DISGRACELAND

This week in the After Party, Jake looks at Metallica's rise from the vanguard of a niche sub-genre of Heavy Metal to become one of the most successful bands of all time. And in preparation for next week's episode on Brittany Murphy, we want to know: Which celebrity deaths seem suspicious to you? Which explanations of celebrity death just don't hold water with you? Join the party at 617-906-6638, [email protected], or on socials @disgracelandpod.

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In the early days of Metallica, their bass player carried a hammer on tour and had a gun that shot knives – or so the story goes. Their former lead guitarist was a drug dealer who kept two pitbulls for protection. They were blamed when a teenager, high on LSD, murdered a man in cold blood and quoted the band’s lyrics. And in 1986, long before they became a household name, they suffered a sudden and horrific tragedy just as their thrash metal music was entering the mainstream.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week in the After Party, Jake dives into your thoughts on the greatest actors of the 1970s and ponders the road not taken by Al Pacino in this week's episode. Plus, another tale of juvenile delinquency from Jake's past! And we're getting ready for next week's episode on Metallica and the late, great Cliff Burton - we want to know: Which artist or musician affects you so deeply that you couldn't bear to lose them? Who can't you live without? Join the party at 617-906-6638, [email protected], or on socials @disgracelandpod.

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The death of a neighborhood friend, an attempted robbery that almost went horribly wrong, good vs. evil, and the road not taken: this is the Al Pacino origin story. It all culminates in the role of a lifetime. Not Michael Corleone. Not a role on stage or screen. The most important role of Al Pacino’s young life played out in front of a couple of detectives and a district attorney.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week in the After Party, Jake has the 1970s on his mind as he prepares for next week's episode on Al Pacino. We want to know: Who is the greatest actor of the 1970s? What films and performances from the 70s do you continually revisit? Plus, the conversation about great female singers of the 21st century continues - join the party at 617-906-6638, [email protected], or on socials @disgracelandpod.

To cop some new merch, head to disgracelandpod.com/merch now!

To hear an extended version of the After Party and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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This week in the After Party, Jake talks about how his sixteen-year-old self influenced who he is today. We want to know: What were you listening to when you were a teenager? Whose poster was on your wall? How did your cultural obsessions when you were a teen shape who you are today? Jake takes your emails, texts, and voicemails and gets into your takes on who the greatest female singer of the 21st century is. Plus, Jake tackles your suggestions for future episode subjects.

Get in touch with Jake at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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To hear an extended version of the After Party featuring a story from Jake's days as a juvenile delinquent, become a Disgraceland All Access member at disgracelandpod.com/membership.

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This week in the After Party, Jake talks about the artists who have faced challenges to their mental health and wonders if they actually have a truer perception of reality beyond what the rest of us can see. Jake takes your emails, texts, and voicemails, and explains the origins of his unique accent. Plus, we want to know: who is your favorite female singer from the 21st century, and what makes her great? Let Jake know at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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Donny Hathaway was a singer, songwriter, and performer so inspiring that he compelled Stevie Wonder to change the way he sang, got Amy Winehouse to name-check him in her lyrics, and made musical giants like Ray Charles and Aretha Franklin stand up and take notice. But he was as troubled as he was talented. He suffered from hallucinations and paranoia, and was haunted in the recording studio just hours before his mysterious death at the age of 33.

This episode contains themes that may be disturbing to some listeners, including suicide. If you’re thinking about suicide, or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week in the After Party, Jake talks about the unique social conditions that created the vibrant 1970s NYC music scene that birthed Talking Heads, the subject of this week's episode. Crime, grime, sanitation strikes, baseball, blackouts - Jake covers it all, plus your emails texts, and voicemails. What are the best books and films about 1970s New York? Where were you when the lights went out? Let Jake know at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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From 1976 to 1977, unsuspecting young people in New York City were snuck up on in the darkness and shot in cold blood. Six dead, murdered by David Berkowitz, AKA the Son of Sam, a serial killer who held all five boroughs in the grip of fear for one year. A year in which punk rock and new wave took hold, the Yankees went on a tear, a garbage strike left trash rotting in the heat, a blackout plunged millions into terror and violence…and the singer of a new band called Talking Heads got to work channeling that detached psychotic feeling into song.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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Gianni Versace was a runway iconoclast who outfitted the likes of Madonna, Demi Moore, Prince, Sylvester Stallone, and Don Johnson. He lived like Louis XIV and counted Princess Di and Elton John among his friends. He was plagued by rumors of ties to the Calabrian mafia and a secret health diagnosis. Those rumors continued to persist long after he was gunned down by a serial killer who had been on the lam after murdering four other men in three states.

This episode contains themes that may be disturbing to some listeners, including suicide and graphic depictions of violence.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week in the After Party, Jake talks different music scenes, balancing points of view, this week's DISGRACELAND episode on Bobby Brown, and of course your emails, texts, DMs, and voicemails. What is the greatest music scene of all time? Let Jake know at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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To hear an extended version of the After Party with a story about a young Bobby Brown holding up a convenience store - and the punishment that followed - and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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Bobby Brown thrusted and gyrated his way to the top of the charts with Don’t Be Cruel, one of the biggest records of the late 1980s and an album that brought hip-hop’s hard-knock sensibilities to R&B. But fame did not change the Boston bad boy. At the height of his superstardom, Bobby Brown was arrested onstage for violating a lewd act law. He claimed to have a sexual encounter with a ghost at his lavish Atlanta mansion. And his party-hard ways may have been the reason why Mike Tyson shockingly lost a fight and thus lost his undefeated heavyweight title.

This episode contains themes that may be disturbing to some listeners, including domestic violence and police brutality.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week in the After Party, Jake talks boring versus exciting news, charitable organizations, this week's DISGRACELAND episode on OJ Simpson, and of course your emails, texts, DMs, and voicemails. What charitable organization benefiting victims of drunk driving should Jake donate to? Which three disgraced athletes would you team up with for your fantasy charity golf tournament? Where were you when OJ Simpson was leading police on a chase in his white Bronco? Drop a line at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with a story about OJ's ghostwriter and his connection to the murder case, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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This is not the O.J. Simpson story you were expecting. This is the story of what happened after the former running back was acquitted of the murder of his ex-wife and her friend. It’s an insane story that involves sports memorabilia, ex-cons, a gun, a simple plan gone horribly wrong, and one of the most unbelievable armed robberies in Las Vegas’s sordid history.

This episode contains themes that may be disturbing to some listeners, including domestic violence and graphic depictions of violence.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week in the After Party, Jake talks the super-fame of José Canseco, the exploits of Dock Ellis, performance... altering? drugs, this week's DISGRACELAND episode on José Canseco, and of course your emails, texts, DMs, and voicemails. What athletes embody the rock star vibe? Get in touch at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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Jose Canseco was a big league slugger who gave the people what they wanted. Not just massive home runs and a whole lot of stolen bases. He provided entertainment. And his audience, not just baseball fans but the world, ate it up. The private encounter with Madonna in her apartment that nearly cost him a spot on the roster. The obsession with performance enhancing drugs that made him the self-proclaimed godfather of steroids. But entertaining quickly spun out of control. Car crashes. SWAT teams. Smuggled drugs. Before too long, Jose Canseco found himself blacklisted, behind bars, and the focal point of a congressional hearing.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week in the After Party, Jake talks the nefarious nature of social media, the public's denial of obvious horrors, this week's DISGRACELAND episode on R. Kelly, and of course your emails, texts, DMs, and voicemails. Is R. Kelly the most evil villain in music history? Drop a line at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with a story about R. Kelly attempting to bribe his brother into taking the fall for him, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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R. Kelly openly groomed teenage victims while on trial for child pornography – a trial based on sex tapes that were once sold at Tower Records. He wrote a song designed to help Michael Jackson turn attention away from his own troubling allegations, and he wrote that song while he was illegally married to a 15-year old. That marriage eventually brought about his downfall. But not before R. Kelly went on a 20-year reign of terror – all conducted in plain sight while he was one of the biggest R&B artists in the world.

This episode contains themes that may be disturbing to some listeners, including sexual assault, child sexual assault, and domestic violence.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week in the After Party, Jake talks trusting our institutions, myths and conspiracies, the new Disgo Book Club, this week's DISGRACELAND episode on Bob Dylan, and of course your emails, texts, DMs, and voicemails. What story from pop culture do you call BS on? Get in touch at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with a story about yet another motorcycle accident in Bob Dylan's vicinity, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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Bob Dylan was booed at the 1965 Newport Folk Festival – but not for the reason you’ve been led to believe. He went from Folk Music Jesus to Rock ‘n Roll Judas, alienating thousands of fans with ear-splitting, confrontational music. Many of those fans heckled him. One even tried to attack him on stage with a knife. He returned home from a European tour that nearly killed him….only to get into a motorcycle accident that, it was said, left him either disfigured, paralyzed, or dead.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week in the After Party, Jake talks the recent Sean Combs developments, the new Disgo Book Club, this week's DISGRACELAND second-part episode on Marilyn Monroe, and of course your emails, texts, DMs, and voicemails. Which explanation of Marilyn Monroe's death do you think is most plausible? Let Jake know at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with a deep dive into one of the wildest conspiracy theories around Monroe's death, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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The conspiracy theories surrounding Marilyn Monroe’s death in 1962 continue to entertain the imaginations of those obsessed with celebrity and scandal. The stories, many of them fantastical and one of them true, feature cameos by the likes of President John F. Kennedy, his brother Attorney General Robert F. Kennedy, and Rat Pack members Frank Sinatra and Peter Lawford. Somewhere in the pile of countless rumors, innuendos, and crackpot theories is a closer understanding of exactly what happened and why the world lost its most iconic American actress at the young age of 36.

This episode contains themes that may be disturbing to some listeners, including sexual assault and suicide. If you’re thinking about suicide, or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week in the After Party, Jake talks the impact of departing icons, jealous exes, this week's DISGRACELAND episode on Marilyn Monroe, and of course your emails, texts, DMs, and voicemails. Which celebrity death affected you the most? Is Marilyn Monroe the biggest icon in entertainment history? Has anyone else captured the public’s imagination for such a long period of time? Does the mystery around her death contribute to our fascination? Get in touch at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with a story about two icons and their bitter, toxic jealousy, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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Marilyn Monroe is one if not the greatest Hollywood stars of all time. She rose from orphan to icon by creating an on screen character America could not peel their eyes away from. And she did it all while battling anxiety, depression and addiction. Along the way she bedded, married and otherwise conquered America’s most impressive men; Joe DiMaggio, Arthur Miller, Frank Sinatra and President John F. Kennedy to name a few and her relationship with JFK and his younger brother Attorney General, Robert F. Kennedy would prove disastrous and result in long running rumors and conspiracy theories about her death that are as hard to debunk as they are to dismiss.

This episode contains themes that may be disturbing to some listeners, including sexual assault and suicide. If you’re thinking about suicide, or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership.

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This week in the After Party, Jake talks the uncanny fascination with Beat poets, their numerous run-ins with musical icons, this week's DISGRACELAND episode on William S. Burroughs, and of course your emails, texts, DMs, and voicemails. Which icons, living or dead, do you think are overrated? What are your thoughts on Burroughs and his place among the Beats? Drop a line at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with a story about two Beats' association with another murder, a story about Jake staying in a cabin, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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William S. Burroughs was a literary icon whose novel Naked Lunch, one of the signature works of the Beat Generation, was banned and went on trial for obscenity. His writing inspired generations of musicians, from the Rolling Stones and Patti Smith to Nirvana and Sonic Youth. But long before all that, in 1951, when he was an unknown and mostly failed writer, William S. Burroughs made the most fateful decision of his life when he pointed a gun at a highball glass balanced on top of his wife’s head…and pulled the trigger.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week in the After Party, Jake talks humans' fascination with true crime, crossing the line, this week's DISGRACELAND episode on Garth Brooks, and of course your emails, texts, DMS, and voicemails. What artist would you be least surprised to find out is a serial killer? What do the real Garth Brooks fans feel about all this? Get in touch at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with stories about Garth Brooks' awkwardness and burying his master tapes under Hollywood Boulevard, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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Garth Brooks has more albums that have sold over 10 million copies than any other artist in history. He cut one of the biggest record deals in history – bigger than Madonna or Prince, a deal matched at the time only by Michael Jackson. His live shows are just as big, like when he triggered an actual earthquake in Baton Rouge. But it was along Garth Brooks’ seismic tour route that online detectives began to suss out a rumor…a rumor tying together the cities in which Garth Brooks performed and missing persons cases. A rumor that left some people asking, “Where are the bodies, G?”

This episode contains themes that may be disturbing to some listeners, including descriptions of domestic violence.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week in the After Party, Jake talks collaborations, new genres, this week's DISGRACELAND episode on Public Enemy, and of course your emails, texts, DMS, and voicemails. Which artist has best represented the world in a "folk music" way? What are your thoughts on PE's Fear of a Black Planet? Let Jake know at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with a story about Public Enemy's engineer getting mugged and almost inadvertently leaking Fear of a Black Planet, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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Public Enemy were revolutionaries – both in their message and their music. In the 1980s and 1990s, they elevated hip-hop to an art form. They did this with Chuck D's booming voice, Flavor Flav's comic levity, and the auditory assault of the Bomb Squad's production. But with that revolution came scandal. Their hype man allegedly tried to shoot his neighbor while high on crack cocaine. Their so-called "Minister of Information" was so controversial that his words alone nearly derailed the group's success. They performed at a prison – after just releasing a song about a prison break. And in the summer of 1989, Public Enemy released a song that was so powerful, it put them in the middle of the cultural zeitgeist at the very moment that it seemed they were splintering apart.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week in the After Party, Jake talks actors committing fully, this week's DISGRACELAND episode on Heath Ledger, and of course your emails, texts, DMS, and voicemails. What are your top five favorite fight scenes? What is your favorite Heath Ledger performance? Is Heath one of the best actors of the early 2000s? Do you believe Debbie Harry about encountering Ted Bundy? Drop a line at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with insight into the paparazzi's setup of Heath Ledger in an L.A. hotel room, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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Heath Ledger’s preparation for and disappearance into his movie roles is legendary, and it’s what helped him play repressed cowboys, junkies, and maniacal clowns equally well. His research led him to junkies who taught him how to properly shoot up using a stolen prosthetic arm and fake blood, and to a personal diary full of cut-and-paste madness. The paparazzi, however, mocked Heath’s method, and took their public quarrel with him to duplicitous lengths.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week in the After Party, Jake talks great films, this week's new DISGRACELAND episode on Kobe Bryant, and of course your emails, texts, DMS, and voicemails. What are your top five Tarantino films? Who are your top five NBA players? Who's your favorite athlete who's a musician on the side? Get in touch at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with insight into Bryant's rapping days, other musical athletes, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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He was a professional killer. A warrior trained from birth. A member of the deadliest squad of assassins in The Association. But that was before he tried to go solo. And before they tried to kill him. They made one mistake though – they didn’t finish the job. Now the Black Mamba is back and he won’t stop until he’s got his hands on the ultimate prize – the assassin’s ring – and his revenge on the ex-partner and boss who double crossed him.

This episode contains themes that may be disturbing to some listeners, including sexual assault.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week in the After Party, Jake talks trusting the government, the April Fool's DISGRACELAND episode on John Denver, and of course your emails, texts, DMS, and voicemails. If you could be any musician, who would you be? Drop a line at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with some insight into next week's episode on Kobe Bryant, a special "trailer" from that episode, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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Do you need more DISGRACELAND in your life? How about exclusive monthly scripted episodes? Exclusive weekly bonus content? An always-on chat with Jake Brennan and your fellow Disgos? Learn all about how to get all of that and more by becoming a DISGRACELAND All Access member at disgracelandpod.com/membership.

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This week in the After Party, Jake talks the motivating factors that drive people to the guitar, the new DISGRACELAND episode on Van Halen, the new episode on Layne Stayley of Alice in Chains ONLY in the Disgraceland All Access club, and of course your emails, texts, DMS, and voicemails. Is Eddie Van Halen the greatest rock n roll guitarist of all time? Is Van Halen the greatest band to ever rebound from the departure of their original singer? Is Van Halen's Pretty Woman the greatest example of a cover being better than the original? Get in touch at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with a wild story about Eddie and a certain Nü-Metal/Rap-Rock frontman, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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On the backs of one of rock ‘n roll’s greatest innovators and one of its greatest ringmasters, Van Halen made some of the greatest music of the late ‘70s and early ‘80s. Guitarist Eddie Van Halen chased the perfect sound while lead singer David Lee Roth chased the next party. They were also ruthless when it came to protecting the unique thing they had created. Nothing was allowed to stand in their way. Not bullies, bootleggers, cynical guitar manufacturers, record producers – even the members of Van Halen themselves.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week in the After Party, Jake discusses the concept of coolness, this week’s DISGRACELAND episode on Steve McQueen, and of course your emails, texts, DMS, and voicemails. Was there a cooler actor in the 60s and 70s than Steve McQueen? Let Jake know at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with more insight into the would-be conspiracy between Steve McQueen and a certain King, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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Hustling on the streets of New York. Wagering with a U.S. president over who could sleep with more women. Knocking back beers with Elvis. Waving his gun around at the funeral of Jay Sebring, one of the victims of Charles Manson’s murderous family. The same family that had their sights now set on the King of Cool, Steve McQueen, who needed the speed of a Mustang or the power of a Magnum to keep Charlie’s crazy cult at bay.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week in the After Party, Jake discusses conspiracy theories, this week’s DISGRACELAND episode concluding the Peter Tosh story, and of course your emails, texts, DMS, and voicemails. Why was Peter Tosh murdered? Was it a conspiracy? What do you make of the revenge against the would-be assassins of Bob Marley? Get in touch at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with even more insight to the conspiracy theory about Peter Tosh's murder, an interview with this week's REWIND subject Michael Alig, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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As a reggae revolutionary who rejected peace in the name of truth and justice, and an outspoken critic of the Jamaican government, Peter Tosh's refusal to compromise nearly cost him his life many times over. He tried to amplify his message by purchasing Jamaica's Radio One. He tried to protect himself by way of African bush doctors and medicine men. He spent years knowing there was a bullet out there with his name on it. And in 1987, when Peter Tosh was 42, that bullet found him. Murdered in his own home by someone he knew. But why? Revenge? Wounded pride? Or was it murder for hire? Who really silenced the great Peter Tosh?

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week in the After Party, Jake talks this week’s DISGRACELAND episode on Peter Tosh, the history of DISGRACELAND two-parters, and pulls back the curtain to discuss the research and sources that go into bringing these stories to life.

Plus, who are the true badasses of the history of music and culture? Let Jake know at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with even more insane revelations about Peter Tosh, the Rolling Stones, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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Peter Tosh was a reggae subversive who used his music as a means to fight corruption, oppression, and hypocrisy. Unlike his one-time bandmate Bob Marley, Tosh didn’t fight for peace. He fought for truth–and justice. He did this with a guitar shaped like an M-16 automatic rifle. He lobbied for the legalization of marijuana, using the profits of the drug trade to get his message onto the most iconic album of his career. All of this put Peter Tosh in the crosshairs of authority, the government, and those who wished to silence him – some who even wanted to see him dead.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week in the After Party, Jake talks this week’s DISGRACELAND episode on Andy Warhol, the new DISGRACELAND All Access Membership Club, plus much more. What are your thoughts on the Warhol episode, and on fame in today’s world? Have you had your own brushes with fame? And who played Hunter S Thompson the best? Let Jake know at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party, become a Disgraceland All Access member at disgracelandpod.com/membership.

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Andy Warhol was the first artist to achieve rock star status. He was a Beatle with a silkscreen printer. His work and play space, the Factory, attracted people of all ages; rich and poor, straight and gay, sane and…not so sane. It was in the Factory that he was shot by a would-be assassin. He was rushed to a hospital and pronounced clinically dead. But Andy Warhol's second life began the moment he was resurrected on an operating table. As soon as his heart began to beat again, he became a true cultural icon – bigger than his paintings or his Polaroids or his experimental films, bigger than life itself. Andy Warhol became the future.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week Jake talks the inspiration and background behind this week's brand-new DISGRACELAND episode on Anthony Bourdain, plus your emails, voicemails, texts, and DMs. What did you think of the Bourdain episode? What other icons should we cover this year? Get in touch at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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Anthony Bourdain had a lust for life. He went all in on adventure, indulgence, food, romance – including the romance of a heroin addiction that he chased through the restaurant kitchens and grimy rock clubs of 1980s Manhattan. For years he was a struggling cook and writer, but his first book, published when he was 43 years old, was an overnight success. He parlayed success as a writer into success as a TV host, traveling all over the world, dining with rockstars, presidents, and everyone in between. He dodged bullets, the real and the figurative kind, the figurative kind from the tabloids having the most impact. But in the end, he was unable to dodge the truth, which to a romantic like Anthony Bourdain, was hard to come to terms with.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

This episode contains themes that may be disturbing to some listeners, including sexual assault and suicide. If you’re thinking about suicide, or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255.

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This week in the After Party, Jake talks the new DISGRACELAND episode on The Clash, as well as this week's REWIND episode on Studio 54, and provides insight into next week's episode on Anthony Bourdain. Plus, your emails, voicemails, texts, and DMs. Who are your top five 70s punk bands? Let Jake know at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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The Clash were once described by their manager as a news organization first, and entertainers second. They were, as their record label put it, “the only band that matters.” They were on the front lines at the dawn of punk rock, but were adventurous enough to quickly branch out into reggae, dub, and hip-hop. They were arrested on suspicion of terrorism in London. Chased out of Jamaica by local drug lords armed to the teeth. Caused a near riot in Times Square when their week-long takeover of a disco was shut down by the city after night one. For Joe Strummer, one of the Clash’s two songwriters and the group’s political avatar, all this insanity came with the territory when you were disrupting the status quo. But the weight of it all, the importance of the only band that mattered, became too much to bear, and at the height of the band’s commercial success…their frontman went missing.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week in the After Party, Jake talks this week's brand-new DISGRACELAND episode on Scott Weiland, our REWIND episode on MC5, and your voicemails, texts, emails, and more. Who are your top five 90s frontmen? Who are your top 5 proto-punk bands? Drop a line at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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Scott Weiland was sent to a psych ward when he was just 16 years old. Thirteen stints at rehab within the span of three years. In and out of two huge rock bands, Stone Temple Pilots and Velvet Revolver. On and off drugs. Addictions to heroin and cocaine that put him in harm’s way, not least of which were three muggers in Paris who abducted and tried to kill him. Addictions that also caused him to hallucinate “demonic forces.” Forces that Scott Weiland fought off, physically and mentally, thanks in large part to his robust survival instinct – one that served him well but could only hold all that trouble and evil at bay for so long.

This episode contains themes that may be disturbing to some listeners, including suicide. If you’re thinking about suicide, or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

Enter the new DISGRACELAND contest to win exclusive prizes and unlock rewards. Visit DISGRACELANDCONTEST.COM

Hurry, the contest ends on March 6th, 2024!

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This week Jake talks the trailer and upcoming subjects in DISGRACELAND's Icons series, this week's REWIND episode on Run DMC, plus answers your DMs, texts, voicemails, emails, and Insta Live questions. Who do you want to see an episode on? Thoughts on the Jam Master Jay killing and current trial? Get in touch at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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Welcome to DISGRACELAND in 2024. Jake Brennan will continue to bring you the most insane stories about rock stars getting away with murder and behaving very badly ... and will also tell other stories about icons from beyond the world of music who possess dangerously compelling rock 'n roll hearts. Like Anthony Bourdain. Andy Warhol. Hunter S. Thompson. Kobe Bryant. Garth Brooks. Public Enemy. Van Halen. And so many more. Get the scoop on the exciting 2024 we have planned for you, the biggest and most iconic year in DISGRACELAND history. Rocka rolla.

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This week on the After Party, Jake talks this week's new episode on Stu Sutcliffe, as well as the REWIND episode on Dimebag Darrell of Pantera and Damageplan. Plus, your emails, voicemails, texts, and DMs. Do you want more Beatles episodes? What should they cover? What's your favorite Beatles era? Let Jake know at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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Stu Sutcliffe was rock 'n roll's original Sid Vicious. Just like Sid, Stu was a bass player. But also like Sid, Stu could hardly play. What he did have in spades was style and attitude. He was by far the coolest looking member of the Beatles, back when the Fab Four were still a fab five (minus Ringo). These were the days of the Reeperbahn in Hamburg, Germany, a violent landscape of gangsters, thugs, prostitutes, and vindictive club owners who ran their depraved joints with an iron fist. It was here that the Beatles played marathon sets at some of Hamburg’s rowdiest bars. It was where they first popped pills, were arrested for the first time – but also where they learned how to be great, and how to be effortlessly cool. That last one thanks to their bass player Stu Sutcliffe, whose days on this earth were finite, but whose impact would live forever.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week Jake talks the new DISGRACELAND episode on Serge Gainsbourg and this week's REWIND episode on Madonna, plus some personal stories and of course your correspondence. What's your favorite Serge Gainsbourg music? Favorite Madonna era? Get in touch at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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In the late 1960s, Serge Gainsbourg carried out an illicit affair with Brigitte Bardot, not only the world’s preeminent sex symbol at the time, but a sex symbol with a powerful millionaire for a husband. Her love inspired Serge to a creative breakthrough, transforming French pop music and the music of the world while their passionate fling was busy barreling toward a doomed ending - an ending as doomed and as shocking as the end of the two outlaws they modeled their romance and their music on.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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On this week's second After Party, Jake sets up next week's brand-new episode on Serge Gainsbourg, gets in to more of this year's content, and of course responds to your voicemails, texts, DMs, and emails. What are your non-music episode recommendations for Jake? And what are some of the more weird Kinks songs? Let Jake know at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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Today in the After Party, Jake lays out the year in DISGRACELAND, gives a primer and some insight into the production of this week’s Rewind episode on Johnny Cash, and responds to your texts, emails, and DMs. What are your 2024 episode suggestions? Do you have the scoop on Fred Neil? What’s your favorite Johnny Cash music? Get in touch at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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This week on the After Party, Jake gets in to the Rewind episodes on the Beach Boys' Dennis Wilson, and the Manson zeitgeist surrounding them. Plus your emails, voicemails, texts, DMs, and more. Drop Jake a line at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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This week in DISGRACELAND is all about Christmas, thanks to our new episode on Mariah Carey and our REWIND episode on Derek and the Dominos, and it's got Jake talking Christmas music, electric shocks, and your emails, voicemails, texts, and DMs. How do you feel about "All I Want For Christmas Is You?" What are you doing -- or did you do -- for Christmas? Get in touch at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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Mariah Carey once lived under constant surveillance in her own home. Her husband planted cameras and recording devices around their prison-like mansion to watch her every move. He hired armed guards to follow her everywhere but the bathroom – the same armed guards who nearly shot Mariah’s collaborators when she unexpectedly dipped for a 30-minute joy ride. Despite her record-breaking five-octave pipes, Mariah Carey didn’t didn’t have a voice in her relationship for years. And when she did finally speak up to get a divorce, that’s when her husband’s stalking ended…and his sabotage on her career began.

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This week in DISGRACELAND, Jake is talking the new episode on Sean "Diddy" Combs, as well as the Rewind episode on the Temptations. Plus, your emails, voicemails, texts, and DMs. Do you think Combs is innocent? Guilty? Who are your favorite Motown artists? What's your favorite record label? What do you like most in the content we're bringing you? What are the best two-chord songs? What would you want on a DISGRACELAND vinyl? What Christmas music do you get most pumped on? Drop a line at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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Sean “Diddy” Combs is a music producer and rapper, but he is a businessman first. And as every businessman knows, you gotta pay the cost to be the boss. You’ve gotta bet big to win big. You have to have drive, determination, and swag. Three things that Diddy possesses and which helped Diddy navigate through the fallout of a fatal stampede, an alleged beatdown of a record exec, and a shooting at a Manhattan nightclub. All of them obstacles on the road to building one of the most dominant empires in hip-hop: a record label and a brand that commanded top dollar and defined the commercial apex of the genre in the mid-to-late 1990s.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week on the After Party, Jake talks the new DISGRACELAND episode on Jane's Addiction, the re-release of the Juice WRLD episode, new ideas, and more. Plus your emails, DMs, voicemails, and texts. Who is the greatest band of the 90s? Let Jake know at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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Jane’s Addiction’s Dave Navarro was only 15 years old when his mother was brutally murdered in her apartment by her ex-boyfriend. The killer escaped, and for eight long years eluded capture. During those years, Dave Navarro couldn’t shake the pain of his mother’s death or the fear of knowing that the man responsible was at large. He became addicted to heroin. He nearly died when he OD’d in a London flat. And his addiction helped drive a rift in his band just as they were reaching a critical and commercial height.

This episode contains themes that may be disturbing to some listeners, including descriptions of stalking and domestic violence.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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This week Jake is talking about DISGRACELAND's new episode on Michael Hutchence of INXS, as well as the previously-exclusive Rewind episode on Jennifer Hudson. Plus your voicemails, texts, and emails. What do you want for Christmas? How would you feel about combining the Double Elvis feeds to allow a more broad scope for Jake to tell stories? Get in touch at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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Michael Hutchence’s sudden death in 1997 at the age of 37 left a hole in the hearts of Australians and the world. His band, INXS, cut their teeth on the lawless pub circuit down under. Three shows a night, from sunrise to sunset. Hundreds of shows a year. The bond that they formed was life-changing for them all, but especially for Michael, whose greatest fear was being alone. And then Michael Hutchence had his life changed for a second time. He was sucker punched by a taxi driver in the street. That attack left him unable to smell or taste. It altered his moods. And it may have had something to do with the final day of his life.

This episode contains themes that may be disturbing to some listeners, including suicide. If you’re thinking about suicide, or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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Happy Thanksgiving, Disgos! This week Jake talks Blondie and Debbie Harry's run-in with Ted Bundy. Do you think the Debbie Harry/Ted Bundy story is true? Who's the coolest-looking band of all time? What is your Thanksgiving routine? What do you do, what do you watch, what do you listen to? Let Jake know at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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Blondie got their start as part of New York’s fertile punk scene in the late ‘70s, a time of great musical innovation. Also a time of great fear. Violent crime had the five boroughs in a stranglehold. Muggers, rapists, thieves, criminal deviants of all stripes ran wild in the streets. Or so they said. True New Yorkers like Blondie were tough, jaded, immune to the fears foisted upon tourists. Blondie’s Debbie Harry, in particular, was not a victim and not a mark. But she nearly became a victim to a soon-to-be infamous serial killer when she accepted a ride from a stranger.

This episode contains themes that may be disturbing to some listeners, including depictions of sexual assault.

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This week is all about U2, and this episode of the After Party is no exception. Jake breaks down his personal history with the band's music, and gets in to our new weekly format. What DISGRACELAND episode do you want to hear, new or old? What are your favorite musical tributes to fallen artists? What song do you want played at your funeral? Plus, Ellie wants to know your favorite Wu-Tang member. Drop a line at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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Years before a free album made them the most unpopular popular band on the planet, U2 ran into the arms of America. In 1987, touring behind their blockbuster album The Joshua Tree, their songs became lightning rods for violence. They received death threats in the States and became targets of terrorists back in their native Ireland. But it was the song “Exit,” written from the POV of a killer, that was linked with pure evil. That song allegedly inspired a man to hop an overnight bus to Los Angeles, carrying a loaded .357 Magnum and a copy of The Joshua Tree, ready to do whatever it took to meet the women he was obsessed with.

This episode contains themes that may be disturbing to some listeners, including descriptions of stalking.

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A special AFTER PARTY featuring a crossover episode with the award-winning UK-based true crime podcast REDHANDED. Jake joins REDHANDED hosts Suruthi Bala and Hannah Maguire to discuss the wild and tragic story of Marvin Gaye. The 1984 murder of one of Motown’s biggest stars – at the hands of his abusive, alcoholic, Pentecostal preacher father – stunned the industry. But despite the media frenzy, almost no justice was served. What are your thoughts on Marvin Gaye, or on this crossover episode with REDHANDED? Get in touch at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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Homicidal maniacs, home surveillance, a killer on the loose, attacks in the street, and an evil song that led to murder. Find out which music legends are featured in Season 14 of DISGRACELAND. New episodes drop every Tuesday starting November 14, with bonus episodes dropping every Thursday. Rocka rolla.

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This week wraps our Halloween countdown, and Jake is closing the loop on all the spooky discussions. Plus, DISGRACELAND and BADLANDS get another crossover episode with the latter's episode on the 1961 film The Misfits. How do you feel about crossover episodes? Get in touch at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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The Halloween season continues with our daily re-releases of the scariest DISGRACELAND episodes. Jake is wondering: What's the best rock star/horror movie crossover? What music scares you? Angie from the 443 wants to know what song you want played at your funeral. Do you have a question of the week for Jake and your fellow listeners? Connect at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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GZA may be the only rapper who lectures about quantum physics at Ivy League institutions including Harvard and MIT. That honor stems from his acknowledged role as “the Genius” – the so-called “Voltron head” of hip-hop’s most notorious group. A group that was targeted by the most hated man in America after that same man bought their one-of-a-kind album at auction for two million dollars. A group that nearly crumbled under the weight of resentment, acrimony, and lawsuits. A group whose past continued to come back to haunt them, particularly when Staten Island’s undisputed drug kingpins went on trial after a nearly 20-year reign of fear and violence.

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Masta Killa grew up in a city shaped and run by organized crime. A city where the most powerful underworld boss could be gunned down on a busy street in the middle of the day. But despite his menacing stage name, Masta Killa was not a killer. He was, however, a master. A master of subtlety and of life lived discreetly. He kept his family history – and his relationship to soul legend Marvin Gaye – a secret for decades. When drug dealers and gang members flipped for the Feds and spilled dirt on Wu-Tang Clan, Masta Killa’s name was kept out of their testimony. When a music journalist accused him of assault, he denied it. And when he finally released his solo debut, more than a decade after Wu-Tang’s debut, it happened at the same time that the feds were deciding whether or not his musical group was also a group of criminals.

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This week in DISGRACELAND saw the premiere of the Ol' Dirty Bastard episode, and it's got Jake thinking about other famous alter egos. Plus, Halloween music, seventies music, your voicemails, texts, and DMs, and a tribute to you, the listener. What's your favorite sad sack 70s music? What's your favorite Jim Croce album? What are the best alter egos in music? Favorite Halloween songs? And what's your favorite Disgraceland Halloween episode? Drop Jake a line at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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Ol’ Dirty Bastard once saved a four-year old girl who was trapped under a Ford Mustang. He took a limo with an MTV news crew to collect his welfare check. He was charged with attempted murder of an NYPD officer. Chased by bloodthirsty Rottweilers. Shot by men in ski masks. His fame led to an addiction to cocaine, and that addiction led to ten arrests in the span of a few months. He was granted a weekend furlough from a rehab facility but went AWOL and wound up on the lam. Before long he wound up in Dannemora, aka Clinton Correctional Facility, aka Little Siberia, a maximum security prison in upstate New York, where he had to go to extreme lengths just to stay sane – and to survive.

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The Wu-Tang saga continues in DISGRACELAND, and it's got Jake wondering about the most memorable ways that you’ve discovered great music in your lifetime. Plus, top fives, your correspondence, and the questions: What's your favorite Disgraceland Halloween episode? What are your top five Halloween songs? Your top five Halloween music videos? Get in touch at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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U-God was raised by the streets of Staten Island, where getting beaten up was a rite of passage that made you stronger. He was busted for driving a stolen car and assaulting a police officer. He dealt crack, and narrowly avoided a police raid on the apartment building he dealt from. He also dealt vengeance – he once came within seconds of killing a rival dope peddler. And when he finally put the violent life behind him and found freedom and joy in the music he made with Wu-Tang Clan, the ghosts of his past returned and placed his two-year old son in the crosshairs.

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Cappadonna may have taught a lot of the guys in Wu-Tang Clan how to rhyme, but he wasn’t around when the group first formed and released their incredible debut album. Because Cappadonna was in Rikers Island, doing time for someone else’s crack rocks. When Cap was released, the Clan welcomed him as the honorary tenth member of the group. But he brought someone else into the fold, too. A shady character who, unbeknownst to Cap and the rest of the guys, wasn’t what he seemed … a federal informant testifying in two major cases, one involving the mob.

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At just 15 years old, Inspectah Deck had to learn how to hold his own against older, more dangerous convicts when he was sent to jail for selling crack to an undercover cop. It wasn’t the first time he did hard time. Multiple stints behind bars gave him nothing but time – to reflect, to strategize, to learn how to rap, and to take that new skill and use it to turn his life around on the outside. But years later, the bad decisions of his youth were just some of the reasons why the the NYPD, the ATF, and the FBI were so interested in his groundbreaking hip-hop group.

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The After Party returns this week while DISGRACELAND takes a break from our full season on the Wu-Tang Clan, and Jake is talking the Wu's influences, Ringo Starr, Bruce and Brandon Lee - and of course your voicemails, texts, and DMs. What other artists are worthy of a full season in Disgraceland? Let Jake know at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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Ghostface Killah allegedly tried to steal three thousand dollars from a parking lot attendant. They said he was shot in the neck and shoulder in Steubenville, Ohio, shortly before the RZA went on trial for attempted murder. Or so the story goes. And it is true that he was busted with a .357 Magnum, hollow-point bullets, and a bulletproof vest during a routine traffic stop. It was stories and transgressions like these that led the Bureau of Alcohol, Tobacco, and Firearms to dig deep into Wu-Tang Clan’s past in order to build a new narrative that the music was merely a front for organized crime – a narrative that would soon go all the way to the FBI.

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As a teenager, Method Man won $800 on a $5 bet in a dice game. He used those winnings to set himself up as a crack dealer on Staten Island. Dealing was dangerous. Meth was chased by drug squads and dragged down the street when a potential buyer stole his product. His life was saved by a friend who pulled him out of the wrong place at the right moment – a moment in which he literally dodged a bullet.

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Corey Woods, aka Raekwon, was addicted to the styles, sounds, and crimes of hip-hop street culture in the 1980s. He sold weed, coke, and later crack to fund his expensive taste in clothes and parties. But that life wasn’t all glamor. He was shot four times and nearly killed when he was caught in the crossfire. And times were changing. The NYPD launched a street-level anti-drug task force to target low-level dealers – dealers like Raekwon, who found life as he knew it was about to suddenly change.

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Bobby Diggs (aka the RZA) grew up on a steady diet of kung fu movies and hip-hop music. As a kid he hung around junkies and prostitutes in Times Square. As a teenager he hustled dime bags of weed to day traders on Wall Street. But on Christmas Eve 1991, in Ohio, he was caught up in a shooting that landed him in a fight for his life.

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Jake dives in to the Wu-Tang Clan as DISGRACELAND embarks on a new season all on the group. Are they the best super group of all time? If not, who is? Plus, Bumblefest, Low Cut Connie, and your correspondence. Get in touch at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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Wu-Tang Clan made history with some of the most compelling hip-hop music of all time. They also made enemies with the NYPD, the ATF, and the FBI – the latter of which classified them as a "major criminal organization." The story of Wu-Tang's rise from the streets of New York to the world's stage is full of hustle, paranoia, bad drug deals, police shootouts, federal informants...and it's also the subject of the 13th season of DISGRACELAND. The first serialized season of DISGRACELAND starts Tuesday, September 5th, with new episodes dropping every Tuesday and Thursday, and bonus mini episodes every Monday. Rocka rolla.

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This week's re-release of the second part of the Notorious BIG episode comes along with somenew developments in Tupac's murder case - and maybe related to BIG's murder. Who do you think killed BIG? What about Tupac? Jake also talks Prince's acting career, nü metal, new metal, and non-biopic music movies. Drop Jake a line about these topics at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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In this installment of the After Party, we kick off our 50th anniversary of hip-hop by revisiting the two-part episode on The Notorious BIG. Jake asks about the biggest musical beefs of all time, he wants to know what job you're NOT doing while listening, and about your tattoo regrets. Let Jake know at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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It's Velvet Underground week in Disgraceland, and Jake is wondering if they are the most influential rock band? Plus voicemails, texts, Keith Jarrett, FIDLAR, and the question: what are your favorite end-of-the-workday songs? Let Jake know at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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The Velvet Underground put a spike in the status quo. They sang candidly about heroin, speed, and S&M. Their members included drug dealers and junkies. Their stage show was so perverted that it offended even the most liberal of peacenik hippies. Their benefactor and so-called manager, Andy Warhol, was nearly killed in an assassination attempt that shocked the country. But their songwriter, Lou Reed, wanted more than shocking headlines and offensive stage shows. He wanted to be a rock ‘n roll star. He wanted to have big hits. And he’d do anything to get what he wanted – even if it meant pushing everyone else out of the way.

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In Sonny Rollins week, Jake ponders the powers of talent and craft, and what makes musicians great. Plus, your voicemails, texts, and DMs. Who is the GOAT musician? What are the best duets? What's your desert island Dead album? And is talent or craft more important? Jake wants to know at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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Sonny Rollins did time at Rikers Island twice: first for armed robbery and again for using dope. He was a fiend and a pickpocket. He nearly got himself killed when he ran to Miles Davis’ defense after a bloody scuffle with a cop outside Birdland. At the same time, Sonny Rollins was universally acknowledged as the greatest living tenor saxophone player. But he wanted to get better. He knew he could kick dope and kick petty crime. He also knew that in doing so, he could improve his own playing. So at the age of 29, at the height of his musical powers, he disappeared. He left thousands of dollars on the table and retreated to the Williamsburg Bridge in New York City, where he practiced nearly every day, alone, for hours at a time – in hopes that his life would turn around.

This episode features Copper Nelson on saxophone.

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Jake connects his a-ha moment with country to the greats, specifically this week's DISGRACELAND subject Merle Haggard. Jake takes voicemails, texts, and DMs, and offers his best post-punk bands list. What are your top five music movies of all time? Introduce yourselves! Hit Jake up at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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Merle Haggard was what authorities liked to call a “repeat offender.” He was arrested for riding trains, for skipping school, for stealing cars, for robbing gas stations, and for attempting to knock over a restaurant – during the Christmas Eve rush. He was committed to juvenile halls, correctional facilities, and reform schools 17 times, and 17 times he escaped. When he was arrested for the final time, he was sent to do hard time at San Quentin. He turned 21 in prison. And it was in prison that he found the freedom he’d been running towards his whole life – freedom that was delivered from an unlikely source.

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On this week's After Party, Jake is talking the classic film Almost Famous, John Lee Hooker's baseball song Grinder Man, and taking your voicemails and texts. Who are the greatest English groups of the post-punk era? Does New Order make the cut? Jake wants to get to know you. Plus, what is "it" about your favorite artists? was 1994 the best year for music? Is Almost Famous the best movie about music? And what is so appealing about Jon Bon Jovi? Let Jake know at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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New Order proved that a rock band could make dance music and actually become cooler in the process. The musical hybrid they created helped define the sound of the 1980s. It also defined the growing subculture in their hometown of Manchester, England, specifically at the Haçienda, the nightclub they owned. But beyond a fine time, the club scene brought gang violence, a notorious crime family, cocaine, ecstasy, a mental breakdown, and an arrest at the height of New Order’s fame.

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After a week's break from the After Party, Jake catches up on voicemail, wraps up our musical mashup conversation, and explores Billboard's top rap groups kerfuffle. We get into season two of The Bear, Fourth of July songs, and Jake offers some insight into his own history. What is your favorite hip hop group? Can you recommend some weird, obscure 90s hip hop? Leave a message for Jake at 617-906-6638 or on socials @disgracelandpod, and come join the After Party.

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On May 22, 2017, a terrorist detonated a bomb outside Ariana Grande’s performance at Manchester Arena. The blast killed 22 people. It injured over a thousand more. The attack remains one of the most heartbreaking events in music history. Parents were terrified. Younger fans suddenly feared going to concerts. But Manchester’s story doesn’t end on May 22, or in the days that followed. It ends with one woman organizing the One Love concert, healing a new generation of young pop devotees. This is the story of hope in the face of terror.

This episode contains themes that may be disturbing to some listeners, including graphic depictions of violence.

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On this week's After Party, Jake is digging into why he loves and hates Aerosmith with a dive into a personal story from his way back machine. We ask the question: is it worth it to meet your heroes? More Hüsker Dü, more Fidlar, and more of your voicemails, texts, and DMs.

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At their peak, Aerosmith was sex, drugs, and rock and roll in the flesh, wrapped up in spangly scarves and jumpsuits. They crossed target practice with black tar heroin. Trained roadies how to feed them cocaine onstage. Frontman Steven Tyler claims he spent $6,000,000 on coke alone. Their chemical highs launched them to career highs that were equally staggering, until addictions and attitudes splintered the band into solo projects and a shadow of the band they once were. No group ever lived on the edge the way Aerosmith did – even when they were dangerously close to teetering over it.

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On this week's After Party, Jake is ready to dive into this week's Disgraceland episode on Lil' Kim, and to talk about how her career thrived after she was released from prison. A Disgo shares a literal heartbreaker of a story about the 2004 Red Sox, Jake talks Hüsker Dü and FIDLAR, and so much more. Jake also wants to know which musician had the best post-prison career - Lil' Kim, Merle Haggard, Lil Wayne, or Paul McCartney? Send a message at 617-906-6638 or on socials @disgracelandpod and come join the After Party.

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Lil’ Kim is the queen of hard core. She practically invented hard core sex positivity with her raunchy raps and head-turning getups. She survived a hard core beef that ended in a spur-of-the-moment shootout. Then she became the first female rapper to serve hard core time in prison…and release a full-length album from her cell. As Lil’ Kim blazed through the 1990s and early 2000s with searing bars about what she did in the bedroom, listeners idolized her unpolished and truthful takes on feminine sexuality. But in the end, it was a reckless lie that put her behind bars.

This episode contains themes that may be disturbing to some listeners, including domestic violence.

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This week on the After Party, Jake is sharing an interview he did with Foo Fighters' guitarist Chris Shiflett at this year's Boston Calling Music Festival. They're talking about how inaccurate guitar tutorial videos inspired Chris's new podcast, "Shred With Shifty", about Chris's beginnings in the Santa Barbara punk scene, and so much more.

Leave your own message for Jake at 617-906-6638 or on socials @disgracelandpod and come join the After Party.

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Jimi Hendrix spent much of his life pursuing a great escape. Escape from his abusive childhood home. Escape from his court-ordered time in the Army. Even an escape from his own band, the Experience, who he felt limited his groundbreaking sound. But when two wannabe mobsters lured Jimi into a hostage situation with the promise of heroin, Jimi came face to face with the most extreme – and rarely discussed – escape of his life.

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This week in the After Party, Jake is ready to dive into the latest Disgraceland episode on Jeff Buckley, and to talk about his crazy influences, like Nina Simone, Edith Piaf, and more. We're also talking your Paul Simon album recommendations, why working out to disco is so great, and much more. If you wanna let Jake know what your favorite disco song is, or why you don't like disco, send a text or leave a voicemail at 617-906-6638 and come join the After Party.

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Jeff Buckley released his only studio album, Grace, at the height of grunge rock. But it didn’t sound like grunge. It sounded like nothing else out there. It defied categorization. It was full of originals and covers, some complex and cerebral, others straight-up pop. From the pissed-off punk takes to the Eastern-influenced meditations, the constant was Jeff’s voice. A voice unlike any other. A voice that could do anything. A voice that was singing out loud on May 29, 1997, when Jeff Buckley, just 30 years old, waded into the Wolf River in Memphis…and never came back.

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Jake has been basking in the New England sunshine and listening to some John Coltrane. But first, we're talking about how moved 15-year old Jake was when he heard Eazy-E for the first time and going through your top three Disgraceland episodes.

What artists moved you when were 15 years old? Let Jake know via text or voicemail at 617-906-6638 or on socials @disgracelandpod and come join the After Party.

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Long before he created a paradigm-shifting hip-hop supergroup, Eazy-E lucked into life as a Compton drug dealer when he discovered a dead man’s hidden stash of money and cocaine. He used the lessons of hustling on the streets when he went legit and became a media mogul. He also became a target. He was extorted. His life was threatened. And it was later discovered that he was on the kill list of a white supremacist group that planned to start a war in the aftermath of the Rodney King trial and the L.A. riots.

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Jake is back from his trip to Rhode Island and he's recommending some more music, including a Taylor Swift song or two. But first, we're talking Justin Bieber, parents of pop stars, and more. Let Jake know what your top 3 Disgraceland episodes are at 617-906-6638 or on socials @disgracelandpod and come join the After Party.

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Justin Bieber is the pop star who went from preteen heartthrob to pure hedonist seemingly overnight. He raced into a bumpy adulthood when he mixed drag racing with a DUI. His frat bro of a father steered him towards a life of intense partying that encouraged smoking hazardous amounts of pot on private planes. The boy who once sang the hit single “Baby” was suddenly an unbearable man, barreling towards an early death with a smug attitude. Americans called for his deportation. One deranged fan plotted his murder. And it was up to Justin to exit his life in the fast lane – before it was too late to say sorry.

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Best-selling author and former guitarist of the Del Fuegos Warren Zanes talks with Jake about interviewing the Boss for his new book, Deliver Me from Nowhere: The Making of Bruce Springsteen's Nebraska, touring with the Del Fuegos in the '80s, and more. A brand new Disgraceland episode on Justin Bieber comes out next Tuesday and a Badlands episode on James Dean comes out next Wednesday. Leave your own message for Jake to reply to at 617-906-6638 or on socials @disgracelandpod and come join the After Party.

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Unprovoked killing sprees. Nightclub gunfights. Mafia assassinations. True crime stories and modern folklore make up the backbone of many of the characters from Bruce Springsteen’s Nebraska, one of the Boss’s greatest albums. Which ones are real, and which ones are myth? This is the story of those stories: the story of the making of Nebraska.

This episode contains themes that may be disturbing to some listeners, including graphic depictions of violence.

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Jake is still watching music videos on his TV like it's 1991 and teases Season 12 of Disgraceland, which hits your feeds on Tuesday, May 16th. He also wants to know what Gov't Mule records and books to check out and what your favorite '80s and '90s music videos are. Leave a message for Jake to reply to at 617-907-6638 or on socials @disgracelandpod and come join the After Party!

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Mafia assassinations, drag racing, extortion, eternal life, and doing time at Rikers Island and San Quentin. Find out which music legends are featured in Season 12 of Disgraceland. New episodes drop every Tuesday starting May 16th, with bonus After Party episodes dropping every Thursday. Rocka rolla.

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Jake is slowly recovering from the Bruins' humiliating loss the other night but is ready to talk about the latest Badlands episode on Richard Pryor, how a hardcore kid like him got into Bruce Springsteen, and more. He teases a wacky 60-second video on Billy Idol, now available on our YouTube channel, @disgracelandpod. Let Jake know who your favorite '80s pop stars are at 617-906-6638 and come join the After Party.

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Jake is back in the studio after getting some R&R down in Florida last week and is making his way through your texts, emails, DMs and voicemails. But first, he's talking about what kind of artist makes a great Disgraceland episode, William Hurt in Body Heat, and why channel surfing is better than streaming. A new season of Badlands launches next week on May 3rd with a Richard Pryor episode and a new bonus episode called Wrap Party. Leave your own message for Jake to reply to at 617-907-6638 or on socials @disgracelandpod and come join the After Party!

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Willie Nelson left Nashville and reinvented himself in Austin, Texas as the ultimate outsider. It was a metamorphosis from freak flag flier to mainstream mainstay that is rife with tales of drug smuggling, arson, and international run-ins with Johnny Law. Not to mention a lifelong association with grifters, con men, and thieves, and how that led not only to one of the most publicized busts of a superstar in the 20th century, but also to an extended family fueled by karma and loyalty.

This episode contains themes that may be disturbing to some listeners, including suicide. If you’re thinking about suicide or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255.

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Broke and depressed, Willie Nelson almost joined the 27 Club on a snowy Nashville street late one night – before he’d even sold a single song. He drank, smoked, and cheated his way through multiple marriages. He was nearly beaten to death by an angry husband in a parking lot. He wielded a shotgun and a rifle during a shootout on his own property. And after ten years of trying to make it on Music Row, he had the courage and the confidence to start all over again after a fire threatened to destroy the world he was living in.

To view the full list of contributors, see the show notes at www.disgracelandpod.com.

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Jake dives deep into the chilling, new Skip James episode and tries to explain what makes an Irish rock 'n roll band just sound so.... Irish. Sharon Tate and Poltergeist are now re-released into the Badlands feed, wherever you listen to podcasts. Plus, Jake listens to your pleas for an INXS episode and wants to hear what your favorite '80s horror movies and Irish rock bands are. Leave your own message for Jake to reply to at 617-907-6638 and come join the After Party.

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Skip James’s most famous lyric was “I’d rather be the Devil” and he put his money where his mouth was. He is believed to have shot a man dead, spent time as a pimp and a bootlegger, and womanized up and down the United States. Skip may have eventually found religion, and even recognition as the last great bluesman to be discovered by white America, but all that devilish living–and a possible hex–would bring his lifestyle to a brutal end.

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Jake has been into everything from disco to Dylan's Christian era this week, but he's making time for a testimonial to the MC5's greatness, to announce fresh Badlands content coming your way, and field your suggestions and recommendations. Leave Jake your own message to respond to at 617-906-6638 or on socials @disgracelandpod and join the After Party

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MC5 embodied revolution in a way most bands only pay lip service to. The Detroit cops sent riot squads and even a tank to break up their shows, and even raided their house. They were the only band to play at the infamous protest outside the 1968 Democratic National Convention. Their radical manager, John Sinclair, wrote manifestos allying with the Black Panthers and declaring rock ‘n’ roll THE vehicle for revolution. But by the 1970s, all that idealism curdled into the classic story of broken record deals, drugs, crime, and jail, with redemption only possible through personal, not political, revolution.

To view the full list of contributors, see the show notes at www.disgracelandpod.com.

This episode was originally published on April 11, 2023.

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Jake's been listening to guitar greatness and has some classic recs to share. But first, he's fielding your recs in a packed mailbag of Disgo texts, VMs and DMs. We're talking the Mets, we're talking Lou Reed and Badlands get some fan love, and a whole lot of you are talking about your Top 5 Movies lists.

Hit Jake with your own message at 617-906-6638 or on socials @disgracelandpod and come join the After Party!

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At the end of the 1960s, Sly Stone was at the center of a groundbreaking musical movement that intended to break down barriers of race and genre, all in the service of making people happy. But at the dawn of the 1970s, Sly Stone suddenly was not happy. His L.A. mansion was overrun with cocaine, PCP, guns, and bodyguards. He was strongarmed by the Black Panthers. He thought his own bass player hired someone to kill him. He drew the attention of local law enforcement. Before long, he was crossing paths with cops from coast to coast, busted time and again for drug offenses – including when he went on the lam under a false name and was declared a fugitive from justice.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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Jake dives under the hood of the unique, new 2-part Lou Reed episode. He teases the over-the-top insanity of the Bjork stalker story, now available for your eyes to binge over on our YouTube channel, @disgracelandpod. And your calls texts and e-mails cover everything from great spring albums to Top 5 Movies and episode requests. Leave your own message for Jake to reply to at 617-906-6638 and come join the After Party.

This episode is sponsored by Microdose Gummies. To learn more about microdosing THC, go to Microdose.com and use code DISGRACELAND to get free shipping and thirty percent off your first order. 

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Lou Reed blurred the lines between fact and fiction when it came to his past. To him, it was all a walk on the wild side anyway. After exploring his life in Part 1 through his lyrics for the Velvet Underground songs “The Gift”, “Waiting For My Man”, “Heroin” and “The Murder Mystery”, Part 2 continues through the songs “Rock And Roll”, “Sweet Jane”, “Run, Run, Run”, “Venus In Furs”, and “I’ll Be Your Mirror,” because tall tales and music led Lou all the way home.

For a full list of contributors, see the show notes at disgracelandpod.com.

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Lou Reed is one of the greatest rock ‘n’ roll characters of all time, one known to lie and exaggerate his own mythology during interviews about his past. In this special 2-part episode, Lou’s origin story with the Velvet Underground runs straight through Manhattan transgressions, murder mysteries, drug abuse, and all the other crimes, criminals, and antisocial behavior depicted in Lou’s legendary lyrics.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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Spring is here and Jake is listening to his all-time springtime records. Peter Tosh and Keith Richards are out on YouTube @disgracelandpod. And a dedicated Disgo comes through with our first submission for the Recommendations Part theme music! Leave your own messages for Jake to respond to at 617-906-6638 and come join the After Party.

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Rocka Rolla Disgos. It's been a wild week. Jake is riding high off a win for the show at the Ambies in Vegas, a trip to Maine, and yes, your listener messages. Not to mention Mick Jagger assassination attempts, All Quiet's Oscar wins, and the greatness of 90s movies. Hit up 617-906-6638 to join the after party and hear from Jake yourself.

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Otis Redding was nearly shot by James Brown while performing at an after hours club. He played sweet soul music to crowds of KKK sympathizers. He took the stage in his hometown despite a threat on his life. But as the former VP of Stax Records once said, Otis was an overcomer. He overcame danger, violence, and fear, in order to focus his sights on unprecedented commercial success. But in his great quest to jump from R&B to pop, Otis Redding crossed over in more ways than one.

For a full list of contributors, see the show notes at disgracelandpod.com.

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The After Party celebrates the Lynyrd Skynyrd episode, provoking the question: how does Jake decide which episodes deserve two parts or even their own series? In other corners of the party, a listener reviews Rocka Rolla lager, the new Disgraceland partnership with Orono Brewing. Jake reviews Chris Rock. And a very special phone book reading from Hill Valley, California.

Join the party: leave Jake a message at 617-966-6038

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Lynyrd Skynyrd’s lead singer, Ronnie Van Zant, was a violent bully from the mean streets of Jacksonville, Florida. He tried to maim one of his guitar player’s hands with a broken bottle. He knocked out his piano player’s teeth not once…but twice. He held a gun to his drummer’s head during rehearsal. And when his bandmates followed suit with their own debauched antics, Ronnie turned their drug-and-alcohol flirtations with death into hit songs. Lynyrd Skynyrd even wrote their own eulogy.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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Jake covers it all in this week's After Party: his thoughts on the latest pod episode, our Cocaine Bear coverage on YouTube (yes, it involves music), and oh yeah, Jake's wife finally made him watch The Matrix.

Send Jake your own messages about what he should watch, listen to, read, or even write in future Disgraceland episodes. Hit him up at 617-906-6638 and you just might hear yourself on air soon. Come join the After Party.

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Mac Miller was threatened by the most powerful man in the world. Rejected by some of the most powerful tastemakers in the music industry. Dumped by one of the most popular singers in the universe. He worked tirelessly to overcome these challenges, transforming his art and thus transforming himself. But it wasn’t an easy road. An unexpected backlash to his debut LP led him down some previously unexplored and increasingly dark rabbit holes, where he found not only creative rebirth–but the point of no return.

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Friend of the pod and incredible documentary filmmaker Tiller Russell (Netflix's Night Stalker: Hunt for a Serial Killer and the upcoming Waco: American Apocalypse) chats with Jake about AC/DC's connections to Richard Ramirez, the weight of dealing in crime stories, and much more. In other corners of the After Party, Jake shares details of his recent trip to Daytona and catches up on your messages. Join the party and leave your own message for Jake to reply to at 617-906-6638 and follow @disgracelandpod on socials.

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In the 1980s, AC/DC’s biggest fan was a notorious serial killer. The band was an international best-selling hit machine, and members like the late Bon Scott and die-hard Angus Young became rock icons. But when the press caught wind of the disturbing fandom of the serial killer Richard “The Night Stalker” Ramirez, the news quickly dragged the world’s most fun, pure rock ‘n’ roll band straight down the highway to hell and into the center of a media firestorm around Satanic Panic and the inspirations of a murderer.

This episode contains themes that may be disturbing to some listeners, including graphic depictions of violence and sexual assault.

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Jake celebrates Disgraceland's 5 year anniversary happening this week! Season 1 just re-released, Season 11 just started with 50 Cent, and Jake talks about it all. And he's caught up on some of your viewing recommendations--hit Jake up with your own recs, questions, and stories at 617-906-6638 and join the After Party!

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Curtis “50 Cent” Jackson was dealing crack by the age of 10, born into the height of the epidemic in Queens. He faced possession charges while still in high school, made a career as a dealer after, got stung and raided by cops, but always had his mind on the mission: to get rich, or die trying. And when he found out he was going to be a father, the idea of getting rich through music rather than drugs suddenly made a whole lot of sense. But it would still take a horrifying nine-bullet wake-up call to finally push him to peak achievement.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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Shootouts, drug running, crashing cars and planes, and walks on the wild side. It's almost here: find out which musical icons are featured in Season 11 of Disgraceland. New episodes drop every Tuesday starting February 14th. Rocka Rolla.

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Got a Disgraceland pitch? Know a cover that beats the original? What are you reading watching and listening to? Jake closes out Season 10 of Disgraceland with a fan mailbag deep dive. Leave your own message at 617-906-6638 and join the After Party.

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Mama Cass’ role as Hollywood’s hippie den mother pulled her into the orbit of troubling company during the “Summer of Love.” The former singer of The Mamas and the Papas thrived in Laurel Canyon's social circles, which included her close friend Sharon Tate and Sharon’s husband, filmmaker Roman Polanski. But Cass’ alleged involvement in some of the long rumored-hedonistic events put her at the center of a counter-narrative that explosively disrupts the supposed motive for the Manson family murders. Decades later, there’s plenty to debunk about the final years of Mama Cass’ life— including a silly, fat-shaming myth surrounding her death that has persisted for nearly 50 years.

This episode contains themes that may be disturbing to some listeners, including domestic violence and graphic descriptions of violence and sexual assault.

To see the full list of contributors see the show notes at www.disgracelandpod.com.

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The wildest on-stage freak outs (and even deaths), Jake's master movie list, your texts calls and emails, and of course... the down low on the latest episode in our extended Manson coverage: the Mamas & the Papas Part 1.

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Cass Elliot, AKA "Mama Cass" from The Mamas and The Papas, broke the mold of female pop superstardom and shattered expectations of what women in music “should” be. She also was arrested in London for theft, dated international drug dealers, and tanked what was supposed to be a career-defining solo performance while flying high on Iranian hashish. To this day, the biggest controversy swirling around the singer is her connection to the 1969 Manson Family murders. Her actions during the so-called “Summer of Love” might even be why the motive for the murders America has come to accept as fact…is actually entirely false.

To see the full list of contributors see the show notes at www.disgracelandpod.com.

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Charles Manson the Music Man, the tale of Trent Reznor's time in the Cielo Drive murder house, and Jake's latest takes on All Quiet on the Western Front, White Lotus, and your listener messages. Leave your own message at 617-906-6638 and join the After Party!

This episode contains themes that may be disturbing to some listeners, including domestic violence and graphic descriptions of violence and sexual assault.

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In and out of juvie and jail since childhood, Charles Manson learned guitar in prison from the last of the great Depression-era gangsters. He also made music industry connections in jail like the Rolling Stones’ road manager. During the "Summer of Love", Manson bounced from prison and took his act to San Francisco, formed a drug-soaked sex cult, moved the whole Family to L.A., and before you could say “celebrity orgy,” he was hanging with Neil Young, the Mamas and the Papas, and the Beach Boys. Charles Manson was about to be the breakout star of 1969…at least in his own mind.

This episode contains themes that may be disturbing to some listeners and includes graphic depictions of violence.

To see the full list of contributors see the show notes at www.disgracelandpod.com.

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Robert Johnson didn’t just play the blues. He embodied them. He drank and womanized his way through the South, New York, and Chicago in the 1930s, until he finally met the devil at the crossroads for a little trade. So the legend goes, anyway. With the same soul he supposedly sold to the devil, Robert Johnson belted lightning blues that captured trouble in 12 bars. But the trouble he touted would eventually trickle into his own life, one bottle of poison at a time.

This episode contains themes that may be disturbing to some listeners and includes descriptions of racial violence and traumatic childbirth.

To view the full list of contributors, see the show notes at www.disgracelandpod.com.

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Chris Brown established himself as America’s most hated pop star when he brutally assaulted Rihanna in 2009. But long after the well-publicized attack on his then-girlfriend, Brown’s lengthy criminal record continued to unravel, as he shuffled between different rehab facilities, prison, and the custody of U.S. marshals. His reputed red-hot temper and fighting fists even resulted in a 10-hour police standoff outside of his California mansion—over an alleged charge that might have been one of the few times the troubled R&B singer didn’t actually do anything wrong.

This episode contains themes that may be disturbing to some listeners, including domestic violence.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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Ringo Starr’s first show as the Beatles’ new drummer was nearly ruined by a hostile audience that wanted him out of the band. Although he was finally accepted as one of the Fab Four, he was still targeted by those who did not wish him well. French-Canadian separatists in Montreal threatened to kill him. Mexican Federales tried to lock him up and throw away the key. And a decades-long running gag that he wasn’t creatively on par with his fellow Liverpool lads nearly undermined his legacy. It wasn’t until Ringo conquered his own beaucoups of blues that he got the respect he deserved and the world recognized him for what he is: in the words of his old mate John, “the greatest.”

This episode contains themes that may be disturbing to some listeners and includes descriptions of domestic violence and suicide. If you're thinking about suicide, or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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Jennifer Hudson shocked her hometown of Chicago when she was eliminated from American Idol in 2004, only to surpass everyone’s expectations when she later raked in awards and rave reviews for her role in Dreamgirls. Yet grief washed over Chicago again when her mother and brother were found slain in their Englewood home, and the smallest member of the Hudson family was declared missing. Their tragic story begins with betrayal and ends with a heartbreak so severe, only Jennifer’s long-standing faith could put it back together.

This episode contains themes that may be disturbing to some listeners, including graphic depictions of violence. 

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In 1977, the world’s most controversial band didn’t stop when they were dropped by their major label only months after they were signed. John Lydon, Steve Jones, and the Sex Pistols continued their feud with the corporate music world, the English monarchy, and a horrified public. It was a struggle made all the more difficult by the introduction of the group’s most volatile member, a junkie who was barely clean–or competent enough–to find his way around four strings. The band’s grand plan to conquer America royally backfired and ultimately led to an explosive and bloody downfall. To paraphrase Neil Young, "this is the story of a Johnny Rotten," but it’s also a story about how great music can shock, scandalize, and galvanize the world. 

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Punk rock’s greatest debut record was penned by a singer who saw traditional rock ‘n roll as a disease that needed to be eradicated and a sex-addicted guitarist who stole wallets, bikes, cars, and more than a few pieces of musical equipment to outfit the band. They cut their teeth performing for hardened criminals at a maximum security prison. They destroyed other bands’ gear and slept with their girlfriends. They scammed the working class system that had scammed them for years, by convincing the biggest record label in the world to release their controversial music. And they did all of this before the most infamous Pistol of all ever strapped on a bass guitar and pretended he knew how to play.

This episode contains themes that may be disturbing to some listeners, including self-harm and child sexual abuse.

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Pink Floyd’s original frontman, Syd Barrett, did so much LSD that he experienced a mental breakdown just as the band began to achieve mainstream success. His drug use began as mind-altering inspiration for his art, but quickly became a coping mechanism for the demands of commercial success. He became paralyzed in front of television cameras. He detuned his guitar until it was literally unplayable and refused to perform alongside his band. Then he stopped showing up at all.

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This episode was originally published on August 9, 2022.

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Britney Spears’ 13-year conservatorship was an arrangement so strict and unfeeling that it left her without any control of her career, loopy on lithium, and completely silenced for the sake of seeing her sons and boyfriend. As Britney suffered in silence, she worked nearly non-stop, generating more hits — and revenue — so her father could claim his cut of the profits. But after hundreds of shows in Las Vegas and $137 million in box office sales, Britney buckled and told her conservators “no.” Then her social media went radio silent in 2019. This is the story of what came next — and how Britney Spears finally broke free. 

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This episode was originally published on July 26, 2022.

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No musician owned pop music quite like Britney Spears at the turn of the century. After graduating from Mississippi tween queen to full-fledged American superstar, her fame exploded at a time when tabloids circled celebrities like prey. 30 to 45 predatory paparazzi would follow Britney’s every move during 12 to 14 hour shifts, eager to document the collapse of her marriage and social circle. As her public image crumbled, it’s no wonder Britney ended 2007 with a bald head and a “blackout.” The conservatorship that came next, however, surprised everyone—even Britney herself.

This episode contains themes that may be disturbing to some listeners, including domestic violence and suicide. If you're thinking about suicide, or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255.

This episode was originally published on July 12, 2022.

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George Harrison famously survived the dissolution of the Beatles, a bust by London’s drug squad, a potentially bloody visit from the Hell’s Angels, and a few rounds with cancer. But on the final day of the 20th century, his strength and faith were put to the ultimate test. A crazed fan, convinced that the Beatles were evil and George was a sorcerer who had possessed him, broke into George’s Friar Park estate in the dead of night with one goal: to murder George Harrison.

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The Temptations were one of Motown’s signature vocal groups, and they remain one of the most successful R&B acts of all time. But fame and drugs corrupted them from the beginning. Lineup changes were as frequent as their chart-topping hits. Eventually their rocky road led to drug addiction, crippling paranoia, routine backstabbing, and one of the most tragic deaths in the history of the Motor City.

This episode contains themes that may be disturbing to some listeners, including discussions about suicide. If you’re thinking about suicide or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255.

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When it came to music, Miles Davis wasn’t about no safe, tired yesterday bullsh*t. After kicking his heroin addiction, he traded bespoke suits for fringe jackets and spearheaded an experimental blur of jazz and rock, eclipsing his contemporaries with a complete reinvention of himself. But the second act of Miles’ life came fraught with failures and new fixes, including a wrecked Lambo, two broken legs, and a mountain of coke and pills so massive that Miles almost never made it down the other side.

This episode contains themes that may be disturbing to some listeners and includes descriptions of domestic violence.

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Miles Davis is jazz’s first and only rock star, with the rap sheet to prove it. He did enough cocaine to run down the entirety of 52nd street, and pimped out women when performing wasn’t paying the bills. At one point, his heroin habit was so public that clubs who had once welcomed his brilliant bebop instead froze him out completely. When he wasn’t vying to keep his rightful spot in jazz’s upper echelon, he was doing time at Rikers Island or dodging racist cops on the prowl for any junkie they could find. Miles Davis invented cool, but nearly destroyed himself in the process.

This episode contains themes that may be disturbing to some listeners and includes descriptions of domestic violence.

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The loss of emo-rap trailblazer Juice WRLD is one of the most sudden, tragic, and graphic celebrity deaths in recent memory. His adolescence experimenting with bold beats, prescription pills, and lean set him up to become Gen Z’s new spokesperson. His music helped hit the reset button on popular music, transforming a once-bubbly genre into an all-consuming wormhole of depression, tension, and heartache. But his music earned more than just a global audience — it also drew the attention of the FBI, a force that was very present during Juice WRLD’s final days.

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Billie Holiday ascended from the rough and tumble streets of Baltimore and Harlem, through reform school, brothels, and Welfare Island, right to the top of the music game. Her childhood fascination with “whorehouse music” filled a void in her lost innocence, but she soon found a second stabilizer: Heroin. Just when her sensational “Strange Fruit” brought her to Columbia Records, her dependency on hard drugs landed her behind bars. Her mesmerizing voice ensnared listeners unlike any other jazz singer of her day, but in the end, it was narcotics that eventually ensnared Billie Holiday and sealed her fate.

This episode contains themes that may be disturbing to some listeners and includes descriptions of sexual assault.

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In the 1970s, The Eagles made taking off into the upper stratosphere of the charts look easy. Their near decade-long reign of rock afforded them hobbies like dismantling hotel rooms with chainsaws, playing chicken with private jets, and joining delirious drug dealers on high-speed Corvette rides. But after nearly a solid decade of stadium sell-outs, No. 1 singles, top-selling albums and enough cocaine, sex and tension to make even the hardest, wildest, ’70s rock ‘n’ rollers cry uncle, the Eagles had burned out. They were at the top of their game in a decade that they owned, yet somehow, the greatness they sought had destroyed them.

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From games of chicken on private planes to one member surviving a private plane crash, the Eagles as a group very narrowly survived themselves. During their early days, they dosed out on Peyote and reimagined and reconfigured a new FM sound for the ages that would result in unimaginable success and excess. When their debut record was released on Geffen Records in 1972, America couldn’t have been more ready for their breezy, countrified Southern California sound. Yet something else came with their that heady, golden age of California in the 1970s, that era of endless cocaine, groupies, money, and excess beyond anyone’s wildest dreams. As the Eagles would soon learn, that “peaceful easy feeling” they were peddling wasn’t built to last.

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This week Jake talks the inspiration and background behind this week's brand-new DISGRACELAND episode on Anthony Bourdain, plus your emails, voicemails, texts, and DMs. What did you think of the Bourdain episode? What other icons should we cover this year? Get in touch at 617-906-6638, [email protected], or on socials @disgracelandpod, and come join the After Party.

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Hank Williams defined the genre we now call country with a guitar in one hand and a bottle of booze in the other. In between stints in the local drunk tank, he cultivated a knack for blue-collar blues that would spread far beyond the backwoods South Hank called home. His self-proclaimed “hillbilly music” logged him more than 30 hit songs and membership at the Grand Ole Opry, fulfilling Hank’s lifelong dream. But his frequent bouts with the bottle would ultimately strip him of that membership, sending him from the Ryman Auditorium to the sanatorium – and ultimately, an early grave.

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With their newfangled ska-punk, Sublime preached the gospel of Long Beach’s seedy shores unlike any band before them. They also incited a riot at the first show, vandalized their record label’s headquarters, and did unspeakable deeds to a Dennys kitchen with their mobile home’s septic tank. The group’s musical legacy is inseparable from their reputation as hoodlums and hedonists, in part because those are precisely the people Sublime wrote about. Sublime was born in California, raised in California, but before they could get much farther, Sublime died in California, too.

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When a mystery arsonist set Tom Petty’s house on fire in the late 1980s, he barely escaped with his life. But there was another danger looming around the corner — a heroin addiction that drove him into a pit of isolation from his family, his fame, and his bandmates. Petty barely hoisted himself of it. The Heartbreakers’ bass player, Howie Epstein, wasn't so lucky. After the first phase of Tom Petty’s career burned to the ground, the stage was set for a descent into depression, dependency, and a triumphant turn-of-the-century return. 

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This episode was originally published on January 25, 2022.

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Taylor Swift has a list of stalkers longer than her stadium tour setlists. One drove over 900 miles to hand-deliver his “love” letters to her then-record-label, Big Machine Records. Others have showed up to her homes bearing rope, lock picks, and tools to break her windows. The threats on her life have become so persistent that her security team once installed facial recognition software at the venues she performed in, specifically to distinguish her stalkers from her fans. While making some of the most recognizable pop songs in music history, Taylor Swift also became one of the most recognizable women in the celebrity sphere – a title that on many occasions has nearly cost her life.

This episode contains themes that may be disturbing to some listeners, including descriptions of stalking and sexual assault.

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In 1960s London, for young guitar enthusiasts, believing that “Clapton is God” was practically the 11th Commandment. In 1970 he lent his big, sticky tone to yet another band: Derek and the Dominos. The group’s white-hot blues burned bright for barely more than a year, but their impact was massive. Guided by drug, alcohol and heartbreak free-fall, Eric Clapton created one of rock’s most recognizable guitar riffs, while drummer Jim Gordon contributed God’s great piano coda. Except Gordon was guided by something far more sinister — something that started with incessant voices in his head, and ended with a hammer, a butcher knife, and a dead mother.

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The original Woodstock was a literal disaster, declared so on its first day by the state of New York. There were fights, onstage, armed black-shirted hippie gestapo on patrol, and most notably, two dead kids on record. The festival was born of violence, sparked into existence out of organizer Michael Lang’s standoff with hillbilly armed guards and cops from down in Florida. The lasting image of Woodstock as a time of idyllic harmony is a nostalgic gimmick, as is the 1970 documentary about the events that took place up in Bethel, New York that fateful weekend. If any director were to make a truly realistic movie about Woodstock, their film would be an unhinged disaster movie.

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Woodstock is remembered as the generation-defining moment when the baby boomers demonstrated to the world the power of peace, love and communalism. In reality, what went down at Old Man Yasgur’s farm in August 1969 involved extortion, deaths, countless overdoses, near-mass electrocution, and a state of emergency. Not to mention a restless crowd that doubled in size seemingly every time festival producer Micheal Lang lifted his head to survey the drug-addled chaos. All he wanted was a new kind of festival—a celebration of utopian hippie idealism. Instead, for three long, lawless days, Lang got much more than he bargained for during one of the messiest moments in American music history.

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Black Sabbath are solely responsible for conjuring the diabolical power of heavy metal. When guitarist Tony Iommi lost his fingertips as a teenager, he turned to a less painful style of playing— a style that produced a new, genre-defining type of gloom and heaviness. The band climbed through the seven circles of British podunk hell to international rock star success, but the lore of their dark imagery compelled the freaks to flood out of the woodwork and to their shows. Despite composing songs that warned against the evils of the occult, Black Sabbath attracted legions of devil worshippers, occultists and 1970s freak-flag-flying practitioners of the dark arts. Kids went mad for their metal. Critics hated it. And much to the band’s dismay, Satanists found their battle cry in the heavy gloom that Black Sabbath had awakened.

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Fleetwood Mac’s mid-’70s merger with the musical duo of Lindsey Buckingham and Stevie Nicks changed the course of the band forever, propelling them to Top 40 mega-fame and cocaine-fueled excess. At the core of it all were rampant Rumours — both the album and the literal gossip. Breakups, divorce, drama: the same intra-band personal dynamics that stressed the group simultaneously led to the creation of one of the top-selling albums of all time. For Fleetwood Mac, Rumours was how the truth came out. And over 40 years later, there’s still a lot that needs clearing up.

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Few bands can boast a rock ’n’ roll lore at the level of Fleetwood Mac. The band lost not one but two guitarists to cult-like religious freaks. Two band members were arrested on gun charges. They encountered doom brought on by drugs, money, and Jesus Christ. Most famously, the band involved themselves with each other romantically in ways that brought on jealousy, distrust, anger, divorce and resulted in one of the most successful albums of all time. From their earliest days as an English blues band to the pop superstars they would become in the mid to late ’70s, one thing about Fleetwood Mac never faltered: They always had talent — and drama — to spare.

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Tommy James came up during a time when the music industry was in part controlled by New York’s Italian mafia. And for a period in the 1960s, that power was centralized at Roulette Records. The record label was run by convicted extortionist Morris Levy and operated in partnership with the Genovese crime family. Tommy James’ hits were sanctioned by the mob, the same mob that would threaten not only his career, but his life.

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Gunned down onstage by a delusional fan who thought his metal heroes had stolen lyrics from him, Dimebag Darrell Abbott blazed a savage new trail in hard rock during his short time on this earth. Weaned on Eddie Van Halen, Dimebag Darrell would wow the guitar gods he bowed down to as a teenager and gave metal a groove that the music had been lacking before Pantera made their first definitive statement, Cowboys from Hell. Though they made mean music, Darrell and his brother Vinnie were always accommodating and accessible to their fans, which may have been their fatal flaw.

This episode originally aired on August 3, 2021.

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Ray Charles was hooked on heroin, arrested by federal agents, and once survived a near-death plane ride by helping the pilot - as a blind man. He invented R&B. He was powerful enough to bring black and white culture into one. He was a genre-melding musical genius. Despite being born into a literal dirt poor existence in the Jim Crow era Deep South, despite going completely blind by the age of seven, and despite his addiction, Ray Charles influenced everyone from the Beatles to Belushi. And he made some of the greatest music of all time.

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This episode was originally published on July 13, 2021.

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In the early 1970s, John Lennon was suspected of conspiring to disrupt an American political convention and contributing to a paramilitary terrorist organization. Authorities took notice. So much so that the President of the United States took action to have the so-called “smart Beatle” deported. Lennon’s politics were way more violent and revolutionary than simply imagining all the people living life in peace and harmony.

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Despite his reputation as “the safe Beatle,” Paul McCartney was a badass. He took wild artistic risks, rubbed elbows with truly dangerous characters and because of his crimes, did hard time in one of the world’s most notorious prisons. His public spats with Beatles bandmate John Lennon are the stuff of legend, as is the “Paul is dead” conspiracy at the end of their time together as a band, but the truth may be even stranger.

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In part two of the Notorious B.I.G. story we see the young star trying to deal with life after the death of his rival (and one-time friend), Tupac Shakur. We also get a glimpse into the motivation behind the making of his final album, the aptly titled, Life After Death and get deep into the mystery behind his still unsolved murder.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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The Notorious B.I.G. entered adulthood as a crack dealer and left this world as one of the most famous hip-hop stars of all time. He was murdered mysteriously and before that was arrested almost too many times to count. He eventually altered the course of hip-hop with the release of his debut album, Ready To Die, an album that served as a soundtrack of sorts for the highly publicized, dangerous, violent beef between himself and his one-time friend, fellow rapper, Tupac Shakur. But that whole saga almost never happened. Find out what changed the course of Biggie Smalls’ life and ultimately led to his untimely demise in part one of The Notorious B.I.G. story.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership.

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Lil Wayne grew up on the mean streets of New Orleans. His father split when he was two, and his stepdad was shot before he was a teenager. Wayne poured his pain into his rhymes and started cutting tracks for Cash Money Records, seeing hip-hop as the only way out of a violent scene. When his mother forced him to quit rapping, the only way out Wayne saw was suicide. Miraculously, he survived and went on to become one of the most successful artists of all-time, staying true to his roots throughout all his triumphs and tribulations.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership.

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Follow Jake and DISGRACELAND:

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