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Podcast discussing a variety of great albums from the rock, jazz or folk genres in some depth. Proud part of Pantheon – the podcast network for music lovers.
The podcast Love That Album is created by Maurice Bursztynski. The podcast and the artwork on this page are embedded on this page using the public podcast feed (RSS).
Time to get your surfboards waxed, get into your togs,and head to the beach.....if you're in the Southern Hemisphere. While you're splashing in the southern waves, you might want to soundtrack your time with music from the band most identified with Northern Hemisphere beaches....except we're not discussing any beach songs. Huh?
Welcome to episode 180 of Love That Album.
It had been a while since I had my beloved team of Shane Pacey and Kerry Fristoe on the show, so I invited them to join and gave Kerry the pick of album to discuss. She selected the 1971 Beach Boys release, Surf's Up. I added their 1970 album – the debut album on the Brother Records label – Sunflower to the mix. I felt that the albums are tied together in some ways (and given the recent box set of these sessions, Feel Flows, so do the Beach Boys). They're also quite different in many ways. We're here to contrast these albums from each other, and what came before it.
But wait.....we have another wonderful guest. Joining the show for a second time is Lisa Torem. She's about to publish a book in early 2025 called “Beach Boys 1965-1979: (On Track)”. She knows her BB, that's for sure. The conversation goes to interesting places as we discuss the group's relation to ecology, politics, 1950s wistfulness, lust, harmonies (not fraternal....the other kind), musical sincerity, and much more. We look into the merits of each BB as songwriter, and why it seemed their popularity declined in the US before rising slightly with the release of these albums. Shane and I crack bad puns....I get taken over the coals for reading too deeply into something (isn't that what this show is about????) In other words.....it's a typical LTA.
There's a specialist podcast about the Beach Boys I recommend called “Sail On”...so check them out (AFTER you listen to us, of course).
Check out Lisa's website at https://www.lisatorem.com/ to see what she's up to, and how to get a hold of her books. We discussed Suzanne Vega last year, but she's written about other musicians as well. Turns out Lisa herself is a musician / songwriter as is her daughter Madi Torem. Madi has just released a single called Look Both Ways Before You Cross My Heart written by Lisa. Give a watch of the music video...great song...Madi has a touch of Stevie Nicks to my ears. https://www.youtube.com/watch?v=3Wk2KjbTkso
You can look around Shane's work at either https://shanepaceytrio.com.au/ or at https://bondicigars.com/ There's a terrific live gig with the Trio at https://www.youtube.com/watch?v=Q1iDpLOMQTw
You can read Kerry's terrific film essays at https://prowlerneedsajump.wordpress.com/ and tune into her every month on See Hear podcast.
Download this episode of LTA from your podcast app of choice (not Spotify). The wider back catalogue of episodes can also be found at https://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to https://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
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As music lovers, we've all had a soundtrack to our lives....it's provided to us by the radio. Maybe at this point in the 21st century, that's less of a given. Was it the internet that killed the radio star? Who can truly say, but for most of the rock era, radio has provided songs that millions of music fans would discover, sing along to, discuss with their friends, learn to play on their instrument of choice, get amorous to, get stoned to, or cherish for some personal reason.
Welcome to episode 179 of Love That Album.
It's been said that in the early days of rock and roll, tyranny of distance made Australian music tougher than its Northern Hemisphere counterparts. Henry Silva might have asked, “Bullshit Or Not?” What is for certain is that Australian rock musicians could often become huge in their home country, but not raise an eyebrow anywhere else (the reverse is also true, but that's a story for another episode).
Author Glen Humphries has just published a terrific book called “Aussie Rock Anthems: The Stories Behind Our Biggest Hit Songs". He writes 40 essays about popular songs from the 1960s through to the first decade of the 21st century. These essays tell stories about songs that many Australians grew up with. Some became popular outside our borders, some didn't. These songs show a huge diversity – where else will you get Shadap You Face occupying the same tome as Khe Sanh? At some stage or another, these songs all meant something to the wider Australian populus, and Glen weaves fascinating tales that cover politics, sporting pride, cultural cringe, and musical invention. I was rapt to have someone to discuss these songs with me. Neither of us were fans of every one of the songs covered in the book, and inevitably, people will argue about what was left out. What's important is that these songs all have interesting backstories and are worthy of being celebrated.
Tune into find which songs Glen and I absolutely detest...and those we love.
You can watch the videos of all the songs in the book at:
or you can listen to the Spotify playlist at: https://open.spotify.com/playlist/28mak27jhmIWSFsYGGlFgC?si=iOUWpNq-QfmuHUVDsB9erA&pi=dtdCj9ZKQYKeC&nd=1&dlsi=6991f678a35947b1
You can get the book from the usual places you get books (like bookstores) or Amazon or at https://www.geldingstreetpress.com/product/aussie-rock-anthems-top-40/
Download this episode of LTA from your podcast app of choice (not Spotify). The wider back catalogue of episodes can also be found at https://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to https://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
Learn more about your ad choices. Visit megaphone.fm/adchoices
In some previous episodes, rather than speaking about a single album for a long time, myself (and maybe a guest) will speak about 3 albums each for a short time
In some previous episodes, rather than having a guest to chat with me about music, I'll carry on by myself. I'm not a fan of this notion, but if it's a choice between no who or a solo show, I'll do the latter.
Welcome to episode 178 of Love That Album.
This episode is a hybrid of both concepts. I am doing a partial solo show discussing 3 records in short form – two by myself, one with my friend Pat Monaghan. Circumstances dictated the solo segments, but opportunity allowed the collaboration....thanks, Pat.
Previous shows where I did the shorter segments were called Mystery Box. I wouldn't reveal what was under discussion until you tuned in.....not doing that here. I'm going to call this Three Random Albums (even though they're not) and reveal here that they are:
So Long, Noodle House – Hot Apple Band
Ramona – Grace Cummings
Back To The Cat – Barry Adamson
Three very diverse albums (two from the previous 12 months). Tune in, get some album talk, have fun.
Check out the swish new website for Pat's rekkid store, Rocksteady Records (https://www.rocksteadyrecords.com.au/) or go say hello in person if you live in Melbourne town.
Download this episode of LTA from your podcast app of choice (not Spotify). The wider back catalogue of episodes can also be found at https://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to https://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
Proudly Pantheon
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Sorry for this episode being a little late….I’d meant to get it out earlier, but who knows where the time goes?????
If you’ve not deserted me…..Welcome to episode 177 of Love That Album.
Carrying on with the Fairport Convention connection of episode 176, I welcome three wonderful guests to the podcast this time around – all connected to the great Sandy Denny.
Firstly, there’s a return visit from John Penhallow, the first manager of Fairport. He’s done a lot of archival work in relation to Sandy’s music over the years, and we discuss that.
Then, there’s Sandy’s daughter, Georgia Rose Lucas and musician / composer Carla Fuchs. The two of them are behind an album released in 2023 called Songbird. Carla composed new music to lyrics written by Sandy in her journals that were never previously recorded. The two of them collaborated to make this project come to existence.
Not on the show, but huge thanks as well go to Elizabeth Hurtt, wife of the late Trevor Lucas, who took the time to tell me about the journey of these lyrics in Sandy’s journals. There had been a plan many years ago for many artists to utilise her words for new songs….that didn’t happen, but we explain what DID in the show’s discussion. Huge thanks to Elizabeth for filling me in.
My gratitude to all these wonderful folk for taking the time to talk about the Songbird project, the Attic Tracks songs put out on cassette and then CD by John on Raven Records years ago, Redgum, and Sandy’s life and music.
If you wish to search out a copy of Carla’s album, it’s available on Bandcamp at:
https://talkingelephantrecords.bandcamp.com/album/songbird
Download this episode of LTA from your podcast app of choice (not Spotify). The wider back catalogue of episodes can also be found at https://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to https://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
Proudly Pantheon.
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I could write a lengthy blurb for this episode of the show as I normally do, or I could just say, “Ladies and gentlemen, I present my interview with Richard Thompson”......what's that? You need more? Okay.
Welcome to episode 176 of Love That Album.
If you've listened to early episodes of the show or hung around the Facebook group for the podcast or know me in real life, you'd know that Richard Thompson looms large in my love of popular song. He's always been a triple threat: one of the greatest guitarists (acoustic AND electric) in contemporary music. He has a wonderfully expressive singing voice (a point not acknowledged as much as it deserves). Then.....the man has a gift with writing stories – not for books or films, but for songs. The thing is he paces his tales like an author or scriptwriter would, and that's what sets him apart from his peers.
There are dark songs about lack of hope. There's songs of an unhealthy obsession with Elvis. Songs of self deprecation, survivor's guilt, and refusing to be shackled to society's rules also exist in his songbook. Is that too dark? Okay then, there's also songs of Egyptian mummies, Kenny G, and celebrating a great night out....and yes, there's songs of love including THAT song about two lovers and a motorcycle. In case you get the impression it's all about his lyricism, there's a strong gift of melody abundant in his catalogue.
This year, Richard turned 75 and celebrates with his umpteenth new album, the excellent Ship To Shore. We discuss his new rekkid, some past favourite songs of mine (cos why wouldn't I?), his guitars, Margaret Thatcher, his parents' generation that went through World War 2, and character assassination (ummm....via song, not actual assassination).
This is a show I've wanted to do for years, so I hope you enjoy listening as much as I enjoyed putting it together. Please tell your friends about this one....then about every other episode.
Download this episode of LTA from your podcast app of choice (not Spotify). The wider back catalogue of episodes can also be found at https://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to https://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
Proudly Pantheon.
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In the history of pop music, how often has a performer had the chance to try something radically different from what they were known for? Sure, there are some artists who evolved over the course of their career, so where they ended up was radically different from where they started. I suspect, however, the list of performers who were known and appreciated for a style who then made a big change is a lot smaller.
Ladies and gentlemen, we’re here to present the case of Grace Jones.
Welcome to episode 175 of Love That Album.
Grace Jones is that rare case of artist who was a model, then went on to have an ongoing career as a respected singer. Her first trilogy of records were rooted in the disco scene where she had a strong following. Then….Studio 54 closed, Disco Demolition happened in Chicago, and disco music finished its moment in the mainstream. Most artists would persist with what they know and fade away or go on nostalgia tours.
Grace Jones isn’t most people.
With the encouragement and support of Island Records head Chris Blackwell, she was put in a studio with the kings of reggae, and musicians representing the rock and emerging techno scene. She released her 4th album, Warm Leatherette album in 1980….very different from anything she’d done before. In 1981, she released the album many see as the pinnacle of her career,
Nightclubbing. It’s a mix of interpretations of others’ songs and a few originals. Make no mistake – everything she sings, she owns, but the support of the Compass Point Allstars really elevates the record. This was the band Grace was meant to perform with.
I am joined by Sam Whiles, the host of the excellent “Paul Or Nothing” (a show dedicated to the life and work of Paul McCartney) to discuss Nightclubbing and other aspects of Jones’ work and life. We had a great conversation that I hope you will enjoy. It’s not often….well never….that I’ve had a podcast where J.G Ballard, Donna Summer, Iggy Pop and Vanda and Young are all brought up. Frankly, LTA is all the better for it.
My gratitude to Sam for suggesting this album as the focus for the episode. If you want to hear him talk McCartney, check out Paul Or Nothing on your favourite podcast apps or at https://mccartneypod.podbean.com
Download this episode of LTA from your podcast app of choice. The wider back catalogue of episodes can also be found at https://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to https://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
Proudly Pantheon.
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When the history of late 70s punk music is discussed, a point often raised is that bands like The Sex Pistols and the Damned and The Saints were reacting to the over complexity of prog bands. Certainly, it makes for a good quote, but Steve Jones is on the record as being a fan of Fleetwood Mac and Queen and other “dinosaur” bands punk was supposed to sweep away. I can’t recall for sure, but I THINK I read somewhere that Yes was some punk guitarist’s favourite band. Really, if so much of that early era of British punk was about great pop songs with buzzsaw guitars, I believe I can make a case that Yes was a band (unlike, say, early Genesis) that also played around with standard pop structure…..just for considerably longer than 2 minutes at a time. There’s the link between punk and prog (at least Yes’ approach to it).
Welcome to episode 174 of Love That Album podcast.
For the first LTA of 2024, I am joined once again by Bondi Cigars' guitarist Shane Pacey to talk about what is often considered the pinnacle of prog rock, Yes’ 1972 album Close To The Edge. We talk about rock music's progression to....ummm...prog rock, the Bill Bruford vs Alan White debate, and we also bring up Bach, King Crimson, AC/DC and Cossack Funk (you read that right!!!).
…..and Shane tells a first hand account of an unexpected musician who was a big fan of Yes (and was Shane's first guitar teacher.....you gotta tune in to find out....)
We had a lot of fun with this one
You can find Shane's music on line at
https://shanepaceytrio.com.au/ or
https://bondicigars.com/ or
https://shanepacey.bandcamp.com/album/the-gardener.
Download this episode of LTA from your podcast app of choice. The wider back catalogue of episodes can also be found at http://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
Proudly Pantheon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to episode 173 of Love That Album.
In episode 172, I started my investigation of what were the favourite albums of the year from some great music writers and broadcasters. If you haven't caught up with that one, check out what Brian Nankervis, Jeff Jenkins and Pat Monaghan had to say (as well as a couple of great emails from listeners to the show).
Concluding this investigation for episode 173, I speak with Ian McFarlane (author of The Encyclopedia of Australian Rock and Pop) and Billy Pinnell (presenter of The Album Show on EON-FM / MMM-FM). Also, podcast listener (and huge supporter of the Melbournel music scene), Mark Andrew sent me some audio feedback. Once again, get out your pens and paper to jot down some great recommendations to follow up on.
I reiterate from last time, I'm grateful to everyone who joined me on the show this year, downloaded any episodes, or told their friends the show was worthy of their time. You're all grouse.
Download this episode of LTA from your podcast app of choice (except Spotify).
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. I'm also on Instagram at https://www.instagram.com/lovethatalbumpodcast/
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Welcome to episode 172 of Love That Album.
It's December, so once again, it's time for me to reach out to 5 wonderful music media people in Melbourne to discuss with me their favourite music for 2023 – new or old (but recently discovered). As per usual, these magnificent people I admire brought some great “logs to throw on the conversational fire” (to steal from David Hepworth and Mark Ellen).
However, to play all 5 people on the one episode would have made this a 4 hour plus episode.....not a sin in my book, but some people prefer shows with a more digestible time frame. To that end, I present this time around 3 of my guests, and some feedback from a couple of listeners all to talk about great music of the year. Episode 173 will feature the remaining 2 guests and more feedback.
This time around we will hear from Rockwiz and Friday Revue host Brian Nankervis, music journalist and author Jeff Jenkins, and owner of Melbourne's Rocksteady Records Pat Monaghan. I am thrilled that these fellow music fans and knowledgeable gents would give of their time to this little podcast. Get out your pen and paper and prepare to make a list of your next favourite albums.
Part 173 with Ian McFarlane and Billy Pinnell will be out within the next week or so.
Thanks so much to anyone who listened to the show, was a guest on the show, contributed conversation to the LTA Facebook group, or reached out to me directly directly over the year. More coming in 2024 (you're welcome / sorry). Also huge gratitude to my brothers and sisters over at Pantheon Podcasts....some great shows and people over there who have corresponded with me over the year – there will be some crossover shows next year. Many thanks to Christian Swain and Peter Ferioli for allowing me to swim in the Pantheon pool.
Download this episode of LTA from your podcast app of choice (except Spotify). The wider back catalogue of episodes can also be found at http://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. I'm also on Instagram at https://www.instagram.com/lovethatalbumpodcast/
Proudly Pantheon.
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We tend to think more of the guitar as a rock and roll instrument, but Jerry Lee Lewis, Little Richard and Fats Domino were a big part of the early sound of rock and roll. While there are plenty of great rock piano players, that lead guy or gal mostly tends to be playing a six-string. In the 70s and 80s, the big piano frontmen were Billy Joel and Elton John – hugely popular with what they did, but much (though not all) of it was balladry. Where were the trouble-makers and the pisstakers behind the 88s?
One of them was hiding out in North Carolina.
Welcome to episode 171 of Love That Album.
By 2000, Ben Folds Five had broken up, leaving behind three incredible albums of “punk music for sissies” (Ben’s alleged description of the band). They’d created songs both raucous and tender, angry and loving, serious and funny. In 2001, Ben Folds released his first solo album “Rockin’ The Suburbs” (recorded in Adelaide), and he plays and sings nearly everything. Once again, he aimed for your funny bone, but he also told stories that could break your heart. These stories showed once again that Folds was a master of melody, harmony and was very literate.
For this episode, I am joined by the host and “numbers girl” of the wonderful All Time Top Ten podcast, Ben Eisen and Shannon Hurley. We sit around the virtual table discussing Folds’ techniques in composition and arrangement, his potty mouth, the seeming contrast between the man who could write both The Luckiest and Song For The Dumped, and real life stories from the suburbs about everyday people brought to life in this collection of short stories – love spurned, love embraced, parenthood, mental health, and cussing on the mic.
My huge thanks to both Ben and Shannon for being such great partners for this discussion about a performer who we all love. We never even mention the one song seemingly everyone knows….because Folds is so much more than that one song. I won’t let it be 3 years before Ben and Shannon rock the mics with me on LTA again.
You can catch new episodes of All Time Top Ten every week on favourite podcast app, or go to https://podcasts.apple.com/us/podcast/all-time-top-ten/id573735994 At the time of this LTA, there are 590 episodes recorded!!!!! Most are archived at https://www.mixcloud.com/beneisen/
If you want to check out Shannon’s variety of projects (music, art, videos), then head to https://shannonhurley.com/
Download this episode of LTA from your podcast app of choice. The wider back catalogue of episodes can also be found at http://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum I'm also on Instagram at https://www.instagram.com/lovethatalbumpodcast/
Proudly Pantheon.
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There are some artists who make a career of changing their musical styles between albums. They took risks to remain artistically relevant or just because they don’t want to repeat themselves. David Bowie, Bob Dylan, Wilco, The Beatles, John Cale, XTC are all examples…..a ton of others could be nominated.
Let’s talk about Suzanne Vega.
Welcome to episode 170 of Love That Album podcast. From the mid-80s, Suzanne Vega had recorded some great records featuring songs that sounded like a mix of old school folk and polished pop. She wrote songs of domestic abuse, changes in her personal life, love lost, and her favourite coffee shop in NYC. Then after the unexpected success of a couple of producers remixing her “coffee shop” song, “Tom’s Diner”, she wanted to explore other options to how her recorded music would sound.
She chose the exciting producer of the moment, Mitchell Froom, to help her record something that would sound different to previous albums, and the result was “99.9F” released in 1992. Her personal style of songwriting hadn’t altered, but it’s the arrangements and the production that make this album sound a world away from the debut eponymous album released just a few years earlier.
I’m joined by two new guests to discuss this album and a bunch of peripheral subjects. First up is Eric Senich, host of the terrific Booked On Rock podcast – dedicated to the discussion of music books with authors. I’m also joined by the wonderful author, Lisa Torem, who has released 3 books in the On Track series of books – the latest one being on the discography of Suzanne Vega. Together, we look through the themes of 99.9F, how it changed from the sound of her earlier records, determining if the art is in the songwriting or the recording, and whether one temperature scale is more erotic than another.
My gratitude to Lisa and Eric for being such wonderful guests, and look forward to having them on the show again.
You can go through Eric’s podcast back catalogue at https://www.bookedonrock.com/ or you can subscribe on all the usual podcast platforms – perfect for deciding what your next music book should be.
You can pick up a copy of any of Lisa’s On Track books in which she analyses the songcraft of the discography of Billy Joel, Tori Amos, and Suzanne Vega from either Amazon or at https://burningshed.com/index.php?route=product/search&filter_name=lisa%20torem&filter_sub_category=true She’s working on a website which is not quite active yet, but keep checking at lisatorem.com
Download this episode of LTA from your podcast app of choice. The wider back catalogue of episodes can also be found at http://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum I'm also on Instagram at https://www.instagram.com/lovethatalbumpodcast/
Proudly Pantheon.
You can download episode 170 from here.
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Buddy Guy put out an album in 1991 called Damn Right I Got The Blues. The song sounds like so much of a form of catharsis. However, blues can also represent a form of celebration. There's pre-war country blues, jump blues, swamp blues.... There's blues styles from Chicago, Texas, Louisiana and other American regions. The blues is not one thing. It's old...it's contemporary. It's relaxed...it's heart pumping. It has old and young practitioners. It has iconic practitioners and some bloke playing it at your local pub.
Welcome to episode 169 of Love That Album.
Obviously, the most famous blues musicians are those from the US and from the UK. Here in Australia, however, there's been a long tradition of musicians who've devoted themselves to the blues, be it through the pre-war stylings of The Paramount Trio, the Chicago style of Collard Greens and Gravy or....the hard-boogie style of Carson. Blues lovers here believe that there is something uniquely Australian about how blues is performed here....tyranny of distance making it gritty or something like that.
In 2019, artist and blues lover Pauline Bailey took it upon herself to record an oral history of Australian blues by speaking to a plethora (as Max Crawdaddy would have it) of musicians about their connection to local blues music. In 2023, Pauline has just released Volume 4 of these incredible books with no intention of stopping. Many are well known (Diesel, Jeff Lang, Ross Wilson, Mal Eastick, Mike Rudd), some not so much......all have fascinating stories to tell about how music came into their lives, how they've pursued it, and where it took them. These books are an invaluable resource into a side of Australian music history not previously tackled. The books even feature chapters devoted to some past LTA guests (Shane Pacey, Charles Jenkins, Anthony Shortte, Sarah Carroll, and Chris Wilson).
My huge thanks to Pauline for joining me to discuss her work and her devotion to the music and stylists she's immortalised in print. If you wish to grab a copy of any of her books, you can track them down at https://store15455084.ecwid.com/Books-c40041069
Download this episode of LTA from your podcast app of choice. The wider back catalogue of episodes can also be found at http://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. We're also on Instagram at https://www.instagram.com/lovethatalbumpodcast/
Proudly Pantheon.
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The process of recording music in 2023 has changed drastically to what it was in the latter half of the 20th century.....sort of. Sure, musicians can go in to a recording studio with an engineer and record in a way not dissimilar to the days of old. However, as technology changed inside professional studios, it changed for musicians who wanted to get a great sound in their bedroom. Many studios couldn't compete and only their legacy remains in our record collections.
....yet, EMI Studios at 3 Abbey Road, St John's Wood, London endures. It has even been declared a national treasure.
Welcome to episode 168 of Love That Album.
Music fans have been treated to stories about many of the great studios in popular music history – Sun, Nashville RCA Studio B, Ardent Studios.....but arguably, the most famous is Abbey Road (as it is now called). Music journalist and broadcaster David Hepworth has written an excellent book, “Abbey Road: The Inside Story of the World’s Most Famous Recording Studio”. While the most casual music fan may only be aware of its Beatles connection (not least for the zebra crossing in front of it), the studio had an incredible history both before, during and after the Fabs reign. It may be one of the few big studios left. David joins me to talk about his research into the book and to tell some stories about the incredible musicians who recorded there and the technical innovation that took place there.....and to be honest (as Frank Santopadre would say), we only scratched the surface.
My gratitude to David for speaking with me about a fascinating piece of modern music history. What else besides Abbey Road have Richard Tauber, Mrs Mills and Noel Gallagher in common? Bugger all I'd suggest.
You can pick up “Abbey Road: The Inside Story of the World’s Most Famous Recording Studio” at all good bookshops, and online at the usual places that sell books. Check out the superb podcast David and Mark Ellen co-host, Word In Your Ear. Pretend your having a pint at the pub discussing music, and that's this show.
Download this episode of LTA from your podcast app of choice. The wider back catalogue of episodes can also be found at http://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
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There's a quote attributed to Louis Armstrong: “All music is folk music. I ain't never heard a horse sing a song”. Apocryphal? Who knows? Still, it does raise the question as to what folk music actually is. It can be contemporary contemporary or traditional. It can be associated with any number of cultures. It can be instrumental or songs without instrumental accompaniment. The songs can be about tales of heroes, cads, fair maidens, murder, politics, or.....that very infrequent topic of song – love.
Welcome to episode 167 of Love That Album podcast.
I am joined once again by Shane Pacey, singer and guitarist for The Bondi Cigars, The Shane Pacey Trio and Pacey, King & Doley. His own music may be rooted in blues (another category that's more varied than is often given credit for), but Shane has a passion and huge knowledge about English folk music. Together we discussed the music of Scottish guitarist Bert Jansch.
Bert was part of supergroup Pentangle (LTA episode 134), but before, during and after that group he recorded many albums in his own name. He has been put in the “folk” caregory, but he was part of a generation of UK musicians that were keen to expand what folk music could be. Bert and contemporaries like John Renbourn, Davy Graham, Wizz Jones and John Fahey were huge fans of American blues and jazz music. They sought to put all their musical passions into a pot and stir. Bert developed a guitar style that made him a revered figure amongst rock musicians like Johnny Marr, Jimmy Page and Neil Young, yet his playing was never about the flash or histrionics. He just quietly played original and traditional songs in HIS own sweet way....and his singing voice was not a classic voice in the rock sense, and yet it draws you in – there was no one who played or sang like him.
Shane and I talk about Bert as musician, our relation to his work, contemporaries, and we focus on two of his albums – 1971's “Rosemary Lane” and 1974's “L.A. Turnaround” (produced by a Monkee and featuring a 5th Beatle on bass). It's always great having Shane bring his musical expertise to the show. I hope you dig this one.
You can find Shane's music on line at https://shanepaceytrio.com.au/ or https://bondicigars.com/ or https://shanepacey.bandcamp.com/album/the-gardener.
Here's a link to a tribute concert to Bert that we mention in the show: https://youtu.be/Y_MyH_Uc--s
Download this episode of LTA from your podcast app of choice. The wider back catalogue of episodes can also be found at http://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
Proudly Pantheon.
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Growing up in the eighties, commercial AM and FM rock radio in Australia was very supportive of local bands (well...... to a point). The biggest of them all was Cold Chisel which had hit after hit. They broke up in 1983, but their songs never left Australia's consciousness. Their original era and reformation albums are the soundtrack to Baby Boomer and Gen X music fans.....and their offspring.
….but this episode isn't about Cold Chisel.
Welcome to episode 166 of Love That Album.
A case can be made that Don Walker is Australia's greatest living songwriter. Be it for Cold Chisel, Catfish, Tex Don and Charlie or his current band The Suave Fucks, he has always had a gift with writing about the gritty side of life – murder, death, the road, Kings Cross, society's hypocrisies, Australian history, and cleaning filthy souls are all part of his subject matter. He mixes great melodies and a brilliant way with words to come up with songs that are as much a part of this nation's soul as the songs of Vanda and Young (whom Walker strongly admires).
He's just released the first album in his own name in 10 years, Lightning In a Clear Blue Sky (there have been Cold Chisel releases as well as a Tex Don and Charlie album, so he's kept busy). I was rapt to have Don join me for a chat about creativity, the state of the world, and how people from his past have been written into his songs. We barely touch on Chisel, because he's been crafting great songs outside of his most well known venture. I want to shine a light on some of those songs. Wish I'd had 5 hours available to ask questions, but I'm grateful for the time I had.
Huge thanks go to Rina Ferris who made the connection.
Download this episode of LTA from your podcast app of choice. The wider back catalogue of episodes can also be found at http://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
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Easybeats April continues at LTA HQ. Welcome to episode 165 of Love That Album.
On the last episode, I spoke with author Jeff Apter about his book Friday On My Mind: The Life of George Young. His book looks at Young as musician with The Easybeats, and Young as songwriter and producer for Alberts Productions after the band broke up.
This time around, I am joined by host of Let It Roll podcast, “Kid” Nathan Wilcox to discuss the actual music of The Easybeats. Of course as in any of these shows, we had digressions to talk about the band's history, art versus commercial reality, and much conjecture as to why the band didn't translate to Beatlesque levels of popularity outside of Australia beyond THAT one hit single.
Rather than discuss a specific album of the Easybeats catalogue, Nate and I selected 5 songs each from the excellent Glenn A. Baker double LP compilation from 1980, "Absolute Anthology 1965 to 1969". We discussed the songs in order (mostly) of release to present an arc of the band that went from recording songs in a rock and roll vein, to one that became more experimental with their sounds to one that returned back to their rock and roll roots by the end. In discussing these songs, Nate and I try to make sense of their development. I had an absolute blast recording this episode and I hope you enjoy this as much as we did.
Let It Roll (also part of the Pantheon family) is dedicated to the discussion of recorded music history via conversations with authors of music related books. At two episodes per week, the number of books Nate reads and researches is staggering. The subject matter is diverse – Bob Marley, the Brill Building, Texas gospel, and the mob's involvement in the music business are just skimming the surface of what's offered in Let It Roll. Give Nate's show your attention. Get episodes from your favourite podcast app or at https://cms.megaphone.fm/channel/letitroll
If that's not enough, he's also the head honcho at http://BloodyElbow.com, a website dedicated to martial arts and boxing journalism.
Download this episode of LTA from your podcast app of choice. The wider back catalogue of episodes can also be found at http://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
Proudly Pantheon.
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Ask any Australian rock fan who is the greatest Australian performer or band over the history of the last 70 odd years and you'll get a multitude of answers (as you would anywhere). It's a subjective question and there are generational factors to be taken into account. However, an Australian Performing Rights Association panel declared “Friday On My Mind” by The Easybeats to be the greatest Australian song ever. That's gotta put The Easybeats somewhere in the pantheon of the greats, right?
Welcome to episode 164 of Love That Album.
The history of pop music is littered with artists who if lucky enough to achieve popularity and acclaim for their work have a limited shelf life before audiences and critics move onto the next thing. It's extremely rare for a musician or group to get a second wind. Harry Vanda and George Young are in that rare company. First finding Beatlesque levels of popularity in the Southern Hemisphere with The Easybeats, and then becoming songwriters and producers for other successful acts within the Alberts Productions “House of Hits” including George's kid brothers' band.....
I welcome back to the podcast biographer, Jeff Apter to discuss his book “Friday On My Mind: The Life of George Young”. It's a terrific read that looks at George's life as an immigrant from Scotland to the outskirts of Sydney and being determined to make it as a rock and roll musician. We discuss The Easybeats success and poor management, his advice to younger brothers Malcolm and Angus, Vanda and Young's second apprenticeship with “fake” bands, the tragedy of Stevie Wright post Easybeats and the empire Vanda and Young built.
My huge thanks to Jeff for coming back to the show. You can order his multitude of biographies on Australian musicians from http://jeffapter.com.au.
Part 2 of this special is coming in a week or so and will be a discussion with Nathan Wilcox of the Let It Roll Podcast about The Easybeats Absolute Anthology 1965 to 1969.
Download this episode of LTA from your podcast app of choice. The wider back catalogue of episodes can also be found at http://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
Proudly Pantheon.
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There was a time where Australian bands felt that the only way they were going to get noticed was to leave the country and head to London. Sometimes, this would translate to great popularity ...and sometimes, it meant bands would live under difficult financial circumstances while their music was not in danger of bothering the top 40.
Welcome to episode 163 of Love That Album.
I'm joined by previous guest Doug (aka Fnord) Buissuant and first timer, Darrin Irvine to talk about The Go Betweens and their 1988 album 16 Lovers Lane. Of course, we talk about the journey the band took from their origins in Brisbane through to living in London, and finally relocating to Sydney before calling it a day (well...sorta). The music evolved from clever indie pop in the early 80s to lush, beautifully arranged pop in the late 80s. We talk about how we saw the music evolve, being a Brisbane band under the police state of Joh Bjelke-Petersen, the friendship of Grant Mclennan and Robert Forster (and what that supposedly made the rest of the band feel)....and unlike some other discussions about the Go Betweens, we DON'T talk about Fleetwood Mac. 16 Lovers Lane can be divisive among fans – some prefer the earlier albums that were more angular sounding, and others love the beauty of their final album in their original incarnation. Where do we stand? Tune in.
I am hugely grateful to the gents for taking the time to bring me their expertise and conversation about one of Australia's great bands that deserved more recognition from the wider public than they received. Also, thanks go to my friend, Pat Monaghan for the loan of his box set G Is For Go Betweens and for his conversations with me about the band (and about a ton of other music).
Check out the music on Doug's record label, Ape Sanctuary at https://apesanctuary.bandcamp.com/music
Download this episode of LTA from your podcast app of choice. The wider back catalogue of episodes can also be found at http://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.
Proudly Pantheon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
The 1980s have often been derided musically. The truth is there was interesting stuff happening that we've conveniently forgotten. An interesting question is how the 80s treated musicians considered important in the 60s. How did they adapt with the technology and change in direction for songwriting? Once again, there are some who handled it better than others. Dylan started and finished the decade well, but.....what happened in between?
For the purposes of this conversation, we're going to focus on Pete Townshend.
Welcome to episode 162 of Love That Album podcast.
At the start of the eighties, Townshend created a couple of great records, but still with the shadow of The Who behind him. By 1985, The Who had split, so he could create a record that could reflect where his interests lay without having to worry about whether it sounded right for the 80s version of The Who – a different sounding band to what they had previously been. It could be argued that the 80s treated him well – certainly his solo albums are subjectively more interesting than the two studio Who albums of that period.
One thing Townshend followed on through his Who days was a love of telling long form stories. In 1985, he released White City: A Novel both in record and home video form. On this episode of Love That Album, I am joined by co host of Stinking Pause podcast Charlie Mahoney to talk about the music on the album, and whether the film Pete wrote and Richard Lowenstein directed was successful. In the mid eighties when the world was focused on apartheid South Africa, Townshend thought he'd use his story of a separated couple living in a council estate as a metaphor for for what was going on. Does it work?
My gratitude to Charlie for being my first co host following a hiatus of a few months. He brought great conversation to the show, and hopefully, it won't be another 7 years before he returns. You can catch Charlie, Scott and Paul discussing vintage cinema at https://stinkingpause.libsyn.com/
If you want to watch the film, it's available at https://vimeo.com/520512254
Download this episode of LTA from your podcast app of choice. The wider back catalogue of episodes can also be found at http://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
Learn more about your ad choices. Visit megaphone.fm/adchoices
It's been 3 months since I recorded the most recent episode of Love That Album. Real life interfered with being able to do something fun like speak into a microphone about great music. The show had to go into hiatus.
It's with the utmost joy I can say.....welcome to episode 161 of Love That Album.
The hiatus is going into....ummm...temporary hiatus as I present my annual episode of favourite discoveries / first time listens of the year. Normally, I speak with a number of my favourite co-presenters about what they enjoyed, but I wanted to get the show back on track in a quiet and easy way, so this time around it's just me.
I present 3 albums I heard for the first time in 2022...then I very briefly add a few more at the end of the show. What do I focus on???? You'll have to download to find out. I hope you'll enjoy my thoughts and recommendations.
Thanks to you, dear listener, for not unsubscribing LTA from your podcast app of choice....I assure you that I intend to do the show for a long time to come. A huge thanks to anyone who sent me messages to find out if I was alright.....your kindness has meant a lot to me.
Download this episode of LTA from your podcast app of choice. The wider back catalogue of episodes can also be found at http://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, on social media….whatever way you choose, consider me grateful.
Proudly Pantheon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Without repeating the details, over the years, John Hiatt has assumed the status of legend in LTA lore....go back to episode 100 if you need a refresher. His life story is the focus of episode 160 of the show. Is this episode any good? Have a little faith......
Welcome to episode 160 of Love That Album.
My friend of many years and fellow Hiatt fan Geoff Smith joins me as we welcome radio announcer and author Michael Elliott to the show. He has written the first ever biography of John Hiatt called “Have A Little Faith: The John Hiatt Story”. The book looks his life and work. The first half of the book tells the story of a talented songwriter who has faced adversity through family trut broken, substance abuse, and personal tragedy. In the 21t century, it' also unthinkable that an artist would go through three major labels before finding some public success at the fourth. His circumstances would have weakened many....but through his own determination, and the respect of his peers, Hiatt found his way.
Michael has written a wonderful book that while never salacious, doesn't shy away from the hardships of Hiatt's early life. We speak about how he tried many musical styles before he settled on what was true and honest artistically for him. We speak about songcraft, humour, the connection to David Bowie, why Emmylou Harris makes everything better, and many other topics around Hiatt's life and Michael's book.
My gratitude to Geoff for coming up with some great questions for Michael and bringing in his own experiences with John Hiatt. Also huge thanks goes to Michael for providing an entertaining discussion around his biographical subject.
If you feel so inspired to grab a copy of Have A Little Faith, you can find the links to any number of book stores at https://michael-elliott.com/. The site also has links to numerous articles Michael has written over the years for a variety of publications about all manner of musicians. If you live outside of the US, just walk into your local book store and tell them to order you a copy pronto.
Download this episode of LTA from your podcast app of choice. The wider back catalogue of episodes can also be found at http://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, on social media….whatever way you choose, consider me grateful.
Proudly Pantheon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
In the days before music streaming services became a ubiquitous, when physical media ruled the music world, the first thing a music fan encountered before playing the music on a record, a CD or a cassette was the artwork on the cover. The cover was the always gateway to the music. Some cover art is tastefully done, some covers have Facebook groups devoted to their awfulness. If done very well (or very poorly), cover art can come to define the music the listener is about to play.
Welcome to episode 159 of Love That Album.
Even before you play a note, looking at the covers of albums like Abbey Road, East or Whipped Cream and Other Delights will bring memories or impressions into your head. You may buy the record for the music, but it may well be the album cover that persuades you to pick it up in the record store in the first place. The very important role of cover designer often decides whether you decide to give an album a second glance.
One gentleman who knows this very well is Steven Jurgensmeyer. He may be known to podcast listeners as the host of the excellent All Music Books: Deep Dive podcast (also on the Pantheon network), but his day gig for many years has been in designing album covers. He worked for may years at Ryko and Rounder, so you may well know the artwork he's done for albums by Robert Plant and Alison Krauss, Sugar (featuring Bob Mould), Branford Marsalis, Robert Cray, Chris Bell and many others. We had a great discussion on his own work, whether an album's success and its artwork are linked, and the contrast between the previous world of physical art layout and its modern digital counterpart....we also take some time to talk about Steven's work with All Music Books.
Thanks so much to Steven for his time and invaluable insight into a side of music that we know about, yet don't make as much a part of the conversation.
You can check out all the album covers (and more) that we discuss at https://www.stevenjurgensmeyer.com/#/music/ and you can read reviews of a large library of music books at https://allmusicbooks.com/. AllMusicBooks: Deep Dive is also part of the Pantheon Network of music discussion podcasts and is available wherever you get your podcasts.
Download this episode of LTA from your podcast app of choice. The wider back catalogue of episodes can also be found at http://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, on social media….whatever way you choose, consider me grateful.
Proudly Pantheon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Since the Beatles showed up with a built-in songwriting team, bands have always had those members who practised the mysterious art of creating and arranging compositions rather than relying on outside professionals to do that for them. Of course, even those great songsmiths liked to take a break and release an album of music that inspired them to pick up the quill and ink in the first place – Bowie's “Pinups”, Patti Smith's “12”, John Lennon's “Rock n Roll” (maybe more for contractual obligations, but still...)
Now we can add Australian songwriter John Kennedy's “Raining Treasure” to that mix.
Welcome to episode 158 of Love That Album.
John's been making great records since the 1980s with his bands like John Kennedy's Love Gone Wrong and JFK and the Cuban Crisis. His music has always had an Americana flavour to it, and he writes wonderful tales of life in Sydney. His 2017 album JFK and the Midlife Crisis was a concept album about a middle aged musician recalling his times younger days in Sydney working in the indie music scene and where he now sees himself.
In 2019, this led to the idea of recording an album of covers from fellow travellers in Australian independent music of the 70s and 80s, “Raining Treasure – Australian Indie Gold Covers Vol.1”.In 2022, John and his band The '68 Comeback Special have released a second volume, “Raining Treasure – More Australian Indie Gold Covers Vol.2” with their interpretations of songs from The Scientists, Weddings Parties Anything, Radio Birdman, and (in an extension of the definition of “independent”) The Angels (aka Angel City in the US). These are not carbon copies of their originals – the gents put deep thought into the arrangements of these songs, and the results in some cases show a greater musical alignment with the lyrics.
I met up with John Kennedy and Peter Timmerman from the band to discuss these great albums. Tales are also told of the oppressiveness of Queensland under the Bjelke-Petersen government, John's “Sex Pistols” moment meeting the Go Betweens, and whether it's appropriate for an audience to chant during a cover of THAT Angels song. If you're a fan of Kennedy, you won't want to miss this. If you're unfamiliar with his work, you're in for a treat.
You can stream the Raining Treasure albums from the usual places OR get a physical copies of the CDs from https://www.thegroovemerchants.com/Product/106392?fbclid=IwAR0x6jxrn6V3nds5OV4EcVGER_pkmkSQrG6KqBUplMqxLWP4JKDY2-wREP4
If you want to do a compare and contrast with the originals, I've created a YouTube playlist:
https://www.youtube.com/watch?v=aUPF49t_p_U&list=PLvosm3nd-62VG0NoFR3x8jhoMgPBkcm51
Download this episode of LTA from your podcast app of choice. The wider back catalogue of episodes can also be found at http://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, on social media….whatever way you choose, consider me grateful.
Proudly Pantheon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
It's the tail end of the 70s, and top 40 music is heavily leaning to disco and AOR. Sure there's plenty of other things out there, but the charts point not only to disco artists, but pop singers jumping on board the disco train (Barbara Streisand, Kiss, Paul McCartney and Wings).
Then 4 guys based in Los Angeles recorded and mixed a powerful rock and roll album in a little over 10 days, and for a brief time, the world couldn't get enough of them.
Welcome to episode 157 of Love That Album.
It seemed that you couldn't turn on the radio without hearing that flammed drum beat that held together a song as lustful as anything in rock music, My Sharona. Doug Fieger, Berton Averre, Prescott Niles and Bruce Gary released their debut album Get The Knack and music fans went crazy. Of course, things turned sour with fickle fans and the media who had to take these guys down a peg or two. That's not the story (in the main) that this episode is about.
I am hugely privileged to have Knack bassist Prescott Niles join me to talk about the 6 albums the band released over their career, putting paid to the lie that My Sharona is all they accomplished....but this episode is about more than just The Knack. Prescott talks about his music life starting in Brooklyn, and his time working with musicians like Velvet Turner, Arthur Lee, and George Harrison. He also talks about Fillmore East and Woodstock, and tells some interesting tales about Jimi Hendrix, and a few others.
This is a mammoth conversation we recorded over two sessions (one wasn't enough to get all these stories out). I am hugely grateful to Prescott for taking the time to join me on the show – something 15 year old me who played Get The Knack to death on original release could never have imagined. I'd also liked to thank Randy Haecker who hooked me up with Prescott.
So put on your skinny ties and download the show.
Download this episode of LTA from your podcast app of choice.The wider back catalogue of episodes can also be found at http://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, on social media….whatever way you choose, consider me grateful.
Proudly Pantheon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
In the past, Love That Album has avoided getting political. The albums being focused on for the most part didn't require the conversations to get embroiled in the very furnace that keeps people blathering on talk-back radio and social media – mostly in uncivilised fashion.
That all changes for this episode. If you don't like talk about what a pack of dickheads (I use less polite terminology on the actual show) fascists really are and the political masters who enable them....you might wanna skip this show.
Otherwise......welcome to episode 156 of Love That Album.
It seems like we're still in a dark era for humanity with wars and bigotry continuously being part of every day life across this broken planet. In England back in the 70s, the National Front were gaining supporters from both ends of the class system. There was a very real chance that their racist ideology was going to be allowed into mainstream government – not just staying in the fringes of society. The Rock Against Racism movement was born to fight this ideology – particularly after the likes of Eric Clapton and David Bowie started saying things in public that would have been frightening to immigrants and Holocaust survivors.
It was into this environment that songwriter and activist Tom Robinson brought his music into the public arena. He and his band (aptly named The Tom Robinson Band) brought a tough combination of pub and punk rock mixed with unambiguous lyrics explaining that if people didn't confront the fascists, then life as they knew it was over.
I am privileged to be joined by podcaster and punk historian Tom Austin-Morgan to discuss the debut album by the TRB, Power In The Darkness. The album is confronting lyrically, but Robinson is smart enough to know that if you back up your messages with catchy hooks and singalong choruses, you'll have a better chance of getting your message across. Tom and I discuss Tom's music in a broader sense, but the necessity is that we have to discuss the political environment of England in the 70s to give the album context. We really couldn't have done the album justice without providing the history.
I'm super grateful to Tom for providing his time and expertise. I highly recommend his excellent show “Banned Biographies”. The show focuses on the history of the original era of British punk – both by documentary style episodes and interviews with those who were there. Trust me – you need this show in your life. You can find it at all the usual places you get podcasts, or you can find it at https://www.bannedbiographies.com/ You can check the show's socials out at:
Twitter: @BannedBiogs
Facebook: @BannedBiographies
Instagram: @bannedbiographies
Download this episode of LTA from your podcast app of choice.The wider back catalogue of episodes can also be found at http://lovethatalbumpodcast.blogspot.com
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, on social media….whatever way you choose, consider me grateful.
Proudly Pantheon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Are you all seated comfortable, too square on your botty? Then Love That Album can begin.
Welcome to episode 155 of Love That Album podcast.
As the 1960s rolled on, popular music evolved....and yet some of it looked back for inspiration. In the late 60s, the pop songs that had propelled the early British Invasion bands had moved on to make way for heavier sounds of psychedelia and blues based rock. The mod bands that had started out as purely “maximum R&B” were exploring different avenues while still maintaining some connections to their roots.
In 1968, The Small Faces had been through their share of grief with crooked management, contracts that did not favour them, and money woes. (Sadly, Steve Marriott's own future was set for a lot more grief). They wrote and recorded what many believe was their masterpiece, “Ogden's Nut Gone Flake”. Side 1 was a collection of hard rock, psychedelia, and old world British music-hall inspired tunes. Side 2 was a concept piece – a story about Happiness Stan who searches for the “missing” half of the moon. The story is narrated by Professor of Gobbledegook, Stanley Unwin. Oh yes, oh yes.....
I'm joined by songwriter and multi-instrumentalist, Ian Kitney (Overnight Jones, Tim Rogers and the Temperance Union) to contemplate the moon, lavatories, raising one's “oars”, the drumming of Kenny Jones, whether Marriott was mocking the state of contemporary British music, putting holes in one's snare drum, and what happens when George Formby is cleaning “winders”. It was a thrill to have Ian on the show – not only as a musician I've long admired, but also as a wonderful conversation partner about music we love.
I also want to give a shout out to author Alan Pattinson who has written a series of wonderful books about so many musicians and bands from the “classic” rock era. I bought his book on The Small Faces to get a feel for their history, and I'd recommend anything he'd write.
You can get Ian's albums from his Bandcamp site at https://iankitney.bandcamp.com/ including his latest called BGM – a wonderful collection of songs crossing over a number of styles over the history of pop.
You can read Alan's writings at http://alansalbumarchives.blogspot.com/ which features links to his multiple e-books about the histories and discographies of many bands you love.
Download this episode of LTA from wherever you prefer getting your podcasts.
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, on social media….whatever way you choose, consider me grateful.
Proudly Pantheon.
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The late 60s to early 70s saw a popular run of troubadours, aka singer / songwriters who were usually known for performing acoustic songs, often of a confessional nature or trying to make sense of the world through their work. The best ones sought out new musical territory as they progressed through their work.
Welcome to episode 154 of Love That Album podcast.
Joni Mitchell’s run of albums from the late 60s onwards were beloved of fans of songwriters. She had a way with unusual chord progressions and very personal storytelling. Very much a part of the Laurel Canyon scene, albums like Ladies of the Canyon and Clouds were well received acoustic guitar and piano based records. She evolved stylistically from folk based pop to pop with jazz leanings over a run of albums in the 70s.
In 1976, Joni released Hejira, a collection of songs related to travel – flight, hotel rooms, the musician’s life versus domesticity, affairs had on tour. Many people consider her earlier album Blue with its songs of love and its failings to be her masterpiece. As great as that is, I’m on team Hejira. It was written while Joni was on the road, and it sounds like the wide open plains and deserts it was probably written in. The compositions are incredibly dense, but the real secret weapon to the success of the album is Weather Report bassist, Jaco Pastorius.
Once again, I am thrilled to be joined by film writer, Kerry Gately Fristoe and guitarist, Shane Pacey. We look into Joni’s history, the themes behind Hejira, compare the differences between that album and Blue, and we also find time to diss each other’s musical tastes in other areas…..as you do. These two fellow music enthusiasts always bring something great to the conversation....looking forward already to their next appearance.
Have a read of Kerry’s excellent essays at https://prowlerneedsajump.wordpress.com/author/echidnabot/ and https://www.brattleblog.brattlefilm.org/author/kerry-fristoe/
Shane has just released a wonderful album with his new band Pacey, King, and Doley. You can order a copy of Better Together from their Bandcamp site, https://paceykingdoley.bandcamp.com/album/better-together
Download this episode of LTA from wherever you prefer getting your podcasts.
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, on social media….whatever way you choose, consider me grateful.
Proudly Pantheon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
As a kid, I was always told to “reach for the sky”.....I think what they meant was “reach out to Sky”....or something like that.
Welcome to episode 153 of Love That Album.
First of all, thanks for your patience. I didn't get to put out the planned Joni Mitchell episode in December 2021, so that was deferred to January 2022. That then got deferred due to the bastard bug hitting one of my co hosts.
I still really wanted to put something out this month, so a chance encounter with a couple of old tapes from 1984 ended up being my solution. At that time, I was attending RMIT in Melbourne, and spending valuable study time doing campus radio programs. Whenever I heard Australian / British supergroup Sky was touring Australia, I would get the station management to arrange for me to get to speak to the band. The fact that a band as hugely popular in Australia and Europe such as Sky would speak to a young shmuck like me speaks volumes as to how lovely they were.
In March 1984, Sky toured Australia for the first time without founding member and classical guitar maestro John Williams. He'd left a few weeks earlier to get back to other projects he felt he'd neglected over the course of playing in a band.
On this episode of LTA, I'm presenting two interviews. The first is the interview I did with drummer Tristan Fry and pianist Steve Gray on that tour. The second was recorded either later that year or sometime the next (I can't be 100% sure) with John Williams on his first tour after leaving the band. Bear in mind that both of these interviews were recorded when I was pretty young and had no real experience in writing interview questions. Regardless of what I asked, Tristan, Steve and John always answered with great detail and professionalism.
My thanks go out to David Green, my manager at 3ST for arranging these interviews (you can hear him on the one with Tristan and Steve). I also want to thank my long time friend Pete Anzo for loaning me his cassette deck to rip these interviews from tape to my laptop.
If you want to hear an early episode of the podcast where Michael Pursche (of Sitting In a Bar In Adelaide fame) and I speak in depth about Sky, and I speak with Tristan Fry for the first time in a little under 30 years, go to https://lovethatalbumpodcast.blogspot.com/2012/11/love-that-album-episode-33-music-of-sky.html
Download this episode of LTA from Spotify, Stitcher or iTunes (search for “Love That Album podcast”)....or wherever you prefer getting your podcasts.
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, on social media….whatever way you choose, consider me grateful.
Proudly Pantheon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Episode 153 of LTA has to be delayed. This is a brief explanation as to (as Marvin Gaye would have it) what is going on.
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Think of any number of singers of the 20th century to take to a stage: Elvis Presley, Aretha Franklin, Bon Scott, Nina Simone.....”shyness” would not be any sort of adjective you'd use to describe these people.
We're not focusing on any of them this time around.
Welcome to episode 152 of Love That Album Podcast.
To say that Nick Drake suffered from shyness could be the greatest understatement you could make about him. He only performed live a few times in his short life, and from all documented accounts, those performances were memorable for the wrong reasons – not acknowledging his audiences, looking down, walking off stage mid song....the same can be said for his interactions with people off the stage.
However, it would also be fair to say that Drake knew his way around a song – both as composer and musician.
I am joined by fellow Nick-Head, Antony Rotunno. Antony is the host of three excellent podcasts: Life & Life Only, Film Gold, and Glass Onion: On John Lennon. It is the third of these shows that got my attention. On every show he tackles Lennon related subjects (with occasional forays into The Beatles) to work out what made Lennon tick. I am sure that he relished the opportunity to talk about a musician with no Beatles connection whatsoever for a change. The focus of the show is Drake's debut album, Five Leaves Left. However, we speak in detail about all three of his albums as well as events in his life, his string arranger Robert Kirby, similar musicians, and speaking in a posh accent.
In addition, there are two real treats for you this time around. We hear from Antony's friends, Kester Jones and Melanie Lawrence who pre-recorded their take on a beloved Nick Drake tune, and Antony himself armed with his guitar tackles another tune. These performances are wonderful and a great part of the show.
My gratitude to Antony for bringing his time and thoughts to the show. A really exciting development is that going forward, Glass Onion: On John Lennon will be part of the Pantheon Network.
You can find much Antony related shenanigans (blog posts, albums, podcasts) at https://www.antonyrotunno.com/
Kester's music can be heard at https://soundcloud.com/kesterjones
Download this and any other episode of LTA from wherever you prefer getting your podcasts.
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, on social media….whatever way you choose, consider me grateful.
Proudly Pantheon
Learn more about your ad choices. Visit megaphone.fm/adchoices
You know what it's like when you discover a band that was around a long time ago, and then you inevitably go down a rabbit hole and discover a whole lot more music in a “Kevin Bacon six degrees of separation” kind of way? That's happened to me over the last few months.
Welcome to episode 151 of Love That Album.
A few months back, Christian Swain at Pantheon Podcasts (who supports Love That Album, See Hear and a ton of other music shows) asked me if I knew of the 70s band from Montreal called Harmonium. At the time, I'd never heard of them, so I did some investigating…..I fell in love with what I heard. Their small but wonderful back catalogue started out as Laurel Canyon-esque like folk which evolved into progg-ish and art rock. It's not quite prog rock in the way that early Yes or Genesis were – there's not millions of time signature changes for one thing – but it does share some of the more classical song structures those bands started out with. Listening to their music led me to discover that Montreal was a major centre for prog bands, so I listened to some of those other bands as well.
The band were hugely popular in Canada, but separated in 1978 at the top of their game. In 2020, their songwriter and lead singer Serge Fiori was approached to give his blessing for a re-arrangement of the entire Harmonium catalogue as a symphonic work. The result is Histoires Sans Paroles: Harmonium Symphonique. This is not the first time that a classically oriented interpretation of rock music has been attempted, but Harmonium's music seemed tailor made for such a reinvention. There's a wider sonic palette for the music to work under.
I was offered the opportunity to speak with Serge for the show, and I was hugely keen to do so. He's a lovely guy who had a lot to say about the Quebec music scene of the 70s, as well as hearing his music translated into a medium different from its original conception. It's not easy to hand off your creative work to someone else to reinterpret, but to say Serge was delighted with the result would be an understatement. This album is all the more amazing considering it was recorded under pandemic conditions!!!!! A big feat for an orchestra.
Serge is completely grateful for all that being a musician and composer has given to his life, and he is grateful to Simon LeClerc, arranger and conductor of the Montreal Symphony Orchestra, for respecting the spirit of the music.
Obviously, many thanks to Serge for his time, but additional thanks also go to Christian Swain for starting this off and and to Lisa Roy at Rock & Roy for making it happen.
You can get Histoires Sans Paroles: Harmonium Symphonique in physical medium or download formats from https://www.harmoniumsymphonique.com/
Download this episode of LTA from wherever you prefer getting your podcasts.
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, on social media….whatever way you choose, consider me grateful.
Proudly Pantheon
Learn more about your ad choices. Visit megaphone.fm/adchoices
Anyone who's listened to the podcast for a while or hung around the LTA Facebook group long enough knows that my favourite working band is Los Lobos. You'd also possibly be aware that group saxophonist and keyboard player Steve Berlin has joined me on LTA in the past AND on See Hear.....well, Steve's baaaaaaaaaaaaaaaaaaaaaaaaaaaaaack.
Welcome to episode 150 of Love That Album.
Los Lobos have released a new album in 2021 called Native Sons. The fact that they (or any band) are able to record and release new music in lockdown is astonishing. As great as Louis Perez, David Hidalgo and Cesar Rosas are as songwriters, for this album, they are drawn to the music that influenced them along the way by heroes and peers specifically from Los Angeles....people like Lalo Guerrero, Jackson Browne, The Blasters, The Beach Boys, War and others.
Steve and I speak about the role of these musicians in Los Lobos' development, Christmas music, working through Covid, the father of Chicano music, Ry Cooder, Tom Waits and a lot of other topics. Once again it was my privilege to have him back on the show – recorded 3 hours before Lobos were due to hit the stage!!!
If you're in the US and are able to see Los Lobos live, DO IT. They put on wonderful shows, and you'll be supporting working musicians in this crazy time. You can check out their gig listings at loslobos.org
Download this episode of LTA from Spotify, Stitcher or iTunes (search for “Love That Album podcast”)....or wherever you prefer getting your podcasts.
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, on social media….whatever way you choose, consider me grateful.
Proudly Pantheon
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The 1970s going into the early 1980s are generally regarded as a purple patch of Australian cinema – The Australian New Wave. Film makers had financial support. Audiences wanted to see their own backyard on the big screen (before bloody cultural cringe set in again). There were films that focused on T&A and machismo, there were a lot of period pieces, and there were tales of crime. The films weren't always successful, but there was a spirit about them that's still exciting. Audiences recognised themselves in film (although they denied it when Wake In Fright came out).
So, where does Oz: A Rock 'n; Roll Road Movie (aka 20th Century Oz) fit in? Where does an adaptation of The Wizard of Oz that sees Dorothy as a groupie who dreams she's on a highway headed for the big city to see a concert featuring The Wizard with a surfer, a mechanic and a biker as her company actually stand in the canon of local 70s cinema?
Welcome to Love That Album episode 149.
Why am I starting the blurb for a music discussion podcast with a description about movies? Especially in reference to a film that's already been discussed on the See Hear Podcast (episode 33...hint hint)
Well, the film has a soundtrack, you see......
Previous LTA interview subject Sarah Carroll and her son George Carroll Wilson are both huge fans of the film. I invited them onto the show to talk about the soundtrack. Of course, you can't really discuss a soundtrack without reference to the film itself. We also had a lengthy discussion about the Australian music scene of the period, the history behind the key players involved with the music and the film (Ross Wilson and Chris Lofven), and of course the music itself and how it worked in the context of the story.
BUT WAIT....THERE'S MORE.....
One of the exciting thing about the soundtrack of Oz is that it features the debut of a band that became very big in the late 70s, Jo Jo Zep and the Falcons. This episode features an interview with ex-Falcon Wayne Burt who wrote their songs for this film. I was rapt to speak to someone in the thick of it from the period.
My huge gratitude to Sarah, George and Wayne for making this such a fun show to record.
You can find out more about Sarah at https://www.sarahcarrollstarparade.com/
George's music is available at Bandcamp https://pollyman.bandcamp.com/music
Until Umbrella chooses to re-release the film on DVD / blu-ray, it's on Youtube at https://www.youtube.com/watch?v=ATiiOGg_ZyQ
….and you can search out the See Hear episode with myself, Bernie, Tim and the Projection Booth's Mike White discussing Oz downloading from https://seehearpodcast.blogspot.com/2020/05/see-hear-podcast-episode-33-oz-rock-n.html
Download this episode of LTA from Spotify, Stitcher or iTunes (search for “Love That Album podcast”)....or wherever you prefer getting your podcasts.
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, on social media….whatever way you choose, consider me grateful.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to part 2 of the Love That Album 10 Year Anniversary extravaganza. If you missed the first part, I asked 7 previous co hosts to recommend some favourite albums recorded over the lifespan of the show. In part 1, I had the first four guests (Ian McFarlane, Jeff Jenkins, Eric Peterson and Heather Drain).
The three remaining guests who will share the albums they treasure over the previous decade are:
I'm thrilled at these wonderful people have given my little podcast the time of day and have been happy to talk music with me, not just for this episode, but over the life of the show.
You can check out Bill's thoughts at his Facebook page: https://www.facebook.com/billypinnell and go through the archives of his podcast, The Music Show.
Shane's activities (gigs, albums etc) can be found at https://shanepaceytrio.com.au/ and https://bondicigars.com/
You can catch Brian every Friday afternoon on Radio Melbourne with Jacinta Parsons (archived here) https://www.abc.net.au/radio/people/jacinta-parsons-and-brian-nankervis/11865916 or at Rockwiz live shows (when not in lockdown). Also, his classic TV comedy Let The Blood Run Free is on Youtube at https://www.youtube.com/watch?v=nQquowNAFBo&list=PLLnadaPaanlBJCQAh3CvT-6JzMtj-WBh0
Download this episode of LTA from Spotify, Stitcher or iTunes (search for “Love That Album podcast”)....or wherever you prefer getting your podcasts.
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, on social media….whatever way you choose, consider me grateful.
Learn more about your ad choices. Visit megaphone.fm/adchoices
A decade ago (July 14, 2011 to be precise), I unleashed the first episode of Love That Album podcast on the world. Music journalist and massive Bruce Springsteen fan, Jeff Jenkins and I debated which was a better album from the Boss – The Wild, The Innocent and the E Street Shuffle (me) or Darkness On The Edge of Town (Jeff). I'm pretty sure I won......
I had no idea what I was doing in regards to audio quality (I still don’t), editing or how the discussion would go. In 2011, however, podcasting was not as ubiquitous as it’s become, so I didn’t feel any embarrassment at throwing the show out there with others that put far more work into making their programs great.
Welcome to the 10th anniversary edition of Love That Album.
I’m not under any illusions that this little show of discussions with fellow music fans about records we (mostly) love is in the upper stratosphere of the medium. However, I’ve loved (nearly) every conversation that I’ve had with marvellous people who were giving of their time, spirit and enthusiasm…and that counts for plenty. Also, anyone who ever downloaded an episode to actively listen also receives my huge gratitude. You're grouse!!!!
While not wanting to go overboard on this, I did think that celebrating the show running for 10 years was appropriate. My idea was to ask 7 previous guests to talk about some favourite albums released during its lifetime. To that end, I have broken up the show into two separate episodes because I didn’t think that a 4 hour plus episode would work for anyone (with the possible exception of fans of The Projection Booth).
For this first part, you will hear from Jeff Jenkins, music writer and author Ian McFarlane, host of LTA: The Compilation Edition Eric Peterson, and music / film writer and author Heather Drain. Get your pens and paper out to take notes for some great album recommendations you’ll need to follow up. In the end, creating this podcast has given me the opportunity to reach out to these and many others to talk about music – one of my favourite things to do, no matter what Frank Zappa said.
Download this episode of LTA from Spotify, Stitcher or iTunes (search for “Love That Album podcast”)....or wherever you prefer getting your podcasts.
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, on social media….whatever way you choose, consider me grateful.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Remember episode 133 of the show where I spoke with hosts of some of my favourite shows within the Pantheon Podcast Network about their favourite live albums? You don't? Go back and listen to that show....I'll wait.
Welcome to episode 146 of Love That Album.
So after that episode came out, no one at all asked me, “What are some of YOUR favourite live albums???” With the scheduled episode for this month being deferred to next year, now is the perfect time to answer that non-asked question. On this episode, I pick three live albums I love, highlight why I dig 'em, and make the case that you should chase them up.
That's it....no long ramble. Just download and listen.
Oh....while you're reading this, I will put in a mention about next month's shows. The podcast is turning 10 years old!!!! I will be releasing two (count 'em) episodes to celebrate.
Download this episode of LTA from Spotify, Stitcher or iTunes (search for “Love That Album podcast”)....or wherever you prefer getting your podcasts.
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, on social media….whatever way you choose, consider me grateful.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Melbournians are a resilient lot. We had some of the harshest lockdowns anywhere in the world during 2020 (very necessarily – I won't argue with anyone on that point). Most of us got through it with good humour, grace, and countless Zoom meetings. One song kept going through my head the whole time – it should have become the Victorian state anthem....that song was “Stuck In Melbourne” by The Warner Brothers.
Welcome to episode 145 of Love That Album.
Back in the mid 80s, musicians and songwriters, Dan Warner and James Stewart started performing around Melbourne as a duo before expanding to a full band lineup calling themselves The Warner Brothers, heavily influenced by rootsy / Americana styles. They played many many shows around town, and truly lived the rock and roll lifestyle. Under that name they independently released the excellent Talking In Your Sleep album (years before crowd-funding was an even an idea never mind a reality).
Who would have thought that a big international film and music conglomerate would threaten a small Melbourne band over their name??? They changed their name to Overnight Jones, recorded a couple of albums, then went their separate ways in the late 90s. All went on to other projects, before reforming annually for one-off shows to the faithful.
I'm thrilled to have Dan and James on the show to talk about their experiences with radio programmers, record producers, and band bookers. I found the conversation entertaining as hell...they are passionate about music.....and we discuss their back catalogue as well.
The WB / OJ albums are currently not in print, but listen for a great announcement late in the show for their forthcoming reissue. Meanwhile you can get Dan and James great solo albums from
https://danwarner.bandcamp.com/ and https://jamesstewartcarcane.bandcamp.com/
Download this episode of LTA from Spotify, Stitcher or iTunes (search for “Love That Album podcast”).
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, on social media….whatever way you choose, consider me grateful.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Growing up, before even becoming a fan of rock music, there was one name I knew very well – Jon English. He made a huge name for himself in the Australian production of Jesus Christ Superstar as Judas – Tim Rice may have declared him the finest performer of the role.
Welcome to episode 144 of Love That Album
I welcome music writer and biographer Jeff Apter to the show. He's just had his latest book published, “Behind Dark Eyes: The True Story of Jon English”. We talk about Jon's career as song interpreter, songwriter, actor (on TV and stage), rockstar, composer, and family man. There are many musicians who go into acting (and vice versa) but few went into everything with the gung ho that Jon did. Did I mention he was also hugely funny?? I'm not referring to his appearances on All Together Now – anytime he was on a stage with the Foster Brothers or as an actor, he owned the audience with his humour as well as THAT singing voice.
Jeff has released what I believe is a terrific biography that is respectful and devoted without being enslaved to the subject. The exultation of success and the disappointment at having the work he prized the most largely ignored are covered. We had a great conversation about all aspects of Jon and his work. If you're a fan or you're new to him, I hope you get something out of this episode.
If you're looking for Jon's music on physical media, you can pick up his albums in multi cd packs labeled as Anthology. There's also a great comp called Six Ribbons – The Ultimate Collection.
If you prefer streaming, there's that option as well.
My huge thanks to Jeff for his time. You can order the book from https://www.booktopia.com.au/behind-dark-eyes-jeff-apter/book/9781925868463.html or if you're outside of Australia https://www.bookdepository.com/Behind-Dark-Eyes/9781925868463. You can check out Jeff's other work at http://jeffapter.com.au
Download this episode of LTA from Spotify, Stitcher or iTunes (search for “Love That Album podcast”).
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, on social media….whatever way you choose, consider me grateful.
Learn more about your ad choices. Visit megaphone.fm/adchoices
“Good evening, everybody.
“Give a round of applause for the bar staff”
These could be expressions you might hear from any musician in any bar around the world....but there was only one musician in the world who'd utter these AND the following....
“Let's hear it for Shane O' Fucking Mara, everybody”
That musician is Chris Wilson.
Welcome to episode 143 of Love That Album podcast.
Chris was a hometown hero in Melbourne....he deserved to be revered around the world. He brought operatic majesty to the blues. A great harp player, a singer, a songwriter, and a blues historian. Every gig he performed was an event.....I can't describe why, you just needed to be there.
In 1994, he released a live album, “Live At The Continental”. The Conti was a favourite haunt in Prahran in Melbourne for local and international bands, usually in the roots world. After an absence from live performing, Chris was joined by guitarist Shane O'Mara and pianist Jex Saarelaht to do a combination of Chris' originals and some blues covers at what became a beloved venue for him. The resulting album became a huge favourite amongst Chris' fans and earned him many new ones. In 2021, a second new edition of the CD has been released with a whole raft of songs absent from the first edition. It's also been released on record for the first time ever.
Chris sadly passed away in 2019 from cancer. The Australian music scene is far poorer for his loss.
Sarah Carroll is a singer, songwriter, and multi instrumentalist who has produced some brilliant music of her own with country outfits like The Junes, The Cartridge Family and Git. Back in 2017, under the moniker of Sarah Carroll and The Left Wing she released a collection of short stories set to music (my definition) called “Star Parade” and in 2020 she collaborated with guitarist Shannon Bourne to release the EP “Medicine” with songs of joy and heartache.
Sarah, as Chris' wife has had much pain to endure at his loss, but she wanted to make sure that his legacy was still felt. She oversaw the re-release of Live At The Continental. She joined me for a great discussion about this landmark album as well as her own work. I hope this show means as much to you as it does to me.
You can get a copy of Live At The Continental from https://www.cheersquad.com.au/releases/live-at-the-continental/ or Sarah's recordings from https://sarahcarroll.bandcamp.com/
Sarah has curated a Spotify play list of music from herself, Chris and their two musically talented sons, Fenn and George at https://open.spotify.com/playlist/1znUA33Bkry0kDJTSdQEic?si=Th8Q352sSQaOrVBehmLiKA&utm_source=copy-link&nd=1
Download this episode of LTA from Spotify, Stitcher or iTunes (search for “Love That Album podcast”).
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a (socially distanced) barbecue, over coffee (on Skype), on social media….whatever way you choose, consider me grateful.
Learn more about your ad choices. Visit megaphone.fm/adchoices
So many musicians have become popular based on one thing the caught the public's imagination. Daring to try something different artistically could be a “bad career move”. Of course, some musicians might have been “hiding in plain sight” with their real artistic ambitions all along.
Welcome to episode 142 of Love That Album, the first episode for 2021.
Michael Nesmith along with Peter Tork, Davy Jones and Micky Dolenz spent the latter half of the sixties rallying against the image bequeathed on them by NBC and Don Kirshner. The Monkees wanted to show that they could be (and were) a real band. Right from the start, Mike would infuse his own songwriting with his love of country music.
However, country is only a small part of the Monkees' own sound. When he announced he was quitting (4 days after McCartney announced The Beatles were no more), he already had plans for his next ensemble, The First National Band. Over a period of a little over a year, they released three brilliant albums, allowing Nesmith to finally make his approach to country music the focus.
I am joined by musician, songwriter, comedian and regular co host on All Time Top Ten Podcast, Joe Lavelle to look at the first of those First National Band albums, Magnetic South. Of course we look at a range of things peripheral to the album like The Monkees (duh!), the real origins of country rock, being a musician known for comedy (and a pioneer in music video), Brazil and the link between Magnetic South and Star Trek.
It took a year to get around to this episode (I move slower than zombies in a George Romero film), but it was worth it. Joe is a great conversation partner – something you'd know if you've heard him on the ATTT podcast. It was a pleasure and privilege for me to finally have him on the show.
You can find the music for his jazz ensemble Brandy Sidecar at https://brandysidecar.bandcamp.com/album/the-christmas-3-ep
Ben Eisen's All Time Top Ten podcast can be found at https://alltimetoptenpod.com/
Download this episode of LTA from Spotify, Stitcher or iTunes (search for “Love That Album podcast”).
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a (socially distanced) barbecue, over coffee (on Skype), on social media….whatever way you choose, consider me grateful.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Love That Album Podcast Episode 141 - Sound As Ever: Australian Indie 1990 – 1999
The 1990s were musically diverse, but are often recalled as the moment that the so-called Seattle sound kicked down your door and got you to include its flannel shirt in your next wash. Gone were the horrible Linn drums of the 1980s....guitars, bass and drums were back. What was previously “alternative” now forced its way into the mainstream.
Welcome to episode 141 of Love That Album Podcast.
It cannot be argued – Australian music was in a very healthy state during the nineties, definitely from an artistic perspective. People loved to go hear live music and support local bands – the pub scene was carrying on a long tradition from previous decades of providing stages for musicians to do their thing....despite the disgusting disease that was poker machines being allowed into Victorian pubs early in the decade making some venues less musician friendly.
Scott Thurling started up a label called Popboomerang in the early 2000s to support the musicians he loved. He spent a large part of the previous decade seeing as many bands as he could physically get to. It comes as a surprise to no one that his knowledge of Australian independent music from this period is second to none (as is his record and CD collection).
Early on in the pandemic lockdown in Victoria, Scott and Jane Gazzo started a Facebook group dedicated to those indie bands. The group exploded with punters and musicians all willing to share stories, photos and paraphernalia. Wanting to expand the collective experience, they hit upon a plan to get as many previously unreleased songs from bands of the period and release a CD. In 2020, they released TWO albums filled to the brim with songs previously lying around gathering dust.
My great friend and previous LTA presenter, David Blom joins me to talk with Scott about Sound As Ever: Australian Indie 1990 – 1999, Volumes 1 and 2. We talk about the era, the politics, the culture, the venues, and most importantly, the songs on these anthologies.
Join the SAE group (it doesn't matter if you were there at the time or even know these bands) at https://www.facebook.com/groups/SoundAsEver.
Order the CDs or downloads from https://soundaseveraustralianindie90-99.bandcamp.com/music
Download this episode of LTA from Spotify, Stitcher or iTunes (search for “Love That Album podcast”).
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a (socially distanced) barbecue, over coffee (on Skype), on social media….whatever way you choose, consider me grateful.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Do you like Patrick Bateman? We're not actually here to discuss American Psycho, so the point is probably moot.
We ARE here, however to discuss Bateman's favourite band outside of Huey Lewis and the News, Genesis.
Welcome to episode 140 of Love That Album.
Popular myth suggests that the world is broken up into two sorts of people – those who like their rock music straight forward and edgy, and those who like virtuoso noodling with complex counterpoint and time signatures. That latter group group can be broken up into two groups – those who like Gabriel-era Genesis, and those who like 80s pop Genesis. The problem is, what about the four albums in between? (Or maybe the problem is I'm just talking guff).
In 1980, the trio of Phil Collins, Mike Rutherford and Tony Banks released what could be considered their final album that tipped its hat to the more progressive rock days while looking forward to the popular monster that they would become in the 1980s. That album is Duke.
I am joined by sound engineer, Frank Verderosa. Up until last year, he was a part of the Gilbert Gottfried's Amazing Colossal Podcast team. He's a long time Genesis fan across all eras, but this album holds a very strong place in his heart. We had a great discussion with focus on Duke, but also discuss whether the latter Genesis albums are bereft of prog of any sort (and whether the early albums are completely free of pop), sound production values, film arcs and broadway musicals....and noticeably avoid any talk of serial killers. We DID make note of one thing that would guarantee Gilbert Gottfried's interest in having Phil Collins on his show....tune in and find out.
I was thrilled to have Frank on as guest. Keep an eye out for when he finally unleashes his podcast Unsung: The People You Don't Know You Know...it's gonna be great. If you have any audio needs or just want to read what he's up to sound-wise, go to https://www.frankverderosa.com/
Download this episode of LTA from Spotify, Stitcher or iTunes (search for “Love That Album podcast”).
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a (socially distanced) barbecue, over coffee (on Skype), on social media….whatever way you choose, consider me grateful.
Learn more about your ad choices. Visit megaphone.fm/adchoices
You don't need me telling you that 2020 has...uhhh....not exactly been a highlight for a whole heap of reasons besides the obvious ones ramming their way into your consciousness every day for months.
BUT.......I'm here to tell you there's a beautiful rose that grown out of the dirt.
Welcome to episode 139 of Love That Album podcast.
If you've hung around the Facebook page for this podcast long enough, you'll know I'm obsessed with Melbourne band Icecream Hands. No one expected an album of new material from these master music craftsmen....and yet, just when we needed it most, they delivered one to us, No Weapon But Love. This is the first album in 13 years from the band (who have remained busy with other musical activities in the meantime).
One of the two main singers and songwriters for the band, Charles Jenkins, returns to LTA for the first time in 7 years to discuss the album a lifesaving operation, The Zhivagos, academia, and how Charles' love of cricket not only made him into a songwriter, but how the West Indies Cricket Team determines the sequence of an album!!!! It's twue, it's twue.....
Download this episode of LTA from Spotify, Stitcher or iTunes (search for “Love That Album podcast”). Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
A special shout out to Melbourne film maker Chris Franklin for leading me to his excellent short film about Charles called No Tears In The Writer. It's a great 17 minutes of insight into how Charles works. It's streaming at https://www.franklinimage.com.au/charles-jenkins.html
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review we’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a (socially distanced) barbecue, over coffee (on Skype), on social media….whatever way you choose, consider me grateful.
Learn more about your ad choices. Visit megaphone.fm/adchoices
The history of music (indeed, the history of humankind) is littered with tales of poor behaviour. It can range from stories of murder, molestation and drugs, to reports of every-day obnoxiousness.
Welcome to episode 138 of Love That Album Podcast.
As music fans, we make conscious decisions to either overlook or take to heart the behaviour of those we put on a pedestal for their art. We decide whether to separate the art from the artist or hold them accountable for behaviour and beliefs we cannot separate from their output.
Throughout the career of George Ivan Morison, there have been reported incidents of rudeness and poor treatment of those around him. This is in complete contrast to his music which dwells in themes of love, nature and spirituality – both musically and lyrically. In September 2020, he has tested his fanbase and given fuel to his detractors for the announcement that he is releasing new songs in protest of Covid-19 lockdown. Is this consistent with previous Van-isms or is this one step beyond?
I am joined by drummer, author, music producer and Van Morrison megafan Pat Thomas to discuss the 1972 release Saint Dominic’s Preview. It is an album that celebrates all that is beautiful in life by a man who sounds like he really believes it. However, it would be disingenuous if we didn’t take the time to discuss the walking contradiction that is Van Morrison (….and yes, we talk about the news of his Covid stance). We also discuss the place his music has in our hearts, his behaviour, his connection to Belfast, and where the album stands developmentally in connection to his catalogue.
There are artists I refuse to give patronage to for repulsive views that others have no issues with. My continued enjoyment of Van’s music may be in contradiction to others’ beliefs – so be it. There is no one size fits all.
My huge thanks to Pat for taking the time to join me for a great (virtual) fireside chat. Until he releases his book analysing the work of Van Morrison, you can read his thoughts at https://www.facebook.com/Listen-to-the-Lion-musings-on-Van-his-band-street-choir-102018017848023/ You can order his books “Listen, Whitey! The Sounds of Black Power 1965 – 1975” and “Did It! From Yippie To Yuppie” wherever great books are available from.
Download this episode of LTA from Spotify, Stitcher or iTunes (search for “Love That Album podcast”). Love That Album is proudly part of the Pantheon Podcast network. Go to pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.
If you’d consider writing an iTunes review we’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a (socially distanced) barbecue, over coffee (on Skype), on social media….whatever way you choose, consider me grateful.
Learn more about your ad choices. Visit megaphone.fm/adchoices
How do you approach the music of John Cale? He supposedly butted heads with Lou Reed in the Velvet Underground for being too experimental....the creator of Metal Machine Music didn't like that Cale was too experimental!!!!
Welcome to episode 137 of Love That Album podcast.
I am joined by my partner from the See Hear podcast, Bernard Stickwell and first time guest and music-head Fnord Buissant (aka Doug to his family). The central focus of the show is John Cale's most musically accessible album Paris 1919 (but is lyrically dense). The album is named for the post-WW1 Paris Peace Accords, so we explore how 20th century European history (as well as literature and cinema) dictated the subject matter of these songs.
Of course it wouldn't be an LTA episode without much some peripheral discussion about Cale's career in the Velvet Underground, his work as a producer, how he came to write a (none too flattering) song about Soft Machine songwriter Kevin Ayres, Oliver Reed, Dylan Thomas....and a ton of other things.
It's been way too long since Bernie did an LTA, so I was really happy to have his perspective (and his recommendation) of this album. Huge thanks also go out to Doug for making the first of hopefully many appearances on the show – the man knows his stuff.
Download this episode of LTA from Spotify, Stitcher or iTunes (search for “Love That Album podcast”). Love That Album is proudly part of the Pantheon Podcast network..
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.
If you’d consider writing an iTunes review we’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a (socially distanced) barbecue, over coffee (on Skype), on social media….whatever way you choose, consider me grateful.
Learn more about your ad choices. Visit megaphone.fm/adchoices
The story of English rock music in the 1960s often revolves around some mates meeting up and bonding over a love of blues music or wanting to be the next Beatles.
Then there's Fairport Convention.
Welcome to episode 136 of Love That Album podcast.
Fairport Convention assembled around 1966 and rehearsed in the same neighbourhood as another band of Muswell Hillbillies. The line-up has changed over the years, but the mission has always been to adapt folk music to a rock setting. Early on, they interpreted contemporary folk songwriters from North America like Joni Mitchell, Bob Dylan and Leonard Cohen. Before too long though, the band looked too their own history to make British folk music contemporary.
Bondi Cigars' guitarist Shane Pacey joins me once again, and we speak with John Penhallow, the first manager of Fairport Convention. John was there right at the very beginning due to his friendship with guitarist Simon Nicol. He played a large part in looking after the band on day-to-day business before Joe Boyd, so he regales us with stories from that period.
We speak about the early FC days, his work in archiving Sandy Denny's music, Cropredy, some band called The Ravens, and the late Judy Dyble. Beyond telling the story of a band, this is a great story about friendship and community. What other long running band still has ex-members regularly turn up to play with them?John was very generous with his time and memories. Shane and I are thankful for him making himself available.....on his birthday weekend at that!!! Also huge thanks to David Kelly for arranging this, and Mark Snowden for getting us to clarify a very important part of Fairport history.
Please explore Shane's music at both https://bondicigars.com/ and https://shanepaceytrio.com.au/
Download this episode of LTA from Spotify, Stitcher or iTunes (search for “Love That Album podcast”).
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com/ to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.
If you’d consider writing an iTunes review we’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a (socially distanced) barbecue, over coffee (on Skype), on social media….whatever way you choose, consider me grateful.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Pop music has had its share of bands with siblings: Gallaghers, Finns, Carpenters, Davies, Wilsons (some with heart and some with surf), Isleys, Warhursts…..
Then there’s the Mael men!!!!!
Welcome to episode 135 of Love That Album podcast.
Sparks, (ostensibly, Ron and Russell Mael) are that rare beast that are hugely identifiable despite having changed styles (and record companies) several times. By the time they released album number 11, “Angst In My Pants” in 1982, they’d experimented with rock, prog, euro-disco, pop….and they still had many albums and styles to go. Yet, when you hear a Sparks song, there's that "something" that makes you sure it's them.
I am honoured to be joined by music and film writers, Heather Drain and Mike McPadden to discuss “Angst” as well as related peripheral topics. The album is loaded with jerky new-wave era pop. Like its title, much of the album sounds musically nervous and this is reflected in many of the record’s songs. Join us as we talk about cigarettes with human traits, Stars on 45, humour in music without being comedic, fragile masculinity, taking the Mickey, anxiety, and (of course) hiding public erections….amongst several other tasteful topics. I also make a production comparison that I hope Heather will forgive me for……..
Having Heather and Mike on the show was a joy. They brought so much insight, and I look forward to further shows with them.
Go to Heather’s website at www.mondoheather.com to get links to her essays and podcast appearances, or to order her latest brilliant book, The Bizarro Encyclopedia of Film Vol.1
Mike is also keeping busy with 3 (count ‘em) excellent film podcasts on the go. Subscribe to 70 Movies We Saw In The 70s, Crackpot Cinema and Busted Guts: Cracking Open Comedy Cinema, and keep your film-loving earholes happy. You can also order his latest book Teen Movie Hell from https://www.teenmoviehell.com/
Download this episode of LTA from Spotify, Stitcher or iTunes (search for “Love That Album podcast”). Love That Album is proudly part of the Pantheon Podcast network. Go to Pantheon Podcasts to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.
If you’d consider writing an iTunes review we’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a (socially distanced) barbecue, over coffee (on Skype), on social media….whatever way you choose, consider me grateful.
Learn more about your ad choices. Visit megaphone.fm/adchoices
When we think of music coming out of England in the 1960s, it's often in relation to the Mersey Beat, psychedelia, prog rock, or The Bonzo Dog Doo Dah Band. England was also going through a folk music revival in a different way to the American one in the early sixties thanks to a number of artists who saw fit to combine the traditional songs of generations gone with a contemporary approach.
Welcome to episode 134 of Love That Album podcast.
I am joined once again, by blues guitarist and vocalist, Shane Pacey, to discuss the third album from English band Pentangle, Basket of Light, released in 1969. There were other great bands like Steeleye Span and Fairport Convention that were finding ways of mixing folk with rock. Pentangle had a jazz rhythm section, a guitarist in the blues tradition, a guitarist trained classically, and a singer who leaned in both a blues and folk direction. Recipe for chaos? Nope, because these were all seasoned musicians who knew how to blend their skills into a common vision.
Shane and I talk about our earliest memories of the band, the individual members' other projects, and a whole mess of other related topics, while hopefully convincing you that Basket of Light is one of the great albums deserving of your attention.
BUT WAIT...there's more.
I spoke with British jazz flautist, Rowland Sutherland who'd been invited by the London Jazz Festival in 2019 to assemble a band and play Basket Of Light live in its entirety as a tribute to the album's 50th anniversary. We discussed Rowland's background, his other projects, and how he came to arrange these beloved Pentangle tunes
Once again, I am grateful to have Shane bring his knowledge and conversation to the show....LTA is all the better for his participation. Having Rowland talk about a project so near to his heart was an absolute treat. My gratitude to him as well for his time and insight.
You can find Rowland's music and links to his recordings at http://www.rowlandsutherland.com/
Please explore the music of Shane at both https://bondicigars.com/ and https://shanepaceytrio.com.au/
Download this episode of LTA from Spotify, Stitcher or iTunes (search for “Love That Album podcast”). Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com/ to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.
If you’d consider writing an iTunes review we’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a (socially distanced) barbecue, over coffee (on Skype), on social media….whatever way you choose, consider me grateful.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Music fans generally agree that the experience of seeing musicians perform live can be the greatest experience music can offer. The way the members of an orchestra or a band can play off each other and feed off an audience's enthusiasm often results in an experience one can remember for life.
The problem is that all too often that energy doesn't get translated as a recording....the moment has been and gone, and we're left with an album that doesn't bring out the experience for those at the show (and often includes the cheating that often goes on with post production).
Welcome to episode 133 of Love That Album podcast.
(Maybe) I'm amazed that I've never done a show devoted to favourite live records....the ones that DO give some idea of what it was like to be there on the night. I put out the call to the other podcasters in the Pantheon Network and asked if anyone wanted to talk to me about their favourite live albums. As it turns out, I had to push back to a couple of shows to another date....such was the great response that I received.
Tune in and find out what the following people had to say about a favourite nominated live record:
Peter Ferioli (conspirator behind Pantheon and future host of a show I'll let him reveal)
Ty Lisson (host of The Band: A History)
Joe Wroblewski and Ryan Dixon (hosts of Highway Hi Fi)
Christian Swain (host of Rock and Roll Archaeology and Deeper Digs In Rock)
Markus Goldman (co-host of The Imbalanced History of Rock and Roll)
Brad Page (host of I'm In Love With That Song)
I spoke with the hosts individually about their picks and was able to get to the crux of what they appreciated in a live album and their picks in particular.
My huge thanks and gratitude to these wonderful people for their time and discussion.
You can download this episode of LTA from Spotify, Stitcher or iTunes (search for “Love That Album podcast”). Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com/ to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.
If you’d consider writing an iTunes review we’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a (socially distanced) barbecue, over coffee (on Skype), on social media….whatever way you choose, consider me grateful.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Tired of having your social media filled with the latest COVID-19 stats or fire and brimstone messages from friends who aren't virologists offering their two cents worth? Never fear. This month on LTA, we will digress your mind with stories of murder, depression, and drug addiction. There you go...feel better?
For episode 132 of Love That Album, I am joined by electronic music duo, Lovers and Poets ….oh yeah and the hosts of the wonderful All Time Top Ten podcast, Shannon Hurley and Ben Eisen to talk about Wilco's third album Summerteeth.
Wilco are probably thought of mostly for their collaboration with Billy Bragg, “Mermaid Avenue” or for the stranger than fiction story surrounding the recording of their Yankee Hotel Foxtrot album. Summerteeth was YHF's predecessor and is often written off as a transitional album. As great as YHF is, Summerteeth is not transitional to anything – it's its own magnificent beast. The lyrical subject matter gets very dark, which can be easily overlooked because many of the melodies are bright and poppy. As wonderful as Wilco's catalogue is, they never made another album that sounded quite like this again. Of course, aside from Jeff Tweedy and John Stirrat, Wilco in 2020 is not the same band as Wilco of 1998.
Ben, Shannon and I discuss band dynamics, musical contributions and the stories told on Summerteeth. I make a really large stretch in suggesting that the record is a concept album. Do I justify it? What are Ben and Shannon's thoughts? Tune in and find out.
I am so hugely grateful for Ben and Shannon for having this great conversation with me. Check them out weekly on ATTT Podcast (wherever you get your podcasts, or from the website at https://alltimetopten.podomatic.com/). You can check out their musical collaborations from https://loversandpoets.com/ - listen to their music and smile.
Also, in a cross podcast venture this month, I will be joining Ben on ATTT talking about the greatest cathartic albums. I will provide a separate link for this.
Love That Album is proudly part of the Pantheon Podcast network. Go to http://www.rocknrollarchaeology.com/ to check out all the great shows in the Pantheon family.
Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.
If you’d consider writing an iTunes review we’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a (socially distanced) barbecue, over coffee (on Zoom), on social media….whatever way you choose, consider me grateful.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Back in late 2015 for episode 84 of LTA, I was joined by my friend and fellow jazzhead, Terry Frost to discuss 6 jazz albums we dug (I did it again for episode 95 in 2016 by myself – not as much fun).
Episode 131 is now available to groove on. Terry joins me again as we stroke our goatees, snap our fingers and say things like “groovy daddy-o”……well, at least the part that's true is that Terry joins me again on the podcast to talk about some more jazz albums we love.
Bear in mind, we talk about this purely as lovers of the broad umbrella that the label “jazz” gives shelter to. We are not purists, nor graduates of Berklee College Of Music….but that’s the point. You can love and articulate the artform without having to be an “expert”. Tune in and be convinced.
Like last time, Terry and I talk decided to Take Six platters that matter (with apologies to Dave Brubeck). We each picked three albums to have a conversation about…..both iconic and little known gems (at least to us). We had a great time and hope you will enjoy. You’ll have to tune in to hear our choices. I won’t reveal them here, but you won’t be moanin’ about our selections……
You can download the episode from Spotify, Stitcher or iTunes (search for “Love That Album podcast”) or from the website https://cms.megaphone.fm/channel/lovethatalbum
My huge thanks to Terry, who was an inspiration to me to start podcasting in the first place back in 2011. Trust me – he KNOWS his cinema history (as well as jazz music). You can hear him on his podcasts Paleo Cinema (https://paleocinema.podbean.com/) and Martian Drive In Podcast (https://martiandrivein.podbean.com/), watch his Youtube Channel Terry Talks Movies (https://www.youtube.com/user/kultgooroo) or catch him every Wednesday evening on ABC Radio Darwin discussing….you guessed it…..films.
Love That Album is proudly part of the Pantheon Podcast network. Go to http://www.rocknrollarchaeology.com/ to check out all the great shows in the Pantheon family.
Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.
If you’d consider writing an iTunes review we’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, while hitting a six, on social media….whatever way you choose, consider me grateful.
If you enjoy what you hear, please tell a friend or ten to tune in.
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Welcome to episode 130 of Love That Album.
It's time for the annual discussion of favourite discoveries of the year. In the previous episode, I consulted with the great music journalists of Melbourne. For part 2, I am joined by my son Max to talk about albums that grabbed our attention in 2019. You want diversity? Trust me...you're gonna get it with these selections. A huge thanks to Max for taking the time to put his list and thoughts together. Sure there are a ton of other lists out there vying for your attention.....but our show is one of the many you need!!!! Hopefully, you'll discover something you didn't know existed and go out to dig in further detail.
Love That Album is proudly part of the Pantheon Podcast network. Go to http://www.pantheonpodcasts.com/ to check out all the great shows in the Pantheon family.
Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.
If you’d consider writing an iTunes review we’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, while hitting a six, on social media….whatever way you choose, consider me grateful.
If you enjoy what you hear, please tell a friend or ten to tune in.
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Hey there, LTA listeners.
Here's a short podcast vaguely explaining the state of the nation at LTA HQ.
My huge thanks to Peter and Christian at the terrific Pantheon network of music podcasts for their patience.
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It's December, so as per annual tradition at LTA Headquarters, the episodes are dedicated to discussing the best albums we heard for the first time over the year, regardless of when they were released.
I break this up into two episodes. This first one will feature me speaking to music journalists and authors Jeff Jenkins and Ian McFarlane. As well as first time listens, we also venture into musicians we lost this year, and some rediscoveries of albums past. I had a great time chatting with these fine gentlemen, and I hope you not only enjoy our conversation, but choose to follow up on their recommendations.
You can read Jeff's weekly Howzat column at http://www.livinginthelandofoz.com/howzat.html
You can read articles by Ian or order a copy of The Encyclopedia of Australian Rock and Pop at https://www.thirdstonepress.com.au/
Love That Album is proudly part of the Pantheon Podcast network. Go to http://www.pantheonpodcasts.com/ to check out all the great shows in the Pantheon family.
Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.
If you’d consider writing an iTunes review we’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, while hitting a six, on social media….whatever way you choose, consider me grateful.
If you enjoy what you hear, please tell a friend or ten to tune in.
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It's the end of an era for Love That Album. Welcome to episode 62 of Love That Album: The Compilation Edition – the final episode of the LTA offshoot.
Back in 2012, Eric Peterson (aka Reanimator) discovered the main show and of his own volition, sent me audio feedback about the bands that meant a lot to him. I asked if he wanted to continue to send audio feedback as produced segments to continue in the body of the podcast about bands he loved – I am forever grateful he said yes. I've discovered some great music through his recommendations and he made the show better.
When I started the See Hear Podcast in 2014 with Tim and Bernie, LTA had to be reduced to one episode a month due to my time restrictions. I asked Eric if he wanted to do his own LTA spinoff, so listeners would have some variety and two shows a month from the feed. These shows not only had Eric speaking about great music he loved, but how it shaped who he became and where it stood in his life. Thus LTA: The Compilation Edition was born.
For Eric's final episode, he finishes up talking about the bands that really made him the music fan he is. Drivin n Cryin from Atlanta GA, with their mix of the Doors, The Ramones, the MC5 and Neil Young. Talking about their first 4 albums, he talks about the line between the mainstream the underground.
I'm going to miss his episodes, but Eric found real life concerns calling. His shows will remain on the feed for you to go back and explore, and maybe rediscover some terrific compilation albums or artists that may have been hidden from you. He will definitely pop up on the main show from time to time as well.
Thank you so much, Eric for being such a huge part of the podcast.
Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.
If you’d consider writing an iTunes review we’d be immensely grateful. However, it’d be even better if you told a friend about the podcast – at a barbecue, over coffee, while hitting a six, on social media….whatever way you choose, consider me grateful.
Proudly part of the Pantheon Podcast Network.
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F. Scott Fitzgerald famously once said, “There are no second acts in American lives”.
Just as well that Marianne Faithfull is British.
Welcome to episode 128 of Love That Album podcast.
Marianne started out as a folk singer in the mid 60s. She was signed to Decca Records, home to the Rolling Stones. Her first single was the first song Keith Richards and Mick Jagger wrote, As Tears Go By. For a brief time, she was a major success story recording albums and appearing in films. Of course, she became Mick Jagger's girlfriend, and when you're in the Stones' orbit, you don't always come out unscathed. Her career and private life suffered greatly until 1979 when she signed to Island Records and recorded her album Broken English. It was not only successful, but came to be a landmark album by an artist that had not only been forgotten about, but became an important record respected to this day. To this day, Marianne is still recording....and it's probably all thanks to Broken English being embraced by the critics, new musicians, and the public.
I am joined once again by guitarist Shane Pacey and film writer, Kerry Gately Fristoe to talk about all things Marianne Faithfull, and especially why we love Broken English. Among many other things in the course of this conversation, we discuss politics, catharsis, having empathy for your song subject matter, being bored with your life, being an outsider, infidelity, Absolutely Fabulous....and Derek and Clive.
My huge thanks to both of my wonderful music nerd friends. You can dig into Shane's music and gigs at http://shanepaceytrio.com.au/ or https://bondicigars.com/
You can read Kerry's articles at https://prowlerneedsajump.wordpress.com/
Love That Album is now part of the Pantheon Podcast network. Go to http://www.rocknrollarchaeology.com/ to check out all the great shows in the Pantheon podcast family.
You can download the show from Spotify, Stitcher or iTunes (search for “Love That Album podcast”) or from the website lovethatalbum.blogspot.com
Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.
If you’d consider writing an iTunes review we’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, while hitting a six, on social media….whatever way you choose, consider me grateful.
If you enjoy what you hear, please tell a friend or ten to tune in.
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Welcome to episode 61 of Love That Album: The Compilation Edition.
In Eric's penultimate episode of the Compilation Edition, he talks about King's X and their role in his early twenties.. King's X, a Texas based melodic hard rock group with flourishes of soul, classic rock, funk, and alt rock were a bridge between the metal of the 80s and the alternative rock of the 90s. They had a couple of popular singles along the way, but didn't become the "next big thing" as their fans expected they would. Eric goes through their first few albums and where they fit in to his life.
Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.
You can download the show from Spotify, Stitcher or iTunes (search for “Love That Album podcast”)
If you’d consider writing an iTunes review we’d be immensely grateful. However, it’d be even better if you told a friend about the podcast – at a barbecue, over coffee, while hitting a six, on social media….whatever way you choose, consider me grateful.
Proudly part of the Pantheon Podcast Network.
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How do you classify a band that has been known to have multiple time signature changes and key modulations in one song, yet can write really catchy pop melodies? England's Cardiacs certainly fit this description, yet they defy any easy one-size-fits-all description.
I'm joined by my son Max Bursztynski to talk about Cardiacs' 1996 double album Sing To G-d released some 20 years into their career. The band may not have the level of fame of Blur, Radiohead or Marillion, but all these bands sing their praises, and after listening to this magnum opus, it's easy to understand the love. Did I say "listening"? You don't just listen to this album....you have to absorb it over many plays. It's not easy to take in, but like many great albums, every play brings new rewards.
I'm thrilled to have Max come on the show to talk about one of his most favourite bands. As well as focusing on the album, we discuss how Max discovered them, the band's history and musical development, and why it's critically important for potential fans of their music to buy a physical copy of the album from the band's website. We also ask a philosophical question for the ages.... ....what the hell is "Zolo"?
Thanks to Max for his ongoing attempts to educate his old man.
The show is now part of the Pantheon Podcast network. Go to http://www.rocknrollarchaeology.com/ to check out all the great music shows in the podcast family.
You can download the show from Spotify, Stitcher or iTunes (search for “Love That Album podcast”) or from the website lovethatalbum.blogspot.com
Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.
If you’d consider writing an iTunes review we’d be immensely grateful. However, it’d be even better if you told a friend about the podcast – at a barbecue, over coffee, while hitting a six, on social media….whatever way you choose, consider me grateful.
If you enjoy what you hear, please tell a friend or ten to tune in.
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Welcome to episode 60 of Love That Album: The Compilation Edition.
Once upon a time, in the eighties,there were bands that were trying to warn us about what was to come. This time around Eric Reanimator talks about one of them. Queensryche, a progressive metal band who in 1990 hit the right spot between pop metal and alternative before falling on the hair metal side of fence. Did they deserve better? Do they hold up? Tune in and see what Eric has to say about them, and how their music affected his life and thinking.
For those not aware, Eric will be finishing up The Compilation Edition after November, so these next couple of episodes will be very special. Tune in.
Also for those not aware, LTA is now a part of the Pantheon Podcast network devoted exclusively to music related podcasts – plenty of them. Go to http://www.rocknrollarchaeology.com/ and discover shows about music books, music writers, rock and roll films, and history. There's some killer stuff there. Go over and find your new favourite shows.
LTA will no longer be hosted by Podbean, but you should still be able to download it through all the other usual places you get your podcasts eg. Spotify, Stitcher or iTunes (search for “Love That Album podcast”).
The regular LTA podcast is taking a break just for this month, but will be back in October for an episode about British band Cardiacs. In fact, subjects for the next 6 shows are already catered for – that's NEVER happened in the 8 years of the show. I must be growing up.....
Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.
If you enjoy what you hear, please tell a friend or ten to tune in.
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As lovers of pop and rock music, we probably all have favourite bands or performers from the Sixties era: The Beatles, The Rolling Stones, The Doors, The Who, The Beach Boys etc etc. Wonderful acts all worthy of our attention. There's a problem....and it's not ubiquity. In focusing on these bands (and other iconic names), there's so many great musical acts who we never paid attention to or have completely forgotten about. Welcome to episode 126 of Love That Album podcast. In 1972, music writer (and future guitarist for Patti Smith Band) Lenny Kaye created a hugely influential compilation for Elektra Records called Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968 (to be referred to from here as just Nuggets). It contained 27 forgotten-about pop and short form psychedelic songs. Most of these songs were gems waiting to be rediscovered by music lovers who had become used to other things: Laurel Canyon songwriters, prog, hard rock / proto metal. Many of the songs we have now come to know as "garage rock" were not remembered or appreciated. Lenny Kaye wanted to change that. Since its original release, there have been a large number of similar compilations, carefully curated from regional one-off hits or great songs that went nowhere. Some comps are even assembled by fans from their extensive 45s collection to share with others. In 1998, Nuggets was expanded to a 4 CD box set containing about 120 songs and a comprehensive book. For this very special episode, I am joined by Eric Reanimator (host of LTA: The Compilation Edition) to talk about our love of Nuggets. The first half of the show is devoted to our discovery of this music, Lenny Kaye's history, and why this collection is so important to the history of rock and pop. In the second part of the show, we nominate 10 songs from the box set to talk about in detail, their own history and legacy. The beauty of this collection is its diversity. Sure there are songs with fuzzed out guitars that may have been created under the influence of certain substances, but there's glorious harmony laden pop, swaggering blues rock, and wild wig-outs....all from bands you may not know, but may be your next favourite listening experience. Huge thanks to Eric for joining me on this episode and for all the wonderful episodes he's contributed to LTA over the years. You can download the show from Spotify, Stitcher or iTunes (search for “Love That Album podcast”) or from the website lovethatalbum.podbean.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review we’d be immensely grateful. However, it’d be even better if you told a friend about the podcast – at a barbecue, over coffee, while hitting a six, on social media….whatever way you choose, consider me grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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We here at LTA HQ don’t want any favouritism amongst your podcast choices. We just want to be treated right…or rite. Welcome to episode 125 of Love That Album Podcast. I’m joined by host of the brilliant Supporting Characters podcast Bill Ackerman to talk about singer, guitarist and songwriter Terry Reid with a focus to his 1976 album Seed of Memory. Terry is one of those musicians who is unfortunately more known for what he didn’t do than what he did. He SHOULD be a musician revered as any of the 60s and 70s greats. He was loved and admired by the likes of The Rolling Stones (who took him on tour twice while he was still a teenager), Cream, Crosby Stills & Nash, and Aretha Franklin. Terry was an incredible interpreter of song, but as Bill and I concur, the two albums that cemented him as a songsmith were River from 1973 and Seed of Memory. We talk about his history as it’s an important leadup to the album itself. We “Bang Bang Shoot Down” (it’ll make sense) the “if only he’d taken this path” theorists about his artistic choices and focus on the wonderful music he made, including the unlikely film director who was a champion of this particular record. Don’t know who Terry is? Listen to the episode and let Bill and I convince you why you need his music in your life. You can download the show from Spotify, Stitcher or iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com. My huge thanks to Bill for bringing his eloquence and insight to the show – he’s definitely someone I want more on the show. You can catch Supporting Characters at http://www.nowplayingnetwork.net/supportingcharacters. He speaks to authors, podcasters, critics and historians about their work in relation to cinema. He also did a brief run of shows interviewing crew members of his favourite film, David Lynch’s “Blue Velvet” called From The Neighborhood which you can find at http://www.nowplayingnetwork.net/neighborhood Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you’d consider writing an iTunes review we’d be immensely grateful. However, it’d be even better if you told a friend about the podcast – at a barbecue, over coffee, while hitting a six, on social media….whatever way you choose, consider me grateful.
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As the Northern Hemisphere enter the humid wasteland that is the end of July into August, it is time once again for a round up of recent country artists to listen to while drinking beer at dusk. Eric has his recent tattooed, too fast for love, Outlaw Country dames who say what they think, talk about what they see going on and swear. He'd really like to buy any of these women a beer and let them loose on the stories of their music, their time on the road and whatever they want to rant about. Also... this is the starting of the end of the bonus episodes. The compilation editions are going away at the end of this year, and Eric has some details about what the next couple of months are going to be covering. You can download the show from Spotify, Stitcher or iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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Hello….it’s Love That Album. Todd Rundgren must have shares in a millinery, because he wears a lot of hats. Multi-instrumentalist, songwriter, producer, video producer, (it can be argued) comedian…….He doesn’t do anything by half-measures. Rundgren started his recording career with rock group Nazz in the late 60s, then branched out to work as a producer for Bearsville Records when he found out he was unhappy with other producers’ work. He’s responsible for a multitude of records as producer / engineer for the likes of The Tubes, The Band, Cheap Trick, and ummmm……Meatloaf. He started a run of his own records at Bearsville with 1970’s Runt establishing a very Rundgren-esque sound. For this episode of the podcast, I am joined by film blogger Kerry Gately Fristoe to talk about his third album, “Something / Anything.” How many other artists would release a double-album of diverse studio material that early in their career? With 3 sides of the album featuring the one musician playing every instrument….really well? Kerry and I talk about all manner of things around this album including arson, venereal diseases, Vikings, and zits…..as well as the less common subject matter from songwriters of love and heartbreak. We took some diversions (as is this show’s modus operandi), but in hindsight, not nearly enough. A huge thank you goes to Kerry for being such a great co-host for this one. You can download the show from Spotify, Stitcher or iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com. Kerry’s excellent film-blog can be found at http://prowlerneedsajump.wordpress.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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It's time to take a trip... back to the Psychedelic 80s?? Okay, there is a bit of 60s and a bit of 70s, but we have to pay respects at the temples of mind madness as we exalt the Head Tripper and Nightmare interpreter Roky Erickson, as his time has ended in this world. There have been many tributes to the man, but Eric has yet to speak about his role in as Horror Punk icon - and Eric has some thoughts on why Horror Punk isn't just a joke. From there we head to a slightly (and we swear that the illusions will fade away at this point) happier era of Garage & Psych pop talking about The Bangles pre-pop career via a comp called Ladies and Gentlemen, The Bangles. Finally, Eric discusses their recent release 4x3 - a comp featuring The Bangles, The Three O'Clock, The Dream Syndicate, & Rain Parade covering each others’ songs. You can download the show from Spotify, Stitcher or iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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Love That Album is baaaaaaack. For the second time in the show’s history, The Kinks are the focus of the program (look for Episode 31 back in October 2012 where I was joined by the wonderful Ben Eisen to talk about Something Else). For episode 123, film and music writer extraordinaire, Heather Drain returns to the episode 123 to talk about the Kinks’ album from November 1970, “Lola Versus Powerman and the Moneygoround, Part One”. Of course, being the gabblers that we are, many other Kinky related topics get discussed. Bans from touring in America, Ray Davies as documenter of British life, sarcasm vs heart-on-the-sleeve, musicianship, the music business, environmentalism, a sweet love song with a Kinks’ twist and the most singalong coda since hey Jude…it’s all there. We even find tenuous links to our beloved Tubes. You can download the show from Spotify, Stitcher or iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com. Once again, I'd like to thank the wonderful Ms Drain for bringing her great insight to the show. She's a terrific co-host. You can (and should) follow her writings about music and film at http:mondoheather.com and https://diaboliquemagazine.com/ She has a book coming out later this year “The Bizarro Encyclopedia of Film, Volume 1”....and if that isn't enough, she appears frequently on the greatest film podcast around, The Projection Booth Podcast hosted by Mike White. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend at a barbecue / birthday bash / barmitzvah, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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It's back to the 90s Beach time with Man Or Astro-man... Eric looks back at the era of flashing SciFi, SpyFi instro madness. Gasp at the .. ok not gasp.... smile and bob your head to Hi Energy Surf Rock as only the 90s could provide... Specifically, Eric looks at their two comps of seven-inch singles, Destroy All Astro-Men!! and Intravenous Television Continuum. He puts their revival of reverb drenched guitar tunes into context with the musical environment of the 90s. Tune in and make the scene, daddehhhhh..... You can download the show from Spotify, Stitcher or iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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Hey all you cool cats and mussel pullers….I hope you can be tempted to squeeze in some time to listen to episode 122 of Love That Album Podcast. For this month’s episode, I am joined again by guitarist Shane Pacey to talk about Squeeze. This is the band that has over its history combined hook-laden melodies with tales of human frailty and surviving difficult circumstances. You can smile and dance to the music before you realise, “Hey, that’s a song about infidelity / domestic violence / being arrested for stealing because you can’t afford to feed your unborn child”…..oh and they wrote a song about masturbation (but it wasn’t the one I thought it was for a long time). Nominally, we tasked ourselves with delving into the band’s third long player, Argybargy. However, as is customary at LTA Headquarters, we spent a lot of time discussing Squeeze as an entity as well as the record under focus. Were Difford and Tilbrook really the new Lennon and McCartney of their day? Could their songs have worked in the twenties around the piano in an old British Music Hall environment? What were Butlins holiday camps? All these questions and many more are skirted around on this episode. You can download the show from Spotify, Stitcher or iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com. Once again, my huge thanks go to Shane for taking the time out to join me on the show and giving “some old chat”. You can (and should) check out his brand of blues at either https://shanepaceytrio.com.au or at https://bondicigars.com/. If you like Bert Jansch, Shane has a great new album called The Gardener available at https://shanepacey.bandcamp.com/album/the-gardener which would definitely have been approved of by the great man. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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Eric Reanimator is back for another episode of Love That Album: The Compilation Edition. For episode 56, he wants to talk with you about two superb box sets from Rhino Records (the Criterion of CD reissue labels). Firstly, Eric discusses the vocal wonderfulness that is The Doo Wop Box. Come on.....every body loves even a little Doo Wop...it makes you smile no matter how shitty the world can get. How can you NOT smile at great songs like Goodnite Sweetheart, Teenager In Love, Barbara Ann or a ton of other more obscure nuggets? Then, just for something different, Eric discusses punk......well sorta kinda....Eric turns his gaze onto another great Rhino set called Rockin' Bones: 1950s Punk and Rockabilly. As he always says, it's about the energy, and there's a ton of it on this box. Songs from the iconic to the 1-song-wonders - Elvis Presley and Buddy Holly to Pat Cupp and Benny Joy. It's a great celebration of when rock was young and raucous. Eric will tell you why you need this music in your life. He also presents his thoughts on the demise of the box set brought on by technology. Spotify and Youtube playlists make this inevitable. While Eric laments the redundancy of the CD box in 2019, he has an interesting suggestion to CD companies about distribution of the fascinating books that always made the boxes an essential part of any music lover's collection. You can download the show from Spotify, Stitcher or iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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A brief message about the absence of a main episode of LTA in February 2019....and what's coming up over the next couple of months.
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It's been a few months since I last said this, but it's time for a new episode of Love That Album: The Compilation Edition. After some needed time to focus on real life concerns, Eric has returned with some reflections on his fave albums and music of 2018 and a couple of tributes to members of the band Legal Weapon who passed in 2018. Please welcome Eric back to podcasting life. You can download the show from Spotify, Stitcher or iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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It's January 2019....what better way to start anew year than to look in the rear view mirror. Welcome to episode 121 of Love That Album. The "favourite first time listens of the year" episode is an annual tradition at LTA, but normally recorded and released in December. As Booker T and the MGs once put it, time was tight so I delayed it to this month. I am excited to present for his first full show my son, Max Bursztynski. He did do a short segment on the year end favourites episode in 2014, but this time around, it's both of us going head-to-head for the entire episode to talk about the albums we heard for the first time in the previous calendar year. These are albums that moved or challenged us or just made us say...."yeah, that's cool". Max is eloquent and passionate about his picks. There will be something in our choices you will hopefully want to search out for yourselves. Also, we have some audio feedback from my bandmate Dan Kerr. He's passionate about singer-songwriters and has picked some terrific albums to tell you about that excited him from last year. Dan has a great music discussion group called The Listening Party. Join it, and share your favourite music discoveries. You can download all previous episodes of Love That Album from Spotify, iTunes, Stitcher or from the website at http://lovethatalbum.blogspot.com (or just type it into your podcast app of choice). You can check out Max's band This Is a Place For Dead People at https://www.facebook.com/TIAPFDP/ You can join The Listening Party at https://www.facebook.com/groups/DansListeningParty/ Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.If you’d consider writing an iTunes review or recommending the show to a friend, I’d be immensely grateful.
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Love That Album episode 120 is ready for your aural gratification. It’s December, so as is the annual tradition, I provide for you the first of two programs where I ask some wonderful fellow music lovers to give their opinions as to the great first time listens of the year. I know most people like to contemplate the greatest music released over the previous 12 months, but I like to ask my guests to talk about the best albums they heard for the first time over the past year – regardless of when it was released. That way there’s plenty of scope for recommendations of things you may have missed. I am thrilled that returning from last year are music journalist and author Jeff Jenkins, broadcaster and podcaster Billy Pinnell, and rock historian and author Ian McFarlane. Also taking part for the first time in a few years is Rockwiz co-host and adjudicator Brian Nankervis. These four fellows are inspirations to me. They listen to plenty of music and I just know that there is enough variety in their picks for something to appeal to you or for you to nod your heads wisely in agreement with their selections. Huge thanks to them all for the giving of their time to this podcast. The second episode with music recommendations will come in January 2019 when I will be joined by my son Max (an accomplished musician and keen devourer of new sounds) to have an across-the-kitchen table discussion as to our faves for 2018. You can download all episodes of the podcast from Spotify, iTunes, Stitcher or from the website at http://lovethatalbum.blogspot.com (or just type it into your podcast app of choice). Jeff’s weekly columns can be read in The Music and you can hear him every month on Radio 774 and 3RRR’s The Australian Mood. You can (and should) subscribe to Billy’s podcast The Music Show with Billy Pinnell (https://itunes.apple.com/au/podcast/the-music-show-with-billy-pinnell/id1084610942?mt=2) as well as hearing him on Sundays on 3AW. Keep up with all things Rockwiz at the Facebook page (https://www.facebook.com/RocKwizOfficialpage/) Ian McFarlane’s essential The Encyclopedia of Australian Rock and Pop is available from https://www.thirdstonepress.com.au/ Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, I’d be immensely grateful.
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When the late 70s arrived, many musicians wanted to sweep away the “dinosaurs” of rock (imagine that in 2018). Punk was about to sweeping away the complexities (among other things) and getting back to raw honest energy. Many musos liked the rawness and energy of punk but felt they had stronger musical chops that they wanted to apply to that realm, as well as explore other stylistic avenues. 1977 saw the release of the debut album of one such band from Swindon, XTC. Welcome to episode 119 of Love That Album – the second episode for November 2018. Like The Beatles before them, the back catalogue of XTC shows a development where the band that released their final album scarcely sound like the band that released their first. By 1982, they were only five years into their recording career, but the album of that year, English Settlement bore little resemblance to White Music released only a few years prior. For this episode of the podcast, I welcome guitarist and first-time guest, Geoff Pearlman, as well as the return of Sydney guitarist Shane Pacey to focus on English Settlement as well as the development of the band that reached that point. The discussion is wide and varied covering the musicianship of the band and the different songwriting approaches of Andy Partridge and Colin Moulding. We also discuss how the songs on the album covered social issues like domestic violence, gun ownership, and the fragility of modern existence. We had a wonderful time and I thank Shane and Geoff for working their senses overtime for the show. I even found an excuse to do my Tom Waits impersonation. You can download the podcast from Spotify, iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com. You can follow Shane at http://shanepaceytrio.com.au/ and https://bondicigars.com/ Geoff’s musical activities can be found at https://www.geoffpearlmanmusic.com/ Both can be found on the usual social media platforms (Facebook, twitter etc) Both of these gents make terrific music in their own right, so check them out and give them your support. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, I’d be immensely grateful.
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I love a music festival. It had been a long while since I last went to one, so a few months back I decided to book a weekend away at the Victorian rural town of Wangaratta and attend their annual Festival of Jazz And Blues. I’d promised myself that I’d attend the fest years ago…this year I finally did it. “But hey”, I thought to myself, “why not incorporate the podcast into the weekend????” With the approval of the festival PR, I was granted media access and was allowed to approach musicians for interviews. Welcome to episode 118 of Love That Album podcast. The beauty of a festival is you can wander from stage to stage and take risks with seeing performers you’d never heard before as well as long time favourites. So it is for the show, I approached 4 musicians - two drummers I’d long been a fan of and two guitarists I only became aware of as a result of the festival. All were wonderful musically and as interview subjects. Drummers Anthony Shortte (formerly of Collard Greens and Gravy, currently of Opelousas), and David Jones (Pyramid, Atmasphere, Peter Cupples Band, Third Ear and many others) are very different stylistically, but I’m a huge fan of them both and they told great stories of their passion for their music and how they approach their playing. Guitarists Alex Stuart and Ben Hauptmann were new to me. Both graduated from ANU in Canberra, but both take a different approach to their composition and arrangement. In each case though, their music tells stories of their experiences and responses to those experiences. Their recorded work and their live performances were highlights of the festival. Regardless of whether you know these musicians or their work (or even care for jazz and blues music), if you like hearing about creativity and how life inspires one's art, you’ll (hopefully) enjoy these discussions. I feel privileged to have been a part of them. You can download the podcast from Spotify, iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com. You can follow the artists via these means: Opelousas: https://www.facebook.com/Opelousas-Band-428336044323888/ Alex Stuart: http://www.alex-stuart.com/ Ben Hauptmann: http://benhauptmann.com/ David Jones: https://davidjonesdrums.com/ Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, I’d be immensely grateful.
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Since the 1995 documentary “I Just Wasn’t Made For These Times” was released, ex Beach Boy Brian Wilson has deservedly undergone a resurgence in popularity. Musicians and fans have been reminded about the brilliance of Wilson’s melodies and arrangements as well as his troubled past. However, what most people don’t recall is that brother Dennis had also inherited some of that Wilson compositional brilliance. In 1977, he released an album called Pacific Ocean Blue – the only solo album released in his lifetime (Bambu was partly recorded, discarded, then released as a bootleg). In 2008, the album was given a brilliant CD re-release with Bambu and other bonus cuts - the ever so cheerful rock critic Robert Christgau rated it a "bomb". Yeah whatever, Rob.... I'm on my own for this episode (please take pity on me - the episode is mercifully short) to talk about the musical expectations of a solo album held for a Beach Boys drummer, Pacific Ocean Blue's themes, the troubled state of mind I imagine Wilson was in to write some of these songs, and how ultimately the two sides of the record reflect the two sides of Dennis himself. You can download the show from Spotify, iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, I’d be immensely grateful.
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I'm a huge admirer of people who drastically changes they way they do things because they have no satisfaction from the “tried and true” way. This is especially true of musicians. Most of the greatest ones challenged their audiences to accept them for who they wanted to be, not what they previously were. Welcome to episode 116 of Love That Album podcast. By 1995, Emmylou Harris needed creative change, so she met with the hot producer of the day Daniel Lanois and made Wrecking Ball. This was an album that was far removed from the country styles of Elite Hotel, Pieces of the Sky or Roses In The Snow. She picked songs from well beloved songwriters and was backed by a band whose sound was a long way from the Hot Band. This was not a rejection of her past, merely an opportunity for her to see what else she could do. Shane Pacey from Sydney funk and blues outfits The Bondi Cigars and The Shane Pacey Trio joins the show for the first time. Shane and I discuss all manner of songwriting and arrangements on this album and what made it one of our favourite records of the nineties. A huge thanks to Shane not only for being a part of the show, but for his patience in sticking around while I sorted through technical difficulties which nearly killed the podcast for good (I kid you not). This was not an easy show to record, and when the solution was found, it became one of the more challenging shows I've had to edit. Technology can be a wonder, but when it turns on you, it can be vindictive.....thanks to communication tool starting with S for making this show a....memorable one. Problem now sorted. Rant Over. Dave Blom returns with an Album I Love segment to talk about the album Big Big Love from Perth band Little Birdy from 2004. My gratitude to Dave for covering for Eric while he takes a break. Dave knows and loves music. You can download the show from iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com. You can listen to Shane's music and order albums from http://bondicigars.com/ or keep in touch with his activities at https://www.facebook.com/bondicigars. Both of his bands are fantastic and worthy of your attention. Blues with a groove. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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Eric Reanimator is still on his two month sabbatical away from Love That Album: The Compilation Edition. In his absence, the most diverse podcaster out there, Tom Kwei, has prepared an episode for your earholes. Tom is a keen guitarist, and one of his heroes and inspirations is English folk player John Martyn. Martyn didn't stick to the traditional rules or styes of English folk or folk-rock. Tom dedicates the show to explaining what made Martyn's music special to him and refers to four key cuts in his catalog that demonstrate what made him such an interesting musician. Listen and be converted. You can download the show from iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com. A huge thanks to Tom for filling in Eric's shoes so admirably. You really need to listen to his other podcasts. We first became aware of each other a few years back via his and Sam Whiles' brilliant Tom Waits show "Down In The Hole". Currently his projects are: Alphabeatallica - a show dedicated to the discussion of every Metallica song...in alphabetical order (https://metallicapodcast.podbean.com/) Battle Rap Resume - chats with British battle rappers about their craft (https://battlerapresume.podbean.com/) Watching The Watchmen - analyses and discussions about the Watchmen graphic novels (https://watchingthewatchmen.podbean.com/) Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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According to the Collins Dictionary website (because I don't have a physical dictionary handy), “evolution” is “a process of gradual development in a particular situation or thing over a period of time.” There could not be a more apt title for the name of the debut album by Newcastle band, Tamam Shud. For episode 115 of Love That Album podcast, I am once again joined by music journalist and author of The Encyclopedia of Australian Rock and Pop, Ian Mcfarlane, to talk about psychedelic prog-rock (and some suggest surf) band Tamam Shud and their debut album Evolution. They'd formed several years prior as The 4 Strangers, then changing their name to The Sunsets. The general consensus was that they made surf music, though singer songwriter Lindsay Bjerre has never placed much stock in that description. What is indisputable is that they provided the soundtrack for surf movies directed by Paul Witzig. When the late sixties counter-culture turned its musical ears to the sounds from the likes of Jimi Hendrix, Cream, and Jefferson Airplane, The Sunsets changed their sound and name and evolved to Tamam Shud (and they continued to evolve beyond that point as well). They were a highly charged and exciting band. Ian and I discuss the history of the band and it's place in Australian rock history, as well as the album itself. Evolution was recorded in only a couple of hours It took almost as long to record the podcast! We also talk about how the band changed its sound drastically just a couple of years later with its contributions to the soundtrack to Morning Of The Earth, regarded as one of the greatest surf films of the era. But wait....there's more. Ian has been a regular writer of liner notes for the wonderful Australian archival label, Aztec Records. We spend time discussing some recent re-releases on the label, as well as a hugely important box set of sixties pop material from the independent label Go! Records. Gotta tell you folks, I considered myself schooled after this episode in Australian music history. I hope you enjoy listening as much as I did recording it. If you've been following the Facebook page, notes or are regularly subscribed to the podcast, you'd know that Eric Reanimator is taking a break from the show, so my great friend David Blom has elected to do a couple of Album I Love segments. This show around, he talks about the debut EP from Kevin Parker (aka Tame Impala). I always thought Innerspeaker was debut album, but there was an EP that came before that, and Dave brings his thoughts about why you need to have it in your life. Thanks for the segment, Dave. You can download the show from iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com. You can (and should) order a copy of Ian's brilliant encyclopedia from https://www.thirdstonepress.com.au/ The site also features an archive of Ian's liner notes for a number of the Aztec releases....all hugely informative. My thanks for his support of the podcast. You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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Eric Reanimator is taking a podcasting break, but we at LTA HQ don't want the listenership to miss out on their fix of Love That Album: The Compilation Edition.....nosiree Bob. Terry Frost is the Head honcho at Paleo Cinema and Martian Drive In Podcast. He REALLY knows his cinema history and is great at putting it into social context. Terry is also a fan of great film scores, and on this episode, he has decided to talk about two of them. The first is the score for Barbarella composed by Bob Crewe (a hit song writer for The Four Seasons among many others). Terry then turns his attention to the Isaac Hayes score for Shaft. Hayes had long been a hit songwriter at Stax Records, most notably for Sam And Dave (Soul Man, When Something Is Wrong With My Baby). He became a huge artist in his own right, and the theme from Shaft is arguably his most famous composition. From the moment you hear those closed hi hats (played by Willie "Too Big" Hall later of The Blues Brothers) and the track builds,you know that the music isan important part of the Blaxploitation film experience. You can download the show from iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com My gratitude to Terry for subbing for Eric this month. You can download his wonderful podcasts at either https://paleocinema.podbean.com/ (for his thoughts on a wide variety of films older than 20 years) or from The Martian Drive In Podcast at https://martiandrivein.podbean.com/ (for any genre related cinema regardless of age). Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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We talk a lot about musical progression on Love That Album podcast. If you knew nothing about The Replacements background, and heard “Dope Smoking Moron” followed by Skyway (or even Can’t Hardly Wait), you’d be hard pressed to determine how they walked the line between one point and the other. For LTA episode 114, I'm joined once again by the wonderful music and film writer Heather Drain, and by the CEO of Cigar City Management, Randy Ojeda to discuss the ‘Mats fifth studio record Pleased To Meet Me. This was an important record. It was the first official album with Bob Stinson pushed from the band (it’s alleged he was rarely around for the “Tim” recordings). It was recorded with revered Memphis producer Jim Dickinson and featured a song with their hero Alex Chilton playing guitar (as well as another about him....as all LTA listeners are aware). This should have been a monster release for the band, but it only seems to be regarded as a well-received cult album. We discuss their respective discoveries of The Mats, their favourite albums, how Paul Westerberg changed as a songwriter, the myth of their musicianship being shoddy, Iggy Pop, the music industry and love as song topic influences, and anything else that they can think of in relation to the band and this album. Eric Reanimator discusses the band Zuzu's Petals whose album “When No One's Looking” appeared on The Replacements' original label Twin Tone. Huge thanks to both Heather and Randy for their enthusiastic involvement and insight. Contributors like them make doing the show a joy. You can download the show from iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com You can read Heather’s writings about music and film at http://mondoheather.com. You can also find her works at Diabolique Magazine on line: https://diaboliquemagazine.com/author/heatherdrain/ You can also find out details about her forthcoming encyclopedia on Bizarro Films from https://bizarrocentral.com/2017/07/18/the-bizarro-encyclopedia-of-film-vol-1-pre-sale-event/ You can either find out about the wonderful artists Randy manages at Cigar City Mgmt, or get details about his wonderful musician interview podcast Cigar City Radio from http://www.cigarcitymanagement.com/ You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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When punk rock bands put out live albums, it can be a crap shoot. Are they trying to keep a buzz alive? Are they filling out a contract? Do they want to make a best of record but have albums and tracks across several labels some of which are no longer active? On this episode of LTA: The Compilation Edition, Eric talks about two live albums that act as best of records for two of the most enduring of the 80s SoCal punk bands. T.S.O.L. Live in '91 finds a band ... who didn't even use their band name.. reclaiming their music and starting to reclaim their legacy. Social Distortion Live at the Roxy is a victory lap of sorts, as the band celebrates it's rebirth and pays tribute to the trials of the past. Eric also has important news. Tune in. You can download the show from iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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When punk arrived in the mid 70s, its charter was to shake the establishment and give the finger to all that it stood for. Aim was also taken at bands taking months to record an album that were needlessly complex. They were seen as being part of the “machine”. In 1973, along came San Franciscan band The Tubes. They had punk attitude, but were not content to play 2 minute stripped-back punk songs. Their songs were making fun of middle America’s consumer obsessed society and its conservative values (haven’t we come a long way since then………right????) They weren’t angry, though. They were definitely laughing while pointing that finger, and doing shows that were part rock show, part theatre, all supposed to make your parents feel uncomfortable. They weren’t quite punk, they weren’t quite glam….what were they? For Love That Album episode 113, I am joined by the marvellous writer and podcaster Heather Drain to discuss our love of The Tubes, the nature of theatrical rock (and what defines it), how the band evolved, their live shows, and their discography. In particular, we spend time talking about their debut self titled album from 1975, inclusive of its thematic elements, the music and its inspiration, an iconic song abut bored rich youth and another about their bored rich parents. In the eighties, the band found some level of commercial popularity (with great songs), but at a cost. If you’re not a fan of The Tubes before listening to this episode, I like to think our conversation will at least make you interested to give their work a try. My gratitude goes to Heather for being giving of her time and bringing some fantastic insight. Make no mistake, folks – she’s going to be on the show a lot more going forward. Eric’s Album I Love segment follows with another theatrical band that had things to say, The Atomic Swindlers. Tune in and hear why this was his choice for this episode. You can download the show from iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com I urge you to read Heather’s writings about music and film at http://mondoheather.com. You can also find her works at Diabolique Magazine on line: https://diaboliquemagazine.com/author/heatherdrain/ You should also check out every episode she’s on (well every episode period) of Mike White’s Projection Booth podcast: http://projection-booth.blogspot.com/ You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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Anthony Bourdain RIP. Everything moves towards it’s end. We get the time we get. Death comes ripping for each of us, and this time Eric once again pauses to pay tribute to a fan of crime films, of travel, or food. A crime writer and TV host, Anthony Bourdain, who was also a fan of punk rock, rock and roll and music that moves us. If you take nothing else away from this episode, take a moment to visit places you don’t normally go, eat food you don’t know about and listen to some bands/songs that are outside of your wheelhouse. You can download the show from iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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It's time for episode 112 of Love That Album. I've gone walkabout this month, but my great friend and music fiend Dave Blom returns to take over the show. Another Australian band with a massive debut album from possibly the last wave of really big album sales. This 2003 album was the result of a perfect storm of factors for the members of Jet. The success that The Vines had (subject of previous Dave Blom LTA podcast) led to record companies searching for more Australian rock. Jet were in the right place at the right time, they had a sound that was radio friendly, they were visually marketable and they had some really good singles. So Jet cashed in on their opportunity and the result was Get Born. The album itself whilst not overly original or innovative has many highlights and makes for some very good listening. The main thing that this album has going for it is passion. Jet wear their hearts on their sleeves and aren't afraid to demonstrate exactly who influenced their music. It's time to Get Re-born once more. Eric keeps the high energy up for his Album I Love segment to talk about the music of Finnish group The Flaming Sideburns. My HUGE gratitude to Dave for bringing some class to the show. I'll be back to ramble on next month. You can download the show from iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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Welcome to Episode 50 of Love That Album: The Compilation Edition. At the start of May 2018 Tony Kinman of the Dils, Rank'n'File and Cowboy Nation passed away. Eric reflects on his music and bands, it's influence and some of the other artists he played with. He brilliantly sums up the links between country and punk, and beautifully describes the working relationship between brothers. Rest in Peace. Reaching 50 episodes is a wonderful milestone, and a huge thanks to Eric for bringing his music observations to the Love That Album podcasts in both my shows and his own. Looking forward to the 100 episode mark. You can download the show from iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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It's unusual to open up a blurb to promote the podcast with a confession of an error....but better I confess than you catch me out and roll your eyes at what a big idiot I am. I am joined by my friend and proprietor of Rocksteady Records, Pat Monaghan to talk about the 2002 album by Beck called Sea Change. At one point we discuss a particular song and I make a point about its arrangement that is incorrect. This is what happens when you rely on your memory of a song rather than actually go back and listen to confirm your memory is correct – you make stupid mistakes. I will let you work out what that mistake is. First to submit the correct answer gets a hearty “well done” from me!!!! Otherwise, business as usual here at Love That Album HQ. We discuss the more sensitive side of Beck who shared his heartbreak following the relationship split with his girlfriend with his fans via this collection of songs. Unlike much of his other work, it is difficult to dance to. Pat and I discuss our first recollections of Beck's music, our thoughts on the album, his father David Campbell, and the (likely) records in Beck's record collection. Eric Reanimator chimes in with his thoughts about Frente's 1992 platter, Marvin The Album and why it charms him. My HUGE thanks to Pat for taking the time to talk about an artist he loves on the show with me. Ditch the devil's haircut and let the golden age begin with LTA111. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you live in Melbourne, go and say hello to Pat at Rocksteady Records, Level 1 Mitchell House, 358 Lonsdale St in the CBD. Bookmark http://rocksteadyrecords.com.au/ which should be live anytime now. If you enjoy what you hear on the podcast, please tell a friend or ten to tune into the Love That Album.
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LTA: The Compilation Edition heads one episode closer to the half century. Welcome to more soundtrack madness as Eric talks in LTA: CE #49 about a number of soundtracks devoted to electronic based music spanning from the late 60s to the mid 90s. He talks about the hard/soft dynamic, the influence of Krautrock and even manages to work yet another Mudhoney song from an original soundtrack into the mix. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com.au Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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It’s time for episode 110 of Love That Album podcast. In terms of status, the Monty Python crew are like rock stars. How big? When they have musicians like Led Zeppelin and George Harrison ready to bankroll their projects, you know they were bigger than Brian…..Their routines are quoted like song lyrics. In the comedy world, their material is ubiquitous. It could be argued they went from fighting the establishment to becoming the establishment…..which is very rock star. For this episode of the show, the great Ben Eisen of the All Time Top Ten podcast joins Maurice to wax lyrical about the collection of Monty Python songs called Monty Python Sings. Do the songs work outside of the context of the sketches they were often a part of? Was performing these songs in the early seventies in a music-hall / stage musical fashion more counter culture than the rock music of the day? Does an African or European swallow have the greater air speed velocity? Ben and Maurice give answering these questions a shot. Eric Reanimator chimes in with his own comedy album selection. For his Album I Love segment, he talks about The Very Best of Dr Demento. Does he concur that dead puppies aren’t much fun? Tune in and find out. A huge thanks to Ben for returning to the show. How grateful am I? Let me count (down) the ways....You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. You can (and definitely SHOULD) listen to the most recent 15 episodes of All Time Top Ten podcast at http://alltimetopten.podomatic.com (or iTunes) or you can search through all the older episodes at http://mixcloud.com/beneisen If you enjoy what you hear on the podcast, please tell a friend or ten to tune into the Love That Album.
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For episode 48 of Love That Album: The Compilation Edition, Eric has decided to talk about a pair of hyper poppy soundtracks. First up, he talks about the set of songs recorded for 2001’s Josie and the Pussycats, then follows it up with a discussion about the tunes for a 2011 Disney film, Lemonade Mouth. The common link is contemporary pop music….and that is in the true definition of “pop” meaning “popular” music. Just go to any online music forum, and see the need people feel to say how the music of their youth was the only music that mattered and how it’s all turned to shit since then. Eric takes time to reflect on the fact that while he may not necessarily be a huge fan of all the songs these albums have to offer, but it isn’t his or anyone else’s place to denigrate anything else that others enjoy. If kids decide to pick up an instrument and join a band based on the music that’s popular in their time…..well, that’s gotta be a positive thing. As usual, Eric presents food for thought beyond the specific music under discussion. Eric closes off the episode with his thoughts about a band a little closer to his heart. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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If we’re discussing an album with songs about stalking, emotional control of another human being, Carl Jung, the Loch Ness Monster appearing as a result of a suburbanite’s frustration with life and Oedipus, you’d probably surmise Love That Album podcast is focusing on the Synchronicity by The Police….and you’d be right. For LTA episode 109, I am joined by songwriter and singer Shannon Hurley (aka Numbers Girl on All Time Top Ten Podcast) to talk about the final studio album released in 1983 by Gordon Sumner, Andy Summers and Stewart Copeland. Synchronicity was hugely popular in its day, but for some reason, the band’s detractors have seen them as a singles band at best and pretend-punk at worst. Yes, their singles were hugely popular on the radio (a cardinal sin for the cool kids), and yes, their albums did contain filler. However, many of the deeper cuts on all 5 albums revealed some gems played by 3 fantastic musicians who knew the dynamics of how to play as a band, not just 3 excellent musicians trying to outdo each other. All 3 wrote songs, some blackly comical, some too earnest, but none of it seemingly the sort of material that would be of interest to the teenagers who were buying the records. Shannon and I delve into Synchronicity track by track (a rare return to an earlier LTA format) to discuss the album’s themes, musicianship, and whether it’s dated. Eric Reanimator chimes in with his thoughts about The Crack by another punky reggae band, Ruts as well as cultural appropriation for his Album I Love segment. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. My huge thanks to Shannon for coming onto the show and bringing some great conversation. You can check out her website at http://shannonhurley.com which will have links to her albums and social media. She’s a fantastic musician and I particularly recommend her albums with Ben Eisen under the Lovers and Poets moniker. You can also hear her dulcet tones on the All Time Top Ten podcast….more on that in episode 110 of LTA. If you enjoy what you hear on the podcast, please tell a friend or ten to tune into the Love That Album.
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Welcome to the future, welcome to the Pepsi generation.. wait that's the wrong decade... this is welcome to the end of the world as we knew it and it felt .. fine... ? For episode 47 of Love That Album: The Compilation Edition, Eric talks about the 80s, seeing MTV for the first time and revisiting an era via music via the first 3 volumes of a series of CDs called It Came From The Eighties. Nostalgia is a nice place to visit as long as you don't set up permanent residence there. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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It's 2018....a new year, but Love That Album podcast is still here to party like it's 2011 when it got started. For episode 108, Maurice is presenting a solo show to talk about a pair of tribute albums. Tribute albums can be a fairly dodgy excuse to get a variety of performers to do a cover of the artist in question. These albums can lack cohesion and just be a collection of songs rather than a solid work in its own right. Often, some of the actual covers lack any real inspiration. Maurice presents two albums he feels stand apart from the tribute pack. The first is Till The Night Is Gone: A Tribute to Doc Pomus and Beat The Retreat: Songs By Richard Thompson. Tune in to hear why these albums work so well. The songs presented by a wealth of great songwriting contemporaries combine adventurous arrangements some distance from the familiar versions, along with " comfort food" arrangements. Eric Reanimator chimes in for his Album I Love segment with a couple of tribute albums. He talks about Never Say Dinosaur, a tribute to Petra and More Oar: A Tribute to Skip Spence. So let us pay tribute to these tribute albums, and hopefully you'll pay tribute to the podcast by giving it a listen. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you enjoy what you hear on the podcast, please tell a friend or ten to tune into the podcast.
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Welcome to 2018 and to episode 46 of Love That Album: The Compilation Edition. This month, Eric talks about compilations from rock and country artist Freddy Fender along with 50s guitar slingers Duane Eddy and Link Wray. All three men left their mark on rock with their sounds and their songs. So take a listen and travel back to a time when the sounds were different, simpler, yet still had the magic spark of Rock! You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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The year is almost done. The world is more insane than ever. I won't pretend that Tim Merrill, Eric Peterson or myself can make sense of it.....but we CAN tell you about the music we heard for the first time in 2017 that made things bearable. If music doesn't cure all, it comes damn close....for us anyway. We each nominate 5 albums we heard this year that reminded us about the greatness that humanity can achieve when people are not trying to screw each other over. We'll tell you our picks and why they're worthy of you seeking them out for your own collections. My thanks to my two wonderful friends Tim and Eric for sharing their timeand knowledge. I also thank anyone who contributed to an LTA in 2017 or anyone who took the time out to listen or recommend the show to others. You're all wonderful. We're not singing Kum-Ba-Ya.....all we are saying....is give Love That Album episode 107 a chance. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you enjoy what you hear on the podcast, please tell a friend or ten to tune into the podcast.
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What happens when a music broadcaster, an author, a record store owner and a journalist all walk into a podcast? (Yeah, I know it would sound better if it were a bar…..) You get Love That Album podcast episode 106. I am joined by four fine gentlemen with diverse knowledge, taste and appreciation for great music and want to recommend what rocked their world this year. They are Billy Pinnell (ex Triple M album show), Ian Macfarlane (author of The Encyclopedia of Australian Rock and Pop), Pat Monaghan (proprietor of Rocksteady Records) and Jeff Jenkins (music journalist and author). I spoke with each of them separately and have them tell me the favourite albums they heard for the first time this year. I am honoured that these fellow music fanatics, who have all had a hand in shaping what I’ve listened to over the years, graced my little podcast with their time and thoughts. A huge thanks to them all. Looking ahead to episode 107 (out in the week following Christmas), I will be joined by my great friend and See Hear podcast co-host Tim Merill, as well as LTA: The Compilation Edition host, Eric Reanimator to discuss our favourite first-time listens of 2017. We’d LOVE to read out and discuss your favourite music of the year. Send written feedback or recorded mp3 to [email protected] You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you enjoy what you hear on the podcast, please tell a friend or ten to tune into the podcast.
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Welcome to episode 105 of Love That Album podcast. It’s been a while since we’ve had a double header on the podcast, but this time around we’re doing just that. My very special guest is the charismatic and semi-regular co-host of the All Time Top Ten podcast, David Daskal. He pointed out that since it had been a while from him previously joining me on LTA, we needed to talk about TWO albums to make up for that time. We start off with a conversation about the 1994 album from indie rock band The Grays, “Ro Sham Bo”. The band included two ex-members of Jellyfish, Jason Falkner and Jon Brion. With such a pedigree in melodicism, why was this album not huge? We try to make sense of it. Then Dave and I put on our leisure suits and strut our collective stuff to the 1976 debut album “Too Hot To Handle” by the band Heatwave. Their songwriter Rod Temperton went on to write songs for one of the biggest selling records in pop history. Is “Too Hot to Handle” actually that? Not only do we give our thoughts, but the gentlemanly Will Smith of the Gentleman’s Guide to Midnite Cinema podcast contributes his thoughts about Heatwave. DIG IT!!!!! How the hell was Eric Reanimator going to find common ground between Heatwave and The Grays for his Album I Love segment? By talking about Men Without Hats, of course….so obvious. Huge thanks to the wonderful Dave, Will and Eric for being so giving of their time. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. You can hear previous episodes of All Time Top Ten with David Daskal by going through the archives at https://www.mixcloud.com/beneisen/ You can hear Will (along with Sammy and Todd) bringing class to the trash (since 1977) at ggtmc.com or by searching for “Gentlemen’s Guide to Midnite Cinema” in iTunes. If you enjoy what you hear on the podcast, please tell a friend or ten to tune into the podcast.
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When a 90s Power Pop revivalist and an 80s Pop Queen.. who really is a garage rocker at heart... team up for 3 albums of covers featuring songs from the 1960s (Vol 1), the 1970s (Vol 2) and the 1980s (Vol 3) you get a interesting road map to the music of a generation..... Eric wasn't expecting to go that way with this episode (but Maurice is happy he did).... but let's do it. This great collection goes both with some obvious favourites and some less investigated gems, showing that Hoffs and Sweet have a true love for the broad umbrella of the history of rock and pop. Ming Tea is Groovyyyyyyyyy..... You can download the show from iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, I’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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Welcome to episode 104 of Love That Album podcast. I am joined once again by hard working musician and pop lover, Rhys Lett. He’d spent most of the night playing a gig and STILL found energy on a Sunday morning to talk about the music of Emitt Rhodes – that’s dedication. Since I’m a fan of great songwriters, people have expressed surprise that it took me until about a year ago or so to discover Rhodes’ music. LA based musician and producer Chris Price was discussing his involvement producing Rhodes’ 2016 comeback album “Rainbow Ends” on Ben Eisen’s All Time Top Ten podcast. Intrigued, I sought out his first solo album for ABC Dunhill, then bought Rainbow Ends when it was released. Rhys is a long-time fan of Emitt Rhodes music, so we were able to have an interesting discussion focusing on his early bands, his one-man-band albums from the early 70s, the frustrating history behind his reason to walk away from being a recording artist, and his connection to Gabe (Welcome Back Kotter) Kaplan. Most importantly, we discuss THE MUSIC (in theory, what this show is about). More specifically, we talk a little about Emitt Rhodes first (sort of) solo album and then contrast it to his comeback album of 2016, “Rainbow Ends”. Has Emitt changed his songwriting approach? How different does an album with great session musicians compare to albums recorded methodically by one man playing and singing all parts? These and other vitally life-important questions will be answered. Eric Reanimator’s Album I Love segment also focuses on a musician who started his career a long time ago. Eric Burdon’s 2013 album “ ’Til Your River Runs Dry” gets the Reanimator love. I’d like to give huge thanks to Rhys for joining me on the show with so little sleep (though you’d never know it). He’s a passionate music lover, and it was a joy to get his perspective. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you live in Melbourne and are after music lessons on any instrument, check out the school Rhys runs, The Eastern Suburbs School of Music at http://www.essm.net.au. You can also check out the school's Youtube page where Rhys enthusiastically and expertly provides guitar tuition videos at https://www.youtube.com/channel/UC3dn8-kFMo5RUcXp2h1ZRbg. If you enjoy what you hear on the podcast, please tell a friend or ten to tune into the podcast.
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Love That Album Compilation Edition 44: Oct 2017 - Horror punk Eric wanders through part of the history and sounds of Horror Punk and bands who are steeped in the genre as well as who have dipped their severed toes in the murky waters of singing about monsters, aliens, the end of the world and all the other crazy stuff that scares people. Squares Beware! You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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Outlaw noun 1. a person who has broken the law, especially one who remains at large or is a fugitive. synonyms: fugitive, (wanted) criminal, public enemy, outcast, exile, pariah; verb 1 ban; make illegal. "Maryland outlawed cheap small-caliber pistols" synonyms: ban, bar, prohibit, forbid, veto, make illegal, proscribe, interdict (from google dictionary) This time around, it's raining in the insulation and these aren't tear drops falling... this isn't a dark cyberpunk future and we aren't more human than human. It's time to be an android, not a man... It's time for more earthbound concerns and human songs, our guides as we walk through this wicked world, searchin' for light in the darkness of insanity are the Man in Black, or those who sing his songs and the dead man walking.. Johnny and Waylon. For Love That Album: The Compilation Edition number 43, Eric is going to get into three tributes to Johnny and a box set of Waylon's tunes. Here's songs for the dreamers. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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Welcome to episode 103 of Love That Album podcast. In July 2017, I went with my family to the other side if the world - Canada to be precise - to take in the magnificent musical experience that is the Montreal Jazz Festival. We heard jazz fusion, free jazz,bop, soul, New Orleans funk, bluegrass.....and then there's the shimmering beauty that is the music of the Juno-winning British Columbian songwriter, Sienna Dahlen. Her performance with a rhythm section, a string section and a horn section in front of hundreds (maybe thousands) of music fans in the Place Des Arts was nothing short of breathtaking. I was astounded to learn that her latest album Ice Age Paradise, from which the concert material was sourced, was recorded in a mere two days. Upon my return to Australia, I contacted Sienna to discuss her album, her musical development, and winter.I was also fortunate that her father Laine was with her. Laine is an amazing artist and a songwriter to boot - one of his songs appears on Ice Age Paradise. It was a fascinating chat and I hope that you enjoy it and discovering her music. Eric Reanimator returns with his Album I Love segment to talk about Carla Bozulich and her track-for-track interpretation of the classic Willie Nelson album Red Headed Stranger (and Willie is so impressed, he even graces her with his presence on three songs). You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com.Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. You can order a download copy of Ice Age Paradise from https://siennadahlen1.bandcamp.com/releases or you can email her at [email protected] to order a physical copy of the album (either CD or vinyl). Order a copy....you'll thank me later. Check out the amazing artwork and music of Laine Dahlen at https://www.lainedahlen.com/If you enjoy what you hear, please tell a friend or ten to tune into the podcast.
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Welcome to episode 42 of Love That Album – The Compilation Edition. It's August 2017 and in the Northern Hemisphere, it's hot, so it's time for summer break and back to school and all of that...Before summer leaves, Eric has a pair of 1990s horror film soundtracks to talk about. Both feature the band “Our Lady Peace”, covers of songs by famous bands and a song writing duo people know, along with bands from the era people recall for one or two hits. Either way sometimes you just have to time travel to 1996 or 1997 and revisit the sounds that conjure those moments and were also featured in either The Craft or I Know What You Did Last Summer. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
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For Episode 102 of Love That Album, Maurice is taking a break and Dave Blom is taking over the LTA airwaves. The Vines debut 2002 album Highly Evolved marked the start of the latest big wave of Australian Rock Music. The Vines like other bands of the era followed a similar trajectory of instantly becoming the top Australian rock act and having a big first album, a moderate second album, before fading from these lofty heights. Still like other Australian bands of a similar vintage, they are still playing gigs and putting out albums. So flip your sneaker off, slap it on your face and tune in to the sound of Nirvana mixed with the Beatles that is The Vines. HUGE thanks to Dave for bringing this great episode to your earholes. He will be doing another one before too long. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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This month Eric takes on the question? Who is the Greatest Female Rock Singer of all time? Who did he talk about? Who did he talk trash about? Who has he offended? Tune in and find out. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
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Welcome episode 101 of Love That Album podcast. Ian McFarlane is one of Australia’s most authoritative and respected music journalists and historians. He’s been writing about rock music for many years in newspapers like The Australian and Juke as well as fanzines like Prehistoric Sounds. In the 1990s he wrote the definitive guide to the history of Australian popular music, “The Encyclopedia of Australian Rock and Pop”, published by Allen and Unwin. Homes of rock fans had well thumbed copies of the book and in 2017, Ian has finally released the second edition of the encyclopedia to bring it up to date. I was thrilled to welcome Ian onto the show to discuss the book, his motivation for updating it in the internet era when facts (alternative or otherwise) can be found easily online, and some interesting details from our rock heritage. This must be the only book where attention will be given to both Delta Goodrem and The Lime Spiders, the Chantoozies and Radio Birdman. We then go on to talk about one of Ian’s most favourite rock albums, “Lost” by Sydney band Died Pretty. This was the second album from the band, and the discussion ranges from how it differs from their early work, the band’s punk and Paisley underground influences, how one of the greatest songwriters in the country (actually… in the world) improved one of their songs without even knowing who they were, and much much more. Eric Reanimator’s “Album I Love” segment focuses on a band from Arizona in the US called The Naked Prey and their record Under The Blue Marlin….not Australian, but musically a very compatible band to Died Pretty, so a worthy companion piece. I love doing this podcast, primarily for the great conversations I have with other folks who love music and know a lot about its history. Ian was a fantastic co-host in this regard, and I look forward to him coming back to the show again soon. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in. You can (and should) purchase a copy of Ian McFarlane's marvelous encyclopedia from https://www.thirdstonepress.com.au/#austrockpopone or wherever great books are sold (including the finer music stores).
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'Ello Kiddies. Northern American summer's here and it's time to take a trip - a trip 2000s style with some punk and garage music. Direct from the thrift store, Eric covers a couple of Punk and Garage comps he saved from the bins. First up, a couple of comps from the Warp Tour, a shoe company-sponsored run around the USA featuring mainly US punk bands from the 90s. There's some names you'll know and some you may not. The important thing is these comps are all about music for driving in the car and blasting at 3AM to get the cops to come and visit. Eric also presents a compilation of Detroit bands from the 90s and 2000s. Once again there will be some names you'll know and some you won't but all good stuff. This comp was sponsored by a local craft brewery... Ghetto Blaster. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
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It's that time of year. The seasons are changing and Eric is committed to spring cleaning. In this case, it's gonna be some digital cleaning as he finally gets around to talking about some compilations from artists that he has been sitting on and meaning to talk about. Maybe he’s already played tracks from or mentioned more than a few of these…but then he’s going to throw in a couple of tracks from new albums that he’s still exploring. Starting it all off is some tunes from the 60s garage group The Music Machine, followed by….. well….an artist who I never thought Eric would cover – tune in to find out who it is. Then, he discusses a group from Portland called the The Jolenes and finally recommends some new records he’s digging. Enjoy. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
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Bring out the fanfare music. Roll out the red carpet. …..or maybe just download the podcast….please…. Love That Album turns 100 episodes old. Back in 2011, I started the podcast to talk with folks about great records (and maybe a couple of not so great ones….). There have also been interviews with authors of music biographies, musicians, but at the heart of it, this has been a forum for me to chat with fellow music freaks about why we love the albums we do. Many more similar podcasts have been created in recent times, and I’m thrilled that the podcast format is being used to focus on my very favourite art form. I am joined by Geoff Smith (who has been a regular on the program from the very early days) and LTA-first-timer, Dave Anderson to discuss John Hiatt’s “Bring The Family” (an album that SHOULD have been the subject of a podcast back in episode 2 – we explain why it wasn’t, if you aren’t already familiar with the story). We discuss Hiatt history, early records, family tragedy, Little Village, the connection to James Reyne….and hamsters and amoebae (as you do)…..and a ton of other things. LTA stalwart Eric Reanimator brings his Album I Love segment to talk about the Glenn Danzig project, Samhain, and the album, Initium. Look, I wanted to make a big deal of the 100 episode milestone, but it’s business as usual (no…not the Men At Work record). HOWEVER, if you want to celebrate the show, PLEASE spread the word by either writing a review on iTunes or share this post on your social media platform of choice.I’d be mighty grateful. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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Alt Rock... the early 90s style came from somewhere. Its incursion on MTV and Rock Radio didn’t come out of nowhere. It was just time for a change, but there were those who bridged the gap and moved the needle more left on the dial (‘Mats reference) and in many ways set the stage for the Pearl Jams, the Nirvanas, REMs and Alice In Chains of the world… and some of those bands were fans of these guys…. All of this is to say that Eric Reanimator is back talking once again about Queensryche, King’s X and Drivin’n’Cryin (don’t worry he will be back to Punk, Country and Country Punk soon enough). Anyway Eric talks about a time a quarter of a century ago when for a moment (mainly late 1990 and into 1991) those three bands made the charts, had a few hits and had videos on MTV. So sit back, strap yourself in, and time travel back to the early nineties. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
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Episode 99 of Love That Album podcast is available for your enjoyment….and I’m really happy with this one. For this episode, I present an interview I did with Chris Wilson on the 25th anniversary of his first album post-Crown of Thorns, Landlocked. Chris is a triple threat. He is among Australia’s greatest harmonica players (and has played on sessions for some of the greatest performers in Australian rock music). He has an incredible and distinctive baritone voice that can be mighty and booming or tender and gentle. Finally, he is the equal of any of the greatest songwriters in Australia with a gift for poetic but earthy lyrics and great melodies. If you’re a fan of Don Walker, Paul Kelly, or even Captain Beefheart or Tom Waits, you need to give Chris a listen. We spend some time talking about the 1992 album Landlocked, but also touch upon the Melbourne pub band scene of the era, his songwriting and blues heroes, and how Crowded House asked Chris to do something that invoked the displeasure of the great Vika Bull. Download the show to find out what it was. Eric Reanimator returns with his “Album I Love” segment to hip you to the country side of The Groovie Ghoulies in their guise as The Haints. He talks about their 2004 album Hurt & Alone. I hope you enjoy episode 99…..that’s one less than episode 100….which is next month….just puttin’ that out there…. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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A message from Reanimator: Et Tu Brute? A XXXXXXXXXDarkXXXXX XXXXXX XXXXXX XXX XXXXCyberpunk XXXXX BUTTLE XXXXX XXX XXX XXXX Hard Times XXX XXXX XXXX XX Amerikka XXXXX Jennings XXXXXXX XXX XX XXX XXX Wanders XXXX Lovers Left Alive XXXXX Operation XXXXXXX XXX XXX XXX XXX XXX XXX Mindcrime XXX XX XX End of the World XXX XX XXXXXXX XXX XXX XXX XXX Hardwxxer XXX XXX XXX XXX XX MazingX XXX XXX XXX Stooges XXX XXX XX King X XXXX XXX XXX XXX XXX XX You can download the show by searching for Love That Album in the Tunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
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It’s time for episode 98 of Love That Album. Soul music can be raw or it can be smooth. It can convey emotions of the heart or it can be about confronting social injustice. Above all, soul music is about the groove and making you feel honest emotion….. On this month’s episode I am honoured to be joined again by film and music enthusiast Will Smith, co-host of the magnificent Gentlemen’s Guide to Midnite Cinema podcast (bringing class to the trash since 1977). Will is a huge devotee of soul music, so we decided to introduce each other to three great soul albums and then discuss our thoughts about the music and the artist. In no particular order, those albums are: Soul Power – Curtis Harding Etta James – Rocks The House Darondo – Listen to my Song: The Music City Sessions Emma Donovan and the Putbacks – Dawn Millie Jackson – Caught Up Jackie Shane – Live These albums are diverse and are both old and new. They also are not limited to American geographical boundaries (Emma is Australian, Jackie is an honorary Canadian). However, they all share a sense of honesty and grit. Eric Reanimator jumps on the soul train (sort of) with his Album I Love segment where he talks about Rev Up: The Best of Mitch Ryder and the Detroit Wheels. There’s surely some high energy soul being covered by Mitch featuring songs previously done by Little Richard, Ray Charles, James Brown. It takes confidence to carry that material off, but Ryder and the Wheels had IT. So get some soul in your bowl (….it rhymes, what can I say?) and join Will, Eric and myself to hear exactly why you need these albums in your life. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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Punk Rock, early 80s style. That's what Eric is covering this time around with coverage of the Welcome to 1984 and Not So Quiet On The Western Front compilation albums. Both feature bands from the early 80s when punk had evolved from the revved up styles of the 70s and become the so called Hard Core era. The bands on these comps are raw, in your face and filled with energy and attitude. Maybe they’re albums for our times. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
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An announcement about the delay of this month's (January 2017) episode and what will come in Feburay.
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Welcome to the episode 35 of LTA: The Compilation Edition. It's 2017 and Eric is starting it off with thunder, lightning and the rumble of Hard Rock, Heavy and Thrash Metal. Starting off with the German comp, King Solomon's Goldmine featuring 70s hard rock, Punk, Kraut Rock and even some Pop Rock. Following that is discussion of the 18 Headbangers From The 80's comp which features everything from top tier metal acts like Black Sabbath (the Dio fronted version) to Judas Priest alongside 80s pop metal acts Ratt and White Lion and assorted oddballs including Eric’s beloved King’s X. Jumping to another type of comp Eric next talks about Dave Grohl’s 2004 project Probot. Grohl wanting a good old fashioned (read 80s) style metal record set out to record a group of songs featuring a number of different metal singers including: Lemmy, Wino (The Obsessed), Snake (Voivod) and Lee Dorrian (Cathedral). Finally, there’s a covers album by the band October 31. Metal Massacre 31 contains 10 covers of songs that appeared on the Metal Massacre comps during the 1980s. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
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So if 2016 were to sing The Angels’ “Am I Ever Gonna See Your Face Again?”, what would you reply? Wrong!!! The answer is “I’ll let you know after I’ve listened to episode 97 of Love That Album podcast”. It’s time for the annual roundup of favourite albums heard for the first time over the year. I’m joined by host of LTA: The Compilation Edition, Eric Reanimator, and my See Hear podcast co-host Bernard Stickwell. Our lists cover country, funk, punk, jazz, rock….. and surf music. Not only that, but some very kind LTA listeners also chime in with their favourite albums heard this year. Join us for a fun filled episode. I want to thank anyone who joined me on a show, steered the show while I took a break, listened to a show, provided feedback or recommended the show to someone else. Without you, the show would be dull and only heard by my cat. 2017 will see the recording and release of episode 100 – not a landmark I aimed for when I started in 2011. Now it’s around the corner, and I’m very excited. I wish all listeners and participants a safe New Year. Let’s meet up again in 2017. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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Welcome to the episode 34 of LTA: The Compilation Edition. Okay, enough of that It's the end of a very strange and tough year, so goodbye 2016, and we'll be glad to see you go. This time however Eric takes a moment to reflect back on the year, talk about some comps and pay tribute to one of those we lost. The comps covered in this ep are a sketchy mass produced 70's Pop thing called “70's Pop Generation: Dancing in the City” featuring a couple of one hit wonders, some also rans and a few old ball tunes. Then, Eric goes totally out of his wheelhouse and talks about some electronic music covering the cassette tape release of Ghost Car Records 2008 to 2010, a synthwave reissue on the Swedish Columbia label. There is some talk about too much stuff to listen to .. blah blah blah... and then a few words about the man who fell to earth and we’re out... 2016 is done... NOTE: The final “regular” edition of Love That Album featuring a round table of favourite first time listens for 2016 will be out in the week between Christmas and New Year (or the week of Channukah). You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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Episode 96 of Love That Album is available....and like a bridge over troubled water, it will ease your mind. Maurice is joined by Ben Eisen ofthe All Time Top Ten podcast to discuss the final two studio albums from Paul Simon and Art Garfunkel, 1968's "Bookends" and 1970's "Bridge Over Troubled Waters". Their Everly Brothers inspired vocal harmony blend, combined with Simon's songwriting and Garfunkel's fragile vocal style make them a truly unique pairing. Their albums to this point had already yielded classic songs still recalled to this day,but both Bookends and Bridge not only further demonstrate their way with great songs, but also stylistically advance into directions Simon would continue to explore in his solo career. Ben and Maurice talk about their introduction to S & G and what keeps them listening to these albums throughout their lifetimes. The only thing missing is the two of them harmonising......but they chose not to do so, because they wantedtokeep their listeners satisfied........ Eric Reanimator's "Album I Love" segment covers the the Crash Test Dummies. The band is more than just that (admittedly great) hit Mmm,Mmm, Mmm,Mmm. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in. You can catch episodes All Time Top Ten by searching on iTunes or going to http://alltimetopten.podomatic.com If you want to check out, Ben's own duo Lovers and Poets featuring his wife and very fine songwriter Shannon Hurley (also a previous LTA host),you can do so by going to http://loversandpoets.bandcamp.com/
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Welcome to the 33rd instalment of the Love that Album Compilation Edition. It's November 2016, and it's time go back in time to the dawn of Rock and Roll to visit with the King... yes that one, Elvis... and one of the originals of Rock and Roll, Bo Diddley. Up first Eric talks about the Elvis comp The Swedish Hits - no kidding, he somehow got Sweden in the mix again!!! Anyway, the 2 CD set sold in grocery stores includes both some of the best known tracks by The King and some lesser recalled ones. From the King Eric moves on to maybe his favourite 50s Rock and Roll Legend, the one the only Bo Diddley. Taking tracks from His Best and the Chess Boxset, Eric tells why he's down with the Beat, and why you need some Diddley in your collection... You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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Welcome to episode 95 of Love That Album. To some folks in the podcasting world, we’re in the month of Shocktober. At LTA headquarters, it’s Jazztober and Maurice is celebrating by doing the second Jazz Mystery Box episode (Check out LTA #84 with Terry Frost for the first one). Maurice has picked three jazz albums from his collection he wants to notify the podcast listening world about, and then proceeds to do just that.What are the albums? THAT is the mystery. Download the show and find out. Maurice make no claims to being a jazz expert – there are people who know a ton more than he does, both in the history and the music theory of jazz.All he's doing is using his enthusiasm for these albums to get some recommendations across. Eric Reanimator gets his jazz mojo working with his Album I Love segment to talk about the jazz soundtrack for the 1988 Mike Figgis film, “Stormy Monday”. You truly don’t have to be a jazz fan to dig this episode….but of course if you are, you should still enjoy. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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Welcome to the 32nd instalment of the Love that Album Compilation Edition... it's October. Rather than talk about some horror punk or dusty Alt country, this time around Eric discusses the Steel Guitar Jazzy great American Song book filled albums of Jon Rauhouse and his collection of collaborators. Over the course of three albums Rauhouse (Jon Rauhouse's Steel Guitar Air Show, Jon Rauhouse's Steel Guitar Rodeo , Steel Guitar Heart Attack) has delivered a great collection of tunes of mainly covers featuring his guitar work and a host of guest singers including; Kelly Hogan, Neko Case, and Sally Timms. All three records were issued on Bloodshot Records... which leads to our last album... Jon Langford And The Pine Valley Cosmonauts – The Executioner's Last Songs Volume 1... (Full title/aka): "The Executioner's Last Songs The Pine Valley Cosmonauts consign songs of Murder, Mob-Law& Cruel, Cruel Punishment to the realm of Myth, Memory & History to benefit The Illinois Death Penalty Moratorium Project" in which more Bloodshot artists (and a few others) contribute murder ballads and other songs about the end… in a punky death laden alt country sound... okay I guess some of that slipped into this month's episode... anyway... You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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Love That Album podcast episode 94 is ready for your aural pleasure. Maurice is joined by Julian Gillis (friend from school years and long-time absentee from the show) to discuss an album that cemented their friendship, 1989’s “Claim” from Melbourne band Not Drowning, Waving. For the uninitiated, this is music you can relax to, boogie to (yes, “boogie” specifically – find out why), and think about. It mixes rock and Papua New Guinea influences, as well as the music of Indigenous Australia. The band’s songwriter was David Bridie who has a keen sense of how to tell a great story. He tells tales of ordinary people and their lives through small details like a great novelist would do. As well as their own discussion of the album, Maurice and Julian chat to David Bridie himself to find out his recollections of the album and the band’s broader history. It was truly a privilege to talk with David and for him to be so giving of his time while giving insight into this great album. Eric Reanimator returns with his “Album I Love” segment to talk about Finnish indie/lounge band (?) Branded Women and their 2006 album, “Cities and Seas”. You can download the show from iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. Please consider writing a brief (or lengthy) iTunes review. If you enjoy what you hear, please tell a friend or ten to tune in to the show.
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Welcome to episode 31 of Love That Album: The Compilation Edition. Eric is talking about some punk rock reissues from the Grand Theft Audio label this time around. Grand Theft Audio specialized in reissues of punk music mainly over looked, forgotten and ignored bands from the golden era of the late 70s and early 80s. The reissues were oriented towards 'complete recording' from a time period. Starting off is Popular Easy Listening Music Ensemble (P.E.L.M.E.) and their album Relax With... from 1995. They were playing in a slightly different sandbox from the rest of the CDs Eric is going to talk about with their mix of hardcore, industrial, punk, noise, exploring experimental sounds. This isn't music for the casual listener or for the back ground, but for those who like chaotic noise and speakers set on KILL! Getting back to a something a little more common is Long Beach CA, early 80s Hardcore Punk band, Funeral and the release Have You Seen My Leather Jacket? Funeral was notable for including later Tex and the Horseheads member, Mike Martt. In their recordings you can start to hear the expansion of the the Hardcore sounds towards a sleazy blues rock that would take over the LA scene in the mid to late 80s. Here that sound is only slightly in the mix and not as obnoxious as it would become as time and hair spray infiltrated the LA club scene. Moving on we have Red Scare and the As Promised (1982-1988) release. Featuring the vocal talents of the late Bobbi Brat singing songs with a very psychotronic edge. The Shining and James Bond are both referenced, however it's their classic Street Life that's the stand out track. Finally you have the neighbours of the beast Mourning Noise and the disc Death Trip Delivery - 1981-1985. These guys lived across the street from the Misfits and Steve Zing from Mourning Noise would go on to play in Samhain with Danzig. Few punk bands from the USA have had the underground impact that the Misfits did and it's a treat to hear one of the first of the bands they inspired. When Eric first played these tracks for my fanatic Misfits fan friends they at first thought he was playing them 'lost' Misfits demos. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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Welcome to episode 93 of Love That Album podcast I’m baaaaaaaaaaaaaack........... For the first episode after my LTA sabbatical, I have invited proprietor of Melbourne record store Rock Steady Records and all-round gentleman, Pat Monaghan, to join me in discussing one of his most very favourite bands The Triffids and their debut album (sort of) Treeless Plain released in 1983. The Perth band were outsiders in a pub-rock environment where hard rock or Top 40 cover bands were dominating the scene. Yet, songwriter and poet, David McComb and his fellow Triffids were dedicated to their style of music and pursuing their unique vision. Through years of touring, living in London and developing their craft, they earned the love and respect of their peers – Nick Cave,Paul Kelly and The Go-Betweens to name a few (and were recently name-checked in a Courtney Barnett song showing their enduring appeal to a newer generation of songwriters). Pat and I started out to discuss Treeless Plain and how it stands in their back-catalogue, especially compared to their acknowledged masterpiece Born Sandy Devotional, but we also make a lot of diversions to put the music into historical context. Truly, recording with Pat makes me glad I do this show. He’s a wealth of knowledge and considered opinion. Do join us for this one. I have been meaning to record with Pat for a long time, so I’m thrilled we finally made it happen. Eric Reanimator is back with his Album I Love segment talking about the Underground Paisley scene of the 1980s giving some time to a couple of albums from the band True West, Drifters and Hollywood Holiday. I’ve already given thanks to the great presenters who filled in for the 3 months I wasn’t doing the show. I also want to thank you listeners for giving them your earholes over that time, and are now (hopefully) giving me your listening attention. I hope to bring some great new shows in the coming months. October brings the 5th anniversary of LTA and early 2017 will bring the 100th episode of the main show. Stay tuned for details. You can download the show from iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, I’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in to the show.
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Welcome to episode 30 of Love That Album: The Compilation Edition. This time around, Eric talks about the music of the hot American summer: country and blues. First up, Eric discusses a pair of tribute compilation albums dedicated to Waylon Jennings: “I’ve Always Been Crazy” and “Lonesome On’ry And Mean”. One features more mainstream country acts and the other, alt country artists and bunkers. If you are one of those people who thinks country music isn’t for you, Waylon might be a good entry point. From his early days as Buddy Holly’s bass player to the 70s outlaw country era, and then finally as a member of the supergroup The Highwaymen, Waylon left his mark on the landscape of popular music, and it’s easy to hear why so many artists stepped forward to cover his songs. Next, Eric explores a couple of volumes of The Jeffrey Lee Pierce Sessions Project where artists like Nick Cave, Iggy Pop, and Mark Lanegan have covered demos of unreleased Jeffrey Lee Pierce songs. For those unfamiliar with Pierce, he was a part of the early LA punk scene where his band, The Gun Club were pioneers of mixing punk and blues. While bands like X, The Cramps and The Minutemen have been embraced by the many in the music world, The Gun Club and Pierce remain one of the last truly underground / cult artists of the period who wait for greater acceptance. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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Welcome to episode 92 of Love That Album podcast. In this final month of my sabbatical from the podcast, the good ship LTA is steered by previous co hosts (and passionate Australian music experts), Dave Blom and Sitting In a Bar In Adelaide’s, Michael Pursche. Popular Australian music has gone through many phases over the years and presented here are 2 almost forgotten by the mainstream, Australian albums from the 1970’s that belong to two different eras, despite only being separated by a few years in terms of their release date. At the Mountains of Madness by Blackfeather is a landmark Progressive Rock album,one that features a big hit single, the original version of "Seasons of Change" which featured Bon Scott on recorder. Scott was so taken by this song, that it was agreed that his band Fraternity would get to record it and release it. Blackfeathers' record label upon seeing the success of the Fraternity version, then decided to release the original Blackfeather version which is included on this Album. The album itself is an interesting blend of Rock and Roll combined with the sort of psychedelic noodling that would make early Pink Floyd proud. This album was recently re-issued by the Aztec label and is well worth the effort of listening to. Blackfeather then experienced several line-up changes over the years and a very different sound for their subsequent releases. Most Australian people are familiar with the sounds of the Little River Band,Skyhooks, Sherbet and AC/DC. Avalanchestraddle the gap between the first 3 of these bands and the last, butunfortunately most people wouldn't be familiar with their fantastic self titledrelease from 1976. The musicians coming off the back of working with Brian Cadd produced this epic 11 track effort, that stands up well today. The music range on this album is extremely diverse and highlights the talent that each member brought to the studio. Avalanche re-named themselves as Front Page in 1978 after Cox and Harrison had left and managed only one single "I Thought I'd Never Fall In Love Again"/"Rockin' Hollywood. After splitting, Naylor joined Jon English's backing band Baxter Funt and Campbell would be spotted in the early 80s as part of Funk band Adrian's Wall. Clive Harrison would later issue a 1982 solo album 'Once Bitten'. Geoff Cox went on to become a Media personality on radio and TV, most famous for his show "Coxy's Big break". So,two forgotten gems, well worth checking out. We hope you Love these albums too. As long as Michael and Dave are discussing Australian bands with art rock leanings, Eric Reanimator has appropriately picked an album for his Album I Love segment by Dead can Dance. Originally out of Melbourne, they mix art rock and Middle Eastern Sounds on their album, Eric discusses their 1993 album Into The Labyrinth. I am so immensely grateful to my great friends for hosting the podcast and keeping your earholes loaded with great music discussion. For better or worse,I am back next month. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (writtenor mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum Download Sitting In A Bar In Adelaide from http://www.podcastgarden.com/podcast/siabia If you enjoy what you the podcast, please recommend us to a friend or ten....real life, social media, the guy at work whos ays he likes music....
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Welcome to Episode 29 of Love That Album: The Compilation Edition. This time around Eric goes freeform once again to talk about... well Sweden... but first he's got some chatter about the late 50s early 60s Brill Building Sound.. a collection of recordings originating in from the New York City center of the music publishing world... acts like Bobby Darin, Ben E King, a host of Girl Groups, The Shangri Las and Paul Revere and the Raiders worked with the like of Phil Specter and created music that has lasted for generations... ….and then it's back to Sweden.. this time to talk about the 65 to 68 Garage Rock scene where Swedish youth took their shot at being the Beatles or the Stones and maybe, just maybe laid the ground work for the Swedish music scene to come... you know that Eric is running out of Swedish rock to talk about on this podcast so this might be you last chance to hear about that scene.. or not.. Either way tune in for your rock fix.... You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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Welcome to episode 91s of Love that Album. While Maurice continues on his walkabout/vision quest, Eric Reanimator (of LTA: The Compilation Series) continues leading the show. For this episode, he is joined by creator of the Feed My Ears music discussion Facebook group, John Ross to talk about two classics of the grunge era.. They start the show by discussing the Screaming Trees' “Sweet Oblivion” album from 1992. Featuring Mark Lanegan on vocals, the Screaming Trees were largely overlooked in their day despite being around at the right place and right time, securing a major label contract, and being an integral part of the Seattle scene. Following the discussion of the Screaming Trees and a couple of digressions, they proceed to talk about the 1995 album “Above” by Mad Season. A one album super-group project featuring members of Alice in Chains, The Screaming Trees, and Pearl Jam, Mad Season was recorded as an artistic response to the substance abuse issues in the Seattle scene. While the album did well and contained a couple of well-known songs, the deaths of 2 of the bands members effectively ended the band. Eric and John discuss all of this and more. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you want to carry on more great music discussion join Feed My Ears athttps://www.facebook.com/groups/feedmyears If you enjoy what you the podcast, please recommend us to a friend or ten....real life, social media, the guy at work who says he likes music....
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Welcome to Episode 28 of Love That Album: The Compilation Edition. This time around Eric goes freeform once again to talk about some UK based Rock, Power Pop and Punk... First off is a couple of thoughts about the UK Rock group The Move featuring a pre-ELO Roy Wood. The Move who, despite their nine Top 20 UK singles and being one the most popular British bands, never seemed to click with listeners in the United States. Eric notes that they have been covered by Cheap Trick and cited as one of the influences on one of his favourite bands New Math/ Jet Black Berries. Next up, calling back to I'm In Love With That Song: Love That Album - The Compilation Series: Episode 14: Power Pop Perfection Eric talks about the 2 volumes of of the Rhino Records D.I.Y. series which cover the UK pop end of the spectrum. DIY: Teenage Kicks - UK Pop I (1976-79) and DIY: Starry Eyes - UK Pop II (1978-79) which features bands and songs you have heard alongside ones you haven't... You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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Welcome to episode 90 of Love That Album... this time around Maurice is on a walkabout / vision quest... is he looking to find which album by the Cult is better Sonic Temple or Ceremony? We will have to wait and find out. In the mean time Eric Reanimator (of LTA: The Compilation Series) has taken the controls for this episode and is joined once again by Tim Merrill (of the See Hear podcast) to present some music discussion. First up, they talk about Small Parts Isolated And Destroyed by Nomeansno a Punk Funk Jazz Post Punk record from 1988. Drawing on the weird end of the punk movement, Nomeansno create a record for fans of Primus, Faith No More and other Zappa damaged odd players. They then head to Portland to talk about Feel The Darkness from 1990 by the punk band Poison Idea. You might not know the band but if you have or heard a copy of one of the biggest selling soundtracks of the '90s, you have heard at least one of their songs. We hope you dig it. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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This time around Eric goes freeform once again to talk about two 80s sub genres- The Paisley Underground and Cowpunk scenes. Bands like The Dream Syndicate, Green on Red, and The Rain Parade get some love along side Rank N File, Guadalcanal Diary and Naked Prey. Eric ends with some examples of bands that carried the Paisley Underground and Cowpunk into the 90s and beyond. So if you are looking for some Alt Country 80s style, tune in, take notes and get ready to dig for vinyl... You can download the show from iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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Hear ye, hear ye. Listen to the following announcement from LTA Headquarters
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It’s time for episode 89 of Love That Album podcast. Maurice is joined in discussion by Darian Sahanaja, the long time “music secretary” of Brian Wilson’s band. He is also one of the songwriters and keyboard player for Los Angeles pop maestros, Wondermints. Besides Darian, Nick Walusko, Mike D’Amico and Probyn Gregory have all been absorbed into Brian’s band. The conversation took place while Darian was in Australia with Brian for a final tour playing Pet Sounds live. The conversation incorporated Darian’s early love of Beach Boys (and how it got him beat up), the great albums of Wondermints (including Mind If We Make Love To You and Bali), Austin Powers, Henry Mancini, 60s pop, lounge music, Darian’s involvement with the 40th anniversary of The Zombies’ “Odessey and Oracle”, the nineties power pop movement….and a whole lot more. Thanks so much to Darian for being so generous with his time. We hope all Love That Album listeners will enjoy this fascinating insight into this great musician. You can download the show from iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com NOTE: There is another portion of the interview that was cut out and made available for a See Hear Podcast bonus episode where Darian discusses his involvement with the Brian Wilson biopic, Love And Mercy. You can download that from seehear.podbean.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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This time around Eric goes deep into the well of his musical core, exploring three soundtracks that had a strong and important impact on his life. First, the 1985 soundtrack for the film Return of the Living Dead which mixed punk rock, horror film themes alongside the emerging hard rock, retro fitted new wave and synth sounds of the era. Next is the soundtrack to Eric's beloved Punk Western Dudes with its mix of late 80s Punk, Hard Rock and the grumblings of what would become Alt Rock in the next several years. Finally Eric talks about one of the biggest selling soundtracks of the 90s... Singles (Original Motion PictureSoundtrack) ... and touches on the film, the time, and his recollection of the era.... enjoy. You can download the show from iTunes (search for “Love That Album podcast”) or from the websiteat http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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It's finally time for episode 88of Love That Album. My apologies for not being able to record in February. For the second successive episode, I am joined by Tom Kwei, co-host of the Down In The Hole podcast. For this episode we focus on an album I have wanted to feature on LTA for a very longtime, Gillian Welch's "The Harrow And The Harvest". When I say Gillian Welch, I mean that as the name of the duo featuring Gillian Welch and David Rawlings (they say they are a band who just happens to be named after one of their members). Gillian and Dave have only recorded 5 albums (plus another two under the Dave Rawlings' Machine moniker).They certainly don't believe in rushing anything. It was 8 years between"Harrow and Harvest" and their previous album "Soul Journey", but the perfection of songwriting and musicianship on this album makes you forgive them for keeping us waiting so long. Tom and I discuss the stories,and how the Gillian and Dave can sound old-time Appalachian and yet very contemporary. We also discuss murder, lust, religious guilt, when youths'dreams are not fulfilled, and relationships gone bad - just another day in the Welch / Rawlings office. With Gillian and Dave having just toured Australia, I also take the time to talk about the great show they did at the Palais Theatre and why it will be permanently etched into my brain. Eric Reanimator's "Album I Love" segment covers another dark album, "Brave" by Marillion. Tom suggests that there's a different reason this album is connected to the Welch / Rawlings album - tune in and find out his reasoning. My thanks go to Tom for joining me for a second month in a row, and taking the time to ponder musicians aside from the marvellous Tom Waits. You can download the show from iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, I’d be immensely grateful. If you’re a Tom Waits fan (and why wouldn’t you be!!!!), I’d urge you to check out Down In The Hole. You can download from iTunes or listen on line at https://www.youtube.com/channel/UCxRst_jRx-V37voc3dOiQKQ They also contribute written articles about Tom at https://tomwaitspodcast.wordpress.com/ Tom has a second podcast called Battle Rap Resume. Check that out at https://www.youtube.com/channel/UCHagYQQWTsylRD8HGXrUcPw If youenjoy what you hear, please tell a friend or ten to tune in to any of these podcasts.
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Eric has reached the nice milestone of 25 episodes - a quarter of a hundred, I tell ya - with the LTA: The Compilation Edition episodes. This time around, Eric delves into discussion of compilations from Polly Styrene and X-Ray Spex, The Revillos, and their reincarnation as The Rezillos. More pop punky goodness for your earholes. DIG IT!!!!! You can download the show from iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, I’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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So even though there is not a regular edition episode of Love That Album this month (February 2016), Eric Reanimator is working hard to keep you folks who love your music discussion podcasts happy with episode 24 of Love That Album – The Compilation Edition. This time around Eric is discussing bringing some more punk and power pop to y’all. He’s dropping some knowledge about releases from some really fun sounding LA bands The Last, The Weirdos, The Angry Samoans and The Joneses. Like a punk record from the day, it’s brief but sweet....and if you're a Baby Boomer (take a deep breath, Eric) you're bound to raise a smile at a cover the Joneses do. Get onto it.You can download the show from iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.comSend the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.If you’d consider writing an iTunes review or recommending the show to a friend, I’d be immensely grateful.If you enjoy what you hear, please tell a friend or ten to tune in.
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Love That Album podcast is back for 2016. Episode 87 features a discussion of an album I’ve wanted to talk about for a long time. It’s taken until now to find someone equally enthusiastic about Joe Jackson’s 1997 album, Heaven and Hell to co-host the show. I am joined by Tom Kwei, who along with his mate Sam Whiles, hosts an excellent show focusing on the albums of Tom Waits called Down In The Hole. If you’re willing to talk about Tom Waits, you’re surely up for some heavy duty conversations. Together we discussed JJ’s musical adventurousness in pursuing many different styles of music. Here he marries 20th Century Classical with 90s electronics (not trip-hop style, but he must have been paying attention). Heaven And Hell is a concept album of sorts where the linking theme between the songs are the 7 Deadly Sins. Joe and the other singers and musicians he collaborates with on this album tell a tale in each song for each of the different “sins” – I guess I prefer to think of them as human traits. Though the classification of these traits have their roots in Catholic theology, they’ve always been the basis for secular contemplation in the arts. Joe tells stories of lost morality in wartime, unreliable narrators, childish behaviour, too much booze and trying to fly to the sun. Many reviewers of this album have labelled it as pretentious, dull, or derivative. Being a nice fellow, I don’t want to say how I label these reviewers…..Suffice to say, Tom and I would be immensely happy if you listened to us give the case why this album is completely worthy of your time. I’m also very excited that some Joe Jackson fans from the aptly titled Facebook group “Joe Jackson has Other Songs Besides Is She Really Going Out With Him” took the time to send me their thoughts on the album which I include as feedback to the show. Thank you so much, kind people. Eric Reanimator returns for his Album I Love segment to pay respect to David Bowie and his Berlin Trilogy of albums, Low, Heroes and Lodger. The nice connection is that JJ has always been a big fan of Bowie and has played covers as part of his live set. Also, like Bowie, he lived in Berlin for many years. My huge thanks to Tom for being so giving of his time to join me, and bringing his enthusiasm and fascinating thoughts. He will be back on LTA next month. You can download the show from iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, I’d be immensely grateful. If you’re a Tom Waits fan (and why wouldn’t you be!!!!), I’d urge you to check out Down In The Hole. You can download from iTunes or listen on line at https://www.youtube.com/channel/UCxRst_jRx-V37voc3dOiQKQ They also contribute written articles about Tom at https://tomwaitspodcast.wordpress.com/ If you enjoy what you hear, please tell a friend or ten to tune in.
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Hey folks, it’s time to bring you some new Love That Album podcasting for 2016. We’re starting off with episode 23 of Eric Reanimator’s Love That Album – The Compilation Edition. In the last couple of weeks, rock music has lost (at least) three iconic rock music figures. Stevie Wright of The Easybeats, David Bowie (who did a cracking version of “Friday On My Mind”), and Ian “Lemmy” Kilmister. Eric starts this episode discussing two facets to Lemmy’s career. First, he discusses Lemmy’s first important band Hawkwind and their live album “Space Ritual” before moving onto the more iconic Motorhead live album “No Sleep 'Til Hammersmith”. Then, he discusses a compilation of a very different artist, producer Joe Meek. He created a hit for the Tornados with “Telstar”, but as the compilation “The Alchemist Of Pop - Home Made Hits & Rarities 1959-1966” shows, he produced a lot of hits with his very distinctive style of heavy reverb and sped up sounds. Eric discusses the man and this compilation. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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It's time for episode 86 of Love That Album podcast.....which is also part 2 of the end-of-year special with the other members of the Shooting The Shit Crew to discuss favourite first time listens in 2015. This time around, I am joined by LTA regular contributor Eric Peterson in Ann Arbor, and ardent Springsteen fan Geoff Smith from the northern end of Melbourne. I merely mediate this time. Like episode 85 where I was joined by Michael Pursche and Tim Merrill, versatility is the keyword here. Geoff and Eric's selections are wildly different, but all worthy of your consideration. Join us, won't you? Since this is the final episode of 2015, I want to say a big thank you to anyone who participated in an episode or made the time to listen to an episode this year. I hope you'll continue to do so in 2016. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, I’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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It's time for Eric's final Compilation Edition LTA for 2015. I'll let him describe it. **************************************************** For the most part I use these compilation editions to highlight soundtracks, Comp album, boxsets and all that jazz… but this time around I have used this episode to play a bunch of tracks from various bands that I haven’t been able to fit into either the Compilation Editions or my Album I Love Segments. This play list covers a range of Garage Punk tunes, some power pop, and a few Hard Rock and Lite Metal tunes. Some of these were songs of the moment in their day, others are underground or local classics and a few are just gems that have yet to be embraced. So sit back, listen, enjoy. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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It’s December, so it must be time for another Love That Album end-of-year Shooting The Shit session. In case you’re not familiar with the term, LTA has done a small number of panel shows under the Shooting The Shit moniker. We haven’t held a more general discussion in a long while, but the tradition holds that we do our “favourite first time listens of the year” show. As long as the panellists heard a particular album for the first time in 2015 (regardless of the year of release), it’s up for discussion. Because the crew is comprised of 6 of us, we’re doing this over two shows so you’re not listening for 4 hours straight!!! For episode 85, and the first of the STS faves specials, I am joined by my See Hear co-host Tim Merrill and Sitting In a Bar In Adelaide podcast host, Michael Pursche. We offer 5 albums each for your consideration as our favourite first time listens in 2015. Let me tell you folks, the key word here is “diversity”. There are a range of styles on offer here, so there will be something that will appeal to all tastes. I even have some feedback from listeners as to their favourite albums of the year. I love getting feedback for the same reason Sally Field loves getting Academy Awards…. Episode 86 will be part 2 of the end-of-year shows, and will be online in a couple of weeks. That will feature Geoff Smith, John Stirrat, and Eric Reanimator giving their well-considered choices. My thanks to my co-presenters for taking the time to record these shows with me, and my thanks to anyone who listens to the shows. There are a lot of podcasts out there to demand your time, so if you’ve let me into your headphones, I’m grateful to be included a part of your listening schedule. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, I’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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It’s time for episode 84 of Love That Album podcast and Mystery Box #2. What is the Mystery Box? In March of this year on episode 73, Michael Pursche and David Blom joined me to talk about a number of great Australian albums worthy of your attention, but no one knew up front what albums the others would discuss. For the second Mystery Box episode, I am joined by Paleo Cinema and Martian Drive In Podcast host Terry Frost to talk about bebop, swing, fusion, trad, big band, and free-jazz – in short, we will discuss a number of jazz albums we dig and think you listeners need in your lives if you don’t have them already there. In relation to one of my picks, I also present an interview with incredible Australian jazz drummer, David Jones. A veteran player of both the rock and jazz worlds, David has much to say about his time spent in one of the great Australian jazz fusion bands of the late seventies and early eighties, as well as his passion for the music and making sure audiences come away laughing as well as digging on the music. My huge thanks to Carmen Warrington for arranging this interview with me. Eric Reanimator is back with another Album I Love segment to talk about a couple of albums by beatnik jazz performer Ralph. Who is Ralph? Tune in and find out. Even if you’re not a jazz fan, tune in for the great chats I have with Terry and David and get a feel for the diversity of our selections. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, I’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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So I want to ask you some questions.Do you prefer a suave lounge suit over a pair of jeans and a tee shirt? Would you prefer a cocktail over a beer? Does a vibraphone solo interest you more than a guitar solo?If you answered yes to these questions, Eric Reanimator has some recommendations for you in the latest episode of Love That Album: The Compilation Edition (#21).This time around Eric is putting aside the wildness of punk and outlaw country to talk about some music to help you relax. He’s recommending and talking about three albums that fall under the descriptive of lounge exotica. Those albums are Welcome To The Ultra Lounge, Misfits Meet The Nutley Brass, (well there had to be a punk link SOMEWHERE, right?) and finally The Best Of Martin Denny's Exotica. Eric talks about why the time is right to rediscover this music and what led to it being shunned. So turn off your episodes of Mad Men, wrap your headphones over your earholes and listen to what Eric has to say. Really, the only things missing from this episode are his favourite cocktail recipes.You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.comSend the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbumIf you enjoy what you hear, please tell a friend or ten to tune in.
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History could have dictated that the album under focus for this episode was called Mary Isobel Catherine Bernadette In New York - the artist’s real name and the city of choice for her to record her vocals for the album otherwise recorded in Memphis. In the end, the album was called Dusty In Memphis. What’s in a name? Plenty as it turns out. I am joined by Shannon Hurley (aka Numbers Girl of the All Time Top Ten podcast) to discuss Dusty In Memphis. The album was ignored on release back in 1969, but it has since reached large levels of respect and love over the years. Its most famous cut Son of a Preacher Man is ubiquitous. In a rare return to the old format, Shannon and I discuss the album track by track, but also discuss the album’s place in the soul canon. We ask whether the album really qualifies as a "soul" album, can the Memphis Cats bring the groove (sort of a rhetorical one, really), could Randy Newman have sung the songs he wrote for this album, and does sex really beat a cup of coffee first thing in the morning? Shannon has been releasing music under her own name, but also as part of the duo Lovers and Poets with husband Ben Eisen (previous LTA presenter and host of All Time Top Ten). We chat a little about Shannon's own musical work and I'm proud to present the premiere presentation of L&P's new song, You And Me In The Summer. A wonderful tune, and great going into the Australian summer. DIG IT!!! Eric Reanimator returns with his Album I Love segment to discuss an EP by Ronnie Spector called She Talks To Rainbows. Produced by Joey Ramone, it features Spector's take on some classic punk. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com.au/ I'm immensely grateful to Shannon for being part of LTA and allowing me to play her great new song. Please support her musical endeavours by seeing her play (if you live in Los Angeles) or going to her websites http://www.shannonhurley.com or https://loversandpoets.bandcamp.com/ to check out some videos and some tunes. You can purchase mp3s or CDs there. Please consider supporting the artists who support this podcast. Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, I’d be immensely grateful. If you enjoy what you hear, please tell a friend or ten to tune in.
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For your aural gratification, episode 20 of Love That Album: The Compilation Series has arrived. Eric Reanimator takes on the question “what is gothic rock?” Like any music style, the answer is never straight forward. Just like “punk” is a wide umbrella, different artists who came under the “gothic rock” tag approached it differently. He gives a description and history of the genre by way of three compilations: Dismal Abysmal Recordings Presents Watch Your Step, Vol.2 The Curse Of The Hearse, Gothic Rock 3 - Black On Black - Best Of 80's Collection, and Release The Rats. Humour and horror films seem to be an obvious influence on some of this material. Listen to Eric discuss and play samples of some of his favourite tunes from these compilations and see whether you dig them. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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It’s time for episode 82 of Love That Album podcast. Way back on episode 27 of the show, I discussed Los Lobos’ seminal album "Kiko" with Michael Pursche and was also joined by Steve Berlin, the band sax and keyboard player. Steve has very graciously joined me for a second time to discuss the brand spanking new album for Lobos called Gates of Gold. If you love previous albums featuring rock in a blues vein, soul, Tex-Mex and cumbia, you will be very happy with their latest album (released late September 2015). We discuss the democratic approach to song arrangement in the band, how a famous Hollywood director changed their approach to song writing forever, and what it’s like to be part of an ensemble that’s been together for so long. We also discuss other acts Steve has produced or played with like Diamond Rugs, The Flesheaters, Los Super 7 and Neko Case. Please join me for a very cool episode of the show. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com.au/ Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, I’d be immensely grateful.
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Welcome to episode 81 of Love that Album podcast. This month, I decided to take a break from the podcast (slackarse that I am), but there is no way I would deprive both the listeners of an episode- nosiree Bob. I called in Eric Reanimator (host of LTA: The Compilation Series) and Tim Merrill (my co host at See Hear podcast) to present some music discussion for you….and they’ve delivered the goods. First up, they discuss The Flesh Eaters’ “A Minute To Pray A Second To Die” from 1981. This features a lineup of LA roots rock royalty with members of the Blasters, X and (yet to join) Los Lobos. The final result is still something leaner and rawer than any of those outfits. Then the guys go for a real curiousity. The Minneapolis band Cows and their album “Cunning Stunts” comes under the guys’ gaze. A noise-rock band with a bugle and an interpretation of the theme from Midnight Cowboy sure as hell has my attention. I want to thank Eric and Tim for presenting a fantastic episode which introduced me to some good music and interesting discussion. I hope you dig it. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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It’s time to get some solid recommendations from Eric Reanimator for great compilations on Episode 19 of Love That Album: The Compilation Edition. Both albums focus on Canadian troubadour Stomping Tom Connors, probably most famous for The Hockey Song. The first album is called Bring Your Own Plywood and features Calgary rock and country artists recording cover versions of songs written by Connors. Artists such as Agriculture Club, Knucklehead, and The Spam Avenger line up to record their favourite tunes from his monstrously large songbook. Then Eric talks about Unreleased Songs from the Vault Collection, Vol. 1 where Connors himself records some of his favourite classic country and folk songs he originally sang when he started out in the fifties. Using just his guitar and voice, he turns his focus to well known and loved songs such as the Darktown Strutter’s Ball, Truck Drivin’ Man, and Swanee River. Originally planned to be a 10 volume set, Connors unfortunately passed away after only the first volume was released.Thanks again to Eric for another fine program. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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Welcome to episode 80 of Love That Album podcast.Due to time commitments this month, I am using the opportunity to bring you a couple of old interviews from 2001 that I did during my time at a local public access station. I am extremely proud of these interviews and I hope you dig them.On this episode, I am presenting a chat I had with one of my most favourite musicians ever, Bill Frisell. He is one of those few musicians whose style is instantly identifiable. Regardless of whether you’ve heard a particular tune or not, you KNOW it’s Frisell when you hear the music play. He’s known as a jazz and country player, but also as someone who loves sonic experiments. He’s been a session man for many (including Marianne Faithfull, Elvis Costello, and Ginger Baker), written the music for the Far Side animated series as well as for new scores for Buster Keaton films, and played with multiple ensembles of his own.Since this interview was recorded, he’s recorded many more albums and has toured Australia (the question of a tour is brought up in the chat). In 2001 he put out two brilliant albums (including one with Elvin Jones, drummer for John Coltrane!!!!!) He was a charming and very humble interview subject. I loved having this chat, and I hope you dig it too.Bruce Wooley and The Camera Club is the focus of Eric Reanimator’s “Album I Love” segment. He talks about their album English Garden. “Who are they?” you ask. “Have they done anything I’d know?” Abso-bloody-lutely. Eric will reveal all.You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.comSend the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbumIf you enjoy what you hear, please tell a friend or ten to tune in.
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It’s time for episode 18 of Love That Album: The Compilation Edition. Now, Love That Album has not officially taken part in the Sleazy Summer project being run by many of our favourite podcasts in our community, but in the spirit of Sleazy Summer, Eric Reanimator want s to discuss a little bump and grind with you in the first half of the show. Remember when rock and roll was about sex and honking saxophones????? The compilers of the Sin Alley series of albums surely do. Sleaze doesn’t belong exclusively to the cinema….it belongs on your record player. This album gives us 50s tunes from the likes of Myron Lee and the Caddies, Tony Casanova, and the Frantics Four. Oh yeah, get out that table leg and a tub of margarine baby….. For the second half, Eric discusses something a little less sleazy…or does he? We all know songs from the glam era from the likes of T-Rex, David Bowie and The Sweet. How about groups like Iron Virgin or The Plod? You will surely know Tartan Horde – trust me you do!!! Eric discusses the songs from these groups and many others on a compilation called Velvet Tinmine bringing you great but forgotten songs from the glam era. I just wish to reiterate how grateful I am that Eric is a continuing part of Love That Album bringing his time and knowledge for us all to dig on. Thank you good sir. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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Episode 79 of Love That Album is ready for your aural pleasure. I am presenting a couple of episodes this month with interviews I did way back in 2001 while doing a summer fill-in on a local public access radio station in Melbourne. It was really exciting to get the opportunity to speak to a couple of musical titans in my listening development, and I think it was high time to present these to listeners of the podcast. This time around, I am presenting my interview with American songwriter, musician, radio show presenter, and writer of a music-related film encyclopedia, Marshall Crenshaw. Over 35 years, he has given the pop loving world a bunch of great records. Most recently he has been doing a show on WFUV called The Bottomless Pit and has released a series of crowd funded 10-inch 45 rpm records. This interview was recorded just prior to his release of his brilliant and reflective album What’s In The Bag. Have a listen and hear Marshall discuss his thoughts on his recorded legacy, playing John Lennon and Buddy Holly, and the Lenny Kaye “Nuggets” albums. Eric Reanimator presents his Album I Love segment discussing Swedish garage band The Strollers (I never knew Eric dug Swedish garage bands!!!) and their album Falling Right Down. The world needs more farfisa organs I say. The Strollers happily agree. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com.au/ Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.
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…and it’s time for episode 78 of Love That Album podcast. Earlier this month, for episode 77, music journalist and biographer Jeff Jenkins and I discussed the history behind the recording of the second album by Melbourne band Skyhooks, “Ego Is Not a Dirty Word” celebrating 40 years since it was first released. Continuing LTA declared Skyhooks month, I am joined by Michael Pursche, host of the Sitting In a Bar In Adelaide podcast (itself named after a Skyhooks song), and Rhys Lett, head honcho at the Eastern Suburbs School of Music in Melbourne to pontificate the actual album. We discuss the songs, composition technique, lyrics, jazz vs pop chord progressions, our first recollections of hearing the album and a myriad of other things. Rhys even gets out his guitar to illustrate the cleverness of Greg Macainsh and Red Symons’ composition style. I hope you enjoy listening as much as we enjoyed chatting.Eric Reanimator is back with his Album I Love segment. Trying to find a complementary group for this show, he decided on Blue Oyster Cult and their third album Secret Treaties. We all agree it was a fine and appropriate choice.You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com.au/ You can listen to Sitting in a Bar In Adelaide at http://www.podcastgarden.com/podcast/siabiaor you can listen live on Wednesday nights between 8pm and 10pm(Adelaide time – do the arithmetic) at http://www.hillsradio.com.au/index.php If you live in the Eastern Suburbs of Melbourne and want to get music lessons, check out the website http://www.essm.net.au/. It’s an excellent site and is worth your while looking up even if you’re not considering music lessons….yet!!! Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, I’d be immensely grateful.
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Time to get your dancing shoes on and listen to Episode 17 of Love That Album: The Compilation Edition. Eric Reanimator is discussing two different styles of music in relation to four CDs. First of all, the original American party music: Swing. Eric gives the good oil on “Swing! Greatest Hits” and “Next Generation Swing”. The first has some tunes from orchestras led by household names of the original era: Benny Goodman, Glenn Miller, Artie Shaw and Gene Krupa. The latter has tunes from the Swing revival of the 90s, like Royal Crown Revue, the Brian Setzer Orchestra, and the Mighty Mighty Boss Tones. Eric gives some background on the movements, and also gives some tips on how to impress on the dance floor…… Next up, Eric discusses the 80s movement known as New Wave. What the hell is New Wave? It was an umbrella for a lot of things, but is not so easily definable as other styles. It is more of an umbrella for power pop with a slightly electronic feel mixed with soulful vocals and performed by people in strange makeup and clothes…..yeah, I don’t really know either. Still, Eric reveals some of the gems on “Just Can’t Get Enough” Volumes 10 and 17. Volume 10 covers New Wave Hits of the 80s and Volume 17 focuses on female fronted bands. Having a party? DJ Eric will tell you there’s no shame in playing some Bananarama, Human League, Adam Ant, Berlin, or Josie Cotton. As always, Eric delivers a punchy, entertaining podcast. Give it a listen. Warning: Love That Album takes no responsibility for any damage done to your credibility by dancing while listening to this podcast. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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Welcome to episode 77 of Love That Album podcast. July 2015 is the 40th anniversary of the release of the classic second album by Melbourne band Skyhooks. That album, Ego Is Not A Dirty Word came a mere 8 months after the release of their amazing and huge selling debut Living In The Seventies. To commemorate the occasion, Love That Album will dedicate two episodes this month to this important record. In episode 77, I am joined by the man who authored the Skyhooks biography, Ego Is Not a Dirty Word (and who co-hosted the very first episode of LTA with me), music journalist, Jeff Jenkins. This episode is not so much a discussion of the album itself (that will come in episode 78), but puts into some historical perspective the Australian musical environment in 1975, how Skyhooks approached their second album, the different dynamics in the band personalities, whether they came out on top in the infamous Skyhooks / Sherbert Wars of 1975, and where you could musically go after your first album included a song about masturbating into a Twisties packet. We had a really terrific conversation, and I’m grateful to Jeff for taking the time to come back to the podcast. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com.au Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. Jeff’s weekly articles for The Music magazine can be found archived at http://www.livinginthelandofoz.com/howzat-archive.html His latest biography is about Australian music personality Ian “Molly” Meldrum called “The Never, Um, Ever Ending Story: Life, Countdown and Everything in Between”. If you’d consider writing an iTunes review or recommending the show to a friend, I’d be immensely grateful.
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Heeeeeeyyyyyy Everybody….welcome to another……poperific episode of Love That Album. I am joined by the bass playing, list counting podcaster himself Mr Ben Eisen, host of the All Tim Top Ten podcast. For episode 76 of LTA, we are discussing the 1999 album by Fountains of Wayne, “Utopia Parkway”. These guys knew how to jangle a guitar, stick a melody deep into the recesses of your subconscious, and tell a tale about life in the suburbs. In the course of our discussion about this album we also talk about the difference between homage and pastiche, why some rock critics feel the need to trash people who live in suburbia (and why they’re stupid for doing it), teenage rites of passage, great summer music, and The Byrds. A really fun chat, and we hope you dig it. Eric Reanimator also brings some power pop to the virtual table for his Album I Love segment. He talks about a band from Massachusetts called The Charms…and the name is apt. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com.au Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.Check out the All Time Top Ten podcast from http://alltimetopten.podomatic.com or get older episodes from https://www.mixcloud.com/beneisen/ If you’d consider writing an iTunes review or recommending the show to a friend, I’d be immensely grateful.
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Okay, it’s time for another slab of garage rock courtesy of Eric Reanimator on Love That Album: Compilation Edition episode 16. Now just for something different, Eric is going to start off by talking about Swedish rockers The Hellacopters. Through the nineties it was a common practice for bands to release seven inches that were not related to an album (come to think of it, it was a sixties practice as well – score one for the Boomers). These seven inches would often feature covers the band under concern loved. Sometimes, in a very communal fashion, two bands would share the EP. Eric discusses a pair of albums chock full of Hellacopter songs previously only available on such singles called The Cream of The Crap. Ignore the self deprecation – the music is great, and Eric gives us the story behind the music. Then before you can say “Holy Garage Music, Eric” he talks about three compilations from a band out of Washington DC called Adam West.- Ready Steady, Longshot Songs For Broke Players, and Hi Balls are Rolling. The number of singles represented here showed they were quite prolific in that department. Interestingly enough, both bands cpvered each others songs at some stage, but there’s a wealth of great material here. I’ll let Eric divulge what record label Adam West recorded on. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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Welcome to episode 75 of Love That Album. I’m joined by my friend and fellow presenter from the See Hear podcast, Mr Bernard Stickwell to discuss the legacy of the songwriter, musician, orchestrator and singer, Judee Sill. In the early 1970s Judee gave the world two magnificent records - her eponymous debut and its follow up Heart Food. In an era when songwriters like Joni Mitchell and Warren Zevon (who covered one of Judee's songs) were revered, and the American West Coast sound was popular, it seems bizarre that Judee’s artistic triumphs were commercial failures. The lack of commercial success, however, was just another disappointment in a life full of hardship. Bernie and I discuss her life’s story as well as what makes the music so wonderful. If you haven’t caught up with her repertoire yet, Bernie and I urge you to get these two albums. Thank us later. Eric Reanimator returns for another great Album I Love segment to discuss a compilation by country songwriter (and actor) Hoyt Axton. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com.au Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, I’d be immensely grateful.
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Hey music lovers, it’s time for Episode 15 of the Love That Album: Compilation Edition hosted by Eric Reanimator. Anyone who’s been listening to the show for long enough knows three things about his music tastes: he loves his outlaw country, he loves his punk, and he loves his Scandinavian rock from the nineties and noughties. It’s the third category he brings to your earholes for this episode. He’s bringing to your attention two Scandinavian rock compilations, each with three CDs (all with awesome covers), so there’s plenty of music for Eric to put into historical context and explain his love for. He discusses Pushin’ Scandinavian Rock To The Man, and then he launches into Riot on the Rocks. Do you dig The Hellacopters, The Flaming Sideburns and Thee Ultra Bimboos? Good!!! There’s plenty more music in these collections from the likes of The Defectors, Gluecifier, The Royal Beat Conspiracy, and The Launderettes. They comprise high energy rock and roll…and you gotta love that. Eric gives you the good oil on these great bands and these CD collections. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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It’s time for a packed episode 74 of Love That Album podcast. I am joined by Eric Reanimator (who normally hosts the LTA - Compilation Series episodes as well as the regular show’s Album I Love segment) to discuss two bands called X: one from Los Angeles and one from Sydney. Firstly, we discuss Los Angeles X’s “Under The Big Black Sun” from 1982. It’s a vibrant album – with some tragic lyrical themes - that combines their punk roots with their love of country, rockabilly and poetry. Then we discuss Sydney X’s “At Home With You” from 1985. Produced by the great Lobby Loyde (of Rose Tattoo and Coloured Balls), and featuring ex- Rose Tattoo member Ian Rilen on bass, this is a tough sounding album, that along with many other alternative Australian bands of the day, probably had a lot of influence on bands to make their presence felt in the nineties. In relation to this show, I must give thanks to my friend and all-round gent, Pat Monaghan We have a special guest Album I Love segment presenter. John Ross of Feed My ears fame generously presents for the show a brief discussion on the band The Sneaker Pimps and their album, “Becoming X” (thus keeping in with the theme of the show, you see).John brings back his love of trip-hop to the show, and I thank him for it. We also present a tune by LTA Facebook member Jason MacIsaac and his band The Heavy Blinkers. It’s from their wonderful album of 2013 “Health”. If you love beautiful arrangements mixed with tasteful orchestration and dig The Beach Boys “Smile”, you will love The Heavy Blinkers. I certainly do. Listen to the song….go buy the album. You’re welcome. There’s a new intro format to the show (I acknowledge I’ve stolen the idea) I’d like to give my gratitude to my wonderful wife Joanne for her assistance with the new intro segment. Hope you dig it. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com.au Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, I’d be immensely grateful. You can join the Feed My Ears Facebook page at http://facebook.com/groups/feedmyears. If you want to purchase a copy of “Health” then head on out to http://theheavyblinkers.com/
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Time for Eric Reanimator to present another episode of Love That Album: The Compilation Edition for your aural gratification. Eric digs into the Rhino Records vaults and comes up with power pop treasure. He discusses the 70s power pop movement and its origins, and uses tunes from the albums DIY Come Out And Play - American Power Pop I, (1975-78), DIY Shake It Up - American Power Pop II, and Poptopia - Power Pop Classics Of The '70s to demonstrate how awesome the genre is. Of course, it wouldn't be an Eric presentation if there wasn't some discussion of the power pop crossover into punk. Mr Reanimator has all bases covered. Dig The Raspberries, Big Star and Cheap Trick? Give this a listen and see what else there is waiting for you. Once again, Eric gives a well thought out presentation. Give this episode (and all the Compilation Series editions) your support. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum If you enjoy what you hear, please tell a friend or ten to tune in.
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Hey folks, It’s time for me to lay episode 73 of Love That Album podcast on you. This time around, I’m joined by good mate and work colleague, Dave Blom and the host of the brilliant “Sitting In a Bar In Adelaide” podcast, Michael Pursche. I am dubbing this show The Mystery Box. Why? Because I’m not saying up front what albums we are discussing. The format of the show is not dissimilar to Eric Reanimator’s “Album I Love” segment. We have each picked 3 albums (so that’s 9 in total for those of you who are not strong on arithmetic) to discuss briefly per album. The albums are all Australian and range across the genres – singer / songwriter, blues, garage, rockabilly, classic rock. They range from iconic to lesser well known. If you’re a local, some of these will be known to you and some (maybe) not. What they have in common is we think the albums and are worthy of your attention. All will be available one way or another – either by download from the artists’ websites or Bandcamp / iTunes, or if you’re a physical media music fan, you can get them from the artists’ websites or your local bricks and mortar. Please support them. Even Eric gets in on the action by delivering his Album I Love segment to discuss his thoughts on one hugely iconic Australian album and another from a band popular in their day. It’s fascinating to hear an American’s thoughts on albums part of a lot of Oz music fans’ DNA. Please tune in and find out what he discusses. This is not simple dumb patriotism. This is an opportunity to spread the word about some great music that may not be known outside of our physical borders or to spread the word inside our borders if you missed these albums – and some are brand spanking new, so it’s great to get the word out. My thanks to Dave and Michael for a great discussion. You can download the podcast at iTunes by searching for “Love That Album”. You can also stream or download it at http://lovethatalbum.blogspot.com. Any feedback would be gratefully appreciated – either written or mp3 voicemail. You can send it to [email protected]
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Okay, it’s time for Episode 13 of Love That Album: The Compilation Series. Eric has gone for a triple threat this time around, looking at 3 albums covering the Seattle grunge scene. First of all he discusses Deep Six (1986). This album came before the Sub Pop label and the Seattle scene was the Seattle scene. It’s seen by some to be a very important album from the knowledge of what was to come later featuring early Soundgarden and Melvins amongst others. Secondly, he discusses Another Damned Seattle Compilation (1991) featuring bands from the seattle scene paying tribute to Eric’s beloved The Damned. Bands are as diverse as Mudhoney and The Posies. Finally, he talks about the soundtrack to a film about the Seattle scene called Hype (1996) including tracks from Nirvana, Mudhoney, Green River and the great Mark Lanegan. Listen to Eric’s perspective. Dig some tunes and get educated. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
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Welcome to episode 72 of Love That Album. American songwriter, composer, pianist and singer Randy Newman means different things to different people. If you’re 25 years or under, you probably know him best as writer of some great songs for the Pixar films. If you’re older, you may know him for his song writing that encompasses wit and a healthy dose of cynicism, but also great beauty. A multitude of artists have covered his songs (and two such artists are discussed on the show). His arrangements are created for both orchestras and rock band. He is both contemporary but belonging to an older tin pan alley tradition. I am joined by the crew of the Stinking Pause podcast, Scott and Charlie to discuss Newman’s 1972 album Sail Away. This album owes much to the family heritage of cinema composition (Uncle Alfred Newman composed arguably the most recognisable piece of movie music ever), but is also Randy’s very own corner of the family business, as it were. He writes great first person narratives covering religion, American policy, family roles, and dancing bears. I had a great chat with Scott and Charlie, and hope you enjoy our discussion. Eric Reanimator’s Album I Love segment covers the songbook or Zager and Evans, most famous for their solitary hit “In The Year 2525”. He makes a convincing case that the two albums they released have other worthwhile songs crying for your attention. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com.au Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. If you’d consider writing an iTunes review or recommending the show to a friend, I’d be immensely grateful. Check out the fantastic Stinking Pause podcast either on iTunes or directly from http://www.stinkingpause.com
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Welcome to Episode 12 of Love That Album: The Compilation Series hosted by Eric Reanimator.This time, Eric is shouting from the mountain tops “Let’s hear it for the girls!!!” He is looking at three very different compilations but with the common element being women being the singing and performing focus. For starters, he’s discussing Flowers In The Wildwood (Women In Early Country Music 1923-1939) released in 2003. This album has songs with gorgeous country harmonies from artists (with exceptions like The Carter Family) that have long been forgotten about. Next up, there’s Girl Crazy (1998), a compilation of girl garage bands from the 90s, including one called Maow featuring a drummer we all know and love (I’m calling YOU John Ross)….yup early Neko Case. Finally, there’s Stiff Nipples Vol.2 (1999), a compile of unsigned female fronted bands from Norway. It’s stylistically mixed, but with some cool bands like The Launderettes and the Barbarellas. As usual, Eric has dug up some gem albums to bring to your attention. Give him your support and download this great episode. How can you resist a show that ends with a song called I Wanna Jump Your Bones??? You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
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It’s time for episode 71 of Love That Album, the first in 2015 of the regular series. I am joined by first-time co-presenter David Daskal, (frequent co-host of All Time Top Ten and vocalist for Best Of My Love, an L.A. based Eagles tribute band) to talk about Joe Jackson’s second album I’m The Man (1979). He’d released his first album, Look Sharp! earlier the same year to strong public interest. Jackson has always put together great bands across his career, but this one was indeed a force of nature featuring the exciting and frenetic playing of Dave Houghton, Gary Sanford, and career-long bassist for Jackson, Graham Maby. David and I discuss our thoughts on Jackson, the influence these musicians had on his sound, his career diversity, and of course, the songs on I’m The Man. Eric Reanimator brings his first Album I Love segment for the year with Ball Hog Or Tug Boat by ex Minutemen bass player Mike Watt. I introduce a new segment to play a song each show from any musicians in the Love That Album / Feed My Ears community. Please feel free to send me a song of any genre that you’ve recorded with a little information how folks can hear more of your work or see you live. This episode around, I am playing a song from excellent Melbourne power pop band The Wellingtons. Dig it. …..and I received not one but TWO pieces of feedback!!!!!! You can download the podcast at iTunes by searching for “Love That Album”. You can also stream or download it at http://lovethatalbum.blogspot.com. You can keep up with David Daskal by regularly downloading the All Time Top Ten podcast at alltimetopten.podomatic.com or by checking out when Best of My Love are playing at http:// http://bestofmylove.net/You can dig more tunes from The Welingtons at http://thewellingtons.bandcamp.com/ Any feedback would be gratefully appreciated – either written or mp3 voicemail. You can send it to [email protected] Join the Love That Album Facebook group at www.facebook.com/groups/lovethatalbum
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Happy New Year everyone. Love That Album podcast is back again for 2015. We here at LTA headquarters will strive to continue to bring you great music discussion. We start the year off with an episode of LTA: The Compilation Series hosted by Eric Reanimator…..and he’s bringing you a high dose of energetic punk and garage sounds via two fantastic compilations. First of all, Eric discusses an Australian compilation Do The Pop!: The Australian Garage Rock Sound 1976-1987. Eric’s passion for Radio Birdman was the starting point for him picking up on this brilliant 2 CD set, but there’s a treasure trove of material here from the likes of the Hoodoo Gurus, The Eastern Dark, The Saints, The Sunnyboys and a plethora of other bands, mixing and influenced by the punk, garage and pop sounds of the 60s and 70s. This corner of the world was making essential music all northern hemisphere music fans of these genres need to pick up on. [As an adjunct, I’m hoping to get an interview for a future LTA with the man who put this anthology together – stay tuned]. Then, Eric goes to Sweden to tells us about the virtues of A Real Cool Time Revisited: Swedish Punk, Pop and garage Rock 1982-1989. Essentially, the Swedish equivalent of Do The Pop, it features bands like The Nomads, The Crimson Shadows, The Bottle Ups, and The Creeps. Like the Australian bands, the Swedes put out excellent material in a scene worked independently of the Americans and the British. This is another terrific compilation worthy of your attention. Once again, Eric delivers the goods with intelligent music discussion about music you truly need to hear. Listen to the podcast and be convinced. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.com Send the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
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…..and so we arrive at Love That Album episode 70 - the final show for 2014.We cannot finish off a year without bringing the thunder that is the Shooting The Shit crew. This is our only discussion for the year, but it’s EPIC. Eric Reanimator, John Stirrat, Geoff Smith, Tim Merrill and myself go through our favourite first time listens in 2014 – regardless of whether they were released this year or not. Download and dig the suggestions of music from the crew for your listening pleasure. We dub this special “I Still Know What Shit You Shot Last Summer”. To make the recording more manageable, we recorded the show in two halves with John and Tim in the first part, and Eric, Geoff and myself in the second. Thanks again to these marvellous people for their time, music suggestions, wit and friendship.It’s been another fun year of music discussion podcasts with musically knowledgeable and articulate people. Eric brought something new into the mix with his own Compilation Series of LTA episodes every month, so effectively, there was some new LTA content roughly every couple of weeks.I’d like to thank every person who participated in a show or who listened to the show this year. Without you folks, I’d be talking to Mimi my cat…..and she doesn’t even care for music.I look forward to starting this all up again in 2015. You can download the podcast at iTunes by searching for “Love That Album”. You can also stream or download it at http://lovethatalbum.blogspot.com.Any feedback would be gratefully appreciated – either written or mp3 voicemail. You can send it to [email protected] the Facebook group at www.facebook.com/groups/lovethatalbum
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It’s December 2014. Where the hell did the year go????? As lots of podcasters, blog writers, and media folk like to do at this time of year, I like to assemble lists. Love That Album will present to you not one, but TWO episodes in December dedicated to favourite first time listens of 2014. The first of these specials is episode 69. This is a blockbuster show where some fine people (most of whom have co-hosted previous LTAs) have taken the time to contribute segments telling me their favourite first time listens of the year. Listen, enjoy and take notes as to who you should follow up musically. Segment contributors include: Will Smith (co host of Gentlemen’s Guide to Midnite Cinema podcast) Ben Eisen (host of All Time Top Ten podcast) Jeff Jenkins (Melbourne music journalist and author, and co-host of first ever LTA) Michael Pursche (host of Sitting In a Bar In Adelaide podcast) Brian Nankervis (creator and co-host of SBS TV show Rockwiz) Bill Pinnell (Rock expert, Triple-M FM Album Show host, segment contributor at Triple-R FM) ….and making his podcast debut Max Bursztynski (pianist / bassist extraordinaire and Metal expert) We even have an email from a listener to cite his favourite albums My gratitude goes to all these wonderful people who gave willingly of their time to make a great LTA episode. You will have a plethora of suggested music to consider tracking down and enjoying from our team of experts. You can download the podcast at iTunes by searching for “Love That Album”. You can also stream or download it at http://lovethatalbum.blogspot.com. Any feedback would be gratefully appreciated – either written or mp3 voicemail. You can send it to [email protected] Join the Facebook group at www.facebook.com/groups/lovethatalbum
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Love That Album episode 68 is here. Any of you who know me know of my love for power pop…and in that regard, we have a gem of an album to discuss. I’m joined by Melbourne musician, teacher, and fellow power pop nut Rhys Lett to discuss the 1993 album “Spilt Milk” from San Francisco band, Jellyfish. This was a huge step forward from their brilliant debut, “Bellybutton”, but was also unfortunately their final album. Was it due to public or record company apathy, or band friction? In this regard, they share the fate of their stylistic cousins, The Zombies and Big Star (both covered previously on the podcast) who ceased active recording way too early. They’ve had a lot of comparisons with Queen (for the rawwwwk and drummer Andy Sturmer’s singing) and the Beach Boys’ harmonies. As valid as these comparisons are, there is a lot more going on here. This could be described as a concept album with the songs being parts of a nightmare – not the bogeyman type, but more a domestic nightmare of infidelity, unrequited crushes, depression, death, and evangelism. There’s also a song on Spilt Milk that led Rhys to suggest Ben Eisen needs to pursue its subject matter in an All Time Top Ten podcast. Tune in and find out what it was…. This time around, Eric Reanimator also discusses the Psyclone Ranger’s album from 1993 “Feel Nice”. He describes this as power pop bordering on punk. See what you think. You can download the podcast at iTunes by searching for “Love That Album”. You can also stream or download it at http://lovethatalbum.blogspot.com. Any feedback would be gratefully appreciated – either written or mp3 voicemail. You can send it to [email protected] Don’t forget to send me your end of 2014 lists of best of’s or favourite first time listens. Join the Facebook group at www.facebook.com/groups/lovethatalbum If you want to check out Rhys’ work as a musician, go to http://www.dressedtochill.com.au/ to see his Crosby Stills and Nash style Kiss tribute band, Dressed to Chill. If you need music lessons, check out the website of the music school he runs Eastern Sububrs School of Music at http://www.essm.net.au/
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Congratulations to Eric Reanimator whose LTA offshoot, LTA: The Compilation Series hits double digits. Episode 10 of The Compilation Series focuses on pretty different releases. By his own admission, the first album is dubiously discussed here as a comp. It’s the 25th anniversary edition of The Damned’s “Machine Gun Etiquette”. It qualifies because there’s a bunch of bonus tracks included on this anniversary edition to complement the original album. The second album is Dedication: The Very Best of Thin Lizzy. They were a great mixture of hard rock, folk and pop, and mostly known for “The Boys Are Back In Town”. However, this comp shows they had a lot of great material (“Chinatown” is my personal favourite). Phil Lynott was a charismatic lead singer and bassist. Give Eric some love and listen to the show. Send him a note of congrats for reaching the double digits on his excellent podcast. You can download the show by searching for Love That Album in the iTunes store or downloading streaming directly from http://lovethatalbum.blogspot.comSend the show feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
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Welcome to Episode 67 of Love That Album. There are three episodes of LTA coming this month (instead of the usual two). We here at LTA headquarters hope you dig them all. This time around I am welcoming back a recent guest to the show, Scott Clickers (co-host with his wife Kat of the wonderful Married With Clickers podcast). We’re discussing an album Scott introduced me to by Hamilton based husband and wife group, Whitehorse. The name of the record from 2012 is “The Fate Of The World Depends Upon This Kiss”. As you read that name, you obviously are conjuring cinematic images in your head, right? Of course you are. A great set of poppy / alt country tunes are contained on this album. Hear what we have to say about this great little record. Eric Reanimator returns to talk about the 1985 offering from Blood On The Saddle called Poisoned Love. DIG IT!!!! You can download the podcast at iTunes by searching for “Love That Album”. You can also stream or download it at http://lovethatalbum.blogspot.com. Any feedback would be gratefully appreciated – either written or mp3 voicemail. You can send it to [email protected] Join the Facebook group at www.facebook.com/groups/lovethatalbum You can find Married With Clickers on iTunes or at http://marriedwithclickers.libsyn.com/
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Welcome to episode 66 of Love That Album podcast. What happens if you mix stripping clergy members, trainspotting, James Bond, and English village life? No, not a Monty Python sketch – you get the 1997 debut album from Mansun, a band from the tail end of the musical movement known as Britpop. The album, Attack of the Grey Lantern went to #1 on the British charts – for one week -, but unlike “Parklife” by Blur or “Definitely Maybe” by Oasis seems to have been forgotten about. What was it replaced by? Tune in and find out. I am joined by Scott Phipps (one half of the excellent film discussion podcast team, Stinking Pause) and my good friend Dave Blom (who chose this album) to discuss not only our feelings about this record, but the Britpop movement in general and the politics of England from the day that surrounded Britpop. 1997 was also the year that gave us Radiohead’s “OK Computer”, so that was the direction British music was inevitably headed to (with a diversion somewhere in the middle!!!) We even find time to make a connection to a classic Australian political jingle. My thanks to both Dave and Scott for making time to come onto the show and bringing their enthusiasm to chat with them. Eric Reanimator returns with his Album I Love segment to discuss a British album from the Britpop period, but stylistically very different. Eric brings us a chat about The Wild Hearts’ 1993 album “Earth Vs The Wild Hearts”. You can download the podcast at iTunes by searching for “Love That Album”. You can also stream or download it at http://lovethatalbum.blogspot.com. Any feedback would be gratefully appreciated – either written or mp3 voicemail. You can send it to [email protected] Join the Facebook group at www.facebook.com/groups/lovethatalbum Listen to Scott and Charlie wax lyrically about films on the Stinking Pause at http://thestinkingpause.blogspot.com or via iTunes.
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Welcome back to Love That Album: The Compilation Edition. For episode 9, Eric takes a look at two pretty different albums. First of all, he discusses “Deutsche Elektronische Musik: Experimental German Rock and Electronic Music 1972-83” from the excellent Soul Jazz label. He goes into the fascinating history of what became Kraut Rock created by the German generation following World War 2. A mixture of jazz, soundscapes, funk, and electronic sounds, this was something all its own. The compilation features bands like Can and Neu! Next up, Eric discusses “Tribute to the Groovie Ghoulies: When The Kids Go Go Crazy”. They were a punk pop band that were influenced by 60s pop stuff as well as the Ramones. As per their name, their songs included fun tributes to horror films. Bands paying their respects on the tribute album include The Sonic Dolls and Zombina and the Skeletones. Another excellent episode from Eric you should get behind. You can download the podcast at iTunes by searching for “love that album”. You can also stream or download it at “http://lovethatalbum.blogspot.com”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
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Welcome back to Love That Album podcast. For episode 65, I am really happy to welcome Scott Clickers to the music discussion table. Scott and his wife Kat host an excellent film podcast called Married Witch Clickers. Their films are diverse and the show always makes for fascinating and enjoyable listening. Scott and I do a dissection on Neil Young's 1989 album Freedom. Neil had spent most of the eighties recording albums for Geffen Records that many fans found unsatisfactory or avoided all together. Geffen attempted to sue Neil for making "untypical" Neil Young albums. On"Freedom", Neil's second album after returning to Reprise, he puts paid to the ridiculous notion that there is such a thing as a "typical" Neil Young album. Diversity and songwriting are its strengths. Neil gives us the feedback laden rock and gorgeous acoustic numbers. I make the case that this is a concept album. Why? Tune in and find out. Eric Reanimator continues to show his love for Drivin’ and Cryin’ by bringing them back to his Album I Love segment with a discussion on their 1988 album Whisper tames The Lion. You can download the podcast at iTunes by searching for “love that album”. You can also stream or download it at “http://lovethatalbum.blogspot.com”. Please support Scott and Kat Clickers by searching out Married With Clickers on itunes or at http://marriedwithclickers.libsyn.com/ Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
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NOTE: Slight reversal in Love That Album podcast schedule. Normally the Compilation Series episodes come out later in the month with the regular episode coming out mid-month. From this month, it’s the Compilation episode first with the regular coming out late in the month. For episode 8 of LTA: Compilation Series, Eric Reanimator has picked two covers albums to give some love to. First of all he discusses The Ramones’ 1993 album “Acid Eaters” where they pay homage to the bands they grew up listening to (The Who, The Stones, CCR, Love) but still give them the Ramones treatment. The other record is from Eric’s beloved Hellacopters - their final album “Head Off”. Their inspiration was bands that didn’t achieve the success The Hellacopters believed they deserved (Demons, The Robots, The Bellrays). Nobly, they brought these tunes to their own audience’s attention in the hope their fans would search the originals out. Another great episode from Eric you should all dig with some exciting songs and performances. You can download the podcast at iTunes by searching for “love that album”. You can also stream or download it at “http://lovethatalbum.blogspot.com”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
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Time for some more anthology discussion from Eric Reanimator. This time around Eric talks about not one, not two, but three great compilations from bands of the early years of rock. You all know them for one or two songs, but Eric gives you the lowdown on other songs you should hear if your curiousity points that way. First of all, we hear about The Best of Johnny Kidd and the Pirates. Everyone will be familiar with “Shakin’ All Over” – it’s been covered by all manner of bands (my favourites are The Who and Eilen Jewell). Get familiar with their bluesy Merseybeat sounds. Next up is mid 60s New York pop band, The Left Banke. Eric discusses their compilation “There’s Gonna be a Storm”. Everybody loves their hit “Walk Away Renee” (great cover version by The Four Tops and an unusual spin by Billy Bragg – go on search it out). Eric will bring to your attention some other great songs including “She May Call You Up Tonight” (also covered by Richard and Linda Thompson). Highly recommended if you dig what is called the baroque pop sound. Finally, Eric talks about The Love Story, about Arthur Lee’s great band that should have been HUGE. A very eclectic band. Known mostly for “Forever Changes”, this compilation shows both their gentle and more garage oriented side (songs from De Capo for instance). Once again, Eric presents a hugely entertaining and informative show and exposes you to great music. Get onto it. You can download the podcast at iTunes by searching for “love that album”. You can also stream or download it at “http://lovethatalbum.blogspot.com”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
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We have a weird chronology going with Episode 64 of Love That Album. Great friend of the show, Dave Mclemore and I discuss the 2014 album by Houston-bred, Nashville-based singer songwriter Robert Ellis, “The Lights From the Chemical Plant”. It was supposed to be a companion discussion to episode 61’s chat about Richard & Linda Thompson’s “Shoot Out The Lights” but technical issues prevented Dave from joining that show so I saved it for later. When we DID record, it was simultaneous to Eric and Tim recording episode 62…which obviously got released first. Then I did episode 63 by myself. Does any of this this make sense? Do you care? Anyway, Dave and I had a terrific discussion about Robert Ellis and his subject matter of infidelity, being babysat by the TV, drowning sorrows in wine and cocaine, and life on the road – standard song writing subject matter. There are comparisons abound with song writing greats like Paul Simon, Randy Newman and Bruce Springsteen. Tune in and find out why this album is worthy of your attention. It was an absolute pleasure having Davey Mac back on the show. A true gent. NOTE: For any Melbourne based LTA listeners, Robert Ellis is appearing at a new Americana Festival called Out On The Weekend along with a bunch of other talented singer songwriters like Justin Townes Earle on October 18 at Seaworks in Williamstown. Eric Peterson (aka Reanimator) returns for another Album I Love segment to talk about Californian band, Thin White Rope and their record “In The Spanish Cave” from 1988. See how they fit in between punk and alt-country. You can download the podcast at iTunes by searching for “love that album”. You can also stream or download it at “http://lovethatalbum.blogspot.com”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
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Welcome back to Love That Album: The Compilation Series hosted by Eric Peterson (aka Reanimator). In episode 6, rather than discuss a specific compilation album, Eric takes some time to talk about a list of the top 25 punk albums of all time as compiled by rock critic and musician, Jeff Bale. He edited a zine called Hitlist. Eric goes through the list, and there are some expected iconic titles that any fan with even the slightest knowledge of punk (like me) will be familiar with. There are also some titles that even Eric had not heard. He doesn’t claim to like everything here, but it’s a good base for a discussion of a genre Eric is obviously passionate about. If you like to discuss all time favourite lists (and if you’re a music fan, of course you do), then check this episode out. You can download the podcast at iTunes by searching for “love that album”. You can also stream or download it at “http://lovethatalbum.blogspot.com”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
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A late pullout from my guest for episode 63 of LTA, and with no one else available on such short notice meant I had to record it by myself. Not my favourite way of doing a show (good on you, Terry Frost for being able to do it on a weekly basis), but here it is. This time around, I talk about an album that many see as the pinnacle of Stevie Wonder’s career – “Songs In The Key of Life” from 1976. Two years in recording, Berry Gordy of Motown took a real chance in signing up Steveland Morris to a new 30 million dollar contract at the time of recording. He reportedly got very nervous the longer the recording went. He was rewarded both artistically and financially. An apt title for an album that’s hallmarks are its diversity and excellence. Eric Reanimator’s Album I Love segment is a beauty, as always. This time around he discusses The Bellrays’ “Let It Blast”. The common description of this band is Aretha Franklin fronts the MC5. See what you think. You can download the podcast at iTunes by searching for “love that album”. You can also stream or download it at “http://lovethatalbum.blogspot.com”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group athttp://www.facebook.com/groups/lovethatalbum
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Welcome back to Love That Album: The Compilation Series. In episode 5, Eric once again shows the diversity in his arsenal with two very different albums under investigation. The first one is evocatively titled “Driving in the Rain 3am: Songs to Get Lost With” and is a collection of tunes by Canadian songwriters on the Bongo Beat label that could have fit in at the tail end of that party you went to, followed by the music you’d be wandering the streets through on the way home…via the fish and chip shop. The second album is part of a 2CD set called “The Bible According To Black Sabbath”. CD1 which Eric focuses on is a ‘best-of’ collection of Black Sabbath. He will discuss CD2 featuring the same songs done by various artists at a later stage. Another very classy show from Mr Reanimator. Check the episode out, and send some feedback to see let us know how you're enjoying the show. You can download the podcast at iTunes by searching for “love that album”. You can also stream or download it at “http://lovethatalbum.blogspot.com”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
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Welcome to episode 62 of Love That Album podcast. For the second time in the show’s life, I have abdicated complete control of the show to the men who know how to hold court. My fellow See Hear Podcast presenter Tim Merrill and long-time contributor to LTA, Eric 'Reanimator' Peterson once again devote a whole show to the subject of punk. This time around they discuss The Dead Boys’ “Young, Loud and Snotty” from 1977. They follow that up with a chat about Killing Joke’s eponymous album from 1980 I may not be an expert on the subject of punk music, but as per usual, when these gents have a discussion on the subject (any subject, really), I am fascinated. They not only discuss the albums, but the environment they were born into. Nothing exists in a vacuum, and it is truly great to have a historical context for this music. Tune in, enjoy some great music, and get educated all at once. My thanks to Tim and Eric for contributing this great episode. Give them some love. You can download the podcast at iTunes by searching for “love that album”. You can also stream or download it at “http://lovethatalbum.blogspot.com”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.
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Welcome to episode 4 of the LTA: Compilation Series podcasts hosted by Eric Reanimator. This episode is called Happy Pub. This time around Eric is discussing a couple of albums focussing on British pub rock. First of all he talks about Elizabeth McQueen and the Firebrands with their tribute album to pub rock from 2005 called “Happy Doing What We’re Doing”. Then he goes right to the source with the compilation “Pub Rock: Paving The Way For Punk” featuring artists like Ian Dury, Brinsley Schwartz and the 101’ers (with a pre-Clash Joe Strummer) As always, Eric delivers a truly fascinating show. He contextualises the music describing the circumstances that led to pub rock in England. When young artists wanted to bring back pure raw energy to make exciting music (in much the same way rock and rollers from the 50s did), as an alternative to the musicians who were showing their chops through Progressive Rock, Pub Rock was created. As a side note, the pub has long been the breeding ground for most great Australian rock. I hope to discuss this with Eric on a future show. I urge you to give Eric your time. His shows are not just podcasts, but audio documentaries. They are well thought out and you come away knowing something new. You can download the podcast at iTunes by searching for “love that album”. You can also stream or download it at “http://lovethatalbum.blogspot.com”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
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What do Lamb of God, REM, Weddings Parties Anything, Neko Case, Gerry rafferty and Iron Maiden have to do with Richard and Linda Thompson and their 1982 masterpiece “Shoot Out The Lights”? Some of the links are actually very tenuous, but they’re brought up nevertheless in episode 61 of Love That Album, which is devoted to discussing said masterpiece. I am joined by the Knife Licker himself, Mr John Ross co-host of the wonderful Feed My Ears podcast to talk about just happy subjects as infidelity, death, marriage woes, and amusement park rides. Join us!!! We had a lot to talk about including the back story behind the recording of the record. Eric Reanimator is back on board for his Album I Love segment to talk some more excellent Swedish rock. This time he brings us some Hellacopters action with their EP Strike Like Lightning. You can download the podcast at iTunes by searching for “love that album”. You can also stream or download it at “http://lovethatalbum.blogspot.com”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.
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Eric Reanimator presents episode number 3 in the Love That Album Compilation Album series of podcasts. Once again, Eric truly sets a high benchmark for informative music discussion. First up, Eric discusses Volume 3 of the Columbia Country Classics set. This set is heavy on telling stories – something country music does so well and features tunes from the likes of Johnny Cash and Marty Robbins. Then, he talks about the first volume of a high energy punk / garage series of albums called A Fistful of Rock and Roll with songs from groups like The Bell Rays, El Diablo, and Rocket City Riot. Once again, Eric takes you on a fascinating journey through two very stylistically different compilations. Tune into what he has to say. You can download the podcast at iTunes by searching for “love that album”. You can stream or download it at http://lovethatalbum.blogspot.com or http://lovethatalbum.podbean.com
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Welcome to episode 60 of Love That Album. At the end of 2013, two of my favourite albums came from Melbourne bands, and I discuss both of them with their songwriters. First of all, The Livingstone Daisies brought a slice of harmony laden pop goodness into the world with “Don’t Know What Happiness Is” (their fans did after hearing it). I speak with the Daisies’ songwriter Van Walker, who has recorded a number of albums in his own right about how this supergroup came into being and this wonderful record. Think Teenage Fanclub, and you’ll get the idea. Then, I speak to Sherry Rich who has made a myriad of great albums with her own bands (including members of Wilco), but along with Even’s Ash Naylor has reformed The Grapes. They put out a perfect pop album in 1999, and then released another wonderful country / pop hybrid album 14 years later called Western Sun. We speak about both records as well as Sherry’s time in Nashville. Eric Reanimator returns with his Album I Love segment discussing all girl power pop band The Barbarellas with their aptly titled Queens of the Galaxy. Fans of Thee Ultra Bimboos will dig. You can download the podcast at iTunes by searching for “love that album”. You can also stream or download it at “http://lovethatalbum.blogspot.com”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. You can order a CD of The Grapes’ Western Sun album from http://www.thegrapes.com.au/ You can get the Livingstone Daisies’ Don’t Know What Happiness Is album from http://livingstonedaisies.bandcamp.com/album/dont-know-what-happiness-is-digital-download-limited-edition-12-vinyl-or-cd Both albums are also available on iTunes.
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Eric Reanimator presents episode number 2 in the Love That Album Compilation Series of podcasts, and it is hugely entertaining and informative. This time he discusses two albums. The first is Rip It Up and Start Again, a compilation covering the post punk era of artists such as Cabaret Voltaire and The Human League, following in the wake of the initial wave of punk . He points out convincingly it’s subsequent influence on goth and indie rock. Stagediving to the Oldies from 1995 covers second wave LA Punk covers bands like The Circle Jerks, The Vandals and Agent Orange. Eric feels that the LA punk scene never got its due, and this compilation is going some way to redress that. You can download the podcast at iTunes by searching for “love that album”. You can stream or download it at http://lovethatalbum.blogspot.com or http://lovethatalbum.podbean.com
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Welcome to episode 59 of Love That Album. Joining me at LTA Headquarters is show regular, Michael Pursche (of Sitting In A Bar In Adelaide podcast). We discuss a couple of fine Australian pop albums from the eighties. Firstly, we talk about a surprisingly neglected album of a major artist – Ross ‘The Boss’ Wilson’s “Dark Side of the Man” from 1989. We follow up with The Saints’ 1986 album “All Saints Day” – a long way from their “I’m Stranded” debut. Both albums are from artists who’d been on the music scene for a while and had changed direction. Echoes of LTA episode 58’s discussion on Bruce Springsteen’s album High Hopes hang over both these records. Tune into the show and discover why. As usual, Eric Reanimator contributes another wonderful Album I Love segment, discussing The Damned’s “Black Album” from 1980. Like The Saints, they were a punk band looking for different directions to travel. …and we got some real honest to goodness feedback…..YAY!!!!! You can download the podcast at iTunes by searching for “love that album”. You can stream or download it at “http://lovethatalbum.blogspot.com”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum. Get Michael’s Sitting In a bar In Adelaide podcast from http://www.podfeed.net/podcast/Sitting+in+a+Bar+in+Adelaide/14279
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Hey folks, Here’s an exciting new development at LTA headquarters. As you know, Eric “Reanimator” Peterson has been doing his Album I Love segment for the show for quite a large part of its history. I asked Eric if he was interested in doing an ongoing series of bonus episodes for the show, and I am thrilled to present to you the first episode of these bonus shows – Love That Album: The Compilation Series. These shows will concentrate on great compilations, be they movie soundtracks, stylistic compilations, artist box sets..whatever takes Eric’s fancy. ….and what a corker of a start. First episode around he discusses the three brilliant albums under the name “Songs The Cramps Taught Us”. This is a great collection of rockabilly, rock and roll, surf…all the things that influenced The Cramps’ own recordings. This is a fascinating show. Please listen to these bonus shows and give Eric your support. I look forward to hearing more from him. The AIL for the main shows will continue. The bonus episodes run off the same RSS Feed as the regular episodes. You can download the podcast at iTunes by searching for “love that album”. You can stream or download it at http://lovethatalbum.blogspot.com or http://lovethatalbum.podbean.com
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Episode 58 of the Love That Album podcast has finally shaken off the curse….yes, Dr Geoff Smith has finally overcome internet dropouts, Skype collapse, my previously poor file editing skills – all collectively known as the Hiatt Curse – to join John Stirrat and myself to discuss some BROOOOOCCCCE. This is Love That Album’s third Bruce-cast. (Check out episodes 1 and 17 for further Springsteen0related chat). Since the beginning of the 21st Century, Bruce Springsteen has found new strength and purpose. He’s been touring heavily with the beloved E Street band, and recorded (for a major artist in the current age of rock) at a prolific rate. Early 2014 has seen him release High Hopes, an album some believe should be called Tracks 2. It’s a collection of songs written over the last 10 years that didn’t make the cut on previous recordings, as well as some interesting covers. We grapple the big questions: Does the album work as one artistic statement or is it just a grab bag of songs that have no connection? Is he following similar lines to Wrecking Ball or does he cut a different path? Is the E Street Band the most hip-shaking, love-making, Viagra-taking musical entity on the planet? There is much discussion on the current tour of Australia, the last decade of Bruce-related music, and if Bruce is an overtly political songwriter. Eric Reanimator’s “Album I Love” segment appropriately for a Bruce show is Alejandro Escovedo’s 2008 album Real Animal. You can download the podcast at iTunes by searching for “love that album”. You can stream or download it at “http://lovethatalbum.blogspot.com”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum and let us know your thoughts on your favourite BROOOCCCE moments. I’d be hugely grateful for any iTunes reviews should you be so kind to submit one.
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Welcome to episode 57 of the Love That Album podcast, the first for 2014. I am joined by long time supporter but first time participant Will Smith of the wonderful Gentlemen’s Guite To Midnite Cinema podcast. We discuss albums by two songwriters who are still early into their careers. First up, we discuss, soul stylist Michael Kiwanuka’s “Home Again” (2012), then we chat about Mac Demarco’s album “2” (2013). Both artists definitely display their love of artists that have inspired them, but cleverly meld the music into something all their own. Kiwanuka’s album is a beautiful introspective look into faith and hope without hitting anyone over the head with his beliefs. On the other hand, Demarco creates a sound that may appeal to fans of Ween. He’s got a healthy sense of humour, but as Will points out, there’s something dark hiding behind the Lynchian picket fences of his songs. Will and I look forward keenly to see what they will do next. Eric Reanimator returns for 2014 with his terrific Album I Love segment to discuss Janelle Monae’s concept album The Arch Android, based on Metropolis. NOTE: For the time being, Love That Album will be a monthly podcast. I have joined Tim Merrill and Wendi Freeman for a new monthly podcast about music related films called See Hear. I still get my dumb opinions out twice a month, but once per month for each podcast. You can download the podcast at iTunes by searching for “love that album”. You can stream or download it at “http://lovethatalbum.blogspot.com”. If you dig the show, I’d be ever so grateful for an iTunes review. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum and start a conversation on any new songwriters you’re excited about.
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Welcome to episode 1 of the monthly See Hear podcast (hopefully only temporarily utilising the Love That Album podcast RSS feed while I work out issues with iTunes on the separate feed). Join your hosts, Wendi Freeman, Tim Merrill and Maurice Bursztynski as they discuss music related films – narrative or documentary. No gentle start for the team as they discuss the Todd Phillips documentary about notorious punk rock singer GG Allin. The film is not for the faint of heart (and our language may reflect the content discussed), but it is a fascinating look at a man who truly knew no boundaries in they way he lived his life. He is held in equal contempt and admiration by the public and ex-band members. My huge thanks and admiration to Max Bursztynski for composing the show’s theme tune and designing the show logo. Join the Facebook group at https://www.facebook.com/groups/seehearpodcast/ (Tell your friends about us). Email feedback to [email protected]
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Bigger than Ben Hur. Funnier than The Seventh Seal. More music discussion than Behind The Green Door. IT’S….Shooting The Shit Conquers The Martians Yes indeed, Love That Album podcast episode 56 is here starring the Shooting The Shit crew. We discuss our favourite albums either released or that we newly discovered in 2013. The music industry waits with baited breath as the LTA tastemakers decides who is worthy of YOUR attention. My thanks to Eric Peterson (aka Reanimator), Ghetto Tim, and John Stirrat for taking the time to put their lists together and joining me on the show….because if they didn’t, I’d be talking to myself…which would be pretty silly. I also give thanks to those listeners who submitted feedback for the show – Adi Sappir, Pat Monaghan, Will Smith and the mighty John Ross who sent an outstanding audio segment. Look for John’s own podcast, Feed My Ears in 2014. You can download both shows from iTunes by searching for “love that album”. You can stream or download them at “http://lovethatalbum.blogspot.com”. I thank everyone of you that downloaded an episode sometime this year. I also thank everyone who joined me as a co-host this year. Everyone of you is aces in my book. Discussing music with you folks is an absolute pleasure. I look forward to doing it all again in 2014.
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For episode 55 of Love That Album, I am enjoyed by the pummeling princess of Power Pop, Ms Wendi Freeman. We spent time discussing two terrific power pop classics – only one of which has made it to the podcast due to a technical botch on my part, Cheap Trick’s album from 1977, “In Color” (incorrect spelling from my side of the world, but I’m quoting). Two pinup guys, a guitar geek, and a guy who looks like a chain smoking second rate lawyer, somehow managed to combine melodic pop and hard rock to create a first class album. Debate rages on as to the radio-friendly nature of the original album against the re-recorded version of it many years later produced by Steve Albini. One of us feels the original production took the balls out of the songs, and one of us feels the subsequent production failed to take into account the sweet nature of some of the tunes by turning everything up to 11. Who thought what? Download the episode and find out. For his Album I Love segment, Eric Reanimator kicks down the door of public opinion to champion the Goo Goo Dolls album of 1993, Superstar Carwash. He makes a convincing case. Don’t forget to also download the new bonus episode featuring my chat with the former lead singer and songwriter of the Ice Cream Hands (now of The Zhivagos), Charles Jenkins. You can download both shows from iTunes by searching for “love that album”. You can stream or download them at “http://lovethatalbum.blogspot.com”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum and let us know your favourite power pop songs.You should also be downloading Wendi's two brilliant podcasts, Double Page Spread (http://doublepgspread.tumblr.com/) about the comic world, and The Trashy Trio (http://trashytrio.libsyn.com/) discussing sleazy movies. To borrow from the Gents, she really does bring class to the trash. As if that wasn't enough she's also the drummer of Daemon Familiar (http://daemonfamiliar.com/). If you’re enjoying the show, please spread the word. Let friends know that there’s a podcast where albums are discussed passionately. If you want to write an iTunes review in support of the show, I’d be hugely grateful for that too.
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Here’s a special bonus companion episode to episode 55 of Love That Album….sort of. LTA 55 was supposed to include a discussion about Melbourne group the Ice Cream Hands’ third long player, “Sweeter Than The Radio”, but some careless editing practices on my part put paid to that part of the show. However, this bonus episode features me having a discussion with former lead singer and songwriter for the Ice Cream Hands, Charles Jenkins. The chat was supposed to predominantly be about Sweeter Than The Radio, but branched out to discuss the band’s overall catalogue, Charles’ approach to song writing, and his current work with the Zhivagos. If you’re a fan of the Hands, of power pop, or great song construction, Charles has some interesting things to say and I’m grateful for his time. Don’t forget to also download LTA 55 proper featuring Wendi Freeman and I discussing another great slice of power pop, Cheap Trick’s “In Color”. You can download the podcast at iTunes by searching for “love that album”. You can stream or download it at “http://lovethatalbum.blogspot.com”.
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Episode 54 of LTA is a world away from episode 53. Whereas in episode 53, Eric Reanimator and I discussed two dangerous front men in rock, this time around, I am joined by the greatest film and music expert Bath has ever known, Mr Bernard Stickwell (Sticky to his friends) to discuss two sensitive singer songwriter types. 2012 saw the first release of new, non-demo material in 40 odd years from British songwriter Bill Fay. His new album “Life Is People” is a warm sounding album rich in its song arrangements. Fay writes songs about what he has discovered about life - both the disappointing and hopeful – through actually living it. He has worked in a multitude of jobs since originally giving up the industry (not giving up music) to keep himself afloat. It’s these experiences that dictate his subject matter, and it all rings true, as Sticky and I discuss. We also cover the 1994 album by former American Music Club frontman, Mark Eitzel, “60 Watt Silver Lining”. Sticky introduced me to this record, and it’s become a favourite. Imagine Tom Waits, Burt Bacharach and Roy Orbison getting together at a late night bar, and you get a vague idea of what’s going on here. Eitzel’s obviously had his heart broken and stomped on. From misery comes great art, but it’s been suggested that he’s often taking the piss. This is part of our discussion (and we cover blaxploitation films too). We had fun, and I hope you dig it. Speaking of Eric, he returns with his Album I Love segment to discuss a couple of long players by Kevin Kinney, Macdougal Blues from 1990 and Down Out Law 1994. Kevin was the lead singer of a band Eric has long championed, Drivin’ and Cryin’. Eric’s reflections on Kinney’s solo work makes for interesting listening. You can download the podcast at iTunes by searching for “love that album”. You can stream or download it at “http://lovethatalbum.blogspot.com”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum and let us know your thoughts on your favourite singer songwriters, whether you prefer the attempt at a slightly new show format, or just anything music related that you’d like to chat about. If you’re enjoying the show, please spread the word. Let friends know that there’s a podcast where albums are discussed passionately. If you want to write an iTunes review in support of the show, I’d be hugely grateful for that too.
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The bad news is that Eric Reanimator did not submit his regular Album I Love segment for Episode 53 of Love That Album. The good news is he joins me for the whole show. After enjoying Eric’s regular segments on the podcast and his contributions to the Shooting The Shit segments, his debut as co presenter on LTA 53 is long overdue. The theme of this show is dangerous frontmen. We discuss Alice Cooper’s “Killer” and Iggy and the Stooges’ “Raw Power”. Both Vincent Furnier and Jim Osterburg were playing characters, and we discuss not only their albums, but also their respective approaches to shocking their audiences. Alice Cooper (both the band and the man) created a very theatrical show with snakes, guillotines, and hangings, whereas Iggy would rile up his audience and scrape broken shards of glass across his body. Alice gave the illusion of danger, but Iggy really put himself in danger. We discuss how the music works irrespective of the visuals, the similarities and differences between the characters and personas, and the seeming contradiction between the performers’ androgyny and machismo. Sounds heavy? It ain’t. Eric and I had a great conversation about the performers and their work that I hope you find stimulating. If you’re enjoying the music discussions that we present on the show, please let your music loving friends know that the podcast exists. Spread the word that music discussion exists in podcast land. If you feel you’d like to be part of the show or even suggest an album for future focus, please send me an email. I’d also be grateful for an iTunes review, You can download the podcast at iTunes by searching for “love that album”. You can stream or download it at “http://lovethatalbum.blogspot.com”. The podcast can also be listened to via Stitcher Radio. Download the app from stitcher.com, and listen to any episode streaming over your Android or Apple device after searching for “love that album”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group a thttp://www.facebook.com/groups/lovethatalbum and let us know your thoughts on trip hop, whether you prefer the attempt at a slightly new format, or just anything music related that you’d like to chat about.
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It's becoming more of a trend at LTA studios that I've been programming the show's discussions based on the suggestions of my co-presenters, rather than finding a mutually loved record. So it goes with episode 52. Wasn't shore whether to call the show Portis Attack or Massive Head!!! I am joined by John Ross, the manager of the wonderful Facebook page "Feed My Ears", and Shooting the Shit regular, Tim Merrill to discuss Portishead's "Dummy" and Massive Attack's "Mezzanine" - two albums I never thought I'd be talking about on this podcast. I confess the whole trip hop movement passed me by in the nineties, but I am truly grateful to John Ross for telling me to get out of my musical comfort zone and discuss these two records. I think we had a fascinating conversation as we touched upon issues such as whether sometimes music has to have a context to appeal, or whether the music itself evokes images. Record scratching aside, was Dummy just a traditional pop or soul record with nineties production values? What did we actually think of these records - do we love those albums? Tune in and find out. Eric Reanimator once again contributes his segment more to discuss a band he loves rather than a specific album. This time around he talks about Sky Cries Mary, a perfect companion piece to this episode's albums. If you’ve been enjoying the show, please pass the word that the show exists to your music loving friends. I'd love to expand the audience a little and hopefully, the range of albums discussed can appeal to more folks. Write an iTunes review if you feel so inclined.….any kindness will be gratefully appreciated. You can download the podcast at iTunes by searching for “love that album”. You can stream or download it at “http://lovethatalbum.blogspot.com”. The podcast can also be listened to via Stitcher Radio. Download the app from stitcher.com, and listen to any episode streaming over your Android or Apple device after searching for “love that album”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group a thttp://www.facebook.com/groups/lovethatalbum and let us know your thoughts on trip hop, whether you prefer the attempt at a slightly new format, or just anything music related that you’d like to chat about.
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Hey folks, welcome to episode 51 of Love That Album. I’m going for a slight variation in format (though I think at times we fell back on the old). For some future shows, we will pick 2 albums and discuss in a more broad fashion, rather than going song by song. Less time spent per album, but hopefully, the heart of what makes the albums so good (or so shitty if that’s the case) will still be covered. I am joined by JuanJose DeLa Cruz of the wonderful List Music Podcast (happy birthday Juan) and first timer to LTA, David Blom. Each of these fellow music fans has suggested an album for discussion. Juan picked King Crimson’s “In The Court of the Crimson King” and Dave selected The Flaming Lips’ “Yoshimi Battles The Pink Robots”. Both albums have a prog flavour so I thought it was a good pairing. As well as the music, the discussion turns to war, illness, death, old computer games, Benny Hill….the usual stuff discussed on LTA. I hope you enjoy. For his Album I Love segment, Eric Reanimator discusses Monster Magnet and their album “All Dopes To Infinity”. Hear a little Stooges in there? Good. Hold that thought…… If you’ve been enjoying the show, please pass the word that the show exists to your music loving friends, write an iTunes review, make me some chocolate muffins….any kindness will be gratefully appreciated. You can download the podcast at iTunes by searching for “love that album”. You can stream or download it at “http://lovethatalbum.blogspot.com”. The podcast can also be listened to via Stitcher Radio. Download the app from stitcher.com, and listen to any episode streaming over your Android or Apple device after searching for “love that album”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum and let us know your thoughts on prog, whether you prefer the attempt at a slightly new format, or just anything music related that you’d like to chat about.
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Love That Album is baaaaaaaaaaccccckkkkk. Did you miss us?????? Not only that, but the podcast turns 50 episodes old. It took a while, but with (most) technical difficulties overcome, I can now happily lay episode 50 of Love That Album on you – 6 weeks or so after it was originally due. I dub the episode “Beneath The Planet of Shooting The Shit”. To celebrate this milestone in the show, I invited the members of the Shooting The Shit Crew- Tim Merrill, Eric Peterson, John Stirrat, and Michael Pursche to join in a discussion on our favourite box sets. Are box sets a dying breed? What was their purpose in the first place – to create interest for the novice or give unknown treasures for the long time fan? What makes for a great box set? The big one: what are the greatest box sets released? These life enriching questions are all discussed on the program. It was a fascinating discussion, and I thank these fine people for giving of their time and expertise. A special thanks should be given to Geoff Smith who was available for the show, but Skype gave us difficulties in letting Geoff onto the conversation, Rest assured, he will be back on the program soon. Fittingly, to accompany the discussion of garage, blues, punk, Americana, pop and jazz, music for the show is provided courtesy of Scriabin, Beethoven and Chopin. At this mini milestone for the show, my thanks go to anyone who has ever guested on the show, provided feedback and encouragement, or just listened to the damn thing. I love doing this podcast and am gratified that a bunch of you out there enjoy listening. Here’s to the next 50 shows. You can download the podcast at iTunes by searching for “love that album”. You can stream or download it at “http://lovethatalbum.blogspot.com”. The podcast can also be listened to via Stitcher Radio. Download the app from stitcher.com, and listen to any episode streaming over your Android or Apple device after searching for “love that album”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum and start a discussion on your favourite box sets.
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Hello folks,I've published a quick 5 minute podcast (podcast-let?) to explain about the current state of the nation here at LTA studios. If you enjoy the show, don't panic - it will continue. If you don't, the bad news is it will continueCheers,Maurice.
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Welcome to Love That Album podcast 49. Before I started the podcast, I was writing blog articles about albums I love. Back in May 2011, I wrote about my passion for the 1989 album from Weddings Parties Anything “The Big Don’t Argue”. I really felt that this deserved a return visit via the podcast. I am joined by LTA regular and host of Sitting In A Bar In Adelaide, Michael Pursche to discuss this incredible record. The threatening cover, a reference to the song A Tale They Won’t Believe really grabs your attention before you’ve played any of the music. Once the needle hits the grooves, we hear lots of great stories, worthy of any great author. Via songwriter Mick Thomas, WPA tells us stories of livelihoods destroyed, cannibalism, the loss of idealism and enjoying a sunny Sydney day with barely enough money for a beer. Not just great stories, but fantastic memorable tunes that make you want to mosh or cry in your beer. I went to many many WPA shows and it felt like a sense of community when you sang with complete strangers about holding down cooked human flesh to survive. We are joined once again by Eric Reanimator for his Album I Love segment to discuss the album Poison Love by cowpunks, Blood On The Saddle. Another great segment for yer earholes. You can download the podcast at iTunes by searching for “love that album”. You can stream or download it at “http://lovethatalbum.blogspot.com”. The podcast can also be listened to via Stitcher Radio. Download the app from stitcher.com, and listen to any episode streaming over your Android or Apple device after searching for “love that album”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum and start a discussion on your favourite literary songwriters.
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If you live in Australia and have turned on the radio, watched TV, gone to the theatre or cinema, or studied in high school any time over the last 30 years, then the name Paul Kelly is no stranger to you. He is revered as one of this country’s (or indeed the world’s) greatest songwriters. LTA contributor Dave Mclemore is a huge devotee over in the Lone Star state, so I know PK has an American fan base as well. If you’ve not heard him before, and you like strong storytelling in you songs, you’re in for a treat. If you dig Nick Cave, then PK should be someone you check out. For episode 48 of Love That Album podcast, I’ve decided that rather than tackle an individual Paul Kelly album (seeing as he has so many), I’ve plagiarised the format of The List Music Podcast and the All Time Top Ten podcast (thanks Ricardo, Jenny, VK, Juan and Ben). My longtime friend (I think we met at 10 years old!!!!) and fellow Paul Kelly fan Darren Lucthner and I count down and discuss our ten favourite Paul Kelly songs. We cover the hits, and the deeper album cuts. We even include a couple of Kelly-penned interpretations by other artists. What made the list? Tune in and find out. Eric Reanimator returns for his Album I Love segment, to discuss some early seventies Willie Nelson and his album Shotgun Willie. As usual, a classy and well thought out chat from Eric. You can download the podcast at iTunes by searching for “love that album”. You can stream or download it at “http://lovethatalbum.blogspot.com”. The podcast can also be listened to via Stitcher Radio. Download the app from stitcher.com, and listen to any episode streaming over your Android or Apple device after searching for “love that album”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum and start a discussion as to your favourite PK song.
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Here we come…walking down the street….we get the funniest looks from….everyone we meet…. If you can sing the next line of that song, then Love That Album episode 47 is for you. The Monkees TV show theme would have to be one of the most beloved and recognised of its era and beyond. Arguments have gone back and forth about whether the Monkees were really a band, given their start as actors who just happened to be playing the parts of band members for a TV show. Well, like all good Frankensteinian monsters, they decided to take on a life of their own. On LTA 47, I am joined by two co-hosts in separate segments. First of all, I welcome back to the show my friend and fellow Monkee nut, Julian Gillis to discuss two classic albums released in 1967 (a watershed year for rock). First of all, we discuss “Headquarters”, the album that by and large avoids the use of session musicians and features more Monkee-penned compositions. Then we look at the next record they released “Pisces, Aquarius Capricorn & Jones”. They return to the use of outside song writing help and they share the platform with session musicians, but to great effect. Julian and I both discuss the notion about the whether they were a real band, and what their legacy has been. How do these albums stand up against other albums released by the more conventionally assembled bands of the day? We both had fun recording this one and discussing some real pop gems. But wait…there’s more Monkee business at hand. For his first LTA appearance, Terry Frost (of the wonderful “Paleo Cinema” and “Martian Drive In” podcasts) joins me to discuss the 1968 surreal piece of Monkee cinema, “Head”. To say this film has been much maligned is an understatement. Devised by Bob Rafelson, Jack Nicholson and the band while allegedly digesting a bag of fauna, this has no linear narrative to speak of – but does it have something to say? Terry and I have a good time finding out. Eric Reanimator returns with his Album I love segment to discuss the album by Danny and Dusty, “The Lost Weekend”, part of the underground paisley movement of the 80s. I really dig this album, as it reminds me of my beloved Weddings Parties Anything. Another classy segment courtesy of Eric. You can download the podcast at iTunes by searching for “love that album”. You can stream or download it at “http://lovethatalbum.blogspot.com”. The podcast can also be listened to via Stitcher Radio. Download the app from stitcher.com, and listen to any episode streaming over your Android or Apple device after searching for “love that album”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.
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Episode 46 of Love That Album is here with two albums up for discussion. Having previously been graced with the company of Doctor Zom, I’m now honoured to be joined by the other half of the Silva and Gold team, Pickle Loaf (aka Alex Ladd) to talk about two vastly different Tom Waits records – 1974’s “The Heart of Saturday Night” and 1985’s “Rain Dogs”. They have superficial similarities: both are second albums (Heart for Asylum records, and Dogs for Island), and both are vastly different to what Waits’ contemporaries in the pop music world were doing. We discuss the songwriting, Charles Bukowski, Bette Midler, truck drivers, and a myriad of other things. Eric Reanimator’s “Album I Love” segment returns featuring a focus on Simon Stokes’ album “Honky”. More good listening for your earholes from Eric. NOTE: you can also download a special bonus companion LTA episode featuring an interview I had with Barney Hoskyns, author of “Lowside of the Road – A Life of Tom Waits”. He knows his Waits and gives a fascinating insight into Waits’ work. You can download both of the podcasts at iTunes by searching for “love that album”. You can stream or download it at “http://lovethatalbum.blogspot.com”. The podcasts can also be listened to via Stitcher Radio. Download the app from stitcher.com, and listen to any episode streaming over your Android or Apple device after searching for “love that album”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum and answer the REAL question regarding the meaning of life. Tom Waits – early jazzier recordings or later experimental recordings?
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I present to you a bonus episode of Love That Album, a sort of companion piece to the forthcoming episode 46 of the podcast. Episode 46 proper will feature a discussion between Alex Ladd (aka Loaf) of the Silva and Gold podcast and myself about two great albums by Tom Waits – “The Heart of Saturday Night” and “Rain Dogs”. This bonus episode however, features an interview I had with acclaimed rock biographer and journalist Barney Hoskyns. Barney has written a superb biography of Tom Waits called “Low Side of the Road”, and we discuss these albums and Waits’ career in general. He was absolutely fascinating to speak to, and I hope you enjoy our chat. I’d urge any fans of Waits to get hold of his book. The two discussions together would have made the show length a bit daunting. I hope you enjoy this chat with Barney Hoskyns and the forthcoming one with Loaf. You can download the podcast at iTunes by searching for “love that album”. You can stream or download it at http://lovethatalbum.blogspot.com The podcast can also be listened to via Stitcher Radio. Download the app from stitcher.com, and listen to any episode streaming over your Android or Apple device after searching for “love that album”.
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A real treat for you on episode 45 of Love That Album podcast – I’m not on it!!! I’ve enlisted the services of show regulars Eric Peterson and Tim Merrill to talk about all things punk. They discuss their favourite bands, obviously, but there’s so much more going on here. They raise questions valid for fans of any music genre. Do punk/music icons belong in a museum? Is art maintained by the idea that generated it or by the fans who appreciated it? What do Little River Band and Black Flag have in common? Is new punk too streamlined when compared to the diversity of old punk? Should Gwyneth Paltrow be punk’s poster girl? Tim and Eric have a great time discussing all this and more, and I can tell you, it’s a fascinating and educational show. I urge you to listen and give them your support. There’s plenty of music to accompany their discussion (it even comes in at the relevant parts of the discussion). They also find some time to discuss about what they’ve been listening to lately outside of punk. You can download the podcast at iTunes by searching for “love that album”. You can stream or download it at http://lovethatalbum.blogspot.com The podcast can also be listened to via Stitcher Radio. Download the app from stitcher.com, and listen to any episode streaming over your Android or Apple device after searching for “love that album”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum and tell us about your favourite punk albums. Eric’s excellent blog can be followed at: http://restlesskind.blogspot.com/ My thanks to Sammy and Will at the GGTMC for the name appropriation.
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I’m doing things a little bit differently for episode 44 of Love That Album. Rather than co hosting with a fellow fan of a particular album, I’ve gone straight to the source and am chatting with the musicians concerned. February this year saw the latest release from Australian singer songwriters Deborah Conway and Willie Zygier. They’ve been making wonderful albums for years, but with "Stories of Ghosts", they’ve just upped the ante. “Stories of Ghosts” is heaven for fans of brilliant songwriters – an ironic description considering the subject matter for the album is an exploration of their Jewish heritage from an atheist’s perspective. Make no mistake, however – this album is not about following a Richard Dawkins agenda, nor is it bitter like Andy Partridge’s “Dear God.” These songs cover topics like hope, disappointment, and anger – themes that anyone can relate to – believer and non-believer alike. Deborah and Willie were fascinating interview subjects, and I hope you’ll enjoy our conversation. Song samples are included. NOTE: There were audio issues in the recording of this interview, but is still listenable overall. A good headphone listen. Eric Reanimator’s “Album I Love” segment features him talking about a metal band (I told you this was a different type of episode), The Galactic Cowboys and their album “Machine Fish”. Their album delves into questions of troubled faith, making it a perfect accompaniment to the Conway / Zygier album. …and for those of you who are concerned about how long these LTA shows run, this one is only a tad over an hour. Perfect for your work commute. You can download the podcast at iTunes by searching for “love that album”. You can stream or download it at “http://lovethatalbum.blogspot.com”. The podcast can also be listened to via Stitcher Radio. Download the app from stitcher.com, and listen to any episode streaming over your Android or Apple device after searching for “love that album”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.
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Episode 43 of LTA is mammoth, huge…not (just) in length, but in content. I am joined by Ben Eisen of the All Time Top Ten podcast to discuss The Who’s “Who’s Next” album. The Who had just come off the success of Tommy, and Pete Townshend was keen to tell another story called Lifehouse. Not for him to write an ordinary kitchen sink drama – no way. Mr Townshend had big ideas about a future run by a totalitarian regime (shades of 1984) where people where linked experience suits all connected together to share common activities (predictor of the internet?). One lone man wants to bring about the long forgotten practice of rock and roll (a precursor to Footloose???) to the world by organising a concert where everyone will sing and dance themselves into such a state where they will find the lost note of purity and disappear in a flash of light…….Are you following the story so far? No? Doesn’t matter. When the project collapsed under the weight of its own heaviosity, “all” that was left was the album “Who’s Next”. Disappoiting for Townshend, but a true gift for the rock loving fraternity. This album contains the cream of song writing and musicianship. Ben and I had a blast discussing these songs, both in the context of the original Lifehouse story and as separate entities in their own right. Whether you’re into spirtituality, Sci-Fi or Keith Moon murdering his drum kit, we’ve got it covered. Also, what do Abbot & Costello and Tom Lehrer have to do with this album? Listen to the show and find out. NOTE: If you’re a Led Zeppelin fan, DO NOT send death threats after listening to this. Ben and I both love Zep, but…… Eric Reanimator returns for an excellent segment to discuss the Nuggets 2 box set. I’ve been a long time fan of Nuggets 1, so I was really keen to hear his words of wisdom about the follow up. You can download the podcast at iTunes by searching for “love that album”. You can stream or download it at “lovethatalbum.blogspot.com”. The podcast can also be listened to via Stitcher Radio. Download the app from stitcher.com, and listen to any episode streaming over your Android or Apple device after searching for “love that album”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum and start a war – The Who vs Led Zep. Who wins? Or should that be Who wins!
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Hard to believe it’s taken 42 episodes of Love That Album to get to discuss a Richard Thompson album (considering my obsession with his music). Still, the great songwriter and guitarist’s guitarist has released a new LP and that seemed a good a reason as any to chat about it on the podcast. My guests for this discussion are John Ross (convenor of the excellent Feed My Ears FB page), returning for his second appearance on the show, and LTA newcomer Dave McLemore. Dave, like me, was a long time admirer of RT, and John had his music forced down his throat by me. So does the new album stand up to the standard set by previous recordings? Has John become a fan or did all the hype I created set RT for a fall in John’s mind? The album covers breakups (both tragic and humourous), randy senior citizens, political campaigners and guys just trying to survive on a meagre wage….usual singer/songwriter fodder. Comparisons are also made to Australian songwriting hero, Paul Kelly. John, Dave and I have a blast chatting about this record. Eric Reanimator is back talking about an EP from 90s band Animal Bag (whom he discussed in the recent Shooting The Shit episode). It’s good stuff. You can download the podcast at iTunes by searching for “love that album”. You can stream or download it at “lovethatalbum.blogspot.com”. The podcast can also be listened to via Stitcher Radio. Download the app from stitcher.com, and listen to any episode streaming over your Android or Apple device after searching for “love that album”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum and start a discussion on your favourite guitar hero / song writing guru.
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Welcome to episode 41 of Love That Album aka “Son of Shooting The Shit”. Yep, in addition to the regular crew of Tim Merrill, Eric Peterson, and John Stirrat, we welcome special guest shit-shooter Thomas Deja to the world-wide round table. Ever wonder where the old LTA segment of “What have You Been Listening to Lately” went? No??? Oh…(said he with a slightly wounded ego)… I’ll tell you anyway. It found a home at Shooting the Shit headquarters. In fact we spent so much time talking about our recent listening pleasures (with a myriad of diversions, it must be added) that this took up the whole show. It was a fascinating conversation, and thanks to the impeccable taste of my cohorts, I now have some new music to chase up. We also play a tune from The Art of War, a band out of Geraldton, Western Australia, fronted by “Bad” James McDonald (known well to the Silva and Gold community). Dig it. Oh, and have you ever wondered where my old technique of laying music underneath the discussion that didn’t actually correspond to what we were talking about went? Not that either, huh? Well, I’d better just shut up now. My thanks go to the guys for their time and efforts into this episode. You can download the podcast at iTunes by searching for “love that album”. You can stream or download it at “lovethatalbum.blogspot.com” The podcast can also be listened to via Stitcher Radio. Download the app from stitcher.com, and listen to any episode streaming over your Android or Apple device after searching for “love that album”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum and start a discussion on…anything musical. You can hear more of The Art of War from http://www.reverbnation.com/theartofwar
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It was 1982 - the Australian popular music landscape had a number of iconic albums released: Men at Work's "Business As Usual", Midnight Oil's "10, 9, 8...", Goanna's "Spirit of Place", Cold Chisel's "Circus Animals" and Richard Clapton's "The Great Escape". Richard was already revered as one of Australia's greatest songwriters recording music that was identifiably Australian combining a bit of surf music, hippie ideals and lyrics that would not have been out of place on early Bruce Springsteen records.In 1982, he wanted to try something a little different. Looking at what his peers were doing, he developed a tougher sound for The Great Escape utilising the skills of the great Mark Opitz (Cold Chisel, Angels) as producer. For episode 40 of Love That Album, Michael Pursche of Sitting In a Bar In Adelaide podcast and I discuss this album, some of what went on before that, and a discussion Richard made on a certain teen TV pop music show with its "professional" host. The album starts off frantic and ends off with Richard at peace with his environment. In between, there's a song that is (in my opinion) one of the greatest, if not THE greatest pop song written in this country. The musicians on board include a who's who of the day, including members of INXS who Richard had previously produced. Eric Reanimator returns to discuss the music of cowpunk outfit, The Divine Horsemen in his segment An Album I Love. Download the show either from http://lovethatalbum.blogspot.com or search for "love that album" in the iTunes store. The podcast can also be listened to via Stitcher Radio. Download the app from stitcher.com, and listen to any episode streaming over your Android or Apple device after searching for “love that album”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum and start a discussion on the best TV appearances by a rock act.
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For episode 39 of Love That Album, I’m joined by Thomas Deja of the Better In The Dark podcast to discuss Aimee Mann’s album from 2000 Bachelor No. 2 or The Last Remains of the Dodo. This was Aimee’s third album, released after buying back the recordings from her unsupportive record company declaring it to have no commercial appeal (which shows part of the reason why real music lovers hold record companies in contempt). She sold it very successfully from her website until getting a wider reaching distribution deal. Aimee shares excellent company with the likes of Jon Brion (ex-Jellyfish, The Grays), Buddy Judge and husband Michael Penn to produce a suite of songs that are all at once sweet and bitter. These songs would be like eating a nice piece of apple cake, only to find out the fruit has gone rancid. The sweet melodies and harmonies are wrapped around lyrics that are bitter, accusatory, self deprecating, and resigned. What I love about some of these songs is that Aimee sings from the perspective of someone whose view of events is not necessarily reliable. This really makes for more interesting listening than some songwriters who always take the self-righteous line. I really enjoyed hearing Thomas’ take on these fine songs. We also briefly discuss some of these songs’ linkage to the terrific P.T. Anderson film, Magnolia. Eric Reanimator returns to discuss the brilliant album by Neko Case, “Fox Confessor Brings The Flood” in his Album I Love segment Download the show either from http://lovethatalbum.blogspot.com or search for "love that album" in the iTunes store. The podcast can also be listened to via Stitcher Radio. Download the app from stitcher.com, and listen to any episode streaming over your Android or Apple device after searching for “love that album”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum and start a discussion on anything musically related.
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Love That Album episode 38 is doing something a little different to the usual – we’re not discussing an album. Wha???????????????????????? "Silva and Gold" podcast’s Doctor Zom and I spend the show discussing two great British movies from the early seventies – 1973’s “That’ll Be The Day” and 1974’s “Stardust”. Both films feature a lot of rock and roll, and are centred on the power it has over its audience, but unlike previous filmic excursions on LTA, we’re not discussing the soundtrack. David Essex stars in both films as Jim Maclaine and his rise from fairground attendant to rock star. Jim is a narcissist, and does not let friendships, family duty or basic human decency get in his way from getting what he wants out of life. The first film covers the period from the late 50s where he drops out of school to work at a seaside carnival, and the second covers his rise and fall with his band The Stray Cats. I think it’s a retelling of Faust in a way. Besides David Essex, the films feature Ringo Starr, Keith Moon, Adam Faith, and Larry Hagman in what was surely a precursor to J.R. Ewing. Zom and I have a lot of enjoyment discussing these great, gritty films and hopefully, our chat will inspire you to discover or revisit them. As from previous visits to the podcast, I love having Zom’s insight and contribution. Eric Reanimator returns to discuss an anthology of songs by The Troggs. Wild Thang...... Download the episode either from http://lovethatalbum.blogspot.com or search for "love that album" in the itunes store. The podcast can also be listened to via Stitcher Radio. Download the app from stitcher.com, and listen to any episode streaming over your Android or Apple device after searching for “love that album”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum and start a discussion on your favourite rock related movie.
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For episode 37 of Love That Album, I’m happy to welcome Simon and Brian of the truly excellent Sodajerker on Songwriting podcast (download at www.sodajerker.com) In 1968, The Zombies were in the unfortunate position of not really having achieved the sort of success they deserved. History had been far kinder to many of their contemporaries. They decided they would record one final album (at Abbey Road, no less). It even had the ignominious misspelling of the title on the album cover – Odessey and Oracle. A year after its release, Al Kooper had released the album on CBS in the US and the band had a smash hit with the single “Time Of The Season”. This was ironic for two reasons. The obvious one was the band had split up and there was to be no promotion. The second, more subjective irony was that this song was not typical of the style of the rest of the record. Sodajerker and I discuss the dark themes sung about on this album (war, prison, dying lonely, and that old staple, relationship heartbreak) made more palatable by glorious melodies and harmonies. This album is a bona fide classic that needs to be in every pop lover’s collection. Listen to this episode and have us convince you why. Eric Reanimator returns to discuss Hawkwind’s eponymous album in his Album I Love segment. Download the episode either from http://lovethatalbum.blogspot.com or search for "love that album" in the itunes store. The podcast can also be listened to via Stitcher Radio. Download the app from stitcher.com, and listen to any episode streaming over your Android or Apple device after searching for “love that album”. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum and start a discussion on your favourite underrated bands.
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It’s time for the first episode of Love That Album podcast in 2013, and I thought I’d start the year with a depressing album to discuss….sort of. For episode 36 of LTA, I’m joined by JuanJose De laCruz of The List Music Podcast to talk about Elliott Smith’s 1998 album, XO. This was Smith’s first major label release, and he was able to sonically expand on the sound he’d created on previous albums like Either/Or. This had beautifully tasteful arrangements with piano, mellotron, occasional string arrangements and breathy vocal harmonies, as well as the standard band structure of guitar, drums and bass – and Elliott is playing most of it himself. The beauty of the music is in contrast to the lyrics that are often angry and show signs of depression. Did Smith (whose cause of death has never been fully substantiated) really have strong depression or are these songs just him getting feelings out of his system. There are moments on the album that have positive spins that appear to contradict the common wisdom that Smith suffered from depression. It was truly wonderful having such a great chat with Juan and getting his insight about an album we both love. Eric Reanimator returns to LTA in 2013 to discuss Mark Lannegan’s album Whiskey for the Holy Ghost. It’s another great segment from Eric. Download the show either from http://lovethatalbum.blogspot.com or search for "love that album" in the itunes store. The podcast can also be listened to via Stitcher Radio. Download the app from stitcher.com, and listen to any episode streaming over your Android or Apple device. Send me any feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum and start a discussion on your favourite sad songs.
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The "Shooting The Shit" crew (comprising Eric Reanimator, John Stirrat, Tim Merrill and myself) reconvene to discuss our favourite albums of 2012, either released this year or albums of old we discovered this year. I think we had a fascinating discussion and hopefully you'll enjoy it too. Our tastes were broad so LOTS of new music to discover. We also had some great feedback from the listeners with their top albums of the year. This is the final LTA for 2012. We'll be back with more album discussion late January 2013. Thank you to anyone who listened to the show over the year, either occasionally or regularly, and I hope you'll come back for more in 2013. Download the show either from http://lovethatalbum.blogspot.com or search for "love that album" (no longer has to be one word - YAY) in the itunes store. The podcast can now also be listened to via Stitcher Radio. Download the app from stitcher.com, and listen to any episode streaming over your Android or Apple device. Over the break, you can still leave feedback at [email protected] orjoin the Facebook group at http://www.facebook.com/groups/lovethatalbum Enjoy your holidays folks, and speak again in the New Year.
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For episode 34 of Love That Album, Michael Pursche and I discuss the first two albums by The Pretenders (funnily enough called Pretenders and Pretenders 2). Formed back in 1978, the original recorded lineup of Chrissie Hynde, Martin Chambers, Pete Farndon and James Honeyman-Scott only lasted two albums (both Scott and Farndon died of drug related causes). These are the albums where (in my opinion) the Pretenders were a real band, rather than just being a backup vehicle for Hynde. These albums are wonderfully produced by Chris Thomas who takes a different approach for each song to show off the band’s versatility. They showed they were equally at home with punk, jangly melodic pop, ballads and hard rock. If all you’d heard was the single “Brass In Pocket”, then put on the first album opener, “Precious” you were in for a rude shock. The songs sounded like they were from two different bands. No sheen, no over production. These albums are emotional and honest. Michael and I discuss our favourite songs from both these great albums. Eric Reanimator presents his “An Album I Love” segment to discuss the debut album for Concrete Blonde, another band with a distinctive female lead vocalist. Download the show either from http://lovethatalbum.blogspot.com or search for “lovethatalbum” in the itunes store. Send any feedback to [email protected] – either written or mp3. Start a discussion at the Love That Album facebook group at http://www.facebook.com/groups/lovethatalbum and tell us which groups or performers you think presented the most versatility on the one album.
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For episode 33 of Love That Album podcast, Michael Pursche and I are not tackling a single album, but rather, looking at the overall work and career of Sky, the superband comprised of three English and two Australian musicians including classical guitar maestro John Williams (NO, NOT THAT JOHN WILLIAMS). The musicians in Sky were all session musicians or classical musicians (seen the Deer Hunter? You know John Williams. Fan of David Bowie or Lou Reed? You know the bass playing of Herbie Flowers). They’ve been tagged as a prog band, but this is so far from the truth. They used their classical influences and technique to make classical pieces their own or create their own magnificent compositions – all the while with a real sense of fun. Their concerts were as much about people smiling and laughing as well as admiring top notch musicianship. Michael and I discuss what we like about most of their albums, and talk about the backgrounds of all the band, how they changed stylistically between keyboard players and whether disco balls were a nice touch at their shows. Also on the show, I speak with the former drummer for Sky (now percussionist for London Chamber Orcehstra), Tristan Fry. He was a wonderful interview subject, very friendly and more than happy to talk about the days he spent with Sky. You really get the feeling from listening to him that these were days he treasured highly, and his enthusiasm made the interview a memory I will always cherish. For the “An Album I Love” segment, Eric Reanimator discusses Norwegian band, Ulver’s “Wars of the Roses”, a departure from their metal roots. Download the show either from http://lovethatalbum.blogspot.com or search for “lovethatalbum” in the itunes store. Send any feedback to [email protected] – either written or mp3. Start a discussion at the Love That Album facebook group at http://www.facebook.com/groups/lovethatalbum and tell us your favourite instrumental band.
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One of the great things about doing a podcast and having a community page for the show is you get to meet fellow music lovers from the other side of the globe. I have met one such fellow, John Ross who started the excellent Feed My Ears Facebook page. For Episode 32 of Love That Album podcast, John and I discuss an album he recommended me, the excellent 2012 release for Ray Wylie Hubbard, “The Grifter’s Hymnal”. This album is a love letter to roots rock and roll and the many practitioners along the way who have inspired Hubbard. Ray loves singing about the power of rock – no lip service, he truly loves his music. He also writes about war, death, ratbag music industry executives, his own life and God. This man has a way with a lyric and telling a story, plus his music is gritty and honest. It was a great album for John and I to discuss. As usual, Eric Reanimator provides the show with another great “Album I Love” segment. He discusses the album ”Cody’s Dream” by Mark Pickerel (ex-Screaming Trees) and his Praying Hands. Download the show either from http://lovethatalbum.blogspot.com or search for “lovethatalbum” in the itunes store. Send any feedback to [email protected] – either written or mp3. If you wish to join Feed My Ears, go to https://www.facebook.com/#!/groups/373264322732907/ Start a discussion at the Love That Album facebook group at http://www.facebook.com/groups/lovethatalbum and tell us your favourite song that mentions a famous musician as part of its lyric..
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For episode 31 of Love That Album I am joined by Ben Eisen of the All Time Top Ten podcast to discuss a highlight album from a champagne year for rock music. By 1967, The Kinks had already released an enviable number of brilliantly crafted singles. Like many other bands from the so-called British Invasion, they had their blues roots (Ray Davies was particularly keen on Big Bill Broonzy), but then went on to explore other musical avenues (though no Dead End Streets – geddit????) “Something Else By The Kinks” was indeed just that. Full of great little character studies and stories, this was the band exploring British life with both affection and a little cynicism. Part psychedelia, part British music hall, this album has its place cemented in history for “Waterloo Sunset” alone. Fortunately, there are many other joys on this record. Dave Davies gets in on the songwriting action too. This album was followed by “Village Green Preservation Society” an album that has garnered more attention. As great as that record is, Ben and I have a lot of affection for “Something Else”, and we discuss why on this latest episode. Eric Reanimator returns to discuss The Soundtrack of Our Lives, “Behind The Music”. Through him, I’ve become a fan, so tune in and become a convert to this great Swedish band. Download the show either from http://lovethatalbum.blogspot.com or search for “lovethatalbum” in the itunes store. Send any feedback to [email protected] – either written or mp3. If you want to get hold of Ben’s podcast, find it at http://alltimetopten.podomatic.com Join the facebook group at http://www.facebook.com/groups/lovethatalbum and discuss your favourite bands with family links or anything else musical you wish to bring up.
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For Episode 30 of Love That Album, I’m joined by Tim Merrill to discuss the second album by the supergroup Tex, Don and Charlie, “All Is Forgiven”. Tex is Tex Perkins, ex-lead singer of Beasts of Bourbon and The Cruel Sea. Don is Don Walker, songwriter for Cold Chisel, Catfish and his current project the Suave Fucks (the best band name EVER). Charlie is Charlie Owen, guitarist extraordinaire to a myriad of projects, but probably most famous for his involvement with the Divynyls. These three gents (along with support from Shane Walsh, Garrett Costigan and the Dirty Three’s Jim White) have put together two brilliant albums of bluesy, country-esque songs with tales of murder, infidelity, spiders on the dunny (look it up) and the sort of activities that listeners to Silva and Gold podcast would appreciate on a night in. Tex and Don know how to weave compelling stories within their lyrics. The songs are simple but with melodies and arrangements that are perfect and won’t leave your head. Think of latter day Tom Waits ballads and you have an idea what this is about. Tim and I have a great old time discussing this album and a swag of other things. He has brilliant insight into music, is a great conversationalist, and it was an absolute pleasure having him on the show again. Once again, Eric Reanimator presents another great “An Album I Love” segment. This time he discusses Drivin’ and Cryin’s “Mystery Road”. A show highlight. Download the show either from http://lovethatalbum.blogspot.com or search for “lovethatalbum” in the itunes store. Send any feedback to [email protected] – either written or mp3. Join the facebook group at http://www.facebook.com/groups/lovethatalbum and discuss your favourite supergroup (or any group comprising of members from established bands)
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For episode 29 of Love That Album, I’m joined by VK Lynne, singer, podcaster (at the List Music Podcast) and obsessive Nightwish fan. Sting. He has his share of admirers and detractors. There are those who love him for his time as a Police man and hate his solo material decrying it as boring AOR. Some just hate how ubiquitous he is in the media. Putting those external factors aside, I’m a huge admirer of his 1993 album “Ten Summoner’s Tales” with its (mostly) excellent songcraft. He has a crack band, including the great keyboardist David Sancious ex of the E Street Band. VK and I discuss Ten Summoner’s Tales, and come to strong disagreements over the merits of the production of this record and as to whether Sting is obsessed with stalking. We also hear one of VK’s own great tunes. Eric Reanimator returns with another Album I Love segment covering an early Queensryche album, knowing VK is a fan of the band. Download the show either from http://lovethatalbum.blogspot.com or search for “lovethatalbum” in the itunes store. Send any feedback to [email protected] – either written or mp3. Join the facebook group at http://www.facebook.com/groups/lovethatalbum and start up a music related chat.
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For episode 28 of Love That Album, I am joined initially by previous co-presenter John Stirrat, regular segment contributor Eric Reanimator, and later in the show by music and film enthusiast Tim Merrill to just chat about whatever music-related issues come to mind. There is no set album to discuss – we just chat about what we’ve been listening to, music snobbery, whether the predicted imminent death of the CD format is just a load of Bolshoi Ballet, Cambodian garage bands, plus a heap of other things. This show was a heap of fun, and I will definitely schedule in more of these types of specials from time to time. I truly hope you enjoy listeming to this one as much as John, Eric, Tim and I had in recording it. Get in contact with me if you feel you’d like to take part in the next one of these specials. Music in this episode by Melbourne band, Silver Ray. Download the show either from http://lovethatalbum.blogspot.com or search for “lovethatalbum” in the itunes store. Send any feedback to [email protected] – either written or mp3. Join the facebook group at http://www.facebook.com/groups/lovethatalbum and start up a musical discussion on anything YOU want to shoot the shit about.
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1992 saw the release of the album considered to be Los Lobos’ masterpiece, Kiko. They formed a partnership with Mitchell Froom and Tchad Blake who produced and engineered an album that sounded both familiar and different. I cannot believe that it’s been 20 years since the release of Kiko. Los Lobos is celebrating by releasing a 20th anniversary edition of the album, and I’m celebrating by making it the focus of Episode 27 of Love That Album podcast. I’m joined by Michael Pursche (of the great Sitting In A Bar In Adelaide podcast) to discuss the album song by song. I’m also thrilled to chat to Steve Berlin, the band’s saxophonist and keyboard player, about his recollections of recording the album, its legacy and being on Sesame Street as a day job (listen and find out – it’s a great story). Also, Eric Reanimator joins us again to discuss the Jet Black Berries album “Desperate Fires”. It’s another great segment from Eric. Download the show either from http://lovethatalbum.blogspot.com or search for “lovethatalbum” in the itunes store. Send any feedback to [email protected] – either written or mp3. Join the facebook group at http://www.facebook.com/groups/lovethatalbum and start up a musical discussion on anything from albums you love to who was the best musical guest on Sesame Street.
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1968 arrived and The Byrds were not the same lineup that had produced the jangly folk-pop their fans had grown to know and love. Down to Roger McGuinn and Chris Hillman, they recruited Kevin Kelley and Gram Parsons to their ranks. Parsons convinced the group to do an all country record called Sweetheart of the Rodeo, now cited as a big influence on country rock. This was not The Byrds as we’d heard them before – although they were never going to desert their Bob Dylan covers. For episode 26 of Love That Album podcast, I am privileged to be joined by Rockwiz host, Brian Nankervis to discuss this important record. Was this a country-rock record or pure country? As rock fans, would we be paying attention to it today if it had not been a Byrds album? Was McGuinn taking the piss out of a Louvin Brothers song? Did The Band or The Byrds interpret Dylan better? Brian and I discuss all this and more on the show. For any listeners outside of Australia who haven’t had the good fortune to seeBrian’s show Rockwiz, you can catch recent full episodes online at http://www.sbs.com.au/rockwiz/ (and if you’re a rock trivia buff and a comedy fan, this is ESSENTIAL viewing) Eric Reanimator joins us again to discuss (appropriately enough) the “Honky Tonk Heroes” album by Waylon Jennings. With Jennings’ very direct connection to early rock and roll, there’s ample evidence that country and rock are a great fit. Download the show either from http://lovethatalbum.blogspot.com or search for “lovethatalbum” in the itunes store. Send any feedback to [email protected] – either written or mp3. I’d love to hear anything you have to say about the show or your thoughts on an album you really llove. Join the facebook group at http://www.facebook.com/groups/lovethatalbum
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The late seventies saw Australian music going towards a punk style (featuring bands like the Saints) or continuing with a more bluesy-country style as typified by the Adelaide band, Stars (not to be confused with the band from Canada of the same name). Featuring impeccable musicianship and wonderful songwriting courtesy of guitarists, Andy Durant and Mal Eastick, they crafted two wonderful studio albums which, while having American roots influences, told very Australian stories. On Episode 25 of Love That Album, I’m joined once again by host of Sitting In A Bar In Adelaide podcast, Michael Pursche to discuss both the Stars studio albums, “Paradise” and “Land of Fortune” and make reference to an all-star live album in tribute to Andy Durant who sadly died in 1980 from cancer. I'm also extremely happy to be having a chat to Mick Pealing, the former lead singer of Stars, to discuss his recollections of recording these two wonderful albums and how the Andy Durant Memorial Concert got arranged. Eric Reanimator contributes another great An Album I Love segment discussing the great "Radios Appear" album by Radio Birdman. Download the show either from http://lovethatalbum.blogspot.com or search for “lovethatalbum” in the itunes store. Send any feedback to [email protected] – either written or mp3. Join the facebook group at http://www.facebook.com/groups/lovethatalbum
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On episode 24 of Love That Album podcast, Thomas Deja of the “Better In The Dark”podcast and myself delve into the dark album that is Ben Folds’ “Songs For Silverman”. He credits his wife of the time with being a source of inspiration for him on the album’s liner notes, and yet, this is most definitely a breakup album – it just happened to be released before the breakup took place. Among the songs of marital discordance, there are songs about death, fatherhood (from the perspective of a father and a son), and mortality. This is a long way from “One Angry Dwarf” and “Underground”. Yet, Folds has never shied away from dark material. This album is as melodically beautiful as it is heartbreaking – it’s his “Seachange”. Thomas and I had a great conversation and I hope you enjoy. There’s a slight experimental change with the format this time. Music samples are played before each song is discussed rather than being played as background to the discussion. Does this work? Let me know. (There’s a slight hiccup on this occasion with the music sounding slightly sped up, but that will be rectified for the next show) Also, Eric Reanimator presents another fantastic “An Album I Love” segment delving into the late 70s British punk scene. Download from http://lovethatalbum.blogspot.com or search for “lovethatalbum” in itunes store. Send written or mp3 feedback to [email protected]. Join the Facebook group at https://www.facebook.com/about/groups#!/groups/348826705157119/
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On Episode 23 of Love That Album podcast, Mondo Film podcast presenter Justin Bozung and I discuss the sheer wonderfulness that is Big Star’s “#1 Record”. Out of all the bands that went nowhere in their day, Big Star was the most undeserving of such a fate. In the early 70s, when existing band Icewater comprising Jody Stephens, Andy Hummel and Chris Bell invited Alex Chilton (of Box Tops fame) to join their ranks, they released a debut album of such breathtaking melodic beauty, it still leaves music fans mystified how circumstances worked so heavily against them. They were from Memphis, but their hearts belonged to England and the 60s harmony drenched pop of The Beatles and The Kinks (plus some Beach Boys thrown in for good measure). #1 Record was the only album with this line-up. Chris Bell left the band depressed with the apathetic way the album was distributed, leaving music fans interested (and critics raving) but unavailable in record stores. As usual, we also have another wonderful “An Album I Love” segment from Eric Reanimator. Download from http://lovethatalbum.blogspot.com or search for “lovethatalbum” in itunes store. Send written or mp3 feedback to [email protected] and join the Facebook group at https://www.facebook.com/about/groups#!/groups/348826705157119/
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For episode 22 of Love That Album, we’re doing something a little different. Michael Pursche (from the Sitting In A Bar In Adelaide podcast) and I decided to go all List Music Podcast on you (apologies to Ricardo, Jenny, VK and Juan for theft of your idea – but it’s only one episode). We’re going through each of our top 10 all-instrumental albums – that is, no vocals. They’re in no particular order, but all of our chosen albums are ones we’ve listened to countless times and really love. Rather than us speaking at length about any one album we speak for a few minutes about each of our combined 20 choices (plus it must be said quite a number of honourable mentions that might have made the list if we’d compiled them the next day). What did we pick? Tune in and find out. Download the show either via iTunes (search for lovethatalbum in the store) or from http://lovethatalbum.blogspot.com. Send any feedback to me at [email protected] (typed or mp3 voicemail). Join the LTA Facebook page and start up a music related conversation, make a recommendation, or amaze the group with some little known music trivia.
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The Doors. Rock fans either revere or revile them….and by them, I mean Jim Morrison, the public face of the band. While it’s true that the lead singer is often the member the general public remember more than, say, the keyboard player, few bands take this to the extreme like The Doors. It seems to me that people forget The Doors were a BAND, not Jim Morrison’s pseudonym. So when all is said and done, how good WERE The Doors when considered as an entity, and not just Jim and friends? On Episode 21 of Love That Album podcast, Ricardo Ultreras of The List Music Podcast and The List Film Podcast discusses with me the legacy behind their self-titled debut album. Pretentious poetry? Maybe, but is it any worse than “Love, love me do”? We discuss the incredible musicianship of Ray Manzarek, John Densmore, and Robbie Kreiger as well as Jim Morrison’s baritone vocals. Frank Sinatra could have sung one of the songs on this album quite comfortably..if not for the lyric. Did Jim Morrison have really have an Oedipal complex? How many bands have both a Brecht AND Dixon cover on the samel album? A combination of classical techniques, jazz, blues and crooning. Ricardo and I ask if the album still holds up, as a piece of music, away from its iconic status. As well as Ricardo, Eric Reanimator joins the show to present another great “An Album I Love” segment. Tune in. Download from iTunes store (search for lovethatalbum – all one word) or from http://lovethatalbum.blogspot.com. Send feedback to [email protected] Join the “Love That Album” Facebook group and start a music discussion.
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The Gaslight Anthem have in the last few years attracted a dedicated following with their cross of modern punk and Springsteen influences. Songwriter Brian Fallon has put together a side project called The Horrible Crowes for material that would not necessarily work in the context of his main band. If you’ve listened to previous episodes of Love That Album with Geoff Smith as my fellow commentator, you’d know of his love for both of these bands. In episode 20 of LTA, Geoff, John Stirrat and myself discuss The Horrible Crowes album, “Elsie”, in detail covering the themes being written about in the album, as well as the music and lyrics. We ask the big questions – is Brian Fallon a stalker? Does he take self pity a little too far or has he had his heart put through the grinder, and is dealing with it the same way Roy Orbison, Chris Isaak and even Beck dealt with it? This was a heated discussion, and we didn’t all agree on the merits or otherwise of this album – which makes for a (hopefully) interesting show. We also discuss the John Peel archives being made public…in a virtual sort of way. Also, Eric Reanimator returns with his segment “An Album I Love” to discuss a classic album from the Screaming Trees. Download from iTunes store (search for lovethatalbum – all one word) or from http://lovethatalbum.blogspot.com. Send feedback to [email protected] Join the “Love That Album” Facebook group and start a music discussion.
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I have been heard to say that I don’t believe in guilty pleasures. You like what you like – end of story. As will be obvious from Episode 19 of Love That Album, I love Billy Joel’s album “The Stranger”. Nowadays in some people’s eyes (and for someone from this list you KNOW who you are), that is an admission tantamount to confessing to having an STD. The fact of the matter is that this album is full of well constructed songs – melodically rich, well arranged, mainly (though not completely) clever lyrically – and it should be held in high esteem. Now I’ll admit that beyond a point his albums started getting very dull (everything after The Nylon Curtain) and his fame for dating supermodels rather than as a musician was a put-off. None of that should get in the way of the fact that for a time, he had a real knack with a song and had a fantastic band to support his musical vision (including the great Liberty Devitto on drums). Fellow “Stranger” fan, Michael Pursche (of the Sitting In A Bar in Adelaide podcast) and I discuss the songs sung and stories told on Joel’s breakthrough album. On this episode, we also discuss recent music news including the passing of some of pop music greats. Eric Reanimator returns with his thoughts on Mother Love Bone (and he now has his own intro). Stream or download the episode from http://lovethatalbum.blogspot.com or download from iTunes searching for lovethatalbum (must be all one word). Join the Love That Album Facebook page and start a music conversation. Send feedback (letter or mp3) to [email protected].
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From the mid 70s through to the late 90s, Chris Difford and Glenn Tilbrook had a songwriting partnership that had the pundits comparing them to Lennon/McCartney. Don’t feel under any pressure, guys. As mainstays of the band Squeeze, Tilbrook’s music and Difford’s lyrics covered a multitude of subjects including spouse abuse, living under cramped conditions, infidelity, and wanking. They survived the new wave label and later on, the AOR label to just make great songs till Squeeze’s demise. Both men have recorded great solo albums, and different to their Squeeze output. Difford’s lyrics have become very personal, and on his latest album “Cashmere If You Can”, he sounds like he’s been listening to a lot of Loudon Wainwright III records. On episode 18 of Love That Album, I talk about “Cashmere If You Can” and how it sounds like a public type of therapy of Difford. Download the show from either http://lovethatalbum.blogspot.com or by searching for “lovethatalbum” in the iTunes store. Send written or mp3 feedback to [email protected]
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On Episode 17 of Love That Album, we try something new and something old. For the first time, there are three of us discussing the album of the episode. In addition to LTA regular Geoff Smith, I’m joined from Sydney by Springsteen aficionado John Stirrat (not he of Wilco fame), to discuss Bruce’s latest long player, “Wrecking Ball”. The fact that we’re covering Bruce is the “something old”, since Jeff Jenkins and I went head-to-head way back in Episode 1 discussing Springsteen’s “Darkness on the Edge of Town” versus “Wild, Innocent & E Street Shuffle”. So like many other artists of Bruce’s age and experience, is he treading water or is he trying something new? Can he lay claim to be the 21st century Woody Guthrie? How does this album stack up against another potential claimant of the title, Ry Cooder’s “Pull Up Some dust and Sit Down”? How does Bruce deal with the absence of “The Champion of the Universe”, Clarence Clemons? Geoff, John and I go into these questions and discuss the themes present on the album. Most importantly, we ask the most basic question: Is “Wrecking Ball” any good. Listen to the show and find out. Download the show from either http://lovethatalbum.blogspot.com or by searching for “lovethatalbum” in the iTunes store. Send written or mp3 feedback to [email protected]
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For episode 16 of Love That Album podcast, we see the return of an artist previously discussed on the show, Paul Simon. Back in 1980, the music world was on the cusp of an onslaught of New Wave. Paul Simon wrote and starred in a film called One Trick Pony about a journeyman musician trying to find if he still has a place in the new musical landscape. Famous in the sixties for one anti-war song, he now has to compete with the new popular bands (the B52s make an appearance), swim around the sharks at his record company, work out where he fits with a wife he divorces but still loves, and how to maintain good parenting skills. Most of all he wants to serve his muse – but is being on the road with his band the way to do it? Especially in a climate that’s long forgotten he exists? The band in the film includes long-time Simon associates Steve Gadd and Richard Tee, as well as King Crimson’s Tony Levin and jazz guitarist Eric Gale. (The music also shows that Simon was no slouch in the guitar playing department). For years, I’ve loved the OTP album but hated the movie. In revisiting the film for this podcast, I’ve changed that assessment somewhat. Justin Bozung (host of the wonderful Mondo Film Podcast) and I discuss both the film and the album in some detail. Justin saw this as more biographical about Simon than I did, but he convinced me that the themes raised in this film about family (band and nuclear), doing things the way you must, and walking in on your bandmates while they’re bathing were very well covered (even if the acting is wooden – we’ll have to differ on that one, Justin). We had a fascinating conversation and I hope you enjoy it as much as we did. You can download (or stream) the episode from http://lovethatalbum.blogspot.com or search for “lovethatalbum” (all one word) in iTunes. Send written feedback or mp3 voicemail to [email protected]. Join the Love That Album Facebook page and start a music discussion. If you like the show, I’d be grateful if you left a line or two of feedback for the show at iTunes.
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For episode 15 of Love That Album podcast, Michael Pursche (of Sitting in a Bar in Adelaide podcast) discuss the wonderful but seldom talked about album from 1981, the eponymous album for Broderick Smith’s Big Combo. (You might say that we’re doing a Brod-cast) Brod emerged from Carson and The Dingoes to form this fantastic ensemble that reminds me of “Darkness” era E-Street Band and reminds Michael of Van Morrison. Either way, Brod is a gifted songwriter with a talent for painting a picture and telling a story – not always a pleasant one. Aztec Music has re-released this long deleted album, and it sounds a treat. Michael and I discuss the great musicianship and the lyrics to the album, Brod’s history as well as that of the members of the band. With a lineup including Mick O’ Connor on organ and the great Mal Eastick on guitar, you know he has an ensemble capable of great things. If you’ve not heard of him, listen to our chat, and track down the newly mastered CD re-release. ...oh, and the show is acomparitively short one and a half hours..... As usual, if you wish to send feedback to the show email me at [email protected] (typed or mp3 voicemail). Download (or stream) the show at http://lovethatalbum.blogspot.com or download from iTunes (type in “lovethatalbum” at iTunes store). Feel free to leave some feedback at iTunes too.
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Why, on a Ramones related show do I have the Allman Brothers song “‘Ramblin’ Man” going through my head? On Episode 14 of Love That Album, the one and only Doctor Zom of Silva and Gold podcast returns to discuss the Alan Arkush / Roger Corman rocksploitation film “Rock and Roll High School” featuring The Ramones in Oscar-worthy performances, as well as their Phil Spector produced album of the same period, “End of the Century”. In true Silva and Gold fashion, there were many detours from the proscribed subject matter (it felt like the end of the 21st century by the time we finished). This is the longest LTA episode yet, but we had to discuss such fundamental issues as how right wing Johnny Ramone and left wing Joey Ramones could stay in the same group for that many years. If Reagan and Bush didn’t split them, girlfriend theft surely should have….but the Ramones were made of sturdier stuff. Zom and I explore all avenues….oh and we sing Rock and Roll High School in harmony – across time zones yet!!!! Download the episode from iTunes (search for lovethatalbum in the iTunes store) or download from http://lovethatalbum.blogspot.com Send feedback to [email protected] and join the new LTA Facebook group and start up a music related discussion.
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If you were a pop music loving teenager back in 1980 (and face it – we all were) and living in Australia or New Zealand, then Split Enz album “True Colours” was part of your aural landscape. This album and its ridiculously catchy singles “I Got You” and “I Hope I Never” were impossible to avoid. The huge success the album gained came for the band after a rough patch living in England. So how does the album hold up in 2012? On Episode 13 of Love That Album podcast, I discuss the album and its legacy with Michael Pursche, host of “Sitting In a Bar In Adelaide” podcast, and Chris Bourke, author of the Crowded House biography “Something So Strong”, and guru on all things Finn. Join us for another action packed episode. Download from iTunes (search for “lovethatalbum”) or from http://lovethatalbum.blogspot.com. Feedback is always welcome. Email [email protected] – send a written letter or an mp3.
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On episode 12 of Love That Album, regular contributor, Geoff Smith returns to discuss with me Suzanne Vega’s second album “Solitude Standing”. I’d heard the album many times. Geoff heard it twice. As a result, Geoff suggests the podcast undergoes a controversial name change. What was his suggestion? What did he have to say about the album? Will Geoff get kicked out of Tom’s Diner next time he’s in New York? All this and more is discussed. Send feedback to [email protected] Search for the show on itunes as “lovethatalbum”, or download from http://lovethatalbum.blogspot.com
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Back in the seventies, San Franciscan band The Tubes set out to shock all those who saw their live shows with their satire of our obsession with materialism, white rich kids with too much time on their hands, and what REALLY went on behind the white picket fences. They were a very theatrical band, but many of their songs stand proudly without the visuals. In 1979, they recorded their final album for A & M records called “Remote Control” recounting the story of a man’s obsession (and ultimate demise) with TV. On this episode of Love That Album, Michael Pursche of the great rock interview podcast, “Sitting In A Bar in Adelaide” goes head to head with me to discuss this overlooked (and unfortunately, more relevant than ever) album. Rolling Stone thought the album stank. Allmusic says it’s great and a career highlight. What do we think? Where does Peter Sellers come into the picture? Are there really 57 channels with nothing on? Can our anti-hero find true love with the girl in the shampoo commercial? All is revealed. Please provide feedback, either written email or mp3 audio, to [email protected]. We’d love to hear from you, be it about a show we’ve done or suggestion for a future show. Download episode at http://lovethatalbum.blogspot.com or search for “lovethatalbum” in Itunes.
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Love That Album hits double digits, and I celebrate the start of 2012 by focusing on one of the great albums of 2011, Paul Simon’s “So Beautiful or So What”. Simon is in deep philosophical mode here (when isn’t he?), but unlike a couple of his most recent albums he has the melodies to match. This is a beautiful album using a small number of great musicians to convey Simon’s music in the best possible way. At the age of 70, Simon still has things to say and beautiful melodies in him to let out. This album is a career highlight. Any thoughts, disagreements or other comments? Provide feedback at [email protected]. Download the show at iTunes (search for ”lovethatalbum”) or download / stream at http://lovethatalbum.blogspot.com
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For the final Love That Album episode of 2011, my special guest, Julian Gillis, and I discuss our fave albums of the year and then shoot the shit about Matthew Sweet’s two brilliant slices of power pop, “Girlfriend” and “Altered Beast”. These albums are musically sunny and lyrically overcast. There’s some complex stuff going on in Matthew’s head. Does he have stalker tendencies? What is his interest in Caligula? All this and more are discussed.
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This is a really big shooo. The longest Love That Album so far. I'm joined by co-host of the Silva and Gold podcast, Doctor Zom to discuss The Who's "Quadrophenia". We discuss in a lot of detail both the double album from 1973 (just re-released in November 2011 in a multi CD "Director's Cut" edition) and the 1978 film directed by Franc Roddam featuring a very young Ray Winstone and Sting in an excellent acting performance (filmed during the early days of the Police). Is this the Who's masterwork? Is it better than Tommy (yes!!!!!!)? Is the story celebrating the ideals of youth or is it about a bunch of self-absorbed prats with fashion sense? Listen in and hear Zom and myself ask these and more earth shattering questions. Send feedback to [email protected] or leave feedback at itunes.
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For this episode of Love That Album, I’m working without the safety net of a co-host to bounce thoughts off. I discuss Joe Jackson’s album of 1982 “Night & Day”. Recorded only 3 years after his punky-pop debut “Look Sharp”, Jackson’s musical thoughts are miles away from his early style. More focussed on jazz, samba and piano ballads than punk, pop and ska, Night & Day is a modern musical masterpiece. I go through my thoughts on the album, career highlights, and his essay advocating smokers’ rights!!!! No ordinary civil rights advocacy for our Joe.
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I'm joined by Melbourne broadcaster and rock-guru Billy Pinnell for a discussion about The Doors' final album with Jim Morrison. Heavy on blues. No Oedipus allusions here. Was Paul Rothschild right to say Riders on the Storm was cocktail music? Is there too much focus on Morrison and not enough on Kreiger, Densmore and Manzarek? Was Morrison saying farewell to the Doors in song through this album?
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Maurice and Geoff Smith discuss Steve Earle's great album of 1997. It's a compendium of all that Earle holds dear - politics, justice, love, Woody Guthrie and Townes Van Zandt, bluegrass and RAWWWKKKK. The third part of the great trinity of albums released after a stint in jail, and with Earle desperately trying to stay off the substances. Where does this album stand in the line of other Earle releases? Any opinions or different Earle preferences? Send feedback to [email protected]. We'd love to hear from you.
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In Australia, the band Cold Chsiel inspires either full blown adoration from those who grew up listening to them until today, or dismissiveness from those who only pay attention to the full blown hyena hysterics of lead singer Jim Barnes post-Chisel. In this episode of Love That Album, Jeff and Maurice discuss their two most popular albums East and Circus Animals. How did one follow up the other? How did the band dynamics change after East? What is the band's legacy? Whycan Jim Barnes attract thousands of people, when the man who wrote most of the Chisel songs he sang, only attract 50 to a pub gig?
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Maurice and Jeff discuss in some depth why Get The Knack is a classic album, and should not be reviled by the shoe-gazing, too-cool-for-school, Nirvana-loving hipsters. Think about it - if My Sharona makes the Knack a one-hit-wonder, what does that say about Smells Like Teen Spirit? Simply put, Get The Knack is a hook-drenched rock and roll album about lust - isn't that the essence of rock and roll? Listen and be convinced.
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So it's like this, folks. This episode was meant to be about Geoff Smith and I chewing the fat about John Hiatt's classic album "Meet The Family". During the editing process, I somehow "edited out" that entire section - with no backup. AAAARRRGGGHHHH!!!!. Fortunately, Geoff agreed to record that section of the show again, but the recording program did something weird to the audio rendering it unlistenable. I'm too slack to record it a third time, so what I have here is everything we recorded to that point - albums we've been listening to lately and a bit of Hiatt history. I hope that's enjoyable until we put out a full proper episode. All feedback to [email protected]
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A debate between Maurice and Melbourne music Journalist Jeff Jenkins on one of life's more important issues: Which is the better Bruce Springsteen album? The Wild and the Innocent and the E-Street Shuffle or Darkness On The Edge of Town.
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En liten tjänst av I'm With Friends. Finns även på engelska.