New Books in Music

The era of ska shame is officially over, and ska fans no longer need to hide in the basement, skanking alone. The creator of the popular podcast In Defense of Ska has doubled down on defending the checkered flag genre with his new edition of In Defense of Ska: Ska Now More Than Ever Edition (Clash Books, 2024). The original version was chosen by Pitchfork as one of the best music books of 2021, and was an official recommended read in Rolling Stone?s June 2021 issue. In this expanded version, author Aaron Carnes weaves in tons of new interviews and stories, continuing his crusade to rebuff pop culture?s dismissal of American ska as nothing more than porkpie hats and silly lyrics. Updated journalistic essays, personal stories, historical investigations, and a brand-new epilogue exploring ska?s ?lost years? serve as a much-needed crash course on the hundreds of bands, big or small, that formed the passionate community that continues to love and evolve America?s much-maligned and infamously underrated ska scene. Join the movement today and discover why ska is a cultural force that can?t be ignored! Aaron Carnes is a music journalist based out of Northern California. His work has appeared in Playboy, Salon, Noisey, Bandcamp Daily, Sun Magazine, Sierra Club Magazine, and Ozy. He?s also the music editor at Good Times weekly newspaper in Santa Cruz, CA. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The Roman singer, courtesan, and writer Margherita Costa won prominence and fame across the courts of Italy and France during the mid-seventeenth century. She secured a steady stream of elite patrons ? including popes, queens, grand dukes, and influential cardinals ? while male poets and librettists wrote celebratory poetry on her behalf. In addition to her appearances as a soprano on the opera stage, Costa published a remarkable fourteen full-length texts across an expanse of genres: burlesque comedy, drama, equestrian ballet, pastoral opera, amorous letters, lyric poetry, and history. Margherita Costa, Diva of the Baroque Court (U Toronto Press, 2023) brings together close textual readings of Costa?s numerous publications with archival materials detailing her performance itinerary and social-cultural networks. The book progresses chronologically through her life, geographically along the routes she travelled, and thematically via the genres in which she experimented. Jessica Goethals illuminates how Costa was unafraid to leap over the boundaries of decorum that delimited what women should and did write about. More than merely a literary biography, this book is also a portrait of seventeenth-century courts, their concerns, and their entertainments. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women?s and gender studies, performance history, and the cultures of diplomacy and reception. Email: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Why is music important to place, and place important to music? In Where We Come From: Rap, Home and Hope in Modern Britain (Faber and Faber, 2024), Aniefiok Ekpoudom, a freelance writer and storyteller from South London, tells the story of UK Rap and Grime music. In doing so he tells the story of Modern British culture. The book uses three places- South London, South Wales, and the Midlands, and three case studies of some of UK Rap and Grime?s leading artists. In doing so, the book powerfully charts the struggles and triumphs of modern British music, and the struggles and triumphs of the places where that music comes from. A work of brilliant and compelling narrative non-fiction, the book is essential reading across the humanities and social sciences, as well as for anyone interested in music, culture, and place. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Adriana Helbig's book ReSounding Poverty: Romani Music and Development Aid (Oxford University Press, 2023) offers a micro ethnography of economic networks that impact the daily lives of Romani musicians on the borders of the former Soviet Union and the European Union. It argues that the development aid allotted to provide economic assistance to Romani communities, when analyzed from the perspective of the performance arts, continues to marginalize the poorest among them. Through their structure and programming, NGOs choose which segments of the population are the most vulnerable and in the greatest need of assistance.  Drawing on ethnographic research in development contexts, ReSounding Poverty asks who speaks for whom within the Romani rights movement today. Framing the critique of development aid in musical terms, it engages with Romani marginalization and economic deprivation through a closer listening to vocal inflections, physical vocalizations of health and disease, and emotional affect. ReSounding Poverty brings us into the back rooms of saman, mud and straw brick, houses not visited by media reporters and politicians, amplifying the cultural expressions of the Romani poor, silenced in the business of development. ?Maggie Freeman is a PhD candidate in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Bands like R.E.M., U2, Public Enemy, and Nirvana found success as darlings of college radio, but the extraordinary influence of these stations and their DJs on musical culture since the 1970s was anything but inevitable. As media deregulation and political conflict over obscenity and censorship transformed the business and politics of culture, students and community DJs turned to college radio to defy the mainstream?and they ended up disrupting popular music and commercial radio in the process. In Live from the Underground: A History of College Radio (UNC Press, 2023), Katherine Rye Jewell reveals that these eclectic stations in major cities and college towns across the United States owed their collective cultural power to the politics of higher education as much as they did to upstart bohemian music scenes coast to coast. Jewell uncovers how battles to control college radio were about more than music?they were an influential, if unexpected, front in the nation?s culture wars. These battles created unintended consequences and overlooked contributions to popular culture that students, DJs, and listeners never anticipated. More than an ode to beloved stations, this book will resonate with both music fans and observers of the politics of culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

A literary and visual exploration of the songs of Steely Dan. Steely Dan's songs are exercises in fictional world-building. No one else in the classic-rock canon has conjured a more vivid cast of rogues and heroes, creeps and schmucks, lovers and dreamers and cold-blooded operators--or imbued their characters with so much humanity. Pulling from history, lived experience, pulp fiction, the lore of the counterculture, and their own darkly comic imaginations, Donald Fagen and Walter Becker summoned protagonists who seemed like fully formed people with complicated pasts, scars they don't talk about, delusions and desires and memories they can't shake. From Rikki to Dr. Wu, Hoops McCann to Kid Charlemagne, Franny from NYU to the Woolly Man without a Face, every name is a locked-room mystery, beguiling listeners and earning the band an exceptionally passionate and ever-growing cult fandom. Quantum Criminals: Ramblers, Wild Gamblers, and Other Sole Survivors from the Songs of Steely Dan (U Texas Press, 2023) presents the world of Steely Dan as it has never been seen, much less heard. Artist Joan LeMay has crafted lively, color-saturated images of her favorite characters from the Daniverse to accompany writer Alex Pappademas's explorations of the famous and obscure songs that inspired each painting, in short essays full of cultural context, wild speculation, inspired dot-connecting, and the occasional conspiracy theory. All of it is refracted through the perspectives of the characters themselves, making for a musical companion unlike any other. Funny, discerning, and visually stunning, Quantum Criminals is a singular celebration of Steely Dan's musical cosmos. Alex Pappademas is the author of Keanu Reeves: Most Triumphant--The Movies & Meaning of an Irrepressible Icon and the writer and host of the acclaimed podcast The Big Hit Show. His work has also appeared in GQ, the New York Times, and Grantland. Alex on Twitter. Joan LeMay is an artist based in London and New York City (although the paintings for this book were created in Portland). Her work appears in multiple publications and books and has been shown in museums, galleries, and public spaces internationally. Joan on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

How was music important to medieval society? In Medieval Sex Lives:The Sounds of Courtly Intimacy on the Francophone Borders (Cornell UP, 2023), Prof Elizabeth Eva Leach, a Professor of Music at the University of Oxford explores the history and content of the Douce 308 manuscript to tell the story of the cultural and sexual scripts that framed courtly life in the Medieval era. The book tells the long history of the idea of courtly love, as well as using contemporary theories and cultural practices to re-examine the songs and lyrics in the manuscript. A fascinating and absorbing read, the book will be of interest to humanities scholars and more widely to anyone interested in the history of music, sex, and sexuality. You can also find out more about the book here on Prof Leach?s blog. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Most scholars of popular music use songs, artists, and clubs as the key texts and sites in their exploration of the social, cultural, political, and economic effects of music. Laurent Dubois? new book looks at the history of an instrument, the banjo, to help us better understand American history and culture. Dubois also helps readers understand the banjo as part of an Afro-Atlantic musical heritage. In The Banjo: Americas African Instrument (Harvard University Press, 2015), Dubois examines how the banjo came into existence in the Americas and what it reveals about debates about American culture. Dubois book starts in Africa with a wide range of instruments that shaped the banjo. He then follows these instruments as they cross the Atlantic in the Middle Passage, winding up in the Caribbean and in North America. Sifting through travelers accounts and documents in archives, Dubois shows how the banjo brought together African peoples in the Americas, creating a familiar but new instrument and sound. He describes the banjo as the product of parallel development in which many enslaved musicians deployed similar instrument-making strategies to create what we now know as the banjo. The story, however, does not stop there. The banjo came to represent authentic Africa American and American culture and became a key symbol in abolitionist rhetoric and minstrelsy. As a result, the banjo was not simply an instrument but a powerful marker of identity within American culture. Dubois traces how the banjo played a significant role in jazz, country, bluegrass, and folk music, symbolizing a diverse set of values and politics. From the minstrel Joel Walker Sweeney to the political activist Pete Seeger, the history of the banjo is the history of American popular culture. Laurent Dubois is Marcello Lotti Professor of Romance Studies and History at Duke University. He is also the author of Avengers of the New World: The Story of the Haitian Revolution and Haiti: The Aftershocks of History. More information about his work on the banjo can be found at Banjology and Musical Passage. Richard Schur, Professor of English at Drury University, is the host for this podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

When Tina Turner reclaimed her throne as the Queen of Rock 'n' Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina's journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture. Paying special attention to the diverse metaphysical beliefs that shaped her spiritual life, Craig untangles Tina's Soka Gakkai Buddhist foundation; her incorporation of New Age ideas popularized in '60s counterculture; and her upbringing in a Black Baptist congregation, alongside the influences of her grandmothers' disciplinary and mystical sensibilities. Through critical engagement with Tina's personal life and public brand, Craig sheds light on how popular culture has been used as a vehicle for authentic religious teaching. Scholars and fans alike will find Dancing in My Dreams: A Spiritual Biography of Tina Turner (Eerdmans, 2023) as enlightening as the iconic singer herself. When Tina Turner reclaimed her throne as the Queen of Rock ?n? Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina?s journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Communication at SUNY Geneseo--interviews Bryan McCann (he/his)--Associate Professor of Communication at Louisiana State University--on a dope new work of cultural criticism The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era (University of Alabama Press, 2017). The Mark of Criminality positions the work of key gangsta rap artists--Dr. Dre, Snoop Dogg, and Tupac Shakur--as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. McCann argues that, among other well-circulated meanings, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Hip Hop turned 50 this year. It has been five decades since DJ Cool Herc played a party in the Bronx that gave birth to a global cultural revolution. To honor this anniversary and teach this history, the New York City Department of Education has published The Graphic History of Hip Hop. Dr. Walter Greason wrote the text, which is beautifully illustrated by Afrofuturist graphic artist Tim Fielder.  As the first in a series of collaborative graphic novels, The Graphic History of Hip Hop brings together a powerful blend of music, art, and history drawn from over sixty years of research by hundreds of professional historians and other scholars from the humanities and social sciences. The book is designed to engage students as they will see, hear and experience how the world of Hip Hop evolved in response to the rapidly changing political and environments from the 1970s through the 2000s. This work is an essential resource to enhance modern urban and world history curriculums and create a unique and engaging classroom settings for students. This shorter version is free to download as PDF and a longer hardcover version will be published soon. Also see the project website, here.  Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he?s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In The Needle and the Lens: Pop Goes to the Movies from Rock 'n' Roll to Synthwave (University of Minnesota Press, 2023), Nate Patrin examines how the link between film and song endures as more than a memory. It is, in fact, a sort of cultural symbiosis that has mutually influenced movies and pop music, a phenomenon Patrin tracks through the past fifty years, revealing the power of music in movies to move the needle in popular culture. Rock 'n' roll, reggae, R&B, jazz, techno, and hip-hop: each had its moment--or many--as music deployed in movies emerged as a form of interpretive commentary, making way for the legitimization of pop and rock music as art forms worthy of serious consideration. These commentaries run the gamut from comedic irony to cheap-thrills excitement to deeply felt drama, all of which Patrin examines in pairings such as American Graffiti and "Do You Want to Dance?"; Saturday Night Fever and "Disco Inferno"; Apocalypse Now and "The End"; Wayne's World and "Bohemian Rhapsody"; and Jackie Brown and "Didn't I Blow Your Mind This Time?" What gives power to these individual moments, and how have they shaped and shifted music history, recasting source material or even stirring wider interest in previously niche pop genres? As Patrin surveys the scene--musical and cinematic--across the decades, expanding into the deeper origins, wider connections, and echoed histories that come into play, The Needle and the Lens offers a new way of seeing, and hearing, these iconic soundtrack moments. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Key Changes: The Ten Times Technology Transformed the Music Industry (Oxford University Press, 2023) by Howie Singer and Bill Rosenblatt tells a new story about the history of the music business and the ten technological advances that disrupted it over the last century. In recent years, narratives about the music industry tend to hew to a common theme: it was humming along for decades until the Internet and Napster came along and disrupted it. Key Changes shows that this view is incorrect: the industry was actually shaken up not once in the 1990s, but ten times over more than 100 years. These ten disruptions came with the introduction of new formats for enjoying recorded music: starting with the cylinders and discs played on early phonographs; then moving through radio, LPs, tapes, CDs, television, digital downloads, streaming, and streaming video; and then into Artificial Intelligence (AI), which enables a wide range of new capabilities with profound impacts upon the business. This book devotes a chapter to each of these formats, illustrating how such innovations beget shifts in creativity, consumer behavior, economics, and law. Each of the technological innovations covered in this book not only disrupted the music business, but also fundamentally altered the industry's character. And while the technologies themselves have evolved in unique and varied ways over the decades, the changes within the business follow a clear pattern. Veteran music industry professionals and music technology experts Howie Singer and Bill Rosenblatt illuminate this pattern through a framework they term "the 6 Cs": cutting edge technology, channels of distribution, creators, consumers, cash, copyright. This framework provides insight into how such disparate innovations similarly disrupted and transformed the music business in each era. Extensively researched and supplemented by interviews with Grammy-winning artists, producers and executives, the book provides an insightful perspective on the ways technology has fundamentally altered the music industry, throughout history and into the present era. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Black vaudevillians and entertainers joked that T.O.B.A. stood for "tough on black artists." But the Theater Owner's Booking Association (T.O.B.A.) played a foundational role in the African American entertainment industry. T.O.B.A. Time: Black Vaudeville and the Theater Owners? Booking Association in Jazz-Age America by Michelle R. Scott (University of Illinois Press, 2023) examines this circuit of vaudeville theaters active between 1920 and 1930 which booked blues singers, comedians, dancers, and many other kinds of entertainers into Black-serving theaters throughout the United States. T.O.B.A. launched and nurtured the careers of many Black performers including Cab Calloway, Sammy Davis Jr., Count Basie, Bessie Smith, Ethel Waters, and Hattie McDaniel. Scott traces T.O.B.A.?s antecedents in the first decades of the twentieth century and documents the ten years of its existence. She contextualizes T.O.B.A. within the politics of segregated America, the Black communities served by its theaters, and its effect on the lives and careers of thousands of Black performers. ?Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Whenever a person engages with music--when a piano student practices a scale, a jazz saxophonist riffs on a melody, a teenager sobs to a sad song, or a wedding guest gets down on the dance floor--countless neurons are firing. Playing an instrument requires all of the resources of the nervous system, including cognitive, sensory, and motor functions. Composition and improvisation are remarkable demonstrations of the brain's capacity for creativity. Something as seemingly simple as listening to a tune involves mental faculties most of us don't even realize we have. Larry S. Sherman, a neuroscientist and lifelong musician, and Dennis Plies, a professional musician and teacher, collaborate to show how our brains and music work in harmony. They consider music in all the ways we encounter it--teaching, learning, practicing, listening, composing, improvising, and performing--in terms of neuroscience as well as music pedagogy, showing how the brain functions and even changes in the process. Every Brain Needs Music: The Neuroscience of Making and Listening to Music (Columbia UP, 2023) draws on leading behavioral, cellular, and molecular neuroscience research as well as surveys of more than a hundred musical people. It provides new perspectives on learning to play, teaching, how to practice and perform, the ways we react to music, and why the brain benefits from musical experiences. Written for both musical and nonmusical people, including newcomers to brain science, Every Brain Needs Music is a lively and easy-to-read exploration of the neuroscience of music and its significance in our lives. Melek Firat Altay is a neuroscientist, biologist and musician. Her research focuses on deciphering the molecular and cellular mechanisms of neurodegenerative and neurodevelopmental disorders. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

A companion to the #1 music podcast on Spotify, this book takes listeners through the greatest hits that define a weirdly undefinable decade. The 1990s were a chaotic and gritty and utterly magical time for music, a confounding barrage of genres and lifestyles and superstars, from grunge to hip-hop, from sumptuous R&B to rambunctious ska-punk, from Axl to Kurt to Missy to Santana to Tupac to Britney. In 60 Songs That Explain The 90s (Twelve, 2023), Ringer music critic Rob Harvilla reimagines all the earwormy, iconic hits Gen Xers pine for with vivid historical storytelling, sharp critical analysis, rampant loopiness, and wryly personal ruminations on the most bizarre, joyous, and inescapable songs from a decade we both regret entirely and miss desperately. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing?draft lyrics, notebooks, and diverse ephemera? comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan?s early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate?s many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan?s working life, particularly from the dynamic perspective of his ongoing and shifting creative processes?his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan?s creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America?s most groundbreaking, influential and enduring artists. Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin. Mark has written widely on music and archives-related subjects, including his dissertation, ?Recording the Nation: Folk Music and the Government in Roosevelt?s New Deal, 1936?1941,? and the essay ?Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,? published in The World of Bob Dylan. Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award?winning Bob Dylan?s Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In the early twentieth century, American ragtime and the Parisian tango fuelled a dancing craze in Britain. Public ballrooms were built throughout the country, providing a glamorous setting for dancing. The new English style, defined in the 1920s and followed by the films of Fred Astaire and Ginger Rogers in the 1930s, ensured that ballroom dancing continued to be the most popular British pastime until the 1960s, rivalled only by cinema. Ballroom: A People's History of Dancing (Reaktion, 2022) by Dr. Hilary French explores the vibrant history of ballroom and Latin dancing: the dances, lavish venues, competitions and influential instructors. It also traces the decline of couple dancing and its resurgence in recent years with the hugely popular TV shows Strictly Come Dancing and Dancing with the Stars. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

This immersive new autobiography provides insight into the early life and illustrious career of the late great Ramsey Lewis, one of the most popular jazz pianists of all time. Beginning with his childhood growing up in Chicago's Cabrini Green neighborhood, Ramsey Lewis recounts his memories of the music in his parents' church and his early piano lessons. As he learned classical technique, Lewis also absorbed countless jazz records and heard gospel music weekly, finally becoming a performer himself in his teenage years. With his coauthor and collaborator, Aaron Cohen, Lewis describes his early steps in jazz from joining the Clefs in the '50s, to eventually establishing the Ramsey Lewis Trio. This memoir provides an evocative tour of Lewis's life from the club circuit of the early 1960s and recording with Chess Records to working with producer Maurice White and musicians such as Stevie Wonder. In this deep dive into an exceptional life and expansive career, Lewis takes us through his artistic challenges, offers insight and perspective on his own musical growth and the creative process, and describes his eventual foray into symphonic composition and performance. Gentleman of Jazz: A Life in Music (Blackstone, 2023) is an inspiration to young musicians eager to follow in his footsteps and a tribute to the legacy of Ramsey Lewis and is sure to appeal to longtime fans as well as those new to the jazz scene. Ramsey Lewis (1935-2022) was one of the most popular jazz pianists of all time, with more than eighty albums to his name. A National Endowment for the Arts Jazz Master, Top 10 hitmaker, and winner of three Grammys, Lewis also hosted popular television and radio shows that honored the history of jazz music. He was not only influential for many modern jazz artists but beats he created decades ago can be heard across R&B and hip-hop. Through it all, Lewis remained grounded, never leaving behind his roots in Chicago. Aaron Cohen covers the arts for numerous publications and teaches English, journalism, and humanities at the City Colleges of Chicago. He is the author of Aretha Franklin's "Amazing Grace" and Move on Up: Chicago Soul Music and Black Cultural Power. Aaron Cohen on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

When Germany invaded Norway on 9 April 1940, the long lasting bilateral relations changed fundamentally. Immediately, the administration of the ?Reichskommissariat Norwegen? responsible for culture and therein music together with the Norwegian puppet regime?s department for culture implemented the adaption to the new, official National Socialist guidelines. The diversity of music in Norway during the occupation is presented in this book by Norwegian and German authors, confronting research on collaboration, persecution, and resistance for the first time as an international endeavour. Persecution, Collaboration, Resistance: Music in the ?Reichskommissariat Norwegen? (1940?45) (Waxmann Verlag, 2020) illustrates not only examples of exile and persecution and ask for the consequences of Nazi politics on prominent and forgotten fates, but depict how Norwegian artists and their organisations positioned themselves towards collaboration or resistance during and after the war, as well as contrasting it with the impressions of German musicians, both military and civilian, playing in Norway during the occupation. Including Norway into the international discourse on ?Music and Nazism?, the articles address readers both interested in the German occupation of Norway, and the implications the German administration and its Norwegian counterparts had on the music life. This book is available open access here.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Greil Marcus is perhaps the world?s foremost interpreter of Bob Dylan. This podcast focuses on Marcus? latest Dylan book, Folk Music: A Bob Dylan Biography in Seven Songs (Yale University Press, 2022). Marcus begins his book with a 2001 quote from Dylan: ?I can see myself in others.? In this sense, Marcus writes, ?the engine of his songs is empathy.? We begin our conversation with ?Murder Most Foul,? from 2020, on the assassination of John F. Kennedy, with Dylan ?putting on Kennedy?s bloody suit.? We discuss, too, ?Desolation Row,? from 1965. The opening line? ?They?re selling postcards of the hanging??? could be a reference, Marcus suggests, to a lynching of three black circus workers in Duluth, Minnesota in 1920, just over twenty years before Dylan was born there. And Marcus offers insights on the five other songs covered in this volume: ?Blowin? in the Wind?/1962; ?The Lonesome Death of Hattie Caroll?/1964; ?The Times They Are A-Changin??/1964; ?Jim Jones?/1992; and ?Ain?t Talkin??/2006. Veteran journalist Paul Starobin is a former Moscow bureau chief for Business Week and a former contributing editor of The Atlantic. He has written for The New York Times, The Washington Post, The Wall Street Journal and many other publications. His latest book, Putin?s Exiles: Their Fight for a Better Russia (Columbia Global Reports) will be published in January. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Without Nebraska, Bruce Springsteen might not be who he is today. The natural follow-up to Springsteen's hugely successful album The River should have been the hit-packed Born in the U.S.A. But instead, in 1982, he came out with an album consisting of a series of dark songs he had recorded by himself, for himself. But more than forty years later, Nebraska is arguably Springsteen's most important record--the lasting clue to understanding not just his career as an artist and the vision behind it, but also the man himself. Nebraska is rough and unfinished, recorded on cassette tape with a simple four-track recorder by Springsteen, alone in his bedroom, just as the digital future was announcing itself. And yet Springsteen now considers it his best album. Nebraska expressed a turmoil that was reflective of the mood of the country, but it was also a symptom of trouble in the artist's life, the beginnings of a mental breakdown that Springsteen would only talk about openly decades after the album's release. Warren Zanes spoke to many people for Deliver Me from Nowhere: The Making of Bruce Springsteen's Nebraska (Crown, 2023), including Bruce Springsteen himself. He also interviewed more than a dozen celebrated artists and musical insiders, from Rosanne Cash to Steven Van Zandt, about their reactions to the album. Zanes interweaves these conversations with inquiries into the myriad cultural touchpoints, including Terrence Malick's Badlands and the short stories of Flannery O'Conner, that influenced Springsteen as he was writing the album's haunting songs. The result is a textured and revelatory account of not only a crucial moment in the career of an icon but also a record that upended all expectations and predicted a home-recording revolution. Warren Zanes is the New York Times bestselling author of Petty: The Biography. As a member of the Del Fuegos, he has shared the stage with Bruce Springsteen, and continues to write and record music. Zanes holds a PhD in visual and cultural studies from the University of Rochester and presently teaches at New York University. He is a Grammy-nominated producer of the PBS series Soundbreaking and was a consulting producer on the Oscar-winning documentary 20 Feet from Stardom. Zane's work has appeared in Rolling Stone and the Oxford American, and he has served as a vice president at the Rock and Roll Hall of Fame. Warren on his website and Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The heart of Brigid Cohen?s Musical Migration and Imperial New York: Early Cold War Scenes (University of Chicago Press, 2022) are the connections forged and broken amid the dislocations caused by war and imperialist ambitions. Rather than telling a simple chronological narrative, Cohen circles loosely around a single year, 1960, and crosses time and place to examine how a group of artists mediated ideas of displacement, race, gender, imperialism, and Cold War Orientalism in their work. Cohen begins with an examination of the complex musical and personal interactions during the 1957 Greenwich House sessions organized by Edgard Varèse, and then turns to the Columbia-Princeton Electronic Music Center, the early work of Yoko Ono, and finally the early years of Fluxus. She considers a disparate collection of crossed paths in New York City, a place she calls a ?capital of Empire.? While she focuses on figures, institutions, and groups that are well known among scholars who work on music and Cold War politics, she looks under and around these familiar topics to center people, art, and events that have been overlooked or even dismissed in other scholarship. ?Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Pavitra Sundar's book Listening with a Feminist Ear: Soundwork in Bombay Cinema (U Michigan Press, 2023) is a study of the cultural politics and possibilities of sound in cinema. Eschewing ocularcentric and siloed disciplinary formations, the book takes seriously the radical theoretical and methodological potential of listening. It models a feminist interpretive practice that is not just attuned to how power and privilege are materialized in sound, but that engenders new, counter-hegemonic imaginaries. Focusing on mainstream Bombay cinema, Sundar identifies singing, listening, and speaking as key sites in which gendered notions of identity and difference take form. Charting new paths through seven decades of film, media, and cultural history, Sundar identifies key shifts in women's playback voices and the Islamicate genre of the qawwali. She also conceptualizes spoken language as sound, and turns up the volume on a capacious, multilingual politics of belonging that scholarly and popular accounts of nation typically render silent. All in all, Listening with a Feminist Ear offers a critical sonic sensibility that reinvigorates debates about the gendering of voice and body in cinema, and the role of sound and media in conjuring community. ?Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media at the National University of Singapore, Singapore. @KhadeejaAmenda. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

What is meaning? How does it arise? Where is it found in the world? In recent years, philosophers and scientists have answered these questions in different ways. Some see meaning as a uniquely human achievement, others extend it to trees, microbes, and even to the bonding of DNA and RNA molecules. In this groundbreaking book, Gary Tomlinson defines a middle path. Combining emergent thinking about evolution, new research on animal behaviors, and theories of information and signs, he tracks meaning far out into the animal world. At the same time he discerns limits to its scope and identifies innumerable life forms, including many animals and all other organisms, that make no meanings at all. Tomlinson?s map of meaning starts from signs, the fundamental units of reference or aboutness. Where signs are at work they shape meaning-laden lifeways, offering possibilities for distinctive organism/niche interactions and sometimes leading to technology and culture. The emergence of meaning does not, however, monopolize complexity in the living world. Countless organisms generate awe-inspiring behavioral intricacies without meaning. The Machines of Evolution and the Scope of Meaning (Zone Books, 2023) offers a revaluation of both meaning and meaninglessness, uncovering a foundational difference in animal solutions to the hard problem of life.? Nathan Smith is a PhD Student in Music Theory at Yale University ([email protected]). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

If you don?t know Tina Turner?s spirituality, you don?t know Tina. When Tina Turner reclaimed her throne as the Queen of Rock ?n? Roll in the 1980s, she attributed her comeback to one thing: the wisdom and power she found in Buddhism. Her spiritual transformation is often overshadowed by the rags-to-riches arc of her life story. But in this groundbreaking biography, Ralph H. Craig III traces Tina?s journey from the Black Baptist church to Buddhism and situates her at the vanguard of large-scale movements in religion and pop culture. Paying special attention to the diverse metaphysical beliefs that shaped her spiritual life, Craig untangles Tina?s Soka Gakkai Buddhist foundation; her incorporation of New Age ideas popularized in ?60s counterculture; and her upbringing in a Black Baptist congregation, alongside the influences of her grandmothers? disciplinary and mystical sensibilities. Through critical engagement with Tina?s personal life and public brand, Craig sheds light on how popular culture has been used as a vehicle for authentic religious teaching. Scholars and fans alike will find Dancing in My Dreams: A Spiritual Biography of Tina Turner (Eerdmans, 2023) as enlightening as the iconic singer herself. For those of you interested in the stories and poems of the first Buddhist nuns mentioned in the interview yet not included in the book's footnotes (hey, it's a trade book, so space for footnotes is limited), collected in Ther?g?th?, you can find the stories here: Kis?gotam?; Ambap?l?; Isid?s?. You can also find a modern recreation of Ambap?l?'s song here. For a trustworthy, philologically solid, yet still readable translation of Ther?g?th?, see here. I also find this translation most useful because of its high-quality but manageable footnotes. ?Jessica Zu is an intellectual historian and a scholar of Buddhist studies. She is an assistant professor of religion at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Olivia Rodrigo's new album "Guts" offers a compelling perspective on early adult uncertainty, societal expectations of young women, and the craft of songwriting. We take a deep dive into the art and persona of this chart-bestriding performer.  The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Of all the musical developments of rock in the 1960s, one in particular fundamentally changed the music?s structure and listening experience: the incorporation of extended improvisation into live performances. While many bands?including Cream, Pink Floyd, and the Velvet Underground?stretched out their songs with improvisations, no band was more identified with the practice than the Grateful Dead. In Get Shown the Light: Improvisation and Transcendence in the Music of the Grateful Dead (Duke UP, 2023), Michael Kaler examines how the Dead?s dedication to improvisation stemmed from their belief that playing in this manner enabled them to touch upon transcendence. Drawing on band testimonials and analyses of early recordings, Kaler traces how the Dead developed an approach to playing music that they believed would facilitate their spiritual goals. He focuses on the band?s early years, the significance of their playing Ken Kesey?s Acid Test parties, and their evolving exploration of the myriad musical and spiritual possibilities that extended improvisation afforded. Kaler demonstrates that the Grateful Dead developed a radical new way of playing rock music as a means to unleash the spiritual and transformative potential of their music. Michael Kaler is Associate Professor, teaching stream, at the Institute for the Study of University Pedagogy at the University of Toronto Mississauga and author of Flora Tells a Story: The Apocalypse of Paul and Its Contexts. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O?Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Ask anyone outside of Austin what they know about the city and chances are the first thing they'll mention is the music. While the Armadillo Era has been well-chronicled, there is no book about Austin music in the 90s. In their new book, A Curious Mix of People: The Underground Scene of '90s Austin (University of Texas Press, 2023), veterans of the sccene Greg Beets and Richard Whymark have put together an oral history of the decade. Beets and Whymark are not trying to cover all of the music made in Austin during the 1990s; they're most interested in the underground/punk community in which they participated. While a few of those bands got big (e.g., Spoon), the music remained mostly local, DIY. It was driven by live shows, though local media (radio, TV, print), record stores, and a few labels were also important to the story. Beets and Whymark devote chapters to those elements, but almost half of the chapters are based around a particular club. Organizing the book around physical spaces is not only appropriate for telling the story of the music, it is nice framing for the larger story of Austin. As the authors note, the city was still a relatively sleepy place in the early 1990s, with vacant blocks downtown and loads of small clubs that opened and closed simply because music-minded people wanted a place to play. By 1999, longtime venues like the Electric Lounge and Liberty Lunch were bulldozed to make way for development and tech companies. ?Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The role of music during the German occupation of Norway (1940-45) proves to be an exceptional case for cultural opposition in a dictatorship. Few famous musicians, some local celebrities and innumerous hardly known activists preferred artistic instead of militant means to demonstrate reluctance, spread information, contradict the legitimacy of the German occupants and raise the moral strength of fellow countrymen in Norway and abroad, while risking to be caught, incarcerated and driven into exile. The indispensable advantage was the popular belief of art as an apolitical matter so that music even could reach into fields that would have been inaccessible to open political agitation.  Based on considerable findings in public archives and private collections, Michael Custodis' Music and Resistance: Cultural Defense During the German Occupation of Norway 1940-45 (Waxmann Verlag, 2021) discusses music in concentration camps in Norway and the fate of Jewish musicians, portrays choirs, military ensembles, orchestral and church music in Norway. It further analyzes Harald Sæverud's 5th symphony and Moses Pergament's choir symphony Den judiska sången, illustrates the exile of musicians in Stockholm and discusses resistance music in historic media such as the Errol Flynn-movie Edge of Darkness (1943), recapitulated by a model for music as resistance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Song, Landscape, and Identity in Medieval Northern France: Toward an Environmental History (Oxford University Press, 2023) investigates how northern French vernacular poets and musicians writing in the late middle ages expressed relationships between people and their environments. It explores medieval French song through the critical and disciplinary lenses of ecocriticism and environmental history. The repertoire under scrutiny embraces the gamut of forms and genres of thirteenth- and fourteenth-century French music, considering the songs of the trouvères, the ars antiqua motet, the formes fixes, the plays of Adam de la Halle, and the lyric-infused narrative poetry of Guillaume de Machaut. Although these works have never before been conceptualized as a corpus of nature poetry, they routinely evoke nature and the outdoors. They feature the gardens, meadows, and trees found in the countryside that many of their authors inhabited, and they conceptualize nature as crucial to poetic inspiration, to the fulfillment of desire, and as a space symbolic of the sacred. Through a deep contextualization of these songs and the people who wrote them, Song, Landscape, and Identity offers a novel account that demonstrates how song could present modalities of engagement with nature that were determined by geography, gender, and status. Key questions include: How realistic is the nature imagery in these songs? What ways of interaction with a landscape do they encourage? Where, and for whom, were such experiences available? The answers to these questions reposition medieval song as a privileged vehicle through which songwriters expressed relationships between nature, place, and class. Jennifer Saltzstein is a Presidential Professor of Musicology at the University of Oklahoma, where she teaches courses on the music of the Middle Ages, Renaissance, and Baroque eras. She is author of The Refrain and the Rise of the Vernacular in Medieval French Music and Poetry (Cambridge: D.S. Brewer, 2013) and editor of Musical Culture in the World of Adam de la Halle (Leiden: Brill, 2019). Áine Palmer is a PhD candidate in Music History at Yale University. Her work considers trouvère song and the anthologies that collect them in the long thirteenth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

They were unlike any other band in the punk scene they called home.  NoMeansNo started in the basement of the family home of brothers Rob and John Wright in 1979. For the next three decades, they would add and then replace a guitar player, sign a record deal with Alternative Tentacles and tour the world. All along the way, they kept their integrity, saying "NO" to many mainstream opportunities. It was for this reason the band (intentionally) never became a household name, but earned the respect and love of thousands of fans around the world, including some who became big rock stars themselves. They were expertly skilled musicians playing a new kind of punk: intelligent, soulful, hilarious, and complex. They were also really nice Canadian dudes. NoMeansNo: From Obscurity to Oblivion (PM Press, 2024) is the fully authorized oral and visual history of this highly influential and enigmatic band which has never been told before now. Author Jason Lamb obtained exclusive access to all four former members and interviewed hundreds of people in their orbit, from managers and roadies to fellow musicians, friends, and family members. The result is their complete story, from the band's inception in 1979 to their retirement in 2016, along with hundreds of photos, posters, and memorabilia, much of which has never been seen publicly before. For established fans, this book serves as a "love letter" to their favorite group and provides many details previously unknown. For those curious about the story and influence of NoMeansNo, it reveals an eye-opening tale of how a punk band could be world class musicians while truly "doing it themselves." Their impact and importance cannot be overstated, and NoMeansNo: From Obscurity to Oblivion is the essential archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Stephen Armstrong's new book I Want You Around: The Ramones and the Making of Rock-n-Roll High School (Backbeat Books, 2023), provides a detailed production history of this beloved film that draws upon extensive interviews the author has conducted with many of the people who contributed to its creation, including director Allan Arkush, uncredited co-director Joe Dante, screenwriter Joseph McBride, producer Michael Finnell, the Ramones' tour manager, Monte A. Melnick, and Roger Corman. Armstrong not only engages in the production of this classic film, but also examines the life of director Allan Arkush and the events that brought him to directing with film for New World Pictures. Armstrong also tells the story of the Ramones, giving insight into their experiences becoming the band that help Riff Randell and the students of Vince Lombardi High as they rebel against the tyrannical Principal Togar and blow up their school.  Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Today we have a  group session (read: an hour and a half) with the authors Adam Blum, Peter Goldberg, and Michal Levin discussing their new book Here I?m Alive: The Spirit of Music in Psychoanalysis (Columbia University Press, 2023). Acknowledging that ?We?re not the first to think about music in the clinical situation? the authors focused on the analytic project ?as a kind of music in its own right.? With an interest in sensory, non-representational experiences. ?We settled on music as a primordial operating system that all human beings are brought into.? We begin the interview with each author sharing their ideas on a key tenet of the book which is that ?Before we can become fully functioning emotional, rational, linguistic, cultural, social, or political animals, human beings first become musical animals.? From here we explore the questions posed in the book. ?What does the frame, frame?? What is meant by ?Music is never the creation of an individual in isolation? there is no such thing as private music?, ?What is the process of human musicalization?, ?What happens to us when the rhythm changes?? This was a rich discussion and each author sharpened my thinking. One of the more meaningful exchanges came around my reaction to this line in the book, "the analytic frame may be usable as rhythm from the get-go; the analyst drops the beat, and the dance begins."  In my reading I disagreed sharply. It is the patient who comes in an drops the beat!  Peter's clarifying response to me may be the highlight of many highlights in this enchanting jam session of an interview.  Near the end of our discussion in which the vicissitudes of induction as enchantment have made repeated appearances, I quote a passage that synthesizes much of the previous 90 minutes and speaks to the emotional resonance of the book. ?There is a good reason why psychoanalysis has been ambivalent about, if not terrified, of enchantment, which is that it?s overwhelmingly powerful and potentially extremely hazardous. Why? Because at bottom the human being seeks and needs induction. We are thus radically suggestible and susceptible to influence and in-form-ation (and possibly ex-form-ation) by the environment, a ?dethroning of the ego? that Freud could never accept. Our need for enchantment renders us essentially and permanently vulnerable to being taken over, and the crucial distinction between whether we are malevolently exploited or benevolently induced into culture is harrowingly historical, a matter of what world into which one is born.? (p.70) Christopher Russell, LP is a psychoanalyst in Chelsea, Manhattan. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In his new collection of essays, Melt With Me (Mad Creek Press, 2023), Paul Crenshaw examines the intersection of 1980s pop culture, the Cold War, and the trials of coming of age. Crenshaw takes up a range of topics from Star Wars to video games, Choose Your Own Adventure books to the Satanic Panic. Blending the personal with the historical, levity with gravity, Crenshaw shows how pop culture shaped those who grew up in 1980s America: how Reagan's Strategic Defense Initiative drove fears of nuclear war, how professional wrestling taught us everyone was either a good guy or a bad guy, how Bugs Bunny cartoons reflected the absurdity of war and mutually assured destruction, and how video games taught young boys, in particular, that no matter how hard they tried to save it, the world would end itself. Reflecting on the decade and its dark influence on fear-based notions of nation and manhood, Crenshaw writes, "All this reminds me I'm still afraid of the same things I was afraid of as a child. Some days I think the movies are real and we're watching the last hour of humanity. You'll have to decide if there's any hope." Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The Story of the B-52s: Neon Side of Town (Palgrave Macmillan, 2023) is the first critical history of one of the most legendary and influential bands in American popular music. Locating The B-52s in the intellectual climate of their hometown of Athens, GA and following the band from New York's downtown scene in the early 1980s to their upcoming farewell tour, the book argues that The B-52s are much more significant political and musical influences on American society than their reputation as a silly party band suggests, and that their ongoing commitment to values including cooperation, mutual support, and using disruptive fun as a form of social change are an antidote to the neoliberalization sweeping both Athens and the rest of the Western world.  For example, the book shows how the band synthesized influences from the modern artists displayed at the University of Georgia art museum, early queer activism on campus in the 1970s, and their experiences as queer people living through the AIDS crisis to create music that continues to be artistically and politically influential today. The authors are active members of the Athens, GA music scene, and the book includes original interviews with a range of number close to the band. Scott Creney is author of the work of creative nonfiction Dear Al-Qaeda: Letters to the World's Most Notorious Terror Organization (Black Ocean). They have written about music, books, and film for Clash Music, The Fanzine, Collapse Board, and Ablaze!, among others, and contributed six entries to 101 Albums You Should Die Before You Hear. Scott was also the bass player for the Athens band Tunabunny. Scott on Twitter. Brigette Adair Herron holds a Ph.D. in Adult Education from the University of Georgia and is author/co-author of numerous peer reviewed academic articles and a scholarly monograph. Her writing on music has been featured in the book 101 Albums You Should Die Before You Hear, and on the web publications Collapse Board, Vice, and Eldredge Atlanta. She is a multi-instrumentalist with a long history in the Athens music scene. Brigette on Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

From 1990 to 2001, while the popular radio waves were consumed with the buzz of grunge and alternative rock, Winnipeg managed to craft a unique underground music scene that moved in its own direction. At once informed by their predecessors and stubbornly determined to create the art that they wanted to see made, bands like Kittens, Propagandhi, and the Weakerthans built on this foundation and ultimately found success beyond the Perimeter Highway, though they always remained true to the values and defiant spirit that first allowed them to crawl up from the muddy banks of the Red River. Wild and uninhibited, it?s a sound and a time that has captivated author Sheldon Birnie since his first forays into the turgid waters of the city?s underground during his family?s yearly summer pilgrimages across the prairie from their home in BC. Now firmly entrenched in the city, Birnie has gone to painstaking lengths to document one of the most important decades in Winnipeg?s musical history. Through detailed research and extensive interviews, Missing Like Teeth: An Oral History of Winnipeg Underground Rock, 1900-2001 (?Eternal Cavalier Press, 2015) paints a vivid picture of the Heart of the Continent and the characters that inhabited its tiny stages from 1990 to 2001. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

From underground roots to mainstream popularity, hip-hop's influence on music and entertainment around the world has been nothing short of extraordinary. Ode to Hip-Hop chronicles the journey with profiles of fifty albums that have defined, expanded, and ultimately transformed the genre into what it is today. From 2 Live Crew's groundbreaking As Nasty As They Wanna Be in 1989 to Cardi B's similarly provocative Invasion of Privacy almost thirty years later, and more, Kiana Fitzgerald's book Ode to Hip-Hop: 50 Albums That Define 50 Years of Trailblazing Music (Running Press Adult, 2023) covers hip-hop from coast to coast. Organized by decade and with sidebars on fashion, mixtapes, and key players throughout, the result is a comprehensive homage to hip-hop, published just in time for the fiftieth anniversary. Enjoyed in the club, at a party, through speakers or headphones?the albums in this book deserve to be listened to again and again, for the next fifty years and beyond. ?Katrina Anderson is a doctoral candidate at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

July 3, 1981, was a pivotal night for the future of America's newest art form: hip hop. In New York's Harlem World Club, the Fantastic Romantic Five and the Cold Crush Brothers competed, with an unprecedented $1,000--and their reputations--on the line in a highly anticipated rap battle. The show drew hundreds of fans to settle a question that still dominates hip hop circles: Who's the best? In Harlem World: How Hip Hop's Super Showdown Changed Music Forever (Johns Hopkins UP, 2023), journalist Jonathan Mael chronicles this fateful night of hip hop rivalry and shares a new look at how Harlem helped ignite a musical revolution. Since hip hop first emerged in New York in the early 1970s, artists like Theodore Livingston (DJ Grand Wizzard Theodore) and Curtis Brown (Grandmaster Caz) sought to elevate this uniquely American musical genre by pushing the limits of record-playing techniques and lyricism. The two crews they assembled put on the best shows in a world where hip hop was still a strictly live art form. Even as acts like the Sugarhill Gang and Kurtis Blow became commercially successful, New York's top two crews strove to claim the ultimate spot atop the city's hip hop scene. The battle blew the roof off Harlem World that night, and bootlegged cassette tapes of the match-up sent aftershocks around the city as more fans listened to the legendary performances. Set in the New York of the 1970s and '80s, this book shares dozens of new, exclusive interviews and a treasure trove of previously unpublished archival material to tell the story of Cold Crush and Fantastic's rivalry, documenting one of the most important stories in hip hop history. This is the first book of its kind to focus on 1979-1983 and the legendary battles at Harlem World while connecting the genre's formative years to its massive role in American society today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The iconic Black rock band Living Colour's Time's Up, released in 1990, was recorded in the aftermath of the spectacular critical and commercial success of their debut record Vivid. Time's Up is a musical and lyrical triumph, incorporating distinct forms and styles of music and featuring inspired collaborations with artists as varied as Little Richard, Queen Latifah, Maceo Parker, and Mick Jagger. The clash of sounds and styles don't immediately fit. The confrontational hardcore-thrash metal - complete with Glover's apocalyptic wail - in the title track is not a natural companion with Doug E. Fresh's human beat box on "Tag Team Partners," but it's precisely this bold and brilliant collision that creates the barely-controlled chaos. And isn't rock & roll about chaos? Living Colour's sophomore effort holds great relevance in light of its forward-thinking politics and lyrical engagement with racism, classism, police brutality, and other social and political issues of great importance. In ?Living Colour's Time's Up (Bloomsbury, 2023), Kimberly Mack explores the creation and reception of this artistically challenging album, while examining the legacy of this culturally important and groundbreaking American rock band. Kimberly Mack is the author of Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White (2020), which won the 2021 College English Association of Ohio's Nancy Dasher Award. She is also a music critic and memoirist who has written for publications including Longreads, Music Connection, No Depression, Relix, PopMatters, and Hot Press. Kimberly Mack on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In Old Town Road (Duke University Press, 2023), Chris Molanphy considers Lil Nas X?s debut single as pop artifact, chart phenomenon, and cultural watershed. ?Old Town Road? was more than a massive hit, with the most weeks at No. 1 in Billboard Hot 100 history. It is also a prism through which to track the evolution of popular music consumption and the ways race influences how the music industry categorizes songs and artists. By both lionizing and satirizing genre tropes?it?s a country song built from an alternative rock sample, a hip-hop song in which nobody raps, a comical song that transcends novelty, and a queer anthem?Lil Nas X troubles the very idea of genre. Ultimately, Molanphy shows how ?Old Town Road? channeled decades of Americana to point the way toward our cultural future.  ?Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The Golden Voice: The Ballad of Cambodian Rock's Lost Queen (Life Drawn, 2023) is very well-reseraech graphic novel based on the life of beloved Cambodian singer Ros Serey Sothea, whose ?Golden Voice? helped define Cambodia?s Golden Age of music until her mysterious disappearance in the killing fields of Pol Pot?s Khmer Rouge. Developed in partnership with Sothea?s family. There is a saying in Cambodia: Music is the soul of a nation. Perhaps no one embodied that spirit more than Ros Serey Sothea, a young woman who would forever change the landscape of Cambodian music as the Queen with the Golden Voice. From a humble rice farmer to nationally recognized singer, Sothea?s success captured the hearts of the Khmer people. Throughout her career, she recorded over 500 songs, her signature angelic voice soaring over genres from traditional ballads to psychedelic rock and beyond. As the Cambodian civil war raged, Sothea's singing career continued to flourish, even when she served in the army as one of the country's first female paratroopers. After years of bloody conflict, the communist Khmer Rouge seized control, murdering artists and destroying their music, bringing Cambodia's golden age into a dark era of silence. Sothea?s fate is unknown. Ros Serey Sothea's golden voice lives on in the popular music of Cambodia to this very day. Gone but not forgotten, her legacy continues to inspire. The Golden Voice tells the story of Sothea?s life, developed alongside the surviving family who knew her, and accompanied by an interactive soundtrack. Gregory Cahill is an Emmy Award winning television producer for the CBS entertainment talk show The Talk. His previous TV credits include 24, Mad Men, and Medium. In 2006, Cahill wrote and directed a short film titled The Golden Voice, depicting Ros Serey Sothea's final days under Khmer Rouge. After years of research, he began work on a graphic novel also titled The Golden Voice, depicting Ros Serey Sothea's life story. The Golden Voice: The Ballad of Cambodian Rock's Lost Queen is his first book. Kat Baumann is an illustrator and comics creator from Southern Minnesota who graduated from the Visual Arts department of the Perpich Center for Arts Education in 2009, received my bachelor?s in Studio Art in 2013 and interned at Helioscope (formerly Periscope) Studio in 2014. She decided to become a comic artist at a young age when she was heavily influenced by Japanese manga and South Korean manhwa. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he?s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In Dreams in Double Time: On Race, Freedom, and Bebop (Duke UP, 2023), Jonathan Leal examines how the musical revolution of bebop opened up new futures for racialized and minoritized communities. Blending lyrical nonfiction with transdisciplinary critique and moving beyond standard Black/white binary narratives of jazz history, Leal focuses on the stories and experiences of three musicians and writers of color: James Araki, a Nisei multi-instrumentalist, soldier-translator, and literature and folklore scholar; Raúl Salinas, a Chicano poet, jazz critic, and longtime activist who endured the US carceral system for over a decade; and Harold Wing, an Afro-Chinese American drummer, pianist, and songwriter who performed with bebop pioneers before working as a public servant. Leal foregrounds that for these men and their collaborators, bebop was an affectively and intellectually powerful force that helped them build community and dream new social possibilities. Bebop?s complexity and radicality, Leal contends, made it possible for those like Araki, Salinas, and Wing who grappled daily with state-sanctioned violence to challenge a racially supremacist, imperial nation, all while hearing and making the world anew. "Dreams of Autumn" on Spotify. "Dreams of Autumn on Apple Music. Nathan Smith is a PhD candidate in Music Theory at Yale University Email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities.  Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Why Mariah Carey Matters (University of Texas Press, 2023) examines the creative and complicated evolution of the musical artist. In the 1990s, Carey perfected blending pop, hip-hop, and R&B and drew from her turbulent personal life to create introspective, sonically sound masterpieces like ?Vision of Love,? ?Make it Happen,? and ?Butterfly.? There is no doubt about Carey?s star power, as she has sold over 220 million albums globally and has the most Billboard chart-topping singles of any solo artist. Although a pioneering songwriter and producer, Carey?s musicianship and influence are still insufficiently appreciated. Andrew Chan looks beyond Carey?s glamorous persona to explore her experience as a biracial Black woman in the music business, her adventurous forays into house music and gospel, and her appeal to multiple generations of queer audiences. He also reckons with the transcendent ideal of the voice that Carey represents, showing how this international icon taught artists worldwide to sing with soul-shaking intensity and a spirit of innovation. Andrew Chan writes regularly about music, film, and books. His work has been published by the Criterion Collection, Film Comment, NPR, the New Yorker, and Reverse Shot. Latoya Johnson is an editor, writer, and bibliophile with a master?s in Humanities. Her research and writing interests include popular culture, the public history of women?s fiction, and women in Greco-Roman mythology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In this episode we speak with Philosophy, Cosmology and Consciousness core faculty, Jack Bagby about his engagement with the philosophy of music, from Socrates, to Schopenhauer, and Bergson. We discuss Jack?s recent PCC class called The Philosophy of Music and the Attunement of the Soul and dive into the complex ideas of these thinkers regarding the transformative powers of music. Jack explains how the ancient Greek?s developed a complex set of tuning systems and alternative temperaments with powerful attributes and psychic properties, in which one can attune themselves to through the development of an affective psychology. Jack, and myself have been experimenting composing and improvising in these these modes and we share 3 pieces based on ancient Greek modes. PCC Forum with Jack Bagby: Tuning, Caring for, and Recollecting the Soul in Socrates' Swansongs Musical Compositions in the Episode by Jack Bagby and Jonathan Kay 1. A Paean of Apollo the Healer in Archytas' Dorian Diatonic 2. Ptolemy soft diatonic 3. A prelude to the compromises of universality. Ptolemy's Even Diatonic John (Jack) Bagby received his PhD. in philosophy from Boston College in 2021, and a B.A. in philosophy and ancient Greek language, from the Pennsylvania State University in 2013. Professor Bagby conducts research on the history of philosophy, focusing on problems related to consciousness, nature, and evolution. He has published in Epoché and Journal for the British Society of Phenomenology, on ancient Greek philosophy and phenomenology (especially Henri Bergson) and has strong research interests in Baruch Spinoza, 19th-20th century European philosophy, process philosophy, philosophy of music, and aesthetics. He is currently working on a translation of Bergson's 1902-3 Lectures at the Collège de France The History of The Idea of Time (Bloomsbury Press), and finishing up the manuscript of his monograph Integrals of Experience: Aristotle and Bergson. When thinking about complex concepts or solving textual problems, Jack loves to construct diagrams and concept maps. Between 2016-2018 he combined his love for creating visualizations with his love of Spinoza to create a website that maps the complex textual citations used in his magnum opus, the Ethics. The EWP Podcast credits East-West Psychology Podcast Website Connect with EWP: Website ? Youtube ? Facebook Hosted by Stephen Julich (EWP Core Faculty) and Jonathan Kay (PhD student, EWP assistant) Produced by: Stephen Julich and Jonathan Kay Edited and Mixed by: Jonathan Kay Introduction music: Mosaic, by Monsoon on the album Mandala Introduction Voiceover: Roche Wadehra Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Who was Harry Smith? Was he an anthropologist, a filmmaker, a painter? Was he a charlatan? A genius? Was he a moocher, a schmuck, a bum? As John Szwed's Cosmic Scholar: The Life and Times of Harry Smith (FSG, 2023) reveals, Smith was all of these and more. Best known for editing The Anthology of American Folk Music, Smith was also a pioneer in experimental film who Jonas Mekas considered one of the leading lights of the New American Cinema. He created paintings that attempted to transcribe bebop recordings. He acted as mysticism consultant on the 1967 effort to levitate the Pentagon. But he also spent years living in poverty, in SROs, at the Chelsea Hotel, or at the apartments of famous friends like Allen Ginsberg. The story of Harry Smith is thus also a story of a vanished New York Bohemia that mixed high and low, the street and the gallery, the Bowery and MOMA, to create one of the most remarkable outpourings of cultural production this country has even seen. And Smith was at the center of it all. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

While there is little doubt that women were active participants in medieval musical culture, their role has nevertheless been variously obfuscated, undermined, and overlooked, in large part because of the relative absence of named women composers. Work from recent decades has sought to re-insert women into our music-historical narratives, often by broadening their scopes and shifting away from strictly author-focused surveys.  Female-Voice Song and Women's Musical Agency in the Middle Ages (Brill, 2022) brings together seventeen essays, each of which newly identifies contributions to musical culture made by women before 1500 across Europe. Encompassing not only medieval French, English, and Italian culture, but also stretching to Iceland and the Islamicite courts, this volume speaks to the various ways in which we can hear women?s voices through history. Prof. Lisa Colton and Dr. Anna Kathryn Grau jointly edited this collection, in addition to contributing chapters to it. In this episode, they speak with Áine Palmer about the study of women?s participation in medieval musical culture, the process of putting together an edited volume such as this, and share insights on their own analyses of 13th-century French motets. Further Reading and Listening: For those interested, you can here performer?s renditions of some of the songs and motets mentioned in Anna?s chapter here, here, and here, and a rendition of the motet Lisa?s chapter focuses on can be found here. Those interested in Bahktinian approaches to early music should also read Helen Dell, Desire by Gender and Genre in Trouvère Song (Woodbridge: Suffolk, 2008), particularly chapters 5 and 6, and Anna Kathryn Grau ?Hearing Voices: Heteroglossia, Homoglossia, and the Old French Motet? in Musica Disciplina 58 (2013), pp. 73-100. Prof. Lisa Colton can be found on Twitter at @elsie33, and you can find Dr. Anna Kathryn Grau at @AnnaKathrynGrau. ?Aine Palmer is a PhD candidate in the Music Department at Yale. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Italian courts and churches began employing castrato singers in the late sixteenth century. By the eighteenth century, the singers occupied a celebrity status on the operatic stage. Constructed through surgical alteration and further modified by rigorous training, castrati inhabited human bodies that had been ?mechanized? to produce sounds in ways that unmechanized bodies could not. The voices of these technologically enhanced singers, with their unique timbre, range, and strength, contributed to a dramatic expansion of musical vocabulary and prompted new ways of imagining sound, the body, and personhood.  Connecting sometimes bizarre snippets of history, this multi-disciplinary book moves backward and forward in time, deliberately troubling the meaning of concepts like ?technology? and ?human.? Voice Machines: The Castrato, the Cat Piano, and Other Strange Sounds (U Chicago Press, 2023) attends to the ways that early modern encounters and inventions?including settler colonialism, emergent racialized worldviews, the printing press, gunpowder, and the telescope?participated in making castrati. In Bonnie Gordon?s revealing study, castrati serve as a critical provocation to ask questions about the voice, the limits of the body, and the stories historians tell. Nathan Smith is a PhD candidate in Music Theory at Yale University. Email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Across Europe, from the dawn of print until the early twentieth century, the news of crime and criminals' public executions was printed in song form on cheap broadsides and pamphlets to be sold in streets and marketplaces by ballad-singers. Singing the News of Death: Execution Ballads in Europe 1500-1900 (Oxford UP, 2022) looks at how and why song was employed across Europe for centuries as a vehicle for broadcasting news about crime and executions, exploring how this performative medium could frame and mediate the message of punishment and repentance. Examining ballads in English, French, Dutch, German, and Italian across four centuries, author Una McIlvenna offers the first multilingual and longue durée study of the complex and fascinating phenomenon of popular songs about brutal public death. Ballads were frequently written in the first-person voice, and often purported to be the last words, confession or 'dying speech' of the condemned criminal, yet were ironically on sale the day of the execution itself. Musical notation was generally not required as ballads were set to well-known tunes. Execution ballads were therefore a medium accessible to all, regardless of literacy, social class, age, gender or location. A genre that retained extraordinary continuities in form and content across time, space, and language, the execution ballad grew in popularity in the nineteenth century, and only began to fade as executions themselves were removed from the public eye. With an accompanying database of recordings, Singing the News of Death brings these centuries-old songs of death back to life. Una McIlvenna is Honorary Senior Lecturer at the Australian National University. A literary and cultural historian of early modern Europe, she is also the author of Scandal and Reputation at the Court of Catherine de Medici (2016). She has held positions at the Universities of Melbourne, Sydney, Kent and Queen Mary University of London Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music