Fatal Attractions

The gang head to Netflix and consider the current state of the erotic thriller genre, and talk about movies about writers, dubious depictions of mental illness, and poor decisions in Anna Elizabeth James' Deadly Illusions.

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The gang return with a look at one journalist's attempt to uncover the truth behind a dead woman that haunts the past of a famous comedy double act, and the uncomfortable truths she finds for herself along the way, in Atom Egoyan's Where the Truth Lies.

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The gang sit down with special guest Michael Mohan to discuss his new film The Voyeurs, now currently streaming on Amazon Prime, and talk about his thoughts on erotic thrillers, how it influenced his new film, and his hopes for the future of the genre.

You can follow Michael Mohan on Twitter here: @michaelmohan

And you can visit his website here

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The gang travel to 1930s Korea for the duplicitous tale of a lady of wealth, the men who want her money, and the young woman drafted to help one of them get it. Sex, power, and back-stabbing abound in Park Chan-Wook's The Handmaiden.

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The gang take their walk into more notorious fare as they look at the dubious streaming sensation about kidnap, forced affection, and bad things being done badly in Barbara Bialowas & Tomasz Mandes' 365 Days.

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The gang consider the dubious voyeurism and strained credibility of a family who move into a new house, but neglect to keep an eye out for a rogue Gary Busey in Matthew Patrick's Hider in the House.

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The gang go animated in their latest adventure, and they bring along a friend - Robbie Collin (@robbiereviews). Join them as they delve head first into the gloriously disquieting world of fame, obsession, and an increasingly fractured psychosis in Satoshi Kon's Perfect Blue.

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The gang get the chance to go all supernatural with their latest erotic thriller, looking at a tale of infidelity and gaslighting made much complicated by soaking wet ghosts in Robert Zemeckis'  What Lies Beneath.

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The gang finally start to bring in more non-English language films into the mix as the look over a tale of greed, capitalism and murder in Alain Corneau's Love Crime.

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The gang return to the dark and tragic world of Lynch, and this time they've brought someone with them. Clarisse Loughrey (@clarisselou) is the special guest for our tour of David Lynch's  Mulholland Drive.

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The gang finally hit on a frequently requested title, made notorious by virtue of starring the internet's favourite actor Nicolas Cage, in the form of Sam Pillsbury's Zandalee.

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The gang take a dive into the clear blue waters and murky motivations to talk about fiction and jealousy in François Ozon's Swimming Pool.

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The gang are joined by special guest Catherine Bray (@catherinebray) as they delve into world of fame, media, and murder in Gus Van Sant's To Die For.

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The gang finish up their run in the 1980s by looking into the tale of idyllic small-town life, which covers up the psychosexual nightmare beneath its surface in David Lynch's Blue Velvet.

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The gang look another film that has direct ties to classic film noir and hard boiled Hollywood, this time filtered through a more New Hollywood lens in Bob Rafelson's The Postman Always Rings Twice.

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The gang go period once more as they look into the noirish tale of an amnesiac detective trailing a missing man and becoming caught in a loop of memory, paranoia, and voodoo in Alan Parker's Angel Heart.

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The gang finally turn to one of the big names of the erotic film genre, and consider the legacy and filmic blueprint to be found in Zalman King's Wild Orchid.

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The gang are joined by special guest, critic and author Mark Searby (@Mark_Searby), for a look at the film that served as a turning point in the career of Al Pacino... Harold Becker's Sea of Love.

Visit Mark Searby's website for more info on his work and book, Al Pacino: The Movies Behind the Man

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The gang returns to the world of damaged psyches and body horror as they look at the troubled twin world in David Cronenberg's Dead Ringers.

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The gang return to the world of 1980's Brian De Palma, rich in visual storytelling, decadent morality, and questionable social perspectives in genre giant Dressed to Kill.

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The gang head to the wealthy side of town where boats sail, booze is drunk, and implausible murder schemes are plotted in Bob Swaim's Masquerade.

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The gang head on down to New Orleans for a tale of corrupt cops and sultry nights in Jim McBride's The Big Easy.

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The gang finally get a look at another of the few films revolving around two female characters: one the femme fatale who kills for money; the other the cop obsessed with stopping her in Bob Rafelson's Black Widow.

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The gang go uncharacteristically contemporary by checking out the '80s-set psychosexual thriller recently added to Netflix in the shape of Wash Westmoreland's Earthquake Bird.

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The gang head to the beginning of the 80s to look at the fashionably hollow lifestyle of one of God's lonely men in Paul Schrader's American Gigolo.

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The gang head to an early success for writer Joe Eszterhas, which set the template for his bigger successes to come. Courtroom drama, murder and intrigue in Richard Marquand's Jagged Edge.

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The gang go period by looking at the tale of pre-Revolutionary French aristocracy and their various shenanigans of exploitation, sadism and love in Stephen Frears's Dangerous Liaisons.

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The gang head back out to sea for the close quarters tension of a married couple besieged by a handsome but unstable stranger on their own ship in Phillip Noyce's Dead Calm.

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The gang take a turn towards the supernatural, metaphysical and psycho-sexual peculiarities of animal instincts and strange desires... so, obviously it's Paul Schrader's Cat People.

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The gang go weirdly method by looking at a film set during a ridiculous heatwave, during an actual ridiculous heatwave... Lawrence Kasdan's seminal Body Heat.

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The gang look to the work of transgressive enfant terrible of cinema Ken Russell and his story of a cartoonish prostitute and a mad street preacher... and some other guy named Bobby - Crimes of Passion.

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The gang return to the work of Adrian Lyne yet again to look at one of the most often referenced and yet seemingly least remembered films of the canon -  Nine 1/2 Weeks.

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The gang finally head back into the sleek glamour of the 1980s and start things off with a bang, looking into a work of voyeurism, murder, and back projection - Brian De Palma's Body Double.

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The gang celebrate their 50th episode by taking a look at the parody comedy that satirises all the tropes and cliches of the erotic thriller genre in Carl Reiner's Fatal Instinct.

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The gang go to work to look at the story of an exec with too much work who finds himself with an assistant who can do the work just fine... perhaps a little too fine... in Tom Holland's The Temp.

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The gang look to another genre hybrid of a sort, taking on a film that combines the tropes of the erotic thriller and treats them with comedic strokes, layering intrigue with farce in Roland Joffe's Goodbye Lover.

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The gang head back to the home turf of the 90s and take a swing a peculiar genre hybrid, mixing erotic thriller with sf action with Roger Donaldson's 1995 Species.

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The gang stay in the noughts for one more week to look over the attempted erotic meanderings and unintentional laughs of Chen Kaige's Killing Me Softly.

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The gang finally break the seal on their can of Brian De Palma by looking at one from the latter era of the director's career, following a dangerous woman who's bad news to all around her - Femme Fatale.

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The gang look to one of the world's best female directors for her take on the erotic thriller, taking in murder, desire, and the blurred line that can exist between the two... Jane Campion's In the Cut.

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The gang return once again to the extra-marital temptation and crazed stalkers of their progenitors, only this time it's Idris Elba who's caught between Ali Larter and Beyonce in Steve Shill's Obsessed.

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The gang return to the ever-giving font of director Paul Verhoeven as he tells the tale of a megalomaniacal pervert/brilliant scientist who goes invisible and then becomes much worse... Hollow Man.

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The gang stick around in the noughts for the high school take on their namesake film, with an obsessive girl setting her sights on the swim team's big star in John Polson's Swimfan.

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The gang return to the well of Adrian Lyne for his considered take on his preferred focus of infidelity and other things that can't be taken back - Unfaithful.

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The gang finally take their first steps into the new Millennium, turning their attention to the lamented, lambasted, and wholly derided 2007 effort from Chris Siverston - I Know Who Killed Me.

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The gang take on one of the all time cinematic bombs to come from the 90s, a sharp and cynical satire that missed marks, dropped balls and ruptured careers... that's right, it's Paul Verhoeven's Showgirls.

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The gang look at another courtroom thriller where sex, murder, and perhaps the worst haircut we've seen yet come together in Sidney Lumet's Guilty as Sin.

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The gang blindly wander off the erotic thriller path and into the niche realm of not-particularly-erotic-and-barely-even-a-thriller thrillers with Bruce Robinson's Jennifer 8.

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The gang turn their attention to the arthouse wing of the genre, and the final film of master filmmaker Stanley Kubrick - 1999's Eyes Wide Shut.

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Having looked at a bunch of movies that have ripped off Hitchcock so relentlessly, the gang finally turn their attention to a new take on a story Hitch himself once had a stab at... Andrew Davis's A Perfect Murder.

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The gang return to the fears of yuppies, suffering under the cruel whims of authority, this time in the shape of the too friendly neighbourhood cop in Jonathan Kaplan's Unlawful Entry.

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The gang continue to dwell in the realms of neo-noir for the story of a corrupt cop spinning out of control and caught between three women who hold various aspects of his life in their hands in Peter Medak's Romeo is Bleeding.

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The gang turn their attention to the neo-noir that flipped the traditional sense of sexuality and gender roles around... the Wachowskis in pre-Matrix mode with 1996's Bound.

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The gang look into the tale of the mild-mannered teacher, his pretty wife, and the hot young surgeon with the God complex... Harold Becker's Malice.

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The gang greet the new year with a look at the Brighton noir tale of infidelity, murder, and a conveyor belt of really nice coats - Under Suspicion.

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The gang talk about the much talked about relationship drama involving money, sex, and the handsome visage of Robert Redford in Adrian Lyne's return to the genre - Indecent Proposal.

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The gang move onto a classic of the 90s teen movie explosion to discuss adaptation sickness and teenage romantic fantasy in Roger Kumble's contemporary take on Dangerous Liaisons - Cruel Intentions.

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The gang finally dig into one the classics of 90s neo-noir to discuss female roles, performances and why Linda Fiorentino is owed more than she got - The Last Seduction.

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The gang take a look at the ex-wife/mother from hell tale that sees frogs and planetarium trips used to questionable metaphorical effect in Yves Simoneau's 1993 thriller Mother's Boys.

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The gang cross the Atlantic and pull up a spot on the beach for the Hastings Noir stylings of Michael Winterbottom's crack at the erotic thriller genre in I Want You.

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The gang return to the well of Fill-in-the-blank-from-Hell thrillers for a tale of maternal gaslighting and familial usurping... Curtis Hanson's The Hand That Rocks the Cradle.

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The gang look at young love, abuse and male territoriality run amok in James Foley's tale of the highs and lows of first love - Fear.

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The gang attempt to decipher the inexplicable dream sequences and questionable motives that simmer beneath a seemingly perfect marriage in Nicholas Kazan's Dream Lover.

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The gang take a mild break from the erotic thrillers and wander into the world of yuppie nightmare thrillers, taking in the escapades of the so-called tenant from hell in John Schlesinger's Pacific Heights.

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The gang take to the high seas for a tale of love gone sour and the increasingly terrible things people who can't stay apart do to each other when they get bored... Roman Polanski's Bitter Moon.

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The gang steer into a grim world of erotic fantasy, psychological trauma, and gradual dismemberment... and find the results utterly hilarious in Jennifer Lynch's Boxing Helena.

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The gang enter the sunbaked world of film soleil as they take on the story of a drifter lost in the world of car sales, robbery, and triangles of lust - Dennis Hopper's The Hot Spot

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The gang discuss the unique challenges faced by Michael Douglas in a world of corporate malfeasance, sexual promiscuity and more bad hair... Barry Levinson's Disclosure.

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The gang go back to the world of teen friendship, lust and trying to figure where in the hell Tom Skerritt fits into all of this with Katt Shea Ruben's Poison Ivy.

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The gang consider the correct way to approach a film about wife-swapping, fright wigs, and the pervading sense of ineptitude... Alan J. Pakula's Consenting Adults.

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The gang test the boundaries of their preferred genre by looking at people testing the boundaries of their preferred sexual desire in David Cronenberg's Crash.

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The gang get seedy in the high priced houses and the sweaty backwaters of South Florida for John McNaughton's multi-twisted Wild Things.

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The gang consider the nature of voyeurism and how so many creepy weirdos can live in one building while looking at Phillip Noyce's notorious Sliver.

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The gang round off their Greta Scacchi double bill with a foray into a world of amnesia, metaphorical mists, and pet store detectives - Shattered.

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The gang consider the difference between erotic thrillers and courtroom dramas (and more bad haircuts) in Alan Pakula's Presumed Innocent.

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The gang look into the problematic world of teenage crushes and solving your problems with carousel-propelled super punches in 1993's The Crush.

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The gang look into the pitfalls of flat-sharing and more questionable hair styles in the early 90s with Barbet Schroeder's Single White Female.

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The gang go to group to address sex scenes, dubious murder investigations and roof-based climaxes in 1994's bizarre Color of Night.

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The gang finally watch a film where everyone has good hair... maybe too good... Phil Joanou's legal thriller Final Analysis.

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The gang delve into the dark abyss of erotic thrillers to discuss icons, bad hair, and thoroughly unsafe use of candle wax - 1993's Body of Evidence.

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The gang pursue their path into the valley of the shadow of William Friedkin's 1995 erotic thriller Jade.

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The gang continue their erotic thriller-inspired misadventures and discuss Paul Verhoeven’s infamous 90s juggernaut of sex and murder - Basic Instinct.

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The gang begin their quest to watch and discuss erotic thrillers of the 80s and 90s with the one that started it all... Adrian Lyne's classic tale of infidelity, betrayal and fear - Fatal Attraction.

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