In our sixth episode, we marvel at the simple beauty of the C major Prelude, one of the most recognizable pieces of all time. Why is this keyboard exercise pattern with apparently no melody so famous and captivating? Christian unpacks its structure by looking not for a moment in the middle, but instead where the end and beginning seem to touch.
Prelude in C Major performed by Siebe Henstra: https://www.youtube.com/watch?v=xCqWH9bKzQE