Broken Record with Rick Rubin, Malcolm Gladwell, Bruce Headlam and Justin Richmond

Stone Gossard and Jeff Ament are two of the Seattle scene’s most foundational musicians from the 80’s and 90’s. Stone and Jeff started playing together in 1984 as members of Green River, which eventually dissolved, leading singer Mark Arm to form Mudhoney.

Later, Jeff played bass and Stone played guitar in Mother Love Bone until their lead singer Andrew Wood died of an overdose just days before their major label debut in March of 1990. Reeling from Andy’s death, Jeff and Stone started recording with Soundgarden’s Chris Cornell on a side project called Temple Of The Dog that featured vocals from a then unknown singer from San Diego named Eddie Vedder.

Later that year, Jeff and Stone asked Eddie to join their new band with guitarist Mike McCready. As Pearl Jam, they released their debut album Ten in August of ‘91—the album went 13 times platinum and charted on Billboard for nearly five years.

Since then, Pearl Jam have released 11 more albums and built a die-hard fan base thanks in part to their outstanding live shows. Last week they released their latest album, Dark Matter, which was produced by Andrew Watt, who's recently worked with Miley Cyrus, Iggy Pop, Post Malone and Ozzy Osborne.

On today’s episode Leah Rose talks to Stone Gossard and Jeff Ament about how Andrew Watt’s encyclopedic knowledge of Pearl Jam helped inspire some of their best performances to date. Stone and Jeff also open up about the inner-workings of their professional relationship, and Stone remembers the first time he met Eddie Vedder, who marked the occasion by passing him a hand-written poem.

You can hear a playlist of some of our favorite Pearl Jam songs HERE.

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16 years have passed since The Black Crowes released an album of new material. The world has changed a lot since then—and so have the Robinson brothers. Chris and Rich Robinson are, of course, the backbone of the band. They started playing together back in Georgia in 1984 as Mr. Crowe’s Garden before moving to NYC, signing to Def American, and changing their name to The Black Crowes.

The band’s debut album, Shake Your Money Maker, set them up as the torchbearers of Southern rock for the '90s and beyond. As you’ll hear in today's conversation, the brothers Robinson have had a competitive relationship for a long time. Their ups and downs have meant hiatuses for the band over the years. But now they’re back united and seemingly in it for the long haul with their new album, Happiness Bastards.

On today’s episode Justin Richmond talks to Chris Robinson about his growing up in Georgia with Rich, their dad’s rockabilly career, and how his road habits have changed from indulging in champagne and other substances to reading Herman Melville.

You can hear a playlist of some of our favorite songs from Chris Robinson & The Black Crowes HERE.

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Famed drummer for the Police and composer Stewart Copeland has one of the more fascinating bios in modern music. His father was a founding member of the CIA and his mom worked in British Intelligence.

After playing in the successful UK prog rock band Curved Air in the mid 70s, Stewart started a new band called the Police with bassist and lead singer, Sting—and eventually guitarist Andy Summers. Over the next decade the Police would go on to become one of the top-selling rock bands of all time, selling over 75 million records.

Last year Stewart released the book, “Stewart Copeland’s Police Diaries,” which includes his personal notes dating back to the band’s formation in 1976 through 1978, when they started to take off.

On today’s episode Bruce Headlam talks to Stewart Copeland about the first time he saw Sting play and how he was able to successfully lure him into his then non-existent band. Stewart also explains why he and Sting eventually had a musical falling out, and how the Arabic rhythms he heard growing up influenced his highly lauded drumming style.

You can hear a playlist of some of our favorite songs from Stewart Copeland and The Police HERE.

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Justin Timberlake is one of the most high achieving pop phenomenons of the past three decades. In 1993 he helped relaunch the Mickey Mouse Club where he sang and danced alongside Rylan Gosling and other now luminaries. Then he broke records and sold over 70 million albums worldwide with *NSYNC. And if that weren’t enough, he launched an incredibly successful solo career in the early aughts where he found a musical soulmate in Timbaland who Justin's worked with in some capacity over the course of his six solo albums.

So with all that hard earned success behind him, it’s been interesting to see the online drubbing JT's taken the last couple of years. Curious about how he might respond musically, it turns out, his new album Everything I Thought It Was, is everything you’d hope to hear from JT including a surprise *NSYNC reunion.

On today’s episode Justin Richmond talks through Justin Timberlake’s new album with him as he dissects key tracks from it. JT also recalls how Micheal Jackson helped inspire his solo career, he breaks down the motivation behind each one of his solo albums, and he talks about why he felt now was the right time to reunite with his boy band brothers in ‘NSYNC. This episode was recorded at Amazon’s Studio126.

You can hear a playlist of some of our favorite Justin Timberlake songs HERE.

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Brandi Carlile’s knack for uplifting the musicians she loves is exemplary. After her own hard-earned ascent to fame over the course of seven studio albums, Brandi started to turn her sights to producing albums for artists she deeply admires, including Tanya Tucker who she’s been on Broken Record with in the past but also Brandy Clark. Then there’s Joni Mitchell—who, thanks to Brandi’s encouragement—has recently made a glorious return to performing live.

Brandi’s passion for the projects she works on is infectious. The latest is an EP she produced for 18-year-old singer/songwriter Tish Melton called, When We’re Older. Over the course of the five-song collection, Tish pulls influence from artists like Phoebe Bridgers and Lucy Dacus. Tish, whose mom is the New York Times bestselling author Glennon Doyle, is teeming with talent on her EP, which includes heartfelt songs that expertly capture a wise-beyond-her-years self assuredness.

On today’s episode Leah Rose talks to Tish Melton and Brandi Carlile about their creative partnership and the impermeable sense of self Brandi has found in both Tish and Joni Mitchell. And Brandi teases her upcoming collaboration album that she calls “monumental,” plus she talks about why she thinks Beyonce might be country music’s saving grace.

You can hear a playlist of some of our favorite songs from Tish Melton and Brandi Carlile along with all the tracks mentioned in this episode HERE.

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Natalia Lafourcade is a force. As you’ll hear when she sings during our conversation today she has a gorgeous voice. But she’s also a deft songwriter who’s able to weave together traditions that feel both modern and old at once.

And she’s also a beautiful interpreter of song—take for instance the phenomenon that was the song “Remember Me” from Pixar’s film Coco. Or take the many instances where she’s recorded some of the classic songs from across Latin America—performing on songs by greats like Violetta Parra from Chile and Agustín Lara from Natalia’s home state of Veracruz, Mexico. After spending the last seven years interpreting those masters, Natlia’s released De Todas Las Flores, her first album of originals since 2015.

On today's episode Justin Richmond talks to Natalia Lafourcade about the evolution of her artistry over the last 25 years. She recalls the time a hummingbird inspired her to move past a creative rut, and how the logistical challenges of recording her latest album to tape wound up creating an urgency that ultimately fueled the creative process.

You can hear a playlist of some of our favorite Natalia Lafourcade songs HERE.

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In recognition of this month's World Happiness Day, we are presenting one of our favorite episodes from last year with Janelle Monàe and her longtime collaborator, Nate Wonder. Janelle's latest album, The Age Of Pleasure, was created in part as a celebration of black love and community. And as Nate Wonder shares in this interview with Justin Richmond, one of his guiding principles when making the album was to make Janelle smile.

As part of Pushkin Industries' network-wide celebration of World Happiness Day, we will also be sharing an episode of The Happiness Lab from our brilliant colleague, Laurie Santos later this month.

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At 70 years-old, Kim Gordon—the former bassist and founding member of Sonic Youth—is just now making the most abrasive music of her career. She just dropped her second solo album, The Collective, with producer Justin Raisen, who’s previously worked with artists like Drake, Lil Yachty, and Charli XCX. Kim’s spoken-word-like vocals on The Collective are the perfect accompaniment to Justin’s distorted trap-style beats.

On today’s episode Leah Rose talks to Kim Gordon about her latest solo album, as well as her memoir, Girl In A Band, that detailed her split with ex-husband Thurston Moore. Kim also delves into why she always felt like an outsider in New York City’s thriving downtown art scene. And she recalls Sonic Youth’s storied tour in the early ‘90s opening up for Neil Young.

You can hear a playlist of some of our favorite Kim Gordon songs HERE.

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To kick off our month-long celebration of Women's History Month, today we're featuring an interview with Polly Jean Harvey, a.k.a. PJ Harvey, who is without question one of the most gifted songwriters of our time.

Her debut album, Dry, came out in 1992 and was what the LA Times called a near “instant classic.” The same with her sophomore release, Rid of Me—which became an inspiration for Nirvana’s last album: In Utero.

Ten albums later and Polly continues to be not only a remarkable songwriter on her new album “I Inside the Old Year Dying” but...maybe more impressively...continues to find new musical territory and new voices to write from. Keeping her songs and artistry as interesting as it was when she first put music out 30 years ago.

John Parish, who’s been a frequent collaborator of Polly’s since the 1980's produced the new album—along with Flood—and joins Justin Richmond in conversation with Polly to discuss their process of working together, the beauty of Polly’s last few albums and how they bonded long ago over Captain Beefheart.

You can hear a playlist of some of our favorite PJ Harvey & John Parish songs HERE.

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For the last installment of our Thursday Black History Month drops, how could we not revisit our episode with the incomparable Sonny Rollins? Listening to Sonny is like history coming right off the page. He’s living, breathing black history and one of the greatest tenor players of all time.

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The last couple of years have been huge for Jason Isbell. The Alabama-born singer-songwriter’s latest album Weathervanes won the Grammy for Best Americana album this year. He also snagged a role in Martin Scorsese's film, Killers Of The Flower Moon, which is up for Best Picture at this year’s Oscars.

There was also a critically acclaimed HBO documentary released last year about the making of Isbell’s previous album with the 400 Unit, Reunions, that put his personal life on full display.

On today’s episode I talk to Jason Isbell about his exhilarating experience filming Killers of the Flower Moon and how he prepared to act in scenes opposite Leonardo DiCaprio (heads up—there are some major spoilers in this conversation). Jason also contemplates how he will write about the dissolution of his marriage, and why he struggles to write a balls-out rock song.

You can hear a playlist of some of our favorite Jason Isbell songs HERE.

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We’re halfway through Black History month and although we didn’t intend to rerun some of our older conversations to celebrate the month, after realizing we needed to do something to mark Usher’s Super Bowl performance and the release of the new Bob Marley biopic “One Love,” we figured we might as well keep going and celebrate the whole month long…because now we have a country album from Beyonce on the way.

Beyonce released two songs from her upcoming album the night of the Super Bowl—“16 Carriages” and “TEXAS HOLD ‘EM”—to a rapturous response. Not only are the songs good. But they sparked a lot of meaningful conversations about the usefulness of genres, the way marketing shapes our listening and gatekeeping in music. Those are all things very close to Rhiannon Giddens’ heart. As a black banjo player, steeped in the Americana tradition—and its Transatlantic roots—she’s been living this conversation her whole career.

Rhiannon also happens to play on the song “TEXAS HOLD ‘EM” with Beyonce. Which just this week hit number one on the country chart, making her the first time a black woman has ever held that spot.

So let’s flash back to when we had Rhiannon on Broken Record back in 2021 to speak with Bruce Headlam about her album They’re Calling Me Home.

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Since releasing their critically acclaimed debut album, Brutalism, in 2017, the British band IDLES have dropped four other albums in quick succession. The band’s bombastic sound brilliantly balances joy, chaos, and an often critical take on the powers that be. IDLES latest album, TANGK, was produced by the band's guitarist Mark Bowen, Kenny Beats, and Radiohead producer, Nigel Godrich.

On today’s episode Justin Richmond talks to Joe Talbot and Mark Bowen from the greenroom of the Tonight Show with Jimmy Fallon about their tumultuous creative partnership. They also explain how Mark helps temper Joe’s sometimes passionate rage, and Joe breaks down why he will forever despise England’s monarchy.

You can hear a playlist of some of our favorite IDLES songs HERE.

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Last week we revisited our conversation with Usher to celebrate his Super Bowl performance and the incredible career resurgence he’s had over the last couple of years. In thinking about our catalog, I thought there was another conversation worth revisiting - Malcolm Gladwell speaking with Ziggy Marley about the cultural influence the tiny country of Jamaica and Ziggy’s dad, Bob Marley, have had over the last half a century.

The Bob Marley biopic One Love was released in theaters yesterday. I hope anyone familiar with Bob Marley will go see it at some point. If only to keep the conversation about his songs and his political thinking alive and to guard against his legacy becoming further whitewashed and commercialized.

So listen Malcolm’s conversation with Ziggy from a couple of years back, see the movie and then spend some time with the Marley catalog and with some of the other great music to come out of that era from Prince Buster to Alton Ellis and beyond.

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In the minds of many rock fans, Duff McKagan will forever be known first and foremost as the bassist for Guns N' Roses. The band’s white-hot reign in the late '80s through the early '90s is the stuff of hedonistic, hard rock legend. And for anyone interested in reading a detailed account of that wild ride, check out Duff’s memoir, “It’s So Easy and Other Lies.”

After turning 30, Duff got sober, eventually left GNR, and then went on to play stints in Alice In Chains and Jane’s Addiction—and he helped form the supergroup, Velvet Revolver. In 2016, he rejoined Guns N' Roses following their induction into the Rock N Roll Hall of Fame.

Outside of his contributions to big name rock bands, Duff has also been releasing solo material since the early '90s. His latest album, Lighthouse, signals a new musical direction for Duff—one that focuses on reflective, personal lyrics and stripped-down rootsy-rock.

On today’s episode Leah Rose talks to Duff McKagan about his decision to leave the heroin-infested punk rock scene in his hometown of Seattle for LA. He also shares stories about Axl Rose and Slash while recording Appetite For Destruction. And he reminisces about the time his musical idol Prince was trying to get Duff to reveal the real reason why Guns N' Roses broke up.

You can hear a playlist of some of our favorite Duff McKagan songs HERE.

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Four decades into his career, Usher is at the peak of his powers. In the year since he was on Broken Record, Usher became the king of the Las Vegas strip. According to Billboard, he grossed over $100 million dollars during his beloved Vegas residency.

To celebrate his much anticipated halftime performance at this year's Super Bowl, along with his upcoming arena tour, and the release of his new album “Coming Home,” here's Justin Richmond's conversation with the one and only, Usher.

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Countless decisions, large and small, aided The Beatles’ ascent to the top of popular culture. The release of their debut single, “Love Me Do,” in the UK in the fall of 1962 was one of those decisions. Their debut on American television was another. In this first episode of season two, Paul McCartney and Paul Muldoon discuss the early evolution of The Beatles.

Season Two of McCartney: A Life in Lyrics comes out weekly starting February 7th, and features the stories behind songs like Yesterday, Band on the Run, Here, There and Everywhere, Picasso’s Last Words (Drink to Me) and many more. Follow the show to learn more about Paul McCartney’s songwriting process, the creation of Wings, the development of McCartney’s bass playing over the life of The Beatles and more! Binge the entire season early and ad-free starting February 7th by subscribing to Pushkin+ on our Apple show page or at pushkin.fm/plus.

“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.

The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger.

Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

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James Fauntleroy is one of the most prolific pop songwriters of the past 15-plus years. Some of his most prized placements include writing songs for Beyoncé, Rihanna, Justin Timberlake and Bruno Mars. He’s also contributed background vocals to songs by Travis Scott, Jay-Z and his longtime friend, the late Nipsey Hustle.

Similar to his music industry idol and mentor Babyface, James Fauntleroy is also an artist in his own right. While his songs have lived on streaming platforms over the past decade, in December James released his official debut album, The Warmest Winter Ever—a Christmas album put through the Fauntleroy filter.

On today’s episode Justin Richmond talks to James Fauntleroy about why he decided to drop his debut album well over a decade into his career. He also explains how hundreds of his songs were stolen and posted online by international hackers. And why he considers both Weird Al Yankovic and John Mayer among some of his biggest musical influences.

You can hear a playlist of some of our favorite James Fauntleroy songs HERE.

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The Baltimore-based synth-pop band Future Islands was first thrust into the national spotlight in 2014 after making their TV debut on The Late Show With David Letterman. The band’s unassuming frontman Samuel T. Herring danced ecstatically around the stage seething with emotion. The performance quickly went viral, making it one of Letterman’s most memorable live appearances of all time.

At the time of their big break, Future Islands had already released three albums and been touring relentlessly for nearly a decade. And while they would become one of the most prominent bands on the festival circuit for the next several years, Future Islands has always maintained a sense of unparalleled raw vulnerability on-stage—in part because of the deeply confessional nature of Sam’s songwriting and electric stage presence.

On today’s episode Leah Rose talks to Future Islands lead singer Samuel T. Herring about the band’s latest album, People Who Aren’t There Anymore. Samuel also describes the physical toll his energetic performance style has taken on his body over the years. And his long-held gripe with guitar-based music.

You can hear a playlist of some of our favorite Future Islands songs HERE.

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Sleater-Kinney has long been a safe space for band members Carrie Brownstein and Corin Tucker. What started as a group born out of the feminist punk riot grrrl scene in Olympia, Washington in the early 90s, has grown into a life-affirming artistic endeavor. In late 2022, tragedy struck when Carrie’s mother and stepfather were killed in a car accident overseas. In the months after, Carrie found a respite from her immense grief by playing the guitar for hours on end, and writing new music.

Sleater-Kinney’s latest album, Little Rope, is in part a meditation on Carrie’s grief, but it’s also proven to be a triumph for the band. Corin Tucker, who handles the bulk of the singing on the new album, has been racking up rave reviews, including one from the New Yorker who noted that Corin’s performance is the most dynamic and flexible of her career.

On today’s episode, Bruce Headlam talks to Carrie Brownstein and Corin Tucker about their intimate recording relationship, and how their sometimes opposing approaches to creative work complement one another. They also talk about the matriarchal nature of the early Olympia music scene, and why they wanted their new album to sometimes sound gross and obnoxious.

You can hear a playlist of some of our favorite Sleater-Kinney songs HERE.

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2023 has been a helluva year for singer/songwriter Noah Kahan. Just three years ago he started uploading snippets of his indie-folk songs to TikTok while waiting out the pandemic at his dad’s house in rural Vermont. Those songs quickly caught fire across social media and eventually turned into Noah’s most recent album, Stick Season.

After releasing collaborations with Kacey Musgraves, Hozier, and Post Malone, Noah has amassed 4 billion streams globally. It’s no surprise that last month he was nominated for the Best New Artist Grammy.

On today’s episode Leah Rose talks to Noah Kahan about navigating his often overwhelming new-found success, and how he feels about being labeled the new “sensitive woodsman” singer/songwriter du jour. Noah also opens up about initially being embarrassed about his singing voice, and his plans for evolving his sound on his next album.

You can hear a playlist of some of our favorite Noah Kahan songs HERE.

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Ludwig Göransson is one of the most accomplished and distinctive film composers of the 21st century. In 2020, after working on the movie Tenet together, acclaimed director Christopher Nolan hired Göransson to score what has become one of the biggest movies of 2023: Oppenheimer.

Ludwig, who emigrated to Los Angeles from his native Sweden in 2007, has racked up dozens of writing, producing and scoring credits. He started out working in TV and he eventually started scoring films with his old college friend Ryan Coogler. Ludwig composed music for all of Coogler's hit movies including Fruitvale Station, the Creed series, and both Black Panther films—the first of which won him the Academy Award for Best Original Score in 2019.

On today’s episode Justin Richmond talks to Ludwig Göransson about his incredible body of work as a composer and producer. He explains how his rigorous musical training in Sweden prepared him to write the complex sections of the Oppenheimer score. Ludwig also plays some of the more moving sections of the score for us in effort to show us how he came up with one of the best soundtracks of the year.

You can hear a playlist of some of our favorite Ludwig Göransson songs HERE.

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Janelle Monáe has had a lot to smile about this year. After a run of successful albums over the last decade, in June she released her fourth album, The Age of Pleasure. The album was just nominated for two Grammys including Album of the Year. This project is important—it signaled a big tone shift for Janelle whose past albums have centered in part around a recurring character named Cyndi Mayweather, an android who represents society’s new “other.”

Esthetically Janelle has always been buttoned up. For her first few album releases she made a point of always appearing in public in some iteration of a tuxedo. For The Age Of Pleasure though, she literally stripped down to almost nothing, flaunting a newfound freedom centered around Black joy and acceptance.

On today’s episode Justin Richmond talks to Janelle Monáe and her long time music partner Nate Wonder poolside, at their creative home base in the Hollywood Hills called Wondaland. Nate explains how The Age Of Pleasure album started with the simple conceit of making Janelle smile. Janelle also talks about why she decided to ditch a career in musical theater after college, and how THE Grace Jones ended up topless in Wondaland’s now-infamous pool.

You can hear a playlist of some of our favorite Janelle Monáe songs HERE.

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Corinne Bailey Rae is an English singer/songwriter whose career started with a bang. In 2006 her debut album topped UK charts and was certified triple platinum with the help of her first hit single, “Put Your Records On.” A slew of awards and other “best new artist” distinctions followed. As she released subsequent albums, Corinne aspired to stretch herself as an artist beyond neo-soul pop-music success.

In September, Corinne Bailey Rae released her excellent, genre-hopping fourth album, Black Rainbows. It’s an album inspired by her time spent exploring Chicago’s historic Stony Island Arts Bank—a vast collection of Black cultural relics and writing.

On today’s episode Justin Richmond talks to Corinne Bailey Rae about the years she spent in the Arts Bank archives and the stories that inspired her new work. She also talks about her record label’s exhaustive effort trying to push her to recreate the success of her first album. And how an indie skateboarding magazine helped clarify the look of her new album.

You can hear a playlist of some of our favorite Corinne Bailey Rae songs HERE.

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David Paich is a prolific musician and songwriter who’s perhaps most well known for writing and co-producing Toto's classic song, “Africa.” Before David co-founded Toto with drummer Jeff Porcaro in 1977, he was an innovative keyboardist and session player. David honed his chops early growing up in L.A. where he worked under the tutelage of his father Marty Paich—an esteemed composer who worked with artists like Ella Fitzgerald, Ray Charles and Mel Tormé.

While in college at USC David started playing keyboard professionally and touring with Sonny & Cher. From there he went on to co-write and play on Boz Scaggs’ multi-platinum album Silk Degrees. He also worked extensively with Quincy Jones, playing on multiple iconic albums including Michael Jackson’s Thriller and Bad. All throughout his work as a session musician, David also served as Toto’s principal songwriter and wrote chart-topping hits like “Rosanna,” “Hold The Line,” and of course, “Africa.”

On today’s episode Justin Richmond talks to David Paich about what it was like to be such an accomplished player at such a young age. He shares crazy stories about working with Michael Jackson and Quincy on Thriller, and how he came up with the intro to Michael Jackson’s “Human Nature,” a song written by Toto’s drummer, Jeff Porcaro. He also plays parts from some of the best songs he’s written, and talks about how they came to be.

You can hear a playlist of some of our favorite David Paich songs HERE.

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As a founding member of the iconic all-girl band The Bangles, Susanna Hoffs is perhaps most associated with 80s hits like “Manic Monday,” “Eternal Flame,” and “Walk Like An Egyptian.” After releasing three platinum-selling albums, in 1989 The Bangles broke up. Two years later, Susanna started to release solo material before reuniting with The Bangles at the end of the 90s.

Over the years Susanna has continued to release music and act in movies. She even appeared in all three Austin Powers films as part of a fictional Mod band.

This year Susanna has added another creative pursuit to her repertoire—she’s now a published novelist. Her first book, This Bird Has Flown, was released in April. And she put out her latest collection of cover songs on the album The Deep End produced by the great Peter Asher.

On today’s episode Justin Richmond talks to Susanna Hoffs about how Bruce Springsteen helped The Bangles secure a record deal after seeing them play at an amusement park in Southern California. She also tells the story of first listening to Prince’s demo of “Manic Monday.”

You can hear a playlist of some of our favorite Susanna Hoffs songs HERE.

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Marty Stuart has dedicated his life to playing and preserving old country music. During his 40-plus years as a solo artist, Marty has released more than 20 albums and racked up numerous honors, including five Grammys, and an induction into the Country Music Hall Of Fame.

Marty started his career at the age of 12 playing mandolin in a gospel band. By 21, he’d joined Johnny Cash’s touring band, and eventually became a solo artist who combined classic rockabilly sounds with bluegrass and cosmic country. His latest album has a sweeping, spacious feel that's meant to conjure up visions of desert horizons and endless stretches of two-lane highways.

For today’s episode, Bruce Headlam met up with Marty Stuart at Bridge Studios in Brooklyn. Marty shared stories about first going on the road with the Sullivan Family Gospel Singers, and the very first show he ever played backing Johnny Cash where Marty pretended to know how to play the fiddle. Marty also talks about how a star-studded studio session with Roy Orbison, Carl Perkins and Jerry Lee Lewis gave him the confidence to pursue a solo career in country music.

You can hear a playlist of some of our favorite Marty Stuart songs HERE.

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Lol Tolhurst, drummer and co-founder of The Cure, first met lead singer Robert Smith when they were just five years-old. Together with their other Catholic school friend Michael Dempsey, they would go on to make dark, brooding music that reflected the isolation they felt as the only punks living in their small English town. As The Cure’s sound developed in the 1980s, they released a string of three albums that Lol now defines as the band’s “goth period.” Today we’ll hear Lol talk in detail about making those albums.

Last month Lol released the book “Goth: A History,” which explores the architects of the post-punk genre—bands like Siouxsie and the Banshees, Joy Division, and Bauhaus. In addition to his book “Goth,” Lol is also releasing a new album with his old friend Budgie, the drummer from the Banshees. The album’s called Los Angeles and it features an all-star guest list including U2's The Edge and LCD Soundsystem’s James Murphy.

On today’s episode Leah Rose talks to Lol Tolhurst about growing up an outcast in post-WWII England and how he and Robert Smith first bonded over a Hendrix record. Lol also talks through the creation of The Cure’s goth albums—Seventeen Seconds, Faith, and Pornography. 

You can hear a playlist of some of our favorite Lol Tolhurst songs HERE.

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The lead singer and keyboardist for Devo, Mark Mothersbaugh, is an avant-garde, new wave pioneer. Although critics sometimes classify Devo as a joke band, the Akron, Ohio art-punks’ ethos was created in response to a very serious event—the 1970 shooting at their college, Kent State. Following the incident, the band took on the name “Devo,” short for what they felt was organized society’s “de-evolution.”

Throughout the ‘70s and ‘80s Devo helped lay the groundwork for DIY, anti-establishment bands by releasing bizarre and left-of-center music and conceptual films that helped usher in the music video revolution.

In addition to his work with Devo, Mark Mothersbaugh has also created a long and successful career scoring for TV and film. His credits include, Pee-Wee’s Playhouse, The Rugrats TV show and movies, and he’s scored several classic Wes Anderson-directed films including The Royal Tenenbaums and Rushmore.

On today’s episode Justin Richmond talks to Mark Mothersbaugh about how he developed his quirky sensibility as one of five kids growing up in a chaotic household with exotic animals. Mark also tells a story about the time Richard Branson suggested that Johnny Rotten join Devo after the Sex Pistols broke up.

You can hear a playlist of some of our favorite Mark Mothersbaugh songs HERE.

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Laufey’s fast rise to fame is a pandemic success story. During lockdown, the 24-year-old multi-instrumentalist built a substantial following on social media where she was known as “jazz girl.” Since then the Icelandic-Chinese singer/songwriter has released two studio albums that blend classical, pop and jazz. The first single from her most recent release, Bewitched, has been streamed over 20 million times globally since its release a couple months back.

Raised in Iceland, Laufey started playing cello and classical piano when she was four years old. By 15 she was performing with the Icelandic Symphony Orchestra as a cello soloist. The Chinese side of her family has been studying classical music for generations—Laufey’s mom is a professional violinist and her maternal grandfather taught violin at China’s Central Conservatory of Music.

And while Laufey’s classical training runs deep, perhaps the most surprising thing about her ascent to stardom is the fact that she's now known as a singer/songwriter as much as a musician.

On today’s episode I talk to Laufey about how she started singing jazz standards online, and what inspired her to write her own songs as well. She also talks about the great sacrifices her Chinese family made during the Cultural Revolution when there was a strict ban on playing classical Western music. And she sings two original songs for us including her single, “From The Start.”

You can hear a playlist of some of our favorite Laufey songs HERE.

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Hermanos Gutiérrez may be an instrumental guitar band, but they have zero interest in shredding. Instead the Swiss-Ecuadorian brothers, Estevan and Alejandro Gutiérrez, take a minimalist approach to playing. They create hypnotic, sweeping compositions inspired by classical Latin guitar and film scores from old Spaghetti Westerns.

In 2022, after releasing three albums independently, Hermanos Gutiérrez signed to Easy Eye Sound, a label owned and operated by Dan Auerbach, guitarist and vocalist of The Black Keys. Last October they released the album, El Bueno Y El Malo to critical acclaim. The album features the song “Tres Hermanos,” where Auerbach joins the brothers on guitar. Today we’ll hear Estevan and Alejandro play that song, along with a couple other songs live from Auerbach’s studio in Nashville, TN.

Justin Richmond also talks to Hermanos Gutiérrez about how their brotherly spats sometimes fuel their playing. Then they recall a recent performance in Mexico City where they played during a volcanic eruption. And how Dan Auerbach knew he wanted to meet with Hermanos Gutiérrez after seeing them play for just 15 seconds.

You can hear a playlist of some of our favorite Hermanos Gutiérrezsongs HERE.

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Pete Townshend, the legendary guitarist and songwriter for The Who, is one of the most decorated rock stars alive. He’s been inducted into the Rock N Roll Hall of Fame, received Kennedy Center Honors, and lifetime-achievement awards from both the Brit Awards and the Grammys. Pete's iconic power chord-guitar style and early use of synthesizers established him as a musical innovator in the '60s and '70s.

After a string of chart-topping singles in the early '60s, Pete set to work writing the first-ever rock opera, a project that became the double album Tommy. Tommy is widely recognized as The Who’s breakout record, and is considered a masterpiece by many critics.

Following its release, Pete started writing songs and a script for a sci-fi epic called Life House. After that project was scrapped, the songs wound up on different releases from the band over the next decade including their 1971 classic, Who’s Next.

Last month The Who released an epic box set called Who's Next/Life House that contains 155 tracks, 89 of which are unreleased. The set also includes a graphic novel, unheard demos, complete live concerts, posters and collectable pins.

On today’s episode Justin Richmond talks to Pete Townshend about how some of the ill-fated effects of technology that he predicted on Life House have come to pass. Pete also explains why he decided to target a specifically male audience when writing music for The Who. And he gives an unexpected take on the Grateful Dead and San Francisco’s music scene in the '60s.

You can hear a playlist of some of our favorite Pete Townshend songs HERE.

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Today we are sharing a very special project we've been working on at Pushkin, a new podcast with the one and only, Sir Paul McCartney. The show’s called McCartney: A Life in Lyrics and it's full of insightful conversations between Paul McCartney and his friend, the Irish poet Paul Muldoon.

Together they taped years of conversations digging into Paul’s lyrics and songwriting process. And because it’s impossible to separate the art from the man, a lot of McCartney's personal life gets revealed along the way, like insight into his family life in Liverpool, the success and breakup of the Beatles, Wings and so much more.

McCartney: A Life in Lyrics dropped with two episodes today—one on The Beatles "Eleanor Rigby," and the one we're presenting here for you today on "Back In the U.S.S.R."

If you love music and songwriting and have ever wanted to be a fly on the wall for in-depth conversations with a Beatle, then McCartney: A Life in Lyrics won’t disappoint. You can binge the entire first season now by subscribing to Pushkin+ on Apple Podcasts.

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Amanda Shires is a Texas-born singer/songwriter who got her start at 15 when she joined Bob Wills & His Texas Playboys on fiddle. After starting her solo career in 2005, Shires continued to play with a number of other bands including her husband Jason Isbell's band, the 400 Unit. In 2019, she started the all-female country supergroup The Highwomen, which includes Brandi Carlile, Natalie Hemby and Maren Morris.

After the 2022 release of Amanda Shires’ seventh solo album, Take It Like A Man, she released an album of covers with the late Bobbie Nelson—who’s primarily known for playing piano in her younger brother Willie Nelson’s band. Amanda initially enlisted Bobbie to play on her version of Willie’s classic, “You Were Always On My Mind,” but they continued to record together. The resulting collection of songs became the album Loving You, which was released this past June, nearly a year after Bobbie’s death.

On today’s episode Justin Richmond talks to Amanda Shires about Bobbie Nelson’s unfortunate start in the music business. Amanda also talks about why she feels more comfortable singing about society’s big issues alongside The Highwomen. And she remembers the time she went to Vegas and gambled away all her band’s tour money—only to win it all back after playing craps through the night.

You can hear a playlist of some of our favorite Amanda Shires songs HERE.

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Today we are sharing an episode of one of our favorite shows on the Pushkin network, Talk Easy, hosted by Sam Fragoso. In this episode Sam talks to the renowned Swedish music producer and composer, Ludwig Göransson.

Ludwig is a Grammy and Academy award winning producer and composer who scored Ryan Coogler’s Black Panther, The Mandalorian, and most recently he scored Christopher Nolan's epic, Oppenheimer. He’s also produced records and wrote songs for HAIM, Rihanna, Adele, and Childish Gambino.

He's a truly talented musician who's reenergizing modern films compositions. We hope you enjoy this chat as much as we do!

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DJ Drama is one of the most iconic mixtape DJs of all time. His legendary Gangsta Grillz tapes helped propel artists like T.I. and Young Jeezy to stardom. His classic Dedication series reinvigorated Lil’ Wayne’s career in the early and mid-2000s.

By 2007, the underground mixtape market was booming. But in January of that year DJ Drama and his longtime business partner Don Cannon were arrested by federal agents and charged with bootlegging and racketeering. The much publicized raid only boosted DJ Drama’s profile. In the years since, DJ Drama has built a successful record label and he’s continued to make mixtapes. Tyler The Creator even crafted his latest album, Call Me If You Get Lost, with DJ Drama’s classic adlibs all over it. It won the Grammy for best rap album in 2022.

That same year though, while DJ Drama was professionally at the height of his success, personally he was battling an addiction to opioids—an ongoing struggle he’s only recently started to talk about publicly.

On today’s episode Leah Rose talks to DJ Drama about how he got sober after being what he calls “a functioning junkie” who spent six figures a year on opioids. He also tells the story of how Lil Jon recorded his iconic “gangsta grillz” drops in Drama’s laundry room. And Drama explains why he decided to sign Lil Uzi Vert and Jack Harlow to his Atlantic Records imprint, Generation Now.

You can hear a playlist of some of our favorite DJ Drama songs HERE.

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Johnny Marr is an acclaimed British guitarist who’s played with a ton of bands including, most famously, The Smiths. Marr started playing guitar as a young teenager growing up in Manchester. When he turned 15 he dropped out of school and moved to London to join the band Sister Ray.

A couple years later he would help form The Smiths with Morrissey, Mike Joyce, and Marr’s friend and bassist, Andy Rourke. After The Smiths broke up in 1987, Marr went on to collaborate with an array of different musicians and play in bands like The Pretenders, The The, and Modest Mouse. In the early aughts, Marr started releasing solo material, and he’s on the brink of releasing a new album of his greatest hits.

On today’s episode Justin Richmond talks to Johnny Marr about his exciting work scoring movies with Pharrell and Hans Zimmer. Marr also recalls the terror he felt performing live in front of stadiums full of fans with The Pretenders on U2’s Joshua Tree tour. And he talks about the time he bought a Fender Stratocaster while hanging out with Oasis’ Noel Gallager. That Strat has nine pickups and it eventually led to him writing one the best songs of his solo career.

You can hear a playlist of some of our favorite Johnny Marr songs HERE.

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Today we are sharing an episode from one of our favorite podcasts, Norah Jones is Playing Along. Norah is a multi-grammy winning artist who loves to collaborate with other musicians, so she started a podcast to do just that.

Today's episode features the legendary Mavis Staples. You’ll hear stories from her time as a member of the iconic Staples Singers. We will also hear Mavis and Norah play a gospel classic, as well as pay homage to Mavis’s father, Pops Staples, along with a few other surprises.

Listen, follow, and subscribe to Norah Jones is Playing Along wherever you get your podcasts, to hear more great episodes, with fantastic guest artists.

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Since his major-label debut in 2011, James Blake's haunting vocals and brilliantly edited, collage-style tracks have helped usher in a new sound in popular music. James has both produced and contributed vocals to a ton of artists including Travis Scott, Jay-Z, and Spanish megastar, Rosalia. He even earned a Grammy for best rap performance alongside Kendrick Lamar, Jay Rock and Future on the song “King’s Dead” from the Black Panther soundtrack.

This month James is releasing his sixth solo album, which is a nod to his electronic music roots. It’s called Playing Robots Into Heaven—a title inspired by the modular synth James built for the album that creates sounds meant to evoke a spiritual experience conjured by machines. It’s a heady concept that translates into some of the most heartfelt and energized tracks James has made to date.

On today’s episode, Leah Rose talks to James Blake about how he and his longtime collaborator Dom Maker constructed key tracks on the new album. James also recalls how a conversation with Rick Rubin changed his life. And he reveals how he spent months making new music with Andre 3000 only to learn on this podcast that it may never be released.

You can hear a playlist of some of our favorite James Blake songs HERE.

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Of all the groundbreaking musicians to come out of the ‘60s, few were as engaged socially and politically as Joan Baez. A lifelong proponent of non-violent activism, Joan marched with Dr. Martin Luther King Jr. and has continued to advocate for non-violent, civil disobedience ever since.

With the release of her debut album in 1960, Joan Baez became the preeminent female folkie. With just her exquisite soprano and her guitar, she reworked classic American folk songs and eventually wrote songs that helped fuel her activism. By the time she helped launch Bob Dylan’s career by inviting him on stage with her in the early ‘60s, Joan was already an international sensation.

In 2019, after a career that spanned nearly six decades, Joan announced she was no longer performing live. In recent years, she’s turned her creative attention to visual art. Her new book of drawings titled “Am I Pretty When I Fly” features sketches rooted in humor, freedom, and sorrow. But, in classic Joan Baez style, her drawings defy convention—they were all drawn upside down.

On today’s episode you’ll hear a live conversation Justin Richmond had with Joan Baez at the Chicago Humanities Festival in May. Joan spoke about the emotional catharsis she finds in drawing. She also talked about juggling music and activism as a young artist, and what happened when she handed over access to her personal storage unit to a group of documentary filmmakers who are making a movie about her life. And despite giving up live performance, she took a moment to serenade the crowd all with her beloved voice.

You can hear a playlist of some of our favorite Joan Baez songs HERE.

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In honor of Robbie Robertson’s passing, we’re replaying an old episode of Broken Record featuring Robbie in conversation with Rick Rubin, Malcolm Gladwell and Bruce Headlam.

When Robbie Robertson turned a house perched above a Malibu beach into a home studio in the 1970's, he had no idea it'd remain a refuge for artists decades later. In this episode, Robbie returns to Shangri La—now the home of our own Rick Rubin—to discuss creating the studio, helping Bob Dylan go electric with The Band, writing "The Weight" and collaborating with Martin Scorsese on his films.

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Today we're sharing an episode from another Pushkin podcast we love called The Last Archive. The fourth season of The Last Archive just dropped and it's full of truly unexpected stories and big ideas.

The episode you will hear today, "Player Piano," is an audio biography of one of the most famous composers of the 20th century who most people have never heard of: Raymond Scott. He wrote tons of hits in the '30s and since then his music has been sampled by Lizzo, J. Dilla and the Gorillaz.

Aside from being an avid composer, Scott was also an inventor. And later in his life, he was hired by Motown Records to create a machine that could help people write songs. He called it The Electronium.

Today's episode is a crazy piece of musical history, and just a wild story. Be sure to subscribe to The Last Archive to hear other episodes about time travel, invasive species panics, freelance wiretappers-turned-evangelists, and secret science fiction family histories, and more.

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Santigold is an artist who exists at the cross-section of punk, dub, new wave and indie pop. Long frustrated with attempts like these to classify her style, Santi has always been a proud outlier among the restrictive categories used to divide music.

Santi’s anti-establishment bent was in part a reaction to working as an A&R for Epic Records’ black music department. Frustrated with what they categorized as “urban music” in the early aughts, Santi left her job, went home to Philly, and started a punk band called Stiffed. After honing her chops for a few years as a lead singer, Santi released her debut solo album, Santigold in 2008. The album’s lead singles “Creator” and “L.E.S. Artistes” were a revelation when they came out, and led to Santi headlining tours around the world and even opening shows for Bjork, Coldplay, Jay-Z and the Beastie Boys.

Now with three other albums to her credit, including last year’s soul-stirring Spirituals, Santigold is celebrating the 15th anniversary of her debut release. And today she’s expanded her artistic endeavors to include a podcast called Noble Champions where she mines the creative life with friends like Olivia Wilde, Questlove and Yasiin Bey.

On today’s episode Leah Rose talks to Santigold about the unique path she took to build her solo career. Santi also shares why she decided to cancel her tour last year with a heartfelt public letter that shared insight into the financial and emotional toll of touring post-pandemic. She also recalls finding out that she was included in a list of influential black female artists on Beyonce’s “Break My Soul” remix.

You can hear a playlist of some of our favorite Santigold songs HERE.

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Albert Hammond Jr. first rose to prominence as the lead guitarist of The Strokes—a band at the forefront of New York City’s indie rock renaissance in the early aughts. In 2007 Albert Hammond Jr. launched his solo career, putting his songwriting and abilities as a frontman to the test. He’s now released five albums, including, Melodies On Hiatus, which came out just a couple months ago. It’s a double album that he co-wrote with Canadian singer Simon Wilcox, and features collaborations with GoldLink and Matt Helders from the Arctic Monkeys.

On today’s episode, Albert Hammond Jr. and Justin Richmond talk about how he was dramatically impacted by his parents’ recent divorce, despite the fact that he’s in his early 40’s. Albert also reminisces about his past life as a champion roller skater who was once scouted by Kristi Yamaguchi’s Olympic ice skating coach. And he explains why he’d never been a fan of Radiohead or Led Zeppelin.

You can hear a playlist of some of our favorite Albert Hammond Jr. songs HERE.

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Paul Simon is one of the greatest living songwriters. Since debuting with Art Garfunkel in 1957, Paul Simon has written countless songs quintessential to the American psyche. This year, at 81 years old, he’s released the latest addition to his beloved catalog, Seven Psalms, to an outpouring of critical acclaim.

In 2021, Malcolm Gladwell and Bruce Headlam released the audiobook, Miracle And Wonder: Conversations with Paul Simon. It’s an intimate look into Simon’s songwriting alongside never-before-heard live studio versions of hits including “The Boxer," “The Sound of Silence," and “Graceland.” This fall, we'll also be releasing an updated version of the audiobook with a brand-new chapter featuring even more from Malcolm and Paul's newly-recorded deep dive into Seven Psalms, some of which you'll hear today.

To celebrate the latest chapter in Paul Simon’s 65-year-career, on today’s episode Malcolm Gladwell sits back down with Paul to discuss the creation of his latest album. Paul explains why he feels music reviews are more about the writer than the piece of music being critiqued, and he talks about why many of his lyrics take a conversational bent. He also recalls how the title came to him in a dream after he considered never writing again.

You can hear a playlist of some of our favorite Paul Simon songs HERE.

Check out the Miracle And Wonder audiobook at miracleaudiobook.com

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Over the course of his 35-year career, Damon Albarn has reached international fame with two very different bands. In 1988, Damon created the rock band Blur with three friends in his native London. Blur started out as what Damon calls a “classic art school band.” They quickly moved to the forefront of the ‘90s Britpop explosion along with their formal rivals, Oasis.

After a series of successful albums with Blur, Damon started Gorillaz in 1998 with cartoonist Jamie Hewlett. Dubbed as the world’s first virtual band, the Gorillaz rotating lineup includes collaborations with De La Soul, Stevie Nicks, Bobby Womack and Lou Reed. The band pulls influence from electronic music, hip-hop and world music, and over the last 25 years, Gorillaz has been wildly successful—selling over 30 million albums worldwide.

Despite having found such success, Damon has never stopped exploring his artistic potential. He’s written an opera, released solo and side projects, and recently, he reunited with Blur to release the band’s latest album called The Ballad Of Darren.

On today’s episode Leah Rose talks to Damon Albarn about what it’s like for Blur to headline international music festivals in 2023. Damon also reveals how Gorillaz are about to undergo a major paradigm shift. And he explains how, according to family lore, John Lennon and Yoko Ono first met at his dad’s counterculture art gallery in London.

You can hear a playlist of some of our favorite Damon Albarn songs HERE.

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In September, Ben Gibbard, the founder of Death Cab For Cutie, will set out on a nationwide tour to celebrate the two very different albums that have come to define his career.

Both albums came out in 2003. The first was called Give Up, and it was a collaboration with his friend and producer Jimmy Tamborello. They’d made it while Gibbard was taking a break from the relentless cycle of touring and releasing music with Death Cab. They called their new band The Postal Service. Give Up steadily built momentum, found critical acclaim, and eventually became Gibbard’s first platinum selling record. Musically, the Postal Service incorporated various synth and new wave-inspired elements behind Gibbard’s confessional songwriting style, which set a precedent for many of the indie releases over the following decade.

Later that same year, Gibbard went back to his band roots and released Death Cab For Cuties’ breakthrough album, Transatlanticism. This fall Gibbard and his band will play both Transatlanticism and Give Up in their entirety. And today we’ll hear him play three acoustic renditions of his classic songs.

On today’s episode Justin Richmond talks to Ben Gibbard about the conditions that led to the most successful year of his career. Gibbard also gets candid about the woman who inspired multiple songs on Transatlanticism, including the brutally honest, “Tiny Vessels.”

You can hear a playlist of some of our favorite Ben Gibbard songs HERE.

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Long regarded as pop music’s resident party animal, Kesha is now dead-set on slowing down and speaking up. Since debuting on the hook of Flo-Rida’s mega smash “Right Round” in 2009, Kesha has released five albums—two of which debuted at number one. And until very recently, she was involved in a decade-long court case with her former producer and label head.

Somehow despite the bitter legal battle and a public struggle with an eating disorder, Kesha has remained steadfast in sharing her art with her fans, who she affectionately refers to as her “animals.”

On today’s episode Justin Richmond talks to Kesha about how working with Rick Rubin on her new album Gag Order provided the safe space she has longed for when making music. She also talks about how she channels Dolly Parton, Iggy Pop and Beyonce when she’s in promotional mode, and how early in her career she lived in a castle with roommate Devendra Banhart.

You can hear a playlist of some of our favorite Kesha songs HERE.

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Rickie Lee Jones hit it big with her debut album in 1979. The following year she won the Grammy for Best New Artist, and over the course of the next four decades, she released numerous albums that pulled inspiration from jazz, rock, electronic music, and even musical-theater.

In late April, Rickie released her latest album, Pieces Of Treasure, where she sings songs from the American songbook with a jazz slant. Producer Russ Titelman, who produced Rickie’s first two albums, reunited with her on her latest and helped inspire Rickie to find comfort in a lower register. The result is an oftentimes sultry meditation on aging and survival.

On today’s episode Bruce Headlam talks to Rickie Lee Jones about her decades-long fight to sing jazz even though she is often viewed as an outsider. She also tells stories about leaving home as a young teenager, and the abuse she endured while trying to survive on her own. And she plays songs from her career including one she wrote after seeing John Lennon appear in a dream. And just a note before we get started – this episode contains descriptions of sexual abuse, and might not be appropriate for all listeners.

You can hear a playlist of some of our favorite Rickie Lee Jones songs HERE.

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Singer/songwriter Caroline Rose has always been a character. Her music videos often feature Caroline as the screwball lead, navigating ambition, desire and super stardom. Now, on her latest album, The Art of Forgetting, Caroline is shedding all of the past pretense and offering up an unflinching look into her inner life in the midst of personal turmoil. The result is an album packed with clever lyricism and soaring arrangements produced by Caroline with help from Nick Sanborn of Sylvan Esso.

On today’s episode, Broken Record producer Leah Rose talks to Caroline Rose about why she wanted to set her living room on fire for the sake of her album art. Caroline also shares an early demo of a song she wrote under a starry desert sky, and she explains how aside from herself, Caroline’s parents are her harshest critics.

You can hear a playlist of some of our favorite Caroline Rose songs HERE.

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Hip-hop super producer Hit-Boy has helped create some of the biggest hits of the last decade. His discography includes classic songs with Jay-Z and Kanye West, Travis Scott, Kendrick Lamar, Beyonce, and Rihanna. His crowning achievement however are the series of albums he's produced for Nas including King's Disease and Magic.

On today's episode Justin Richmond talks to Hit-Boy about how he recently introduced a new, but old, piece of equipment into his beat-making process. He also talks about the years-long process of making a beat on Beyonce's Renaissance, and he explains his creative process with Nas and how they have been able to lock in and create some of the best work of Nas's career.

You can hear a playlist of some of our favorite Hit-Boy songs HERE.

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Moby never stops working. His first taste of mega-success came in the early aughts after the release of his multi-platinum album, Play. In the years since, he's released 19 more studio albums including his latest, Resound, NYC, where he re-orchestrates songs he recorded between 1994-2010.

Moby has also spent a good deal of the last two decades unpacking his own unconventional upbringing and his meteoric rise to fame. He’s released two extensive memoirs, and he recently directed “Punk Rock Vegan Movie,” which explores the connection between two of his greatest passions: punk rock and animal rights.

On today’s episode Leah Rose talks to Moby about his compulsive desire to make music and why he’s cut out nearly all IRL socialization as a result. Moby also reminisces about the massive party pad he bought in upstate New York that led to years of all-out debauchery.

You can hear a playlist of some of our favorite Moby songs HERE.

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Arlo Parks is one of the most compelling voices of her generation. Born in London, the 22-year-old snagged the Best New Artist trophy at the Brit Awards in 2021 in part because of her breakout single “Eugene,” about an unrequited crush. Arlo’s songwriting is a vivid exploration of the euphoria and heartbreak that comes with being young and in love.

This month, Arlo Parks will release her sophomore record, called “My Soft Machine.” She collaborated with producers who worked with Brockhampton, SZA and Frank Ocean. The album unpacks the anxiety of feeling lost in your 20s, and navigating the uncertainty of life with grace.

On this week’s episode, Justin Richmond talks with Arlo about how seeing Black creators pushing the boundaries of popular music inspires her. She also explains how taking long drives around LA shaped the sound of her new album, and how she first started writing songs at just seven years old.

Plus, we’ll hear Arlo play three of her singles live from the Village Studios in Los Angeles.

You can hear a playlist of some of our favorite Arlo Parks songs HERE. 

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Canadian-born singer/songwriter Feist has been one of the most dynamic indie voices of the last two decades. Last month she released her sixth album, Multitudes. She recorded it in the aftermath of tremendous personal loss and change. In late 2019 Feist adopted a baby just months before the pandemic started. About a year later, her father died suddenly. Multitudes is a raw, intimate look at how she grappled with deep-seated grief and a new kind of love.

On today’s episode Leah Rose talks with Feist about how being assaulted in high school ultimately led to her gaining resilience. Feist also remembers the day her music career began when was asked to front a hardcore punk band, and how screaming on stage–and ultimately blowing out her voice–forced her to develop her intimate, career-defining singing style.

You can hear a playlist of some of our favorite Feist songs HERE.

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Kenny “Babyface” Edmonds is a pillar of contemporary R&B. As a producer and songwriter, Babyface’s discography includes hits for powerhouse vocalists like Aretha Franklin, Whitney Houston, Beyonce, Ariana Grande, and Stevie Wonder.

Although Babyface’s career is most often associated with pop hits, he started writing songs in the singer/songwriter tradition, pulling influence from James Taylor and The Beatles.

On today’s episode Justin Richmond talks to Babyface about the childhood crushes he had that continue to inspire his songwriting today. He also plays a song he wrote in high school that he considers one of the best songs he's ever written. And he reveals how he was on the verge of making new music with Whitney Houston a month before she died.

You can hear a playlist of some of our favorite Babyface songs HERE.

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Today, we’re bringing you a preview of a new audiobook, So Many Steves. Steve Martin is more candid than he’s ever been about his creative life in this engrossing audio-biography centered around a series of conversations recorded over many afternoons at home with his friend and neighbor, writer Adam Gopnik. You can get So Many Steves, exclusively on audio, now at https://www.pushkin.fm/audiobooks/so-many-steves-afternoons-with-steve-martin or wherever you get your audiobooks.

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Today we have part two of our run of interviews with The National in celebration of their new album, First Two Pages of Frankenstein. Last week Broken Producer producer Leah Rose talked to guitarist and composer Aaron Dessner, and today Leah picks up the conversation with the band’s lead singer, Matt Berninger.

Matt, whose fear and anxiety are often on full display in his songwriting, talks about overcoming a debilitating bout of depression in the period before he started writing songs for the new album. He also explains how the combination of weed and iced tea help him spark creativity. And why he hopes his songwriting impresses Phoebe Bridgers and Taylor Swift.

You can hear a playlist of some of our favorite songs from Matt Berninger and The National HERE.

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Today we’re kicking off a two-part series of interviews with members of The National, who just released their ninth album, First Two Pages of Frankenstein. Today’s conversation is with Aaron Dessner, The National’s guitarist and oftentimes lead composer.

Outside of The National, Aaron is also a prolific producer, having worked with a slew of artists, including, most famously, Taylor Swift. During the pandemic Dessner and Swift teamed up to write music that would eventually become Taylor’s critically acclaimed indie-leaning albums Folklore and Evermore.

On today’s episode Broken Record producer Leah Rose talks to Aaron Dessner about how an invitation to open an arena tour for Bon Iver led to him writing the music that he would eventually share with Taylor Swift. Aaron also talks about how The National almost came to a breaking point after a grueling tour schedule, and he opens up about his battle with depression as a teenager and how his twin brother Bryce carried him through it.

You can hear a playlist of some of our favorite songs from Aaron Dessner and The National HERE.

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Roger McGuinn is best known as the driving force behind The Byrds. But McGuinn is also a preservationist of traditional folk music. For the past 27 years he’s been re-recording traditional folk songs and sharing them on  a section of his website called The Folk Den.

On today’s episode Rick Rubin talks to Roger McGuinn about his decades-long career, which started in the early ‘60s at Greenwich Village cafes where he played with the likes of Bob Dylan and Richie Havens. McGuinn reminisces about the vibrant music scene in LA, and he also talks about meeting his Byrd’s bandmate David Crosby.

We’ll also hear Roger McGuinn play his guitar throughout the interview, and talk about how playing basketball with Bob Dylan helped inspire Dylan’s storied tour, the Rolling Thunder Revue.

You can hear a playlist of some of our favorite Roger McGuinn and The Byrds songs HERE.

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Today, we’re sharing a fantastic episode from a podcast we love, Louder Than A Riot from NPR Music. Louder Than A Riot connects the stories of hip-hop's biggest artists to socio-political changes we’re going through right now. This season, Louder Than A Riot is tackling the connection between hip-hop and misogyny. Hosts Sidney Madden and Rodney Carmichael dig into the unwritten rules of rap that have marginalized Black women for decades, and highlight the rule breakers who refuse to play nice.

Today's episode tells the story of the first female MC, MC Sha-Rock. She’s a rapper from The Bronx and former member of the Funky 4 Plus One More who laid the foundations of rap as we know it. But even though she’s a pioneer, Sha’s name often gets left out of conversations around the history of hip-hop. Why is that? Because decades ago, Sha-Rock had to deal with the hurdles that so many women in rap still face today: Getting tokenized by her own peers and played by the industry.

You’re about to hear the story from the people who lived it: Interviews with Sha-Rock, along with rappers who she inspired like DMC and historical experts like author Clover Hope. This episode is a meditation on legacy: Who gets afforded a legacy in hip-hop? Who gets left out? And how can you reclaim a legacy stolen from you?

We hope you enjoy this episode as much as we did. You can listen to more episodes of Louder Than A Riot from NPR Music, wherever you listen to podcasts.

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George Clinton revolutionized funk music with Parliament Funkadelic, whose theatrical, sci-fi, performance art has captivated audiences worldwide for over five decades. P-Funk’s blend of psychedelic rock and deep, repetitive funk grooves helped bridge the R&B and rock worlds in the ‘70s along with acts like Sly and The Family Stone.

Known as Dr. Funkenstein, George Clinton orchestrated multiple solo acts under the P-Funk umbrella. By the ‘80s, Clinton was also charting as a solo artist with hits like “Atomic Dog,” all of which would later lay the groundwork for hip-hop’s classic G-Funk era.

On today’s episode Rick Rubin talks to George Clinton on Zoom about the origins of his original vocal group, The Parliaments. George also reminisces  about the time he dared James Brown to do the splits 18 times in a row while on a music industry panel with Madonna and the Red Hot Chili Peppers.

You can hear a playlist of some of our favorite George Clinton and Parliament Funkadelic songs HERE.

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Today we have the second part of Rick Rubin’s conversation with legendary singer/songwriter Graham Nash. We dropped part one a couple of weeks ago, so definitely go check that out if you haven’t already.

On today’s episode Graham tells Rick about the time the Grateful Dead were recording next to CSNY and how Jerry Garcia improvised a near-perfect pedal steel solo on “Teach Your Children.” Graham also describes a bizarre encounter with the judge who sentenced his father to prison, and he shares the inspiration behind his new solo album, Now.

You can hear a playlist of some of our favorite Graham Nash songs HERE.

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U2’s The Edge is one of only a handful of guitarists who's as recognizable as his band’s wildly successful frontman. U2 has been playing together since 1976, when they were all teenagers in Dublin. Nearing their 50-year anniversary as a band, U2 just released their latest album, Songs of Surrender—a 40-track collection of reimagined and stripped down songs that span the entirety of their catalog.

On today’s episode Rick Rubin talks to The Edge about his theory behind the band’s longevity. The Edge also shares stories about writing U2 classics like “New Year’s Day” and “Where The Streets Have No Name.” And he explains why Bono singing at the top of his range can be a bit much.

You can hear a playlist of some of our favorite U2 songs HERE.

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At 81 years-old, Graham Nash describes his life as, “a magic story from beginning to end.” Graham’s career began in 1962 as a singer/songwriter in the British pop band The Hollies. After a string of hits in the UK, Graham left the Hollies, and moved to L.A. to start a band with the former Byrds vocalist, David Crosby, and Stephen Stills, whose band Buffalo Springfield had just broken up. From the start, Crosby Stills & Nash were dubbed a folk-rock supergroup, and they went on to become one of the era's most revered bands, thanks to their gorgeous three-part harmony and exquisite songwriting.

Following the death of David Crosby in January, Rick Rubin sat down with Graham Nash to talk about Graham’s deep love and admiration for Croz. On today’s episode we’ll hear the first part of Rick’s conversation with Graham, who reminisces about the day he met Crosby, who immediately rolled Graham the most perfect joint he’d ever seen. Graham also explains how it was actually Cass Elliot from the Mamas and the Papas who was responsible for bringing CSN together, and he recalls classic stories about Neil Young’s unpredictable early days in CSNY.

You can hear a playlist of some of our favorite Graham Nash songs HERE.

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Today we're excited to share a preview of Justin Richmond's new Pushkin Industries podcast, Started From The Bottom. Every week on Started from the Bottom, Justin interviews successful people who grew up on the outside—women, people of color, anyone not part of the old boy's network—to find out how they were able to beat the odds.

Today's episode features an interview with Charlamagne Tha God. Over his 25 year career, Charlamagne clawed his way to the top of the radio industry. On today's episode, the long-time host of The Breakfast Club tells Justin Richmond what it took for him — a young man suffering from anxiety, constantly in and out of jail — to become an icon of modern media.

Listen, follow, and subscribe to Started From the Bottom wherever you get your podcasts.

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Today we have part two of Rick Rubin’s conversation with producer and composer, Giles Martin. In part one, Giles talked about his delicate work remastering classic Beatles albums. Today we’ll hear Giles talk about his dad, Sir George Martin, who never second guessed his own genius. Giles also shares hilarious stories from his time as a teenager living at his father’s storied studio that was destroyed by a volcano in the Caribbean. Plus, he talks about the time he was fired and then rehired by Martin Scorsese.

You can follow Rick Rubin's new podcast, Tetragrammaton, at https://podcasts.apple.com/us/podcast/tetragrammaton-with-rick-rubin/id1671669052

You can hear a playlist of some of our favorite Beatles songs remastered by Giles Martin HERE.

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Usher is one of few R&B acts from the ‘90s who has gone on to become a global superstar. Since the start of his 30-year career, Usher has sold over 65 million records worldwide. He’s also starred in the Broadway musical Chicago, been a coach on The Voice, and recently added a Las Vegas residency to his long list of artistic achievements.

On today's episode Justin Richmond talks to Usher about why conflict has always been a big motivator in his songwriting—especially when working with producer Jermaine Dupri on his 2004 classic album, Confessions. Usher also explains how elder statesmen like Quincy Jones have helped him maintain a level of sophistication throughout his career. And he reveals why he thinks his first ever single was too raunchy.

You can hear a playlist of some of our favorite Usher songs HERE.

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The legendary composer and songwriter Burt Bacharach passed away last week at 94. Today we are re-running an interview Bruce Headlam did with Burt and Daniel Tashian, who released an EP together in 2020 called Blue Umbrella.

Justin Richmond also checks in with Daniel Tashian to talk about Burt Bacharach's tremendous skill as a composer. Danial shares the tips he took away from working with Burt, and he talks about how they were collaborating on new music right up until the end.

You can hear a playlist of some of our favorite Burt Bacharach and Daniel Tashian songs HERE.

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Giles Martin may be the son of famed Beatles record producer Sir George Martin, but he’s also an acclaimed producer and composer in his own right. He’s worked on projects with The Rolling Stones, Elton John and Metallica, and is celebrated for his work remastering albums from The Beatles, including Sgt. Pepper’s, Abbey Road, and The White Album.

Last October Giles’ remaster for Revolver was released along with never-before-heard home demos and outtakes from The Beatles. Giles was able to separate the original 1966 mono recording tracks with the help of director Peter Jackson’s audio team, who used AI technology. Giles' resulting mix allows listeners to hear the original recordings with clarity and precision like never before.

On today’s episode Rick Rubin talks to Giles Martin about his approach to remastering the Beatles and the responsibility that comes along with it. Giles also talks about growing up in the music industry, why he didn’t have a stereo in his house as a young boy, and how he became his dad’s ears in studio sessions after his father lost his hearing.

You can hear a playlist of some of our favorite Beatles songs remastered by Giles Martin HERE.

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Today we have part two of Rick Rubin’s conversation with proto-punk icon, Iggy Pop. If you didn’t catch part one last week where Iggy talked about his early days with the Stooges and the inspiration behind some of their most seminal songs, make sure you check that out.

On today’s episode you’ll hear Iggy talk in-depth about the years he spent working and touring with David Bowie. He also explains how James Brown inspired his legendary performance style, and then Iggy recalls the ridiculous antics that led to him bleeding on stage for the first time.

You can hear a playlist of some of our favorite Stooges and Iggy Pop solo songs HERE.

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Iggy Pop is one of the most outrageous rock ‘n roll frontmen to ever step foot on stage. As the lead singer of The Stooges, Iggy was known for bending and contorting his sometimes-bloodied body while feverishly pacing the stage like a wild animal. Iggy’s 50-year career has been as tumultuous as his performance style. When The Stooges first broke up in the mid-70s, Iggy went solo and recorded a series of albums, some instant classics, others more experimental.

At 75 years-old he’s just released his newest album, Every Loser. On today’s episode Iggy shares incredible stories with Rick Rubin about his career. Their conversation was so great that we decided to split it into two consecutive episodes.

Today we’ll hear Iggy reminisce about recording Fun House in Los Angeles, and the first time he saw the ocean. Iggy also talks about the tight-knit rock scene in Detroit and how it was in some ways led by a local writer, activist and music manager named John Sinclair. Also, stay put at the end of this episode to hear a song off of Iggy’s new album.

You can hear a playlist of some of our favorite Stooges and Iggy Pop solo songs HERE.

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Today the interviewer becomes the interviewee. In his nearly 40-year career as a producer, Rick Rubin has helped unlock creativity and inspire musical genius time and time again. The artists he’s worked with often say that one of Rick’s superpowers is his expert ability to listen deeply, and to help guide whoever he’s working with to find their deepest expression of truth.

This month Rick released his first book, called The Creative Act: A Way Of Being. In it he shares practical principles on how anyone can generate creative authenticity and ultimately find their voice.

On today’s episode Malcolm Gladwell talks to Rick about The Creative Act, and they explore the principles in the book that are applicable to feelings of stagnation beyond artistic life. Rick talks about why he believes creativity comes from external forces rather than internal ones, and he explains why he believes that self expression isn’t actually about you.

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Here’s a preview of a new podcast from Pushkin, Story of the Week. Each week, journalist Joel Stein chooses an article that fascinates him, convinces the writer to tell him about it, and then interrupts a good conversation by talking about himself. Sometimes the story will be the one everyone is talking about, like the New Yorker article on smoking hallucinogenic toads. Other times we’ll find a story you might have missed, like the one in the Verge about the rock groupie turned hacker who had huge corporations at her mercy. These are stories you’ll tell your friends about. Stories that stick with you long after you forget whatever headline you just doom-scrolled through. Hear the full episode, and more from Story of the Week, at https://podcasts.pushkin.fm/sotw?sid=record. 

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Today, we are featuring “The Voice of Christmas,” Mr. Johnny Mathis. Over the years, Mr. Mathis has released six Christmas albums. His iconic first holiday record, Merry Christmas, is a tribute to his mother and father and still stands as one of the most beloved collections of Christmas music ever. Now 87 years-old, Johnny is celebrating his 66th year as a recording artist. And he’s still performing. In fact, we only had a brief 30 minutes to speak with him because he needs to save his voice for his rigorous performing schedule.

On today's episode, Justin Richmond talks to Johnny about his illustrious career, and performing with greats like Duke Ellington and Nat King Cole. And Johnny shares the story about how he turned down the opportunity to qualify for the 1956 Olympics to launch his music career.

You can hear a playlist of some of our favorite Johnny Mathis songs HERE.

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Today we have part four of our John Frusciante Returns series. This is the latest installment of Rick Rubin’s on-going series of in-depth interviews with the Red Hot Chili Peppers guitarist. And if this is the first interview you’re hearing, make sure to go back and check out the first three parts.

On this episode we'll hear John Frusciante play through more of his guitar parts, and he’ll explain how he came up with some of the best guitar melodies in modern rock history. John also talks about how playing along to classic heavy metal albums from Black Sabbath and Van Halen, as well as dancing all night at drum and bass clubs helped shape his style on the 2002 album, By The Way. He also explains how listening to Brandy, Destiny’s Child and Wu-Tang Clan helped influence his playing on Stadium Arcadium.

You can hear a playlist of some of our favorite Red Hot Chili Peppers songs HERE.

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We’re back with the third episode in our John Frusciante Returns series. Over the past couple of months Rick Rubin and John Frusciante of the Red Hot Chili Peppers have come together to tape an on-going series of conversations that dives deep into John’s philosophical and practical approach to writing music and playing guitar. If you haven’t heard the previous episodes, make sure to check them out.

Today, we’ll hear John talk about his love of electronic music and how he struggled to fall back in love with guitar-based rock before recording the Chili Peppers latest set of albums. He also talks about the process of making Californication, and near the end of the interview, John picks up a guitar to play through some of his most well known guitar parts from that album.

You can listen to a playlist of some of our favorite Red Hot Chili Peppers songs HERE.

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The British hip-hop subgenre grime first started to bubble up in London in the early aughts. Artists like Wiley and Dizzee Rascal developed an entirely new style by rapping over lightning-fast beats inspired by UK garage, techno and jungle.

Today’s guest, Stormzy is at the forefront of grime’s newest generation. He rose to prominence in 2015 after uploading a video to YouTube where he freestyled over classic grime tracks. Since then Stormzy has released three number one albums in the UK, won three Brit Awards, and become the first British rapper to headline the Glastonbury festival.

Just before releasing his third album, This Is What I Mean, Stormzy met up with Rick Rubin in London for a cover story from i-d Magazine’s Royalty issue. This is the recording of that conversation. On today’s episode we’ll hear Stormzy play Rick songs from his new album, and explain why he decided to consider his audience last when recording it. And Stormzy talks about how a painful break-up and trusting God helped lead him to a new melodic, soulful sound.

You can listen to a playlist of some of our favorite Stormzy songs HERE.

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If Broken Record had an all-star list, Neil Young would be at the top. He’s been on the show three times now, and his legendary body of work has been brought up by more musicians interviewed on our show than any other artist—except maybe Joni Mitchell. That’s because Neil is a true artist’s artist. His dedication to his craft is resolute. He’s been writing and singing songs since the early '60s and his creative output has been near constant for the last six decades.

Neil stopped by Shangri-La following the release of Crazy Horse’s latest album, World Record. The album was produced by Rick Rubin, and on today’s episode, Neil talks to Rick about the remarkable way the new songs were conceived. Neil also reminisces about recording After The Gold Rush and Harvest. And he explains how THC changes his relationship to music.

You can listen to a playlist of some of our favorite Neil Young songs HERE.

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Today we're sharing a fun conversation with the musicians who scored another Pushkin Industries podcast—Bad Women. The first season of Bad Women focused on reconstructing the lives of the five women that Jack the Ripper murdered. Now, the second season centers around a murderer every bit terrifying as Jack the Ripper, the so-called Blackout Ripper.

On today's episode, Justin Richmond speaks with sound designer Pascal Wyse and jazz guitarist Ed Gaughan about their music-rich score. They talk about how they evoked the atmosphere of war-time bars and jazz clubs in 1940's London, and we'll hear them play examples of arrangements they created for the series.

Listen and subscribe to season two of Bad Women HERE.

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Today we have part two of Bruce Headlam’s conversation with YouTube sensation turned five-time Grammy winner Jacob Collier. We left off our last episode with Jacob talking about what it’s like to perform to an audience of thousands of people after spending years growing his fan base online. In this episode, we’ll hear Jacob play the piano and go even deeper into music theory.

Jacob also talks more about his new album, Piano Ballads, and about how the song “Moon River” taught him the power of centering his avant-garde arrangements on emotions.

You can listen to a playlist of some of our favorite Jacob Collier songs HERE.

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Musical genius and multi-instrumentalist Jacob Collier joins us today for part one of a two-part conversation. In 2011, when Jacob was only 17, he began posting videos to YouTube of himself singing and playing music. His break-out video, a rendition of Stevie Wonder’s “Don’t You Worry ‘Bout a Thing” received millions of views and praise from musical legends like Herbie Hancock, David Crosby, and Quincy Jones.

Since then, he’s gone on to release five albums, including his 2016 self-produced debut In My Room, and this year's Piano Ballads, an 11-track album of  improvised piano pieces he played at various shows during a recent tour.

On today’s episode, Bruce Headlam speaks to Jacob Collier about making his latest live album, his creative process, and his musical admiration for Stevie Wonder. Jacob also plays piano throughout the two episodes, and breaks down advanced musical concepts.

You can listen to a playlist of some of our favorite Jacob Collier songs HERE.

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Maggie Rogers has never been one to mince words. Aside from her powerhouse voice, one of Maggie’s superpowers is her ability to write pop songs fueled by radical emotional transparency. And while it’s thrilling when an artist bares their soul, that level of constant vulnerability can be unsustainable.
In 2019, after releasing her Grammy-nominated debut, Heard It In A Past Life, and then touring the album relentlessly, Maggie was desperately in need of time away from the spotlight. Just before the pandemic she retreated to her parent’s home in coastal Maine. There, she began writing and recording for her follow-up album, Surrender.

Maggie also started to think deeply about her role as a pop star, and the relationship between herself and the audience. In 2021 she enrolled in a masters program of religion and public life at Harvard Divinity School. There, her studies focused on the spirituality of public gatherings and the ethics of power in pop culture.

On today’s episode, producer Leah Rose talks to Maggie Rogers about how comforting it was for her to become a student again. Maggie also recalls the time she took motorcycle lessons to re-channel the massive amounts of adrenaline she experienced on her first tour. And, we’ll hear the song from Maggie’s new album that she says is the perfect distillation of where she is at now as an artist.

You can hear a playlist of our favorite Maggie Rogers songs HERE.

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In her new Pushkin audiobook Inside Voice: My Obsession with How We Sound, actress/writer/director/producer Lake Bell goes down some fascinating rabbit holes, exploring the psychology and social science of our voices.  But you gotta start with the mechanics.  In this excerpt you’ll hear Lake's conversation with ENT doc to the stars Dr. Randolph Schnitman. He's treated the who’s who of music, strengthening and even saving their voices. If you’re interested at all in how our voices make beautiful music, you’ll like Inside Voice. Available at insidevoiceaudiobook.com, Audible, Apple Books, Spotify, and wherever audiobooks are sold.

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Today we’re excited to bring you the next installment of our John Frusciante interview series. John first came on the podcast back in April to help celebrate the release of the Red Hot Chili Peppers album, Unlimited Love. Then he returned in mid-October to discuss Chili Pepper history, one album at a time.

On today's episode we'll hear John talk about the Chili Peppers brand new release—their second number one album in six months—Return Of The Dream Canteen. John also picks up a guitar and walks Rick through his pre-show warmup and demonstrates how he came up with the now-classic major to minor chord changes on “Under The Bridge.” And, he talks about how he was able to overcome his desire to impress others while recording Stadium Arcadium.

Stay tuned to the end of this episode for details about part three of what is shaping up to be an intimate series of interviews between Rick Rubin and John Frusciante.

You can hear a playlist of some of our favorite Red Hot Chili Peppers songs HERE.

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Today we are featuring one of the most thrilling new groups in contemporary soul music—Gabriels. And lucky for us, they performed three songs, one of which is still unreleased, live for Broken Record.

Gabriels consists of three very distinct pillars of talent: lead singer Jacob Lusk, who was raised in Compton singing gospel. Keyboardist and producer Ryan Hope, who grew up a lover of dance music in his native UK. And Los Angeles native, Ari Balouzian, who serves as Gabriels' in-house composer and violinist.

Gabriels’ origin story is as unconventional as their diverse musical backgrounds. In 2016 Ryan Hope and Ari Balouzian were hired to direct and score a commercial with a gospel choir. After hearing the choir director Jacob Lusk sing, a light went off for Ari and Ryan. Over the course of the next couple of years, the trio started to record and release songs independently. In 2021, those songs caught fire online. Sir Elton John said their debut EP was one of the most seminal records he’d heard in the last 10 years.

On today’s episode Rick Rubin sits down with Gabriels to hear how they were able to create a working environment that allowed space for vulnerability and musical exploration. And lead singer Jacob Lusk tells a harrowing story about getting lost in the LA county jail system in an effort to clear his name so he could appear in the finale of American Idol.

You can hear a playlist of some of our favorite songs by Gabriels HERE.

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Today we will hear from singer-songwriter and playwright Anaïs Mitchell who spent the past 16 years building the world of Hadestown, a career-defining stage musical that has grown from a low-budget community production in Mitchell's native Vermont, to a Broadway phenomenon and the winner of eight Tony Awards, including Best Musical and Best Original Score. But in March 2020, when the COVID-19 pandemic shuttered theaters, Anaïs, like so many others, moved back home to Vermont. The move and change of pace inspired her to start writing indie folk songs.

Her self-titled album, released at the beginning of 2022, is made up of those songs. It’s produced by Josh Kaufman, and was made with collaborators like Bon Iver, The National, and her own band Bonny Light Horseman. On today’s episode, Bruce Headlam speaks with Anaïs Mitchell about her new album and how Hadestown came to be. She also plays some songs off her album live, just for us.

You can hear a playlist of some of our favorite songs written and performed by Anaïs Mitchell HERE.

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Today we’re sharing one of the most intimate conversations Rick Rubin has ever had on Broken Record. It’s with the famed guitarist of the Red Hot Chili Peppers, John Frusciante.

Rick Rubin last spoke to John back in April when the Chili Peppers were getting ready to release their album, Unlimited Love, their first record with Frusciante in 16 years. Unlimited Love debuted at number one in the U.S. and 15 other countries. Today, just a little more than six months later, the Chili Peppers released a second Rick Rubin-produced album, Return Of The Dream Canteen.

On today’s episode we’ll hear John Frusciante talk about the band’s early music, including the making of Blood Sugar Sex Magik. They talk about how his contributions on slower, more melodic songs like “Under The Bridge” and “Breaking The Girl” helped expand the Chili Peppers funk punk sound. John also talks candidly about the dark, drug-addicted years that followed the intense success of Blood Sugar. And he explains how he was able to finally get sober and rejoin the Chili Peppers to record their classic, commercial comeback album, Californication.

You can hear a playlist of some of our favorite Red Hot Chili Peppers songs HERE.

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Bartees Strange is an amalgamation of musical styles. Listen to any given song on his newest release, Farm To Table, and you can hear hints of early aughts emo, auto-tuned hip-hop vocals, and country blues—all housed in an indie rock veneer. Bartees wide-reaching sound makes perfect sense given his Midwest upbringing and early influences. He was raised in Mustang, Oklahoma as one of the few Black kids in an area rife with racial violence. As a  teenager he discovered Christian hardcore punk and for the first time he felt at home in a scene that embraced outsiders of all kinds.

After graduating college and a stint working in D.C., Bartees  moved to Brooklyn where he found a bunch of musical collaborators. In 2020 he released his debut album, Live Forever, and this year he dropped his follow-up album, Farm To Table, to critical acclaim.

On today’s episode Justin Richmond talks to Bartees Strange about his ascent into the upper echelon of indie rock, now that he considers artists like Phoebe Bridgers and Lucy Dacus friends. Bartees also performs an acoustic version of his song “Heavy Heart," and he plays stems from two songs off his new album, revealing how he is able to expertly build what he calls, “sections on sections.”

You can listen to a playlist of some of our favorite Bartees Strange songs HERE.

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Sylvan Esso’s Nick Sanborn and Amelia Meath have been making music together since 2013, when Amelia asked Nick, a music producer and bassist, to remix her band Mountain Man’s hit single “Play It Right.” He did, and the rest is history. Sylvan Esso has always had a very sleek, electro-pop feel to their production. Amelia’s powerful voice is front and center, surrounded by harmonies and samples of her own voice. Nick’s genre-destroying bass creates intricate, pulsing grooves for Amelia’s voice to inhabit.

Now, the married couple and electronic duo have released their fourth studio album, No Rules Sandy. It’s a follow-up to the band’s Grammy-nominated 2020 album, Free Love. The new album is a mix of improvisation and experimentation. On today’s episode, Bruce Headlam speaks with Amelia and Nick about their creative process and how No Rules Sandy came to be. They also play two songs off their new album live.

You can hear a playlist of some of our favorite Sylvan Esso songs HERE.

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Today we have Susan Tedeschi and Derek Trucks of the Tedeschi Trucks Band on the show. Derek Trucks made his name as a slide guitar prodigy with a Hall of Fame pedigree. He’s the nephew of Butch Trucks, drummer of the Allman Brothers Band, who Derek toured with extensively throughout the 2000s before forming the Derek Trucks Band.

Somewhere along the road, Derek met another great guitarist with a Berklee-pedigree, Susan Tedeschi, who is one of the best singers working today. Eventually the two married and merged their bands in 2010. Their latest album, I Am The Moon, is a collection of 24 songs across four different albums.

On today’s episode, Justin Richmond speaks with Susan and Derek about the beginnings of their band, and how their new album came to be. They also play some of their new songs live from backstage at the Greek Theater in Los Angeles.

You can listen to a playlist of some of our favorite Tedeschi Trucks Band favorite songs HERE.

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We have friend of the show Jack White back on the show today along with a legendary special guest. This conversation with Rick Rubin is full of fascinating ideas, asides and musical history that let you know just how deep Jack White is. Jack's work and a business ethic is unparalleled. His label Third Man Records has a rich roster of artists and three retail stores. They also own one of the few fully operational vinyl pressing plants in the U.S. which has been working overtime to keep up with the surging demand for vinyl. Jack also released two full length albums this year, and he’s currently on a worldwide tour.

After a recent two-night stand in Los Angeles, Jack stopped by Shangri-La to talk to Rick Rubin about the early Garage Rock scene in Detroit that helped shape him and The White Stripes. He also shared potential theories about why the “Seven Nation Army” riff is so catchy. And then he treats Rick and a surprise guest to an acoustic performance of his new song “A Tip From You To Me.”

And to cap it all off, we will hear exclusive details about an exciting new project Rick’s been working on, that will be out soon.

You can listen to a playlist that includes Jack White's latest album, along with all of our favorite songs from him, The White Stripes, and a sampling of his many side projects HERE.

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Today we are re-visiting one of our favorite episodes from 2019 featuring Rick Rubin in conversation with Justin Vernon and his engineer Chris Messina. In 2006 Justin Vernon started Bon Iver as a solo project after the end of a romantic relationship and the break up of his college band.

Justin recorded Bon Iver's first album, For Emma, Forever Ago, alone over three months in his dad’s hunting cabin deep in the woods of Western Wisconsin. His setup consisted of a small recording rig and a couple guitars. In the years since, Justin Vernon’s music has evolved dramatically. For one, Bon Iver is no longer a solo project—it’s still centered around Justin, but it now includes a bunch of musicians and collaborators including his engineer, Chris Messina.

On today's episode, Justin talks about how allowing himself to be bored without any guilt, led to him creating his now classic debut. He also talks about how the harshness of the Wisconsin winters along with the absence of any big city thrills first influenced his sound. And, Justin explains his unwavering love for his favorite song of all time “Fugitive,” by The Indigo Girls.

Listen to a playlist of some of our favorite Bon Iver songs HERE.

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Today we are revisiting one of our favorite early episodes of Broken Record with the legendary producer, Nile Rodgers. Over the course of his five decade-long career, Nile Rodgers has performed on, written, and produced some of the greatest dance songs of all time, including Diana Ross’s “I’m Coming Out,” Daft Punk’s “Get Lucky,” and Madonna’s “Like A Virgin.”

Back in Fall of 2018, Nile met up with Bruce Headlam at the same New York City recording studio where 35 years earlier, Nile recorded the Let’s Dance album with David Bowie. This time around, Nile brought his famed disco funk band Chic to the interview to perform live renditions of their classic hits including, “Le Freak,” “Good Times,” and “Everybody Dance.” So all the music you will hear in today’s episode was recorded live, just for us.

In between performances, Nile shares exhilarating stories from his life, including how he found salvation as a young jazz guitarist whose teenage mom struggled with heroin addiction. Nile also talks about the night he played old James Brown tunes with Prince and Rolling Stones guitarist Ron Wood at a small club in London. And he explains what it was like going clubbing with Madonna as her star was starting to explode in the mid-’80s.

You can listen to a playlist of some of our favorite songs produced by Nile Rodgers HERE.

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Kaytranada’s futuristic, soulful disco sound is suddenly everywhere—including on his new hit song “Twin Flame” with Anderson .Paak. The Haitian-Canadian DJ/producer got his start as a teenager by uploading J. Dilla and Flying Lotus-inspired beats to SoundCloud. In 2012 his edit of Janet Jackson’s “If” exploded and became a massive viral hit. In the 10 years since, Kaytranada has remixed dozens of records and released two studio albums, including the Grammy award-winning Bubba.

On today’s episode Rick Rubin and Kaytranada sit down to talk about how using technology unconventionally can lead to creating an entirely new sound. Kaytra also explains the anxiety he felt as an up-and-coming hip-hop producer who could never quite connect with an MPC drum machine. And he talks about what it’s like rocking stadiums as the opening DJ on the Weeknd’s worldwide tour.

You can listen a playlist of our favorite Kaytranada songs here.

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Today we are featuring a chat with two members of the Nashville-based string band, Old Crow Medicine Show—lead singer Ketch Secor and drummer Jerry Pentecost. Since forming in 1998, Old Crow has helped preserve folk and blues songs that often pre-date World War II. Old Crow has also released a number of their own songs, and in the folk tradition, put their own spin on their favorite artists’ tunes. Their most successful song to date, the platinum-certified “Wagon Wheel,” was written around a Bob Dylan chorus Ketch heard on an old Dylan bootleg.

On today’s episode Bruce Headlam talks to Ketch Secor and Jerry Pentecost about Old Crow’s latest album, Paint This Town. They share  how they’re raising awareness around the major contributions black musicians like Ray Charles and DeFord Bailey have made to country music. And then Ketch recalls Old Crow’s early days when they went through what he calls “hillbilly bootcamp” learning how to make whiskey, farm tobacco, and shoot groundhogs.

Listen to a playlist of some of our favorite Old Crow Medicine Show songs HERE.

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Today we are featuring a conversation with the world’s preeminent banjo player, Béla Fleck. Over the course of his four-decade career, Béla has won numerous Grammys in a variety of surprising genres including Jazz, Latin, Pop, and Classical. Last year, his latest release, My Bluegrass Heart, scored the Grammy for Best Bluegrass Album.

In addition to Béla’s innovative style and expert technique, he is also an advocate for keeping the banjo’s rich historical tradition alive. In 2008, Béla made a pilgrimage to Africa to trace the origins of the banjo in the documentary Throw Down Your Heart.

On today’s episode Bruce Headlam talks to Béla Fleck about growing up in New York City where he first fell in love with the banjo while watching the Beverly Hillbillies. Béla also talks about how jazz giants like Chick Corea and Charlie Parker influenced his highly technical style. And, Béla explains why he believes the banjo is far superior to the guitar.

Listen a playlist of some of our favorite Béla Fleck songs HERE.

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Nilüfer Yanya is a 27-year-old singer/songwriter from West London. After several years of hitting small stages with her guitar, Nilüfer broke through in 2016 with a series of soulful, indie-pop EPs and singles. Justin Richmond spoke with Nilüfer in April, just after her performance at Coachella, about the release of her second album, PAINLESS. The album’s tracks are laden with electronic drums and raucous guitar. They play like a diary entry, wrenched with heartbreak, loss, and hope.

On today’s episode Nilüfer talks about the collaborative songwriting process she has with her producer, Will Archer and friend, saxophonist, Jazzi Bobbi. She also recalls how she wrote her first songs as a 10-year-old, and how she always dreamed of being a guitarist in a band, rather than a solo act.

Hear a playlist of all of our favorite Nilüfer Yanya songs HERE.

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Swedish-born singer Neneh Cherry’s four-decade-long career has ricocheted between a number of genres including hip-hop, jazz, and trip-hop. Her first single in 1988, “Buffalo Stance,” cemented her standing as a no-nonsense Black feminist voice in contemporary urban music. This year Neneh released her sixth album, “The Versions.” It’s a collection of cover songs of some of Cherry’s biggest hits, and is performed exclusively by female artists including Robyn, Sia, and Neneh’s daughter Tyson.

On today’s episode Bruce Headlam talks to Neneh Cherry about her bohemian upbringing in Sweden, New York and London with stepdad Don Cherry, the famous jazz trumpet player. Neneh also recalls how she first met The Slits, the legendary all-girl punk group. And why despite scoring her first big hit with a cheeky rap verse, she never considered herself a real MC.

Hear a playlist of all of our favorite Neneh Cherry songs HERE.

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Today on the show, we're welcoming Grammy award-winning singer-songwriter, Lyle Lovett. Lovett follows in the footsteps of Texas troubadours like Guy Clark, Walter Hyatt, and Townes Van Zandt.

In 1986, Lovett helped lay the foundation for the alternative country and Americana movements with his debut, self-titled album. Since then, he has continued to light up country music with a rich blend of country, big band, blues, folk, and jazz. All of those sounds are on display in 12th of June—his first new album in a decade.

On today’s episode Lovett speaks to Bruce Headlam about his new album, a project rooted in home and family, which makes sense considering at 64 years-old, he's a new dad to twins. Lovett also shares stories of his early days playing gigs around Texas A&M.

Hear a playlist of all of our favorite Lyle Lovett songs HERE.

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Today we have a fun follow-up to last week’s episode with Johnny Echols from the band Love. This week we’ll hear Rick interview the last two living members of The Doors—guitarist Robby Krieger and drummer John Densmore—about coming up in the LA rock scene alongside the band Love, who The Doors idolized and then later eclipsed.

The Doors formed in 1965 and burned white-hot, releasing six albums in five years, until the death of their larger than life lead singer, Jim Morrison. In their brief time as a band, The Doors quickly became one of the biggest acts of the late 60s. Their anti flower-power appeal was accentuated by Jim Morrison’s heavy, brooding lyrics, and keyboardist Ray Manzarek’s frenzied organ licks.

On today’s episode Rick Rubin talks to Robby Krieger and John Densmore about their tumultuous history with Jim Morrison—who John refers to as a “Kamikaze drunk.” Both Robbie and John recall LSD-fueled stories from their early gigs with The Doors. And the role Acapulco Gold played in Jim Morrison’s songwriting process.

Hear a playlist of all of our favorite Doors songs HERE.

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Today we’re closing out Black Music Month by celebrating one of Rick Rubin’s favorite albums of all time—Forever Changes by the band Love. Formed in 1965, Love was a groundbreaking, interracial L.A. group. While their name isn’t usually mentioned alongside historic psychedelic bands like The Byrds or The Grateful Dead, Love’s influence is vast. Their charismatic, fashion-forward black frontman, Arthur Lee, inspired Jimi Hendrix’s look, and in the mid-60s Love was one of the hottest bands in Hollywood.

In 1967 Love recorded their third album, Forever Changes. It was the last album for the original core group with guitarist Johnny Echols and co-writer Brian McClean. The album ushered in an entirely new sound for the band, combining Baroque sounding strings with horns and folky instrumentation with poetic lyrics.

On today’s episode we’ll hear some of Rick Rubin’s conversation with Detroit rapper Danny Brown, who like Rick, places Love’s album Forever Changes at the very top of his greatest albums of all time list. Then, we’ll hear Rick in conversation with Love’s lead guitarist Johnny Echols about the intense turmoil surrounding the recording of Forever Changes. Echols—who grew up straddling both Black LA and the psychedelic strip—explains how Love was responsible for getting The Doors their record deal, only to be quickly overshadowed by The Doors mainstream success. Echols also recalls first meeting the Beatles when they were an opening act for Little Richard.

Check out our playlist for this episode here!

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Today we’re continuing our celebration of Black Music Month with the incredible jazz legend, Sonny Rollins. Rollins is an American tenor saxophonist and composer who is widely regarded as one of the most influential jazz musicians of all time. Sadly, now at 91 years-old, Rollins no longer plays as a result of pulmonary fibrosis. Fortunately for us though, he's able to look back over an eight-decade career that started at the beginnings of Bebop, and included playing with the Rolling Stones, and performing on stages all over the world.

On today’s episode, Justin Richmond talks to Sonny Rollins about one of his first big gigs in 1949 playing alongside other jazz icons like Bud Powell and Fats Navarro. He also explains why he no longer actively listens to music, and for the first time ever, Rollins talks about how Charlie “Bird” Parker is the reason he kicked drugs.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord.

You can also check out past episodes here: https://brokenrecordpodcast.com.

Hear over nine hours of our favorite Sonny Rollins-featured songs HERE.

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Today on the show, we’re talking to Grammy award-winning musician, Adrian Quesada who's best known as one-half of the Black Pumas. During the pandemic Adrian started working on a solo project inspired by his longtime love of psychedelic music and Latin American love songs from the ‘60s and ‘70s. The result is an album called Boleros Psicodelicos that reached number one on the Billboard Latin album chart when it was released earlier this month.

On today’s episode, Adrian and a few of the singers featured on the album—iLe, Angelica Garcia and Tita—talk about how the new album came together, their collaborative process, and how boleros and baladas fit into Latin music today.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord.

You can also check out past episodes here: https://brokenrecordpodcast.com.

Hear a playlist of all of the songs mentioned in this episode HERE.

If you’d like to keep up with the most recent news from this and other Pushkin podcasts be sure to sign up for our email list at Pushkin.fm.

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Today we’re talking to Dan Charnas—author, hip-hop journalist, professor, show runner, former A&R person for Def American, and also a longtime friend of Rick Rubin's. Charnas's latest book, Dilla Time: The Life and Afterlife of J Dilla, The Hip-Hop Producer Who Reinvented Rhythm is the product of four years of exhaustive research and nearly 200 interviews.

On today’s episode, Rick Rubin speaks with Dan Charnas about how the roots of his new book go all the way back to a trip to Detroit with rapper Chino XL to work with the producer then known as Jay Dee. Rick and Dan also reminisce about their earliest memories together and Dan shares what it was like meeting Rick’s mother, Mrs. Rubin, for the first time.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord.

You can also check out past episodes here: https://brokenrecordpodcast.com.

Hear a playlist of all of our favorite songs produced by J Dilla as well as songs Dan Charnas worked on HERE.

If you’d like to keep up with the most recent news from this and other Pushkin podcasts be sure to sign up for our email list at Pushkin.fm.

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Today we begin our month-long celebration of Black Music Month with PJ Morton—the New Orleans based singer/songwriter, producer, and keyboardist for Maroon 5. Morton recently released his eighth studio album Watch The Sun featuring collaborations with artists such as Stevie Wonder, Nas, Jill Scott, and Wale.

On today’s episode, PJ Morton talks to Bruce Headlam about what it was like growing up as a preacher’s son and how his relationship with gospel music has impacted the way he makes music. He also talks about being a recovering workaholic, and his friendship with the great Stevie Wonder.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord.

You can also check out past episodes here: https://brokenrecordpodcast.com.

Hear a playlist of all of our favorite PJ Morton's songs HERE.

If you’d like to keep up with the most recent news from this and other Pushkin podcasts be sure to sign up for our email list at Pushkin.fm.

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Sharon Van Etten joins us today—the singer/songwriter who Pitchfork recently crowned an “indie rock institution.” Earlier this month, Van Etten released her sixth and arguably best album, We’ve Been Going About This All Wrong. On today’s episode, Broken Record producer Leah Rose talks to Sharon Van Etten about recording her new album in her L.A.-based home studio during lockdown while attempting to balance domestic life. Sharon also explains how her inner Jersey girl comes out onstage. And why wearing leather pants and heels on stage post-pandemic feels so daunting.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord.

You can also check out past episodes here: https://brokenrecordpodcast.com.

Hear a playlist of all of our favorite Sharon Van Etten's songs HERE.

If you’d like to keep up with the most recent news from this and other Pushkin podcasts be sure to sign up for our email list at Pushkin.fm.

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Today we’ll hear Rick Rubin talk to one of his all-time favorite vocalists, Tom Jones. With his soulful baritone and unique interpretation of the American R&B and gospel, Jones became a mainstay at hip venues in London, New York and Las Vegas with now-timeless hits like “It’s Not Unusual,” and “Green Green Grass Of Home.”

On today’s episode, Tom Jones shares stories with Rick from his remarkable career, including the first time he met Elvis on a movie set in Hollywood—and the night he turned down an invitation to join Little Richard on stage out of fear he’d be deported. Tom also talks about why he thought Burt Bacharach’s lyrics to “What’s New Pussycat” were a joke the first time he heard them.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord.

You can also check out past episodes here: https://brokenrecordpodcast.com.

Hear a playlist of all of our favorite Tom Jones songs HERE.

If you’d like to keep up with the most recent news from this and other Pushkin podcasts be sure to sign up for our email list at Pushkin.fm.

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Today we’re talking to Stuart Murdoch and Stevie Jackson from the Scottish folk-pop band, Belle & Sebastian. After seven years, the indie pop band is releasing their ninth studio album, their first in seven years – A Bit of Previous. The album was recorded in Belle & Sebastian’s hometown of Glasgow, after plans to record in LA fell through because of the pandemic.

Bruce Headlam talks to Stuart and Stevie about their new album and the band plays songs live from the new project. Stuart also talks about how getting sick at 21 was a critical moment in his music career, and how he is not personally itching to get back out in front of a live audience.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord.

You can also check out past episodes here: https://brokenrecordpodcast.com.

Hear a playlist of all of our favorite R.E.M. and Michael Stipe songs HERE.

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Today we have a conversation between old friends Rick Rubin and Michael Stipe. Along with his former band R.E.M., Stipe's expert, open-hearted lyrics gave voice to the sensitive and misunderstood among us with hits like “The One I Love,” “Everybody Hurts,” and “Losing My Religion.”

After R.E.M. broke up a little over a decade ago, Stipe followed other creative pursuits like photography. But now Stipe has found his way back to music and is working on his first ever solo album. On today’s episode, Michael plays Rick his new song, “Future If Future” produced by Andy LeMaster. Michael Stipe also talks about why he decided to record a solo album, and how he always intended to be super famous—and what it was like when that actually happened.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord.

You can also check out past episodes here: https://brokenrecordpodcast.com.

Hear a playlist of all of our favorite R.E.M. and Michael Stipe songs HERE.

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Today we have the final interview in our month-long series with the Red Hot Chili Peppers in celebration of their new album, Unlimited Love, produced by Rick Rubin. There’s only one Chili Pepper left, Mr. “I eat-drums-for-breakfast” himself, Chad Smith.

Chad has always been a bit of an outlier in the band, he’s the only member who isn’t from L.A. He’s from the suburbs of Detroit and he was reared more on classic rock than punk like the rest of the band. But Chad is an integral member of the Peppers. His hard hitting style is the band’s foundation. And as we’ll hear him tell Rick, Chad fell in love with the Chili Peppers the day he auditioned for them close to 35 years ago.

On today’s episode Chad and Rick talk about the lost demo sessions the Chili Peppers recorded nearly a year before they made Blood Sugar Sex Magik. Chad also talks about how “Californication” started out as what he calls “a bad reggae song.” And he remembers the time he and Flea got chased—nearly naked—by cops in Green Bay.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Hear a playlist of all of our favorite Red Hot Chili Peppers songs HERE.

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This is the third episode in our four episode run with the Red Hot Chili Peppers, celebrating their new album, Unlimited Love.

Today you’ll hear a very special conversation between Rick Rubin and Flea. Flea’s one of the most iconic bass players of all time and, along with singer Anthony Kiedis, one of the all time great musical ambassadors of Los Angeles.

Flea talks with Rick on today’s episode about how he “rock-starred” his way into USC recently to study music theory. He remembers tearfully telling John Frusciante how much he missed playing with him, and why he reverts back to his 15 year-old self whenever he argues with Anthony. 

Make sure to check out next week's episode with the one and only Chad Smith!

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Hear a playlist of all of our favorite Red Hot Chili Peppers songs HERE. And check out our favorite songs featuring Flea HERE.

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We’re continuing our run of episodes celebrating the release of the Red Hot Chili Peppers’ new album, Unlimited Love, produced by Rick Rubin. We left off our episode last week with Anthony Kiedis popping in to join Rick’s conversation with Chili Peppers' guitarist John Frusciante. Today we have part two of Rick’s conversation with John and the band’s iconic frontman.

On this episode we'll hear Anthony talk about how some of the new song lyrics came together, the lengths he went to commute to the studio in Hawaii where he was recording vocals with Rick. And both Anthony and John give their accounts of John’s third return to the band. 

Make sure to check out Rick's interview next week with the almighty Flea.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Hear a playlist of all of our favorite Red Hot Chili Peppers songs HERE.

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Today is the start of a month-long run of episodes in celebration of the Red Hot Chili Peppers’ newest album, Unlimited Love. We kick things off with Rick Rubin in conversation with the Chili Peppers' guitarist, John Frusciante. If you’re a diehard fan you know why the release of their new album is so exciting. Unlimited Love is their first record with John in 16 years.

In this episode, you’ll hear John tell Rick about his deep musical exploration as a young guitar player. He also talks about how he fell in love with the Chili Peppers as a teenager, and what it was like joining the band he’d become such a big fan of at just 18 years-old. And in the end, John and Rick are joined by a very special guest.

Part Two of this conversation continues on the next episode . . .

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Hear a playlist of all of our favorite Red Hot Chili Peppers songs HERE.

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Missy Elliott is one of popular music's greatest innovators. This year is the 25th anniversary of Missy’s classic debut album, Supa Dupa Fly. When that album dropped, Missy’s unconventional rhyme schemes paired with her childhood friend Timbaland’s futuristic production set a precedent for what was creatively possible in hip-hop. And throughout her career, Missy’s maintained that same level of playful creativity.

This year Missy broke records when she was recognized as having more platinum albums than any other female rapper. She’s also the first female MC to be inducted into the Songwriters Hall of Fame for songs she's written for Mariah Carey, Beyoncé, Destiny’s Child and Aaliyah’s biggest hits: “One In A Million,” and “If Your Girl Only Knew.”

Today Rick Rubin talks to Missy Elliott about her wide-reaching influence and creative process. She explains what it was like writing for Aaliyah, who was one of the first artists to embrace Missy and Timbaland’s unique style. She also talks about why she and Timbaland made a pact not to listen to any other music while recording her debut album.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Hear a playlist of all of our favorite Missy Elliott songs HERE.

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Today we have the one and only Patti Smith on the show. Patti is the prototypical downtown, New York City artist. Her 1975 debut album Horses is credited as one of the masterpieces of its time. It also cemented her as one of rock n roll's great lyricists. But her writing extends far beyond music. Her 2010 memoir, Just Kids, won the National Book Award for its brilliant portrayal of the ‘70s bohemian art scene in New York, and Patti’s experience living in the Chelsea Hotel with the famed photographer, Robert Mapplethorpe. Today Patti publishes near-daily offerings of poems, songs and serialized fiction on her Substack newsletter. It’s a journal of sorts that she started during the solitary days of the pandemic. 

On today’s episode, Malcolm Gladwell talks to Patti Smith about her writing in the studio Jimi Hendrix built, Electric Lady. It was there, she tells Malcolm, that she met Hendrix in 1970—just weeks before he passed away. Patti also talks about hanging out with and writing lyrics for Janis Joplin, and she recalls the fun she had during a failed attempt to cover Adele in concert.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Hear a playlist of all of our favorite Patti Smith songs HERE.

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Bonnie Raitt is many things—a Rock ‘n Roll Hall-of-Famer, an incredible blues guitarist, an underrated songwriter, and a fierce advocate for social justice. Bonnie was offered her first record deal as a college student in 1971 after a reporter saw her play an early gig in NYC, but it took almost two decades before she peaked commercially with her tenth album, Nick Of Time. Throughout her long career Bonnie has helped preserve American blues music by recording songs from little-known but classic songwriters.

On today’s episode Bruce Headlam talks to Bonnie Raitt about her meticulous song-selection process and the inspiration behind the tunes she wrote for her new album, Just Like That. Bonnie also talks about a somewhat awkward dinner she had with Prince. And how her slide guitar technique will forever be tied to giving her brother the bird.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Hear a playlist of all of our favorite Bonnie Raitt songs HERE.

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Beach House is a psych-pop band with a die-hard cult following. Since their 2006 debut album, their lush, cinematic sound has been sampled by artists like Kendrick Lamar and The Weeknd. And Kanye recently posted a picture on Instagram collaborating with Beach House in the studio. 

In January, Beach House began releasing their most ambitious project yet—a double album that debuted at number one. It’s called Once, Twice, Melody and it’s their first entirely self-produced album and the most dynamic in scope. On today’s episode Broken Record producer Leah Rose talks to Victoria Legrand and Alex Scally of Beach House about the inner-workings of their unique creative partnership. They also talk about how the warmth of Bob Marley’s music has indirectly inspired the band, and they explain why sometimes you have to just get over yourself for the sake of show business. 

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Hear a playlist of all of our favorite Beach House songs HERE.

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To kick off our month long celebration of Women's History Month, today we are featuring an interview with the great Judy Collins. At 82 years-old, Collins is in the midst of a creative shift. She first made a name for herself in the 60’s folk revival covering songs by artists like Leonard Cohen and Bob Dylan. But this year, for the first time in her career, she’s released an album written entirely by herself. The album’s called Spellbound. And the music feels right at home with some of the best in her catalog.

On today's episode she tells tells Bruce Headlam about her recent burst of activity, which includes six albums in the last six years. They also talk about her working relationship with Leonard Cohen, and how she actually lived the rugged life that peers like Dylan could only sing about.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Hear a playlist of all of our favorite Judy Collins songs HERE.

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Robert Plant is arguably the most iconic rock vocalist of all time. As the frontman for Led Zeppelin, his dynamic, soaring vocal style was the perfect lead for the band’s unparalleled musicianship. After Zeppelin broke up in 1980 following the death of drummer John “Bonzo” Bonham, Plant set out on his own and recorded songs that drew inspiration from North African music, psych rock, and the Blues. 

In 2007 Plant began collaborating with Alison Krauss, the famed bluegrass singer and fiddle player. Under the guidance of producer and Broken Record alum, T Bone Burnett, their first album, Raising Sand, sold over a million copies in the US and won five Grammys, including Album of the Year. 

On today’s episode, Rick Rubin talks to Robert Plant about recording his latest release with Krauss, Can’t Let Go. Plant also talks about how a trip to the Sahara in the early ‘70s with Jimmy Paige inspired them to write “Kashmir.” And he remembers the first time he met John Bonham as a teenager and Bonham declared himself, “the best drummer in the world.”

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

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Jon Batiste is an overachiever. Batiste is the bandleader on The Late Show With Stephen Colbert and an Oscar-winning composer for the Pixar animated movie, Soul. He also received the highest number of Grammy nominations this year, with eleven, including Album of the Year for his most recent release, We Are.

On today’s episode, Bruce Headlam talks to Jon Batiste about what it was like coming up as a young musician in legendary New Orleans bar rooms. Batiste also reminisces about setting up a piano in the midst of Brooklyn protests after George Floyd’s murder. And he explains what it meant to have Obama call him personally after hearing his new album.

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You can also check out past episodes here: https://brokenrecordpodcast.com

Check out our favorite Jon Batiste songs HERE.

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Stevie Van Zandt is the ultimate underboss. His first big break came in the mid-70s as Bruce Springsteen’s right-hand man, guitarist, and occasional co-producer in the E Street Band. Later he seamlessly made the jump to acting as one of Tony Soprano’s key consiglieres, Sil, on The Sopranos. 

Van Zandt recently released his memoir, Unrequited Infatuations, which details his career over the past 50 years. On today’s episode Bruce Headlam talks to Van Zandt about the budding New Jersey rock n’ roll scene in the ‘60s, and what it was like recording with legendary R&B singers like Ronnie Spector and Darlene Love. He also reminisces about first meeting Springsteen—who Van Zandt says he saw go from a shy kid who was too timid to speak, to one of the greatest entertainers of our time.

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You can also check out past episodes here: https://brokenrecordpodcast.com

Check out our favorite Stevie Van Zandt songs HERE.

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Todd Rundgren is a multi-talented musician who has made a name for himself both as a solo artist and a visionary music producer. Rundgren’s crowning achievement though was producing Meatloaf’s album Bat Out Of Hell, which is to this day one of the highest-selling albums of all time. In addition to recently being inducted into the Rock and Roll Hall of Fame, Rundgren has been busy working on a new album of collaborations called Space Force with artists like Sparks, Rivers Cuomo, and Ben Folds that’ll be out later this year.

On today’s episode we’ll hear a conversation Rick Rubin had with Rundgren just weeks before the start of the pandemic. They talk about why he was the only producer who would work on the debut album for Meat Loaf, who just recently passed away. Todd also talks about engineering the third album for The Band when the group was in the midst of turmoil, and why he always turns off Taylor Swift’s music.

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You can also check out past episodes here: https://brokenrecordpodcast.com

Check out our favorite Todd Rundgren songs HERE.

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In the 1970’s Jackson Browne was known as one of the originators of the carefree, California classic rock sound with hits like “Doctor My Eyes” and “Running on Empty.” As his career progressed, Jackson Browne’s knack for writing soul-searching lyrics turned more political. Browne continues to use his music as a vehicle for change today. His latest album, Downhill From Everywhere, was inspired by a documentary about the Pacific garbage patch and our impact on the planet.

On today’s episode Bruce Headlam talks to Jackson Browne about how he is able to turn catastrophic headlines into palatable songs. Browne also talks about moving to New York City when he was 18 and how he ended up writing songs for the Velvet Underground’s Nico. And Browne remembers the time his former label boss, David Geffen, shut down his attempt to quote the Black Panthers’ Bobby Seale in a song.

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You can also check out past episodes here: https://brokenrecordpodcast.com

Check out our favorite Jackson Browne songs HERE.

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Since debuting in the late ‘60s, Yusuf/Cat Stevens has made a sizable contribution to the folk canon with tender, contemplative songs like “Wild World,” “Moon Shadow,” and “The Wind.” Stevens recently reissued one of his most seminal early albums, Teaser And The Firecat, to celebrate the 50th anniversary of its release. The new edition features remastered versions of the original album along with 41 previously unreleased demos and alternate mixes. 

On today’s episode Bruce Headlam talks to Yusuf/Cat Stevens about what it’s like to perform his old songs after he converted to Islam in the late ‘70s. They also talk in detail about how Stevens wrote and recorded Teaser And The Firecat. And how he has come to love the rough versions of some of his songs that appear on the soundtrack for the movie Harold and Maude which was recently re-released for the movie’s 50th anniversary.

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You can also check out past episodes here: https://brokenrecordpodcast.com

Check out our favorite Yusuf/Cat Stevens songs HERE.

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Today we're sharing an episode from our friend Sam Sanders over at NPR’s It's Been a Minute podcast. This year marks the 35th anniversary of Janet Jackson's classic album, Control. That album was her first real commercial hit and, looking back, helped redefine all of pop music. It also helped establish two star producers in Jimmy Jam and Terry Lewis. In the late 80s and 90s, Janet was one of the biggest stars of our time—right up there with her brother Michael and Madonna. And yet, Jackson isn't always given her due.

In this episode, host Sam Sanders explores why that is, how she made the album Control, and the incident that lasted all but a second, that changed the course of her career.

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Pino Palladino and Blake Mills are renowned session musicians who recently collaborated on their own album, Notes With Attachments. It’s an experimental, jazz-leaning project that blew Rick Rubin’s mind. Pino Palladino is a bass player who has played on records with everyone from D’Angelo to The Who to Adele. Guitarist Blake Mills co-founded the band Dawes in 2005, and he has gone on to release critically acclaimed solo albums and produce records for the Alabama Shakes, John Legend and Fiona Apple. 

Three years ago, Pino and Blake started collaborating on what would become Notes With Attachments. The album features other incredible session musicians and pulls from influences as diverse as West African, Cuban, and English folk music.

Rick talks first with Pino Palladino on today’s episode about those wide array of influences, and how hearing Motown music as a young boy in Wales changed his life. Pino also walks us through his evolution to becoming one of the most in-demand session players. Later Blake Mills joins the conversation to talk about collaborating with Pino and why he feels bad for the touring musicians who have to play his bass parts on the road.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out our favorite Pino Palladino and Blake Mills songs HERE.

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Welcome to part two of Rick Rubin’s conversation with Neil Young. Today we'll hear how Neil's song “I Believe In You” from his 1970 masterpiece After the Gold Rush inspired a mystical experience for Rick. Neil also talks about recording After the Gold Rush and the parallels between that album and his latest release, Barn. And, Neil explains why he started writing and recording music around the cycles of the moon, and his massive archive of unreleased material that spans several decades.

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You can also check out past episodes here: https://brokenrecordpodcast.com

Check out our favorite Neil Young songs HERE.

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When we first talked about making Broken Record, we had a short list of absolute dream guests for the podcast and Neil Young was at the top of that list. So when Neil’s new record, Barn, was announced and we were told he wanted to speak with Rick about it we were beyond excited.

On today’s episode, Rick and Neil talk about the new album, and all of the archival projects he plans on releasing in the coming year. They also reminisce about the time they spent working together on some abandoned songs in 1997 that may soon be released. And Neil’s time in a Rick James fronted band that was signed to Motown, and how Neil drove from Canada to LA in a hearse. The two talked for so long we decided to make this the first of two episodes with Neil Young. 

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out our favorite Neil Young songs HERE.

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24 year-old singer/songwriter Faye Webster stopped by Shangri-La earlier this month in between stops on her tour opening for Wilco to chat with Justin Richmond and play some songs off of her latest album, I Know I’m Funny haha. Faye started releasing music independently when she was just 16 years-old. In 2017 her second album was released through Awful Records—home to the Atlanta hip-hop collective. Faye was a bit of an outlier on the rap-heavy label but working with them gave her a different perspective on recording than she otherwise would’ve had.

On today’s episode Justin Richmond talks to Faye about how artists like The Ramones and Garth Brooks influenced her writing style. Faye also plays some more songs live, as well as an early demo version of “Cheers.”

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out our favorite Faye Webster songs HERE.

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Today we have a special Broken Record Holiday episode with Nashville singer Amanda Shires. Shires’ new holiday album, For Christmas, isn’t meant to make you feel merry and bright. Instead it’s an acknowledgment of the complicated feelings that can come along with the holidays, like disappointment, longing and maybe a little bit of lust.

In addition to her solo career, Amanda Shires plays fiddle and sings in her husband Jason Isbell’s band, The 400 Unit. She is also a founding member of the female country supergroup, The Highwomen, with Brandi Carlile. But way before she hit it big in Nashville, Shires played fiddle with the Texas Playboys, the legendary Western swing band started by Bob Will’s that she joined when she was just 12 years-old.

On today’s episode Bruce Headlam talks to Amanda Shires about what inspired her to write a non-traditional Christmas album. Shires also explains how finding out that her Grandfather served decades in Alcatraz raised a ton of questions about her family’s history. And she recalls what happened the time she discovered her husband had ripped off one of her lyrics. 

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out our favorite Amanda Shires songs HERE.

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Mary Gauthier is a folk singer/songwriter whose songs have quite literally saved her life. Writing music did not come easily to Gauthier. She began abusing drugs and alcohol as a young girl growing up in Louisiana. After years of struggling with addiction, Gauthier got clean at age 27 and began frequenting open mics around Boston. She released her debut album, Dixie Kitchen, in 1997 and moved to Nashville not long after. She has since become known for her ability to write vivid, literary-style lyrics that pull from her past trauma, loss, and heartbreak.

On today’s episode Bruce Headlam talks to Mary Gauthier about how the same determination that once drove her to drink now powers her songwriting. She also talks about how conversations with young U.S. veterans inspired her Grammy-nominated album, Rifles & Rosary Beads. And Gauthier recalls seeing one particularly moving open mic performance that inspired her to become the artist she is today.   

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out our favorite Mary Gauthier songs HERE.

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Michelle Zauner is the lead singer and creative force behind the indie, dream pop band, Japanese Breakfast. This year Zauner released a series of career-defining projects that propelled her band to widespread critical acclaim including her New York Times best-selling memoir, Crying In H Mart, and Japanese Breakfast's third and most ambitious album, Jubilee.

On today’s episode Broken Record producer Leah Rose talks to Michelle Zauner about her triumphant year, and exactly how big she wants her band to become. Zauner also talks about casting The Sopranos star Micheal Imperioli in her video for “Savage Good Boy,” and why she ended up going a little too far in the video’s neck-biting scene.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out our favorite Japanese Breakfast songs HERE.

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Justin Richmond shares the first chapter of a new book he's been working on with Malcolm Gladwell and Bruce Headlam. It’s called Miracle And Wonder, Conversations with Paul Simon. Download the audiobook today at miracleaudiobook.com and receive an exclusive listener's guide featuring additional commentary from Bruce Headlam and the producers of Miracle and Wonder.

Miracle and Wonder is culled from 30 hours of conversations between Malcolm, Bruce and Paul himself. Paul breaks down his musical evolution, from the doo-wop he loved as a kid, to the folk music of his teens and early adulthood, all the way to the new music he’s making today at age 80. There are tons of unheard stories and raw moments as Paul remembers how he wrote some of the most famous songs in his catalogue. You'll also hear cameos from artists like Jeff Tweedy and Sting. 

Enjoy this excerpt and download the audiobook today at miracleaudiobook.com.

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According to Time Magazine, singer Angelique Kidjo is “Africa’s premier diva.” Kidjo started out singing traditional music in her native Benin, West Africa when she was a teenager. In 1983, she escaped the conflict-riddled Benin for Paris, where she studied music and eventually signed her first record deal with Island Records. Kidjo has since released 16 albums and won four World Music Grammys. Her latest album, Mother Nature, was released in June and features young African musicians like Sampa the Great and Burna Boy.

On today’s episode Bruce Headlam talks to Angelique Kidjo about the nature of African rhythm and why it can confuse Western musicians. She also explains how she lets her songs dictate what language her lyrics should be in, and how she managed to escape her home country despite being a recognizable national pop star.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out our favorite Angelique Kidjo songs HERE.

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Pastor T.L. Barrett has been known on Chicago’s South side as a religious and community leader for 50 years. But it wasn’t until recently that people started to uncover Barrett’s trove of gospel music. In the 1970s, Barrett began making recordings of the music performed in his church. These were sermons he’d turn into songs that sat around for years until rappers started sampling them in the last decade. People like Kanye West, T.I., DJ Khalid, Alicia Keys. All this recent attention on Pastor T.L. Barrett has culminated in a new box set from the Numero Group called “I Should Wear A Crown."

On today's episode Justin Richmond talks to Pastor Barrett about his distant relation to the Reverend C.L. Franklin and of course his daughter, the great Aretha Franklin. Pastor Barrett also talks about how he went from a high school dropout to a community leader. Plus what it was like for him to have his music discovered after decades.

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You can also check out past episodes here: https://brokenrecordpodcast.com

Check out our favorite Pastor T.L. Barrett songs HERE.

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Today we are sharing an episode of Pushkin’s newest show, Backstage Pass, hosted by Eric Vetro, the voice coach to the stars. From Camila Cabello, to Shawn Mendes, to John Legend, Eric Vetro has guided your favorite singers during some of the most iconic moments of their musical lives.

Today we'll hear Justin Richmond talk to Eric about his journey to becoming the most trusted celebrity voice coach. Then you'll get a preview of Backstage Pass with Ariana Grande, where she talks to Eric about her vocal range, how Broadway influences her music, and the struggles of having perfect pitch.

You can hear more Backstage Pass episodes at https://link.chtbl.com/brokenrecordbackstagepass

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If you’ve sung along to a power ballad in the last 30 years, chances are you’re already intimately familiar with Diane Warren’s songs. Some of her biggest hits include Cher’s “If I Could Turn Back Time,” Celine Dion’s “Because You Loved Me,” and Aerosmith’s “I Don’t Want To Miss A Thing.” 

Over the span of her 35 year-career, Diane Warren has penned hits for hip-hop, country, R&B, and adult contemporary artists. In late August she finally released her own album, The Cave Sessions Volume 1, The genre-spanning project is modeled after DJ compilation albums and brilliantly shows off Warren’s incredible range as a writer. 

On today’s episode Rick Rubin talks to Diane Warren about how she decided to become a songwriter when she was just 11-years-old. And how her parents built a shed in their backyard where she could work out her early arrangements. Warren also talks about her one and only music teacher—who told her dad she had no future in music—and why she feels she has yet to write her best work.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out our favorite Diane Warren songs HERE.

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On her intimate new album Wary + Strange, Amythyst Kiah sings her heart out about losing her mom to suicide, and what it’s like being the only black person in the room at country gigs. She created the album with Phoebe Bridger’s producer, Tony Berg, and the result is a project expertly fuses Kiah’s love for ‘90s alt-rock with her old-time, country sensibility.

Amythyst Kiah performs two of her new songs on today’s episode and talks to Bruce Headlam about what it was like for a black teengager to come out as gay in a white Christian southern town. She also explains how learning of the West African roots of Bluegrass helped reaffirm her place in Americana music.

Just a warning, this episode contains talk of suicide.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out our favorite Amythyst Kiah songs HERE.

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Houston rapper Scarface is one of the most recognizable, respected voices in hip-hop. When he was just 17 years-old, Scarface was recruited to join Bushwik Bill and Willie D in the Geto Boys. The group was one of Rick Rubin’s earliest rap signings for his post Def Jam label, Def American.

On today’s episode, Scarface and Rick reminisce about working together, and Face talks about how his recent experience with covid was eerily similar to his classic verse on “Mind Playing Tricks On Me.” Scarface also talks about the Miranda Lambert song that makes him yearn for his childhood Texas home.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out our favorite Scarface songs HERE.

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Cristobal Tapia de Veer is the composer and musician behind Mike White’s HBO show, White Lotus. The sounds in the score range from percussive African and Latin American instruments to guttural human chants. On today’s episode Justin Richmond talks to de Veer about how he came up with White Lotus’ striking soundscape. De Veer plays stems from the score and explains about how he initially set out to create a Hawaiian Hitchcock sound. He also talks about how he created the signature tribal-sounding vocals from White Lotus after being summoned to California by Kanye West.

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You can also check out past episodes here: https://brokenrecordpodcast.com

Check out Cristobal Tapia de Veer's soundtrack for White Lotus HERE.

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Lindsey Buckingham’s signature finger-style guitar is perhaps as recognizable as the countless classic songs he wrote while he was in Fleetwood Mac. Buckingham is a self-taught guitar virtuoso and songwriter who famously joined Fleetwood Mac in the mid ‘70s with his then girlfriend, Stevie Nicks. The band had been around since ‘67 with various singers, guitarists and songwriters. The only constant was their rhythm section: drummer Mick Fleetwood and bassist John McVie. But the band didn’t blow up until Buckingham and Nicks joined, writing mega hits for their insanely successful 10th and 11th albums including the 20-times platinum album, Rumours. On today’s episode Bruce Headlam talks to Lindsey Buckingham about his new self-titled solo album. Buckingham also tells Bruce that he and Nicks never really got closure from their breakup, and how that affected their professional relationship in the decades since. 

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite Lindsey Buckingham songs HERE.

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Ringo Starr is one of the most iconic musicians living today. Famed drummer for The Beatles and a prolific songwriter in his own right, at 81, Ringo’s gearing up to release his latest EP, Change The World. Rick Rubin and Ringo recorded this interview on the day it was announced that Rolling Stones drummer Charlie Watts passed away. On today’s episode you’ll hear Ringo reminisce about partying with Charlie and Led Zeppelin's drummer John Bonham. Ringo also talks about how he was a drunk heckler at Beatles shows before he joined the band, and why Paul McCartney was the only Beatle who would share a room with him.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite Ringo Starr songs HERE.

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John Hiatt is a Nashville-based singer/songwriter whose songs have been covered by a wide range of popular artists including Iggy Pop, Paula Abdul and Jimmy Buffet. Hiatt recorded his latest album, Leftover Feelings, with the Jerry Douglas Band. Douglas, who’s a famed producer and session musician, has won 14 Grammys for his solo work and collaborations with a slew of successful musicians. 

On today’s episode John Hiatt and Jerry Douglas perform three songs off their new album and talk to Bruce Headlam about how they came together to record their new album in the studio that’s known as the birthplace of “the Nashville sound.” John Hiatt also explains how one of his new songs helped him forgive the awful abuse he endured from his older brother who committed suicide when John was nine years old.  

Warning, this episode includes talk of sexual assault.

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You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite John Hiatt and Jerry Douglas HERE.

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Henry Rollins speaks with Rick Rubin from Shangri-La pre-pandemic and in full Rollins fashion, the stories just poured out of him. Henry talks about the time he was christened a lead singer by H.R. from Bad Brains, the day he woke up and realized he was done writing music, and why he’ll never be the old guy on stage performing his greatest hits.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite Henry Rollins HERE.

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Jaden Smith has proved to be much more than just the sum of his famous parents. At 23 he’s spent more than half of his life working as an actor, a musician, and an entrepreneur. Since the release of Jaden’s debut mixtape in 2012, he has gone on to put out three studio albums that loosely follow a semi-autobiographical character named Syre who chases sunsets after a painful breakup. Jaden’s latest album, Cool Tape Volume 3: Day Tripper’s Edition, picks up with Syre’s personal journey—but this time around set to a psychedelic-rock inspired soundscape. 

On today’s episode, Jaden talks to Rick Rubin about an ex-girlfriend who inspired him to embrace the classic rock from the ‘60s and ‘70s that influenced his latest album. He also explains how recording with live musicians—as opposed to building tracks digitally—brought a newfound energy to his project. And Jaden also tells Rick how growing up in Malibu allows him to feel intimately connected to the Beach Boys.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite Jaden tracks HERE.

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Growing up in a family full of musicians, Lukas Nelson was basically raised on stage. He started playing guitar in his dad Willie Nelson’s band when he was just 11 years-old. In 2008, Lukas formed his acclaimed band, Promise of the Real, who’ve also spent the last six years as Neil Young’s touring band. In 2017 Lukas was hired as Bradley Cooper's authenticity consultant for A Star Is Born. Lukas also co-wrote songs on the movie's soundtrack including the unforgettable opening riff of "Shallow."

On today’s episode, Lukas Nelson sings some songs from his band's latest album, A Few Stars Apart. He also talks to Bruce Headlam about the very relatable experience of quarantining with his parents. And talks about how the first song he ever wrote saved him from getting evicted from an apartment after leaving college.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite Lukas Nelson and Promise of the Real tracks HERE.

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The Broken Record team has been revisiting some of our favorite episodes and releasing new extended cuts via PushNik, our Apple Podcasts subscription program. Today we’re giving you a taste of what those cuts sound like with the extended, ad-free cut of Rick Rubin's conversation with Brian Eno. This episode was recorded just before the debut of Eno’s Sonos radio station, The Lighthouse, where Eno’s programmed days worth of unreleased tracks from various eras in his career. In this episode we get to hear Rick and Eno discuss the works that changed Eno’s conception of art (1:08:47), the way lyrics generally hold very little water for the both of them (34:39), and more on the way Eno incorporates randomness into his music 9:42). 

To hear more extended cuts of our conversations with artists like The Beastie Boys, Questlove, Brandi Carlile, Tanya Tucker, and Moby, subscribe to PushNik on Apple Podcasts. For $4.99 a month, you’ll get exclusive content like the Broken Record extended cuts and uninterrupted, ad-free listening across 14 shows in the Pushkin Industries catalog, including Malcolm Gladwell’s Revisionist History and The Happiness Lab with Dr. Laurie Santos. Search for Broken Record in Apple Podcasts, visit our show page, and sign up there. You can try it free for seven days.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

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This week, we're presenting something fun from Malcolm Gladwell, co-founder of Pushkin. In a special series from his podcast, Revisionist History, Malcolm is launching a massive frontal assault on The Little Mermaid. You might wonder, "what's Malcolm doing? It's a children's classic!" But according to Malcolm, it's not a classic... It's a cinematic dumpster fire. And Revisionist History is devoting no fewer than three episodes to explain why. In the finale, Malcolm enlists an all-star cast to make his own version of The Little Mermaid, featuring Dax Shepard, Brit Marling, Jodie Foster and Glenn Close.

You can hear the entire three-part series, right now, at:

Broken Record- http://podcasts.pushkin.fm/brokenrecordrh

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Over Jeff Goldblum's 50-year acting career, he’s played dozens of unforgettable roles. Off-camera, Jeff Goldblum is also a surprisingly dedicated Jazz pianist who has been playing in clubs and bars for over 30 years. He’s released two albums with his band the Mildred Snitzer Orchestra. Their latest, I Shouldn’t Be Telling You This, features vocals from Gregory Porter, Fiona Apple, and Miley Cyrus.

On today's episode Broken Record host Justin Richmond and producer Leah Rose talk to Goldblum about how he started playing piano in Pittsburgh cocktail lounges at 15, his morning practice routine, and about meeting two of Jeff's heroes: Stevie Wonder and Muhammad Ali.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite Jeff Goldblum tracks HERE.

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Rick Nielsen is best known as Cheap Trick’s lead guitarist and main songwriter. In the late '70s, Cheap Trick helped popularize power pop with their songs “Surrender” and “I Want You To Want Me," which were precursors to the pop punk explosion in the '90s with bands like Green Day and Blink-182. In June, Cheap Trick released their 20th studio album, In Another World that's chock full of Rick Neilsen’s monster riffs that recall their glory days in the 1970s.

On today’s episode, Bruce Headlam talks to Rick Neilsen about Cheap Trick’s origin story while Neilsen fiddles around on an electric guitar and samples riffs from the new album. Nielsen also talks about how he was hired to bring a hard rock sound to John Lennon’s final album with Yoko, Double Fantasy, and what it was like working with the Beatles legendary producer, George Martin.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite Cheap Trick and power pop tracks HERE.

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Mark Ronson's big break as a producer came from working with Amy Winehouse to find the perfect sound for her career defining album, Back To Black. Since then, Ronson has gone on to win an Oscar, a Golden Globe and seven Grammys for producing chart-topping hits for artists like Lady Gaga, Adele and Bruno Mars. Ronson’s sound is often associated with danceable, driving rhythm sections—which makes sense, considering his background as a renowned DJ. 

In today’s interview with Rick Rubin we’ll hear Mark talk about the day he met Amy Winehouse and how she might’ve confused him for Rick Rubin. Mark also talks about the night he fell in love with DJing, growing up with his step-dad in Foreigner, and how being isolated from his studio during the pandemic caused him to think that his days as a pop music producer might be over. 

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite Mark Ronson tracks HERE.

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BROCKHAMPTON's original members formed after posting on a Kanye West fan message board in 2010, and then started making music in The Woodlands, Texas. Since then, they’ve turned the idea of a boy band on its head. With as many as 14 members at times, BROCKHAMPTON's deconstructed the traditional pop star/rap ethos by being unapologetically inclusive of racial and sexual identities. 

Today BROCKHAMPTON's frontman Kevin Abstract talks through the group’s sixth and latest album, Roadrunner: New Light, New Machine with Rick Rubin. We’ll hear Kevin talk about how the project slowly evolved from a pop album to something darker and more rap driven. Kevin also explains how supporting one of the group’s members through losing their dad became the album’s creative thrust, and explains why their next album will probably be their last.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite BROCKHAMPTON and Kevin Abstract tracks  HERE.

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Archie Shepp is a tenor saxophonist and composer who's spent over half a century contributing to the evolution of Black music. Shepp has long fought for Black musicians to get their fair share of credit, recognition and recompense for their contributions to popular music. Shepp's been considered a leader of avant-garde jazz since the 60's. He's famously played alongside John Coltrane, Lee Morgan, and the great free jazz pianist, Cecil Taylor. But 84-year-old Shepp doesn’t consider the music he plays jazz at all. He calls it “African American music” to acknowledge the Black Americans who created the tradition.

On today’s episode, Justin Richmond talks to Archie Shepp about how an assignment he received in the third grade sparked the activism that's been ever present in his 60-year career. Shepp also talks about his relationship with Coltrane, who he says never took his horn out of his mouth. And he also recalls the rhetorical power of Malcolm X and the lasting image of seeing him speak to a sea of black heads on the streets of Harlem.

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You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite Archie Shepp tracks  HERE.

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Craig Finn, the lead singer and songwriter of The Hold Steady, is known for his vivid, literary-style songwriting. He often writes about characters going through an existential crisis. The Hold Steady released their eighth album, Open Door Policy, earlier this year. This time around, the Minneapolis-born Finn says his focus is on themes related to the trappings of technology and late-stage capitalism. 

On today’s episode Craig Finn talks to Bruce Headlam about how the Drive By Truckers inspired him to create The Hold Steady, how Springsteen taught him to vamp, and why he feels like it’s his duty to not only write about the party, but to write about the hangover too.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite Craig Finn and Hold Steady tracks  HERE.

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At Pushkin, we think of Juneteenth as an opportunity to reflect on the past and think about the future: How do we build a more just and equitable society? We strive to make podcasts that help answer that question, and in honor of Juneteenth, we’re highlighting two of them. In this episode, you'll hear previews of our new shows Be Antiracist and A Slight Change of Plans. We hope these episodes inspire thinking and conversation around issues of race in your own lives.

You can listen to more episodes at www.pushkin.fm/show/ 

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Moby may be one of the most highly recognizable dance-music artists of all time, but he’s also a talented multi-hyphenate whose unconventional 30-year career includes massive success as a producer and DJ, and notoriety as an animal rights activist. Moby’s latest project, Reprise, is a greatest hits album that revisits the highlights of his extensive catalogue. Recorded with the Budapest Art Orchestra and various vocalists like Jim James, Moby’s most well known electronic songs are reimagined on Reprise into sparse, soul-stirring compositions.

On today’s episode we’ll hear Rick Rubin and Moby reminisce about their early punk rock days in New York City, and the first time Moby ever heard house music while dancing in a club basement next to Prince. Moby also talks about what it was like to be buddies with David Bowie, getting sober, and why he decided to sell the big fancy castle he lived in all by himself.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of Moby's early influences from the NYC club scene  HERE.

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Brian Eno’s 50-year career is teeming with innovation. He started out playing synths in the early ‘70s as a member of the UK glam-rock band Roxy Music and went on to create an entirely new musical genre—ambient music, and later he recorded a series of solo albums and eventually produced career-defining albums for a host of bands including U2, Devo and Coldplay.

On today’s episode Rick Rubin talks to Brian Eno about his new radio station through Sonos Radio HD called The Lighthouse, and his love for the musical space that exists between humans and machines. Eno also recalls predicting the birth of hip-hop in the back of a cab with David Bryne, and he explains why listening to Beyoncé through a wall is strangely satisfying.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite Brian Eno songs HERE.

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Liz Phair helped lay the foundation for a generation of fierce, independent artists on her gritty 1993 debut album, Exile In Guyville. Early in her career, she pushed for freedom and creative control, especially for female artists. It's something she’s finally seeing become the norm in the industry. That progress inspired her new record, Soberish where she reunites with the producer of her first two albums: Brad Wood.

On today’s episode Bruce Headlam talks to Liz Phair about how her approach to recording music isn’t a technical one — she relies on the unique way she hears music and her background as a visual artist. She also talks about how her first ever creative aspiration was to write a classic Christmas carol.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite Liz Phair songs HERE.

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Rhiannon Giddens is a brilliant fiddle and banjo player who’s one of the few musicians alive today trained in the centuries-old black string band tradition. Giddens is a North Carolina native but now lives in Ireland, not far from her partner Francesco Turrisi. During lockdown, the duo recorded their latest album, They’re Calling Me Home. On today’s episode, Bruce Headlam talks to Giddens about her decision to write from a cultural point of view rather than her own. Giddens also talks about how she has been able to maintain a living connection to the near-extinct black square dance players. And we’ll hear her play a banjo style that originated in West Africa.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite Rhiannon Giddens songs HERE.

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In 2005 singer Bonnie "Prince" Billy a.k.a. Will Oldham and guitarist Matt Sweeney released the Superwolf album, which has developed a cult following that includes Rick Rubin who absolutely fell in love with the project. Now, 16 years later, they’re back with the follow-up, Superwolves.

The new album was five years in the making—a leisurely pace that allowed Oldham and Sweeney to be incredibly intentional with their creative choices. On today’s episode, Rick Rubin talks to Oldham and Sweeney about their work together, which Rick considers some of his favorite contemporary music and the reason he’s since used Sweeney on so many of the sessions he’s produced including the Dixie Chicks, Cat Stevens, and Adele. Will Oldham talks about his philosophy on connecting with his audience, and how if this pandemic were to take us all, Superwolves would be a great album to go out on.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite Bonnie "Prince" Billy and Matt Sweeney songs HERE. Also, here is a playlist of some of Oldham's favorite songs and here is a playlist of some of Sweeney's. You can purchase their new record here.

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The Bomber Mafia is the new audiobook by Revisionist History host (and Pushkin co-founder) Malcolm Gladwell. It examines the rise of air power, which created one of the greatest moral challenges of the Second World War. In The Bomber Mafia, you’ll hear the voices of the generals, aircraft soaring, and bombs crashing. It is history brought to life through the power of audio. Buy the audiobook at bombermafia.com and receive an exclusive Listener's Guide full of photos and commentary. Print and ebook editions available wherever books are sold.

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Peter Frampton is a classic rock guitar god who rose to international fame in the late ‘70s with his chart-topping double album, Frampton Comes Alive! Justin Richmond caught up with Frampton recently to talk about his new album of cover songs, Frampton Forgets The Words, that provides insight into his expansive 50-year career. Songs like “Loving The Alien,” a David Bowie song that Frampton says is a tribute to his childhood friend who helped revitalize his career. And George Harrison’s “Isn’t It A Pity,” which reminds Frampton of the time he jammed with George in Abbey Road studios while Phil Spector looked on from the control room. And Frampton also talks about how becoming a pinup sex symbol in the late ‘70s almost sidelined his career. Plus, how managing an inflammatory muscle disease has impacted his writing and playing.

Subscribe to Broken Record’s YouTube channel to hear old and new interviews, often with bonus content: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite Peter Frampton songs HERE.

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System of a Down’s classic Rick Rubin-produced album, Toxicity, turns 20 this year. Released in 2001 one week before 9/11, the politically charged and wildly bizarre album provided the perfect soundtrack for a world descending into chaos. Serj Tankian, the lead singer of System, is no stranger to conflict. His family is Armenian and migrated to Los Angeles from Lebanon to escape a civil war when Serj was seven years-old. Today we’ll hear Rick Rubin talk to his good friend Serj about how hearing bombs drop outside his childhood bedroom turned him into a lifelong activist. Serj also explains how a funny line about a tapeworm almost caused System to break up, and why the first time Tom Morello of Rage Against the Machine heard System play, he called it music for crazy people.

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You can also check out past episodes here: https://brokenrecordpodcast.com/

Check out a playlist of our favorite System of a Down songs HERE . And hear a playlist Serj put together of his favorite tracks HERE.

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Listening to Jimbo Mathus and Andrew Bird’s new album, These 13, is like taking a trip down South … a century ago. It’s new territory for Andrew Bird, a classically trained multi-instrumentalist from the Chicago suburbs who’s been a successful indie folk singer/songwriter and also recently acted on the fourth season of Fargo. But for Jimbo, as a Mississippi resident, some of this music can hit too close to home. Surrounded by the ghosts and old battlefields of the Civil War, some songs he finds almost too hard to sing. In 2018 Andrew and Jimbo started exchanging voice memos and new song ideas. Over the course of two years they recorded their new album the really old fashioned way—live to tape, singing into a single microphone.

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You can also check out past episodes here: https://brokenrecordpodcast.com/

Check out a playlist of our favorite Andrew Bird + Jimbo Mathus songs HERE — enjoy!

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Few bands have experienced such extreme highs and lows as the Bee Gees. Throughout their decades-long career, the band of brothers managed to be both grossly underrated and one of the best-selling acts of all time. Barry Gibb and his younger twin brothers Maurice and Robin Gibb started out in the late ‘50s as a teenaged pop group in Australia. On today's episode Rick Rubin talks to Barry Gibb about how the Bee Gees' impeccable three-part harmony caught the ear of the prominent UK manager Robert Stigwood, who had a heavy hand in molding the Bee Gees into a world renowned group. They also talk through the making of some of Rick’s favorite Bee Gees songs, and Barry recalls what it was like collaborating with Barbara Streisand, who wouldn’t sing a single note before 2 a.m.

Subscribe to Broken Record’s YouTube channel to hear old and new interviews, often with bonus content: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com/

Check out a playlist of our favorite Bee Gees songs HERE — enjoy! And to hear Barry's favorite Australian hits from his childhood, click HERE.

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Merry Clayton is a legendary backup singer who has managed to consistently steal the spotlight. Merry’s journey from a renowned backup singer to a solo artist was documented in the Oscar-winning documentary 20 Feet From Stardom in 2013. Almost exactly one year after the film was released, Merry was involved in a near-fatal car accident that resulted in her losing both of her legs. After years of intensive physical therapy, Merry is back and set to release a brand new album, Beautiful Scars.

On today’s episode Merry Clayton talks to Bruce Headlam about the lasting impression hearing Mahalia Jackson and Aretha Franklin sing in church left on her as a little girl. She also recalls how the Rolling Stones convinced her to get out of bed in the middle of the night to record backup vocals on their 1969 classic, “Gimmie Shelter,” and how Coldplay's Chris Martin was the first person to get Merry back in the studio after her tragic car accident.

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You can also check out past episodes here: https://brokenrecordpodcast.com/

Check out a playlist of our favorite Merry Clayton songs HERE — enjoy!

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Marianne Faithfull has been many things throughout her half a century in music—a close confidant of the Rolling Stones, a pop star, a homeless drug addict and a critically acclaimed comeback artist. Despite a career filled with personal and professional turmoil, Marianne Faithfull has always managed to find her footing. Last year, just as Europe went into quarantine, Marianne started recording a series of spoken word renditions of 19th Century Romantic poems scored by Brian Eno, Nick Cave and her longtime collaborator, Warren Ellis. Resulting in a moving new album, She Walks In Beauty.

On today’s episode, Bruce Headlam talks to Marianne Faithfull about how contracting COVID has impacted her work. Her stalled bio-pic and why she resented being labeled Mick Jagger’s muse.

Subscribe to Broken Record’s YouTube channel to hear old and new interviews, often with bonus content: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com/

Check out a playlist of our favorite Marianne Faithfull songs HERE — enjoy!

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Valerie June has helped widen the scope of contemporary Americana music. She’s one of few African American women in the category and her unique combination of gospel and Appalachian folk is a shimmering example of what's possible in the roots-music tradition. Broken Record producer Leah Rose caught up with Valerie to talk through her stunning new album, The Moon And Stars: Prescriptions For Dreamers. They also talk about Valerie’s new collaboration with the legendary Stax singer, Carla Thomas, and the mystical muse who inspires the chorus of voices that Valerie hears in her head.

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You can also check out past episodes here: https://brokenrecordpodcast.com/

Check out a playlist Valerie June put together featuring her favorite imperfect voices HERE. And hear our favorite Valerie June songs HERE — enjoy!

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Malcolm Gladwell recently spoke with Ziggy Marley as part of the Live Talks Los Angeles series. Their conversation centers around a book of photographs Ziggy curated called Bob Marley: Portrait of the Legend. Ziggy has gone on to become a reggae icon in his own right and is now an eight-time Grammy winner, a philanthropist, author and keeper of his dad’s legacy along with the rest of the Marley family. Today we’ll hear Malcolm and Ziggy talk about the turbulence in '70s Jamaica caused by two opposing political parties. Ziggy also recalls the night gunmen ambushed the Marley house, shooting his mother and Bob—both whom thankfully survived. And Ziggy answers the question we all want to know: was the famously soccer-obsessed Bob Marley really any good on the field.

Subscribe to Broken Record’s YouTube channel to hear old and new interviews, often with bonus content: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com/

You can find the playlist for this episode HERE — enjoy!

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Since forming in 1996, Linkin Park has sold over 100 million records worldwide. Their enormous success mixing genres like hip-hop, metal and anthemic pop was spearheaded by the band’s ultra-talented founder, Mike Shinoda. In this episode Rick Rubin talks to Mike about the albums he produced with Linkin Park that helped redefine the band’s sound. Mike also reminisces about the band’s early inner-personal dynamics. And Mike talks about the community of thousands of followers he's amassed on Twitch who watch him make beats live five days a week.

Subscribe to Broken Record’s YouTube channel to hear old and new interviews, often with bonus content: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com/

You can find the playlist for this episode HERE — enjoy!

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Since his first conversation with Rick, Kenny Beats’ star has continued to rise. In the past couple of years he has produced songs with Ed Sheeran, Da Baby and Vince Staples. He’s also taken several trips to the UK, and produced over 30 songs with British artists like FKA Twigs and Slowthai. Today, Kenny explains how for the first time in the history of hip-hop, an American sub-genre made its way across the pond to the UK, only to come back to the States in an updated form that is now influencing American rappers. Kenny and Rick also talk about why they don’t care about understanding English rappers' slang, and how a group of German classical musicians are co-producing some of the biggest hip-hop records today.

Subscribe to Broken Record’s YouTube channel to hear old and new interviews, often with bonus content: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com/

You can find the playlist for this episode HERE — enjoy!

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There’s a reason Kenny Beats is one of the great young producers in Hip Hop. Because he has a vast understanding of the regional sounds and histories of cities to pull from when making beats for an artist. This allows him to find a common musical language with rappers. Which is super important in an art form as hyper-local as rap. We’re kicking off a two part series of interviews with Kenny Beats, in the one you’re about to hear which was taped a while back, Kenny maps out the evolution of regional sounds in hip-hop ... drawing parallels between disparate cities. And how Hip Hop has evolved from creating beats out of old drum samples—known as breakbeats—to sampling and referencing itself.

Subscribe to Broken Record’s YouTube channel to hear old and new interviews, often with bonus content: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com/

You can find the playlist for this episode HERE — enjoy!

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Rick Rubin speaks with the great Joan Baez fresh off her birthday and the announcement that she'll be among this year's Kennedy Center honorees! Joan was known the world over as the Queen of Folk at the height of her career in the 60s. She used her fame to help spread the tenets of the non-violence movement, and was a close ally to Dr. Martin Luther King Jr. Joan also helped introduce Bob Dylan to the world by giving him stage time at her shows when she was the biggest ticket in town and he was a complete unknown. In this conversation with Rick Rubin, Joan explains why after performing for over 60 years, she recently made the decision to stop singing and turn her attention to painting. She also talks about the time she and Pete Seeger were run out of town by local cops after a performance and getting banned from Brazil for her music.

Subscribe to Broken Record’s YouTube channel to hear old and new interviews, often with bonus content: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com/

You can find the playlist for this episode HERE — enjoy!

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Most people know Rivers Cuomo as Weezer’s brilliant, quirky lead singer. But one thing people may not know, is that several years ago, a bizarre conspiracy theory made its way around the Web that Rivers was actually Kurt Cobain. To mark the release of Weezer's incredibly catchy new album, OK Human, Rivers explains to Rick Rubin why the band ditched their classic guitar-based style for an orchestral sound. They also talk about the specific substances Rivers took to write his hit song “Hash Pipe,” and Rivers entertains the Kurt Cobain conspiracy as if it were all true.

Subscribe to Broken Record’s YouTube channel to hear old and new interviews, often with bonus content: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com/

You can find the playlist for this episode HERE — enjoy!

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Rick Rubin connected with Earth, Wind & Fire's Verdine White to talk about the early days of the band and about their producer, Charles Stepney, who Verdine calls their George Martin. Also Rick reads to Verdine a poignant note from the Red Hot Chili Peppers’ Flea about what makes Verdine’s bass playing so special. Earth Wind and Fire are the black Beatles. Their influence simply can't be overstated. You’d be hard pressed to find a wedding or graduation party in the last 50 years where their music didn’t bring generations together to dance and sing their hearts out. Earth Wind and Fire’s music is intricate, combining melody with mysticism and jazz to create some of the most instantly recognizable and profound music of the 70s.

Subscribe to Broken Record’s YouTube channel to hear old and new interviews, often with bonus content: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com/

You can find some of our favorite Earth, Wind & Fire songs HERE — enjoy!

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Nas dropped one of the most universally loved rap albums of all time in 1994 with Illmatic. Few legends in Hip Hop have been able to maintain their relevance over several decades based on their skill alone. Nas has never chased headlines or crossover success. He’s always seemed focused on elevating his craft and the culture. And that dedication has paid off. King’s Disease is Nas’ 12th album, and earned him his 14th grammy nomination. It’s up for Best Rap album at this year’s awards. Rick Rubin connected with Nas over Zoom recently to talk about his earliest experiences with rap in Queens, how recording his last album with Kanye West in Wyoming almost took him out of his zone and how early beef with Jay Z made them both stronger rappers.

Subscribe to Broken Record’s YouTube channel to hear old and new interviews, often with bonus content: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com/

You can find some of our favorite Nas songs HERE — enjoy!

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Rick Rubin speaks with friend, pioneering rock journalist, Lisa Robinson about her over 40 year career that's seen her interview everyone from John Lennon to Lady Gaga, from Jay Z to Eminem, and even an 11 year old Michael Jackson. They also talk about her new book, Nobody Ever Asked Me About The Girls. Lisa’s career started in the 1970s when she embedded on world tours with Led Zeppelin and The Rolling Stones. In the decades since, she’s partied with Bowie, dined with Beyonce, and talked through the night with Joni Mitchell. She has a lot to say about everything …. including how she and her husband, music producer Richard Robinson, practically lived at CBGBs during the mid-70s and why she felt compelled to write her latest book— which features excerpts from interviews she’s done with Bette Midler, Rihanna, Adele, Stevie Nicks and so many more.

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Singer/songwriter, pianist, alt-rocker Ben Folds has been releasing records since the 90s. Sometimes with his band Ben Folds Five, sometimes solo. In this episode of Broken Record, he connects with Bruce Headlam to discuss the origins of his biggest hit, "Brick," the time Kesha dove into a pool fully clothed to rescue his phone, and the time he unknowingly destroyed a priceless Steinway piano on Australian TV, plus other anecdotes from his memoir, A Dream About Lightning Bugs. Enjoy this episode—taped live in-studio, before the pandemic—and we'll be back to our weekly Tuesday release schedule next week.

Subscribe to Broken Record’s YouTube channel to hear old and new interviews, often with bonus content: https://www.youtube.com/brokenrecordpodcast

You can also check out past episodes here: https://brokenrecordpodcast.com/

You can find some of our favorite Ben Folds songs HERE — enjoy!

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Mike Dickey is co-founder and chairman of the JackTrip Foundation and the creator of Virtual Studio.

The awkward and disjointed experience of making music over the internet is a solvable problem. Virtual Studio is a device that works with the open source software application JackTrip to enable musicians of all ages to collaborate across locations online.

Virtual Studio

JackTrip Open Source Software Application

JamKazam

11 Tools for Collaborating on Music Remotely

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Nashville producer Dave Cobb has earned six Grammys for his standout work with artists like Jason Isbell, Brandi Carlile and Chris Stapleton. Over the past 15 years Dave's managed to inject some much-needed soul into country music. In this interview with Rick Rubin, Dave talks about coming up as a session player in Atlanta in the early ‘90s with hip-hop and R&B producers Jermaine Dupri and Dallas Austin. They also talk about the power of being an outsider, and the value of goofing around in the studio.

Subscribe to Broken Record’s YouTube channel to hear old and new interviews, often with bonus content: https://www.youtube.com/brokenrecordpodcast

You can also check out past episodes here: https://brokenrecordpodcast.com/

You can find some of our favorite Dave Cobb songs HERE — enjoy!

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Jim James talks about and performs some songs off My Morning Jacket's The Waterfall 2. The album of holdovers from the band's 2015 album came out in July. Jim explains to Bruce Headlam why these songs finally came out five years after The Waterfall. And other exciting projects the band are sitting on. Plus what it was like to tour with Bob Dylan and Wilco and why My Morning Jacket might not exist if it wasn't for Kermit the Frog's "Rainbow Connection."

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You can find some of our favorite My Morning Jacket and Jim James songs HERE — enjoy!

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James Blake speaks with Rick Rubin about his new Covers EP. Since his debut album in 2011, the British-born James Blake has gone on to win England's top musical honor, the Mercury Prize, and a Grammy. He’s also produced and collaborated with a ton of musicians including Jay-Z, Beyonce, Billie Eilish, and Travis Scott. A few years back in 2016 James flew from England to Malibu to work with Rick Rubin at Shangri-La. They worked together on his third album, The Colour In Anything. As you'll hear in this conversation with Rick today, James Blake had a life-changing experience while working and living at Shangri-La. In fact, has made LA his home base ever since. James also recalls an embarrassing teenage experience that left him making music in secret for years. And tells Rick that recording his new EP of covers solidified his love of perfect pop songs.

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You can find some of our favorite James Blake songs HERE — enjoy!

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Rick Rubin connected with Pharrell Williams over Zoom recently to talk through and listen to some of the biggest hits from Pharrell’s illustrious career. They chat about what Pharrell is currently working on (Rihanna!), the French powdered drink mix that helped P write “Get Lucky” with Daft Punk, and why Pharrell thinks he sounds like a sick billy goat on the hook for Snoop Dogg’s “Beautiful.” And be sure to check out Pharrell's new podcast OTHERtone - https://link.chtbl.com/brokenrecord

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Hear all the songs Pharrell mentioned in the episode, along with his favorite Neptunes-produced tracks HERE — you can also enjoy a playlist of some of Pharrell's favorite songs as told to Rick Rubin HERE — enjoy!

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It’s hard to believe Andrew Watt is only 30 years old. He's built up an impressive and diverse roster of collaborators over the last five years including Ozzy Osbourne, Miley Cyrus, Sam Smith, and Justin Bieber. He’s quietly become one of the biggest producers in the industry … leading to a nomination at the upcoming Grammys for Producer of the Year. Rick Rubin chats with Andrew Watt this episode about getting his start in music interning with the Roots, working with Miley Cyrus on her newest album, and about a frightening experience with COVID in the early days of the pandemic.

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You can find some of our favorite Andrew Watt written or produced songs HERE — enjoy!

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The runway to success was short for Black Pumas. Five months after releasing their debut album in 2019, the Austin-based band was nominated for Best New Artist at the Grammys. And now, one year later, Black Pumas are up for Album of the Year for the deluxe version of their debut. Guitarist/Producer Adrian Quesada and Singer Eric Burton met at a crossroads in both of their careers. Adrian left his first band, Grupo Fantasma after a successful run, including a years-long mentorship by Prince. While looking for a new direction, a friend suggested he work with Eric—changing both of their fortunes. In this episode, Adrian talks about being taken under Prince’s wing, Eric reminisces about writing the group’s biggest hit in church, and they explain their unique chemistry that’s led to instant success.

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You can find some of our favorite Black Pumas songs HERE — enjoy!

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Wilco’s Jeff Tweedy is a prolific songwriter and he's ready to share his secrets. They're all in his new book, How to Write One Song. On today's episode, Tweedy shares some of his techniques with Malcolm Gladwell and explains why songwriting isn't, in his view, a mystical practice but a practical one. And at the end of the episode, he holds his own master class where he breaks down the song "Opaline" from his new solo album, Love Is The King.

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You can find some of our favorite Wilco songs + Tweedy's new album HERE — enjoy!

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Leslie Odom Jr., best known for playing Aaron Burr in Hamilton, speaks to Bruce Headlam about his career on stage and in music and also his new Christmas album. The Christmas Album is Leslie's second crack at a holiday album but his first time not having to do it on a budget. They also discuss Leslie's favorite Christmas music, what it was like playing a Founding Father as a Black Man, and lessons he learned from the incomparable talents of Nat King Cole and Sammy Davis Jr.

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You can find some of our favorite holiday songs + Leslie's new album HERE — enjoy!

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Mike Campbell, guitarist, co-writer and original Heartbreaker talks to Rick Rubin about growing up with Tom Petty, working on Wildflowers and about his new album, Wreckless Abandon, with band The Dirty Knobs. It’s the first band Mike’s ever been a part of without Petty - who he started playing with in the early 70’s in Mudcrutch. And it’s the first time Rick’s been able to catch up with Mike since Tom’s passing. They talk about their work together and how the Heartbreakers always managed to find new life ... plus Mike, for the first time, tells the story of how he wrote the riff for “Runnin' Down A Dream."

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You can find some of our favorite songs by and featuring Mike Campbell by clicking HERE — enjoy!

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There’s no playbook for successfully releasing music during a pandemic. Especially if you’re an indie artist, the stakes really couldn’t be higher. But Deep Sea Diver has managed to put all that aside to drop a thrilling and relevant new album. While the Seattle-based band’s only recently started to find their place in the indie rock landscape, Jessica Dobson has played in some of the genre’s most defining bands. She toured the world as the lead guitarist for Beck and The Shins, and played keyboard and bass for the Yeah, Yeah, Yeahs. In 2015, Jessica formed Deep Sea Diver with her husband and drummer Peter Mansen. In the wake of their new album, Broken Record producer Leah Rose talked to Jessica about how a stay-at-home livestream series inspired her to write a pandemic anthem in record time. Jessica also talks about how volunteering at a shelter for homeless sex workers helped her overcome a viscious bout of depression and write what she considers the best album of her career.

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You can find some of our favorite Deep Sea Diver songs by clicking HERE — enjoy!

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Kentucky singer/songwriter Sturgill Simpson was in his mid-30s when he found fame as a country artist in Nashville. He had already lived a full life including a stint in the Navy, and years spent working in Salt Lake City rail yards. His outsider status in Nashville boosted his outlaw appeal. But as time passed, Sturgill began to despise the relentless expectations of the major label system. In true rebel fashion, Sturgill has now taken back control of his career and returned to his independent roots with the release of a bluegrass album: Cuttin’ Grass - Vol. 1 (Butcher Shoppe Sessions). In this interview with Rick Rubin, Sturgill explains why his bluegrass album is the purest expression of his work, why it bothers him that people often overlook the stories in his songs, and why being classified as a country artist has been, perhaps, the biggest detriment to his career.

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You can find some of our favorite Sturgill Simpson songs by clicking HERE — enjoy!

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In the opening lines of his New York Times bestselling memoir, Let Love Rule, Lenny Kravitz writes that he is deeply two-sided. His young life was all about opposites and extremes—black and white. He grew up between his West Indian grandparent’s home in Brooklyn, and his parent’s home on the Upper East Side where he was surrounded by his family’s famous friends like Miles Davis and Duke Ellington. When Lenny was 11, his mother, Roxie Roker, landed a starring role on the iconic sitcom, The Jeffersons. The family picked up and moved to L.A where Lenny fell in love with classic rock, funk, and skate culture. It’s also where Lenny and Rick Rubin eventually became friends in the late ‘80s. In this conversation, Lenny tells candid stories about his relationship with Lisa Bonet and talks about how writing his memoir helped him finally find peace with his overbearing father. They also talk about the time Lenny, Rick and Johnny Cash were all roommates and the day Lenny received the most devastating news of his life. And, at the end, Lenny performs a beautiful acoustic version of his song, “Johnny Cash," from his album Raise Vibration.

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You can find some of our favorite Lenny Kravitz songs, including rarities, by clicking HERE — enjoy!

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S.G. Goodman turns traditional Southern storytelling on its head with songs that present a deeper, more complex look at life below the Mason-Dixon line. As a queer person who lives with mental illness, she often sings about the social and political change she'd like to see in her part of the country. Goodman talks to Bruce Headlam about her new album, produced by My Morning Jacket's Jim James, and plays some of the songs live from her home in Murray, Kentucky.

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Maya Hawke has managed to escape the long shadow of her very famous parents, Uma Thurman and Ethan Hawke. She’s made a name for herself, first as an actor in Stranger Things, Little Women, and Tarantino’s latest, Once Upon a Time in Hollywood. And now Maya Hawke is breaking new ground as a singer/songwriter. Maya’s debut album, Blush, is an invitation into her vivid inner life. On it, she’s figuring out who she is out in the world alone. The songs are clever, poetic, and raw. They touch on the dynamic emotional life of a young woman navigating her way through love, lust, and disappointment.

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Carlos Santana, along with his wife and drummer, Cindy Blackman got together with Rick Rubin to discuss the 2019 album they recorded together, Africa Speaks, and also to talk about Santana's early days in San Francisco. They discuss how Santana found his unique playing style, his friendship with Miles Davis and more.

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Bruce Springsteen is a national treasure. Since his debut album nearly 50 years ago, Springsteen has helped define the American working-class psyche through a collection of world-renowned hit songs. In this interview with Malcolm Gladwell and Rick Rubin, Bruce talks about how listening to Born To Run 45 years after it was released made him realize just how good he really is. He also talks about how his Irish and Italian sides physically manifest into songs, and how he recorded his stellar new album, Letter To You, live with the E Street Band in just four days.

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Rick Rubin talks to Arcade Fire's Win Butler on the occasion of the The Suburb's tenth anniversary. The band's third record was their first number one album in the US.

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To celebrate the release of Tom Petty's Wildflowers & All The Rest box set, Rick Rubin connected with Heartbreakers keyboardist, Benmont Tench for a conversation. Benmont started playing with Tom back in Florida with a band called Mudcrutch. He stayed with Tom as they became the Heartbreakers, moved to LA, created some of the most memorable music of all time and was ultimately with him all the way until the last Tom Petty and the Heartbreakers performance at the Hollywood Bowl in 2017. Benmont is a massive talent who's also done plenty of work as a sideman for Bob Dylan, Stevie Nicks, U2, Johnny Cash and a ton of others. Rick and Benmont talk about all of this and share memories of their time in the studio together.

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Tom Petty crafted another of his many perfect albums back in 1994, this time with Rick Rubin producing. Wildflowers was released as a single disc, Petty's first for Warner Brothers. But Petty had always intended for it to be a double record. Those unreleased songs have been the holy grail for Petty fans for years. And now they're finally being released, thanks to the careful work of Tom's daughter, Adria Petty. In this special episode of Broken Record, Rick Rubin talks to Adria about her memories of her dad and the hard curatorial work of putting together the new box set Wildflowers & All The Rest.

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Joe Henry is likely one of the best living singer-songwriters that you've never heard of. But even if you don't recognize his name, you've probably heard his work. He's been at it for 34 years: having released 15 solo albums, won three Grammys and produced music for the likes of Elvis Costello, Mavis Staples, Bonnie Raitt, and his sister-in-law, Madonna. During her cowgirl phase in the early 2000's she turned Joe's song "Stop" - the one you're hearing now - into her hit "Don't Tell Me." Bruce Headlam talks to Joe about all of this plus the music that gave him strength after a cancer diagnosis and his work with New Orleans' legend, Allen Toussaint.

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Khruangbin will tell you they did everything wrong. Gave their band a Thai name, play mostly instrumental music, two members wear wigs, they record in barn ... and yet, they've had a charmed existence since they released their first record almost exactly five years ago. They've crushed the festival circuit, opened up for Wu Tang and found themselves on Obama's summer playlist. Justin Richmond chatted with them about their new album, Mordechai, coming off the road for lockdown right before they were supposed to do a run of shows with Tame Impala and how they're quintessentially Houston.

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Burt Bacharach is a living legend. He's written hits sung by Aretha Franklin, Dionne Warwick, Elvis Costello, Dusty Springfield and so many more. With that kind of a resume, he doesn't need to still be working at 92. But he recently found a new muse in collaborator Daniel Tashian. Daniel just won Album of the Year at the Grammy's for co-writing and producing Kacey Musgrave's breakout, Golden Hour. Now he and Burt have teamed on 5 song EP, Blue Umbrella and have even more songs on the way soon. Burt and Daniel connected with Bruce over Skype to talk about their collaboration which started in-studio then migrated to file sharing after the pandemic hit.

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Buffy Sainte-Marie tells Rick Rubin there's a reason she isn’t a household name in the U.S. A pioneering artist in the Greenwich Village folk scene, she could've been Bob Dylan, Joni Mitchell or Paul Simon. But in the early days of Vietnam when Buffy was singing protest songs about the casualties of war, she was blacklisted by the U.S. government. Her music was barely played on radio. But she still managed to find an audience with her classic songs, like Universal Soldier, which have been covered by Elvis Presley, Barbara Streisand, Courtney Love, Morrissey. She was the first Native woman to win an Academy Award. And even had a controversial stint on Sesame Street, teaching Big Bird about breastfeeding.

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Rick Rubin talk to Don was about his early days in Detroit, his time in Was Not Was and his wide ranging career producing defining-albums for the B-52's, Bonnie Raitt, Bob Dylan and The Rolling Stones. He also talks about how he became the president of legendary Jazz label Blue Note Records. Plus he explains how he messed up an audition to be in Dead and Co. with Bob Weir and John Mayer.

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Flying Lotus is one of those producers who creates an entire aesthetic world with the music he makes. Over the past 13 years he’s released four solo albums, and produced tracks for a ton of artists including Kendrick Lamar, Thom Yorke, and Thundercat. In this episode FlyLo talks to Rick Rubin about visiting his great aunt Alice Coltrane’s ashram, his peak creative hours, and why he directed a horror movie despite being scared to death by the Thriller video as a kid.

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Into the Zone is a podcast about opposites, and how borders are never as clear as we think. Country? Rap? Lil Nas X’s chart-topping “Old Town Road” revived a long debate about borders and boundaries in American popular music. To sort out this strange history, Hari heads down to the foothills of Virginia, where a legendary collection of blues records holds the key to understanding the insidious separation of “black” vs. “white” culture.

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Brandi Carlile came by Shangri La last year to talk to Rick Rubin with Tanya Tucker about the album they made together, While I'm Livin'. After Tanya left, Brandi stayed behind to talk about her love of Joni Mitchell's music, how she was present for a star studded jam that led to Joni singing for the first time since her stroke, and also about the beginning of her career, when Rick helped to discover her. Plus, Brandi plays an intimate version of her song "The Mother" for Rick.

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Our episode with Justin Townes Earle was scheduled to run next month. But after we heard about Earle's passing over the weekend, we decided to put it out sooner. It's a deeply sad conversation in some places. Especially given his passing. However, it's also incredibly soulful, funny and searching. And the performances, culled from Earle's last release, The Saint of Lost Causes, are brilliant. Bruce Headlam takes the reigns this episode for what's turned out to be a fitting tribute to one of the great, dynamic young performers and songwriters that's now gone way too soon. Rest in peace, Justin Townes Earle [1982-2020].

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This week’s Fresh Find, Vagabon, is a self taught, Cameroonian-born musician whose haunting voice and genre defying style has won over critics at both The New Yorker and Pitchfork. In this episode she talks about emigrating from West Africa to Harlem as a teenager, sneaking out of her parent’s house to play D.I.Y. punk shows in Brooklyn, and how bouts of writer’s block can cause her to dream of writing code instead of new music.

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***Run the Jewels are raw and so is the language in this episode***

Killer Mike and El-P return to Broken Record to discuss the creation of their fourth album, RTJ4, and the tumultuous world it was released into. Rick Rubin, who was present during some of the album's recording sessions at Shangri La, digs into the record's production and themes with the duo, calling the message and tone of the album "almost prophetic." They also discuss working with Pharrell and Zack de la Rocha and why they had to make a major change to a song after the album was already mastered.

You can hear an extended cut of today's episode by subscribing to our YouTube channel at https://www.youtube.com/brokenrecordpodcast. We'll be off the next two weeks but will be posting two interviews to our YouTube channel while away.

You can also head to our website to checkout past episodes and dig into our artist playlists: https://brokenrecordpodcast.com/

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Broken Record is bringing you a Fresh Find this week. We discovered Berhana after a key placement in Donald Glover’s show Atlanta. In this episode, Berhana talks about growing up in the real Atlanta, being first generation American born to Ethiopian parents, recording his newest album in Tokyo and how he started earning enough on music to make a living before he ever played a show.

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A tornado raged through Margo Price's home-base of Nashville right as she was preparing to release her third album in March. A month later Margo’s husband and longtime collaborator, Jeremy Ivey, tested positive for coronavirus. While taking care of her sick husband and two young kids, Margo decided to push back the release of her new album. Now, "That's How Rumors Get Started" is finally out. Margo's written her way through personal devastation before and does so on the new album too. Although it also owes a debt to the more care-free music the Stones, Tom Petty and Fleetwood Mac. Margo tells Bruce Headlam, in this episode, about how playing an open mic at a Best Western hotel made her a better songwriter, she also talks about hocking her wedding ring to record her first album, and how spending a weekend in jail was all the inspiration she needed to re-focus her career. Then we check in with her uncle, Nashville songwriter, Bobby Fischer.

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Rick Rubin joins Questlove and crew on their Questlove Supreme podcast. They discuss Rick's early Def Jam days, working with the Geto Boys, his process for taking on production work and so much more!

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Broken Record Presents: Aim Higher — the last episode of Against the Rules Season 2.

Can everyone be coached — or are some people beyond help?

• The transformative power of coaching is put to the test as Michael enlists a coach to help him tackle his greatest fear.

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Back to the Future is turning 35 and there's no better way to celebrate than a conversation with Huey Lewis who turned in one of the more memorable movie themes of all time: "The Power of Love." The song was a sensation when it was released, propelling Huey Lewis and the News further than even their hit album Sports had. Bruce Headlam talks to Huey Lewis about how this song came together and mines form him some wild stories about his family, upbringing and success.

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It's been nearly 35 years since the Beastie Boys released their classic debut album, Licensed To Ill. In this candid conversation, Rick Rubin, who started out as the Beastie's DJ, reconnects with Mike D and Ad-Rock. Spike Jonze, who directed the new Beastie Boys documentary, Beastie Boys Story, also sits in and plays moderator. It's been nearly 20 years since Ad-Rock and Rick have talked and like old friends, they jump right into a slew of inside jokes and hilarious memories of their lives leading up to the release of Licensed to Ill.

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Lucinda Williams is defying convention. While most of her peers have settled into a well worn groove, the alt-country icon just released an album that's way more punk than country. She spoke with Bruce Headlam from her home in Nashville about her evolving sound and how her new album was influenced by politics and an abusive relationship. She also plays a few acoustic versions of her new songs.

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Rick Rubin checks in with RZA on Zoom and finds out he's been peaking creatively while in quarantine. Their wide-ranging conversation covers RZA's first experiences with Hip Hop, ODB's parkour-like skills as a child, the spontaneity of classic Wu-Tang recording sessions, and how RZA almost gave up all of his earthly possessions to live with monks in China's Wudang Mountains.

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Malcolm has been writing about race and policing for a very long time, going back to the killing of Amadou Diallo in 1999. Sometimes, it is useful to take a step back and consider policing in a broader context. Here we present a chapter from Malcolm's book David and Goliath, which includes an analysis of a riot in Northern Ireland in 1970. Many miles and many years away. About divisions of religion and class and not divisions of race. But the core questions to be asked in 1970 and 1999 and today are the same: if you have power, what does it mean to use it, and use it wisely? And what are the consequences if you don't?

David and Goliath: Underdogs, Misfits and the Art of Battling Giants was published in 2013 by Little, Brown and Company. Audiobook production by Hachette Audio.

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Nick Lowe wrote the classic "(What's So Funny 'Bout) Peace, Love, and Understanding" (made famous by Elvis Costello), produced one of the UK's first punk records ("New Rose" by the Damned), and started one of the great independent record labels (Stiff Records). In this episode Bruce Headlam talks to him about producing the first five Elvis Costello records, marrying into Johnny Cash's family and his hilarious first encounter with the great Keith Richards.

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Jason Isbell is one of the most important Southern voices in music today. He started writing and releasing his own songs in 2007, after a stint with the Drive By Truckers. Since then has slowly built a catalogue of songs and a resume—which includes a key songwriting contribution to Bradley Cooper's version of A Star Is Born—that should put him on anyone's short list of the best songwriters currently working. Isbell and Rick Rubin met for the first time just before this conversation where they discuss Isbell's recovery from addiction, his song writing process and his deep Southern roots.

To checkout Jason Isbell's new album Reunions head to https://orcd.co/reunions

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Previewing the first episode of Against the Rules Season 2 by Michael Lewis (Moneyball, The Big Short, The Blind Side):

It wasn’t that long ago that coaches were confined to sports. Now they’re everywhere. You can hire a life coach or a death coach, an executive coach, a dating coach, even a charisma coach. Journalist and bestselling author Michael Lewis asks who’s getting all this coaching, and who isn’t? Lewis brings his wry wit and mastery of storytelling to topics as diverse as sports, consumer finance, college, and firefighting —  to understand what the rise of coaching means for all of us.In a seven-episode season, Against the Rules takes listeners from the home of a single mom in the mountains of Colorado, the classrooms of the Harvard Business School, to a data-driven “Bionic Man” facility for baseball pitchers. He speaks with a celebrity voice coach, an analyst who grades sales calls, and a startup founder who's coaching consumers out of credit-card debt. Along the way, he also revisits the controversial methods of his own high-school baseball coach. Through conversations both amusing and horrifying, Lewis explores the rise of coaching in America and what it says about unfairness. 

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