Here’s The Thing with Alec Baldwin

Chunks of ice making a path across the surface of a river, streaks of pink and orange clouds blocked out against the sky, trees framing a darkened road as if in a ghost story…in the hands of photographer Carolyn Marks Blackwood, nature becomes an abstract work of art. New York’s Hudson Valley is Blackwood’s backyard and her inspiration, where she captures the micro and macro moments of nature’s constant changes – and the details we so often miss. Blackwood is also a screenwriter and producer, bringing to life films like “Philomena” and “The Duchess.” She speaks with host Alec Baldwin about how photography is an act of “flying by the seat of my pants,” about her time as a jazz singer in New York City, and how she found her way to her many artistic pursuits.  

Carolyn Marks Blackwood’s work can be found here.

The James Paul Cheung scarves made from Blackwood’s photographs can be found here.

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He’s worked as the personal chef for French President Charles de Gaulle, co-hosted a television series with Julia Child and has authored over 30 cookbooks. There’s simply no one in the world like French chef – and culinary icon – Jacques Pépin.  The Emmy- and James Beard Foundation Award winner worked in more than 100 restaurants before becoming the Director of Research and Development for Howard Johnson’s. He then transitioned to educating the public in proper French cooking methods through his groundbreaking cookbooks like “La Technique” and his latest, “Jacques Pépin Cooking My Way: Recipes and Techniques for Economical Cooking;” as well as through his numerous television series like “Today’s Gourmet” and “Every Day Cooking.” He is also the co-founder of the culinary certificate program at Boston University and founder of The Jacques Pépin Foundation, which teaches underserved populations a path to employment through cooking. Alec speaks with Chef Pépin about how his family’s work in restaurants influenced his path, why he’s made the pivots he has throughout his career, and what a revered chef likes to eat in his downtime. 

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It’s time for the premiere of our fourth season of “Here’s the Thing with Alec Baldwin” at iHeartRadio. Our first episode features the woman behind what TV Guide called “the most famous soap opera character in the history of daytime TV.”  Actor Susan Lucci inhabited the role of bad girl Erica Kane on ABC’s “All My Children” for four decades, from the show’s inception in 1970 until 2011. She earned the Daytime Emmy Award for Outstanding Lead Actress for the role in 1999 after nineteen nominations – and in December 2023, received the Daytime Emmy Lifetime Achievement Award. Lucci’s body of work also includes numerous television series, films and the Broadway stage. She is the author of All my Life: A Memoir and is a National Spokesperson for the American Heart Association. Susan Lucci talks with host Alec Baldwin about how she played a role that evolved over decades, how she realized a lifelong dream of performing on Broadway, and her thoughts on the rumors of a potential reboot of the beloved soap.  

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Join award-winning actor Alec Baldwin in conversation with some of the most dynamic artists, policymakers, and performers working today. This season, Alec speaks with actor Susan Lucci about portraying her iconic character Erica Kane for four decades, chef Jaques Pépin on his passion for sharing the joy of cooking, and public health advocate Dr. Dean Schillinger on the diabetes epidemic and what can be done about it, just to name a few. If you like listening as much as Alec likes talking with interesting people, subscribe now and never miss an episode. The new season begins January 23rd.

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As we prepare to launch our fourth season at iHeartRadio, we’re revisiting some of host Alec Baldwin’s favorite episodes from the archives. In this episode, Alec digs into the minds behind the processing of the 1.3 billion gallons of wastewater, 16 million pounds of trash and eight million pounds of recyclables that New York City produces every day. Pam Elardo is the former Deputy Commissioner of New York City's Department of Environmental Protection, leading the city's Bureau of Wastewater Treatment. Ron Gonen was New York City's first "Recycling Czar" and now thinks about the problems of waste-management from the perspective of a businessman: he's the CEO of a major investment fund looking for the Next Big Idea in recycling. Pam and Ron walk Alec through what happens from the moment people flush the toilet or toss out their coffee-cup -- and they talk about the big-picture environmental impact of our choices. And since this is Here's the Thing, Alec also learns the incredible life stories each one brings to the job -- from Pam's persistence in the face of the sexism that discouraged women engineers of her generation, to Ron's luck stumbling into the home of a prominent environmentalist while doing housework to make ends meet for his family as a kid.

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As we prepare to launch our fourth season at iHeartRadio, we’re revisiting some of host Alec Baldwin’s favorite episodes from the archives. In this episode, Alec speaks with actress, singer and Broadway star Audra McDonald. Much like the staggering beauty of her voice, Audra McDonald is impossible to ignore. The only artist to sweep all four acting categories at the Tony’s, she’s the most decorated Broadway star of all time. Reviews of her award-winning performances overflow with accolades, describing her stage presence as “spellbinding,” “haunting,” and “genius.” But for the California native, things haven’t always been easy. In this 2017 conversation, McDonald talks to Alec about getting into Juilliard, making it on Broadway, and the suicide attempt that helped shape who she is today.

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As we prepare to launch our fourth season at iHeartRadio, we’re revisiting some of host Alec Baldwin’s favorite episodes from the archives. In this episode, Alec speaks with actor Dustin Hoffman. “The Graduate,” “Midnight Cowboy,” and “Lenny” were just the beginning of Dustin Hoffman's legendary Hollywood career. Over the last five decades, he's stretched and contorted himself into dozens of defining roles, earning recognition as one of the most talented actors in cinema history. In this 2015 conversation, Hoffman tells Alec that he savors each new opportunity like it's the first, and recalls his salad days when he was mis-cast, underestimated, and, on at least one notable occasion, sick on a co-star's shoe. 

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As we prepare to launch our fourth season at iHeartRadio, we’re revisiting some of host Alec Baldwin’s favorite episodes from the archives. In this episode, Alec speaks with the late David Crosby. Some combination of Crosby, Stills, Nash, and Young played together for 50 years – until 2016. The group even survived Crosby's near-total dissolution under the influence of cocaine and heroin. That was a brush with death that left him in need of a liver transplant and a new approach to life. His newfound joy is clear in this 2018 exuberant conversation with Alec. Crosby's childlike gratitude for his sixty years in music is palpable, but he is candid about the struggles, too: from wrestling with Roger McGuinn over control of The Byrds, to the terrifying culmination of the 2016 breakup of Crosby, Stills, and Nash.

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As we prepare to launch our fourth season at iHeartRadio, we’re revisiting some of host Alec Baldwin’s favorite episodes from the archives. In advance of the release of the film “Maestro” – directed by and starring Bradley Cooper – we’re sharing Alec’s interview with two of Leonard Bernstein’s three children. Alec speaks with Jamie and Alexander Bernstein about life growing up with the world-famous conductor and composer. While they knew him in the tux and tails, they also knew him as the dad who loved games — he was a killer at anagrams — and was always up for tennis, squash, skiing, or touch football. The two talk about listening to music — Jamie says she learned “more about music by listening to The Beatles with my dad than I think I did any other way”— and how their father's relationship to fame evolved during his lifetime. Alex remembers his dad saying, “I’m so sick of Leonard Bernstein. I've had it with him."

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Melissa DeRosa was the most powerful unelected person in New York State in her position as Secretary to the Governor. She resigned following the Attorney General’s investigation into sexual harassment allegations against Gov. Andrew Cuomo in 2021. Now, her book, "What's Left Unsaid: My Life at the Center of Power, Politics & Crisis” reveals her side of the story and includes intimate details of the dramatic events as they unfolded. She shares an unflinching look at her career, the state’s pandemic response and the workings of Cuomo’s inner circle as they attempted to navigate the scandal. DeRosa speaks with Alec Baldwin about what first attracted her to public service, the effect her career has had on her personal life and what she believes was a political takedown of her former boss. 

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Singer-songwriter Rosanne Cash celebrates the 30th Anniversary of her landmark album “The Wheel” with the release of a remastered version on her new label, RumbleStrip Records. The daughter of legend Johnny Cash, Rosanne Cash began her career singing backup for her father, but soon made her own indelible mark on the music world, with 11 number one country songs, two gold records and four Grammys. She’s also an essayist and author of four books, including her best-selling memoir, “Composed.” Cash speaks with Alec Baldwin about starting out as a young woman in the industry in the 70s, how she reclaimed her family’s story through writing and how to remain faithful to herself in her work.

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Documentary filmmaker James Jones tells the unbelievable story of CEO-turned-fugitive Carlos Ghosn in “Wanted: The Escape of Carlos Ghosn.” In 2018, the former auto executive of Nissan and Renault was arrested in Japan on charges of financial misconduct. He then escaped prosecution by being smuggled out of the country…in a box. Jones, director of the BAFTA-winning “Chernobyl: The Last Tapes,” explores questions surrounding CEO excess and a potential corporate takedown in this four-part Apple TV+ series. Alec Baldwin speaks with James Jones about getting Ghosn to be interviewed for the series, the people who suffered collateral damage and if Ghosn, now residing in Lebanon, will ever be held accountable.  

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With as many as a million plant and animal species expected to vanish by 2050, the time is now to intervene and reverse the tide…before it is too late. Andrea Crosta is the founder of the non-profit Earth League International, an “Intelligence agency for Earth,” which protects wildlife, oceans, and forests through intelligence-gathering, research and investigative operations. ELI collaborates with governmental agencies and helps bring down illegal wildlife traffickers, their networks, and those engaged in the “criminal exploitation of nature.” Their work has resulted in the arrest of a jaguar-fang ring in Bolivia and helping the Mexican government pursue the “Cartel of the Sea,” which trafficks sea cucumbers and totoaba. Alec Baldwin speaks with Andrea Crosta about the experiences that led him to this work, what it’s like meeting wildlife traffickers face to face, and why we are in a “now or never” moment for our ecosystem.

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Publishing powerhouse Michael Wolff is the bestselling author of the definitive trilogy on the Trump White House: “Fire and Fury,” “Siege,” and “Landslide.” He also has served as a columnist for New York magazine, Vanity Fair, British GQ, the Guardian and the Hollywood Reporter – and is the recipient of two National Magazine Awards. Wolff’s most recent release, “The Fall: The End of Fox News and the Murdoch Dynasty,” follows up his biography of Rupert Murdoch, “The Man Who Owns the News,” with further insight into the media mogul and the behind-the-scenes machinations of the cable news network, positing that the end of its influential era may be near. Michael Wolff joins Alec Baldwin for a live event at Town Hall in New York City to discuss his latest book, his writing process, and the state of journalism today. 

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Alec Baldwin speaks with two genius musicians whose artistry has contributed to some of the most memorable songs of the sixties, seventies and eighties, leaving an indelible mark on the music world. Steve Gadd, one of the most influential drummers of all time, is known for bridging jazz, rock, and blues. He has been a studio musician for countless artists from Carly Simon to Aretha Franklin – and tours with musicians like Eric Clapton, James Taylor, Joe Cocker, as well as with his own outfit, The Steve Gadd Band. His artistry can be found on Paul Simon’s “50 Ways To Leave Your Lover” and Steely Dan’s “Aja.” Larry Carlton is a four-time Grammy winning jazz and rock guitarist who became famous for his work as a studio musician in the 1970s and 1980s. He has played in over 3,000 studio sessions with artists like Joni Mitchell, Steely Dan, Michael Jackson, Dolly Parton and many others. Rolling Stone named his contribution to Steely Dan’s “Kid Charlemagne” one of the best guitar solos in rock music. Carlton is also renowned for his solo work and as a member of the jazz group The Crusaders and the smooth jazz band Fourplay.

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Photojournalist Brian Hamill is known for his still photographs from movie sets and portraits of rock and roll legends, athletes, celebrities, and politicians. Everyone from Muhammad Ali to Frank Sinatra to Barbara Streisand has been the subject of his lens over the course of his five decades of work. The life-long New Yorker has captured some of the most iconic photos of John Lennon and Yoko Ono, which were recently compiled into his 2022 book, “Dream Lovers: John and Yoko in NYC.” His work on set spans more than 75 motion pictures, including unforgettable films like “Annie Hall,” “Raging Bull,” “Big,” “Tootsie,” and “You’ve Got Mail.” Hamill’s photojournalism experience extends to capturing moments of strife and conflict, including the 1994 Northridge Earthquake and “The Troubles” in 1970s Northern Ireland. Alec Baldwin speaks to Hamill about growing up in Brooklyn as the child of Irish immigrants, his behind-the-scenes experiences on the world’s most memorable movie sets, and the backstory that led to taking John Lennon’s portrait. 

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As the writers’ and actors' strike in Hollywood stretches into the fall, many have called this moment “existential.” After negotiations with AMPTP, the Alliance of Motion Picture and Television Producers, broke down, SAG-AFTRA and WGA members took to picket lines over dwindling wages and the use of artificial intelligence, which may change the entertainment industry forever. Writer, director, and producer Justine Bateman is one guild member warning of A.I.'s potentially devastating influence. Following her roles in Family Ties and Satisfaction, among many others, Bateman transitioned to working behind the scenes as a filmmaker and author. She earned her Computer Science and Digital Media Management degree from UCLA in 2016, which has become all the more relevant facing the rise of A.I. Bateman speaks with Alec Baldwin about the threat A.I. poses to the entire entertainment industry, how the business has changed since she first started in it, and what drives her creative work.

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It’s time for the final episode in our Summer Staff Picks series, highlighting favorite conversations from the Here’s The Thing archives. This week, we revisit Alec Baldwin’s conversation with Andrew Berman. He has been called one of the most powerful people in New York real estate, but not because he's a deep-pocketed developer. Berman is the Executive Director of Village Preservation, where he advocates for the protection and conservation of historically important buildings and sites in Greenwich Village, the East Village and NoHo, including the cultural touchstone The Stonewall Inn. Alec first spoke with Berman in 2015 regarding his background and what led him to this field, how the changing zoning laws affect his work, and his wish for the city’s future. Berman joined Alec again earlier this summer for an update on his work since last they spoke, including the recent wins that Village Preservation has achieved, the ways the city has changed since covid and the challenges involved in solving the city’s affordable housing crisis.

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Our summer tradition at Here’s the Thing continues, as staff members choose their favorite conversations from the archives for our Summer Staff Pick series. This week, we revisit Alec’s 2021 interview with Mick Fleetwood, drummer and founding member of Fleetwood Mac, one of the most successful rock bands of all time and creators of enduring hits like “Landslide,” “Dreams,” and “Don’t Stop.” Fleetwood talks to Alec about how his dyslexia led him to drumming, how supportive parents encouraged his talent and his move to London as a teenager, how his friendship with the band’s founder, guitarist Peter Green, evolved to a life-long friendship, and how Fleetwood Mac balanced the weight of their interpersonal dynamics and the band’s wild, over-the-top success. 

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Making recent headlines is the arrest in a cold case over a decade-old, the Long Island Serial Killer. From 2010 to 2012, the remains of 11 bodies were found on or near Gilgo Beach on the east end of Long Island, New York. In July of 2023, authorities arrested Rex Heuermann, a 59-year old architect charged with the murder of three women in the case – and named as a prime suspect in a fourth, based on phone records and DNA evidence. True crime documentary and podcast producers Billy Jensen and Alexis Linkletter were on the hunt long before these recent developments. Their 2021 podcast,“Unraveled: Long Island Serial Killer,'' uncovers a web of corruption and cover-ups perpetuated by the Suffolk County Police Department that enabled the investigation to go unresolved for so long. Alec speaks with Jensen and Linkletter about their findings, what the recent discoveries reveal – and what questions still remain. 

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Acclaimed jazz musician Christian McBride has made hundreds of recordings, won eight Grammy Awards and led numerous ensembles, including the Christian McBride Band, the Christian McBride Big Band, Inside Straight and the New Jawn. The versatile bassist has collaborated with jazz legends Herbie Hancock, Ray Brown, Freddie Hubbard, and Chick Corea, as well as artists outside the genre like Sting, Paul McCartney and Celine Dion. Known as a child prodigy, McBride performed with Miles Davis and Wynton Marsalis while still in high school, where he attended Philadelphia’s High School for the Creative and Performing Arts, alongside future members of The Roots and Boyz II Men. McBride now serves as the artistic director of the Newport Jazz Festival and the educational foundation Jazz House Kids. Christian McBride speaks with Alec about his influences, leaving Juilliard early to go on the road, and how being a working musician is similar to being a professional athlete. For information on upcoming tour dates, go to christianmcbride.com.

You can find a playlist featuring Alec’s favorite Christian McBride songs here.

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Our Here’s the Thing Summer Staff Picks series continues, featuring our favorite episodes from the archives. This week, we revisit Alec’s 2021 interview with U.S. Representative Katie Porter. In 2018, Porter was the first Democrat ever to be elected in her traditionally conservative Orange County, California district. Prompted to run by Trump’s 2016 win, Porter quickly made a name for herself with her tough questioning of CEOs and administration officials, often using a whiteboard to lay out the facts. Katie Porter’s no-nonsense approach comes in part from her upbringing in Iowa. During the farm crisis of the 1980s, she saw first-hand how her father, a third generation farmer turned community loan officer, helped to support their neighbors. She went on to study bankruptcy law under Elizabeth Warren at Harvard Law School and become a consumer protection attorney and a law professor. A single mom to three school-age children, Katie Porter tells Alec people often have often underestimated her - at their own peril.

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Our staff picks continue at “Here’s The Thing,” where throughout the summer, members of our team select their favorite interviews from the archives. This week, we revisit Alec’s 2021 interview with Hans Zimmer, one of the most celebrated and successful film composers of all time. The German-born Zimmer has scored more than 150 movies including “Gladiator,” “Hannibal,” “Sherlock Holmes,” “The Last Samurai,” and “The Thin Red Line,” earning him two Academy Awards (“Dune” and “The Lion King”) and four Grammys. His collaboration with director Christopher Nolan (“The Dark Knight” trilogy, “Interstellar,” “Dunkirk,” and “Inception,”) has become one of the most celebrated partnerships in movie history. Zimmer shares with Alec how he knew music was his path, how his partnership with Nolan began, and how his scores seek to enrich a film’s emotional journey.

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We are continuing our summer tradition at “Here’s The Thing” where members of the staff select their favorite interviews from the archives. This week, we revisit Alec Baldwin’s conversations with two amazing women in entertainment, Lena Dunham and Carol Burnett. Lena Dunham, creator and star of the ground-breaking “Girls” and writer/director of the recent film “Catherine Called Birdy,” spoke with Alec in 2013 about making her first film, “Tiny Furniture,” how her work evolved following its success and what it's like to play a version of herself. In 2015, Alec spoke with comedian and actress Carol Burnett about making 11-seasons of the Emmy-winning “The Carol Burnett Show,” navigating being a woman in show business in the 60s and creating her incredible performance as Miss Hannigan in “Annie.”

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Against the backdrop of soaring stock prices and multi-million dollar executive packages, the labor movement is undergoing a resurgence. A Starbucks location in Buffalo, NY became the first within the coffee chain to unionize in 2021, and since then, more than 330 stores in 39 states have followed suit – with more elections underway. All the while, the Starbucks corporation was engaging in controversial labor-busting practices: the National Labor Relations Board found that Starbucks violated federal labor laws and a federal judge ruled that Starbucks engaged in “egregious and widespread misconduct.” Guest Gianna Reeve is an employee of the Camp Road Starbucks in the Buffalo area – and an organizer with Starbucks Workers United. Reeve joins Alec Baldwin to share her experience at one of the first stores to organize, the conditions that led to the unionization efforts, and what the Starbucks Workers United organization hopes for the future. 

Gianna Reeve is a featured participant in the upcoming documentary “The Baristas vs The Billionaire.” To learn more, visit: www.baristasvsbillionaire.com

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This past year marked the 75th Anniversary of the Actors Studio, the nonprofit organization that has shared “truth in acting” with decades of film, television and theater professionals. This episode is the next in our series celebrating some of those responsible for the studio’s success. Guests Roberta and Katherine Wallach are the daughters of stage and screen stars Anne Jackson and Eli Wallach. Jackson and Wallach met during a 1946 production of the Tennessee Williams’ play, “This Property Is Condemned.” They became early members of the Actors Studio and would go on to perform together in film, tv and theater for decades. Roberta and Katherine are actors in their own right, members of the studio, and sit on its Board of Directors. Katherine Wallach has appeared in “Goodfellas,” “The King of Comedy” and “Gangs of New York” and also uses her creative talents as a jewelry designer. Roberta Wallach is a Drama-Desk nominee and began her film career while still in high school. The siblings share what it was like growing up around acting royalty, their father’s perspective on them going into the family business and their thoughts on their parents' enduring legacy.

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Rafael Payare, or “Rafa,” as he’s known more informally, is the energetic, electrifying and unmistakable conductor that is taking the classical world by storm. Payare currently serves as Music Director of both the Montreal and San Diego Symphonies. A graduate of Venezuela’s famed El Sistema program, Payare first attracted attention as winner of Denmark’s Malko International Conducting Competition in 2012. Since then, he’s brought his exuberance and elegance to conduct preeminent orchestras across the globe, from London to New York, Munich to Boston, and Stockholm to Chicago. Rafael Payare speaks with Alec about the many important conductors he’s learned from, how he approaches putting together a music program, and why finding the right chemistry with an orchestra is like falling in love. 

The following compositions are featured in this episode:

Gustav Mahler Symphony No. 5 with the Orchestre Symphonique de Montréal, conducted by Rafael Payare, provided courtesy of Pentatone. You can find the album here. 

Shostakovich’s Symphony No. 11 in G minor, Op. 103 “The Year 1905,” conducted by Rafael Payare, courtesy of the San Diego Symphony on Platoon. You can find the album here.

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Filmmaker Ryan White has made a dizzying array of unique documentaries, including “The Keepers,” about the unsolved murder of a Catholic nun, “The Case Against 8” about the fight for marriage equality, “Good Night Oppy,” which traces the journey of NASA’s Mars Rover and “Assassins,” about the murder of North Korean Supreme Leader Kim Jong-un’s half-brother. The Emmy-nominated director’s latest project, “Pamela, A Love Story,” is a raw look at the life of 90’s bombshell Pamela Anderson. It showcases a more vulnerable side of the actress and re-examines the major life events of the star – from her rise to fame to the infamous, stolen sex tape with her then-husband, Tommy Lee. Alec speaks with Ryan White about what he learned filming with Anderson, the impact the documentary had on her life and how he balances the light and the dark of his projects.

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There is an important conversation happening regarding the rapidly-changing world of artificial intelligence and how it will affect us.  Alec speaks with two leaders in the tech community that have worked on the systems integral to today’s A.I. revolution. Blake Lemoine is a computer scientist and former senior software engineer at Google. He was working on their Responsible A.I. team when he went public with his claim that the A.I. was sentient. Lemoine was subsequently fired and now champions accountability and transparency in the tech sector. Jay LeBoeuf is an executive, entrepreneur, and educator in the music and creative technology industries. He is the Head Of Business & Corporate Development at Descript, an audio and video editing platform that uses “voice cloning” technology. Alec speaks with LeBoeuf and Lemoine about the many applications of A.I., what dangers we need to be aware of and what is to come next in this transformative space. 

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Last week, we lost the great singer-songwriter Gordon Lightfoot. In honor of his passing, Alec is sharing his 2016 conversation with the musician, one of his favorites in the history of the podcast: Over the course of a career that has lasted more than half a century, Canadian singer-songwriter Gordon Lightfoot achieved global stardom and exceptional influence. Bob Dylan’s a fan—he's said, “I can’t think of any [Lightfoot songs] I don’t like.” These songs—“Beautiful,” “Sundown,” “If You Could Read My Mind,” and many others—have been treasured by generations of popular musicians and listeners around the world. But Gordon Lightfoot was just one of many aspirants who moved to Toronto in the early 1960s to try their hand in the burgeoning folk music scene there. Lightfoot tells Alec about fitting a feeling to a melody, why he owes his first hit record to an exec's girlfriend, and how he wrote "The Wreck of the Edmund Fitzgerald" by pulling lines straight from the newspaper. 

You can listen to all of the music from this episode and other selections from Gordon Lightfoot in a curated playlist here.

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Forty years ago, “Vietnam: A Television History,” the 13-part documentary series examining the Vietnam War, premiered on PBS. It served as a searing look into the background, cost and toll taken on the principal figures involved in the war, both at home and abroad. Judith Vecchione served as one of the producers on the series and joined Alec to speak about what went into creating such a wide-ranging and deep investigation of the conflict. The Emmy- and Peabody-winning Vecchione has served as an executive producer with Boston-based PBS station WGBH for the past 23 years, working on many ground-breaking projects, including the Civil Rights series “Eyes on the Prize.” Vecchione shares with Alec the weight of responsibility she felt in bringing “Vietnam: A Television History” to the public, what inspires her dedication to the important stories she produces, and how she mentors the next generation of documentary filmmakers.

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An area near the entrance to Death Valley National Park has the capacity to produce enough energy to power the entire planet if covered in solar panels. Yet for Nye County, Nevada residents, the question of what must be sacrificed – including the environmental and economic future of the area – and by whom, looms large. Hillary Angelo is the author of the Harper’s Magazine article, “Boomtown,” which explores the complexity of the solar land rush in the West. Angelo is an urban and environmental sociologist and Associate Professor of Sociology at UC Santa Cruz. Dustin Mulvaney, who was featured in the article, is a solar expert and Professor at San José State University. Alec speaks with Angelo and Mulvaney about the objections of residents, what spaces might be used instead, and how to rethink the future of energy.

You can find the article, “Boomtown,” here:

https://harpers.org/archive/2023/01/boomtown-beatty-nevada-solar-farms-death-valley/

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Caroline Rhea is best-known as Aunt Hilda in the 90s sitcom, “Sabrina the Teenage Witch,” but the actor and comedian has been entertaining us in many forms for decades: hosting “The Biggest Loser” and “The Caroline Rhea Show,” performing in standup specials on Comedy Central and HBO, voicing Disney’s “Phineas and Ferb” and appearing as a panelist on game shows like “Hollywood Squares” and “Match Game” with Alec. Rhea speaks with Alec about getting back out on the road doing standup, why it was important to take time off from her career to raise her daughter, and why she’s most at home on stage. 

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On October 3, 2003, a horrified audience looked on as Roy Horn, one-half of the famous German magician duo Siegfried & Roy, was bit by a 400-pound white tiger named “Mantecore” and dragged offstage. After many years in residency at the Mirage Las Vegas and more than 30,000 performances over their career featuring exotic animals, one of the big cats finally turned on their handlers. Chris Jones and Michael Mooney are the authors of The Atlantic article “The Original Tiger Kings: The Improbable Rise and Savage Fall of Siegfried & Roy,” which deconstructs this moment and everything that led to it. Jones and Mooney are journalists that have collectively written for Rolling Stone, GQ, Esquire and The Wall Street Journal Magazine. Chris Jones is also the author of the book The Eye Test: A Case for Human Creativity in the Age of Analytics, as well as serving as a writer and producer on Netflix’s Away. Michael Mooney is also the New York Times best-selling author of The Life and Legend of Chris Kyle: American Sniper, Navy SEAL. Together, they speak with Alec about the tragic event, the reporting behind the scenes and the lessons learned from the end of an era.

You can find the article at:

https://www.theatlantic.com/magazine/archive/2022/11/siegfried-roy-fame-rise-and-fall/671528/

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This past year marked the 75th Anniversary of the Actors Studio, the nonprofit organization that has shared “truth in acting” with decades of film, television and theater professionals, including some of the biggest names in the business. This episode is the first in a series of conversations with some of those responsible for the studio’s success. Alec currently serves as Co-President of the Actors Studio and had the opportunity to speak with two leaders within the institution: Co-President Ellen Burstyn, who joined the studio in 1967, is known for her roles in “Alice Doesn’t Live Here Anymore,”“The Exorcist,” and “Requiem for A Dream” – and also has the distinction of winning the “Triple Crown of Acting:” an Oscar, a Tony and two Emmy Awards. Alec then speaks with Co-Associate Artistic Director Estelle Parsons, who has been with the studio since 1962. Parsons earned an Academy Award for ”Bonnie and Clyde,” the second film she ever made, and has earned five Tony nominations and two Obies in her illustrious career. The two remarkable women share their stories of finding their way to the Actors Studio and the impact it had on their careers – and their craft. 

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From “The Godfather” to “Goodfellas” to “The Sopranos,” fictional portrayals of the mafia continue to enthrall the American public. On his podcast, “Our Thing,” Sammy “The Bull” Gravano, member of “La Cosa Nostra” and underboss of the Gambino crime family, tells the tales of the real thing. The man who once upheld “omertà,” or the code of silence, testified as a government witness against mob boss John Gotti in a 1992 plea deal. Prosecutors described him as “the most significant witness in the history of organized crime in the United States.” Since 2020, he has told stories of his time in “the life” over five seasons of the “Our Thing” podcast.  Alec also speaks with co-creator of the podcast, James Carroll, a director, producer, editor and cinematographer of film and television. He shares how the podcast came to be and what he’s learned working with the notorious mobster. 

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Daniel Weiss is President and CEO of The Metropolitan Museum of Art, the largest museum in North America. An accomplished scholar and author who holds a PhD in art history and an MBA, Weiss was recruited to lead The Met in 2015 after serving as a college president, university dean, and professor of art history. He has steered the Museum through a series of historic challenges—including the covid crisis, a budget deficit and the removal of the controversial Sackler name from the building. Weiss is also the author of several books, ranging from art history to a soldier’s experience in the Vietnam War. Alec speaks with Daniel Weiss about navigating the Met through the pandemic, his role as a steward of priceless works of art, and his favorite museum to visit in the world. 

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Hatice Cengiz is a Turkish academic and researcher in Middle Eastern studies, and the fiancée of slain journalist Jamal Khashoggi. In 2017, Khashoggi fled Saudi Arabia for the United States, where he wrote columns often critical of the Saudi government for The Washington Post. He was murdered inside the Saudi Consulate in Istanbul by Saudi government officials in 2018. Four years later, Cengiz continues to fight for justice for her fiancée and hold accountable those who ordered and planned the killing. Alec speaks with Cengiz about how she and Jamal Khashoggi first met, the details of that tragic day, and the enduring legacy of her fiancée.

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Join award-winning actor Alec Baldwin in conversation with some of the most dynamic artists, policymakers, and performers working today. This season, Alec speaks with actors Ellen Burstyn and Estelle Parsons on the 75th Anniversary of the Actors Studio, fiancée of journalist Jamal Khashoggi, Hatice Cengiz, on her fight for justice following his assassination, and Daniel Weiss, President and CEO of the Metropolitan Museum of Art, on how he manages the historic institution, just to name a few. If you like listening as much as Alec likes talking with interesting people, subscribe now and never miss an episode. The new season begins January 24th. 

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Huma Abedin has spent her entire career in public service, from her beginnings as an intern in First Lady Hillary Clinton’s office, to her time as senior advisor to then-Senator Clinton, as deputy chief of staff to the Secretary of State, vice chair of Clinton's presidential campaign, and now, as Clinton’s chief of staff. Abedin’s recent memoir, “Both/And,” details this time in government, as well as her personal struggles behind the scenes. Huma Abedin sits down with Alec to discuss the personal impact of the 2016 election, the lessons she learned from her late father, and the sliding doors that have offered her different paths in life. 

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When Montauk fisherman John Aldridge was thrown off the back of his lobster boat, the Anna Mary, he found himself alone in the middle of the ocean, watching his ship speed off into the distance. With his partner, Anthony Sosinski, sleeping below deck, it would be hours before Aldridge was even discovered missing. The U.S. Coast Guard and Montauk fishing community then mobilized a large-scale search-and-rescue mission off the coast of Long Island, but the needle-in-a-haystack operation missed Aldridge, again and again, while he fought for his life. Following the release of their book, A Speck in the Sea, that recounts this harrowing tale, Aldridge and Sosinski join Alec to share their story of perseverance, friendship, and the mindset it takes to survive the most challenging circumstances. 

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Curt Smith is one-half of the band Tears for Fears, along with childhood friend and bandmate Roland Orzabal. Smith and Orzabal met as teenagers in Bath, England and formed a band that would go on to release hit after hit, from “Mad World” to “Shout,” ultimately selling over 30 million albums worldwide. From their debut album in 1983, “The Hurting,” Tears for Fears created a synth-heavy and lyrically complex sound that still resonates with audiences four decades later. Following the release of their latest album, “The Tipping Point,” Alec speaks to Curt Smith about forming a creative partnership bourne out of differing voices, how they found the sound for “Everybody Wants to Rule the World,” and what led to his departure from the group in the 1990s - and their eventual reunion that happened via fax. 

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Actor, director, screenwriter, and producer Liev Schreiber co-founded the BlueCheck Ukraine initiative in response to Russia’s war on Ukraine. BlueCheck Ukraine identifies, vets, and fast-tracks financial support to a diverse portfolio of NGOs that provide life-saving aid on the front lines. Since its launch in March 2022, BlueCheck has swiftly financed emergency evacuations, food distributions, medical aid, shelter, and cash assistance to operations on the ground. Alec Baldwin speaks to Schreiber about his Ukrainian roots and what drove him to start the non-profit, what he has witnessed in his visits to the war-torn region and his extraordinary acting work, from Shakespeare to the Emmy-nominated “Ray Donovan.”

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Amy Schneider is the most successful woman to ever compete on “Jeopardy!” The former engineering manager held a 40-game winning streak from November 2021 to January 2022, the second-longest in the show's history. Her winnings totalled $1.3 million, making her the fifth-highest earner of any contestant on the show. In advance of competing in the “Jeopardy! Tournament of Champions,” Schneider joins guest host Talia Schlanger to discuss how she prepared to compete, how being the most authentic version of herself led to success, and how her life has changed since her historic “Jeopardy!” run. (Update: She won!)

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This week, Alec speaks with two powerful women working tirelessly to help those most in need of assistance navigating the complicated – and very often expensive – criminal justice system: Attorneys Susan Church and Renate Lunn. Susan Church is a trial and appellate attorney focusing on immigration law and criminal defense with her firm Demissie & Church. She successfully sued President Trump for his travel ban on Muslim immigrants and successfully defended the Occupy Boston protesters. Church is currently a pro bono lawyer for immigrants involved in the Martha’s Vineyard migrant case, where two planeloads of Venezuelan asylum-seekers were flown from Texas to the Massachusetts island under false pretenses. A graduate of Columbia law, Renate Lunn represented people accused of crimes in Manhattan, Brooklyn and the Bronx at The Legal Aid Society for over 10 years and clerked for Hon. Robert P. Patterson of the Southern District of New York. She is currently the Director of Training at New York County Defender Services, training and supervising public defenders that serve the city’s most vulnerable communities in Manhattan.

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Every other week this fall, we’re airing some of Alec’s favorite episodes from our archives. This week, we feature two powerhouses of the political world: Katie Porter and Lorena Gonzalez in conversations from 2021. Democrat Lorena Gonzalez served in the California State Assembly from 2013 to 2022, representing her hometown of San Diego in the 80th Assembly District. The Stanford, Georgetown, and UCLA Law School graduate dedicated her career to labor organizing before taking office, where she fought for paid sick leave, overtime for farmworkers, and protecting janitorial workers against sexual assault. Today, Gonzalez continues to work for union causes as the Executive Secretary-Treasurer of the California Labor Federation. U.S. Representative Katie Porter (CA-45) was the first Democrat ever to be elected in the traditionally conservative Orange County district in 2018. Prompted to run by Trump’s 2016 win, Porter, a Yale and Harvard Law School graduate and single mom to three school-age children, quickly made a name for herself with her tough questioning of CEOs and administration officials, often using a whiteboard to lay out the facts. Porter, now in her second term, brings her experience as a law professor and consumer protection attorney to bear as she fights to end political corruption, increase government transparency, and hold leaders of both parties accountable.

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The multitalented Colin McEnroe is a radio host, newspaper columnist, magazine writer, author, playwright, lecturer, moderator, college instructor and even an occasional singer. He’s also one of Alec’s favorite broadcasters, as host of the Colin McEnroe Show on Connecticut Public Radio. McEnroe’s show unpacks the week’s events in news and pop culture, as well as covering some truly eccentric topics, like zippers, punk rock and neanderthals. He’s the author of three books, including the memoir, My Father’s Footprints – and his writing appears in The New York Times, Men’s Health, The Connecticut Post and Stamford Advocate. When not writing or hosting his radio show, McEnroe teaches in the political science department at Yale. McEnroe shares with Alec how he found his way to public radio, how the intimacy of radio is unparalleled, and details of his father’s influence on his life.

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Every other week this fall, we will be airing some of Alec’s favorite episodes from our archives. This week, we feature two supernovas of the musical world: acclaimed soprano Renée Fleming and the reigning virtuoso of the violin, Itzhak Perlman. Opera singer Renée Fleming, whose voice has been described as "double cream," remembers her beginnings in music, overcoming stage fright and her professional debut in this 2012 conversation. Fleming talks about the rigors of preparation for performing and the challenges of being heard, without amplification, over an orchestra. In this conversation from 2019, legendary violinist Itzhak Perlman speaks with Alec in front of a live audience at the NYU Skirball Center, discussing his difficult childhood, being stricken by polio in the war-torn early days of Israeli statehood -- and coming to the United States at 13 to play on the Ed Sullivan Show. Perlman also performs live with wife Toby Perlman and eight former students from the Perlman Music Program, a summer school on Shelter Island that provide a safe space for young musical geniuses to develop their talents, and themselves.

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Aasif Mandvi is a British-American actor, comedian, playwright and author, whose diverse career traverses Broadway, Merchant-Ivory, Marvel, television and comedy. His theater work includes Oklahoma! on Broadway, the Pulitzer-Prize winning play Disgraced and Mandvi’s off-Broadway, one man show, Sakina’s Restaurant, which explored the South Asian immigrant experience and won an Obie. He also created the Islamaphobia-tackling digital series Halal in the Family, which earned a Peabody.  The former The Daily Show correspondent is currently starring in the CBS psychological drama Evil and Would I Lie to You?, the CW panel show. Alec Baldwin and Mandvi talk about Mandvi’s upbringing and how it contributed to his adaptability,  the serendipitous events that changed the course of his career and becoming a father later in life. 

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Every other week this fall, we will be airing some of Alec’s favorite episodes from our archives. This week features two incredible authors: chronicler of Hollywood legends, Sam Wasson, and the Pulitzer-Prize winning The New Yorker writer, Lawrence Wright. Sam Wasson tackles distinctive creators and seminal moments in Hollywood history, from Blake Edwards and Paul Mazursky, to Audrey Hepburn and the history of improv. Alec loved Sam Wasson’s book, The Big Goodbye: Chinatown and the Last Years of Hollywood. In this fascinating conversation, Wasson tells the story of the four men behind the 1974 film: producer Robert Evans, screenwriter Robert Towne, director Roman Polanski, and star Jack Nicholson  - and how the film was a turning point in each of their lives. Lawrence Wright is an author, screenwriter, playwright, and staff writer for The New Yorker magazine. Filmmaker Alex Gibney directed an HBO documentary based on Wright's reporting in Going Clear: Scientology, Hollywood, and the Prison of Unbelief. In his in-depth and varied reporting, Wright has documented the Jonestown massacre, explored allegations of Satan worship, profiled brimstone-tinged gospel preachers, and tracked the histories of al-Qaeda and the Church of Scientology.

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Alec Baldwin speaks with two individuals using media to inspire, inform – and transform –  civic engagement in America.  Civil rights attorney Scott Hechinger is the founder and executive director of Zealous, an organization harnessing the power of storytelling for social justice. Hechinger believes that inaccurate narratives on crime and policing help shape perception and policy - and he’s seeking to change that. With Zealous, Hechinger works with public defenders and advocates on campaigns that aim to change a broken criminal justice system and push for true public health and safety. Robert Greenwald is the founder of Brave New Films, a non-profit whose goal is to educate and mobilize the public on social issues like voter suppression, immigration and war profiteering. Greenwald is an Emmy- and Peabody-winning director of television and film, including “Xanadu” and “The Burning Bed,” but pivoted to documentary and put his talents to work for political action.

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Guest Host Talia Schlanger speaks to the co-creator and subjects of Netflix’s Emmy-winning series, “Love on the Spectrum.” The show, which premiered in the  U.S. after two Australian seasons, follows individuals on the autism spectrum through struggles and successes in their search for love. Director and producer Cian O’Clery is joined by participant Kaelynn Partlow, who is also an autism therapist and advocate. O’Clery and Partlow share their experiences making the series and their take on traditional portrayals of autism in the media. Schlanger then speaks with 

consultant and autism advocate Jennifer Cook. Cook is the author of several books on autism, including her memoir, “Autism In Heels: The Untold Story Of A Female Life On The Spectrum.”  She serves as the dating coach for participants in the series, tailoring her help to their specific needs.  With her guests, Schlanger unpacks the intentions, inner workings and impact of this unique reality dating show. 

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Author Ken Auletta has been the chief political correspondent for the New York Post, a weekly columnist for the Village Voice, contributing editor at New York magazine and contributor to The New Yorker since 1977.  He is the author of twelve books, including five national bestsellers —Three Blind Mice: How the TV Networks Lost Their Way; Greed and Glory On Wall Street: The Fall of the House of Lehman; The Highwaymen: Warriors of the Information Superhighway; World War 3.0: Microsoft and Its Enemies; and Googled: The End of the World as We Know It. His latest book, Hollywood Ending: Harvey Weinstein and the Culture of Silence, serves as a biography, an examination of the circumstances that led to the abuses and the final chapter of Auletta’s reporting on Weinstein that began with a New Yorker profile two decades ago. Ken Auletta and Alec discuss Auletta’s upbringing in Coney Island, his early career in politics and the culture of Weinstein’s many enablers.

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It’s Alec’s turn to pick one of his most beloved episodes in the summer archive series. This week, we feature one of his favorite musicians, Canadian singer-songwriter Gordon Lightfoot, from their 2013 conversation. Over the course of a career that has lasted more than half a century, Lightfoot has achieved global stardom and exceptional influence. Bob Dylan’s a fan—he's said, “I can’t think of any [Lightfoot songs] I don’t like.” These songs—“Beautiful,” “Sundown,” “If You Could Read My Mind,” and many others—have been treasured by generations of popular musicians and listeners around the world. But Gordon Lightfoot was just one of many aspirants who moved to Toronto in the early 1960s to try their hand in the burgeoning folk music scene there. Lightfoot tells Alec about fitting a feeling to a melody, why he owes his first hit record to an exec's girlfriend, and how he wrote "The Wreck of the Edmund Fitzgerald" by pulling lines straight from the newspaper. 

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Dr. David Starkey is one of Britain’s leading historians, with a focus on the monarchy’s history and contemporary role. His work includes numerous books and television series covering the English monarchy, particularly the wives of Henry VIII and the reign of Elizabeth I.  He’s known for his regular appearances on BBC Radio 4's The Moral Maze, BBC 1's Question Time and This Week and most recently, the Queen’s Platinum Jubilee for GBNews.  Starkey was appointed Commander of the Order of the British Empire in 2007 and currently hosts a YouTube Channel, David Starkey Talks.  Dr. David Starkey and Alec discuss the House of Windsor's rise to power, mistakes in the era of Princess Diana, and Harry and Meghan’s status with the Royal Family.

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Our staff picks continue at Here’s The Thing, where every other week throughout the summer, members of our team select their favorite interviews from the archives. This week, we revisit Alec’s 2013 interview with acclaimed filmmaker Christopher Columbus. As a director, Columbus has brought to life some of the biggest American family films in history: Adventures in Babysitting, Home Alone, and Mrs. Doubtfire. He also wrote the screenplays of Gremlins and The Goonies, and produced and directed the first two Harry Potter films. Despite this success, Columbus admits that he “always, to this day, [feels] like [he’s] gonna walk on a movie and get fired.” He reveals to Alec what it was like working with brilliant improvisers like John Candy and Robin Williams, how he got his start writing while working nights in an aluminum factory and why it’s important to him to keep a low-profile. 

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Richard Stanley is a South African filmmaker, known for his boundary-pushing work in the horror and science fiction genres. Stanley grew up in apartheid-era South Africa, studying anthropology and filming tribal dance and initiation rituals. In the 90s, he directed the horror features Hardware and Dust Devil. He was then famously fired from an adaptation of The Island of Dr. Moreau starring Marlon Brando and Val Kilmer after only three days on set, an event which later became the subject of the documentary, Lost Soul: The Doomed Journey of Richard Stanley’s Island of Dr. Moreau. Stanley went on to direct several documentaries and returned to narrative film in 2019 with Color Out of Space starring Nicolas Cage. Richard Stanley and Alec discuss Stanley’s upbringing in South Africa, what it’s like directing Marlon Brando and his biggest regrets from the failed Moreau production.

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Every other week throughout the summer, members of the Here’s The Thing staff are selecting their favorite interviews from the archives. This week, we revisit Alec’s conversations with two of the funniest comedians in the business – and coincidentally, two of the most popular episodes from our archives.  Chris Rock is known for his work on SNL, his stand up specials, the sitcom Everybody Loves Chris and films like Madagascar and Grownups.  In recent years, the comedian dove deeper into acting, including an acclaimed turn in the FX dark comedy Fargo.  In a conversation from 2011, Alec goes backstage after a performance of the play The Mother F**ker With The Hat, Rock’s Broadway debut. Comedian Jerry Seinfeld broke the mold with his sharp observational humor and a groundbreaking sitcom about “nothing,” over nine seasons of Seinfeld. He also produced and hosted 11 seasons of his unconventional talk show, Comedians In Cars Getting Coffee and continues to tour standup.  In this conversation from 2013, the comedian discusses getting his start in standup, why he thinks Seinfeld was a success and the unique connection he feels to his audience.

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Cheryl Hines has been displaying her comedic chops for 11 seasons of HBO’s “Curb Your Enthusiasm, earning her critical acclaim and two Emmy nominations. She’s also known for her work in the feature film “Waitress,” the sitcom “Suburgatory” and most recently, the second season of “The Flight Attendant.”  Hines utilized her talents behind the scenes, producing the television series “Campus Ladies” and directing the film “Serious Moonlight,” starring Meg Ryan and Timothy Hutton.  She’s also a member of one of America’s most well-known political families, as the wife of Robert F. Kennedy, Jr.   Cheryl Hines and Alec discuss how Cheryl found her way to acting, what it’s like to work with the one-and-only Larry David, and how she’s changed since meeting her husband.

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Our Here’s the Thing Summer Staff Picks series continues, featuring our favorite episodes from the archives. This week, we revisit Alec’s interviews with two great American storytellers, Ira Glass and Alex Gibney.  Ira Glass has been the host and creative force of WBEZ’s This American Life since 1995. The public radio personality revolutionized nonfiction storytelling by using a voice that's personable, modest, and emotionally engaged. Alec sat down with Ira Glass in 2014 to compare notes on interviewing, the afterlife, and finding one’s vocal style.  Alex Gibney is one of the most respected and prolific documentary filmmakers in history. His stories feature strong characters and propulsive narratives that often expose malfeasance or incompetency. In this 2021 conversation, Alex Gibney speaks with Alec about going up against powerful organizations, shifting from Japanese literature to film and the collaborators that have helped him grow.

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Few artists have the unique voice and talent of David Sedaris, master of satire and social critique – and one of America’s preeminent humor writers. He is the author of numerous bestsellers, including Calypso, When You Are Engulfed in Flames, Dress Your Family in Corduroy and Denim, Me Talk Pretty One Day, Holidays on Ice, Naked, and Barrel Fever, having sold 12 million copies of his books, translated into 25 languages. He’s also a regular contributor to The New Yorker and BBC Radio 4. David Sedaris and Alec discuss Sedaris finding his way to his craft, writing about his father’s passing in his most recent book, Happy-Go-Lucky, and the best advice he’s learned from his thirty-year relationship with his partner. 

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It’s summer, and every other week, members of the Here’s The Thing staff are selecting their favorite interviews from the archives. This week, we revisit Alec’s interviews with two extraordinary women in media, Sheila Nevins and Tina Brown, recorded in 2017.  Sheila Nevins was the head of HBO Documentary Films from 1979 until 2018 and now leads MTV Documentary Films.  She has overseen the production of literally hundreds of documentaries, which have won dozens of Oscars, exerting more influence on the medium than perhaps anyone in its history.  Tina Brown is a journalist, editor and author, with her work ranging from memoir to biography, including her most recent book, “The Palace Papers: Inside the House of Windsor - The Truth and the Turmoil.”  As the founder of Talk magazine and editor-in-chief of Vanity Fair, Tatler and The New Yorker, the British-born Brown brought her fresh observations and sharp wit to both the revered publications she led and New York society. 

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Television director James Burrows has been working since the 1970s on beloved series like Taxi, Cheers, Friends, Frasier, and Will & Grace. He has directed over 1,000 hours of television, co-created the long-running, critically-acclaimed series Cheers and is the recipient of 11 Emmy Awards and a DGA Lifetime Achievement Award. His golden touch becomes apparent when you consider that a staggering 75 of the series pilots he directed, including The Big Bang Theory and Two and a Half Men, advanced to series. His new book, the memoir “Directed by James Burrows,” details his accomplished life and career. James Burrows and Alec discuss their favorite parts of working together, how Burrows got his start in the entertainment industry and why his book is ultimately about kindness.

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Alex Ross has been a music critic at The New Yorker since 1996. His beat is classical music, but his work spans literature, history, the visual arts, film, and ecology. The MacArthur Genius Grant recipient was cited by the foundation for his ability to offer “new ways of thinking about the music of the past and its place in our future.”  He is also the author of three books, “Listen to This,” “The Rest is Noise” and his most recent, “Wagnerism: Art and Politics in the Shadow of Music,” which dives into the influential composer’s complicated legacy. Alex Ross and Alec discuss the changing field of criticism, Wagner’s place in history and how to separate art from artist. 

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Sarah Polley is a storyteller – and a remarkable one. Whether as a precocious child actor in Road to Avonlea and The Adventures of Baron Munchausen, as a documentarian unpacking her family history in Stories We Tell or as screenwriter and director of the Academy Award-nominated Away From Her, Polley is adept at portraying complex and honest depictions of humanity. And now, she is the author of a revealing and insightful collection of essays, Run Towards the Danger: Confrontations with a Body of Memory. The book pulls together reflections from challenging chapters in her life and career that explore how a change in approach can provide a path forward. Polley joins guest host Talia Schlanger for a candid and revelatory conversation that goes deep into Polley’s decision to pivot from a successful actor to writing and directing, to the difficulties she experienced working in Hollywood and the decision to step forward with her own #MeToo story.  Their discussion turns personal when Polley turns the tables on host Talia Schlanger and invites a discussion about Schlanger’s own experiences of #MeToo. 

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Abe Laboriel Jr. is the drummer on speed dial for some of the biggest names in the music business, including Eric Clapton, k.d. lang, Eddie Vedder, Melissa Etheridge…and Paul McCartney, as member of McCartney’s band for the past two decades. Son of Mexican bass guitarist Abraham Laboriel and nephew of Mexican rocker Johnny Laboriel, the Berklee-College-of Music-trained drummer has music in his blood.  He’s also had the pleasure of playing some of the biggest stages in the world: the Super Bowl, the Olympics and the Queen’s Gold and Diamond Jubilees. Abe tells Alec why drums are his instrument of choice, what it’s like to jam with Sir Paul, and how he tethers great musicians back to the band.

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Writer and essayist Adam Gopnik has been called “one of the greatest thinkers and wordsmiths of our age.” He is best known as a staff writer for The New Yorker, to which he has contributed non-fiction, fiction, memoir and criticism since 1986. The international best-selling author has penned ten titles spanning memoir, essays and children’s literature and is the recipient of three National Magazine Awards and the George Polk Award for Magazine Reporting. Gopnik is also a talented lecturer and storyteller, appearing with the Moth and in a series of one-man shows he created.  It seems there isn’t anything Gopnik can’t do, as he recently transitioned into theater as a book writer and lyricist.  Alec speaks with Adam about his time writing in Paris, the mystery of mastery and the search for a beautiful existence and full life. 

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Singer, songwriter, and composer Rufus Wainwright continues to surprise and delight with a new tour and album, Rufus Does Judy at Capitol Studios, paying homage to one of his heroes, Judy Garland, and her historic recording. Wainwright was practically born into songwriting as son of musicians Loudon Wainwright III and Kate McGarrigle, and touring with his family by the age of thirteen. The Juno-Award winning and Grammy-nominated artist has since defied expectations, playing with genre, from standards to pop and even opera.  Rufus Wainwright talks to host Talia Schlanger about the influence of his musical family, what uncharted territory is next for him and how he communicates with the muses in his songwriting. 

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Singer, songwriter, multi-instrumentalist, record producer and Rock and Roll Hall of Fame inductee Todd Rundgren is in a class all his own. Whether scoring Top 40 hits, playing all of the instruments on his albums or wildly experimenting with musical genres, Rundgren is continuously pushing the boundaries of creativity. That ethos and ingenuity can be found in his numerous solo albums from the 70s to present day, with his band Utopia and as a record producer for musicians like Patti Smith, The Psychedelic Furs and MeatLoaf. The trailblazing Rundgren is also a pioneer in computer technology and multimedia – creating the first color graphics tablet, first interactive album and first interactive concert tour. Todd Rundgren tells Alec how he pulls off making the music he wants to make, how he almost changed careers to become a computer programmer and how psychedelics helped him rethink music completely. 

You can listen to all of the music from this episode and other selections from Todd Rundgren in a curated playlist here.

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If the leaked Supreme Court draft opinion is to be believed, we are on the cusp of Roe v. Wade being overturned this summer – a decision which will have wide-ranging implications for all Americans.  Alec spoke with two people at the forefront of this issue: Mary Ziegler is a Professor at Florida State University College of Law, the author of four books on abortion law and politics, and one of the world’s leading authorities on the legal history of the American abortion debate. Anna Rupani is the Executive Director of Fund Texas Choice, an organization providing aid to those seeking abortions in and out of state due to Texas’ ban on abortions around the sixth week of pregnancy.  Our guests help shed light on what led to the historic decision, what laws might also be at-risk and where we go from here.

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Eric Ripert is chef and part-owner of one of New York’s flagship fine-dining establishments, Le Bernardin.  For three decades with Ripert at the helm, Le Bernardin has ranked at the top of the world's best restaurant lists and holds three Michelin stars, the maximum available. Ripert is also the author of several cookbooks and a best-selling memoir – and was host of the Emmy-winning tv show “AVEC ERIC.” Ripert shares with Alec stories from his culinary training, how he maintains Le Bernardin's excellence, and the unmatched power of dessert.  

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With the Russian invasion of Ukraine stretching into its third month, the Ukrainian people continue to valiantly fight for their right to sovereignty and democracy. Our guests today join Alec to discuss the situation on the ground in Ukraine and how they are working to ensure the stories of the Ukrainian people reach the world. Bryce Wilson is an Australian freelance photojournalist whose work has focused on the war and humanitarian crisis in Ukraine’s east since 2015. He shares his experiences embedding with the Ukrainian special forces unit and reporting from the first days of the invasion. Ida Sawyer is the director of Human Rights Watch's Crisis and Conflict division, which investigates and reports on human rights abuses happening around the world. Sawyer shares the organization’s findings of Russian military forces committing laws-of-war violations against civilians in Ukraine.

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Called one of the “Top 10 Comedians You Need to Know” by Rolling Stone, Tim Dillon is a whirlwind of hot takes and sharp observations about pop culture and society. His darkly funny brand of humor can be found touring around the world and on “The Tim Dillon Show,” his weekly podcast. Dillon has been featured on Netflix and Comedy Central specials and graced the stages of the Glasgow Comedy Festival and South by Southwest. Tim and Alec speak of the importance of comedy throughout the pandemic, their shared Long Island background and why having a difference of opinions is good for our culture. 

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Canadian documentary film director Daniel Roher is known for his 2019 film Once Were Brothers: Robbie Robertson and the Band, which features the elite of rock and roll, including Springsteen and Clapton. Bulgarian investigative journalist Christov Grozev is the lead Russia investigator with Bellingcat, an open-source journalism group. The two collaborated on the documentary “Navalny,” which was directed by Roher and has received widespread acclaim from critics and moviegoers. The gripping real-life thriller took home the Festival Favorite and U.S. Documentary Audience Awards at the 2022 Sundance Film Festival. “Navanly” follows Russian opposition leader and outspoken Putin critic Alexei Navany in the wake of his 2020 poisoning as he works to uncover those responsible for the assassination attempt.  Roher and Grozev spoke with Alec about Navalny’s potential path to the presidency, why poison is the Kremlin’s weapon of choice and what might be next for Putin.

“Navalny” is currently in theaters worldwide and will premiere on CNN TV in North America on April 24th. 

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Vicky Ward is a New York Times bestselling author, investigative reporter, and magazine columnist.  Her work has been featured in The Independent, HuffPost and Vanity Fair, and focuses on the intersection of money, power and corruption. She has reported on Jeffrey Epstein and his associate Ghislaine Maxwell for two decades, an undertaking that culminated in dispatches from the Ghislaine Maxwell trial through her Substack newsletter “Vicky Ward Investigates,” and the Chasing Ghislaine podcast and documentary series, of which Ward serves as host and producer. Ward has also authored books on the collapse of Lehman Brothers, the world of New York real estate and Jared Kushner and Ivanka Trump’s path to the White House. 

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Norwegian pianist and conductor Leif Ove Andsnes has been called “one of the most gifted musicians of his generation” by The Wall Street Journal. He has won worldwide acclaim, eleven Grammys nominations, and six Gramophone Awards. In 2012, Andnses partnered with the Mahler Chamber Orchestra for an ambitious multi-year project titled “The Beethoven Journey,” performing all five piano concertos in 15 countries across three continents. Recently, Andsnes and the Mahler Chamber Orchestra collaborated on their second multi-year project, “Mozart Momentum 1785/86,” exploring one of the most creative and productive periods of the composer’s career. Leif Ove Andsnes tells Alec about how the piano is his first language, how he prepares before a concert and what he feels all great pianists have in common. 

You can listen to all of the music from this episode and other selections from Leif Ove Andsnes in a curated playlist here. 

The following compositions are featured in this episode:

Grieg: Piano Concerto in A minor, Op. 16 – 1st movement - Allegro Molto Moderato

Leif Ove Andsnes (piano); Berlin Philharmonic Orchestra, Mariss Jansons

(With the kind permission of Warner Classics)

Ludwig van Beethoven, Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor" : I. Allegro, Leif Ove Andsnes (piano) 

(With the kind permission of Sony Classical)

Rachmaninov: Piano Concerto No. 2 in C minor, Op. 18 - 3rd movement – Allegro scherzando

Leif Ove Andsnes (piano); Berliner Philharmonic Orchestra, Antonio Pappano

(With the kind permission of Warner Classics)

Janáček: On The Overgrown Path Series 1 - JW 8/17: I. Our evenings (Moderato - Adagio) 

Leif Ove Andsnes (piano); Mahler Chamber Orchestra

(With the kind permission of Warner Classics)

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Rory Kennedy is a documentary filmmaker and the youngest child of Ethel and Robert F. Kennedy. She is an Academy Award-nominated, Emmy Award-winning director and producer who has made more than 40 acclaimed documentaries.  Her work confronts complicated subjects like poverty, corruption, domestic abuse, addiction and human rights, as well as surfing legends, NASA and the extraordinary life of her mother. Her latest film, “Downfall: The Case Against Boeing,” on the two tragic Boeing 737 Max passenger jet crashes, is now streaming on Netflix. 

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Singer, songwriter, producer, and actor Steven Van Zandt aka Little Steven is perhaps best known as a member of Bruce Springsteen's E Street Band. But the talented musician also co-founded the band Southside Johnny and the Asbury Jukes, as well as his solo act, Little Steven & The Disciples of Soul. He later found success in an entirely different career, playing the inimitable role of Tony Soprano’s consigliere Silvio Dante in The Sopranos and Frank Tagliano in Lilyhammer. The Rock and Roll Hall of Fame member recently released his autobiography, “Unrequited Infatuations,” which chronicles the many twists and turns that make up his remarkable life. Steven tells Alec why Bruce Springsteen was originally not allowed in his band, why he decided to walk away from the music business, and how he became a part of television history - twice. 

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Art Fraud is investigative journey through one of the biggest cases of art fraud in US history done by The Knoedler Gallery written by VANITY REPORTER Michael Shnayerson and hosted by Alec Baldwin. On this episode Alec Baldwin recounts his own brush with art fraud. Also, the story of the “Love” artist Robert Indiana. And finally, Alec and Michael Shnayerson offer their final thoughts on Ann Freedman, Glafira Rosales, and The Knoedler scandal.

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Vibrant, unstoppable Amanda Kloots is co-host on CBS’ The Talk, a recent contestant on Dancing With The Stars, a fitness entrepreneur and author of “Live Your Life: My Story of Loving and Losing Nick Cordero.” The former Rockette and Broadway dancer wrote the book after her husband, Tony nominee Nick Cordero, lost his battle with Covid-19 months after they had their first child. Alec and Amanda discuss her move to Los Angeles, what it’s like raising her son as a single mom, and how Broadway prepared her to take on anything life throws her way. 

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Art Fraud is investigative journey through one of the biggest cases of art fraud in US history done by The Knoedler Gallery written by VANITY REPORTER Michael Shnayerson and hosted by Alec Baldwin. On this episode The Knoedler Gallery and its alleged co-conspirators stand trial. Listen to Art Fraud on the iHeartRadio App or wherever you get your podcasts.

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Join award-winning actor Alec Baldwin in conversation with some of the most dynamic artists, policymakers, and performers working today. This season, Alec speaks with musician Todd Rundgren about the importance of pushing artistic boundaries, comedian Tim Dillon on turning chaos into creativity, documentary filmmaker Rory Kennedy on producing films that matter, musician and actor Steven Van Zandt on making television history - twice, and The Talk co-host Amanda Kloots on the power of persistence and positivity, just to name a few. If you like listening as much as Alec likes talking with interesting people, subscribe now and never miss an episode.

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As we prepare to launch our second season at iHeartRadio, we’re revisiting some of Alec’s favorite episodes from the archives. In this episode, Alec speaks with ice cream magnates Ben Cohen and Jerry Greenfield of Ben & Jerry’s fame. In the late 70s, Cohen was a rootless pottery teacher, laid off when his school closed down. Greenfield was a diligent pre-med, realizing he was never going to get into med school. They'd formed a deep friendship years earlier, as the two chubby kids in their middle-school gym class. Their joint reaction to their separate crises was to open a small ice cream shop in Burlington, Vermont. That decision would change the face of the industry and give America a model for a new set of corporate values. At the Flynn Center for the Performing Arts in Burlington -- just a couple miles from the site where Cohen and Greenfield set up shop in 1978 -- Alec talks to Ben and Jerry in front of a crowd that idolizes their hometown heroes, and the energy is infectious. From their Long Island childhood to the tensions surrounding Ben & Jerry's acquisition by Dutch conglomerate Unilever in 2000, the conversation is open, honest, and brimming with the deep bond these two men continue to feel, 40 years after they first put their names together on a sign in Vermont. Thanks to Vermont Public Radio for making it possible.

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Art Fraud is investigative journey through one of the biggest cases of art fraud in US history done by The Knoedler Gallery written by VANITY REPORTER Michael Shnayerson and hosted by Alec Baldwin. On this episode a wealthy Belgian financier wants his $17 million back after he discovers the truth about the painting and the Knoedler Gallery. Listen to Art Fraud on the iHeartRadio App or wherever you get your podcasts.

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Art Fraud is investigative journey through one of the biggest cases of art fraud in US history done by The Knoedler Gallery written by VANITY REPORTER Michael Shnayerson and hosted by Alec Baldwin. On this episode The International Foundation for Art Research (IFAR) inspects a purported work by Jackson Pollock and finds major issues with its authenticity. Listen to Art Fraud on the iHeartRadio App or wherever you get your podcasts.

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As we prepare to launch our second season at iHeartRadio, we’re revisiting some of Alec’s favorite episodes from the archives. In this episode, Alec talks with writer and actress Paula Pell – who made people laugh at Saturday Night Live for 18 years. Pell landed her dream job as a writer at SNL after working at a Florida theme park. Her agent told her that Lorne Michaels wanted to meet her – “it is not an audition, but he wants to fly you up and talk to you.” Pell wasn’t sure what she was headed up for, but she got a job writing for the show. Because of her longevity on the show, Pell calls herself “Nanny SNL,” but she’s the first to admit, “if you have a good night there you feel like you’re 20 again.” Today, Pell can be found writing and producing movies and television, in addition to her starring role in Peacock's “Girls5eva.”

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Art Fraud is investigative journey through one of the biggest cases of art fraud in US history done by The Knoedler Gallery written by VANITY REPORTER Michael Shnayerson and hosted by Alec Baldwin. On this episode Glafira Rosales, a Long Island art dealer who allegedly supplied forged paintings to the Knoedler Gallery, tells her story. You don't want to miss her first and only public interview on the Knoedler Scandal. Listen to Art Fraud on the iHeartRadio App or wherever you get your podcasts.

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Art Fraud is investigative journey through one of the biggest cases of art fraud in US history done by The Knoedler Gallery written by VANITY REPORTER Michael Shnayerson and hosted by Alec Baldwin. The Knoedler Gallery first opened its doors in 1846 in New York City. The gallery sold works of unparalleled quality. But who was Knoedler? And how did the venerable gallery get its start? In this episode we meet Ann Freedman who finds success in the art world, but not without controversy. Listen to Art Fraud on the iHeartRadio app or wherever you get your podcasts.

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Art Fraud is investigative journey through one of the biggest cases of art fraud in US history done by The Knoedler Gallery written by VANITY REPORTER Michael Shnayerson and hosted by Alec Baldwin. On this episode two drawings on paper allegedly by the artist Richard Diebenkorn become the first of dozens of problematic works sold by the Knoedler Gallery. Also, a mysterious “Mr. X” enters the picture on this episode. Listen to Art Fraud on the iHeartRadio App or wherever you get your podcasts.

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Art Fraud is an investigative journey through one of the biggest cases of art fraud in US history: The Knoedler Gallery. Written by VANITY FAIR reporter Michael Shnayerson and hosted by Alec Baldwin, ART FRAUD exposes the scandal of dozens of disputed paintings, and over 80 million dollars in profit that led to the stunning collapse of one of the oldest and most revered art galleries in New York City.

The Knoedler Gallery first opened its doors in 1846 in New York City. The gallery sold works of unparalleled quality. But who was Knoedler? And how did the venerable gallery get its start? Listen to Art Fraud on the iHeartRadio App or wherever you get your podcasts.

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As we prepare to launch our second season at iHeartRadio, we’re revisiting some of Alec’s favorite episodes from the archives. In this episode, Alec speaks with musician Ahmir “Questlove” Thompson. Few musicians can compete with the encyclopedic musical knowledge that “Questlove” possesses—which is great news if you got to be a student of his at NYU. When not teaching music history, the 45-year-old drummer is directing the Grammy-Award winning group The Roots—a hip hop collective that rose from “everyone’s favorite underground secret” in the late 90s to Jimmy Fallon’s house band on The Tonight Show. Whether drumming, DJ’ing, or writing a book on food, Questlove is universally beloved. “The coolest man on late night,” according to the Rolling Stone. But there is one thing this genius of music can’t do: accept that he is one. He talks to Here’s the Thing host Alec Baldwin about a three year exile in London, Jimmy Fallon wooing the Roots, and how meditation saved his life. Most recently, he’s received critical acclaim for his filmmaking debut with his 2021 documentary, Summer of Soul.

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As we prepare to launch our second season at iHeartRadio, we’re revisiting some of Alec’s favorite episodes from the archives. In this episode, Alec speaks with actor Russ Tamblyn. Russ was born in Los Angeles in the middle of the Depression to a chorus girl and a Broadway "song and dance man." His father had moved his growing family west to press his luck in the talkies. Russ was a showbiz kid and found his talent young: Cecil B DeMille cast him as the young King Saul in Samson and Delilah when he was just 13 years old. Stardom came at 19 in Seven Brides for Seven Brothers, where he stole scenes with his goofy enthusiasm and astonishingly acrobatic dancing. But the role that will go down in history is Riff in West Side Story. Tamblyn took a part that could have been just a young tough, and imbued it with such nuance, such balance between aggression and vulnerability, that every Riff since has been held up to him. In this funny, revealing conversation, Tamblyn tells Alec what it was like being part of the old Hollywood contract system (he was an MGM property) -- plus which major Golden Age director was "overrated," and why he didn't stay a movie star. And of course, Tamblyn recounts his return to featured roles at the request of David Lynch, who cast him as Dr. Lawrence Jacoby in Twin Peaks.

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(Recorded October 6, 2021) Even if you don’t know the name Merry Clayton, you know her voice. It’s the one belting on The Rolling Stones’ Gimme Shelter and it is remarkable - you can actually hear Mick Jagger hooting and hollering in the background after Clayton sings the hook. Clayton started providing backing vocals for Bobby Darin as a teenager and went on to record with Ray Charles, Lynyrd Skynyrd, Carole King, Neil Young, and the list goes on and on. Her story is featured in the 2013 documentary 20 Feet From Stardom, which celebrated the often-overlooked contributions of backup singers to popular songs and won the Oscar for Best Documentary. Following a near-fatal car accident, Clayton has returned to release her first solo album in more than 25 years, Beautiful Scars. 

This episode introduces guest host Talia Schlanger, who will occasionally be featured on Here’s the Thing. Schlanger is a performer, musician, and broadcaster. She has interviewed hundreds of artists as the former host of the NPR-distributed program World Cafe and throughout her career at CBC. 

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(Recorded September 2021) Actress Marilu Henner is known for a lot of things, from her groundbreaking role as Elaine Nardo on Taxi to her New York Times bestselling books on health and wellness to her amazing, nearly one-of-a-kind memory. But what shines through in every story, joke, and answer she gives Alec is her positivity and joy. Henner is someone who, at every turn, has chosen her happiness, and she’s eager to share her secrets for creating an optimistic outlook with everyone. 

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(Recorded October 4, 2021) Journalist Nicolas Niarchos may be the grandson of a famous Greek shipping magnate, but he can be found covering challenging and dangerous subjects like conflicts, minerals, and migration in Europe, the Middle East and Africa. He is a reporter at large at The New Yorker and a contributor to TIME, The Guardian, The New York Times and The Nation. Niarchos speaks with Alec about his upbringing, his journalistic path and his reporting in the Democratic Republic of the Congo, which exposes exploitation in the cobalt mining industry - and the importance of this crucial element in our global supply chain. 

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(Recorded in June 2021) Filmmaker Tony Palmer’s more than 100 documentaries have featured everyone from Cream to Stravinsky; Jimi Hendrix to Yehudi Menuhin; Leonard Cohen to Richard Wagner. He collaborated with Frank Zappa on the surreal cult-classic 200 Motels and with his friend, John Lennon on All You Need is Love, a multipart series on the early days of rock n roll. He’s made three films about British composer Benjamin Britten. Tony Palmer’s work has been recognized with over forty international awards; not bad, for someone who fell into filmmaking. 

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(Recorded June 2021) Estonian conductor Paavo Järvi is one of the most in-demand maestros in the world, and one of Alec’s favorite conductors. Järvi is currently the chief conductor of the NHK symphony orchestra in Tokyo and the Tonhalle Orchester-Zürich. Over his career, he’s led orchestras in Paris, Frankfurt, Stockholm, Malmö, and, for the decade between 2001 and 2011, here in the United States, as the musical director of the Cincinnati Symphony Orchestra. He and his musical family are pillars of the thriving classical music scene in his home country of Estonia. Paavo Järvi talks to Alec about how slowing down in the pandemic offered Paavo time to think, his early love of music, what it was like to come to the United States from Soviet-era Estonia as a 17-year-old, and what he took away from a decade of conducting the Cincinnati Symphony Orchestra. 

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(Recorded September 2021) British documentarian Lucy Walker is asking big questions with her latest film, Bring Your Own Brigade. Specifically, why are there more catastrophic wildfires worldwide, and what could mitigate the destruction? Her gripping film focuses on real people impacted by two 2018 California wildfires, “The Camp Fire,” which killed 85 and nearly destroyed the town of Paradise, and “The Woolsey Fire,” which devastated parts of Malibu. Lucy’s camera takes you from the horror of people struggling to escape the wildfires to disbelief as residents reject steps that could limit future destruction. Lucy Walker’s other films include The Crash Reel, Countdown to Zero, Waste Land, Blindsight, and Devil’s Playground.

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(Recorded July 2021) Glenn Shepard, Ph.D., is an ethnobotanist and medical anthropologist who’s worked with indigenous people in the Amazon for decades. Filipe DeAndrade is the host of Nat Geo Wild’s Untamed. These remarkable storytellers have a way of making you care about people, places, and animals that are often overlooked and misunderstood. The Brazilan-born, Cleveland-raised DeAndrade is a rising star in the world of wildlife filmmaking, and he has a contagious enthusiasm for wild animals and adventure. Glenn Shepard lives in northern Brazil and works as a researcher at the Emilio Goeldi Museum near the mouth of the Amazon river. He’s worked with indigenous people along the Amazon, from the Machiguenga in Peru to the Kayapo in northern Brazil. 

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(Recorded July 2021) Marla Frazee’s an award-winning children’s book author and illustrator. She also the genius behind Boss Baby, the business-suit-wearing, hard-charging infant who changed Alec’s life. Marla Frazee says she tackles serious topics such as babies, birthday cake, boxer shorts, boys, and roller coasters. She’s been honored twice with the prestigious Caldecott medal. She’s written and illustrated A Couple Of Boys Have The Best Week Ever; Walk On!; and Santa Claus, The World’s Number One Toy Expert. She’s also illustrated books by other authors including All The World; The Seven Silly Eaters; Stars; and the New York Times bestselling Clementine series.

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Alec talks with Dr. Anthony Fauci, the director of the National Institute of Allergy and Infectious Diseases and the Chief Medical Advisor to President Biden. He talks to Alec about the latest in the pandemic and his long career. 

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Tom Jones’ booming baritone has led him to sell over 100 million records in his nearly six-decade career. He had a string of hits in the mid-1960s including “It’s Not Unusual,” “What’s New Pussycat?” “She’s A Lady,” “Green, Green Grass Of Home,” “I’ll Never Fall In Love Again,” and “Delilah.” Now in his early 80s, Tom Jones is still going strong with a new album out and an upcoming tour. Tom Jones talks with Alec about growing up in a small town in Wales, how contracting tuberculosis changed his life and the secret to his nearly six-decade marriage to his middle-school sweetheart Linda and how he's been managing since her death in 2016. 

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It’s Alec’s turn to feature two of his favorite episodes in the summer archives series. He interviewed Daryl Hall in December 2019 on his home turf: Daryl's House, Hall’s restaurant, and live music venue located about 90 minutes north of New York City. Hall & Oates is the biggest-selling vocal duo in history, with hits like "Maneater," "Rich Girl," "You Make My Dreams Come True," and countless others. Hall talks about his teen years in suburban Pennsylvania singing doo-wop on the streets with his friends -- a far cry from the rock-star life he led 15 years later. Danny Bennett is the son and manager of legendary crooner Tony Bennett, and Alec spoke with him in 2013. This summer, Tony Bennett celebrated his 95th birthday with two sold-out shows at Radio City Music Hall, performing duets with Lady Gaga. Danny Bennett has been working with his father for several decades and played a key role in introducing Tony Bennett to a multi-generational audience through appearances on SNL and MTV and the duets albums. Danny Bennett describes his job as managing a legacy as much as a career. 

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It’s great to interview childhood heroes, and Roger Staubach a.k.a “Captain America,” was a big one for a young Alec Baldwin. Stuabach was a Dallas Cowboy quarterback for eleven seasons, 1969 and 1980, and he led the team to the Super Bowl wins in 1972 and 1978. Staubach earned Super Bowl MVP in 1972. Growing up an only child in Cincinnati, Roger Staubach loved sports but didn’t start playing quarterback until high school. He went on to the Naval Academy, where he received the Heisman Trophy. He then served four years in the Navy, including a tour in Vietnam. Roger Staubach was inducted into the Football Hall of Fame in 1985, and he was awarded the Presidential Medal of Freedom in 2018.

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Good Risings is a collection of mini-shows served up in less than 5 minutes, providing the perfect daily practice for anyone looking to lead a more intentional, mindful, and inspired life. Listen to one, two, or all the mini-shows on the Good Risings menu to perfectly curate your morning routine.

Follow Good Risings On Social:

IG/FB/TW/TT: @goodrisings

✨ THE RISING SIGN with @queercosmos

🔥 LEVEL-UP LATTE with @nichelle

🌈 GRATEFUL GRAINS with @jacquelinemwood_1 & @bmcmuffin

☮️ SPOONFUL OF SPIRITUALITY with @marieburnsholzer

💌 HASH IT OUT with @lizlistens

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Two of the most popular shows from the Here’s The Thing archives are Alec’s conversations with Radiohead’s Thom Yorke, and R.E.M.’s Michael Stipe. These are fascinating, ground-breaking artists who influenced each other. Thom Yorke started Radiohead in 1985 when he was just a teenager. With each of the group’s nine studio albums, Radiohead evolved its sound and, at times, pushed the music industry. In this 2013 interview, Thom Yorke talks with Alec about working with longtime collaborators, fatherhood, and his fame. Michael Stipe was a founding member of R.E.M., a band that practically defined indy rock for much of the 80s and 90s. R.E.M. broke up in 2011 and, in this conversation from 2016, Michael Stipe talks to Alec about what getting time back has meant to his art, politics, and ability to read, listen, and enjoy the world. 

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Lorena Gonzalez, a Democrat, represents the 80th Assembly District in her hometown of San Diego. Raised by a single mother who worked as a nurse, Lorena learned the value of service early. She went to Stanford, Georgetown, and UCLA Law and dedicated her career to labor organizing before taking office in 2013. Her impressive list of wins includes: paid sick leave, overtime for farmworkers, protecting janitorial workers against sexual assault, automatic voter registration at the DMV, diaper tax relief…the list goes on and on. She talks with Alec about her controversial “gig worker bill,” which required companies to reclassify independent contractors as employees, her sharp words for Elon Musk, and why it’s time for California to elect a Latina to statewide office. 

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As part of our summer archives series, we revisit Alec’s interview with two rock legends, Patti Smith and Peter Frampton. Alec’s conversation with Patti Smith took place before a live audience at the Mayo Performing Arts Center in Morristown, New Jersey, in December 2016. She tells Alec she was never looking for fame. Her love of poetry, art, and a desire to “do something great” motivated her to move to New York when she was 20. She chronicled her formative friendship with Robert Mapplethorpe in her best-selling memoir, Just Kids. She talks to Alec about fame, friendship, and motherhood. Peter Frampton’s double album, Frampton Comes Alive! is one of the best-selling live albums of all time, and it completely changed his life. Frampton started playing guitar before he was eight years old. He talked to Alec about his musical roots in England, playing in bands like The Preachers and The Herd, and how, at 14, the Rolling Stones’ Bill Wyman became his mentor. 

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Alex Gibney is one of the most respected and prolific documentary filmmakers in history. His stories feature strong characters and a propulsive narrative that often exposes malfeasance or incompetency, and the victim is often the little guy or our highest ideals, like democracy. Gibney has made over 30 has made in the last two decades, including Taxi to the Dark Side, his 2008 film about the CIA’s use of torture for which he won an Oscar. Alex Gibney talks to Alec about his latest film, The Crime of the Century (HBO), which he wrote, directed, produced, and narrated, and which explores the crime and manipulation at the center of the nation’s opioid crisis. He also talks about inheriting his anti-authoritarian views, early lessons working with Scorcese, and what it was like to take on a legend like Sinatra.

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As part of our every-other-week summer archives series, we revisit two interviews from 2015 with masters of misdirection, Penn Jillette and David Blaine. Penn Jillette is half of the world-famous act Penn & Teller, and they star in one of the longest-running shows in Las Vegas history. In addition to juggling and card tricks, Penn Jillette plays upright bass and is the author of eight books, including his New York Times bestseller, God, No!: Signs You May Already Be an Atheist and Other Magical Tales. Blaine is an acclaimed street magician and sleight of hand artist and also performs staggering feats of endurance. He once spent 35 hours on a hundred-foot-high pillar without a harness. He encased himself in a six-ton block of ice for 63 hours, and, in 2006, he spent seven days and nights submerged in a tank of water in public. 

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When he was just out of high school, Jackson Browne moved to NYC and wrote songs for some of the biggest names of the 1960’s folk scene. Then, when he returned home to Los Angeles two years later, he began singing his own material and set his course to become one of the greatest singer-songwriters of his generation. Today, Jackson Browne’s voice is still strong and political. He talks with Alec about his new album, Downhill From Everywhere, reflections on a life of activism, and the artists he’d still love to sing with. 

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It’s summer, and every other week, members of the Here’s The Thing staff are selecting favorite interviews from the archives. This week, we revisit Alec’s interviews with two award-winning, dynamic actresses who happen to have a lot in common, Julianne Moore and Maggie Gyllenhaal. Alec and Julianne Moore worked together on Still Alice (Julianne won an Academy Award for Best Actress) and 30 Rock. She spoke with Alec in 2014 about the chops she developed doing soap operas early on, her work on a string of independent movies in the 1990s, and why it’s always important to give even the most minor roles your best. Alec talked with Maggie Gyllenhaal before a live audience in 2018 at the Hamptons International Film Festival. Maggie talked about her early experiences in theater, what she’s learned about trust, and the ways her confidence has grown over her remarkable career. 

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Musical theater legends Ken Page and Betty Buckley have a lot in common. Both grew up dreaming of performing on Broadway: Ken in St. Louis; Betty in Fort Worth. Both were in the original Broadway production of Cats, Ken as Old Deuteronomy and Betty as Grizabella, for which she won a Tony. And both were pioneers in transforming musical theater over the past several decades. One of Ken Page’s most recognizable roles was as Oogie Boogie in The Nightmare Before Christmas, and, on Broadway, he starred in the 1976 all-Black revival of Guys and Dolls and in the original cast of The Wiz and Ain’t Misbehavin’. Betty Buckley has been called “the Voice of Broadway” with and she’s also starred in TV (Eight is Enough) and films (Split, Carrie, Tender Mercies, Frantic). 

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When Kurt Andersen started working on his new podcast, Nixon at War, he thought he knew a lot about Richard Nixon’s presidency, especially the bookend events of his 1968 campaign and his 1973 resignation. Devastating events with far-reaching consequences but unrelated - or so he thought. The surprising connections between the two are at the heart of Nixon at War. Kurt Andersen is a prize-winning novelist, historian, and public radio host (Studio 360). His most recent books -- Evil Geniuses, Fantasyland, and You Can’t Spell America Without Me, were all New York Times bestsellers. For more, visit Nixonatwar.org. 

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Alec talks with two very different actors. Eddie Marsan grew up in working-class London and left school at 15 to become a printer. He was discovered on a dance floor, and a patron helped him afford drama school. Marsan’s worked with the likes of Martin Scorcese, Alejandro González Iñárritu, and Mike Leigh, and he often gets cast as the tough guy. It’s an image he’s ready to shed. One of his most recent roles was in the Showtime series Ray Donovan as Terry Donovan, Ray’s brother with Parkinson’s disease. David Arquette comes from a long line of entertainers. His career hit a lull two decades ago when he won a WCW World Heavyweight Championship. It seemed Hollywood scorned him due to his love of pro wrestling. A self-produced documentary, You Cannot Kill David Arquette, chronicles David Arquette’s journey to store his name and his sense of self.

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Alec’s guest Mark Harris has written a compelling new biography about one of the most celebrated directors of all time, Mike Nichols. Drawn from more than 250 interviews, Mike Nichols: A Life tracks Nichol’s difficult childhood as a German Jewish immigrant growing up in New York City to his college years at the University of Chicago where Nichols found a community of performers, including his life-long collaborator Elaine May. In 1963, Mike Nichols and Elaine May performed more than 300 sold-out comedy shows on Broadway. Nichols then spent decades moving fluidly between directing on Broadway and in Hollywood. His movies include The Graduate, Who’s Afraid of Virginia Woolf?, Silkwood, and Working Girl, and his plays include Neil Simon’s Barefoot in the Park, Tom Stoppard’s The Real Thing, and Monty Python’s Spamalot. Over the course of his lifetime, Mike Nichols’ won every major award in his field and, as Mark Harris movingly chronicles, it took a lifetime for Mike Nichols to learn to be happy. 

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Andra Day tells Alec that she almost turned down the opportunity to play Billie Holiday in Lee Daniel’s The United States Vs. Billie Holiday. Day considered herself a singer, not an actress. She went on to win a Golden Globe for Best Actress for the part and brought her incredible voice to all the Billie Holiday’s songs in the movie. The iconic song Strange Fruit is at the heart of the film’s conflict between the Federal Bureau of Narcotics and the jazz singer, and Andra Day is no stranger to activism. Her song, Rise Up, has become an anthem of the Black Lives Matter movement, and she performed it at the Biden/Harris inauguration. 

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On Friday, April 30, 2021, the Indian Point nuclear power plant permanently closed. Located less than 40 miles north of New York City on the Hudson River, Alec and others worked for decades to shut Indian Point down. In this episode, Alec reminisces with key leaders in the fight: Paul Gallay, Richard Webster, and Joseph Mangano. Paul Gallay is the president of Riverkeeper, an organization dedicated to the health of New York Waterways. Richard Webster is an environmental lawyer at Riverkeeper and formally the Rutgers Environmental Law Clinic. Joseph Mangano is the Executive Director of the Radiation and Public Health Project.

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Ali Wentworth is a fearlessly funny actor and comedian as well as a New York Times best-selling author of three books, Ali in Wonderland, Happily Ali After, and Go Ask Ali. She played Jerry’s girlfriend Schmoopie in Seinfeld’s “Soup Nazi” episode, and she’s had roles in a wide range of TV and film projects including Jerry Maguire, Office Space, and It's Complicated. She’s married to George Stephanopoulos and the proud mother of two teenage daughters, Elliot and Harper. She started a podcast in the pandemic called Go Ask Ali which tackles parenting and friendships in unusual times. With Alec, Ali shares her courtship secrets, her approach to work-life balance and the dangers of taking too many sleep aids. 

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As the United States begins to emerge from the worst of the pandemic, Alec looks back with three guests on the ways their work lives changed. As the Suffolk County medical examiner, Dr. Odette Hall’s work is always about the logistics of death. In the early days of the pandemic, that meant figuring out makeshift morgues and processes to deal with an unknown threat. Additionally, as the first Black woman in her public-facing role, Dr. Hall’s openness, humor, and compassion made her a trusted source amidst the chaos and grief. Alec also talks with his sister, Jane Baldwin-Sasso, a physical therapist who works with children and the elderly. Jane creatively faced challenges turning her hands-on work into virtual treatments. Finally, clarinetist David Gould performs with some of the world’s most celebrated ensembles. COVID brought a sudden halt to his professional life last spring, and personal losses due to COVID leave him reflective about what’s next.

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Screenwriter David Koepp and film editor Walter Murch have both carved out legendary careers in film. David Koepp has written or co-written the screenplays for more than thirty films, including many Hollywood blockbusters like Jurassic Park, Indiana Jones, Spider-Man, Panic Room, Carlito’s Way, and Mission Impossible. He’s directed six films and released one novel. Walter Murch was part of American Zoetrope, the groundbreaking film production company founded in the late 1960s by Francis Ford Coppola and George Lucas. His long collaboration with Coppola earned him his first Oscar nomination for sound editing on the 1974 classic, The Conversation, and an Oscar win for editing on Apocalypse Now. He also collaborated several times with Anthony Minghella, winning two Oscars for his work film editing and sound design for The English Patient. His most recent work is a documentary he co-wrote and edited, Coup 53, about the U.S.- and British effort to overthrow the Iranian government in 1953. 

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Alec talks with Michael Sisitzky from the New York Civil Liberties Union’s police transparency and accountability campaign as many cities around the country are considering police reform. The NYCLU is requesting police discipline records from around the state after the repeal of New York Civil Rights Law Section 50-a. The law previously shielded police personnel records. Then, Alec checks in with Kathryn Wylde, the president and CEO of the nonprofit Partnership for New York City, about NYC’s post-pandemic outlook. In her role, Wylde serves as a liaison between NYC business leaders and the city government. The Partnership has focused the city’s pandemic recovery efforts by supporting small businesses and advocating for policies to restore jobs and keep people from leaving New York City. 

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Hans Zimmer is one of the most celebrated and successful film composers of all time. He has scored more than 150 movies including Gladiator, Hannibal, Sherlock Holmes, The Last Samurai, the Thin Red Line, and many more. He won an Academy Award for Lion King and has earned 10 other nominations. His long-time collaboration with director Christopher Nolan on The Dark Knight trilogy, Interstellar, Dunkirk, and Inception has become one of the most celebrated partnerships in movie history. Hans tells Alec, whether he’s working on animated films or live-action ones, his scores enrich a film’s emotional journey.

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Marlo Thomas has been breaking barriers for women for more than five decades as an actress and activist. As an award-winning actress, Marlo became a household name as Ann-Marie, the lead in the television show That Girl, a woman who, in the late 60s, wanted a career more than a family. An outspoken feminist, Marlo then launched Free to Be...You and Me, which was first an album, then a book, and eventually, an Emmy and Peabody award-winning TV show for children that challenged gender norms and became a touchstone for a generation of feminists. Her best-selling books include a memoir about growing up an adored daughter of TV star Danny Thomas, and, just last year, she and her husband Phil Donahue released a book, What Makes a Marriage Last: 40 Celebrated Couples Share with Us the Secrets to a Happy Life, and a podcast, Double Date, filled with marriage advice. All in all, quite a life for That Girl. 

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Broadway and movies have both been deeply impacted during the pandemic. To get a sense of what lies ahead, Alec checks in with Robert Wankel, chairman and CEO of the Schubert Organization, and Pamela McClintock, senior film writer for the Hollywood Reporter. Broadway shuttered completely on March 12, 2020, and reopening remains a challenge due to safety issues for performers and audiences as well as capacity requirements that mean ticket sales won’t cover the show’s costs. Movie theaters face fewer safety issues with reopening at reduced capacity but the industry is now reckoning with the fact many of us have gotten used to watching even the newest of new releases from the comfort of our couches. If you love the thrill of a darkened theater and being transported, this episode will make you think about what comes next. 

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Felix Cavaliere started The Rascals in 1965. Felix began playing piano at age six and listened exclusively to classical music until junior high when he first heard Jerry Lee Lewis, Chuck Berry, and Fats Domino. Rock and roll changed his life. In The Rascals, Felix sang and played organ on some of the group’s biggest hits, including It’s a Beautiful Morning, Groovin’, Good Lovin’, and People Got to Be Free. The band signed with Atlantic and, with the legendary producer Arif Mardin, The Rascals had nine hits between 1965-1968, making it big as a crossover hit on Black R&B stations and white stations. Felix took a stand in favor of civil rights, insisting The Rascals would play only if Black acts were also on the ticket, a decision that eliminated parts of the country from their touring schedule. Today, Felix lives in Nashville, and he’s still playing and producing music. 

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Anthony Pellicano has dirt on some of Hollywood’s biggest names, and even after spending 17 years in prison, he’s still not talking. For decades, he was one of Tinseltown's most sought-after private investigators. His clients ranged from Tom Cruise to Michael Jackson, from Elizabeth Taylor to Courtney Love. But a raid of his Sunset Boulevard office in 2002 turned up explosives and eventually more than 150,000 illegal wiretaps. He walked out of prison on his 75th birthday, March 22, 2019. If he’d turned state’s evidence, he could have reduced his prison time, but that’s not how a personal code works, at least not for Anthony Pellicano. 

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William Kristol is one of the nation’s leading conservative voices. And, since 2016, he’s been at war with conservative elites and Trump loyalists. Kristol tells Alec he didn’t just vote for Joe Biden, he is actively rooting for his success. There is just too much at stake otherwise, particularly when so many members of the GOP keep parroting Trump’s lies about a stolen election. Kristol was the founder and editor of The Weekly Standard for more than two decades. When it closed in 2018, Kristol and a band of Never-Trumpers founded TheBulwark.com, a news site “free from the constraints of partisan loyalties or tribal prejudices.”

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British Actor Malcolm McDowell trained at the London Academy of Music and Dramatic Art. While he’s had many notable stage roles, audiences likely know him best for a single, iconic character, Alex DeLarge, the anti-heroic criminal turned victim in Stanley Kubrick’s 1971, A Clockwork Orange. McDowell tells Alec how he developed Alex DeLarge’s signature look with the cricket codpiece, bowler hat, and single disorienting lower eyelash. McDowell also talks about his life-long friendship with mentor Lindsay Anderson, who directed McDowell in his debut film, if, in 1968. In his mid-70s, McDowell is still going strong, acting in film and television and enjoying roles such as a talent agent in HBO’s Entourage and a retired orchestra conductor in Amazon’s Mozart in the Jungle.

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Amanda knows about living inside other people’s preconceptions. When she was 22 years old, she was sentenced to 26 years in prison for a murder she didn’t commit. In 2007, on a study-abroad program in Perugia, Italy, Amanda’s roommate Meredith Kurcher was raped and murdered. The police and the tabloids pinned it on “Foxy Knoxy,” calling Amanda a sex-crazed murderer. After spending almost a decade in the labyrinth of the Italian criminal justice system, Amanda was fully exonerated. Today, she lives in her hometown of Seattle and, with her husband, has a podcast called Labyrinths about the mazes we find ourselves in. 

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From Blake Edwards and Paul Mazursky, to Audrey Hepburn and the history of Improv, Sam Wasson tackles distinctive creators and seminal moments in Hollywood history. Alec loved Sam Wasson’s latest, The Big Goodbye: Chinatown and the Last Years of Hollywood. In this fascinating conversation, Wasson tells the story of the four men behind the 1974 film, producer Robert Evans, screenwriter Robert Towne, director Roman Polanski, and the star Jack Nicholson. Chinatown marked the end of an era for Hollywood and a turning point in each of their lives. 

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The Bee Gees were Barry Gibb and his younger twin brothers, Robin and Maurice. From the time they started playing together as children, they dreamed of stardom, and they certainly succeeded. The Bee Gees became among the top-selling music groups of all time. The distinctive “blood harmony” of the brothers' voices set the dance floor on fire and their prodigious talent as songwriters extended their career long past disco’s days. Now in his mid-70s, Barry is the sole survivor of the group. Barry talks to Alec about his songwriting, fame, and family. Robin died in 2012 and Maurice in 2003. Barry’s keeping the Bee Gees’ music alive and still making music. HBO recently released a documentary about the group, How Can You Mend a Broken Heart? and Barry put out an album featuring Nashville greats singing Bee Gees songs called Greenfields: The Gibb Brothers Songbook (Vol. 1).

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In this episode, recorded several months into the pandemic, NYC-based psychiatrist Julie Holland assures Alec it’s not just him, we’re all having a hard-time. Dr. Holland says our brains are wired for connection and isolation is causing many of us to go into “fight or flight” mode where it’s harder to feel safe and loved. But there’s hope. Put down the phone, go outside, call a friend. Connect. And, for some, drugs might help, too. Holland has been deeply curious about the brain since high school and she’s a leading researcher in using psychedelics and cannabis to treat PTSD. In controlled settings, these drugs can restore a sense of being connected with others and the larger world. Holland is the author of several books including Good Chemistry, Moody Bitches, and a memoir, Weekends at Bellevue.

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In the glut of comedy that exists today - with hundreds of comedy clubs, sit-coms, late-night talk shows, and podcasts - Patton Oswalt has distinguished himself over his three-decade career by being a talented actor who also happens to be very funny. Patton talks to Alec about the sudden death in 2016 of his first wife, author Michelle McNamara, how it changed his relationship with their daughter. Patton says the strength of his first marriage allowed him to “run at love” when it came a second time (he married actress Meredith Salenger in late 2017). Alec and Patton also compare notes on the deep imprint their favorite TV shows growing up have had, what Patton learned about FOMO while writing for MADtv, and why Patton started all over when he started performing at comedy clubs in San Francisco in the early 90s.

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In 2018, U.S. Representative Katie Porter (CA-45) was the first Democrat ever to be elected in her traditionally conservative Orange County district. Prompted to run by Trump’s 2016 win, Porter quickly made a name for herself with her tough questioning of CEOs and administration officials, often using a whiteboard to lay out the facts. Katie Porter’s no-nonsense approach comes in part from her upbringing in Iowa. During the farm crisis of the 1980s, she saw first-hand how her father, a third generation farmer turned community loan officer, helped to support their neighbors. She went on to study bankruptcy law under Elizabeth Warren at Harvard Law School and become a consumer protection attorney and a law professor. A single mom to three school-age children, Katie Porter tells Alec people often have often underestimated her - at their own peril.

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Pulitzer-prize winning journalist Isabel Wilkerson talks to Alec about her best-selling book, Caste: The Origins of Our Discontents. Wilkerson says America’s caste system began in 1619, when enslaved people first arrived in the Jamestown colony. Drawing comparisons between India’s millennia-long caste system and the Nazis’ subjugation of Jews in WWII, Wilkerson says white Americans developed a caste system to justify centuries of violence and discrimination against African-Americans. Wilkerson says we must understand our full history and the caste system today to become a more equitable nation. Alec then follows up on the question of reparations with William Darity, a Duke University professor of economics and co-author of From Here to Equality: Reparations for Black Americans in the Twenty-First Century. Darity says the U.S. government owes $10 - $12 trillion in reparations to the approximately 40 million descendants of enslaved people. Darity says reparations are essential to close the persistent wealth gap between white and Black households.

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Mick Fleetwood is the drummer and a founding member of Fleetwood Mac, one of the most successful rock bands of all time. Fleetwood talks to Alec about how dyslexia led him to the drumming, how supportive parents encouraged his talent and his move to London as a teenager, how his friendship with the band’s founder, guitarist Peter Green, evolved to a life-long friendship, and how Fleetwood Mac balanced the weight of their interpersonal dynamics and the band’s wild, over-the-top success. The band’s 1977 album Rumors broke through Billboard 100 again last year thanks to a Tik Tok of a man on a skateboard lipsyncing to Dreams and introduced a whole new generation to Fleetwood Mac’s beautiful, enduring music. 

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Former Vermont Governor Howard Dean offers a long-view take on what’s needed in this pivotal moment as Joe Biden takes office. Dean talks about vaccines, prioritizing the important while attending to the urgent, and what unity might look like for our deeply divided country. Dean has studied democracies around the world, yet much of his adult life has been rooted in Vermont where he practiced family medicine before becoming the state's longest-serving Governor from 1991 - 2003. Dean ran for the Democratic nomination in the 2004 Presidential race, pioneering grassroots fundraising. Then, as chair of the Democratic National Committee from 2005 and 2009, his 50 state strategy played a key role in Barack Obama’s 2008 win. At 72, Dean teaches foreign policy at Yale’s Jackson Institute for Global Affairs and is as opinionated and clear thinking as ever.

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Actor Kristen Bell (The Good Place, Frozen, Veronica Mars) has a happy marriage that requires a lot of work, and she’s good with that. She considered a life in the theater as a student at NYU, even making it to Broadway before graduation. However, on a whim, she moved to Los Angeles and has been starring in movies and TV ever since. Like her most memorable characters, Bell is plucky, relatable, and very funny. That’s her lane and she’s good with that, too. She tells Alec, at 40, she’s more comfortable than ever in her skin, more aware of her voice and what she needs to be happy, lessons she strives to model every day for her daughters, and her legions of devoted fans.

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Join award-winning actor Alec Baldwin in conversation with some of the most dynamic artists, policymakers, and performers working today. This season, Alec will talk with Kristen Bell about marriage and why generosity always wins, former Vermont Governor Howard Dean on the difference between the important and the urgent, and music legend Mick Fleetwood about why Fleetwood Mac has survived for more than half a century - just to name a few. If you like listening as much as Alec likes talking with interesting people, subscribe now and never miss an episode.

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Here’s The Thing is moving from WNYC to iHeartRadio. Over the past several years, Alec has talked with some of the greatest artists, musicians, actors, writers, thinkers, public policy makers, and sports figures of our time. The final two programs on WNYC highlight a compilation of some of Alec’s favorite interviews from the past several years. This penultimate WNYC episode features clips from interviews with David Letterman, Audra McDonald, Carly Simon, Robert Osborne, and Jon Robin Baitz. Join Alec as he celebrates his accomplished guests and the Here’s The Thing catalog.

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Today, Alec announces that Here’s The Thing is moving from WNYC to iHeartRadio. For nearly a decade, Alec has spoken with some of the greatest artists, musicians, actors, writers, thinkers, public policy makers, and sports figures of our time. The final two programs on WNYC highlight a compilation of some of Alec’s favorite interviews. This penultimate WNYC episode features clips from interviews with Barbra Streisand, Joe Dallesandro, Elaine Stritch, David Crosby, and William Friedkin. Join Alec as he celebrates his accomplished guests and the Here’s The Thing catalog.

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Today, Alec plunges into the politics of real estate with two guests. The first is David Schleicher of Yale Law School, whose expertise is Land Use. He gets to the heart of gentrification and continuously surprises Alec with one idea after another through their riveting conversation. Later in the show, Alec talks with Elizabeth Kim, Gothamist Senior Editor and real estate correspondent for Gothamist, the New York-focused news website. She and Alec discuss “retail blight,” the hollowing-out of the ground-level boutiques that define New York neighborhoods.

These conversations were recorded before the Coronavirus hit New York City.

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As a singer, guitarist, producer, and manager, Peter Asher has been at the center of some of the most important music - and moments - of the rock era. In 1964, he was just 19 when his London-based duo Peter and Gordon released its first single, “A World Without Love.” It reached number 1 on the charts on both sides of the Atlantic -- and was written by his sister’s then-boyfriend, Paul McCartney. Later, after Peter and Gordon fizzled, Asher joined forces with the Beatles to launch Apple Records, where he discovered and signed folk icon James Taylor. Asher moved on from his role at Apple to become a full-time producer, working with legends like Diana Ross, Cher, and Neil Diamond, and producing multi-platinum albums with Diamond and Linda Rondstadt. More recently, Asher put all these stories into his book The Beatles A to Zed, An Alphabetical Musical Tour. He also hosts a weekly show about the band called From Me to You on Sirius XM.

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Few actors are as deeply associated with a character as Davis Gaines is with the Phantom of the Opera. When the Kennedy Center honored Hal Prince, Phantom’s original director, they turned to Gaines to perform the musical’s signature song, “Music of the Night.” Gaines’ spine-tingling vibrato shook the risers more than two thousand times in Los Angeles, San Francisco, and eventually Broadway, where Phantom remains the longest-running show in history. Alec speaks with Gaines about how his childhood led to his prolific acting career, with 14 Broadway and off-Broadway credits to his name. Alec finds Gaines is remarkably unassuming for a Broadway leading man, but he’s got friends in high places -- including the entire Bush family, starting with the late President George H.W. Bush.

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Jordan Klepper is a very funny person, and Comedy Central took notice, making him one of their go-to stars: he's hosted his own late-night talk show and two excellent documentary series for the network. But with about 90 million views on YouTube and Facebook, Klepper's work as the Daily Show's Trump-rally correspondent is what turned him into a political celebrity. He's been on the beat from the beginning: Jon Stewart hired him in 2014 and he started attending the rallies right as Trump was taking off in the Republican primaries. Man-on-the-street interviews are inevitably cherry-picked, but by turning on his mic and asking questions, Klepper creates an important document of this particular segment of Donald Trump’s base. He tells Alec why he thinks interviewing rally-goers isn't "punching down" -- and he traces his own path from college Math major in Kalamazoo, through improv star in Chicago, to one of the smartest and most reliable members of that very modern profession: advocacy journalists working through the medium of comedy.

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The Tribeca Film Festival has launched a new podcast, Tribeca Talks, and we want you to know about it. Here's a conversation Alec had with director Guillermo Del Toro at last year's Tribeca Film Festival, covering Del Toro’s incredible career, the meaning behind his films, and prepping for shoots.

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Alec looks at the art world from two angles -- from someone in it, and from someone who has observed the world from a distance. First, writer Michael Shnayerson -- his latest book, Boom, gives an exhaustive history of how today’s art market came to be. Shnayerson writes for magazines -- including Time and Vanity Fair -- and has written seven books. He has collaborated with Harry Belafonte, written a portrait of Andrew Cuomo, and unpacked General Motors and the electric car. Art dealer Richard Feigen, Alec’s second guest, spent his entire career in the art market. His New York gallery has sold hundreds of millions of dollars of the greatest works of art, from the Renaissance to Basquiat. He was the dealer to the newly minted millionaires of 1980’s New York who bought their art -- and their cultural cache -- from Richard Feigen.

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Marc Kudisch is a Broadway staple. With three Tony nominations, he has played such roles as The Proprietor in Assassins, Gaston in Beauty and the Beast, and the sexist blowhard boss in Dolly Parton’s 9 to 5. On screen, Kudisch has carved out a niche for himself working for some of the greatest directors in TV, including David Fincher in Mindhunter and Barry Sonnenfeld in The Tick. His current TV role is Dr. Gus, the intense, love-to-hate-him corporate coach in Billions. Alec talked with Kudisch right before Broadway shut down due to the coronavirus, just a couple of weeks into his starring role in Girl from the North Country. They discuss everything from the start of his acting career to Sondheim to Dungeons and Dragons.

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Today, Alec speaks with two colleagues he’s known for a long time, Brian Delate and Dick Hughes -- both actors whose lives were touched by the Vietnam War. Delate, Alec’s first guest, served in Vietnam after high school. He has performed on stage, in movies and on TV, and he’s also a playwright. His play, Memorial Day, tells the story of a Vietnam veteran on the verge of suicide over a Memorial Day holiday. Dick Hughes, Alec’s second guest, thought he was going to enter the priesthood as a young man, but decided to study theater. In his early 20’s, Hughes traveled to Vietnam as a conscientious objector, and ultimately opened a shelter for street children called the Shoeshine Boys Project.

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Writers Kaitlyn Tiffany and Ashley Fetters may be the country’s most astute observers of modern romance. Fetters even wrote the definitive history of Tinder. Alec discovered their jointly written article, The ‘Dating Market’ Is Getting Worse, published in February, 2020, and knew he had to talk to them.  The writers talked to historians and sociologists to analyze the use of concepts like “market value” and “supply and demand” in thinking about romance. They conclude that our sense that we can measure and control the "numbers game" makes us less happy and perhaps less likely to find true love. They bring their own personal dating experiences and their deep research to a funny and fascinating Zoom conversation with Alec.

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Filipino-American filmmaker Ramona Diaz says each of her films is a “yearning for the motherland.” She’s in a unique position, as she says, able to “decode” the Philippines for the rest of the world. Her most recent film, A Thousand Cuts, tells the story of Filipino-American journalist Maria Ressa and the struggle for a free press and the crackdown on news media in the Philippines under President Duterte. In 2018, Ressa was an honoree when Time Magazine’s Person of the Year issue focused on “The Guardians and the War on Truth.” Alec sat down with director Diaz to talk about her newest film as well as her other documentaries. Diaz draws deep portraits and her subjects vary -- from well-known figures like Imelda Marcos, to women who’ve just given birth at Fabella Hospital in Manila -- the busiest maternity ward in the world.

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Alec and Stanley Tucci have only been on set together a couple of times, but they established a rapport deep enough to carry over into a Zoom interview more than a decade later. The two share stories from their families, discuss what they love about working with certain fellow actors, and the difference between working in Hollywood and the UK. Tucci also talks about how he gets into character for his most recent role, an 80-year-old woman in Apple TV's wonderful new animated series, Central Park.

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Ingrid Newkirk is the co-founder of People for the Ethical Treatment of Animals, or PETA. It may be America’s best-known animal rights organization thanks to legal sophistication, scientific seriousness, and off-the-wall publicity stunts like throwing fake blood on models wearing fur, or infiltrating a KFC chicken-supplier to publicize alleged cruelty. They're also famous because a lot of big-name vegetarians have lent them a hand, including Alec, who narrated a documentary for PETA about animal abuse in traveling circuses, among other collaborations. Newkirk tells the story of her transformation from the happily carnivorous daughter of an engineer in New Delhi, to deputy sheriff in Maryland, to the nation's foremost warrior against "speciesism." Alec and Newkirk also go through all the big contemporary questions in animal rights, from hunting to animal-testing to roadside zoos, and she shares insights from her latest book about animal psychology and cognition, Animalkind.

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Micky Dolenz was a successful child-actor, but he became a full-fledged star at 20 in 1966 as the exuberant singer and drummer of The Monkees -- or rather, as the actor playing that character. At first, the band was a creation of NBC and only existed on the show The Monkees. For the first season, much of the backing music was played by a studio band. Eventually, that changed, and The Monkees' transition from a TV band to a real band is a fascinating story of hard work, perseverance, and marketing genius. Dolenz brings all the energy and humor he showed on The Monkees to this episode of Here's the Thing, telling Alec about the dynamics among the bandmates, his years as a successful TV producer in the UK, and what it's like touring -- and recording -- as a member of The Monkees 50 years after the end of the show.

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Woody Allen's new book, Apropos of Nothing, starts with a portrait of his father, a tough-guy World War One Navy veteran and onetime gunman in a firing squad. It's the first of a series of surprising, fascinating stories from a life that went from working-class Jewish Brooklyn in the 1940s to movie sets in Rome and Paris.  The book also addresses the accusation of an incident of sexual abuse leveled by Dylan Farrow.  Allen and Alec cover it all -- plus how he's doing in the age of coronavirus -- in this candid and wide-ranging interview.

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In the midst of a crisis it can be healthy to think of what comes after. In this episode of Here's the Thing, two of the most influential New Yorkers when it comes to long-term economic planning join Alec to discuss whether the current economic crisis will end quickly when businesses can reopen, or whether instead it's the start of a longer decline. Kathryn Wylde is a veteran of the urban renewal battles of the 1980s and currently the head of the city's elite business consortium, the Partnership for New York City. She worries that what makes New York special will now be associated with the spread of disease: its dense population and communal spaces like theaters, museums, bars, and vibrant workplaces. Tom Wright's organization, the influential Regional Plan Association, is reshaping its long-term vision for the city based on the potential for reduced growth -- but Wright says that New York is well positioned to get back on track thanks to its experience overcoming past crises like 9/11 and Hurricane Sandy.

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Over a 70-year career, Wynn Handman added sharpness and craft to the natural talents of actors including Christopher Walken, Allison Janney, Raul Julia, Richard Gere, James Caan, Anna Deveare Smith, Joanne Woodward, and Mia Farrow. The World War II veteran studied acting on the GI bill and fell in with Sanford Meisner at the Neighborhood Playhouse in 1946, when the "playhouse" was still two floors of an office building west of Times Square. In this remarkable conversation, Handman tells Alec about his experiences with Meisner, Lee Strasberg, and his many students -- as well as growing up in the 1920s in a Manhattan neighborhood where the streets still had not been paved. Handman died of complications from COVID-19 on April 11, 2020.

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Brian De Palma's astonishingly diverse hits as a director include Blow Out, Scarface, The Untouchables, The Bonfire of the Vanities, Raising Cain, Carlito’s Way, and Mission: Impossible. He wrote many of those screenplays, too. With his distinctive visual style and proven box office success, he's among the undeniable greats of both auteur and commercial filmmaking. In this live interview, he tells Alec about getting his start in directing as an undergrad at Columbia, and has stories from Blow Out, Scarface and Mission: Impossible. In 2019, the Hamptons International Film Festival gave De Palma its Lifetime Achievement Award; this conversation was part of the ceremony.

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Hall & Oates is the biggest-selling vocal duo in history. "Maneater," "Rich Girl," "You Make My Dreams Come True," and countless other hits will be beloved for generations. So Daryl Hall has long been at the top of Alec's Most Wanted list for Here's the Thing. When the conversation finally took place this past December, it was on Hall's home-turf: Daryl's House, his restaurant and music-venue in Pawling, NY. In a conversation interspersed with some classic recordings, Hall talks about his teen years in suburban Pennsylvania singing doo-wop on the streets with his friends -- a far cry from the rock-star life he was leading 15 years later. For that transition to happen, he first had to meet John Oates. That happened in 1967 when a gunfight broke out at a club they had both been performing at. Their fate was sealed: the two kept up a rigorous concert schedule until this year, when coronavirus put a temporary end to public gatherings. You can still hear their later work on this new vinyl release of their masterful album of soul standards, Our Kind of Soul.  Or tune in to AXS for Hall's hit show Live from Daryl's House. On each episode, he brings another big-name musician up to the club in Pawling and they jam together.

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Alec and Patti Bosworth became friends serving together on the board of the Actors Studio. When Bosworth died of complications from COVID-19, it wasn't just a loss to the literary and theatrical worlds; it was also personal for Alec and the rest of Bosworth's wide circle of friends and family. Not just a legendary Hollywood biographer, Bosworth also released an impossible-to-put-down memoir in two parts about her glamorous, tragic personal life and her time with the biggest names in Hollywood and the literary world. Characters range from Marlon Brando to Mario Puzo to Robert Frost. When Bosworth published the second installment of that memoir, The Men in My Life, in 2017, it was natural for her to stop by Here's the Thing to tell some of the stories in person, including her transition from Hollywood leading lady to respected journalist. We're honored to re-release that conversation today.

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Anjelica Huston has lived many lives, all with grace and charisma. As the daughter of John Huston (director of The African Queen, The Maltese Falcon, and more) she was movie royalty from birth. But she grew up in rural Ireland and went to high school in Swinging-Sixties London. That meant she developed a set of values far removed from Hollywood high society. Her first career was as a high-end fashion model, a favorite subject of Richard Avedon and later a muse of Halston. But she had always wanted to be a movie actress, and she spent time in the trenches, working on her craft in classes and smaller roles before her Oscar-winning turn in Prizzi's Honor. Right as she was leaving the photo studio for the movie studio, she met Jack Nicholson: "he made me laugh," she tells Alec. The couple defined Hollywood cool for almost two decades. Huston tells Alec the story of all of her transitions -- romantic, professional, and geographic. Her two wonderful memoirs are A Story Lately Told and Watch Me.

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Butch Walker is one of rock and roll's biggest talents, and on May 8th, he'll be releasing his new album -- a rock opera called American Love Story. You can preview one of the songs on today's episode of Here's the Thing, taped live last month (just before coronavirus made such gatherings impossible) at the Catalina Jazz Club in Hollywood. In the 1990s, Walker got major-label contracts and radio-play as the guitarist for the "hair band" SouthGang, and later as front-man of the edgy, grunge-tinged Marvelous 3.  But Walker's career has evolved. Not only is he making beautiful solo work, but he's also become one of LA's most sought-after partners in music-making, having produced or written songs for artists ranging from P!nk to Green Day to Panic! at the Disco.  It's been a long road from his life as an 8-year-old Kiss fan in rural Georgia, and Walker has accumulated great stories along the way, including what it was like to be the first American rock band to tour (and get kicked out of) China.

Thanks to Zach McNees for mixing the music in this episode.

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New York Times reporter Eliza Shapiro ranks high on the list of the most powerful people in education because "no one on the education beat is a sharper – or more effective – thorn in the side of city officials." Over the course of a lively conversation with Alec taped before the pandemic, she broke down all the major issues in education policy, from unions to charters to racial equality, and tackled Mayor Bill De Blasio's rollback of Mike Bloomberg's education reforms.

But since they spoke, Shapiro has arguably become New York City parents' most important source of information about what's going on with the city's schools as they ground to a halt with the coronavirus pandemic. So we called her up yesterday and asked her what she knew and how school closures everywhere affect much more than just students' education. Plus she recounts her own likely bout with the virus!

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Barry Sonnenfeld was among Hollywood's most in-demand cinematographers (Big, When Harry Met Sally, Misery) when he decided to make the switch to directing in 1991. The producers were nervous, but the proof was in the pudding: Sonnenfeld's directorial debut was The Addams Family, one of the year's most successful comedies. From there, Sonnenfeld went on to direct Get Shorty, the Men in Black series, and some brilliant TV like The Tick and A Series of Unfortunate Events. Now he's written a memoir, Barry Sonnenfeld Call Your Mother, in which he tells with humor and compassion the surprisingly harrowing story of his childhood -- and, of course, dishes on his colleagues in Hollywood. With Alec he goes beyond what's in the book about what went down on the sets of Big, Misery, Wild Wild West and Men in Black.

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For more than a decade, Kelli O'Hara has been at the very top of the Broadway heap. She gets called "luminous" so often that it must get really very, very tiring. It's been a remarkable journey for a kid who grew up on a farm in western Oklahoma and cut her teeth doing repertory theater in Wichita. She tells Alec her story, with a fascinating, surprising twist: she deeply loves Broadway but wants to branch out, and says she's struggled to do so.

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Russ Tamblyn was born in Los Angeles in the middle of the Depression to a chorus girl and a Broadway "song and dance man." His father had moved his growing family west to press his luck in the talkies. Russ was a showbiz kid and found his talent young: Cecil B DeMille cast him as the young King Saul in Samson and Delilah when he was just 13 years old. Stardom came at 19 in Seven Brides for Seven Brothers, where he stole scenes with his goofy enthusiasm and astonishingly acrobatic dancing. But the role that will go down in history is Riff in West Side Story. Tamblyn took a part that could have been just a young tough, and imbued it with such nuance, such balance between aggression and vulnerability, that every Riff since has been held up to him. In this funny, revealing conversation, Tamblyn tells Alec what it was like being part of the old Hollywood contract system (he was an MGM property) -- plus which major Golden Age director was "overrated," and why he didn't stay a movie star. And of course, Tamblyn recounts his return to featured roles at the request of David Lynch, who cast him as Dr. Lawrence Jacoby in Twin Peaks.

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This week, in honor of the upcoming Academy Awards, Here's the Thing brings you a collection of conversations with Oscar-winners -- and, today, with a pair of 2020 nominees. They are Waad Al-Kateab and Edward Watts, the co-directors of For Sama, which is up for Best Documentary Feature. It's a movie pieced together from more than 500 hours of footage shot by Al-Kateab, a young mother in rebel-controlled Aleppo, Syria, as government troops closed in. For Sama is about what it's like for an ordinary, middle-class family to conceive and raise a child in a city under siege.  As the San Francisco Chronicle puts it, "For Sama is a film made with the instincts of a journalist, the passion of a revolutionary, and the beating heart of a mother." Watts, Waad, and Waad's husband, Dr. Hamza Al-Kateab, joined Alec at a live taping of Here's the Thing at the Hamptons International Film Festival.

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This week, in honor of the upcoming Academy Awards, Here's the Thing brings you a collection of conversations with Oscar-winners -- including one new interview, coming tomorrow, with the creative team of 2020 Best Documentary-nominee For Sama. Today, on Day 4 of our Oscars series, it's our live event with Spike Lee at the TriBeCa Film Festival. The two movie-veterans came prepared for a serious discussion about Place in the Sun and On the Waterfront, but get distracted very quickly. As BET put it in their roundup of the conversation, "The iconic director held nothing back." Spike Lee's first Oscar, shockingly, came last year for his BlacKkKlansman screenplay.

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This week, in honor of the upcoming Academy awards, Here's the Thing brings you a collection of conversations with Oscar-winners -- including one new interview with the creative team of 2020 Best Documentary-nominee For Sama, coming Friday. For Day 3 of our series, we bring you our Julianne Moore episode, in which she and Alec bond over their shared past in soap operas. Moore won her Oscar in 2015 for playing an Alzheimer's patient in Still Alice.

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This week, in honor of the upcoming Academy awards, Here's the Thing brings you a collection of conversations with Oscar-winners -- including one new interview with the creative team of 2020 Best Documentary-nominee For Sama. For our second installment, we bring you the Here's the Thing episode that may have generated our most enthusiastic listener feedback. That's Alec's conversation with director, screenwriter, and Rolling Stone journalist Cameron Crowe -- punctuated with great songs from Crowe's films.  Crowe won his Oscar in 2001 for his screenplay for Almost Famous.

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This week, in honor of the upcoming Academy awards, Here's the Thing brings you a collection of conversations with Oscar-winners -- including one new interview coming Friday with the creative team of 2020 Best Documentary-nominee For Sama. We begin, however, with a reprise of one of the HTT team's all-time favorite episodes, in which Alec enjoys a little miso soup at the home of Barbra Streisand in Malibu. Streisand has won two Oscars: first in 1969 for her turn as Fanny Brice in Funny Girl, and then again in 1977 for her Best Original Song “Evergreen” from A Star Is Born.

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Jodi Kantor and Megan Twohey are the New York Times reporters who broke the Harvey Weinstein story. For five months -- perpetually in danger of losing the scoop -- they cultivated and cajoled sources ranging from the Weinsteins’ accountant to Ashley Judd. The article that emerged on October 5th, 2017, was a level-headed and impeccably sourced exposé, whose effects continue to be felt around the world. Their conversation with Alec covers their reporting process, and moves on to a joint wrestling with Alec’s own early knowledge of one of the Weinstein allegations, and his ongoing friendship with accused harasser James Toback. The guests ask Alec questions about the movie industry’s ethics about sex and “the casting couch.” Over a respectful and surprising half-hour, host and guests together talk through the many dilemmas posed by the #MeToo movement that Kantor and Twohey did so much to unleash.

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Wynton Marsalis was on the cover of Time as the avatar of the "New Jazz Age." His central role in reviving the genre is thanks partly to his gorgeous, virtuosic trumpet-playing, and partly to his founding of Jazz at Lincoln Center. JALC established jazz at the heart of American high culture. That "officialness" turned off some jazz musicians: wasn't their music supposed to be looser, smaller? But Marsalis tells Alec that the desire to relegate jazz to small underground clubs is "ghettoizing." In front of a live audience at JALC's Rose Hall, Marsalis also goes deep with Alec about his father's influence -- and his racially fraught interactions with professors and conductors at Juilliard when he showed up from Louisiana in 1979.

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We often think of Julie Andrews as the prim nanny from Mary Poppins and The Sound of Music, but her personal path may have the greatest resemblance to one of her Broadway roles: Eliza Doolittle in My Fair Lady. Andrews grew up in a family strapped for cash during the Second World War, and her initial training as an actor was in the less-than-prestigious field of vaudeville. But right before opening night of her breakout role in The Boy Friend, it was producer Cy Feuer’s advice that we have to thank, in large part, for the level of excellence Andrews has brought to musical film and theater for generations. “Forget camp,” he told her. “Get real.”

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Director Noah Baumbach is known for messy and realistic family dramas. The Squid and The Whale chronicles divorce within a family; Margot at the Wedding explores the relationship between two sisters; The Meyerowitz Stories tells the story of 3 adult siblings – different mothers, same father – negotiating resentment and love. And there have been plenty of comparisons between Baumbach’s own life and his movies – especially so with his most recent film, Marriage Story. Baumbach and actress Jennifer Jason Leigh divorced soon after they had a child. But Baumbach is quick to say his films are not autobiographical. They are personal, he says, and as he tells Alec, the process of turning real life into films is part of how Baumbach makes sense of things around him.

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The last Democrat elected to the Senate seat Cristina Tzintzun has her sights on was Lyndon Johnson. Republican takeovers are just a fact of life in the South. And yet in some places, there's light at the end of the tunnel for beleaguered Dems. It's in the Lone Star State that they hope to reverse the trend. Texas is urbanizing, and it's getting more educated and more diverse. Tzintzun -- a political organizer who's the daughter of a Mexican immigrant and an Anglo-Texan -- tells Alec that by activating those Democratic base constituencies, she can win where others have failed. It's a trail begun by Beto O’Rourke, who almost won the state’s other Senate seat back for the Democrats in 2018, but it's a perilous strategy, too, in a state as conservative as Texas. Much of Beto's team has come over to help Tzintzun, and full disclosure: Alec, too, is a supporter, and hosted a fundraiser for her in October.

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Errol Morris’s documentaries are visually unmistakable, whether they’re about pet cemeteries or the morally bankrupt "great men" of American history. Thanks to his optical invention, the "Interrotron," Morris's subjects’ are looking straight at those of us in the movie theater and, sometimes, lying. He’s one of cinema’s most distinctive storytellers. In conversation with Alec, Morris recounts his meandering path to the top, involving deep debt, a master's degree in Philosophy, and a stint as a private investigator. "Film-making saved me," he says. Morris also responds to the heated controversy surrounding his new documentary, American Dharma, about Trump strategist Stephen Bannon, rejecting the argument that it was wrong to provide Bannon a platform for his ideas.

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Edward Norton gets into every aspect of filmmaking, even when he comes to the set as an actor. He's helped rewrite scripts, and sometimes gets intimately involved in editing, as was the case with American History X. That has led to tension with directors, but Norton tells Alec that the Hollywood press has grossly mischaracterized many of those relationships. Norton himself directed Alec recently in his new film, Motherless Brooklyn. Norton stars alongside Alec's Robert Moses character, who tries to bend New York City to his will. Their shared experience on set sparks a conversation about directing, and all the great directors Norton has worked with, including Spike Lee, David Fincher, Tony Kaye, and Miloš Forman. A "cheat sheet" of all the movies and directors Edward and Alec discussed, in order, is available at https://www.wnycstudios.org/podcasts/heresthething/edwardandalec.

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Judith Light has an unequaled emotional and tonal range as an actor. She also has a shape-shifting physicality that made her entirely convincing both as the shuffling yenta Shelly Pfefferman in Transparent and as the lithe, aristocratic Hedda Gabler. But she only got to exercise those talents by saying "yes" to a lot of less intricate roles -- most famously the housewife-prostitute Karen Wolek on One Life to Live and Type-A divorcée Angela Bower on Who's the Boss. Her manager (a former Psychology professor) helped her arrive at that place of openness. After a few bad auditions, he sat her down and said, "You have an expectation that people should just be giving you stuff, and it's untenable. People feel it. You walk into a room and nobody wants to be around you." "And so," Light tells Alec, "when I walked into the audition for Who's the Boss, I was in a very different place."

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Peter Bergman is the dean of soap opera actors. His portrayal of Dr. Cliff Warner on All My Children from 1979 to 1989 overlapped precisely with the era when soap operas were America's great guilty pleasure. Liz Taylor made cameos alongside Bergman, mainstream publications covered Dr. Warner's many marriages, and the soaps sometimes rivaled prime time in total viewers. Madison Avenue noticed, and Bergman entered the pitchman pantheon with his cough syrup ad in 1986, "I'm not a doctor, but I play one on TV." Since 1989, the soaps have been less central to popular culture, but Bergman has played a much richer character than the debonair doctor: his last 30 years have been spent playing Jack Abbott on The Young and the Restless. Jack is the mercurial head of Jabot Cosmetics, trying to triumph in love and industry over his rival Victor Newman. Alec and Bergman bond over their shared past as high school athletes who found themselves attracted to the stage, and over the joys and difficulties of daytime television.

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Dubbed “the hottest artist on the classical music planet” by The New York Times, pianist Lang Lang has reached a level of stardom rare for classical musicians.  But his prominence is hard-won. Alec, who adores Lang Lang's charisma and talent, elicits from his guest stories of hardship during his childhood in northeastern China, and of his slow climb to the top, via Philadelphia. That's where fish-out-of-water Lang Lang showed up at the age of 15 and enrolled in public high school as well as conservatory. Throughout the interview, Lang Lang plays pieces from his latest album, Piano Book, a collection of pieces normally reserved for young learners, reinterpreted with brilliance and respect by the great master. And we at WNYC add more of our favorites from Piano Book and beyond.

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At the end of the 1950s, James Caan, son of a German-Jewish butcher, had been kicked out of ROTC and was too poor to finish college on his own. He started a job for his godfather unpacking meat along the docks of the Hudson River. Less than a decade later, he was starring alongside John Wayne and Robert Mitchum in El Dorado, just a few years from Coppola's giving him a lead in The Godfather. In his unmistakable Queens patois, Caan tells Alec the wonderful, unlikely story of his rise to stardom. That story includes his many marriages, even more fistfights, and heretofore untold details from the sometimes-violent set of The Godfather. Plus what sort of roles Caan wanted but didn't get because of typecasting.

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Since 2004, 1300 towns across America have lost local newspaper coverage. 2004 was also the first full year David Rattray, the third generation of his family to own the East Hampton Star, served as the paper's editor. It's a job for which Rattray gave up a very different life and career in New York City. That was a good choice: thanks in part to his stewardship, the Star thrives.  It covers East Hampton's seasonal transformation into the center of an elite New York social universe, but other than that, the venerable weekly operates much as it always has. Rattray makes sure Town Board meetings get covered and that the Fishing Report is up to date -- as did his parents, and his grandfather before them. Alec has been spending time in East Hampton for almost 40 years, so he and Rattray have much to discuss about the paper, and the changes they've witnessed in town. They also discuss the Star's long-term project to research and confront the Hamptons' slaveholding past -- a past in which Rattray's own ancestors played a part.

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The Reverend Donna Schaper of New York's Judson Memorial Church leads her flock of 300 through life's sacraments like any pastor. But she has a national profile, too, appearing in print and on television to reject the idea that Christian values necessarily lead to conservative politics. She tells Alec her story of spiritual awakening, from an abusive working-class home, to parting ways from the Lutheran Church of her childhood, all the way to Judson Memorial Church, a Christian outpost in Greenwich Village that ministers to sex workers, doubters, LGBT folk, the undocumented, and Village gentry alike. Alec in return tells Donna about his own journey of faith.

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Alec Baldwin and Matthew Landfield crossed paths one time before their Here's the Thing interview. In early 2001, Alec was shooting a movie in front of 31 Desbrosses Street in New York's Tribeca neighborhood. Matthew had grown up in the building in the 1980s, raised by a performance-artist mom and modernist-painter father. Matthew and Alec said hello as Matthew walked in to visit his parents. The bohemian scene on the block stuck with Alec over the years -- so much so that when in 2015 he was driving by and noticed that the building was gone, he researched what had happened. Online, Alec discovered Matthew's labor of love: perhaps the best, most deeply researched article ever written about a single address. The Lenape, the Dutch, the English, the factory workers, junkies, artists and bankers -- every stage of New York history had some brush with the land (or water) that is now 31 Desbrosses. Alec was transfixed, and this funny, fascinating conversation is the result.

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Six years ago the Board of the Manhattan School of Music faced a daunting decision: who would guide the school into its second century? They turned to someone with a long history with the school, James Gandre. Gandre joined MSM as an administrative assistant in the mid-1980s and rose through the ranks. But before then, he'd been auditioning for gigs as a tenor with symphonies and choirs. He continued to do so even after he began in administration. He tells Alec about his journey from small-town Wisconsin, to being an out gay man in San Francisco in the early 80s, to his long rise through the ranks at MSM -- and he shares his thoughts on the future of his venerable institution.

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Brian Lehrer is a unique figure in the public life of New York City. Beyond hosting the city's defining daily talk show, he's our conscience and our conciliator. When New Yorkers want a fair mayoral debate, they often call Brian. When WNYC needed someone to help us process our own #metoo moment, we called Brian. The Peabody Awards honored The Brian Lehrer Show for "reuniting the estranged terms 'civil' and 'discourse.'" Of course, civil doesn't mean soft: he can be unsparing in his interviews because, as he tells Alec, "there's plenty that pisses me off." Alec is fan of -- and a regular caller on -- Brian's show, so who better to turn the tables? Alec interviews Brian about his path to prominence, and the two discuss their shared love of radio, and of New York.

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Alexander Acosta has resigned from his position as Secretary of Labor in the Trump administration. That's because of the sweetheart deal he cut politically connected financier Jeffrey Epstein back in 2008, when Acosta was a federal prosecutor. In the swirl of news following Epstein's re-arrest, but before the Acosta resignation, Julie Brown stepped out of Acosta's press conference to speak to Alec on the phone. We learn her reaction and that of Epstein's victims who called her up after the arrest. That conversation is at the end of an extended cut of their live conversation at the Greene Space this spring and a phone call from Alan Dershowitz addressing the accusations made against him.

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Corey Johnson wants to be the next mayor of New York, and the press seems to think he will be. His plan to fix transit is the centerpiece of his platform. Tom Wright is the CEO of the powerful Regional Plan Association. That organization imagines the future and comes up with ideas for infrastructure and bureaucracy that could meet its needs. Nicole Gelinas, a reporter and a Manhattan Institute scholar of Urban Economics, also believes in big, innovative projects. But for the past 15 years, she's been reminding New Yorkers that we will not get a transit system worthy of our great city if we cannot get costs under control, and our financial house in order. Combine these three experts with Alec's curiosity and strong opinions about all things New York, and you get a great conversation about congestion pricing, organized labor, the MTA, and future of transportation everywhere.

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California Congressman Adam Schiff weighs both sides of the impeachment debate and speaks out forcefully on Iran. Plus why his childhood in Massachusetts had an influence on his future career, why his his mother was so disappointed that he went to law school instead of medical school, and whether President Trump has done more to encourage or discourage aspiring progressive public servants.

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Julie Brown of the Miami Herald conceived, reported, and wrote one of the most explosive criminal justice stories in recent memory. She revealed the shutting down of an FBI investigation that may have been on the verge of discovering the full extent of a child-sex-trafficking operation run by politically-connected billionaire Jeffrey Epstein. The prosecutor allegedly behind that decision, Alex Acosta, is now President Trump's Secretary of Labor. Acosta offered Epstein a plea deal in which Epstein pleaded guilty to recruiting underage girls for sex and spent about a year in the local lockup, with work release. The deal also proactively protected from prosecution any potential co-conspirators. Brown pored over internal emails to see exactly how Acosta and other powerful law-enforcement officials made these decisions. While in New York to receive a Polk Award for her work, Brown stopped by WNYC's Greene Space to talk to Alec about her reporting, and the personal background that drove it.

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Moby had already put out four studio albums when Play was released in 1999. He was solidly into his 30s, playing gigs in record stores and thinking about a career-change. But Play, against all expectations, started selling. Then it started selling out. There was champagne, then vodka, then cocaine. He swung between drug-induced euphoria and thoughts of suicide. The stories of stardom he tells Alec are both funny and troubling. But Moby saw his way out of the spiral. Now a decade without drugs or alcohol, he's remarkably open about his darkness, and the weird hippie childhood that laid the groundwork for it. He and Alec sat down last month and swapped stories of sobriety and celebrity. Moby's new memoir is Then It Fell Apart.

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By 1976, college student Jeff Daniels was pretty sure he didn't want to follow his father into the Michigan lumber trade. But he wasn't sure he could make it as a working actor -- until one of the founders of Manhattan's legendary Circle Repertory Company spotted him at Eastern Michigan University. It was a short hop from Circle Rep to his screen breakthrough in Terms of Endearment, but Daniels' commitment to the stage has never waned. That commitment bore a Tony nomination this year (Daniels' third) for his magnificent performance in Aaron Sorkin's To Kill a Mockingbird adaptation on Broadway. Daniels and Alec discuss the craft required to play Atticus Finch, the very different craft required to play alongside Jim Carrey in Dumb & Dumber, and Daniels' unusual decision to move back to his Michigan hometown with his wife and child while building a Hollywood career.

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The New Yorker’s marquee investigative journalist, Jane Mayer has been a thorn in the side of three presidents, two Supreme Court justices, and, most recently, Fox News. She tells Alec stories from her investigations into Kavanaugh and Clarence Thomas, and talks about what drew her to the rigors of reporting. Plus she reveals details about her process, including why she often leaves victim-interviews to her co-authors.

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The band Perta has landed a glossy magazine profile and is represented by star-making talent agents WME. They've got big labels knocking at the door, attracted by a stunningly talented frontman and a funky, catchy, original sound. But that doesn't mean they can necessarily quit their day jobs. It's a strange, exciting place to be. Perta frontman Mat Bazulka and founder/keyboardist Colin Kenrick tell the story of how one band is breaking through in a rapidly changing music world -- and share some of the band's unreleased tracks.

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Barely out of college in the mid-1950s, Geoffrey Horne was a heartthrob TV star with acting chops to rival the greatest talents of his day. In '57 David Lean gave him a breakout role in his masterpiece, Bridge on the River Kwai and Otto Preminger followed up by casting him as Philippe in Bonjour Tristesse. Full Hollywood stardom seemed inevitable -- and yet, few roles followed. Horne didn't resurface as an actor of note for 25 years, in late-70s New York, when his scene-work at the Actors Studio attracted the attention of Method master Lee Strasberg. Strasberg invited him to teach some classes and the rest is history. Horne became one of the most brilliant and sought-after teachers in the history of his craft. Alec credits Horne's commitment to emotional honesty for much of his success. But the question remains: what happened to Geoffrey Horne the movie star manqué? The teacher and student discuss that question and much more, including the set and stars of River Kwai.

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America’s most famous healthcare expert was actually born in Canada! The Vox reporter and all-around policy guru explains how, in a country with entrenched interests similar to ours, progressives managed to win coverage for every Canadian. Plus she gives her take on the remarkable unity in the Democratic Party over "Medicare for All," the political realities about what can actually get done, and tells stories from her year spent reading Americans’ terrifying, infuriating emergency room bills. One of the people who sent her his bill was a man in San Francisco who was hit by a public bus, taken to a public hospital, and had insurance -- but was still on the hook for $27,660.

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The legendary violinist talks about his difficult childhood, stricken by polio in the war-torn early days of Israeli statehood -- and laughs about his early success, whisked away to the United States at 13 to perform on the Ed Sullivan Show. Plus, what makes a truly great instrumentalist? What makes a great teacher? Later, his wife Toby Perlman weighs in, too, so the interview becomes a family affair, topped with a spectacular Mendelssohn performance by eight students from the Perlman Music Program. Toby founded that summer school on idyllic Shelter Island to provide a safe space for young musical geniuses to develop their talents, and themselves.

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Russia has glittering towers and a jet-set elite, but grinding rural poverty. It has one of the world’s great literary traditions, but throws dissenters in jail for a blog post. Who is Vladimir Putin, the man who created this new world power through force of will? New York Times’ correspondent Steven Lee Myers unravels some of this question for Alec. His book is The New Tsar. Myers talks to Alec about Putin’s early years, the Putin-Trump connection and how being the New York Times’ Beijing correspondent is different from -- and similar to -- being Moscow correspondent.

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How can Earth Scientists and programmers really make predictions about the climate? What are the ethics of having kids in a warming world? How to combat the disastrous politicization of the issue? Dr. Peter deMenocal is the Dean of Science at Columbia, and a Geologist. As a research scientist, he studies how Earth's climate has changed in the past. Dr. Kate Marvel helps figure out its future by creating the world's most detailed and accurate computer climate-models. Together, they're the perfect pair to help Alec and listeners understand what scientists really understand about the climate and how -- and why there's reason for hope.

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This episode talks about a movie whose premise might be disturbing to some.

The Human Centipede wasn't in every multiplex when it came out in 2010, but the film is now firmly a part of American culture, the basis of parodies from South Park to Conan O'Brien. When it was released, the premise was so revolting that many reviewers wouldn't even summarize it. Roger Ebert declined to assign a star-rating, concluding, “It is what it is.” When Alec saw the movie for the first time, he wanted to meet its creator. Years later, this episode of Here's the Thing is the result.  Fortunately, writer-director Tom Six isn't just warped; he's also a raconteur with a twinkle in his eye. He answers Alec's fanboy questions with humor and patience, and they break down the whole Human Centipede trilogy from critical, financial, and technical standpoints. Listeners will also learn about Six's pre-Centipede career in reality television and teen comedy, and what he has coming up in 2019. Six had a role planned in his new film for Alec. Hear why Alec's wife cut that off at the pass.

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On January 27th, 2017, Donald Trump issued the travel ban barring visitors and migrants from seven predominantly Muslim countries. Becca Heller, founder of the International Refugee Assistance Project (IRAP), had seen it coming. She foresaw that it would catch people in planes, turning passengers into undocumented immigrants midair. She prepared by setting up a network of volunteer lawyers who would show up at airports to help travelers being held there. On the 27th, the lawyers came, followed by thousands of protesters. The Trump administration, facing legal losses and "chaos at the airports," gave up enforcing the ban until officials could draft a new version. For a while, the good guys had won. Two years later, with a MacArthur "genius" grant under her belt, the 37-year-old Heller is strategizing about where to take refugee-advocacy next. Serious stuff, but she's still one of the funniest people ever to come on Here's the Thing.

The International Refugee Assistance Project is at https://refugeerights.org/.

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It’s hard, if not impossible, to imagine the 1970s without Carly Simon. After opening for Cat Stevens at LA's Troubadour in 1971, she gained near instant fame, winning a Grammy for Best New Artist that same year. The daughter of Richard L. Simon, co-founder of publishing house Simon & Schuster, she grew up surrounded by greatness. But if her childhood was peppered with celebrities, her adult life was dripping in them. By her mid-20s she’d meet Bob Dylan, duet with Mick Jagger, and marry James Taylor. Still, the shy New York native was a superstar in her own right, one who battled a stammer and a severe case of stage fright. She tells Alec Baldwin about conquering them both to become a musician who shaped an era. You can learn more about Carly's life in her 2015 memoir, Boys in the Trees.

WNYC is the producer of other leading podcasts, including Radiolab, Snap Judgment, On the Media and Death, Sex & Money.

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Billy Joel has sold more records than The Stones, Bruce Springsteen, and Madonna—though the “rock star thing” is something he can “take off.” Joel started playing piano when he was about four or five years old, but he admits that he doesn't remember how to read sheet music anymore. He says it’d be like reading Chinese. That doesn't stop the third best-selling solo artist of all time in the U.S. from plunking out a few tunes with Alec.

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Few musicians can compete with the encyclopedic musical knowledge that Ahmir “Questlove” Thompson possesses—which is great news if you got to be a student of his at NYU. When not teaching music history, the 45-year-old drummer is directing the Grammy-Award winning group The Roots—a hip hop collective that rose from “everyone’s favorite underground secret” in the late 90s to Jimmy Fallon’s house band on The Tonight Show. Whether drumming, DJ’ing, or writing a book on food, Questlove is universally beloved. “The coolest man on late night,” according to the Rolling Stone. But there is one thing this genius of music can’t do: accept that he is one. He talks to Here’s the Thing host Alec Baldwin about a three year exile in London, Jimmy Fallon wooing the Roots, and how meditation saved his life.

WNYC is the producer of other leading podcasts, including Radiolab, Snap Judgment, On the Media and Death, Sex & Money.

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By the time Emilio Estevez was 23, he'd starred in The Outsiders, Repo Man, The Breakfast Club, and St. Elmo’s Fire. As the son of Martin Sheen, he was Hollywood royalty, and as a member of the "brat pack" group of early-80s stars, he was a hot commodity. But he started turning down big roles to become the youngest person ever to write, direct, and star in a major motion picture. Estevez tells Alec that his script for that movie was "terrible," -- but it was risky, ambitious movie-making at a time when he didn't have to take risks. Estevez occasionally returned to "just acting" after that, for beloved performances in Men at Work, The Mighty Ducks, and more -- but his heart beats for his writer/director projects like 2006’s RFK masterpiece Bobby, nominated for a Best Film Golden Globe. His latest is The Public, about a fictional occupation of the Cincinnati Public Library by the city's homeless. Alec plays the police negotiator. The two actors discuss their collaboration -- plus growing up a Sheen, Francis Ford Coppola's brutal audition process, and whether actors should participate in the fan culture surrounding cult films like The Breakfast Club.

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Debra Kletter's job is to be food-guru to some of the world's most discerning palates. Once one of New York theater's most respected lighting designers, Kletter found herself in the early 1990s disillusioned by budget-cuts and shaken by the loss of a generation of colleagues to HIV. So she pursued her second calling, far from the first: figuring out where you should eat dinner. After all, as she tells Alec, "reading menus was always my happy place." Now, years into her new business (which she conducts through her website, www.eatquestnyc.com), Kletter can tell you the best injera in Harlem or the oldest-school trattoria in Rome. But her real genius is an ability to match that encyclopedic knowledge with the needs -- and personalities -- of individual clients. One of those clients is Alec Baldwin, and you can tell from their teasing that the two go way back: all the way, in fact, to the stage of Prelude to a Kiss in 1989, which Debra lit, and where the two became friends.

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Roger Daltrey put The Who together while working in a sheet-metal factory. The band took many forms before settling into the guitar-smashing, mic-swinging amalgam of testosterone and sensitivity that changed the world. But even before The Who began moving toward rock-stardom, Daltrey had walked a difficult path. Born into a working-class family, he spent his infancy evacuated from Nazi-bombed London, crammed into one room of a Scottish farmhouse with his mother and many others. He returned to a shellshocked father and real privation. But he tells Alec that the environment was "rich" with love and opportunity, and eventually he found himself in a grammar school with songwriter Pete Townshend and bassist John Entwistle. The rest is Rock history -- a history Daltrey helped define. He recounts it with humor and pride on this episode of Here's the Thing, and in his new memoir, Thanks a Lot Mr. Kibblewhite, out now.

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In the late 70s, Ben Cohen was a rootless pottery teacher, laid off when his school closed down.  Jerry Greenfield was a diligent pre-med, realizing he was never going to get into med school. They'd formed a deep friendship years earlier, as the two chubby kids in their middle-school gym class. Their joint reaction to their separate crises was to open a small ice cream shop in Burlington, Vermont. That decision would change the face of the industry, and give America a model for a new set of corporate values. At the Flynn Center for the Performing Arts in Burlington -- just a couple miles from the site where Cohen and Greenfield set up shop in 1978 -- Alec talks to Ben and Jerry in front of a crowd that idolizes their hometown heroes, and the energy is infectious. From their Long Island childhood to the tensions surrounding Ben & Jerry's acquisition by Dutch conglomerate Unilever in 2000, the conversation is open, honest, and brimming with the deep bond these two men continue to feel, 40 years after they first put their names together on a sign in Vermont. Thanks to Vermont Public Radio for making it possible.

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As a staff-writer at the New Yorker, Susan Orlean has embedded with fertility shamans in Bhutan and profiled a dog (a boxer named Biff). Her book The Orchid Thief inspired one of the most successful art-house movies of the past 20 years. Her latest deep dive is the burning of the Los Angeles Central Library in 1986. It is, to this day, the most damaging library-fire in U.S. history, but it's almost unknown outside of Southern California because national attention was focused on the Chernobyl meltdown. As with all Orlean's books, the nominal subject is a vehicle to tell human stories: those of the man arrested for the arson, of the cops who investigate, the librarians whose lives were changed, and the preservationists who insisted on rebuilding. It's a topic close to Alec's heart. He and Orlean discuss with warmth and enthusiasm the critical role libraries played in their respective childhoods (Alec is the son of a schoolteacher, after all), and their shared commitment today to the universal ideals of the public library.

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Maggie Gyllenhaal's in a good place right now, at least as far as work and family go. Her latest starring role is as a troubled teacher named Lisa Spinelli in The Kindergarten Teacher. It's an unsettling portrayal of, as Gyllenhaal tells Alec, the "f***ing dire" consequences of "starving a vibrant woman's mind." In the film, Lisa's mind-starvation manifests in an unhealthy, exploitative relationship with a kindergartner. It's not an easy thing to watch, and Gyllenhaal tells Alec, "I almost didn't do the movie because I thought, 'no movie is worth disturbing a child, even for a few minutes.'" But her concerns were addressed, she said yes, and the result is a performance Gyllenhaal feels really good about. In fact, she says she feels better and better about each role she takes on these days. It's from this career high that she and Alec talk about The Deuce, her college years, her alternate career in skating, and the happy joining of lives, careers, and vowels in her marriage to Peter Sarsgaard.

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Steve Higgins has two jobs. At 4:30 every day, 4 days a week, Steve announces The Tonight Show, sticks around to play Jimmy Fallon’s straight man, and then runs back upstairs at 30 Rock to keep working on that week’s Saturday Night Live. At SNL, he's in charge of the writers' room and, alongside Lorne Michaels, makes all the big decisions about the shape of the show, and the cast. It’s a heady life for a kid who started a sketch comedy troupe with his brothers in Des Moines after high school. Alec and Steve are real friends, and their conversation shows it, going deep into Higgins' origins as a comic, and into the inner life of Saturday Night Live.

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After his parents divorced, 10-year-old Flynn McGarry wanted to feel useful, and maybe to reassert some control over his environment, too. So he started cooking for his mom, Meg. A passion was born. Meg began homeschooling him, allowed him to turn his bedroom into a high-end kitchen, and hosted Flynn's pop-up restaurants at their suburban California home. Massive publicity followed, and, this being the internet age, cruel online backlash. Soon, documentary filmmaker Cameron Yates got interested, and embedded with Flynn as he rose and rose over six years, to the threshold of realizing his most lofty culinary dreams -- at age 19. Cameron and Flynn joined Alec for a live event at the Hamptons International Film Festival, and the three talk candidly about life under the microscope, about the mixed blessings of precocity, and, most importantly, about the complicated relationship between Flynn and a mother who sees herself as having given up dreams of success as a filmmaker and writer to nurture her family. Cameron's film, Chef Flynn, will be in theaters November 9.

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Ron Delsener is a working-class kid from Queens who rode his charm and his hustle all the way to the top of the music industry. He basically created the genre of the massive outdoor concert with his epic series of free Concerts in the Park. He landed everyone: Pavarotti, Streisand, even post-breakup Simon and Garfunkel. And Delsener is still firing on all cylinders: James Bay and Hozier are among the artists he maintains relationships with today. In his wonderfully profane and discursive conversation with Alec, Delsener delivers a full dose of the old-school Queens personality that the New York Times says "radiates like a lighthouse beacon." Delsener's rockstar stories are great, his accent is great, and you'll leave the interview finally understanding what a concert promoter actually does. (Hint: it's so lucrative because it’s so high-risk.)

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After watching an early copy of the forthcoming documentary Bathtubs Over Broadway, Alec became fascinated by the film's quietly hilarious hero, Steve Young. As part of his job as a writer for the David Letterman Show, Steve had to scour secondhand stores for kooky music Dave would play on-air. That's how he first came across recordings of industrial musicals, a genre of theater largely unknown to anyone who didn't attend a sales conference in the 60s or 70s. An "industrial" was a fully staged production commissioned by a large company and performed solely for its salesmen, executives, or distributors. Some starred top-flight Broadway talent and were written by legendary teams like Chicago's Kander and Ebb (Go Fly a Kite for GE, 1966) or Fiddler on the Roof's Jerry Bock and Sheldon Harnick (Ford-i-fy Your Future, 1959). But many performers and composers made their living primarily doing industrials. Steve Young has dedicated his post-Letterman life to preserving what recordings remain, and to shining light and love on the artists behind these ephemeral creations. Alec and Steve dive into songs like "My Bathroom," and into the psychology of someone who would dedicate his life to saving them from obscurity. Plus they talk Letterman, and Young's own path from blue-collar New England, to Harvard, to the top of the comedy-writing heap.

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This affectionate, funny conversation was recorded in front of a live audience at the Tribeca Film Festival, and garnered articles in the Hollywood Reporter, Vanity Fair, BET, and beyond. The headlines were varied: some reporters focused on Spike's 2 a.m. call from Brando, others the big reveal that De Niro turned down Do the Right Thing.  Still others were captivated by the audience-inclusive Black Panther lovefest. Come for all that, but stay for Alec's one-man reenactment of a fight with his parents, and Alec and Spike's deep, passionate conversation about On the Waterfront. Regardless of which part you love most, BET got it right: "The iconic director held nothing back."

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Having followed a steep path from his working-class immigrant family in Massachusetts to the pinnacle of American photography, Pete Souza ended up working for both Ronald Reagan and Barack Obama -- the only Chief White House photographer to have documented two presidencies. "The odds of someone getting two calls to work at the White House are pretty slim," he tells Alec with true humility, saying both stints were "accidental." That's hard to believe: Souza's unique ability to capture the moment without sacrificing composition won him plaudits for his work on daily papers well before he joined Reagan in 1983. But even though he's an old-school news photographer, he has a decidedly new-school following, thanks to the millions around the world who followed @obamawhitehouse on Instagram, and who now follow Souza himself. As Souza found his post-White House footing as a social media star, his Instagram turned into the catharsis bruised Blue America didn't know it needed. When the travel ban was announced, Souza posted Obama with a smiling Muslim schoolgirl. And the day before this episode of Here's the Thing went live, when Trump made nice to Putin in Helsinki, Souza posted Obama sternly towering over his Russian counterpart. The Obama images, as he tells Alec, "appeal to people because of what we have now." It's an appeal he hopes to capitalize on in his new book of Trump-Obama juxtapositions, Shade.

Special for Alec and WNYC, Souza gathered his favorite Obama photos that didn't make it into his book Obama, an Intimate Portrait. You can find them below if you're reading this on the web; if not, go to www.heresthething.org.

President Barack Obama plays with his niece Savita during the family's vacation on Martha's Vineyard in August, 2012 (Pete Souza, the White House)

Sasha Obama leans over her father as Malia touches his head ca. 2009 (Pete Souza, the White House)

Daniel Day-Lewis at the White House: 'Lincoln' Star reads the Gettysburg Address with Obama in November 2012 (Pete Souza, the White House)

President Barack Obama boards Air Force One at Norman Manley International Airport prior to departure from Kingston, Jamaica en route to Panama City, Panama in April 2015 (Pete Souza, the White House)

Obama crawls around in the Oval Office with Communications Director Jen Psaki’s daughter, Vivi, in April 2016 (Pete Souza, the White House)

Obama looks on as comedian Will Ferrell reads "How the Grinch Stole Christmas!" to first-term cabinet-members. (Pete Souza, the White House)

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The vast ambition of Ken Burns and Lynn Novick's PBS documentary The Vietnam War has precedents, but most of them are other Burns and Novick documentaries. The two directors' collaborations -- including 1994's Baseball and 2007's The War, about WW2 -- use their titles as entry-points to the full scope of American history. Novick refers to Vietnam as "the childhood trauma that America never dealt with," and Burns blames our inability to overcome the war on a failure of empathy. "When Americans talk about Vietnam," he says, "we just talk about ourselves. [We] need to triangulate with all the other perspectives, and not just 'the enemy.' It’s finding out what the civilians felt, the Vietcong felt, but then also our allies and the civilians and the protesters all the way out to deserters and draft-dodgers. And if you do that, then the political dialectic loses its force, because you realize that more than one truth could obtain at any given moment." This drive to create a common, American, sense of purpose and identity motivates Burns's work -- a theme that runs through this lively exploration of the two artists' pasts and creative processes.

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Note: this interview was recorded before Roseanne's tweet and the subsequent cancellation of the show.

Alec says he has never enjoyed being on-stage with a fellow actor more than when he performed with Laurie Metcalf in Arthur Miller's All My Sons. Her genius is on full display in the new production of Albee's Three Tall Women, currently on Broadway, for which she just won a Tony. On Here's the Thing, Metcalf and Alec discuss her evolution into an accomplished actor from her days as an aspiring German-English translator who'd never considered a career in the arts. She recounts the early days of Steppenwolf, the legendary Chicago theater company she founded with John Malkovich, Gary Sinise, whom she met while she was still in college. We learn what it was like working with Greta Gerwig on Lady Bird -- and toiling through the grueling "publicity circus train you have to get on for three months" when you're in a hit movie. And finally, Metcalf shares stories from both sets of Roseanne: her insecurity about the show's staying-power in 1989, and the political dynamic on set for the reboot alongside her Trump-supporting friend.

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June 5th is the 50th anniversary of the assassination of Robert F. Kennedy. It was one of the formative events in Alec's childhood, and in the life of his father. The release of Dawn Porter's brilliant new Netflix documentary series, Bobby Kennedy for President, was timed to coincide with this difficult milestone. The movie is about his life and legacy, but its origins are in the killing and subsequent trial: lawyers for Sirhan Sirhan, the man convicted of the killing tried to interest Porter in a doc proclaiming his innocence. She hired an investigator to review every shred of remaining evidence, and she herself (she's a Georgetown-trained lawyer) dug deep into the serious problems with his trial. RFK, she says, would have been horrified at the witness-tampering, destruction of evidence, and abysmal defense.  But (despite Alec's lively, VERY informed questioning), Porter has no conclusion about his ultimate guilt or innocence. The balance of the film, then, shows how the man lived, and what he might have accomplished. It features never-before seen footage of Kennedy, and new interviews with civil rights heroes and Kennedy-friends Marian Wright Edelman, Harry Belafonte, Dolores Huerta, and John Lewis. Together, Alec and Porter plumb RFK's rich family life and his political evolution, and mourn the historical and personal loss of his killing. But first they trace Porter's own life from early years in her father's photography studio, to corporate power, to documentarian shining a light on one social-justice issue after another.

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Tony Zierra’s documentary Filmworker, opening May 11, highlights the best of movie-making. It sings an unsung hero, and through him, all the unsung heroes of Hollywood.

Actor Leon Vitali got his break playing the antagonist in Kubrick’s period masterpiece Barry Lyndon. For a few years afterwards his star was rising -- until suddenly his face disappeared from stage and screen. But his name didn't disappear from the credits of Kubrick's films; it merely moved down. From costar of Barry Lyndon to, in subsequent films, “Casting,” “costumes,” and “personal assistant to Mr. Kubrick." Vitali turned his life over fully to realizing the creative vision of his visionary boss. Zierra encountered him while making a documentary about Kubrick's last film, Eyes Wide Shut, and immediately pivoted to focus on him.

At the Hamptons Film Festival, Alec sat down with both men for a riveting discussion about the film; about the intense, mercurial Kubrick -- and about the sacrifices necessary to make great art.

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Schneiderman sat down with Alec last Thursday, just before news broke in the New Yorker that four women have accused him of, in the magazine's words, "non-consensual physical violence." In the context of these women's allegations, it is undeniably jarring to hear the former Attorney General talk about his childhood and his Trump-resistance work -- not to mention his women's-rights activism and the #metoo movement. But we felt we should put this episode out, and put it out early, so that people have access to as much of his recent thinking as possible. We hope it is a useful resource.

The introduction to this story has been updated.

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Some combination of Crosby, Stills, Nash, and Young played together for 50 years until 2016. The group survived even Crosby's near-total dissolution under the influence of cocaine and heroin. That was a brush with death that left him in need of a liver transplant and a new approach to life. His newfound joy is clear in this exuberant conversation with Alec. It's also behind a recent and remarkable burst of creativity: three solo albums over the past four years. Crosby's childlike gratitude for his sixty years in music is palpable, but he is candid about the struggles, too: from wrestling with Roger McGuinn over control of The Byrds, to the terrifying culmination of the 2016 breakup of Crosby, Stills, and Nash.

Plus, BONUS! This is the first episode of Here's the Thing's question-crowdsourcing experiment. Your questions provided moving insight into the impact David's music and story have made on fans over the years. We couldn't include all the questions, but we used a lot, and David was really into it. Stay tuned for another call for submissions soon.

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Jeffrey Toobin is such a TV institution as a legal commentator that it can be hard to imagine him in casual clothes, outside a news studio. But it was the real, flesh-and-blood Jeff that showed up to his interview with Alec, talking about life before CNN and the New Yorker. There's lots to discuss about what made him the man he is, both personally (his mom was Marlene Sanders, the first big female TV news star) and professionally (when he went to publish his first book, he was threatened with criminal prosecution, accused of disclosing secrets of the Iran Contra investigation). And of course Alec and his guest got into lively discussions about the Patty Hearst kidnapping and the OJ Simpson murder case. Toobin wrote the definitive books on both. Ever wonder what each of OJ's lawyers thought about his guilt or innocence? Listen and learn.

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Alec is a BIG fan of Justin Hayward -- vocalist, guitarist, and songwriter for The Moody Blues, pioneers of complex orchestral arrangements in rock. As he tells it, their songs were the only thing that could mellow out his rough crowd in high school.

Interspersed with Alec's observations on some of his favorite musical passages, this intimate conversation ranges from the technical details of how the group created its signature orchestral sound (a mechanical wonder called the Mellotron) to Hayward's sense of alienation from his younger self. Hayward muses, "Here we are now talking about the Justin that was, from 17 years old to 30 years old, and this ghost is always with me." More revelations abound -- some melancholy, some very funny -- on this episode of Here's the Thing.

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Daughter of a science professor and an IRS agent, a double-graduate of Columbia herself, Janice Min turned her talents in the early 2000s to the glossy magazine Us Weekly. Celebrity journalism has never been the same. In its pages, she revolutionized pop culture as well as publishing, slaking a thirst Americans didn't know they had for J-Lo, the Kardashians, and The Bachelor. Min paid legions of paparazzi and helped create the fun, intimate, gossipy tone that characterizes web content today. Then she moved to the moribund Hollywood Reporter and worked the same magic but in a different key, making it the go-to magazine for serious coverage of show business.

Once Alec and she cover all that history, they turn to #metoo, Woody Allen, and how to create lasting change in Hollywood. Min's take is fascinating and genuinely surprising: think Frances McDormand with a dash of Deneuve.

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Cameron Crowe's teenage years are familiar to anyone who's seen his autobiographical Almost Famous: 16-year-old writing prodigy convinces Jan Wenner and Rolling Stone to let him tour with and profile the greatest rock musicians of his generation. But what came after is just as interesting: going undercover as a high-school student to write Fast Times at Ridgemont High; falling into the Say Anything director's chair after the two first choices turned it down; hanging out with Led Zeppelin to get their blessing of the songs in Almost Famous. Crowe and Alec are friends, and it comes through in their affectionate back-and-forth about movies, writing, family, and the bands they love. And throughout this extended interview are interspersed some great tunes that demonstrate how Crowe is a master of the "needle-drop," using music to further the story, character development, and dramatic tension of his films.

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Michael Wolff’s Trumpland tell-all, Fire and Fury, has set Washington ablaze with its terrifying (and controversial) depiction of a White House in chaos. But all the focus has been on the White House intrigue and the downfall of Steve Bannon. The man behind the book has gotten surprisingly little attention, even though it was partly Wolff's position at the top of New York media's social heap that won him Trump's trust, and access to the White House. Alec set out to do a different Michael Wolff interview. At a live event at Manhattan's Town Hall, audience-members learned about the Jewish kid from Jersey with a shoeleather reporter for a mom, who gave up on being a novelist to do big-money media deals – even as he wielded his poison pen against peers in the New York media elite. And Wolff lives up to his reputation as one of New York's best conversationalists, giving answers by turns open, cantankerous, and very, very funny.

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There was no such thing as serious rock journalism when Jann Wenner borrowed money to ink the first issue of Rolling Stone onto cheap newsprint in 1967. His creation changed the landscape of both music and magazines. It also put Wenner, a suburban middle-class kid, into the heart of the counterculture. He tells Alec about his complicated relationships with the greatest stars of their generation, from Dylan to Jagger to Lennon -- and about the brilliant writers like Hunter S. Thompson whom Wenner found to document their lives and times. In the 1980s, Wenner became a media mogul, too, acquiring titles like Us Weekly that brought unprecedented wealth and thrust him even further into the public eye. That exposure was a mixed blessing as he dealt with coming out of the closet and, this time with his new husband, becoming a father to young children again in his 60s.

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"The feeling of power" that comes from playing a dark, diabolical role? Kyle MacLachlan tells Alec, "I get it."

"It’s not something you want to abuse, or let exist other than when that camera is rolling." The wholesome, square-jawed actor's dark side can be jarring. As Alec puts it to him, "You're the guy that could be Andie MacDowell’s boyfriend bringing a basket of puppies, and then you’re like this nightmare." David Lynch recognized the two sides of Kyle MacLachlan from the day they met in 1983, but that wasn't how MacLachlan saw himself: he tried to break out as a Hollywood romantic lead, but always found himself drawn back into the Lynchian orbit. Join MacLachlan and Alec as they stroll through Kyle's life story, from his conservative stockbroker father, through his glamorous girlfriends, to the joys of fatherhood and winemaking -- all to figure out why he's the perfect vessel for Lynch's uncanny characters.

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New York City generates 1.3 billion gallons of wastewater every day. 16 million pounds of trash. Eight million pounds of recyclables. Think of the awesome engineering and effort behind making all of that "go away" without our thinking about it. Alec wanted to nerd out on those secret systems, and the conversations that resulted are fascinating and fun: you don't get into this line of work unless you have a passion for it. Pam Elardo is the Deputy Commissioner of New York City's Department of Environmental Protection, leading the city's Bureau of Wastewater Treatment. Ron Gonen was New York City's first "Recycling Czar" and now thinks about the problems of waste-management from the perspective of a businessman: he's the CEO of a major investment fund looking for the Next Big Idea in recycling. Pam and Ron walk Alec through what happens from the moment people flush the toilet or toss out their coffee-cup -- and they talk about the big-picture environmental impact of our choices. And since this is Here's the Thing, Alec also learns the incredible life stories each one brings to the job -- from Pam's persistence in the face of the sexism that discouraged women engineers of her generation, to Ron's luck stumbling into the home of a prominent environmentalist while doing housework to make ends meet for his family as a kid.

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From the humane wisdom of Farmer Hoggett in Babe to the simmering evil of Captain Dudley Smith in L.A. Confidential, James Cromwell realizes his roles with unmatched emotional honesty. He brings that same openness to a wonderful, sprawling conversation with Alec: Cromwell is a natural storyteller who’s had a remarkable life in theater, TV, and the movies. The two actors swap stories about shared teachers, loves, and frustrations – and political protest. Cromwell might be the most committed activist in Hollywood: his civil disobedience has led to multiple arrests and even a stint in state prison. And throughout the interview, you can hear the explicit and implicit influences of Cromwell’s father, a major Hollywood director who split from the family when James was six.

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When John Dean found his conscience, America found its backbone and impeached a president. The Nixon Administration tried to undermine American democracy during the election of 1972 through now-legendary dirty tricks aimed at their Democrat opponents. They almost got away with it. Dean was Nixon’s White House Counsel, and participated in the cover-up of the Watergate break-in. Then he began cooperating with investigators, and blew the case wide-open. Dean is one of the most complicated and fascinating characters in modern American history. In a frank and funny conversation with Alec Baldwin in front of a live audience, John Dean opens up about how it all went down – and how it could go down now under Trump, who he says shares Nixon's paranoia and authoritarian instincts.

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When two people who really love something talk about what they love, the exuberance is contagious. Alec Baldwin, a New York Philharmonic board-member since 2011, and Alan Gilbert, the outgoing Music Director, both really love the Phil. When Gilbert took over in 2009, he was just 42, one of the youngest orchestra-directors in the country. He wanted to inject enough new programming to keep the institution vital, even as the most dedicated orchestra-concertgoers nationwide average 60 years old and prefer the old standbys: 29% of ticket-buyers say that more contemporary music could keep them away from the box office. But Gilbert found the perfect balance, and Baldwin invited him on to Here's the Thing to say thanks. Gilbert, the child of two Philharmonic musicians, tells Alec about what it was like to grow up to lead it -- and about the ups and downs of his eight-year tenure. Plus, the two men discuss which pieces overwhelm them with emotion, and the art of directing an orchestra: why are conductors even necessary, and what makes for a great one? 

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Nobody chronicled the go-go 80s like Tina Brown. Her creation, Vanity Fair, wrote that decade’s cultural history as it happened. It was also part of the story: its fashion-spreads, celebrity gossip, and serious reporting wielded real influence in America’s centers of power. But Brown herself was at the center of it all. Michael Jackson wanted a moment of her time. She did cocktails at the Kissingers'. She had everyone's ear and everyone's phone number, and she turned Vanity Fair parties into the perfect embodiment of 80s excess. She also became famous for hosting the best dinner parties in New York, and she brings that deft conversational instinct to Here’s the Thing. Alec draws out what it took to build VF, why Brown left for The New Yorker, and her personal struggles as she tried to maintain her confidence, her integrity – and her family – through it all. And since Brown worked with Harvey Weinstein on her post-New Yorker magazine project, Talk, she and Alec talk about the current crisis, too.

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American Weimar, novelist Steve Erickson’s 1995 essay on threats to American democracy, has always been among Alec Baldwin’s favorite pieces of writing. But last year, when all of the chickens Erickson identified came home to roost, it became clear that the piece, and its author, deserved even closer study. Erickson warned, “Democracy cannot long navigate a sea of national rage. Untempered by rationale and open-mindedness, fury eventually consumes democracy rather than nourishes it.” Today, Americans look back on the 90s as a relatively happy time, but Erickson saw our increasing polarization and our unwillingness to make tough policy choices, and he saw where those failures could lead. Erickson’s updated observations are just as fascinating, and troubling, as the original essay. His latest novel, Shadowbahn, riffs on the same American themes. In funny and moving prose, it captures a fractured people, unable to overcome our troubled past but stubbornly holding out for redemption... as one reviewer put it, “a country with hellhounds on its trail but better angels just over the horizon.”

Steve Erickson is a lot of novelists’ favorite novelist. Pynchon says he has a “rare and luminous gift;” Rick Moody says he’s in a league with Pynchon. Murakami’s a fan. David Foster Wallace (in a presumably rare lapse into cliché) deemed Erickson “the cream of the crop.”

Erickson’s own novels employ a wild range of genres and narrative devices -- from the Hollywood farce Zeroville, currently being turned into a movie featuring Will Farrell, to the meditative Shadowbahn, a family roadtrip through alternate American histories, featuring Elvis’s stillborn twin brother. Erickson’s exuberant mashups feel natural and even spontaneous, but he is also a professor of Creative Writing, so in his other life he has the near-impossible task of teasing out and precisely naming the building blocks of great fiction. And he has to decide which books best model each one for his students.

During Alec Baldwin’s conversation with Erickson on the latest episode of Here’s the Thing, he asked Erickson for the reading list he provides to his Creative Writing students at UC Riverside, matched to which writing-tool each one can help budding novelists master. Below (in the order in which it came), is that list.        

Unreliable Narrative: Wuthering Heights by Emily BrontëMixed Textual Media: Cane by Jean ToomerThe Interior Vision: To the Lighthouse by Virginia WoolfStructure: Tender Is the Night by F. Scott Fitzgerald & Light in August by William FaulknerVoice Driving the Narrative: Tropic of Cancer by Henry MillerLandscape as Character: The Sheltering Sky by Paul BowlesSocial Commentary Posing as Genre: The Long Goodbye by Raymond Chandler (crime) & Ubik by Philip K Dick (science fiction)Integrity of Worldview Posing as Anarchy: V. by Thomas PynchonFiction of Ideas: Labyrinths by Jorge Luis Borges, Cosmicomics by Italo Calvino, & The Names by Don DeLillo

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Barbra Streisand has had multiplatinum albums every decade going back to the 60s. She’s got Emmys, Oscars, Grammys, and a Tony. She’s as big as a star gets, and she’s gotten there not despite but because of the fact that she’s remained distinctly Barbra -- the working-class Jewish girl from Brooklyn unwilling to compromise herself or her work. That Barbra is on full display in this intimate conversation with Here’s the Thing host Alec Baldwin. Inside her Malibu home, the two friends range over wide conversational terrain, touching on Barbra’s childhood, how the communist government in Czechoslovakia offered up the Czech Jewish community to be extras in Yentl, and the relief of getting behind the camera after years in front of it: “you never have to raise your voice, because everybody’s finally listening.” And of course, old friends can’t meet over an empty table: food runs throughout the conversation.

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It was just 15 months ago that Bernie Sanders ended his campaign for the Democratic presidential nomination, but by his own telling, he’s already converted that political insurgency into a movement that’s changed what’s considered mainstream in America, from a $15 minimum wage to universal healthcare. In his new book, Bernie Sanders Guide to Political Revolution, he distills what he’s learned into a how-to for grassroots activists. But with Hillary Clinton still on a book-tour putting part of the blame for Trump’s victory on Sanders, the self-described socialist is clearly feeling contentious, and puts plenty of blame back on Clinton and an “upper-middle-class” Democratic party, which he joined in 2015 to run for president.

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For a while The Guess Who and frontman Burton Cummings were as big as it gets. And if you’re Canadian, they’re even bigger -- the first huge Canadian rock ’n roll act, paving the way for border-crossing superstars from Arcade Fire to Justin Bieber. Burton Cumming’s main songwriting collaborator in the early years of The Guess Who was Randy Bachman, the band’s guitarist. Their collaboration changed the sound of the late 60s, but their difference in temperament ended up driving Bachman out of the band. Cummings tells Here's the Thing host Alec Baldwin why -- and about how life has just gotten better since The Guess Who broke up. That's thanks to his dogs, his poetry, and a very dedicated fan-base.

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As head of HBO Documentary Films since 1979, Sheila Nevins has exerted more influence on the medium than perhaps anyone in its history. She has overseen the production of literally hundreds of documentaries, which have won dozens of Oscars. Whether shot in a war zone or the back of a taxi, Sheila Nevins’ productions are powerful, brazen, and unflinchingly honest. But when it comes to telling her own story, truth gets trickier. As she explains to Here’s The Thing host Alec Baldwin, in her new book, You Don’t Look Your Age and Other Fairy Tales, Sheila Nevins blends fiction and reality.

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Mark Twain once likened biographies to “the clothes and buttons of the man” saying “the biography of the man himself, cannot be written.” The quote is a favorite of Patricia Bosworth, a 1950s model-actor turned biographer known for capturing the lives of Diane Arbus, Montgomery Clift, and Marlon Brando. All three were revered and haunted by internal demons—a narrative she knows too well. Bosworth's own father, Bartley Crum, was a left-wing lawyer who famously defended the Hollywood before succumbing to his own psychological pain. It was her father's suicide, as well as her brother's six years earlier, that instilled a strong desire to seek out the stories of other tormented souls. Patricia Bosworth's latest book The Men in My Life turns that voyage inward, painting a picture of a resilient woman with a tragic story of her own.

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Charles Munn's quest to save the Amazon revolves around one theory: if people see the beauty in nature, they’ll fight to protect it. So far, he’s right. Over four decades, the American conservation biologist’s ecotourism mission has helped restore 12 million acres of tropical forests in South America, including some of the most biologically diverse protected areas on earth. Today, he does this through SouthWild. Munn talks to Here’s the Thing about bird watching in the same garden as Einstein, using ecotourism as a conservation tool, and being the only safari guide in the world with a jaguar guarantee.

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Much like the staggering beauty of her voice, Audra McDonald is impossible to ignore. The only artist to sweep all four acting categories at the Tony’s, she’s the most decorated Broadway star of all time. Reviews of her award-winning performances overflow with accolades, describing her stage presence as “spellbinding,” “haunting,” and “genius.” But for the California native, things haven’t always been easy. She talks to Alec about getting into Juilliard, making it on Broadway, and the suicide attempt that helped shape who she is today.

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Many words can be used to describe singer-songwriter Jon Anderson; cautious is not one of them. Born in England in 1944, he began singing on his brother’s daily route as a milkman before falling head first for rock n’ roll. After meeting bassist Chris Squire in the late 1960s, he joined a rock group called Mabel Greer’s Toy Shop—and the two left to form a band that was later renamed Yes. Now 72, he’s sold more than 50 million albums worldwide. But for the adventurous Anderson—whose rendition of Goldfinger earned him the nickname "The Shirley Bassey of Rock and Roll," it’s still all about the music.

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Before Sofia Coppola could talk, she was in movies, famously playing an infant in her father Francis Ford Coppola’s masterpiece The Godfather. She’d appear in the next one too, as an immigrant girl, but it was her role in The Godfather: Part III that caught the attention of the media—not in a good way. Critics claimed her novice performance “ruined” the final chapter of his series. It was a painful moment for Coppola, but one that gave her a firsthand look at the vulnerability of stars. Today she has the reputation of being “soothing” on set—a tactic that, given her multiple awards and accolades, is an effective one.

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Philip Galanes is a man of many words—which comes as no surprise to his family, who grew up listening to him read Dear Abby columns aloud. An avid reader and passionate wordsmith, he returned to his alma mater, Yale University, a few years after graduating to get his law degree. But decades into a career as an entertainment attorney, his life took a different path. Today, the brains behind the New York Times advice column Social Q's, he proffers advice on everything from ex-boyfriends to sibling rivalry. The common theme among them all: a little fibbing never hurts.

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Combining three musical genres in your debut album may be risky, but Joe Jackson never cared about playing it safe. In 1979, his first LP Look Sharp! did just that—weaving pop, ska, and punk together into a sound all its own. With songs like Is She Really Going Out With Him? and Steppin Out, his pioneering sound helped usher in the New Wave era of the early 80s, and cement his place as music royalty. Currently on tour nationwide, Jackson talks with Alec Baldwin about “fake news,” the instrument he considers to be medieval torture, and the reason he can no longer watch The Grammys.

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It’s hard, if not impossible, to imagine the 1970s without Carly Simon. After opening for Cat Stevens at LA's Troubadour in 1971, she gained near instant fame, winning a Grammy for Best New Artist that same year. The daughter of Richard L. Simon, co-founder of publishing house Simon & Schuster, she grew up surrounded by greatness. But if her childhood was peppered with celebrities, her adult life was dripping in them. By her mid-20s she’d meet Bob Dylan, duet with Mick Jagger, and marry James Taylor. Still, the shy New York native was a superstar in her own right, one who battled a stammer and a severe case of stage fright. She tells Alec Baldwin about conquering them both to become a musician who shaped an era. You can learn more about Carly's life in her 2015 memoir, Boys in the Trees. 

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Good stories teach us about humankind, great ones change the way we see it. For many, S-Town -- a seven episode series about an eccentric Alabama horologist named John B. McLemore -- has done just that. Released on March 28, the podcast reached critical acclaim near instantly, garnering 16 million downloads in the first seven days. For Brian Reed, the host and producer behind it, the reception has been thrilling. As the world continues to devour his masterpiece, Brian talks to Alec Baldwin about the email where it all began.

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British-born comedian, actor, and writer Tony Hendra knows a thing or two about mocking politicians. As one of the first editors of the American humor magazine the National Lampoon, he helped perfect and popularize the type of satire that comedians still rely on to challenge the status quo. His move from the variety TV show circuit in the 60s to the parody news world in the 70s was a deliberate response to the election of Richard Nixon. As Donald Trump gives new urgency to an art form Hendra helped shape, he talks to Alec Baldwin about the monk who changed his life, the glory days of National Lampoon, and why it’s a good thing that SNL is getting under the president’s skin.

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Here’s The Thing listeners are used to hearing Alec ask the questions, but for this bonus episode, he’s the guest! To mark the publication of his new memoir, Nevertheless, Alec talk about money, drugs, career choices and family with Death, Sex & Money host Anna Sale.

Stay tuned for Alec’s conversation with comedian and satirist Tony Hendra – out on Tuesday!

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Grand Funk Railroad's lead vocalist talks to Alec Baldwin about his Christian faith and writing one of his greatest hits in the middle of a fight with his first wife.

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Megan Mullally and Nick Offerman are famous for creating iconic TV characters on two beloved sitcoms, "Will & Grace" and "Parks and Recreation." But they also have a life together off screen. They've been married since 2003, and Playboy magazine compared their comic chemistry to "that of a hyper-sexualized Jerry Stiller and Anne Meara." They talk to Here's the Thing host Alec Baldwin about struggling to launch their careers, why it took them so long to kiss, and how jigsaw puzzles, audio books, and carpentry keep their marriage strong.

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These days, legendary fashion editor Grace Coddington tends to wear black—her way of remaining a “blank slate” at the fashion shoots she runs. But it wasn’t long ago that she herself was the vessel for the clothes. Born in the north of Wales in 1941, Coddington began modeling in London at age 18 and landed on the cover of British Vogue in 1962. Following a serious car crash that left one eyelid damaged, she was offered the position of junior fashion editor at British Vogue in 1968. After she rose up the ranks of the fashion world, Calvin Klein hired her as his design director in New York in 1987. But Coddington missed magazines. So she phoned her former colleague, Anna Wintour, then the new editor-in-chief of U.S. Vogue, who promptly appointed her its creative director. Over the next 30 years, Coddington would go on to help shape it into the most powerful fashion publication in the world before leaving in January 2016 to pursue her own projects. But despite her air-tight confident image, Grace Coddington is still the shy girl who, “rigid with nerves,” failed all her exams in high school. She talks to Alec Baldwin about the current state of fashion in America, the up and coming model she’s most excited to watch, and why dressing men makes her nervous.

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Farmer, poet, and pioneer of the community farming movement, Scott Chaskey is the kind of progressive thinker that doesn't come around often. Weaving together his passion for farming and prose, the 66-year-old has penned multiple books on the community farming movement, creating a road-map for Americans who want to live off the land as a community. He talks to Here’s the Thing host Alec Baldwin about deciding to “eat consciously,” watching his love for the earth go global, and the food his kids hid from him when they were little. 

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Thelma Schoonmaker—with a face and demeanor like your favorite grade school teacher—may be the last person you’d imagine to helm the epic violence of Martin Scorsese’s films. Yet this earnest, soft spoken woman has edited every single movie he’s done since Raging Bull. The two’s relationship is considered one of the most successful working marriages in movie history, earning Schoonmaker three Academy Awards and seven nominations. But filmmaking wasn’t always the plan. She talks to Here’s the Thing host Alec Baldwin about Scorsese’s pet peeves, what it’s like to “create” violence, and the woman she credits with giving her the “greatest life in the world.”

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It’s hard to imagine John Turturro—an award-winning actor, director, and writer—feeling inadequate. But even today, the big-hearted 59-year-old says he’s “still learning” his craft. Raised by Italian working-class parents in Park Slope, Brooklyn, he majored in theatre at the State University of New York at New Paltz before winning a scholarship to the Yale School of Drama. In 1989 he soared to fame as Pino in Spike Lee’s Do the Right Thing and has been steadily solidifying his role as a Hollywood superstar ever since. While balancing a kaleidoscope of roles, he’s managed to both write and direct his own movies—most recently the reimagining of a French film from the 70s. He talks to Here’s the Thing host Alec Baldwin about meeting his wife at Yale, playing James Gandolfini’s part in HBO’s The Night Of, and the crisis that almost convinced him to go to medical school. 

Check out video of Alec's conversation with John Turturro on Spike Lee and 'Do the Right Thing'.

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Last month, as our listeners know, Debbie Reynolds died on December 28th – one day after her daughter, Carrie Fisher, died, on December 27th. Alec talked to Debbie Reynolds over three years ago for Here’s The Thing. We always hoped he would sit down with Carrie too – perhaps with her mother. Sadly, this will never happen.

But as a tribute to both women, we are giving listeners a chance to relisten to Alec’s conversation with Debbie Reynolds – a woman with over 6 decades of experience in show business. She talks to Alec about her big break in Singing in the Rain. “I slept in my dressing room,” recalls Reynolds. “I didn't take any days off because I’d practice on Saturday and Sunday.” 

Reynolds went on to appear in Tammy and the Bachelor, The Unsinkable Molly Brown—and more recently, Mother. Reynolds talks about working with different directors and says she’s not one to hold a grudge, but warns that she does have a memory like an elephant.

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Few musicians can compete with the encyclopedic musical knowledge that Ahmir “Questlove” Thompson possesses—which is great news if you got to be a student of his at NYU. When not teaching music history, the 45-year-old drummer is directing the Grammy-Award winning group The Roots—a hip hop collective that rose from “everyone’s favorite underground secret” in the late 90s to Jimmy Fallon’s house band on The Tonight Show. Whether drumming, DJ’ing, or writing a book on food, Questlove is universally beloved. “The coolest man on late night,” according to the Rolling Stone. But there is one thing this genius of music can’t do: accept that he is one. He talks to Here’s the Thing host Alec Baldwin about a three year exile in London, Jimmy Fallon wooing the Roots, and how meditation saved his life.

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