The Incomparable Mothership

Crack open your psychohistory textbooks and ready a new batch of imperial clones, because it’s time to discuss the Apple TV+ series “Foundation,” extremely loosely based on the classic works of Isaac Asimov. Before the spoiler horn, we talk about why this is a show worth catching up on—and also debate the merits of psychohistory. Then we discuss the first two seasons, which we really enjoyed.

Jason Snell with Dan Moren, Glenn Fleishman, Heather Berberet and John Siracusa.

Happy new year! Some of our most prolific panelists pick some of their favorite media of the year gone by, and a few listeners send in some favorite clips from The Incomparable in this past year. Onward to 2024!

Jason Snell with Moisés Chiullán, Chip Sudderth, Monty Ashley, Dan Moren, Shelly Brisbin, Annette Wierstra and David J. Loehr.

It’s Kilmas 2023, in which we continue our annual celebration of the films of Val Kilmer. This year’s selection is “Kiss Kiss Bang Bang,” written and directed by Shane Black. It’s a film noir-ish story that wants to have everything both ways. Val Kilmer’s the best thing in it, of course. The rest of the film feels unstuck in time.

Jason Snell with Annette Wierstra, Tiff Arment and Dan Moren.

In the spirit of coming downstairs and finding presents waiting under the tree, we offer the Incomparable Toy Draft. It’s not just a story about our favorite childhood toys—it’s also a story about the toys we desperately wanted and never got.

Jason Snell with Shelly Brisbin, Lisa Schmeiser, Kelly Guimont, Moisés Chiullán, David J. Loehr, Chip Sudderth, Monty Ashley, Philip Michaels and Annette Wierstra.

50 years later, “Soylent Green” is still made of people—and its futuristic setting of 2022 is shockingly relevant! But having given this film a full viewing, we think it’s also a pretty good example of ’70s eco sci-fi with a little noir detective flavoring. (Not that kind of flavoring.)

Jason Snell with Jean MacDonald, Monty Ashley, Annette Wierstra, Dr. Drang and Philip Michaels.

Almost 100 episodes later, we reconvene (most of) our original panel to discuss season two of “The Wheel of Time.” How does it fit into the current set of big fantasy TV shows? Team Didn’t-Read-the-Books seems to be in agreement with Lady Dragonmount that it helps when a fantasy saga’s book series is complete before it’s adapted for the screen.

Moisés Chiullán with Kathy Campbell and John Siracusa.

We don’t care what the box office says! We saw “The Marvels” and thought it was a lot of fun. And we worry that Marvel may take the wrong lessons from its box-office failure.

Jason Snell with Chip Sudderth, Shannon Sudderth, Sarah Hendrica Bickerton, James Thomson and Kelly Guimont.

Happy Thanksgiving, everyone! For the holiday, we give you a turkey of a movie about a duck. It’s 1986’s “Howard the Duck.” (No way to conceal it.)

Jason Snell with Annette Wierstra, Erika Ensign, Moisés Chiullán, Monty Ashley, Steve Lutz and David J. Loehr.

Dan Moren’s new novel ‘All Souls Lost’ is a departure from his previously published work, but not as much as you might think. Antony talks to him about the book, how it came to be, and why it was a long time in the making.

Antony Johnston and Dan Moren.

We have some suggestions for the next round of “Star Trek” TV series.

Jason Snell with Monty Ashley, Moisés Chiullán, Joe Rosensteel, David J. Loehr and Heather Berberet.

A mother seeks help for her troubled daughter from a medical profession that’s unable to find an answer it can believe. A priest questions his faith, until he gets projectile vomited in the face by a 12-year-old girl with her head spinning around. It’s a horror classic. We celebrate the 50th anniversary of “The Exorcist”!

Jason Snell with Steve Lutz, Tiff Arment, Brian Hamilton, Moisés Chiullán and Dr. Drang.

Grab some kindling and prepare to board up a window! Old Movie Club gets in the spirit of the spooky season with the 1969 movie that started it all—and by “all” we mean what we now think of as zombies—“Night of the Living Dead.” For a low-budget movie that features mostly amateur actors and fell out of copyright, it’s a certifiable classic. We’re certifying it right now. If you don’t like it, go back down to the basement, because we’re the boss of the upstairs.

Jason Snell with Tiff Arment, Steve Lutz, Philip Michaels and Erika Ensign.

The Book Club closes the door on this year’s awards shortlist with some lively book ranking and a tour of the nominated short fiction.

Jason Snell with Aleen Simms, Erika Ensign, Scott McNulty and Heather Berberet.

You will believe a man can fly… a seaplane! We take on the curious 2006 film “Superman Returns,” which is a sequel (sort of) to “Superman” and “Superman II” but most definitely not other movies. There’s a new cast and a new boyfriend for Lois, but Lex Luthor’s still obsessed with real estate. Also, this may be the last movie to feature a fax being sent from a yacht as a key plot point.

Jason Snell with Erika Ensign, Shelly Brisbin, Cicero Holmes, Moisés Chiullán and David J. Loehr.

You will believe a man can fly again! Super September continues with a discussion of “Superman II,” a troubled production that shows all the signs of being a superhero classic… but falls short of the mark more often than we expected.

Jason Snell with Shelly Brisbin, Erika Ensign and David J. Loehr.

We entered our viewing of 1978’s “Superman” with nostalgia and a sense of childlike wonder. We exited questioning everything about our fond memories of childhood.

Jason Snell with Erika Ensign, Shelly Brisbin, Steve Lutz and Chip Sudderth.

Our Book Club concludes its reading of the Hugo and Nebula shortlist novels with “The Daughter of Doctor Moreau” by Silvia Moreno-Garcia and “The Spare Man” by Mary Robinette Kowal. One’s an homage to H.G. Wells (sort of?) and the other plays like “The Thin Man” in space. Plus: We debate the meaning of star-rating systems, and what else are we reading?

Jason Snell with Erika Ensign, Aleen Simms and Scott McNulty.

Perhaps the best expression of the DC Animated Universe was its swan song: Justice League Unlimited, which improved upon its predecessor (Justice League Unadorned) with snappier pacing, a conspiracy story arc that anticipated today’s morally ambiguous super-teams, and a jumbo variety pack of DC characters. YES, we’re going to talk about Shining Knight, Bat Lash, and the Question. YES, we’re going to talk about the best-but-most-misplaced epilogue to the DCAU. YES, we’re going to talk about what happens when a super genius and a super genius gorilla tangle in the workplace.

Chip Sudderth with Tony Sindelar, Cicero Holmes, Monty Ashley and Shannon Sudderth.

Arrange an assortment of home-cooked Vulcan appetizers and warm up your singing voices, because it’s time to discuss season two of “Star Trek: Strange New Worlds.” This season took some big swings, and some of them didn’t quite connect—but a whole lot of them did.

Jason Snell with Jean MacDonald, Erika Ensign, Dan Moren and Joe Rosensteel.

Is there a movie everyone else thinks is bad, which you secretly love? Maybe more than one? Then this is the episode for you! Antony resurrects his old podcast and asks a panel of guests to draft and talk about movies which are… unjustly maligned.

Antony Johnston with Chip Sudderth, Jean MacDonald, Sarah Hendrica Bickerton and Monty Ashley.

We travel the highways and byways of space, from gross flesh space stations to the weird suburbs of Counter-Earth, all with one quest in mind: talk about Marvel’s “Guardians of the Galaxy, Vol. 3!”

Our book club reads two Hugo nominees, “Nona the Ninth” and “The Kaiju Preservation Society.” One’s the third book in a series that’s a real departure from what has came before, and whether that’s good or bad depends on how you were feeling about the series! The other is a standalone novel that’s perfectly fine, from an author who we think could be a better student if only he applied himself. And as usual, we also recommend many more books for you to read!

When a movie is this pink and this popular, we can’t ignore it. Our panel came in with high expectations for “Barbie,” and somehow not one of them was disappointed. What is it about Barbie and Ken that made this movie the hit of Summer 2023?

How can “Spider-Man: Across the Spider-Verse” live up to its predecessor? It seems like a tough one, but somehow this 2023 sequel manages it. Just don’t expect an ending—it was originally called “Part One” for a reason.

Our Indy Summer concludes with the new release, “Indiana Jones and the Dial of Destiny.” Ticking clocks! Antonio Banderas! Short Round II! We had a good time at the movie and we break it all down.

Bad news for the haters: We watched “Indiana Jones and the Kingdom of the Crystal Skull” and must inform you that our nerd rage of the 2000s has abated and we think it’s mostly okay now, actually. Even the refrigerator.

Our revisiting of Indiana Jones movies continues with “Indiana Jones and the Last Crusade”, a movie that may not achieve true greatness, but sure has a heck of a lot of fun, thanks to a solid job from Harrison Ford and everything Sean Connery says or does.

As an adjunct to the Summer of Spielberg, we are revisiting the Indiana Jones movies we only glossed over the last time we covered them! We begin with “Indiana Jones and the Temple of Doom,” which gets credit for trying something different and demerit for failing at a lot of that.

“Barry” is the blackest of black comedies — if it’s even a comedy at all by season four. We knew Bill Hader was funny, but now we also know he’s an impressive actor and director, too. This spoiler-laden discussion of all four seasons dives deep into what’s real and not, what’s funny and not, and whether Barry was mostly a trippy homage to “Breaking Bad.”

From the sleeper hit that everyone clung to during the COVID lockdowns to a third season with Premier League-levels of hype and scrutiny, Ted Lasso was more than a breakout hit for Apple TV+. We dive into the Good, the Bad, and the Zava and make our picks (“It’s not a draft!”) for what spinoffs we want to see!

Our book club tackles two Nebula-nominated novels with ampersands in their titles! Is that all they have in common? It’s “Nettle & Bone” & “Legends & Lattes.” Plus: Is Scott the monster again this time? Maybe not!

They made a better movie about Dungeons & Dragons! Can you really go wrong with Chris Pine and Hugh Grant? Two expert DMs and a roleplaying novice break it all down!

We go 20 minutes into the future and 36 years into the past to discuss ABC’s cyberpunk drama “Max Headroom.” For a show with an 80s pop-culture icon as its title character, it’s actually a prescient satire about where our culture was (and still is?) headed. Even more than three decades later, its discussions of data security, the right to privacy in a technological age, artificial intelligence, and even deepfakes are still state of the art. (Non-American viewers who thought this was the show where Max Headroom introduced various music videos… uh, no.) Catch the wave and join us, won’t you?

They said that “Star Trek: Picard” wasn’t just going to be a “Star Trek: The Next Generation” reunion show, and that turned out to be true, at least about the first two seasons. We review the show’s just-completed third season, which brought us the emotional and nostalgic moments we craved, introduced an assortment of new characters we liked (or didn’t), and introduced some plot elements that we puzzled over.

We gripe because we love! We break down the third season of “The Mandalorian.” Is burying part of the story in another show doing a disservice to this one? Why are there so may plot threads that seem to go nowhere, or get resolved in an anticlimactic fashion? And, despite all that, how did we all still have a good time?

Our Book Club begins our walk through awards shortlist reading with two Nebula Awards nominees for best novel, “The Mountain in the Sea” by Ray Nayler and “Spear” by Nicola Griffith. One’s a near-future thriller about sentient octopi, the other’s an Arthurian fantasy with a few twists. Next time we’ll be reading Nettle & Bone by T. Kingfisher and Legends & Lattes by Travis Baldree. If you’re on Goodreads, you can also join our Book Club there.

Everyone laughed at the title, and many laughed at the over-the-top violence, but 1987’s “RoboCop” turned into a sleeper hit that kickstarted a major franchise. We revisit Paul Verhoeven’s first and best big-budget sci-fi satire.

Sure, she’s a human lie detector, but she’s also a murder magnet who’s running from a guy who seems to want her dead. We enter the world of Rian Johnson’s “Poker Face,” where Natasha Lyonne is both Columbo and The Fugitive.

Old Movie Club throws itself into the turning wheels of justice with two legal films from 1957, “12 Angry Men” and “Witness for the Prosecution.”

Grab a backpack and get ready to siphon some gas—we’re setting out from the safe zone on a quest to find opinions about the first season of HBO’s video game adaptation, “The Last of Us.”

Avoid stepping on butterflies, step into your time machine, and go kill your grandfather—it’s time for our Time Travel Movies Draft! We select favorite films from all corners of the time-travel genre, from time loops to historical shenanigans to nonsensical plot twists.

Our Book Club reads “Sea of Tranquility” by Emily St. John Mandel, a beautifully written story set in multiple timelines that—like her earlier novel “Station Eleven”—frustrated some, but not all, of our panelists. We also recommend a lot of other books to read!

We wrap up our seven-year walkthough(!) of the seven seasons of “Buffy the Vampire Slayer.” The show is slowly grinding to a halt, but are there gems to be discovered? Buffy’s got a speech about that. Maybe the real Big Bad was the friends we made along the way!

This week we’re drafting Disney Princesses! There are two simple rules: They must be Disney, and they must be princesses. How far will our intrepid panelists go to stretch those rules? Join us to find out.

Wednesday Addams is not the girl of your dreams — she’s the stuff of your nightmares. Our group of outcasts gathers in our secret library to conjure our thoughts on the first season of “Wednesday”, streaming on Netflix. We discuss what we love about the show, while also trying to figure out, is it really meant for us?

Put on your home-built Iron Man suit and whisper into some beads, because it’s time to discuss “Black Panther: Wakanda Forever.” Our panel talks about how the movie leaves space to grieve Chadwick Boseman and T’Challa while also providing a platform for a bunch of black women to take the lead in a geopolitical battle involving the charismatic Namor, the U.S. government, and… the French? We drift into the shipping lanes for a moment, but it doesn’t generate any enthusiasm about the film’s big boat battle.

Our Book Club reconvenes to discuss R.F. Kuang’s “Babel.” It’s a story about magic and empire and revolution, and our feelings about it are similarly complicated. Plus: A whole bunch of book suggestions! Our next Book Club selection: “Sea of Tranquility” by Emily St. John Mandel.

Get in line to order a hero sandwich—not so fast, sidekick! We’re here to talk about 2005’s thoroughly delightful Disney movie “Sky High,” featuring superhero action and teen drama that are both full to the brim—but never quite over the top.

This week, we’re drafting some spies, secret agents, and con artists. Con artists? Why not? They all use similar skills—sometimes, it’s impossible to tell the difference. From fiction to spoof to inspired by real life, we’ve got it all. Also, is that Cate Blanchett or Tilda Swinton? Good luck, Jim. This episode will self destruct in five seconds.

Put on your headset and get ready to jump into a polt, because we’re going to discuss “The Peripheral,” Prime Video’s adaptation of William Gibson’s novel. What makes its approach to certain famous sci-fi tropes unique? How interesting are the accents? Why is there an invisible car? We’ll answer those questions as soon as we flee to another stub.