It takes a special talent to piss off the liberals, the conservatives, the church, the Nazis, and the Resistance, but Henri-Georges Clouzot is a special talent. Of course, holding a mirror up to German-occupied France during the war is a pretty easy way to garner that reaction. Clouzot did just that in Le Corbeau, his 1943 proto-noir. And aside from getting everyone mad at him, he also made it with Continental Films, the sole authorized movie production house in Nazi-occupied France, which give the post-war government the ammunition needed to bar the film's release forever as well as ban Clouzot from ever making a movie again. Both bans lasted just a few years.