The yesterday and today podcast is a fan-made, not for profit, just for fun compilation of chronological source materials as they pertain to the Beatles. This show is in no way affiliated with Apple Corps, nor any organization connected to John, Paul, George or Ringo in any way… though we do consider ourselves premiere members of the Bungalow Bill fun club. So kick back, turn off your mind, relax and download the stream…we hope you will enjoy the show.
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The podcast Yesterday and Today is created by Wayne Kaminski. The podcast and the artwork on this page are embedded on this page using the public podcast feed (RSS).
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The next wave of Beatles compact discs arrived as spring turned to summer, 1987 - marking (handily) the 20th anniversary of Sgt Pepper's Lonely Hearts Club Band. Taking the theme of "It was twenty years ago today" and running with it, Apple and their distribution arms at Capitol and EMI launched an elaborate campaign that culminated in a documentary film featuring current interviews with both Paul McCartney and George Harrison. An enchanted public teeming with nostalgia (and a chance to own such an iconic release in pristine CD-quality) drove Pepper to the #1 position on billboard's top compact discs chart, and the #3 overall slot in the UK. But this was only the beginning of the fruits of this event, as both Paul and George were busy crafting new music with a similarly-attuned nostalgic bent...
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And speaking of things that are "now" and "then"...
It's 1987 and another momentous chapter in the Beatles story is unfolding at break-neck pace. As Capitol/EMI plan for the launch of the first round of Beatles CDs (heralding the arrival of fab four music on compact disc for the first time), Paul, George and Ringo were all in their respective studios preparing new music. First up, the rambling Duane Eddy - pioneering guitarist of the early rock days - is making a new album and has enlisted not one but two Beatles to play on it. McCartney's contribution was a slinky, slidey cover of the 1979 Rockestra Theme - while George Harrison )with current producer Jeff Lynne offered up more than one new composition for the guitar legend to record. In February Harrison would also find himself on stage with Lynne, backing up CCR frontman John Fogerty and joined by none-other-than Bob Dylan. Dylan ALSO happened to be working with another former Beatle at this time, joining Ringo in Memphis on sessions for Starr's new album.
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As Summer 1981 turned to fall, the music landscape, too, underwent a major shift. In August, MTV debuted on cable television - a moment which marked a seismic shift in both television and the music industry. While the Beatles themselves helped to invent the genre through their motion picture and pre-taped performance projects in the 60s, Paul, George and Ringo would not be immune to this change in the musical landscape. Ringo Starr especially was struggling to find his footing after several unsuccessful album projects - culminating in a strong new LP titled Stop and Smell the Roses, released on October 27th. Featuring contributions from an all-star cast of musicians and friends (including his fellow former Beatles), this record was a return to form for Starr - yet despite the lead-off single Wrack My Brain cracking the top 40, the album itself stumbled. While 1981 was, in many ways, a reaction to the events of the prior December, it was also a demarcation point for the careers of the now-three former Beatles...and an early clue to the new direction in the world of Beatles...
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We're back with part two of the JOHN LENNON RADIO TOUR series! In the fall of 1974, John Lennon took to the airwaves to promote his new album Walls And Bridges in a radio DJ tour that spanned multiple stations, states and songs - all of which offered a unique insight into the former Beatle's state of mind. Station 93 KHJ was the next stop on the road, and coincided with the September 26th release of the new Lennon record. In addition to the commentary on his newest tracks, John offered up some choice oldies, contemporary songs, and (perhaps most interestingly) his favorite new tracks from Paul McCartney and George Harrison. We're bringing it all to you this episode, along with the continuation of our own commentary on the Walls And Bridges LP. Moderators Paul, James and Wayne discuss the next four tracks on the record: Bless You, Scared, #9 Dream and Surprise Surprise (Sweet Bird of Paradox). So take a walk down the street through the heat-whispered trees and make sure you bring it back here next episode for the finale of the RADIO TOUR series!
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Welcome to the story so far! In this episode we discuss some of the key events from the winter of 1969 right up until the end of 1971, and a LOT has transpired in those two short years. Hosts Paul, James and Wayne discuss the Beatles break-up, the formation of Wings, John and Yoko’s evolution and the ascendance of George Harrison as a musical force to be reckoned with. With a lot to unpack in this episode, you’d think we wouldn’t have time for much else...but abandon your sorrow - we have something special up our sleeves! This episode of Yesterday features a crossover with the hit Paul McCartney solo podcast TAKE IT AWAY, as co-host Ryan Brady journeys out into the Los Angeles night with Paul Kaminski to witness a screening of the Wings concert film “The Bruce McMouse Show” at the Arclight in Hollywood. Paul and Ryan discuss Wings, podcasting and the pluses and minuses of anatomical correctness on cartoon mice in this ride along the red rose speedway. So join us for recap, fun on the open road and some surprises along the way in this very special episode, and be back again in 2 weeks for the beginning of 1972!
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With RAM sitting high atop the charts, It Don't Come Easy blaring across radios worldwide and the finishing touches being placed on the Imagine album, the summer months of 1971 were bustling with former Beatle activity. Though mocked for its perceived underperformance by George and John, Paul McCartney's second outing was a steady seller that leap-frogged early criticism and seemed to only improve with age, even to this very day. But while a success for Paul was welcome news in the McCartney camp, it was another former Beatle in the summer of '71 that would steal the show...by putting one on. The Concert for Bangladesh was conceived and executed by George Harrison after his friend and mentor Ravi Shankar expressed to George the plight of refugees from war-torn Bangladesh. George was moved by his friend's plea and hastily prepared what was, at the time, an unprecedented benefit concert that included the likes of Eric Clapton, Billy preston, Leon Russell, Billy Preston, Ringo Starr, Badfinger, Jesse Ed Davis, Klaus Voorhman and, perhaps most surprisingly of all, Bob Dylan. It was a charitable event that would go on to inspire an entire movement, from Live Aid to Farm Aid and many more in the decades beyond. The spotlight may have been uncomfortable for Harrison, but in the summer of 1971 it was blazing as brightly upon him as the star underneath, and George rose to the occasion.
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With the release of the McCartney album in April of 1970, Paul McCartney brought to light what had been his reality for nearly a year: The Beatles were no more. He and wife Linda were an instant target for angry fans and angry press for being the messenger of this awful news that up to this point was merely speculation and rumor on the part of the public. Many, including John Lennon, saw Paul’s move as a strategy to sell the aforementioned solo album, but if that WAS the case, it was a bizarre album to go out on such a limb for. The McCartney LP is a homemade piece of rock and roll experimentation with moments of Beatle-esq sound that baffled most upon first listen. Songs like Maybe I’m Amazed and Every Night could have handily been Beatles cuts, while oddball instrumentals like Valentine Day, Kreen Akrore and Hot As Sun more evoked former bandmate Lennon’s “Unfinished Music” series (albeit with a slightly more commercial ring to it). And like Lennon before him, McCartney’s proclamation came mere weeks before the debut of the long-defunct Let it Be LP and film which at last saw its release on May 8th. If fans were baffled by “Singalong Junk”, they were certainly equally baffled by the rough-n-tumble new Beatles LP, where the slick studio soundscapes listeners were accustomed to were replaced by impromptu jams and after-the-fact production trickery by producer (or should we say salvager) Phil Spector. This was a rough time for all four now-former Beatles, a moniker which even know rings as sadly as it did in the springtime of 1970...
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1968 was another year of drastic transformation for The Beatles, and by December the group was ready to take a breath and let the world continue to absorb their new double album. Apple's biggest success story, Mary Hopkin, was back in the studio with Paul preparing a full length LP to follow-up on the massive hit single Those Were The Days, and the pair was joined by Donovan (who had made quite an impact on the Beatle sound in 1968). John and Yoko retreated to their Kenwood home where John would pen a new slew of songs such as Don't Let Me Down and Oh My Love. Ringo's latest film Candy held its premiere and Apple's latest find James Taylor saw his very first self-titled LP debut. On December 11th John joined the Rolling Stones for their ultimately unreleased Rock and Roll Circus television special. Appearing as "the Dirty Mac", John performed the double album track Yer Blues alongside Eric Clapton, Keith Richards and Mitch Mitchell to sizzling results. John would later remark that this experience opened his eyes to just how rewarding playing with different musicians could be. 1968 took four boys and made them into four men, and the year that followed would test friendships, yield more brilliant music, and see the disintegration of the biggest band to ever grace the world stage...
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Numbers, Colors & Music
Episode 25
The new Beatles double album is here!
On November 22nd, 1968 the band released their 9th full length studio recording, the self-titled behemoth colloquially known as "The White Album". The follow-up to Sgt. Pepper was a dramatic departure from the acid drenched sound paintings of the year prior and offered the most variety in song styles ever seen (either before or since) on a Beatles recording. Fans and critics alike were confused by the tonal shift, but as with any Beatles album commercial success was soon to follow.
While Revolver and even Pepper were more unified efforts, in many ways the double album was a showcase of four different musicians who were serving each other's songs. Paul's contributions include instant classics like "Blackbird," "Mother Nature's Son," "Back In The USSR" and "Ob La De Ob La Da" as well as thunderous rockers like "Helter Skelter" and "Why Don't We Do It In The Road?". John's tracks pointed the gaze inward, with a clutch of songs many consider some of the finest of his entire career.
"Happiness Is A Warm Gun," "Julia," "Yer Blues" and "Sexie Sadie" run the gamete of style and substance, while "Glass Onion" shows a rare tip of the hat to Paul for helping steer the Beatles' ship since the death of Brian Epstein.
Ringo Starr's very first original composition, "Don't Pass Me By," signaled the dawn of a fourth songwriter in the group, while the masterpiece "While My Guitar Gently Weeps" showed the band and the world exactly what George Harrison was capable of.
Enjoy!
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Episode 24
October 13, 1968 through November 21, 1968
It's the fall of 1968 and TWO Beatles solo albums are on the way. George Harrison holds the honor of the first solo record released by a Beatle (if we're not counting the Family Way soundtrack by Paul two years prior) with Wonderwall. Wonderwall is a soundtrack album chockfull of jams and electronic sounds that pushed some major boundaries at the time.
Next up would be the most controversial release of any one Beatles' career: John and Yoko's Two Virgins LP. While the actual record did little to rouse the ire of the public, a selection of noises and mood along with the cover art became the focal point of worldwide attention. The LP depicted a completely naked and fully frontal John Lennon and Yoko Ono. John knew this statement would be met with backlash from the public, but it was the backlash from the other Beatles that surprised him. The others struggled to embrace this new life for John, and yet another wedge was driven into the group's relationship.
This wasn't the only rough patch for John and Yoko in the fall of '68 the couple were busted for possession of cannabis resin (in the form of "hash") in October. In November Cynthia's divorce suit was granted within days of Yoko suffering a miscarriage.
All on the eve of a new Beatles album...
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September 16, 1968 through October 11, 1968
With Ringo back in the group and Hey Jude continuing its domination on the charts, The Beatles made one last push to wrap their ambitious double album project in time for a holiday release. A hallmark of the sessions was the diversity of song style, with the band recording tender ballads like I Will, raucous rockers like Birthday, haunting epics like Happiness Is A Warm Gun and Long Long Long, to borderline novelty tracks like Honey Pie and The Continuing Story Of Bungalow Bill. While this diversity reigned, the double album did find itself dominated by "stripped-down" acoustic tracks that would be a shocking departure for fans who had grown accustomed to the lavish studio creations of 1967. The fall of 1968 also saw the publication of The Beatles authorized biography by Hunter Davies perhaps the last vestige of influence by the band's late manager Brian Epstein. If Brian's influence was finally dissipating, the influence of John's new girlfriend Yoko Ono was expanding by the day, and by October the couple would proclaim themselves inseparable...
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Still riding high on the critical and commercial success that Sgt. Pepper brought, the Beatles entered the so-called "summer of love" as the spokespeople for their generation. Beloved by both fan and critic alike, John, Paul, George and Ringo took to the biggest audience of their career, representing Great Britain in the worldwide telecast "Our World" and debuting for it their new smash single "All You Need Is Love". With another chart topper in the bag, the band also made great strides toward ditching the harder drugs that had begun to take a destructive toll earlier in the year under the guidance of a spiritual leader named Maharishi Mahesh Yogi. Discovered by George and Patti, the Maharishi and his transcendental meditation seminars brought the boys some much needed peace of mind, especially John, whose chemical-laden escapades were starting to become a serious problem. But just as the Beatles began their retreat, tragedy struck. Manager Brian Epstein, the man most responsible for their fame and success, died suddenly of an apparent drug overdose at the age of 32. It was a terrible blow, and one that many (including the Beatles themselves) point to as the single event most responsible for the truly dark times ahead...
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En liten tjänst av I'm With Friends. Finns även på engelska.