On site at Superstars Writing Seminars, Kobo Writing Life Director Mark Lefebvre interviews Joshua Essoe, freelance editor. In their discussion Mark and Joshua discuss:
- What led him to writing (the author’s notes at the end of a Piers Anthony novel he had picked up at an early age) and then, more specifically, what led him into editing
- The role that Brandon Sanderson played, at the very first Superstars Writing Seminars in Pasadena, in launching Joshua onto the patch towards editing
- The editing pitch that Joshua did to David Farland, which led to Joshua editing his Award-Winning Novel Nightingale
- The struggle that Joshua deals with in making the time to write while having such a heavy editing workload
- The benefit of consultation calls between a writer and an editor when the writer is at the early stages of working on their novel
- The types of works that Joshua mostly works on, including the types of manuscripts he would like to see more of (horror)
- The process of finding an editor who is a good fit for a particular writer
- A look at the different types of edits that an editor can do, or that different editors specialize in
- The benefit to a freelance editor of working with repeat clients
- The most common errors that Joshua has seen that writers make (and where a good editor can help them)
- Reflections on the difference between American English and British English
- Some of Joshua’s forthcoming projects including an anthology Joshua is co-creating with James A. Owen entitled Magic Makers (including stories by Terry Brooks, Piers Anthony, Peter Beagle)
After the interview, Mark shares some thoughts on how an element such as a post-text authors note can serve an important part in helping a reader feel more connected with a writer.