New Books in Film

Magic is misdirection, and Richard Attenborough and William Goldman do a terrific job of misdirecting the audience in this 1978 thriller. Like The King of Comedy and Limelight, the film looks at the desperation of people who want to be recognized; unlike those films, there?s nothing funny about the hero?s struggle. Join us for a conversation about a film so unsettling that even the TV spot (featured at the start of the episode) caused people to run from their living rooms. So put down the dummy and give it a listen! William Goldman?s Adventures in the Screen Trade (1989) and Which Lie Did I Tell? (2001) both offer the renowned screenwriter?s advice about writing films and understanding how they work?or don?t. Follow us on X or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Part Two of director Denis Villeneuve?s Dune films embeds viewers among the Fremen, the Indigenous inhabitants of the planet Arrakis. The sole source of the valuable drug spice, Arrakis has been colonized and its resources extracted by the Imperium. The Fremen fight to liberate themselves and their planet from Imperial control under the messianic leadership of Paul Atreides. In Frank Herbert?s original series of Dune novels, the Fremen were inspired by the Bedouin, nomadic pastoralist inhabitants of the Middle East. Aspects of Bedouin culture and lifeways as well as episodes from Bedouin history, such as the effects of resource extraction on Bedouin landscapes and Bedouin participation in the Great Arab Revolt, heavily informed the novels? themes and narratives. In this episode, Dr. Kara Kennedy joins me to discuss representations of nomadic peoples in the Dune novels and their onscreen adaptations as well as her latest book Adaptations of Dune: Frank Herbert's Story on Screen (Blue Key, 2024). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Baby Face is the 1933 film that created the archetypal Barbara Stanwyck character and famously laid everything bare before the production code tried to clean up Hollywood. It?s direct and ?against interpretation??but that?s what makes it so compelling. Join Tim and Dan for a conversation about how the film speaks to our current moment regarding agency, exploitation, and climbing the corporate ladder. It?s also a lot like Richard III. This may have been the first of Barbara Stanwyck?s big roles, but it was Alfred E. Green?s fifty-fourth feature, which leads to a digression about people who claim that any director did something first. So grab that suitcase of jewels, hop in the back of the ambulance, and give it a listen! In 2015, Victoria Wilson published A Life of Barbara Stanwyck: Steel True 1907-1940. We?re still waiting for the next volume, but at 1,056 pages, this one will keep you busy. Also check out Catherine Russell?s 2023 collection, The Cinema of Barbara Stanwyck: Twenty-Six Essays on a Working Star and Dan?s interview with the author on the New Books Network. Follow us on X or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

With comics franchises getting turned into multi-billion dollar revenue opportunities and consumer technology companies dominating daily headlines ? the trappings of ?geekdom? have made their way into the global mainstream over the past few days. As part of this trend, Japanese-style anime has also gained immense transnational popularity, arguably becoming part of the ?new cool?. It?s against this backdrop that Jinying Li dives into the sociocultural landscape of anime with her book Anime?s Knowledge Cultures: Geek, Otaku, Zhai (University of Minnesota Press, March 2024). However, instead of diving into the ?Japaneseness? of anime and otaku culture, Anime?s Knowledge Cultures helps frame anime within a more globalized sense of ?geekdom? ? especially with the rise of post-80s millennial zhai in China?s cultural and economic spheres. Li is an Assistant Professor of Modern Culture and Media at Brown University. Her research and teaching focuses on media theory, animation, and digital culture in East Asia. She is also a filmmaker who?s worked on various animations, features, and documentaries, including the noted Chinese 2016 animation feature Big Fish and Begonia. With this academic and domain expertise, Li?s book illuminates phenomena like fansubs, danmaku ?bullet-style? subtitles, and geek ?complexes? to audiences who are interested in the theoretical and practical implications of anime?s global popularity. Tune into this episode about Anime?s Knowledge Cultures to learn more?listen to the end for some special anime and movie recommendations. Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist?a publication exploring the sociopolitical context behind global film and television?and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Only one performance style has dominated the lexicon of the casual moviegoer: ?Method acting.? The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method?what its author Justin Rawlins calls "methodness"?created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries. Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In Comedy Book:: How Comedy Conquered Culture?and the Magic That Makes It Work (FSG, 2023), Jesse David Fox?the country?s most definitive voice in comedy criticism and someone who, in his own words, enjoys comedy ?maybe more than anyone on this planet??tackles everything you need to know about comedy, an art form that has been under-considered throughout its history, even as it has ascended as a cultural force. Weaving together history and analysis, Fox unravels the genre?s political legacy through an ode to Jon Stewart, interrogates the divide between highbrow and lowbrow via Adam Sandler, and unpacks how marginalized comics create spaces for their communities. Along the way, Fox covers topics ranging from comedy in the age of political correctness and Will Smith?s slap, to the right wing?s relationship with comedy, to comedy?s ability to heal in the wake of tragedy. With memorable cameos from Jerry Seinfeld, Dave Chappelle, John Mulaney, Ali Wong, Kate Berlant, and countless others, Comedy Book is an eye-opening education in how to engage with our most omnipresent art form, a riotous history of American pop culture, and a love letter to laughter. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Peter C. Kunze is assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Eve Benhamou's book Contemporary Disney Animation: Genre, Gender and Hollywood (Edinburgh UP, 2022) is the first in-depth study of Disney?s latest animated output from the perspective of genre theory. Analysing a decade in Disney?s history (2008-2018), Benhamou examines the multifaceted interactions between animated films, Disney properties such as Pixar and Marvel, and popular genres including the romantic comedy, the superhero film and the cop buddy film. Through this extensive critical lens, combined with a focus on gender, she provides illuminating and original insights on films such as Tangled, Frozen and Moana. Informed by wider discourses on contemporary Hollywood and post-feminism, this book challenges conventional approaches to Disney, and foregrounds the importance of animation in understandings of film genres. Erratum. In the interview, Eve said that Eeyore was from Dumbo, while it is from Winnie the Pooh. She also said "the first Ralph Breaks the Internet", which is of course just Wreck-It Ralph.  Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

It?s easy for some people to laugh at Conan the Barbarian, John Milius?s 1982 film about Robert E. Howard?s most famous creation: it seems like the cinematic equivalent of middle-schoolers playing Dungeons and Dragons. But this is an honest (as in ?unpretentious?) film with ideas: the pagan existentialism of Thulsa Doom, the theology of Subatai, and the difference between soldiers and warriors are all offered for the viewer?s consideration. It?s also oddly countercultural and conservative in its point of view. Join Dan and Tim for an appreciation of a wildly entertaining film that launched the career of Arnold Schwarzenegger and features one of the greatest movie soundtracks. We know the poetry of Khitai and the philosophy of Sung?so give it a listen! Interested in reading the source material? Check out Robert E. Howard?s The Coming of Conan the Cimmerian, the first collection of Conan stories Howard wrote in the 1930s for Weird Tales magazine. You may also want to check out Total Recall: My Unbelievably True Life Story to hear Arnold talk of how much he and James Earl Jones enjoyed working with each other. Follow us on X or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

A genuine crowd-pleaser that couldn?t please enough crowds in 1988, Tucker: The Man and His Dream has finally found an audience. Tim defends 80s Coppola and calls out critics who dismissed his post-Godfather II output; Dan talks about the film?s enthusiasm for its subject and how that enthusiasm helps the viewer feel like those who find themselves in any great leader?s orbit. Steve Jobs, Elon Musk, Wordsworth, and Emerson all find their way into the conversation. Larry David may want us to curb our enthusiasm, but even he couldn?t keep Tucker down. So hold that tiger and give it a listen! Steve Lehto?s Preston Tucker and His Battle to Build the Car of Tomorrow tells the story upon which Coppola?s film is based?and has a Foreword by Jay Leno, who owns one of the 46 or 47 Tucker Torpedoes in existence. You can find more information and photos at the official Tucker Automobile Club of America. Follow us on X or Letterboxd. Incredible bumper music by Joe Jackson, from his soundtrack to the film. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

1980s Bombay was a time when a wave of low-budget, gory horror films made by independent film producers such as the Ramsay Brothers swept the B-movie market. Kartik Nair's book Seeing Things: Spectral Materialities of Bombay Horror (U California Press, 2024) is about the sudden cuts, botched makeup effects, continuity errors, and celluloid damage found in these movies. Kartik Nair reads such "failures" as clues to the conditions in which the films were made, censored, and seen, offering a view from below of the world's largest film culture. By combining close analysis with extensive archival research and original interviews, Seeing Things reveals the spectral materialities informing the genre's haunted houses, grotesque bodies, and graphic violence. Priyam Sinha is a doctoral candidate in the South Asian Studies Programme at the National University of Singapore. She has interdisciplinary academic interests that lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached here.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Screens are ubiquitous today. Yet contemporary screen media eliminate the presence of the screen and diminish the visibility of its boundaries. As the image becomes indistinguishable from the viewer?s surroundings, this unsettling prompts re.examination of how screen boundaries demarcate. Through readings of three media forms ? Virtual Reality; holograms; and light projections ? The Post-Screen Through Virtual Reality, Holograms and Light Projections: Where Screen Boundaries Lie (University of Amsterdam Press, 2021) by Dr. Jenna Ng develops new theories of the surfaces on and spaces in which images are displayed. Interrogating contemporary contestations of reality against illusion, this open-access book argues that the disappearance of difference reflects shifted conditions of actuality and virtuality in understanding the human condition. These shifts further connect to the current state of politics by way of their distorted truth values, corrupted terms of information, and internalizations of difference. The Post.Screen Through Virtual Reality, Holograms and Light Projections thus thinks anew the image?s borders and delineations, evoking the screen boundary as an instrumentation of today?s intense virtualizations which do not tell the truth. In the process, a new imagination for images emerges for a gluttony of the virtual; for new conceptualizations of object and representation, materiality and energies, media and histories, real and unreal; for new understandings of appearances, dis-appearances, replacement and re.placement ? the post-screen. This book is available open access here. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

We all know the rules of the Looney Tunes universe: rabbits can outrun bullets, shots to the face don?t kill, and the laws of gravity don?t always apply. But that universe is still very much like our own, in which we all strive to be like Bugs Bunny, but are really like Daffy Duck. If there?s an aesthetic of frustration, Chuck Jones is its Shakespeare. Join us for a conversation about Rabbit Fire, Rabbit Seasoning, and Duck! Rabbit, Duck!?the three cartoons that comprise what?s called ?The Hunting Trilogy.? We promise it?s not one of those awful attempts by intellectuals to rhapsodize about popular art, although we do bring in Henry James at one point. Regardless of whether it?s rabbit season or duck season, give it a listen! If you?d like to learn more about the super-genius who created these films and dozens of others, check out Chuck Jones: Conversations, an installment in the series of interview collections by the University Press of Mississippi. Follow us on X or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

As I may be the target audience for Diseased Cinema: Plagues, Pandemics and Zombies in American Movies (Edinburgh UP, 2023), I really enjoyed interviewing Robert Alpert, Merle Eisenberg, and Lee Mordechai. Their co-authored book explores the politics of American films about disease and zombies. We had a wide-ranging, thoughtful, and funny conversation about pandemics, capitalism, academic collaboration, apocalyptic fiction, and the importance of family. Robert Alpert is an Adjunct Instructor at Fordham University where he has taught courses on computers and robots in film, movies and the American experience, and media law. He has written extensively on movies, including on directors, such as Chaplin, Meyers, and Bigelow, as well as on other topics, such as gender, the Hollywood idiom, and the politics of science fiction. His publications can be found in Jump Cut, Senses of Cinema, and CineAction. Alpert received his M.F.A. in Film from Columbia University. He also received a J.D. from New York University and practiced intellectual property law for over 30 years. Merle Eisenberg is an Assistant Professor of History at Oklahoma State University and a founding faculty member of the Oklahoma State Pandemic Center. He has published articles in journals including The American Historical Review and Past & Present. His work has also appeared in The Proceedings of the National Academy of Sciences, which received press coverage in CNN, Fox News, USA Today, and the NY Post. He has also appeared on CNN to discuss historical pandemics and regularly teaches courses on plagues and pandemics in history. Along with Lee Mordechai, he is the co-founder and co-host of the Infectious Historians podcast. Lee Mordechai is a Senior Lecturer at the Hebrew University of Jerusalem and the Associate Director of Princeton University?s Climate Change and History Research Initiative. He has published over twenty academic articles, including two in the Proceedings of the National Academy of Sciences, and in The American Historical Review and Past & Present. He has taught several courses on epidemics, including a seminar that used a draft of Diseased Cinema: Plagues, Pandemics and Zombies in American Movies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The definitive biography of the creator of 2001: A Space Odyssey, The Shining, and A Clockwork Orange, presenting the most in-depth portrait yet of the groundbreaking filmmaker. The enigmatic and elusive filmmaker Stanley Kubrick has not been treated to a full-length biography in over twenty years. Kubrick: An Odyssey (Pegasus Books, 2024) fills that gap. This definitive book is based on access to the latest research, especially Kubrick's archive at the University of the Arts, London, as well as other private papers plus new interviews with family members and those who worked with him. It offers comprehensive and in-depth coverage of Kubrick?s personal, private, public, and working life. Stanley Kubrick: An Odyssey investigates not only the making of Kubrick's films, but also about those he wanted (but failed) to make like Burning Secret, Napoleon, Aryan Papers, and A.I. This immersive biography will puncture the controversial myths about the reclusive filmmaker who created some of the most important works of art of the twentieth century. Robert P. Kolker, Professor Emeritus, University of Maryland, taught cinema studies for almost fifty years. He is the author of A Cinema of Loneliness and The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick and the Reimagining of Cinema; editor of 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies; and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film. Nathan Abrams is a professor in film at Bangor University in Wales. He is a founding co-editor of Jewish Film and New Media: An International Journal, as well as the author of The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema, and Stanley Kubrick: New York Jewish Intellectual, and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O?Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Being lighthearted and amusing can be a painful business. That?s one of the themes of Limelight, Charlie Chaplin?s 1952 portrait of the artist as an older man. It?s like a combination of The Red Shoes and Death of a Salesman, with elements of The Entertainer and The King of Comedy. Join Mike and Dan for a conversation about the ways in which art and love prove to be antidotes to poisonous despair. If you like Charlie Chaplin, visit the New Books Network and listen to Dan?s interview of Scott Eyman talking about his terrific book, Charlie Chaplin vs. America. You may also want to check out Charlie Chaplin Interviews, an installment in the series of interview collections by the University Press of Mississippi. Follow us on X or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Conversations about gender equity in the workplace accelerated in the 2010s, with debates inside Hollywood specifically pointing to broader systemic problems of employment disparities and exploitative labor practices. Compounded by the devastating #MeToo revelations, these problems led to a wide-scale call for change.  Courtney Brannon Donoghue's book The Value Gap: Female-Driven Films from Pitch to Premiere (U Texas Press, 2023) traces female-driven filmmaking across development, financing, production, film festivals, marketing, and distribution, examining the realities facing women working in the industry during this transformative moment. Drawing from five years of extensive interviews with female producers, writers, and directors at different stages of their careers, Courtney Brannon Donoghue examines how Hollywood business cultures ?value" female-driven projects as risky or not bankable. Industry claims that ?movies targeting female audiences don?t make money" or ?women can't direct big-budget blockbusters" have long circulated to rationalize systemic gender inequities and have served to normalize studios prioritizing the white male?driven status quo. Through a critical media industry studies lens, The Value Gap challenges this pervasive logic with firsthand accounts of women actively navigating the male-dominated and conglomerate-owned industrial landscape. Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Dr. Andy Jackson?s The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea (Edinburgh University Press, 2024) examines an unexplored area of South Korean cinema history ? the 1985-1997 growth of art film exhibition, consumption, and cinephilia. This moment of heightened interest in art film altered how many Koreans conceptualised cinema and helped pave the way for the critical success of South Korean film. This historical study analyses the cultural, political, social, and economic developments of the post-1985 period that increased interest in European art film. It looks at the interactions of art house exhibitors with cinephile audiences, the media and the state-level administrators responsible for governing the industry. The aim of young cinephiles was nothing less than a bottom-up cultural transformation of a society emerging from three decades of dictatorship. The analysis is based on the previously unheard voices of audiences who participated in the cinephilia. This study is both a history of an era in Korean cinema and an argument about the impact of this period of cultural renewal on the industry. Andy Jackson is an Associate Professor in the Korean Studies programme at Monash University. He is also director of the Monash University Korean Studies Research Hub (MUKSRH) and current convenor of Korean Studies. His key research areas include the history of rebellion in Korea, premodern and modern Korean history, North and South Korean film and popular culture, invented traditions in Korea. Learn more about Monash University?s Korean Studies Research Hub here. Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University. You can follow her activities on X.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

We all know the rules of courtroom dramas. We welcome the confusion we feel during the case and the sense of release upon hearing the jury?s decision: this is true in Witness for the Prosecution, Anatomy of a Murder, and, of course, The Verdict. But what if the feeling of disorientation that we enjoy in the middle of these films was heightened and then examined by the director as a subject on its own? Join Mike and Dan for a conversation about Anatomy of a Fall, Justine Triet?s terrific film that offers multiple readings but no guidance on how to make those readings valid. It?s exactly like The Turn of the Screw by Henry James?and exactly the opposite of Basic Instinct. So turn down those steel drums already and listen to this instead! Robert Traver?s 1958 novel Anatomy of a Murder is the archetype to which many courtroom dramas, including this one, respond. Listeners may also want to visit the film?s official site to see how their judgment compares to that of other viewers. Follow us on X or Letterboxd. Incredible bumper music this week is by Bacao Rhythm and Steel Band. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Charles Coutino discusses Ridley Scott's film "Napoleon" with military historian Jeremy Black. Is it accurate? Is it inaccurate? Does it matter? Listen in to the discussion.  Charles Coutinho, PH. D., Associate Fellow of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House?s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In The Archival Afterlives of Philippine Cinema (Duke University Press, 2024), Bliss Cua Lim draws on cultural policy, queer and feminist theory, materialist media studies, and postcolonial historiography to analyze the crisis-ridden history of Philippine film archiving?a history of lost films, limited access, and collapsed archives. Rather than denigrate underfunded Philippine audiovisual archives in contrast to institutions in the global North, this book shows how archival practices of making do can inspire alternative theoretical and historical approaches to cinema. Lim examines formal state and corporate archives, analyzing restorations of the last nitrate film and a star-studded lesbian classic as well as archiving under the Marcos dictatorship. She also foregrounds informal archival efforts: a cinephilic video store specializing in vintage Tagalog classics; a microcuratorial initiative for experimental films; and guerilla screenings for rural Visayan audiences. Throughout, Lim centers the improvisational creativity of audiovisual archivists, collectors, advocates, and amateurs who embrace imperfect access in the face of inhospitable conditions. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Werner Herzog is a filmmaker with an intuitive sense for showing the right thing at the right time, whether he is offering the story of a maniacal conquistador, Count Dracula, or himself eating his own shoe. Klaus Kinski was, according to many, more monster than man and an actor who resembled the megalomaniacs he portrayed. Together, Herzog and Kinski made five films. Kinski died in 1991; in 1999, Herzog released the documentary My Best Fiend about their relationship. The film combines the ravings of Kinski with the introspection of Herzog and explores the degree to which we are entertained by other people?s volatility, how we fall in love with actors because of small gestures, and our misguided desire to believe that people who create beautiful art are beautiful themselves. In his 2023 memoir, Every Man for Himself and God Against All, Werner Herzog tells his story in his inimitable voice. Herzog by Ebert is a terrific collection of essays about Herzog?s films by the Pulitzer Prize-winning critic. The collection Klaus Kinski: Beast of Cinema contains essays about Kinski?s films and interviews with filmmakers and actors who worked with him. Follow us on X or Letterboxd. Incredible bumper music is by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The 2006 Mel Gibson movie, Apocalypto, takes us into a decadent Maya civilization in the Yucatan on the eve of the Spanish Conquest of Mexico. It could be a commentary on ancient Rome or the present-day US, but, because it is a new world for both the viewer and the forest-dwelling protagonists, we get to see it through ?new eyes? and a ?beginner?s mind.? It?s a great movie, a cinematic masterpiece. It also allows us to ask how Mel Gibson, a devout Catholic and such a human sinner?as we all are, though when he does something terrible it?s in the news?should proclaim the Gospel after he has fallen from his moral pedestal a few times. We also ask about how the Church should proceed given her many painful scandals. It was a great discussion on the Missio Dei podcast on YouTube and I?m delighted to share it here. Our original YouTube interview on Missio Dei (October 1, 2023) Apocalypto on the Best Pick podcast with John Dorney, Jessica Regan, Tom Salinsky and( guest) Joy Wilkinson (August 24, 2022) The Making of Apocalypto documentary with Mel Gibson.James Empires of death: Apocalypto (2006) on Criteria: The Catholic Film Podcast with James Majewski History article by Richard Hansen: ?Relativism, Revisionism, Aboriginalism, and Emic/Etic Truth: The Case Study of Apocalypto.? Related Almost Good Catholics episodes: Joseph González and Monique González on Almost Good Catholics, episode 74: Our Lady of Guadalupe and Aztec True Myth: How the Flower World Bloomed into History in 1531 Brant Hansen on Almost Good Catholics, episode 75: The Men We Need: What Men Are Supposed to Be Doing Other Almost Good Catholics episodes with Jonathon Fessenden: Jonathon Fessenden on Almost Good Catholics, episode 37: Catholic Movies, Pt. 1: Silence and The Scarlet and the Black Jonathon Fessenden on Almost Good Catholics, episode 49: Catholic Movies, Pt. 2: The Mission and A Man for All Seasons Jonathon Fessenden on Almost Good Catholics, episode 58: The Book of Job: Why Do Bad Things Happen to Good People? Jonathon Fessenden on Almost Good Catholics, episode 64: The Fourth Wise Man: Follow Jesus?He?s Getting Away! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In a past episode in which they discussed the films of Tom Cruise, Mike told Dan, ?You?re the smartest person I know who ever made it all the way through Eyes Wide Shut.? After reading a forthcoming biography of Stanley Kubrick, Dan returned to the film and urged it on Mike, who rewatched it, but who still finds it a total failure. Dan thinks it?s a sobering and startling portrayal of a man exiled from his own Eden?a fool?s Paradise?while Mike finds every element and deviation from established structures to be both ponderous and insincere. Is the film a misunderstood look at the nightmare of not knowing one?s spouse? Or is it simply an indulgent mess? Mike and Dan agree on the quality of 99% of the films they discuss, but like true film fanatics, bicker about the other 1%. Come along for the conversation about what makes a film successful--the password is ?Fidelio!? Those on Dan?s side will want to read Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film. Those on Mike?s will want to urge Syd Field?s famous Screenplay: The Foundations of Screenwriting on their opponents. Follow us on X or Letterboxd. Incredible bumper music is by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Once upon a time, if you wanted to know if a movie was worth seeing, you didn?t check out Rotten Tomatoes or IMDB. You asked whether Siskel & Ebert had given it ?two thumbs up.? On a cold Saturday afternoon in 1975, two men (who had known each other for eight years before they?d ever exchanged a word) met for lunch in a Chicago pub. Gene Siskel was the film critic for the Chicago Tribune. Roger Ebert had recently won the Pulitzer Prize?the first ever awarded to a film critic?for his work at the Chicago Sun-Times. To say they despised each other was an understatement. When they reluctantly agreed to collaborate on a new movie review show with PBS, there was at least as much sparring off-camera as on. No decision?from which films to cover to who would read the lead review to how to pronounce foreign titles?was made without conflict, but their often-antagonistic partnership (which later transformed into genuine friendship) made for great television. In the years that followed, their signature ?Two thumbs up!? would become the most trusted critical brand in Hollywood. In Opposable Thumbs: How Siskel & Ebert Changed Movies Forever (G.P. Putnam's Sons, 2023), award-winning editor and film critic Matt Singer eavesdrops on their iconic balcony set, detailing their rise from making a few hundred dollars a week on local Chicago PBS to securing multimillion-dollar contracts for a syndicated series (a move that convinced a young local host named Oprah Winfrey to do the same). Their partnership was cut short when Gene Siskel passed away in February of 1999 after a battle with brain cancer that he?d kept secret from everyone outside his immediate family?including Roger Ebert, who never got to say goodbye to his longtime partner. But their influence on in the way we talk about (and think about) movies continues to this day. Matt Singer is the editor and film critic of ScreenCrush and a member of the New York Film Critics Circle. He won a Webby Award for his work on the Independent Film Channel?s website. He lives in Brooklyn with his wife and two daughters. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O?Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O?Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Anti-Heimat Cinema: The Jewish Invention of the German Landscape (U Michigan Press, 2020) studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers' contemplations of "Heimat"-- a provincial German landscape associated with belonging and authenticity -- it analyzes their distinctive contribution to the German identity discourse between 1918 and 1968. The book shows how these filmmakers devised the landscapes of the German "Homeland" as Jews, namely as acculturated "outsiders within." Through appropriation of generic Heimat imagery, the films discussed in the book integrate criticism of national chauvinism into German mainstream culture from the end of World War One to the early decades of the Cold War. Consequently, the Jewish filmmakers discussed in this book anticipated the anti-Heimatfilm of the ensuing decades and functioned as an uncredited inspiration for the critical New German Cinema. Ofer Ashkenazi is an Associate Professor of History and the Director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. He published monographs and articles on various topics in modern German and German-Jewish history, including Weimar visual culture, the German antiwar movement, and the German memory of Nazism and the Holocaust. His current project considers photographs that were taken by Jews to document their daily life in Nazi Germany. Amir Engel is currently a visiting professor at the faculty of theology at the Humboldt University in Berlin. He is also the chair at the German department at the Hebrew University. Engel studied philosophy, literature, and culture studies at the Hebrew University and completed his PhD. in the German Studies department at Stanford University. He is the author of Grshom Scholem: an Intellectual biography that came out in Chicago in 2017. He also published works on, among others, Jacob Taubes, Hannah Arendt, and Hans Jonas. He is currently working on a book titled "The German Spirit from its Jewish Sources: The History of Jewish-German Occultism". The project proposes a new approach to German intellectual history by highlighting marginalized connections between German Occultism, its Christian sources notwithstanding, and Jewish sources, especially the Jewish mystical tradition. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Jennifer Cazenave?s An Archive of the Catastrophe: The Unused Footage of Claude Lanzmann?s Shoah (SUNY Press, 2019) is a fascinating analysis of the 220 hours of outtakes edited out of the final nine and a half-hour 1985 film with which listeners and readers might be familiar. Well known around the world as one of the greatest documentary films ever made, and certainly one of the most important works/artifacts of Holocaust history and memory, Lanzmann?s eventual finished film emerged from an astonishing 230 hours of interview footage shot in various locations. Commissioned originally by the State of Israel to make a film about the catastrophe, Lanzmann collected these testimonies over a period of several years before beginning the epic task of editing the film. He saved the outtakes as a vital repository of accounts of those who had lived through the Shoah. The footage has since been acquired, preserved, and digitized as an archive by the United States Holocaust Memorial Museum. The chapters of Cazenave?s book explore the film?s conceptualization and production, reframing the final film in terms of all that it left out, to think about what was included in relationship to those stories and scenes excluded for different reasons. Over years from an initial dissertation project to this volume, Cazenave pursued the story of the film and its outtakes through archival research, detective work, and close technical, aesthetic and theoretical consideration. The resulting analysis takes author and reader from consideration of the film/archive in relationship to Holocaust trials (and especially the Eichmann trial of 1961), to issues of gender and the feminine, to the question of rescue and refugees, as well as debates about representation, witnessing, and testimony. The book is a wonderful and complex study that will be of great interest to readers in Holocaust and cinema studies. The magnum opus of a French filmmaker working with a largely French crew, and produced with funding provided in part by the French government, the film also illuminates, in its own ways (including its silences) the difficult French past and politics of Holocaust history and memory. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Can a film do everything wrong yet still find its defenders, who not only acknowledge each of the film?s faults but find these faults endearing? Such is the case with Mike and The Omen, the 1976 Richard Donner blockbuster that?like Satan himself?has spawned sequels, remakes, and imitations. Dan tries to point out all the things that are bad about The Omen, but Mike spins each one into a perverse mark of greatness and claims that the film somehow rises above them in its high seriousness. Whether you think The Omen a terrifying morality tale or simply The Devil and Atticus Finch, give it a listen. We?ll tell you where to find the birthmark. Interested in a great novel about a kid as awful as Damien Thorn? Check out William March?s The Bad Seed. Follow us on X or Letterboxd. Opening music by Jerry Goldsmith from the film?s official soundtrack; closing music by Sing King. Our usual incredible bumper music is by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In this episode of High Theory, Pardis Dabashi tells us about plot. A plot consists of a change with stakes that establish norms. This seemingly simple structure shapes novels, films, politics, and our world, from easy seductions of comfort to difficult promises of liberation. In the episode, Pardis references Thomas Edison?s 1903 film, Electrocuting an Elephant, which is super sad, and kind of terrifying, but an economical explanation of plot. She also discusses Max Ophüls?s 1953 film, The Earrings of Madame de... as an example of a film with a potentially liberatory plot. We recommend you watch the latter, not the former. Other texts referenced in this episode include Mary Anne Doane?s The Emergence of Cinematic Time (Harvard, 2002) and Lauren Berlant?s Cruel Optimism (Duke, 2011) and Female Complaint (Duke, 2008). The occasion for our conversation was Pardis?s new book, Losing the Plot: Film and Feeling in the Modern Novel (U Chicago Press, 2023). If you?d like to get yourself a copy there?s a 30% discount on the University of Chicago Press website with the promo code UCPNEW. It?s a book about film and literary modernism, including the work of Nella Larsen, Djuna Barnes, and William Faulkner. The cover is really beautiful, and it?s definitely worth a read if you?re interested in either of the genres it addresses. Pardis Dabashi is an Assistant Professor of Literatures in English and Film Studies at Bryn Mawr College, where she is also Affiliated Faculty in the Middle Eastern, Central Asian, and North African Studies Program (MECANA). She has published everywhere, and is friends with everyone! She teaches courses in twentieth-century literature, film studies, Middle East studies, and theory. She was also one of the first guests on High Theory! You can listen to her 2020 episode on The Autonomous Work of Art if you?re feeling a flashback. The image for this episode is a publicity still from George Cukor?s 1936 MGM film Camille, showing Greta Garbo and Robert Taylor in a tense embrace. Digital image from Wikimedia Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

On June 18, 1969, "The Wild Bunch" premiered to critical success. Over the past 50 years it has been rightly recognized as one of the landmark films from the end of the Hollywood studio system. Yet it was developed out of chaos, with a controversial director who had already largely burned his bridges with Hollywood studios. Sam Peckinpah worked for years to film a story that both illustrated the end of the ?Old West? and also showed how newer filmmakers wanted to proceed with their newfound independence. W. K. Stratton?s book The Wild Bunch: Sam Peckinpah, a Revolution in Hollywood, and the Making of a Legendary Film (Bloomsbury, 2019) describes all of these activities as it wonderfully tells the story of the film.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Have you seen that other Capra film in which the protagonist in a moment of crisis, attempts suicide on Christmas Eve? Join Mike and Dan for a conversation about Meet John Doe (1941), a film Frank Capra made five years before It?s a Wonderful Life and which shares that film?s celebration of the common man?the John Doe?living and working and dying across the country. We know we?d all be better off?and the country would be in better shape?if we acted like the people in the John Doe Clubs, so why don?t we? How many of your neighbors do you know on a first-name basis? When?s the last time you reached out to someone you don?t know very well but you know needs a hand? Capra?s film may seem like a collection of platitudes, but it?s a cross between A Christmas Carol and Lord of the Flies and is absolutely prophetic of a film that would follow it thirty-five years later about another media-created sensation who?s mad as hell and not going to take it any more! The University of Mississippi Press has published many volumes of interviews of notable directors; you can find the edition on Frank Capra here. And?did you know that Capra wrote a novel in 1966, not published until 2018? Neither did we. You can find Cry Wilderness here. Follow us on X or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Suspicious of what he called the spectator's "sticky" adherence to the screen, Roland Barthes had a cautious attitude towards cinema. Falling into a hypnotic trance, the philosopher warned, an audience can become susceptible to ideology and "myth". In Roland Barthes and Film: Myth, Eroticism and Poetics (Bloomsbury), Patrick Ffrench explains that although Barthes was wary of film, he engaged deeply with it. Barthes' thought was, Ffrench argues, punctuated by the experience of watching films - and likewise his philosophy of photography, culture, semiotics, ethics and theatricality have been immensely important in film theory. Focusing particularly on the essays 'The Third Meaning' and 'On Leaving the Cinema' and the acclaimed book Camera Lucida, Ffrench examines Barthes' writing and traces a persistent interest in films and directors, from Fellini and Antonioni, to Eisenstein, the Marx Brothers and Hitchcock. Ffrench explains that although Barthes found pleasure in "leaving the cinema" - disconnecting from its dangerous allure by a literal exit or by forcefully breaking the trance - he found value in returning to the screen anew. Barthes delved beneath the pull of progressing narrative and the moving image by becoming attentive to space and material aesthetics. This book presents an invaluable reassessment of one of the most original and subtle thinkers of the twentieth-century: a figure indebted to the movies. Bill Schaffer is a semi-retired lecturer in Film Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

When teaching a public course called ?The Age of Debt? this winter break, I had the strange realization that one of the the most successful readings in that course, the one which most clearly explained the 2008 crisis and the financialized economy, was written by an English professor. It was Annie McClanahan?s Dead Pledges: Debt, Crisis, and Twenty-First Century Culture (Stanford University Press, 2016). The book is a masterful exploration of the cultural politics of the financial crisis and a powerful mediation on how to make sense of an era of unrepayable debts. As a review in the LA Review of Books notes, McClanahan has resurrected and repurposed the rich tradition of Marxist literary criticism which brought us Raymond Williams, analyzing post-crisis literature, photography, and cinema as cultural texts registering ?a new ?crisis subjectivity? in the wake of the mortgage meltdown?s shattering revelations.? Dead Pledges is a must read. For whom? Well, anyone living in the 21st century, concerned about insurmountable debts, thinking of how culture and the economy transect each other, and striving for a radical politics fit for the mortgaged times in which we live. Aparna Gopalan is a Ph.D. student in Social Anthropology at Harvard University. Her research focuses on how managing surplus populations and tapping into fortunes at the ?bottom-of-the-pyramid? are twin-logics that undergird poverty alleviation projects in rural Rajasthan. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

There?s nothing like being conned at the movies. Join Mike and Dan as they talk about George Roy Hill?s beautifully-constructed toy, The Sting. Dan explains how the long con in the film is like a theatrical production and how con games and films are similar forms of art. Mike revs up with a rant about why Pauline Kael is overrated, continues with one about how Robert Shaw is underrated, and finally claims that anyone who doesn?t like The Sting needs to sit in a room for thirty minutes and reevaluate their life choices. So turn on that player piano and give it a listen! Paul Newman?s posthumously-released memoir, The Extraordinary Life of an Ordinary Man, is a terrific glimpse into the actor?s thoughts and recollections on life as one of the last bona fide movie stars. Follow us on X or Letterboxd. The bumper music for this episode is by Lord Vinheteiro: you can see the whole incredible video of his performing ?The Entertainer? on an authentic-era piano here and visit his YouTube channel here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Analysing materials from literature and film, this book considers the fates of women who did not or could not buy into the Japanese imperial ideology of "good wives, wise mothers" in support of male empire-building. Although many feminist critics have articulated women's active roles as dutiful collaborators for the Japanese empire, male-dominated narratives of empire-building have been largely supported and rectified. In contrast, the roles of marginalized women, such as sex workers, women entertainers, hostesses, and hibakusha have rarely been analyzed. This book addresses this intellectual lacuna by closely examining memories, (semi-)autobiographical stories, and newspaper articles, grounded or inspired by lived experiences not only in Japan, but also in Shanghai, Manchukuo, colonial Korea, and the Pacific. Chapters further explore the voices of diasporic Korean women (Zainichi Korean woman born in Japan, as well as Korean American woman born in Korea) whose lives were impacted, intervening ethnocentric narratives that were at the heart of the Japanese empire. An appendix presents the first English translation of a memorable statement on comfort women by former Japanese propaganda actress, Ri K?ran / Yamaguchi Yoshiko. Nobuko Ishitate-Okunomiya Yamasaki's book Prostitutes, Hostesses, and Actresses at the Edge of the Japanese Empire (Routledge, 2021) will appeal to students and scholars of Japanese literature and film studies, as well as gender, sexuality and postcolonial studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

George MacLeod's book Mediating Violence from Africa: Francophone Literature, Film, and Testimony After the Cold War (U Nebraska Press, 2023) explores how African and non-African Francophone authors, filmmakers, editors, and scholars have packaged, interpreted, and filmed the violent histories of post?Cold War Francophone Africa. This violence, much of which unfolded in front of Western television cameras, included the use of child soldiers facilitated by the Soviet Union?s castoff Kalashnikov rifles, the rise of Islamist terrorism in West Africa, and the horrific genocide against the Tutsi in Rwanda. Through close readings of fictionalized child-soldier narratives, cinematic representations of Islamist militants, genocide survivor testimony, and Western scholarship, George S. MacLeod analyzes the ways Francophone African authors and filmmakers, as well as their editors and scholarly critics, negotiate the aesthetic, political, cultural, and ethical implications of making these traumatic stories visible. MacLeod argues for the need to periodize these productions within a ?post?Cold War? framework to emphasize how shifts in post-1989 political discourse are echoed, contested, or subverted by contemporary Francophone authors, filmmakers, and Western scholars. The questions raised in Mediating Violence from Africa are of vital importance today. How the world engages with and responds to stories of recent violence and loss from Africa has profound implications for the affected communities and individuals. More broadly, in an era in which stories and images of violence, from terror attacks to school shootings to police brutality, are disseminated almost instantly and with minimal context, these theoretical questions have implications for debates surrounding the ethics of representing trauma, the politicization of memory, and Africa?s place in a global (as opposed to a postcolonial or Euro-African) economic and political landscape. ?Annie deSaussure holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Welcome to the latest episode of New Books in Chinese Studies! I am your host, Julia Keblinska, and today I will be talking today to Jie Li, about her new book, Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China (Columbia UP, 2023). The book describes the Chinese media revolution, namely the enormous media project undertaken by the communist state to ?solder? a dispersed and heterogenous populace into the revolutionary masses. Li shows how in the face of postwar material constraints and technological shortages, cultural workers (and audiences) became human components of audiovisual media networks that connected and built the new nation. Through a careful reading of archival sources and oral interviews, Li excavates two historically grounded terms, the guerrilla and the spirit medium, to develop a theoretical framework that explains how cinema and propaganda functioned in the socialist state. Her chapters explore the top-down visions of the cinematic image economy (the directives laid down by Mao and Jiang Qing), the grassroots labor of mobile projectionists, and the memories of film workers and audiences who, respectively, struggled to contain and enjoyed the polysemy inherent in socialist film experience. I?m very eager to hear Jie Li tell us more about this fascinating text! NOTE: I apologize for sound issues in the recording and hope you can enjoy our conversation despite them! ?Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In The Needle and the Lens: Pop Goes to the Movies from Rock 'n' Roll to Synthwave (University of Minnesota Press, 2023), Nate Patrin examines how the link between film and song endures as more than a memory. It is, in fact, a sort of cultural symbiosis that has mutually influenced movies and pop music, a phenomenon Patrin tracks through the past fifty years, revealing the power of music in movies to move the needle in popular culture. Rock 'n' roll, reggae, R&B, jazz, techno, and hip-hop: each had its moment--or many--as music deployed in movies emerged as a form of interpretive commentary, making way for the legitimization of pop and rock music as art forms worthy of serious consideration. These commentaries run the gamut from comedic irony to cheap-thrills excitement to deeply felt drama, all of which Patrin examines in pairings such as American Graffiti and "Do You Want to Dance?"; Saturday Night Fever and "Disco Inferno"; Apocalypse Now and "The End"; Wayne's World and "Bohemian Rhapsody"; and Jackie Brown and "Didn't I Blow Your Mind This Time?" What gives power to these individual moments, and how have they shaped and shifted music history, recasting source material or even stirring wider interest in previously niche pop genres? As Patrin surveys the scene--musical and cinematic--across the decades, expanding into the deeper origins, wider connections, and echoed histories that come into play, The Needle and the Lens offers a new way of seeing, and hearing, these iconic soundtrack moments. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Olga V. Solovieva's book The Russian Kurosawa: Transnational Cinema, Or the Art of Speaking Differently (Oxford UP. 2023) offers a new historical perspective on the work of the renowned Japanese film director Akira Kurosawa. It uncovers Kurosawa's debt to the intellectual tradition of Japanese-Russian democratic dissent, reflected in the affinity for Kurosawa's worldview expressed by such Russian directors as Grigory Kozintsev and Andrei Tarkovsky. Through a detailed discussion of the Russian subtext of Kurosawa's cinema, most clearly manifested in the director's films based on Dostoevsky, Tolstoy, Gorky, and Arseniev, the book shows that Kurosawa used Russian intertexts to deal with the most politically sensitive topics of postwar Japan. Locating the director in the cultural tradition of Russian-inflected Japanese anarchism, the book challenges prevalent views of Akira Kurosawa as an apolitical art house director or a conformist studio filmmaker of muddled ideological alliances by offering a philosophically consistent picture of the director's participation in post-war debates on cultural and political reconstruction. ?Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

On November 20, 1983, a three-hour made-for-TV movie The Day After premiered on ABC. Set in the heartland of Lawrence, Kansas, the film depicted the events before, during, and after a Soviet nuclear attack with vivid scenes of the post-apocalyptic hellscape that would follow. The film was viewed by over 100 million Americans and remains the highest rated TV movie in history. After the premiere, ABC News aired an episode of Viewpoint, a live special featuring some of the most prominent public intellectuals of the debating the virtues of the Arms Race and the prospect of a winnable nuclear war. The response to the film proved more powerful than perhaps any film or television program in the history of media. Aside from its record-shattering Nielsen ratings, it enjoyed critical acclaim as well as international box office success in theatrical screenings. The path to primetime for The Day After proved nearly as treacherous as the film's narrative. Battles ensued behind the scenes at the network, between the network and the filmmakers, with Broadcast Standards and Ad Sales, in the edit room and on the set, including the "nuke-mares" experienced by the cast. After the director was pushed aside, he contemplated suicide while also engineering a comeback through the press. But these skirmishes pale in comparison to the culture wars triggered by the film in the press, alongside a growing Nuclear Freeze movement, and from a united, pro-nuclear Right. Once efforts to alter the script failed, the White House conducted a full-throttled propaganda campaign to hijack the film's message. Apocalypse Television: How the Day After Helped End the Cold War (Applause Books, 2023) features a dramatic insider's account of the making of and backlash against The Day After. No other book has told this story in similar fashion, venturing behind-the-scenes of the programming and news divisions at ABC, Reagan officials in the White House who mounted the propaganda campaign, rogue publicists who hijacked the film to promote a Nuclear Freeze, the backlash from the conservative movement and Religious Right, the challenges encountered by film's production team from conception to reception, and the experiences of the citizens of Lawrence, Kansas, where the film was set and shot, if also, ground zero in America's nuclear heartland. David Craig is a Clinical Professor in the Annenberg School at the University of Southern California. Before his academic career, he was a multiple Emmy-nominated Hollywood producer and cable television executive involved in over thirty projects. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

If we had seen Donnie Darko in high school, we would been drawn to the Easter eggs throughout the film and made videos in which we pointed them out with big red arrows. But there?s more to this tale of time travel than a dorm-room discussion of free will vs. determinism: we now appreciate the ways in which Richard Kelly dramatizes teenage dread and the fear of one?s insignificance. Being a teenager often involves thinking that one?s personal dramas are like the end of the world?but what if they were? Join Mike and Dan for a conversation about a film that feels as if Philip K. Dick adapted The Catcher in the Rye for the screen. It?s one of the best films about high school in America and one of three that features a large rabbit. ?Signs and Symbols,? the terrific story by Vladimir Nabokov that comes up in the episode, can be found in this collection. Follow us on X or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The global refugee, the ship passenger, the displaced person. How did their homeseeking routes and visual motifs intersect and diverge in the early Holocaust film archive? Simone Gigliotti's Restless Archive: The Holocaust and the Cinema of the Displaced tracks the footsteps and routes of predominantly Jewish refugees and postwar displaced persons in what I call a ?restless archive? of photographic, cinematographic and visual material that was created and re-used between 1933 and 1949. The historical and spatial analysis concentrates on tracing the emergence and remediation (migration) of images of displacement and transit and the forgotten-ness of others. The visual inventory is anchored in non-fiction historical material, including newsreels, institutional projections, found footage, home movies, short films, "fundraisers" and documentaries. In addition to Manifold's narrative platform, creative technologies, such as StoryMaps, have enabled the digital curation, mapping and ?repatriation? of this visual and spatial archive of obstruction which has, to date, eluded analysis in its local and global entanglements. You can find the open access book here. You can also find all of the source material mentioned in the interview if you keep scrolling down to the "Resources" section. Links Mentioned in the Episode An Accented Cinema: Exilic and Diasporic Filmmaking, Hamid Naficy (Princeton University Press, 2001) Walter Benjamin's essay "The Work of Art in the Age of Mechanical Reproduction" (PDF) Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Released in 1919, "Anders als die Andern" (Different from the Others) stunned audiences with its straightforward depiction of queer love. Supporters celebrated the film?s moving storyline, while conservative detractors succeeded in prohibiting public screenings. Banned and partially destroyed after the rise of Nazism, the film was lost until the 1970s and only about one-third of its original footage is preserved today. Directed by Richard Oswald and co-written by Oswald and the renowned sexologist Magnus Hirschfeld, "Anders als die Andern" is a remarkable artifact of cinema culture connected to the vibrant pre-Stonewall homosexual rights movement of early-twentieth-century Germany. The film makes a strong case for the normalization of homosexuality and for its decriminalization, but the central melodrama still finds its characters undone by their public outing. Ervin Malakaj sees the film?s portrayal of the pain of living life queerly as generating a complex emotional identification in modern spectators, even those living in apparently friendlier circumstances. There is a strange comfort in knowing that we are not alone in our struggles, and Malakaj recuperates "Anders als die Andern"?s mournful cinema as an essential element of its endurance, treating the film?s melancholia both as a valuable feeling in and of itself and as a springboard to engage in an intergenerational queer struggle. Over a century after the film?s release, Anders als die Andern (McGill-Queen's UP, 2023) serves as a stark reminder of how hostile the world can be to queer people, but also as an object lesson in how to find sustenance and social connection in tragic narratives. Ervin Malakaj is associate professor of German studies at the University of British Columbia. Armanc Yildiz is a postdoctoral researcher at Humboldt University. He received his Ph.D. in Social Anthropology at Harvard University, with a secondary degree in Studies of Women, Gender, and Sexuality. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

How should one deal with evil? What are people capable of doing when they are given unconstrained liberty? Why does democracy work when people run things physically away from the very people it wants to assist? These are a few of the questions that arise as one watches John Ford?s The Man Who Shot Liberty Vallance (1962). Progress and civilization are wonderful?but the train that signals them also carries a lot of moral pollution. Join Mike and Dan for a dive into this perfect Western and hear what happens when they apply the famous line, ?Print the legend,? to John Ford?s, John Wayne?s, and Jimmy Stewart?s military careers. Pick up that steak and give it a listen! Robert Matzen?s Mission: Jimmy Stewart and the Fight for Europe tells the story of Stewart?s learning to fly, joining the Army, and leading dangerous missions in the Second World War. Follow us on X or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

It?s the UConn PopCast, and in this episode we discuss Rainer Werner Fassbinder?s 1973 movie World on a Wire, shown on West German television over two nights, and then lost for decades. When it was restored and re-released nearly 40 years later, the movie quickly gained acclaim as a lost masterwork of science fiction cinema. We discuss the movie?s sophisticated and pioneering presentation of the simulation hypothesis, and its deep engagement with Jean Baudrillard?s concepts of simulacra and simulation. We examine the deep influence of the movie on blockbusters like The Matrix and Inception, consider the Cold War context of its production, and ask where World on a Wire places in the pantheon of philosophically informed - and philosophically influential - cinema. The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

What if you could receive the adulation and respect of strangers but not from your own family-or even yourself? In Wild Strawberries (1957), Ingmar Bergman dramatizes a journey into a man?s memories, insecurities, and fears in a way that may borrow the technique of Death of a Salesman but not its final scenes or the fate of its hero. For all we hear about the bleakness of Bergman?s vision, the film is ultimately affirming. The world screams, ?Physician, heal thyself??and he does! Join us for an extended conversation that also includes how the film resembles A Christmas Carol and Casablanca. The opening clip is Bergman talking on The Dick Cavett Show in 1971 about the final closeup of Wild Strawberries. Admirers of Bergman?s films will want to read his autobiography, My Life in Pictures. Follow us on X or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Daniel Herbert's book Maverick Movies: New Line Cinema and the Transformation of American Film (U California Press, 2023) tells the improbable story of New Line Cinema, a company that cut a remarkable path through the American film industry and movie culture. Founded in 1967 as an art film distributor, New Line made a small fortune running John Waters?s Pink Flamingos at midnight screenings in the 1970s and found reliable returns with the Nightmare on Elm Street franchise in the 1980s. By 2001, the company competed with the major Hollywood studios and reached global box office success with the Lord of the Rings franchise. Blurring boundaries between high and low culture, between independent film and Hollywood, and between the margins and the mainstream, New Line Cinema epitomizes Hollywood's shift in focus from the mass audience fostered by the classic studios to the multitude of niche audiences sought today. A free ebook version of this title is available through Luminos, University of California Press?s Open Access publishing program. Visit www.luminosoa.org to learn more. Daniel Herbert is Associate Professor in the Department of Film, Television, and Media at the University of Michigan and author of Videoland: Movie Culture at the American Video Store. Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Samuel Johnson once asked, ?What enemy would invade Scotland, where there is nothing to be got?? He must never have seen I Know Where I?m Going (1945). In their fifth examination of a Powell and Pressburger film, Mike and Dan talk about what makes this cinematic Scotland a more authentic place than England and how the film?s heroine gains maturity and depth once she abandons her itinerary. Dan brings up an American film he considers a sibling to this one; Mike praises the film?s economy; both wish they could go to the cèilidh. You can?t marry the British Chemical Company, but you can dance the Scottish, so give it a listen! Samuel Johnson?s and James Boswell?s accounts of their travels in Scotland are a terrific read and tie in wonderfully with the film. You may also enjoy Neil Oliver?s History of Scotland, based on his BBC series. Follow us on X or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Should governments fund the arts? In The Moral Foundations of Public Funding for the Arts (Palgrave Macmillan, 2023), Michael Rushton, Co-Director of the Center for Cultural Affairs and a Professor at the O?Neill School of Public and Environmental Affairs at Indiana University, explores a variety of frameworks for thinking about this question, from liberal and egalitarian justifications, through to communitarian, conservative, and multiculturalist ideas. The book outlines the economic method for thinking about the arts, and uses this as a starting point to understand what various political philosophies might tell policymakers and the public today. A rich and deep intervention on a pressing social and governmental question, the book is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in arts and cultural policy. Prof Rushton blogs at both Substack and Artsjournal and you can read open access papers covering some of the key ideas in the book here and here. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Did you know Sidney Poitier was a western icon? In a genre best known for John Wayne and Clint Eastwood, African American actors and directors have played an important role in both shaping, and subverting, Hollywood westerns. In Black Rodeo: A History of the African American Western (U Illinois Press, 2023), Vassar College film professor Mia Mask unravels the history of Black westerns dating back to 1910s and 1920s rodeo films, all the way through modern iterations such as Django Unchained (2012). Mask explains the eras in film history that changed the genre, including the infusion of pro athletes into Hollywood in the 1940s, New Hollywood in the 1960s, and the rise of Blaxploitation in the 1970s. Through this history, Mask explains how African Americans were central to the development and lasting appeal of westerns as a global film genre, and how genre conventions from westerns are in the very DNA of American popular culture today. ?Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota and is the Assistant Director of the American Society for Environmental History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film