Bring Me The Axe! Horror Podcast

This week Bryan and Dave get real weird with it as they take a deep dive into a movie that defined not only Wes Craven's career but Heather Langenkamp and Robert Englund's. Just when everyone thought that the slasher movie was dead on arrival, along comes Freddy Krueger to give it a powerful shot in the arm. Where slashers of the past felt like hangovers of the 1970's, pretenders to the Michael Myers legacy, A Nightmare on Elm Street is the first slasher movie that feels properly 80's. It lands at a crucial moment in American pop culture and just as Last House on the Left gave direction to the flagging horror movies of 70's and Scream gave direction to the flagging horror movies of the 90's, Nightmare and Freddy come to define the shape of horror movies to come in the 1980's. It's a hat trick of horrifying proportions and we can't wait to tell you all about it.

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This week Bryan and Dave kick off their Spooky Season '24 series with a look at one of the all-time greatest horror movie heavy hitters, The Texas Chain Saw Massacre from director Tobe Hooper. Dave counts the human cost of making movies on a tiny budget, going over the notoriously rancid production history of a movie made in the dog days of a Texas summer on a set using real food and animal carcasses. You do the math on that one. Meanwhile, Bryan presents a wobbly thesis that, more than other horror movies, The Texas Chain Saw Massacre is a fairy tale in the style of The Brothers Grimm. They'll also answer the question: Is Leatherface the cutest franchise killer of them all?

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Take a trip to Italy with Bryan and Dave this week as they put a little garlic on it and talk about Michele Soavi's ambitious, absolutely mesmerizing but ultimately frustrating, Cemetery Man (also known as Dellamorte Dellamore). Adapted from the novel by weirdo Italiano extraordinaire, Tiziano Sclavi, Cemetery Man is also a backdoor adaptation of the wildly successful comic book series, Dylan Dog. It's top to bottom unreliable narrators, naked women, and zombies, headed up by a man so handsome it'll make you angry, Rupert Everett.

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Bryan and Dave take a trip back to Japan for their Toho 3-in-a-ro-ho, looking at 1977's psychedelic haunted house freakout by Nobuhiko Obayashi, House (Hausu if you're nasty). You'll see a young woman be eaten by a piano, a grown man get turned into a pile of bananas, a flying severed head biting girls on the butt. This movie has everything! It's recognizably a horror movie by a director who stradfastly refused to let it be purely horrifying, instead putting the focus on high-flying visual style and storybook production values. You've never seen so many matte paintings. It's a real challenge to talk about a movie so rich in visual aesthetic but we're going to do our best to break it all down.

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Bryan and Dave are joined this week for their episode celebrating Latin American History Month by Dracula enthusiast, Michael Varrati! Long thought of as a lost movie, the fully restored version of Dracula, produced in tandem with Tod Browning's version with Spanish-speaking actors, the movie is practically the same film with some key differences which have, since its restoration in the 90's, caused many people to declare it the better version of Dracula. Is it? Well, it's complicated. We're going to give you all the facts and tell you all about it in this episodio.

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It's Friday the 13th so here's a bonus episode about Friday the 13th... Part 2. In this episode Bryan struggles with his conflicted opinions on this movie and Dave turns him to the dark side with his position that Friday Part 2 just isn't a very good movie. It IS the movie that gave us Jason despite that part of the story making any sense and it also has a heaping spoonful of 80's misogyny. Great things are to come for fans of Jason and the Friday the 13th franchise but right here, right now, they're still figuring out what they're trying to do with this movie and unfortunately, it just doesn't shake out.

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We close out our two part examination of the Godzilla/King Ghidorah beef with a close look at the Heisei era movie where Americans from the future presume to travel back in time and destroy Japan with a monstrous weapon and then force what's left over to conform to their political and economic interests. This time around the America/Japan relationship is bopped real hard on the nose. We also discuss the cultural and social conditions of Japan at the time which made American attitudes toward Japan so weird and more than a little racist. Don't worry though, there's plenty of chatter about Godzilla, King Ghidorah and the peerless thrill of big, loud, Japanese special effects movies.

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We are joined once again by our friends Ash Kelley and Alaina Urquhart from Morbid to break down and diagram the greatest slasher movie of the 90's, one of the greatest horror movies of all time, Scream. It's a rare treat when a director comes along and changes the direction of an entire genre but to do it once a decade starting in the 1970's? Unheard of. And yet, Wes Craven pulled it off. Adapted from a dynamite script, written in a marathon writing session of days rather than weeks or months, and realized by a once-in -a-lifetime cast, Scream is ultimately a greater whole than the sum of its parts. Listen to us break it down in great depth.

Join us this week as we take a trip to Japan to talk Godzilla. This is the movie that introduced the world to Godzilla's arch-nemesis, Ghidorah, the floppiest golden dragon the world has ever seen. We also get short changed on Mothra, are delighted by those little fairy ladies who summon her, and can't help but talk shit about Rodan, one of the least compelling Godzilla monsters out there. You'll learn about Kaiju, Bryan will struggle to pronounce some Japanese words, and we'll tell you all about the several eras of Godzilla. We assure you nothing less than good time.

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Celebrate 50 episodes of scares, questionable taste, and Simpsons references with us as we put the lotion in the basket for a giant-sized analysis of one of the most titanic horror movies of the 1990's or maybe even of all time as we break down Jonathan Demme's iconic The Silence of the Lambs. We're all about Ted Levine's Buffalo Bill, Jodie Foster's Clarice Starling, and Sir Anthony Hopkins's Hannibal "The Cannibal" Lecter. We air out some grievances, talk Thomas Harris's Hannibal Lecter novels, and definitively determine which of us is the classiest brother.

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This week, Bryan and Dave are joined by Jonny Atkinson of Uy Que Horror to talk He-Man as they take a real deep dive into the movie that drove the final nail into the Cannon Group's coffin, Masters of the Universe. We discuss the movie's enduring status as a cult film against all odds, the intense nostalgia high of a movie that seems to have gotten better with age, the utterly bonkers history of the Cannon Group, a production company that flew too close to the sun, as well as run down the troubling allegations facing the film's director, Gary Goddard.

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This week, Bryan and Dave face down the blandest notions of the 1990's with I Know What You Did Last Summer, ostensibly the first of the craven 90's Scream cash-ins, written and produced by Scream's very own Kevin Williamson. It's a movie that really takes its sweet time getting around to the mystery where four beautiful 90's young people, Jennifer Love Hewitt, Freddie Prinze Jr., Sarah Michelle Gellar, and Ryan Phillipe make every possible bad decision and deal with the consequences as they're stalked by the Gorton's Fisherman in a small North Carolina fishing village. Where does this movie land in the horror canon? Does it hold up after all these years? Listen to find out!

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Bryan and Dave conclude their John Carpenter double feature with a look at his first proper feature, Assault on Precinct 13 a movie so egregiously ripped off by other action movies that it hardly matters that Carpenter ripped it off of other action movies. Seeking to make a proper western in the style of his favorite Howard Hawks movies but pressed by budget, Carpenter lifted moves from his then brand-new Escape From New York script with Nick Castle and turned in the independent action movie that would come to redefine the modern siege movie. Is it any good? Well, yeah. Of course it is. Could it be better? Absolutely. Precinct 13 is wobbly as hell, with fairly serious pacing problems but every shot, every scene, is a preview of the best that John Carpenter has to offer the world. Listen for our usual deep analysis and historical context relating to the absolutely rotten state of things as it relates to the Los Angeles Police Department.

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This week Bryan and Dave go long on one of their shared favorites, John Carpenter's first fertile footsteps into the 1980's, the decade that would come to define his entire career and he couldn't have made a bolder announcement of his arrival than with this subdued ghost story, told in the old campfire tales. It's equal parts gothic spooks and EC Comics style ghoulish horror, a tale of revenge from beyond the grave, ghost sailors return from the briny deep to have their payback for a terrible crime committed 100 years ago. Though a little flimsy in the story department, Carpenter and his crew float one of his most effective features on vibes and style alone. Listen for a real love letter to John Carpenter.

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This week we're getting sloppy and erotic as we break down David Cronenberg's 1996 antithesis to the 90's erotic thriller, Crash, a movie about how people can't get off unless they're about to die horribly in a car accident. Adapted from J.G. Ballard's 1973 novel of the same name, which was an extension of his short story in the collection The Atrocity Exhibition, the film stars James Spader doing his best to look like making sweet, sweet love to a woman's leg wound is something he's really into. It also bring us Elias Koteas in his second appearance on the pod steaming up the windows with his menacing sexuality and Holly Hunter, taking the strange journey into the world of sexy death.

Sound strange? Maybe more than a little off-putting? You have no idea. Listen to the episode for the full scope of the struggle.

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This week, Bryan and Dave ask the question that's on everyone's mind: Do you wanna party? Return of the Living Dead, the movie that changed the rules of the zombie movie game is a perfect time capsule of America in the 80's and it has a killer soundtrack to glue it all together. It's one part EC horror comic and one part paranoid Libertarian fantasy of a colossal government fuck up cooked up from the center of Dan O'Bannon's mind. Hear all about it in this deep dive of one of the greatest horror movies of all time, Return of the Living Dead.

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This week, Bryan and Dave get real sleazy with it and take a good long look at Angel, from 1984. Starring Donna Wilkes and a cast of wild character actors, including Susan Tyrrell in her second appearance on their podcast, Angel sets out to be a grimy exploitation movie that casts the seedy underbelly of the Hollywood Boulevard nightlife against the hard neon glow of the Los Angeles dream factory but it's a movie so in love with its oddball weirdo characters that it seems to struggle against the mandate to deliver violence, nudity, and cheap thrills, choosing instead to be a vehicle which provides its cast with all the scenery that they care to chew on. Make no mistake. Angel is garbage but it's remarkably lovable garbage that everyone should see.

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Bryan and Dave are joined by Tyler Hyde, co-host of the That's Spooky podcast to close out their 2024 Pride series and talk about James Whale's 1935 Magnum Opus, Bride of Frankenstein. It's an absolutely gonzo gothic horror from the dawn of the talkies featuring more thrills and excitement in one of the earliest sequels that somehow manages to end up a better movie than the original. Bride of Frankenstein is a high-energy affair packed with unbelievable characters and performances from some a-list weirdos of their era such as Ernest Thesiger as the sinister Doctor Praetorius and the lovely Elsa Lanchester playing duo roles and Mary Shelley and the iconic Bride who, despite your expectations, occupies the screen for a scant few minutes but still manages to leave a powerful mark on the history of film. There is also a deeply queer interpretation of the movie which begs the question, was this subtext intended by James Whale? Was it purely subconscious? Are we just reaching?

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It's astounding! Time is fleeting! For the third week of their Pride 2024 series, Bryan and Dave take a look at the notoriously queer-as-hell midnight movie sensation, perhaps the greatest midnight movie of all time, The Rocky Horror Picture Show. It's an episode packed with everything you could ever want to know about the phenomenon, the audience participation, the movie and the social experience as a haven for LGBTQ+ people who may not have found their tribe yet. It's also a movie music packed with hit song after hit song and a tour de force from Tim Curry who knocked it out of the park on his first feature film. Listen to the episode and do The Timewarp with us.

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Pride 2024 continues apace as Bryan and Dave take a real deep dive into Robert Wise's unimpeachable horror movie classic, The Haunting. It's a foundational piece of horror and one of the finest haunted house movies ever made with a thousand ways to interpret it including a very particular queer read which places it firmly in the queer horror canon. Come for the horror movie discussion, stay for the discussion on representation and learn about Shirley Jackson, one of the greatest gothic horror authors of all time in the process.

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Bryan and Dave kick off their 2024 Pride series by settling in for some QUEER VENGEANCE, Canada style! Siege is a by-the-numbers riff on Assault on Precinct 13 which makes one wonder, did Siege director Paul Donovan also watch Cruising at the same time? The movie pits a desperate struggle to survive the night against the 1981 Halifax police strike and despite it being such an obvious derivative of another movie, taking full advantage of the Canadian film tax shelter era, it's a solid action picture that is alarmingly suspenseful and it wears its ACAB sensibilities squarely on its sleeve. If you're in the mood to watch a bunch of homophobes get arrowed in the neck, shot in the face, and electrocuted by Home Alone-style traps, have we got a movie for you!

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This week Dave and Bryan take their first steps into the 1990's and go deep with a real hard look at The Blair Witch Project. Joining them on this trek through the forest is Ash Kelley and Alaina Urquhart from the Morbid Podcast.

Though, not the first found-footage horror movie, Blair Witch is definitely the one that convinced budding indie horror directors that yes, they too could make a horror movie on very little money. Dave and Bryan struggle to understand the appeal while Ash and Alaina do their best to articulate just what it is about this movie that they love so much.

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This Week, Bryan and Dave put the brakes on to talk about Roger Corman, one of the most important filmmakers in the history of pop cinema and the genres, most notably horror and science fiction. He died at age 98 on May 9, 2024 and left behind a legacy of nearly 500 films which bear his name in one way or another. Bring Me The Axe picks 4 movies of Corman's that are formative horror movie experiences and enduring favorites. Hear all about A Bucket of Blood, House of Usher, The Raven, and Death Race 2000 and the outsized influence Corman had on the larger industry in filmmaking.

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This week Bryan and Dave take a look at John Carl Buechler's swing-and-a-miss for the Charles Band dynasty, Troll. It's supposed to be filled with whimsy, adventure, and high-fantasy but is instead filled with crappy rubber monsters and cringe-inducing performances by actors tenured enough to know better by this point. Noah Hathaway casually throws away any goodwill he earned with his portrayal of Atreyu in The Neverending Story. Michael Moriarty seems to have no idea what he's even doing there. It's all a jumbled mess that somehow managed to be a smash-hit at the box office for Empire Pictures and a video rental gem of the 1980's.

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This week, Dave and Bryan are joined by Jeffrey Nelson, co-creator of the Scream Factory label for Shout Factory, to talk about the utterly unhinged Charles Bronson detective movie, 10 To Midnight. It's the tale of a cop, a father, his bleeding heart liberal, college-educated partner, and a serial killer whose nude and on the loose. Bronson could catch his man if it weren't for all the sleazy lawyers and liberal courts who want to coddle the criminal element instead of punish them. You'll be hard-pressed to find another movie that so brazenly espouses the dominant political theory of the Reagan 80's. It's a real NRA fever dream and an unintentionally hilarious piece of camp from the Cannon Group.

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This week, Bryan and Dave take a trip back to 1986 for the Rutger Hauer/C. Thomas Howell horror movie road trip, The Hitcher, from the murderous, deeply troubled writer, Eric Red. Dave struggles with modern re-evaluations that attempt to claim The Hitcher as some sort of queer horror hidden gem and Bryan has to do a lot of heavy lifting to fill in the movie's massive narrative gaps in order to make it a movie worth watching. Is the movie's imperiled hero Jim Halsey dead this whole time? Is he gay and on the run from the physical manifestation of bisexuality? You're going to have to listen to find out!

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This week Bryan and Dave are joined by Aileen Clark of the Uy Que Horror podcast to take a trip back in time to 1990 when Turtlemania ruled the preteen scene. We explore the Teenage Mutant Ninja Turtles phenomenon through the lens of Steve Barron's bizarre adaptation that struck closer to the dark indie turtles comics of the mid-80's than the colorful pizza-obsessed party dudes of Saturday morning cartoons. Does the movie hold up to modern scrutiny? Well, not exactly, but it's a fascinating franchise, nonetheless.

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This week, Dave and Bryan take a good long look at the gory 80's horror comedy classic, Re-Animator from director Stuart Gordon and producer, Brian Yuzna. What they find is, unfortunately, not much more to talk about than what's right there on the surface and the unfortunately troubling sexual politics of a movie that's operating head and shoulders above its contemporaries as far as sophistication and a sense of humor goes. You also get a good deal of background on H.P. Lovecraft, to whom the horror genre as we know it today owes a tremendous debt.

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Alright, boppers! This week Bryan and Dave put one of their favorite movies under a microscope for a giant-sized 99 Cent Rental episode about Walter Hill's 1979 gang odyssey, The Warriors. Few movies made as much of an impact on the exploitation market at The Warriors and fewer still impacted the rental market with such an iconic poster and rental box. In its day its marketing was driven by public outrage over gang violence at the movies but how much of that was true? We go over all of it. Can you dig it?

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This week Bryan and Dave take in David Cronenberg's digest of divorce horror, The Brood. Samantha Eggar spawns killer munchkins, Art Hindle isn't very good at anything he does, Oliver Reed is a condescending jerk. It's a movie possessed of a terrible anger and frustration as Cronenberg, emotionally exhausted and unable to process his feelings put it all on the page and the result is the hard divorce horror movie that meant to spit in the face of Kramer vs. Kramer. Not for the faint of heart, The Brood is often like looking into the affairs of a person who chose to confide in you specifically in order to get something heavy off their chest but are you up to the task?

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This week, Bryan and Dave are ready for their close-up as they address a listener request to explore Billy Wilder's Sunset Boulevard through the lens of horror and cult and, well, they don't exactly pull it off but they do turn in a deep dive into Hollywood's silent era, the golden age of sound, and how it manages to keep up the fabulous illusion of fantasy with a ruthless stranglehold on every piece of machinery that surrounds it and supports it, including the very people that make it all possible.

Sunset Boulevard is a drag queen's dream come true. Silent star, Gloria Swanson returns to the screen to portray the larger-than-life fallen star, Norma Desmond with grand sweeping gestures and some of the most quotable dialog in Hollywood history. Every aspect of this movie is lifted up and supported by every other piece. From Billy Wilder's writing and direction, to the photography of John Seitz, to the costuming of Edith Head, to the score provided by Franz Waxman.

Join us for a deep dive into one of the greatest movies ever produced by Hollywood.

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This week Bryan and Dave take a look at the criminally underrated horror movie by Tobe Hooper, The Funhouse from 1981. Tobe Hooper caught everyone's attention with the absolutely legendary horror movie, The Texas Chainsaw Massacre and continued to toy with the tropes established in that movie through his other killer hillbilly movie, Eaten Alive, and straight into this one when he finally seems to get it all out of his system.

Universal Pictures at the time, with their own legacy of classic black and white horror movies, wanted a piece of that hot slasher movie action of the era and secured Hooper with the hopes that he'd turn in something tuned to the expectations of the time but he surprised everyone and decided to give them a proper monster movie in the mode of their own black and white horror movies. The disparity between the studio's intentions and the director's vision results in a monster movie that succeeds despite the challenges Tobe Hooper faced.

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This week Dave and Bryan take a look at Allan Arkush's follow up to Rock n Roll High School, the rock musical Looney Tunes mayhem of Get Crazy. It's a story of three filmmakers butting heads over the movie they were trying to make. Arkush intended for a nostalgia-drenched tribute to his teenage years at The Fillmore East in the style of Scorcese's The Last Waltz, the producer wanted a fast and stupid visual comedy in the style of Airplane! and the Executive Producer wanted a movie that was going to fail and fail badly so his tax shelter investors could turn a healthy profit. Somehow, they all got what they wanted in the end.

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Bryan and Dave take a good long look at Fred Dekker's 1986 cult favorite, Night of the Creeps and come away with a vastly different view of it than when they watched it as kids. What could possibly change their minds so significantly? It's a pastiche of 50's and 60's drive in tropes filtered through a 1980's horror movie lens but unfortunately, given the way things have shaken out in modern times, some of those tropes haven't aged well at all. Thankfully, Tom Atkins is here to save everything. Thrill me!

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Bryan and Dave get ready to break the ice and take a trip back to 1986 to relive BMX madness in the form of Rad, a sports movie that fails on every front and still manages to command a significant cult movie presence in history.

It's the story of Cru Jones, a small-town kid with a dream who just need one chance to prove to the world that he's best BMX rider in the world, to prove that he's rad. Fortunately, the world is ready to just hand over the glory as he doesn't really have to work or struggle very hard to realize his dreams.

Trailer: ⁠https://www.youtube.com/watch?v=1iLuySHQkPU&t=8s

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Bryan and Dave celebrate one year of podcasting with a real deep dive into George Romero's paradigm shifting zombie epic, Dawn of the Dead. In the history of horror movies, there are only a few movies that changed the way movies are made and viewed and this is one of them. It's a zombie survival fantasy set in shopping mall with wild shifts in tone that don't always work and a graphic violence about it that its contemporaries did not share. After this one came out, everybody in Italy was suddenly making zombie horror movies.

Trailer: https://www.youtube.com/watch?v=Y_EviQj5tvA

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Listen up, hosers! Dave and Bryan love you and have sent you this Valentine's Day love letter to 1981's Canadian slasher movie classic, My Bloody Valentine. It's better than you expect it to be, with a cast of people that you actually grow to like. Sure, it's another slice and dice picture from the golden age of slashers but not too many of them paid this much attention to the craft of telling a story. How does this movie hold up to modern standards? You're going to have to listen to find out.

Trailer: https://www.youtube.com/watch?v=OWvLgL5tdkc

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This week, Dave and Bryan celebrate Black History Month with a look at Bill Gunn's delirious 1973 vampire movie, Ganja & Hess, which stars Gunn, Marlene Clark, and Duane Jones from Night of the Living Dead. It's a sleepy, dreamy art film about black identity, gender, class, and the loneliness of a man without ancestry as damaged people deal with themes of blackness in America through the gauzy lens of a vampire movie. Often lumped in with blaxploitation movies like Blacula and Shaft, it is anything but.

Trailer: https://www.youtube.com/watch?v=qEM9oEKC1Ow

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This week Bryan and Dave are joined by Jonny and Aileen from the Uy Que Horror podcast for a maddening breakdown of the Cannon Films deep cut, X-Ray (aka Hospital Massacre), starring Barbi Benton as a woman who just needs to pick up her check-up results and spends the rest of the day in a Franz Kafka nightmare, navigating a hospital staffed by intense, antagonistic hospital staff and a masked murderer from her past. This whole movie is bonkers.

Trailer: https://www.youtube.com/watch?v=UfB3HOY5Ze0

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Dave and Bryan take a look at a staple of the cult movie circuit, Brian De Palma's bizarre pop music opera and riff on gothic horror, Phantom of the Paradise. It's a wild ride through the nostalgia wave of the 1970's, standout performances from a bright cast, and the music of the movie's villain, Paul Williams, whose hair is just magnificent!

Trailer: https://www.youtube.com/watch?v=T9yof8cwli4

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Bryan and Dave are joined this week by drag performer extraordinaire, Peaches Christ, to talk about the arch-80's vampire classic from 1985, Fright Night, starring William Ragsdale, Roddy McDowall, and Chris Sarandon (making his second appearance on the pod). It's an awesome movie that could have been even better for reasons we get deep in the weeds over.

Trailer: https://www.youtube.com/watch?v=PMRH0RIEjnc

https://peacheschrist.com/

Peaches Christ on Instagram: https://www.instagram.com/thepeacheschrist/

This week Bryan and Dave take a trip to Baltimore for a look at John Waters' transitional picture, Polyester, bridging the gap between his combative, confrontational midnight shockers of the 1970s and his commercial breakthrough in the 1980s. This tour de force let the world know that Divine was more than just an art terrorist in drag but a real, capable comedic actor. When it comes to Polyester, it's the best of both worlds for John Waters fans: An overwrought domestic melodrama in the style of Douglas Sirk and the pure movie chicanery of William Castle. See it in Odorama!

Trailer: https://www.youtube.com/watch?v=0lNlEp5qH3E

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This week Bryan and Dave kick off the new year and hit peak holiday horror movie burnout when they go deep with the 1980 slasher movie, New Year's Evil. Cannon Group wasn't exactly known for horror movies and it'll take them a few years before they work it out but these nascent attempts to get a piece of the action during the golden age of the slasher turned out some really weird misfires and New Year's Evil is leading the charge. More like a giallo than anything else, it seems to possess a profound misunderstanding of what audiences were expecting from a slasher movie and delivers some seriously silly murder setpieces.

Trailer: https://www.youtube.com/watch?v=tivSU9zQXfs

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In the inaugural episode of 99 Cent Rental, brothers Bryan and Dave take a deep dive into the world of Italian exploitation movies with what is ostensibly the perfect specimen of spaghetti apocalypse movies, 1990: The Bronx Warriors. As well as being one of the better examples of the genre, it's also the debut of one of Italy's most peculiar (and tragic) stars, Mark Gregory, a young man of exceptional physique who couldn't possibly be less interested in being in movies.

Trailer: https://www.youtube.com/watch?v=utYcZ2RxC1s

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Amid the 2023 summer frenzy of Barbie-fever we discovered a movie made by the Ken doll's namesake, Ken Handler. It's a vanity project that seeks to exploit two of the mid-80's most exploitable trends: the raunchy sex comedy and the breakdance movie and commits to neither of these things. Instead, it serves as light-hearted comedic confession of Handler's classist kink for exploiting smooth, poor, and young men desperate enough to do *anything* to rise above their station in life. Join us, won't you?

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Agnes, it's me, Billy! Bryan and Dave close out their holiday season series with a real deep dive into Bob Clark's masterpiece, Black Christmas. It's the prototype for the slasher movies that followed. It's a movie stuffed with a diabolical eye for detail and unbearable tension. There's a killer so twisted and weird that you reflexively turn away. There's a cast so likable and fleshed out that you hate to see them killed. Happy holidays, from us to you. Here's a real close examination of an especially dark horror movie.

Trailer: https://www.youtube.com/watch?v=ISfeVysYBYE

It's Me, Billy fan film: https://www.youtube.com/watch?v=MHthNuEapos

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This week Bryan and Dave take a look back at Bring Me The Axe! year one and all the horror movies released in 2023. They run down the losers, the winners, and the just okay. Find out where all your favorite horror movies of this year landed and prepare to be outraged by hot takes and surprising reviews. Where did Scream 6 land? How do we feel about Skinamarink? Are we just too old to properly appreciate Five Nights At Freddy's?

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This week, Bryan and Dave are joined by author, Joe Vallese, and hope that Santa will judge them to be good because they definitely don't want to get on his bad side as they dive head first into 1984's Santa slasher movie, Silent Night, Deadly Night. The movie that went too far. The movie that put the chill on 80's slasher movies for a couple of years. The movie that parent groups organized and protested against. Did it deserve such treatment? Not really but what's America good for if not full-blown moral panics in the face of imaginary monsters.

Trailer: https://www.youtube.com/watch?v=hNBJfv5pIdY&t=1s

It Came From The Closet: Queer Reflections on Horror, edited by Joe Vallese: https://amzn.to/3tdToWu

Joe Vallese on Instagram: https://www.instagram.com/it_came_from_the_closet/

Joe Vallese on Twitter: https://twitter.com/homohorror

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Bryan and Dave have such sights to show you! This week they are joined by the co-host of the Morbid podcast, Alaina Urquhart, a demon to some, angel to others, to dive deep into one of her favorite movies and a real top-shelf of the horror canon, Clive Barker's Hellraiser. This movie sets the pace for the late 80's and the 90's in terms of horror, establishes Pinhead and The Cenobites as horror movie heavy hitters, and drives a stake deep into the landscape of horror movies to let the world that know Clive Barker is one of the most original voices in the history of horror fiction and movies. It also features a lot of people sticking their fingers in each others mouths. Satan's done waitin'!

Trailer: https://www.youtube.com/watch?v=OpEQNEHKdXg

Morbid: https://open.spotify.com/show/1cpyLfDHP1cNnyOb478qrt?si=c09012615b2f4fe3

Buy Alaina's novel, The Butcher and the Wren!

Unreleased Themes For Hellraiser by Coil

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Bryan and Dave of the Bring Me The Axe! horror podcast are pleased to announce their new show, 99 Cent Rental, a podcast dedicated to the trashy, cheesy weirdness that choked video store shelves. If you like movies with hunky action star lookalikes, dubious martial arts, or breakdancing you're in the right place!

Episodes drop every other monday, opposite Bring Me The Axe episodes. Listen to the announcement to hear which three movies we're kicking the podcast off with.

Just in time for Thanksgiving, Bryan and Dave dive head-first into the wildly inconsistent shit show that is Blood Rage. Marvel at the utterly deranged performance from Louise Lasser, thrill to the low budget gory special effects that are way better than the movie deserves, cringe like you've never cringed before to the movie's many intimate and sexy scenes that encapsulate the early 1980's like few other horror movies. It's a real journey.

Trailer: https://www.youtube.com/watch?v=3jwQ11osTWw

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As we near the holiday season, Bryan and Dave darken your doorstep with the low-budget howling madness of 1989's Elves, a movie that under-delivers on elves and over-delivers on incest. If you've ever wondered what Jim Wynorski's version of Gremlins would be this one lands pretty close to the mark as Dan "Grizzly Adams" Haggerty attempts to uncover the truth about a murderous elf creature and protect her from Nazis and her own sadistic mother while chain smoking.

Trailer: https://www.youtube.com/watch?v=GLo795JFfpg

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Bryan and Dave are joined by Teri Gamble of the Horror Movie Survival Guide podcast to talk about Disney's bizarro 80's period where they experimented with more mature films resulting in one of their most easily-forgotten titles, The Watcher in the Woods. At one time, Disney producers and executives were convinced that this was going to be their finest hour, a horror movie to rival The Exorcist. Nowadays, if it's remembered at all, it's remembered for not making a whole lot of sense and having been pulled from theaters for extensive reshoots and two endings that had to be thrown out.

Trailer: https://www.youtube.com/watch?v=3DFacqQp8uw

Watcher in the Woods original ending A: https://www.youtube.com/watch?v=Bkpf2IzmMVg

Watcher in the Woods original ending B: https://www.youtube.com/watch?v=nj7BTISeq7E

Horror Movie Survival Guide: https://horrormoviesurvivalguidepodcast.com/

Teri Gamble on Instagram: https://www.instagram.com/theterigamble

Teri Gamble on X: https://twitter.com/TheTeriGamble

Teri Gamble on Facebook: https://www.facebook.com/theterigamble/

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Bring Me The Axe! concludes its exploration of the Halloween legacy just in time for Halloween with an epic-length love letter to John Carpenter, Debra Hill, and their landmark creation. Halloween represents a major paradigm shift in horror movie and sets the pace for every horror movie that came in its wake. It's elegant. Every piece of the production is working in perfect harmony with the other pieces. The end-product is greater than the sum of its parts. It is a perfect horror movie and it's not surprising in the least that everyone is still obsessed with it.

Trailer: https://www.youtube.com/watch?v=T5ke9IPTIJQ

Men, Women, and Chainsaws by Carol Clover: https://amzn.to/3QjtV5h

Halloween Unmasked: https://open.spotify.com/show/6nwME42dhsc04T0KFzvGgB?si=434ac60f2c88482f

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This week, Bryan and Dave are joined by The Horror Chick, Heather Wixson to get grimy and talk about Rob Zombie's arch-2000's horror movie remake, Halloween. It reimagines Michael Myers, the silent destroyer, once a little boy with a family of mean dirtbag shitheads and a loving, overprotective mother and Sam Loomis as a selfish, fame-chasing jerk.

Trailer: https://www.youtube.com/watch?v=Z5oFtbWvJRY

Monsters, Makeup and Effects: https://amzn.to/45GfJt6

Monsters, Makeup and Effects 2: https://amzn.to/45GfJt6

Heather Wixson on Twitter: https://twitter.com/thehorrorchick

Heather Wixson on Instagram: https://www.instagram.com/thehorrorchick/

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Bryan and Dave square off against one of the all-time horror movie greats on the most appropriate calendar date of the year. It's 1980's Friday the 13th, a movie made by pornography producers looking to take away a little of that sweet Halloween money for themselves and accidentally set the pace for slasher movies in the 80's. If you had a little cash on-hand with which to make a movie, you set it at a summer camp and killed off a bunch of teenagers for maximum return based on the least possible effort.

Trailer: https://www.youtube.com/watch?v=aDrOvFtzyPQ

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This week, Bring Me The Axe! kicks off their month-long examination of the Halloween legacy as Bryan drags Dave kicking and screaming through David Gordon Green's 2018 series revision. It's a deeply flawed movie that's way better than you expect a Halloween sequel or remake to be and it reduces the series to its roots while whiffing on move than a few points. Get all the details within!

Trailer: https://www.youtube.com/watch?v=ek1ePFp-nBI

Taking Shape: https://amzn.to/46whnxZ

Taking Shape 2: https://amzn.to/46ulDy4

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In honor of Hispanic Heritage Month, Bryan and Dave take a trip to Mexico City to celebrate their favorite Ruben Galindo Jr. movie, Don't Panic. It's a blatant a cash-in on the success of Evil Dead and A Nightmare on Elm Street that has so many bizarre qualities to it that you can't help but love it. It's about the love of a grown-ass man and his dinosaur pajamas. It's about the tension between best friends, who might also be enemies? It's about the love shared between two people who no chemistry whatsoever.

Trailer: https://www.youtube.com/watch?v=MeE1slSpJ_Q

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Dave on Instagram: https://www.instagram.com/thatqueerwolf/

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This week Bryan and Dave close out their What The Fuck?? series with a children's movie that terrorized an entire generation in Canada, The Peanut Butter Solution. It's a tale of loss and woe when a child loses his hair due to a terrible fright and deals with it poorly. There's also some real nightmare material in there about being kidnapped by a teacher and forced to work in his child slave labor prison. Also, you'll be amazed at how many Simpsons references these guys can stuff into a single podcast.

Trailer: https://www.youtube.com/watch?v=I2Cm4Cy3rxs

Listen to the Magic Man by Celine Dion: https://www.youtube.com/watch?v=HjHiosqcPbs

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This week Bryan and Dave are joined by actor, comedian, and made-for-tv movie expert, Sam Pancake to talk about Dan Curtis (of Dark Shadows fame) and his 1976 gothic melodrama, Burnt Offerings. We cover the movie, of course, hear a nice tale of how pleasant and sweet Karen Black was, much to our delight, and hear a second-hand tale about Oliver Reed's tattooed penis.

Trailer: https://www.youtube.com/watch?v=Oo_6Fb5k2lo

Sam Pancake on Twitter: https://twitter.com/jsampancake

Sam Pancake on Instagram: https://www.instagram.com/thesampancake/

Sam's podcast, The Monday Afternoon Movie: https://www.patreon.com/mondayafternoonmovie

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At long last, Bryan and Dave kick off their What The Fuck??? series with Ted Posts deeply troubling, alienating, and off-putting thriller, The Baby, from 1973. Dave thinks it doesn't make any sense. Bryan disagrees strongly, declaring it one of his all-time favorite movies. The Baby is unpredictable at every turn and shocks all the way to the end.

Trailer: https://www.youtube.com/watch?v=vITUjvwnavc

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Bryan and Dave are joined this week to close out their Stephen King Rules! series by Stephen King superfan, Julia Marchese, to talk about the picture that ended the Dino De Laurentis/Stephen King dynasty in the 1980's, Silver Bullet. It stars Corey Haim before he was the teen idol of the 1980's as well as Everett McGill and Gary Busey in a picture where it's kids vs. a werewolf.

Trailer: https://www.youtube.com/watch?v=n1dClCykQys

Julia Marchese on Twitter: https://twitter.com/juliacmarchese

Julia's podcast, The Horror Movie Survival Guide: https://podcasts.apple.com/us/podcast/horror-movie-survival-guide/id1260663982

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This week kicks off our Stephen King Rules! series as Bring Me The Axe! takes on Stephen King's first and last credit as director, the undisputed document of cocaine confidence, Maximum Overdrive from 1986. It's an ill-advised adaptation of his own short story, Trucks, that features a lot explosions, big trucks, and Yeardley Smith screaming.

Trailer: https://www.youtube.com/watch?v=pwYcnnbiRB4

FYI, the music in the trailer is from Halloween 3, not Christine.

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This week, Bring Me The Axe! heads to Camp Arawak to explore one of slasher history's most unhinged entries, Sleepaway Camp. What could have been forgotten by history as just another Friday the 13th ripoff is elevated to a truly special place by a parade of dubious directorial decisions, a handful of positively insane performances, and a real wild twist ending that we spoil right from the get-go.

Trailer: https://www.youtube.com/watch?v=T9K2ARikYzE&t=1s

Sources: https://sleepawaycampfilms.com/

Going Back To Sleepaway Camp by BJ Colangelo

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This week Bring Me The Axe takes a look at 1981's Madman, a truly weird entry into the early 80's slasher canon. A cast of pleasant, reasonable, and thoughtful counselors at Thanksgiving Gifted Camp face off against a slasher that may be a monster or a zombie or who knows? It's really never clear what Madman Marz is supposed to be. But we get Dawn of the Dead's Gaylen Ross, acting under a pseudonym, as one of horror's worst final girls and Madman Marz has his own theme song.

Trailer: https://www.youtube.com/watch?v=Y5X3HqpKZJg

Follow us on:

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It's a holiday bonus episode for July 4th! Celebrating Steven Spielberg's landmark accomplishment and one of the all-time greatest movies, Jaws! It's a stealth examination of 70's masculinity as the old man plays tug of war against the new man while a monstrous great white shark terrorizes an island vacation destination.

Trailer: https://www.youtube.com/watch?v=U1fu_sA7XhE

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Bring Me The Axe closes out their Pride 2023 series with an enthusiastic love letter to James Whale's 1932 pre-code classic for Universal, The Old Dark House, a movie about class consciousness, secrecy, Lilian Bond's feet, and super gay double entendres. It is a perfectly executed piece of gothic horror starring Boris Karloff that must be seen to be believed.

Trailer: https://www.youtube.com/watch?v=WqhzhNoTKps

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Instagram

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Bring Me The Axe kicks off its Pride 2023 series with a mostly unremarkable movie that remains in the horror movie memory thanks entirely to contributions from gay artists, the 1986 horror comedy Vamp, starring Chris Makepeace, Robert Rusler, and Grace Jones. In an attempt to make a story about two very good friends trying to wheel and deal their way into a college fraternity, writer/director, Richard Wenk, accidentally tips the movie into queer territory with a story about the unrequited love of one man for another. You'll also learn way more about Keith Haring and Robert Mapplethorpe than you were probably expecting to in a chat about how awesome Grace Jones is.

Trailer

Interview with produce Donal Borchers

Dracula Bites The Big Apple

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This week Bring Me The Axe closes out their School's Out series, taking a look at the 1982 slasher picture, The House on Sorority Row, from director Mark Rosman, a hidden gem of the genre that remarkably passes the Bechdel Test. It's a movie about a prank gone wrong, secret medical experiments, and a girl who owns a 1970's style fuck van. The House on Sorority Row features soap opera stars, Kate McNeil and Eileen Davidson, as well as Lois Kelso and we enjoyed this movie a whole lot.

Trailer: https://www.youtube.com/watch?v=IKMrteGf6q8

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This week, Bring Me The Axe kicks off their School's Out series, taking a look at the 1981 slasher also-ran, Final Exam, a movie that should be stuffed down the horror movie memory hole were it not for its one secret weapon, a weirdo nerd character named Radish and his ongoing series of bizarre bon mots. Final Exam can't decide if it's Animal House or Halloween and doesn't do a very good job of ripping off either of them. But we're going to ride this one out to see if our precious Radish can survive the killer's knife.

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Look, we value your time and know that you want to know what you're getting into when you pick up a new podcast so here's a little taste of what to expect in the Bring Me The Axe horror movie podcast, hosted by actual brothers, Bryan and Dave White.

This week Bring Me The Axe breaks down one of the four werewolf movies released in 1981, Joe Dante's iconic The Howling. It's a wild ride made notable by its awesome special effects and dark comedic tone. And it's a treat for fans of of classic horror movies with cameos from Roger Corman and Forrest Ackerman, not to mention dozens of references to other werewolf movies. It's one of the all-time greats.

Trailer: https://www.youtube.com/watch?v=pZARVBpjC1I

Trailers From Hell, with Josh Olson: https://trailersfromhell.com/howling/

Horror's Hallowed Grounds with Sean Clark: https://www.youtube.com/watch?v=temUGpwfmjc

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This week Bring Me The Axe takes a look at the 1977 Michael Winner clone of The Omen/Rosemary's Baby, The Sentinel. Ostensibly the most Catholic horror movie ever made, it's also about as paranoid as a horror movie can be. One damned soul, alone must stand watch over the gateway to Hell and Alison Parker is next in line to take on the mantle. Along the way, literally everyone will manipulate her toward their own ends.

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This week Bring Me The Axe takes a look at William Lustig's 1980 roughie, Maniac, starring Joe Spinell and Caroline Munro. Bryan also goes off on a long tangent about the time he met Tom Savini and how it haunted Savini for years.

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This week, Bring Me The Axe takes a look at the utterly deranged 1982 slasher picture, Pieces. This one has it all: Chainsaws, gratuitous nudity, buckets of blood, hysterical screaming, and THRILLING TENNIS ACTION! "It's exactly what you think it is."

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This week, Bryan and Dave take a look at the arch riff on Whatever Happened To Baby Jane from 1981, Butcher, Baker, Nightmare Maker, starring Jimmy McNichol and Susan Tyrell. Campy doesn't even begin to cover this one. In what is becoming a disturbing trend at Bring Me The Axe, it's another story about inappropriate family love and the extent that a parent will go to keep their son close to them.

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In this inaugural episode, Bring Me The Axe dives headfirst into the sequel to the original Amityville Horror phenomenon, 1982's Amityville 2: The Possession. Perhaps the most Italian horror movie made in America at the time, it's a movie about a brother and sister and the really weird, totally inappropriate sexual chemistry between them. And then the haunted stuff happens.

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