Sangfielle 07: The Hymn of the Mother-Beast Pt. 3

This episode carries content warnings for gun use, implied execution, knives, and amputation.

As the Blackwick Group approaches the Priory of the Mother-Beast, a shot rings out, but it serves as question mark rather than exclamation. What is this place? Why does it seem stuck in time? Where is Janek Polyte, the young Drakkan they’ve been sent to retrieve? And how did a Pale Magistrate get caught up in all of this? Inside there are answers… but is the group more interested in finding those, or in pursuing their own interests?

This week on Sangfielle: The Hymn of the Mother-beast Pt. 3

The Almanac of the Heartland Rider

Places

The Priory of the Mother-Beast: In the streets of Concentus, some food sellers use specially treated props to advetise their goods. The color of fruit is brighter; the loaves of bread retain softness and texture indefinitely; meat glistens. Yet by extending their beauty through time, they trade their very nature as victuals, becoming injurious copies instead. Such is the Priory. Do not confuse the soft canyon breeze or the eternal noon sun for serenity. This place is ash, held.  

Blackwick County: From the mines to the lake, the hills to the flats, the town once called Eastern Folly has felt a little more expansive now that it’s out of the hard grip of the old curse. It’s people aren’t perfect, but they’ve made it through some dark times, and that’s more than most can say.

The Second Canton, aka The Pale Magistratum (ma-juh-strah-tuhm): The Second Canton has ordered itself around its Magistrates—holy marshals given weapons blessed by Fulmina, goddess of immediate justice, and the right to use that power as they see it. 

Free Seas of Kay’va, formerly the Fourth Canton (kai-vah): First established after Cecile Cartine’s revolution over 300 years ago, today Kay’va is home to a collection of aligned communes who swear that the only way to prosperity is through the defense of equality.

The Residuum:  A realm of vibrant color, where the things of the world go when their time in the material world fades away. A plane of death, but rendered in glorious light.

Facts and Figures

Sister Marisha (she/her): For decades, the human called Marisha served as the representative of the Boundless Conclave in Eastern Follow and as the only apparent follower of the old Cult of the Mother-Beast. Eager to guide, and quick to reprimand, she gained a reputation as a well meaning hard ass in the mining town. Now she finds herself adjusting to life inside this secret priory of salt, ash, and ceramic.

Janek Polyte (he/him): A Drakkan member of Blackwick County’s youth community, and a member of the group who went beneath the Abbey’s ruins a year ago. Quiet in public, and little kept in his humble home.

The Shape: Are the trains that run across the Heartland bound to the Structure, or do they direct it? Is the overlap between the two even real at all, or might two machinic forces be at work here in Sangfielle?

Organizations

The Telluricist Union: Made up by a mix of peoples driven to the hills by Aldomina, this group of knife sharpeners, herbalists, geologists, and all around investigators have made it their job to keep their old wisdom and see it used to help those in need. The best among them are called Keen.

The Shape Knights: It took people with clear minds, great ingenuity, and implacable spirit to face down and defeat one of the living trains of Sangfielle. In the time since, they’ve crafted armor from their slain foe, and with that have come to be experts of all things train. They herd, they breach, they redirect. But they haven’t yet killed a second.

Hosted by Austin Walker (@austin_walker)

Featuring Janine Hawkins (@bleatingheart) Sylvi Clare (@sylvibullet), Ali Acampora (@ali_west), Art Martinez-Tebbel (@atebbel), Jack de Quidt (@notquitereal), Keith J Carberry (@keithjcarberry) and Andrew Lee Swan (@swandre3000)

Produced by Ali Acampora and Austin Walker

Music by Jack de Quidt (available on bandcamp)

Text by Austin Walker

Cover Art by Craig Sheldon (@shoddyrobot)

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