JAWBONE with Martin Shaw

The Genius of a Fairy Tale (part one).

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CREDITS  Written and performed by Martin Shaw  Produced and Edited by Isaiah Smallman  Intro music written and performed by Abe Houck |  @AbeHouck  Additional music by Abe Houck |  @AbeHouck   Additional music by Vinicius Barbosa | https://www.themusicgiant.com/ Additional music by Maya Belsitzman and Matan Ephrat Additional music by Vaughan Williams | The Lark Ascending Original Artwork by Sam Ragland  Audio Engineering by Trent Jones and Marmalade Cream  Martin Online | https://martinshaw.substack.com/ & http://DrMartinShaw.com

Martin fields his first round of questions from the JAWBONE community. Sincere apologies to all those who submitted questions that were not answered in this video! Keep sending them in and Martin will get to as many as he can.

Support the Show on PayPal | https://bit.ly/JAWBONE_PayPal 

CREDITS  Written and performed by Martin Shaw  Produced and Edited by Isaiah Smallman  Intro music written and performed by Abe Houck |  @AbeHouck   Original Artwork by Sam Ragland  Audio Engineering by Trent Jones and Marmalade Cream  Martin Online | https://martinshaw.substack.com/ & http://DrMartinShaw.com

Wild Christ: a wild, not savage or feral Christ. What does that look like? Shaw reacts to some of the provocative teachings of what he calls, ‘the strangest God of all.’

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Support the Show on PayPal | https://bit.ly/JAWBONE_PayPal 

CREDITS  Written and performed by Martin Shaw  Produced and Edited by Isaiah Smallman  Intro music written and performed by Abe Houck |  @AbeHouck   Additional music by Vinicius Barbosa | https://www.themusicgiant.com/ Additional music, “The Lark Ascending” by Vaughan Williams, performed by the London Philharmonic Orchestra Additional music by Maya Belsitzman and Matan Ephrat Original Artwork by Sam Ragland  Audio Engineering by Trent Jones and Marmalade Cream  Martin Online | https://martinshaw.substack.com/ & http://DrMartinShaw.com

Like, subscribe and comment to submit questions for our monthly Q&A!

In “Fables of Necessity: Tricksters & Saints” Martin talks about the relationship between persona and presence. Shaw suggests we will have to have some experience of saints & tricksters to make the transition from fables of necessity to stories of the essential. How do we engage artfully with a world on fire? 

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CHAPTERS 

0:00 Cold Open

0:45 Beginning

2:16 An Encounter at Newark Airport

5:51 The Legend of Joseph Beuys

11:04 The Legend of Mochae

CREDITS Written and performed by Martin Shaw

Produced and Edited by Isaiah Smallman

Intro music written and performed by Abe Houck

Additional music by Vinicius Barbosa | https://www.themusicgiant.com/

Additional music, “The Lark Ascending” by Vaughan Williams, performed by the London Philharmonic Orchestra

Additional music by Maya Belsitzman and Matan Ephrat Original

Artwork by Sam Ragland Audio Engineering by Trent Jones and Marmalade Cream

Martin Online | https://martinshaw.substack.com/ & http://DrMartinShaw.com

In this episode Martin recounts stories from folk traditions that tell us something of the conditions of what creates a storyteller. He claims a teller is a scarecrow of words: someone that dwells between the wild darkness and the hearth fire, understanding the job of translation that goes on between them. 

Submit questions for our monthly Q&A at [email protected]

Support the show!

Watch on YouTube

CREDITS:

Written and performed by Martin Shaw 

Produced by Isaiah Smallman

Intro music written and performed by Abe Houck | YouTube 

Additional music by Vinicius Barbosa | themusicgiant.com

Original Artwork by Sam Ragland

Audio Engineering by Trent Jones and Marmalade Cream

Martin Online | The House of Beasts and Vines Substack & DrMartinShaw.com

Acclaimed storyteller and author MARTIN SHAW invites us into his study where he freewheels his ferocious imagination into everything he's learnt about life over half a century. He asks: how do we become a real human being? Using myth, storytelling and his own unique form of philosophizing, Shaw reveals what he calls 'archaic technologies' and shows how we can use them today.