100 Guitarists

Slayer guitarists Kerry King and Jeff Hanneman formed the original searing 6-string front line of the most brutal band in the land. Together, they created an aggressive mood of malcontent with high-velocity thrash riffs and screeching solos that’ll slice your speaker cones. The only way to create a band more brutal than Slayer would be to animate them, and that’s exactly what Metalocalypse (and Home Movies) creator Brendon Small did.

From his first listen, Small has been a lifetime devotee and thrash-metal expert, so we invited him to help us break down what makes Slayer so great. Together, we dissect King and Hanneman’s guitar styles and list their angriest, most brutal songs, as well as those that create a mood of general horribleness.

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Billy Strings has become one of the biggest drawing guitar players out on the road these days. His music brings bluegrass fans and jam band scenes together, landing him on some of the biggest stages around. Your 100 Guitarists hosts have brought in guitarist Jon Stickley to help them work out their differences—one of us is a jammer and the other … is not.

Stickley goes way back with Billy, spotting his talent early in the young guitarist’s career. The two have worked together since, and recently, when Billy had to dip out of his own festival as his wife headed to the hospital to deliver their baby, it was Stickley who was called to jump on stage and fill in at last minute notice. Stickley recounts the story of not only getting on stage, but strapping on Strings’ guitar, plugging into his space station, and taking off with Billy’s band.

We called the right guitarist to guide us through, navigating Strings’ work, the way he brings together influences from genres outside bluegrass, and what makes him a guitarist you need to know.

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Your esteemed hosts of the 100 Guitarists podcast have been listening to Randy Rhoads’s body of work since they learned the word “pentatonic.” His short discography with Ozzy Osbourne has been emblazoned on both of our fingertips, and we’ve each put in our hours working out everything from the “Crazy Train” riff to the fingerpicked intro to “Diary of a Madman.” But in our extended Premier Guitar fam, we have an expert who’s been studying Randy’s licks since longer than either of us have been alive.

On this episode, we’re thrilled to be joined by Chris Shiflett—best known to you as the host of Shred with Shifty or as the Foo Fighters’s foremost expert on Randy Rhoads. Since growing up with these riffs in his ears, Shifty’s been making tokens of tribute to the later guitar slinger, from bespoke t-shirts to stuffed guitars.

Join us for Shiflett’s Randy Rhoads primer, learn why you should crank the outro to “S.A.T.O.” as loud as you can, and what Ozzy song makes this Foo cry.

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Steve Lukather is one of the most documented guitarists in the hit-making biz. He grew up as an L.A. teen with a crew of fellow musicians who would go on to make their livings at the top of the session scene. By the time Lukather and his pals formed Toto, they were already experienced chart-toppers. The band went on to success with hits including the rockin’ “Hold the Line,” breezy, bouncing “Rosanna,” and the timeless “Africa.”

As a session player, Lukather’s reign in the ’70s and ‘80s extended from Olivia Newton-John to Herbie Hancock to Michael Jackson. And alongside Michael McDonald—whose “I Keep Forgettin’ (Every Time You’re Near)” included Lukather’s distinctive rhythm riffage—Daryl Hall and John Oates, Kenny Loggins, Peter Cetera, and Christopher Cross (among many others) he may have earned the title of yacht rock’s number one guitar player.

On this episode of the 100 Guitarists podcast, we’re talking about our favorite Lukather tracks, from his best rhythm parts to his most rippin’ solos. And even though he spends most of his playing time with the biggest names, we’ve managed to call up a few deep cuts.

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Kevin Shields of My Bloody Valentine is one of the loudest guitarists around. And he puts his volume to work creating mythical tones that have captured so many of our imaginations, including our special shoegaze correspondent, guitarist and pedal-maestro Andy Pitcher, who is our guest today.

My Bloody Valentine has a short discography made up of just a few albums and EPs that span decades. Meticulous as he seems to be, Shields creates texture out of his layers of tracks and loops and fuzz throughout, creating a music that needs to be felt as much as it needs to be heard.

We go to the ultimate source as Billy Corgan leaves us a message about how it felt to hear those sounds in the pre-internet days, when rather than pull up a YouTube clip, your imagination would have to guide you toward a tone.

But not everyone is an MBV fan, so this conversation is part superfan hype and part debate. We can all agree Kevin Shields is a guitarists you should know, but we can’t all agree what to do with that information.

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Stevie Ray Vaughan was a force of nature. With his “Number One” Strat, he drove a veritable trove of amps—including vintage Fenders, a rotating Vibratone cab, and a Dumble—to create one of the most compelling tones of all, capable of buttery warmth, percussive pick articulation, and cathartic, screaming excess. As he drew upon an endless well of deeply informed blues guitar vocabulary, his creativity on the instrument seemingly knew no bounds.

Your 100 Guitarists hosts are too young to have experienced SRV live. We’ve spent decades with the records, live bootlegs, and videos, but we’ll never know quite how it felt to be in the room with SRV’s guitar sound. So, we’d like to spend some time imagining: How did it feel when it hit you? How did he command his band, Double Trouble? The audience?

SRV was mythical. His heavy-gauge strings tore up his fingers and made a generation of blues guitarists work a lot harder. And his wall of amps seems finely curated to push as much air in all directions as possible. How far did he take it? Was he fine-tuning his amps to extreme degrees? Or could he get his sound out of anything he plugged into?

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There has never been a list of greatest guitar players without the mighty Jeff Beck. From his work with the Yardbirds in the ’60s to his solo work starting with 1968’s Truth, Beck changed the game, constantly redefining the vocabulary and sound of guitar music.

On this episode, we’ve brought in Jennifer Batten, who grew up as a massive Beck fan, met him while on Michael Jackson’s Dangerous tour, and ended up in his band! Batten, not only as master of the guitar but an insightful educator, delivers loads of insight straight from the studio and stage. We get the full scoop on how she got the gig with Beck and her experience recording and touring as musical director for 1999’s Who Else! and 2001’s You Had It Coming. “He was just like a 6-year-old in a sandbox and just wanted to play,” says Batten.

Plus, what are her favorite Jeff Beck jams?

Join us as we get all the inside stories on one of the highest-level masters of our instrument.

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In this episode, we’re celebrating the thrill of guitarmony, sick riffs, and driving 8th-note rhythms by talking about Judas Priest. Before getting ready for this episode, neither of your esteemed hosts had ever delved into the Priest discography beyond the rock-radio hits and Beavis and Butthead—though we’d both spent our time with Heavy Metal Parking Lot. Since so many of the GOATs hold the band in the highest of regard, we knew that K.K. Downing and Glenn Tipton belonged on this list, so we embarked on a journey to find out why.

After hours of listening and watching, we’re happy to report that we get it. From their debut, 1974’s Rocka Rolla, through 1980’s British Steel, deep into the ’80s-production era with 1986’s Turbo, and through the speed-metal bravado of 1990’s Painkiller, plus live videos and records—the super-loud Us Festival performance and the crushing Unleashed in the East record—we found a lot that we love.

If you’re new to Priest’s music or are trying to find your own starting point, we’ve got some great tips for guitar jammers. And if you’re a hardcore fan, maybe you’ve got some tips you can share for our next steps. 

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Best known as the lead guitarist in Wilco, Nels Cline has an exceedingly wide range. The intrepid Jazzmaster-master has tackled everything from the deepest out-jazz and extreme noise to sensitive balladry and all brands of rock. Fittingly, any one person’s list of favorite Nels Cline records are like fingerprints: no two are the same. You’ll be leaving this one with homework!

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Shred-meister and Eric Johnson expert Andy Wood joins us to talk about EJ’s best tracks, albums, and more. Whether you’re a fellow expert or don’t know where to start, Andy’s got you covered, from studio albums to live tracks. Come with questions, leave with homework!

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Once the news of the Oasis reunion got out, Sadler Vaden hit YouTube hard on the tour bus, driving his bandmates crazy. The Jason Isbell and the 400 Unit guitarist has been a Noel Gallagher mega-fan since he was a teenager, so he joined us to wax poetic about Oasis’ hooks, Noel’s guitar sound, and the band’s symphonic melodies. What are Sadler’s favorite Oasis jams? And if he ever shares a bill with Oasis and they ask him onstage, what song does he want to join in on?

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Billy Gibbons is an undisputable guitar force whose feel, tone, and all-around vibe make him the highest level of hero. But that’s not to say he hasn’t made some odd choices in his career, like when ZZ Top re-recorded parts of their classic albums for CD release. And fans will argue which era of the band’s career is best. Some of us love drum machines and synths and others don’t, but we all love Billy.

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There is no more solid, more rockin’ guitar duo than AC/DC’s Angus and Malcolm Young. Whether they make you want to brawl or crank up your amp, if you’re listening to this podcast, you know what we’re talking about. The band’s catalog is so famously consistent, do they have a best song? A worst song? (No.) And what’s the real secret to the brothers’ 6-string chemistry?

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We can agree that Jerry Garcia’s playing pulled from all directions of the American musical experience to create an unparalleled playing vocabulary that persisted not only at the forefront of the Grateful Dead’s music, where he was most prominent, but also in his solo work with Jerry Garcia Band and in his bluegrass collaborations. Throughout the Dead’s rambling career, the band shapeshifted through various eras, often with very different musical values, giving fan lots to disagree about. What’s the essential stuff? Where should new listeners go to get acquainted before going into live-tape-land? And just how influential were the Dead on modern music?

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Tom Petty’s righthand man proved time and again that he could get to the heart of the matter and find the perfect guitar part for a song. But he’s also cooked up plenty of hits as a player and writer for artists such as Don Henley—with whom he co-wrote two of his biggest hits—Stevie Nicks, Roy Orbison, Matthew Sweet, Brian Setzer, and so many others. Plus, his Blue Stingrays and Dirty Knobs are like candy for the deepest of guitar-tone nerds.

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It’s a long journey from Kill ’Em All to 72 Seasons, but we made the trip and there’s a lot to talk about. We cover our favorite tracks on every studio album, with the band’s best riffs and solos along the way. There’s plenty we can all agree on—Master of Puppets sits high on the hard-rock altar—and just us much that’s up to debate—is it time for a critical reevaluation of the Load/Reload double-header? And 13 years on, we’re still talking about Lulu.

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Dan Wilson is a bandleader, teacher, and a Grammy-nominated guitarist who’s played alongside organ-jazz master Joey DeFrancesco and bassist Christian McBride. He’s on the short list of players who are experts of Grant Green’s singular swinging sound. We called Dan to talk about our favorite entries in the Green’s long discography. From trio dates to cowboy jazz to his funk period, we cover it all.

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Zakk Wylde is best known for his work at Ozzy’s side. It’s with good reason: He’s blazed that gig with his strong musical personality firmly intact for decades. But on this episode we’re not only talking about his work with the Ozzman, but his solo albums, Black Label Society, Zakk Sabbath, and a few very key guest spots.

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Over the course of his long career, the Rush guitarist has shape-shifted through the classic rock universe. From mid-’70s hard rock through the band’s more progressive tendencies, into the beating heart of the ’80s, and finding a (relatively) leaner approach by the turn of the century, Lifeson—aka Lerxst—always found a new way to add space and dimension to Rush’s dense sound. Lifeson’s unique lead and rhythm playing has been celebrated with a range of signature gear that speaks to his broad sonic palette.

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We love “Cult of Personality” because it’s one of the hardest hitting riffs in the classic rock canon. Catch it on drivetime radio and it’ll get your heart pumping faster than an extra double-shot of espresso. But we also love it because it launched Vernon Reid’s guitar into the mainstream. We’re unpacking Reid’s playing—from his early days in the NYC jazz underground through his work with Living Colour and into supergroup superstardom—and his longstanding gear-acquisition-syndrome.

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How do you capture what is so special about Bill Frisell’s guitar playing in one episode? Is it his melodies, his unique chord voicings, his rhythmic concept, his revolutionary approach to pedals and sounds…? It’s all of that and much more. Jason and Nick talk about each of their five favorite Frisell recordings, talk about some other far-out Frisell recordings, and keep talking about their favorite records that didn’t make the list. Our hosts convene a Frisell fan club of sorts, with help from guitarists Mary Halvorson and Mike Baggetta, and luthier Creston Lea.

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Whether you’ve been listening to Queen since they released their self-titled debut in 1973 or you first heard them in Wayne’s World, we can all surely agree that Brian May is a guitarist you should know about. His leads are melodic and singable, and his overdubbed guitar choirs are unparalleled. Is he also one of the smartest guitarists around? (He’s also an astrophysicist on the side!) Jason shares his Rig Rundown story, and guitarist Nathaniel Murphy calls in with an appreciation.

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Nancy Wilson’s rhythm-guitar playing is under-sung hero of Heart’s sound. After auditioning for her sister Ann’s band with a performance of Yes’ “The Clap,” she transformed their sound—just check out the intro to “Crazy On You” to instantly hear the influence of her acoustic playing. And together, they transformed classic rock. On this episode, we talk about how Wilson’s acoustic and electric playing is the element that delivers the band’s signature sound. Lindsay Ell calls in to drop a line, and our hosts go shopping for Gibson Nighthawks and vintage Ovations.

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Apple: https://podcasts.apple.com/us/podcast/100-guitarists/id1746527331

PLAYLIST: https://music.apple.com/us/playlist/nancy-wilson-100-guitarists/pl.u-ZpmlFrWJGe

Kennedy Center Honors - https://youtu.be/2cZ_EFAmj08?si=BOlLLOyMU0uloYaf

The Battle of Evermore - https://www.youtube.com/watch?v=M44M7pOAQQw

Keith Richards is the undisputed master of rock ‘n’ roll rhythm guitar. But who’s his best partner in the “ancient art of weaving”: Brian Jones, Mick Taylor, Ron Wood … Ry Cooder? We’re going through our favorite Stones guitar songs culled from studio albums and bootleg live recordings.

Episode sponsored by Divided by 13: https://dividedby13.com/

Get at us: [email protected]

Call/Text: 319-423-9734

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Subscribe to the podcast:

Spotify: https://open.spotify.com/show/0aXdYIDOmS8KtZaZGNazVb?si=c63d98737a6146af

Apple: https://podcasts.apple.com/us/podcast/100-guitarists/id1746527331

LINKS:

“Midnight Rambler” at the Marquee Club 1971: https://www.youtube.com/watch?v=t87B4frtEh8

The Rolling Stones - All Down The Line (Live) - OFFICIAL: https://youtu.be/B51A6bcMeDY?si=jpeHyrn1d-hv_i7C

Rolling Stones - Gimme Shelter - Perth - Feb 24, 1973

https://www.youtube.com/watch?v=iSGk3LeM56E

PLAYLIST: https://music.apple.com/us/playlist/the-rolling-stones-100-guitarists/pl.u-68m8Iz3xpq

Maybe you know George Benson from “Give Me the Night” and “On Broadway,” or maybe you’re a deep-cut head who loves The Cookbook and “Valdez in the Country.” In this episode, we’re covering our favorites, with help from guitarists Molly Miller and Dan Wilson, and some words from the maestro himself. Is Benson the most responsible user of smooth grooves? Listen to find out.

Get at us: [email protected] Call/Text: 319-423-9734

USE CODE PG10 for 10% off your purchase at https://robertkeeley.com/

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PLAYLIST: https://music.apple.com/us/playlist/george-benson-100-guitarists/pl.u-PRkVI0WjXD

Rick Beato Interview - George Benson: The Greatest Guitarist/Singer of All Time

PG Feature on Guitar Man - https://www.premierguitar.com/george-benson-still-the-coolest-of-cats

Wong Notes Episode with George Benson - https://wongnotes.captivate.fm/episode/george-benson

Guitarist Michael Hedges transcended genre with his incendiary two-hand technique, oddball instruments, and plethora of unique tunings. And his creative cover arrangements, from Sheila E. to Zappa, are in a world of their own. On this episode, we hear from his family, friends, and scholars who share what Hedges’ music means to them, and what’s in store for Hedges fans.

Sponsored by StewMac: Click to get 10% off until June 16, 2024! - https://stewmac.sjv.io/JzMyNe

Get at us: [email protected] Call/Text: 319-423-9734

Podcast powered by Sweetwater. Get your podcast set up here! - https://sweetwater.sjv.io/75rE0d

Guitarist Michael Hedges transcended genre with his incendiary two-hand technique, oddball instruments, and plethora of unique tunings. And his creative cover arrangements, from Sheila E. to Zappa, are in a world of their own. On this episode, we hear from his family, friends, and scholars who share what Hedges’ music means to them, and what’s in store for Hedges fans.

Get at us: [email protected]

Call/Text: 319-423-9734

Sponsored by StewMac: Click to get 10% off until June 16, 2024! - https://stewmac.sjv.io/JzMyNe

Podcast powered by Sweetwater. Get your podcast set up here! - https://sweetwater.sjv.io/75rE0d

Subscribe to the podcast:

Spotify: https://open.spotify.com/show/0aXdYIDOmS8KtZaZGNazVb

Apple: https://podcasts.apple.com/us/podcast/100-guitarists-you-should-know/id1746527331

Playlist: https://music.apple.com/us/playlist/michael-hedges-100-guitarists/pl.u-LL2Bs7D8KG

Show Links

Official Website: https://michaelhedges.com/

Michael Hedges Tuning Database: https://www.stropes.com/?glbm=19&fa=7

Gear List: http://nomadland.com/Point_A.htm

A few weeks ago, David Gilmour announced Luck and Strange, his first release since 2015, as well as a select set of tour dates and dropped a new video. On the second episode of the 100 Guitarists podcast, hosts Jason Shadrick and Nick Millevoi break down the video, from Gilmour’s collaborators and gear to his climactic solo. Friends and listeners call in to support their favorite member of the ’80s Armani and Strat mafia.

Get at us: [email protected] Call/Text: 319-423-9734

Sponsored by EMG Pickups: https://www.emgpickups.com/

Podcast powered by Sweetwater. Get your podcast set up here! - https://sweetwater.sjv.io/75rE0d

Subscribe to the podcast:

Spotify: https://open.spotify.com/show/0aXdYIDOmS8KtZaZGNazVb

Apple: https://podcasts.apple.com/us/podcast/100-guitarists-you-should-know/id1746527331

Check out the playlist: https://music.apple.com/us/playlist/david-gilmour-100-guitarists/pl.u-ReW7Sq7RWA

David (w Steinberger) and Kate Bush playing “Running Up That Hill” at the Secret Policeman’s Ball 1987: https://www.youtube.com/watch?v=Lk7AVm0Ome0

David Gilmour’s “The Piper’s Call” : https://www.youtube.com/watch?v=gMr5GpCpKyA

All about the “Black Strat”: https://www.gilmourish.com/?page_id=66

Premier Guitar editors Jason Shadrick and Nick Millevoi are arguing over which 100 guitarists you should know. Together, they dig deep into each player’s catalog to uncover what makes them unique, influential, and important. 

First up: Andy Summers.

For the debut episode we’re covering Police guitarist and all-around maestro Andy Summers. From the iconic trio’s Outlandos D’Amour to Synchronicity, Summers changed the game for modern guitar playing with his groundbreaking use of modulation—shoutout chorus and flange!—and arpeggiated suspended chords, ultimately defining the sound of the 1980s. Post-Police, Summers’ jazz-focused instrumental work has proven deeply influential and wide ranging.

Get at us: [email protected] / 319-423-9734

Sponsored by Electro-Harmonix: http://ehx.com

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Links from the show:

This vid has a great walk through of his rig in ‘87 : ​https://youtu.be/RS87DCFfzxU?si=dWf19JluB-4V5wjO

PLAYLIST -https://music.apple.com/us/playlist/andy-summers-100-guitarists/pl.u-6x0Wuz3xpq

Best Andy Summers interview ever: https://www.premierguitar.com/artists/andy-summers-not-another-classic-bozo-interview

Watersish.com has a great breakdown of his gear: https://watersish.com/archives/2015/05/andy-summers-rig-the-police-years.html

Jools and Andy - https://www.youtube.com/watch?v=YFWj8JIPLI8

Live in Hamburg - https://www.youtube.com/watch?v=F4VjsqR5Vbc

Bring on the Night 182 - ​​https://youtu.be/PuFAYAEgKMA?si=ZUacSZhwuXXIxLGs

Driven to Tears 1980: https://youtu.be/fTwpXf2Erk4?si=Qkcukb1no87W-XrH\