You Must Remember This

The first episode of You Must Remember This tells the story of actress Kim Novak -- a top box office draw of the late 1950s and the iconic star of Alfred Hitchcock's Vertigo -- and her painful struggles to assert herself from the mid-20th century through well into the 21st, in a Hollywood that repeatedly sent her the message that she was only valuable for the way she looked, while also insisting that she didn?t quite look good enough. Originally released in April 2014, this episode has been ?lost? for almost as long due to copyright issues with its soundtrack. Today, in honor of the podcast?s ten year anniversary, we?re rereleasing this episode with new music, largely re-recorded voiceover, and just enough of the original episode intact so you can hear how far the show has come over the course of a decade. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Our first guest on Talking Pictures is writer director Nancy Meyers (Something?s Gotta Give, It?s Complicated, The Holiday). Recorded at her home, host Ben Mankiewicz talks with Meyers about casting Jack Nicholson and Diane Keaton, getting script advice from Sunset Boulevard director Billy Wilder, and they discuss what it?s like to become famous for her interiors. Spoiler: it?s frustrating! Nancy Meyers also answers our Super 8 questionnaire and reveals which film had her running from the theater in absolute terror. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In part 2 of the Eyes Wide Shut story, the movie is finally unveiled, and critics are divided on its quality, and the use of digital effects to evade an NC-17 rating. Where could Hollywood eroticism go from here? We?ll wrap up the Erotic 90s story with some thoughts on Richard Gere?s two-decade journey from American Gigolo to becoming PEOPLE Magazine?s 1999 ?Sexiest Man Alive,? and other ways in which time and politics combined to make that which was once transgressive harmlessly mainstream. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

At the peak of their careers, Tom Cruise and Nicole Kidman left Hollywood for two years to collaborate with legendary filmmaker Stanley Kubrick on an erotic drama that the media speculated would pull back the curtain on maybe the most fascinating famous couple in the world. Though the meta element can?t be ignored, what Eyes Wide Shut actually ended up being is much more interesting. It?s a culmination of every theme and trope we?ve discussed across Erotic 80s and 90s, and the last film of the twentieth century headlined by American superstars to question the moral rot of the rich and powerful. In part 1 of the Eyes Wide Shut story, we?ll analyze the film and the media frenzy over the mystery of its making. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

If Adrian Lyne?s Lolita became a case study of what Hollywood and America didn?t want to acknowledge about its sexualization of young girls, as the 90s came to a close the culture was full of ?acceptable? depictions of teens in heat. Two hit films from 1998 and 1999, Wild Things and Cruel Intentions, adapted classic templates of adult sexual manipulation to turn teen girls into femme fatales (probably not coincidentally, both featured actresses, Neve Campbell and Sarah Michelle Gellar, who were famous for playing high school students on TV). Also no coincidence: these films entered the culture simultaneous to the debut of 17 year-old Britney Spears, whose videos and persona centered her status as ?not a girl, not yet a woman.? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In the previous decade, Adrian Lyne had made two movies (Fatal Attraction and Indecent Proposal) that had grossed over $100 million in the US alone. With carte blanche to do whatever he wanted, he made an adaptation of the Nabokov novel about a 40-year-old pedophile?s obsession with his adolescent step-daughter ? and no distributor wanted to release it. In a decade rife with the commodification and sexualization of young teens (see our previous episode on Drew Barrymore), what lines did Lyne?s Lolita cross? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

One of the most notorious ? and least seen ? erotic narrative films of the 90s, Boxing Helena was the misbegotten passion project of Jennifer Lynch, daughter of David Lynch. Four years after Boxing Helena, the elder Lynch released one of his most controversial films, Lost Highway, which tackles similar themes as Boxing Helena, including male sexual fragility and the ?Madonna-Whore? complex. Today we?ll talk about how Boxing Helena became bigger as a punchline than a movie, and we?ll trace David Lynch?s career as a provocateur to try to explain why his excavation of the dark, sexual core of Americana was celebrated when he made Blue Velvet, and pilloried a dozen years later when he made Lost Highway. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

One of the only high-profile NC-17 releases post-Showgirls, David Cronenberg?s Crash was the kind of dark adult art film that the rating was supposedly created to support. We?ll talk about how Crash fits into Cronenberg?s filmography, why it was controversial when it premiered at the Cannes Film Festival in 1996 and when it was released in the US in 1997, how it played into the UK general election of 1997, how it functioned as an early warning against charismatic billionaires, and how it embodied a post-Prozac and pre-Viagara moment. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

At the beginning of the 90s, lesbians were a punchline for a male-gaze-oriented media, an easy target for expressing the anxiety that women might not need men after all. By the middle of the decade, women-loving-women had become the heroes of a number of neo-noir crime films, but the culture at large still rejected lesbianism when not intended to arouse men. While The Matrix has widely been reappraised as a trans allegory after the transitions of its directors the Wachowski sisters, their previous feature Bound was transparently queer, but its reception was complicated by the media?s perception of its makers. Bound was released just a few months after the burial of an extremely similar film called Wild Side. Barely seen on its initial release amidst studio recutting and the suicide of its director, today Wild Side plays as a heartbreaking and troubling example of what could have been for its star Anne Heche, who would soon after become one-half of the most famous lesbian couple in Hollywood ? and suffer the career consequences.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In Glitter & Might, a new series exploring the intersection of show business and politics, bestselling author Shawn Levy unpacks the story of Lew Wasserman, the shadowy legend who lorded over Hollywood for half a century. He was a feared deal-maker, credited with breaking the impasse that ended the 1960 actors? and writers? strike. Wasserman oversaw seismic innovations in the entertainment business, but none as impressive as the way he connected it to Washington. Every president from Kennedy to Clinton took his calls. And he was as comfortable dealing with gangsters as with politicians. Through original research and interviews with Wasserman's associates and the journalists who observed him, we learn how this mystery man definitively ruled many worlds. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Joe Eszterhas?s tenure as the hottest screenwriter in town ended with two notorious 1995 flops: the NC-17 rated Showgirls (directed, like Basic Instinct, by Paul Verhoeven) and Jade (produced, like Sliver, by Robert Evans), We?ll analyze why these films failed to connect with audiences in 1995, and, more importantly, why the media at the time seized on them as major embarrassments for the industry.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The 90s were obsessed with what magazine writer Tad Friend would describe as ?do me feminism? ? and the attendant fear that men could be victims of female sexual aggression. Two films from 1994 married these anxieties to the still-lingering bugaboo of the 80s, the powerful career woman. But though the female stars of The Last Seduction and Disclosure (Linda Fiorentino and Demi Moore) were styled almost identically, the films had very different points of view on the panic over female power.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Sharon Stone and Joe Eszterhas?s post-Basic Instinct reunion film was one of the most troubled productions of the 90s. A post-Hitchcock tale of sexual surveillance given a technological update for the 90s, after a long battle with the MPAA the sanitized, R-rated version of Sliver was rejected by critics and audiences, but the movie and the juicy gossip leaked from its production (which included a love pentagon involving both actress and screenwriter) only enhanced Sharon Stone?s aura as an old-school Hollywood star for a decade that didn?t know what to do with her. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Are men okay? Several films from 1993 answered that question with a resounding no. One of the highest grossing movies of its year, Adrian Lyne?s Indecent Proposal was misunderstood as a gimmick, and its insight into toxic masculinity and male sexual insecurity got lost in a media frenzy, much of it sparked by feminists. What had changed since Lyne?s Fatal Attraction, in Hollywood and in the culture? We?ll also talk about Proposal star Demi Moore as the controversial ?diva? of the moment. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In the early 90s, Madonna was the biggest pop star in the world, and she used ? and in the minds of some, squandered ? her star capital to launch a multi-media exploration of sexuality: the album Erotica and its companion book Sex, followed by her starring role in the much-maligned erotic thriller Body of Evidence. What was Madonna really trying to do in 1992-1993, how was it perceived and misunderstood at the time, and how does the blowback she experienced then relate to how she is being criticized today? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

While the MPAA?s confusing and hypocritical ratings decisions were leaving filmmakers flummoxed in the early 90s, cable TV was opening up new possibilities for erotic content. Today we will offer a brief history of sex on TV, and then focus on Red Shoe Diaries, the cheesy-but-charming late night softcore soap that was the brainchild of 9 ½ Weeks writers/producers Zalman King and Patricia Knop.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Culture in the 90s was obsessed with the sex lives of teenagers. This is a theme we will come back to several times throughout the season. In this episode, we?ll talk about Drew Barrymore, who became a massive star at age 7 in E.T., went to rehab at 13, became an emancipated minor at 15 and immediately started pushing buttons with naked photo shoots and her comeback role as a murderously seductive teen in Poison Ivy. With teenaged Drew scantily clas in magazines and on screen ? and ?Long Island Lolita? Amy Fisher making headlines for shooting her adult lover?s wife ? the media was eager to exploit the precocious sexuality of other teen girls. But while she made her film debut in the Poison Ivy-esque The Crush, Alicia Silverstone vocally pushed back on being branded ?the next Lolita?. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In the early 90s, one of the biggest scripted shows on TV was Murphy Brown, starring 40-something Candice Bergen as a product of the 60s whose high-powered career precluded marriage and family. When the character became a single mother, and was criticized for it by vice president Dan Quayle, a massive conversation about ?family values? began that would change the culture ? and, arguably, American politics. Off-screen, Bergen was married to French filmmaker Louis Malle. While his wife was in the middle of the ?family values? maelstrom, Malle was making Damage, one of the most sexually intense films of the 90s, and one which used sexuality to explicitly critique the hypocrisy of politicians. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

One of the biggest hits of 1992, Basic Instinct was sold as Michael Douglas?s return to Fatal Attraction territory, but its success owed to an alchemy of three other creatives: a writer (Joe Eszterhas) who was driven to become the highest-paid scribe in movies; a director (Paul Verhoeven) who was determined to redefine the amount of sex considered acceptable in a Hollywood movie; and a female lead (Sharon Stone) who had waited a long time for her breakout role, and finally found it in a bisexual murderess with the sheen of a Hitchcock blonde. We?ll talk about all of that, detailing the extremely messy production that was protested by LGBT activists ? and its screenwriter ? virtually from beginning to end, and examine Basic Instinct as a collision of toxicity and commerce that was emblematic of just-pre-Clinton era.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In the five years after the release of Fatal Attraction, Hollywood scrambled to make one movie after another about homes and workplaces invaded and threatened by sexy outsiders. Today we?ll talk about five of these films: Presumed Innocent (1990), The Hand that Rocks the Cradle (1992), Single White Female (1992), Consenting Adults (1992) and The Temp (1993). To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

One of the most controversial movies of the 1990s, Thelma & Louise pushed every hot button of the new decade: date rape, sexual harassment, the failure of the feminist movement to create real change for the working class, and how pissed off women were, or were not, entitled to be about all of the above. Though it made more noise as a media phenomenon than at the box office, Thelma & Louise made so many people so mad that it had the feeling of a turning point. We?ll talk about the anger the movie communicated, the anger it inspired, and debate its lasting legacy. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Hosted by Flea, founding member and bassist of the Red Hot Chili Peppers, This Little Light is a podcast about falling in love with music. Flea interviews musical guests from all genres to discuss the teachers who guided them, the influences that inspired them, and how the lessons they learned as young musicians have shaped their creativity, resilience, and careers. This Little Light, a production of Cadence13 and Parallel, available now with new episodes dropping weekly, is available for free wherever you get your podcasts. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

An enigmatic sex symbol dating back to the 70s, Theresa Russell made a play for Hollywood stardom in the late 80s and early 90s, making a number of films about the sexual commodification and role playing. Ken Russell?s Whore was marketed as a gritty answer to Pretty Woman, showing the ?truth? about Los Angeles street prostitution. In Impulse, a neo-noir romance in which Russell plays an undercover cop posing as a sex working in a hopelessly corrupt LAPD, Russell was directed by Sondra Locke, longtime girlfriend and co-star of Clint Eastwood. When Eastwood dumped Locke while she was directing the movie, she fought back, instigating a series of lawsuits that revealed that Eastwood and his studio had conspired against her. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The first blockbuster about sex of the 90s, Pretty Woman both reinvigorated Richard Gere?s career, and turned Julia Roberts into the biggest female movie star of the era. We?ll dissect the gender politics of this fantasy about love between a streetwalker and a corporate villain, analyze its lasting appeal, and trace the wild rollercoaster ride of the first few years of Roberts? movie stardom. Virtually unknown before 1989, within a year of Pretty Woman?s release Roberts was considered the most bankable woman in movies, a controversial icon of 90s womanhood and, eventually, a romantic antihero whose performances and personal life were put on a pedestal by a breathless media, only to be swiftly knocked down. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Erotic 80s began with a prologue about the short lived heyday of the X rating, pornography, and feminism. Erotic 90s begins with a prologue about the disastrous rollout of NC-17 ?the X rating?s replacement ? and the evolving state of both porn and feminism at the dawn of the 90s. Topics include David Lynch, Harvey Weinstein, ?pro-porn? feminism, ?the new morality,? video stores, Magic Johnson, date rape, and much more.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

American independent film is launched into the mainstream by Steven Soderbergh?s sex, lies and videotape, starring James Spader as an impotent man who gets off on filming women talking about sex. Videotape also plays a role in a Spader film released almost simultaneously, Bad Influence, in which he plays a meek yuppie at the mercy of alpha male Rob Lowe ? who was trying to rehabilitate his career after a tape leaked shot by the actor and documenting his real-life threesomes ? one with a 16 year-old girl. We close the first half of this season talking about Lowe, Spader and how camcorder mediation of sex changed pop culture forever. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The 1988 baseball blockbuster Bull Durham confirms Kevin Costner as the ultimate squeaky-clean, all-American heartthrob, building on a sexual persona sparked the year before with the neonoir No Way Out. Today we?ll talk about why Costner was the quintessential safe hunk for the 80s, his alchemic chemistry with co-star Sean Young in No Way Out, and her subsequent rocky road through Hollywood misogyny. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The erotic thriller goes commercially mainstream with Fatal Attraction, a film which starts a national conversation about whether or not women can ?have it all? ? ?it all? meaning both careers and marriage. Is Fatal Attraction an indictment of working women as ?witches? and a call to roll back women?s rights, or a snapshot of extreme toxic masculinity? Plus: Dirty Dancing. Is it evil? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Billed as the hottest Hollywood film since Last Tango, 9 ½ Weeks was considered to have missed the mark by everyone who made it ? including director Adrian Lyne, stars Mickey Rourke and Kim Basinger, producer/writer Zalman King and his wife, writer Patricia Knop. Today we?ll talk about why this intoxicating and troubling film is worth a second look, how to square away the arguably feminist finished product from a production process that robbed Basinger of agency, and we?ll explore the film Rourke and King re-teamed on as a re-do, Wild Orchid. We?ll also talk about Rourke?s ?bad boy? persona, and his problematic relationship with his second wife and co-star, supermodel Carre Otis. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Just as the AIDS-related death of Rock Hudson was finally forcing straight people ? and Hollywood ? to acknowledge that epidemic, a film was released that transposed the new climate of sexual fear into a murder mystery. The sleeper hit of 1985, Jagged Edge turned Glenn Close from a respected actress into a star, and established the brand of screenwriter Joe Eszterhas, who would later write Basic Instinct and Showgirls. Almost a decade after radical feminists began to call for a crackdown on violent sexual imagery, Jagged Edge tried to have its cake and eat it, too: infusing its sex and violence ? and its depiction of a career woman ? with a fundamentally conservative point of view. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In a time of bombastic blockbusters (and Reagan?s re-election), two auteurs defy the norms by releases violent films about sexual obsession, sparking a controversial mini-trend which one critic dubs ?Vioporn.? Kathleen Turner, then also starring in a family-friendly blockbuster, plays a sex worker with a double life in Ken Russell?s Crimes of Passion. Brian DePalma, the most talked-about director of the moment, takes his tribute/critique of Hitchcock to the next level by casting Melanie Griffith ? daughter of Hitchcock blonde Tippi Hedren ? as a porn star in Body Double. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

While the music video was still in its infancy as a cultural phenomenon, two films were released that were accused of aping the ?MTV aesthetic?: Adrian Lyne?s Flashdance, and Risky Business, which turned Tom Cruise into a major star. Today we?ll talk about what the ?MTV aesthetic? was and why it was considered a big deal for movies to be influenced about it, and we?ll examine how both of these movies treated sex work and race within the context of 80s social mores and Reagan capitalism. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

1982 saw the release of three hit high school-set comedies about sex: Porky?s, The Last American Virgin and Fast Times at Ridgemont High. The only one to survive as a classic, Fast Times turned Phoebe Cates ? who also appeared in the Blue Lagoon rip-off Paradise the same year ? into a frozen-in-time icon of adolescent sexuality. Today we?ll talk about this sudden explosion of teen sex on movie screens, and compare Cates?s public persona and attitude to on-screen sexuality to that of Blue Lagoon star Brooke Shields. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The New Hollywood directors of the late 1960s and 70s were the first generation of Hollywood filmmakers to grow up studying Hollywood movies as art. In 1981-1982, a number of those directors made actual or virtual remakes of classic Hollywood noir films, including Lawrence Kasdan?s Body Heat, and Bob Rafelson?s The Postman Always Rings Twice; and Paul Schrader?s Cat People. What was the value of revisiting the tropes and narratives of 1940s noirs in the 80s, beyond the fact that the sexual relationships implied in the original movies could now be depicted graphically? Today we?ll talk about how these films played into the personas of stars Jack Nicholson and Kathleen Turner, how they challenged the standards of what could be shown in movies of the 80s ? and how and why they were received extremely differently. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

One of the most aesthetically influential movies of the ?80s, Paul Schrader?s American Gigolo sets a template for much of what we?re going to discuss this season: it?s about sex as a conduit for wealth, masks and double lives, and the role of danger in desire. Today we?ll talk about the sexual persona of Gigolo star Richard Gere in the early 1980s; the ways in which Gigolo and other films from 1980 (Dressed to Kill, Cruising) grapple with straight male anxiety over gay male visibility; and the tension between the promotion of sex-positivity for women and the anti-feminist backlash. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The sleeper hit of late 1979 was Blake Edwards?s sex farce 10, a comedic vivisection of a male midlife crisis, which turned 23 year-old California girl Bo Derek into a controversial cultural phenomenon. Derek?s early fame was framed in the media through the lens of her marriage to John Derek, who was 30 years her senior and who she met when she was 16. Today we?ll talk about Derek?s reign as a sex-positive bombshell in a time of extreme double standards, 10?s strangely prescient understanding of toxic masculinity, and the problem of how to frame teenage sexuality for adult consumption. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In 1968, the Production Code gave way to the ratings system, and the brief legitimacy of the X-rated movie. Today we?ll focus on two massive, X-rated hits released within a year of one another in 1972-1973: Deep Throat, the first hardcore porn movie to become a mainstream blockbuster; and the international art film sensation Last Tango in Paris. Both of these hits were products of a male-centered sexual revolution, and both of their female stars later described making these movies as equivalent to being raped. We?ll talk about how both films gave Hollywood permission to intermingle sex and violence in the name of both profits and art, and how both have been reassessed as documents of violence against women. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Desperate to be seen as cool and not a relic of an earlier age in 70s America, Sammy gets into porn and drugs. A Rat Pack reunion gives him renewed purpose, but causes Dean to alienate himself further. As their time begins to run out, both Sammy and Dino are forced to contemplate what it was all for. By the late ?90s, they?re both gone. We?ll try to sort out the incredibly murky legacies they left behind.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In the mid-1960s, 47 year-old Dean Martin proves he's still got it by knocking the Beatles off the top of the pop charts, and by launching his long-running TV show, which brought a version of his nightclub act into America?s living rooms every week. But his middle-aged drunk schtick sours as the decade of hippies and Vietnam wears on. Sammy Davis Jr has his own challenges, living up to the expectations of a new generation of activists--and he only makes matters worse by embracing Richard Nixon. After disastrously dabbling with Motown, Sammy records ?The Candy Man? -- a silly novelty single that he hated, but which ended up saving his career. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Released in 1965, Sammy Davis Jr.'s autobiography became an instant classic, one of the most dynamic celebrity memoirs ever published and a testament to Davis?s barrier-breaking success as a black man in America. But the story behind the book, which was conceived and developed by two white ghostwriters -- and the racial and sexual dynamics of Davis's life during the years leading up to its release, which included two marriages and one relationship with a white movie star which almost got him killed -- are even more fascinating. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In the early 40s, both Dean and Sammy idolized Frank Sinatra. 20 years later, they became Sinatra?s cohorts in the Rat Pack, and, through Vegas gigs and increasingly disposable movies, the trio set a standard for grown men behaving badly that?s still influential today. In this episode, we?ll reveal what the Rat Pack?s Vegas shows were really like -- racist, homophobic, misogynist warts and all. We?ll also discuss the web of corruption linking these performers to the Mafia and the Kennedys, culminating in the death of an actress, and the death of the pretense that the Rat Pack racket was all innocent fun. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

After the breakup of Martin and Lewis, Dino has to figure out how to stand on his own as a solo act. He ends up developing an on-stage persona as a happy drunk, while at the same time, developing a resume as a serious actor in some of the biggest hits of the late 1950s, such as Some Came Running and Rio Bravo, through which he emerged as a kind of icon for the white masculinity crisis of the 1950s. How did Dino pull this off, and why was his interest in being taken seriously so apparently short-lived? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Sammy tests the power of his new celebrity, on Broadway and in Hollywood, where he stars in the most controversial movie musical with an all-Black cast of all time -- a movie which is still being suppressed today. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In the first half of the 1950s, Martin and Lewis mint money as movie stars--and find unique ways to make their access to gangsters payoff--but stardom tears them apart. During this period, Sammy tries to prove himself to a Hollywood that still has little use for Black performers. Then, a horrible accident changes Sammy?s life--and changes his perceived value to the gate-keepers of the entertainment industry. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Dean Martin meets and begins collaborating with Jerry Lewis. Martin and Lewis ? an Italian and a Jew ? become the most successful nightclub act in the country, and transition to Hollywood. Meanwhile, Sammy Davis Jr, determined to get the attention of the white entertainment world, starts working impressions of white stars into his act. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Sammy Davis Jr. and Dean Martin would become icons for how immigrants and people of color could access the American Dream in the 20th Century. Both grew up in marginalized communities where they learned an ethos of success based on hustle. Today we?ll track both Dean and Sammy to major coming-of-age moments in the middle of World War II. Coming up in industrial Ohio as both a card dealer and a nightclub singer, Dean learns how and why the house always wins. As a child, Sammy joins his father?s touring dance act, and eventually becomes the main attraction, before the war forces him to encounter racism at a level he?d never experienced before. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

When Hollywood mogul Walter Wanger (Jon Hamm) shot an agent he suspected was having an affair with his actress wife, Joan Bennett (Zooey Deschanel) ? one of the key femme fatales of 1940s film noir ? Bennett was the one who paid a public price for her husband?s crimes. Joan and Walter?s granddaughter/filmmaker Vanessa Hope, and film historian/podcaster Karina Longworth (You Must Remember This), tell the untold story of the Bennett/Wanger romance and professional partnership ? a film noir played out in real life. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The Hollywood studio system begins to crumble, and Louella and Hedda decline and fall, too. But just as a new generation of filmmakers rises from the ashes and reinvents the movie business, so too does gossip find new life in a new look. We?ll end our season by talking about a woman who was the antithesis of Louella and Hedda -- liberal, Jewish, sexually forward, and so unwilling to play the industry?s games that she may have ensured the death of the gossip columnist as star.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Appalled by rock n? roll and its racial and sexual implications, Hedda and Louella find themselves in further danger of obsolescence when the gossip game is turned upside down by CONFIDENTIAL Magazine.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Do you remember the first time you watched The Wizard of Oz? Those famous red ruby slippers are some of the most iconic objects in Hollywood history that still bring back nostalgic memories every time they?re seen. They became a rare collector?s item worth millions. In the summer of 2005, a pair was stolen from the Judy Garland Museum in the small town of Grand Rapids, Minnesota. In No Place Like Home, C13Originals, a Cadence13 Studio, teams up with journalist Ariel Ramchandani and editor Seyward Darby for this documentary podcast to investigate a heist that dives into small town suspicions between local cops and the FBI, the fraught relationship between Grand Rapids and its most famous daughter, Judy Garland, and brings listeners inside the peculiar world of Hollywood memorabilia and the market for lost and stolen art. Although the shoes were eventually recovered, there are more questions left than answers. Who stole the shoes and where were they hiding for more than 13 years? No Place Like Home is available now on all podcast platforms. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices