Bring Me The Axe! Horror Podcast

This week, Dave and Bryan are joined by Jeffrey Nelson, co-creator of the Scream Factory label for Shout Factory, to talk about the utterly unhinged Charles Bronson detective movie, 10 To Midnight. It's the tale of a cop, a father, his bleeding heart liberal, college-educated partner, and a serial killer whose nude and on the loose. Bronson could catch his man if it weren't for all the sleazy lawyers and liberal courts who want to coddle the criminal element instead of punish them. You'll be hard-pressed to find another movie that so brazenly espouses the dominant political theory of the Reagan 80's. It's a real NRA fever dream and an unintentionally hilarious piece of camp from the Cannon Group.

This week, Bryan and Dave take a trip back to 1986 for the Rutger Hauer/C. Thomas Howell horror movie road trip, The Hitcher, from the murderous, deeply troubled writer, Eric Red. Dave struggles with modern re-evaluations that attempt to claim The Hitcher as some sort of queer horror hidden gem and Bryan has to do a lot of heavy lifting to fill in the movie's massive narrative gaps in order to make it a movie worth watching. Is the movie's imperiled hero Jim Halsey dead this whole time? Is he gay and on the run from the physical manifestation of bisexuality? You're going to have to listen to find out!

This week Bryan and Dave are joined by Aileen Clark of the Uy Que Horror podcast to take a trip back in time to 1990 when Turtlemania ruled the preteen scene. We explore the Teenage Mutant Ninja Turtles phenomenon through the lens of Steve Barron's bizarre adaptation that struck closer to the dark indie turtles comics of the mid-80's than the colorful pizza-obsessed party dudes of Saturday morning cartoons. Does the movie hold up to modern scrutiny? Well, not exactly, but it's a fascinating franchise, nonetheless.

This week, Dave and Bryan take a good long look at the gory 80's horror comedy classic, Re-Animator from director Stuart Gordon and producer, Brian Yuzna. What they find is, unfortunately, not much more to talk about than what's right there on the surface and the unfortunately troubling sexual politics of a movie that's operating head and shoulders above its contemporaries as far as sophistication and a sense of humor goes. You also get a good deal of background on H.P. Lovecraft, to whom the horror genre as we know it today owes a tremendous debt.

Alright, boppers! This week Bryan and Dave put one of their favorite movies under a microscope for a giant-sized 99 Cent Rental episode about Walter Hill's 1979 gang odyssey, The Warriors. Few movies made as much of an impact on the exploitation market at The Warriors and fewer still impacted the rental market with such an iconic poster and rental box. In its day its marketing was driven by public outrage over gang violence at the movies but how much of that was true? We go over all of it. Can you dig it?

This week Bryan and Dave take in David Cronenberg's digest of divorce horror, The Brood. Samantha Eggar spawns killer munchkins, Art Hindle isn't very good at anything he does, Oliver Reed is a condescending jerk. It's a movie possessed of a terrible anger and frustration as Cronenberg, emotionally exhausted and unable to process his feelings put it all on the page and the result is the hard divorce horror movie that meant to spit in the face of Kramer vs. Kramer. Not for the faint of heart, The Brood is often like looking into the affairs of a person who chose to confide in you specifically in order to get something heavy off their chest but are you up to the task?

This week, Bryan and Dave are ready for their close-up as they address a listener request to explore Billy Wilder's Sunset Boulevard through the lens of horror and cult and, well, they don't exactly pull it off but they do turn in a deep dive into Hollywood's silent era, the golden age of sound, and how it manages to keep up the fabulous illusion of fantasy with a ruthless stranglehold on every piece of machinery that surrounds it and supports it, including the very people that make it all possible.

Sunset Boulevard is a drag queen's dream come true. Silent star, Gloria Swanson returns to the screen to portray the larger-than-life fallen star, Norma Desmond with grand sweeping gestures and some of the most quotable dialog in Hollywood history. Every aspect of this movie is lifted up and supported by every other piece. From Billy Wilder's writing and direction, to the photography of John Seitz, to the costuming of Edith Head, to the score provided by Franz Waxman.

Join us for a deep dive into one of the greatest movies ever produced by Hollywood.

This week Bryan and Dave take a look at the criminally underrated horror movie by Tobe Hooper, The Funhouse from 1981. Tobe Hooper caught everyone's attention with the absolutely legendary horror movie, The Texas Chainsaw Massacre and continued to toy with the tropes established in that movie through his other killer hillbilly movie, Eaten Alive, and straight into this one when he finally seems to get it all out of his system.

Universal Pictures at the time, with their own legacy of classic black and white horror movies, wanted a piece of that hot slasher movie action of the era and secured Hooper with the hopes that he'd turn in something tuned to the expectations of the time but he surprised everyone and decided to give them a proper monster movie in the mode of their own black and white horror movies. The disparity between the studio's intentions and the director's vision results in a monster movie that succeeds despite the challenges Tobe Hooper faced.

This week Dave and Bryan take a look at Allan Arkush's follow up to Rock n Roll High School, the rock musical Looney Tunes mayhem of Get Crazy. It's a story of three filmmakers butting heads over the movie they were trying to make. Arkush intended for a nostalgia-drenched tribute to his teenage years at The Fillmore East in the style of Scorcese's The Last Waltz, the producer wanted a fast and stupid visual comedy in the style of Airplane! and the Executive Producer wanted a movie that was going to fail and fail badly so his tax shelter investors could turn a healthy profit. Somehow, they all got what they wanted in the end.

Bryan and Dave take a good long look at Fred Dekker's 1986 cult favorite, Night of the Creeps and come away with a vastly different view of it than when they watched it as kids. What could possibly change their minds so significantly? It's a pastiche of 50's and 60's drive in tropes filtered through a 1980's horror movie lens but unfortunately, given the way things have shaken out in modern times, some of those tropes haven't aged well at all. Thankfully, Tom Atkins is here to save everything. Thrill me!

Bryan and Dave get ready to break the ice and take a trip back to 1986 to relive BMX madness in the form of Rad, a sports movie that fails on every front and still manages to command a significant cult movie presence in history.

It's the story of Cru Jones, a small-town kid with a dream who just need one chance to prove to the world that he's best BMX rider in the world, to prove that he's rad. Fortunately, the world is ready to just hand over the glory as he doesn't really have to work or struggle very hard to realize his dreams.

Trailer: ⁠https://www.youtube.com/watch?v=1iLuySHQkPU&t=8s

Bryan and Dave celebrate one year of podcasting with a real deep dive into George Romero's paradigm shifting zombie epic, Dawn of the Dead. In the history of horror movies, there are only a few movies that changed the way movies are made and viewed and this is one of them. It's a zombie survival fantasy set in shopping mall with wild shifts in tone that don't always work and a graphic violence about it that its contemporaries did not share. After this one came out, everybody in Italy was suddenly making zombie horror movies.

Trailer: https://www.youtube.com/watch?v=Y_EviQj5tvA

Listen up, hosers! Dave and Bryan love you and have sent you this Valentine's Day love letter to 1981's Canadian slasher movie classic, My Bloody Valentine. It's better than you expect it to be, with a cast of people that you actually grow to like. Sure, it's another slice and dice picture from the golden age of slashers but not too many of them paid this much attention to the craft of telling a story. How does this movie hold up to modern standards? You're going to have to listen to find out.

Trailer: https://www.youtube.com/watch?v=OWvLgL5tdkc

This week, Dave and Bryan celebrate Black History Month with a look at Bill Gunn's delirious 1973 vampire movie, Ganja & Hess, which stars Gunn, Marlene Clark, and Duane Jones from Night of the Living Dead. It's a sleepy, dreamy art film about black identity, gender, class, and the loneliness of a man without ancestry as damaged people deal with themes of blackness in America through the gauzy lens of a vampire movie. Often lumped in with blaxploitation movies like Blacula and Shaft, it is anything but.

Trailer: https://www.youtube.com/watch?v=qEM9oEKC1Ow

This week Bryan and Dave are joined by Jonny and Aileen from the Uy Que Horror podcast for a maddening breakdown of the Cannon Films deep cut, X-Ray (aka Hospital Massacre), starring Barbi Benton as a woman who just needs to pick up her check-up results and spends the rest of the day in a Franz Kafka nightmare, navigating a hospital staffed by intense, antagonistic hospital staff and a masked murderer from her past. This whole movie is bonkers.

Trailer: https://www.youtube.com/watch?v=UfB3HOY5Ze0

Dave and Bryan take a look at a staple of the cult movie circuit, Brian De Palma's bizarre pop music opera and riff on gothic horror, Phantom of the Paradise. It's a wild ride through the nostalgia wave of the 1970's, standout performances from a bright cast, and the music of the movie's villain, Paul Williams, whose hair is just magnificent!

Trailer: https://www.youtube.com/watch?v=T9yof8cwli4

Bryan and Dave are joined this week by drag performer extraordinaire, Peaches Christ, to talk about the arch-80's vampire classic from 1985, Fright Night, starring William Ragsdale, Roddy McDowall, and Chris Sarandon (making his second appearance on the pod). It's an awesome movie that could have been even better for reasons we get deep in the weeds over.

Trailer: https://www.youtube.com/watch?v=PMRH0RIEjnc

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Peaches Christ on Instagram: https://www.instagram.com/thepeacheschrist/

This week Bryan and Dave take a trip to Baltimore for a look at John Waters' transitional picture, Polyester, bridging the gap between his combative, confrontational midnight shockers of the 1970s and his commercial breakthrough in the 1980s. This tour de force let the world know that Divine was more than just an art terrorist in drag but a real, capable comedic actor. When it comes to Polyester, it's the best of both worlds for John Waters fans: An overwrought domestic melodrama in the style of Douglas Sirk and the pure movie chicanery of William Castle. See it in Odorama!

Trailer: https://www.youtube.com/watch?v=0lNlEp5qH3E

This week Bryan and Dave kick off the new year and hit peak holiday horror movie burnout when they go deep with the 1980 slasher movie, New Year's Evil. Cannon Group wasn't exactly known for horror movies and it'll take them a few years before they work it out but these nascent attempts to get a piece of the action during the golden age of the slasher turned out some really weird misfires and New Year's Evil is leading the charge. More like a giallo than anything else, it seems to possess a profound misunderstanding of what audiences were expecting from a slasher movie and delivers some seriously silly murder setpieces.

Trailer: https://www.youtube.com/watch?v=tivSU9zQXfs

In the inaugural episode of 99 Cent Rental, brothers Bryan and Dave take a deep dive into the world of Italian exploitation movies with what is ostensibly the perfect specimen of spaghetti apocalypse movies, 1990: The Bronx Warriors. As well as being one of the better examples of the genre, it's also the debut of one of Italy's most peculiar (and tragic) stars, Mark Gregory, a young man of exceptional physique who couldn't possibly be less interested in being in movies.

Trailer: https://www.youtube.com/watch?v=utYcZ2RxC1s

Amid the 2023 summer frenzy of Barbie-fever we discovered a movie made by the Ken doll's namesake, Ken Handler. It's a vanity project that seeks to exploit two of the mid-80's most exploitable trends: the raunchy sex comedy and the breakdance movie and commits to neither of these things. Instead, it serves as light-hearted comedic confession of Handler's classist kink for exploiting smooth, poor, and young men desperate enough to do *anything* to rise above their station in life. Join us, won't you?

Agnes, it's me, Billy! Bryan and Dave close out their holiday season series with a real deep dive into Bob Clark's masterpiece, Black Christmas. It's the prototype for the slasher movies that followed. It's a movie stuffed with a diabolical eye for detail and unbearable tension. There's a killer so twisted and weird that you reflexively turn away. There's a cast so likable and fleshed out that you hate to see them killed. Happy holidays, from us to you. Here's a real close examination of an especially dark horror movie.

Trailer: https://www.youtube.com/watch?v=ISfeVysYBYE

It's Me, Billy fan film: https://www.youtube.com/watch?v=MHthNuEapos

This week Bryan and Dave take a look back at Bring Me The Axe! year one and all the horror movies released in 2023. They run down the losers, the winners, and the just okay. Find out where all your favorite horror movies of this year landed and prepare to be outraged by hot takes and surprising reviews. Where did Scream 6 land? How do we feel about Skinamarink? Are we just too old to properly appreciate Five Nights At Freddy's?

This week, Bryan and Dave are joined by author, Joe Vallese, and hope that Santa will judge them to be good because they definitely don't want to get on his bad side as they dive head first into 1984's Santa slasher movie, Silent Night, Deadly Night. The movie that went too far. The movie that put the chill on 80's slasher movies for a couple of years. The movie that parent groups organized and protested against. Did it deserve such treatment? Not really but what's America good for if not full-blown moral panics in the face of imaginary monsters.

Trailer: https://www.youtube.com/watch?v=hNBJfv5pIdY&t=1s

It Came From The Closet: Queer Reflections on Horror, edited by Joe Vallese: https://amzn.to/3tdToWu

Joe Vallese on Instagram: https://www.instagram.com/it_came_from_the_closet/

Joe Vallese on Twitter: https://twitter.com/homohorror

Bryan and Dave have such sights to show you! This week they are joined by the co-host of the Morbid podcast, Alaina Urquhart, a demon to some, angel to others, to dive deep into one of her favorite movies and a real top-shelf of the horror canon, Clive Barker's Hellraiser. This movie sets the pace for the late 80's and the 90's in terms of horror, establishes Pinhead and The Cenobites as horror movie heavy hitters, and drives a stake deep into the landscape of horror movies to let the world that know Clive Barker is one of the most original voices in the history of horror fiction and movies. It also features a lot of people sticking their fingers in each others mouths. Satan's done waitin'!

Trailer: https://www.youtube.com/watch?v=OpEQNEHKdXg

Morbid: https://open.spotify.com/show/1cpyLfDHP1cNnyOb478qrt?si=c09012615b2f4fe3

Buy Alaina's novel, The Butcher and the Wren!

Unreleased Themes For Hellraiser by Coil

Bryan and Dave of the Bring Me The Axe! horror podcast are pleased to announce their new show, 99 Cent Rental, a podcast dedicated to the trashy, cheesy weirdness that choked video store shelves. If you like movies with hunky action star lookalikes, dubious martial arts, or breakdancing you're in the right place!

Episodes drop every other monday, opposite Bring Me The Axe episodes. Listen to the announcement to hear which three movies we're kicking the podcast off with.

Just in time for Thanksgiving, Bryan and Dave dive head-first into the wildly inconsistent shit show that is Blood Rage. Marvel at the utterly deranged performance from Louise Lasser, thrill to the low budget gory special effects that are way better than the movie deserves, cringe like you've never cringed before to the movie's many intimate and sexy scenes that encapsulate the early 1980's like few other horror movies. It's a real journey.

Trailer: https://www.youtube.com/watch?v=3jwQ11osTWw

As we near the holiday season, Bryan and Dave darken your doorstep with the low-budget howling madness of 1989's Elves, a movie that under-delivers on elves and over-delivers on incest. If you've ever wondered what Jim Wynorski's version of Gremlins would be this one lands pretty close to the mark as Dan "Grizzly Adams" Haggerty attempts to uncover the truth about a murderous elf creature and protect her from Nazis and her own sadistic mother while chain smoking.

Trailer: https://www.youtube.com/watch?v=GLo795JFfpg

Bryan and Dave are joined by Teri Gamble of the Horror Movie Survival Guide podcast to talk about Disney's bizarro 80's period where they experimented with more mature films resulting in one of their most easily-forgotten titles, The Watcher in the Woods. At one time, Disney producers and executives were convinced that this was going to be their finest hour, a horror movie to rival The Exorcist. Nowadays, if it's remembered at all, it's remembered for not making a whole lot of sense and having been pulled from theaters for extensive reshoots and two endings that had to be thrown out.

Trailer: https://www.youtube.com/watch?v=3DFacqQp8uw

Watcher in the Woods original ending A: https://www.youtube.com/watch?v=Bkpf2IzmMVg

Watcher in the Woods original ending B: https://www.youtube.com/watch?v=nj7BTISeq7E

Horror Movie Survival Guide: https://horrormoviesurvivalguidepodcast.com/

Teri Gamble on Instagram: https://www.instagram.com/theterigamble

Teri Gamble on X: https://twitter.com/TheTeriGamble

Teri Gamble on Facebook: https://www.facebook.com/theterigamble/

Bring Me The Axe! concludes its exploration of the Halloween legacy just in time for Halloween with an epic-length love letter to John Carpenter, Debra Hill, and their landmark creation. Halloween represents a major paradigm shift in horror movie and sets the pace for every horror movie that came in its wake. It's elegant. Every piece of the production is working in perfect harmony with the other pieces. The end-product is greater than the sum of its parts. It is a perfect horror movie and it's not surprising in the least that everyone is still obsessed with it.

Trailer: https://www.youtube.com/watch?v=T5ke9IPTIJQ

Men, Women, and Chainsaws by Carol Clover: https://amzn.to/3QjtV5h

Halloween Unmasked: https://open.spotify.com/show/6nwME42dhsc04T0KFzvGgB?si=434ac60f2c88482f

This week, Bryan and Dave are joined by The Horror Chick, Heather Wixson to get grimy and talk about Rob Zombie's arch-2000's horror movie remake, Halloween. It reimagines Michael Myers, the silent destroyer, once a little boy with a family of mean dirtbag shitheads and a loving, overprotective mother and Sam Loomis as a selfish, fame-chasing jerk.

Trailer: https://www.youtube.com/watch?v=Z5oFtbWvJRY

Monsters, Makeup and Effects: https://amzn.to/45GfJt6

Monsters, Makeup and Effects 2: https://amzn.to/45GfJt6

Heather Wixson on Twitter: https://twitter.com/thehorrorchick

Heather Wixson on Instagram: https://www.instagram.com/thehorrorchick/

Bryan and Dave square off against one of the all-time horror movie greats on the most appropriate calendar date of the year. It's 1980's Friday the 13th, a movie made by pornography producers looking to take away a little of that sweet Halloween money for themselves and accidentally set the pace for slasher movies in the 80's. If you had a little cash on-hand with which to make a movie, you set it at a summer camp and killed off a bunch of teenagers for maximum return based on the least possible effort.

Trailer: https://www.youtube.com/watch?v=aDrOvFtzyPQ

This week, Bring Me The Axe! kicks off their month-long examination of the Halloween legacy as Bryan drags Dave kicking and screaming through David Gordon Green's 2018 series revision. It's a deeply flawed movie that's way better than you expect a Halloween sequel or remake to be and it reduces the series to its roots while whiffing on move than a few points. Get all the details within!

Trailer: https://www.youtube.com/watch?v=ek1ePFp-nBI

Taking Shape: https://amzn.to/46whnxZ

Taking Shape 2: https://amzn.to/46ulDy4

In honor of Hispanic Heritage Month, Bryan and Dave take a trip to Mexico City to celebrate their favorite Ruben Galindo Jr. movie, Don't Panic. It's a blatant a cash-in on the success of Evil Dead and A Nightmare on Elm Street that has so many bizarre qualities to it that you can't help but love it. It's about the love of a grown-ass man and his dinosaur pajamas. It's about the tension between best friends, who might also be enemies? It's about the love shared between two people who no chemistry whatsoever.

Trailer: https://www.youtube.com/watch?v=MeE1slSpJ_Q

Bring Me The Axe! on Instagram: https://www.instagram.com/bringmetheaxepod/

Dave on Instagram: https://www.instagram.com/thatqueerwolf/

Bring Me The Axe! on Bluesky: https://bsky.app/profile/theaxepod.bsky.social

This week Bryan and Dave close out their What The Fuck?? series with a children's movie that terrorized an entire generation in Canada, The Peanut Butter Solution. It's a tale of loss and woe when a child loses his hair due to a terrible fright and deals with it poorly. There's also some real nightmare material in there about being kidnapped by a teacher and forced to work in his child slave labor prison. Also, you'll be amazed at how many Simpsons references these guys can stuff into a single podcast.

Trailer: https://www.youtube.com/watch?v=I2Cm4Cy3rxs

Listen to the Magic Man by Celine Dion: https://www.youtube.com/watch?v=HjHiosqcPbs

Bring Me The Axe on Instagram: https://www.instagram.com/bringmetheaxepod/

Bring Me The Axe on Bluesky: https://bsky.app/profile/theaxepod.bsky.social

This week Bryan and Dave are joined by actor, comedian, and made-for-tv movie expert, Sam Pancake to talk about Dan Curtis (of Dark Shadows fame) and his 1976 gothic melodrama, Burnt Offerings. We cover the movie, of course, hear a nice tale of how pleasant and sweet Karen Black was, much to our delight, and hear a second-hand tale about Oliver Reed's tattooed penis.

Trailer: https://www.youtube.com/watch?v=Oo_6Fb5k2lo

Sam Pancake on Twitter: https://twitter.com/jsampancake

Sam Pancake on Instagram: https://www.instagram.com/thesampancake/

Sam's podcast, The Monday Afternoon Movie: https://www.patreon.com/mondayafternoonmovie

At long last, Bryan and Dave kick off their What The Fuck??? series with Ted Posts deeply troubling, alienating, and off-putting thriller, The Baby, from 1973. Dave thinks it doesn't make any sense. Bryan disagrees strongly, declaring it one of his all-time favorite movies. The Baby is unpredictable at every turn and shocks all the way to the end.

Trailer: https://www.youtube.com/watch?v=vITUjvwnavc

Bryan and Dave are joined this week to close out their Stephen King Rules! series by Stephen King superfan, Julia Marchese, to talk about the picture that ended the Dino De Laurentis/Stephen King dynasty in the 1980's, Silver Bullet. It stars Corey Haim before he was the teen idol of the 1980's as well as Everett McGill and Gary Busey in a picture where it's kids vs. a werewolf.

Trailer: https://www.youtube.com/watch?v=n1dClCykQys

Julia Marchese on Twitter: https://twitter.com/juliacmarchese

Julia's podcast, The Horror Movie Survival Guide: https://podcasts.apple.com/us/podcast/horror-movie-survival-guide/id1260663982

This week kicks off our Stephen King Rules! series as Bring Me The Axe! takes on Stephen King's first and last credit as director, the undisputed document of cocaine confidence, Maximum Overdrive from 1986. It's an ill-advised adaptation of his own short story, Trucks, that features a lot explosions, big trucks, and Yeardley Smith screaming.

Trailer: https://www.youtube.com/watch?v=pwYcnnbiRB4

FYI, the music in the trailer is from Halloween 3, not Christine.

This week, Bring Me The Axe! heads to Camp Arawak to explore one of slasher history's most unhinged entries, Sleepaway Camp. What could have been forgotten by history as just another Friday the 13th ripoff is elevated to a truly special place by a parade of dubious directorial decisions, a handful of positively insane performances, and a real wild twist ending that we spoil right from the get-go.

Trailer: https://www.youtube.com/watch?v=T9K2ARikYzE&t=1s

Sources: https://sleepawaycampfilms.com/

Going Back To Sleepaway Camp by BJ Colangelo

This week Bring Me The Axe takes a look at 1981's Madman, a truly weird entry into the early 80's slasher canon. A cast of pleasant, reasonable, and thoughtful counselors at Thanksgiving Gifted Camp face off against a slasher that may be a monster or a zombie or who knows? It's really never clear what Madman Marz is supposed to be. But we get Dawn of the Dead's Gaylen Ross, acting under a pseudonym, as one of horror's worst final girls and Madman Marz has his own theme song.

Trailer: https://www.youtube.com/watch?v=Y5X3HqpKZJg

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It's a holiday bonus episode for July 4th! Celebrating Steven Spielberg's landmark accomplishment and one of the all-time greatest movies, Jaws! It's a stealth examination of 70's masculinity as the old man plays tug of war against the new man while a monstrous great white shark terrorizes an island vacation destination.

Trailer: https://www.youtube.com/watch?v=U1fu_sA7XhE

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Bring Me The Axe closes out their Pride 2023 series with an enthusiastic love letter to James Whale's 1932 pre-code classic for Universal, The Old Dark House, a movie about class consciousness, secrecy, Lilian Bond's feet, and super gay double entendres. It is a perfectly executed piece of gothic horror starring Boris Karloff that must be seen to be believed.

Trailer: https://www.youtube.com/watch?v=WqhzhNoTKps

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And be sure to visit our sweet-ass website!

Bring Me The Axe kicks off its Pride 2023 series with a mostly unremarkable movie that remains in the horror movie memory thanks entirely to contributions from gay artists, the 1986 horror comedy Vamp, starring Chris Makepeace, Robert Rusler, and Grace Jones. In an attempt to make a story about two very good friends trying to wheel and deal their way into a college fraternity, writer/director, Richard Wenk, accidentally tips the movie into queer territory with a story about the unrequited love of one man for another. You'll also learn way more about Keith Haring and Robert Mapplethorpe than you were probably expecting to in a chat about how awesome Grace Jones is.

Trailer

Interview with produce Donal Borchers

Dracula Bites The Big Apple

This week Bring Me The Axe closes out their School's Out series, taking a look at the 1982 slasher picture, The House on Sorority Row, from director Mark Rosman, a hidden gem of the genre that remarkably passes the Bechdel Test. It's a movie about a prank gone wrong, secret medical experiments, and a girl who owns a 1970's style fuck van. The House on Sorority Row features soap opera stars, Kate McNeil and Eileen Davidson, as well as Lois Kelso and we enjoyed this movie a whole lot.

Trailer: https://www.youtube.com/watch?v=IKMrteGf6q8

This week, Bring Me The Axe kicks off their School's Out series, taking a look at the 1981 slasher also-ran, Final Exam, a movie that should be stuffed down the horror movie memory hole were it not for its one secret weapon, a weirdo nerd character named Radish and his ongoing series of bizarre bon mots. Final Exam can't decide if it's Animal House or Halloween and doesn't do a very good job of ripping off either of them. But we're going to ride this one out to see if our precious Radish can survive the killer's knife.

Look, we value your time and know that you want to know what you're getting into when you pick up a new podcast so here's a little taste of what to expect in the Bring Me The Axe horror movie podcast, hosted by actual brothers, Bryan and Dave White.

This week Bring Me The Axe breaks down one of the four werewolf movies released in 1981, Joe Dante's iconic The Howling. It's a wild ride made notable by its awesome special effects and dark comedic tone. And it's a treat for fans of of classic horror movies with cameos from Roger Corman and Forrest Ackerman, not to mention dozens of references to other werewolf movies. It's one of the all-time greats.

Trailer: https://www.youtube.com/watch?v=pZARVBpjC1I

Trailers From Hell, with Josh Olson: https://trailersfromhell.com/howling/

Horror's Hallowed Grounds with Sean Clark: https://www.youtube.com/watch?v=temUGpwfmjc

This week Bring Me The Axe takes a look at the 1977 Michael Winner clone of The Omen/Rosemary's Baby, The Sentinel. Ostensibly the most Catholic horror movie ever made, it's also about as paranoid as a horror movie can be. One damned soul, alone must stand watch over the gateway to Hell and Alison Parker is next in line to take on the mantle. Along the way, literally everyone will manipulate her toward their own ends.

This week Bring Me The Axe takes a look at William Lustig's 1980 roughie, Maniac, starring Joe Spinell and Caroline Munro. Bryan also goes off on a long tangent about the time he met Tom Savini and how it haunted Savini for years.

This week, Bring Me The Axe takes a look at the utterly deranged 1982 slasher picture, Pieces. This one has it all: Chainsaws, gratuitous nudity, buckets of blood, hysterical screaming, and THRILLING TENNIS ACTION! "It's exactly what you think it is."

This week, Bryan and Dave take a look at the arch riff on Whatever Happened To Baby Jane from 1981, Butcher, Baker, Nightmare Maker, starring Jimmy McNichol and Susan Tyrell. Campy doesn't even begin to cover this one. In what is becoming a disturbing trend at Bring Me The Axe, it's another story about inappropriate family love and the extent that a parent will go to keep their son close to them.

In this inaugural episode, Bring Me The Axe dives headfirst into the sequel to the original Amityville Horror phenomenon, 1982's Amityville 2: The Possession. Perhaps the most Italian horror movie made in America at the time, it's a movie about a brother and sister and the really weird, totally inappropriate sexual chemistry between them. And then the haunted stuff happens.