Writing a first draft is tough. But writing a second draft can be tougher. Tasha and Josh discuss best practices for tackling the deceptively difficult second draft, be it going scene-by-scene, starting anew, or ignoring a note to find the real note lurking underneath.
TWIW: Why staying active with programs and competitions keeps you going. Should an agent ask for your resume? Style lessons from the Barbarian screenplay. And a friendly reminder that public domain is a proven place to mine IP. Plus, Josh and Tasha both finished drafts of their specs!
Questions / Comments: [email protected]
Edited by the GREAT Paul Lundquist