The Open Ears Project

Rowan Williams is a British theologian and poet. From 2003-2012, he served as the Archbishop of Canterbury ? a role that placed him, along with the British monarch, at the head of the Anglican Church. As one of today?s most influential religious leaders, Williams has often been the subject of both praise and controversy for his outspoken views, including as a critic of the Iraq War and a proponent for LGBTQ+ inclusion. 

In the years since Williams first heard Bach?s Cello Suites as a college student, he has returned to them again and again. In this episode, Williams explores the connection between music and joy, and explains how listening to Bach feels similar to religious contemplation.

This recording of Johann Sebastian Bach?s Suite for Cello Solo No. 1 in G featured on this episode comes from Jian Wang?s 2005 Deutsche Grammophon record, ?Bach: The Cello Suites.?

Dexter Filkins is a Pulitzer Prize-winning journalist, former Iraq War correspondent for the New York Times, and author of the bestselling book, ?The Forever War.? He?s currently a staff writer for The New Yorker.

In this episode, Filkins recalls how Ravel?s music gave him respite during his ?nightmare years? covering the war in Iraq. He explains how Ravel, who served as an ambulance driver during World War I, balances suffering and hope in the second movement of his Piano Concerto in G Major.  

The performance of Ravel?s "Adagio" from his Concerto for Piano in G Major featured on this episode comes from the 1998 Deutsche Grammophon album "Ravel: Piano Concertos; Valses nobles et sentimentales," featuring pianist Krystian Zimerman as soloist with the Cleveland Orchestra under the baton of Pierre Boulez.

As one of the leading conductors of our time, Marin Alsop has collected a lot of ?firsts?: She?s the first woman to head a major orchestra in the United States, South America, Austria and the United Kingdom. Throughout her career, she has also tirelessly advocated for equitable music education and for professional opportunities for other female conductors. 

In this episode, Alsop talks about her deep admiration for Beethoven and why, despite being one of the most performed classical pieces ever and written 200 years ago, his Symphony No. 9 (the ?Ode to Joy?) remains fresh to modern ears. For her, Beethoven is not just a model musician ? but also a model for ?living on the planet as a human being.?

The performance of Beethoven's Symphony No. 9 featured in this episode was provided courtesy of the New York Philharmonic.

Nathalie Joachim is a Grammy-nominated flutist, vocalist and composer. She is the co-founder of the acclaimed flute-meets-electronica duo Flutronix, as well as the composer of the evening-length work ?Fanm d?Ayiti,? which explores her heritage and, more broadly, women?s voices in Haiti. Her recently-released album ?Ki moun ou ye? (?Which person are you??) continues the musically-grounded investigation into identity. 

In this episode, Joachim recalls a formative experience with the music of Brahms, connecting her attraction to his music with the rhythmically inventive music of her family?s native Haiti.

The performance of Brahms Symphony No. 3 used in this episode features the New York Philharmonic under the baton of Alan Gilbert. Recording provided courtesy of the New York Philharmonic.

Elizabeth Day is an author, broadcaster, and host of the podcast ?How to Fail,? where she interviews guests about what they have learned from failure. In this episode, Day reflects on a performance that has guided her through different stages of her life: Jacqueline Du Pré?s rendition of Elgar?s Cello Concerto in E Minor. 

From the disappointment of a Valentine's Day gone awry to the devastating loss of a former partner, Day has turned to the depths of beauty and pain evoked by this music and continually relied upon it to help her feel understood amidst the tumult of grief.

If you?d like to hear a full performance of this work, you can find it on the Warner Classics Website.

This performance of Edward Elgar?s Cello Concerto in E minor features soloist Jacqueline Du Pré from the Warner Classics record ?The Great Concertos. Elgar, Saint-Saëns, Haydn, Dvo?ák, Haydn.?

Damien Sneed is an award-winning musician, conductor, composer and arts educator who works across classical, jazz, R&B and other genres. When he was five years old, Sneed?s parents told him he was adopted. He walks us through the story of how, through a series of dreams and coincidences, he eventually reunited with his biological family and learned to accept the complexity of life and music alike. 

In this episode, Sneed reflects on how playing Liszt?s Étude No 3, ?Un Sospiro,? for both his biological and adoptive mothers allowed him to finally loosen his grip around ideas of adoption, rejection and acceptance.

This performance of Franz Liszt?s ?Concert Etude No. 3? is by André Watts from his EMI record, ?André Watts Plays Liszt - Album 2." The performance of ?The Will of God? is by Karen Clarke Sheard and Kierra Sheard from the Island Black Music record ?Finally Karen."

Deborah Frances-White is a comedian, writer, and host of ?The Guilty Feminist? podcast, where she explores the balancing act between feminist idealism and human imperfection.

In this episode, White reflects on her upbringing as a Jehovah?s Witness and shares a story about the first time she saw a performance of Mozart?s opera ?Così fan tutte.? On the train home from the performance, she shared a serendipitous encounter with a stranger that could have been lifted from an opera plot. To this day, when White listens to ?Soave si il vento? ? a trio from the opera meaning ?may the wind be gentle? ? it evokes for her ?the longing and the loss for all the loves that might have been.? 

This performance of ?Soave sia il vento? comes from the 1997 EMI recording of ?Così fan tutte? by the Vienna Philharmonic under the baton of Riccardo Muti.

Tom Hiddleston is an actor beloved around the world for his roles in film, television, and the stage, most notably for his portrayal of the Norse god Loki in the Marvel Cinematic Universe. Before all that, he was a student at the Royal Academy of Arts in London, balancing both high hopes and uncertainty for his future.

For the debut episode of the long-awaited second season of "The Open Ears Project," Hiddleston recalls a powerful memory from those days. While driving to a hiking spot, Arvo Pärt?s "Spiegel im Spiegel" played on the radio, synchronizing with the landscape to evoke a sense of the eternal and the power of art to remind us of our humanity.

The performance of "Spiegel im Spiegel" featured in this  episode is by violinist Nicola Benedetti and pianist Alexi Grynyuk, from Benedetti's 2009 album, "Fantasie."

The Open Ears Project returns for a new season on February 12! From tales of memorable moments in nature and fleeting encounters with strangers ? to recollections of music that helped in difficult times ? The Open Ears Project features people sharing a personal story about the classical track that means the most to them, and why. 

This season?s guests include a wide range of voices ? many in creative fields ? including actors, authors, and journalists, as well classical and genre-busting musicians and conductors about the music that inspires their journey. 

Part mixtape, part sonic love letter, each episode creates a moment to reflect on the question, what if we made a habit of opening our ears ? to classical music and to each other? Whether listeners are seeking an introduction to new pieces or encounters with powerful storytelling, listeners will enjoy brief but enduring meditations with artistic works and soulful stories spanning the range of the human experience. 

The Open Ears Project was created by Clemency Burton-Hill. This season will be hosted by Terrance McKnight. New episodes drop every Monday so listeners can start their week on the right note.

Actor Tom Hiddleston reminisces about his childhood love of Tchaikovsky?s ballet The Nutcracker and reveals that he still turns to the Russian Dance whenever he needs a shot of vitality in his day.

For the final episode in our opening season of The Open Ears Project, relationship therapist Esther Perel talks about the first time she heard Fauré?s Requiem as a young woman and how it seemed to ?understand? an inexpressible sadness she was carrying inside her.

She describes with great tenderness the way music connects her to her mother, a survivor of the Holocaust, and how this piece transports her to something akin to a religious experience.

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Project Coordinator Krystal Hawes explores the perfect imperfection of Maurice Ravel's Pavane pour une infante défunte.

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Rapper Dessa discusses how the craft, structure and emotion of Bach's Chaconne in D minor resonates through her life and work, revealing dynamic connections between classical and rap music.

Actor Jesse Eisenberg talks about how a trip to Poland led him to discover not only more about his family history and the holocaust, but the music of Frédéric Chopin, in particular the Etude Opus 10, No. 1.

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Choreographer Christopher Wheeldon gives moving insight into his long and inspiring journey with the music of Prokofiev?s Second Violin Concerto.

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TV producer Megan Reid talks about Arvo Pärt?s Spiegel im Spiegel helped spark a lifelong obsession with ballet.

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Broadcaster Terrance McKnight links family, art, a late Beethoven piano bagatelle, and the extraordinary poetry of Langston Hughes.

New York City art teacher Justin Jackson talks about how Edvard Grieg?s In the Hall of the Mountain King inspired him as a child to march around the living room, and how he shares that excitement with his young students as he passes on his love of creativity, imagination, and the arts.

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WNYC host Alison Stewart talks about how she gave up learning the piano when she was young after the sudden death of her piano teacher, and how the rocking ebbs and flows of Satie?s Gymnopédie No. 1 helped her come back to the instrument as an adult ? and learn to let go.

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Architect Daniel Libeskind reflects on the healing power of music and architecture and reveals his lifelong obsession with the dazzling Toccata and Fugue by JS Bach.

Digital strategist Jacqui Cheng shares how she discovered the music of Bach via her 1980s Atari 2600 habit, but it?s the Violin Sonata No. 1 that helps walk her through a period of grief.

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Jazz Trumpeter Wynton Marsalis discusses how Beethoven?s String Quartet No. 16 helped him understand the role of music ? and musician ? in connecting the past and the future.

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Instagram?s Eva Chen talks about how Mozart's Piano Concerto No. 17 helps her switch between gears as she moves from a busy life in fashion to being a working mother to writing a successful series of children?s books.

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Comedian and actor Eddie Izzard talks about how Debussy?s Clair de Lune became ?comfort music? after her mother died when she was a child, and still elevates her from the noise and chaos of everyday life.

Opera singer J'Nai Bridges discusses what she learned about forgiveness, memory and legacy from Henry Purcell's heartbreaking Dido's Lament.

US Army reservist Joe Young talks about how Steve Reich's Music for 18 Musicians helped him through a period of deep depression when he was stationed in Texas and required to perform funeral rites for his fallen soldier colleagues.

Writer Robert Macfarlane reflects on the transporting fragility and beauty of Frédéric Chopin's Berceuse heard in a time of war.

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Violinist Nicola Benedetti reveals what hearing Beethoven?s Violin Concerto as a child taught her about listening, empathy and vulnerability.

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WNYC's Lee Hill recalls how "Little's Theme" from Nicholas Britell's score to Moonlight resonates with his own life experience as a queer black man and helps him stand in his own truth.

Director Sam Mendes explains how Carl Orff?s Gassenhauer helped him establish the mood for his first film, American Beauty.

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Comedienne Rachel Strauss-Muniz discusses sharing Mozart?s First Piano Sonata with her babies, and reflects on how their joy at hearing Mozart reminds her of how so much of the music we listen to is rooted in classical ? and how music connects us all.

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Bandleader Jon Batiste talks about how Mickey Mouse sold him on The Rite of Spring and gives a scintillating insight into Stravinsky?s mind.

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Queer opera singer Jamie Barton talks about how Chopin's Nocturne No. 21 helped her to find her identity in a world in which she did not fit in.

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Conductor Eric Jacobsen recalls losing his beloved mother at the age of 11 and how her favourite piece, Franz Schubert?s Piano Trio No. 1 inspired him to become a musician.

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Novelist Ian McEwan remembers how Bach's Concerto for Two Violins helped him first to navigate selfhood as a teenager, and, later in life, the sorrow of losing his best friend.

Podcaster Aminatou Sow talks about how the cheerful defiance of Florence Price?s Juba Dance helped her through a life-changing moment.

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Guitarist Milo? Karadagli? discusses his deep connection to the longing for home expressed in Francisco Tárrega?s Lágrima.

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Yoga teacher Connie Viglietti tells us how she remembers her beloved Grandma Ginger by singing one of her favorite songs, Schubert?s ?Ave Maria?, and contemplates the transporting power that music has to connect us to the people we love the most, even if they are no longer with us.

New York City firefighter Rob Vogt talks about how Wagner's Ride of the Valkyries helped him cope in the tragic aftermath of 9/11.

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Actor Alec Baldwin talks about how Aram Khachaturian's Spartacus Adagio revives and energizes him during the busiest days of his life.

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Which piece of music speaks to your soul? Each bite-sized episode of The Open Ears Project introduces you to a new classical work and offers a brief and soulful glimpse into a human life, helping us to listen to this music?and each other?differently. 

The Open Ears Project is produced by WQXR and WNYC Studios. You can follow the project starting on day 1 by subscribing to our newsletter and following #OpenEarsProject on Instagram and Twitter.