Ken Cheng is a writer/producer who has previously written for Wilfred, Betas, and Sin City Saints. Ken’s feature comedy Easter Sunday, which he co-wrote, and executive produced for Amblin Partners, Rideback, and Universal, is inspired by the life and comedy of standup comedian Jo Koy. Forthcoming projects include writing and executive producing the half-hour comedy series, House of Chow, for HBO, co-writing – along with his creative partners at Crab Club, Inc. - a feature film adaptation of the GQ Magazine article, “The Great Chinese Art Heist”, for Warner Bros., Conde Nast, and director Jon M. Chu, and writing/producing a feature adaptation of the New York Magazine article “Chateau Sucker” for Bound Entertainment.
"It was a confluence of very fortunate events that this movie was produced, and it is a bit of an anomaly. It's quite unprecedented that, first of all, a major Hollywood film studio has produced a comedy in the year 2022. They don't get made very often anymore at this size or scale. And secondly, that movie centers a minority family of any sort, but specifically of a Filipino-American family with a Filipino-American leading man. All of these things add to the sort of historical nature of the movie, for lack of a better description. And that's not lost upon me, but also adds to the fact that it's such a crazy experience. Now having put the movie out into the world to see reactions and now that it's out of our hands, it's up to the world to receive it."