suffering a mid-life crisis as Cathy McGowan sits at his feet, Elvis Costello calls Tony Blackburn a ‘silly man’ while pretending to take drugs, Debbie Harry stares at us unnervingly over a carrier bag, Heatwave drop an era-defining wedding song while dressed up as Turkish waiters, and the Boomtown Rats bring the Ted-Punk wars of the Kings Road into every playground in the country. And there’s Toast.
Al Needham is joined by Neil Kulkarni and Taylor Parkes for a rigorous examination of a classic episode of The Pops, veering off on tangents which include worrying about your Dad being got at by Peter Sutcliffe, cardboard cut-outs of Roy Race, the time when the BBC made you put stickers on your radio, and a discussion on Dean Friedman’s seduction technique that went on a lot longer than it really needed to. Swearing a-plenty!
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The dozenth episode of the podcast which asks: were Senser any good at Laser Quest?
This episode – another pop-blather behemoth – sees us stepping right out of our comfort zone and looking at an episode from the mid-Nineties. A golden era when, as we all know, the charts were weighed down with young men with guitars and Paddington coats that made us all proud to be British again.
The episode we examine, however, sees The Greatest Pop TV Show Ever at the beginning of its death throes as it begins its run of celeb presenters with Tetley Tea Folk-soundalike Mark Owen and Robbie Williams, who is already starting to get on all right-thinking peoples’ tits with his endless mugging. The charts – our precious, beautiful, immaculate charts! – are treated with the utmost distain while we’re constantly reminded of an exclusive premiere of a Madonna video, which is an advert for a film we’ve never heard of.
Yes, Blur are on at the beginning, but that’s your Britlot. What follows is a parade of people we thought we’d safely left behind in the Eighties, loads of Euro-acts both good and bad, Alison Moyet being forced to submit to an unrelenting biff-boff beat and a No.1 that left us hankering for the days of Jive Bunny. On the upside, Roachford manages to get through a song without shitting himself (allegedly).
Luckily, Al Needham is joined by Neil Kulkarni and Simon Price – who both worked for Melody Maker at the time, and take the opportunity to offer invaluable advice for anyone looking to break into the music press a quarter of a century ago and trade war stories about riding bikes on a dancefloor with the Sugarcubes, finding a message on their answering machine from lead singers threatening to break their legs, apologising for being gingist in the past, and having a potential fight being broken up by Carter the Unstoppable Sex Machine.
(swearing a-plenty)
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The eleventh episode of the podcast which asks: is anyone willing to swap a Fonz action figure for a ‘Shakin’ Stevens and the Sunsets – Heterosexual Rock n’ Roll’ badge?
This episode, Pop-Crazed Youngsters, has been a bastard to put together, and the sound quality may be a bit manky at times - but oh, what a glistening slab of televisual spangliness awaits us. It’s a full-on Flags & Balloons TOTP, this one, overseen by the circular face of The Hairy Breakfast Brunch Bar (who has wisely been kept away from The Kids and is monitored at all times), and the air is ripe with the soggy Lycra tang of the universally-despised Zoo.
But no matter – this episode is a veritable time capsule of the early 80s. Kool and The Gang drop the world’s most unwatchable video ever, which is danced to by another not-very-good troupe, Shakin’ Stevens places his white-shod foot upon the throat of the charts of the Eighties, DLT commands the BBC cameramen to stalk Claire Grogan at all times, The Stranglers look on in disgust at Zoo, and there’s the longest discussion of Brown Sauce ever conducted by three grown men. And Dollar. And Bucks Fizz.
Al Needham is joined by Taylor Parkes and Simon Price for a solid examination of a glorious episode of The Pops, veering off to brag about who they’ve had a drink with, why you shouldn’t use Dettol to treat facial acne, seeing Morph laid out in a glass coffin, the declining standards of World Cup mascots, and getting battered on Top Of The Form because of Noel fucking Coward. And swearing. AND Chris Needham’s new record!
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The tenth episode of the podcast which asks: when did vest and pants go from being an instrument of self-expression to a punishment for leaving your games kit at home?
This episode, Pop-Crazed Youngsters, sees us going back further than we’ve ever been before, to a time where Beatle wigs are still in Woolworths and nobody seems to mind that the BBC have taped some horse racing over their coverage of the Moon Landings. And what delights await us, as we see a show still in its embryonic stage and groping – but not in a DLT manner – towards the format we all know and love.
As always, the music therein is a proper lucky bag of randomness – the serious bands are away doing albums, so the void is filled with loads of songs that never even get a sniff of the Top 30, a folky Sixtiesness that refuses to go away, and tons and tons of the purest pop. The Jackson Five cause an older-than-usual audience to do berserk and forget that a cameraman is looking up their micro-minis, John Lennon allows us to be a fly on the wall at an Apple board meeting, Pans People let the Dads down big style, and Cheryl Vernon stands outside a church, waving flowers about with a face like a smacked arse. And Tony gets a silver cup. And Peter Marinello is intimidated by a girl with eyelashes like huntsman spiders.
Al Needham is joined by Neil Kulkarni and Taylor Parkes for a Stan-out-of-On-The-Buses-like leer at the dawn of the Seventies, breaking off to talk about our fathers’ love of dog food, why Country Dancing was a thing in West Midlands schools, the toys we never got and still want, and being disappointed to discover that colour TV was just a load of dots, really. And all the swearing you could possibly want.
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The ninth episode of the podcast which asks: were England’s international failures of the 1970s caused by an insistence on playing football on beaches in massive flares and stack heels while pretending to be Marvin Gaye?
This episode, Pop-Crazed Youngsters, sees us making another Sam Tyler-like voyage to Spangleland in an attempt to see if 1974 could keep up the quality levels of the year before, or if it was already lurching into the hell of 1975. What we discover is a Bizarro-world in which Noel Edmonds stands out as a bouffanted, proto-Medallion Man object of genuine teenage lust amongst the sullen, lank-haired youth.
Musicwise, we see ‘new’ bands taking wing (Mud, in their Glam-Ted Vishnu phase), older bands calming themselves down (Slade, doing a ballad) or on their way out (Mungo Jerry, we’re looking at you), and people absolutely losing their shit over The Wombles. Pans People cause your Dad’s tea to slide right off his lap as they don the flounciest, bounciest nighties ever, Bill Haley is unearthed and put on display, the Terry Jacks Deathwatch drags on for another week, and history is made as Abba yomp all the way from Brighton to Shepherds Bush to begin their glacial reign over the Seventies.
Al Needham is joined by Simon Price and David Stubbs to discuss all of this, as well as rubbish funeral songs, supporting a football team that looks like your favourite mug, BBC Families v ITV Families, believing that pop songs are actually news bulletins, and the Celtic ritual of Crisp Sacrifice. And all the swearing you could possibly want.
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The eighth edition of the podcast which asks: a new version of Top Of The Pops with sketches? FUCK OFF!
This episode sees the controls of the Time Sofa hijacked by our own Simon Price, who force-lands it smack in the middle of 1981. He's been saying for ages that '81 is the greatest Pop year ever, forcing us to throw down the frilly, fingerless gauntlet.
Things start weirdly with Simon Bates looking like a supply teacher and the return of Slade and Alvin, but then it's wave after wave of 'bands' that don't even have proper drums and make records by just pressing a button, don't you know, interspersed with black men slinking about and even getting skinheads to wave their hands in the air.
Any Brexiteers who can stomach Leee John being all sexually threatening and David Sylvian looking like Lady Di will be trapping a creased-up England flag in their bedroom windows in unrestrained joy to see a practically all-British line-up, and Madness have dropped another video, but it's not all good news: Barbara Gaskin comes on like a glammed-up Candice-Marie in Nuts In May, and a soon-to-be-on-the-dole Legs & Co look on as Lulu scabs out and dances with someone called Jeremy.
Al Needham, Taylor Parkes and Simon Price pick through the dress-up box that is 1981, veering off to discuss dog auto-fellatio, throwing Molotov cocktails into Welsh churches, whether people in Birmingham are proud of Crossroads (or not), cousins who get pissed up at your auntie's do and accuse you of being gay, and why it's a bad idea to do an Ant Stripe with Tipp-Ex. The usual swearing, and edited dead fast in order to get it out before the end of the month, so if it's shonkier than usual, soz.
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The seventh episode of the podcast which asks: if Les Dennis and Dustin Gee were Torvill and Dean, who would be who?
This episode sees us firmly on the wrong half of the Eighties, with Live Aid a mere five-and-a-bit weeks behind us, and the Greatest Pop Programme Ever is not coping very well with it. At all. For starters, it's been shunted up to 7.55pm to make way for Eastenders, The Kids are burdened with pom-poms and manky pastels and pushed right to the back of the studio and danced at by Pineapple Studio Wankers, there's a compulsion to lob in as many videos as possible, Garry Davies is wearing an appalling jacardigan, and there's Steve Wright.
As for the actual music, Lisa Lisa is with Cult Jam (but without Full Force), Drive by The Cars is trotted out for the second year running, Kate Bush rises about it all as usual, Stock Aitken and Waterman make a record that actually manages not to get on your wick. and oh look, there's Madonna with her pits over the hand dryer. And there's a woman cupping a right handful of a gorilla's breasts.
Al Needham is joined by Taylor Parkes and Neil Kulkarni for an unflinching gaze into the open wound of post-Live Aid Pop, breaking off to discuss failed Marxist dictatorships in Ethiopia, failed attempts at breakdancing, Psychobilly caravan holidays in Skegness, persistently homosexual Mexicans, the Curse of Arsewasher's Back, and white boys from villages going to black hair salons in order to look like a wrestler. And swearing.
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This sixth episode of the podcast which asks: a Lego submarine full of maggots? Really?
This episode sees us throwing ourselves between two stools marked 'GLAM/FUNK' and 'PUNK/DISCO' and sprawling awkwardly in the space marked '1975', in order to check whether it really was one of the tawdrier years for Pop. Spoiler alert: yes, it rather is, actually.
Emperor Rosko (looking for all the world like a Transatlantic Stu Francis) empties out a massive lucky bag of Pop-rammel, which includes people in silhouette pretending to have oral sex with Telly Savalas, someone who wasn't brave enough to be Alvin Stardust hiding behind a dog, Chicken-In-A-Basket (but really decent chicken, not Findus) soul, And Pan's People are dressed like sexy, sexy Vileda SuperMops.
It's not all bad, however: The Sweet come back hard on their tottery platform heels one last time, the Goodies wear matching dungarees with a 'G' on them, like radical-feminist Crips, Susan Cadogan drops one of the greatest reggae tunes of the decade, and it's 1975 and Bohemian Rhapsody hasn't come out yet, so you already know what's No.1.
Al Needham is joined by Neil Kulkani and Simon Price for a proper snuffle around the bell-bottomed, tartan-fringed crotch of April '75, veering off to sing disgusting variations of Bay City Roller songs, discuss why pirate radio was a bit crap, actually, the thrill of Snuff Delivery Day in old peoples homes in Coventry, and being bequeathed platform shoes by your father. The longest episode yet, full to the brim with swearing.
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The fifth episode of the podcast which asks: why is Richard Stilgoe going on about acne?
This episode finds Top Of The Pops smack in the middle of the Eighventies in a state of flux, after being off air for nine weeks due to a Musicians Union strike. The Kids are sat on the floor, the set is even more sparse than usual, and they're experimenting with guest co-hosts - a process which would start with Elton John and end with, er, Russ Abbot. This week, it's Tommy Vance and Roger Daltrey - The McVicar Himself - who takes crumpet-leering to heights that not even DLT would think possible, moans about The Clash not being on (when everyone else knows they don't do TOTP), and casts that aspersion upon the Village People.
Musicwise, we carom from Ultravox awkwardly dancing behind synths to Legs & Co channelling the spirit of the International Day episode of Peppa Pig to the Dad in Worzel Gummidge performing an old song which isn't a patch on I Got Those Can't Get Enough Of Those Blue Riband Blues to Grace Jones with a fag on to David Bowie's dead expensive new video to Abba putting a right downer on everything at the end with their adult relationship break-up palaver. And the drummer of Slade sits there with a shaker for no real reason at all.
Al Needham is joined by Taylor Parkes and David Stubbs for a through evisceration of 1980, veering off to talk about how Roger Daltrey put them off meat for life, what it's like to stop the night at Benny Out Of Abba's hotel, and how being dressed as a Pierrot on an orange beach and reacting to having your picture taken by a paparazzo as if you've been shot is a bit rubbish, really. And loads of swearing.
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The fourth episode of the podcast which asks: what the fuck is a ‘Baby’s Treat’?
This episode takes us back to the absolute cusp of the Eighties, a mere three weeks away before Margaret Thatcher starts wiping her arse on the country delivers strong and stable leadership. No synthy palaver or 2-Tonery in the charts just yet – it’s a lucky bag of randomness consisting of Punk bands at the end of their tether, Disco behemoths, and Ted revivalists clinging on for dear life. And Peter Powell is ridiculously excited by all of it, but especially the brass in Supertramp’s The Logical Song.
Highlights of this episode include Kate Bush having her arse removed by the BBC, Legs & Co channelling the spirit of Punk by sticking their tongues out, Racey having a Gail Tilsley lookalike as their lead singer, Jimmy Pursey skidding on his arse and influencing Indian wedding videos of the 1980s, and Art Garfunkel’s Kurt Cobain Gun Fingers.
Al Needham is joined by Melody Maker scribes Simon Price and Neil Kulkarni for a severe going-over of the Sound of ’79, breaking off to reminisce about listening to the new Top 40 in the bushes of a private school, being tormented by older sisters who can do Kate Bush’s eye-bulge trick, and keeping away from local youths in double-denim trying to smash park benches in time to the drum bits in Hey Rock n’ Roll.
(Warning: we were severely bum-rushed by the Skype goblins during the recording of this one, so the edit might be a bit shonky and heavy-manners)
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The third edition of the podcast which asks: is that an apple or a strawberry on Pans Peoples' arses?
In this episode - the chunkiest yet - we set the controls of the Time Sofa smack into the heart of the Glam era and get down to '73. The charts are encrusted with the bland mung of Osmond, but it's also rammed out with mid-Sixties chancers suddenly finding themselves in the Big Time in strange trousers, and milking their opportunity dry. And Tony Blackburn is on hand to vibrate with excitement, suggest that records about failed relationships make great Christmas presents, and abuse a Womble.
Highlights of this episode include Alvin Stardust debuting the Satanic sound of the Mansfield Delta, Mott The Hoople demonstrating that if you're on a three-day week, have a four-day weekend, Paul McCartney deep into his Style Council period, Kiki Dee flinging disgusting filth at our Pop Kids, and the Bacofoiled Elephant In The Room crashing straight in at No.1.
Al Needham is joined by Melody Maker veterans Taylor Parkes and Simon Price for a good old hack at the face of the Velvet Tinmine, breaking off every now and then to discuss who we fancied at the age of 5, the difference between cheesecloth and gingham, and what happens when you mention Gary Glitter at a pub quiz.
(Warning: lots of swearing, occasional seagull interference, and a long conversation about Gary Glitter which goes beyond fist-shaking and arguing over which one of us would pull the lever first)
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The second edition of the podcast which asks: who would win in a massive cage fight amongst Radio 1 DJs of the 70s and 80s?
This episode, we enter the late winter of George Orwell’s visionary magnum opus – but not even in his worst nightmares would he have imagined the Ministry of Pop Telly trying (and failing) to throw the No.1 single down the memory hole. And a Top 40 with two Thompson Twins entries.
Thankfully, we’re spared both of them, but what we actually get is cow-heavy and laden with the musk of the lower reaches of the charts, heavily influenced by the Channel Fourification of pop music, and overseen by Dave Lee Travis and his YTS lad Gary Davies. The Smiths make their second appearance, Nik Kershaw models the 2048 Little Chef uniform, Madness give up doing the Bummer Conga and go all serious, and we’re shocked to learn that Madonna isn’t black. And Marillion see fit to bring eight synths into the studio when there’s really no need.
Al Needham is joined by David Stubbs and Taylor Parkes in a serious pick amongst the brightly-coloured rags of the mid-Eighties, and check for stains. Sorry for the delay on this: there’s been technical mither we need not go into.
(loads of swearing and explicit descriptions of what eleven year-olds think Paul McCartney does)
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The debut of the podcast that takes a random episode of Top Of The Pops and breaks it down to its very last compound. It’s the Summer of ’77, and the Sex Pistols are finally allowed on. Will The Kids start gobbing on anyone onstage in flares? Will Legs & Co do the Pogo whilst dressed as giant swastikas? Will Kid Jensen point out that you have to destroy in order to create, and then tell the viewing audience to ‘Fuck Off’?
Strangely enough, no. Supertramp and Hot Chocolate defiantly sport the billowingist white flares ever seen on British television, the lead singer of Jigsaw models the latest styles from C&A’s ‘Mr Humphries’ collection, there’s some disturbing Ted-skipping in the audience, and Kenny Rogers comes back from Saudi Arabia. And Cilla Black’s on it.
Al Needham is joined by David Stubbs and Sarah Bee – two former Melody Maker journalists and all-round mint and skill writers – for a comprehensive blather about everything to do with this episode, amongst other things. It’s a first go, so it may be is a bit rough-arse in places, but – as a wise man once said – ‘We Don’t CAAAAAARRRRRRRRE.’
(and there’s swearing)
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En liten tjänst av I'm With Friends. Finns även på engelska.