Back to NOW!

Ideas, experiments, imagination.

So, what was the optimum Britpop™️ year? Academics, thinkers and BBC documentary makers have wrestled over this question for many a year. Possibly even as long as it takes to listen to Be Here Now.

1993 - Yanks, go home?

1994 - Maybe, perhaps definitely?

1995 - Different class, I’d suggest?

So where were we by the spring of 1996? Three years of evolution, trademarked Beatles and Kinks mimicking, and countless cans of Red Stripe had taken it’s toll. Would it be perceived wisdom, or 21st century hallowed hindsight, to suggest the original spark of Britpop was beginning to flicker as the winds of pop change were ‘spicing’ themselves up in the wings?

There’s no doubt that the all conquering 94/95 pop of Pulp, Supergrass, blur and Oasis were still casting a huge Union Jack shaded shadow over the charts. 

But, oh, there was so much more! (We’ve been here before, haven’t we?)

Big dance acts! (Some faceless, some disguised as wrestlers!)

Big pop acts (Some a bit cheesy, some disguised as Eternal and Lighthouses!)

Big legacy acts (Some a bit past it, some disguised as Queen, some having soap stars being sick in their hair!)

But lest we forget, as 1996 got underway and the first BIG NOW of the year presented 4o Top Chart Hits for our delectation - whether your ‘flava’ was pop, rock, dance or hippy - there was an unbridled swagger and confidence to the music. The decade had shaken off any allusions of baggy or grunge and was telling us we could indeed live forever. 

Viva Forever, as some might (and indeed will) say! 

Join author and all round 90s pop kid Neil Collins as we revisit NOW33 and the spring of 1996. 'Neil's new book International Velvet: How Wales Conquered the 90s Charts revisits the unforgettable Cool Cymru era when the Manics, Catatonia, Stereophonics, Super Furry Animals, Gorky's Zygotic Mynci and many more won over the masses!

Along the way rediscover how TV adverts were still providing a soundtrack to our denim purchases and drink breaks. How dads were very well catered for in the mid 90s (rock bands, not Louise!), what cassettes were in Neil’s parents car as they attempted to break the traffic system of Paris, and why NOW33 has the best ending of ANY compilation EVER. 

And there’s even honourable mentions for the Smurfs and Robson & Jerome! 

Don’t look back in (too much) anger! 

Hosted on Acast. See acast.com/privacy for more information.

Dylan Jones once described the Eighties as being shaped by ‘a new type of bohemianism, one empowered by a certainty and an optimism that was only fleeting back in the sixties.’ *

Moreso, K.Tel records importantly reminded us that home taping was killing music. 

So, it’s November 1981, and this young music fan is feverishly taking ownership of two cassettes in his local Woolworths. One blue, one red. One bought, one free. Together this maiden compilation purchase - from the aforementioned compilation giant K.Tel, Charthits ‘81 - as kicked off by the ever so eighties drum crash from Dave Stewart and Barbara Gaskin – was the start of a lifelong love for variously compiled pop. 

One that would lead to, well, NOW. 

Forty years later and the superlative team at NOW HQ delivered their Yearbook for 1981. 85 of the biggest, brightest and best hits (thank you Mr. Mulligan for that very nice tagline). 

A year that started tragically with the death of John Lennon, and ended with Susanne and Joanne from the Human League with spray foam in their mouths amidst highly flammable Christmas trees in BBC Television Centre.

And inbetween, a dazzling twelve months where the decade began to take shape and form an identity that remains with us today. 

Pop, soul, disco, funk, rock, reggae and metal. All present and correct. 

But, as Thursday nights on BBC1 would testify through those iconic theme tunes of Tomorrow’s World and the newly christened TOTP Yellow Pearl in July, electronica was elbowing its way through the queue at the Blitz club to make a defining mark on the sights and sounds of 1981.

With the able assistance of guests Chi and Ian from ElectricityClub.co.uk, this episode revisits the NOW Yearbook 1981 (and it’s stellar accompanying extra volume!). An iconic line up of music and memories awaits including Duran, Duran, Ultravox, Soft Cell, Kim Wilde, The Human League and ABBA. 

We explore how the year saw some seventies survivors glam up and mobilise for this new decade with assistance from the new video pioneers such as Russell Mulcahy and David Mallet. 

We also consider how retro never sounded so good, what made a good (and bad) medley hit, how tribal factions and cultural identity shaped our school days (and the streets across the UK), how news and popular culture were living under the ever present threat of global destruction and how pop saved us all once again.

Grab some blank tapes, switch off one of the three channels on your TV and join us as we head back to a glorious year in pop, 1981.

Ridicule is, as you know, nothing to be scared of. 

* Sweet Dreams: The Story of the New Romantics: Dylan Jones (2020)

Hosted on Acast. See acast.com/privacy for more information.

We’re going where the sun shines brightly,

We’re going where the sea is blue…

1986 really was very Cliff. He had celebrated his first No1 of the 80s with the cast of The Young Ones, featured in some devastating billboard action in the (rerun) finale of the aforementioned BBC comedy show, been covered by the TVam rat and gerbil, and even had one of his most famous songs feature on a rather unique (and quite frankly ghastly) novelty Euro hit. And in July of the very same year, this very prominent track (it’s Summer Holiday folks!), Cliff’s ubiquitous seasonal anthem to double decker buses and Una Stubbs, was sitting proudly as track 1 side 2 on the latest NOW, That’s What I Call Music album.

But wait!

The gloriously designed blue sky and beach umbrella that housed the latest variously compiled pop selection was not to feature such 1986 chart toppers as Wham!, Dr and the Medics and Chris De Burgh(!). This wasn’t the impending 7th volume of the (rapidly becoming) world famous series of compilations, this was NOW - The Summer Album, and it was…well, different.

Just as the wonderful team had done in November 1985 with NOW - The Christmas Album, here was the brand’s second venture into a ‘theme’. And what a theme it was! Four decades of summer anthems, summer hits, sizzling memories - phew what a scorcher!

But as it transpires, with guest Tim Worthington, we discover that the album announced from the pages of Smash Hits in July 1986 (featuring the most summery of acts, The Jesus and Mary Chain!) was much more than that just sun loungers and factor 30. Because growing up in the 70s/80s in the UK summer was often quite different indeed!

What NOW - The Summer Album perhaps did do, was provide a template of summers we all wished we’d known; a sixties summer of love, a fifties summer of rock n roll, a seventies summer of…cricket (?) and of course an eighties summer of Radio One roadshows, and quite probably, traffic jams.

It was an album that also provided a range of genres, new bands from the past to discover and a template for all summer soundtracks to come.

So, dive back into an iconic chapter in the NOW series. Find out how some VERY big pop names appeared (TWICE!), why sound effects always make summer songs better, how some songs were longer (and shorter!) than others and why John Menzies probably didn’t anticipate how well this summer set would sell.

And importantly, remember your Plymouth dealer is, indeed, a dealing man.

Hosted on Acast. See acast.com/privacy for more information.

“What we’re gonna do right here is go back, way back!”

If you were really down with the cool kids in 1984, you would have most definitely have been passing around the school prized C90 cassettes featuring much copied Streetsounds compilations. And somewhere in there was Kurtis Blow’s AJ Scratch track with those immortal sampled words from the Jimmy Castor Bunch in 1972. Straight out onto The BMXs and down to throw some funky worm shapes on that strip of lino!

Or, in this writer’s case, 1984 was mainly spent in a bedroom hovering over the play and pause button to catch a clean edit (without Simon Bates) of Two Tribes, still at number one after 5 weeks! But which mix would we get this week? Now, THIS was anticipation, pop kids!

1984. A pop year of decadence, contradictions, conflict, controversy and coming of age. A year that authors (and the BBC) told us would feature impending, inevitable Armageddon. Annihilation, it turned out, came in the shape of a plethora of 12” mixes, plastic smiles, snoods, 808 drum machines, hairspray, neon and (red) balloons. How was it for you?

In the third decade of the 21st century, a time surely we wouldn’t (a) remember 1984 or (b) still be around to remember 1984, the team at NOW Music HQ presented the second in a (now) glorious series of curated Yearbooks. And what an album (and accompanying extra volume!) we have to rediscover. The sun is most definitely shining brighter than Doris Day!

So for this special episode we’re joined by two poptastic friends of the show to take a deep dive into 1984. Journalist, DJ and author Ian Wade and journalist, author and broadcaster Jude Rogers.

Jude can be found contributing musings and writing about music, culture and much more in The Guardian, Observer and The Quietus amongst many others. Her first (best selling!) book, The Sound of Being Human: How Music Shapes Our Lives is available through White Rabbit books.

Ian has written for Classic Pop, Record Collector, The Quietus, Official Charts, Sunday Times Culture as well as doing time at such titles as Smash Hits and The Face many years ago. He has worked as a PR on BBC’s Later… with Jools Holland and occasionally DJs at Spiritland and Duckie. And his debut book 1984: The Year Pop went Queer is published by NineEight Books in July 2024.

And whilst we don’t take a forensic look at every one of the 80 tracks on the 1984 Yearbook (and the further 60 on the extra volume) we instead provide you with an opportunity to explore the sights, sounds, culture, music, genres, tribes and (school!) fashion that makes this year so thoroughly iconic for so many reasons.

Join us then, as we turn up the neon and dance through mutually agreed destruction in celebration of 1984! 

Hosted on Acast. See acast.com/privacy for more information.

August 1989.

The final year of ‘the finest pop decade ever’™️ is moving along quite nicely thank you very much. 

There’s most definitely a change in the air, and we don’t mean the launch of the FOUR channel Sky TV network. Relax everyone, UK Gold and TOTP reruns are coming in three years!

No, real change was coming. The second summer of love in 1988 (sorry Danny Wilson, probably a year out) as witnessed on the utterly imperial NOW 11, 12 and 13 had demonstrated that the 90s were calling and they would be decked out in dayglo. And most importantly a new positivity was being felt in the air, across the airwaves and through the pop we were all immersed in.

And let’s not beat about the bush, folks, 1989 was a seismic year for music. Let me indulge you listeners:

Disintegration, Three Feet High and Rising, Doolittle, Technique, Club Classics Volume One, Raw Like Sushi, The Stone Roses, , Like A Prayer, Hats, The Seeds of Love, Flowers In The Dirt, Paul’s Boutique, The Raw And The Cooked…

And of course Neither Fish Nor Flesh (A Soundtrack of Love, Faith, Hope & Destruction).

And so, to our favourite compiler of variously compiled pop. 1989 saw four (yes, as many as that!) new NOW, That’s What I Call Music albums. Why four, I hear you cry? Well, because the summer was adorned with the first new dance volume since 1986, an album that, NOW fans will know, featured Love Can’t Turn Around by Farley Jackmaster Funk - the first House track to break the UK. And 1989 was time (not for the guru, that’s 1990 of course) to celebrate how dance was back, Back, BACK!

And this additionally delicious dance volume enabled the BIG summer fifteenth volume to go deeper into the year’s genres. So step forward delights including Soul II Soul’s era defining classic, Paul McCartney’s Hofner bass-adorned celebration of TV dinners, Swing Out Sister’s mind-bending, sumptuous sixties throwback and De La Soul’s daisy-age makeover of Hall and Oates (the ultimate backward nod to the outgoing 80s?).

What a time to be on the edge of seventeen (deliberate Stevie Nicks nod, there) as this listener was!

And joining me for this sepia-tinged and frankly tear-stained 1989 nostalgia fest through NOW 15 is the music journalist and author of the 33 1/3 book on George Michael's Faith, Matthew Horton.

Discover how homemade mixtapes (his mums AND his own) inspired many a house party and achieved (almost) legendary status. Which cassettes were stuck in his Walkman at the outdoor Lido pool, why goth stars and American soap operas need to come together, which rapper performed for Matthew (and others, obviously) at Bristol University and (YES!) why the love for Fish and Flesh will never go away.

And amongst these glittering 1989 delights, experience the moments when I actually say positive things (almost) about our friends from the north The Beautiful South and Hue and Cry.

Join us on the glorious beach (best cover ever™️ - Jude Rogers) as we head back to NOW15. 

I think it’s going to be alright.

Hosted on Acast. See acast.com/privacy for more information.

It was the wise prophet and occasional flower impersonator Peter Gabriel that said, 

‘I don’t remember, I don’t recall,

I have no memory of anything at all.’

Do you remember 2008?

Yes, it's only (!) 16 years ago, so I’ve no doubt you still have packets in the kitchen cupboard that are older, but do you also remember how the pop landscape of 2008 was mapping out? 

Indeed, what on earth was going on in your life eight years into the 21st century?

You see, this writer (it’s, me IAIN!) has quite a glitchy view back of his shoulder to this year. Life had thrown a few curveballs (listen in, it’s kinda revealed) meaning that pop memory has become patchy. Perhaps for you, dear listeners, 2008 is similarly harder to initially grasp hold of. 

Fear not! The world’s finest compilation series (as always) is on hand to jog memories, restart downloads an piece together for us what was selling, streaming, rising and falling up and down the hit parade that we call “The Charts’. 

It’s NOW, That’s What I Call Music 69!

And crikey, what a mix we had!

Torchsongs, soul songs, Neo-soul songs, Soul-dance songs, Northern soul songs! Songs that weren’t soul soul songs but would like to be!

Big pop statements from Britney, Robyn, Girls Aloud!

Slightly smaller pop statements from Shane Ward and Leon Jackson!

We also had some huge ghosts of pop pasts resurfacing thanks to the likes of Rihanna, Duffy, Kylie and others. And some iconic artists that would stay with us through some era defining tracks. Because sometimes pop is the only thing that helps us when things aren’t OK (but will be OK). 

Our special guest for this episode is author of the frankly wonderful Don't Stop the Music - A Year of Pop History, One Day at a Time, and lifetime pop fan Justin Lewis.

AND, if all of this wasn’t enough (and don’t forget Basshunter is in there too), find out where Joe Fagin fits in, who the Kajagoogoo of NOW69 is, which group may (or may not) have their own day time quiz show, how Justin grew up with Tom and Annie on Radio One and grew back in love with music in 2008 through some of these songs, and also which tracks deserve 10 out of 10. And of course, why pop is still so important for making sense of the world around us, in any decade!

All of this, and I’ve managed not to say anything negative about Scouting for Girls!

Oh no, wait…

Hosted on Acast. See acast.com/privacy for more information.

It's November 2023, and the world's most successful compilation series is celebrating its 40th anniversary. Five decades of compiling the latest hits, the occasional miss, but always the songs that soundtracked our lives. Always there, always democratically and expertly sequencing the music that the UK buying (downloading/streaming/swiping) public were grooving to, laughing to, dancing along with, or crying about (add in your own band or artists here).

What else is still with us from 1983? And still having such an impact?

Breakfast Time? Well, certainly not Frank Bough.

The Ford Sierra? Taxi!

£1 coins? Down the back of the sofa.

Kajagoogoo? Hush hush, as they say. (One for the older listeners)

So, as our friends at NOW rightly celebrate the past through a stunning array of special albums and even see podcasters pop up across several TV programmes waxing lyrically about the famous compilation series (well, no-one else will talk about it, will they?) the numbered series that started it all in November 1983 continued to do exactly what it set out to do; bring together the songs of NOW.

Perhaps no longer just the Top Chart Hits, that tag line that emblazoned the front cover of earlier volumes, but now taking into account the various ways we actually DO consume music in the third decade of the 21st century.

NOW 116 - The Best of the Best.

47 tracks. Tik Tok stars, Film soundtrack anthems, legendary decade surviving artists. Pop, rock, dance, soul.

All present and correct, all breathlessly exciting, all taking that snapshot in time of pop culture. And as we know, an invaluable window into the soundtrack of our lives.

Where, indeed, Agnetha, do we go from here?

To understand the past and the future, we always need to be in the NOW. (Take a note of that line, its a good one: Ed)

And joining me to make sense of this dazzling volume of the world famous compilation series is award winning writer, journalist and NOW fan David Quantick.

David explains why he wanted to get in 'at the deep end' and why he thinks that NOW116 highlights that pop is in a fine healthy state in. We explore what actually is a 'hit' in 2023/24, why short songs are always an indication of great songs, why NOW continues to keep getting it right and how the compilation series is Top Of The Pops in exile.

Along the way, discover who David describes as 'the Dr. Who of Pop', who are 'The Strokes for Queen fans (or was that the other way around)' and what a bad AI version of George Michael may look (and sound) like. We also revisit why Pop continues to Eat Itself (yes, David came up with that one!), why the female artists are leaving the boys behind, who the 'ASDA Madonna' is and who the real Madonna is.

And did Chris Lowe really offer Tracey Chapman a lift in 1988?

We really do (watch what I do here) Paint The Town Red!

Jump in, buckle up and remind yourself why pop is still very, very important.

Hosted on Acast. See acast.com/privacy for more information.

Confidence, they say, is a preference for the habitual voyeur of what is known as…

…1994, darlings! 

And of course, as perceived wisdom now dutifully dictates, we were all completely mad for it, lemon hooch in hand, union jacks draped around our football tops, waving two fingers to those damn yanks. Go home!

Except, of course, the truth couldn’t be further away from the, er truth. Whilst it definitely maybe was 1994, there was so much more than just cigarettes (and alcohol). And we were all the better for it, pop kids!

Our favourite compilation series was not only celebrating nearly turning 30, it was also sporting a new slimline 2CD cover - swanky, and soooo nineties! Goodbye fat boxes, this decade of NOW was neater, fitter and certainly in full swing.

So, what could you expect from this sparkly, starshaped selection of 38 Top Chart Hits?

Pure, glistening pop from the likes of Michelle Gayle and Sophie B Hawkins!

Boyband phoar-dom (is this a word?) from the top flight teams of FC Take That and East 17 United!

Swoonsome songstress Lia Loeb positively not missing the knocks of Ethan Hawke (reality will bite)!

And huge slices of europop at every provincial nightclub turn! Another Saturday (rhythm of the) Night folks! Mine’s a Pernod and blackcurrant and chip butty!

And of course we had a selection of those most poppy sounds of the Brit persuasion, courtesy of blur (no capital!) and Oasis. Swagger, confidence and NOW on the money as always. 

All of this and much, much more awaits - including SPARKS! Yes, actual Russell and Ron Mael on a NOW album!

Join Anna Doble - broadcaster, journalist and author of ‘Connection is a Song: Coming Up and Coming Out Through the Music of the 90s’ - as we head down some fascinating rabbit holes and unearth not just a year of memories, but a whole decade of emotional and personal stories, interwoven by the power of music. And as always, NOW serves as the perfect snapshot of pop bringing it all back home.

AND we pose some of 1994 biggest questions:

When did Britpop actually begin?

Which band followed Anna around Leeds on a bus? (well, not actually)

Is 2wo Third3 the first ever case sensitive password?

Are Shampoo the centre of the pop universe?

Ultimate KAOS - why?

Join us for NOW29 - it’s SO GOOD and INCREDIBLE! (Enough puns - Ed)

Hosted on Acast. See acast.com/privacy for more information.

Pop. The way that we process everything.

So, it's the summer of 1993. According to meteorological 'experts', the UK experienced its lowest maximum temperatures since 1972. Only 4 days were officially classified as 'HOT'.

Well, I would argue, pop fans, that is UNLESS you had a swingorilliant copy of NOW, That's What I Call Music 25!

(We'll take this quite frankly, cheesy line out in the edit - Ed.)

Yes, indeed, the blue sky and wistful clouds that adorned the glorious cover of the latest variously compiled snapshot of pop invited us into a summer spectacular of hits, Hits, HITS! Some of them even reaching as high as No69!

Actually, there were plenty of chart topping sounds. George and Queen were raising the (non roof) of Wem-ber-lee, Ace of Base were confusing us all about wanting babies (possibly), Gabrielle was setting chart records and certainly not mentioning fast cars and Freddie Mercury was rewizzled and jigging away. And outwith these HUGE No1s we had Tina Turner getting a leg up from Lulu, Sade not getting a leg up from Lulu, Louche Lou and Michie One channeling Lulu. Yes, the variety was indeed...(enough! Ed)

(Turns page)

Big IMPORTANT 90s acts such as REM (stuck in traffic), New Order (stuck in Baywatch), Duran Duran (stuck in, well, being bloody brilliant).

Big DANCE choons from Sybil, Robin S (not that one) and 2 Unlimited (diminishing returns ahoy!) were keeping the frugging youngsters (and those on revolving dancefloors on boats!) moving.

And Dannii and Kim were having a right old 70s revival karaoke style ding dong. Oo-er!

Oh, and the campaign to completely rediscover the utter brilliance of the No42 AMAZEBALL that is 'Somewhere' by Efua starts RIGHT HERE.

Join Scots pop superfan, Foyle's Bookstore's very own Niall McMurray (he's been waiting in reception) as he revisits an eventful and personal summer soundtrack; songs, music and memories that (in his own words) take him back to 'the year he will write a book about'.

Along the way discover the power of provincial (and often quite terrifying) Scottish night clubs, how music always sounds better in a Fiat Panda, the song that Niall most hates in the whole world, the allure of a sinister pop flute, which NOW25 pop star is immortalised as a cardboard cut out in Iain's attic.

And try to work out why it's impossible to remember the 90s when D:Ream are about!

Oh, and of course, why Linda Perry, Joey Lawrence and Richard Darbyshire (and, quite frankly a few others) absolutely won't be returning our calls.

(PS - the wonderful quote at the start - that's oor Niall X)

Hosted on Acast. See acast.com/privacy for more information.

Welcome to Spring 1993.

And, I’m sure you’ll all agree, there was only one phrase on everyone’s lips.

I lick-he boom, boom down.

(Checks notes)

Anyway, more of that later.

The legendary NOW compilation series has reached its twenty-fourth volume and is now standing proud as the finest collection of chart hits around.

HITS who?

And as the fourth year of that craziest of decades ‘The Nineties’ got underway, 37 of the finest top hits were vying for your pop attention. AND what a year it was shaping up to be!

The Bluebells were back from NOW3, promoting the cheeriest of car branded divorce!

Hue and Cry were back from NOW10, still not working for you No More (at No 25!)

Sister Sledge were back from the 70s, sure and as pure as the day is discotastic!

Ultravox were still finding no meaning in anything!

Lulu was, er, just back!

(Get to the NINETIES! - Ed.)

Yes, what a kaleidoscope of pop 1993 was pop kids! And OF COURSE there were plenty of tracks that signalled the decade was well and truly underway.

The dancefloor was burning up thanks to Sub Sub, Robin S and er, 2 Unlimited. 

Reggae was waving its flag with Shaggy, Snow and Shabba Ranks. 

The boybands were exploding into our living rooms with Take That covering Barry Manilow in a garage and East 17 stuck in a Swimming Pool at TOTP. 

And Duran Duran were quietly making THE comeback of the decade with something that certainly wasn’t ordinary AT ALL.

All of this before we mention some fabulous pop moments from the likes of World Party, The Beloved and Lenny Kravitz!

It was enough to make Radio One ‘legend’ DLT flip out live on air! No, really.

Join music journalist and blogger Sam Lidicott as we revisit these tracks and much more as we head back to NOW24. 

We explore why so many brilliant female vocalists were heading up the charts, which band Iain had breakfast with in 1993, and why NOW24 has not one but two exclusive bragging rights across the WHOLE series. 

Oh yes, there really were (wait for it) No Limits!

And without too many spoilers, find out why Ugly Kid Joe and (sorry Mick) Simply Red probably wont be returning our calls.

Hosted on Acast. See acast.com/privacy for more information.

Welcome, one and all, to the 3rd annual Back to NOW review! 

As is now tradition, this end of year episode of the variously compiled podcast provides us with a festive opportunity to glance back over our shoulders at the pop landscape of yet another 12 months.

Let’s celebrate a dazzling year of NOW compilations that in 2023 have included something for everyone - fabulous yearbooks scanning four decades, love songs, Eurovision, dance, alternative, hi NRG, 12” annuals, and of the course the ubiquitous, iconic numbered series - across a sparkling selection of CDs and vinyl that we love so much.

But wait! 

This year we have a bigger celebration than normal, as we say Happy 40th to NOW! Yes, a hastily approximated 14,600 days since EMI and Virgin records robbed those Raiders of the Pop Charts of their ‘buy one get one free’ title to claim the undisputed crown of compilations - and the rest, as Richard Branson would expect us to say, is pop history! 

So, join us as we indulge in our BIGGEST episode yet featuring pop rambles, self-referential blether, teary-eyed nostalgia, a few surprise guests - and general celebratory stuff and nonsense galore.

And fear not, our seasonal panel of angelic upstarts have all stepped back from the Christmas shopping and bitching about festive TV ads to be here just for you!

The Golden Mark Wood!

The Frankenscens-ical Ian Wade!

And the Myrrh-raculous Johnny Kalifornia!

And what can we expect from our guests, I hear you cry?

Without unwrapping the presents too much, discover who Johnny is getting to sing ‘Happy Birthday’ to him on New Year’s Eve, which track Mark came around to after his knee operation (THIS is what the kids want!) and why Ian is stuck between ‘Dystopia and Hazell Dean’. 

Yes, it’s THAT kind of party!

And everyone is welcome. X

Hosted on Acast. See acast.com/privacy for more information.

They all know it’s Dynamite, 

And the music went on and on and on…

The history books will tell us that, in theory, 1973 shouldn’t have worked.

Terrorist campaigns, oil shortages, petrol rations, power cuts. Peters and Lee.

However, as the saying goes from great adversity comes great art. Or was it great sitcoms? 

Either way, 1973 stands not just as one of the greatest pop years of the decade, one could argue of all time. 

Really, I hear you cry? Where is the evidence that a year that could see Donny Osmond hit the top spot twice needs to be elevated to such greatness? And we didn’t even win the Eurovision Song Contest? CONVINCE ME!

1973 was perhaps the year where the decade finally shook off the ghosts of the Sixties. The Seventies had arrived and with breathless confidence, swagger and a reclamation of joyful pop by ‘the kids’, the year provides an embarrassment of musical and cultural riches. 1973 had put on its best glam gladrags and was ready to light the fuse for the rest of the decade.

Colour had arrived across UK TV sets just in time for the like of Slade, Elton, Bowie, Roxy Music and a host of others to trailblaze a lightning streak of supercharged escapism across the charts and into our homes every Thursday evening on Tops of the Pops. 

Suzi Quatro, Alvin Stardust, Wizzard and Mud joined the glam trail with huge glittery doses of pop sensibility and killer choruses, that at times felt as if the centre couldn’t hold. David Essex provided one of the most memorable songs of the year as ‘Rock On’ also spearheaded 1973’s revival love affair with Rock and Roll as seen in the smash hit film ‘That’ll be The Day’. 

But this stellar year also gave us a wealth of classic soul and funk, many of which still soundtrack our lives 50 years later. Let’s celebrate the greats such as Diana Ross, The Temptations, Gladys Knight, Marvin Gaye. The list of highlights (just like the beat, pop pickers) goes on and on.

And in 2023, the team at NOW have proudly provided us with a Yearbook and extra volume that together curates over 140 hits and memories from 1973; a pop year like no other. A compilation that is worthy of the title A CLASSIC.

Joining me for this special episode is music consultant and Duckie legend Mark Wood and music journalist, author and cofounder of needle mythology records Pete Paphides. 

Discover why and how Mark has documented the whole year through his amazingly tireless, daily Facebook updates - and why 1973 is such an important year for him. Revisit Pete’s memories of growing up in a chip shop and the sights and sounds that triggered his own fascination with pop. 

Along the way, also share in some fabulous anecdotes and stories including the tale of Roy Wood’s lost man bag, Alvin Stardust’s minders, which 1973 topped Saint Etienne’s all time list, a plethora of Beatles related links and facts and how some Daytona divine intervention soundtracked a 21st century fairground ride for one of our guests. 

All of this and much, much more. Whether you were there first time around or are rediscovering the glam and excitement all over again, this is a very special episode that you’ll not want to miss!

Like Christmas, everyday baby.

Hosted on Acast. See acast.com/privacy for more information.

La, La, La.

Autumn 2001. In many ways, it has been a challenging year. 5ive and Steps split, Hearsay don’t.

Pop, just like the most boybandish of the latest boybands, Blue is (all) on the rise. The new millennium has most definitely set up its shiny new stall and is fully decked out in its cargo pants, vest tops - and that is just the boys. Mobile phone ringtones were being catapulted into polyphonic ringtones thanks to those boffins at Nokia (who?) so that our train journeys became even more annoying.

And a significant cultural milestone was met. No, not the 1000th episode of Family Affairs on Channel 5 or the return of Crossroads (really?). 

November 2001 saw the release of the 50th volume of NOW! A half century of celebrating the variously compiled world of pop since 1983 and showing no signs of slipping away. In fact, NOW 50 was positively flying out of your local supermarket as the wonderful UK music buying public couldn’t get enough of the year’s biggest hits (and Victoria Beckham) as the album rocketed its way to a six times platinum No1 position as the 2nd biggest selling NOW EVER!

And was it any wonder? 44 Top Chart Hits from Kylie, Westlife, Britney, Destiny’s Child. 8 Number Ones, pop, rock, dance, animated building contractors, Austrian Schlager - this had it all! 

The singles chart was moving faster than a Who Wants To Be A Millionaire audience coughing fit with artists catapulting into (and often back out of) the Top 40 within minutes. 31 number ones in 12 months, with Ms Minogue coming out on top with the years biggest track and FOUR whole weeks at the top. How did we cope?

Joining me for this rollercoaster return to 2001 is music compiler, curator and author Lee Thompson. As the head of The Box music channel in 2001 he was instrumental in making and breaking many of these hits - yes he is to BLAME for the likes of DJ Otzi amongst others and openly admits it here!

Along the way we discover what was really going on at the HQ of The Box/Smash Hits in 2001, whose Smash Hits award turned up on Lee’s desk, Halloween School Discos(!) with Allstars, how Geri and Robbie channelled Led Zeppelin (possibly), how to pronounce ‘iio’ (probably) and some of those dazzling sales figures from the latest chart war between Kylie and Victoria (you may want to look away now listeners!)

As the latest NOW Millennium Yearbook testifies, 2001 was quite a year - and this ‘flawless’ (you’re welcome) episode for NOW 50 is a wonderful reminder of some fabulous pop times.

Hosted on Acast. See acast.com/privacy for more information.

It’s a Saturday night in April 1985 and a queue is gathering outside Raffles nightclub in, well pretty much every town and city across this sceptred isle. Feverishly excited boys and girls wait and dream of Malibu and coke, Quatro and ice, whilst expectant beams of pink neon shoot out from beyond the velvet rope and the intimidating bouncers (possibly both called Dave). 

Through the door, past the cloakroom, up the stairs and then it happens - the anthems of Saturday night come together with the vibrant buzz, dry ice and positively sticky underfloor carpet to create the magic of the weekend. This is CLUB CULTURE and the beats are going to hit you!

However, if you were too young to experience this evangelical experience of mid 80s provincial nightclubbing, then you needed a guiding hand to take you onto the metaphorical dancefloor. And in 1985, there was only one team that us teens would trust to keep us moving all night long (as long as it wasn’t too late and didn’t impact on a school night or watching The Tube.)

Step forward, NOW Dance - The 12” Mixes!

Following four genre defining compilation albums, 1985 saw the release of the first ever non-numbered NOW and it shone a disco filtered light across the club anthems of the mid 80s. And importantly, presented them in extended, longer, remixed and - yes - 12” form. 

Pop! Soul! Funk! Disco! Go-Go! Belouis Some! If they were big on the dancefloor, they were here!

The big chart names like Phil Collins, The Power Station and Eurythmics flexed their beats and rhythms alongside era defining club tracks by the like of Loose Ends, The Cool Notes and more. 

Here was a snapshot of a defining moment in club culture - as the UK charts were only months away from the coming of House in the form of Colonel Abrams, Farley Jackmaster Funk, the beat was still going on, but would probably never be the same again.

Join writer, broadcaster and Clangers expert, Tim Worthington as we revisit NOW Dance - The 12” Mixes. Along the way also discover what pop tracks frightened Tim as a child, the connection between Channel 4’s animation Pob and dance culture, which NOW album caused him to spill Dr Pepper all over a brand new sofa and why TV themes of the 80s are more closely linked to this album than you may think!

And also discover why remixer and producer Ben Liebrand will probably not be re-re-returning our big, chunky 80s mobile phone calls.

Hosted on Acast. See acast.com/privacy for more information.

It’s summer 1991 and school’s out which means it’s time for your latest compilation! It was probably on cassette, possibly from your local high street and most definitely slotted straight into your parent’s car stereo for that sweet-fuelled, motorway exodus to the sun!

But WAIT!

After NOW 19’s release in the spring, the horizon isn’t delivering the nation’s favourite 20th variously compiled selection until NOVEMBER!

As the young set frantically scan the racks of Woolworths, Dad point-blankly refuses entry to the big cassette box entitled Deep Heat (turn that racket off!). 

However all is not lost - ladies, gentlemen, girl behind the counter - we give you AWESOME!

20 Massive Hits from the team at EMI that looks, very familiar indeed. Some may even say NOW-adjacent! Kerrr-ching! £6.99! A Snip!

Join friends of the show, Johnny Kalifornia and Ian Wade in this special summer edition of Back to Now. We explore the frankly bonkers compilation landscape of summer 1991 that gave us not one but TWO Awesome compilations (well, one came out in November too, but lets not split comp hairs) from our fab friends at NOW. 

But what was going on, I hear you ask?

Well, who knows? Ian, Johnny and I ruminate on the dance, indie, pop landscape of season 1990/91 and how the compilation market was reacting to the dayglo wonders such as Soho, PWEI, EMF, KLF. Could it be that our favourite compilation album was facing some ‘young scene’ competition? Were there wobbles at NOW HQ? Was it time for a rethink? 

Can I ask anymore questions?

As this is a summer ‘spesh’ expect much end of term chaos, diversions, and plenty of fun pop memories with Kalifornia and Wade as we weave our way among 40 ‘devastatin’ choons across two Awesome albums! And along the way we also share our favourites summer songs past and present, reveal some all-time favourite compilations, discover what ‘regional dance’ is and, AND, there’s a free poster included too! 

Dive into the Back to NOW Awesome summer supplement at your local newsagent now!

(poster offer ends 31 August 1991)

Hosted on Acast. See acast.com/privacy for more information.

WARNING!

This episode contains scenes of graphic and often gratuitous pop perfection. Listener discretion is advised.

Summer 2004. 

The wettest summer in the UK for fifty years, and with it being another three years before Rihanna invents the umbrella, there is a need for something more drastic to help dodge the dampness. 

So where does one shelter from the storm? 

Well, certainly not the World Cup, at the cinema it’s a web-spinning yawn with Spider-Man 2 and TV offers up the first Strictly winning couple….who were of course…erm…shuffles notes…any-way…

Of course, the real protection from a soggy summer is always POP and who better to serve up a slice of the latest and greatest top chart hits, than the ever resplendent NOW, Thats What I Call Music team, with it’s 58th wonderful offering of 42 tracks. Phew, what a scorcher!

(Adopts serious journalistic look) 

But what was the state of the pop landscape in the year 2004?

Actually, let’s not beat about the proverbial bush, Smash Hits would have confirmed at the top of its glittery lungs, Very Healthy Indeed, thankyouverymuch.

The wizardry of pop’s perfect professors such as Richard X and Xenomania were dazzling us with their weird and wonderful masterpieces as served up deliciously by the likes of Rachel (it’s not anything like Goldfrapp) Stevens, Girls (who sang that line, Miranda?) Aloud and Sugababes version 2.0 (or was it 3.4?). 

Jamelia, Kelis and Christina Millian were proving that the girls could indeed more than hold their own with their ‘flavas’ (really - ED?) of r’n’b. And ver lads McFly and Busted (only slightly conjoined, obviously) were reclaiming power pop, silly hairstyles, big eyebrows and reinventing the boyband in the process - again, with full apologies to anyone who was on ‘that’ Air France flight (yeuch!)

And of course there was SO much more! Franz Ferdinand and Scissor Sisters continuing to sell supermarket CDs to everyone, George Michael flying a flawless flag, Britney being weird, delicate and dead all at once and some couple called Eamon and Frankee, who weren’t a couple at all, were very potty mouthed and (checks notes) WON STRICTLY! Possibly.

So, who better to steer us through this spectacular summer of sonic supremacy than writer, journalist and tall person Michael Cragg. In celebration of Michael’s utterly smashing book Reach For The Stars, Fame, Fallout and Pop’s Final Party 1996-2006, we explore the stories behind many of the tracks on NOW58, a time of pop perfection but as always much, much more behind the curtain. Michael also reveals his first (king of) pop passions, how he escaped a shoe shop to discover his own musical journey and why Louis Walsh (and not for the first time) was very wrong about pop indeed!

Along the way expect memorable and possibly even knowing nods towards Popjustice, MySpace, CDUK, Geri Halliwells’s dogs, Kimberley the BOSS and absolutely nothing about The Rasmus, O-Zone or Fatman Scoop. 

Was it all a sugar-induced, pop fever dream? Possibly, but isn’t it fun after all these years later heading back for one more bite…? 

Hosted on Acast. See acast.com/privacy for more information.

Welcome to the middle of ‘the nineties’! Sort of! Spring 1994, to be exact. And indeed, the popworld is revelling in the ‘seed of the new breed’.

Again, sort of…

You know the drill by now, the glorious NOW, That’s What I Call Music 27 steers you though the wonderfully choppy waters of the UK charts. Sometimes the shore is graced with the wonders of perfect pop from the likes of Swedish Global grabbers Ace of Base. Life can indeed be demanding, without - who knows - understanding.

Further along the journey we find Eternal being fabulous and poppy, still as a classic foursome, and - wait - can it be Peter Cunnah and D:ream celebrating all things positive and possible, whilst popping in for a cuppa in Derry?

You’ll need to listen in for THAT one.

Leaving the shoreline/boat analogy behind (running out of examples, sorry), you’ll find Meat Loaf with THREE choruses, Primal Scream stuck between two rocks (you’re welcome) and Gin Blossoms having just the one. (Can you remember anymore of their songs?)

And of course, as it’s the 90s, NOW27 moves into dance Maximum Overdrive (wrong volume, that was 26!) with the likes of Culture Beat, Capella, Reel ‘2’ Real and everyone’s favourite Charleston aping techno Dutch duo Smashing Pumpkins DOOP!

And there’s much, much more across these 38 Top (mostly) chart hits!

Join award-winning journalist, author and broadcaster John Aizlewood as we head back, Back, BACK to 1994 for stories aplenty of pop adventures from his days with the doorstop music authority magazine that was Q (RIP), including how he attempted to stop Ace of Base leave a room, ordered everything on the menu with Jim Steinman and tried to find Tony Mortimer’s imaginary record collection.

Also, discover which record started it all for John (clue, it’s not on NOW27) and which group has captured his heart more than any other (clue, it’s not Doop).

And find out which acts on the album could (possibly) provide the perfect Pointless answers and which track almost (well, not really) brought our blossoming podcast friendship to a violent end! Yes, it’s that dramatic (again, really not).

In the words of the Urban Cookie Collective, let’s Sail Away folks! (Another boat analogy - REALLY?)

Hosted on Acast. See acast.com/privacy for more information.

It’s the summer of 1992!

The UK had accidentally voted in the Conservative government again but to make amends wins lots of medals at the Freddie and Monserrat Olympic Festival Sporting thingy in Barcelona, so everyone forgets for a while.

Alan Shearer becomes the most expensive soccer star in the whole of history and the English FA celebrate their winning bid for Euro96 - spoiler, it still doesn’t come home.

And, AND, everyone was glued to the BBC’s newest and sauciest soap opera Eldorado - what we all now recognise as the greatest TV turning point of the century. Must we throw this telly filth at our kids, said absolutely no-one.

The new pop decade was coming of age as the third year of, what some called ‘the nineties’ was providing yet another glittering array of….(checks notes)….erm, we’re not really sure.

But wait, this is not a problem! NOW, That’s What I Call Music 22 was on hand and available in all formats to bring you 34 (yes, 34!) toppermost chartiest hits that would make sense of everything we needed to know!

Coming at you like an overexcited ministerial briefing from Maastricht, every conceivable genre of music reminded you that there was indeed no genre whatsoever in 1992. Erasure dug up the Blue Peter-esque garden and found ABBA in a biscuit box, Utah Saints dug behind the sofa and found Kate Bush raving in a sweater, Electronic continued to be the best supergroup since forever and, ha, ‘disappointed’ no-one (too cheesy, take this out in final draft) and whilst the Orb played chess on TOTP (checkmate, Alex!) a huge shoulderpad of serious adult rock from the likes of Cocker, Stigers and Marx was selling bucket loads of expensive CDs and trying their hardest to overshadow the pop kids (they’ll never get away with it!).

Join podcaster, writer and promoter Catrin Lowe as we head back to this crazy summer of 1992 to revisit the hits, headlines and otherwise that make up the gloriously non genre-specific volume 22 of the world famous NOW series!

Along the way discover which band Catrin wrote a poem about on Teletext, how Turbo B infiltrated a fireworks display in Cheshire, which NOW22 act pretended to be farm animals on a recent TV talent show and why gravy is so important when considering your power ballad.

To quote Simon Bates - 1992: Sexual Crusader or just a Big Girl’s Blouse? You decide!

Hosted on Acast. See acast.com/privacy for more information.

Alexa, show me 1984.

If you were to ask a certain searchable device (others are, obviously available), there’s a high probability that the year George Orwell predicted would see us living in a terrifying future nightmare would instead be adorned with a wash of neon, colour and an array of sunshine pop. 

And the character staring back at us wouldn’t be Big Brother, it was a pig in shades. Of course!

(And is there anything cooler?)

Yes, it’s here! July 1984, and the third volume of the world famous NOW That’s What I Call Music series had arrived and quite literally rocketed - locomotion style - to the top of the charts. And for sure, the compilation album was back, Back, BACK!

A glittering selection of the pop’s finest (and The Art Company) lined up to highlight why 1984 is often (argue with us here) cited as one of the greatest music years. 

From Duran Duran’s worldwide fl-fl-flexing monster smash, to Wham! shining brighter than Doris Day, NOW3 features some of the decades biggest hits. Take a look at Phil Collins, wait for pizza (talking some Italian, probably) with Bananarama, even stay up way beyond bedtime to catch falling men with The Weather Girls. Wow!

But WAIT!

Underneath the streamers and balloons of summer 1984, wasn’t there just a hint of darkness?

Of course there was! Global annihilation never looked or sounded so fabulous (and we’re not talking Threads, thanks again BBC)! Nik Kershaw wasn’t letting the sun (or his snood) go down, Ultravox had tears in their eyes (shortly before humanity was vaporised) and of course Frankie Goes To Hollywood were on top of the whole mushroom cloud as Two Tribes (and just a smidgeon of Trevor) ruled the airwaves, charts and the 12” mixes whilst we listened to Patrick Allen’s public information messages. Chilling? Yes it was, and we haven’t even got to The Art Company yet! Brrr! 

So, let’s jump back to summer 1984 with the BBC’s music correspondent, Mark Savage to explore the many faceted pop kaleidoscope of 30 Top Chart hits that is Now Music 3. Along the way also find out how Mark discovered pop growing up in Northern Ireland, memories of sun kissed holidays and which record had the neighbours banging on the wall.

Plus, the mystery of a very strange cassette tone is - after 30 years - revealed! 

Geeky? Us? Of course we are!

As Cyndi Lauper said, we all have a suitcase of memories - time after time.

Hosted on Acast. See acast.com/privacy for more information.

Welcome to 1993. Autumn, to be exact. 

And how was it all looking?

Well, it wasn’t really baggy like 1990, or rave-y like 1991, but it wasn’t Britpoppy like 1995. It was all a bit…well, who knows? Can we say, a bit of a pop hinterland?

And were there any clues across our ever reliant pop culture landscape for how ‘93 had shaped up? Well in a year that saw the launch of two modern icons - the Vauxhall Corsa and QVC - actually, perhaps, we’ll come back to them later. Not!

Back to the hinterland then. We had the ever reliant and still relatively imperial Neil and Chris, resplendent in their dayglo uniforms marching to the Village People in Moscow. Or perhaps your CD single (with 6 extra dance mixes) was celebrating the glorious invasion of Europop of Culture Beat, 2 Unlimited and Haddaway. Or maybe you were, frankly too cool for school and had bunked off to the shimmering r’n’b from SWV, Janet and Eternal.

And where was Indie? What even was indie in 1993?

One thing is for certain, your musical tribe in 1993 was considerably, undeniably, very untribal. 

But isn’t waiting for the Next Big Thing - and spotting the red herrings along the way - so terribly exciting?

So if it’s autumn ‘93, it’s definitely time for NOW That’s What I Call Music 26! 

And joining us for this excursion back 30 (!) years, none other than author and chief rock & pop critic for The Times Will Hodgkinson. 

Will selects his highlights from the wonderfully packaged 40 Top Chart Hits as well exploring the wider pop culture landscape of 1993. Along the way, we discover Will’s inspiration for his, quite frankly wonderful exploration of 1970’s pop ‘In Perfect Harmony’ and how 1973 and 1993 really had a lot more in common than you may think.

We also take excursions into some of 1993’s other memorable musical moments, courtesy of Bjork, London’s eclectic club scene and (unashamedly) Bowie’s Buddha of Suburbia (with a real cameo from Will, no less!)

Expect starring (and a few understudy) roles from Meat Loaf, The Shamen, Lawrence from Denim, Stakka Bo (only a bit Stereo MCs), Crustys, Frank Farian, Hacky sacks(!) and some illicit colour photocopying - you will be shocked!

All of this and much, much more!

And find out why the Spin Doctors (amongst a few others) will not be returning our calls.

Hosted on Acast. See acast.com/privacy for more information.