73 avsnitt • Längd: 115 min • Veckovis: Fredag
Cult movie fanatics Rob Spencer and Joe Odber dive deep into a double feature every episode, discussing the wonderful world of cult, psychotronic and exploitation cinema along with the films themselves. Play along, watch the films at home and join us for a full post mortem into whatever madness we have just witnessed on screen.
Want to get in touch? You can reach us on [email protected]
The podcast Caliber 9 From Outer Space is created by Rob Spencer. The podcast and the artwork on this page are embedded on this page using the public podcast feed (RSS).
The horror genre exists to probe our latent fears, and the so-called "Duality of Man" has been a huge theme across so much film and literature. This week, writer and video artist Graham Williamson joins us to discuss a couple of interesting meditations on transformation and duality: Ginger Snaps (2000) directed by John Fawcett and The Strange Case of Dr Jekyll and Miss Osbourne (1981), directed by Walerian Borowczyk. Forget Duality of Man: what about the Duality of Woman? Or the Duality of Man and Woman and anything else we can be?
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Ginger Snaps by skipping ahead to the 1:00:09 mark, and for The Strange Case of Dr Jekyll and Miss Osbourne by skipping ahead to 1:52:51.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
Forget the threat of AI to our livelihoods... what about the murderous CYBORGS that countless B-movies have taught us are coming to get us any moment now?! This week, Al (the person, not the AI) joins us to check out Steel and Lace (1991), directed by Ernest D. Farino, and American Cyborg: Steel Warrior (1994), directed by Boaz Davidson.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Steel and Lace by skipping ahead to the 1:09:03 mark, and for American Cyborg: Steel Warrior by skipping ahead to 2:06:41.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
Half ape. Half reptile. Half we don't know what. Dr Ethan Lyon is not a horror from the murkey deeps but he is a huge fan of the films of Matt Farley and the folks from Motern Media, and he joins us this week to discuss two microbudget gems: Don't Let the Riverbeast Get You! (2012) and Magic Spot (2022), both directed by Charles Roxburgh.
We don't think we spoil either of these films in the dissussion, so there's no Spoiler Territory section this week.
If you're in the UK, join us at Dr E's Motern Media Madness event over the Easter weekend!
Buy tickets here for Local Legends.
Buy tickets here for Magic Spot.
Buy tickets here for Don't Let the Riverbeast Get You!
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
By gar, it's a good old fashioned Letterboxd Collab! Dr Ethan Lyon and Sakana join forces to help us deliver a little shot of bonus episode classic western joy, as we share our thoughts on Anthony Mann's Winchester '73 (1950). Jimmy Stewart in dark and vengeful mode, Shelley Winters as comely young blonde, Stephen McNally being dastardly, Dan Duryea sliming up the screen (bless his cotton socks) and Rock Hudson as a politically incorrect Indian Chief. All saddled up and ridden like the clappers by the great Anthony Mann. Yee har!!!
We do have a Spoiler Territory section for Winchester '73, so you can skip ahead to the 1:02:57 mark to avoid spoilers if you haven't seen the film.
If you're in the UK, join us at Dr E's Motern Media Madness event over the Easter weekend!
Buy tickets here for Local Legends.
Buy tickets here for Magic Spot.
Buy tickets here for Don't Let the Riverbeast Get You!
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
This one hurt. This week we lost one of Hollywood's great mercurial talents, Val Kilmer. In this bonus episode, Rob and Joe talk about the man, the enigma, sometimes the spanner in the works that was Val Kilmer. Then they deep dive into one of his lesser celebrated later films, David Mamet's Spartan (2004).
We do have a Spoiler Territory section for Spartan, so you can skip ahead to the 55:10 mark to avoid spoilers if you haven't seen the film.
RIP Val.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
We're still fixated on HEISTS, people!!! Nick Langdon pops in to discuss Charley Varrick (1973), directed by Don Siegel, and then Hudson Hawk (1991), directed by Michael Lehmann. Walter Matthau gets dark and grisly under Siegel's immaculate directorial hand (even if he didn't get the movie at all, apparently) and Joel Silver lets Bruce Willis' ego off the leash completely (with the result that very few people got the movie at all). Underappreciated gems or not? You be the judge! And then see if you agree with us!
It's not really possible to spoil Hudson Hawk (plot is kind of secondary), but we will call out Spoiler Territory for Charley Varrick. If you want to skip ahead from that point, you can rejoin the conversation at the 1:23:51 mark to avoid spoilers.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
Marek Turner stops by to tell tales of Gigi the Loser, as we pair another classic Italian giallo with one of the great classics of film noir. We check out Rififi (1955), directed by Jules Dassin, and The Cat O' Nine Tails (1971), directed by Dario Argento.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Rififi by skipping ahead to the 1:01:24 mark, and for The Cat O' Nine Tails by skipping ahead to 1:52:20.
Want to get in touch? You can reach us on [email protected]
Marek's new book, Born to Lose: Tales of Gigi is available in paperback and ebook on Amazon
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
Jonathan Owen joins us this week as we venture into Eastern Europe to lift the lid on the greatest cinema you've probably never heard of. Together we Czech out (see what I did there? And sorry about that) Marketa Lazarova (1967), directed by František Vláčil, and I Killed Einstein, Gentlemen (1970), directed by Oldřich Lipský. Sublime dark-age psychedelic freak-out paired with ridiculous comedy of errors with a sci-fi Surrealist twist.
It's not really possible to spoil I Killed Einstein, Gentlemen but we will call out Spoiler Territory for Marketa Lazarova. If you want to skip ahead from that point, you can rejoin the conversation at the 1:21:27 mark to avoid spoilers.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
Samm Deighan is back to chat with us about one of our favourite niche subgenres: the Two-Mortal-Enemies-From-The-Past-Get-Frozen-In-Ice-And-Reanimated-In-The-Future-So-They-Can-Chase-Each-Other-Around-And-Smash-Stuff-to-Bits movie. We check out Demolition Man (1993), directed by Marco Brambilla, and The Iceman Cometh (1989), directed by Clarence Fok.
We won't be announcing a Spoiler Territory section for either film this week, because we just don't think they can be spoiled!
Want to get in touch? You can reach us on [email protected]
Check out Samm's podcast Eros + Massacre and look out for the Criterion Release of Godzilla vs Biollante, which includes her latest audiocommentary
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
It's 8 o'clock in the F#%KING MORNING and we are joined by full grown sandgroper, Adam Trainer to dig up a couple of unsung antipodean gems. We discuss Fortress (1985), directed by Arch Nicholson, and then Fortress (1992 - no relation), directed by Stuart Gordon. Deep kindertrauma in the bush and dystopian prisonbreak glory - this week's episode is a psychedelic trip down some very obscure Australian rabbitholes so put on your stubbies and blue singlet, crack open a VB longneck and settle back for a couple of hours of Ozploitation fun.
It's not really possible to spoil Fortress '92, but we will call out Spoiler Territory for Fortress '85. If you want to skip ahead from that point, you can rejoin the conversation at the 1:18:47 mark to avoid spoilers.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
Our outro music today is "Son of Neck" by Adam's band Original Past Life (M. Caratti, W. Hall, A. Trainer)
Sammy joins us this week to check out a couple of films which (a) feature Michael Caine in less-than-flattering roles and (b) may have been regretted by their directors in later years. We discuss Blame It On Rio (1984), directed by Stanley Donen, and then On Deadly Ground (1994), directed by Steven Seagal. This week's episode is brought to you by the letter P - for Problematic. Yikes!!!
It's not really possible to spoil On Deadly Ground (Seagal prevails, guys - he always does), but we will call out Spoiler Territory for Blame It On Rio. If you want to skip ahead from that point, you can rejoin the conversation at the 1:09:46 mark to avoid spoilers.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
The Walking Dead's Charlie Adlard joins us this week to talk comic books, kaiju and the iconic art of Saul Bass. Together we check out Bass' sole feature as a director, Phase IV (1974), followed by Destroy All Monsters (1968), directed by Ishiro Honda.
It's not really possible to spoil Destroy All Monsters but we will call out Spoiler Territory for Phase IV. If you want to skip ahead from that point, you can rejoin the conversation at the 1:14:28 mark to avoid spoilers.
Want to get in touch? You can reach us on [email protected]
For the best overview of Charlie Adlard's amazing career as one of the world's foremost comic book artists, go to charlieadlard.com His latest book, Heretic is available on Amazon and via all good booksellers. Look out for his upcoming book, Altamont, which is slated for an English language release later in 2025.
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
This week we are celebrating the diva that was Elizabeth Taylor! Sakana joins us once again to celebrate the work of this prodigious star - with a close look at two of her most bizarre and off-kilter projects: the Italian psychosexual thriller, Identikit (1974), directed by Giuseppe Patroni Griffi, and Tennessee Williams' Boom! (1968), directed by Joseph Losey. Macrobiotic orgasms, bomb attacks on the streets of Rome, Richard Burton getting attacked by dogs and then sulking about not being fed enough, plus cameo appearances by Andy Warhol and Noël Coward. It's a wild ride, folks.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Identikit by skipping ahead to the 1:25:00 mark, and for Boom! by skipping ahead to 2:08:02.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
There's mad, and then there's MAD. John Horgan joins us this week to check out Madhouse (1981), directed by Ovidio Assonitis, and then Watch Out, We're Mad (1974), directed by Marcello Fondato. Sheer slasher insanity from the deep south, followed by chases and fights a-plenty with Bud Spencer and Terence Hill.
It's not really possible to spoil Watch Out, We're Mad as the plot doesn't matter (it's all about the crashes and bashes, basically), but we will call out Spoiler Territory for Madhouse. If you want to skip ahead from that point, you can rejoin the conversation at the 1:12:33 mark to avoid spoilers.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
Mike White from The Projection Booth podcast stops by to venture across the boundaries of normality, into the weird, the disturbing, the monstrous and the sometimes hilarious. We check out Border (2018), directed by Ali Abbasi, and The Rift (1990), directed by Juan Piquer Simon. A portrait of personal loneliness and dispossession both sensitive and shocking, followed by a ramshackle underwater adventure by our favourite Spanish lunatic.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Border by skipping ahead to the 1:13:27 mark, and for The Rift by skipping ahead to 2:12:15.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
Our closing music this week comes courtesy of Seven Ascended Masters and their track "Oligarching" (T. Morton) © 2025. Find more from their back catalogue on SoundCloud
Jerry joins us once again to discuss Bad Lieutenant (1992) directed by Abel Ferrara and Bad Lieutenant: Port of Call - New Orleans (2009), directed by Werner Herzog.
Two very different takes on utter corruption and the possibility (or not) of redemption, from two very different, but both visionary film-makers. A double feature for the ages with two towering central performances triggers one of our most enjoyable discussions so far - from the sublime to the ridiculous and back again.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Bad Lieutenant by skipping ahead to the 1:09:48 mark, and for Bad Lieutenant: Port of Call - New Orleans by skipping ahead to 1:52:38.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
Which one of you two looks most like a football movie? This week, we welcome Ali back to the show to discuss a couple of sports-related flicks: The Last Boy Scout (1991) directed by Tony Scott and The Last Match (1990), directed by Fabrizio de Angelis. Get ready for some pop psychoanalysis of Shane Black, a close examination of the early 90's Bruce Willis screen persona, and just how weird it got for aging Hollywood stars in the dregs of Italian exploitation fare around the same time.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for The Last Boy Scout by skipping ahead to the 1:09:36 mark, and for The Last Match by skipping ahead to 1:51:59.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
The Middle Ages were a terrible time to be alive. Dr Ethan Lyon joins us in the torture chamber as we dress up in couch upholstery and torment some sinners while discussing The Conspiracy of Torture (1969), directed by Lucio Fulci, and then Torture Dungeon (1970), directed by Andy Milligan. Yep, time to get medieval on your ass!!!
It's not really possible to spoil Torture Dungeon as it barely has a plot at all, but we will call out Spoiler Territory for The Conspiracy of Torture. If you want to skip ahead from that point, you can rejoin the conversation at the 1:06:27 mark to avoid spoilers.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
From the sublime to the ridiculous, noir comes in many forms. Nick Langdon joins us this week to discuss Back to the Wall (1958), directed by Édouard Molinaro and In the Cold of the Night (1990), directed by Nico Mastorakis.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Back to the Wall by skipping ahead to the 1:03:36 mark, and for In the Cold of the Night by skipping ahead to 1:46:08.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
Happy New Year, folks! The party's heating up at our place: Lucio Fulci has been hitting the rum punch, Eric Roberts is singing and dancing, and Klaus Kinski is tripping balls (at least we think that's what's happening - it's getting a little scary, tbh). So we figured we'd duck out of the festivities long enough to count down our Top 5 first-time watches of 2024 for you. Just a quick episode before we head back and launch into Auld Lang Syne.
See you later this week for the first episode of Season 2!!!
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
Tales of greed in a near-dystopian world. Sounds kinda familiar? This week, we welcome Max back to the show to discuss a couple of low-key gems: New Rose Hotel (1998) directed by Abel Ferrara and The Hidden (1987), directed by Jack Sholder.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for New Rose Hotel by skipping ahead to the 1:15:17 mark, and for The Hidden by skipping ahead to 1:54:51.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
'Twas the night before Christmas, and all through the house, Carroll Baker was drinking, Tim Thomerson was singeing, and Jesse Ventura was sitting up in bed being creepy. It's a heck of a Christmas, people, it really is.
Seasons greetings, folks! Join us for this special Christmas episode, along with very special guests, Sammy from the Gentlemen's Guide to Midnite Cinema, and habitual Caliber 9'er, Bryce Hamilton (who never says no to an eggnog). We'll be reviewing a triple feature of sort-of-Christmas movies (mostly), with Trancers (1984) directed by Charles Band, Orgasmo (1969), directed by Umberto Lenzi and Abraxas, Guardian of the Universe (1990), directed by Damian Lee.
We will be announcing a Spoiler Territory section for all these films. So if you haven't seen them before you listen, you can nevertheless avoid spoilers for Trancers by skipping ahead to the 1:21:26 mark, for Orgasmo by skipping ahead to the 2:03:34 mark and for Abraxas by skipping ahead to 2:38:38.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
Sakana drops in this week to discuss The Visitor (1979) directed by Giulio Paradisi and Ship of Monsters (1960) directed by Rogelio A. Gonzalez. These are very different styles of psychotronic cult sci-fi movie - one a fever dream of Italian excess in an imagined America stuffed with big stars and psychedelic weirdness; the other a slightly risque but heartwarming love story involving singing cowboys and terrifying space monsters.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for The Visitor by skipping ahead to the 1:18:28 mark, and for Ship of Monsters by skipping ahead to 1:49:35.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
It's our 50th episode! To celebrate, we have lined up a TRIPLE TREAT with Doctor Ethan Lyon along for the ride. We shoot up the streets with Isaac Hayes in Truck Turner (1974) directed by Jonathan Kaplan. Then we indulge in some Indonesian black magic insanity with Special Silencers (1982), directed by Arizal. And finally, we go for maximum bamboozlement with famed egosploitation miracle worker Neil Breen's Fateful Findings (2013). Vengeful pimps, rhizomial gut explosions and completely incoherent messianic ramblings - just what every 50th celebration needs.
We didn't think it was possible to spoil Special Silencers, but will be announcing a Spoiler Territory section for the other two films. So if you haven't seen them before you listen, you can nevertheless avoid spoilers for Truck Turner by skipping ahead to the 1:01:33 mark, and for Fateful Findings by skipping ahead to 2:25:36.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
From the outskirts of Tokyo to the slums of early 80's Madrid, there is no existential horror like just being TEEN. Bob McCully drops in to discuss Typhoon Club (1985) directed by Shinji Sōmai and Navajeros (1980) directed by Eloy de la Iglesia. From an arthouse take on messed-up coming-of age narratives, to the gritty world of Spanish quinque films, get ready for crime, sex, drugs, suicide, murder and a whole classroom full of ennui.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Typhoon Club by skipping ahead to the 1:10:17 mark, and for Navajeros by skipping ahead to 1:50:21.
Check out Bob's great podcast, Split Your Head
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
Dust off your leather armour and polish your glaives, it's time for high fantasy this week. Plus, erm, dinosaurs. Film-maker James T Williams returns to discuss a couple of childhood faves. We check out Krull (1983), directed by Peter Yates, and Planet of Dinosaurs (1977), directed by James K. Shea. Wizards, alien slugs, giant spiders, baby-faced Liam Neesons, stop-motion dinosaurs, possibly stop-motion actors... there's no end to the sense of wonder in this week's episode!
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Krull by skipping ahead to the 1:08:50 mark, and for Planet of Dinosaurs by skipping ahead to 1:33:57.
Watch James T Williams' excellent short film, Irrefutable Evidence here. James' other films can be found on YouTube at Joefest and Mr Glass Productions, and his 2007 feature, Waiting for Dawn is freely available here.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
Our closing music this week comes courtesy of The Briefest Echo of Lemon and their track "The Briefest Echo of Lemon" (K. Darke, T. Morton, J. Ramsden, A. McKinnon) © 2024
Enter... if you dare. It's squealing martial arts and ninja death mayhem as Ali joins us to discuss Enter the Dragon (1973), directed by Robert Clouse and Enter the Ninja (1981), directed by Menahem Golan.
Each of these films were seminal in their own way, the first as a tragically premature end-point for Bruce Lee's career, and the second as a statement of intent for the then-new Cannon Films Group. But we also address such existential questions as: IS "wait... what?" the new buzz-phrase of the decade? IS there any greater joy than watching a very small man beat up a very tall man? And of course, the age old conundrum: NINJA or NO NINJA?
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Enter the Dragon by skipping ahead to the 1:01:41 mark, and for Enter the Ninja by skipping ahead to 1:45:14.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
The perils of leaving civilisation behind. This week, we strike out into the wilderness to explore a couple of backwoods thrillers: the big daddy of them all, Deliverance (1972) directed by John Boorman and one of the many imitators that came in its wake, William Grefe's Whiskey Mountain (1977).
We discuss the world of hillbilly and hickspoloitation film in general, as well as addressing the vital issues of how to deal with drunken psychopaths on set, the unique challenge of acting convincingly dead and the disturbing American trend of camping without tents in movies.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Deliverance by skipping ahead to the 1:07:38 mark, and for Whiskey Mountain by skipping ahead to 1:44:02.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
Sammy from the Gentlemen's Guide to Midnite Cinema is back to sing a love song to the Spaghetti Western with us. Well, not sing, exactly, but we sure do talk a lot about them. It's a bumper-length episode to cover this beloved genre for us, and we focus on a double feature of The Great Silence (1968), directed by Sergio Corbucci and Keoma (1976), directed by Enzo G. Castellari.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for The Great Silence by skipping ahead to the 1:22:41 mark, and for Keoma by skipping ahead to 2:26:05.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
Samm Deighan joins us today to talk about the cinema of resistance, as profiled in her fantastic new book, Revolution in 35mm: Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1969-1990. In addition, we discuss a double feature plucked from the pages of this fantastic book: Pierrot le Fou (1965), directed by Jean-Luc Godard, and The Awakening of the Beast (1970), directed by José Mojica Marins.
Samm is one of the finest film historians working today in the cult and exploitation cinema space (and beyond), and we were super excited to have her on the show. Our discussion takes in the diverse and fascinating world of cinematic political violence but we also take the time to marvel at Coffin Joe's plucky provocation, recognise Godard as one of film's most important innovators and bemoan the ridiculously long runtime of modern superhero movies.
It's not really possible to spoil The Awakening of the Beast, but we will call out Spoiler Territory for Pierrot le Fou. If you want to skip ahead from that point, you can rejoin the conversation at the 1:12:20 mark to avoid spoilers.
Join Samm Deighan's Patreon here.
Listen to Samm's great podcast, Eros + Massacre here.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
Happy Halloween! We're dropping this week's episode two days early to chime in on the spooky holiday fun. Dr Ethan Lyon gets all devilish with us as we check out Haxan (1922), directed by Benjamin Christensen, and then Beyond the Door (1974), directed by Ovidio Assonitis. In our usual roundabout way, our discussion of these films leads us to some unexpected questions such as: Is Halloween America's greatest ever export? Is the hyrax nature's sleaziest rodent? Are Beatrix Potter's idyllic stories actually a horrifying animal dystopia in disguise? And last but not least, how advisable is it to play wind instruments through your nose?
It's not really possible to spoil Haxan as it doesn't have a conventional plot, but we will call out Spoiler Territory for Beyond the Door. If you want to skip ahead from that point, you can rejoin the conversation at the 1:51:18 mark to avoid spoilers.
Want to get in touch? You can reach us on [email protected]
Rob's alternate sountrack for Haxan can be found on Spotify here
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
Life is too short not to binge William Friedkin movies so this week we're bringing you a deep Friedkin double feature. Jerry and Bryce Hamilton are in the house to discuss To Live and Die in LA (1985) and Bug (2006). Strap in and prepare to hear the best Chicago accent this side of Glasgow (Chiglasgo?), the Oxford English Dictionary's most proper usage of pornographic terms, and a thorough rundown of the frankly alarming proliferation of police forces operating inside the USA. Paranoia is in the air. The check is in the mail, and we love you, and we promise not to... well, let's leave the blue language for the podcast.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for To Live and Die in LA by skipping ahead to the 1:04:54 mark, and for Bug by skipping ahead to 1:35:38.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
The exploitation world of Star Wars rip-offs: you will never find a more wretched hive of scum and villainy. This week, we're joined by part-time Dark Lord of the Sith, Walter Kafka, to check out Starcrash (1978), directed by Luigi Cozzi, and The Man Who Saved the World - better known these days as Turkish Star Wars (1982), directed by Çetin İnanç.
In all honesty, we don't think it's possible to spoil these two slices of psychedelic sci-fi wonderment, so there will be no Spoiler Territory this week.
Buckle in for intergalactic David Hasselhoff hair, Caroline Munro in a vinyl bikini, diabolical Joe Spinell in a giant clawship and some absolutely mindbending insanity from the otherworldly desertscape of Cappadocia, Turkey.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
Stream / Buy "Eating the Cats" by The Kiffness here: https://onerpm.link/EatingTheCats
Ninjas ruled in the 1980's! James Eldred from the Cinema Oblivia podcast joins us this week to discuss two underground ninjasploitation classics: Miami Connection (1987), directed by YK Kim and Richard Park, and Ninja Terminator (1985), directed by Godfrey Ho. As well as marvelling in the bizarre delights of these insane films, we discuss the place of ninjas in the popular imaginations of Eastern and Western audiences, and also get an impromptu tour through the recesses of James' arcane knowledge of obscure prog rock and Japanese techno. Oh my God!!!
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Miami Connection by skipping ahead to the 1:06:52 mark, and for Ninja Terminator by skipping ahead to 1:50:38.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
About face! Sakana joins us this week to check out some seminal body-horror films: Eyes Without a Face (1960), directed by Georges Franju, and The Awful Dr Orlof (1962), directed by Jess Franco. Doctoral God complexes, the French scars of Nazi occupation, and the proliferation of blind killers in European films of the 1960's - we discuss all this and more.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Eyes Without a Face by skipping ahead to the 1:15:10 mark, and for The Awful Dr Orlof by skipping ahead to 1:52:29.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
Nick Langdon joins us this week to tinker and tailor another intriguing double feature discussion. We check out Funeral in Berlin (1966), directed by Guy Hamilton, and The Soldier (1982), directed by James Glickenhaus. We'll dive deep into Cold War lore and the joy of "shabby" spy stories, while exploring the usual array of oblique asides such as gratuitous blood squibs, phallic bollards, Uzi pirouettes and Klaus Kinski's manic desire to steal the tightest ski pants in the Alps.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Funeral in Berlin by skipping ahead to the 1:08:13 mark, and for The Soldier by skipping ahead to 1:41:26.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
Al joins us once again to discuss Five Dolls For An August Moon (1970), directed by Mario Bava, and My Sister in Law (1976), directed by Lucio Fulci. Our conversation ranges across such topics as aristocratic Italian actors, the advisability of wearing budgie-smugglers at a weekend house party, the many riffs of Agatha Christie's seminal slasher-whodunit, Muppets songs lifted from Mondo films, and of course a deep appreciation of the work of the great Edwige Fenech (including how to say her name properly).
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Five Dolls For An August Moon by skipping ahead to the 59:59 mark, and for My Sister in Law by skipping ahead to 1:52:13.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
This week, special guest Jerry joins Joe and Rob to check out Contraband (1980), directed by Lucio Fulci, and then The Astrologer (1976), directed by Craig Denney. Explicit gory gang violence followed by gratuitous sidereal astrology and the awesome delusional ego of Craig Denney. It's a hell of a combo.
It's not really possible to spoil The Astrologer, but we will call out Spoiler Territory for Contraband. If you want to skip ahead from that point, you can rejoin the conversation at the 1:11:31 mark to avoid spoilers.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
Check out Lead, White and Blue by Wesley Sharer
We got Post Tromatic Stress Disorder this week on Caliber 9 From Outer Space. Special guest John Horgan joins us to discuss two schlocktastic flicks from Troma Entertainment: Mother's Day (1980), directed by Charles Kaufman, and Father's Day (2011), directed by the "Astron 6" guys. Leave all good taste at the door, you can pick it up again on the way out.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Mother's Day by skipping ahead to the 1:08:37 mark, and for Father's Day by skipping ahead to 1:43:29.
Want to get in touch? You can reach us on [email protected]
Check out John's show, And Now For Something a Little Bit Different, on YouTube!
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
Eleven hundred men went in the water, only Joe and Rob come out, and the sharks took the rest. Also the pigs. It's Jawsploitation week and we check out Razorback (1984), directed by Russell Mulcahy, and Cruel Jaws (1995), directed by Bruno Mattei.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Razorback by skipping ahead to the 57:55 mark, and for Cruel Jaws by skipping ahead to 1:45:09.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
Can a riveting thriller be based on the game of chess? This question has plagued cinema philosophers for time immemorial but Joe, Rob and Bryce deliver the definitive resolution! We check out Night Moves (1975), directed by Arthur Penn, and Knight Moves (1992), directed by Carl Schenkel.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Night Moves by skipping ahead to the 1:15:47 mark, and for Knight Moves by skipping ahead to 2:03:49.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
Do you expect us to talk? Bondsploitation week here at Caliber 9 HQ. Dr Ethan "No" Lyon joins us again to discuss a couple of hits from this very deep exploitation well: No. 1 of the Secret Service (1977), directed by Lindsay Shonteff, and For Y'ur Height Only (1981), directed by Eddie Nicart. Far too many boob jokes, possibly, but the perfect portion of big blokes getting kicked in the balls by a little bloke. It's a mixed bag.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for No. 1 of the Secret Service by skipping ahead to the 1:25:45 mark, and for For Y'ur Height Only by skipping ahead to 1:55:44.
Want to get in touch? You can reach us on [email protected]
Details for Ethan's latest event can be found here!
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
Film-maker James T Williams joins Joe, Rob and Bryce to discuss a couple of foxy spy thrillers with an aeronautical twist! We check out Firefox (1982), directed by Clint Eastwood, and Foxbat (1977), directed by Po-Chih Leong. Clint having existential nightmares in bathrooms, Warren Clarke bashing people without warning, Henry Silva hiding cameras in his eye and microfilms in lollies... this week's double feature has it all!
We will be announcing a Spoiler Territory section for Firefox, so you can then skip ahead to the 1:05:03 mark to avoid spoilers. We didn't think you can really spoil Foxbat.
Watch James T Williams' excellent short film, Irrefutable Evidence here. James' other films can be found on YouTube at Joefest and Mr Glass Productions, and his 2007 feature, Waiting for Dawn is freely available here.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
Our closing music this week comes courtesy of The Briefest Echo of Lemon and their track "Akeld Burn" (K. Darke, T. Morton, J. Ramsden, A. McKinnon) © 2024
It's Hammer Horror time! Dr Ethan joins us to review a couple of perhaps lesser-celebrated classics from the famous British production house: The Devil Rides Out (1968), directed by Terence Fisher, and Captain Kronos: Vampire Hunter (1974), directed by Brian Clemens.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for The Devil Rides Out by skipping ahead to the 1:27:32 mark, and for Captain Kronos: Vampire Hunter by skipping ahead to 2:00:05.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
This week we welcome novelist and Italian cinema enthusiast Marek Turner! Marek programs a couple of intriguing poliziotteschi-adjacent films for Rob and Joe to watch and discuss with him: Slap the Monster on Page One (1972), directed by Marco Bellocchio, and No, The Case is Happily Resolved (1973), directed by Vittorio Salerno.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Slap the Monster on Page One by skipping ahead to the 1:09:14 mark, and for No, The Case is Happily Resolved by skipping ahead to 1:49:08.
Check out Marek's novels, The Eighth Hill and Killerpede!!! Easily available as ebooks on Amazon and Apple, among other online stores.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
A truly chilling true crime tale followed by a trip into Indonesian Black Magic insanity with zero grip on reality. This week Rob and Joe check out The Honeymoon Killers (1970), directed by Leonard Kastle, and Santet (1988), directed by Sisworo Gautama Putra.
We don't think Santet can really be spoiled, but we will be announcing a Spoiler Territory section for The Honeymoon Killers. If you haven't seen it before you listen, you can avoid spoilers by skipping ahead to the 1:01:42 mark.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
This week we welcome a very special guest onto the show: Sammy from The Gentlemen's Guide to Midnite Cinema podcast! We have two infamous cult films this week that make for a pretty intense double feature, so Rob and Sammy go in-depth and a bit of a longer discussion than usual. There's a lot to chew on with these ones! First up we have Angst (1983), directed by Gerald Kargl, and we follow that up with Bad Boy Bubby (1993), directed by Rolf De Heer.
It's debatable whether either of these films can really be spoiled, but we do call out a Spoiler Territory section before we discuss the ending of each film. For Angst, potential spoilers end at 1:35:03, and Spoiler Territory ends for Bad Boy Bubby on 2:27:34.
Thanks again to Sammy for coming on the show! Check him out on The Gentlemen's Guide to Midnite Cinema!
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
This week Rob and Joe check out Born to Kill (1947), directed by Robert Wise, and The Pit (1981), directed by Lew Lehman. You'll be amazed that one of these films was allowed to be made back in the censorious 1940's, and you'll be amazed that the other one was allowed to happen in any way, shape or form. At any time in history.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Born to Kill by skipping ahead to the 1:05:05 mark, and for The Pit by skipping ahead to 1:42:54.
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
Roger Corman - 1926-2024. This week Rob and Joe pay tribute to one of exploitation cinema's greatest legends. We check out The Haunted Palace (1963), directed by Roger Corman himself, and space horror romp, Galaxy of Terror (1981), directed by Bruce D. Clark, one of the many wonderful films that Corman produced at New World Pictures.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for The Haunted Palace by skipping ahead to the 1:02:58 mark, and for Galaxy of Terror by skipping ahead to 1:53:01.
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
Special guest Sakana joins us to discuss a psychotronic 60's double feature! We check out Herk Harvey's cult classic, Carnival of Souls (1962), and The Nest of the Cuckoo Birds (1965), directed by Bert Williams. From the sublime to the... totally whacked out... Both films are easily available online, so a pre-watch is highly recommended for both of these little beauties!
We will be announcing a Spoiler Territory section for both films this week. For Carnival of Souls, you can then skip ahead to the 1:11:14 mark to avoid spoilers, and spoiler territory ends around 1:49:00 for The Nest of the Cuckoo Birds.
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
Special guest Ali joins us to discuss a couple of Hong Kong tales of legendary proportions. We check out Legend of the Mountain (1979), directed by King Hu, and The Legend of Wisely (1987), directed by Teddy Robin. A period supernatural epic and a rollicking Indiana Jones-esque adventure story. This is some trip to the East.
We will be announcing a Spoiler Territory section for both films this week. For Legend of the Mountain, you can then skip ahead to the 1:17:42 mark to avoid spoilers, and spoiler territory ends around 1:50:34 for The Legend of Wisely.
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
Our closing music this week comes courtesy of The Briefest Echo of Lemon and their track "First Night" (K. Darke, T. Morton, J. Ramsden, A. McKinnon) © 2024
A couple of tales from the crypt, this week, as Joe and Rob check out seminal gothic horror, Black Sunday (1960), directed by Mario Bava, and Tombs of the Blind Dead (1972), directed by Amando de Ossorio. Barbara Steele delivers her grinning death stare and horrid, nibbling Knight Templar wights wreak slow motion carnage. Take a breath of dead air with us.
We will be announcing a Spoiler Territory section for each film. For Black Sunday you can then skip ahead to the 1:11:18 mark, and for Tombs of the Blind Dead, potential spoilers end at 1:51:11.
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
WARNING: Language gets a little more explicit than usual this week because we have a hardcore film in the mix! Dr Ethan joins us again to discuss British classic, Don't Look Now (1973), directed by Nicolas Roeg, and naughty epic, Thundercrack! (1975), directed by Curt McDowell. From the sublime to the ridiculous - you'll cry, you'll laugh, you'll scream, you'll vomit. You're welcome.
We will be announcing a Spoiler Territory section for Don't Look Now, so you can skip ahead to the 1:23:41 mark to avoid those. It's not really possible to spoil Thundercrack! so we don't call out any spoilers for that one (although it contains many happy endings).
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
More nihilistic Italian cops, more ancient Etruscan evil, more Oedipal ickiness. This week, Joe and Rob are drawn irresistibly back to Italy to sample Live Like a Cop, Die Like a Man (1976), directed by Ruggero Deodato, and Burial Ground (1981), directed by Andrea Bianchi. Cuddle up on the pillion seat - you're in for a very... very slow shamble on the wild side.
We will be announcing a Spoiler Territory section for each. For Live Like a Cop, Die Like a Man you can then skip ahead to the 54:35 mark, and for Burial Ground, potential spoilers end at 1:43:27.
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
We're going to the crossroads by the graveyard. This week, Joe and Rob check out the big daddy of gialli, Dario Argento's Deep Red (1975), and follow it up with At Midnight I'll Take Your Soul (1964), directed by Jose Mojica Marins (a.k.a. Coffin Joe). Italy's maestro of horror and Brazil's most famous horror icon together in one double feature! This is essential cult cinema, folks.
We will be announcing a Spoiler Territory section for each. For Deep Red you can then skip ahead to the 1:13:37 mark, and for At Midnight I'll Take Your Soul, potential spoilers end at 1:45:21.
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
Tune in, rev up and drop out. It's all about vehicular mayhem this week, as Joe and Rob fire up Vanishing Point (1971), directed by Richard C. Sarafian. and Highway Racer (1977), directed by Stelvio Massi. Honda blondes, Ferrari wheelies and Dodges not dodging enough for their own good - this episode has more car-based existentialism than you can throw a Renault down the Spanish Steps at!
We will be announcing a Spoiler Territory section for each. For Vanishing Point you can then skip ahead to the 1:00:59 mark, and for Highway Racer, potential spoilers end at 1:34:13.
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
Max is back to chat with Rob and Joe about some of the less universally loved instalments in the ever popular Alien franchise! We'll dive deep into Alien 3 (1992), directed by David Fincher, Alien Resurrection (1997), directed by Jean-Pierre Jeunet and, with much trepidation, Aliens vs Predator: Requiem (2007), directed by the Brothers Strause.
You must have been on another planet if you haven't seen at least one or two of these films, nevertheless we will be announcing a Spoiler Territory section for each. For Alien 3 you can then skip ahead to the 1:11:03 mark, for Alien Resurrection, potential spoilers end at 1:52:12 and if you're really worried about spoiling AVP: Requiem's astounding conclusion (...), you can skip ahead to 2:15:04.
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
Achtung! This week Rob and Joe venture into 80's West Berlin and then a very Germanic 60's London as we check out Possession (1981), directed by Andrzej Żuławski, and classic krimi film, Dead Eyes of London (1961), directed by Alfred Vohrer.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen (and you definitely should), you can nevertheless avoid spoilers for Possession by skipping ahead to the 1:15:02 mark, and for Dead Eyes of London by skipping ahead to 1:52:29.
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
Break out the J&B whisky, it's GIALLO week! Al drops in again to talk about his great love of the Italian giallo. We'll chat a bit about this wonderful subgenre of thriller/horror/mysteries and dive deep into two selections from Al: Torso (1973), directed by Sergio Martino, and deeper cut, The Dead Are Alive (1972), directed by Armando Crispino.
We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen (and you definitely should), you can nevertheless avoid spoilers for Torso by skipping ahead to the 1:02:54 mark, and for The Dead Are Alive by skipping ahead to 1:42:29.
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
Horror Iberico! We delve into a Spanish double feature this week with Who Can Kill a Child? (1976) directed by Narciso Ibáñez Serrador, and Pieces (1982) directed by Juan Piquer Simon. .
We let you know when Spoiler Territory kicks in, so if you want to skip ahead from that point in Who Can Kill a Child?, you can rejoin the conversation at the 57:04 mark to avoid spoilers, and Spoiler Territory ends for Pieces at the 1:39:25 mark.
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
Could this be the worst family reunion ever? This week, Joe and Rob are joined by Dr Ethan Lyon to discuss Tokyo Drifter (1966), directed by Seijun Suzuki, and then Seeds (1968), directed by Andy Milligan.
We will call out Spoiler Territory so if you want to skip ahead from that point in Tokyo Drifter, you can rejoin the conversation at the 1:15:44 mark to avoid spoilers, and for Seeds, Spoiler Territory ends at 1:55;46.
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
It's all for you, listener! This week, Joe and Rob check out The Omen (1976), directed by Richard Donner, and then The Boxer's Omen (1983), directed by Kueh Chi-Hung.
It's not really possible to spoil The Boxer's Omen, but we will call out Spoiler Territory for The Omen. If you want to skip ahead from that point, you can rejoin the conversation at the 1:08:54 mark to avoid spoilers.
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
When these guys start talking, you can feel the devil bite your ass! (Sorry about that.) This week, Joe and Rob check out The Good, the Bad and the Ugly (1966), directed by Sergio Leone, and then The Rare Blue Apes of Cannibal Isle (1972), directed by Donn Greer.
We will call out Spoiler Territory for the first film (it's not worth worrying about for the second - honestly), so if you want to skip ahead from that point in The Good, the Bad and the Ugly, you can rejoin the conversation at the 1:15:28 mark to avoid spoilers.
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
This week, Joe and Rob are joined by Al! Together we cast an eye over the Joefest 2024 line up and dive deep into Aguirre, the Wrath of God (1972), directed by Werner Herzog, and then Mad Foxes (1981), directed by Paul Grau.
We're not bothering with Spoiler Territory this week - these movies aren't really spoilable, in our opinions - but we will be discussing the endings.
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
When does ANY party start? When you get there! This week, Joe and Rob check out Beyond the Valley of the Dolls (1970), directed by Russ Meyer, and then Shaolin Invincibles (1978), directed by Hou Cheng.
We will call out Spoiler Territory for the first film (it's not worth worrying about for the second - honestly), so if you want to skip ahead from that point in Beyond the Valley of the Dolls, you can rejoin the conversation at the 1:11:35 mark to avoid spoilers.
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
An unlikely pairing made in cinema heaven! We indulge ourselves with some fine genre fare this week. First up, Le Cercle Rouge (1970), directed by Jean-Pierre Melville, and then Zombie Flesh Eaters aka Zombie (1979), directed by Lucio Fulci.
We will call out Spoiler Territory for both films, so if you want to skip ahead from that point in Le Cercle Rouge, you can rejoin the conversation at the 52:40 mark to avoid spoilers. And Spoiler Territory ends at the 1:39:22 mark for Zombie Flesh Eaters. Savour the CINEMA!
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
This week Rob and Joe take a franchise deep dive! We review Stalked By My Doctor (2015), Stalked By My Doctor: The Return (2016) and Stalked By My Doctor: Patient's Revenge (2018), all directed by Doug Campbell. This is modern exploitation trash as purveyed by the Lifetime channel - bizarre in perhaps new kinds of ways for the average trash cinema enthusiast.
We don't bother calling out spoilers for the first two films (you can't really spoil them) but we do let you know when Spoiler Territory kicks in for Patient's Revenge, so if you want to skip ahead from that point you can rejoin the conversation at the 1:41:00 mark to avoid spoilers. Even so, I was more impressed by the twist than Joe was.
Supercut of all Dr Beck's finest moments from Stalked By My Doctor 2015
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
This week Rob and Joe check out Family Plot (1976) directed by Alfred Hitchcock, and The Eternal Evil of Asia (1995) directed by Chin Man-Kei. Hitchcock thrills and Hong Kong spills - together at last!
We let you know when Spoiler Territory kicks in, so if you want to skip ahead from that point in Family Plot you can rejoin the conversation at the 58 minute mark to avoid spoilers. We didn't think it's really possible to spoil The Eternal Evil of Asia - we do discuss the ending but, honestly, I wouldn't worry about spoilers!
Robert Firsching's synopsis for The Eternal Evil of Asia
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
It's SCI-FI WEEK here, and Joe and Rob are joined by our very first GUEST! Max pops in to discuss Event Horizon (1997) directed by Paul WS Anderson, and Zardoz (1974) directed by John Boorman.
We let you know when Spoiler Territory kicks in, so if you want to skip ahead from that point in Event Horizon you can rejoin the conversation at the 1 hour mark to avoid spoilers, and Spoiler Territory ends for Zardoz at the 1:38:20 mark.
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
CAN YOU DIG IT??? This week Rob and Joe revisit The Warriors (1979) directed by Walter Hill, and brave the psychotronic perils of Blood Freak (1972) directed by Brad F. Grinter and Steve Hawkes. Gangs and poultry: an unbeatable double feature!
We let you know when Spoiler Territory kicks in, so if you want to skip ahead from that point in The Warriors you can rejoin the conversation at the 58:21 mark to avoid spoilers, and Spoiler Territory ends for Blood Freak at the 1:33:31 mark.
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
This week Rob and Joe have a look at White Dog (1982) directed by Sam Fuller, and Act of Vengeance (1974) directed by Bob Kelljan. This week is brought to you by the letter "R".
We let you know when Spoiler Territory kicks in, so if you want to skip ahead from that point in White Dog you can rejoin the conversation at the 50:14 mark to avoid spoilers, and Spoiler Territory ends for Act of Vengeance at the 1:27:38 mark.
Tyler Parry's article on attack dogs and racism in the US
Carol J. Clover, Men, Women and Chainsaws
BJ Colangelo on the Shock Waves podcast, 2017
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
This week Rob and Joe check out Violent Cop (1989) directed by Takeshi Kitano, and Murder Rock (1984) directed by Lucio Fulci. Violence, legwarmers and lots and lots of sweat - and that's just during our recording!!!
We let you know when Spoiler Territory kicks in, so if you want to skip ahead from that point in Violent Cop you can rejoin the conversation at the 41:25 mark to avoid spoilers, and Spoiler Territory ends for Murder Rock at the 1:11:52 mark.
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp
This week Rob and Joe check out Caliber 9 (1972) directed by Fernando Di Leo, and Plan 9 From Outer Space (1957) directed by Edward D. Wood, Jr. These are the two films which inspired our own show name, and they represent our raison d'être perfectly.
We let you know when Spoiler Territory kicks in, so if you want to skip ahead from that point in Caliber 9 you can rejoin the conversation at the 1:03:30 mark.
Theme music: "The Cold Light of Day" by HKM.
Check out HKM on #SoundCloud or Bandcamp:
En liten tjänst av I'm With Friends. Finns även på engelska.