Ken and Robin Consume Media: Rumours, MadS, Exhuma, and the Terrrri-ffying Slowness of Baseball

Ken and Robin Consume Media is brought to you by the discriminating and good-looking backers of the Ken and Robin Talk About Stuff Patreon. Each week we provide capsule reviews of the books, movies, TV seasons and more we cram into our hyper-analytical sensoriums. Join the Patreon to help pick the items we’ll talk about in greater depth on a little podcast segment we like to call Tell Me More.

Recommended

Eephus (Film, US, Carson Lund, 2024) Two weekend baseball amateur teams meet some time around 1990 for the final game on their condemned baseball field in this disarming combination of hangout film and slow cinema. The film, as Lund has said, moves at the rhythm of baseball, not the rhythm of film narrative, gradually amping up the small-ball absurdity amidst the slowly, regretfully deflating camaraderie.—KH

Exhuma (South Korea, Jang Jae-hyun, 2024) To uncover the source of a curse on a wealthy Korean-American family, shaman Hwa-rim (Kim Go-eun) enlists down-at-heels geomancer Kim (Choi Min-sik) to examine the feng shui of the Worst Grave in Korea. Effortlessly grounded, beautifully structured story escalates through two horror stories in a row as the grave keeps giving up more horrible secrets. I loved every minute of this movie.—KH

MadS (Film, France, David Moreau, 2024) Teen hunk high on an unprovenanced drug has a roadside encounter with a distressed, injured medical experiment escapee, leading him and his girlfriends into an evening of increasingly apocalyptic terror. Composed as a single breathtaking tracking shot and revealing its horror sub-genre deep in the film, this high-energy mood piece features an astonishing physical performance from Laurie Pavy as one of the victims/monsters.—RDL

My Dear Killer (Film, Italy, Tonino Valerii, 1972) Determined police inspector (George Hilton) connects a case of decapitation by excavator to a cold case involving the kidnapping and murder of a young girl and her father. Solidly constructed mix of investigation and menace clearly exemplifies the giallo formula.—RDL

Rumours (Film, Canada/Germany, Guy Maddin & Evan Johnson & Galen Johnson, 2024) Hapless world leaders at the G7 summit face increasingly surreal challenges from mysterious isolation in the woods to reanimated bog-bodies to a giant brain. Only the middle of the movie offers melodramatic joy to the Maddin connoisseur, and one can wonder whether a film condemning the inanition and fecklessness of world leaders shouldn’t offer a direction by contrast, but strong character work by the seven core actors (plus Alicia Vikander as an EU official caught up in events) keeps the film endlessly diverting.—KH

The Spook Who Sat by the Door (Film, US, Ivan Dixon, 1973) Recruited as a token, Dan Freeman (Lawrence Cook) goes from being the first Black CIA agent to the leader of a revolutionary armed movement on the South Side of Chicago. Energetically paced with strong performances, it suffers somewhat from a budget (and possibly a vision) too small to properly indict the CIA’s blowback-prone methods while also engaging in Black Power agitprop. Freeman’s story winds up suffering the most, but Cook fascinates as the deliberately umoved mover.—KH

Tokyo Noir (Nonfiction, Jake Adelstein, 2024) Journalist reviews his investigative exploits in Japan from the publication of Tokyo Vice to the present day. Cases range from looking into corporate yakuza ties for corporate investors to exposing corruption and negligence at TEPCO, the nuclear utility responsible for the Fukushima meltdown.—RDL

Good

Grabbers (Film, Ireland, Jon Wright, 2012) An alcoholic local cop  and an eager straight-arrow on temporary assignment struggle to protect an island village from tentacled alien beasties who won’t attack drunk victims. Amusing comedic creature feature might be called Tremors with added hops.—RDL

Murder in Peking (Fiction, Vincent Starrett, 1937) American dilettante Hope Johnson investigates the murder of a beautiful Danish antiquities expert during a house-party held for Western expatriates and tourists in a Peking temple. Starrett based the novel on his own experiences (sans murder) in Peking as an expat in 1936, so the local color is very good if not remotely suited to modern sensibilities. The murder mystery mostly plays fair, but is never very compelling.—KH

The Stone Tape (Television, UK, BBC, Peter Sasdy, 1972) When an electronics firm converts a derelict Victorian manor into an experimental facility, a computer intelligence expert (Jane Asher) experiences a ghost phenomenon that the team’s heedless leader (Michael Bryant) sees as an opportunity for an acoustic experiment. Writer Nigel Kneale snappily captures a cut throat corporate environment but settles for a pro forma ghost story conclusion.—RDL

Okay

Abigail (Film, US, Matt Bettinelli-Olpin & Tyler Gillett, 2024) Criminal team including perceptive infiltrator (Melissa Barrera) and scowling leader (Dan Stevens) kidnap a young girl and stash her at a weird house, only to discover that she’s a centuries-old vampire who has selected them as prey. More time studying Alien and Carpenter’s The Thing might have helped the screenwriters construct the sorts of suspenseful obstacles the “trapped in an enclosed space with a monster” template requires.—RDL