I’m In Love With That Song Podcast

Introducing a new segment of the podcast - "Creation & Evolution", where we explore songs that travelled a long & winding road before they reached their final version. In this episode, we trace the history of a song that started from a phone call with Farrah Fawcett and ended up as Gladys Knight's biggest hit.

"Midnight Train To Georgia" (Jim Weatherly) Copyright 1971, 1973 Universal-PolyGram International Publishing, Inc

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-- This show is part of the Pantheon podcast network -- THE place for music junkies, geeks, nerds, diehards and fans!

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Everybody knows "Baker Street"-- even if you don't know the artist's name or the song title, you probably know that sax riff. But there's more to Gerry Rafferty than "Baker Street" (or "Stuck In The Middle", for that matter). Here's an incredibly moving song that's every bit as good as his biggest hits.

The Ark (Gerry Rafferty) Copyright 1977 The Hudson Bay Music Co. BMI

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Jeff Beck was the guitar player's guitar player. Ask the great guitar players who they thought was the best, and chances are they'll name Jeff Beck. His playing was in a state of perpetual reinvention, always evolving & improving. No mere technician, he was a master of emotion. When Jeff passed away in 2023, we lost a musical giant.

On this, our 150th episode, we pay tribute to Jeff by looking back at his 50+ year career, highlighting some of his finest moments.

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You may not know her name, but I guarantee you've heard her voice. When acts as diverse as Graham Nash, Peter Gabriel and KLF are in need of a soulful vocal, PP Arnold has been a top choice. Her voice has graced dozens of songs & albums for over 50 years, though she's never had a hit under her own name in the US. On this episode, we take a brief look at her career and examine a great lost track, featuring Eric Clapton and the Derek & The Dominos band, recorded in 1970 but didn't see the light of day until 47 years later.

"Medicated Goo" (Steve Winwood, Jimmy Miller) Copyright 1969 Island Music Ltd, Universal/Island Music Ltd.,F-S-Music Ltd., Kobalt Music Copyrights SARL

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"Dead End Street" marked a shift in Ray Davies' songwriting. His songs began to take on a more UK-specific focus. And if not political, it was at least more socially pointed, as he sings about an out-of-work, impoverished couple who wonder, "What are we living for?" 50+ years on, many still ask that same question.

"Dead End Street" (Ray Davies) Copyright 1966 Davray Music Limited. Carlin Music Corporation.

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Television came out of the CBGB's scene in New York (in fact, they were the first rock band to play the legendary club), but they never fit the "Punk" or "New Wave" label. They were unique, which is why their debut album Marquee Moon sounds timeless, as fresh today as the day it was released in 1977. Fronted by two great guitarists-- the mercurial Richard Lloyd and the enigmatic Tom Verlaine, who also provided unorthodox vocals and most of the songwriting-- Television would influence generations of bands that followed. Though they never achieved commercial success, Marquee Moon regularly appears on virtually every "Greatest Albums Of All Time" list. On this episode, we explore the track that opens the album, "See No Evil".

"See No Evil" (Verlaine) Copyright 1977 Double Exposure Music Ltd. ASCAP

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It's never a recipe for making great art when you're under pressure to deliver an album to a rival record label due to contractual obligations… though Jimi Hendrix was never satisfied with the result, the Band Of Gypsys album became a very influential album and remains a favorite among Jimi fans and guitar players of all stripes. On this episode, we journey back to New Years 1970 to explore "Message of Love" from this legendary album.

"Message Of Love" (Jimi Hendrix) Copyright 1970 Experience Hendrix LLC

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This year's Bonus Holiday Episode features a lost Soul classic: Clarence Reid's "Winter Man". We'll just kick back and listen to this vintage soul nugget, as well as saying thanks to all of you for listening. Happy Holidays, everyone!

"Winter Man" (Clarence Reid) Copyright 1974 Sherlyn Pub, Inc.

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Spirit had big ambitions for their 4th album, Twelve Dreams of Dr. Sardonicus, but when the album was released, it didn't fare well on the charts, and even received some bad reviews. In the end, though, the band was proven right. "Twelve Dreams…" would go on to become their best-selling album, and critical opinion of the album has shifted so much that it's often included on "Best Albums of the 1970's" lists. On this episode, we explore one of the signature tracks from this album, "Mr. Skin".

"Mr. Skin" (Jay Ferguson) Copyright Hollenbeck Music

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Pete Townshend’s 3rd solo album was a divisive record; many critics called it pretentious, over-thought, and an "ambitious failure". But it contains at least two Townshend masterpieces, including “The Sea Refuses No River”, a song with deep spiritual meaning to Townshend. This episode, we explore this eloquent, graceful classic.

"The Sea Refuses No River" (Pete Townshend) Copyright 1982 Eel Pie Publishing Limited

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When it comes to boundaries, Fanny faced them all: racial, gender & sexual discrimination were all obstacles that stood in their way. Fanny may be forgotten by many today, but they were one of the most important all-female bands in rock history, paving the way for groups like The Go-Go's, Bangles, and The Runaways. It's time to acknowledge the groundbreaking history made by these 4 women and the great music they left behind.

"Cat Fever" (Nickey Barclay) Copyright 1971

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Vinyl records have made quite a comeback in recent years, entrancing new listeners and old fans all over again. "In The Groove" is a brand-new book, hot off the press, that's a celebration of the vinyl record and the artwork & technology that surround it, as well as the record stores and dedicated fans that have built a community around buying, collecting and listening to them. On this episode, I'm joined by the man who put the book together, Dennis Pernu, to discuss this beautiful tome that should be on every fan's bookshelf.\

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Welcome to our 2nd Annual Halloween episode! This time we're exploring the gory details of "D.O.A." by Bloodrock, one of the most gruesome songs to ever make the charts. In predictable fashion, a song almost designed to get banned from radio & freak out your parents in the '70's, the song became a Top 40 hit.

"D.O.A." (Rutledge-Hill-Grundy-Taylor-Pickens-Cobb) Copyright 1970 Ledgefield Music BMI

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Bettye LaVette is the epitome of perseverance. She cut her first record in 1962 at the age of 16, but it took over 40 years before she received the recognition and respect she deserved. In between, she weathered every injustice that the music business threw at her. But she never gave up, she never stopped working, she never stopped singing... in fact, she just got better. Bettye is more than just a singer; she's an interpreter who can transform any song into something new & special. On this episode, we focus on a track from her 2007 album The Scene of the Crime, and trace the path that brought her to this album-- one of my all-time favorites.

"I Still Want To Be Your Baby (Take Me As I Am)" (Eddie Hinton) Copyright Eddie Hinton Music (BMI)

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Keyboardist Barry Andrews was out and new guitarist Dave Gregory came onboard for XTC's 3rd album, Drums And Wires, as the band's sound palette expanded. Written & sung by bassist Colin Moulding, "Making Plans For Nigel" became XTC's first big hit. This episode, we explore the production, performance and the origin of this XTC classic.

"Making Plans For Nigel" (Colin Moulding) Copyright 1979 EMI Virgin Records Ltd

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Guitarist/singer/songwriter Bill Nelson combined Prog Rock, Glam and Art Rock into the unique sound that was Be-Bop Deluxe. They were musically adventurous, but always maintained a strong sense of melody and a memorable hook or two, as evidenced by this track from their 3rd album "Sunburst Finish", released in 1976. Let's explore the "Sleep That Burns".

"Sleep That Burns" (Bill Nelson) Copyright 1975 B. Feldman and Company Ltd. All rights assigned USA and Canada to Beechwood Music Corporation

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In the late 1980's, Paul McCartney took a shot at writing some songs with Elvis Costello. The ultimate result was a set of 15 songs, some of them never seeing the light of day until years later. But "Back On My Feet" was the first song that was released, buried as a B-side on the "Once Upon A Long Ago" single. It deserved better. Here, we explore the song in detail and shine a light on this overlooked gem.

"Back On My Feet" (Paul McCartney & Declan MacManus) Copyright 1989 MPL Communications Ltd/Plageant Visions Ltd

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Black Sabbath were at a standstill when it came time to make their 5th album. The ideas just weren't coming to guitarist Tony Iommi, and without his massive guitar riffs… well, there just wasn't any Black Sabbath. Weeks were wasted in the studio until he stumbled onto the riff that became "Sabbath Bloody Sabbath", and then they were off to the races. That song became the opening cut from the album that would bear its name; and the song that would bring that album to a close is "Spiral Architect", one of the most epic songs the band ever produced. On this episode, we explore the making of this album along with an examination of one of their most ambitious tracks, "Spiral Architect".

"Spiral Architect" (Words & Music by Black Sabbath) Copyright 1974 Westminster Music Ltd.

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Queen were at the top of their game and weren’t resting on their laurels when they released “Somebody To Love” as a single in 1976. Building on the layered vocals they pioneered on “Bohemian Rhapsody” the year before, “Somebody To Love” was inspired by Freddie’s love for Aretha Franklin. On this episode, we examine the various elements of this outstanding track.

“Somebody To Love” (Freddie Mercury) Copyright 1976 Queen Music Ltd. Copyright Renewed All Rights Administered by Sony/ATV Music Publishing LLC

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Never heard of Starbelly? You should have. But it's not your fault. There was a bit of a resurgence of "power pop" bands in the late-90's/early 2000's that generated a lot of GREAT albums, but, for some inexplicable reason, not much commercial breakthrough (Fountains Of Wayne being one of the few exceptions). Starbelly's debut album "Lemon Fresh" was simply brilliant, and it's one of my favorite records. On this episode, we dive into "This Time", the song that opens this album, along with a special guest to tell the story-- Cliff Hillis, Starbelly guitarist & vocalist who played on this album.

"This Time" (Dennis Schocket) Copyright 1998 Eleven Twenty Ate Music/ASCAP

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On this episode, we pay a little tribute to the great Tina Turner, with an exploration of the song she wrote about her humble beginnings in a little town called Nutbush, TN. Join us on a journey down Highway 19 to visit “Nutbush City Limits”.

“Nutbush City Limits” (Words & Music by Tina Turner) Copyright 1973 EMI Blackwood Music Inc and EMI Unart Catalog Inc.

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When The Shazam tumbled out of Nashville in 1994, they should've landed as one of the biggest rock bands in America. Instead, they merely left us with 5 fantastic albums of hard-rocking power pop that lodged them on my list of all-time favorite bands. If you've never heard them before, here's your chance to discover their greatness with a song called "On The Airwaves" - officially certified one of the Coolest Songs In The World.

"On The Airwaves" (Hans Rotenberry) Copyright 1994, 1999, 2000 Clut Guckle Music (SESAC)

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Gary Moore was never a household name, but among guitar players, he was a legend. He reinvented himself multiple times over his 40-year career: first as a hard-rocker with Thin Lizzy, then a jazzy prog-rocker with Colosseum in the 70’s; pioneering a modern heavy-metal sound in the 80’s, and playing the blues in the ‘90’s. On this episode, we delve into a track from his 1987 Celtic-flavored hard rock album, Wild Frontier.

“Over The Hills and Far Away” (Gary Moore) Copyright 1986 EMI 10 Music Ltd. All rights in the US and Canada controlled and administered by EMI Virgin Songs, Inc

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Thin Lizzy is known for their hard rockin’ songs and their trailblazing twin guitar sound, but vocalist/bassist/songwriter Phil Lynott had an ear for melody, a way with words, and could write a damn fine pop song when he wanted. “Dancing In The Moonlight” has everything you want in a great Thin Lizzy song: fantastic guitar playing, wonderful lyrics, and Lynott’s one-of-a-kind voice—he could sound tough as nails, but sensitive & vulnerable, too. Let’s give this one a spin.

"Dancing In The Moonlight" (Philip Parris Lynott) Copyright 1977 Pippin-The-Friendly-Ranger Music Co Ltd. All rights Controlled and Administered by Universal - Polygram International Publishing, Inc.

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If you're looking for a prime example of a hard-working, dues-paying, doggedly dedicated rock band, you won't find better one than Nazareth. Launching in 1968 and continuing through today, Nazareth rode the wave of success up and down over 50 years, peaking with their classic album "Hair Of The Dog" in 1975. The last time they hit the charts was with the song "Holiday" in 1980. On this episode, we tap into this classic track. And, with the help of author Robert Lawson, we take a quick tour of the history of Nazareth.

If you'd like to purchase a copy of any of Robert's books, you'll find them here:

https://books.friesenpress.com/store/search?q=Robert%20Lawson&match=author

Nazareth - "Holiday" (McCafferty, Cleminson, Charlton, Agnew, Sweet) Copyright 1980 Nazsongs Ltd

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We celebrate the 50th anniversary of one of the greatest live albums of all time, Deep Purple's "Made In Japan". This is a truly live album-- no doctored-up, overdubbed fixes here, just a killer band at the top of their game, tearing through a live set with little thought to the recording process. They thought this album would only be released to a limited audience in Japan... turned out to be a huge hit and the ultimate Deep Purple album. This episode, we explore the power of Deep Purple in all their glory with the definitive version of "Highway Star".

"Highway Star" (Blackmore, Gillan, Glover, Lord, Paice) Copyright 1972 HEC Music, EMI Music Publishing

If you enjoyed this episode, check out these 2 other episodes featuring Deep Purple:

lovethatsongpodcast.com/the-albums-that-made-us-with-special-guest-greg-renoff/

lovethatsongpodcast.com/deep-purple-burn/

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In 1981, Rush had planned to release a live album, but riding a wave of good vibes & inspiration, they changed their minds and decided to record an album of new material instead. It turned out to be their best-selling album, and years later the band would still look back on it fondly. Most of their biggest hits are on this album titled Moving Pictures, but this episode we're turning our ears on a lesser-known (but fan favorite) track, "The Camera Eye".

"The Camera Eye" (Words by Peart, Music by Lee and Lifeson) Copyright 1981 Core Music Publishing

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Back on Episode 25, we listened to 5 of my favorite guitar solos; here on Episode 125, we revisit that idea and listen to some more great guitar moments. As before, I’m not saying these are the greatest solos of all time-- a great solo doesn’t have to be flashy or technically brilliant, but it does have to be memorable, it has to fit the song, and it should take the song to another level. So let's hear 5 more favorite guitar solos.

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Etta James lived quite a life; some incredible highs and heartbreaking lows throughout her 73 years. From hit songs to heroin addiction, from critical acclaim to violence and bad behavior & jail time, Etta experienced it all. And you could hear every bit of that experience in her voice. I've wanted to feature Etta on this podcast for a while; the easy choice would be to pick one of her early classic songs... but instead, let's listen to an overlooked track from late in her career, when she might have been "past her prime" but more than capable of delivering a heart-wrenching performance.  

Etta James - "Love's Been Rough On Me" (Gretchen Peters) Copyright Sony/ATV Tunes LLC dba Cross Keys Publishing/Purple Crayon Music (ASCAP)

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The Beatles had many peaks in their career, but their August 15, 1965 concert at Shea Stadium may be the high point. It was certainly their ultimate live performance and the pinnacle of Beatlemania. On this episode, I'm joined by author Laurie Jacobson; her new book, "Top Of The Mountain", tells the story of that record-breaking concert. It's a behind-the-scenes look at the events leading up to the performance, including the tale of the man who made it all happen, Sid Bernstein.

More on Laurie's book here:

https://www.lauriejacobson.com/Beatles.php

And check out our other Beatles episodes:

The Beatles – “Rain”

Special Edition: The Beatles “Get Back” Documentary

The Beatles – “Hey Jude” (with special guest James Campion)

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When Christine McVie passed away on Nov. 30, 2022, the tributes poured in from around the world. Deservedly so. We pay our respects to the legendary Christine Perfect the way we do best-- by taking an in-depth look at one of her biggest hits from the classic "Rumours" album, along with an overview of Fleetwood Mac's tortured history.

Also in this episode, I recommend the "Fakewood Mac" episode of the Rock And/Or Roll Podcast-- my favorite podcast. I highly recommend you check out this episode:

 https://rockandorrollpodcast.blogspot.com/2020/04/raor-308-fakewood-mac.html

"You Make Loving Fun" (Christine McVie) Copyright 1976 Fleetwood Mac Music, USA - BMG Music Publishing Limited

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Let's kick off our first episode of 2023 with a look back 50 years to 1973. I'm joined on this episode by Andrew Grant Jackson, author of 1973: Rock At The Crossroads for a discussion of the music and history of the year that was 1973.

Andrew Grant Jackson is the author of 1973: Rock at the Crossroads, 1965: The Most Revolutionary Year in Music, Still the Greatest: The Essential Songs of the Beatles’ Solo Careers, Where’s Ringo? and Where’s Elvis? He's written for Rolling Stone, Slate, Yahoo!, PopMatters, and Please Kill Me. He directed and co-wrote the feature film The Discontents starring Perry King and Amy Madigan. He lives in Los Angeles.

Jackson's websites:

www.facebook.com/1973book

www.facebook.com/1965book

www.facebook.com/solobeatlebook

www.facebook.com/whereselvisbook

www.1965book.com

www.solobeatles.com

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Join me and my special guest Mike Wagner to celebrate the holidays with his song "Christmas With You", as performed by Sheila Swift. It's time for some end-of-year thank-you's as well. Happy Holidays!

"Christmas With You" (Michael Wagner & Sheila Swift) Copyright 2018

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The “Paisley Underground” scene birthed a lot of great bands in the ’80’s, but few went on to be as commercially successful as the Bangles. That success came with a price, as they were pulled away from the British Invasion and Power Pop sound that inspired them. But their first full-length album, All Over The Place, is one of the best records of the era. Before they were swayed by Prince or walked like Egyptians, they were one of the most promising successors to the sound of 60’s jangle pop.

"Tell Me" (Suzanna Hoffs/Vicki Peterson) Copyright 1984 Illegal Songs Inc/Banglophile Music

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At the time they released their 2nd album in 1978, Tom Petty & The Heartbreakers were a struggling band hoping to break through. They had plenty to prove, and there was still a punky edge to their sound-- clearly evident on the first single from the album, "I Need To Know". At a tight two-minute-and-twenty-six-seconds, there's no fat on this track-- just a great song, a taste of the brilliant music to come.

"I Need To Know" (Tom Petty) Copyright 1977 Almo Music Corp (ASCAP)

If you dig this episode, check out this other episode on Tom Petty:

lovethatsongpodcast.com/tom-petty-even-the-losers/

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It's time for another episode in our "Albums That Made Us" series: this time, I'm joined by Craig Smith from the Pods & Sods Network to discuss a much-maligned album that happens to hold a special place in his heart-- the soundtrack to the "Sgt. Pepper's Lonely Hearts Club Band" movie. This was how Craig discovered The Beatles. We also discuss "Wings Over America", which was my entry point into Beatles fandom.

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Norman Whitfield turned The Temptations from a typical Motown vocal group into Psychedelic Soul pioneers. Their collaboration reached its zenith with "Papa Was A Rolling Stone", a dark, atmospheric, orchestral showcase for both the Temptations and Whitfield's genius. This would be the last #1 hit for The Temptations, and they would stop working with Norman Whitfield soon after. But they left behind this monumental masterpiece.

"Papa Was A Rolling Stone" (Norman Whitfield & Barrett Strong) Copyright 1972 Stone Diamond Music Corp.

If you enjoyed this episode, here's a previous episode that featured another classic Temptations song:

lovethatsongpodcast.com/the-temptations-i-cant-get-next-to-you/

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Perhaps the most influential compilation album of all time, the original Nuggets album was lovingly assembled by guitarist/author Lenny Kaye in 1972. Collecting some of the greatest psychedelic garage rock onto one collection was no small feat, but the album went on to inspire tons of musicians in the US and the UK. On this episode, we honor the 50th anniversary of this landmark collection with a look back at some of the best tracks by these long-gone, and mostly forgotten, bands.

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"See Emily Play" was only Pink Floyd's 2nd single, but it was a watershed moment in psychedelic rock history. Though Syd Barrett's body of work was relatively small, he left behind a huge legacy that's still influencing people today. This song is one of the highlights of his short and tragic career.

"See Emily Play" (Syd Barrett) Copyright 1967 Westminster Music Limited

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B.B. King created a sound with his electric guitar that changed the world and made him a legend around the world. In this episode, I'm joined by Pulitzer Prize-winning journalist Daniel De Vise, author of "King Of The Blues: The Rise & Reign of B.B. King" to share 5 songs that encapsulate the story of this iconic musician.

Order your copy of Daniel’s book here:

https://danieldevise.com/product/king-of-the-blues-the-rise-and-reign-of-bb-king

— This show is one of many great music-related podcasts on the Pantheon network. Give 'em a listen! And remember to follow this show, so you never miss an episode. 

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Yes were at their peak when they released their Close To The Edge album in 1972. This episode, we celebrate the 50th anniversary of what many consider to be the greatest Progressive Rock album of all time with a deep dive into the song "Siberian Khatru".

"Siberian Khatru" (Jon Anderson; Themes by Jon Anderson/Steve Howe/Rick Wakeman) Copyright 1972 Topographic Music Ltd 

If you enjoyed this episode, check out our previous episode on Yes:

lovethatsongpodcast.com/yes-owner-of-a-lonely-heart/

 -- This show is just one of many great Rock Podcasts on the Pantheon Podcasts network. Get 'em while they're red hot!  

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Cheap Trick is one of the great American bands. The new book, "This Band Has No Past: How Cheap Trick Became Cheap Trick" by Brian Kramp details their history from the very beginning up to their breakthrough album, "Cheap Trick At Budokan". It's an incredible story of hard work & dedication. On this edition, Brian joins me to discuss 5 songs that reveal how unique and special Cheap Trick was in their early years. If you only know this band from their hits, this episode is a good introduction to what makes Cheap Trick Cheap Trick.

Besides being an author, Brian Kramp is the host of the "Rock And/Or Roll" podcast, one of my all-time favorite podcasts-- an absolute must-listen for every music junkie. Check it out.

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Few albums in history have had the cultural impact as Marvin Gaye's "What's Going On". Universally loved by music fans around the world, it's an album like none before it. Few records have captured the zeitgeist and remained as relevant as this album -- Marvin's crowning achievement. On this episode, we take a deep dive into the title cut to discover the elements that make up this masterpiece.

"What's Going On" (Marvin Gaye, Al Cleveland and Renaldo Benson) Copyright 1970, 1971, 1972 Jobette Music Co, Inc.

If you liked this episode, check out our previous episode featuring the great Marvin Gaye:

lovethatsongpodcast.com/marvin-gaye-i-heard-it-through-the-grapevine/

-- This show is just one of many great music-themed podcasts on the Pantheon Podcasts network, where you'll find dozens of other shows featuring the artists & the music we love. 

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The Angels (aka "Angel City", as they were known in the US) are one of those fantastic bands that made it big in their home country-- in this case, Australia-- but never caught on in the US. A shame, because these guys had it all: big riffs, great hooks, and clever lyrics. Let's check out this great track from the band I like to think of as "the thinking man's AC/DC".

"Look The Other Way" (Rick Brewster, Doc Neeson, John Brewster, Brent Eccles) Copyright 1984 ATR/EP/Cat Songs

— This show is one of many great music-related podcasts on the Pantheon network. You should check them out! And remember to subscribe to this show, so you never miss an episode.

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Creedence Clearwater Revival were quite the phenomenon from 1967 to 1972. During that short period-- only 5 years-- they racked up ten songs in the Top 20, 5 of them making it to #2. In the middle of that run, they released "Run Through The Jungle" in April 1970. The song is often identified with the Viet Nam war, but we explore the true roots of the song and listen to the individual elements that make up this great track.

"Run Through The Jungle" (John Fogerty) Copyright 1970 Jondora Music

 -- This show is just one of many great Rock Podcasts on the Pantheon Podcasts network. Join the fun and check 'em out!

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Todd Rundgren never became a household name, but he has legions of fans around the world. I'm one of 'em. What has always drawn me to Todd, then and now, is not just his way with a tune and a willingness to do anything musically-- it's his search for something deeper, more meaningful, than your typical pop song. This is a prime example of melding melody and message, producing pop with purpose. What does it mean to be a "real man"? Todd answered that question in 1975.  

Real Man" (Todd Rundgren) Copyright 1975 Warner-Tamerlane Publishing Corp and Humanoid Music

— This is one of the many great podcasts on the Pantheon Podcast network, the place to be for music-obsessed listeners like you & me!

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It's nearly impossible to pick the "best" Beatles song, but by nearly every measurement-- sales, chart success, cultural impact-- it's hard to beat "Hey Jude". Author James Campion's new book, Take A Sad Song, is an in-depth look at the history and legacy of "Hey Jude". He joins us on this episode for a deep dive into this legendary, iconic song. A true classic.

"Hey Jude" (John Lennon & Paul McCartney) Copyright 1968 Northern Songs - Copyright 1968 Sony/ATV Music Publishing LLC

If you enjoyed this episode, please check out these other Beatles-related episodes:

https://lovethatsongpodcast.com/the-beatles-rain/

https://lovethatsongpodcast.com/special-edition-the-beatles-get-back-documentary/

https://lovethatsongpodcast.com/george-harrison-beware-of-darkness/

https://lovethatsongpodcast.com/paul-mccartney-wings-little-lamb-dragonfly/

https://lovethatsongpodcast.com/john-lennon-nobody-loves-you-when-youre-down-and-out/

https://lovethatsongpodcast.com/paul-mccartney-wings-daytime-nighttime-suffering/

 -- This show is just one of many great Rock Podcasts on the Pantheon Podcasts network. Get 'em while they're red hot!  

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Music was expanding in all directions in the 1960's; one of my favorite genres is the psychedelic/garage rock from that era. Few songs capture the sound & the spirit of that style as "I Had Too Much To Dream (Last Night)" by The Electric Prunes. Take a trip with me back to those halcyon days with one of the flagship songs from the psychedelic period.  

"I Had Too Much To Dream" (Annette Tucker & Nancie Mantz) Copyright 1966 4-Star Music; copyright 2004 Acuff Rose Music Limited

— This show is one of many great music-related podcasts on the Pantheon network. Give 'em a listen! And remember to follow this show, so you never miss an episode. 

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Greg Renoff, author of “Van Halen Rising: How a Southern California Backyard Party Band Saved Heavy Metal” and “Ted Templeman: A Platinum Producer’s Life in Music”, joins us to talk about a pivotal album in his youth, "Burn" by Deep Purple. It also happens to be one of my favorite albums, too. We also spend some time talking about the first solo LP from bass player Glenn Hughes, another personal favorite of mine.

If you liked this episode, check out the previous episode where we do a deep dive into the song "Burn":

www.lovethatsongpodcast.com/deep-purple-burn/

-- This show is one of many great podcasts on the Pantheon Podcasts network, where you'll find a ton of podcasts focusing on the music & the artists we love.

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Before there was Ziggy Stardust, there was Arnold Corns... Thanks to a legendary performance on Top Of The Pops, "Starman" was Bowie's first hit since "Space Oddity" and proved he wasn't a one-hit wonder. In this episode, we dig into the history of this song and the origin of Ziggy Stardust.

"Starman" (David Bowie) Copyright 1972 Chrysalis Music Limited, EMI Music Publishing Limited & Tintoretto Music/RZO Music

Here's a few more Bowie episodes for your listening pleasure:

https://lovethatsongpodcast.com/david-bowie-space-oddity

https://lovethatsongpodcast.com/david-bowie-station-to-station

https://lovethatsongpodcast.com/david-bowie-time

-- This show is one of many great podcasts on the Pantheon Podcasts network. Check 'em out!

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After 2 years of COVID-19 shutdowns, live music is beginning to return. Let's celebrate the power & importance of live music by looking back at a critical moment in history.

April 5, 1968: Martin Luther King, Jr. was assassinated the day before. America was on edge and riots were breaking out in cities across the country. But the city of Boston, MA held it together. Why? Because the Godfather Of Soul-- James Brown-- was in town.

— This show is one of many great music-related podcasts on the Pantheon network. You should check them out! And remember to follow this show, so you never miss an episode.

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In our previous episode, we looked at the history of instrumental songs that topped the pop charts. For my money, there's never been a more unlikely hit instrumental than the synth-infused, riff-heavy stomper that is Edgar Winter's "Frankenstein". This episode, we break down this instrumental classic featuring Edgar Winter on keyboards, sax and drums.

"Frankenstein" (Edgar Winter) Copyright 1972 EMI Longitude Music

— This show is part of the Pantheon podcast network -- THE place for music junkies, geeks, nerds, diehards and fans!

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Years ago, instrumental songs were everywhere-- on the radio, the jukebox, and the Billboard Hot 100 chart. But over time, the instrumental faded from mainstream popularity. When was the last time you heard a new instrumental, or saw one topping the charts? In this episode-- our 100th show-- we explore the history of the pop instrumental as we ask the question. "Whatever happened to the instrumental hit song?"

— This show is just one of many great music-themed podcasts on the Pantheon network. Check them out! And remember to follow this show, so you never miss an episode.

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The "Albums That Made Us" series continues as Brian Jacobs (Pods & Sods contributor, and one of the most thoughtful music-lovers I know) joins us with a look at two central albums that have grown with us over the years. The older we get, the better these albums get: "Shoot Out The Lights" by Richard & Linda Thompson, and Bob Dylan's "Blood on The Tracks".

-- This show is just one of many great podcasts on the Pantheon Podcasts network. There's something there for every rock fan!  

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Nothing came easy for Badfinger. Though they had success with their first few albums (all of them are must-have classics), they soon had a tough time, thanks to terrible management, record label indifference and bad timing. In 1974, worn-down & exhausted from the non-stop touring/recording/touring again grind, they dragged themselves into the studio... and, with help from producer Chris Thomas, made one of their best albums. Many fans say it IS their best. Unfortunately, few people heard it as it was withdrawn from stores shortly after its release, thanks to legal shenanigans. Things only got worse after that. But this record is a masterpiece; let's celebrate it with a look at the song "In the Meantime/Some Other Time".

 If you liked this episode on Badfinger, then check out our previous show on "Day After Day":

https://lovethatsongpodcast.com/badfinger-day-after-day/

"In the Meantime/Some Other Time" (Mike Gibbins, Joey Molland) Copyright 1974 WB Music Group ASCAP

— This show is one of many great music-related podcasts on the Pantheon network. Give 'em a listen! And remember to follow this show, so you never miss an episode.

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Aerosmith was a band on the brink of self-destruction when they set up in an old convent to record their next album in 1977. But despite the tension, drug abuse and general bad behavior, they managed to lay down a few great tunes, including "Kings And Queens". Let's dig into this Aerosmith classic.

If you enjoyed this episode on Aerosmith, check out this previous show on their classic track "Seasons Of Wither":

https://lovethatsongpodcast.com/aerosmith-seasons-of-wither/

"Kings And Queens" (Tom Hamilton, Joey Kramer, Steven Tyler, Brad Whitford and Jack Douglas) Copyright 1977 Daksel Music Corp. and Song And Dance Music Co. All rights administered by Unichappel Music, Inc.

-- This show is one of many great music-related podcasts on the Pantheon network. Give 'em a listen! And remember to follow this show, so you never miss an episode.

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Wilson Pickett only recorded 9 songs during his time at Stax in Memphis, but they were defining records. "Ninety-Nine And A Half (Won't Do)" is the last of those singles, released in May 1966. Though not as well-known as "In The Midnight Hour", "634-5789" or "Mustang Sally", this song is still a stone-cold classic in my book. Let's see what it's made of.

"Ninety-Nine And A Half (Won't Do)" (Eddie Floyd, Steve Cropper, Wilson Pickett) Copyright 1966 Irving Music and Pronto Music Inc.

— This show is one of many podcasts on the Pantheon podcast network -- THE place for music junkies to get your fix. Check 'em out!

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After 50 years locked away in a vault, the world finally got to see and hear some of the abandoned footage from the Beatles "Let It Be" sessions. The new documentary "Get Back" gives us almost 8 hours of never-before seen film and an unprecedented look at The Beatles at work. It was worth the wait. On this Special Edition of the podcast, we're joined by 3 of the biggest Beatle fans I know-- Ken Mills, Craig Smith and Brian Jacobs-- to discuss this fascinating look at the most important band in rock history.

— This show is one of many great music-related podcasts on the Pantheon network. You should check them out! And remember to follow this show, so you never miss an episode

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When Frank Marino announced his retirement in 2021 due to a medical condition, his fans were shocked. "Tales Of The Unexpected", indeed. So let's take a few minutes to appreciate this great guitar player with a look at one of his funkiest tracks.

"Sister Change" (Frank Marino) Copyright 1979 Daksel Music Corp BMI 

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It's our annual Bonus Holiday Episode - This year, we're celebrating Hanukkah with a song that also doubles as a great Power Pop song any time of the year. Happy Holidays, everybody!

"How Do You Spell Channukkahh?" (Adam Gardner & Dave Schneider) Copyright 2005 Gyro Spit Music/Jewshi Music (BMI)

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We're back with another "Albums That Made Us" episode; this time my guest is author Christy Alexander Hallberg, whose new novel Searching For Jimmy Page is a must-read for any Led Zeppelin fan. On this episode, Christy shares how discovering Led Zeppelin IV was a life-changing moment, how the music has brought comfort over the years, and inspired her book. We also discuss one of my first album purchases, Queen's Day At The Races.

Buy Christy's book here: https://www.christyalexanderhallberg.com/

This show is one of many podcasts on the Pantheon podcast network -- THE place for music junkies to get your fix. Check 'em out! 

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November 2021 marks 60 years since the first issue of "Fantastic Four", the comic book that launched the Marvel Universe. Rock music has had a love affair with comics for years; on this episode, we take a look at a handful of songs from the crossroads where Rock and Comics meet.

I'm joined by 2 legendary podcasters, Ken Mills (PodKISSt, Zilch, Cheap Talk with Trick Chat, Pop!) & Eric Miller (Pods & Sods, The Daily Bern), who are equal fans of both comic books and rock 'n' roll.

— This show is one of many great music-related podcasts on the Pantheon network. You should check them out! And remember to follow this show, so you never miss an episode.

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Join us for this Halloween Episode where we take a deep dive into one of the spookiest songs to ever hit the charts. There's a reason why this song has shown up everywhere from TV shows like "Supernatural", to films including "Halloween", the videogame "Ripper"-- its lyrics are even quoted in Steven King's "The Stand": because few songs are able to create a mood as deep and rich as this one. And it features one of the best guitar parts of all time. (And yes, we mention the cowbell.)

"Don't Fear The Reaper" (Donald Roeser) Copyright 1976 Sony/ATV Music Publishing LLC 

— This show is one of many great music-related podcasts on the Pantheon network. You should check them out! And remember to subscribe to this show, so you never miss an episode.

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In the novel Lost Horizon, Shangri-La is the mystical, hidden paradise of legend. In the The Kinks song, it's the name given to the humble home of Arthur, the main character in Ray Davies' concept album/rock opera Arthur (Or The Decline and Fall of The British Empire). Written as the accompaniment for a TV movie that was never produced, Arthur still stands as one of The Kinks' best works, and "Shangri-La" is the stand-out track from this album.

"Shangri-La" (Ray Davies) Copyright 1969 Davray Music Limited, Carlin Music Corp

If you enjoyed this show, please check out this episode:

http://lovethatsongpodcast.com/the-kinks-autumn-almanac

-- This show is one of the many great podcasts on the Pantheon Podcasts network. Check 'em all out!

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The "Albums That Made Us" series returns to explore the ways in which music has impacted our lives. This episode, we're joined by Jon Lamoreaux, host of The Hustle Podcast. Join us for a conversation about Jethro Tull, David Bowie, and the power of music to send us in new directions.

— This show is one of many podcasts on the Pantheon podcast network -- THE place for music junkies to get your fix. Check 'em out!

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1971 was a banner year for great rock albums, and one of the best of the best that year was "Sticky Fingers" by The Rolling Stones. On this episode, we take a dive into a key track from that album, "Can't You Hear Me Knocking", where the Stones begin with a killer Keef riff and end up 7 minutes later in a completely different place. How did they get there? Let's take the journey with them… and along the way, we'll pay our respects to the late, great Charlie Watts.

If you enjoyed this episode, be sure to check out our deep dive on The Stones' "Gimme Shelter"-- one of our favorite episodes! The Rolling Stones – “Gimme Shelter”

"Can't You Hear Me Knocking" (Mick Jagger & Keith Richards) Copyright 1971 ABKCO Music, Inc. All rights reserved.

— This is one of the many great podcasts on the Pantheon Podcast network, the place to be for music-obsessed listeners like you & me!

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The Who released a string of classic albums, but many consider Quadrophenia to be their best. It's certainly one of their most ambitious. Pete Townshend wrote the songs, but the stunning performances by Roger Daltrey (vocals), Keith Moon (drums) & John Entwistle (bass) bring the songs to life. Nowhere is that more evident on "The Real Me", which features all four members in top form, showing why they were one of the all-time great bands.

The Who - "The Real Me" (Peter Townshend) Copyright 1973 Fabulous Music Ltd, Towser Tunes Inc and ABKCO Music Inc

Like this episode? Here's another one on the Who you should check out:

https://lovethatsongpodcast.com/the-who-the-naked-eye

— This show is one of many podcasts on the Pantheon podcast network -- THE place for music junkies to get your fix. Take a listen to these shows!

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Sure, everyone knows "Stairway To Heaven", but "Achilles Last Stand" may be Jimmy Page's greatest masterpiece. Layers of guitars intertwined & augmenting each other in a virtual guitar orchestra, with stellar performances from the rest of the band. In this episode, we take a closer look at this underrated classic.

"Achilles Last Stand" (Jimmy Page & Robert Plant) Copyright 1976 Flames Of Albion Music, Administered by WB Music Group (ASCAP)

— This show is one of many great music-related podcasts on the Pantheon network. You should check them out! And remember to follow this show, so you never miss an episode.

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For another episode in "The Albums That Made Us" series, I'm joined by Chris Czynszak, co-host of the "Decibel Geek" podcast and the organizer of the RockNPod Expo, to talk about how the same band, about 10 years apart, had a huge affect on both our lives.

If you enjoyed this episode, here are a couple of other Kiss-related episodes for your listening pleasure:

https://lovethatsongpodcast.com/kiss-flaming-youth

https://lovethatlongpodcast.com/kiss-king-of-the-night-time-world

— This show is one of many podcasts on the Pantheon podcast network -- THE place for music junkies to get your fix. Check 'em out!

Learn more about your ad choices. Visit megaphone.fm/adchoices

If Motorhead is to be remembered for one song, it would be "Ace Of Spades". The title cut from their most commercially successful album, a track that encapsulates Motorhead-- fast, loud, defiant. Let's dig into this heavy metal classic to see what makes it work.

"Ace Of Spades" (Ian Kilmister, Edward Clarke and Philip Taylor) Copyright 1980 Motor Music Ltd, All rights administered by EMI Intertrax Music

-- This show is one of many great podcasts on the Pantheon Podcast network. Check 'em out!

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George Harrison emerged from the rubble of The Beatles breakup with all cylinders firing. After years of working in John & Paul's shadow, George had amassed a stockpile of great songs. It all burst out in 1970 on his triple-album set, All Things Must Pass. One of the standout tracks was "Beware Of Darkness", a warning to everyone (including himself) to be wary of corrupting influences. Featuring an all-star band, wall-of-sound production, and the introduction of George's slide guitar playing, which would define his sound for the rest of his career. Let's listen to the song many consider George's masterpiece.

"Beware Of Darkness" (George Harrison) Copyright 1970 Harrisongs Ltd

— This show is one of many great music-related podcasts on the Pantheon network. You should check them out! And remember to subscribe to this show, so you never miss an episode.

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It's another episode of our "Albums That Made Us" series, where we explore how music has made a big impact on our lives. We'll be joined by a guest to discuss an album that shaped their lives in some way.

On this edition, we're joined by Chris Porter, who's had a long career in the music business as a concert producer, even programmer, talent buyer, and booking manager. And he's also an old friend. So join us for a discussion on "Aftermath" by The Rolling Stones and The Who's "Who's Next".

Part of Pantheon Podcasts

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Inspired by David Hepworth's book, "Never a Dull Moment: 1971 - The Year That Rock Exploded" (and the forthcoming documentary based on his book), we take a quick look at the many great albums released in 1971.

-- This show is one of the many great podcasts on the Pantheon Podcasts network. Check 'em all out!

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Sugar Pie DeSanto (born Peylia Marsema Balinton) was a ton of dynamite in a tiny 4' 11" frame... and still is, at the time of this recording. Let's have a listen to this super-fun classic track, recorded with the great Etta James in 1966.

"In The Basement (Part 1)" (Billy Davis, Raynard Miner & Carl Smith) Copyright 1966 Chevis Music Inc BMI

Here's a few more episodes I think you'll enjoy:

https://lovethatsongpodcast.com/merry-clayton-country-road

https://lovethatsongpodcast.com/the-temptations-i-cant-get-next-to-you

https://lovethatsongpodcast.com/aretha-franklin-a-change-is-gonna-come

— This show is one of many great music-related podcasts on the Pantheon network. You should check them out! And remember to subscribe to this show, so you never miss an episode.

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Let's give some overdue respect to a band of 4 great players who knew how to rock. Here's a guitar-driven update on an old blues classic, from one of the best live albums of the '70's. As a bonus, we take a side trip to explore the origins of a familiar guitar riff.

"Honey Hush" (Lou Willie Turner) Copyright 1963 Unichappell Music Inc

If you enjoyed this episode, take a listen to these previous shows:

https://lovethatsongpodcast.com/humble-pie-thunderbox

https://lovethatsongpodcast.com/fleetwood-mac-the-green-manalishi-with-the-two-prong-crown

https://lovethatsongpodcast.com/the-rolling-stones-gimme-shelter

-- This show is one of the many great podcasts on the Pantheon Podcasts network. Collect 'em all!

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Here's the first episode of a new series that we'll be exploring occasionally here on the "I'm In Love With That Song" Podcast. I'm always interested to hear about music that made a big impact on other people's lives; in this series, I'm inviting some fellow podcasters and friends in the music industry to discuss an album that shaped their lives in some way.

For this first episode, Podcaster Extraordinaire Eric Miller joins us to talk about Living Color's "Vivid". And I discuss one of my influential albums, "Anthology" by Sky & The Family Stone. Hope you enjoy the conversation!

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The Ohio Players paid their dues for 15 years before their first #1 Top 100 hit, but by then, they were on fire (pun intended). Built on an incessant groove that won't quit, they brought heavy funk to the top of the pop charts. On this episode, we take a look at all the elements that make up this funky classic.

"Fire" (Ralph Middlebrooks, Marshall Jones, Leroy Bonner, Clarence Satchell, Willie Beck & Marvin Pierce) Copyright 1974 Play One Music and Segundo Suenos Music

If you enjoyed this episode, please check out these other episodes:

https://lovethatsongpodcast.com/merry-clayton-country-road

https://lovethatsongpodcast.com/earth-wind-fire-shining-star

https://lovethatsongpodcast.com/marvin-gaye-i-heard-it-through-the-grapevine

https://lovethatsongpodcast.com/rare-earth-i-just-want-to-celebrate

- This show is one of many great podcasts on the Pantheon Podcasts network. Give 'em a listen!

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What's the difference between a "riff" and a "lick"? Between "reverb" and "slapback echo"? We try not to get too technical on this podcast, but occasionally some listeners get stumped by some of the terminology. So for our 75th episode, I thought I'd explain some of the terms we use on this show-- and why it's necessary to have this "language" to begin with. (Because there's no sheet music notation for "fuzz tone".)

— This show is one of many great music-related podcasts on the Pantheon network. You should check them out! And remember to follow this show, so you never miss an episode.

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Every once in a while you hear a song by a band you've never heard of and it knocks you out. This was one of those songs for me. A band from Ireland comes out of nowhere (as far as the USA is concerned), gets some radio play with a great song, and then is largely forgotten here. Same ol' story. Should'a been a big hit, if ya ask me. But what do I know? Listen to this track along with me and see if you love it as much as I do.

"Hello Hello Hello Hello Hello (Petrol)" (Written by Something Happens) Copyright 1990 Virgin Music, Inc. (ASCAP)

-- This show is one of many great podcasts on the Pantheon Podcasts network. Check 'em all out!

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Sometimes, when times are tough and it seems like the world's against you, a song like this can keep you going. A stunning mix of jangling guitars, sparkling harmony vocals, and a heart-wrenching lead vocal by Alex Chilton, this is my favorite song from my favorite album by the band often referred to as "the greatest band you've never heard".

"The Ballad Of El Goodo" (Alex Chilton & Chris Bell) Copyright 1972 Ardent/Koala Music Inc/Birdees Music Corp./Irving Music Inc USA

— This show is one of many great music-related podcasts on the Pantheon podcast network. Check 'em out!

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I'll happily go out on a limb and say Deep Purple was THE hard rock band of the '70's. They could shift from monster guitar riffs to complex classical-influenced passages to outright improvised jams-- all within one song. Built around a trio of top-of-their-game players (guitar, organ & drums), with a series of distinctive, powerful singers & bassists -- the lineup changes so iconic they became known as Deep Purple Mark I, Mark II, Mark III, etc. This episode, we'll break down the classic Mark III track, "Burn", and listen to all the ingredients in this witch's brew.

"Burn" (Ritchie Blackmore, David Coverdale, Jon Lord and Ian Paice) Copyright 1974 Purple (USA) Music

If you enjoyed this show, please check out these episodes:

https://lovethatsongpodcast.com/glenn-hughes-crave

https://lovethatsongpodcast.com/queen-keep-yourself-alive

https://lovethatsongpodcast.com/rush-subdivisions

https://lovethatsongpodcast.com/boston-hitch-a-ride

-- This show is one of many great music-related podcasts on the Pantheon network. You should check them out! And don't forget to subscribe to the show — that way, you’ll never miss an episode, they’ll be delivered right to you.

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Merry Clayton never had a big hit, but her voice can be heard in dozens of songs you know (we've listened to one of them here before-- see episode #42). One of the legendary background singers profiled in the documentary 20 Feet From Stardom, most of her solo work is largely unknown-- which is a shame, because there's some great music on those albums. Take this example from her first album, Gimme Shelter. Merry takes this James Taylor classic to a whole new place, one of my favorite cover songs of all time.

"Country Road" (James Taylor) Copyright 1970 Blackwood Music Inc./Country Road Music Inc. (BMI)

If you enjoyed this show, please check out these related episodes:

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https://lovethatsongpodcast.com/earth-wind-fire-shining-star

https://lovethatsongpodcast.com/stevie-wonder-i-wish

-- This show is just one of many great music-related podcasts on the Pantheon network. Check them all out!

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It's our annual BONUS HOLIDAY EPISODE - This time, we travel back in time & around the world for a truly psychedelic Christmas trip with the He 5. See you on the other side!

THis show is part of Pantheon Podcasts.

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Some songs call for you to speak out & demand action. Some songs explore the deepest depths of your soul. Some songs are timeless expressions of love. This song... it just kicks ass. Humble Pie was a guitar riff machine, and Steve Marriott was 5' 5" of vocal dynamite. Add a trio of the finest backing singers-- Venetta Fields, Clydie King and Sherlie Matthews-- and you've got a party.

"Thunderbox" (Clemson/Marriott) Copyright 1974 Almo Music Corp/Rule One Music (ASCAP)

If you enjoyed this show, please check out these episodes:

https://lovethatsongpodcast.com/small-faces-tin-soldier

https://lovethatsongpodcast.com/thin-lizzy-rosalie

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It's been 40 years since the death of John Lennon, a senseless loss that still stings. Here's one of my personal favorite Lennon tracks. We'll follow it from its early stages through to the final album version.

"Nobody Loves You (When You're Down And Out)" (John Lennon) Copyright 1974 Lenono Music (BMI) All rights controlled and administered by EMI Blackwood Music Inc

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https://lovethatsongpodcast.com/paul-mccartney-wings-daytime-nighttime-suffering

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There's never been any shortage of drama with Fleetwood Mac... long before the soap opera of Rumours, there was the psychodrama of Peter Green (and Jeremy Spencer, and Danny Kirwan...). The saga of how Peter Green-- one of the brightest guitarists to come out of '60's Britain, right up there with Clapton/Beck/Page-- was lost to a drug-fueled spiritual black hole is one of the great "if only..." tales in Rock History. When he passed away in July 2020, I knew it was time to tackle a Green-era Mac classic... I just had to gin up the courage to revisit the nightmare that awaits in "The Green Manalishi (with the Two-Prong Crown)"

"The Green Manalishi (with the Two-Prong Crown" (Peter Green) Copyright 1970 Palan Music Publishing Ltd.

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Rare Earth's sound was equal parts funky soul and straight-up rock. For decades, when there's cause for celebration, folks have been crankin' up this chunk of funk rock. Let's take a closer look at how Rare Earth carved their place in history with this track.

"I Just Want To Celebrate" (Nick Zesses, Dino Fekaris) Copyright 1971 Jobette Music Co., Inc (BMI)

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When Alice Cooper recorded "Elected" in 1972, it was a satire about a rich, grandstanding, self-obsessed celebrity running for president. He's a "yankee doodle dandy in a gold Rolls Royce". We all laughed. That kind of thing could never happen in real life, right...?

"Elected" (Alice Cooper, Michael Bruce, Dennis Dunaway, Neal Smith & Glen Buxton) Copyright 1973 Ezra Music Corporation, administered by Sony/ATV Music Publishing LLC

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When Matthew Sweet, Shawn Mullins & Pete Droge (aka The Thorns) recorded "No Blue Sky" almost in 2002, they had no idea that the skies over the Western US would be thick with smoke, or that a global pandemic would isolate us in our homes. "It ain't right, it feels like forever..." pretty much sums up the year 2020. I'm fascinated in how songs can find new relevance years later. Let's listen to this gorgeous song and watch the sun go down together.

"No Blue Sky" (S. Mullins, P. Droge, M. Altman, G. Phillips) Copyright 2003

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Some bands take time to develop a unique sound, but Queen sounded like Queen right from the beginning. "Keep Yourself Alive" was the opening track on their first album, and it contains all the requisite Queen elements: the heavy riffs & orchestrated guitars, the vocal harmonies, dramatic musical shifts and Freddie's powerhouse voice. The band would go on to scale bigger heights, but the magic was there from the start. Let's have a listen.

"Keep Yourself Alive" (Brian May) Copyright 1972 Queen Music Ltd

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Hard to believe now, but Motown resisted releasing this song as a single. Marvin's version sat on a shelf for months before being relegated to an album track-- until some DJ's discovered it, and the rest is history. It became Motown's biggest selling hit at that time. And it's a true classic. In this episode, we'll look at how the track was put together and marvel at Marvin's performance. One of the greats.

"I Heard It Through The Grapevine" (Norman Whitfield & Barrett Strong) Copyright 1966 Jobette Music Co, Inc., BMI

Use the discount code "lovethatsong" to save 15% on your favorite music merch at Old Glory!

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-- This show is one of many great podcasts on the Pantheon Podcasts network. Check 'em all out! And don't forget to subscribe to this show so you never miss an episode!

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Emitt Rhodes had an extraordinary gift as a songwriter, a fantastic voice and was a remarkable musician-- he was one of the first artists to record by himself, playing every instrument on his albums. He passed away in July 2020, leaving behind a small but significant collection of albums. In tribute to this under-appreciated talent, I've selected a song from his most successful band, The Merry-Go-Round, a song that itself is a celebration of great music & great bands. Psychedelic '60's pop never got better than this.

"Listen Listen!" (Emitt Rhodes) Copyright 1968 Thirty Four Music/La Brea Music Inc (ASCAP)

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Picture this: You're a successful chart-topping band, but your managers are writing all your hits and ignoring the songs you're writing. You wrote a track on your latest album that has potential, but the record company thinks you can improve it. So, without your managers knowing about it, you re-record it & release it as a single-- and it's a hit. That's the story of Sweet and "Fox On The Run".

"Fox on The Run" (Andy Scott, Steve Priest and Brian Connolly) Copyright 1975 (Renewed) Sweet Publishing Ltd. All rights in the US and Canada Administered by WB Music Corp. 

-- This show is part of the Pantheon network of music-related podcasts. Check out all the other great shows available! And please subscribe to this show — that way, you’ll never miss an episode, they’ll be delivered right to you.

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It Came From Boston (Vol. 3): MIT graduate/Polaroid employee Tom Scholz recorded an album's worth of songs in his basement in Watertown, MA after work, and somehow the record eventually sold 25 million copies worldwide. Along with Brad Delp, Sib Hashian and some other guys (maybe?), were they the inventors of Corporate Rock, or the most successful DIY debut of all time? You decide.

"Hitch A Ride" (Tom Scholz) Copyright 1976 Pure Songs - All Rights Administered by WB Music Corp.

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Pink Floyd released "Us & Them" in 1973, but it feels like it could've been written yesterday. Can we ever get past our compulsion to separate "us" from "them"? This is a song for the ages, with some brilliant performances across the board from everyone involved-- band members, guest artists, backing singers and recording engineers alike. Let's try to listen to this song afresh and rediscover what makes this classic track great.

"Us & Them" (Roger Waters, Richard Wright) Copyright 1973 Pink Floyd Music Publishers and Warner/Chappell Artemis Music Limited

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This being Episode # 57, I thought it would be fun to revisit '57 -- as in the year 1957. With the loss of Little Richard recently, virtually all of the early pioneers of Rock 'n' Roll are gone now, so let's take a look back at the music and the musicians behind rock's first big year.

This episode was also inspired by the book "The History Of Rock & Roll, Volume 1" by Ed Ward. Most of the research, facts & figures came from this excellent book, and I highly recommend it. You can find it here:

https://www.amazon.com/History-Rock-Roll-1920-1963/dp/125007116X/ref=sr_1_fkmr0_2?dchild=1&keywords=edward+history+of+rock+and+roll+volume+1&qid=1589486282&s=books&sr=1-2-fkmr0

There's also an audiobook version available.

If you enjoyed this show, you may also like this one:

https://lovethatsongpodcast.com/was-1965-the-most-revolutionary-year-in-music

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Earth, Wind & Fire's 6th album, That's The Way of The World, was ostensibly a soundtrack album; when the film bombed, the album was on the verge of fading away, too-- until "Shining Star" was released as a single and it became their first (and surprisingly only) #1 Top 10 Hit. The whole band is on fire here; beneath the pop sheen is the heaviest of funk grooves, with particularly tasty guitar & bass work. Let's climb inside this funk machine & see what it took to create this stellar track.

Earth Wind & Fire - "Shining Star" (Maurice White, Philip Bailey and Larry Dunn) Copyright 1975 (Renewed 2003) EMI April Music Inc. 

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https://lovethatsongpodcast.com/edwin-starr-war

-- This show is part of the Pantheon network of music-related podcasts. Check out their other shows! Don't forget to subscribe to the show — that way, you’ll never miss an episode, they’ll be delivered right to you.

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A Todd Rundgren album can vary between pure pop to bossa nova, guitar rock to wild experimentation; like the proverbial box of chocolates, you never know what you're gonna get with the next Rundgren album. Released in 1989, the Nearly Human album is Todd at his best, a pop masterpiece of well-crafted songs performed impeccably, live-in-the-studio. "Parallel Lines" is one of the strongest cuts, initially written for an off-Broadway musical based on the script for a never-produced 3rd Beatles movie.

"Parallel Lines" (Todd Rundgren) Copyright 1989 Fiction Music, Inc./Todd Rundgren BMI

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The best British band from the '60's that never hit the bigtime in America-- Small Faces. Steve Marriott, Ronnie Lane, Kenny Jones and Ian McLagan would become rock legends due to their future projects (Humble Pie, The Who, The Faces, etc) , but it all started for them here. Small Faces recorded a number of psychedelic pop gems, but "Tin Soldier" may be the pinnacle. Shall we have a listen?

Small Faces - "Tin Soldier" (Steve Marriott, Ronnie Lane) Copyright 1967 EMI United Partnership Limited

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Back in '77, one thing UK punk bands didn't have much use for was love songs. But Pete Shelley of the Buzzcocks wrote what could be called "modern love songs"; honest songs about longing, romance, loneliness, and yes, love -- all laced with self-deprecating humor. But their music was aggressive, all raging guitars, pounding drums & pummeling bass. With those thoughtful (dare I say, sensitive) lyrics on top, it was the best of both worlds. On this episode, we take a deep dive into the Buzzcocks classic "What Do I Get?".

If you enjoyed this episode, check out The Hustle Podcast's interview with Steve Diggle.

Buzzcocks - "What Do I Get?" (Pete Shelley) Copyright 1978 Complete Music Limited

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"War" was originally written for The Temptations, but when Motown was too squeamish to have one of their top acts release an overtly anti-Vietnam song, Edwin Starr stepped up and secured his place in history. His no-holds-barred delivery of "War" resulted in one of the most commercially successful protest songs ever recorded. Though Edwin Starr never reached these heights again, he left his mark with a song that transcended its Vietnam-era roots: It was one of the songs on Clear Channel's no-play list after September 11, 2001.

"War" (Norman Whitfield & Barrett Strong) Copyright 1970 Jobette Music Co, Inc.

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It Came From Boston (Vol. 2): Local boy from Wellesley, MA pays his dues in & around Boston and New York; eventually becomes a solo artist and strikes gold on his 2nd solo album, Don't Say No. "Lonely Is The Night" was the 2nd single and my favorite track from the album, so let's have a listen to this classic song from the early '80's.

"Lonely Is The Night" (Billy Squier) Copyright 1981 Songs Of The Knight

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For the 50th episode of the podcast, we're mixing it up a bit. I just finished reading a fascinating book by Andrew Grant Jackson where he lays out his belief that 1965 was "The Most Revolutionary Year In Music". Let's have a listen to some of the sounds of '65 and see if we agree. The Beatles, the Stones, the Byrds, James Brown, Marvin Gaye, Motown... it's all there.

You can find a copy of his book here:

https://www.amazon.com/1965-Most-Revolutionary-Year-Music/dp/1250059623

(and no, I don't get any $$ for recommending it-- I just like the book!)

-- This show is just one of many great music-related podcasts on the Pantheon network. Check them all out!

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A Robyn Hitchcock song is so unique, it could only come from the mind of Robyn Hitchcock. From his first recordings with The Soft Boys in the '70's through to his solo work today, Robyn is a singular artist with a vision all his own. This is a track from my favorite Hitchcock album, Element Of Light.  

"Airscape" (Robyn Hitchcock) Copyright 1986 August 23rd/Bug Music

As mentioned during the podcast - the Glass Harmonica:

https://youtu.be/eEKlRUvk9zc

https://en.wikipedia.org/wiki/Glass_harmonica

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Wealth and excess go together; emptiness and detachment are right around the corner. This song delves into all of that, along with a particular obsession. What do you do when money no longer buys you a thrill? Bryan Ferry has some thoughts...

NOTE: Though there's no profanity used in this episode, the discussion does involve sexual activities so be warned... you might wanna listen to this one on headphones.

"In Every Dream Home A Heartache" (Bryan Ferry) Copyright 1973 Careers-BMG Music Publishing (BMI)

This podcast makes multiple references to Marie-Hélène de Rothschild's "Surrealist Ball". More details on the infamous event here, if you're interested:

https://dangerousminds.net/comments/glimpses_of_the_extravagant_surrealist_ball_of_1972

https://therake.com/stories/icons/party-animals-the-rothschild-surrealist-ball/

The song as used in the opening scene of "Mindhunter" Season 2, Episode 1 on Netflix:

https://youtu.be/9wqICwjCYGQ

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To say Rush has a devoted fan base would be an understatement. I know, because I was a card-carrying member of the "Rush Backstage Fan Club" back in the '80's. Perhaps no Rush song connected so directly with their fans as "Subdivisions". On this episode, we celebrate Neil Peart with a deeper look at this fan favorite.

"Subdivisions" (Music by Geddy Lee & Alex Lifeson, Words by Neil Peart) Copyright 1982 Core Music Publishing

If you enjoyed this show, please check out this episode:

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This show is part of the Pantheon Podcast network.

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On this episode, we revisit the great '70's hard rock/power pop album Attention Shoppers! by Starz. "X-Ray Spex" is a blast of punky pop with some interesting use of studio effects. Turn it up!

"X-Ray Spex" (Peter Sweval, Joe X. Dube, Michael Lee Smith, Brendan Harkin & Richie Ranno) Copyright 1978 Starzongo Music, Inc/Rock Steady Music, Inc/ASCAP

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On this special Bonus podcast, it's time for another holiday pick. Here's an ol' Christmas classic with a power pop twist: "We Three Kings" by Odds. Happy Holidays, everyone! 

"Kings Of Orient (We Three Kings)" (Traditional) Odds, 1991

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Michael Carpenter is a multi-instrumentalist, songwriter, producer & engineer from Australia who, in a better world, would be a lot more famous. A master of hooks & harmony, he's one of the best modern power pop artists out there. Here's a track that's a personal favorite of mine. Check it out & then go buy some of his music. 

"Kailee Anne" (Michael Carpenter) Copyright 2000 Michael Carpenter; Copyright 2000 Not Lame Recording Company

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It Came From Boston: 5 experienced musicians come together to make something new: keyboard whiz Greg Hawkes; the bassist with the killer voice, Benjamin Orr; drummer David Robinson from the legendary Modern Lovers; one of the tastiest guitarists in the business, Elliot Easton; and singer/songwiriter/guitarist & mastermind Ric Ocasek. Merging classic guitar rock with the burgeoning synth-pop sounds to bring New Wave to the masses, The Cars defined that sound for the late-70's/Early '80's. It all started on local Boston radio with this song. 

"Just What I Needed" (Ric Ocasek) Copyright 1978 Lido Music, Inc.

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There's no shortage of great songs in the Rolling Stones catalog, but "Gimme Shelter" may be the song that tops them all. Dark and foreboding as only the Stones can do, this track has all the hallmarks of the Rolling Stones at their best: iconic guitar riffs by Keef, Jagger at the top of his game, and the Watts/Wyman rhythm section doing what they do best (plus Nicky Hopkins on piano).  But what pushes this one from merely brilliant into sublime is the vocal performance by Merry Clayton-- for my money, one of the greatest moments on record. All together, this one belongs on the Mount Rushmore of Rock. 

"Gimme Shelter" (Mick Jagger & Keith Richards) Copyright 1969 ABKCO Music Inc.

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"Rain" was the first glimpse of The Beatles exploration of psychedelia. Perhaps more than any other Beatles track, this song highlights the rhythm section with brilliant performances by Ringo Starr and Paul McCartney. Add Lennon's lyrics and great vocals, and you've got one of the best songs to come out of the trippy, mind-expanding '60's. On this episode, we take a closer look at the individual performances and studio trickery-- backwards, forwards, sped up & slowed down-- that went into this classic track. 

"Rain" (John Lennon/Paul McCartney) Copyright 1966 Northern Songs

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The Temptations' first #1 Hit on the Billboard "Hot 100" chart was "My Girl" in 1965. 4 years later, they had their 2nd #1 with "I Can't Get Next To You", and the difference between these 2 songs tells you a lot about the 1960's. "I Can't Get Next To You" features a different lead vocalist, a more aggressive, funky beat and a trippy vibe courtesy of producer & songwriter Norman Whitfield. The early Temptations songs are great, but for my money, they were never better than when they teamed up with Whitfield and created "psychedelic soul". Let's listen to each piece of the puzzle that created this masterpiece. 

"I Can't Get Next To You" (Barret Strong & Norman Whitfield) Copyright 1969 Jobette Music Co., Inc. All rights controlled and administered by EMI Blackwood Music Inc. on behalf of Stone Agate Music (A division of Jobette Music Co., Inc.)

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If you know Richard Lloyd at all, it's either as a member of Television (the first band to play CBGB's) or as the guitarist on many of Matthew Sweet's best tracks. But Richard released some great solo work in between those gigs, including an album called Field Of Fire. Overlooked & forgotten, this is one of the best records of the 1980's (in my opinion, of course). The title song features some of his best ever guitar work. On this episode, we're listening to a great rockin' track called "Backtrack" that's as close to "classic rock" as Richard Lloyd will ever get-- and I mean that in the best possible way. Keith Richards would be proud of this guitar riff. 

"Backtrack" (Richard Lloyd) Copyright 1985 Richard Lloyd (ASCAP) Anapestic Music/Basement Music LTD. (PRS)

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The Kinks earned their place in Rock History on the basis of "You Really Got Me", "All Day & All Of The Night", and "Where Have All The Good Times Gone" alone. But it didn't take long for Ray Davies to stretch out beyond riff-driven, teenage anthems to write songs that could only have come from his imagination. "Autumn Almanac" is one of the first Kinks songs to show Davies reaching for a whole new level of songwriting-- both musically and his interest in writing about characters, which would become the focus of his songwriting over the ensuing years. 

"Autumn Almanac" (Ray Davies) Copyright 1967 Davray Music Ltd. Carlin Music Corp.

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Stevie Wonder was on an unrivaled creative streak starting in 1972, releasing 5 brilliant albums in a row, culminating with Songs In The Key Of Life in 1976. That album spawned 2 hit singles, including "I Wish", the subject of this episode. A masterpiece blending funk with pop sensibilities, it's a celebration of youthful innocence and simpler times. How does this song make *you* feel? Let me know on Facebook, write a review on iTunes or wherever you listen to this show. And share it with your friends!

"I Wish" (Stevie Wonder) Copyright 1976 Jobette Music Co. Inc, and Black Bull Music c/o EMI April Music Inc.  

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After a few longer-than-usual episodes, I thought it was time for a quick take on a straight-forward rocker with a premise not often heard in rock, pop, metal or rap -- Graham Day & The Gaolers (pronounced "Jailers") with "Glad I'm Not Young". 

"Glad I'm Not Young" (Graham Day) Copyright 2008 Graham Day (MCPS)

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Few bands have changed their sound as drastically as Yes did on their 90125 album, a radical departure from their previous progressive rock style. But it ended up giving them their one & only #1 hit, "Owner Of A Lonely Heart". In this episode, we follow the song's evolution from Trevor Rabin's solo demo to the final production, including its innovative production techniques (such as being one of the first rock songs to use samples). This was the most challenging episode I've done yet, but I think it was worth it. If you enjoyed it, share it with your friends! 

"Owner Of A Lonely Heart" (Trevor Rabin, Jon Anderson, Trevor Horn & Chris Squire) Copyright 1983 Carlin Music Corp, Unforgettable Songs And Affirmative Music

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50 years ago today -- July 16, 1969 -- Apollo 11 was launched and human beings first stepped on the moon. Let's celebrate that occasion with the most famous song about space travel: David Bowie's "Space Oddity", a song that exploits our fear and wonder of the final frontier. In lesser hands, this track could've been nothing more than a goofy, one-joke song for the Dr. Demento crowd, but the clever songwriting, brilliant production and a vocal performance that captures Bowie's innate other-worldly, alienated style makes this track so much more than a novelty song.

"Space Oddity" (David Bowie) Copyright 1969 Onward Music Limited

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Among the many high points in David Bowie's catalog, "Station To Station" stands as one of his most epic compositions. Written when Bowie's life was at its most fractured point-- having split with his longtime manager, suffering from cocaine psychosis and obsessed with the occult, "Station To Station" transcends the insanity to become one of his most monumental works. This episode, we're taking a deep dive into the live version of "Station To Station" from the 1978 Isolar II Tour, as captured on the Stage live album featuring brilliant guitar work from Adrian Belew. 

"Station To Station" (David Bowie) Copyright 1976 EMI Publishing Ltd., Tintoretto Music and Moth Music

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Aqualung was the album that made Jethro Tull famous, and features 3 songs that became classic hits. But the song at the heart of the album is "My God", Ian Anderson's very personal statement on religious institutions. It's the most instrumentally adventurous track on the album and features great guitar by Martin Barre and a flute workout from Anderson. 

"My God" (Ian Anderson) Copyright 1971 Chrysalis Music, Ltd. 

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70 years ago this month, George Orwell's "1984" was first published. So let's give George an ol' Rock & Roll salute by looking at one of the many songs inspired by his book. Sure, I could've done David Bowie's "1984", but that would be too easy. I'm a big Utopia fan, so this is a good excuse to take a look at another one of their tracks. It's Utopia in dystopia! 

For more 1984-inspired songs, check out Eurythmics “Ministry of Love”, Radiohead's “2+2=5”, or "Standards" by The Jam, just to name a few. 

"Winston Smith Takes It On The Jaw" (Utopia) Copyright 1983 Unearthly Music/Fiction Music (BMI) Terrestrial Music/Fourth Floor Music (ASCAP)

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When Brian Wilson heard The Beatles Rubber Soul album, it inspired and challenged him to create an album of his own that would stand as an equal. And he pulled it off. Universally considered one of the greatest albums of all time, Pet Sounds is a testament to Brian's genius as a songwriter, arranger & producer.  

The album includes some all-time classics like "God Only Knows" and "Wouldn't it Be Nice", but on this episode, I'd like to focus on one of my favorites on the record-- "You Still Believe in Me".  

Like most of the songs on Pet Sounds, this is a very personal song, a confession of a young man who knows he's failing as a husband, but can't help himself. Brian's vocal is pure, honest, and perfect. And when those harmonies come in... I melt. Let's listen together.

"You Still Believe In Me" (Brian Wilson & Tony Asher) Copyright 1966 Sea Of Tunes Publishing Company/Irving Music Incorporates, USA, Rondor Music International

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Another overlooked gem in the McCartney catalog, "Little Lamb Dragonfly" is an emotional piece, composed of 3 sections in different keys that effortlessly moves between each segment. A wistful, haunting song about loss and the struggle to accept it. How does this song affect you? Let me know-- write a review, post on Facebook, and share this episode with your friends. 

"Little Lamb Dragonfly" (Paul & Linda McCartney) Copyright 1973 Administered by MPL Communications Limited

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On this episode, we revisit the Destroyer album and take a look at the song "King Of The Night Time World" to see how it evolved from an obscure track by a short-lived LA band into a teenage anthem by larger-than-life rock legends. We'll listen to both versions and hear what changed & what remained.  Come live your secret dream! 

"King Of The Nighttime World" (Kim Fowley/Mark Anthony/Paul Stanley/Bob Ezrin) Copyright 1976 Cafe Americana, Inc/Kiss Songs, Inc (ASCAP)/Bad Boy Music/Eighth Power Music/All By Myself Publishing Co Ltd. (BMI)

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The Zombies only released 2 albums during their prime, so how did they get into the Rock & Roll Hall Of Fame? Because one of those albums is a bona fide classic: Odessey and Oracle is widely considered to be one of the greatest albums of the '60's, holding its own against classics by The Beatles, the Stones, Velvet Underground, The Who... by virtually any measure, it's an iconic album. And it was a complete flop when it was first released, along with its first single, "Care Of Cell 44". But over time, it's been recognized as a true masterpiece. Let's give The Zombies their due and take a deep dive into their orchestral pop magnum opus, "Care Of Cell 44."

Here's a link to the article I mention in the podcast: https://www.buzzfeed.com/danielralston/the-true-story-of-the-fake-zombies-the-strangest-con-in-rock It's definitely worth checking out! 

The Zombies - "Care Of Cell 44" (Rod Argent) Copyright 1967 Verulam Music Copmany Limited

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Welcome to the 25th episode of the "I'm In Love With That Song" Podcast! I thought we'd do something a little different for this episode: I've picked a handful of my favorite guitar solos and we'll take a listen to what I think makes a solo great. In my book, it doesn't have to be flashy or technically brilliant (not that there's anything wrong with that), but it does have to be memorable, it has to fit the song, and it should take the song to another level. I'm not saying these are the greatest solos of all time, they're just a few that I think are pretty special. So turn it up to 11 and put your guitar face on! 

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Why this song? Simple: because Thin Lizzy was as good as a 4-piece rock band could be and this song has everything you want in a rockin' song-- a killer guitar riff, a singable chorus, a great hook for the lyrics, and a perfect performance. Written by Bob Seger, Thin Lizzy took it to another level and added some of their special sauce to make this song their own. I truly love this song! Let me know your thoughts -- write a review, leave a comment, share with your friends. 

"Rosalie" (Bob Seger) Copyright 1972 Gear Publishing Co. 

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This is the episode where I try to explain why I think Todd Rundgren's "Cliché" is the most beautiful song ever written. Of course it's all subjective, but I don't know how anyone could deny the beauty and emotional resonance of this song. I probably can't do it justice, but here's my attempt anyway. 

"Cliché" (Todd Rundgren) Copyright 1976 Warner Publishing Corp.

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By the time Aerosmith recorded their 2nd album, they had refined their sound, improved their songwriting chops, and Steven Tyler had found his authentic voice. "Seasons Of Wither" is one of the moodiest tracks Aerosmith ever committed to vinyl. Still sounds every bit as great today. 

"Seasons Of Wither" (Steven Tyler) Copyright 1977 Music Of Stage Three and Song & Dance

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Do we expect too much from music? A great song can do a lot, but it can't fix everything. This song is 2 minutes of joy... sometimes, that's enough.

"Me & You & Jackie Mittoo" (James August Wilbur, Jonathan Patrick Wurster, Laura Jane Ballance, Ralph Lee Mccaughan) Copyright 2013 All The Songs Sound The Same Music

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Welcome to 2019! Let's start the year off with one of the Greatest Rock Bands Of All Time. There is simply no other band like The Who. Genius and violence, vulnerability and madness... all words that can be used in equal measure to describe The Who. Four larger-than-life characters that created a dozen indelible classic albums; a band that recorded so much great music that a song like this was tossed aside, eventually released on a ramshackle album of leftovers & outtakes. Most bands would give an arm & a leg for a song this good. 

"The Naked Eye" (Peter Townshend) Copyright 1974 Fabulous Music Ltd/Towser Tunes Inc.

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His career spanned over 60 years; he toured around the world (playing 200 shows a year, well into his 70's), and released more than 50 albums. But B.B. King will be remembered primarily as one of the most influential guitarists in history. His impact is so embedded in the DNA of the guitar that no player is untouched by his influence. This is one of many great songs in his vast catalog; a great example of his powerful voice, his ability to embody a song, and his mastery as a guitar soloist.

"There Must Be A Better World Somewhere" (Doc Pomus & Dr. John) Copyright 1981 Daremolby Music/Stazybo Music, Inc. (BMI)

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Graham Parker arose from the UK Pub Rock scene, a back-to-basics sound that was a precursor to Punk. Along with his band, The Rumour (which included guitarist Brinsley Schwarz, a legend in his own right), he recorded a handful of essential albums in the '70's and has released a string of great records throughout his long career. A notable songwriter with a distinct edge and a wonderfully biting voice, he's influenced many artists that followed. Here's one song that represents everything I love about Graham Parker.   

"Stupefaction" (Graham Parker) Copyright 1980 Street Music Ltd

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When the band released their first 2 albums in 1968 & 1969, they set off a musical revolution; the psychedelic sounds of the '60's were out and a return to the roots was back in style. "Whispering Pines" is their most haunting, beautiful ballad, with a lead vocal from Richard Manuel that's so vulnerable it makes you ache to hear it. The Band were at their peak during this time, with every member writing & performing at their best. Let me know what you think -- write a review, leave a comment, and share with your friends!

"Whispering Pines" (R. Manuel and J.R. Robertson) Copyright 1970 Canaan Music, Inc. 

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I will admit that I can be prone to hyperbole, but I'm convinced this is The Best Album Of The 1980's and one of the greatest albums of all time. It is a perfect album. A magnificent song cycle that reveals something new each time you listen to it. A masterwork of songwriting and production. I could go on... This song is a blast of pure pop; catchy, clever and concise-- 3 minutes and 20 seconds of pop genius. It will make you smile. 

NOTE: During the podcast, I reference "The Fool Guitar". More details on that legendary instrument can be found here: https://en.wikipedia.org/wiki/The_Fool_(guitar) 

"That's Really Super, Supergirl" (Andy Partridge) Copyright 1986 Virgin Nymph Music, Inc (BMI) - Copyright 2010 Ape House Ltd

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Forget talking about "women who rock", Sass Jordan is one of the best rock vocalists out there, male OR female. This Canadian singer & songwriter is not well known in the USA, which is a shame because she's got a voice that's unique, powerful and compelling. This song is from her 1994 album, "Rats", which is her hardest-rocking album (and, in my opinion, her best). Check out this song, then go find more music by Sass Jordan. And don't forget to share & leave comments! 

"Head" (Sass Jordan & Stevie Salas) Copyright 1994 WB Music Corp/Cat Sass Music/Green Lantern Music (ASCAP)/Songs Of Polygram International Inc. and Salidified Songs (BMI)

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One of the most underappreciated bands in rock. Undaunted by the ups & downs of the fickle music business, Cheap Trick have played over 5000 shows and released 20 albums, including "Rockford" in 2006, one of their best albums ever. I could've picked any song from this album-- it's that good-- but I settled on "If It Takes A Lifetime". If you don't have this album in your collection, don't wait-- Go get it now. 

"If It Takes A Lifetime" (Robin Zander, Tom Petersson, Rick Neilsen, Bun E. Carlos & Julian Raymond) Copyright Z.P.N.&C./Sony/ATV (BMI) and Maxiva (ASCAP)

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A great hard rock & power pop band that somehow fell through the cracks in the late '70's, Starz had all the ingredients to make it big-- a band of seasoned professionals with a charismatic frontman, a big-name manager, and a record deal with Capitol Records... but while bands like Foreigner, Styx & Boston sold millions of records, Starz just couldn't break thru to a larger audience. Too bad, because these guys had some great rock tunes. Here's one of their power-pop tracks that serves as a great example of how to write a catchy, memorable song. Special thanks to the RockNPd Expo for connecting me with the guys in the band. 

"She" (Peter Sweval, Joe X. Dube, Michael Lee Smith, Brendan Harkin & Richie Ranno) Copyright 1978 Starzongo Music, Inc/Rock Steady Music, Inc/ASCAP

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Aretha Franklin recorded over 40 albums during her career; this episode, we revisit a song from her breakthrough album, "I Never Loved a Man the Way I Love You" from 1967. This was actually her 11th album (!), but it was the first one recorded for Atlantic Records and it's the one that made her a legend. Aretha Franklin was probably the single most influential singer of our time-- just listen to any episode of American Idol for proof. Aretha was not only a great vocalist, she was one of the greatest interpreters of songs in history. She didn't just cover a song, she made it her own. "A Change Is Gonna Come" was Sam Cooke's finest moment, but Aretha strips it down to its purest form and imbues it with pain, world-weariness, and hope - one of the greatest emotionally cathartic moments on record.

"A Change Is Gonna Come" (Sam Cooke) Copyright Kags, BMI

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Who's the greatest singer in rock history? You could make an argument that it's Glenn Hughes. He's played & recorded with Trapeze, Deep Purple, Black Sabbath, Gary Moore, KLF... and released a collection of great solo albums. He's an amazing hard rock vocalist & bass player, but my favorite stuff is when he's getting funky-- real funky. This track combines the funk with the hard rock - the best combo since Reese's put peanut butter in their chocolate. Crank It Up! 

"Crave" (Glenn Hughes) Copyright 2008 Ponce Songs (BMI)

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Every artist wants to pay tribute to the people who inspired them. No one's ever done it better than The Replacements' tribute to Alex Chilton. This song has a great hook and a chorus that stays with you... It's stayed with me so long that I named this podcast after it.   

"Alex Chilton" (Paul Westerberg, Tommy Stinson & Chris Mars) Copyright 1987 Done To Death Music (ASCAP), Nah Music (ASCAP) and Chris Mars Publishing Inc.

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Living under The Beatles' shadow was a blessing and a curse for Badfinger. One of the greatest Power Pop bands of all time, they crafted a catalog of great songs that defined the genre. "Day After Day" is one of the greatest singles of all time, featuring a beautiful melody, great performances, and a guest appearance by a Beatle. What more could you want? This song deserves a place in history. 

"Day After Day" (Pete Ham) Copyright 1971 Kobalt Music Publishing Ltd.

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Adrian Belew is best known as a brilliant sideman & guitar foil (Frank Zappa, David Bowie, Talking Heads) and a member of King Crimson, but most people are unaware of his "band on the side", The Bears. The other 3 members are no slouches either-- this was really a band of 4 equal members that could all write great songs. The Bears blend Art-Rock and Power Pop in their own distinctive way. This song features lead vocals by 3 members, and packs plenty of substance & meaning into a 4:53 pop song. If you're unfamiliar with The Bears, this song provides a great entry point. 

"As You Are" (The Bears) Copyright 2001 Car Caught Fire Music/ASCAP

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When a great soul singer meets a song by one of the great pop songwriting teams, magic ensues. Al Green takes a song by the Bee Gees and turns it into one of the classic singles of all time. Let's nurse our broken hearts together as we dig into this amazing song. Please take a minute to share this podcast, and thanks for spreading the word! 

"How Can You Mend A Broken Heart" (Barry Gibb & Robin Gibb) Copyright 1971 Gibb Brothers Music  

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Writing a hit song about writing a hit song? Genius! This song has everything a great pop-rock song needs-- a memorable melody, great chorus, smart lyrics and killer vocals. This song always makes me smile. Don't forget to share & leave comments! 

"Overnight Sensation (Hit Record)" (Eric Carmen) Copyright 1974 C.A.M. USA Inc.

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Kiss was the band that turned a generation of kids -- including me -- into rock & roll obsessives. Love 'em or hate 'em, Kiss became huge stars after the release of the "Destroyer" album in 1976. This is one of my favorite songs on the album, and features some off-the-wall moments like circus instruments, odd time signatures and a mysterious guitar solo. Your uniform is leather, your power is your age-- set the world on fire, baby! 

"Flaming Youth" (Ace Frehley/Paul Stanley/Gene Simmons/Bob Ezrin) Copyright 1976 Cafe Americana, Inc/Kiss Songs, Inc (ASCAP)/All By Myself Publishing Co Ltd. (BMI)

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Utopia is back together for a reunion tour this Spring (2018), so there's no better time to revisit one of their great songs. I think this era of Utopia pretty much invented "Progressive Pop" and this song is a great example of their songcraft and musical skills. See you on the road to Utopia! (And don't forget to share this podcast with friends, leave comments on iTunes, etc. It really helps!) 

"The Road To Utopia" (Utopia) Copyright 1980 Fiction Music/Utopia (BMI)

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With this song, David Bowie practically invents the Goth-Punk-Cabaret genre. It's an epic song with brilliant piano by Mike Garson. Let's explore the track and see what makes this masterpiece tick. And if you like the podcast, please share!

"Time" (David Bowie) Copyright 1973 Tinoretto Music (BMI) administered by RZO Music Inc Screen Gems-EMI Music Inc (BMI), Chrysalis Songs (BMI) (phew, that's a mouthful.)

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Tom Petty always knew how to write an anthem, and this is one of his best. A rallying cry for anyone who's been rejected or on the losing side of love.

"Even The Losers" (Tom Petty) Copyright 1979 Alamo Music Corp (ASCAP)

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Let's start things off with one of my favorite McCartney songs - a tune most people haven't heard but should've been a big hit. This song has everything I love about McCartney-- a terrific lead vocal, great bass part, an arrangement that keeps evolving and cool production. Enjoy!

"Daytime Nighttime Suffering" (Paul McCartney) Copyright 1978 MPL Communications Inc

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A brief introduction to this podcast, just to let you know what it's all about.

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