Handel and the Bible

Synopsis

On today’s date in 1738, George Frederick Handel completed one of his first great Biblical oratorios: Israel in Egypt, based on the book of Exodus.

At this point in time, British taste for Handel’s Italian-style operas had waned, and, like the filmmaker Cecil B. DeMille some 200 years later, Handel set out to entice his jaded audience back into the theaters with Biblical epics like Saul and Israel in Egypt, featuring big casts and lots of special effects.

“I hear that Mr. Handel has borrowed a pair of the largest kettle-drums from the Tower of London, so to be sure it will be most excessively noisy!” Gossiped one young British Lord to his father.

Even so, many in the audience at premiere of Israel in Egypt didn’t know quite what make of it. Some thought religious subjects unsuitable outside of a church setting; others found the music, in the words of one contemporary, “too solemn for common ears.” A few, however, were quite enthusiastic. One gentleman wrote a long letter to the London Daily Post, informing readers that the Prince of Wales and his consort attended, and appeared enchanted by the new work.

Music Played in Today's Program

George Frederic Handel (1685-1759): Israel in Egypt; King’s College Choir; Brandenburg Consort; Stephen Cleobury, conductor; London 452 295