226 avsnitt • Längd: 30 min • Månadsvis
Think art history is boring? Think again. It’s weird, funny, mysterious, enthralling, and liberating. Join us as we cover the strangest stories in art. Is the Mona Lisa fake? Did Van Gogh actually kill himself? And why were the Impressionists so great? Subscribe to us here, and follow us at www.artcuriouspodcast.com for further information and fun extras. © 2023 Jennifer Dasal
The podcast ArtCurious Podcast is created by Jennifer Dasal/ArtCurious. The podcast and the artwork on this page are embedded on this page using the public podcast feed (RSS).
Join us for the thrilling conclusion of our virtual journey through Mexico City's cultural wonders! In this episode, we delve into unmissable experiences that showcase the city's vibrant art scene and rich cultural heritage.
🏛️ Highlights:
🌟 Upcoming Adventures:
As we conclude our virtual vacation to Mexico City, we invite you to explore its artistic treasures and cultural landmarks. Stay curious and keep exploring! 🎨✨
✔️**Today's Sponsor**
This episode is supported by In the Making, an original podcast brought to you by Adobe Express, the all-in-one content creation app included in your Creative Cloud membership. Search for In the Making in your podcast player. My thanks to In the Making and Adobe Express for their support.
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Join us on an ALL-NEW episode as we take a Virtual Vacation to Mexico City! Today, we'll delve into the vibrant world of contemporary art-- from renowned galleries to innovative art fairs, we'll guide you through the city's bustling art scene.
In Today's Episode:
🏙️ **Exploring Galleries:**
- Discover Galería OMR, a longstanding player in Mexico City's art world, showcasing cutting-edge works in various mediums.
- Dive into Kurimanzutto, known for its unconventional approach and support of experimental art, featuring both Mexican and international artists.
- Experience Proyectos Monclova, a dynamic space pushing the boundaries of contemporary art with innovative exhibitions and collaborative projects.
- Celebrate the work of Eduardo Terrazas, a Mexican artist renowned for his geometric abstraction and exploration of indigenous symbolism.
🎨 **Mexico City Art Week:**
- Get an exclusive sneak peek into Mexico City Art Week, including VIP access to the prestigious Zona Maco art fair.
- Learn about Zona Maco's significance as a platform for promoting and selling contemporary art from around the world.
- Discover the alternative vibe of Material Art Fair, focusing on emerging artists and experimental works.
🌟 **Upcoming Adventures:**
- Mark your calendars for our upcoming trip to Venice for more art-filled experiences!
- Stay curious and keep an eye out for our next episode in the Virtual Vacation series, as we continue to explore the fascinating world of art and culture.
✔️**Today's Sponsor**
This episode is supported by In the Making, an original podcast brought to you by Adobe Express, the all-in-one content creation app included in your Creative Cloud membership. Search for In the Making in your podcast player. My thanks to In the Making and Adobe Express for their support.
Learn more about your ad choices. Visit podcastchoices.com/adchoices
🎙️ **ArtCurious Virtual Vacation: Mexico City Museums**
Get ready for an art-filled adventure in Mexico City! Join us in an ALL-NEW podcast series as we explore the cultural treasures of this vibrant capital. From ancient artifacts to contemporary masterpieces, we'll take you on a journey through the city's most iconic museums.
🖼️ **Highlights:**
- Private tour of the National Anthropology Museum, diving into Mexico's rich history.
- Insider's look at Museo Jumex, featuring cutting-edge contemporary art.
- Avant-garde exhibitions at MUAC and Museo Rufino Tamayo, pushing artistic boundaries.
- Diverse artworks at Museo de arte Carrillo Gil, spanning historical to contemporary.
🌟 **Join Us:**
Whether you're an art enthusiast or simply curious, this episode promises to inspire. Tune in and embark on a virtual vacation with us!
🌟 Upcoming Adventures:
✔️**Today's Sponsor**
This episode is supported by In the Making, an original podcast brought to you by Adobe Express, the all-in-one content creation app included in your Creative Cloud membership. Search for In the Making in your podcast player. My thanks to In the Making and Adobe Express for their support.
Episode Credits:
Music by Storyblocks. Logo by Vaulted.co.
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SURPRISE! We’re back with you for some bonus episodes of ArtCurious this spring! First up: we’re thrilled to announce an all-new tour this September with Like Minds Travel. Today on the show, we’re welcoming LMT’s Laura Hart to chat about group travel: how she puts together these incredible, special excursions, making friends all over the world, and all the details on our can’t-miss trip to Venice!
Don’t forget to mark your calendars and register to join us in Venice - it's going to be an art-filled trip you won't want to miss! 🎨✨
Register here: Like Minds Travel
✔️**Today's Sponsor**
This episode is supported by In the Making, an original podcast brought to you by Adobe Express, the all-in-one content creation app included in your Creative Cloud membership. Search for In the Making in your podcast player. My thanks to In the Making and Adobe Express for their support.
Learn more about your ad choices. Visit podcastchoices.com/adchoices
Today, it’s a very special episode of ArtCurious— and a big ol’ thank you, to you.
If you’d like to donate to ArtCurious, please feel free to do so here.
Episode Credits:
Production and Editing by Kaboonki. Theme music by Alex Davis. Additional music by Storyblocks. Logo by Vaulted.co.
ArtCurious is sponsored by Anchorlight, an interdisciplinary creative space, founded with the intent of fostering artists, designers, and craftspeople at varying stages of their development. Home to artist studios, residency opportunities, and exhibition space Anchorlight encourages mentorship and the cross-pollination of skills among creatives in the Triangle.
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Hello, listeners! I’ve got a special surprise for you this week. I’ve been waiting to share this amazing conversation that I enjoyed recently with expat and author Joanna Moorhead about her fantastic new biography, Surreal Spaces: The Life and Art of Leonora Carrington.
The British-born artist and writer Leonora Carrington (1917–2011) is one of the vanguards in the history of women artists and the history of Surrealism. The interests of this visionary—feminism, ecology, the arcane and the mystical, the interconnectedness of everything—are now shared by many. Challenging the conventions of her time, Carrington abandoned family, society, and England to embrace new experiences and forge a unique artistic style in Europe and the Americas. In this evocative illustrated biography, writer and journalist Joanna Moorhead traces her cousin’s footsteps, exploring the artist’s life, loves, friendships, and work.
Leading readers on a personal journey across Britain, Ireland, France, Italy, Spain, Portugal, the United States, and Mexico, Surreal Spaces describes the places and experiences that would become etched in Carrington’s memory and be echoed, sometimes decades later, in her art and writing—whether her grandmother’s kitchen with its giant stove; a remote Cornish hideaway where she holidayed with Max Ernst, Lee Miller, and Man Ray; the Left Bank of Paris; an asylum in Santander, Spain; New York, where she lived among other European exiles; or Mexico City, her final sanctuary. “Houses are really bodies,” Carrington wrote in her novella The Hearing Trumpet. “We connect ourselves with walls, roofs and objects just as we hang on to our livers, skeletons, flesh and blood streams.”
Featuring photographs, drawings, and paintings of the spaces that so richly influenced Carrington’s work, Surreal Spaces is an intimate and vivid portrait of a fascinating artist.
About the author:
Joanna Moorhead is a British journalist and author whose critically acclaimed memoir, The Surreal Life of Leonora Carrington, chronicles her relationship with Carrington, her cousin. Moorhead writes for the Guardian, the Observer, the Times (London), and many other publications.
Please enjoy this bonus episode, featuring my discussion with Joanna. Be sure to grab your copy of Surreal Spaces from Bookshop.org, below. If you prefer Amazon, that link is below as well.
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Hello, listeners! I’ve got a special surprise for you this week. I’ve been waiting to share this amazing conversation that I enjoyed recently with expat and author Jeannie Marshall about her lovely book, All Things Move: Learning to Look in the Sistine Chapel.
What do we hope to get out of seeing a famous piece of art? Jeannie Marshall asked that question of herself when she started visiting the Sistine Chapel frescoes. She wanted to understand their meaning and context―but in the process, she also found what she didn’t know she was looking for.
All Things Move: Learning to Look in the Sistine Chapel tells the story of Marshall’s relationship with one of our most cherished artworks. Interwoven with the history of its making and the Rome of today, it’s an exploration of the past in the present, the street in the museum, and the way a work of art can both terrify and alchemize the soul. An impassioned defense of the role of art in a fractured age, All Things Move is a quietly sublime meditation on how our lives can be changed by art, if only we learn to look.
About the author:
Jeannie Marshall is a writer who has been living in Italy with her family since 2002. A nonfiction author, journalist, and former staff features writer at the National Post in Toronto, she contributes articles to Maclean's and the Walrus and has published literary nonfiction in The Common, the Literary Review of Canada, Brick, and elsewhere.
Please enjoy this bonus episode, featuring my discussion with Jeannie. Be sure to grab your copy of All Things Move from Bookshop.org, below. If you prefer Amazon, that link is below as well.
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Buy All Things Move here!
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Hello, listeners! I’ve got a special surprise for you this week. I’ve been waiting to share this amazing conversation that I enjoyed earlier this summer with author Patrick Bringley, all about his fantastic book about his time as a guard at the Metropolitan Museum of Art. His book, All the Beauty in the World: The Metropolitan Museum of Art and Me, is out now.
Millions of people climb the grand marble staircase to visit the Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They’re the guards who roam unobtrusively in dark blue suits, keeping a watchful eye on the two million square foot treasure house. Caught up in his glamorous fledgling career at The New Yorker, Patrick Bringley never thought he’d be one of them. Then his older brother was diagnosed with fatal cancer and he found himself needing to escape the mundane clamor of daily life. So he quit The New Yorker and sought solace in the most beautiful place he knew.
In the tradition of classic workplace memoirs like Lab Girl and Working Stiff, All The Beauty in the World is a surprising, inspiring portrait of a great museum, its hidden treasures, and the people who make it tick, by one of its most intimate observers.
About the author:
Patrick Bringley worked for ten years as a guard in the galleries of the Metropolitan Museum of Art. Prior to that, he worked in the editorial events office at The New Yorker magazine. He lives with his wife and children in Sunset Park, Brooklyn. All the Beauty in the World is his first book.
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This season, I’m rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it’s time for Modern Love.
Today: it’s our season finale, and my absolute favorite (tear-jerking!) story of the season: the epic love-and-lost story of Marina Abramović and Ulay.
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This season, I’m rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it’s time for Modern Love.
Today: we’ve re-recorded and updated our original Season 1 double-header on Frida Kahlo and Diego Rivera. Check out their story here. Note that this is Part 2— you can access Part 1 here.
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This season, I’m rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it’s time for Modern Love.
Today: we’ve re-recorded and updated our original Season 1 double-header on Frida Kahlo and Diego Rivera. Check out their story here. Part two is coming up in two weeks.
Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify
Breaking Barriers: Women Artists of Renaissance Europe is on sale NOW through September 7! Buy it here exclusively on my website.
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To advertise on our podcast, please reach out to [email protected] or visit https://www.advertisecast.com/ArtCuriousPodcast
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This season, I’m rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it’s time for Modern Love.
Today: it’s one of the most collaborative, creative couples of the century— meet Hans (Jean) Arp and Sophie Taeuber-Arp.
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Hello, listeners! I’ve got a special surprise for you this week. I’ve been waiting to share this amazing conversation that I enjoyed earlier this spring with author Annie Cohen-Salal, all about her wonderful new book, Picasso the Foreigner (translated by Sam Taylor).
Before Picasso became Picasso—the iconic artist now celebrated as one of France’s leading figures—he was constantly surveilled by the French police. Amid political tensions in the spring of 1901, he was flagged as an anarchist by the security services—the first of many entries in an extensive case file. Though he soon emerged as the leader of the cubist avant-garde, and became increasingly wealthy as his reputation grew worldwide, Picasso’s art was largely excluded from public collections in France for the next four decades. The genius who conceived Guernica in 1937 as a visceral statement against fascism was even denied French citizenship three years later, on the eve of the Nazi occupation. In a country where the police and the conservative Académie des Beaux-Arts represented two major pillars of the establishment at the time, Picasso faced a triple stigma—as a foreigner, a political radical, and an avant-garde artist. The artist never became a citizen of France, yet he generously enriched and dynamized the country’s culture like few other figures in its history. This book, for the first time, explains how.
Please enjoy this bonus episode, featuring my discussion with Annie. Be sure to grab your copy of Picasso the Foreigner from Bookshop.org, below. If you prefer Amazon, that link is below as well.
Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify
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Buy Picasso the Foreigner here!
SPONSORS:
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Want to advertise/sponsor our show?
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This season, I’m rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it’s time for Modern Love.
Today: let’s get to know artists Remedios Varo and her first husband, Gerardo Lizzaraga.
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Hello, listeners! I’ve got a special surprise for you this week. I absolutely loved this new book by author and journalist Michael Finkel, and I didn't want to wait any longer to share it with you. Finkel's latest book, The Art Thief: A True Story of Love, Crime, and a Dangerous Obsession, is about the world's most prolific art thief-- and believe me, his story is stranger than fiction.
If you’re anything like me, you love art-- and you also love a good and unbelievable true story about bad things happening to art, too. So you may have encountered the remarkable story of Stéphane Breitwieser, the world’s most prolific art thief, in Finkel’s 2019 article “The Secrets of the World’s Greatest Art Thief” (GQ). Breitwieser, along with his girlfriend who worked as his lookout, carried out more than two hundred heists over nearly eight years, stealing more than three hundred objects, until it all fell apart in spectacular fashion.
The book is out on June 27-- listen now for our in-depth conversation and preorder your copy now!
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Buy The Art Thief here!
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This season, I’m rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it’s time for Modern Love.
Today: we’re homing in on the early years of Lee Miller, model and photographer, and her years spent with surrealist Man Ray.
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This season, I’m rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it’s time for Modern Love.
Today: we’re homing in on the love affairs of Robert Rauschenberg, moving from Cy Twombly and on to Jasper Johns—a series of relationships that lasted only briefly, but whose effects on modern art are still felt to this day.
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To advertise on our podcast, please reach out to [email protected] or visit https://www.advertisecast.com/ArtCuriousPodcast
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This season, I’m rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it’s time for Modern Love.
Today: we’re discussing the lives and loves of Pablo Picasso and Dora Maar.
Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify
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This season, I’m rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it’s time for Modern Love.
Today: we’re enjoying the story of one supremely confident couple, incredibly supportive of one another and individually talented, two makers who epitomized the explosion of creativity that was the Harlem Renaissance, and who helped shape American art. Meet Jacob Lawrence and Gwendolyn Knight.
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SPONSORS:
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To advertise on our podcast, please reach out to [email protected] or visit https://www.advertisecast.com/ArtCuriousPodcast
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This season, I’m rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it’s time for Modern Love.
Today: we’re highlighting a powerful artist couple who taught at a landmark place at a singular moment in history—Anni and Josef Albers.
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Hey friends, I have a show that I’d like to share with you today. It’s right up my personal alley--so much so that I made a similarly-themed season of ArtCurious a few years back. Today it’s a pleasure to introduce you to The Art of Crime.
The Art of Crime is a history podcast about the unlikely collisions between true crime and the arts--created, written, and narrated by Gavin Whitehead. Gavin notes that he has had an interest in things criminal and artistic for as long as he can remember, and this podcast is the perfect intersection of those two fascinations. The show is now in its second season and is all about several artists who have committed, attempted, or at least been implicated in an assassination. This episode today is all about the painter David-Alfaro Siqueiros.
A diehard Communist, Siqueiros fought in the Mexican Revolution in the mid-1910s. Over the next several decades, he would revolutionize the theory and practice of muralism in Mexico and abroad, largely inspired by his radical politics. In 1940, his political convictions led to a less honorable enterprise when he spearheaded an assault on the home of Russian revolutionary Leon Trotsky as he and his family slept in their beds.
Enjoy-- and I’ll be back to you next week with an all-new episode of ArtCurious.
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Listeners, I heard you—a bunch of self-admitting hopeless romantics who wanted to hear more about people bound by attraction, fascination. By love. Though there are examples of romantic and sexual relationships between creators that are sprinkled throughout art history as we know it, it’s true that we have the most information about relationships from folks who lived in the last century—because we have greater access to documentation recording the lives of these people, and because, as the 20th century progressed, people—artists, perhaps especially—became more vocal about their relationships, less inhibited. Modern artists, artists especially from the first half of the 20th century, lived their art, and their relationships, out loud-- writing about them, talking about them, and sometimes even creating works of art about them.
This season, I’m rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it’s time for Modern Love.
Today: let’s enjoy learning about the surrealist life and loves of Max Ernst and Dorothea Tanning.
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Hello ArtCurious listeners! This is ArtCurious News this Week, our short-form Friday roundup of my favorite art history updates and interesting news tidbits. Today is Friday, March 31, 2023.
CNN: Scientists identify secret ingredient in Leonardo da Vinci paintings
NBC News: Unknown Jackson Pollock painting found in police raid in Bulgaria
CNN: Rare print of Hokusai's 'Great Wave' sets new auction record
AP News: Louvre staff block entrances as part of pension protest
New York Times: He Lost a Courbet Fleeing the Nazis. His Heirs Are Getting it Back.
CNN: Dusty painting hidden behind door turns out to be Brueghel 'masterpiece'
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Hello listeners! This is ArtCurious News this Week, our new short-form Friday roundup of my favorite art history updates and interesting news tidbits. Today is Friday, March 24, 2023.
ArtNews: Isabella Stewart Gardner Museum Closes Early After Plans for ‘Guerilla Art Installation’ by Climate Activists Leak
CNN: Scientists confirm long held theory about what inspired Monet
ArtNews: New Investigation Finds More than 1,000 Objects in Met’s Collection Linked to Antiquities Trafficking
The Art Newspaper: Chicana muralist Judith Baca to receive National Medal of Arts in White House ceremony
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Hello, listeners! I’ve got a special surprise for you this week. Instead of doing our typical Friday news cast, I’m sharing a recent discussion I had with author Damian Dibben about his latest novel, The Colour Storm. Set in the cutthroat art-world of Renaissance Venice, The Colour Storm is about the search for a new color. The daring young painter, Giorgione, is in the fight of his life to beat his rivals and find it first. It’s a searing tale of creation, ambition, rivalry and passion at one of the most seismic turning points in history, and it’s filled with characters both familiar and new, and is full of unexpected turns. It’s an excellent read and one that art lovers are sure to enjoy.
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Anyone familiar with Abstract Expressionism will tell you that this art movement was one where all the insiders or practitioners were more closely involved than many other art movements. Such close confines also made for some serious rivalries, too. But there were other artists who were more intimately involved with one another and their artistic process-- they were married, or were lovers. Such is the case with both Jackson Pollock and Willem de Kooning --both of whom married women who were incredible artists in their own right. Interestingly, and sadly, when these two spouses are mentioned, it’s very rare that we are treated to sincere commentary just about their works of art. More often than not, we are, instead, given explanations of how these women measure up to their (admittedly more famous) husbands, and are relegated either to a supporting role, or just plain seen as not good enough in comparison. Why is it that such talented women continue to have their posthumous careers and stories marked and shaped by their husbands?
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Hello and how are you, ArtCurious listeners! This is ArtCurious News this Week, our new short-form Friday roundup of my favorite art history updates and interesting news tidbits. Today is Friday, March 10, 2023.
The Art Newspaper: Vatican returns Parthenon sculptures to Greece in 'historic event'
The Art Newspaper: Notre Dame to reopen in December 2024
ArtNews: University Faculty Vote Against Plan to Deaccession Paintings at Brauer Museum of Art
The Art Newspaper: Archaeologists discover ancient tunnel at Great Pyramid of Giza that may lead to King Khufu’s tomb
ArtNews: Egyptian Archaeologists Uncover Roman Era Mini-Sphinx Statue
ArtNews: Climate Activist Group Protests at Rembrandt’s Night Watch at Rijksmuseum
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Hello and how are you, ArtCurious listeners! This is ArtCurious News this Week, our new short-form Friday roundup of my favorite art history updates and interesting news tidbits. Today is Friday, March 3, 2023.
New York Times: High-Profile Art Couple Offers Worst Job Ever
The Art Newspaper: The must-see exhibitions in 2023: from the biggest ever show of Vermeer paintings to a history of hip-hop
The Art Newspaper: The hunt for as many as nine elusive Vermeer paintings continues
The Art Newspaper: Revealed: Vermeer's patron was, in fact, a woman—and she bought half the artist’s entire oeuvre
ArtNews: New Moai Statue Found on Easter Island, Opening the Possibility of More to Be Discovered
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Hello and how are you, ArtCurious listeners! Jennifer here with your short-form news roundup meant to bring you up to date on some of the latest goings-on in the realm of art history. This is ArtCurious News this Week and I’m ready to roll. Today is Friday, February 17, 2023.
ArtNews: Vermeer Retrospective Sells Out All Tickets Within Days of Opening
The Art Newspaper: Paris's Centre Pompidou breaks new ground by acquiring 18 NFTs
The Art Newspaper: Mysterious NFT collector—who may actually be the rapper Snoop Dogg—gifts 22 blockchain works to LACMA
ArtNews: New Valentine’s Day Mural by Banksy in British Town Is Partly Removed Hours After Going on View
ArtNews: Four Foundations Commit $5 M. to Create Latinx Art Curatorial Positions at 10 US Art Institutions
ArtNews: Indiana School Proposes Sale of $15 M. Georgia O’Keeffe Painting, Triggering Bitter Pushback
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I’ve got a great interview for you today— this time, I’m featuring a conversation with Julia Voss on her fascinating book, Hilma af Klint, a Biography, which was released recently in its English translation.
The Swedish painter Hilma af Klint (1862–1944) was forty-four years old when she broke with the academic tradition in which she had been trained to produce a body of radical, abstract works the likes of which had never been seen before. Today, it is widely accepted that af Klint was one of the earliest abstract academic painters in Europe.
But this is only part of her story. Not only was she a working female artist, she was also an avowed clairvoyant and mystic. Like many of the artists at the turn of the twentieth century who developed some version of abstract painting, af Klint studied Theosophy, which holds that science, art, and religion are all reflections of an underlying life-form that can be harnessed through meditation, study, and experimentation. Well before Kandinsky, Mondrian, and Malevich declared themselves the inventors of abstraction, af Klint was working in a nonrepresentational mode, producing a powerful visual language that continues to speak to audiences today. The exhibition of her work in 2018 at the Guggenheim Museum in New York City attracted more than 600,000 visitors, making it the most-attended show in the history of the institution.
Despite her enormous popularity, there has not yet been a biography of af Klint—until now.
Please enjoy this bonus episode, featuring my discussion with Julia Voss. Buy Hilma af Klint, a Biography here!
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Hello and how are you, ArtCurious listeners! Jennifer here with your short-form news roundup meant to bring you up to date on some of the latest goings-on in the realm of art history. This is ArtCurious News this Week and I’m ready to roll. Today is Friday, February 10, 2023.
The Art Newspaper: Huge earthquakes in Turkey and Syria devastate heritage sites including 2,000-year-old castle
The Art Newspaper: Artefacts in Swiss museums were looted from the Kingdom of Benin, new report says
The New York Times: Is Nazi Loot Amid His 6,000 Oils, Some Grenades and Napoleon’s Toothbrush?
ArtNews: Hobbyist Finds Renaissance-Era Pendant Connected to Henry VIII and Catherine of Aragon
AP News: Visitors can see famed Florence baptistry’s mosaics up close
AP News: Amsterdam’s Rijksmuseum hosts blockbuster Vermeer exhibition
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Hello, listeners! I’ve got a special surprise for you this week. I’m sharing an episode of the fun, all-ages art podcast, Who ARTed. Who ARTed is a show created by an art teacher with the goal of making art history fun and interesting for listeners of any age, so if you're looking for a show that you can enjoy with the kids, Kyle shares fun facts about everything from Mona Lisa to Mario. Today I’m sharing his recent mini-episode about Salvador Dalí, but be sure to check out Who ARTed’s daily mini-episodes this season, which are covering 64 diverse artists in anticipation of their annual Arts Madness Tournament. Listeners can vote for their favorite artworks in a bracketed tournament where every matchup simply asks "Which is better?" This can spark some great conversations about how we evaluate art.
You can find Who ARTed: Weekly Art History for All Ages wherever you get your podcasts, or at www.whoartedpodcast.com.
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Hi there, listeners. It’s Friday, which means that it is time for ArtCurious News this Week, our short-form news roundup meant to bring you up to date on some of the latest goings-on in the realm of art history. I’m your host, Jennifer Dasal, and we’ve got some great stories for you today, Friday, February 3, 2023.
BBC: Mystery portrait likely to be Raphael masterpiece
The Guardian: Archaeologist hails possibly oldest mummy yet found in Egypt
The Daily Mail: Don't use the word 'MUMMY'... it's offensive to ancient Egyptians: Museums stop using age-old expression out of 'respect' for 3,000-year-old dead
ArtNews: Christie’s Ordered to Return Painting That Was Confiscated During World War II to Proust Heirs
The Art Newspaper: Musée d’Orsay acquires Caillebotte masterpiece thanks to €43m donation from LVMH
The Daily Mail: 'Don't take spell check for granite!' NYC officials are left red-faced by typo misspelling the name of artist Georgia O'Keeffe on plaque at Grand Central's newly unveiled $11B LIRR terminal
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Hi there, listeners. It’s Friday, which means that it is time for ArtCurious News this Week, our short-form news roundup meant to bring you up to date on some of the latest goings-on in the realm of art history. I’m your host, Jennifer Dasal, and we’ve got some great stories for you today, Friday, January 27th, 2023.
ArtNews: Heirs Sue Guggenheim to Recover Storied Picasso Painting, Citing ‘Wrongful Possession’
WESH Orlando: Orlando Museum of Art placed on probation by American Alliance of Museums
The Guardian: Frederick McCubbin painting defaced with Woodside logo in protest at Art Gallery of Western Australia
ArtNews : Mexican Archaeologists Discover Evidence of Pre-Hispanic Mayan Settlement
ArtNews: A Mass Burial of Decapitated Roman Remains Discovered in England
ArtNews: Gilded Warrior’s Tomb Discovered During Construction of an Expressway in Romania
ArtNews: Archaeologists Uncover Intact 52-Foot-Long Ancient Papyrus from 50 BCE
Smithsonian: Archaeologists in Egypt Unearth 2,500-Year-Old Mummified Crocodiles
ArtNews: 1,800-Year-Old Roman City Unearthed in Luxor, Egypt
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For this season of ArtCurious, I’m doing something a little bit different. I’m treating you to renditions of eight of my favorite segments from Breaking Barriers: Women Artists of Renaissance Europe, my online course found exclusively at avid.fm. Every other week through January, I’ll share selections from Breaking Barriers, and encourage you that if you like it, you can purchase the whole course. Today: Another day, another nun! But Plautilla Nelli’s story is an interesting one, involving a great lost-and-found twist, and the opportunity to discuss how some artists can be “forgotten” and then rediscovered. From Breaking Barriers: Women of Renaissance Europe, please enjoy “Plautilla Nelli: Lost and Found.”
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Hi there, listeners. It’s Friday, which means that it is time for ArtCurious News this Week, our short-form news roundup meant to bring you up to date on some of the latest goings-on in the realm of art history. I’m your host, Jennifer Dasal, and we’ve got some great stories for you today, Friday, January 20th, 2023.
New York Times: After Lecturer Sues, Hamline University Walks Back Its ‘Islamophobic’ Comments
Chicago Sun-Times: Ex-Art Institute payroll manager stole more than $2 million from museum: indictment
New York Times: After 220 Years, the Fate of the Parthenon Marbles Rests in Secret Talks
The Guardian via YouTube: French mayor asks Madonna for loan of painting that once hung in city's museum
Le Figaro: Amiens : la maire supplie Madonna de lui prêter un de ses tableaux
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Happy Friday, and Happy New Year, listeners! Welcome back to with our short-form Friday roundup of my favorite art history updates and interesting news tidbits. This is ArtCurious News this Week, and this gets you up to date on some of the latest goings-on in the realm of art history. Today is Friday, January 13, 2023.
New York Times: A Lecturer Showed a Painting of the Prophet Muhammad. She Lost Her Job.
New York Times: Opinion + Letters: Fired by a College for Showing a Painting of Muhammad
The Art Newspaper: New York's Frick Collection acquires its first-ever Renaissance portrait of a woman
The Art Newspaper: Genesis of Phil Collins’s collection of Alamo artefacts questioned ahead of museum opening
Financial Times: Marina Abramović on Anne Imhof
ARTnews: Viral TikTok Joke About the Mona Lisa Being Stolen Generates Mass Confusion
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For this season of ArtCurious, I’m doing something a little bit different. I’m treating you to renditions of eight of my favorite segments from Breaking Barriers: Women Artists of Renaissance Europe, my online course found exclusively at avid.fm. Every other week through January, I’ll share selections from Breaking Barriers, and encourage you that if you like it, you can purchase the whole course. Today’s subject is a major one: Properzia de’ Rossi, a Renaissance sculptor who was (gasp!) female. Why was this a big deal, why was de’ Rossi a rarity? We dig into the details and learn about the highly masculinized world of sculpture. From Breaking Barriers: Women of Renaissance Europe, please enjoy “Properzia de’ Rossi: The “Rare Female Sculptor.”
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For this season of ArtCurious, I’m doing something a little bit different. I’m treating you to renditions of eight of my favorite segments from Breaking Barriers: Women Artists of Renaissance Europe, my online course found exclusively at avid.fm. Every other week through January, I’ll share selections from Breaking Barriers, and encourage you that if you like it, you can purchase the whole course. Today: Finding a signed, confirmed work by Levina Teerlinc isn’t an easy task, as we know of no surviving works with her signature. But we do know that Levina Teerlinc was almost single-handedly responsible for the popularization of the miniature portrait, and obviously she was good at it: Queen Elizabeth I commissioned her portrait from Teerlinc no less than eight times. From Breaking Barriers: Women of Renaissance Europe, please enjoy “Levina Teerlinc: Tiny Tudor Treasures.”
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Happy Friday, listeners! It’s Jennifer, ArtCurious host, back at you this week with our short-form Friday roundup of my favorite art history updates and interesting news tidbits. This is ArtCurious News this Week, and this gets you up to date on some of the latest goings-on in the realm of art history. Today is Friday, December 16, 2022.
ArtNews: Hamas Says 63 Roman-Era Tombs Found in the Gaza Strip
ArtNews: Roman Treasure Stolen from British Museum After Metal Detectorists Forfeited it by Law For Safekeeping
New York Times: For U.S. Museums With Looted Art, the Indiana Jones Era Is Over
ArtNews: London Police Barge Into Gallery After Provocative Sculpture Is Mistaken for Person in Need of Help
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Last year, I enjoyed a fantastic live conversation on Fireside with author and art critic Jennifer Higgie about her latest book, The Mirror and the Palette: Rebellion, Revolution, and Resilience: Five Hundred Years of Women's Self Portraits. I love this book and gobbled it up in a day— I meant it when I said that I really love this book!— and I adored talking all things women artists with Jennifer. It only feels right to revisit her book, and our conversation, in connection with our current season about women artists. I hope you enjoy this chat as much as I do.
Buy The Mirror and the Palette here!
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For this season of ArtCurious, I’m doing something a little bit different. I’m treating you to renditions of eight of my favorite segments from Breaking Barriers: Women Artists of Renaissance Europe, my online course found exclusively at avid.fm. Every other week through January, I’ll share selections from Breaking Barriers, and encourage you that if you like it, you can purchase the whole course. Today: Artist-nuns are not rare: just look at the example of the famed Hildegard von Bingen, long praised as one of the first-known female artists. Today, we’re uncovering the story--and the myth--behind St. Catherine of Bologna, a mystical member of the Poor Clares whose artistic talents may (or not!) have been exaggerated. From Breaking Barriers: Women of Renaissance Europe, please enjoy “St. Catherine of Bologna: The Patron Saint of Artists.”
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Welcome to a bonus episode of ArtCurious featuring my interview with Paul Fisher about his latest book, The Grand Affair: John Singer Sargent in His World.
An iconic American artist, John Singer Sargent was also a complicated and mysterious man. While presenting himself as a reserved, buttoned-up businessman, he scandalized viewers on both sides of the Atlantic with the frankness and sensuality of his work. He charmed the possessors of new money and old, while reserving his greatest sympathies for Bedouins, Spanish dancers, and the gondoliers of Venice. At the height of his renown in Britain and America, he quit his lucrative portrait-painting career to concentrate on allegorical murals with religious themes—and on nude drawings of male models that he kept to himself and that were left undiscovered until after Sargent’s death.
In his groundbreaking new biography, the scholar Paul Fisher offers a vivid life of the buttoned-up artist and his unbuttoned work. Sargent’s nervy, edgy portraits exposed illicit or dark feelings in himself and his sitters—feelings that London, Paris, and New York high society was fascinated by yet kept at bay. Masterfully researched and stunningly written, The Grand Affair brings back to life one of our most beloved artists and solidifies Fisher as a master of the genre.
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For this season of ArtCurious, I’m doing something a little bit different. I’m treating you to renditions of eight of my favorite segments from Breaking Barriers: Women Artists of Renaissance Europe, my online course found exclusively at avid.fm. Every other week through January, I’ll share selections from Breaking Barriers, and encourage you that if you like it, you can purchase the whole course. Today: Lots of women artists have gotten a head-start in their careers thanks to their families. Fathers, in particular, often led their remarkable daughters to find great success in the arts, and Marietta Robusti was no exception: her dear old dad was none other than Tintoretto, a Venetian master. But did Tintoretto’s adoration of his daughter hold her back from achieving greater heights? From Breaking Barriers: Women of Renaissance Europe, please enjoy “Marietta Robusti: Like Father, Like Daughter.”
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Happy Friday, listeners! It’s Jennifer, ArtCurious host, back at you this week with our short-form Friday roundup of my favorite art history updates and interesting news tidbits. This is ArtCurious News this Week, and this gets you up to date on some of the latest goings-on in the realm of art history. Today is Friday, November 18, 2022.
Black Trustee Alliance: The Art Museum Trustee Survey
Ithaka S + R: Art Museum Staff Demographic Survey 2022
ArtNews and the Art Newspaper: Banksy Comes Out On Top in EU Trademark Challenge, Allowing Him To Stay Anonymous
ArtCurious: Banksy's Exit Through the Gift Shop LIVE Q&A at the Alamo Drafthouse
Casa Buonarroti: The restoration of Artemisia Gentileschi’s Inclination in Casa Buonarroti
International Council of Museums: Statement: Museums and Climate Activism
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Happy Friday, listeners! It’s Jennifer, ArtCurious host, back at you this week with our short-form Friday roundup of my favorite art history updates and interesting news tidbits. This is ArtCurious News this Week, and this gets you up to date on some of the latest goings-on in the realm of art history. Today is Friday, November 11, 2022.
New York Times: Paul G. Allen’s Art at Christie’s Tops $1.5 Billion, Cracking Records
New York Times: Lee Bontecou, Acclaimed Creator of Unusual Sculptures, Dies at 91
The Egyptian General Authority for Tourism Activation: The discovery of a rocky tunnel in the area of the Temple of Taposiris Magna, west of Alexandria
ARTnews: Thousands of Looted Benin Bronzes Scattered in Museums Worldwide Are Now Listed in an Online Database
ARTnews: Two Climate Protesters Scribble Ink on Andy Warhol Campbell Soup Prints at National Gallery of Australia
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For this season of ArtCurious, I’m doing something a little bit different. I’m treating you to renditions of eight of my favorite segments from Breaking Barriers: Women Artists of Renaissance Europe, my online course found exclusively at avid.fm. Every other week through January, I’ll share selections from Breaking Barriers, and encourage you that if you like it, you can purchase the whole course. Today: One of the earliest-known female printmakers in Europe, Diana Scultori (sometimes identified as Diana Ghisi or Diana Mantuana), Diana was a grand marketer of her own work, even requesting a particular “Papal Privilege” to sell and promote her engravings while living in Rome. Rock on, Diana! From Breaking Barriers: Women of Renaissance Europe, please enjoy “Diana Scultori (Diani Ghisi): With Papal Privilege.”
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Happy Friday, listeners! It’s Jennifer, ArtCurious host, back at you this week with our short-form Friday roundup of my favorite art history updates and interesting news tidbits. This is ArtCurious News this Week, and this gets you up to date on some of the latest goings-on in the realm of art history. Today is Friday, November 4, 2022.
The Guardian: Museums spar over authenticity of painting ahead of major Vermeer show
The Guardian: Protesters who targeted Girl with a Pearl Earring jailed by Dutch court
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Happy Friday, listeners! It’s Jennifer, ArtCurious host, FINALLY back at you this week with our short-form Friday roundup of my favorite art history updates and interesting news tidbits. This is ArtCurious News this Week, and this gets you up to date on some of the latest goings-on in the realm of art history. Today is Friday, October 28, 2022.
The Art Newspaper: Jo Bonger: the woman who made Van Gogh famous as one of the greatest artists of all time
New York Times: Damaged by an Explosion, the Canvas Emerged a Gentileschi
The Art Newspaper: Biggest ever Vermeer show gets bigger: Rijksmuseum announces further loans for blockbuster exhibition
Buy Jo van Gogh-Bonger: The Woman Who Made Vincent Famous here!
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For this season of ArtCurious, I’m doing something a little bit different. I’m treating you to renditions of eight of my favorite segments from Breaking Barriers: Women Artists of Renaissance Europe, my online course found exclusively at avid.fm. Every other week through January, I’ll share selections from Breaking Barriers, and encourage you that if you like it, you can purchase the whole course. Today: She might not have had the backing of royal patrons or the fancy aristocratic connections that Levina Teerlinc and Sofonisba Anguissola had, but Fede Galizia still did well for herself with commissions. And she was an innovator, to boot, often noted as the first-known Italian artist to have completed a still life painting at a time where the genre was not yet fashionable. From Breaking Barriers: Women of Renaissance Europe, please enjoy “Fede Galizia: Early Still-Life Adopter.”
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We’re back on ArtCurious with another great interview episode for you today. Today’s episode features a conversation about Picasso’s War, a recent book by journalist Hugh Eakin. Today we think of New York as the center of the twentieth century art world, but it took three determined men, two world wars, and one singular artist to secure the city’s cultural prominence. Pablo Picasso was the most influential and perplexing artist of his age, and the turning points of his career and salient facets of his private life have intrigued the world for decades. However, the tremendous feat of winning support for his art in the U.S. has long been overlooked—until now.
In PICASSO’S WAR: How Modern Art Came to America, Eakin details the never-before-told story of how a single exhibition, years in the making, finally brought the 20th century’s most notorious artist U.S. acclaim, irrevocably changed American culture, and in doing so saved dozens of the twentieth century’s most enduring artworks from the Nazis.
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For this season of ArtCurious, I’m doing something a little bit different. I’m treating you to renditions of eight of my favorite segments from Breaking Barriers: Women Artists of Renaissance Europe, my online course found exclusively at avid.fm. Every other week through January, I’ll share selections from Breaking Barriers, and encourage you that if you like it, you can purchase the whole course. Today, I’m sharing a story about the family of one of the most well-known female artists of the Renaissance. You might know a bit about Sofonisba Anguissola--but how much do you know about her sister, Lucia? And how about another Anguissola daughter? From Breaking Barriers: Women of Renaissance Europe, please enjoy “Lucia Anguissola (and Elena Anguissola): In Their Sister’s Footsteps.”
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Hi listeners! I’ve been traveling over last month, and am preparing to hit the road again, and to begin sharing new episodes to your feed next week. So, things have been a bit busy over here. So while we put the finishing touches on next week’s episode, I’m re-airing one of my old favorites from the first season of the podcast. And guess what? It’ll prepare you nicely for the next season. Wink wink. Today, I’m returning to share the story of Sofonisba Anguissola, one of the most prominent female artists of the Italian Renaissance. I hope you enjoy--and back to you next week. Until then, stay curious!
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Here’s a preview from a new podcast, Death of the Artist, that explores a tragedy in the art world. For more than 35 years, accusations of murder shrouded one of the art world’s most storied couples: Was the famous sculptor Carl Andre involved in the death of his up-and-coming artist wife Ana Mendieta? Host Helen Molesworth revisits Mendieta’s death, taking a closer look at how she might have fallen out of the window of Carl’s 34th floor New York apartment, and the following trial which has divided the art world since 1985.
Hear more from Death of an Artist at https://podcasts.pushkin.fm/artist?sid=curious.
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Hi listeners! As I mentioned last time on ArtCurious, I’m traveling this month and so I am re-airing some older episodes for you to enjoy here once again. In celebration of our recent “Cherchez La Femme” season, I’m choosing three of my favorite episodes on female artists-- Today, I’m returning to share the story of Romaine Brooks, a one-of-a-kind painter with a truly fascinating story. I hope you enjoy--and I’ll be back with you soon. Stay curious!
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Hi listeners! I’m traveling this month and so I am re-airing some older episodes for you to enjoy here once again. In celebration of our recent “Cherchez La Femme” season, I’m choosing three of my favorite episodes on female artists-- and, hint hint, the last of these episodes refers directly to our upcoming season, so keep your eyes peeled for that one next month. Today, though, I’m returning to tell the story of Angelica Kauffman, one of the prized painters of the 18th century. Enjoy--and thank you for listening!
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We’re back on ArtCurious with another great interview episode for you today. Today’s episode features a conversation about Light on Fire, the first comprehensive biography of the life and work of the abstract artist Sam Francis by award-winning author Gabrielle Selz. Drawing from exclusive interviews and private correspondence, including Ed Ruscha and Robert Irwin, Selz traces Francis’s extraordinary and complex life.
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I’ve got a great interview for you today— this time, I’m featuring a conversation with Eden Collinsworth on her fascinating book, What the Ermine Saw: The Extraordinary Journey of Leonardo da Vinci's Most Mysterious Portrait. This extraordinary work of narrative non-fiction traces the remarkable history of Leonardo da Vinci’s enigmatic portrait: The Woman with an Ermine, from its original creation, including the fascinating story of its subject, Cecilia Gallerani, and on to its mysterious disappearance for 250 years after which it emerged in the hands of an aristocratic Polish family. Now on display in Krakow, the painting was exiled in Paris, and kept hidden from the Nazis by a brave housekeeper. These defining moments in history comprise a portrait of Europe’s past as vivid and complex as the painting itself.
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This is ArtCurious News this Week, our new short-form Friday roundup of my favorite art history updates and interesting news tidbits. Today is August 12, 2022.
Horniman Museum & Gardens: Horniman to return ownership of Benin bronzes to Nigeria
NBC News: Woman swindled elderly mother out of art worth $140M using ‘psychics’ who claimed it was cursed, police say
ArtNews: Archaeologists Rebury ‘First-of-Its-Kind’ Ancient Roman Villa in England One Year After Its Discovery
Getty Museum: Why Would We Rebury Ancient Sites?
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This is ArtCurious News this Week, our new short-form Friday roundup of my favorite art history updates and interesting news tidbits. Today is August 5, 2022.
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We’re back on ArtCurious with another great interview episode for you today. I recently enjoyed a conversation with the acclaimed art historian, critic, and author Ruth Millington, all about her new book, Muse: Uncovering the Hidden Figures Behind Art History’s Masterpieces . Muse follows the fascinating true stories of thirty incredible muses—and their roles in some of the world’s most iconic artworks.
Please enjoy this bonus episode, featuring my discussion, via Zoom, with Ruth Millington. Be sure to grab your copy of Muse from Bookshop.org, below. If you prefer Amazon, that link is below as well.
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Hi there, everyone. It’s Jennifer, ArtCurious host, back at you this week with our new short-form Friday roundup of my favorite art history updates and interesting news tidbits. This is ArtCurious News this Week, and this, as a gentle reminder, is in addition to the ArtCurious episodes you know and love and gets you up to date on the latest goings-on in the realm of art history. Okay, let’s go.
Artnews: Archaeologists Unearth Roman Mosaic in Rural British Town
Artnews: The First 750-Year-Old Medieval Shipwreck Was Discovered Off the Coast of England
Artnews: The ‘Indiana Jones of Art’ Receives Priceless Lost Relic Containing Jesus’ ‘Blood’ in Package On Doorstep
Artnews: Activists Glued Themselves to Botticelli’s ‘Primavera’ in Latest Climate Protest
The Observer: Museum Director Responsible for Seized Basquiat Collection Has a Previous History of Discovering So-Called Lost Art
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In Season 11 of ArtCurious, we’re highlighting the lives and work of the women who supported some of the world’s favorite artists. Today, for our season finale, we’re discussing Gertrude Stein, a writer and art collector whose world-famous Paris salon was a meeting place for several giants of Modernism: Pablo Picasso, Henri Matisse, Suzanne Valadon, and many more.
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Hi there, everyone. It’s Jennifer, ArtCurious host, back at you this week with our new short-form Friday roundup of my favorite art history updates and interesting news tidbits. This is ArtCurious News this Week, and this, as a gentle reminder, is in addition to the ArtCurious episodes you know and love and gets you up to date on the latest goings-on in the realm of art history. Let’s get to it.
ArtNews: Maurizio Cattelan Faces Plagiarism Lawsuit Over Banana Duct-Taped To Wall
ArtNews: Art History Professor Denies That She Authenticated Disputed Basquiats Seized By FBI
ArtNews: Modigliani Sketches Discovered Beneath Painting of Nude Woman
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There’s a phrase in the French language that goes, “Cherchez la femme.” In translation, it means “find the woman,” or “look for the woman,” and typically it’s derogatory, a phrase used as an explanation for the reasons why a man may be behaving badly. Cherchez la femme, some say, meaning that “woman troubles” are assumed to be at the core of any man’s real problems. But I like the idea of appropriating the phrase “cherchez la femme” to mean that we’re going to look for the women who made things right in art history, who bolstered and brought attention to some big-name artists.
Welcome to season 11 of ArtCurious, where we’re highlighting the lives and work of the women who supported some of the world’s favorite artists. Today, I am so excited to share with you the life of Rose Valland, a great World War Two hero who personally helped save thousands of works of art from being destroyed or lost forever.
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Hi there, everyone. It’s Jennifer, your friendly art history podcast purveyor. And I wanted to try something new this summer. I’m going to be releasing short-form, super-casual episodes every Friday to share some of my favorite art history updates and interesting news tidbits. This is in addition to the ArtCurious episodes you know and love and gets you up to date on the latest goings-on in the realm of art history. So let me be your guide to this week in Art History. Welcome to ArtCurious News this Week!
Artnews: See The 500-Year-Old Frescoes Discovered During Restoration of the Prince’s Palace of Monaco
The Art Newspaper: ‘The Benin Bronzes are returning home’: Germany and Nigeria sign historic restitution agreement
The Art Newspaper: Constable painting rehung at National Gallery after protestors glue themselves to frame
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This season on ArtCurious, we're highlighting the lives and work of the women who supported some of the world’s favorite artists. Today, you know her face, but you might not know her name, or much about her life—meet Anna Whistler, the mother of American painter James Abbott McNeill Whistler.
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Want a cool, fun, and funny book about art? How about one about Buddhism? Just want a great read? You’ve got all of it covered with Look, Look, Look, Look, Look Again: Buddhist Wisdom Reflected in 26 Artists. In this book, Kevin Townley leads you to, invites you in, and sometimes springs upon you, the perennial wisdom in the worlds of artists from Artemisia to Hilma af Klint to Marilyn Minter. (All 26 artists are women.) This book is a mad riot of interconnections: art, Buddhism, mandala principle, spiritual pursuits, growing up goth in the 90s, the theories of Marshall McLuhan, and a mongoose–to name but a few.
Meditation teacher, filmmaker, writer and art savant Kevin Townley turns his unique gaze upon 26 artists and magnifies the power and meaning of the five Buddhist wisdom energies through explorations of their work. Rather than trying to “explain” these energies, he reveals them to you in familiar visual language while, of course, pushing the boundaries of what you might have thought you saw at first glance.
Beautifully written and hilariously disarming, Look, Look, Look, Look, Look Again vibrates with lucid insight into society, history, and establishment, while teaching you a lot about meditation and Buddhism along the way. In exploring the practice, life, and work of these through the lens of the five wisdom energies, you come away with a deeper understanding of yourself, the world, and the true dharma that transcends culture and religion—and a profound gratitude for anyone really willing to look.
Please enjoy this bonus episode, featuring my discussion, via Zoom, with Kevin Townley. Be sure to grab your copy of Look, Look, Look, Look, Look Again from Bookshop.org. If you prefer Amazon, that link is here as well.
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There’s a phrase in the French language that goes, “Cherchez la femme.” In translation, it means “find the woman,” or “look for the woman,” and typically it’s derogatory, a phrase used as an explanation for the reasons why a man may be behaving badly. Cherchez la femme, some say, meaning that “woman troubles” are assumed to be at the core of any man’s real problems. But I like the idea of appropriating the phrase “cherchez la femme” to mean that we’re going to look for the women who made things right in art history, who bolstered and brought attention to some big-name artists.
Welcome to season 11 of ArtCurious, where we’re highlighting the lives and work of the women who supported some of the world’s favorite artists. Today, I am so excited to share with you the life of Jo van Gogh-Bonger, the woman who single-handedly made Vincent van Gogh, her brother-in-law, a household name.
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There’s a phrase in the French language that goes, “Cherchez la femme.” In translation, it means “find the woman,” or “look for the woman,” and typically it’s derogatory, a phrase used as an explanation for the reasons why a man may be behaving badly. Cherchez la femme, some say, meaning that “woman troubles” are assumed to be at the core of any man’s real problems. But I like the idea of appropriating the phrase “cherchez la femme” to mean that we’re going to look for the women who made things right in art history, who bolstered and brought attention to some big-name artists.
Welcome to season 11 of ArtCurious, where we’re highlighting the lives and work of the women who supported some of the world’s favorite artists. Today, we’re getting to know Gala Dalí, the notorious wife, muse, and unflappable supporter of the most iconic Surrealist in history.
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What a great conversation I had recently with John Higgs about his new book, William Blake vs the World! Poet, artist, and visionary, William Blake is an archetypal misunderstood genius. His life passed without recognition, and he worked without reward, often mocked, dismissed and misinterpreted. Yet from his ignoble end in a pauper’s grave, Blake now occupies a unique position as an artist who unites and attracts people from all corners of society—a rare inclusive symbol of human identity.
With 30 integrated illustrations throughout the book, William Blake vs the World is a beautiful, wild adventure into unfamiliar territory. John Higgs places the bewildering eccentricities of a most singular artist into fascinating context, and although the journey begins with us trying to understand Blake, we will ultimately discover that it is Blake who helps us to understand ourselves.
Please enjoy this bonus episode, featuring my discussion, via Zoom, with John Higgs. Be sure to grab your copy of William Blake vs the World at the link in this post!
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Welcome, ArtCurious listeners, to our bonus series, A Little Curious. A Little Curious provides you with short and sweet bonus content about art history in between our normal episodes, and a couple of times in the middle of Season 11, I’ll pop in here to share some shorter stories about some other amazing women who worked to spread the love of art. I had a long list of ladies whom I wanted to showcase in this season, but I ultimately chose eight of them for my full episodes, but now I get the chance to give you a little peek into the lives of a few others.
So today, it’s time to get a little curious about Claribel and Etta Cone.
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There’s a phrase in the French language that goes, “Cherchez la femme.” In translation, it means “find the woman,” or “look for the woman,” and typically it’s derogatory, a phrase used as an explanation for the reasons why a man may be behaving badly. Cherchez la femme, some say, meaning that “woman troubles” are assumed to be at the core of any man’s real problems. But I like the idea of appropriating the phrase “cherchez la femme” to mean that we’re going to look for the women who made things right in art history, who bolstered and brought attention to some big-name artists.
Welcome to season 11 of ArtCurious, where we’re highlighting the lives and work of the women who supported some of the world’s favorite artists. Today, meet Berthe Weill, an art dealer who made many artists famous, including some of the biggest names of the 20th century.
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Recently I interviewed art historian, curator, and museum director Barbara Bloemink, who shared the backstory of one of the most fascinating artists of the early 20th century: American artist Florine Stettheimer.
Florine Stettheimer was a feminist, multi-media artist who documented New York City’s growth as the center of cultural life, finance, and entertainment between the World Wars. During her first forty years, spent mostly in Europe, Florine Stettheimer studied academic painting and was aware of the earliest modernist styles prior to most American artists. Returning to New York, she and her sisters led an acclaimed salon for major avant-garde cultural figures including Marcel Duchamp, the Stieglitz circle, and numerous poets, dancers, and writers. During her life, Stettheimer showed her innovative paintings in more than forty of the most important museum exhibits and salons. She also wrote poetry, designed unique furniture, and gained international fame for the sets and costumes she created for the avant-garde opera, Four Saints in Three Acts. Stettheimer’s work was also socially progressive: she painted several identity-issue paintings, addressing African American segregation, Jewish bigotry, fluid sexuality, and women’s new independence.
Florine Stettheimer: A Biography presents one of the first comprehensive readings of Stettheimer’s art. Barbara Bloemink establishes Stettheimer’s place as one of the twentieth century’s most significant and progressive artists and examines why her unique work remains relevant today.
Please enjoy this bonus episode, featuring my discussion, via Zoom, with Barbara Bloemink. New episodes of ArtCurious coming soon!
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Buy Florine Stettheimer: A Biography
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Hi everyone! We’ve got a few brief announcements for you. Here’s the quick recap of today’s episode:
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Hi listeners! If you’re into art and into movies, then I’ve got a special treat for you. I recently featured on a bonus episode, “The Pickup Shot,” for the Subgenre podcast, hosted by Josh Dasal (and truth be told, if the name wasn’t a dead giveaway: he’s my husband). In this episode, we chat about all the art in one of the artsiest films of the past two decades, The Thomas Crown Affair, from 1999.
Want more movies, and more of me and Josh? Be sure to subscribe to Subgenre, and I’ll be guest-hosting a full-length episode of Subgenre, releasing in April— the theme of this season is “Charming Thieves,” and the movie I’ve chosen is a personal (and Dasal Fam) favorite. And you can listen to me chat about a French submarine film NOW, on Subgenre’s Season 1, Episode 3: "Le chant du loup (The Wolf's Call).”
Subscribe to Subgenre on Apple Podcasts
Learn more by visiting the show website - subgenrepodcast.com or finding it on Instagram and Twitter, both @subgenrepod.
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I recently had the good fortune to chat with Claudia Fontaine Chidester, whose latest book, Trusted Eye: Post-World War II Adventures of a Fearless Art Advocate, is available now. Trusted Eye is a compelling narrative of an American wife and mother finding her place amid the rubble of war-torn Germany. Virginia Fontaine fought continually for recognition—as a woman, a photographer, an art curator, and, perhaps most importantly, a liaison between beleaguered German artists and the outside world. Through journals, letters, and photographs, she recorded her uniquely intimate perspective on this period, amid an ever-changing constellation of artists and friends. Fontaine documented her life from a young age: her struggles at Yale Art School, her year as a newlywed in the British Virgin Islands, and her employment in a munitions factory. Later, she helped the Jewish underground in Europe; traveled with gallerists throughout Germany, Switzerland, and France; tangled with the Monuments Men; and experienced the international reach of Senator Joseph McCarthy's anticommunist pursuits. Essays by art experts Graeme Reid and Dorothea Schöne illuminate Fontaine's early years in Milwaukee and her impact on German art culture in the early postwar years. Trusted Eye is both a biography and a visual almanac for an intricate slice of the twentieth century.
Please enjoy this bonus episode, featuring my discussion, via Zoom, with Claudia. New episodes of ArtCurious coming soon!
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Did you miss our LIVE bonus show on Fireside, the interactive storytelling platform? Don’t worry— you can catch the replay on Fireside, or enjoy the bonus audio here. In this conversation from January 2022, I spoke with Lilianne Milgrom, a Paris-born, internationally acclaimed artist and award-winning author. She holds two degrees from Melbourne University and an associate degree from the Academy of Art in San Francisco. She exhibits her artwork around the world and is the recipient of multiple awards and residencies. In 2011, she became the first authorized copyist of Gustave Courbet’s controversial painting L’Origine du Monde (The Origin of the World) which hangs in the Orsay Museum in Paris. Milgrom spent a decade researching and writing L’Origine, her debut novel, all about Courbet’s incredible painting—as well as Milgrom’s own personal experience of copying the work. L’Origine has snagged no less than six literary honors, including the Publishers Weekly 2021 US book award for Best Adult Fiction.
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Did you miss our LIVE bonus show on Fireside, the interactive storytelling platform? Don’t worry— you can catch the replay on Fireside, or enjoy the bonus audio here. In this conversation from early January, I spoke with professor Jeffrey H. Jackson to discuss his latest book, Paper Bullets, about the incredible artists Claude Cahun and Marcel Moore--two women who risked their lives to defy the Nazis. It’s an awesome real-life tale of using subversive tactics to disrupt Hitler’s crew--and you’re not going to want to miss it. I hope you enjoy listening in as much as I enjoyed recording this ep.
Want to join in on the fun next time? Join Fireside now and follow me for invites to each live recording, We’ve got some further Fireside releases this month and Fireside recordings— so stay tuned to our social media to find out more.
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In our tenth season, we’re going at art history with a skeptical eye and a myth-busting attitude to uncover the fictions and facts about some of our favorite artists. We’re starting our season today with this controversial subject: are there hidden messages in Leonardo's The Last Supper?
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SPONSORS:
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Want to advertise/sponsor our show?
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In our tenth season, we’re going at art history with a skeptical eye and a myth-busting attitude to uncover the fictions and facts about some of our favorite artists. We’re starting our season today with this controversial subject: was Van Gogh a completely failed artist with only one sale to his name?
Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify
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Don’t forget to show your support for our show by purchasing ArtCurious swag from TeePublic!
SPONSORS:
Kiwi Co: Get 50% off your first month plus FREE shipping on ANY crate line with promo code ARTCURIOUS
Indeed: Listeners get a free $75 credit to upgrade your job post
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Did you miss our LIVE bonus show on Fireside, the interactive storytelling platform? Don’t worry— you can catch the replay on Fireside, or enjoy the bonus audio here. In this conversation from early December, I spoke with Laura Morelli, a USA Today bestselling author and art historian who writes amazing historical novels involving the art world. We discussed her background in art history, how she writes and structures her novels, and get into some of the nitty gritty on her latest book, The Stolen Lady, a book about the Mona Lisa that takes place in both the Italian Renaissance and in france during WWII. It is not only a fascinating and engrossing read, but the conversation with Laura herself was absolutely lovely, too--and I hope you enjoy listening in.
Want to join in on the fun next time? Join Fireside now and follow me for invites to each live recording, where you can participate in the audience and ask questions live! And who knows? Maybe we’ll even throw a trivia contest every now and again. The next one is coming up on January 12 at 2 PM eastern, when I’ll be speaking with author Jeffrey H. Jackson to discuss his latest book, Paper Bullets, about the incredible artists Claude Cahun and Marcel Moore--two women who risked their lives to defy the Nazis. It’s an awesome real-life tale of using subversive tactics to disrupt Hitler’s crew--and you’re not going to want to miss it.
Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify
Twitter / Instagram / Facebook / Fireside
Don’t forget to show your support for our show by purchasing ArtCurious swag from TeePublic!
SPONSORS:
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Want to advertise/sponsor our show?
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In our tenth season, we’re going at art history with a skeptical eye and a myth-busting attitude to uncover the fictions and facts about some of our favorite artists. We’re circling back to one of our earliest episodes, which we’ve updated and re-recorded, to discuss this controversial subject: was Michelangelo a bad artist, unable to properly depict the female body?
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Givewell: have your donation matched (up to $250) before the end of the year or as long as matching funds last by selecting “PODCAST” and entering “ARTCURIOUS PODCAST” at checkout
NYU Tisch Pro/Online: Register for spring 2022 film-making and screenwriting courses online with NYU’s Tisch Pro online
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Wow, we haven’t done one of these in a while… Welcome to a session of “Curious Talk,” a bonus episode recording between ArtCurious host Jennifer Dasal and her fellow podcaster/producer husband, Josh Dasal (Subgenre). It’s a chance to get a deep dive on the many goings-on, behind the scenes, with both ArtCurious and Jennifer. Topics include: Jennifer’s big career pivot; how the show comes together; some hints about upcoming episodes; traveling with Jennifer; and how podcasts sustain themselves financially. Come for the chatter, stay for the questions about… dinner? (And hopefully we’ll do these discussions more than once every three or four years.)
Travel with ArtCurious! Click here for further info.
Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify
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Don’t forget to show your support for our show by purchasing ArtCurious swag from TeePublic!
SPONSORS:
Givewell: have your donation matched (up to $250) before the end of the year or as long as matching funds last by selecting “PODCAST” and entering “ARTCURIOUS PODCAST” at checkout
Bombas: get 20% off your first order with our link
Want to advertise/sponsor our show?
We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email [email protected] or click the link below to get started.
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In our tenth season, we’re going at art history with a skeptical eye and a myth-busting attitude to uncover the fictions and facts about some of our favorite artists. We’re starting our season today with this controversial subject: were the Middle Ages an Artistic Wasteland?
Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify
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Don’t forget to show your support for our show by purchasing ArtCurious swag from TeePublic!
SPONSORS:
Wondrium: Enjoy a free month with unlimited access
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BetterHelp: Listeners enjoy 10% off your first month of counseling
Givewell: have your donation matched (up to $250) before the end of the year or as long as matching funds last by selecting “PODCAST” and entering “ARTCURIOUS PODCAST” at checkout
Want to advertise/sponsor our show?
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Did you miss our LIVE bonus show on Fireside, the interactive storytelling platform? Don’t worry— you can catch the replay on Fireside, or enjoy the bonus audio here. On our November 1 live event, I had the great pleasure of speaking with author and art critic Jennifer Higgie about her latest book, The Mirror and the Palette: Rebellion, Revolution, and Resilience: Five Hundred Years of Women's Self Portraits. I love this book and gobbled it up in a day— I meant it when I said that I really love this book!— and I adored talking all things women artists with Jennifer.
Want to join in on the fun next time? Join Fireside now and follow me for invites to each live recording, where you can participate in the audience and ask questions live! And who knows? Maybe we’ll even throw a trivia contest every now and again. More Fireside chats are coming up in December and January. Watch our social media posts for further details.
Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify
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Don’t forget to show your support for our show by purchasing ArtCurious swag from TeePublic!
SPONSORS:
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HoMedics: receive a FREE PORTABLE PHONE SANITIZER when you buy $100 or more in massage products
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In our tenth season, we’re going at art history with a skeptical eye and a myth-busting attitude to uncover the fictions and facts about some of our favorite artists. We’re starting our season today with this controversial subject: is the woman featured in Vermeer’s Girl with a Pearl Earring a maid from his household?
Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify
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Don’t forget to show your support for our show by purchasing ArtCurious swag from TeePublic!
SPONSORS:
Wondrium: Enjoy a free month with unlimited access
BetterHelp: Listeners enjoy 10% off your first month of counseling
The Zebra: Compare insurance quotes easily and for free on one site
Storyblocks: Get unlimited downloads at Storyblocks, a subscription-based provider of stock video and audio
Want to advertise/sponsor our show?
We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email [email protected] or click the link below to get started.
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Did you miss our LIVE bonus show on Fireside, the interactive storytelling platform? Don’t worry— you can catch the replay on Fireside, or enjoy the bonus audio here. On our Oct. 25 live event, I had the great pleasure of speaking with author, artist, and musician Thomas Negovan about his new book, Le Pater: Alphonse Mucha's Symbolist Masterpiece and the Lineage of Mysticism. This gorgeous, swoon-worthy coffee table book uncovers the often-overlooked metaphysical elements of Mucha's Le Pater series and also delves into themes of the Divine Feminine and Mucha's own metaphysical practices.
Want to join in on the fun next time? Join Fireside now and follow me for invites to each live recording, where you can participate in the audience and ask questions live! And who knows? Maybe we’ll even throw a trivia contest every now and again. More Fireside chats are coming up this month and next. Watch our social media posts for further details.
Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify
Twitter / Instagram / Facebook / Fireside
Don’t forget to show your support for our show by purchasing ArtCurious swag from TeePublic!
SPONSORS:
Wondrium: Enjoy a free month with unlimited access
Bombas: get 20% off your first order
Storyblocks: Get unlimited downloads at Storyblocks, a subscription-based provider of stock video and audio
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In our tenth season, we’re going at art history with a skeptical eye and a myth-busting attitude to uncover the fictions and facts about some of our favorite artists. We’re starting our season today with this controversial subject: Are Georgia O'Keeffe's floral paintings direct references to the female body?
Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify
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Don’t forget to show your support for our show by purchasing ArtCurious swag from TeePublic!
SPONSORS:
HoMedics: receive a FREE PORTABLE PHONE SANITIZER when you buy $100 or more in massage products
Indeed: Listeners get a free $75 credit to upgrade your job post
BetterHelp: Listeners enjoy 10% off your first month of counseling
Feals: Get 40% off your first three months with free shipping
Want to advertise/sponsor our show?
We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email [email protected] or click the link below to get started.
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In our tenth season, we’re going at art history with a skeptical eye and a myth-busting attitude to uncover the fictions and facts about some of our favorite artists. We’re starting our season today with this fascinating theory: did Michelangelo paint the Sistine Chapel Ceiling all alone, while lying on his back?
Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify
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Don’t forget to show your support for our show by purchasing ArtCurious swag from TeePublic!
SPONSORS:
Wondrium: Enjoy a free month with unlimited access
BetterHelp: Listeners enjoy 10% off your first month of counseling
Storyblocks: Get unlimited downloads at Storyblocks, a subscription-based provider of stock video and audio
Feals: Get 40% off your first three months with free shipping
Want to advertise/sponsor our show?
We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email [email protected] or click the link below to get started.
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Did you miss our LIVE bonus show on Fireside, the interactive storytelling platform? Don’t worry— you can catch the replay on Fireside, or enjoy the bonus audio here. On our Oct. 11 live event, I had the great pleasure of speaking with author and poet Mary Peacock about her new book, Flower Diary--and what a delight she—and this book— are!
Want to join in on the fun next time? Join Fireside now and follow me for invites to each live recording, where you can participate in the audience and ask questions live! And who knows? Maybe we’ll even throw a trivia contest every now and again. More Fireside chats are coming up this month and next. Watch our social media posts for further details.
Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify
Twitter / Instagram / Facebook / Fireside
Don’t forget to show your support for our show by purchasing ArtCurious swag from TeePublic!
SPONSORS:
The Zebra: Compare insurance quotes easily and for free on one site
Bombas: get 20% off your first order
Top Level Design/Pork Bun: get a dot design domain name free for one year by using the coupon code ARTCURIOUS
Want to advertise/sponsor our show?
We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email [email protected] or click the link below to get started.
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In our tenth season, we’re going at art history with a skeptical eye and a myth-busting attitude to uncover the fictions and facts about some of our favorite artists. We’re starting our season today with this fascinating theory: Is the Mona Lisa really just a portrait of Leonardo da Vinci in drag?
Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify
Twitter / Instagram / Facebook / Fireside
Don’t forget to show your support for our show by purchasing ArtCurious swag from TeePublic!
SPONSORS:
Wondrium: Enjoy a free month with unlimited access
Indeed: Listeners get a free $75 credit to upgrade your job post
BetterHelp: Listeners enjoy 10% off your first month of counseling
Storyblocks: Get unlimited downloads at Storyblocks, a subscription-based provider of stock video and audio
Want to advertise/sponsor our show?
We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email [email protected] or click the link below to get started.
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Hi, everyone! Jennifer here with a few little announcements: Season 10 begins THIS Monday, October 11th. Yay!
Also beginning Monday: LIVE bonus shows on Fireside, the interactive storytelling platform. On Oct. 11, author and poet Mary Peacock will chat with us about her new book, Flower Diary--grab your copy now and join us and share your questions and thoughts by using this link for Fireside.
Join our limited virtual tour of Michelangelo's Florence: Friday, November 5th at 7:30 PM Eastern. Tickets and further details on our website, here.
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Venice-- it's the most serene and beautiful city in Italy, and possibly the whole world. But Venice at night-- all darkened and quiet-- takes up the most space in my imagination. I seriously love the depictions of Venice as enigmatic, shadowy, and even dangerous. All of this lends Venice this air of inscrutability and mystery. And over time, locals and visitors alike have reveled in this sensation as fodder for myth-making and storytelling. Some stories really stick, lasting for centuries and becoming embedded into the city itself, through its buildings, monuments, and specific locations. And there’s one building that has had plenty of legends built around it. This particular elegant structure had an illustrious past, having once been a meeting place where Italian Renaissance artists discussed their craft, caroused, and gambled. But it’s also the location where relationships soured, crimes were committed, and death inevitably followed. Today, some people won’t even enter this particular building because it is feared to be haunted, cursed… or both.
Today we're calling back to an episode of the first season of ArtCurious to talk about another potentially cursed locale in Venice, Italy: the so-called Casino of the Spirits.
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Today, it’s another very special episode of ArtCurious! This time we’re chatting about the side of the art world that you rarely see. We’re going behind-the-scenes with James Quirk from Queen’s Fine Art to talk art shipping, Brexit, how to get involved in the logistics of the art world, and the strangest thing Queen’s has ever managed.
About Queen’s:
Queen’s is a London-based fine art shipping and specialist logistics provider that serves the world’s top galleries, museums and private clients. Exemplary customer service and experience handling high-value works and precious items come as standard, but Queen’s also invests heavily in technology to ensure that they can seamlessly ship and install items around the world. All this allows their team to keep levels of client-service amongst the highest in the industry. Find out more about their installation, shipping, storage, and other services at their website.
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In this “Curious Callback” episode, we’re revisiting one of our favorite weirdos—Weegee!— whom we featured in Episode 5, alongside Andy Warhol. Today, Weegee gets his full due with a deep dive into his life and work.
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Today, it’s a very special episode of ArtCurious! We’re joining forces with the minds over at My Modern Met, and their new podcast, Top Artist, to discuss four of our favorite impactful artists in art history.
This is the second half of our conversation— the first half is over on Top Artist’s podcast feed, so go over there and download that episode first, and then come back here to complete the conversation.
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Welcome to a “Curious Callback” of A Little Curious, a series of special episodes that will provide you will short and sweet bonus content about the unexpected, the slightly odd, and the strangely wonderful in art history. A Little Curious will publish in our season's "off" weeks. Enjoy!
This week’s topic: the disastrous inspiration behind Munch's The Scream?
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In our ninth season, in a topic suggested by you, our listeners, we’re uncovering the backstory behind some of the world’s most famed “cursed” objects in art, architecture, and archaeology. Today, we’re ending our season with one of the most (purportedly) cursed archaeological finds: the Tomb of the Pharaoh Tutankhamun.
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Are you a little curious about my audio course, “Breaking Barriers: Women Artists of Renaissance Europe”? You’re in luck! Here’s a little update and sneak-peek for those of you who want to know more— and a big thank you to those already registered!
About Breaking Barriers: This is a 21-day course, broken up into daily episodes that are no longer than 10-15 minutes. And naturally, there are no pesky term papers or final exams to worry about-- just cool art history content that you won’t find anywhere else.
I’ve no doubt that the names Michelangelo, Donatello, Raphael, and Leonardo already mean something major to you-- and not just as mutant reptiles with rad martial arts skills. You know these artists as some of the biggest names in Renaissance art who created some of the most iconic works of art of all time. Looking closer, though, and you’ll find another commonality: they are all male artists. What about the great female makers of the Renaissance -where, and who, are they? So I’ve created this 21-day course--and a course correction, really-- through Avid.FM, where you can explore the lives and works of 20 women artists, from the familiar (like the eye-opening stories Sofonisba Anguissola and Marietta Robusti), to the names you may have heard once or twice (like the highly-successful Levina Teerlinc and Properzia de’ Rossi), to the practically unknown-- who’s Anastasia, you may ask?
Like the best episodes of ArtCurious, you’ll get the satisfaction of learning about the Renaissance in depth, and with a greater capacity for understanding the limits and barriers to women seeking to work professionally in one of the most colorful eras of western history. You’ll become familiar with artists you’ve probably never heard of, all of whom made an incredible mark on art history.
Are you in? Sign up right now for “Breaking Barriers: Women Artists of Renaissance Europe” at avid.fm/jennifer for the low price of just $21.99.
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In our ninth season, in a topic suggested by you, our listeners, we’re uncovering the backstory behind some of the world’s most famed “cursed” objects in art, architecture, and archaeology. Today, we’re continuing with a deep dive into a tragic painting by a tortured artist: Edvard Munch’s The Dead Mother.
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Surprise! We’re re-introducing our short-form series, “A Little Curious,” which will give you sweet snippets of bonus content on the “off” weeks between our normal episodes. In today’s episode, we’re going deep into sculpture. More specifically, ancient figurines of women--nice, rounded ladies-- and why they are so voluptuous. It’s time to get a little curious about body positivity, ice ages, making babies, and ancient sculpture.
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In our ninth season, in a topic suggested by you, our listeners, we’re uncovering the backstory behind some of the world’s most famed “cursed” objects in art, architecture, and archaeology. Today, we’re continuing with the ArtCurious debut of one of the greatest Spanish painters of all time—and his controversial painting that, some say, has driven people mad: Diego Velázquez’s Rokeby Venus.
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Surprise! We’re re-introducing our short-form series, “A Little Curious,” which will give you sweet snippets of bonus content on the “off” weeks between our normal episodes. In today’s episode, we’re continuing our exploration of cave paintings, but we’re moving beyond France and Spain to tackle the oldest artworks in the world, found in Indonesia (and is the world’s oldest drawing from South Africa?).
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In our ninth season, in a topic suggested by you, our listeners, we’re uncovering the backstory behind some of the world’s most famed “cursed” objects in art, architecture, and archaeology. Today, we’re continuing with a highlight of American Renaissance sculpture with an “unauthorized” copy that chills many visitors: Augustus Saint-Gaudens’s Adams Memorial, and the so-called “Black Aggie.”
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Today we’re thrilled to announce that I’ve created an audio course for those looking to explore the world of Renaissance Europe through the eyes of the women artists who thrived there. This course is called “Breaking Barriers: Women Artists of Renaissance Europe,” a 21-day course, broken up into daily episodes that are no longer than 10 minutes. And naturally, there are no pesky term papers or final exams to worry about-- just cool art history content that you won’t find anywhere else.
In this course, you'll get the satisfaction of learning about the Renaissance in-depth and with a greater capacity for understanding the limits and barriers to women seeking to work professionally in one of the most colorful eras of Western history. You'll become familiar with artists you've probably never heard of, all of whom made an incredible mark on art, but unlike traditional ArtCurious episodes, you'll be getting more content on a more frequent basis. In fact, you'll be getting an episode every day for three weeks. But just because you're getting a daily influx of information doesn't mean that it will be overwhelming because each episode will only be up to 10 minutes in length. You'll get to enjoy fun, information-packed audio that won't take a big bite out of your day.
We need to confirm there’s enough interest before production of this fantastic course starts, so if you’re a fan of ArtCurious and want to do something to support, sign up right now for “Breaking Barriers: Women Artists of Renaissance Europe” at avid.fm/jennifer. Register by June 7 for a special early buy-in price of just $21.99– and if we get enough interest the course will be available soon.
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Surprise! We’re re-introducing our short-form series, “A Little Curious,” which will give you sweet snippets of bonus content on the “off” weeks between our normal episodes. In today’s episode, we’re jumping into cave paintings, often deemed the oldest of the old in art history--and while cave paintings sound, well, basic at the outset, we’re going to discover today why they are actually cool.
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In our ninth season, in a topic suggested by you, our listeners, we’re uncovering the backstory behind some of the world’s most famed “cursed” objects in art, architecture, and archaeology. Today, we’re continuing with an episode I nearly wrote four years ago, all about a long-cursed palace on Venice’s Grand Canal, inspiring to both Ruskin and Monet: the Palazzo Dario (Ca’ Dario).
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In our ninth season, in a topic suggested by you, our listeners, we’re uncovering the backstory behind some of the world’s most famed “cursed” objects in art, architecture, and archaeology. Today, we’re continuing with a maddening, and potential murderous, painting by Edwin Landseer, deemed Man Proposes, God Disposes.
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In our ninth season, in a topic suggested by you, our listeners, we’re uncovering the backstory behind some of the world’s most famed “cursed” objects in art, architecture, and archaeology. Today, we’re beginning with one of the greatest archaeological discoveries of the late 20th century: the grand funeral complex of Chinese emperor Qin Shi Huangdi, known as the “Terracotta Army.”
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Hi everyone! We’ve got a few brief announcements for you. Here’s the quick recap of today’s episode:
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Enjoy this month's Curious Callback episode, all about a “degenerate” painter much-hated by Hitler and fingered for his near-murder. Did Otto Dix plot to kill Hitler?
This is an episode that originally aired on September 30, 2019.
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Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Eakins’ The Gross Clinic.
This is a callback of our episode from April 15, 2019.
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In our eighth season, we’re exploring examples of some of the most expensive artworks ever sold at auction considering why they garnered so much money, and discovering their backstories. Today, our season finale: Georgia O’Keeffe’s Jimson Weed/White Flower #1 .
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In our eighth season, we’re exploring examples of some of the most expensive artworks ever sold at auction considering why they garnered so much money, and discovering their backstories. Today: Qi Baishi’s Twelve Landscape Screens.
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Holiday bonus! Please enjoy this episode of With a Side of Knowledge, a podcast from the University of Notre Dame. As an alumna of the university, host Ted Fox interviewed me to learn about the podcast and my book, ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History.
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In our eighth season, we’re exploring examples of some of the most expensive artworks ever sold at auction considering why they garnered so much money, and discovering their backstories. Today: Gustav Klimt’s Adele Bloch-Bauer I.
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In our eighth season, we’re exploring examples of some of the most expensive artworks ever sold at auction considering why they garnered so much money, and discovering their backstories. Today: Vincent van Gogh’s Portrait of Dr. Gachet.
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In our eighth season, we’re exploring examples of some of the most expensive artworks ever sold at auction considering why they garnered so much money, and discovering their backstories. Today: Mark Rothko’s No. 6 (Violet, Green, and Red).
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In our eighth season, we’re exploring examples of some of the most expensive artworks ever sold at auction considering why they garnered so much money, and discovering their backstories. Today: Paul Cézanne’s The Card Players.
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In our eighth season, we’re exploring examples of some of the most expensive artworks ever sold at auction considering why they garnered so much money, and discovering their backstories. Today: Picasso’s Les Femmes D'Alger (Version "O").
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In our eighth season, we’re exploring examples of some of the most expensive artworks ever sold at auction considering why they garnered so much money, and discovering their backstories, beginning with Amadeo Modigliani’s Nu Couché.
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You voted, and we listened! For the next couple of months, we’re replaying your top five favorite episodes of ArtCurious. Thanks to the many who voted! Up this week, it’s your top choice, our most popular episode ever— was Vincent van Gogh accidentally murdered?
This is the first second of this episode-- go back and listen to the first part if this is your first time tuning in.
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You voted, and we listened! For the next couple of months, we’re replaying your top five favorite episodes of ArtCurious. Thanks to the many who voted! Up this week, it’s your top choice, our most popular episode ever— was Vincent van Gogh accidentally murdered?
This is the first half of this episode-- tune in next week for the second part.
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It’s finally here! ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History, from Penguin Books, is now available in a bookstore near you!
To order the book:
Secure your signed copy from my local favorite Quail Ridge Books (note your request for a signed copy in the "special instructions" section at checkout)
For the audiobook, narrated by me:
For the ebook:
VIRTUAL EVENT ALERT: join me and my favorite local bookstore, Quail Ridge Books here in Raleigh, North Carolina, on Wednesday, September 23, 2020 - from 7:00pm to 8:00pm, eastern. It’s a FREE event and open to anyone anywhere in the world, but you must register online for the event.
And finally, a little request from me. Please snap a picture of yourself with your book, when you receive it--or listening to your audiobook, or reading it on your kindle or ipad--and share it! Please post it on your social media pages and tag me--I’m at artcuriouspod--or email me ([email protected]) your picture so that I can share it on my pages, too. Thank you!
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You voted, and we listened! For the next couple of months, we’re replaying your top five favorite episodes of ArtCurious. Thanks to the many who voted! Up this week, it’s our fave lady, back from Season 1— it’s Episode #3, all about Elisabeth Vigée Le Brun. ~Heart eyes emojis!~
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You voted, and we listened! For the next couple of months, we’re replaying your top five favorite episodes of ArtCurious. Thanks to the many who voted! Up this week— our very first episode, from 2016, about the theft(s) of the iconic Mona Lisa.
This is the second part of this episode-- go back and listen to last week's show if you're just tuning in.
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You voted, and we listened! For the next couple of months, we’re replaying your top five favorite episodes of ArtCurious. Thanks to the many who voted! Up this week— our very first episode, from 2016, about the theft(s) of the iconic Mona Lisa.
This is the first half of the episode-- tune in next week for the second part.
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You voted, and we listened! For the next couple of months, we’re replaying your top five favorite episodes of ArtCurious. Thanks to the many who voted! Up first this week— Episode #42 from our fourth season, all about Gentileschi’s Judith Slaying Holofernes.
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You voted, and we listened! For the next couple of months, we’re replaying your top five favorite episodes of ArtCurious. Thanks to the many who voted! Up first this week— Episode #40 from our fourth season, all about Sargent’s Madame X.
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For most Americans, there’s a list of arts that they might be able to rattle off if pressed to name them off the top of their heads. Picasso. Michelangelo. Leonardo da Vinci. Name recognition does go a long way, but such lists also highlight what many of us don’t know-- a huge treasure trove of talented artists from decades or centuries past that might not be household names, but still have created incredible additions to the story of art. It’s not a surprise that many of these individuals represent the more diverse side of things, too-- women, people of color, different spheres of the social or sexual spectrum.
This season on the ArtCurious podcast, we’re covering the coolest artists you don’t know. This week: Katsushika Ōi.
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For most Americans, there’s a list of arts that they might be able to rattle off if pressed to name them off the top of their heads. Picasso. Michelangelo. Leonardo da Vinci. Name recognition does go a long way, but such lists also highlight what many of us don’t know-- a huge treasure trove of talented artists from decades or centuries past that might not be household names, but still have created incredible additions to the story of art. It’s not a surprise that many of these individuals represent the more diverse side of things, too-- women, people of color, different spheres of the social or sexual spectrum.
This season on the ArtCurious podcast, we’re covering the coolest artists you don’t know. This week: Romaine Brooks.
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For most Americans, there’s a list of arts that they might be able to rattle off if pressed to name them off the top of their heads. Picasso. Michelangelo. Leonardo da Vinci. Name recognition does go a long way, but such lists also highlight what many of us don’t know-- a huge treasure trove of talented artists from decades or centuries past that might not be household names, but still have created incredible additions to the story of art. It’s not a surprise that many of these individuals represent the more diverse side of things, too-- women, people of color, different spheres of the social or sexual spectrum.
This season on the ArtCurious podcast, we’re covering the coolest artists you don’t know. This week: Henry Darger.
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PREORDER OUR BOOK! ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History is available for preorder now. The book will be released on September 15, 2020.
Learn more about your ad choices. Visit podcastchoices.com/adchoices
For most Americans, there’s a list of arts that they might be able to rattle off if pressed to name them off the top of their heads. Picasso. Michelangelo. Leonardo da Vinci. Name recognition does go a long way, but such lists also highlight what many of us don’t know-- a huge treasure trove of talented artists from decades or centuries past that might not be household names, but still have created incredible additions to the story of art. It’s not a surprise that many of these individuals represent the more diverse side of things, too-- women, people of color, different spheres of the social or sexual spectrum.
This season on the ArtCurious podcast, we’re covering the coolest artists you don’t know. This week: Edmonia Lewis.
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PREORDER OUR BOOK! ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History is available for preorder now. The book will be released on September 15, 2020.
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For most Americans, there’s a list of arts that they might be able to rattle off if pressed to name them off the top of their heads. Picasso. Michelangelo. Leonardo da Vinci. Name recognition does go a long way, but such lists also highlight what many of us don’t know-- a huge treasure trove of talented artists from decades or centuries past that might not be household names, but still have created incredible additions to the story of art. It’s not a surprise that many of these individuals represent the more diverse side of things, too-- women, people of color, different spheres of the social or sexual spectrum.
This season on the ArtCurious podcast, we’re covering the coolest artists you don’t know. This week: Rosa Bonheur.
For more information on this artist, check out The Art Story: Rosa Bonheur Biography and Legacy
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ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History is available for preorder now! The book will be released on September 15, 2020.
Learn more about your ad choices. Visit podcastchoices.com/adchoices
For most Americans, there’s a list of arts that they might be able to rattle off if pressed to name them off the top of their heads. Picasso. Michelangelo. Leonardo da Vinci. Name recognition does go a long way, but such lists also highlight what many of us don’t know-- a huge treasure trove of talented artists from decades or centuries past that might not be household names, but still have created incredible additions to the story of art. It’s not a surprise that many of these individuals represent the more diverse side of things, too-- women, people of color, different spheres of the social or sexual spectrum.
This season on the ArtCurious podcast, we’re covering the coolest artists you don’t know. This week: Henry Ossawa Tanner.
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ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History
Coming September 15, 2020 from Penguin Books
Preorder at our website: artcuriouspodcast.com/book
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For most Americans, there’s a list of arts that they might be able to rattle off if pressed to name them off the top of their heads. Picasso. Michelangelo. Leonardo da Vinci. Name recognition does go a long way, but such lists also highlight what many of us don’t know-- a huge treasure trove of talented artists from decades or centuries past that might not be household names, but still have created incredible additions to the story of art. It’s not a surprise that many of these individuals represent the more diverse side of things, too-- women, people of color, different spheres of the social or sexual spectrum.
This season on the ArtCurious podcast, we’re covering the coolest artists you don’t know. This week: Jusepe de Ribera.
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For most Americans, there’s a list of arts that they might be able to rattle off if pressed to name them off the top of their heads. Picasso. Michelangelo. Leonardo da Vinci. Name recognition does go a long way, but such lists also highlight what many of us don’t know-- a huge treasure trove of talented artists from decades or centuries past that might not be household names, but still have created incredible additions to the story of art. It’s not a surprise that many of these individuals represent the more diverse side of things, too-- women, people of color, different spheres of the social or sexual spectrum.
This season on the ArtCurious podcast, we’re covering the coolest artists you don’t know. This week: Angelica Kauffman.
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Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Gericault’s The Raft of the Medusa.
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Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Goya's Saturn Devouring His Son.
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In 19th century England, landscape painting transitioned into being something lovely and comparatively calm, and transformed into a personal and stylistic battleground. Landscape: pristine and idealized, or rough, ready, and turbulent? Which one would better express the heart of 19th century British painting?
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This season we’re learning that true crime and art history are two genres that have smashed together with some fascinating results. Today’s show: it’s our season finale, and this is the story we have been DYING (sorry) to tell you. Did Man Ray inspire the infamous (and infamously unsolved) Black Dahlia murder?
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This season we’re learning that true crime and art history are two genres that have smashed together with some fascinating results. Today’s show: a photo pioneer goes off the jealousy deep end. It’s Eadweard Muybridge time!
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This season we’re learning that true crime and art history are two genres that have smashed together with some fascinating results. Today’s show: a contemporary art conundrum. Who is responsible for the death of Ana Mendieta?
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This season we’re learning that true crime and art history are two genres that have smashed together with some fascinating results. Today’s show: a revisiting of our popular two-parter from season 1. Was British painter Walter Sickert actually Jack the Ripper? (Part Two)
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This season we’re learning that true crime and art history are two genres that have smashed together with some fascinating results. Today’s show: a revisiting of our popular two-parter from season 1. Was British painter Walter Sickert actually Jack the Ripper?
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This season we’re learning that true crime and art history are two genres that have smashed together with some fascinating results. Today’s show: a look into our favorite bad-boy artist, Caravaggio— he was a known murderer, but was he himself murdered?
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Welcome to Season 6 of the ArtCurious Podcast! This season we’re learning that true crime and art history are two genres that have smashed together with some fascinating results. First up: a “degenerate” painter much-hated by Hitler and fingered for his near-murder. Did Otto Dix plot to kill Hitler?
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We’re back for a bonus episode related to one of our “shock art” shows this past season: who is really responsible for creating the infamous urinal readymade, Fountain? Welcome to one of the art world’s latest scandals, and meet a truly unforgettable woman: the Baroness Elsa von Freytag-Loringhoven.
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Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Courbet’s The Origin of the World.
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Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Balthus’ Thérèse Dreaming.
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Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Gericault’s The Raft of the Medusa.
Please SUBSCRIBE and REVIEW our show on Apple Podcasts!
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Skillshare (get two months of unlimited courses FREE with our link)
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Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Duchamp’s Fountain.
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BANKSY! Love him or loathe him, he’s a contemporary art dynamo, an icon of street art success. He’s also an enigma, a playful mystery. Last week-- on April 30, 2019-- I was asked to participate in a special screening of the 2010 Banksy documentary Exit Through the Gift Shop at the Alamo Drafthouse in Raleigh, North Carolina. Exit was part of Alamo’s Film Club series, curated by Jackson Cooper, and after the film I sat down with Jackson to record a special conversation/Q&A about the film, Banksy, and the legacy of street art. Enjoy— and we’ll be back next week with an all-new episode of ArtCurious.
Just a note that there are some spoilers in terms of the fact that we talk about the documentary in general, as well as Banksy himself and the other artist profiled in the doc, a man called Mr. Brainwash.
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Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" David's The Death of Marat.
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Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Eakins' The Gross Clinic
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Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Caravaggio's Sick Bacchus
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In this bonus episode, we’re revisiting one of our favorite weirdos—Weegee!— whom we featured in Episode 5, alongside Andy Warhol. Today, Weegee gets his full due with a deep dive into his life and work.
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This is a rebroadcast of our first episode, which originally aired on August 29, 2016. We’ve updated it with new details, music, and our beloved ArtCurious theme— and, per your suggestion, we have split it into two parts for easier listening. If you haven't listened to part one, please go back and do so. Enjoy!
Vincent Van Gogh's suicide is a huge part of the mythology surrounding him: as much as the famous tale of the cut-off ear is. This so-called "tortured genius," it is said, was so broken down by life and failure that he had no choice but to end his life. Right? But in 2011, two Pulitzer Prize-winning authors published a book titled Van Gogh: The Life that stunned the art world. Therein, Gregory White Smith and Stephen Naifeh state that the artist didn't actually commit suicide.
No, they say: he was actually murdered.
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This is a rebroadcast of our first episode, which originally aired on August 29, 2016. We’ve updated it with new details, music, and our beloved ArtCurious theme— and, per your suggestion, we have split it into two parts for easier listening. Enjoy!
Vincent Van Gogh's suicide is a huge part of the mythology surrounding him: as much as the famous tale of the cut-off ear is. This so-called "tortured genius," it is said, was so broken down by life and failure that he had no choice but to end his life. Right? But in 2011, two Pulitzer Prize-winning authors published a book titled Van Gogh: The Life that stunned the art world. Therein, Gregory White Smith and Stephen Naifeh state that the artist didn't actually commit suicide.
No, they say: he was actually murdered.
Please SUBSCRIBE and REVIEW our show on Apple Podcasts!
SPONSORS:
The Great Courses Plus —for a free 30-day trial
Care/Of — Use promo code “ARTCURIOUS50” for 50% off your first month’s purchase
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SimpleHealth —Use promo code “ARTCURIOUS” for your first prescription free
Shout-out to Art and Object
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This is a rebroadcast of our first episode, which originally aired on August 10, 2016. We’ve updated it with new details, music, and our beloved ArtCurious theme— and, per your suggestion, we have split it into two parts for easier listening. If you haven’t already listened to part one, please go back and do so. Enjoy!
The inaugural episode of the ArtCurious Podcast explores the world's most famous work of art: Leonardo da Vinci's Mona Lisa. It is iconic, incredible, and unforgettable-- but is the work on view in Paris's Louvre Museum today the real deal? Host Jennifer Dasal uncovers the story of the Mona Lisa from its creation in the 16th century through its 1911 theft and to its current status as untouchable superstar, breaking down the strange stories and rumors swirling around it.
Please SUBSCRIBE and REVIEW our show on Apple Podcasts!
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Shout-out to Art and Object
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This is a rebroadcast of our first episode, which originally aired on August 10, 2016. We’ve updated it with new details, music, and our beloved ArtCurious theme— and, per your suggestion, we have split it into two parts for easier listening. Enjoy!
The inaugural episode of the ArtCurious Podcast explores the world's most famous work of art: Leonardo da Vinci's Mona Lisa. It is iconic, incredible, and unforgettable-- but is the work on view in Paris's Louvre Museum today the real deal? Host Jennifer Dasal uncovers the story of the Mona Lisa from its creation in the 16th century through its 1911 theft and to its current status as untouchable superstar, breaking down the strange stories and rumors swirling around it.
Please SUBSCRIBE and REVIEW our show on Apple Podcasts!
SPONSORS:
Poshmark: use invite code ARTCURIOUS for $5 off your first purchase
Shout-out to Art and Object
Learn more about your ad choices. Visit podcastchoices.com/adchoices
Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Picasso's Les Demoiselles d'Avignon.
Please SUBSCRIBE and REVIEW our show on Apple Podcasts!
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Welcome to A Little Curious, a series of special episodes that will provide you will short and sweet bonus content about the unexpected, the slightly odd, and the strangely wonderful in art history. A Little Curious will publish in our season's "off" weeks. Enjoy!
This week’s topic: a snapshot at the discovery of the city of Pompeii.
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Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Michelangelo's The Last Judgment.
Please SUBSCRIBE and REVIEW our show on Apple Podcasts!
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Shout out to Art and Object
Shout out to The Simple Sophisticate
Learn more about your ad choices. Visit podcastchoices.com/adchoices
Welcome to A Little Curious, a series of special episodes that will provide you will short and sweet bonus content about the unexpected, the slightly odd, and the strangely wonderful in art history. A Little Curious will publish in our season's "off" weeks. Enjoy!
This week’s topic: the potential disastrous inspiration behind Munch's The Scream.
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Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Goya's Saturn Devouring His Son.
Sponsors
Shout out to Art and Object
Shout out to The Simple Sophisticate
Learn more about your ad choices. Visit podcastchoices.com/adchoices
Welcome to A Little Curious, a series of special episodes that will provide you will short and sweet bonus content about the unexpected, the slightly odd, and the strangely wonderful in art history. A Little Curious will publish in our season's "off" weeks. Enjoy!
This week’s topic: Leonardo's hidden masterpiece.
SPONSORS:
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Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Dürer's Self-Portrait.
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Sponsors
CAA, the College Art Association
BetterHelp (discount code: ARTCURIOUS)
Shout out to Art and Object
Shout out to The Simple Sophisticate
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Welcome to A Little Curious, a series of special episodes that will provide you will short and sweet bonus content about the unexpected, the slightly odd, and the strangely wonderful in art history. A Little Curious will publish in our season's "off" weeks. Enjoy!
This week’s topic: The Pope’s secret sexy bathroom.
Episode Credits
Production and Editing by Kaboonki. Social media assistance by Emily Crockett.
More details at our blog for this episode.
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Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Gentileschi's Judith Slaying Holofernes.
Please SUBSCRIBE and REVIEW our show on Apple Podcasts!
Sponsors:
The Great Courses Plus: thegreatcoursesplus.com/art
Poshmark: invite code "ARTCURIOUS"
Green Chef: greenchef.us/artcurious
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Welcome to A Little Curious, a series of special episodes that will provide you will short and sweet bonus content about the unexpected, the slightly odd, and the strangely wonderful in art history. A Little Curious will publish in our season's "off" weeks. Enjoy!
This week’s topic: Welcome to A Little Curious, a series of special episodes that will provide you will short and sweet bonus content about the unexpected, the slightly odd, and the strangely wonderful in art history. A Little Curious will publish in our season's "off" weeks. Enjoy!
This week’s topic: Donatello’s rule-breaking Mary Magdalene
Today’s Sponsors
Poshmark (use invite code ARTCURIOUS)
Learn more about your ad choices. Visit podcastchoices.com/adchoices
Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Edouard Manet's Olympia.
Please SUBSCRIBE and REVIEW our show on Apple Podcasts!
Learn more about your ad choices. Visit podcastchoices.com/adchoices
Welcome to A Little Curious, a series of special episodes that will provide you will short and sweet bonus content about the unexpected, the slightly odd, and the strangely wonderful in art history. A Little Curious will publish in our season's "off" weeks. Enjoy! This week’s topic: the deep relationship between Michelangelo Buonarotti, and a sweet arts patron and poet, Vittoria Colonna.
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Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Sargent's Madame X.
Please SUBSCRIBE and REVIEW our show on Apple Podcasts!
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Rx Bar Promo code: ARTCURIOUS
Bumblejax Promo code: CURIOUS
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Today, we’re uncovering the bizarre artistic love child of Walt Disney and Salvador Dali with their incredible short film, Destino. This is a special bonus episode of the ArtCurious Podcast, exploring the unexpected, the slightly odd, and the strangely wonderful in Art History. Please SUBSCRIBE and REVIEW our show on Apple Podcasts! Twitter / Facebook/ Instagram
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Loved being a part of ArtCurious's third season? Listen in to hear more in our new BONUS segment, CuriousTalk, for behind-the-scenes goodies, listener questions, and more. This episode recaps details from the last four episodes of the season. CuriousTalk is hosted by Josh Dasal, from ArtCurious's production partner, Kaboonki. Learn more about Kaboonki's video and marketing capabilities here. Please SUBSCRIBE and REVIEW our show on Apple Podcasts! Twitter / Facebook/ Instagram
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Loved being a part of ArtCurious's third season? Listen in to hear more in our new BONUS segment, CuriousTalk, for behind-the-scenes goodies, listener questions, and more. This episode recaps details from the first four episodes of the season.
CuriousTalk is hosted by Josh Dasal, from ArtCurious's production partner, Kaboonki. Learn more about Kaboonki's video and marketing capabilities here.
Please SUBSCRIBE and REVIEW our show on Apple Podcasts!
Learn more about your ad choices. Visit podcastchoices.com/adchoices
This episode receives additional support from Reynolda House Museum of American Art, where you can find one of the nation's most highly regarded collections of American art on view in a unique domestic setting - the restored 1917 mansion of R. J. and Katharine Reynolds surrounded by beautiful gardens and peaceful walking trails. You can browse Reynolda's art and decorative arts collections and see what's coming next at their website, reynoldahouse.org.
The beginning of the Twentieth Century was a glittering time of hope and innovation. It was one of the golden ages of art, particularly in Paris, the glamorous capital of all things cultural, where writers such as Ernest Hemingway, F. Scott Fitzgerald and Gertrude Stein hobnobbed and debated ideas with painters like Salvador Dali, Georges Braque and many others who filled the bars, cafes, and salons, working and discussing politics and their idyllic fantasies about what art could be. Thinking and dreaming BIG was the norm-- and collaboration and sharing in each others’ concepts and victories was, too. But there was a shadowy side to such sharing, where friendships and support could morph into jealousy and competitiveness, as the drive to become the best took ultimate control. It is within this sparkling Parisian backdrop that what is possibly the greatest rivalry of art history played out-- what IS modern art, and what should it be?
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Episode Credits
Production and Editing by Kaboonki. Theme music by Alex Davis. Social media assistance by Emily Crockett. Additional writing and research by Stephanie Pryor.
ArtCurious is sponsored by Anchorlight, an interdisciplinary creative space, founded with the intent of fostering artists, designers, and craftspeople at varying stages of their development. Home to artist studios, residency opportunities, and exhibition space Anchorlight encourages mentorship and the cross-pollination of skills among creatives in the Triangle.
Additional music credits
"Splash In The Ocean" by Daniel Birch is licensed under BY 4.0; "Beach" by Komiku is licensed under CC0 1.0 Universal; "Tundra" by Scanglobe is licensed under BY-NC-SA 4.0 ; "Trace Hunters Departement (ID 281)" by Lobo Loco is licensed under BY-NC-ND 4.0; "La neige tiède" by Fourmi is licensed under BY-NC-ND 4.0; Ad Music: "I Was Waiting for Him" by Lee Rosevere is licensed under BY 4.0; "Hey Mercy" by Pierce Murphy is licensed under BY 4.0; "The Valley" by Dee Yan-Key is licensed under BY-NC-SA 4.0; "'Steve Combs Through' Theme" by Steve Combs is licensed under BY 4.0
Links and further resources
Matisse and Picasso: The Story of Their Rivalry and Friendship, Jack Flam
The Art of Rivalry: Four Friendships, Betrayals, and Breakthroughs in Modern Art, Sebastian Smee
In Montmartre: Picasso, Matisse and the Birth of Modernist Art, Sue Roe
Smithsonian Magazine: "Matisse & Picasso"
The Art Story: Pablo Picasso
PabloPicasso.org: Picasso and Matisse
Slate: Matisse vs. Picasso
The Art Story: Henri Matisse
The Guardian: Quiz: Are You a Picasso or a Matisse?
Pablo Picasso, Self-Portrait, 1907
Henri Matisse, Self-Portrait, 1906
Pablo Picasso, Guernica, 1937
Henri Matisse, Woman with a Hat, 1905
Pablo Picasso, Les Demoiselles d'Avignon, 1907
Henri Matisse, Le Dessert (Harmony in Red), 1908
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This episode receives additional support from Reynolda House Museum of American Art, where you can find one of the nation's most highly regarded collections of American art on view in a unique domestic setting - the restored 1917 mansion of R. J. and Katharine Reynolds surrounded by beautiful gardens and peaceful walking trails. You can browse Reynolda's art and decorative arts collections and see what's coming next at their website, reynoldahouse.org.
Gift-giving: it’s one of the primary ways to solidify a relationship. But what happens when gifting goes suddenly wrong, and alters a friendship for good?
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Episode Credits
This is the third of three episodes in collaboration with Sartle. Sartle encourages you to see art history differently, and they have a plethora of incredibly fun and informative videos, blog posts, and articles on their website.
Production and Editing by Kaboonki. Theme music by Alex Davis. Social media assistance by Emily Crockett.
ArtCurious is sponsored by Anchorlight, an interdisciplinary creative space, founded with the intent of fostering artists, designers, and craftspeople at varying stages of their development. Home to artist studios, residency opportunities, and exhibition space Anchorlight encourages mentorship and the cross-pollination of skills among creatives in the Triangle.
Additional music credits
"Misterioso" by Dee Yan-Key is licensed under BY-NC-SA 4.0; "Turkey Vulture" by Chad Crouch is licensed under BY-NC 3.0 ; "Bond Band" by Yan Terrian is licensed under BY-SA 4.0; "Galamus (piano solo)" by Circus Marcus is licensed under BY-NC 3.0; "Simple Life" by Anton Khoryukov is licensed under BY-NC-SA 4.0; "Facing It" by Komiku is licensed under CC0 1.0. Ad Music: "Lonely Chicken Inside Shopping Mall (ID 122)" by KieLoKaz is licensed under BY-NC-ND 4.0; "The Valley" by Dee Yan-Key is licensed under BY-NC-SA 4.0; "Pillow Tree: Version 2" by UncleBibby is licensed under BY 4.0.
Links and further resources
Manet and the Family Romance, Nancy Locke
Olympia: Paris in the Age of Manet, Otto Friedrich
The Art of Rivalry: Four Friendships, Betrayals, and Breakthroughs in Modern Art, Sebastian Smee
The Telegraph: "Did Manet Have a Secret Son?"
The Art Story: Edgar Degas
The New York Times: "Degas and Mrs. Manet"
Edouard Manet, Self-Portrait with Palette, 1878–1879
Edgar Degas, Self-Portrait, 1855 (detail)
Edouard Manet, Le Déjeuner sur l’herbe (Luncheon on the Grass), 1862-1863
Edgar Degas, The Rehearsal of the Ballet Onstage, 1874
Edouard Manet, The Absinthe Drinker, 1859 (detail)
Edgar Degas, Édouard Manet and Mme. Manet, 1868-69
Edouard Manet, Olympia, 1863
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This episode is sponsored by The Great Courses Plus. Get a FREE month of unlimited access to over 9,000 lectures presented by engaging, award-winning experts on everything from art to physics, interior design and world languages. Sign up today at thegreatcoursesplus.com/ART.
There’s an old quote that I’m sure you’ve heard referenced in a million sitcoms or Looney Tunes cartoons- though it actually stems from a 1932 western-- where one character, all flinty-eyed, turns to another, and declares, “This town ain’t big enough for the both of us.” It’s an order meant to scare someone away, but it’s also a declaration of the feelings of rivalry, of jealousy, as if it shouldn’t be allowed that two people of similar stature could be functioning-- or even flourishing-- in the same place and time. After all, you couldn’t possibly have two star quarterbacks on the team, or two top valedictorians. Someone always has to be the best, or even more importantly, to be seen by the public as the best. But was this true in the case of the two top female painters in Revolutionary-era France?
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Episode Credits
Production and Editing by Kaboonki. Theme music by Alex Davis. Logo by Dave Rainey. Social media assistance by Emily Crockett. Additional writing and research by Adria Gunter.
ArtCurious is sponsored by Anchorlight, an interdisciplinary creative space, founded with the intent of fostering artists, designers, and craftspeople at varying stages of their development. Home to artist studios, residency opportunities, and exhibition space Anchorlight encourages mentorship and the cross-pollination of skills among creatives in the Triangle.
Additional music credits: "Yellow-rumped Warbler" by Chad Crouch is licensed under BY-NC 3.0 ; "Circles (Instrumental)" by Greg Atkinson is licensed under BY 3.0; "Stronger" by Alan Špiljak is licensed under BY-NC-ND 4.0; "Desktop Hall" by Yan Terrian is licensed under BY-SA 4.0; "Beijing 2008" by Anton Khoryukov is licensed under BY-NC-SA 4.0. Ad Music: "I Was Waiting for Him" by Lee Rosevere is licensed under BY 4.0; "Streetworker Jack (ID 844)" by Lobo Loco is licensed under BY-NC-ND 4.0; "Comedie" by Jahzzar is licensed under BY-SA 4.0
Links and further resources:
ArtCurious Episode 3: The Semi-Charmed Life of Elisabeth Vigée Le Brun
Harvard Magazine: Adélaïde Labille-Guiard
Adélaïde Labille-Guiard: Artist in an Age of Revolution, by Laura Auricchio
Metropolitan Museum Heilbrunn Timeline of Art History: Adélaïde Labille-Guiard
Le Grand Palais: Elisabeth Louise Vigée Le Brun and Female Competition
Jacques-Louis David: New Perspectives, by Dorothy Johnson
Élisabeth Louise Vigée Le Brun, Peace Bringing Back Abundance, 1780
Adélaïde Labille-Guiard, Self Portrait with Two Pupils, 1785
Élisabeth Louise Vigée Le Brun, Self-Portrait, 1790
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This episode is sponsored by The Great Courses Plus. Get a FREE month of unlimited access to over 10,000 lectures presented by engaging, award-winning experts on everything from art to physics, interior design and world languages. Sign up today at thegreatcoursesplus.com/ART.
In 19th century England, landscape painting transitioned into being something lovely and comparatively calm, and transformed into a personal and stylistic battleground. Landscape: pristine and idealized, or rough, ready, and turbulent? Which one would better express the heart of 19th century British painting?
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Episode Credits
This is the second of three episodes in collaboration with Sartle. Sartle encourages you to see art history differently, and they have a plethora of incredibly fun and informative videos, blog posts, and articles on their website.
Production and Editing by Kaboonki. Theme music by Alex Davis. Social media assistance by Emily Crockett.
ArtCurious is sponsored by Anchorlight, an interdisciplinary creative space, founded with the intent of fostering artists, designers, and craftspeople at varying stages of their development. Home to artist studios, residency opportunities, and exhibition space Anchorlight encourages mentorship and the cross-pollination of skills among creatives in the Triangle.
Additional music credits
"Western Tanager" by Chad Crouch is licensed under BY-NC 3.0; "Not the end" by Alan Špiljak is licensed under BY-NC-ND 4.0; "More Than Friendship - Geglaettet (ID 814)" by Lobo Loco is licensed under BY-NC-ND 4.0; "Fuzzy Lines" by Yan Terrian is licensed under BY-SA 4.0; "Full of Stars" by Philipp Weigl is licensed under BY 4.0; "Phase 1" by Xylo-Ziko is licensed under BY-NC-SA 4.0; "Whimsical Theme #2" by David Hilowitz is licensed under BY-NC 4.0; Ad Music: "Repeater Station - Observation (ID 204)" by Lobo Loco is licensed under BY-NC-ND 4.0; "Electric Silence" by Unheard Music Concepts is licensed under BY 4.0
Links and further resources
Memoirs of the Life of John Constable, C.R. Leslie
John Constable: A Kingdom of His Own, Anthony Bailey
The Life of J.M.W. Turner, Volume 2, Walter Thornbury
Turner: The Extraordinary Life and Momentous Times of JMW Turner, Franny Moyle
Standing in the Sun: A Life of JMW Turner, Anthony Bailey
The Daily Mail: "Why Britain's Two Greatest Painters Hated Each Other's Guts: And now Turner and Constable Are Going Toe-to-Toe Once More"
The Telegraph: "JMW Turner's Feud with John Constable Unveiled at Tate Britain"
Joseph Mallord William Turner, Self-Portrait, c. 1799
John Constable, Self-Portrait, c. 1799-1804
John Constable, The Hay Wain, 1821
JMW Turner, Rain, Steam and Speed, 1844
John Constable, The Opening of Waterloo Bridge, 1832
JMW Turner, Helvoetsluys, 1832
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This episode is sponsored by The Great Courses Plus. Get a FREE month of unlimited access to over 9,000 lectures presented by engaging, award-winning experts on everything from art to physics, interior design and world languages. Sign up today at thegreatcoursesplus.com/ART.
This episode is also sponsored by HelloFresh. For $30 off your first box of delicious, fresh ingredients and easy step-by-step recipes, please visit HelloFresh.com/artcurious30 and enter the promo code "artcurious30."
Anyone familiar with Abstract Expressionism will tell you that this art movement was one where all the insiders or practitioners were more closely involved than many other art movements. Such close confines also made for some serious rivalries, too. But there were other artists who were more intimately involved with one another and their artistic process-- they were married, or were lovers. Such is the case with both Jackson Pollock and Willem de Kooning --both of whom married women who were incredible artists in their own right. Interestingly, and sadly, when these two spouses are mentioned, it’s very rare that we are treated to sincere commentary just about their works of art. More often than not, we are, instead, given explanations of how these women measure up to their (admittedly more famous) husbands, and are relegated either to a supporting role, or just plain seen as not good enough in comparison. Why is it that such talented women continue to have their posthumous careers and stories marked and shaped by their husbands?
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Episode Credits
Production and Editing by Kaboonki. Theme music by Alex Davis. Social media assistance by Emily Crockett. Additional research and writing for this episode by Patricia Gomes.
ArtCurious is sponsored by Anchorlight, an interdisciplinary creative space, founded with the intent of fostering artists, designers, and craftspeople at varying stages of their development. Home to artist studios, residency opportunities, and exhibition space Anchorlight encourages mentorship and the cross-pollination of skills among creatives in the Triangle.
Additional music credits
"Song Sparrow" by Chad Crouch is licensed under BY-NC 3.0; "Converging Lines" by David Hilowitz is licensed under BY-NC 4.0; "Today, Tomorrow, & The Sun Rising" by Julie Maxwell is licensed under BY-ND 4.0; "Is everything of this is true?" by Komiku is licensed under CC0 1.0 Universal License; "Fantasy in my mind" by Alan Špiljak is licensed under BY-NC-ND 4.0. Ad Music: "Hello September" by Proviant Audio is licensed under BY-NC-ND 3.0 US; "The Valley" by Dee Yan-Key is licensed under BY-NC-SA 4.0; "Galaxies" by Split Phase is licensed under BY-NC-SA 3.0 US
Links and further resources
The Art Story: Lee Krasner
Artsy: "The Emotionally Charged Paintings Lee Krasner Created After Pollock's Death"
Smithsonian Magazine: "Why Elaine de Kooning Sacrificed Her Own Amazing Career for Her More Famous Husband's"
National Portrait Gallery Blog: "Elaine de Kooning's JFK"
NPR: "For Artist Elaine de Kooning, Painting was a Verb, not a Noun"
Elaine de Kooning in her studio, 1963
Elaine de Kooning, Self-Portrait, 1946
Lee Krasner in her studio, date unknown
Lee Krasner, Self-Portrait, c. 1929
Elaine de Kooning, John F. Kennedy, 1963
Lee Krasner, Untitled (Umber Series), c. 1960
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This episode is sponsored by The Great Courses Plus. Get a FREE month of unlimited access to over 9,000 lectures presented by engaging, award-winning experts on everything from art to physics, interior design and world languages. Sign up today at thegreatcoursesplus.com/ART.
This episode receives additional support from Reynolda House Museum of American Art, where you can find one of the nation's most highly regarded collections of American art on view in a unique domestic setting - the restored 1917 mansion of R. J. and Katharine Reynolds surrounded by beautiful gardens and peaceful walking trails. You can browse Reynolda's art and decorative arts collections and see what's coming next at their website, reynoldahouse.org.
The art world is a man’s world- or, at least, it used to be entirely one. This shouldn’t be surprising to anyone who is a longtime listener of the ArtCurious Podcast, because we’ve touched multiple times on the difficulties that have faced women who have sought careers as artists. Now, thankfully, in the age of #metoo, the male-heaviness of the art world is changing a bit, as it is in other facets of society. But turning back the clock to any other era in history, and the reality is that it was totally a man’s game. And the absolute manliness of it all was compounded intensely in one particular time and place: post-war America, where it was all about brusque machismo, the biggest innovations, and the biggest splash. It was a measuring contest like none other, and two larger-than-life characters were at the center of it all.
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Episode Credits
Production and Editing by Kaboonki. Theme music by Alex Davis. Social media assistance by Emily Crockett. Additional research and writing for this episode by Stephanie Pryor.
ArtCurious is sponsored by Anchorlight, an interdisciplinary creative space, founded with the intent of fostering artists, designers, and craftspeople at varying stages of their development. Home to artist studios, residency opportunities, and exhibition space Anchorlight encourages mentorship and the cross-pollination of skills among creatives in the Triangle.
Additional music credits
"The Walk" by Dee Yan-Key is licensed under BY-NC-SA 4.0; "Catching Glitter" by Split Phase is licensed under BY-NC-SA 3.0 US; "Aquasigns" by Tagirijus is licensed under BY-NC-SA 4.0; "You know why" by Loyalty Freak Music is licensed under CC0 1.0 Universal License; "Tethered" by Nctrnm is licensed under BY 4.0. Based on a work at https://soundcloud.com/nctrnm/; "Dancing on the Seafloor (KieLoKaz ID 110)" by KieLoBot is licensed under BY-NC-ND 4.0; "Attempt 7" by Jared C. Balogh is licensed under BY-NC-SA 3.0
Ad music: "Ground Cayenne" by The Good Lawdz is licensed under BY-SA 3.0
Links and further resources
The Art of Rivalry: Four Friendships, Betrayals, and Breakthroughs in Modern Art, Sebastian Smee
The New York Times: "Ruth Kligman, Muse and Artist, Dies at 80"
Jackson Pollock: An American Saga, Steven Naifeh and Gregory Smith
De Kooning: A Retrospective, John Elderfield
Willem de Kooning and his wife, Elaine, photograph by Hans Namuth, 1952.
Jackson Pollock and his wife, Lee Krasner, photograph by Hans Namuth, 1950.
Willem de Kooning, Excavation, 1950
Jackson Pollock, Stenographic Figure, c. 1942
Willem de Kooning, Woman I, 1950-1952
Jackson Pollock, Autumn Rhythm (Number 30), 1950
Jackson Pollock painting on panes of glass, Hans Namuth documentary stills, 1950.
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One pair of incredible Renaissance artists experienced a particularly epic rivalry. Both were vying for the same patrons, and their professional contempt very quickly got ultra-personal. Today, explore the intense conflict between Michelangelo and Raphael, both seeking approval and projects from one of the most innovative patrons: Pope Julius II.
This episode is sponsored by The Great Courses Plus. Get a FREE month of unlimited access to over 9,000 lectures presented by engaging, award-winning experts on everything from art to physics, interior design and world languages. Sign up today at thegreatcoursesplus.com/ART.
// Please SUBSCRIBE and REVIEW our show on Apple Podcasts!
Episode Credits
Production and Editing by Kaboonki. Theme music by Alex Davis. Social media assistance by Emily Crockett.
Additional music credits may be found on our website.
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Rivalries are inherently fascinating, because they typically affect not only the individual rivals themselves, but also a whole ecosystem that can grow up around a rivalry-- spurring it on, and enabling it. Some of the greatest artists in history have engaged in some seriously curious conflicts. What causes these rivalries is fascinating and vast-- is it art and creativity? Is it money and patronage? Or is it simply ego? And are the artists really in conflict with one another, or does it just appear that
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We're thrilled to bring a bonus episode to you today. Last August, Jennifer Dasal was asked to speak on the topic of "genius" at CreativeMornings RDU. So what does genius have to do with madness? And how about suffering and sadness? Join Jennifer as she discusses this topic with the poster child for all suffering artists: Vincent Van Gogh. Want to WATCH this episode instead of listen to it? See the video of this lecture here! https://creativemornings.com/talks/jennifer-dasal/1 Learn more about CreativeMor
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World War Two was the bloodiest, biggest, and most destructive war of all time, decimating entire countries and taking the lives of millions. And as we have learned over the last 10 episodes of the ArtCurious Podcast this season, art was affected in many different ways due to the impact of the war. Art was used to document the experience of soldiers in battle; created to shape public opinion, values, and inspire the war effort; and to fight the enemy. It was a failed dream of Adolf Hitler, leading us to ask
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It's interesting that literature seems to have cornered the market on artistic depictions of those who experienced the Holocaust firsthand. We think of The Diary of Anne Frank or Elie Wiesel’s Night first and foremost when we think of how war has been creatively represented by those who survived it-- or didn’t survive it. But it turns out that there were many artists who made visual representations of their experiences, too-- and lots of these individuals were prisoners, like Anne eventually became, in
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Ah, Hollywood. Nothing goes further than a big celebrity-studded movie to grab your pop-culture attention and to inspire countless articles and think-pieces about a particular topic. A really solid blockbuster can raise a niche book to bestseller status or inspire hopeful imitators. And it can lead to a renewed interest in a certain time period or subject matter. In the case of the 2014 film, The Monuments Men, all of this was certainly true. With superstar George Clooney directing and acting alongside Matt
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In a time where the arts are ever-undervalued, it is increasingly important for us not just to support the arts in our communities, but to look back through periods of history where artists were applauded for making a significant difference. And in the case of one very special American troop in the midst of World War Two, artists and creative types were tasked specifically with using their skills to preserve people. Art here became a life-saving force- literally. A force for good, even through multiple mean
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This episode is sponsored by Audible: get a free audiobook download and a free 30-day trial here. Thank you for supporting our show!
This is a rebroadcast of our eighth episode, which originally aired on November 4, 2016. It's a fan favorite, and it ties in rather nicely to the theme of our current season! Even if you've listened to this episode before, you're not going to want to miss this, as it updates our show based on new information.
One of the most awe-inspiring sights in and around St. Petersburg, Russia, is the Catherine Palace, a rococo summer residence for the imperial family of yore. Up until World War II, The Catherine Palace housed something so incredible, so coveted, and so gorgeous that for hundreds of years, travelers fro all over the world flocked to admire it, referred to as the "Eighth Wonder of the World." And then, in the early 1940s with the Nazi invasion of the Soviet Union, this priceless creation was stolen. And to this day, it has still never been found.
What happened to the Amber Room?
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Episode Credits
Production and Editing by Kaboonki Creative. Theme music by Alex Davis. Research assistance by Stephanie Pryor. Social media assistance by Emily Crockett.
Additional music credits:
"Hermitage" by Dee Yan-Kee is licensed under BY-NC-SA 4.0; "Rumbo de grises" by Circus Marcus is licensed under BY-NC 3.0; "modum" by Kai Engel is licensed under BY 4.0; "Trush Nightingale (ID 608)" by Lobo Loco is licensed under BY-NC-ND 4.0; Like the sky" by Damiano Baldoni is licensed under BY 4.0; "The Warm Shoulder" by Mary Lattimore is licensed under BY-NC-ND 4.0; "Seven Lights" by Sergey Cheremisinov is licensed under BY-NC 4.0; "Our Giant's Alone" by Art of Escapism is licensed under BY-SA 4.0; "owl's secret" by The Owl is licensed under BY-NC-ND 4.0; "Gardarike" by Tri-Tachyon is licensed under BY-NC 4.0; "Remember Trees?" by Chris Zabriskie is licensed under BY 4.0 - Based on a work at http://chriszabriskie.com
Looking for a transcription of this episode? Check it out here. Not to be used for distribution or any other purpose without permission.
Want more art-historical goodness? Check out the links below:
The Mystery of the Nazis and the Vanished Amber Room
Could Long-Lost Amber Room Be Stashed in a Nazi Bunker in Poland?
A Brief History of the Amber Room
Mystery of the Amber Room: Video
ArtCurious is sponsored by Anchorlight, an interdisciplinary creative space, founded with the intent of fostering artists, designers, and craftspeople at varying stages of their development. Home to artist studios, residency opportunities, and exhibition space Anchorlight encourages mentorship and the cross-pollination of skills among creatives in the Triangle.
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Today, we’re digging into the story behind one of the most significant museums never built-- Hitler’s Fuhrermuseum-- what was his obsession with art, and was his “World’s greatest museum” really going to be as great as it purported to be? LEARN MORE: Artcuriouspodcast.com SUBSCRIBE and REVIEW: https://itunes.apple.com/us/podcast/artcurious-podcast/id1142736861 INSTAGRAM: www.instagram.com/artcuriouspod/ TWITTER: https://twitter.com/artcuriouspod
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How did Walt Disney and his team, especially a blustery cartoon duck, get involved so specifically in wartime propaganda? LEARN MORE: Artcuriouspodcast.com SUBSCRIBE and REVIEW: https://itunes.apple.com/us/podcast/artcurious-podcast/id1142736861 INSTAGRAM: www.instagram.com/artcuriouspod/ TWITTER: https://twitter.com/artcuriouspod
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This episode is all about American World War Two propaganda posters: what they were, who created them, and how America was fighting the war via words and pictures. It wasn’t all about manpower and military might: the U.S. fought with art, too. LEARN MORE: Artcuriouspodcast.com SUBSCRIBE and REVIEW: https://itunes.apple.com/us/podcast/artcurious-podcast/id1142736861 INSTAGRAM: www.instagram.com/artcuriouspod/ TWITTER: https://twitter.com/artcuriouspod
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In the winter of 1945, a World War II infantryman for the United States would be supplied with gear that was to be carried and trekked from location to location, regardless of weather, ailment, or occurrence. All of this gear alone could easily weigh a good 50 to 60 pounds. Add on a rifle or pistol, bullets and any appropriate add-ons needed to maintain, clean, and restock a weapon, and you are talking a serious load to haul around. To a handful of these men, however, it wasn’t their guns, their helmets,
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In this episode, we contemplate the way that fine art inspired, affected, and ultimately molded the man who would become the biggest architect of terror in the 20th century. LEARN MORE: Artcuriouspodcast.com SUBSCRIBE and REVIEW: https://itunes.apple.com/us/podcast/artcurious-podcast/id1142736861 INSTAGRAM: www.instagram.com/artcuriouspod/ TWITTER: https://twitter.com/artcuriouspod
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Today marks the one year anniversary since we launched our very first episode! This is a special episode for you, our listeners. Many of you called, emailed, and contacted us on social media to ask questions big and small. Here are some of my favorites. Most of all, thank you. I do this for you, and without your ears, we wouldn't be here. Thank you for a year of love and support! LEARN MORE: Artcuriouspodcast.com SUBSCRIBE and REVIEW: https://itunes.apple.com/us/podcast/artcurious-podcast/id114273686
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Season Two of ArtCurious begins now! It was the most widespread war in history, involving the participation of more than one hundred million people from around the world, including the greatest powers across the globe. It affected life in myriad ways, and its reach was one of the most horrible. Between the deaths on the battlefield and the mass killings of civilians, an estimated 50 to 85 million fatalities occurred, making it the deadliest conflict in all of recorded human history. And yet, at the same t
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Hi ArtCurious listeners, I’m so excited to announce that I’m coming back to you with a whole new season of episodes beginning on Monday, July 31st. I’ve loved working on this project and can’t wait to share it with you, so mark your calendars now and be sure to subscribe to us on iTunes or the podcatcher of your choice to guarantee that you don’t miss this or any of our future episodes. I also have another exciting opportunity for you. Next month, we will be celebrating our one year anniversa
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This is a rebroadcast of our fifth episode, which was originally released on October 13, 2016. Death has always been a part of art history. And so much of the great art that we know and love today works in the capacity to stave off one of the terrible side effects of death-- being forgotten. Andy Warhol’s series, Death and Disaster, is one of the most well-known and polarizing of his career. But Warhol wasn't the first artist to focus on the everyday tragedy of death as a subject to quite this revealing
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This is a rebroadcast of our third episode, which was originally released on September 12, 2016. Marie Antoinette, Queen of France, had an image problem: she was seen as frivolous, silly, and out-of-touch. In order to combat her poor press, the royal court commissioned a series of portraits of the queen to make her more relatable and sympathetic. Such images act as excellent propaganda machines, giving Marie Antoinette a much-needed positive spin. But what is even more marvelous is the backstory of the ar
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Earlier this spring, I saw a hashtag making the rounds online, especially on Twitter and Instagram. Half the time, I only just vaguely pay attention to the trending terms on social media, but this one hit me right away. For a lot of people, including myself, it was like seeing an old beloved friend again- because this isn’t a new hashtag. It’s over a year old and was initiated originally by the National Museum of Women in the Arts in Washington, D.C. in conjunction with Women’s History Month, celebrated every year in March. It read #5WomenArtists and was meant as a kind of dare. As the museum’s digital editorial assistant, Emily Haight, posted on their blog, “Ask someone to name five artists and responses will likely include names such as Warhol, Picasso, van Gogh, Monet, da Vinci—all male artists. Ask someone to name five women artists, and the question poses more of a challenge.”
It’s a sad, but true, statement. Can many of us--especially those without in-depth artistic training or interest-- really name five or more women artists? Maybe, if you’re lucky, you can remember Frida Kahlo or Georgia O’Keeffe. And bonus points if you can recall our previous discussion on Elisabeth Vigée Le Brun. But especially in terms of artists who were around prior to the 20th century, the game grows much harder.
Why? What’s the problem of the woman artist? And how can we fix it? Today, we’re talking about women artists-- the historical difficulties in becoming an artist, the challenges present therein, and the limitations and legacies of one very important Renaissance painter.
Today’s special episode of ArtCurious is the end result of a collaboration with art historian Ellen Oreddson and her excellent blog, How to Talk About Art History. Ellen has her own contribution to this topic on her site, where she lists five artists, inspired by the five women artists hashtag, and briefly discusses why each has been left out of the traditional art historical canon. Don't miss this insightful and fascinating post!
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Looking for a transcription of this episode? Check it out here. Not to be used for distribution or any other purpose without permission.
Want more art-historical goodness? Check out the links below:
Italy Magazine: Sofonisba Anguissola- A Renaissance Woman
Smarthistory: Sofonisba Anguissola
ArtNews: Why Have There Been No Great Women Artists?
National Museum of Women in the Arts Blog: Challenge Accepted: Can You Name Five Women Artists?
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Conservators are art heroes: they transform damaged or dirty works of art into beautiful, fresh works for public consumption. Then why is it that conservation has been at the center of some of the biggest art historical controversies of the last fifty years? What does a conservator really do, and what happens when conservation goes too far?
// Please SUBSCRIBE and REVIEW our show—we can’t thank you enough! Check our website for images from today’s show, as well as information about our other episodes. And come find us on Twitter and Instagram!
Many thanks to the incredible Stephanie Pryor for research assistance!
Looking for a transcription of this episode? Check it out here. Not to be used for distribution or any other purpose without permission.
Want more art-historical goodness? Check out the links below:
NPR: Art Conservators at Work: A Living Exhibit
Smithsonian Magazine: "True Colors"
Hyperallergic: With Its Own Arts Center, Beast Jesus Rises Again
Huffington Post: “Elderly Woman’s Hilarious Failed Attempt At Restoring A 19th Century Fresco In Borja, Spain.”
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We are incredibly thrilled to release a bonus episode with our friend, Andrea Parrish, at A Thousand Things to Talk About! This daily podcast is the perfect start to your morning, with a brief 2-3 minute episode with thought-provoking questions and research. A Thousand Things to Talk About also offers the occasional "deep dive," and we're so excited to be a part of this one-- What is Art? It's a question that seems simple, but in reality, is it? LEARN MORE: Artcuriouspodcast.com SUBSCRIBE and REVIEW: h
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Over the centuries, there have been numerous examples of fine artists creating works of art that deliberately work with and within contemporaneous medical thought, portraying people with particular ailments or diseases. But what about if we turn that concept around a little bit? What happens when those in the medical field turn to paintings or sculptures from the past and retroactively investigate the health of the individuals depicted therein? What happens when art history turns into a diagnosis?
// Please SUBSCRIBE and REVIEW our show—we can’t thank you enough! Check our website for images from today’s show, as well as information about our other episodes. And come find us on Twitter and Instagram!
Looking for a transcription of this episode? Check it out here. Not to be used for distribution or any other purpose without permission.
Want more art-historical goodness? Check out the links below:
Boston Globe: Monet? Gaugin? Using Art to Make Better Doctors
New York Times: Studying Art with the Eye of a Physician
Wall Street Journal: Doctors Enlist Paintings to Hone Skills
The Guardian: The Fine Art of Medical Diagnosis
The Guardian: Did the Mona Lisa Have Syphilis?
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Venice-- it's the most serene and beautiful city in Italy, and possibly the whole world. But Venice at night-- all darkened and quiet-- takes up the most space in my imagination. I seriously love the depictions of Venice as enigmatic, shadowy, and even dangerous. Without cars or streetlights or other modern comforts, you might feel like you’ve stepped back in time and that around any given corner, you could find… anything. All of this lends Venice this air of inscrutability and mystery. And over time, locals and visitors alike have reveled in this sensation as fodder for myth-making and storytelling. Some stories really stick, lasting for centuries and becoming embedded into the city itself, through its buildings, monuments, and specific locations. And there’s one building that has had plenty of legends built around it. This particular elegant structure had an illustrious past, having once been a meeting place where Italian Renaissance artists discussed their craft, caroused, and gambled. But it’s also the location where relationships soured, crimes were committed, and death inevitably followed. Today, some people won’t even enter this particular building because it is feared to be haunted, cursed… or both.
// Please SUBSCRIBE and REVIEW our show—we can’t thank you enough! Check our website for images from today’s show, as well as information about our other episodes. And come find us on Twitter and Instagram!
Looking for a transcription of this episode? Check it out here. Not to be used for distribution or any other purpose without permission.
Want more art-historical goodness? Check out the links below:
Glory of Venice exhibition at the North Carolina Museum of Art
Read Vasari's take on Morto da Feltre
Wikipedia's Entry on Morto da Feltre
Mysterious Venice: The Casino of the Spirits (In Italian)
Italian Mysteries: Haunted Venice
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Sometimes when I am looking at a particularly fascinating work of art, I find myself overwhelmed with awe-- for the creative act itself and the technical prowess that was needed to bring it to fruition. I’ve often had those moments where I have thought to myself, “Wow. How did this all come about? What is the inspiration behind this piece?” And any conversation about inspiration in the arts inevitably brings up a discussion about muses. This episode looks at the relationship--and occasional romance-- between artists and their muses, with a particular emphasis on one woman whose connection to two brothers illustrates this exchange in a compelling way.
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Looking for a transcription of this episode? Check it out here. Not to be used for distribution or any other purpose without permission.
Want more art-historical goodness? Check out the links below:
Artventures Blog: Manet and Morisot: The Tale of Love and Sadness in the Portraits
Saper Galleries: The Women of Pablo Picasso
Huffington Post: Ten Amazing Female Artists and Their Male Muses
The Telegraph: Picasso's Muses
Projection Systems Blog: The Origin of Painting
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A few months ago, I began looking into occurrences of art vandalism-- the purposeful destruction or harm of works of art that have occurred consistently, especially throughout the 20th century. As I read up, I saw that most of these events were one-offs: single moments where one person made a rash and ridiculous choice to lash out at a particular work of art. But then, I began to notice one name popping up over and over again- a German man who, over his lifetime, damaged over fifty works of art, creating a name for himself and a lasting impression on the art world. This episode, in a continuation of our Bigger Picture series, digs deeper into art attacks and examine the life and legacy of the vandal Hans-Joachim Bohlmann.
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How many know that the inventor of the telegraph and co-creator of Morse code--Samuel F. B. Morse-- was a successful artist, too? And crazily enough, one of his paintings in particular, foreshadowed his interest in communication tools, providing the impetus for revolutionizing communication--and, indeed, the world as we know it. Listen in for details on Morse's masterpiece, Gallery of the Louvre.
// Please SUBSCRIBE and REVIEW our show—we can’t thank you enough! Check our website for images from today’s show, as well as information about our other episodes. And come find us on Twitter and Instagram!
Looking for a transcription of this episode? Check it out here. Not to be used for distribution or any other purpose without permission.
Want more art-historical goodness? Check out the links below:
The National Gallery of Art's exhibition page: with video, exhibition brochure, and more great info
The History Blog's Profile on Morse the Artist
Samuel Morse's Other Masterpiece: Smithsonian Magazine
Six Things You May Not Know about Samuel Morse: History.com
Samuel Morse website for more details: Samuelmorse.net
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Glamour. Curiosity. Excitement. A love story for the ages. Such are the types of descriptors that you hear when you ponder the life and love of Frida Kahlo and Diego Rivera. Truly, in the pantheon of great artistic relationships, they are one of the top couples out there. And they had the great fortune, or whatever you want to call it, of living their exciting lives in front of the camera, as well as on canvas. Google them, and all kinds of lovey-dovey images come up-- images of Diego nuzzling Frida, images of them kissing, of her embracing him around his wide middle section. But what some people neglect, or possibly even forget, is that their relationship was by no means perfect. There were great ups, of course, but the downs? Incredible. Even Diego Rivera himself was aware of this fact, later writing, quote, “If I ever loved a woman, the more I loved her, the more I wanted to hurt her. Frida was the most obvious victim of this disgusting trait.” Harsh words. But would they always be that way?
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Want even MORE information? Check out the links below:
http://kcur.org/post/tempestuous-relationship-between-frida-kahlo-and-diego-rivera#stream/0
http://www.vanityfair.com/culture/1995/09/frida-kahlo-diego-rivera-art-diary
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There’s something a little strange about the pairing of Frida Kahlo and Diego Rivera. Certainly it’s the surprise of a pairing of seeming opposites, at least from a physical standpoint-- she the small, seductive, and somewhat frail painter whose subject matter referred to the most intimate sides of her own life; he, the large and somewhat brutish muralist whose large-scale works touched upon revolution and justice and larger issues of Mexican history. There’s almost a Beauty and the Beast quality there, and for many of us, the relationship between these two artists is just as intriguing as their creative output. And especially when it comes to Frida’s art, it’s very hard to separate their love from their artistic legacy. But how did it begin? And what is it about these two that makes them so fascinating, even 60 years later?
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Looking for a transcription of this episode? Check it out here. Not to be used for distribution or any other purpose without permission.
Want even MORE information? Check out the links below:
http://kcur.org/post/tempestuous-relationship-between-frida-kahlo-and-diego-rivera#stream/0
http://www.vanityfair.com/culture/1995/09/frida-kahlo-diego-rivera-art-diary
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Throughout art history, there have been multiple occasions where people have entered into a museum or gallery with the explicit intention of harming or outright destroying a work of art. And some of the most iconic and greatest works of art in the world have been the targets of these disastrous missions. The big question, though, is why? What motivates people into a full blown art-attack?
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Looking for a transcription of this episode? Check it out here. Not to be used for distribution or any other purpose without permission.
Want even MORE information? Check out the links below:
The Top 12 Most Horribly Defaced Art Pieces of All Time
Art Abuse: 11 Vandalized Works of Art
Mugged: How the Mona Lisa was Attacked
Vatican Marks Anniversary of 1972 Attack on Michelangelo's Pieta
Whatever Happened to Laszlo Toth?
The Attack on the Pieta: An Archetypal Analysis (Access to JSTOR required)
Having an Art Attack: A Brief Look at Stendhal Syndrome
Stendhal Syndrome: Overdosing on Beautiful Art
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Nearly ten years ago, my then-boyfriend, now husband, and I were backpacking through the Balkans region of Europe. After arriving in Bosnia, we opted to take a day trip to a small town called Medjugorje, in Herzegovina. We had heard that it was a popular place with tourists from all over the world, and we were eager to check it out. But what we didn't quite expect were the reasons why the town was so well-known. And the reasons are twofold: first, it was the location of a sighting in 1981 of the Virgin Mary, who was said to have appeared to a group of teenagers there. As such, the town became a holy pilgrimage site, particularly for Catholics around the world. Even though the vision of the Virgin hasn't been promoted or officially accepted by the Vatican, it hasn't stopped the flow of visitors clamoring for the chance to visit this seemingly holy place. In remembrance of the miraculous vision, a beautiful church was erected. And in the church’s garden, a bronze statue of the risen Christ was also placed. But here's the further reason for the pilgrimage- since 2000, that statue has had a so-called weeping knee- miraculously producing a clear fluid each and every day for the last 16 years.
We saw this statue with our own eyes. We touched it, and we watched as dozens of people collected the clear fluid- not water, not oil, but something else- into souvenir bottles that were sold all over the town. Still, I didn't know what to think, or how to react. Was this statue for real? I think that belief and faith are beautiful, incredible things. But I also felt skeptical, too. I found myself torn in the middle- religious yet unbelieving, living in a gray area. But like Fox Mulder, I want to believe.
In honor of the holiday season, we are going to look into the phenomenon of the miraculous in art, focusing on weeping statues and bleeding icons.
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Want even MORE information? Check out the links below:
The Mystery of the Weeping Statues
Science Debunks Miracle of Weeping Madonna
Mary Statue in California Appears to Weep Miraculous Tears
Miraculous Microbes: They Can Make Holy Statues "Bleed"-- and Can Be Deadly, Too
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If there is one thing that’s true in this world, it’s that there sure isn't a lack of conspiracy theories out there. Think about it: almost every big mystery or question has a slough of alternative explanations involving everything from Big Brother to the Illuminati to the Masons...and of course we can’t overlook aliens. Oswald wasn’t the lone gunman; the Apollo moon landing never happened and was filmed instead on a Hollywood sound stage; the government is hiding proof of alien life; the Mona Lisa on view at the Louvre is a fake. Every day we might hear a new, wacky theory, even in the art world, like how the CIA funneled money into the arts, towards revolutionary painters like Jackson Pollock and Mark Rothko, in order to fight the Cold War. Crazy, right? I mean, what a bizarre way to attempt to covertly bring down the Russians?
Except that this last one isn't a crazy conspiracy theory at all. It’s actually a true story of propaganda, secrets, lies, and fine art. The pen is mightier than the sword, the saying goes. Well, it turns out that the same could be said about the paintbrush.
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Looking for a transcription of this episode? Check it out here. Not to be used for distribution or any other purpose without permission.
Want even MORE information? Check out the links below:
How the CIA Spent Secret Millions Turning Modern Art into a Cold War Arsenal
A Visit to the CIA's "Secret" Abstract Art Collection
BBC Culture: Was Modern Art a Weapon of the CIA?
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One of the most awe-inspiring sights in and around St. Petersburg, Russia, is the Catherine Palace, a rococo summer residence for the imperial family of yore. Up until World War II, The Catherine Palace housed something so incredible, so coveted, and so gorgeous that for hundreds of years, travelers fro all over the world flocked to admire it, referred to as the "Eighth Wonder of the World." And then, in the early 1940s with the Nazi invasion of the Soviet Union, this priceless creation was stolen. And to this day, it has still never been found.
What happened to the Amber Room?
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Looking for a transcription of this episode? Check it out here. Not to be used for distribution or any other purpose without permission.
Want even MORE information? Check out the links below:
The Mystery of the Nazis and the Vanished Amber Room
Could Long-Lost Amber Room Be Stashed in a Nazi Bunker in Poland?
A Brief History of the Amber Room
Mystery of the Amber Room: Video
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Back in 2002, I was browsing a new releases table at my local bookstore when a particular book caught my eye. It seemed like yet another crime novel, one among hundreds. And so, I moved on, until I saw the subtitle of the book: Jack the Ripper: Case Closed. In it, the author released a bombshell statement: she had purportedly solved the mystery of Jack the Ripper's identity, which had evaded researchers, historians, and police for over one hundred years.
Jack the Ripper, she said, was the English painter Walter Sickert.
If you are just tuning in to the ArtCurious Podcast for the first time, please stop and listen to Episode #6 to get the backstory on Jack the Ripper's crimes.
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Looking for a transcription of this episode? Check it out here. Not to be used for distribution or any other purpose without permission.
Want even MORE information? Check out the links below:
Portrait of a Killer: 6 Chilling Jack the Ripper Theories
Patricia Cornwell Says She Has "Cracked" the Jack the Ripper Mystery
Does this Painting by Walter Sickert Reveal the Identity of Jack the Ripper?
Walter Sickert was Jack the Ripper? Ridiculous! He was Actually Dracula
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Much was made of crime in Victorian London. The Victorians were terrified of the lower-classes, particularly down-and-out men living in the crowded outskirts of the city who, they thought, were lurking in the shadows, just waiting for the opportunity to arise for a well-timed theft, brawl, or even worse. Life, for most, was hard. But in 1888, Londoners clamoring for a bit of excitement to spice up the drudgery of their lives got far more than they bargained for. They got weeks of abject terror surrounding a madman who slaughtered women in London's East End... who was never identified or caught. And more than 100 years later, we are still no closer to really identifying one of the most terrible killers of all time.
Or are we?
In this first half of our special two-part Halloween episode, we are going to delve into a theory that identifies Jack the Ripper as the English painter Walter Sickert. And come back next week to hear the second half of our show and see images of Sickert's work.
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Want even MORE information? Check out the links below:
BBC History of Jack the Ripper
FBI Case File on Jack the Ripper
http://www.jack-the-ripper.org/
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Andy Warhol's take on mortality wasn't about memorializing. He instead focused on the direct causes of death, or the aftermath of a terrible accident. His series, Death and Disaster, is one of the most well-known and polarizing of his career. But Warhol wasn't the first artist to focus on the everyday tragedy of death as a subject to quite this revealing and exploitative extend. That honor might very well belong to someone else: an immigrant photographer working in Manhattan in the 1930s and 1940s.
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Want even MORE information? Check out the links below:
Death and Death and Death by Warhol
Andy Warhol, the Death and Disaster Series and Prestige
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There are lots of questions that come up in every art history classroom. We hear them over and over again. What is art, really, and how can you define it? Why is the Mona Lisa smiling? What happened to the Winged Victory's arms? And then there's one that you'll hear, or that you'll even think yourself, especially if you are a fan or scholar of Renaissance art. Why, people ask. Why are Michelangelo's women so... un-womanly?
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Want even MORE information? Check out the links below:
Jill Burke's blog: Men With Breasts (Or Why Are Michelangelo's Men So Muscular?) Part 1
Jill Burke's blog: Men With Breasts (Or Why Are
Michelangelo's Men So Muscular?) Part 2
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Marie Antoinette, Queen of France, had an image problem: she was seen as frivolous, silly, and out-of-touch. In order to combat her poor press, the royal court commissioned a series of portraits of the queen to make her more relatable and sympathetic. Such images act as excellent propaganda machines, giving Marie Antoinette a much-needed positive spin. But what is even more marvelous is the backstory of the artist who created these portraits-- because the painter who was chosen to portray the highest woman in the land was… another woman.
Talk about a revolution.
In the third episode of the ArtCurious Podcast, we'll look at the lucky and semi-charmed life of Elisabeth Vigée Le Brun, one of the most popular painters of 18th-century France and the official court painter of Marie Antoinette.
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Looking for a transcription of this episode? Check it out here. Not to be used for distribution or any other purpose without permission.
Want even MORE information? Check out the links below:
Elisabeth Vigée Le Brun's memoirs
She Painted Marie Antoinette (and Escaped the Guillotine)
The Praise and Prejudices Elisabeth Vigée Le Brun Faced in her Exceptional 18th-Century Career
Vigée Le Brun: Woman Artist in Revolutionary France
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Vincent Van Gogh's suicide is a huge part of the mythology surrounding him: as much as the famous tale of the cut-off ear is. This so-called "tortured genius," it is said, was so broken down by life and failure that he had no choice but to end his life. Right? But in 2011, two Pulitzer Prize-winning authors published a book titled Van Gogh: The Life that stunned the art world. Therein, Gregory White Smith and Stephen Naifeh state that the artist didn't actually commit suicide.
No, they say: he was actually murdered.
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And follow us on Twitter and on Instagram for more artsy goodness:
Instagram: https://www.instagram.com/artcuriouspod/ Twitter: https://twitter.com/artcuriouspod
Looking for a transcription of this episode? Check it out here. Not to be used for distribution or any other purpose without permission.
Want even MORE information? Check out the links below:
Van Gogh Museum: 125 Questions
Van Gogh Museum: The End of a Difficult Road
Vincent Van Gogh's Letters available online in their entirety
CBS News: The Life and Death of Vincent Van Gogh (video)
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En liten tjänst av I'm With Friends. Finns även på engelska.