Female Entrepreneur Musician with Bree Noble
Over the past 2 lessons, we’ve worked through some pretty heavy stuff in relation to building a fan base.
I told you about my epic failure with selling my first album.
I explained that it was only when I started analyzing the strategies of successful Indie artists that I was able to launch myself out of total obscurity and start building a fan base that would allow me to sell my album, both offline and online.
Once I did, I was able to sell out of my first 1,000 CDs, order more, make more albums, sell out of those, order more, and so on.
Even though I’m not actively touring and selling my music right now, to this day I still receive continuous payments for online sales.
In lesson #2 I told you about the 5 crippling mistakes and gave you strategies to avoid them. Let’s review those really quickly:
If you missed that lesson on Episode #49 you definitely want to go back and listen to that so you won’t get caught up in those snares that can have a domino effect on your motivation, your focus, your confidence and your ability to move forward toward achieving your dream of a self-sustaining music career.
After hearing from many of you over the past 2 lessons, I’ve found that most people believe they have to get lucky or get the attention of Industry “decision makers” in order to create a successful music career that brings in a steady income.
All wrong. Those are all limiting beliefs.
Instead, I’ve discovered that building a platform to attract and engage an email list of fans who love your music and are eager to support your projects is the key to reaching your #1 goal.
Keep in mind – if I can do this, anyone can do this!
When I started I was just a middle-aged woman from California with small children and a part-time job. Although I had a business degree, it was in accounting. I had no marketing background; I had no online experience; I had no manager, no booking agent, no record label and no connections.
And I made a LOT of mistakes along the way. I started with all the misconceptions you may have: I assumed I needed a record deal, I thought I needed a manager, I was sure I needed a booking agent, and I certainly needed to be part of a band that was already established, and I couldn’t succeed without press……
I was crippled by those myths for 10 years. And I paid the price. By the time I started down the right path, I had small kids which made it hard to tour. Why couldn’t I have figured this out in my 20s?
The great news was, it didn’t matter that I was middle-aged and had small kids. I made it part of my story, my identify, and I attracted fans who loved me for that.
The thing is, there is a perfect audience for YOU out there too. It doesn’t matter if you’re 16 and still in high school, a middle-aged mom with a baby on one arm and spit-up on your blouse, or over 50 and just getting back into music after putting it on hold to raise a family or develop a different career (remember 50 is the new 30 and 60 is the new 40). In fact, some of my very BEST students are over 50 and extremely passionate about building their music career.
Now that you have your #1 goal laid out and you know why you’re doing it, and you know what to avoid doing, I want to introduce the new framework.
In today’s lesson, I’m going to give you the framework, the step-by-step blueprint, to move you from point A, (I’m overwhelmed, I function in relative obscurity, I have a high level of frustration, my sales are few and I have little money) wherever you are today, to Point B – a confident artist with a well-established platform, a growing email list, a fanbase who are engaging with you to become super fans, attending your shows, buying your music and supporting your projects.
Going back to our first lesson, all those boxes full of CDs stored in your garage.You created that CD, and then you tried to find an audience to buy it. Instead, what you need to do is build your fanbase first, find out what they want from you, and then create that.
After I built my fan base, I found that one thing my fans loved was when I sang Broadway and Classical tunes. So I created a CD of many of the songs they requested plus my favorites. That thing sold like hot cakes. Even if I wasn’t doing a specifically themed program, my audience just loved buying it.
Now this isn’t to say that if all your fan base wants is cover tunes you have to give up on your original music. It just means giving them what they want and they will be more excited to support your original projects.
First you have to build a fan base to find out what they want.
So the steps in the framework go like this:
I want to give you a head start on this. I realize that you may not have a finished website, or you haven’t signed onto social media yet, or, you don’t have any way to collect email subscribers. That’s OK. You’ll get there.
But here’s something you can do right now.
Reach out to 10 of your friends.
Collect those emails in a document or even on a piece of paper (at least for now, until you’ve setup an email service provider like MailChimp, BandZoogle or ConvertKit.
Go through your email contacts, Facebook messages, Twitter, your texts, anywhere you interface with friends on a regular basis. Send the request to 10 at a time until you’ve reached 100.
And if you finish the exercise and get to your first 100 true fans…Congratulations! You now have a bigger email list than over 50% of Indie Artists!
100 fans is a huge milestone.
Once you do that, you’re going to be excited, and you’re going to have a lot more questions: How do I set up my email service provider so my emails get delivered and are in compliance with the spam laws?
And that’s why I created the Indie Music Profit Plan.
If you’re ready for answers to these questions, if you’re ready to be taken by the hand and shown the exact process, I can help.
I’m just about to release a new, 12 week course that will walk you through the proven, step-by-step system for building a powerful and profitable fan base.
It’s called The Indie Music Profit Plan. We open up enrollment to the course twice a year, just like a college class.
The next enrollment is coming up in a few days. And if you’d like to get on the VIP list to be the first to have a chance to enroll and receive special VIP bonuses,
I want you to go to www.IndieMusicProfitPlan.com right now to sign up as a VIP. On Friday May 13, we’ll send you special links to enroll before anyone else so you can grab the VIP only bonuses.
If you’re reading this after the official launch on Monday May 16, simply go to www.IndieMusicProfitPlan.com to enroll and get the action-takers bonuses before they expire. I promise, these are going to be amazing!
For now, keep working on getting your first 100 true fans. I know the achievement will not only encourage you and build momentum, but it will put you on the path to building an engaged, raving fan base that will help you create a self-sustaining music career.