30 Albums For 30 Years (1964-1994)

(S4-Ep 5) The Byrds- Younger Than Yesterday (Columbia) 

Released February 6, 1967, Recorded between November 28-December 8, 1966 

Younger Than Yesterday marks pivotal in The Byrds’ evolution, blending folk-rock, psychedelia, and early country influences. While not as commercially successful as their earlier albums, it received critical acclaim for its musical innovation and experimental approach. The album features standout tracks like "So You Want to Be a Rock 'n' Roll Star," which critiques the commercialization of rock music, and "My Back Pages," a reworking of Bob Dylan’s classic. The band’s experimentation with studio techniques, intricate guitar work, and contributions from Chris Hillman and David Crosby pushed boundaries within the folk-rock genre. The Byrds also explored jazz and country influences. Despite internal tensions and lineup changes, Younger Than Yesterday remains a key work, influencing the development of psychedelic rock and paving the way for future musical experimentation in the 1960s.

Signature Tracks "So You Want To Be a Rock and Roll Star," "Have You Seen Her Face," "My Back Pages"

Playlists   YouTube Playlist  Spotify Playlist 
Full Albums Full Album on YouTube , Full Album on Spotify

S4-Ep. 4 Jefferson Airplane-Surrealistic Pillow (RCA)

Released Feb 1, 1967, and Recorded between October 31-Nov 22, 1966 

Surrealistic Pillow (1967) is a defining album of the 1960s psychedelic rock era, marking the debut of Grace Slick as Jefferson Airplane’s lead vocalist. The album blends folk, rock, and experimental sounds, with standout tracks like “Somebody to Love” and “White Rabbit,” which became anthems of the counterculture. With contributions from multiple band members, the album offers diverse vocals and songwriting styles, including Grace Slick’s powerful delivery, Marty Balin’s emotive ballads, and Paul Kantner’s folk-rock influences. The album’s success helped propel the band into mainstream recognition, while its psychedelic experimentation captured the spirit of the San Francisco scene. Produced with help from Grateful Dead’s Jerry Garcia, Surrealistic Pillow is considered a genre masterpiece, with its influence still felt today. The cover art further symbolized the album’s surreal, rebellious vibe, marking a cultural milestone in rock history.

Signature Tracks "Somebody to Love," "Today,"  "White Rabbit"

Playlist YouTube Playlist, Spotify Playlist 

Full Album Full Album on YouTube Full Album on Spotify

Donald Vega, a celebrated jazz pianist and composer from Nicaragua, continues to captivate audiences with his musical brilliance. His latest album, As I Travel, has garnered a Grammy nomination for Best Latin Jazz Album, showcasing his original compositions. Vega’s meticulous approach shines through, blending intricate grooves with masterful arrangements that offer structure and creative freedom to his ensemble, featuring John Patitucci, Lewis Nash, and Luisito Quintero.  In addition, Vega recently released All Is Merry and Bright, a festive Christmas album recorded with Clovis Nicolas and Pete Van Nostrand. This project, born from spontaneity and inspired by jazz greats, highlights Vega’s ability to reimagine timeless classics with fresh, vibrant interpretations.

S4-Ep.3 The Supremes Sing Holland–Dozier–Holland (Motown)

Release Jan 23, 1967, and Recorded 1964-1966

The Supremes Sing Holland–Dozier–Holland is a standout album that showcases the magic between The Supremes and the iconic Motown songwriting and production team Holland-Dozier-Holland (HDH). Released at the peak of their popularity, the album features classic hits like "You Keep Me Hangin' On" and "Love Is Here and Now You're Gone," reaching No. 1 on the Billboard Hot 100. These tracks highlight Diana Ross's powerful vocals, backed by the impeccable musicianship of Motown's Funk Brothers. The album blends sophisticated pop with emotional storytelling, driven by HDH’s signature sound—tight harmonies, lush orchestrations, and an infectious rhythm. While the album is more a collection of singles than a cohesive concept, its polished sound and universal appeal helped solidify The Supremes as pop and R&B icons. Despite internal group tensions, including Florence Ballard’s eventual departure, their collaboration with HDH remains a cornerstone of Motown’s legacy.

Signature Track "You Keep Me Hangin' On,"  "Love is Here and Now You're Gone," "It's The Same Old Song"

Playlist YouTube Playlist, Spotify Playlist 

Full Album Full Album on YouTube,   Full Album on Spotify

S4-Ep.2 The Monkees-More of the Monkees (Colgems) 

Released January 9, 1967. Recorded June 25 – November 23, 1966

More of the Monkees is the second studio album by The Monkees, which features a mix of pop-rock and folk influences. The album showcases the group’s emerging sounds, which had very little to do with the Monkees themselves. The manufactured group mainly performed songs by top songwriters as singers, while some of the most talented studio musicians handled the best.  More of the Monkees captured the sounds of pop music of the era with its catchy melodies and upbeat tunes. The album's themes often revolve around love and relationships; the album's commercial success solidified The Monkees' place in pop culture and set the stage for the Monkees to have enough clout to demand more creative control. What you get with this album is some finely crafted songs written by talented songwriters and performed by skilled session musicians.  Members sing the songs of the Monkees, and each has a distinct voice.

Signature Track "Mary, Mary," ("I'm Not Your) Stepping "Stone, "I'm A Believer"

Playlist   YouTube Playlist,  Spotify Playlist 

Full Album Full Album YouTube  Full Album on Spotify 

S4-Ep.1 The Doors-Self-Titled Release (Elektra)

Released January 4, 1967, Recorded August of 1966 Elektra Records 

The Doors is a groundbreaking debut album that blends rock, blues, jazz, and psychedelia with a unique poetic sensibility, largely driven by Jim Morrison’s dark, introspective lyrics. Recorded in just six days, the album features a distinctive sound, notably Ray Manzarek’s Vox Continental organ, Robby Krieger’s flamenco-inspired guitar work, and John Densmore's jazzy drum style. Key tracks like "Light My Fire," with its iconic organ riff and extended solos, and "Break On Through (To the Other Side)," with its rebellious energy, set the stage for the band’s rise to fame. The album’s fusion of musical styles, alongside Morrison’s mysticism and philosophical themes, made it an instant classic, peaking at #2 on the U.S. charts. While not all tracks are equally memorable, The Doors established the band as one of rock music's most innovative and influential forces during the 1960s.

Signature Tracks Discussed "Light My Fire," "Break On Through (To The Other Side)"   "The End" 

Playlists: YouTube Playlist, Spotify Playlist 

Naomi Moon Siegel              

Naomi Moon Siegel is an award-winning trombonist, improviser, composer, and educator committed to creating a positive, transformative music culture beyond conventional genre norms. Her original musical vocabulary draws on the richness of various global musical traditions.

Siegel explores the trombone as a vehicle for sonic expression colored by breath, spit, and physicality. A longtime collaborator with Wayne Horvitz, Siegel has performed with such luminaries as Jessica Lurie, Matthew Golombisky, Carmen Staaf, March Fourth Marching Band, Allison Miller, Julian Priester, The California Honeydrops, Martha Scanlan, Stuart Dempster, Skerik, and Thione Diop. With saxophonist Kate Olson, Siegel formed the folk punk jazz duo Syrinx Effect, which has released four albums and performed around the United States.

Siegel is a recipient of Chamber Music America’s Performance Plus Grant, Jazz Journalists Association’s Jazz Hero Award, Montana Art Council’s Artist Innovation Award, and Earshot Jazz’s Golden Ear Award for Emerging Artist of the Year.

Siegel is an adjunct professor of trombone at the University of Montana and a dedicated music educator. Siegel is also a staunch advocate for intersectional gender justice in jazz and music settings, leading workshops to build awareness and work towards positive systemic shifts in our music culture.

Warren Wolf’s History of the Vibraphone pays tribute to 11 legendary vibe players, including Lionel Hampton, Gary Burton, and Dave Samuels, presenting a deep dive into the vibraphone’s jazz legacy. Starting in classical music under his vibraphonist father’s guidance, Wolf trained on vibraphone, marimba, xylophone, drums, and piano from a young age in Baltimore. Influenced by his dad’s extensive jazz record collection and the local organ trio jazz scene, he eventually studied under Dave Samuels at Berklee, where he later taught. Wolf’s rich blend of early classical rigor and exposure to jazz and R&B shaped his style, which now spans swing to fusion. 

In History of the Vibraphone, Wolf performs each track as an homage to original artists, joined by saxophonist Tim Green, pianist Alex Brown, bassist Vicente Archer, and drummer Carroll “CV” Dashiell III. Standout selections like Gary Burton's “Captain Señor Mouse” and Samuels’s “Spring High” reflect Wolf’s influences and his mission to celebrate lesser-known vibes players. Currently a professor at Peabody Conservatory, Wolf remains dedicated to jazz education. Baltimore’s thriving scene is central to his work, with venues like Keystone Korner and An Die Musik hosting vibrant jam sessions. Wolf's upcoming tour hints at a possible sequel to this record, potentially honoring Red Norvo, Tito Puente, and Mike Mainieri. ⁠https://njjs.org/⁠

https://www.warrenwolf.com/

History of the Vibraphone https://open.spotify.com/album/0raNJZzMHYyOr9R398NJ3E?si=CkIRJL2-Rm2iFwruCESL-Q

Charlie Burnham Interview

Charlie Burnham is an accomplished American violinist, singer, and composer celebrated for his imaginative and eclectic style. Burnham traverses multiple genres, including bluegrass, folk, free jazz, blues, classical, and chamber jazz. His innovative use of the wah-wah pedal on the violin adds a distinctive flair to his performances. Burnham first gained prominence through his contributions to James "Blood" Ulmer's Odyssey album, highlighting his versatility and skill. The ensemble from that project later formed Odyssey the Band. Throughout his career, Burnham has been a pivotal member of several notable groups and artists, like Living Colour, Cassandra Wilson,  String Trio of New York, 52nd Street Blues Project, Hidden City, We Free Strings, the Improvising Chamber Ensemble, and the Kropotkins. He has also recently recorded new music with Eureka Shoes, showcasing his continual evolution as a musician.

Beginning as an informal gathering of friends and now blossoming into a fully-fledged collaborative band, Eureka Shoes’ Beautalina (Adhyâropa ÂR00079) soars aloft on gorgeous 3-part harmonies, delicate acoustic textures, and world-class songcraft. Eureka Shoes features award-winning songwriter Jean Rohe, acoustic music stalwart Skye Soto Steele, and omni-genre multi-instrumentalist Charlie Burnham. Rounded out here by the virtuosic bass of Rashaan Carter, Beautalina is an enduring testament to the power of music to unite, communicate, and elevate.

Eureka Shoes Beautalina

https://open.spotify.com/album/1bH16X7J5KU6YNJgDbEVL2?si=t0YsU9C7RVehdGdwc6hpdg

Kurt Rosenwinkel, a Philadelphia-born jazz guitarist, is renowned for blending genres and using guitar effects innovatively in jazz. His latest release, The Next Step Band (Live at Smalls, 1996), revisits the music from his acclaimed 2001 album The Next Step and features longtime collaborators Mark Turner, Ben Street, and Jeff Ballard. In addition to his album, Rosenwinkel has published Kurt Rosenwinkel’s Ultimate Book of Compositions, which includes scores, tabs, and commentary on his extensive work. He founded his label, Heartcore, in 2016 to release Caipi and take control of his career, likening the label's creation to playing a "record company" video game. His current projects include arranging for the Jazz at Lincoln Center Big Band, collaborating with Wynton Marsalis, and recording a Brahms interpretation following the success of The Chopin Project.

Summary 

Brian Bromberg, a virtuoso bassist, honors the legacy of Scott LaFaro with his latest album, LaFaro, and a series of live performances. LaFaro, who tragically died at 25, was a groundbreaking bassist with the Bill Evans Trio, inspiring Bromberg's tribute. Initially reluctant to take on the project due to the pressures of honoring a jazz legend, Bromberg eventually embraced it after realizing LaFaro's profound influence on his playing. Bromberg also shares personal connections to jazz greats like Stan Getz, with whom he played, and Bill Evans, a missed opportunity from his youth. His career spans collaborations with top artists and an eclectic solo catalog ranging from traditional jazz to contemporary styles. Known for his versatility on upright and electric bass, Bromberg defies genre boundaries, seeking to deliver heartfelt, high-quality musicianship in every project. His performances and music continue to celebrate innovation and jazz's rich history. https://njjs.org/magazine/

Mike Torres is a guitar student of host Jay Sweet and a Vietnam veteran (Air Force). In this discussion, Mike talks about the impact of music during the war and the songs that meant the most to him.

Mike's List of Songs:  

1. Sky Pilot The Animals

2. After the Gold Rush.  Neil Young

3. Longer Boats.  Cat Stevens (In memory of my good friend Tom Pat Widmer

RIP)

4. Miles From Nowhere.  Cat Stevens

5 Pride of Man.  Quicksilver Messenger Service

6 Stairway to Heaven.  Led Zeppelin

7. Easy Livin. Uriah Heep

8. Any Eagles or Pink Floyd

9. Money. Pink Floyd

10. Smoke on The Water -Deep Purple

11. We're an American Band. Grand Funk Railroad

12. As Long as I Can See The Light. CCR

13. Free Bird. Lynyrd Skynard

14. Radar Love. Golden Earring. (This was our shop's standard)

15. My Woman From Tokyo. Deep Purple

30- The Who -A Quick One  (Reaction Records in the UK and Decca in the U.S )

Released December 9, 1966, Recorded August 30- November -1966

The Who's A Quick One (1966) is the band's second studio album and marks a significant step in their evolution. The album showcases the individual songwriting talents of each member: Pete Townshend, Roger Daltrey, John Entwistle, and Keith Moon, with Townshend emerging as the standout composer. The title track, "A Quick One, While He's Away," is a nine-minute mini-opera that foreshadows Townshend's later work on Tommy and is a clear highlight of the album. Known for its eclectic mix of styles, the album reached No. 4 on the UK Albums Chart but only No. 67 in the U.S. Despite not being universally considered their best work; the album was instrumental in solidifying The Who's reputation as one of the most innovative rock bands of the 1960s. The single "Happy Jack" also saw success, peaking at No. 3 in the UK and No. 24 in the US, marking the band's first significant American chart presence. A Quick One is significant for showcasing the growth of a band that would become one of the most celebrated in rock history.

Curated Spotify Playlist https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=02cb54f0a19e4e3c

Album on Spotify https://open.spotify.com/album/6f4mqM3RNAfO1t6XeeUa8P?si=hOzPkblNQOOI_qBFxhiXvw

Album on YouTube https://youtube.com/playlist?list=PL47ACAF82B659E0AE&si=0i0zYZV_fSunEtx2

Buster Williams, a legendary jazz bassist, composer, and instructor, has played on numerous records with iconic musicians like Herbie Hancock, Chet Baker, Art Blakey, and Stan Getz, among others. Known for his work as both a sideman and a bandleader, Williams continues to inspire audiences with his performances and compositions.

On September 28th, he will perform with his quartet at the Middlesex County Jazz Festival in New Brunswick. The quartet features Lenny White on drums, Steve Wilson on saxophone, and Brandon McCune on piano. The concert will showcase a repertoire primarily composed of Williams' original compositions. Interest in Williams grew after the 2019 documentary "Buster Williams: Bass to Infinity" highlighted his extensive career and personal journey. Now 82 years old, Williams remains dedicated to his craft, continually exploring the "infinite possibilities" of music. https://middlesexcountyjazzfestival.org/

https://busterwilliams.com/

(S3-#29) Cream- Fresh Cream  (Reaction) 

Released December 9, 1966. Recorded July-November 1966 

Cream, formed in 1966, was one of the first supergroups. It consisted of three highly regarded musicians from the British blues and rock scenes: Eric Clapton (guitar, vocals), Jack Bruce (bass, lead vocals), and Ginger Baker (drums). Their debut album, Fresh Cream, released on December 9, 1966, blends blues covers and original compositions, showcasing the band's blues roots and groundbreaking sound.

Fresh Cream includes a mix of original songs and blues standards like "Spoonful," "Rollin' and Tumblin," and "I'm So Glad." The album succeeded commercially, reaching number 6 on the UK charts and 39 in the US. Notable tracks include "I Feel Free," featuring strong vocal harmonies, and "Toad," one of the earliest rock tracks to feature a drum solo.

Following the album's release, Cream quickly became one of the most influential bands of the late 1960s, known for their virtuosic performances and innovative blend of blues, rock, and psychedelic music. Despite their success, internal tensions led to the band's breakup in 1968, after which each member pursued a successful solo career. Cream's legacy endures as a pioneering force in rock music history.

Curated Spotify Playlist https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=0b46147790924bfb

Album on Spotify https://open.spotify.com/album/6iyKqDoL9pRSHUsDBYemlB?si=w0brXwJpR7SYxs1uN2-NkA

Album on YouTube https://youtu.be/tsrmxWcodd0?si=iFbTG0RAwPPcQ6d1

#28-Buffalo Springfield-Self-Titled 

Original Released October or December 1966? Without “For What It’s Worth,” then Re-released in March 1967 - Recorded between July 18-September 11-1966 (ATCO) 

Buffalo Springfield's self-titled debut album, initially released by Atco Records in late 1966, introduced the world to the band's distinctive blend of folk, rock, country, and psychedelia. The original release, recorded between July and September 1966, lacked a major hit but gained significant attention after a March 1967 re-release added the protest anthem "For What It's Worth." Inspired by the Sunset Strip riots, this song became a defining track of the 1960s.

The band was formed in Los Angeles in 1966 and featured Stephen Stills, Neil Young, Richie Furay, Bruce Palmer, and Dewey Martin. Their music was marked by rich harmonies, shifting lead vocals, and layered guitar work. The album's tracks explore themes of self-reflection and relationships, with standout songs like "Nowadays Clancy Can’t Even Sing" and "For What It's Worth."

Despite their brief existence, Buffalo Springfield made a lasting impact on music. Internal conflicts and lineup changes led to their breakup in 1968. Afterward, members pursued successful careers: Stills with Crosby, Stills & Nash, Young as a solo artist, and Furay with Poco. Their legacy remains as pioneers of a sound that influenced rock music for years.

Full Album YouTube  : https://youtu.be/1eD-8NTwP9I?si=omLhl8gszwcGg-hI

Full Album Spotify: https://open.spotify.com/track/1qRA5BS78u3gME0loMl9AA?si=f5a282e8f75c4b46

Curated Playlist Spotify: 

https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=4559f6bc82dc47e3

The Kinks -Face to Face

Released October 28, 1966.Recorded mainly from mid-April to June 1966, except “I’ll Remember” (October 1965).  (Pye Records in the UK and Reprise in the US)

Face to Face (1966) by The Kinks marked a major shift in the band's style, moving from their earlier harder-driven sound to a more nuanced blend of baroque and pop music hall influences. This was the first album to feature only Ray Davies' compositions, showcasing his observational and satirical songwriting, which explored themes of English culture, social class, and personal struggles. Despite containing the hit single "Sunny Afternoon," the album initially received a lukewarm reception, particularly in the U.S. However, it has since gained critical acclaim and is now seen as pivotal in The Kinks' evolution. Notable tracks include "Party Line," "Dandy," “Little Miss Queen of Darkness,” and "Too Much on My Mind," with the album reflecting the band's growing maturity and experimentation. Face to Face is considered a milestone in 1960s rock, setting the stage for The Kinks' future successes.

Spotify Link To Album https://open.spotify.com/album/1SbqioSVe6TgXudiKMKEaB?si=svhTQE_sSbSRoeUWb2Y7og

YouTube Link to Album https://youtu.be/AhblfjqfF4c?si=1jo85drAPxAj80n4

Curated Playlist

https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=3ca8897e2d7a43ff

Alvester Garnett Interview

Alvester Garnett is a top-tier jazz drummer, celebrated for his swing, passion, and professionalism. His career began in Richmond, Virginia, where early influences included Ellis Marsalis and the jazz program at Virginia Commonwealth University. After moving to New York, Garnett quickly made a name for himself, working with legends like Betty Carter and Abbey Lincoln. He was the only drummer from the Thelonious Monk competition invited to Betty's Jazz Ahead program, which launched his career. Garnett has since collaborated with notable artists such as Pharoah Sanders, Dee Dee Bridgewater, and Benny Golson. He also became the regular drummer for violinist Regina Carter, who later became his wife.

In September, Garnett will lead his band, The Artworks Ensemble, at the Central Jersey Jazz Festival in Somerville, NJ. The performance will feature original compositions and include special guest trombonist Papo Vázquez, alongside Bruce Williams, Charlie Sigler, Brandon McCune, and Santi Debriano. This performance highlights Garnett’s ongoing commitment to jazz and his ability to blend leadership with collaboration.

Alvester Garnett will lead his band, The Artworks Ensemble, at the Central Jersey Jazz Festival on September 15th in Somerville, NJ. The performance will feature original compositions and include special guest trombonist Papo Vázquez, alongside Bruce Williams, Charlie Sigler, Brandon McCune, and Santi Debriano.

https://centraljerseyjazzfestival.com/

#S3-26 Simon and Garfunkel -Parsley, Sage, Rosemary, and Thyme 

Released October 24, 1966- Recorded Between December 1965 and August 1966 (Columbia Records) 

Parsley, Sage, Rosemary, and Thyme is Simon & Garfunkel's third studio album, showcasing a blend of folk-rock, acoustic, and introspective songs. It includes classic tracks like "Homeward Bound" and "Scarborough Fair," as well as the lesser-known hit "The Dangling Conversation." The album highlights Paul Simon's songwriting craftsmanship, thought-provoking lyrics, and innovative arrangements, perfectly complemented by the duo’s harmonies. This record marked a significant evolution in their music. It expanded the possibilities of folk-based music, influencing future songwriters and reinforcing Simon & Garfunkel's enduring legacy in music history.

YouTube Playlist https://youtu.be/V1IRDT8TInY?si=euk08ojJWSIo0qnX

Spotify Playlist https://open.spotify.com/album/1sh32o99zA04PJIUJUpEj7?si=VXKahQuvRLacGUM34ge1Qw

Curated Season Playlist https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=570634dc82084781

https://youtube.com/playlist?list=PLqkHb3duD6BTd4l7sJzo2RPeMTpYmqZqU&si=EJPbzwpx6tcGWk1_

(S3-25) The 13th Floor Elevators - The Psychedelic Sounds Of The 13th Floor Elevators (International Artists Label)

Released October 17, 1966, Recorded between January 3rd and October 11, 1966 

Formed in Austin, Texas, in December 1965, the 13th Floor Elevators were pivotal in the psychedelic rock movement. Their debut album, The Psychedelic Sounds of the 13th Floor Elevators (1966), is noted as one of the first to describe its music as "psychedelic." Featuring the hit single "You're Gonna Miss Me," the album blended raw garage rock with folk blues and surreal elements. Roky Erickson's gritty vocals, Stacy Sutherland's reverb-drenched guitar, and Tommy Hall's electric jug playing created a distinctive sound that influenced many future musicians. Despite commercial challenges and internal struggles, the band's innovative approach significantly impacted the evolution of rock music, helping shift it from pop roots to a more artistic expression.

You Tube (Full Album) https://youtube.com/playlist?list=PLL-NbN8uTOiiWCx_-GC5xB7BH2z5nTJ8m&si=zRBAvq614zAvu_d6

Spotify (Full Album) https://open.spotify.com/album/2afQ7u8n1CzNBAHjl6OQCG?si=fDrFC4cZT-6e26bbeHRzSA

Curated Playlist https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=ba8099bd98b548af

#24-The Monkees-Self-Titled  (Colgems Record) 

Released October 10 and Recorded July 5-25

Formed in 1965 by television producers inspired by The Beatles' "A Hard Day's Night," The Monkees—Micky Dolenz, Michael Nesmith, Peter Tork, and Davy Jones—became a cultural phenomenon. Despite criticism for their prefabricated nature and reliance on studio musicians, their debut album, The Monkees, released on October 10, 1966, achieved commercial success. Featuring hits like "Last Train to Clarksville" and "(Theme From) The Monkees," the album showcased catchy pop-rock tunes that captivated a young audience. Blending humor and music, the Monkees' TV show further cemented their popularity. Despite internal tensions and the desire for creative control leading to changes and eventual disbandment in 1971, the group's legacy endured, with reunions and enduring fan appreciation. Notable tracks on the album include the folk-rock blend "Papa Gene's Blues" and the experimental "Sweet Young Thing."

#23- Otis Redding-Complete & Unbelievable: The Otis Redding Dictionary of Soul (Stax)

Released October 1966, Recorded May-September 1966 

Complete & Unbelievable: The Otis Redding Dictionary of Soul, recorded at Stax Recording Studios in Memphis, is a seminal work in Otis Redding's career and soul music. Produced by Jim Stewart, Isaac Hayes, and Booker T. Jones, the album features legendary Stax studio musicians like Steve Cropper, Donald "Duck" Dunn, Al Jackson Jr., Booker T. Jones, and the Memphis Horns. It includes standout tracks such as the iconic "Try a Little Tenderness," "Fa-Fa-Fa-Fa-Fa (Sad Song)," and "My Lover’s Prayer " along with covers like "Day Tripper" and "Tennessee Waltz," each showcasing Redding's dynamic vocal range and the band's tight, soulful arrangements. The album received critical acclaim, reaching #5 on the Billboard R&B chart and #73 on the Billboard 200, solidifying Redding's legacy as a master of soulful expression and musical innovation.

Full Album on YouTube https://youtube.com/playlist?list=PLn1E4mv4x-I4oNQ0qlroeWXxa4lDD4Lj9&si=6SlxhnkIL8UdM3Ms

Full Album on Spotify https://open.spotify.com/album/25uNcuL4dAoV62eKmr8Q0Y?si=hK3DknToSX2TkN_3ggWDiA

Curated 1966 Playlist Spotify: https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=a07e4d1e27944d00

(S3-EP.22)The Animals- Animalization (MGM)  Released August 1966. Recorded Jan 9, 1966 -July 4, 1966 Animalization by The Animals is a seminal album that exemplifies their blend of blues rock and R&B. Released during the British Invasion, it features Eric Burdon's powerful vocals, Hilton Valentine's distinctive guitar work, and Dave Rowberry’s skills on piano and keyboards. The album's raw sound and impactful tracks like "Don't Bring Me Down" and "Inside Looking Out" contributed to its commercial success, reaching number 20 on the U.S. Billboard 200 chart. Notably, the album saw lineup changes, with Barry Jenkins replacing John Steel on drums and producer Mickie Most giving way to Tom Wilson, known for his work with Bob Dylan and The Velvet Underground. Tracks like their rendition of "See See Rider" and the soulful "Gin House Blues" highlight the band's dynamic interpretations of blues classics. "Animalization" remains a testament to The Animals' significant role in shaping the era's rock music landscape with their electrifying performances and blues-infused style.

Don Braden Interview

Don Braden, is a distinguished jazz saxophonist, flutist, composer, and educator. A Harvard graduate, Braden quickly became a sought-after sideman in New York, playing with legends like Betty Carter and Wynton Marsalis. As a bandleader, he has released numerous acclaimed albums, such as The Fire Within and Earth Wind and Wonder. Known for his rich tone and melodic inventiveness, Braden also excels as an educator, teaching at institutions like Harvard and the New Jersey Performing Arts Center, significantly contributing to the jazz world through both performance and education.

Guitarist James Popik brings a unique touch and repertoire to his music. From Acoustic Jazz to electrified Fusion Jams, classical Brazilian music and American songbook masters to reworked rock anthems, James has forged a unique voice. In this conversation James discusses his newest record Sourland Symphony and much more.

Originally a duo in 2012, 9 Horses, a New York City chamber jazz group featuring mandolinist Joe Brent, violinist Sara Caswell, and bassist Andrew Ryan, has evolved into a critically acclaimed trio. Their 2015 debut album, Perfectest Herald, established their sound: Brent's original compositions intertwined with the group's improvisational fire. Known for pushing boundaries, they explore the frontiers of chamber jazz. Their latest release, Strum (2024), joins in showcasing their genre-bending experimentation and emotionally rich music.

Aaron Irwin Interview

Saxophonist, multi-woodwind instrumentalist and composer Aaron Irwin is from central IL. Recognized as a “lyrical alto saxophonist and a compelling original composer” (Steve Futterman, The New Yorker), Irwin is a sought-after commodity in both the jazz and commercial worlds. His latest recording (After) will be released on Adhyâropa Records in May of 2024, featuring longtime bandmates Mike Baggetta on guitar and Jeff Hirshfield on drums. He has eight other recordings as a leader with instrumentations spanning from trio to sextet. In addition to his groups, Irwin has performed with many leading jazz voices in the New York music community including the Grammy-nominated Darcy James Argue’s Secret Society, Jamie Baum’s Septet +, Bob Sabin’s Tentet, The Mike Fahie Jazz Orchestra, the mixed wind group Weathervest, as well as pop artists Kristen Chenoweth, Rufus Wainwright, Josh Groban, Idina Menzel, and The Roots. Irwin maintains a busy schedule as a freelance musician, performing in jazz clubs, concert halls, and Broadway theatres, working with many of New York’s finest musicians and bands.

Billy Mohler is a Grammy-nominated bassist, producer, and songwriter who works with legends like Lady Gaga, Sia, Dolly Parton, Miley Cyrus, Katy Perry, Macy Gray, Ringo Starr, Herbie Hancock, Steven Tyler, and Smashing Pumpkins.  In addition to his incredible success in pop music, he is a noted jazz musician and has released several records under his name; his most recent album release available is called Ultraviolet with saxophonist Chris Speed, trumpeter Shane Endsley, and drummer Nate Wood.

Esperanza Spalding Interview

Esperanza Spalding, a Portland-born jazz musician, rose to prominence with her versatile talent as a bassist, singer, and composer. Trained in classical music from childhood, she explored various genres, leading to groundbreaking albums like "Esperanza" and "Chamber Music Society." Her Grammy win for Best New Artist in 2011 propelled her to international recognition despite competition from mainstream pop acts. Spalding's commitment to artistic integrity is evident in her experimental projects, such as writing and recording an album in 77 hours and exploring spirituality through music on "Songwrights Apothecary Lab." Collaborations with renowned artists like Wayne Shorter and Fred Hersch further cement her status as a jazz luminary. Now, as she embarks on a tour, she continues to captivate audiences with her innovative compositions and virtuosic performances.

Chris Pinnella's musical journey is woven with experiences across diverse landscapes. His career took flight at 16 when he showcased his prodigious talent with Alphonse Stephenson and the Orchestra of St. Peter, a debut that set the stage for his future success. This early triumph was just the beginning of his musical odyssey, eventually leading him to earn a degree from Marymount Manhattan College in New York City. Post-college, his career trajectory led him to diverse platforms. He delved into off-Broadway and regional theater. Notably, he landed the role of Simeon in the musical "Simeon's Gift," a production co-authored by the legendary Julie Andrews and her daughter Emma Walton-Hamilton. His involvement in this project gave him a unique opportunity to collaborate closely with industry icons. Additionally, he toured with the famed Trans Siberian Orchestra. Over the last several years, Pinnella has led large-scale celebrated tribute shows featuring the music of Frank Sinatra and a tribute show on the music of Billy Joel.

Stephane Wrembel is a Paris-born guitar virtuoso known for his authentic interpretation of Django Reinhardt's music and innovative compositions that blend jazz with various influences. Immersed in the culture, he has dedicated himself to understanding Reinhardt's legacy. Wrembel's career includes numerous albums, collaborations with esteemed musicians, and performances at prestigious venues worldwide. He is also recognized for his work on several Woody Allen films and his annual Django A Gogo Festival.  Wrembel's music reflects his vast experiences and intellectual curiosity, pushing the boundaries of jazz while paying homage to its rich history. This year's Django á Gogo Music Festival will run from May 1st to May 4th. It features international talents honoring Reinhardt's influential style. This year's festival will see the reunion of the Gypsy Guitars Trio, featuring legends like Angelo Debarre and Serge Camps alongside rising stars like Simba Baumgartner and Hugo Guezbar. Additionally, Wrembel's Django New Orleans band will perform. 

https://www.stephanewrembel.com/

Terence Blanchard Interview

Terence Blanchard, born in New Orleans in 1962, is a celebrated jazz trumpeter, composer, and bandleader. Rising from the vibrant musical scene of his hometown, Blanchard's talent quickly garnered attention, leading to collaborations with jazz legends like Lionel Hampton and Art Blakey. His partnership with filmmaker Spike Lee catapulted him to international acclaim, as he composed scores for numerous acclaimed films, including "Jungle Fever," "Malcolm X," and "BlacKkKlansman." Blanchard's music transcends traditional boundaries, seamlessly blending jazz with other genres and addressing social issues through projects like his band E-Collective. He has also ventured into opera composition, premiering successful works such as "Champion" and "Fire Shut Up in My Bones." Blanchard's multifaceted career and unwavering commitment to innovation have solidified his legacy as a pioneering force in contemporary music. Recently, I spoke with the trumpet legend about his life, music, and thoughts on winning an NEA Jazz Masters Award, one of the highest honors for jazz musicians.  You can check out, my article at ​​https://njjs.org/

Drummer Nasheet Waits speaks with host Jay Sweet about his mentor, drummer Max Roach, as we approach the legend's centennial. Waits discusses Roach's impact and his upcoming tribute concert for Roach on 1/26/2024.

Scotty Barnhart is a noted trumpeter, composer, arranger, and educator. Most of his work has come through his association with the Count Basie Orchestra, where he began as a featured trumpeter in 1993. Since 2013, Barnhart has been the orchestra's director and has continued to preserve the legacy and tradition of one of the most essential musical establishments of the 20th century. Barnhart not only carries Count Basie's musical legacy with elegance and grace but also connects with Basie's personality. Basie was known to be kind, caring, accessible, and positive. The Count Basie Orchestra's newest album, The Count Basie Orchestra Swings the Blues! has been nominated for a Grammy Award. 

To read host Jay Sweet's article on Scotty Barnhart, visit New Jersey Jazz Magazine https://njjs.org/.

To learn more about Scotty Barnhart, go to http://www.scottybarnhart.com/ 

To learn more about the Count Basie Orchestra, https://www.thecountbasieorchestra.com/

Olivia Pérez-Collellmir is a solo pianist, bandleader, and composer from Barcelona, Spain. Noted in Arts Fuse as a “Spanish virtuoso” who adds “a flamenco touch to her chamber jazz,” Collellmir’s performance highlights include playing on the soundtrack of Isla Bonita by renowned director Fernando Colomo, a solo performance at the 25th anniversary gala of the six-time Grammy nominated Boston Baroque Orchestra, touring with Spanish Grammy nominee Rosana Arbelo, performing an honorary concert at Berklee for the legendary Rita Moreno, and performances for United States Secretary of State John Kerry, opera star Renée Fleming, and Metropolitan Opera General Manager Peter Gelb. 

Peréz-Collellmir started playing piano at the age of five and began studying under Núria Bonells, a disciple of Alicia de Larrocha, and entered The Superior Conservatory of Music in Barcelona at the age of 8. As a young scholar pianist, Collellmir toured performing Faure's Nocturnes and Bach's Partitas and alsorecorded for the National Radio of Spain. In addition, she was selected to play at the Centre de Musique Hindemith in Switzerland on the international performance piano stage. After receiving bachelor’s degrees in classical performance from the Conservatori Superior de Música de Barcelona and philosophy from the University of Barcelona, Collellmir became a head of music for the Department of Education of Catalonia where she conducted, recorded, toured, and performed. In 2014, she received a full scholarship from Berklee College of Music in Boston, where she moved, to expand her studies within the idioms of jazz and multicultural music, arrangements, orchestrations and conducting.

An honors graduate of Berklee with a dual major in Performance and Professional Music, Collellmir is the composer and performer of the award-winning compositions “Barcelona” and “Together,” which she premiered at the Berklee Performance Center. She is a winner of the Berklee Piano Department’s prestigious Chair Award, as well as a Piano Achievement Award. Currently, Pérez-Collellmir is a member of the faculty in the Berklee piano department. ]

Her first full album featuring her original music “Olivia” has been recorded in the fall of 2021 (Boston) and in the Summer of 2022 (New York). Her recording has been awarded with the "Berklee Faculty Fellowship Grant 2021-2022”. The album was released on September 15, 2023 produced by Gonzalo Grau.

The first album 'Olivia' (Adhyâropa Records) was released on September 15th. A collection of songs representative of the eclecticism and musical fusion that Pérez-Collellmir professes, exploring jazz, flamenco, classical music and Spanish folk traditions to create a universal sound without borders. 'Olivia' captures the native sounds of Barcelona, her hometown. Original songs composed by the Catalan artist and arrangements of pieces by Maurice Ravel and Frederic Mompou with 'Barcelona' as the centerpiece of the project. She also takes some exotic approaches to India and the Middle East.

'Olivia' features 18 stellar collaborations such as Catalan singer Judit Neddermann, percussionist Aleix Tobias, flamenco artists Sonia Olla and Ismael Fernández, bassist John Lockwood (legendary bassist who played with Dizzy Gillespie, Gary Burton, Pat Metheny and Gonzalo Rubalcaba) and cellist Naseem Alatrash (member of the Turtle Island Quartet and 2023 Grammy nominee)

For more on Olivia Perez https://www.oliviaperezcollellmir.com/welcome

https://open.spotify.com/album/1jXWZWRnCPN2RnLsOOQYOP?si=d38EdcLhQBybbszXUZGCcw

Charlie Apicella was voted onto the 84th and 86th DownBeat Readers Poll for Guitar. He studied composition and improvisation with musical titans Yusef Lateef and Pat Martino and was trained as a historian by Archie Shepp and Dr. Billy Taylor. As a young guitarist he met his idol BB King, who offered him advice and shared some stories.

He has performed concerts and recorded with jazz legends Dave Holland, Sonny Fortune, John Blake, Jr., and Avery Sharpe as well as contemporary masters Joe Magnarelli, Vic Juris, Dave Stryker, Don Braden, and Jon Herington of Steely Dan.

In 2022 he formed The Griots Speak with bassist William Parker, saxophonist Daniel Carter, and percussionist Juma Sultan who is known for his work with Jimi Hendrix.

* * *

Charlie Apicella is the founder and program director of Blues Alive: the living tradition of the blues

He is an Eastman Guitars Featured Artist a

Guild Guitars Sponsored Artist and a

ZT Amplifiers Official Artist

For more on Charlie Apicella go to https://www.ironcity.nyc/

Chuck Lambert Interview

Chuck's musical education started long before he picked up a guitar. At age eight, he studied oboe and piano.  Four years later his godfather exposed him to the musical diversity of Caribbean culture and encouraged him to play guitar.  While in high school he played bass and guitar in small R&B combos, rubbing elbows and jamming with future members of Parliament Funkadelic. While attending Lafayette College in the early 70's, he was a member of the Tim McCabe Blues Gang. The band's primary function was that of a backup band for touring blues legends on the East Coast college circuit. It was then that he was able to play for legends John Lee Hooker, J.B. Hutto and Screamin' Jay Hawkins. He also gained valuable exposure playing college parties and small clubs in the Delaware River Valley.

Most recently, Chuck has been playing guitar and singing his blues for crowds up and down the Jersey Shore, Philadelphia New York City and metropolitan New York areas while always returning to play venues in his hometown of Red Bank, NJ. As a member of the Norman Seldin Big Band, The Panama Chapel Band, The Cal Vetrane Blues Band, The Haugenes Project and a guest artist with The Red Bank Blues Band, Heavy Soul, Herd of Blues, Al Holmes and The Tribe, Poppa John and The Jam Band he has lent his vocal talents and guitar to many a fantastic night.

 Chuck has led the band as they opened for popular artists such as Little Feat and Kenny Wayne Shepard. The band has performed in prestigious musical venues like NJPAC, The Count Basie Theatre and SOPAC. They have performed at Le Festiblues International de Montreal; The Riverhead Blues Festival in Riverhead L.I.; The Blues, Brews and BBQ Festival at Six Flags Great Adventure, Freehold NJ; The Westfield Jazz & Blues Festival in Westfield NJ; The Red Bank Jazz & Blues Festival, Riverfest and The Jazz in the Park Series in Red Bank NJ; The Clearwater Festival at Gateway National Park at Sandy Hook NJ and Asbury Park NJ; The Blues by The Beach Concert Series in Long Branch NJ and represented The Jersey Shore Jazz and Blues Foundation in 2007 and 2013 at The International Blues Competition held in Memphis Tenn.  

For more on Chuck Lambert-https://www.chucklambert.com/schedule

Rufus Reid

With an incredible resume as a sideman, bandleader, and educator, bassist Rufus Reid represents one of the most significant links to the great jazz tradition. His remarkable accomplishments have not gone unnoticed, and Reid has worked and recorded with legends like Eddie Harris, Dexter Gordon, Andrew Hill, The Thad Jones/Mel Lewis Quartet, Kenny Barron, Stan Getz, J.J. Johnson, Jack DeJohnette, and many others.  In fact, he has recorded on over 500 albums. His reputation as an educator is equal to that of his musical achievements.  His book⁠ ⁠The Evolving Bassist⁠⁠ (Myriad Limited, 1974) remains the industry standard for double bass methodology.  Reid and Dr. Martin Krivin created the Jazz Studies and Performance Bachelor of Music Program at William Paterson University.  This program offered the first professional academically accredited Bachelor of Music in Jazz Studies in the NY, NJ, and CT tri-state areas. On November 19, 2022, Mr. Reid was honored as part of the Giants of Jazz Series at the South Orange Performing Arts Center in New Jersey. Before the celebration, I was asked to interview the bassist for New Jersey Jazz Magazine, and here is that interview.

For more on Rufus Reid ⁠https://rufusreid.com/⁠

For Jay's article on Rufus Reid ⁠(https://www.newjerseystage.com/articles/getarticle2.php?titlelink=giants-of-jazz-bassist-rufus-reid-to-be-honored-at-annual-sopac-concert) 

Vincent Herring is a masterful alto and soprano saxophonist who first toured the U.S. and Europe with Lionel Hampton’s Band. Heavily influenced by Julian “Cannonball” Adderley, Herring's talents came to the attention of Nat Adderley (Cannonball’s Brother). He joined the trumpeter's band and toured and recorded with the group for nine years. After Nat’s death, He worked with drummer Louis Hayes to form the Cannonball Adderley Legacy Band and worked with piano master Cedar Walton for more than two decades.  Additionally, he has also appeared on stage and or on recordings with Freddie Hubbard, Dizzy Gillespie, Art Blakey and The Jazz Messengers, Wynton Marsalis, Horace Silver Quintet, Jack DeJohnette’s Special Edition, Larry Coryell, Steve Turre, The Mingus Big Band (Won a Grammy in 2010), Kenny Barron, Nancy Wilson, Dr. Billy Taylor, Carla Bley, and so many more. Vincent's discography reveals over 20 titles as a leader and over 250 as a sideman. Herring is also a noted educator who teaches at the Manhattan School Of Music and William Patterson University.

Ron Carter Interview 4/14/ 2022 

For this show, you will hear Jay's discussion with bass legend Ron Carter from 4/14/2022. This interview occurred when he spoke to Ron Carter for a cover article celebrating his 85th birthday and his May 10th, 2022, Concert at Carnegie Hall celebrating the maestro for New Jersey Jazz Magazine (https://njjs.org/). Ron Carter is often listed as the "world's most recorded bassist." He has appeared on well over 2000 recordings and was a member of Miles Davis's second classic quartet from 1963-1968. He has won three Grammy awards and is on some of the greatest jazz albums ever recorded. He has also recorded numerous albums as a leader and has written many fine compositions. Most recently, he was featured in a biographical film called Ron Carter, Finding the Right Notes, which aired on PBS. To learn more about the legend go to https://roncarterjazz.com/