167 avsnitt • Längd: 40 min • Månadsvis
MarvelVision is a podcast all about the MCU, from WandaVision to Falcon and the Winter Soldier and beyond. With easter eggs, behind the scenes info and more, hosted by Comic Book Club.
The podcast MarvelVision is created by Comic Book Club. The podcast and the artwork on this page are embedded on this page using the public podcast feed (RSS).
Daredevil gets born again on Daredevil: Born Again Season 1, Episode 6, "Excessive Force" as we recap on our podcast. With Muse on the loose in the city, Kingpin boots up the Vigilante Task Force. And Matt wrestles with whether he should put on the suit again to take down the artistic serial killer.
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What is this, a crossover episode? Daredevil: Born Again brings on a Ms. Marvel star for a done-in-one episode set in a bank, Episode 5, "With Interest." In the episode, it's St. Patrick's Day and Matt Murdock is trying to get a loan from Yusuf Khan. But when the Irish gang robs the bank, it's up to the two of them to save the day.
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Matt grapples with the justice system while Wilson struggles with being Mayor as we recap Daredevil: Born Again Season 1, Episode 4, "Sic Semper Systema," on our podcast. Matt gets a new client who teaches him how justice can't necessarily be found in the courts. Meanwhile, Wilson Fisk tours the city while someone in his inner circle betrays him. And oh yeah, Frank Castle, aka The Punisher, is back as well.
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Hector Ayala goes on trial and Matt Murdock pulls out all the stops to save him as we recap Daredevil: Born Again Season 1, Episode 3 "The Hollow Of His Hand" on our podcast. Meanwhile, Vanessa Fisk and Wilson Fisk spar about how to handle their criminal empire. And a shocking ending brings a new player into the game.
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Matt Murdock defends a fellow vigilante in court as we recap Daredevil: Born Again Episode 2 "Optics" on our podcast. When Hector Ayala gets in between two cops and their informant, it ends in a deadly subway accident, with the man secretly known as White Tiger on trial for his life. Meanwhile, Wilson Fisk settles into his new role as Mayor of New York City.
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Daredevil: Born Again has finally arrived on Disney+, and we're breaking down all the big, shocking moments in Season 1, Episode 1 "Heaven's Half Hour" on our podcast. When tragedy strikes Nelson, Murdock & Page, Matt gives up the mask of Daredevil and strikes out on his own. Meanwhile, Wilson Fisk is back in town and he's running for mayor. What did we think of the return of the Netflix series? How about those shocking first few minutes? And what's next? We discuss it all.
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We're getting hyped for the return of the Man Without Fear to Disney+ with Daredevil: Born Again with a preview podcast. What are our feelings on the Netflix series, years later? Who is coming back for Born Again? And how will this MCU show be different than the previous series? We discuss all of that, plus a whole lot more.
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The first season of Your Friendly Neighborhood Spider-Man ends with two episodes that truly change everything for the mythos, and we recap on our podcast. In the first episode, Lonnie and Spider-Man team up to take down Scorpion. And in the season finale, Doctor Strange returns once Norman Osborn starts messing with space portals. Plus, we discuss all those Season 2 teases, and the big twist at the end.
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Captain America: Brave New World is now in theaters and we're breaking down everything on our spoiler filled review podcast. With Sam Wilson now officially Captain America, he's faced with his biggest challenge yet: a movie lambasted by critics. And also President Thaddeus Ross is clashing with the world over a new metal called Adamantium, with Sam and his allies stuck in the middle. What did we think of Red Hulk? How about The Leader? And what does Cap 4 mean for the future of the MCU?
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Another three episodes of Your Friendly Neighborhood Spider-Man have dropped and some big changes are coming for Spider-Man, Norman Osborn, and the rest of the gang as we recap on our podcast. As the Scorpion grows in power, Lonnie gets more ensconced in the 110th Street Gang, and Spider-Man suffers some major losses. Plus, our predictions for the final episodes of the season.
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Your Friendly Neighborhood Spider-Man drops another chunk of episodes and we're breaking them down on our podcast. While Spider-Man ramps up his collaboration with Norman Osborn, Lonnie begins a life of crime with the 110th Street Gang. And in the midst of this, Otto Octavius is revealed as the man behind the strange tech taking over New York. Plus, what do we think about the MCU tie-ins, and how is the show halfway through the season?
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It's time for our very belated review of What If Season 3 on the podcast as we break down the final episodes of the series. After three seasons The Watcher, Captain Carter and the rest say goodbye the animated Marvel show. So how does it all hold up? How do we feel about the final episodes? And will the show always beef there for you? Find out on our podcast?
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We're recapping the first two episodes of Your Friendly Neighborhood Spider-Man on our podcast! First up in "Amazing Fantasy," we meet Peter Parker -- who becomes Spider-Man in an unexpected way, thanks to Doctor Strange a symbiote. Then in Episode 2, "The Parker Luck," he gets an internship at Oscorp, meets his fellow interns, and learns that being Spider-Man means balancing a lot of stuff. Plus we discuss the overall take of the show, theories about what's coming next, and more.
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We're breaking down every comic book movie and TV show coming out in 2025, from Fantastic Four vs. Superman, to Walking Dead Universe shows, DC animated shows, and much, much more.
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It's time for the finale of Agatha All Along, and we're recapping episodes 8 and 9 on our podcast. First up its Episode 8, “Follow Me My Friend To Glory At The End," as Jennifer, Agatha and Billy enter the final trial on the road, and there's a showdown with Rio. Then in Episode 9, "Maiden Mother Crone" we zoom back in time to see what happened with Agatha and Nicholas Scratch, and what's next for Agatha and Billy. Plus, speculation about what's next for the characters, and how this might lead into Young Avengers.
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Lilia Calderu's timeline comes together in a big way as we recap Agatha All Along Episode 7, "Death's Hand In Mine." While Billy and Agatha enter the next trial, Lilia and Jen wander under the road, and we get to discover Lilia's origin -- and her ending. Plus, we discuss what we're predicting for next week's series finale.
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We jump back in time to get Billy Maximoff's origin story on Agatha All Along Episode 6 "Familiar By Thy Side" and we're recapping on our podcast. How did William Kaplan become Billy Maximoff? Why is he on the Witches' Road? And what does it all have to do with Ralph Bohner?
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MCU: The Reign Of Marvel Studios is now out in paperback in stores everywhere, a non-fiction book breaking down the entire history of the Marvel Cinematic Universe... So far. Two of the authors, Joanna Robinson and Dave Gonzales, join the podcast to break down how they tackled a massive task like this, working both with and without the approval of Marvel, taking on tricky subjects throughout Marvel Studios's history, and what's next for Marvel after their no good, very bad year.
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Agatha All Along finally reveals one of its big mysteries in Episode 5, "Darkest Hour, Wake Thy Power" and we're recapping it all on our podcast. With the Salem Seven on the Witches' Road, Agatha and her coven escape to the next trial. Which, twist, is Agatha's. And it all crests in yet another death, and the reveal of who Teen really is.
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The coven pulls off a jam sesh in Agatha All Along Episode 4 "If I Can't Reach You Let My Song Teach You," and we're recapping on our podcast. With Sharon dead, Rio Vidal joins the group on the Witches' Road, and they enter Alice's house where they need to play a song to stop the devil. Meanwhile, we get a lot of clues about Rio's identity, and Teen's identity. And we go absolutely crazy with theories.
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Agatha and her coven head down, down the Witches' Road as we recap Agatha All Along Episode 3, "Through Many Miles Of Tricks And Trials" on our podcast. With the coven fully assembled, it's time for their first trial... A Real Housewives-style nightmare that makes every member of the coven confront their past. And it leaves one of them dead. Plus, it's finally happened: the MCU mentioned Mephisto. We discuss all that and more as we recap and react to this week's new episode.
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We're back, witches! Agatha All Along has finally premiered on Disney+, and we're recapping Episodes 1 and 2 and offering up our thoughts on the podcast. In the first episode, "Seekest Thou The Road," Agatha is still trapped in Wanda's spell from WandaVision. When she finally breaks out thanks to Teen and Rio Vidal, she's presented with a mission to travel the Witches' Road. So in Episode 2, "Circle Sewn with Fate Unlock Thy Hidden Gate," she assembles a new coven to travel with her, narrowly escaping the Salem's Seven. We discuss the episodes, as well as big theories like the relationship between Rio and Agatha, the identity of Nicholas Scratch, and much more.
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You got Deadpool in my Wolverine! You got Wolverine in my Deadpool! We're reviewing Deadpool & Wolverine with full spoilers on our podcast. When Deadpool's universe is threatened by a rogue section of the TVA, it's up to him to find Wolverine and save everyone he cares about. Only thing, he found the worst Wolverine, and together they're going to head to The Void, tussle with Cassandra Nova, battle the Deadpool Corps, and more. We discuss all of that, the future of the characters, Easter eggs, and everything in between!
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It's the season finale of X-Men '97 and we're recapping all the big moments on "Tolerance Is Extinction, Part 3." While half the team lies in the clutches of Bastion, the other team is dealing with Magneto -- leading to an epic showdown between Xavier and his old friend. Meanwhile, Sinister visits the beach that makes you old, Bastion rips off Cable's arm, and it all ends with a huge time-traveling twist setting up Season 2.
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The X-Men split into the Blue and Gold teams to take down Magneto and Bastion as we recap Episode 9, "Tolerance Is Extinction, Part 2." After Rogue and Sunspot join Magneto on Asteroid M, the team has 12 hours to convince him to restart the magnetism of the world before everyone dies. Meanwhile, the other team is trying to take down Bastion, only to run into Mister Sinister's corruption of Cable. And this all leads up to the moment we've been waiting for: Magneto rips out Wolverine's adamantium skeleton.
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The three-part X-Men '97 Season 1 finale begins with "Tolerance Is Extinction, Part 1" as Bastion activates the Prime Sentinels, and Magneto goes HAM. Scott, Jean, and Cable fight their way away from Bastion's army. Wolverine and Nightcrawler team up to protect Rogue. And Jubilee and Roberto deal more with the subtle prejudice of Roberto's Mom. All leading up to a classic "Magneto was right" from Val Cooper. Plus tons of Easter eggs, references, tons of cameos and much more.
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The season's big villain is revealed as we recap X-Men '97 Episode 7, "Bright Eyes," on our podcast. With Gambit dead, Rogue is going HAM trying to track down Bolivar Trask and Henry Gyrich. Meanwhile, the rest of the team deals with mourning in their own way... And trying to help the remains of Genosha. Sunspot comes out as a mutant to his Mom, thanks to Jubilee. And Captain America guest stars! Plus, the reveal of our big bad guy, Bastion, and his organization OZT (Operation: Zero Tolerance). Oh, and Magneto is alive. Surprise!
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Right on time, we're rolling out our podcast recap of X-Men '97 Episode 6, "Lifedeath - Part 2." After the devastating attack on Genosha, we're jumping to Xavier in space, and Forge and Storm on Earth. Following up on the previous episode, Forge has been bitten by The Adversary. Now it's up to Storm to battle her internal and external demons to save him. Meanwhile, Xavier and Lilandra are in space and dealing with some Shi'ar politics. And the architect behind the attack is revealed. Plus: the show drops some serious MCU connections.
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We're recapping the epic fifth episode of X-Men '97 "Remember It" on our podcast, as everything changes forever, again. While Cyclops is wrestling with Jean Grey drama back at the mansion and getting grilled by Trish Tilby, Magneto, Rogue, and Gambit head to Genosha. Once they get there, their own romantic tensions come to a head. And once things seem to be settled, they go as wrong as possible... Leading to multiple gigantic deaths, and the status quo changed possibly for good. Plus, we read and discuss writer Beau DeMayo's poignant statement on the episode.
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X-Men '97 focuses in and rolls out two stories on Episode 4, "Motendo / Lifedeath - Part 1," and we're recapping the whole thing. In the first part, Jubilee and Roberto take on Mojo in a deadly video game. In the second, Storm and Forge try to get her powers back, but an evil owl stands in her way. Plus, so much relationship drama in such a short period of time!
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The Goblin Queen and Mr. Sinister arrive on X-Men '97 Episode 3 "Fire Made Flesh" and we're recapping it all on our podcast. When a second Jean Grey shows up at the mansion, it turns out one of them is a clone. That leads to a very loose adaptation of the Inferno storyline from the comic books, as well as a kick-off to the origin of Cable, and a million other things. We discuss the insane pace of this episode, as well as the whole "Magneto/Rogue age gap" thing, and much more.
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X-Men '97 has arrived on Disney+, ushering in a new but old era of the X-Men! We discuss the first two episodes of the reboot on our podcast, "To Me, My X-Men," and "Mutant Liberation Begins." How does this show hold up against the high standard of X-Men: The Animated Series? Will this show save the MCU? Plus, is Rogue secretly a cat?
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Seems like Ironheart and Wonder Man are still being worked on at Marvel, despite reports to the contrary. Plus, X-Men '97 producer Beau DeMayo fired a week before the premiere. Venom 3 gets a new title and release date. And how many cameos will be in Deadpool & Wolverine? So many?
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Episode Rundown:
On this week's MCU news podcast, Emma Corrin has been revealed to be playing Cassandra Nova in Deadpool & Wolverine. A Young Avengers movie might be coming. Kang is either gone, Colman Domingo, or something else. And more Marvel news.
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Episode Rundown:
Madame Web is now in theaters, and we're finally ready to lay down our spoiler-filled thoughts on the film. What did we think about the Dakota Johnson and Sydney Sweeney starring Sony Spider-Man-related film? Is it as bad as everyone says? Or perhaps... Better? And what is the future of Sony's Spider-Man universe after this film? We discuss all the spoilers, Easter eggs, and much, much more.
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It's a packed week of MCU news, with the Deadpool 3 trailer, the X-Men '97 trailer, and the reveal of the Fantastic Four cast. We're breaking down our thoughts on all those huge Marvel news items. Plus some updates on Thunderbolts filming, Spider-Man TV series, and a rumor about Henry Cavill in the MCU.
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Episode Rundown:
Despite Disney CEO Bob Iger omitting several Marvel movies on a recent investor call, the official release schedule of MCU films (aka the MCU Upcoming Film Slate) is staying steady. Plus, Pedro Pascal is Mr. Fantastic (probably), Thunderbolts filming begins shortly, and plenty of new looks at the Daredevil suit have leaked.
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Episode Rundown:
Here's the complete list of upcoming Marvel/MCU movies with release dates through 2027, as of February 11, 2024:
Will the Deadpool 3 trailer premiere at this year's Super Bowl? We've got some speculation about that on this week's MCU news podcast. Plus, Geraldine Viswanathan steps in for Ayo Edebiri in Thunderbolts. New Daredevil: Born Again details leak from set. And more Marvel news.
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Episode Rundown:
Karen Page and Foggy Nelson, aka Deborah Ann Woll and Elden Henson, are officially back on set for Daredevil: Born Again. We discuss what this means for the new Disney+ show on our Marvel news podcast. Plus, Lewis Pullman might take over the role of Sentry from Steven Yeun in Thunderbolts. Deadpool 3 wraps filming. And will Andrew Garfield and Tobey Maguire be back for Spider-Man 4?
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Episode Rundown:
Our Marvel News Updates are back for the new year, kicking it off with Daredevil: Born Again returning to production with some big changes. Echo has debuted at number one on Hulu and Disney+. Plus Steven Yeun has exited Thunderbolts, She-Hulk Season 2 is unlikely to happen, and more MCU news.
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Episode Rundown:
Echo has arrived on Disney+ and Hulu, but is the series a new era for Marvel TV, or just a, er, echo of the old one? As Maya Lopez heads back home to Oklahoma, she encounters old friends, old enemies, and makes some new ones as well. Plus, we get a brand new riff on Maya's comic book powers, a cameo from Daredevil, and lots of Kingpin goodness. We discuss all that and plenty more on this spoiler-filled podcast, including what that end credits scene might mean for Daredevil: Born Again.
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What If...? Season 2 has arrived, and what if we waited until it was all over to do a spoiler review? That's exactly what's happening here as we break down the second season of Disney+'s animated MCU series. Plus, what does the ending mean for the greater MCU -- and What If...? Season 3?
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We're doing a Marvel trailer catchup diving into the new(ish) looks at Madame Web, What If? Season 2, and Echo.
First up, he was in the Amazon with my mom when she was researching spiders right before she died. Or, more specifically, we're discussing the Dakota Johnson, Sydney Sweeney movie Madame Web. What do you need to know from the comics? And will it have a bigger multiverse connection?
Next, we're breaking down the rumored episode titles for What If? Season 2, and what might happen in the nine-episode event. That includes a 1602-inspired episode, a Die Hard episode, and more.
And last but not least, what do we think about Echo? Is the series really standalone, given it spins off of Hawkeye and Daredevil? What are Echo's powers? And will it be, you know: good?
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We're back with some MCU news updates, including Tom Holland making recent comments on Spider-Man 4. Plus, Bob Iger makes some comments on why he thinks The Marvels failed. Avengers: Kang Dynasty gets a new writer, but who is the new director? And Venom 3 and Deadpool 3 are back in production.
Episode Rundown:
Tom Holland will only play Spider-Man again if it’s “worth the while”: https://collider.com/tom-holland-spider-man-future/
Bob Iger says The Marvels failed because of a lack of “supervision on the set”: https://www.cnbc.com/2023/11/29/iger-explains-marvels-flop-too-many-disney-sequels.html
The Avengers reuniting is “news to” Chris Evans: https://www.hollywoodreporter.com/movies/movie-news/chris-evans-rumors-original-avengers-reassembling-mcu-1235683555/
Avengers: Kang Dynasty snags Michael Waldron To Write: https://deadline.com/2023/11/loki-michael-waldron-marvel-studios-avengers-kang-dynasty-1235638887/
WandaVision special feature teases Agatha: Darkhold Diaries: https://www.youtube.com/watch?v=118GHrSTalk
Venom 3, Deadpool 3 resume filming
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The Marvels is in theaters, and we're breaking down all the big moments and MCU fallout on our podcast review. When Ms. Marvel, Captain Marvel, and Monica Rambeau (codename TBD) get entangled, they start switching bodies and fun ensues. But don't worry, there's also a plot involving bad guy Dar-Benn, the Kree, some wormhole things, and of course some big teases for what's coming forward.
...And since we taped this two weekends in, we also know that The Marvels plummeted at the box office. We discuss why we think the movie is imploding, at least when it comes to box office receipts, and what this might mean for the MCU going forward. Plus, how Marvel Studios can pivot off the teases in the pre- and post-credits scenes.
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Loki Season 2, Episode 6 "Glorious Purpose" brings the series to a close, and sets up a surprising new status quo for the title character -- and the TVA. As Loki continues to use his time-slipping powers, he discovers the origin of The Loom, what He Who Remains has been up to, and ultimately makes a decision that changes everything.
So how did we feel about the finale of the series? What does this mean for the MCU going forward? And will we ever see Loki again?
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Loki Season 2, Episode 5 "Science/Fiction" sends the title character rocketing through time and space as we recap on our podcast. With the TVA destroyed Loki is time-slipping again. But why? And how? Turns out he gets by with a little help from his friends, so it's up to him to reunite the time-lost Mobius, Hunter B-15, Oroborus, Sylvie, and Casey to repair the time-stream. Or is it?? There are plenty of twists and turns -- and arguing -- as we break down this episode, including the Episode 5 post-credits tease, Easter eggs (?), and more.
Plus, we discuss the bombshell report in Variety about the state of the MCU, and what it means for Jonathan Majors as Kang... And the Loki Season 2 finale.
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Loki Season 2, Episode 4 "The Heart Of The TVA" brings on the end of everything, perhaps, as we recap on our podcast. With the TVA in trouble, it's up to Loki and his amazing friends to save the day and put a doohickey in another doohickey in order to save another doohickey. We discuss what's been going wrong with the show, and what's been going right with only two episodes left in the season.
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It's time (get it) to meet Victor Timely on Loki Season 2, Episode 3 "1893" as we recap on our podcast. Loki and Mobius are trying to track down Ravonna Renslayer and Miss Minutes. Instead, they meet a new variant of He Who Remains, aka Kang, leading to a deadly showdown with Sylvie.
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Loki gets back to the ol' episodic structure with Season 2, Episode 2 "Breaking Brad." Loki and Mobius are hot on the trail of Hunter X-05, aka Brad Wolfe, aka Zaniac. But once they catch him, it leads to some surprising emotional revelations for the duo. Plus, we talk a lot about the show setting a significant portion of the action in McDonald's.
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Loki Season 2 is finally here! We're breaking down all the big moments on the season premiere of Disney+'s MCU series, "Ouroboros", as the God of Mischief returns to the TVA. What was really going on after that cliffhanger last season? Does the show hold up after some major changes behind the scenes? And what do we think about that end credits scene set at McDonald's? We discuss that all, plus profess our undying love for new cast member Ke Huy Quan.
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lease date shakeup! Some major changes to the Marvel schedule have dropped, changing up the whole calendar. Plus, Agatha changes its title to Darkhold Diaries... But is there something else going on with the series? A new Loki teaser drops. And rumors are flying about the length of The Marvels.
Episode Rundown:
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its full schedule for September 8-10... Despite the WGA and SAG strike still going on, what will be announced at the big Walt Disney Studios Showcase panel? Plus, Loki and WandaVision are headed to Blu-Ray with a bunch of extra features, and Echo is still planned for a November release. All that and more on our Marvel News podcast.
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ctor Strange 3 happening sooner than expected. Plus, a Wiccan series, Marvel VFX workers are moving to unionize, and we break down what McDonald's Loki sauce means for Season 2 of the series.
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n our Marvel Studios news podcast, we're once again talking about rumors for the Fantastic Four cast, despite a strike happening and no casting going on. Plus, Beyond the Spider-Verse and Kraven shift dates, Loki Season 2 drops a new trailer, and Adam Brody as Star-Lord? It could have happened!
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whether it will save the MCU. Plus, Kathryn Newton's screentest for Hawkeye, Secret Invasion's Rotten Tomatoes score is the lowest in MCU history, will Spider-Man be in Invincible Season 2, and more.
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On the series finale of Secret Invasion, Nick Fury takes the fight to Gravik as we recap "Home". With the world on the brink of World War III, it's up to Fury to try and defuse the situation, along with Olivia Colman, Gi'ah, and his wife, Priscilla. We discuss/shout about the big moments in the episode, as well as talk a bit about what it means for the future of the MCU.
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Gravik's master plan is revealed as we scream a lot about Secret Invasion Episode 5, "Harvest", on our Marvel podcast. While Olivia Colman speed-runs through the plot, Nick finally gets his eyepatch back, Rhodey acts like a jerk, and Mrs. Fury blows up her very nice house. Plus who is Nick Fury calling at the end of the episode??
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While the SAG and WGA strikes shut down Hollywood, Iman Vellani is co-writing a new comic for Marvel titled Ms. Marvel: The New Mutant. Plus: Bob Iger makes some boneheaded statements about Marvel TV, Hayley Atwell reacts to Captain Carter's Multiverse of Madness appearance, and we discuss whether the entire plot of Deadpool 3 has leaked online.
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Nick and Talos team up to save the President as we recap Secret Invasion Episode 4 "Beloved" on our Marvel podcast. After a scuffle with Mrs. Fury, Nick discovers yet another Skrull mole. Meanwhile, the reports of Gi'ah's death have been greatly exaggerated.
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Gravik makes a big move and once again not everyone is making it out alive as we recap Secret Invasion Episode 3, "Betrayed", on our Marvel podcast. After Nick deals with his secret wife Varra, he's back with his public wife, Talos, and trying to stop Gravik's latest plan. Meanwhile, Sonya gives her owl a cute eyepatch, and Giah pays the ultimate price. Plus, is Daisy Johnson in Secret Invasion? We discuss.
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After last episode's big death, Nick Fury is left reeling and we recap Secret Invasion Episode 2, "Promises" on our podcast. Fury is on the run after letting his partner die, but still has time to talk to Rhodey about international politics. Meanwhile, Gravik's plan is (sort of) revealed.
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Marvel's Secret Invasion is here, and we're breaking down all the big moments in the first episode of Disney+'s Skrulls vs. Nick Fury show on our Marvel podcast. With an attack on Earth imminent, Nick Fury teams up with Talos and Maria Hill to try to figure out what the villainous shape-changers are up to -- leading to a moment at the end that's a controversial choice, to say the least.
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Has the cast of the MCU Fantastic Four been revealed? We break down the rumored rundown of Marvel's first family. Plus, the first five minutes of Secret Invasion have been posted online; we break down what it means for the show. And more Marvel news!
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It's time to return to the Spider-Verse as we thwip into a spoiler-heavy review for Spider-Man: Across The Spider-Verse. From our experiences watching it in the theater, to all the new characters like Miguel O'Hara and The Spot, to big theories about Miles and Gwen -- and Beyond the Spider-Verse -- we're breaking it all down with a ton of Easter eggs in tow.
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The writers' strike continues to impact Marvel as Thunderbolts and Wonder Man both have been shut down. But what's going on with Marvel's other productions? Plus, Florence Pugh takes heat for her role in the MCU, Venom 3 gets an over-qualified cinematographer, and Elizabeth Olsen reveals she stopped reading scripts for Doctor Strange In The Multiverse of Madness.
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Marvel has announced Disney+ premiere dates for Loki Season 2 and Echo, and the latter is dropping all in one day. So what does that mean for the show? Plus: Seth Rollins joins Captain America 4 in a mystery role, a Guardians 3 villain is confirmed to have survived, Across The Spider-Verse news, Kang Dynasty news, and more.
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The WGA writers' strike is impacting Marvel movies and TV shows, and we're breaking down which ones have been stopped, and which are barreling forward. Plus, Guardians of the Galaxy Vol. 3 box office, the Iron Man deleted scenes you've never seen, and Captain America 4 might get a title change.
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It's time for one last ride with the Guardians and we're breaking down all the big moments in our spoiler review podcast for Guardians of the Galaxy Vol. 3. When Rocket gets badly hurt, it's up to the team to find out more about his origins and come toe to toe with the man who made him: the High Evolutionary. From the final moments for Star-Lord, Nebula, Drax, Mantis, Gamora, Rocket, and Groot, to those two post-credits scenes, to what this all means for the future of the Guardians, we discuss it all.
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The first reviews and reactions to Guardians of the Galaxy Vol. 3 are here and we're reading the tea leaves to find out what they mean. Plus, a True Detective writer joins Blade, Agatha: Coven of Chaos is a musical, and some more wild Fantastic Four rumors.
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Is it time for Marvel to make a decision about Jonathan Majors as Kang? We discuss that, and several slightly less hot-button topics on our Marvel news podcast. Specifically, we delve into the rumors swirling around Fantastic Four casting, with Adam Driver reportedly bumped to the top pick for Reed Richards. But is Mila Kunis Sue Storm? Plus, Patti Lupone drops some details about Agatha: Coven of Chaos, Juno Temple joins Venom 3, and more.
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The Marvels trailer is here, and trolls are already making it the most disliked trailer in MCU history. We break down the big moments from the first look at the new Brie Larson movie, as well as discuss what that review-bombing means for the flick's future. Meanwhile, Mia Goth joins Blade, presumably playing herself, Guardians of the Galaxy Vol. 3 has released some early box office numbers, and some upcoming casting news -- including the first look at Ben Kingsley's Trevor Slattery in Wonder Man.
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Could a Marvel vs DC movie happen? James Gunn weighs in on the possibility, and we discuss the implications on our Marvel news podcast. Plus, we break down the trailer for Spider-Man: Across The Spider-Verse, explore whether there's more than one Nick Fury in Secret Invasion, more James Gunn on the arc of the Guardians of the Galaxy movies, and check in on a rumor that Galactus and Silver Surfer might be in Fantastic Four.
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We've got a big Marvel news update this week, including info on Secret Invasion, Fantastic Four, and more. Plus on the business side, we're discussing some new wrinkles in the exit of Victoria Alonso, the firing of Ike Perlmutter, and what Jonathan Majors' arrest might mean for his future in the MCU.
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Victoria Alonso, one of the key players since the beginning of the MCU, is out at Marvel. On this week's Marvel news update, we discuss the ramifications of what this means for the future of Marvel, and try to untangle what is actually going on behind the scenes. Plus, Florence Pugh comments on Thunderbolts, Kingpin is spotted with hair, and more Marvel news!
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On this week's Marvel Studios news update, we're talking about the rumored Mephisto special, the return of Scarlet Witch and more. Is Sacha Baron Cohen already at work on a Mephisto one-shot special for the MCU? Will Elizabeth Olsen return as Scarlet Witch, and if so, where -- and when? Plus, Steven Yeun comments on his Thunderbolts role, and other hot, breaking news items.
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We're kicking off semi-regular Marvel news updates with a breakdown of the big stories that have broken over the past week. That includes the return of Jon Bernthal as Punisher for Daredevil: Born Again, Bob Iger's statements on pulling back on Marvel movie sequels, the debut of Kahhori in What If? Season 2, and much more.
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Ant-Man (and the Wasp) are back for another adventure in Ant-Man and the Wasp Quantumania, and we're breaking down all the big moments and Easter eggs in the kick-off to MCU Phase 5. How was Jonathan Majors as Kang? Does Michael Douglas like ants? And does Kathryn Newton's Cassie know how to run and shout "Dad!"? We discuss all this and more in our spoiler-filled Ant-Man 3 podcast.
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Peter Parker comes swinging into the MCU as we revisit Tom Holland's first feature length adventure, Spider-Man: Homecoming, with guest Tara Bennett. Years later, does the Jon Watts directed movie hold up? How about that Michael Keaton Vulture reveal? And what's the future of Spider-Man in the Marvel Cinematic Universe? We break it all down with a woman who literally wrote the book on it.
Tara Bennett's The Story of Marvel Studios: The Making of the Marvel Cinematic Universe is available in bookstores everywhere, or at Amazon.
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The frickin' Guardians of the Galaxy are back, only we didn't say frickin' as we recap Guardians of the Galaxy Vol. 2 on our Marvel rewatch podcast with guest Richard Newby. When Peter Quill meets his father, Ego (played by Kurt Russell), the Guardians head back to his planet to discover whether this swaggering Celestial is for real. From personal connections to the movie, to how it fits in with the Guardians of the Galaxy Holiday Special, as well as Guardians of the Galaxy Vol. 3, we've got you covered.
You can check out Richard Newby's Marvel writing on THR.
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We're opening up a portal to the MCU Phase Three with our rewatch podcast for Doctor Strange, featuring guest Matt Donnelly! While your regular hosts bring the Marvel knowledge to the introduction to Benedict Cumberbatch's Sorcerer Supreme, Matt brings the magic knowledge thanks to years working as a writer for Penn & Teller. Are Sling Rings real? How would Doctor Strange do on Penn & Teller: Fool Us? Plus, how the movie holds up, six years later.
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It's time to once again choose a side as we rewatch Captain America: Civil War on our Marvel podcast, with guest Rachel Leishman. Are you Team Cap or Team Iron Man? How do the introductions of Black Panther and Spider-Man hold up, years later? And is Zemo really the best villain in the MCU? We discuss that and much more on this week's MCU-cast.
You can check out more of Rachel Leishman's writing on The Mary Sue.
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Ant-Man superfan Langston Belton joins us as we wrap up Phase Two of the MCU with our Ant-Man rewatch podcast. Scott Lang is a con on parole, but can he also be a tiny superhero? Find out how the original movie holds up years later, why Langston loves Marvel's smallest hero, and join us for a bit of discussion and speculation about Ant-Man and the Wasp: Quantumania, as well.
You can check out more of Langston's work on Marvel's YouTube channel.
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The Avengers assemble once more to fight a robotic menace as we revisit Avengers: Age of Ultron, with guest Jamie Jirak. In this Phase Two rewatch podcast, Jamie reveals how Age of Ultron influenced her personal journey. Plus, we discuss the lasting legacy of Vision, Scarlet Witch and Quicksilver, as well as what does -- and doesn't -- hold up about the movie years later.
You can check out more of Jamie Jirak's writing on ComicBookdotcom, or listen to her on the Phase Zero podcast.
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It's the most Marvel-lous time of the year as we review the Guardians of the Galaxy Holiday Special on our MCU podcast. With Starlord bummed out about Gamora, it's up to Drax and Mantis to save Christmas by kidnapping Kevin Bacon. And along the way there's a few musical performances, some surprises and Easter eggs (including Batman???), and some big teases for what's coming up in Guardians of the Galaxy Vol. 3.
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It's time to return to Wakanda as we offer up our review and reaction to Black Panther: Wakanda Forever on our Marvel podcast. From the tributes to the late, great Chadwick Boseman, to the new Black Panther, to the movie's "villain" Namor, we're discussing it all.
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It's another classic Thor adventure as we break down our favorite moments in Thor: Love and Thunder. From Natalie Portman's Mighty Thor, to Christian Bale's Gorr The God Butcher, to all the Easter eggs and Marvel Comics source material, we're breaking it all down. Plus, where should Thor and friends show up next?
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It's the finale of She-Hulk on "Whose Show Is This?" and Jen is breaking Disney+ as we recap the final episode. With our hero on the skids, it's up to her friends to figure out who is behind the Intelligencia. But thanks to some last minute twists, we find out a whole lot more about how the Marvel Cinematic Universe really works.
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Marvel goes full horror for its first ever Special Presentation, Werewolf By Night, bringing spooky terror -- and fun -- just in time for Halloween. In the hour, we meet Jack Russell, played by Gael García Bernal, Elsa Bloodstone, played by Laura Donnelly, and Man-Thing, played by Ted. We discuss all the gory delights on the special, talk Easter eggs, and where the characters might show up next.
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The hero everyone has been waiting for finally arrives on She-Hulk Episode 8, "Ribbit And Rip It": Leap-Frog. Oh, also, Daredevil shows up. When Jen is hired to take on Luke, she comes face to face in the courtroom with Matt Murdock; and then has a classic superhero mix-up with Charlie Cox's Daredevil. So how was ol' hornhead's return?
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She-Hulk heads to Emil Blonsky's retreat as we recap She-Hulk Episode 7 "The Retreat" on our Marvel podcast. After a good date ghosts her, Jen gets recruited to track down whether Blonsky has Abomination-ed out again. Instead, she finds a supervillain support group... And maybe gets help herself. From El Aguila, to Man Bull, to Saracen, to Porcupine, to the identity of Hulk King, we discuss it all.
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It's a self-contained wedding episode with no Daredevil as we recap She-Hulk Episode 6, "Just Jen". Jennifer Walters heads off to a friend's wedding -- guest star Patti Harrison -- but discovers she doesn't want She-Hulk, she wants a human. When Titania shows up, though, Jen is put through her paces. Meanwhile, Nikki teams up with Mallory Book to help Mr. Immortal get divorced from a bunch of folks.
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Jen takes on Titania in the courtroom as we recap She-Hulk Episode 5, "Mean, Green and Straight Poured Into These Jeans". With Titania opening a beauty line in She-Hulk's name, it's up to Mallory Book to help get the hero's name back. Meanwhile, Pug and Nikki to set her up with a new costume, leading to Easter eggs for Daredevil, Deadpool and even some X-Men and Fantastic Four characters.
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Marvel went big at this year's D23 with news on all of their upcoming movies and Disney+ shows. We're breaking down all the big news, casting, trailers, and footage you didn't see, including: Ironheart, Werewolf By Night, Secret Invasion, Armor Wars, Loki Season 2, Echo, Daredevil: Born Again, Black Panther: Wakanda Forever, Ant-Man and the Wasp: Quantumania, Fantastic Four, Captain America: New World Order, Thunderbolts and The Marvels.
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Wongers is back and The Sopranos is getting spoiled as we recap She-Hulk Episode 4, "Is This Not Real Magic?", on our Marvel podcast. While Wong tries to shut down errant magician Donny Blaze, Jennifer Walters tries to go on a series of dates, only to discover nobody wants Jen - they want She-Hulk.
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It's time for the trial of Emil Blonsky (and a B-Plot) as we break down the third episode of She-Hulk, "The People vs. Emil Blonsky", on our Marvel podcast. After Wong takes Abomination for a trip to his fight club, it causes problems for Jennifer Walters' appeal to free Blonsky early. And meanwhile, the law firm takes on Dennis, who has been cheated out of money by a light elf pretending to be Megan Thee Stallion. All this plus Marvel Comics origins, Easter eggs and more.
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Jennifer Walters is a hulk now, but can she also be a lawyer? We'll find out on the second episode of She-Hulk, as we recap "Superhuman Law" on our podcast! When Jen is tasked with defending Emil Blonsky, aka The Abomination, she's presented with an ethical dilemma: has he changed, or is he the same guy who tore up Harlem years ago?
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She-Hulk smashes onto Disney+ with the premiere episode of Marvel's newest series, "A Normal Amount Of Rage". How is Tatiana Maslany as Jennifer Walters? How does She-Hulk connect to the MCU? And most importantly: how's the CGI? We discuss that, plus Marvel Comics origins, Easter eggs and more.
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On a special episode of MarvelVision, we're breaking down all the huge Marvel Hall H announcements from San Diego Comic-Con 2022, including: She-Hulk trailer; Black Panther: Wakanda Forever trailer; Ant-Man and the Wasp Quantumania cast reveals; Secret Invasion flubs; Guardians of the Galaxy Vol. 3 cast reveals; Loki, Echo, Ironheart, Agatha Coven of Chaos, The Marvels and Blade; Captain America: New World Order title reveal; Daredevil: Born Again plot and title announcement; Thunderbolts lineup; Fantastic Four, Avengers: The Kang Dynasty, and Avengers: Secret Wars. Plus all the animated announcements!
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It's time for the season finale of Ms. Marvel, "No Normal", and we're breaking down all the big moments in Kamala's battle with Damage Control. With Kamran on the run with Bruno, it's up to Kamala and friends to save him from the government. But who will save Kamala from Kamran? Plus, all the huge Easter eggs and moments, from that Mutant tease, to The Marvels end credits scene and more.
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We're going back in time on Ms. Marvel Episode 5 "Time and Again" as Kamala discovers the origins of her family. After last episode's climactic battle, Kamala Khan is stranded during the Partition of India and Pakistan. But first, we meet Aisha, and find out how the Khan family first got started.
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Ms. Marvel heads to Karachi and discovers a whole lot more about her powers as we recap the fourth episode of the series on our podcast. While in Pakistan, Kamala meets the Red Dagger, tries some biryani in a bag, and ends up once again having to fight the Unseen. Plus, Easter eggs, Marvel Comics references, and more.
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Ms. Marvel's villains are finally revealed as we recap Episode 3 of the Disney+ series, "Destined". After meeting Nadja the last episode, Kamala finds out a ton more about The Clandestine, the Noor Dimension, Djinn and a whole lot of other dimensional weirdness. And in the midst of this, it's finally time for her brother's wedding...
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Ms. Marvel has a classic training sequence as we break down ”Crushed”, the second episode of Ms. Marvel on Disney+. Now that Kamala Khan has powers, she needs to figure out how to use them, with a little help from Bruno. Meanwhile, Damage Control is after her -- and a mystery is brewing about the origins of the bangle that lets her access her powers.
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It's the series premiere of Marvel Studios Ms. Marvel, and it's finally time to meet Kamala Khan on "Generation Why"! In the first episode of the new show, we head to Jersey City where young Kamala loves superheroes, and Captain Marvel in particular. And all she wants to do is go to AvengersCon with her friend Bruno, under a family heirloom takes things on a turn for the weird. From Marvel Cinematic Universe and comic book Easter eggs, we break it all down.
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It's time to go back to Marvel Phase Two as we break down our reactions to Guardians of the Galaxy. How does the James Gunn directed movie hold up, years and multiple appearances of the Guardians later? Pretty darn well. You're welcome.
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We're entering a multiverse of spoilers as we break down all the highlights (and lowlights) in Doctor Strange and the Multiverse of Madness. From the performances to the Easter eggs and cameos, we discuss it all. Did this work as a sequel to Doctor Strange? How about WandaVision? And most importantly, what's next for the MCU after the big revelations of this movie?
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It's time for the finale of Moon Knight on "Gods and Monsters" and that means Marc/Steven fighting Harrow for the fate of the world. On our spoiler filled podcast, we discuss everything from the final battle, to Layla's new identity (and future in the MCU), to that Jake Lockley surprise and way more.
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Marc and Steven take a trip through the afterlife as we recap Moon Knight Episode 5, "Asylum". In order to get back to life and stop Harrow, Steven Grant pushes Marc Spector to remember his most traumatic memories. But are they dead, in an insane asylum, or somewhere else?
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With Khonshu gone, Marc and Steven have to team up to find the Tomb of Ammit on Moon Knight Episode 4, "The Tomb". It's a race against time as our heroes try to capture Ammit's statue before Harrow can destroy the world. And then, at the end things take a big swerve, putting all of reality in question.
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Full Episode Transcript: https://comicbookclublive.com/2022/04/20/marvelvision-moon-knight-episode-4
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Moon Knight heads to Egypt and introduces a load of new gods as we recap the show's third episode, "The Friendly Type". With Harrow about to open the Tomb of Ammit, Khonshu calls on some desperate measures to stop him. Meanwhile, Steven/Marc and Layla head to find the Tomb through other means.
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Full Episode Transcript: https://comicbookclublive.com/2022/04/13/marvelvision-moon-knight-episode-3
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Steven Grant discovers he's not totally alone in his body as we recap the second episode of Marvel's Moon Knight, "Summon The Suit". After trying to figure out whether he's imagining things, Steven finally meets Marc Spector -- as well as his wife, Layla. But thanks to Arthur Harrow, Steven learns that things might not be what they seem when they come to Khonshu. From Marvel Comics origins to Moon Knight Easter eggs, let's break it all down.
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Full Episode Transcript: https://comicbookclublive.com/2022/04/06/marvelvision-moon-knight-episode-2
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Moon Knight is finally here on Disney+ and we're breaking down the big moments in the premiere episode, "The Goldfish Problem". Steven Grant is a regular gift shop worker, but the god Khonshu has some other ideas. From Ethan Hawke's villain Arthur Harrow, to the comic book origins, to Easter eggs and more, let's discuss.
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Full Episode Transcript: https://comicbookclublive.com/2022/03/30/marvelvision-moon-knight-episode-1
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We're breaking down all the big moments and easter eggs from the Doctor Strange in the Multiverse of Madness trailer. Who is the villain of the movie? What did Doctor Strange do to break reality? That Professor X cameo!! And much, much more.
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Hawkeye finishes the season (and series?) with an epic battle in Rockefeller Center on "So This Is Christmas?" After finding out Kingpin is behind everything, the big bad goes after Kate's mom, with Kate and Clint caught in the crossfire. Meanwhile, Yelena goes after Clint. And we finally find out who that watch belongs to.
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Spoilers on as we discuss all the universe shattering action in Spider-Man: No Way Home on our Marvel podcast! Tom Holland's Peter Parker is back, and everyone knows his identity. But when he asks Doctor Strange to help him with a spell, it starts to suck in villains from every universe. From the big villain moments, to those big hero moments, and much more, we're talking Easter eggs, comic book connections, and the scenes that made us cry.
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Kate meets Yelena for real and Clint takes the fight to Maya as we recap Hawkeye Episode 5, "Ronin". After splitting up the last episode, Kate talks to Yelena over some mac n' cheese. Meanwhile, Clint recuperates, before deciding to settle Maya's issues with Ronin, once and for all. And finally, the series' ultimate villain is revealed.
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Clint and Kate track down a stolen Rolex, and run right into not one, but two adversaries on Hawkeye "Partners, Am I Right?" With Clint still not headed home for Christmas, Kate decides to bring the party to him. But that gets interrupted by the return of the LARPers, and when they go after the Rolex the duo run into not just Maya Lopez -- but also Yelena Belova. We discuss all this, plus whether Laura Barton has a secret identity, when the big villain will be revealed, and more.
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Maya Lopez, aka Echo arrives on Hawkeye's third episode, appropriately titled "Echoes" and we're recapping the big moments on our Marvel podcast. After Kate and Clint are captured by the Tracksuit Mafia, a pitched battle ensues, and the two Hawkeyes finally start working like a team. Plus, could Maya's Uncle be.... Kingpin???
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Clint and Kate finally come face to face as we break down the big moments on Hawkeye Episode 2, "Hide And Seek". After finding -- and losing -- the Ronin suit, Clint has to head to a LARPing group in Central Park to get it back. Meanwhile, Kate tangles with Jack, and finds out a lot more than she bargained for. Plus, all the Easter eggs, Marvel Comics references, and lots of speculation about what's next.
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Full Episode Transcript Available Here: https://comicbookclublive.com/2021/11/24/marvelvision-hawkeye-episode-2
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It's the premiere of Marvel's Hawkeye on Disney+, and we're discussing whether "Never Meet Your Heroes" hit the spot or missed the target. In the opening episode, we meet Hailee Steinfeld's Kate Bishop, find out why she's such a big fan of Clint Barton, as well as her mother, potential Step-Dad, and much more. Meanwhile, Clint Barton is just trying to have a nice Christmas vacation in New York when his past catches up to him. From Easter eggs to theories for the future, we're breaking down everything.
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Full episode transcript available here: https://comicbookclublive.com/2021/11/24/marvelvision-hawkeye-episode-1
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On a special bonus episode of our Marvel podcast, we're breaking down the mind-blowing new trailer for Spider-Man: No Way Home. From those multiverse spanning cameos, all the villains, and all the Easter egg, we're chatting about it all.
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Marvel's Eternals is now in theaters, and we're digging on the big spoiler-filled moments from the cosmic epic. From breaking down all 10 major characters, to the overall plot, to what those two end credits scenes mean for the MCU's future, we're chatting about everything.
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Everything comes together on the season finale of What If...? as The Watcher bands together a team of heroes to stop a souped up Ultron. Can Captain Carter, T'Challa Star Lord, Party Thor, Strange Supreme and more get control of the rogue robot before he annihilates every reality? Plus, what's next for What If...? in Season 2?
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Things start to come together in a big way as our MCU podcast recaps What If...? Season 1, Episode 8 "What If... Ultron Won?" With only Black Widow and Hawkeye left on Earth to stop an over-powered Ultron, they turn to an unlikely ally to help them in their fight. But it's The Watcher who learns the real lesson, as things get bad for our friendly observer, real quickly.
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What if Thor brought the ultimate party to Earth? We find out on the latest episode of What If...? which introduces frost giant Loki, Korg dancing with a pacifier, and so much more. Plus: the Hit-Monkey trailer, Eternals rating and what's coming on Disney+ Day.
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How different a place would the Marvel Cinematic Universe be if Killmonger saved Tony Stark? We find out on the latest episode of What If...? as Black Panther gets a remix thanks to Stark Industries.
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The Marvel Cinematic Universe gets zombified in the latest episode of What If...? titled, appropriately "Zombies!?" When Bruce Banner returns to Earth to warn everyone of Thanos's imminent arrival, he instead finds a world -- and Avengers -- taken over by a zombie virus. Spider-Man, Winter Soldier and more have to team up to hopefully find a cure, and save the world... But naturally, things go very, very wrong.
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Shang-Chi and the Legend of the Ten Rings is now in theaters, and we're breaking down all the big moments and Marvel Easter eggs! When Shang-Chi's villainous father Wenwu attacks his son after ten years, it leads to a global hunt to stop him before he can bring about the end of the world. From our favorite characters, to those Marvel Cinematic Universe cameos, to what the end credits and post credits scenes mean for the MCU going forward, we're breaking it all down.
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It's the darkest episode of What If...? yet as we find out what would happen if "Doctor Strange Lost His Heart Instead of His Hands?" In the episode, Benedict Cumberbatch's Strange follows his path as he normally does, with one big difference: Rachel McAdams' Christine Palmer dies in a car crash, instead of Strange having his hands broken. And a series of choices lead to the rise of a very dark, very evil Doctor Strange, who ends up having to face the ultimate enemy: himself. Plus, we discuss some MCU news and rumors about Doctor Strange int he Multiverse of Madness, Moon Knight, and whether Agents of S.H.I.E.L.D. is still in canon.
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This get real dark in What If...? Season 1, Episode 3 as Fury's Big Week becomes Fury's Bad Week. Kicking off with the events of Iron Man 2, someone -- or something -- kills Iron Man on "What If… The World Lost Its Mightiest Heroes?" With Black Widow on the run, it's up to Fury and Coulson to figure out who is stopping the Avengers Initiative before it can even get off the ground.
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Full Episode Transcript: https://comicbookclublive.com/2021/08/25/marvelvision-what-if-season-1-episode-3
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Chadwick Boseman makes one, final appearance as T'Challa as we recap this week's episode of What If...? titled "What If... T'Challa Became a Star-Lord?" When T'Challa is taken from Wakanda as a young boy by the Ravagers, he causes several surprising, big changes in the galaxy, and of course, there's a fun heist. We talk about all the big moments, Easter eggs -- and the lasting legacy of Boseman.
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Full Episode Transcript: https://comicbookclublive.com/2021/08/18/marvelvision-what-if-season-1-episode-2
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Marvel Studio's first animated series What If...? kicks off with the question: what if Peggy Carter got the super soldier serum, instead of Steve Rogers? We break down all the big moments in the episode, discussion the animation style and voice cast, and much more as we talk What If...? Season 1, Episode 1: "What If... Captain Carter Were The First Avenger?"
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Full Episode Transcript: https://comicbookclublive.com/2021/08/11/marvelvision-what-if-season-1-episode-1
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We're breaking down what's arguably the best Marvel movie, Captain America: The Winter Soldier, with special guest DC Pierson. DC discusses playing Aaron the Apple employee in the movie, returning for an Xbox/Falcon and the Winter Soldier promo, and how Noobmaster69 might be the big bad of the MCU. Plus, how does the Captain America sequel hold up, seven years later? Pretty damn well.
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It's time to recap everyone's favorite Marvel movie as our Phase Two podcast breaks down Thor: The Dark World. But is the sequel unfairly -- or fairly -- maligned? We discuss the plots that might have been, from Jane Foster breaking bad to Malekith's backstory, and how Loki's popularity helped keep him alive by the end of the movie... And much, much more. Come and get buttered up for a tight hog, because we're talking about all of it.
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We're kicking off our revisit with the MCU Phase Two talking Iron Man 3 with special guest Adam Pally! Find out what went on behind the scenes with Pally's Gary the Cameraman, how he nabbed the role, and his pitch for a Gary spinoff film. Plus, we discuss that big Mandarin twist, and much, much more.
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It's the season finale of Loki, and Loki and Sylvie finally figure out who is behind the TVA as we recap episode 6, "For All Time. Always." Looking to have the Loki finale explained? Spoilers past this point, but we break it all down, from Loki and Sylvie's big conversation with Jonathan Majors' He Who Remains, aka Kang the Conqueror, how the show sets up Ant-Man and the Wasp: Quantumania, as well as Doctor Strange 2, teases and speculation for Loki Season 2, and so very much more.
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Full Episode Transcript: https://comicbookclublive.com/2021/07/14/marvelvision-loki-episode-6-for-all-time-always/
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Black Widow is finally in theaters, and we've got a complete, spoiler-filled breakdown and review of the movie. Natasha Romanoff is on her own after Captain America: Civil War, until she gets sucked back into the spy game, thanks to a resurgent Red Room. Along with Florence Pugh's Yelena Belova, David Harbour as Alexei Shostakov and Rachel Weisz as Melina Vostokoff, they're taking the fight directly to Ray Winstone's Dreykov -- as well as Taskmaster. But with over a decade of anticipation, how does the movie hold up? We discuss, plus all the Marvel Easter eggs, from Winter Guard, to ties with Avengers: Infinity War, to that post-credits sequence teasing Thunderbolts and Hawkeye, we discuss it all.
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Full Episode Transcript: https://comicbookclublive.com/2021/07/08/marvelvision-black-widow
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Loki is trapped in The Void and it's up to Sylvie -- and a host of other Lokis -- to save him on this Easter egg packed episode, "Journey Into Mystery." After getting pruned by the TVA, Loki teams up with Kid Loki, Classic Loki, Boastful Loki and Alligator Loki to try and escape villainous cloud Alioth. Meanwhile, Sylvie teams up with Ravonna Renslayer, though the alliance is short lived. And a climactic battle helps set up the season finale... From the Thanos-copter, to Frog Thor, to all the references to Kang (and Dr. Doom??) we break it all down.
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Full Episode Transcript: https://comicbookclublive.com/2021/07/07/marvelvision-loki-episode-5-journey-into-mystery/
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Loki and Sylvie take the fight to the Time Variance Authority and some big revelations come to light as we recap Loki Episode 4, "The Nexus Event." After surviving the apocalypse event at Lamentis-1, Mobius takes them back to the TVA to try to get to the bottom of the new, strange Nexus Event that alerted them to the Lokis' location. And in the process, not only do we discover the truth about the TVA and the Time Keepers, but we also discover that all is not what it seems when it comes to the pruning process. Spoilers on, but let's discuss that big post credits sequence featuring Classic Loki, Kid Loki, Boastful Loki, and... Alligator Loki? Plus more Easter eggs for the Marvel Comics, and the Marvel Cinematic Universe.
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Loki is after the Variant and finds himself trapped on the crumbling planet of Lamentis-1 as we recap the appropriately named Loki Episode 3, "Lamentis." After tussling with Sylvie at the Time Variance Authority, Loki thrusts them to "safety" in an apocalypse, with no real way home. And one train ride later, everything has changed. From the comic book easter egg origins of Lamentis-1, to sneaky references to Aliens, to Loki officially being confirmed as bisexual in the Marvel Cinematic Universe, we're breaking down this big, action packed episode of the Disney+ series.
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Loki joins up with the Time Variance Authority to stop another, rogue Loki in Loki Episode 2, "The Variant," but all is not what it seems. After a botched mission to a Renaissance Fair, Loki and Mobius try to figure out how to track down the variant Loki killing TVA agents. But once MCU Loki does figure it out, things go horribly wrong. From Sophia Di Martino's secret villain character, to speculation about the Time Keepers, to Marvel Comics Easter eggs and more, we're breaking it all down.
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Full episode transcript available at: https://comicbookclublive.com/2021/06/16/marvelvision-loki-episode-2
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We're kicking off our recap for Marvel's Loki Disney+ series as we break down all the big, time busting moments in Episode 1, "Glorious Purpose". Picking up right after the events of Avengers: Endgame, Loki has escaped via the Tesseract, only to be captured by the Time Variance Authority, a group dedicated to protecting the Sacred Timeline. And as Loki confronts his own past, present and future he discovers that the power he's been seeking his whole life might not be as important as he thinks it is. From the Marvel comics origins of the TVA and the Time Keepers, to connections to WandaVision, Doctor Strange in the Multiverse of Madness and much more, we're discussing all the Loki Easter eggs and theories.
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Full Episode Transcript Available Here: https://comicbookclublive.com/2021/06/09/marvelvision-loki-episode-1
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It's finally time to finish off Phase One on our Marvel podcast as we break down The Avengers! Join us, and guests Jon Gabrus (host of High and Mighty, Action Boyz and many more podcasts) and Eric Goldman (Managing Editor of Fandom and host of the We Enjoy Podcast) as we discuss one of the biggest movies of all time, nine years later. How does the superhero team-up hold up? What still works? What doesn't? And looking forward, what's next for the MCU, from Loki to the future of Avengers movies.
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We're going back in time as our Phase One rewatch continues with Captain America: The First Avenger. Guest Amelia Emberwing, Editor of What to Watch, joins the podcast, and goes to bat for why Peggy Carter is her favorite character in the MCU. Plus, we discuss Cap's future, from What If? to Captain America 4 and beyond.
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Don't be an old man and a fool, check out our latest MCU rewatch podcast on Thor, with guest Alisha Grauso, Features Editor for Screenrant. It's time to go from Earthbound to cosmic as the Marvel Cinematic Universe introduces Chris Hemsworth's Thor, Tom Hiddleston's Loki, and so much more in Kenneth Branagh's epic adaptation. From Easter eggs, to cameos, we break it all down. Plus, we take a look ahead to Disney+'s Loki series, and the upcoming theatrical movie Thor: Love & Thunder.
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It's sequel time as our MCU rewatch podcast takes on Iron Man 2 with guest Julia Alexander (Senior Streaming Editor, IGN)! Tony Stark returns, and brings a slew of new characters with him, including the debut of Scarlett Johansson as Black Widow, Sam Rockwell's Justin Hammer, and Mickey Rourke's bird. But how does the Marvel Cinematic Universe's first sequel hold up, over a decade later? Number one Iron Man 2 fan Alexander weighs in, and we don't necessarily disagree. Plus, we talk about what's coming next including -- finally -- a Black Widow movie, Secret Invasion and Armor Wars.
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Full episode transcript available at: https://comicbookclublive.com/2021/05/14/marvelvision-phase-one-iron-man-2-with-julia-alexander
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You wouldn't like us when we're podcasting about 2008's The Incredible Hulk, starring Edward Norton, Liv Tyler, William Hurt and Tim Roth. As we continue our journey through Phase One of the Marvel Cinematic Universe, we revisit the requel of Ang Lee's Hulk, which came out two months after Iron Man. Find out how well the action scenes hold up, explore the almost casting, and relive the weird amount of work Norton did on the film. Plus, we roll in an archival interview from 2008 with Tim Roth, director Louis Letterier, producer Gale Anne Hurd, and a young up and comer named Kevin Feige.
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Full Episode Transcript Available At: https://comicbookclublive.com/2021/05/07/marvelvision-phase-one-the-incredible-hulk
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We're heading back to 2008 on this week's MCU podcast to revisit Iron Man, the movie that started it all. From trivia and Easter eggs you might not have known, to looking back on what does - and doesn't - work about the groundbreaking movie, we're covering it all. Plus, we take a look at what might be next for Robert Downey Jr. in the Marvel Cinematic Universe: Ironheart, Armor Wars, and... #BringBackTonyStarkToLife?
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The first (?) season of The Falcon and the Winter Soldier concludes with an epic fight in New York City as we recap "One World, One People." With the Karli and The Flag-Smashers attempting to kidnap the GRC, it's up to Sam to put on his new Captain America suit and save the day. Meanwhile, Bucky has some amending of his own to do, Sharon Carter pulls off her mask, literally and figuratively, and John Walker reaches a crossroads. Let's break down all the Easter eggs, future MCU teases (is US Agent a villain, or a hero?) and much more from the finale of Falcon and the Winter Soldier.
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Sam grapples with whether he should take Captain America's shield, and seeks out an old contact for advice as we recap The Falcon and the Winter Soldier episode 5, "Truth." With John Walker on the run for killing Nico, Bucky and Sam team up to take him down, leading to a massive status quo change for the wannabe Cap. Meanwhile, back in Louisiana, Sam's sister doesn't want to sell the family boat. And the Flag-Smashers make their move, thanks to a returning super-villain. We break down all the Falcon and the Winter Soldier Easter eggs and comic book references in the episode, from Julia Louis-Dreyfus's surprise cameo as Contessa Allegra Valentina de Fontaine, to whether she's playing Madam Hydra, to John Walker's new shield and much, much more.
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Things get real dark, real quick as John Walker comes for the Flag-Smashers on The Falcon and the Winter Soldier Episode 4, “The Whole World is Watching.” With the Dora Milaje on the hunt for Zemo, the pressure is on for Sam and Bucky to try to turn Karli Morganthau, or take her down. And once the new Captain America and Battlestar get into the mix, things get complicated — and tragic. Let’s break down all the Turkish delight — sorry, Easter eggs, Marvel comic book references and much more.
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Full Episode Transcript
Alex: Welcome to MarvelVision, a podcast about Marvel, the MCU, and right now, Falcon and the Winter Soldier. I’m Alex.
Justin: I’m Justin.
Pete: I’m Pete.
Alex: And we are going to be talking about the fourth episode of the series, The Whole World is Watching. And it is true, this is a big show, lots of people watching, the whole world in fact, has been tuning in for every episode of Falcon and the Winter Soldier. And that’s what the title is mostly about, is the ratings for the show, which we know of course are through the roof. So that’s very exciting.
Justin: That’s right. Anytime you can just guess about your ratings and throw that in the title.
Pete: It’s a boss move, it’s a boss move for sure.
Justin: It’s a baller move. Like of shows are like, “Whoops, no one watched and we’re canceled. Episode four.”
Alex: That was my favorite show for a really long time. I wish they hadn’t titled it that because I feel like more people have watched and it wouldn’t have gotten cancelled.
Justin: Anytime you can throw a “Whoops” in there at the beginning of anything, you’re really speaking to the people.
Alex: It was actually originally called, “Whoops Friends.”
Justin: Whoops, we’re friends. I mean that’s sort of what it was about.
Alex: Kind of, they just met. They were on a break.
Justin: Whoops, we’re podcasters. That’s us. That’s what this is.
Alex: Now requisite spoiler warning here. If you haven’t watched the fourth episode of Falcon and the Winter Soldier please go do that because we’re going to spoil the heck out of it. But first a little pluggy poo over here of this-
Justin: Pluggy poo? We have not vetted that term.
Pete: And what just happened?
Alex: I’m just playing around with some stuff.
Justin: Sorry, Alex its just son who’s talking right now?
Alex: If you haven’t checked it out already, we did an interview with Olli Haaskivi, who is the actor who played Dr. Wilfred Nagel on the last episode of Falcon and the Winter Soldier. Now, if you’re only subscribed, we rolled this out a bunch of different places. We usually roll these episodes out in the Comic Book Club feed and then the Marvel Vision feed. The Olli Haaskivi episode is exclusive to the Marvel Vision feed. So if you’re listening on Podcasts, go check it out over there. It was super fun. And I think we got a lot of interesting information about how it works, particularly for one scene or slightly more than one scene actor on a Marvel show. I thought it was-
Pete: It was really cool to talk to him. And after talking to him and then kind of re-watching his stuff, he’s a really good actor, like what he is and then what he became. Wow. Pretty awesome.
Alex: I mean, I’ll tell you when I was putting together the thumbnail for the episode and grabbed the still of Dr. Wilfred Nagel, I looked at it and there was a brief moment of like, “Is this not the guy? Would somebody do a weird prank to get us interview somebody as a fake Dr. Wilfred Nagel?”
Justin: But honestly, I think a lot of the interview really lets us in on the acting process.
Alex: Yeah, you were very excited to talk acting with somebody.
Justin: As a classically trained actor. I’ve talked to YouTube bozos.
Alex: You were like, “Ooh! Yeah, I know what you’re talking about!”
Justin: I was not woo-hooing.
Alex: You were like a little boy jumping up and down talking to him.
Justin: Sure, I was jumping up and down a little bit and going like this.
Alex: “I know what you’re talking about!”
Justin: Definitely. And getting into this episode, we’re talking about today, our guy was in the Previously On just dominating.
Alex: He was. I was like, “That’s our best friend right there.”
Justin: That’s exactly what I said.
Alex: Whoops! Friends.
Justin: Whoops, we’re friends.
Alex: So, let’s talk about this episode. Lots of stuff going on in this one. Interestingly, not a lot of Easter eggs necessarily. You know, we’ve been talking about the Easter eggs, the Marvel comics references. There were a couple there, but it wasn’t the speculation, a million thing that we’ve expected from Wanda Vision, not even the level of the last couple of episodes of Falcon and the Winter Soldier, though, there are a couple of things. Pete, what did you want to call out? What’s the Easter Egg? [crosstalk 00:04:01] that they went to Wakanda? That was a good Easter egg.
Pete: But don’t spoil all the things I want to talk about at once you fucking dick, but I was going to say Zemo was hiding candy like it was Easter. So come on. [crosstalk 00:04:13].
Alex: Well, that actually was the one thing that I felt like was a weird little Easter egg there. I don’t know about you guys, but I associate Turkish Delight most with the Chronicles of Narnia: The Lion, the Witch and the Wardrobe. And I think if you’ve read the book or you’ve seen the movie, you know what it is, it’s this candy that he has there, but it’s one of those things that I think everybody that I’ve ever talked to have the same experience reading The Lion, the Witch and the Wardrobe, because you hear about the White Queen gives Turkish Delight to this character, Edmund and tempts him and brings him over to her side and you hear about it, but they don’t describe it. And it’s this mysterious thing from childs that have- it’s clearly the most delicious candy of all time, but you have no idea what it is.
Justin: And honestly, in reading the book, I imagined it as sort of like a brownie because I love brownies. And I feel like it’s the kind of thing at that age where it’s like, what would tempt you to go with the bad guy? And I was like, “Well, brownies would, that’s for sure.”
Pete: At one point I was like, “Are we just in a giant ad for Turkish Delight right now? Like, this show is basically hinging on how great Turkish Delight is.”
Alex: So I’ll tell you what, it’s not great.
Justin: The actual candy Turkish Delight, it’s like a Jolly Rancher, basically.
Pete: Hey, Jolly Ranchers aren’t bad.
Alex: No, it’s fine. [crosstalk 00:05:29]
Justin: You’re not going evil for a Jolly Rancher.
Alex: If someone like Baron Zemo would take a bunch of Turkish Delights, throw it at me, I would be like, “All right. I’ll tell you literally whatever you want.”
Justin: I’ll invite you to my friend’s secret funeral.
Alex: Depending on how hungry I am, I might.
Justin: Hungry? For a Jolly Rancher? That’s not a meal. Jolly Rancher’s an anti-meal.
Alex: I’ll tell you what, we’re getting wildly off track here. But I have one cavity that I’ve gotten filled in, in my entire life. That was because there was a period of time I had a sack of Jolly Ranchers and I was like, “Well, I could just have these instead of-“
Pete: A sack? Are you Santa Claus? Who walks around with a sack?
Alex: I got a huge variety pack of Jolly Ranchers. And I was home and instead of brushing my teeth, I was like, “I’ll just pop a Jolly Rancher.”
Pete: How is that instead of brushing your teeth?
Alex: In my head it was like gum or mints, but instead I was having a Jolly Rancher and it just didn’t occur to me and I got a cavity.
Pete: You went to Cornell. How are you this dumb?
Justin: And you used to floss with Twizzlers, right?
Alex: Big gaps in my teeth.
Justin: Wow. Only one cavity. I’ve had way more cavities. And I always blame it on, I grew up on well water, which doesn’t have fluoride, which strengthens your teeth. I just add old dirt in there now. But last I went to the dentist, I went to the dentist recently cause true fans of the show will know that I had a broken tooth that had dropped off on this very podcast. And like our second episode, went to the dentist, no cavities.
Alex: Wow. Good for you. Also, no teeth.
Justin: Also no teeth. I’m out of teeth. That’s a big factor. It’s just one big cavity.
Pete: That was a real scary moment for me. When I was talking to you and your tooth was missing, I had to talk to a bunch of people about it. Like, cause I really questioned my beliefs and stuff like that because it was like, I have trusted the words that come out of your mouth for years. And then when you had just a tooth missing, I all of a sudden didn’t trust who you were or what you were about. It was a real thing.
Justin: The importance of a full set of teeth cannot be overstated.
Pete: I didn’t know I would be so shook. Yeah. But then, reverse-
Alex: Sorry, not to get back to Falcon and the Winter Soldier or anything, but actually to revisit the Turkish Delight. I think Baron Zemo is kind of getting, pulling the most focus in this show right now. Who knows if he’s going to show up going beyond this because he escapes at the end of the episode, but it’s wild to me how much he more is getting out of these episodes and out of these arcs than even Sam and Bucky are.
Pete: And the choices that he’s making and like the way he interacts with people. It’s not the Zemo that I know. It’s been very kind of cool to see this other side of Zemo, and when he crushed up the serum, I was like, “Oh, shit, look at this guy doing the right thing.”
Justin: I think for me, the main reason why Zemo is sort of having the most interest and focus is because he has a plan and we don’t know what it is. And the rest of the characters don’t have a plan and seem sort of lost. And the dialogue they have, it’s very obvious what they’re just like, they’re doing a lot of exposition. So it feels like, ah, where’s the fun here? And then Zemo’s just wandering around, being weird with candy, breaking the serum.
Pete: Don’t mind me, I’m just going to escape through the bathroom.
Alex: Well, this gets to a bigger thing. And I really didn’t want Pete to yell at me in this episode, but it struck me with this episode in particular that this is going to come out much stronger than I mean it. If this wasn’t a Marvel show, I don’t think this would be good at this point. It has a chance to turn it around in the last two episodes. But particularly this episode felt very messy to me. There were a lot of things that I liked in individual moments, but just to talk about the arc of the episode, you start off with this great flashback scene of Bucky in Wakanda, getting his [crosstalk 00:09:24] hold on, hold on. This is exactly getting to the point. You’re actually getting to the point of what I’m saying. I love it, we get to see him breaking his programming, but the episode isn’t about Bucky.
Alex: So just from a structural perspective, we get this thing that follows up on the scene from the last episode. But Sam pulls a little more focus, which is good, mind you, Zemo pulls a little more focus, which as we talked about is fun, but structurally it’s kind of all over the place. There’s nothing, like you were saying, Justin, everybody’s sort of wandering everywhere. So you get this endorphin rush of, Oh, shit, we got to see Wakanda of these big fights of John Walker going bad by the end of the episode. And these are all good things from a Marvel fan perspective, but they’re not really amounting too much in terms of the show yet.
Justin: I mean, I agree. It’s sort of what we talked about in the previous episodes where it’s like, they’re putting so much on the table and it’s not about this. And they said it a ton in this episode.
Justin: Where you don’t have black and white, good guys, bad guys here. It’s all this gray area, verbatim said in this episode. And the only issue with that is it makes it much harder to explain the motivations of everyone. Cause you have to literally go through and be like, well, he’s doing this because of this. She’s doing this because of this, because we don’t have the classic hero-villain back and forth. This episode, I think was the hard one because it was the one where we’re starting to see our sides and it was confusing here. And you see in the characters like Bucky and Falcon, I spent a lot of the episode being like, “Okay, so, oh, okay, good, good. I’ll watch. Oh no. He’s okay. Good. Okay. Now.” And by the end of it, it’s like I see.
Pete: To talk a little bit about that gray area and the black and white, there was this amazing shot from above of Ayo and a Falcon kind of meeting. And it was like this right in the middle of the road, like white stone pebbles versus black stone pebbles.
Alex: I think you mean Bucky.
Pete: Bucky, sorry.
Alex: Bucky’s the one with the metal arm. Falcon is the one with the wings. It’s confusing.
Pete: Not that confusing. Anyways, sorry I mixed it up. But I’m just saying that like that to me, like this whole like line in the ground, like all these different perspectives and in a superhero movie, or whatever, like Marvel kind of thing, you don’t get to stop and talk about consequences and what it means to be a hero and like these icons and how they can mean more and mean different things to different people. So the fact that like they do have those discussions and Falcon is flexing a little bit of his background of like talking to people who’ve been through shit was awesome.
Pete: It was this thing of like, we’re not going to just punch people in the face. We’re going to try to talk. We’re going to try to do the right thing here. The fact that Zemo isn’t justice. We want to kill him. We need him. We’re doing stuff with him. Like we’re trying to do it for a greater good, like it’s interesting. And I don’t, don’t throw this structural shit around solves, like this is some interesting shit where unlike an action movie, with the move things forward. We can sit and have little moments like this and they’re powerful and great.
Speaker 4: I agree that scene was that for me, it was one of my favorite scenes in the episode. I just want more of that focus back on Bucky and Sam, because like, we are going to get it, but that made this episode harder to enjoy because it was them sort of at the mercy of the plot when really like the idea of like Bucky being deprogrammed by Ayo. And that scene we got was awesome. I want to see a little more like repercussions of better, what that means to him and Sam. We touched it a little bit where he was sort of like trying to philosophize with Carly before he was interrupted by a Walker. That was cool. And then he had the sister thing felt a little bit out of nowhere, but like they were getting to something there that I think we’re going to pay off later, but it just felt like, and this is a term that I know Pete uses a lot. It felt like more of a middling episode.
Pete: Oh my God. First off, don’t put words to my mouth. I’ve never said that in my life. But I think that I can understand what you’re saying, but I completely disagreed because we had a lot of like reveals of who people are moving forward and how things are going to work. And some very interesting, powerful conversations that you don’t get a lot. So I ate the ship up and the Dora Milaje is showing up and just wracking shit. And the fact that fake Captain America was like, they weren’t even Schumer showed yours was really awesome. You know, like handled his shield that he used temporarily holding on to, in a way that he didn’t even know how to do. I mean, dismantled, where two soldiers armed that he didn’t even know was a thing. It was so powerful in many different ways. I had a great time.
Justin: I agree. That was badass. And honestly, the Walker stuff in this episode was really good. And I feel like this was sort of his episode putting him in a spot where he needs to be sort of the villain for the rest of the series.
Alex: Well, let me throw something out at you guys that in all honesty confused me, and maybe there is a straightforward explanation here, but I think to the point Justin was saying earlier, there’s a lot of back and forth. And this is what I’m getting at, not to harp on it too much with the structural thing, because I agree with you. There are fun sequences in here. There are things that I am enjoying. I am a Marvel fan. I am a sucker for this my entire life. So I’m never going to stop watching this forever. That’s fine. No, it’s true though. I feel like I needed to bed myself from feed who is like, how dare you? How dare you in kind of a joy, but not particularly loved this thing. Thor: the Dark World is not a good movie. I’ve still watched it several times.
Justin: That’s the ultimate credit you can drop. Hey bro, I’ve seen Thor: the Dark World more than once. So I get darkness.
Alex: No, that’s not what I’m saying. My point being like, I am a sucker for this stuff. It is fine. I’m not going to give up even if I don’t think it necessarily makes sense. And I honestly want to know if there’s an explanation here, because I was very confused by what was going on towards the end of the episode, where Karli came out and said, “Okay, our plan is we’re going to kill Captain America.” Right? And the Flag Smashers like, eh, that seems like maybe a little bit of a chess step too far. But it seems like by the point they got to that big fight where everybody going nuts towards the end that they were on board with it, at least in a certain sense, then add in that Falcon and Bucky come to talk to Karli in full costume.
Alex: Sharon is clearly tracking John Walker for them. So they must realize on some level that the flags bachelors are going for John Walker, not for them. I think though that it was never clearly established. So they’ll go after John Walker, we ended up in this fight. Karli comes out kills Battlestar, which is a whole separate thing that we definitely need to talk about here because that’s messed up. And that everybody who is onboard with the plan to kill Captain America is like, “Whoa, you killed Battlestar.” That’s a step too far and runs away. What’s going on there.
Pete: All right. There’s a lot to unpack there.
Alex: There is, this is true.
Pete: But I think Karli…
Alex: Explain it to me Pete.
Pete: Okay. So Karli didn’t know that the sidekick wasn’t powered up, she thought she was in like a super power kind of like fight. And they’re all like, okay, we’re going to follow Karli, but this is kind things you’re getting crazy right now. And I think once they see a normal person die that’s like them and who they’re fighting for, they all kind of stop and question their shit. And like, Yeah, I can see what you’re trying to say. But when you see that it does kind of be like “Whoa, whose side are we on?” because they had a lot of discussions leading up to this. And people were kind of backing away from Karli as the kind of shows this episode was going on because she was talking about like, “Oh she did kill that person.” “Oh she has gone too far.” Or maybe these ideas, so like, I think that’s why that moment kind of stopped people. And I couldn’t understand that wasn’t the original objective but when they saw that, that’s why there was pause.
Justin: Well, I think two things were happening there to echo what Pete’s saying. There’s the conversation that Sam has with Karli about supremacy. She sort of steps into saying some pretty supremacist things. And then she’s like catches herself, “Actually I’m not.” And then in that moment, when she may be at like violently strikes Battlestar and ends up maybe accidentally killing him, that’s her supremacy. She was not aware of what she’s wielding and she kills a person. And I think that’s when everyone was like, ah. Like a lot of political violence, terrorism, when you’re doing it from a distance like they did in last episode and killed those people remotely, it’s one thing. It feels like you’re supporting your cause when you’re in the room and your compatriot, your leader kills someone, it’s like, I don’t want this. I didn’t sign up for this.
Justin: I actually liked that moment because I thought it used a gray area of the Flag Smashers as like, “we feel we are now.” But then Captain America at the end, Walker kills one of their own. And you see the escalation happening here and you see they’re going to be hardened. When they were sort of soft and sort of regretting their violence for a second there, instantly they’re hardened by what, violence begets violence and Walker escalates that. I appreciate that moment. The other Walker stuff and like all the tracking, what you’re doing, I agree is a little confusing. I think Bucky and Sam are tracking Walker because they knew he was going to be a problem to them. Not because they thought he was a bad guy. It was just more like he’s the cop who’s watching us.
Pete: Yeah. [crosstalk 00:19:20] so they kind of want it… We’re talking about something that I want to back up the track a little bit. Falcon calls Sharon and Sharon’s like, “Yeah, I got a couple satellites under”. I don’t know who they think Sharon is, but I can not wait for the reveal of who Sharon is because she is running shit and like knows a lot, a little bit too much for maybe what’s going on. So I’m excited to see like a real Sharon reveal.
Justin: Get that SAT flex.
Pete: Yeah. I also think this episode was the king of small moments and I want to go back to the beginning like seeing the winter soldier cry when he’s like being said those words are loud was like really powerful and very, very cool.
Alex: And I was mostly surprised that when he cried, his tear didn’t turn to ice because of his ice powers. He’s the winter soldier, right?
Pete: That’s not a funny joke.
Speaker 4: Yeah. When Disney bought Marvel, I think he became Elsa from Frozen’s brother?
Pete: But also like he…
Alex: He want’s us to let it go.
Pete: We also saw that like he speaks Wakanda. I was so excited to get the Dora Milaje and see Wakanda and hear the music. It was really, really fantastic to kind of have those really just kind of small, amazing moments, very happy about it.
Alex: It was very nice. I did want to jump back to two things that you were talking about earlier. One, I wanted to talk about Sharon Carter. I know I threw out a speculation or just a thought about is she the power broker in the last episode. This episode, they keep doubling down on the Power Broker is upset without bringing the Power Broker on screen. So obviously that’s going to send theory mind into overtime. It’s entirely possible. It could just be a guy named the Power Broker and the should be going, but it feels like that has to be somebody right?
Justin: It has to be at this point especially this episode, the buildup of like, got an email from the Power Broker. It’s like too much hype to. And the email from that pic Karli got from the power brokers like, “Hey, I was serious about my last email”. So like, “Please give me back the serum.” They’re clearly keeping that going because they’re going to reveal. Do we have any guests?
Alex: Well I just want to mention that he definitely has read receipts on his emails? Right? That’s a Power Broker.
Justin: I know you read this, just please respond. Even if it’s just a no, just a quick no is all I want, just to know that you got it. Please confirm.
Alex: So I want to throw a theory out to you that I don’t know that necessarily makes sense. I don’t know where this rumor started from, but everybody seems very convinced that William Hurt’s Thunderbolt Ross is in this show somehow. I don’t know if somebody saw him on set or something like that. Here’s my thought, this is putting together a bunch of random things. But what if the PowerBroker is Thunderbolt Ross, right? Sharon is working for him. She was not ex-communicated at all. She in fact is double agenting it up for the US government at this point working for Thunderbolt as the Power Broker. And we end with some sort of reveal here where they capture Zemo make him work for them and they have a whole flip of the Thunderbolts thing where they’re good guys pretending to be bad guys.
Justin: I mean that would be cool. That feels a little wild to go that way. It feels like-
Pete: Two episodes left.
Justin: We need one more set up moment and another show or a movie to get to Thunderbolts I feel like? What about this? This feels the most obvious, it’s a Power Brokers Al Pacino as Mephisto.
Alex: That seems possible to me.
Justin: No.
Alex: I know there was a rumor that Kevin Feigi had a meeting with Al Pacino and he played the devil on One Division I think. [crosstalk 00:23:27] I didn’t watch all episodes of One Division. So I just kind of read the rumors and theories.
Justin: It makes sense to tie him into every Marvel series in a lot of ways. And I hear that AL Pacino’s playing Loki in the Loki show. What if it’s Nick Fury?
Pete: Could be Nick Fury.
Justin: Because I do think that he feels more like a reveal that fits in this side of the Marvel universe. William Hurt feels a little distant.
Alex: Right, I also don’t know, other than hardcore Marvel fans would be “Oh man, it’s William Hurt I love that guy.” But to be fair and I think this is part of the reason the rumors started. He has been very heavily tied to the Super Soldier Serum throughout the history of the MCU from Incredible Hulk to, that’s it.
Justin: I was going to say where is he going with this? From Incredible Hulk under William Hurt.
Alex: I also think it’s entirely possible it is Sharon Carter. She’s just like created this false identity to run shit in Madripore. The other thing that I wanted to talk to you guys about though that I do think is important to address is the death of Battlestar and specifically using the death of a black man to power the ark of a white man is pretty messed up.
Justin: I agree. I was very surprised when Battlestar, right before the scene when he died, they were doing some things. I was like, this feels like they’re setting him up to die. They wouldn’t do that. And then when they did, I was very surprised.
Pete: Also like it really drove me nuts that like when they went into the building, the fake Captain America like stopped at the stairs and just started looking up for some reason. Went about as he was going to sweep the place, you went in to sweep a place, you don’t stop and look up at the ceiling and just kind of pause. You’re supposed to be a team, you’re supposed to work together. You can’t just leave your wing man. I was just so upset that the fact that like he was so dumb.
Justin: For showbiz, it that feels like they want to talk about race in a real way. For this to happen, I got to think it has to be something they will reckon with going forward because otherwise, I don’t get it. So I don’t want to trust that things they’ve referenced go in the first three episodes leading us up to this, give me confidence they will reckon with this going forward.
Alex: I hope so. I definitely. I’m putting an asterisk on it to your point until the next episode to see how they follow up. But just on the surface, it definitely made me recoil quite a bit and not just because it was a dark moment for the show, but because of a greater world things. So we’ll revisit this discussion next episode and see what happens. A couple of other things I wanted to throw out on the same note with the end of the episode, in the comics, John Walker’s breaking point was his parents getting killed. He goes apeshit after that. He does the same thing here in this episode leading up to… I do think the best image in the entire episode was that last one of John Walker with the blood at the bottom of the shield, that was really, really well-framed and really well done.
Pete: It was so creepy in all the right ways, the way kind of hung on it. And then also he was just kind of tweaking out there. I was just like, it’s very powerful and very upsetting.
Justin: Yeah. To use Pete’s line of like this was an episode about the King of small moments, I think you said? Like the sequence that was great. The moment where like you see him bend the gun, I think and seems like, “Oh, shit”. He’s juiced up and then from that moment onto the last sequence, when you see him raise the shield and that moment. You actually get to see and make the choice to kill him, to kill the Black Smasher. That to me, I was like, Oh, very smartly done, very tense. And then to end it with that blood on the shield thing where it’s like, yes, that is and it really reflects on another great moment. The line, there’s never been another Steve Rogers. And that I thought was very cool and the conversation sort of midway through the episode with battle between Battlestar and Walker where they were like, “Hey, would you take the serum?” I thought that was really cool and it’s like, it doesn’t turn you, it doesn’t make you bad, it just heightens your qualities.
Justin: And then you hear their conversation, you’re like, “Oh, you don’t know that you have these bad qualities that it’s going to heighten when you inevitably take.”
Pete: Yeah and that’s a good question. Would you guys take the serum?
Alex: Well, actually I have a question before that question, because one of my huge bummers of the episode even beyond everything we’ve talked about is we didn’t get to see him take the serum. And I want to know how you take the serum?
Justin: I think it’s rectal insertion.
Alex: I was thinking either you drink it or maybe you eat the whole bottle and crunch it. I’m not 100% sure.
Justin: Yes like a gusher, you put the whole thing.
Pete: It seems like you would inject it.
Alex: But it didn’t have like an injecting thing. Was it just a bottle of Serum and then I guess you have to use a separate hypodermic with the doctor.
Justin: It comes with Turkey Baster and you just blast it into your…
Pete: In you’re what? I’m sorry.
Alex: [crosstalk 00:28:53] just like Fruit Gushers.
Justin: Exactly.
Pete: Just like Fruit Gushers.
Justin: You guys get the anal Gushers, right?
Pete: But regardless of how you take it, how would you guys take it?
Alex: Absolutely. No hesitation. I don’t know. That’s the long answer, if you had a chance to take a super soldier syrum that would make you super strong and extend your life, why would you not take it?
Pete: Oh my God. You would be so evil and so fucked up immediately.
Alex: It would just make me more me whatever I was.
Pete: I would just run away taking the seekers.
Justin: Super podcast. It wouldn’t be a super soldier serum would be super podcast or serum.
Alex: Wow, that guy would be talking for 24 hours. I can podcast this all day.
Pete: Oh boy.
Justin: Pete, would you take it?
Pete: I don’t know. And that’s the thing even Zemo paused. Like that’s how crazy question it is. And I appreciate the fact that I don’t think I could have made that decision like that, you know what I mean. Like I don’t know if I would have jumped on one of the vials and just immediately drank it. I like how they’re playing with the power of it a little bit.
Alex: Justin, you didn’t answer the question.
Justin: I just took it. You guys talking about it. I was like, wow, I’ve been holding onto this for awhile.
Pete: And I guess the second biggest question is, do you call your parents or anything kind of cute and adorable? Like TT, do you have a GAM GAM or anything like that in your family?
Justin: Never did growing up but now my mom insists that her grandchildren call her Meema. And I always say MIMA, and she’s like, “it’s not MIMA MEEMA.” And I’m like, “okay, it’s a child’s word. Tell me how to say it. Like, it’s your name.”
Alex: One last little Easter egg thing that I wanted to mention that is definitely not an Easter egg, but it perked up my ears nonetheless is when they were talking about the Global Repatriation Council and they were passing this at GRC. They called it the patch act at given that we have Madripoor and Wolverine’s code name and Madripoor patch. I was like, Oh, it’s definitely named after him and that I pause for a second. I was like, no, it is too early in the morning.
Justin: Oh yeah, Kevin Feige sitting in the master headquarters of the Marvel cinematic universe. He’s like, “how should we introduce Wolverine?” Like, let’s do it as the name of it and act in a small seated Falcon in the Winter Soldier.
Alex: Any other final thoughts before we start to wrap this up here, Pete?
Pete: Yeah. I can’t say enough about how crazy kind of things escalated in this episode and how interesting the addition to the Dora Milaje was such a fun escalation and all the right ways. I thought that it was just so great and I can’t get enough of it and I am hopefully for more, but I don’t know if we’ll get more,
Justin: I guess just two things I did like the joke about Zemo, do the stupid head tilt thing. That was a fun.
Pete: Another King of the small moments right there.
Justin: King of the small moments and I do think was that like a straight up Brule dig about his acting choice because it wasn’t about the character. That was about literally how he does it. That was very funny. But second, I like the jokes in this show, they’re funny, but it feels totally odd and it really made me think this series is sort of not the same tone as the Marvel movies at all. As much as everyone’s like, it’s like a Marvel movie, but in TV form. Like it’s actually not, it’s quite different. It’s like an espionage TV series and just featuring Marvel characters.
Alex: This gets to a bigger thing that is very rumory and I don’t know how true it is, but there was a lot of talk from folks that apparently they reshot a bunch of this show and reworked and rejiggered it. And there are points in this episode in particular I think and maybe the last episode where you can kind of see they overdubbed certain things. I don’t know exactly what the changes are, but certainly things like, “Hey, where’s that Joaquin guy who was certainly very important in the first episode. I think he’s somebody that was objected in there. He was apparently cast very late in the process. He was objected in there to give a little more exposition. It’s possible that the differing tones of what’s going on that you’re bringing up Justin might be part of that as well, it wasn’t quite as consistent as they thought it might be. Again, I don’t know what the changes are, but certainly I think that might point to a couple of those things.
Justin: But I don’t mean that the tone within this, I haven’t felt off put by the internal tone of the show. I was just struck in this episode by how different this episode feels in comparison to almost everything else from the Marvel Cinematic universe. Even WandaVision felt more like the movies than this does.
Pete: But they did have like some action movie fun where like Bucky punches somebody through a wall. And then it goes like, stay put, like there was still some tonal, like fun moments, but I agree with what you’re saying. It definitely is different. And one more kind of small moment that I wanted to point out when Zemo was talking about this kind of place that they’re in, where they have like the kids before he gives the kids the candy and somebody crosses behind them and the Winter Soldier feels it and turns to it. And just like a small character moment where Kyle Falcon doesn’t like pick up on it, but Bucky does. And I was just like, Oh wow. That is such a cool little thing.
Justin: Yes. And training for like 88 years or something.
Alex: Before we wrap up here, what is on your vision board for the next episode, Pete? What’s on your vision board?
Pete: Well, I’m hoping to get to like the bottom of the real issues. You know what I mean? Like what other family members on the Avengers use different kind of nicknames for their families. Did anybody do like a gappers and poppers type of situation or snatches, hoppers? But I really think that like Turkish Delight is got to be a bigger thing. You can’t just do an ad for Turkish Delight and not really have a pay off. So the next couple of episodes, I can’t wait to see that kind of pay off more.
Alex: Great, great vision board. Justin, what about you?
Justin: Yeah. So true. Based on that last image of the blood on the shield, like in the next episode, I want to see that shield in Sam’s hand or Bucky’s hand or hopefully ideally both. Cause I think it’s…
Alex: They’re holding hands together.
Justin: Trying to be like, “Oh, block over here! You throw it. “
Alex: They’re doing that thing where they’re both in one shirt.
Justin: Yeah, exactly. Stuck on you style.
Pete: I hope that also in the next episode fake cap is out of the picture dead or..
Alex: Definitely not going to happen.
Justin: I like him as the final vial villain, but I want that we’ve set up the anticipation has been building about like, who should have the shield, it’s feels like Sam’s shield, but I’m curious to see how that will play out. And maybe next episode, it’s like Bucky’s turn to have the shield for a moment, what he does with it because I think that is the statement, that’s the metaphor of this series and to stick it to see it in each of their hands. If we’re going to end up with it in Sam’s hand at the end of the series, I want to see it in Bucky’s hand and what it means for him to have the legacy, because the scene in Wakanda in this episode was about him moving past his dark past. And so when he holds the shield, what does he become? What does he become going forward? And then in the end of the series, what does Sam become if he has the shield and he’s not going to put it back on the shelf, I don’t think. Who is he as Falcon as Captain America with wings.
Alex: Kind of petered out there a little bit.
Pete: That’s a horrible way to say that.
Alex: On my vision part, we already covered this, but I just want to see some sort of reckoning and explanation of what happened with Battlestar. I do think that’s very important for contextualizing that moment. I hope they do it. We will cross our fingers and see.
Pete: It was just real nice to see someone step on the shield and do that move again. I’d missed that move. So it was really great to get that move back and in Wakanda Forever.
Alex: Great. If you like to support a podcast, patrion.com/comic book club. Also we do a live show every Tuesday night at 7:00 PM to Crowdcast and YouTube. Come hang out, we would love to chat with you about Falcon and the Winter Soldier, iTunes, Android, Spotify, Stitcher, or the App of your choice to subscribe and listen to the show. A Marvel vision pod on Twitter, Instagram and Facebook comic book clublive.com for this podcast and many more. Until next time, we’ll see you. Whoops friends.
Justin: Oh, do the stupid head tilt thing.
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On a special bonus episode, we’re interviewing Olli Haaskivi, a.k.a. The Falcon and the Winter Soldier‘s Dr. Wilfred Nagel! Find out what goes into snagging a super-secret Marvel guest star role, what it was like filming on that shipping container lab set, and whether Haaskivi can make a better Negroni than Stanley Tucci.
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Full Episode Transcript
Alex: It’s MarvelVision, a podcast about Marvel, the MCU, and right now Falcon and the Winter Soldier. I’m Alex.
Justin: I’m Justin.
Pete: And I’m Pete.
Alex: And we are coming to you with a special bonus episode with a special [crosstalk 00:00:20] guest. We have Dr. Wilford Nagle, himself, Olli Haaskivi. Holy. Thank you so much for joining us today.
Olli Haaskivi: Thank you for having me. How are you?
Alex: Oh, so good. This is a big deal, being on a Marvel show. I’m not sure if you’re aware.
Pete: Yeah, do you know what’s going on? It’s great.
Olli Haaskivi: The answer is I don’t really know what’s going on. I’m only becoming aware of what a big deal it is.
Alex: Well, so talk about this a little bit because the Marvel actors always like to go on talk shows and say, “Oh, we can’t talk about what’s going on. There’s so much secrecy about it.” You’re coming in as this guest character for this episode. What is the secrecy level like for that? Is it more, is it less, is it about the same?
Olli Haaskivi: It’s probably a little bit more, I mean, I don’t imagine that… It’s interesting because I mean, even thinking back to the audition, when I got the audition, it was not for the Falcon and the Winter soldier. It was for something called Untitled Marvel Number Four.
Justin: Wow.
Olli Haaskivi: I don’t know if that was the exact number, so [crosstalk 00:01:24] maybe someone will write in and say that I’m wrong about that. But, so from the drop, I mean, it was incredibly secretive. The audition scene was a version of what you see in the show, but with all the specific details taken out, names were changed, and then I got the job and still didn’t know what the job was and I assumed as soon as I got the job, I Googled to see what Marvel things were happening, which things were in production.
Olli Haaskivi: And I assumed that it was WandaVision because Matt Shakman, who directed WandaVision, he runs the Geffen Playhouse in Los Angeles and over the years I do a lot of theater. And over the years I’ve almost done a couple of plays there and so my brain immediately assumed, “Oh, I auditioned for his show. My tape crossed his desk.” And he went, “Oh, I know who that guy is. Yeah, fine.” And it wasn’t until I got my official script pages, a couple of days later, that I responded to whoever sent the pages. And I just said, can you tell me what show this is? [crosstalk 00:02:35] Can you tell me anything about any of this? And they sent a very nice email back that said, you know, it’s [crosstalk 00:02:43] the Falcon and the Winter Soldier. Right? Exactly.
Justin: No, I can tell you.
Olli Haaskivi: Thank you. Thank you for your interest. But no, [crosstalk 00:02:49] but no. They sent back a very nice email that said, “This is the title. This is the code name. It’s being directed by Kari Skogland.” That’s when I got the rundown, but it was not immediate. And so the whole thing from the very beginning was shrouded in a lot of mysteries.
Pete: It’s so crazy because it’s like, you hear these actors talk and it’s almost like they get bagged and tagged and they wake up on set and then they’re like, read this and it’s all redacted. Like, is it hard to act when they’re… You don’t really have any kind of like ground to be like, “Oh, okay. I understand what’s happening or where I am.”
Olli Haaskivi: I mean, I think that luckily in this particular scenario that scene, the Dr. Wilford Nagel sequence [crosstalk 00:03:42] the actual text of that did tell me everything I needed to know.
Alex: Okay. Yeah. I mean, he does a good job of saying, “Hey, here’s who I am. And here’s what I’ve been up to lately.” [crosstalk 00:03:52] It’s a good second.
Olli Haaskivi: Totally. And I also think that so much of being an actor is just deciding that whatever is happening is what should be happening. And so if I get a full script with a ton and every once in a while on a certain kind of project, they’ll send a research packet or they’ll send references and you sort of go, “Oh, great, I’ll dig into all of that.” And then sometimes you get no information and you go, “Okay, this is what I got.” And I’ll do the best I can. And there is something a little freeing about that actually, not having to sort of hold the entire scope of it in [crosstalk 00:04:34] your work. But, and I also trust it, I mean, the people that work on this show are so extraordinary on so many levels that I did feel like I could trust that if I needed to know something or if I had… If there were holes in my work in some way, and someone needed to say, “This is actually about this and this and this.” I trusted that between all of those wonderful people, someone would tell me what was going on.
Justin: I think we need to get a super cut of all of the fake audition scenes that all of the actors and all the shows. [crosstalk 00:05:06] So whatever, like, “You’re auditioning for a romantic comedy set in space.” And it’s suddenly, it’s like, [crosstalk 00:05:12] “No, I’m in Guardians of the Galaxy.” [crosstalk 00:05:13] Like I want to see [crosstalk 00:05:15] that show.
Olli Haaskivi: And do you know, what’s also really funny is that when I auditioned for it, the role didn’t have a name obviously, and it just said doctor. And so my audition tape is me looking pretty spiffy. Like I’m wearing a button down shirt and glasses, and I’m pretty well put together because I saw, he’s a doctor and I [crosstalk 00:05:37] played plenty of doctors on television. I know [crosstalk 00:05:40] how it goes. And I think it speaks to how wonderful those people are actually that they saw something in that tape and went, “That’s the person we want.” And we can envision what that would be looking a little different, feeling a little different, not everyone has that much imagination. [crosstalk 00:05:58]
Justin: Yeah, they look to you and say, “Take his hair and go like this.”
Alex: Yeah. You know, you touched on this a little bit earlier, but I feel like it’s relatively rare to have a guest actor who comes in essentially for one scene and then you get a meaty monologue like that. What was that experience like coming on set, and then be like, “All right, I’m going to just lay all this information out to everybody.”?
Olli Haaskivi: Sure. You know, I mean, I’ve done a pretty good amount of that in other jobs. I feel like I’m often saddled with a good amount of [crosstalk 00:06:36] exposition and jargon and all of these things. I was definitely a little intimidated by it. I didn’t have the real script pages for that long before we shot. I probably had them for five or six days, but not that long. [crosstalk 00:06:51] And we shot for… We actually shot that sequence for three or four days all told, [crosstalk 00:06:58] which felt like a real luxury, because a lot of other, a lot of other TV shows and films would sort of go, “It’s one location. We’ll just slam through it in a day.” [crosstalk 00:07:08] Yeah. It’s truly, and I will say, I mean, this is bragging slightly, but we did finish a day early because we all right [inaudible 00:07:19]
Justin: [inaudible 00:07:19] early
Olli Haaskivi: It felt really nice to go, Oh, this was budgeted on this schedule for X amount of days and look at us now. [crosstalk 00:07:26] But there was a lot of me… One thing that is helpful for my memorization for whatever reason is to physicalize it as I’m memorizing it. I think because then your body is doing two things at once. For some reason, that sinks in deeper for me. So there was a lot of me walking around my hotel, holding my script pages and just like quietly mumbling to myself, [crosstalk 00:07:53] these speeches, because I mean, the biggest thing, like you said, about being a guest star is that you really don’t want to feel like you’re dropping the ball. We’re well aware that you’re coming into something. It’s sort of like trying to like jump on a moving train as fast as you can and not attract any attention [crosstalk 00:08:12] and not be the reason that there is a train, an unexpected stop or something. [crosstalk 00:08:14] And so I did sort-
Alex: Your character then threw a grenade over his shoulder and jumped off the train. [crosstalk 00:08:24].
Olli Haaskivi: Yeah. He’s yeah, and the last thing you want to be thinking about while you’re acting is what are the lines? And so I definitely remember getting the actual script and going, “Oh, wow, okay. I have my work cut out for me here.” But also how wonderful, I mean, that’s such a great opportunity
Justin: Given that Dr. Wilford Nagel is a character from the comics. He is from Truth: Red, White and Black. Once you finally did find out who the character was, did you go back and look at that at all or since he’s relatively so different, did it not really matter?
Olli Haaskivi: I definitely did look. But like you said, as soon as I saw what he looks like, frankly, and that he looks not a thing like me in any conceivable way, I sort of felt like that gave me the freedom to go, “Okay. We’re clearly doing something different with this character here.” And I don’t know a ton about the MCU and I definitely didn’t know before I had the job, but I did know enough to know that the films and television shows are not literal translations of the exact comic books. I mean, had I looked at the comic book and seen someone who’s tall and slim and 33 years old with glasses, Maybe I would have, maybe I would have gone. Okay, now I need to pay attention to [crosstalk 00:09:50] how does he stand and all of those kinds of things, but I pretty immediately went, Oh, okay. So we’re doing something different here. And I think that really freed me up to feel like I could use the script that I had and you like use all the clues there to come up with something that was interesting to me.
Pete: Now, the character is picking up from Stanley Tucci’s Abraham Erskine back from Captain America: The First Avenger, since you’re saying you can do a better formula than him in the show, do you think you could do a better Negroni than Stanley Tucci?
Alex: Wow.
Speaker 5: No. No one can.
Alex: Asking the hard questions.
Speaker 5: That is a, that is a hard question, but the answer is simple that I really do feel like no one can do anything better than Stanley Tucci can. I really did feel incredibly honored and sort of blown away when, again, I didn’t know a ton of heading into this. And so it wasn’t until I had been on set for a couple of days that Eli, this PA, was walking me to the set to shoot. And he said, “You know, it’s a really big deal that you’re the guy who’s playing this part.” [inaudible 00:10:58] Okay. It was really nice. I appreciate it.
Speaker 5: And he was like, well, you’re the next, mad scientist or whatever you would want to say after Stanley Tucci’s mad scientist. And I sort of felt like, “Oh, wow. That’s like mentioned me in any sentence with Stanley Tucci. I think he’s extraordinary.”
Justin: Yeah. I feel like you could make a better Negroni, but it wouldn’t be a hundred percent sexual experience. Like it is with Stanley Tucci literally mixing. [inaudible 00:11:32]
Alex: We have a delivery coming your way. We’re going to have you do an groany live on the pump.
Olli Haaskivi: I hope I get to just meet him somewhere someday or shoot something with him at some point. Yeah.
Justin: I got to think there needs to be that sort of MCU party where it’s like, “Hey, where do the mad scientists? We’ll be over here by the hummus. Space gods over here.”
Olli Haaskivi: He’s a hero.
Alex: Just to take a little bit of a step back and talk about that set again, because it is, therefore, a very brief period of time. But that container set, that lab that he has is so cool. What was it like walking onto that for the first day?
Olli Haaskivi: It was wild. I mean, I’m sure there is a budget for these shows, but it certainly doesn’t feel like there is. I mean, It feels like a no expense is spared in making these sets and these costumes that are so detailed and so rich, and that adds to your performance obviously, because you go, “Okay, if this is this person’s lab and it’s this sort of sprawling and intricate and all of that, what does that say about the character?” And I was really stunned by it. And that’s another funny thing about being a guest actor on something, is that you don’t know what any of those things will look like usually until you’re there. I mean, I remember starting to shoot The Deuce and getting onto the set and just going, this is not at all what I envisioned [crosstalk 00:13:10] my office to look like. And that was for whatever reason, that was a real impediment to me that day to like, [crosstalk 00:13:19] adjust my mind to what, especially when it’s something like your office or your home, like something that a character would spend a ton of time in.
Justin: Yeah. And you sort of have to do that visual work, in general, to get to into the character. So then all of a sudden you’re like, “Aye, this is not where I am here.”
Olli Haaskivi: Yeah. And again, just in the moment, I think part of the skill is being able to go, okay, that’s not what I thought, but how can we work with this?
Justin: You find the one object that does resonate. And you’re like, that’s the thing. And
Olli Haaskivi: Totally, and, and I mean, my experience on that set is just that it, I mean the whole thing just sort of feels like a playground or something. I mean, it is movie magic to the 900th power. And so, I mean, it did sort of have the feeling of the kind of thing you might imagine when you were a kid with these gigantic blue screens. I mean, I watched them film some of the shipping container stuff going into the lab and some of the fighting stuff. And I mean, that shipyard set was the size of a football field or something. And a lot of, a lot of the shooting you do when you’re an actor, especially a sort of an actor in New York city who does the kinds of things that are available there. A lot of that is trying to steal a shot on the subway before the police show up or something. [crosstalk 00:14:48] So yeah, it was, I was really blown away stepping onto those sets. The work that those people do is my look to me.
Justin: I feel like in one of your speeches, you talk about the blip interrupting the work that your character is doing. I feel like that has become, that really hit me because of Corona virus as like, “Oh man.” How does it feel doing that and having that resonance going forward?
Olli Haaskivi: I mean, I shot that pre-Corona virus.
Justin: That’s what I figured.
Olli Haaskivi: Yeah, and so it has crossed my mind a couple of times recently, “I wonder if my performance would be richer now.” I don’t have to imagine the experience anymore. None of us do, unfortunately, of being trapped in one location for a really long time, trying to stay alive. And yeah, it is funny to, to think about that now, but [inaudible 00:15:53]
Justin: The post-COVID performance is you hard, look it down the lens. I can’t believe we’ve been gone all this time.
Olli Haaskivi: Right. Or like looking at the lens, being like, we all know what [crosstalk 00:16:04]
Alex: Yeah, no, I don’t know if you’re aware, but your character dies at the end of the episode. I hope that’s not too much of a shock. [crosstalk 00:16:16]
Olli Haaskivi: And I mean, that’s, what’s amazing if the gunshot didn’t kill him, the explosion, I mean, it’s mo-… We’ve got a lot going on in that.
Pete: Well, what’s that like, though, because you get this role, you get a chance to be in the MCU, in the Marvel universe and that they’re like, great. And then by the end of the seed, you’re shot, you’re dead and you’re blown up.
Olli Haaskivi: Yeah. I mean, I, and this might sound like sort of like a Rosie Pollyanna answer or something. But, I think I was just thrilled to be there ever. [crosstalk 00:16:47] And also my, my first thought was, “Oh God, I don’t love guns. And I don’t love fire. So how are we going to, am I just going to be terrified on set the whole time?” I was not because, I mean, the safety on that set is top-notch and they made me feel so comfortable. And, but I think that was the technicalities of it were where my brain was at. But, I also know, is anyone really dead in the Marvel Cinematic Universe?
Justin: That’s a good point. It does seem that guns and fire are your character’s weakness.
Olli Haaskivi: But I also feel like, maybe this is just the actor begging for a job or something, but I feel like, if anyone could have come up with a way to come back after that, Dr. Wilford Nagel.
Alex: I mean, he could have injected himself with a super soldier serum. There could have been a back out of the shipping container. There’re possibilities.
Olli Haaskivi: Uh-uh (positive). Who can say?
Alex: Who can say? Before we let you go, what else do you have going on? Anything else you want to plug in particular, since I know you’ve balanced a bunch of different roles.
Olli Haaskivi: Yeah. This is sort of the last thing on the docket in terms of things to come out. I did an episode. It’s really funny. The Falcon and the Winter Soldier was sort of my last big job before the shut down and then during the shutdown, I did an episode of Social Distance, the Jenji Kohan series, it’s on Netflix. That I shot downstairs in my family’s living room. And, and it was funny to feel like going from the biggest possible thing you could imagine to me being the camera operator and the sound person and the lighting person and trying to act in this thing. And which is really, I mean, that’s so much of what I love about this is trying to have as wide a range of experiences as you possibly can.
Olli Haaskivi: But I think that that series is really beautiful. And I think the episode that I did, it’s anthology series. And so every episode is a whole different story. And the episode that I did, I got to be with Oscar Nuñez and Daphne Rubin-Vega and Guillermo Diaz and Miguel Sandoval and this like unbelievable cast. And yeah, if people are in the mood for something different, that’s there for them. I’m really, really proud that I got to be a part of that one.
Alex: Awesome. Olli, thank you so much for taking the time to chat with us. [crosstalk 00:19:25] Really appreciate it. I love the role, love the episode. For all of you listening out there, if you’d like to support us patrion.com/comicbookclub. We do a live show every Tuesday night at 7:00 PM to Crowdcast and YouTube. Come hang out. We would love to chat with you about Falcon and the Winter Soldier. iTunes, Android, Spotify, Stitcher, or the app of your choice to subscribe and listen. Listen at MarvelVision Pod on Twitter, Instagram, and Facebook comicbookclublive.com for this podcast and more. Until next time, Marvel you later.
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Sam and Bucky head to Madripoor with Baron Zemo in tow as we recap The Falcon and the Winter Soldier Episode 3, “Power Broker.” With Zemo on the team, it’s off to Low Town to find clues about who gave the Flag Smashers the Super Soldier Serum… Leading to a reunion with Sharon Carter, a.k.a. Agent 13. But that’s just the beginning, as things go predictably wrong, and things start exploding. And meanwhile, John Walker is one step behind…
From that surprise cameo by Ayo from Black Panther to Smiling Tiger to whether Madripoor is teeing up the X-Men, we break down all the Falcon and the Winter Soldier Easter eggs and comic book references in Episode 3.
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Full Episode Transcript
Alex: Welcome to MarvelVision, a podcast about Marvel the MCU and Falcon and Winter Soldier. I’m Alex.
Justin: I’m Justin.
Pete: I’m Pete. Zalben, this is your ep, buddy, huh? You excited?
Alex: Number-one Baron Zemo-
Pete: To see your dad on screen?
Alex: … fan over here. My time has finally come. My ship has come in. We’re going to be talking about Power Broker, the third episode of the series. Now, requisite spoiler warning here. If you haven’t watched the episode, go watch it. I’m sure you woke up at 3:00 AM just as we all did-
Justin: Just like us.
Alex: … and we’ve been talking about it nonstop for the past couple of hours-
Pete: Nonstop.
Alex: … just really breaking down, heavily scripting this show. So we are ready to go.
Justin: I like to get up at like 3:02 to really let it marinate a little bit for those first couple minutes and then press play, you know?
Pete: Wow.
Alex: Yes. 100 percent, and also, I like to just sort of fairly let people have the chance to watch it. So that’s why I-
Pete: [crosstalk 00:01:03].
Justin: Exactly. Before I start shouting spoilers on Twitter, I wait until 3:02.
Pete: Super nice of you guys.
Justin: Of course, Alex, you scream first when you press play on it, right?
Alex: Every time for every show-
Justin: Dope.
Alex: … even when it’s just on broadcast-
Pete: [crosstalk 00:01:16].
Alex: … [crosstalk 00:01:16]. I’m first.
Justin: At Broadway performances, you’re like “First. Yeah. I love this.”
Alex: So in this episode, just to give you the broad strokes, this picks up right where we left off pretty much in-
Pete: 53 minutes.
Alex: Left off in episode two as Sam and Bucky have gone to visit Zemo in prison to get information on the Power Broker. They don’t know about the Power Broker yet, but find out about the Power Broker, find out how the Flag-Smashers got the Super Soldier Serum and what’s going on with that. He has researched that over the years. So they think he’s going to be a good source, but of course, as we suspected the last episode of this podcast, they end up actually breaking Zemo out of jail and teaming up with him-
Justin: We called it.
Alex: … in a hilarious buddy comedy, and they head to none other than Madripoor, which is a very important location for-
Justin: I love this.
Alex: … X-Men fans. I’m sure we’ll get into this a bit. That’s where they meet Sharon Carter, who’s been hanging out there. They get into a big action scuffle there, find out more about the Super Soldier Serum, head on the next chapter of their journey, while in the background, John Walker and Battlestar are hot on their heels and just getting hotter on their heels as we go, and when we leave off, they’ve gone to investigate the next lead, and enter Wakanda. That’s where we leave off at the end there. So lots to talk about in this episode.
Pete: Hey-oh.
Justin: Hey-oh.
Alex: I’m curious. I think we’ve talked about this a little bit, and I know Pete’s going to yell at me because he never likes anything negative to be said. So I’ll caveat this with I continue to have fun watching this series. I enjoy part of this, but I’m still not 100 percent sure what’s going on with the characters necessarily and the themes. It’s starting to feel much more muddled to me episode by episode-
Pete: You’ve only got-
Alex: … while-
Pete: … three more eps left.
Alex: Sure, and it might all wrap up. That’s why I’m holding off for the moment on making any broad judgments, but I definitely felt, too, with this episode, a lot of it was setting up plot but not focusing on the part that I’m most interested in personally, which is Sam and his battle for the shield.
Pete: Dora Milaje.
Alex: That was only very tangentially touched on, and it feels like a lot of the themes in the episode are not touching on that either. They’re there to service the super soldier plot. What’s your guys’ takeaway? Are you feeling the same way? Or you completely disagree?
Pete: No, no. First off, first off-
Alex: Pete, I know.
Pete: … go fuck yourself.
Alex: Wait. Pete, just to frame up for anybody who’s new to this podcast, Pete knows that if I say anything bad about Marvel movies or TV shows, that’s it. They’re not going to make any more.
Justin: Yep. They’re shutting it down.
Pete: All right. So-
Justin: Atlanta? They shut it down.
Pete: So first off, no. That is not my point. My point is all you’ve been doing is being like “Man, I can’t wait for Zemo. Oh, man. Just give me a Zemo ep. Where’s my god damn Zemo ep?” You get a whole Zemo ep. Zemo dances. Zemo puts on the mask. You don’t know if he’s going to put on the mask, but then he woops ass with the mask on then takes it off and being all cool. You get to see his rides. You get to see his style. All you get is Zemo in this ep, and then you have the balls to turn around and go “Muddled. I want to know about the characters.” Shut the fuck up.
Justin: Yeah. Yeah.
Pete: Eat your popcorn and enjoy the ride, because you’re getting-
Alex: Eat your popcorn?
Justin: Eat your popcorn.
Pete: You’re getting exactly what you fucking wanted.
Alex: Yeah. I mean, hold on. I’ll tell you what I do, Pete, because a lot of people on the podcast don’t necessarily know this, and you know this, of course. That’s why you brought it up. Because we watch these episodes first thing in the morning, I’ll set the popcorn maker on a timer the night before.
Justin: Oh, so smart.
Pete: Because you’re smart. Because you’re smart.
Alex: So I wake up to those sweet, sweet sounds of … and if I don’t get there in two and a half minutes, I’m screwed. That’s burnt popcorn, baby.
Justin: Yeah, and of course you-
Pete: Oh, man. Nothing worse than that.
Justin: You purchased one of those Coke machines where it’s just a bunch of buttons and you can get any flavor of soda.
Alex: Freestyle? Yeah.
Justin: Freestyle.
Alex: Absolutely.
Justin: You got one of those in the house. You hired an usher there, who’s like “Hey, man. Feet off the seats. Enough of that.”
Pete: Yeah. He says-
Alex: Yeah. I hired-
Pete: Can I see your tickets?
Alex: I was like “Listen. I want a surprisingly aggressive usher,” and they’re out of work right now. So I’m just helping the community.
Pete: Surprisingly-
Justin: Flashlight in your face.
Pete: … aggressive.
Justin: Obviously, and for those of you that don’t know, Pete is Alex’s father, and Alex wanted Zemo for his birthday, and then Pete got it for him, and clearly it wasn’t enough for Alex.
Pete: It was enough. You know, do you know how long I had to stand in line to get that Zemo for you? They were almost out.
Alex: I appreciate it.
Pete: I had to fight off a little-
Alex: They gave you the vaccine at the same time though, right?
Pete: Yeah.
Alex: Free.
Justin: I hear you, Alex, on your complaints or your issues, because I agree in that we set up … In the first episode when the characters were separate, when Falcon and Winter Soldier were separate from each other and everyone was separate, we got to see a little bit of like “Oh, I see …” They put some items on the table. We got Winter Soldier’s trauma that he’s trying to fix. We got Sam-
Pete: [crosstalk 00:06:04].
Justin: … dealing with the post-blip struggles, struggles being a black person in America, all that stuff [inaudible 00:06:12], like identity, legacy, filling that stuff in. We got all that on the table.
Pete: Trying to get loans.
Justin: Yeah. Then second episode, there was a little bit less of that and a little bit more plot. In this episode, they were like “Plot time. We can’t deal with that …” They talk about race a little bit, but it feels very … It’s not touching on it in the right [crosstalk 00:06:31].
Alex: It’s mostly Zemo telling Sam how to feel as a black man, which is weird.
Justin: Very weird and uncomfortable, legitimately, and maybe that was purposeful, but I think it feels weird in the absence of furthering those themes they set out in the first episode. So I definitely hear that. On the Pete front, the Zemo … I was surprised this episode focused so much on Zemo, and I liked that. He is an interesting character, and again, it further confuses the good-guy-bad-guy narrative of this series, and I think it-
Pete: Especially the way that Zemo talks about things. It’s all very matter of fact, and he even is on the side of Falcon, but Falcon was like “Okay. All right. It’s weird that you’re saying that, but yeah> I agree with you.” There was some fun moments there. You really got to see a lighter side to a very villainous character, and I thought Zalben would just be a pig in shit in this episode, loving all the different sides of Zemo that we’re spending time with, but then … All he does is talk about “I can’t wait for Zems. I’m a fucking Zem head.”
Alex: I’ll keep complaining if you want. This is-
Pete: I just can’t-
Alex: Two other things that I was frustrated about with Zemo, who I still like, and I think Daniel Bruhl is great, and I appreciate the fact that everybody loves him dancing up in the club … Two things on different sides. Love Baron Zemo in the comics. He’s an … Yes. Doing the fist pump. Love it. In the comics, he’s a great villain.
Pete: He was moved by the music.
Alex: He’s a great villain. I love him in the comics. Obviously, problematic because of his Nazi background. They don’t have that in the show, and they don’t have it in the MCU, and certainly it’s better for it, but this is something that they kind of … not exactly sneak in there, but fit in there with the MCU continuity, which makes sense. I have no problems with it, but mentioning that he’s a baron, like he was in the comics, makes it weird to me retroactively for Civil War, and mind you, this might be head canon a little bit, but because he could have been royalty, but what we knew from Civil War is that he lived just outside of Sokovia. They thought they’d be safe during Avengers: Age of Ultron. They were not. He blamed the Avengers and proceeded to take them down and win by the end of Civil War.
Alex: So that’s a huge deal, but I think the part of it, the thing that makes it so powerful in Civil War is that, relatively speaking, he is a regular guy and a regular citizen of Sokovia, as far as we know, who is doing it, and it makes it that much stronger that his hate, his thirst for revenge pushed him so hard to take down the world’s most powerful super team. Here, we find out he’s a baron, very rich, has his own plane and tons of resources.
Pete: Man of the people just walking in the streets being like “Sup?” Like “Oh, Zemo’s back on the scene. What’s up?”
Alex: Divorced from anything else, it’s fun to watch. Again, I want to keep emphasizing this. I am having fun watching the show, but there are-
Pete: You fucking better.
Alex: … these little things that happen like that that I’m like “I don’t know that that adds as much to the MCU as I would have liked,” and the other thing … The mask is fun. It was only there because Daniel Bruhl was not going to do that action sequence. That was the only reason they-
Justin: Wow. Alex really-
Pete: Oh, you shut your mouth. You shut your mouth.
Justin: … really pulled the curtain back.
Alex: The mask is the most-
Pete: Come on.
Alex: … crucial part of his character, like how Mary Jane’s hair has to be red or Captain America needs to be blonde. These are all the crucial parts of these characters-
Justin: Wow.
Alex: … that need to be held on to.
Justin: What?
Pete: Oh, no. What are you doing right now?
Alex: I’m being very weird.
Pete: Who are you? You’re a fucking monster with this bullshit. That is just-
Justin: I will say, outside of your production problem with the mask, the fact that he … In this episode, Falcon and Winter Soldier, as they’re heroes characters, don’t appear. They’re doing some espionage stuff, they’re shooting guns, but Zemo’s the one that gets to be the super hero, quote-unquote. He gets to put on the mask and help them out of a bad situation. I thought that was super interesting and odd to me.
Pete: It was crazy how quickly Zemo was just fucking running shit. It was all-
Justin: Once that fur collar-
Pete: … Zemo’s idea, plans.
Justin: Once that fur collar pops, Zemo’s gone.
Pete: Fucking, this was definitely some kind of crossover between Zoolander and Zemo. It was so meta, but-
Justin: Ooh, Zemolander.
Alex: Zemolander.
Pete: … [crosstalk 00:10:40] like “Do you know what you’re doing?” but the Blue Steel comes through in the end. I thought it was weird but also just fun, like the-
Alex: Wait. Hold on. Before we move on too far, I just want to throw this out there. What is this? A museum for Ant-Man?
Justin: Okay. Okay.
Pete: Oh, wow. Wow. Okay.
Justin: Okay.
Pete: All right.
Justin: See, your Zoolander comparison, I don’t quite understand, but I’ll take it. I feel like Zemo’s sort of the Joe Pesci here.
Pete: Oh, wow. Interesting.
Justin: He’s just-
Alex: Of Lethal Weapon?
Justin: Yes. Yes.
Alex: Oh, okay.
Pete: Of Lethal Weapon.
Alex: Not My Cousin Vinny.
Justin: Yeah. He’s sort of the My Cousin Vinny.
Alex: Yeah.
Justin: The two yutes.
Alex: And Marisa Tomei is like the Aunt May.
Pete: From Goodfellas.
Justin: [inaudible 00:11:20] hundred percent. Yes.
Pete: I just thought it was interesting. Instead of Zemo just being an awful person, awful character, they really went out of their way to show Zemo in a different light, and it was very different from what … Because it started with him using the code words against Winter Soldier just to throw it in his face, but then it was like “Oh, I don’t need these words. I can play him like a fiddle regardless,” gets him to break him out, and Winter Soldier talking to Falcon, just being like “Yeah. So you know, hypothetically, let’s say we started a prison riot. Oh, yeah. Zemo’s here. Okay. Just-“
Justin: I liked it. That felt very Ocean’s 11-
Pete: So fun.
Justin: … style, like “Oh, the plan? It’s already been done. Here he is.”
Pete: Yeah. It’s been done.
Justin: Very much Marvel movie making, the fact that Winter Soldier was like “Yeah. Let’s break him out. He’s on our team now.” It’s like “That’s a quick decision, bro.”
Pete: Yeah. That was a very quick-
Alex: Well, particularly because in retrospect, as we find out later in the episode, they go to Madripoor to get this information, but who’s running Madripoor? It’s Sharon Carter. So I guess she’s off the grid. I guess Madripoor is this secret place, but it does feel like the sort of things that the US government probably knows she’s there but can’t extradite here. So they could have said “Hey. You don’t have to break Zemo out of prison. Just go to Sharon.”
Justin: Just go to Sharon. Exactly.
Alex: Cut out the middle man.
Pete: Yeah. Sharon’s running shit, man. This episode was like “You guys having fun? You playing games? I’m fucking running shit while you guys are running around doing whatever. This whole city bows to me.”
Alex: Now, while we’re talking about this, before we move on, and this is definitely getting way deep into the X-Men speculation well, but Sharon Carter, Agent 13, has been heavily linked often with Captain America, with Wolverine. There’s this great … I think it’s an X-Men issue, where it’s Wolverine, Black Widow, and Captain America teaming up in Madripoor, which is super fun.
Justin: It’s like X-Men 180, I want to say, 181.
Alex: Yeah, which this feels like a little bit of a nod in that direction, was all I wanted to say.
Justin: I mean, just having Madripoor there … It feels like a whole new area of the Marvel universe is unlocked. So much stuff happens in Madripoor. I thought they did a good job showing Madripoor for what it is, this always night time place where there’s just crime, criminals running loose.
Pete: They made a joke about New York not being able to hang with Madripoor. I was like “Oh, man. Shot’s fired.”
Justin: If we just get a quick shot, I want someone to either find it or Photoshop Hugh Jackman wearing an eye patch in the back of one of these Madripoor bar fights.
Alex: I’m sure it is already all over the internet by this point.
Justin: Let’s see it.
Pete: But speaking … Oh. Go ahead. Finish your thought.
Justin: I was going to say, what do we feel like Zemo being established as the Jay Leno of the Marvel Cinematic Universe?
Alex: Oh. Having so many cars?
Justin: A hundred percent.
Pete: So many cars, like-
Alex: Or apologizing for his past racism? Which one?
Justin: I guess, technically both. News. Topical. Or maybe Jay Leno’s the Baron Zemo of our universe.
Pete: Oh, yeah.
Justin: Think about that.
Pete: I mean, I did appreciate when he reached into a car and then saw the purple mask. The hesitation, the kind of awe of it was a fun little moment there, and I thought that was cool.
Justin: Plus, the segment of Baron walking, where he walked around and asked tourists dumb questions, I thought was really, really pointed.
Alex: Very funny. Very provocative, is what I would say.
Justin: It’s so provocative.
Pete: Someone brought up Ocean’s whatever here. They did have that moment where-
Alex: I’m sorry. The second half of that title is not hard to remember.
Justin: Arguably easier.
Pete: Well, I don’t know if it’s 11, 12-
Alex: Oh, okay.
Pete: … 13, whichever one was the one where the actress was playing herself and it got real meta. That’s part with Sam was a little weird, where he was Smiling Tiger. It was fun to watch him do that shot, but I felt like we did a lot of work just to make him do a snake baby shot.
Justin: Snake baby? A lot of bars have snakes underneath. You just got to ask for the right cocktail-
Pete: For the usual?
Justin: … and I’m a bartender, former bartender. So I know. I always had to-
Pete: I wasn’t insulting your-
Justin: When you set up your bar, you restock the bottles, cut your limes and lemons, feed the snake a rat so the snake stays alive so can eventually cut it open for venom.
Pete: Right.
Alex: They did that in Cheers, right? Every time Norm would come in, they’d just pull the snake out from the bar-
Pete: Norm.
Justin: Yeah.
Alex: … cut it open, and serve it to him.
Justin: Yeah. That was a Woody thing. He was always like “Mr. Peterson-“
Pete: So Justin-
Justin: “… here’s your shot of snake …”
Alex: Snake baby.
Pete: So because you’re such a bartender, how good is a snake baby shot? Is it delicious? Is it-
Justin: It’s really good. Some people like just your straight up Tequila, salt. Some people like a lemon drop. The real drinkers-
Alex: Just to honestly check, it’s not a snake baby, right? It’s the venom glands that they were cutting out?
Justin: I’m assuming it was venom.
Alex: Okay.
Justin: We didn’t get an anatomy lesson on the snake, but snake babies are solid, while that was liquid. So that’s where I would say the difference is.
Pete: I don’t know. It’s tough to tell, man. The angle that they were showing the shot glass … It looked like a little snake baby was in there.
Justin: [crosstalk 00:16:31] eat the worm?
Alex: Yeah. Probably that’s a deleted scene. They’ll put that up next week or something, like “Just to be clear, this is a snake baby I’m serving you.”
Justin: Drink like Zemo drinks. Have a snake baby.
Pete: Oh, man, and then Zemo’s like “Don’t you fucking break right now. We’re all in this. You die with the lie.”
Alex: They were so sneaky in that bar, whispering to each other very loudly-
Pete: Yeah. Oh, man.
Alex: … about what was going on.
Justin: Yeah. No one could-
Pete: Don’t blow this. Hey. What did that guy just say? Nothing. Don’t speak English, right? Okay.
Justin: Sam drank that shot like a champ. He smelled it. Like a real pro, he smelled it, touched his chin with it, looked at it a couple times, then finally … I was like “Man, this guy knows how to blend it.”
Pete: I’m glad that we got to stop and fight about how good Marvin Gaye is, because I think it’s important. Marvin Gaye is unbelievable, and I don’t care what time period you’re from. You got to stop and appreciate it.
Alex: I do want to mention, because we’ve been bouncing around this a little bit, some of the dialogue in the past couple episodes … Just purposely, I think, action movie style is kind of clunky and whatever, but Anthony Mackie is doing the most with absolutely everything. Even if it’s a clunky joke, he makes it work, and I think that’s great.
Justin: I agree with you. Yeah, because it is … I mean, this does feel like … We hold our TV dialogue to a higher standard than movie dialogue, I think, because it’s a show we’re watching at home. It’s something we’re sifting through a little bit, while movies, we’re like “I’m going to get on this ride and see where it ends.” So I do think-
Pete: Yeah. You buy popcorn for movies.
Justin: Right. Or you have your personal popcorn popper there.
Alex: Yes. My usher does it for me in the morning, but however you get your popcorn, that’s not the point.
Pete: Right.
Justin: Your usher was the same guy that was Baron’s pilot and champagne deliverer.
Alex: That guy loves Baron Zemo way more than I do.
Pete: Oh, wow.
Justin: That guy was the oldest person I think I’ve ever seen, and he was piloting that plane?
Pete: Come on.
Alex: I think so.
Pete: Oh, come on.
Alex: I think that’s what they revealed later on.
Pete: You’ve seen Big Trouble in Little China. Come on. That guy was so much older.
Justin: That’s true, but this guy … I don’t know. I thought it was such a funny casting choice, and the way the guy was sort of goofy. He was giggling it up with Zemo.
Pete: Yeah. He’s like “Ha-ha. We’re old and racist. Ha-ha-ha-ha.”
Justin: Totally.
Alex: Well, he’s not though. That’s the thing is Baron Zemo is not exactly racist. Meanwhile, John Walker, who we haven’t really talked about yet, definitely delving into the real bad side. He’s going off the deep end real quick here.
Justin: Yeah. I feel like seeing his anger right at the top of the episode … I was like “Aha. Now we’re going in that direction,” and it was interesting how much work they put into making him sort of a regular guy in the last episode, and in this, they were immediately like “Nope. He’s a dick. Later.”
Alex: He was also so close in that scene where he breaks into where the Flag-Smashers were and confronts the guy. He says “Don’t you know who I am?” right?
Justin: Yeah.
Alex: Which-
Pete: Yeah. He does.
Alex: It wasn’t that, but there’s a very famous scene, if you’ve ever seen it, in the Ultimates where Captain America points at his head and says “Do you think this A stands for France?” and it felt like had the same energy. I almost thought he was going to say that in there, but obviously he did not.
Justin: Yeah.
Alex: What else should we talk about? There’s a ton of action sequences.
Pete: I did really appreciate the spit in the face that the fake Captain America got. I thought that was well earned and deserved, but yeah. I agree with you. The action sequences were amazing. It was great to see Aaron Carter … or Sharon Carter just wooping some [crosstalk 00:19:58].
Alex: Yep. Aaron Carter. Stick with it.
Justin: You said it. You have to commit. Make it make sense.
Pete: Yeah. There was some music. There was some dancing, and then Aaron Carter punched a bunch of people in the face. No. I think that I really enjoyed the whole … We’re getting swarmed here, and then she got to beat up some people and then run inside and join the action. So I thought that was great, and it was also … It was just a lot of fun fight sequences in between stuff. That was very much appreciated.
Alex: Well, this is taking a step back to what we were talking about earlier, but in terms of Sharon and Madripoor as a whole and spending so much time on it, it really did feel like there was a lot of thought put into making this Marvel’s next big location. Maybe not the same level of world building as Wakanda, because that was insane and over the top in terms of what they did there in that movie, incredible, but it gave a very similar feeling to me in terms of you got this, you got Hightown, you got Lowtown, here’s Madripoor, this is what it looks like, here’s how you get in, here’s how it works, that it’s clearly the sort of thing that they wanted to establish so that they can potentially bring back down the road.
Justin: Yeah. They definitely put it on the map in a very real way. It’s not like in movies where they’re just like … Even Sokovia. That’s on the map, but it was like “Hey. This is a place we’re doing now and then we’re not going to do really again.” There’s talk about it a little bit, but this, it feels like they’re sort of forward casting Madripoor. They’re writing it down for us so that we can take it and go home with it, which I think is great. I’m excited about Madripoor as a location, and not even just X-Men speculation stuff. So many heroes and villains in the comics run through Madripoor.
Pete: Yep.
Alex: Just setting up a place like that where you can have villains mention “Oh, we got to get out of here. We got to get to Madripoor,” like you’re saying. It doesn’t need to be “And then Wolverine’s in the background.” It could just be a place. That said, two little Easter eggs here. We get the Brass Monkey bar and the Princess Bar. Princess Bar is a place that I believe Wolverine did hang out at quite a bit when he would go to Madripoor as Patch. Brass Monkey, meanwhile, is just another bar in-
Pete: The Funky Monkey.
Justin: That’s right.
Alex: … in Madripoor. So there you go. Couple of other Easter eggs while we’re touching on stuff that I wrote down. The Smiling Tiger is a completely different character in the comics, Conrad Mack. He’s a New Warriors character. So I don’t know if you know him, Justin.
Justin: Yes, but he sort of came to more prominence after the mid-’90s run, I believe, but yeah.
Alex: Yeah, but totally different. It’s just using the name. That’s it. Dr. Wilfred Nagel, who is the doctor who-
Pete: I was calling him Dr. Bagel.
Justin: Oh, cool. Let me ask you, Pete. What do you want to do with that? Should we-
Pete: Well, it just is very plain. He’s a plain bagel, and I’m glad they shot him. I didn’t like him in the beginning. I didn’t like him … Dead, he was a little bit better, but-
Justin: He was better dead? You hate plain bagels.
Pete: Yeah. There’s nothing worse.
Justin: There’s nothing worse.
Pete: You got to do so much work to get it nice.
Alex: He is directly from Truth: Red, White & Black, which is the same place that Isaiah comes from last episode, Isaiah Bradley, and yeah. He basically serves the same function there. He was the one, in case you couldn’t figure it out, though you probably can … He was the one who was mining Isaiah’s blood in the show. He reproduced the super soldier formula after … So he wasn’t really a genius or anything, but the other interesting detail, before I get into other things that I jotted down, is we don’t find out who the Power Broker is. We speculated about this a little bit.
Pete: Yeah. It’s the title of the episode, and we don’t even get to meet the Power Broker. Talked about a little bit, but that’s it.
Alex: That feels like a thing, right? Because-
Justin: Yeah.
Alex: … last episode, we speculated that maybe the Power Broker is the United States government. Maybe the Power Broker was something else, not what we were expecting, but at least based on this episode, it does seem like the Power Broker is somebody and potentially somebody we’re going to meet down the road in this series.
Pete: I would hope so, all the talk about the person.
Justin: Lot of talk about the Power Broker. I thought for sure, and maybe it’s someone we already know or something like that.
Alex: Is it Sharon? It could be Sharon, right?
Pete: It’s probably Sharon. Yeah. I would-
Justin: It’d be weird if they didn’t reveal that this episode-
Alex: Yes.
Justin: … right?
Alex: Yeah.
Justin: I don’t know, and on the other thing of things I was surprised, like you were just describing Isaiah Bradley as where the serum came from, I was surprised they didn’t make that connection explicit. It was sort of like … Right? It was like-
Alex: I feel like they’re weirdly underplaying all the Truth stuff in the show. Granted, there have only been two things so far, but to your point, both of them … They’re a big deal for continuity, for Marvel Comics, for what the show could say about certain things, and at least right now, and granted, we’re only half way through the series, it doesn’t feel like they’re hitting it quite as hard as they could.
Justin: I feel like we’re going to get a big … I hope they’re underplaying it so that they can give us a reveal later that-
Pete: That’s what I’m hoping.
Justin: … Isaiah comes back and has a heroic moment-
Pete: Yeah. That would be-
Justin: … or something like that, because they included him in the previously-on for sure, and then the fact that it wasn’t explicitly referenced when they were talking about the serum … I was just surprised that it was like “Hey. If you’re listening, you’ll get this, but if you’re not, you might miss it.”
Pete: Yeah. I’m really hoping for a better use of that, because if that’s all we get, it’s going to be kind of super sad, but I did … It was an interesting story that Dr. Bagel was talking about, where it was like “I was right in the middle of 20 vials of this huge discovery, and then I got turned to dust and was like ‘Aw,'” and then he’s like “Five years later, and it’s not even funded, and I don’t even know what’s going on.” I was like “Man, Dr. Bagel-“
Justin: Dr. Bagel.
Pete: “… you should probably get shot now.”
Justin: Yeah.
Alex: I liked that.
Justin: I did too.
Alex: I thought that was a nice speech.
Justin: Smart. Yeah, and I like this secret shipping container lab, I thought was cool. Alex, you must have loved the Lost-ian introduction to the lab. It was very-
Alex: So cool. I was like “Who is it? Is it Desmond? Is Desmond the doctor? What’s going on? Where is Desmond?” and that’s the big question that I think the series is going to answer going forward. Where’s Desmond?
Justin: It’s not Penny’s boat, I think is one thing we can-
Alex: We can establish that.
Justin: We can establish that.
Pete: Well, this is fun. I’m getting all these references [crosstalk 00:26:18].
Alex: Let’s talk about the cliffhanger at the end as Bucky follows those little Wakanda balls around the corner and discovers Ayo from Black Panther, from-
Pete: Dora Milaje, baby. Come on.
Alex: Yep. From … That was so loud. From Infinity War. I assume she was in Endgame, because everybody was in Endgame. Played by Florence Kasumba. This is great. I like this. I loved the streams of the Black Panther theme sneaking in there at the end. Super fun twist.
Justin: I agree. It’s great. I was very surprised that they went that way, and I like … We got a mention earlier on in the … or I guess, last episode, about Bucky, as his time in Wakanda was important, and the fact that we get this, I’m like “Yes. This is great.” Really weaving the continuity together in a way that I didn’t expect them to do.
Pete: Yeah. It was great because Bucky was like “We’re not going to be the only …” Zemo just appears. Wakanda’s not going to not do anything. So the reveal of “I’m here for Zemo,” and I knew it was only a matter … It was just so great.
Justin: Again, throwing another wrench in their plan, where it’s like Zemo, bad guy, but they need him, so they keep bringing him around. He is helping them. Wakanda, good guys. We want Zemo. Well, we can’t give you Zemo. Then they’re all, again, in this miasma of who’s right, who’s wrong.
Pete: We’ve got three more eps to kind of wrap up all these threads, which I’m nervous about.
Justin: I mean, I agree with you a little bit because it’s like you got to start … They keep opening it up, and they got to start closing it up.
Pete: Yeah. It keeps getting bigger and bigger. Yeah. Keeps getting bigger and bigger, and it’s like “No, no, no, no. Go the other way.”
Justin: But I do think, if this series has movies structure to it, it makes sense that now it’s still a little bit open, and then next episode we’re going to start to get some bad things happening and things starting to come together a little bit.
Pete: Do you think we’ll have two more Zemo dance breaks before the end of this whole thing being over? How many more-
Alex: The next episode is just Zemo’s dance hour.
Justin: Yep.
Pete: Oh.
Justin: Yeah. There’s no-
Pete: That’s going to be worth it.
Justin: … very little story. It’s just a lot of … It’s sort of like MTV’s The Grind from back in the ’90s, but with Zemo.
Pete: That’s a very-
Justin: Zemo’s going to be the Eric Nies.
Pete: Nobody’s getting that ref, dude. I love it. I love it.
Alex: Here. I’ll update it a little bit. He’s going to do masks-off dance-off.
Pete: Whoa.
Justin: Nice. Wow.
Alex: You guys remember Pants-Off Dance-Off?
Justin: Yes. Good.
Alex: Also very good.
Pete: Yeah. Yeah. Yeah.
Justin: That was on Fuse, a lesser known network.
Alex: Fuse. Yes. Yes. Oh, I do want to bring up the Flag-Smashers. We haven’t really talked about them yet, because they have this nice through line throughout the episode. My takeaway-
Pete: Yeah. Karli.
Alex: My big takeaway here is that they seem like they’re on the side of right, but clearly, Karli is starting to go too far. Was that your takeaway as well?
Pete: Yeah.
Justin: Yeah, and they do a nice thing where we get to know her even more. We get to know what she wanted to be. We see her softer side, and then-
Pete: Yeah. She wanted to be a teacher.
Justin: She wanted to be a teacher, and then the next scene with her, she’s like “Hey. We got to go hard here, or else.”
Pete: Well, I mean, the other person was right. They needed some time for her to mourn. I think she’s using her anger in ways that is not helpful, and she’s got to mourn and have some time, and then hopefully she can be a better person, but that was like “Oh, no. Karli, no. Karli, why. Karli, oh.”
Alex: I do wonder if we’re going to get some sort of conversation down the line between Zemo and Karli, and what that would mean, whether it’ll bring Karli further over the edge or potentially Zemo bringing her back in some way, I-
Pete: Can Zemo teach her to dance?
Justin: Yep.
Alex: Yes. That’s the big question.
Justin: I would throw out … Yeah. I feel like we’re going to get a Nobody Puts Baby in a Corner moment between Karli and Zemo.
Pete: Oh, yeah.
Justin: Zemo, of course, is the baby.
Alex: Yep.
Pete: Yeah. We all know.
Justin: We all know what I’m talking about.
Pete: Yeah. The dancing baby.
Justin: Honestly, what if Zemo joins … Could he potentially be convinced to join the Flag-Smashers?
Pete: Will Zemo figure out about TikTok and really take his dancing to a whole other level?
Alex: These are all very good questions that we’re definitely going to follow equally going forward throughout this podcast.
Justin: A hundred percent. Okay. Let’s just recap sort of what Pete’s big takeaways from the episode. Fuck Dr. Bagel.
Pete: Okay. Cool. Right.
Justin: When will Zemo dance again? And I’m mad at Alex because he didn’t enjoy his birthday present.
Pete: Also, bread crumbs are free, but the bakery costs money.
Alex: Very true.
Justin: There we are. That’s the ravings of a mad man. That’s all the time we have. [inaudible 00:30:41].
Alex: Two other quick things. There are a bunch of names thrown out in this episode. One, Selby, the person that they meet at the bar. There is a character in the comics named Selby who’s a part of the Mutant Liberation Front, but it’s an entirely different character. So I don’t think that’s the reference there. More likely, it’s Dee Selby, who is a sound editor who’s worked on a bunch of Marvel projects. Or it could just be a character named Selby, and that’s pretty much it. But the other one that I thought was super funny, just because we talked about it in the first episode, is Bucky’s notebook, because I remember we had a conversation about people plumbing for Easter eggs and saying “Okay. It’s interesting that Bucky wrote in his notebook, because also Steve wrote in his notebook,” and in episode three, we found out they’re the same notebook.
Justin: Yeah.
Pete: Yeah.
Justin: There it is.
Alex: There you go.
Pete: Just one [crosstalk 00:31:28]-
Alex: Turns out, it was an actual Easter egg, and I apologize to anybody I made fun of about that.
Pete: Ooh, you should.
Justin: I’ll tell you what. Being so close to Easter, the Easter eggs really seem so much more important.
Alex: So much sweeter.
Pete: Aww.
Justin: You can taste the chocolate.
Alex: Before we wrap up here, what is on your Vision Board for the next episode, Justin?
Justin: Like I said, sort of starting to put all of these characters in a direction, as opposed to that we’ve sort of just seen them pop, and they’re here opening up the story more. I want to start to see them really close it up. Who’s going to fight? Who are the good guys? Who are the bad guys? Maybe there aren’t any and it’s just these characters making hard decisions, and honestly, we didn’t see any sort of Falcon-ing here in this episode. I’m ready to see some more Falcon.
Alex: Yeah. To that point, on my Vision Board, I want to see more of Sam and Bucky. All of these other elements are distracting from the core Lethal Weapon nature of-
Justin: You hate Zemo. You get too much Pesci.
Alex: That’s the thing. Don’t throw him in the middle. Don’t have him popping over their heads like he does on the poster. You guys know what I’m talking about, listening, and also you, Justin and Pete. Everybody remembers the classic poster from Lethal Weapon 3, I want to say.
Justin: Of course. We definitely know the number of the movies.
Pete: Three and a half or something? Yeah.
Alex: But I want to see more concentration on them. I feel like they’re getting a little lost in the middle of everything so that when they do come together and when they do fight, in a funny way, it’s surprising, but I want to see that more consistently. Pete, what about you? What’s on your Vision Board?
Pete: Well, speaking of fighting in a funny way, I did love how the prison fight started, and as the guy jumped over the table, you saw he had a lower-back tattoo. I thought that was really funny. But I think, moving forward, we-
Justin: You want to see more of that tattoo.
Pete: No. I just thought it was hysterical that there was a quote-unquote tramp stamp on the back of that dude’s thing. That was really funny. All right. Moving forward, Sharon and Dora Milaje. That’s all I need, and we can just forget all these other threads and other stuff that’s going on in this TV show and just focus on that, and I’d be super happy.
Alex: All right. Sounds good. If you’d like to support our show, patreon.com/comicbookclub. Also, we do a live show every Tuesday night at 7:00 PM to Crowdcast and YouTube. Come hang out. We would love to chat with you about Falcon and Winter Soldier. Socially, @MarvelVisionPod on Twitter, Instagram, and Facebook. iTunes, Android, Spotify, Stitcher, or the app of your choice to subscribe and listen to the show. On iTunes in particular, leave us a comment and rate us. We would really appreciate it. On YouTube at ComicBookClub. Comicbookclublive.com for this podcast and more. Until next time, you’re marvelous.
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Sam and Bucky finally team up as we break down all the big moments in The Falcon and The Winter Soldier Episode 2, “The Star-Spangled Man.” With John Walker officially named the new Captain America, our heroes head off in pursuit of The Flag Smashers, only to get their butts handed to them, even with a team-up with Walker and his own sidekick, Battlestar. Meanwhile, a side trip reveals how the legacy of the shield is more complicated than he originally thought.
Whether you’re wondering who is Isaiah Bradley in Falcon and the Winter Soldier, whether that was really Sara Haines, all about Cle Bennett who plays Lamar Hoskins a.k.a. Battlestar to the identity of The Power Broker, we break down all the Falcon and the Winter Soldier Easter eggs and Marvel Comics origins.
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Full Episode Transcript
Alex: Welcome to MarvelVision, a podcast about Marvel the MCU and Falcon and the Winter Soldier. I’m Alex.
Justin: I’m Justin.
Pete: I’m Pete.
Alex: We’re going to be talking about the second episode of Falcon and the Winter Soldier, The Star-Spangled Man. This is a big one.
Pete: Fake Cap.
Alex: Lots of stuff goes down in this episode.
Justin: Huge episode.
Alex: So many things happen. More bank loans. More dates for Bucky. That’s pretty much it.
Pete: What?
Alex: No. I was-
Justin: I mean, yeah. The show pivoted. I think some criticism of the show is like “What is this? This is like the first act of a movie, not even. It’s like the first 20 minutes where you don’t know much about anything,” and I think this episode took that criticism and just crushed it.
Pete: Shoved it up their ass.
Alex: It’s great that they pivoted so quickly, because as we know, these shows are broadcast live. So they probably took the criticism from the first episode, thought about it over the week.
Justin: Re-shot the whole thing.
Alex: Friday night when they were putting the sketches together, they were like “Okay. We got to do this stuff.” Lorne came out and was like “This is what Bucky should do this week,” and then here we go.
Pete: Wait. What was that? What are you doing?
Alex: That was a very bad Lorne Michaels impression.
Pete: Well, that was awful. I don’t know what-
Alex: It was terrible.
Pete: Just don’t-
Justin: I think they said-
Pete: Maybe don’t-
Justin: … “Live from Atlanta, this is Falcon and Winter Soldier.”
Pete: You sounded like Mer-Man from He-Man. It was like you were like …
Alex: Is that what he sounds like? “[inaudible 00:01:29] the ocean.”
Justin: Pete, you know that-
Alex: He sounds like Buffalo Bill?
Justin: You know that Alex did the voice of Mer-Man?
Alex: Yeah.
Pete: Yeah. Yeah.
Justin: In the original He-Man cartoon.
Alex: There you go. I did actually all the voices. Anyway, we’re going to be talking about this episode. If you haven’t watched it, go and watch it, because we’re going to jump right into spoilers and Easter eggs and, as usual on this podcast, go way all over the place jumping with stuff, but so many things happened in this episode, as we were saying, as opposed to the first episode, which was a lot of setup and diving into the psychology of where Sam and Bucky are now.
Pete: The way you’re saying it made it sound like it’s bad though. It was still very enjoyable.
Alex: Yeah. I’m having fun watching this show. I still do feel like, after two episodes, I don’t quite know what the show is yet.
Pete: Who cares?
Justin: Yeah.
Alex: But this at least was pretty episodic. There was a lot of information here. If you’re a MCU fan or a comic book fan, you got a lot of stuff there, but to give the broad overview of the plot, Sam and Bucky get together pretty much in the opening minutes, which did not happen in the first episode. They go on a mission to stop the Flag-Smashers. They fail horribly, even though they team up with a new-
Pete: Well, I mean, it was close.
Alex: … new Captain American, John Walker-
Pete: Fake Cap.
Alex: … and his buddy-
Pete: Don’t call him the new Cap. No don’t say that. He’s not the new Captain America. He’s fake Cap.
Justin: He technically is.
Pete: No. That’s ridiculous.
Alex: He’s the new Captain America.
Pete: Stop.
Alex: I believe in the United States government, and I support our new Cap.
Pete: What?
Justin: Wow.
Pete: What? Wow.
Justin: This is a strong take from this podcast. Alex is fully committing to the John Walker Cap.
Pete: Yeah. Wow. You’re a sellout.
Alex: He’s the Star-Spangled Man, man.
Pete: Boo.
Alex: So the new Cap and his buddy-
Pete: Fake Cap. Stop saying that.
Alex: I’m going to keep saying it, and Battlestar battle them, try to team up with them. It doesn’t quite work out, and by the end of the episode, things have turned quite a bit where they now may be working against each other, and Bucky has decided to go get help, find out what’s going on with the Flag-Smashers, find out what’s going on with these new super soldiers in town from the only source he knows, Zemo himself, the villain of Captain America: Civil War.
Pete: As soon as he … I was like “Zalben’s losing his mind right now.”
Alex: I love Zemo. I love him.
Pete: Yeah.
Justin: You do love Zemo.
Alex: I love Zemo. I love the new Cap. That’s it.
Pete: Stop.
Alex: Just those two.
Pete: It’s the worst.
Justin: You’re going to be very disappointed where this show ends up, Alex. I have a feeling.
Pete: I hope so.
Alex: We’ll see. We’ll see.
Pete: Oh, my god.
Justin: Season two, Zemo and the new Cap.
Alex: So let’s start talking through this, because there are so many threads and bits of information thrown in here. Justin?
Justin: I know. Let’s start off with one of our favorite characters, the Zipper.
Pete: Oh, yeah. That-
Justin: The episode starts out … Could have just watched that journey. What a journey.
Pete: Oh, wow. Right?
Justin: What a journey that Zipper goes on.
Pete: What a shot. What was great about it … It was so good they couldn’t not put it in. I know this doesn’t make sense to have a shot of the Zipper, but it’s so beautiful and so well done and satisfying.
Justin: Never flew off the rails. Goes from beginning to end. Super clean. I guess-
Alex: I got to be honest. When they started doing that, I thought we were back to the shield case from the beginning of the first episode.
Pete: Oh, wow.
Justin: You love that shield case.
Alex: It’s a very pretty case.
Pete: It’s a nice case.
Alex: But we weren’t, in fact. We’re getting this setup from John Walker. Now, Pete, I know what your opinion of John Walker is. You’ve very clearly expressed that. I’m curious, Justin, to get your take, because we get a lot of information about his back story about him in this episode. We follow-
Pete: His team around him-
Alex: … almost more than Sam and Bucky’s are-
Pete: … was just just handling him. He’s just being handled by people in a circle.
Alex: Well, he has, arguably, I would say, the best or most interesting character arc over the course of this episode. What was your take, Justin?
Justin: Yeah. I agree with you-
Pete: Fuck you.
Justin: … and I will say, just wait-
Pete: Isaiah had a better fucking than that. Fuck yourself.
Alex: [crosstalk 00:05:20].
Justin: I wouldn’t call that an arc, but yes. Definitely, we’ll get there, but I thought it was interesting. At the end of last episode, we see John Walker as Captain America, and we’re like “Boo. We don’t like this. This is bad. This is a problem,” because we’re right there with Sam, who’s like … You’re seeing his stress and just absolutely frustration for what’s happening, and in this episode, we get in Walker’s head. We’re meant to sympathize with him at the beginning of this episode. He’s not the villain. He is someone who’s like-
Pete: He’s a douche.
Justin: Maybe, but also, we don’t know too much about him, but this episode, I would argue, is designed to make us empathize with him a little bit and at least be like “Oh, he’s not the enemy. He’s another player in this game,”-
Pete: No.
Justin: … which was not something I expected. The fact that we’re in his head … He doesn’t have a secret identity. He’s fully public. He is great with a shield, no super strength, as we know so far. He’s just a guy who trained a lot and is a good soldier or whatever.
Pete: I’m not buying it.
Justin: No. Of course, and maybe it’s not going to end up being true, but what I think is unique about this episode is it put us there with him as opposed to being like “He’s a problem. We have to get him.” We see Sam and Bucky react that way later, but it’s a little confusing because we don’t know sort of which way it’s going to go, you know?
Alex: Yeah. I’m definitely right there with you, and we get these great scenes in the beginning of him in the locker room. It’s such a easy visual slash plot thing to do, but his wife comes in. His wife says “I love you, and I support you.” His best friends come in. So we’re already in this place where, like you’re saying, we’re very off kilter. We want to hate this guy, but there are other people-
Pete: We all [crosstalk 00:07:03].
Alex: … who seem reasonable who like him. We find out that he has this incredible military record where he saved so many people-
Pete: It’s all made up.
Alex: … and then there’s-
Justin: We don’t know that.
Alex: … even this great moment when they’re in the car, and I love that scene when they’re in the car and they’re trying to get Bucky and Sam to get in the car, and Bucky just throws out at him “Did you ever jump on a grenade,” and he says “Well, actually, I jumped on three grenades.” You put the helmet on there. Very funny, but it also makes him very self-effacing, but I would say, at the same time, you get these notes of turn against him by the end of the episode. That’s why I think he has a really interesting arc, because you start in his head. You start wondering if you’re supposed to be sympathizing with him, but then he pulls out the gun with no hesitation on top of the truck, which, mind you-
Pete: That was crazy to see somebody with the shield rocking the gun like that.
Alex: Well, here’s the thing though. Captain America has done that in the movies.
Pete: Oh, really? I didn’t know that. Thank you for pointing that out to me. I’m just saying it’s still weird.
Justin: Who’s that? Is that a new character? Is that a new character in the podcast?
Pete: It’s still weird to see it-
Justin: Clown Pete?
Pete: It’s still weird to see it happen, is my point, regardless of-
Justin: Agreed.
Pete: … seeing it in the comic a bunch-
Alex: Yes.
Pete: … seeing it other times.
Alex: I am agreeing with you. You’re very angry at me, Pete.
Pete: Yes.
Justin: I think-
Alex: Just because John Walker is my favorite character and I identify with him-
Pete: Oh, my god. All right. So you got-
Alex: … and it’s the first time I saw myself on screen, but go ahead.
Justin: Wow.
Pete: All right.
Justin: Congratulations.
Alex: Look at me. I’m like John Walker right here.
Pete: Okay. Okay.
Justin: I really love the gun moment because it was something that was sort of … He just did it. It’s unmentioned. He shot the person, and then …
Pete: Like a punk.
Justin: Unless I forget, in the comics-
Pete: He shot someone.
Justin: In the comics, when Bucky takes over as Cap for a time, he has a gun, and Bucky, as we know in this show, is atoning for all the hundreds of people that he’s killed.
Pete: Yeah. What’s rule number two? So I think it’s one of those things where, though, as somebody who has a little bit of knowledge of this character, may or may not like this character, I was like “Don’t waste time on this fake Cap. I want to know about all the things going on with the characters that I do care,” and you guys, Justin especially, loves to get in characters heads. So I can see why that’s very exciting to you, and it is an interesting twist to put to see where this douche comes from, but this isn’t what we’re here for, guys. This isn’t Falcon and Winter Soldier and some douche sometimes. Okay? I want the action. I want the real story. I don’t want to waste time on this stuff, but-
Alex: Yeah. See, what I want is I want Sam to get the shield, become Captain America, and the show is two minutes long and he has no problems ever. I think that would be great.
Justin: Hurry up. Who has time for this?
Pete: Oh, okay. Yeah. Cool. Cool.
Justin: But let me throw that out there.
Pete: Like a shield?
Justin: The fact that they’re willing to … Yes. It’s going to come right back to me. The fact that they’re willing to put us in Walker’s head for this episode and follow that … Then we should talk about this more later when we get there, but we meet Isaiah Bradley in this episode, and we’re not in his head. By his own, he’s like “I don’t want to talk. I don’t want to say anything.”
Pete: Yeah. You can’t even be in his house, let alone his head.
Justin: Exactly, and I think he’s also Captain America.
Pete: Yeah. The first.
Justin: So we have all these Captain Americas. We have all these Captain … Exactly. All these Captain Americas, and we don’t … We’re in varying degrees of their heads, and we don’t know where we stand, really, with any of them. That is a very exciting place. So I really appreciate that in this episode.
Pete: The only thing I appreciated about douche Cap was the marching band. That was a sick marching band. It was a fun song to play over the Marvel credits. I enjoyed that very much. Other than that, douche Cap, get out of here.
Justin: Next birthday, Pete, I’m going to get you your own marching band to sort of dance around you. You can high-five. They’ll play the Pete song. Oh, and while we’re talking about things Pete loves, let me just say, when you first saw that scene where John Walker’s walking into the locker room, did you immediately think Ted Lasso?
Pete: No. I didn’t.
Justin: Oh.
Pete: Yeah.
Justin: I thought for sure, because it looks like locker room from Ted Lasso.
Pete: Yeah. It does a little bit. A little bit.
Justin: I thought for sure you were going to be like “It’s Lasso. Lasso exists in this world. It’s a whole crossover. Lasso’s the Captain America we need.”
Alex: Oh, man. He kind of is, I think. Just shave the stache, and he’s ready to go.
Justin: Save the stache.
Alex: Save the stache.
Justin: Hashtag.
Alex: So a couple little things that I’ll throw out there while we’re going through and talking about potential Easter eggs. So as Pete mentioned, they play a band version of the Star-Spangled Man With a Plan from Captain America: First Avenger when they’re introducing him. Pretty weird that they’re filming Good Morning America at night, I think. Not 100 percent sure how that happened.
Pete: Yeah, and still saying good morning?
Alex: Yeah. Maybe it was early morning. Maybe it was like pre-dawn hours or something like that.
Justin: That’s a great point.
Pete: Sure. Sure.
Justin: That’s a great point.
Alex: But Sara Haines, one of the hosts there from The View and also from Good Morning America, introducing him. So very exciting for the Haines heads like myself.
Pete: Oh, nice.
Justin: Exactly.
Pete: Congrats.
Alex: Yes. Thank you very much.
Justin: GMA hive stand up.
Alex: The fact that it is-
Pete: Give me Robin Roberts, and then I’ll care.
Alex: Okay. Give me Meghan McCain. That’s what I wanted to see in this, Meghan McCain-
Justin: Wow.
Pete: Boo.
Alex: … MCU continuity. Make it happen. The high school that he’s at is a reference to where John Walker grew up in the comics. It’s in Georgia. I’m forgetting the exact name of it. I should have written it down. I’m sorry.
Pete: Yeah. You should have.
Alex: But I like this. I liked setting it up. We not joked about it, but said he was probably going to turn out to be the racist Cap, last episode, but I think they very squarely set it up there that you question that or you think he’s going to be that, he’s going to be … A lot of people online over the past week called him MAGA Cap, which very funny, a little-
Justin: Funny.
Alex: Yeah.
Pete: [crosstalk 00:12:33].
Alex: A little funny joke there.
Justin: Topical.
Pete: Let’s pause for how funny that is.
Alex: But he comes in, and he went to a mostly African American high school. His best friend is African American. His wife … Not sure exactly what her nationality was, but she’s clearly not Caucasian. So at least I went into the episode immediately questioning that, like we do a lot of other things. I don’t think it precludes him being racist or turning out to be racist in the long run at all, but-
Justin: I think you’re right. It doesn’t preclude it, but I give them credit for being like … They didn’t take this simple thing. Even if he does turn out to be racist or whatever, it is still this path that is creating more nuance, which is like the real world, and to give an MCU show or movie credit for diving deeper, I think, is great, and that’s what’s sort of the promise of this show is it’s not a movie. They’re able to get into these issues a little bit more, which is something I think we’ve all been wanting from the MCU.
Alex: Well, and I think, to ignore Pete’s canoe miming going on right below me right now … What are you doing? I’m sorry-
Justin: I don’t know what that means.
Alex: I’m sorry a show has nuance. I apologize, Pete.
Pete: Can we move past this douche canoe already? I don’t want to talk-
Alex: Yeah. I want to talk about the Flag-Smashers, because I think it’s-
Justin: That’s what canoe is.
Alex: … the same sort of thing with the Flag-Smashers that we get in this episode and was hinted at in the last episode. There’s a lot more nuance to them too, and we find out more about them and potentially even start to feel something and kind of understand their cause.
Pete: Whoa. Well-
Justin: Well, yes, a little bit, but also, again, we’re left to spend time with them when they’re not committing a crime. They’re trying to get by, and they’re like … You see-
Pete: That food did-
Justin: … Karli-
Pete: … did not look good.
Justin: Food did not look good, and they kept passing it around, so you know it wasn’t.
Pete: Liver.
Justin: You see Karli feeling sad that one of her soldiers, one of her fellow … I don’t know what you want to call them. Another Flag-Smasher sacrificed himself, and rather than being like “Oh, that guy died,” they linger on her. So we’re meant to be like “Oh, there’s something here too.” Whether it’s evil, probably, or it’s wrong headed at the least, we’re still meant to think about these things, and I think that is, again, smart and nuanced. I also think there’s a lot … They’re trying to get back to the Blip and feel like the world has been splitting resources amongst too many people, which was Thanos’ original idea of why he snapped his fingers and created the Blip, which I think is super interesting. They don’t know that, yet they’re adapting the same philosophy as this great, huge arch-villain of the entire universe.
Alex: Yeah. They just got to get their hands on that Infinity Gauntlet, and then they’ll be G2G. Let’s talk about Isaiah Bradley, because I know that’s what you want to talk about, Pete. I am so surprised they did this in the second episode.
Justin: Me too.
Alex: This is something that we speculated about, but this is a huge deal in the comics. To give you guys a little bit of the background, if you don’t know the comics, Isaiah Bradley is played by Carl Lumbly here, who has been on so many things.
Pete: Yeah. Love that guy.
Alex: He’s great. The character was created by Robert Morales and Kyle Baker, who Pete wore a weird hat with and got high with once in 2003.
Pete: Come on.
Alex: It was a great-
Pete: I got baked with Baker. I mean, you can’t pass that up.
Alex: I loved that night. That was one of my favorite nights.
Justin: Yeah. One of my favorite nights.
Alex: I did not get high with Kyle Baker, but passing by Pete doing it was one of my life’s rare joys.
Justin: This was at San Diego Comic Con. I think Alex and I were standing with each other drinking and talking to someone, and we look over, and Pete is posing for some large group picture wearing Kyle Baker’s hat on the other side of the lobby or whatever. I was like “Yo. Look at this.”
Alex: Fun stuff.
Pete: Yeah. This was the night where you guy then had the fun with Mr. Lee, who is the king of San Diego.
Alex: Now we’re just dropping names. So this is from Truth: Red, White & Black, which, again, was released in 2003, and the deal with it is we got the detail a little bit wrong. This is not the first Captain America. This is after Captain America in … At least in this point, it was World War II, though it sounds like they’ve retconned it to being the Korean War or something like that-
Justin: Korean War. Yep. In the ’50s.
Alex: … here on the show. This is based on the Tuskegee experiments where, and this is a real-life thing, where … I believe it was syphilis treatment. Is that right?
Justin: Syphilis.
Alex: Yeah. The United States government experimented on African American soldiers. Most of them died. It’s horrific, and-
Pete: Horrible.
Justin: It’s a horrifying story.
Alex: … Truth was playing off that, where they were trying to reproduce the super soldier formula, experimented on 300 African American soldiers. Most of them died. Whoever didn’t die were horribly distorted or mangled, except for Isaiah Bradley, who got the same powers of Captain America. As soon as he put on the Captain America costume, he was arrested and court-martialed and thrown in prison for 17 years. So that’s what’s going on with him. We get a riff on that here, and I’m very curious. Carl Lumbly, great in the scene. They played this surprisingly suddenly. I feel like they held back a lot of the information, and I’m curious if they’re going to follow up on him and the character-
Pete: They have to.
Alex: … at some other point in the series
Pete: You have to. You can just bring that up and walk away.
Justin: Definitely. I think it’s going to be, I would guess. Introducing him at this point in the series, I think it’s going to be a large portion of it, and I know we’re sort of moving maybe quickly to another topic. It reinforces our young Avengers theory that we were talking about, because-
Alex: So that’s the other character who appears in the scene is Isaiah’s grandson, Eli Bradley, who in this show is played by Elijah Richardson. That came up much later. He was created by Allan Heinberg and Jim Cheung in Young Avengers #1, which is 2005, and his deal, though I guess we’ll see how they do this on the show, is all of the Young Avengers, if you never read the comic book, seem to be one thing, but they’re actually another thing, like Iron Man is actually one of the worst Avenger villains ever, just not yet. In his case, Eli Bradley dresses up as a character named Patriot. He’s supposed to look like Bucky. He’s wearing basically the same costume, and he said he got a blood transfusion from his grandfather that gave him super soldier powers. He doesn’t actually have them. He has no powers. He’s just very athletic, and he’s faking it really, really well.
Justin: Well, he was also taking mutant growth hormone-
Alex: That’s right. Yeah.
Justin: … at one point, and it was taxing his body and all that, but then eventually, I think, he did get a transfusion from Isaiah. They almost internally retconned it. So he did get super soldier powers in the comic. So I have a feeling they’re going to go more that route, if they do develop all these characters and form the Young Avengers.
Alex: I’m really looking forward to the articles that are probably coming out later today about “Is this teeing up the X-Men?” because it always never is.
Pete: What’s nice is there was talk about how they’re going to lean into the race issue, how it’s going to be portrayed in this show, and it … First off, Isaiah character, amazing. So cool. The way that Falcon was treated versus Bucky said so much, and then that interaction with the kid, like “Hey. It’s black Falcon.” He’s like “Are you black kid?” Just awesome, talking about it, dealing with it, showing it to us. It was really great.
Justin: But showing and not telling.
Pete: Exactly.
Justin: These characters are in space living their lives, and we encounter these issues just like in people’s lives you encounter these issues. You don’t go out and be like “I want to talk about race this morning.” No. It’s not how it works.
Pete: But also-
Alex: I do want to call out about that, before we move on from it, the black Falcon convo also interestingly parallels the scene earlier in the episode where Sam says “Hey. You’re moving so stealthy. You’re moving like Black Panther. They should call you White Panther,”-
Pete: White Panther.
Alex: … and he makes a joke saying “Actually, they call me White Wolf,” which confuses Sam. He was called White Wolf very briefly in the movies around his time in Wakanda. It’s very funny, but it is the sort of thing where those two jokes work hand in hand to point out where it’s kind of not okay to call Bucky White Panther in the same way it’s definitely not okay to call Falcon black Falcon.
Justin: I also like in the moment, the White Panther moment, it speaks to Bucky’s experience. He takes his time in Wakanda very seriously. It felt like a very transformative time for him, and so the fact that Same makes light of it, he’s like “You don’t understand my lived experience,” and I think that’s sort of an ongoing thing we’re going to encounter across race and every other political line we’ll see in this show.
Pete: Also, what’s nice is that whole point of “You people meant something more.” He looked at Bucky, was like “You people?” But then later Bucky reveals he meant Hydra, which is also like … When it happened, you’re like “Oh, wow,” and then it kind of got explained later. So again, just dealing with things in a smart way that doesn’t feel insulting to anybody’s intelligence, but being like “Hey. These are truths that people deal with, and these characters, especially.” So I tip my hat to it.
Alex: Yeah. You were going to say something, Justin?
Justin: Yeah. Just one thing across the board. I think it’s-
Alex: [crosstalk 00:21:44].
Justin: Yeah. Gasp. Group gasp. I think this show, the way that Falcon and Winter Soldier are both sort of little brothers, they have big little brother energy beneath Cap, feels like that’s what’s happening for also new Cap, and then you put Battlestar in there, which I think is an interesting addition, because he’s new Cap’s sort of Bucky, but how does that relate to Bucky and everyone else?
Alex: It’s like four Buckys. That’s what it is.
Justin: Yeah, and I think it’s so funny because that sort of infuses every scene with this energy of “I’m trying really hard. I’m trying really hard to do this,” and I think that’s really funny and very much like “Everything you can do, I can do better,” as opposed to … What we usually get is someone’s the mentor and someone’s the mentee. Someone’s the hero, someone’s the sidekick. Someone’s the Cap, someone’s the Bucky. Instead, we have like nine Buckys all being like “I’m the man,” or “I’m the hero.” It’s really funny.
Alex: I do like the sense here … This is something that we also speculated about a little bit, and I don’t think it necessarily plays out this way, but there are hints it could go in this direction, where Bucky does ultimately have this confession to Sam of “If you don’t accept the shield, what does that say about me, and does Cap not believe in me as well? Am I the murderer that I’m afraid I am?” But I also think there’s a sense of him kind of eyeing that shield as well and kind of eyeing that and-
Pete: Oh, interesting.
Alex: … being like “If you’re not going to take it, I’m going to go in there and I’m going to take it, because this guy doesn’t deserve it.”
Justin: Yeah. Yeah.
Pete: Yeah. I mean, now that you say that, yes, but I really enjoy the back and forth between Bucky and Falcon and especially when they first see each other. You know what I mean? It’s not this “Oh, man. Two people running at each other from either side of a field and feeling great to see each other.” It’s this like “I’m taking care of business. What’s up? Great to see you. What’s going on?” I really love that kind of whole interaction and the back and forth, and the whole staring bit was hysterical. It really played well in this episode. Both characters and both actors are killing it, and every time they’re together, it’s really great on screen, and the whole fake therapy … Or not fake, but forced therapy thing was just hysterical.
Alex: Well, just to be clear, you think all therapy is fake, right?
Pete: That is not-
Alex: You have that-
Pete: No.
Alex: You have that YouTube vlog where you talk about it for hours.
Pete: Nope.
Justin: But Pete, you’ve been arrested for missing therapy before, just like Bucky, right?
Pete: Yeah. Yeah. That’s neither here nor there. I mean, who hasn’t been arrested for missing therapy? You know what I mean?
Alex: It’s a regular occurrence here in these United States of America, which is why I’m Flag-Smashers all the way.
Justin: Alex, wildly aligning himself with some potentially villainous folks.
Alex: We’ll see what happens. Now, there was an interesting twist here that we should talk about with the Flag-Smashers while we’re touching on them that they seem to have gotten their powers from the Power Broker, or the Power Brokers, depending on how you look at it. Potentially, they stole some Super Soldier Serum or something like that. They get chased down at the end of the episode. In the comics, the Power Broker has had different names. It’s been different characters, but that’s the person who gave powers to John Walker, to Battlestar, I believe to Flag-Smasher as well. So that’s a very natural tie-in there, but two theories to throw out at you guys, and I’m curious to hear what you think. One, the Power Brokers are not actually the Power Broker. It’s the US government, and that’s how the Flag-Smashers are referring to them. The other way, and this still could be the US government, but I think then it’s Hydra, like we get teased at the end of the episode, where the Russian government were basically mining the super soldier formula from Bucky and then selling it on the black market.
Justin: Interesting. I’m curious what Zemo is going to do here, because I would find it strange to make him some supervillain. He feels like another player on the board, and everyone’s just going to sort of mix it up. To throw him in here in the third episode and be like “There’s our villain. He’s organization all of this,” feels odd to me. So I sort of feel like your first theory makes a little bit more sense to me, where it’s the government.
Alex: I kind of think now Zemo’s going to team up with them. I think he’s-
Pete: Yeah.
Justin: Me too.
Alex: Yeah, which-
Justin: He’s pissed because he feels like Hydra used to be this organization … Now all the governments have taken Hydra’s work and are doing the evil things, and he’s like “I do evil things. How come they are?”
Alex: So I’ll throw out there this is a wild out-there theory that I don’t think is true at all and is just working off of one tiny little Easter egg, but at the end of the episode, we do get them saying “Hey. We’re going to sit down and talk to Zemo and find out what he knows about Hydra and the Super Soldier Serum and all this stuff,” and we cut to his cell, and we see Zemo’s cell is number 2187, which is the same number as Princes Leia’s cell in Star Wars.
Pete: Wow.
Alex: First of all-
Justin: Get out of here.
Alex: Hold on. That’s purposeful, obviously. There’s Star Wars Easter eggs throughout the MCU. Kevin Feige is a huge Star Wars fan. He’s even working on his own Star Wars movie at this point. So I think that’s on purpose. That’s a cute little thing. Also, Finn, FN-2187 is another reference to that. So it is the Star Wars thing, but I’ll throw it out there.
Pete: Or it’s two people. Bucky and Captain want to run a 187 on that guy.
Alex: What if Bucky’s plan is not to sit down with him. What if Bucky’s plan is to break him out of prison and that’s what they’re teasing up with that tiny little Easter egg? Which, to take it even one step further, I don’t think this is purposeful, but back on the Mandalorian, everybody was speculating and wanted Sebastian Stan to be playing Luke Skywalker. So if you actually had Sebastian Stan as Bucky basically being the Luke Skywalker breaking Zemo out of Leia’s cell number, that’s pretty funny. That’s it.
Justin: Oh, nice, and they’re going to kiss-
Pete: Close second.
Justin: … and later reveal that they’re twins?
Pete: Yep.
Alex: Yeah. Zemo says “You’re awfully short for a stormtrooper.”
Pete: Oh, god. What is that voice?
Justin: All building toward Alex’s Werner Herzog impression. That’s a pretty wild theory. I would check your evidence. It feels like you picked up a crumb and were like “Here’s my birthday cake.”
Pete: All right. So anyways, let’s move on-
Justin: Put a candle in it.
Pete: … to the fun stuff. The use of The Big Three here, hilarious. Hilarious how that was a fun bit throughout the whole show.
Alex: Is that accurate though? Is that accurate to The Big Three? He says … What is it? Androids, aliens, and wizards?
Pete: Yep. Yeah.
Alex: I mean, I guess Loki’s a wizard, technically. He could probably lump that in, and then you got-
Justin: But what …
Alex: Go ahead.
Justin: What I like about this is it is funny and it’s sort of a nice ongoing thing. A sorcerer is a wizard without a had. Very fun.
Alex: Fun line.
Justin: Doctor Strange, clearly, reference there. It also thematically points to the reductive nature of so much superhero content where it’s like “Yeah. You’re either a hero or a villain,” and this show is sort of saying that’s not what this is. Everyone is a different gradation of gray, from our heroes, Falcon, who’s all hero, inheritor of Captain America but doesn’t feel like he’s earned it, to Bucky, who’s like “I was a villain for way more years than I ever was a hero. What am I?” Everyone’s trying to find out what they are, and on the other side of it, they’re like “Aliens, androids, wizards.”
Alex: It’s funny.
Pete: Yeah, I mean, there’s even a moment when they’re like “We’re not assassins.” You know what I mean? But also, Big Three, shout out to This Is Us.
Alex: Okay.
Justin: What are you … Oh, so Alex’s Easter eggs are deep Star Wars sci-fi cuts, and you’re referencing This Is Us?
Pete: Well, they have the Big Three in This Is Us. So whatever.
Alex: They have aliens, androids, and wizards?
Pete: Yeah.
Alex: Which one is Milo Ventimiglia?
Pete: He’s the dad. He helped create the Big Three. So he’s not-
Alex: Chrissy Metz?
Pete: All right. Let’s just … Yes. She is. Yes. She is one of the Big Three.
Justin: Oh, Pete, you don’t like to open up the This Is Us bag.
Pete: I mean, what is this about?
Alex: She’s a wizard, man. I think she’s a wizard. That’s all I’m saying.
Pete: She could be. Although, she could also be an android, because she really holds that family together, you know?
Justin: I feel like I need to reference some esoteric content that I’m like “This show is actually about this.”
Pete: Well, the part where-
Justin: William Shakespeare’s Romeo and Juliet.
Pete: The part where-
Alex: That’s the most esoteric thing I can think of.
Pete: The part where Bucky was like “Yeah. I read Hobbit in 1937 when it came out,” was pretty funny.
Alex: So I want to point out this is my favorite super stupid nerd thing that happened on the internet today in regards to this is … You’re already watching a show about Falcon and the Winter Soldier. It’s pretty nerdy already. I think we can all agree, and then he makes this reference to reading Hobbit in 1937, and so many people pointed out “Actually, that was a limited-print run of 1,500 copies in Europe. How could Bucky have picked up a copy and read it? That seems unlikely, at best.”
Pete: What? Come on.
Justin: Hopefully, they’ll fix that continuity.
Pete: Of course he could have done it. He’s Bucky.
Alex: Yeah. He’s Bucky.
Justin: I love that first-run Hobbit flex, because back in the first edition … I don’t know if you know this. They weren’t called Hobbits. They were still called shorties. They were called [crosstalk 00:30:59] the Shire.
Pete: I’m going to get you shorties? Yeah.
Justin: A hundred percent.
Pete: Yeah.
Justin: He had to go-
Alex: Couple of other little Easter eggs … Actually, I think, only one to throw out, because I think we covered every … Oh, two to throw out, because we covered pretty much everything else. They-
Justin: Alex, surely there are some random numbers on a crate or something you can make reference to.
Alex: Probably.
Justin: Don’t sell yourself short.
Alex: I mean, we haven’t even talked about the end credits, which are chock full of Easter eggs, but they mention the GRC, the Global Repatriation Council, which is helping people post-Blip. I thought that was interesting, not an Easter egg, but just kind of a passing mention that seems like it’s part of this post-Blip world building that’s going on. So I think, whether they mention it in this series or others, we’ll probably see more of that going forward, and we talked very briefly about Battlestar, but I wanted to mention his origin stuff in the comics. We mentioned he got his powers from the Power Broker, but the character’s name, Lemar Hoskins … He’s played by Clé Bennett. He was originally called Bucky in the comics, working with John Walker, but that was changed because it has racial connotations. In fact, they even addressed it in the comic. He was created by Mark Gruenwald and Paul Neary, and Mark Gruenwald wrote a comic where somebody was like “Hey. You should maybe not call yourself that,” and so he changed it to Battlestar, but he was first introduced in Captain America #323 in 1986. There you go. That’s all I got.
Justin: There it is.
Alex: What else do you guys want to call out from the episode, if anything?
Pete: I definitely want to call out the conversation with Falcon and fake Cap where they had that fun line where it was like “It’s always the last line that gets you.” That was a real fun moment there. Yeah, because he wanted him to be the wing man, and then Freaky Magoo in the therapy scene. I hope that sticks around. That was fun, calling Bucky Freaky Magoo.
Alex: Great.
Pete: Yeah. Let’s see. I’m trying to think here.
Justin: More Freaky Magoo-
Pete: Yeah. More Freaky Magoo references.
Justin: … says MarvelVision.
Pete: Yeah. I-
Alex: How about you, Justin? Let’s go over to you while Pete is just heading down some sort of hole.
Justin: Yeah. He’s just digging out the bottom of the barrel notes.
Pete: The bits I liked. There’s usually a lot of nice bits.
Justin: I think we covered most of what I was thinking. I love the sort of very rare double buddy action movie stuff we got in here. I definitely didn’t see a team up coming so quickly, and just the fact that … I said that earlier. The big little brother energy we’re seeing on the show, and even in all the looks. Everyone looks like “We’re losing again.” Everyone’s always losing so far in this series. So I’m curious to see how that’s going to turn into some wins.
Pete: What’s interesting is in … I think it was early mid 2000s. This saying, one, as a all encompassing people, is now used by Flag-Smashers as this one world, one people thing, which sounds exclusive, which is interesting to kind of take something and flipping it like that. It’s supposed to be inclusive. Now it’s exclusive, which I thought was an interesting choice.
Alex: Before we wrap up, what is on your Vision Board for the next episode? Justin, you want to go first?
Justin: Sure. I mean, the introduction of Zemo, I think, is going to play a huge factor here. We don’t know. He’s being set up like a villain, and I think I sort of like the idea that he is going to be un unlikely ally of Falcon and Winter Soldier, but what I’m looking forward to seeing is sort of the next step for new Cap, for John Walker. Is he going to take a step into darkness? Since he seems to be very much treated like he is a good hero soldier type in this episode, what are we going to see next? Is he going to sort of start to adopt … Is he an ends-justifies-the-means kind of guy, where he’s going to find out about these bad things that maybe the US government’s doing and still support the government and not fight for what’s right? Which is maybe where there’ll be a line between he and Falcon and the Winter Soldier.
Alex: Pete, what about you? What’s on your Vision Board?
Pete: I didn’t get to talk about Isaiah enough. That whole thing of him being like “I didn’t know if he’d come back to kill me or show off his new arm,” was a pretty cool-ass thing, because he did come back to show off his new arm. I’m hoping for more Isaiah moments and getting to hear more about that story as well as kind of how Falcon’s going to kind of deal with this new information.
Alex: I’m looking forward to more from Flag-Smashers, specifically Erin Kellyman’s character, Karli Morgenthau, I think it is.
Justin: Yep.
Pete: Yeah.
Alex: My absolute favorite moment of the episode is the moment in the back of the truck when Bucky comes in, says “Hey. I found the hostage,”-
Pete: Oh, yeah, and she smiles.
Alex: … and she just turns and smiles-
Justin: Yeah. That was great.
Alex: … and you just see him fly out of the truck. Amazing, but she got to play so many different levels throughout the episode. That was the character that really thrilled me. I want to know more about that. I know they’re the villains, but she seems to engaging and interesting in the right way. I’m excited to see how that plays in, like we’ve been talking about with Zemo, with all of these elements they threw on the table here. That should be really fascinating in the third episode.
Pete: Also, what’s great about her is having such range where she can look so small and fragile and then so badass. Really impressive to kind of see her fight. Those fight sequences are really badass, and they’re doing a great job with her. So I’m excited.
Alex: All right. That is it. If you’d like to support our podcast, patreon.com/comicbookclub. Also, we do a live show every Tuesday night at 7:00 PM to Crowdcast and YouTube. Come hang out. We would love to chat with you about the Falcon and the Winter Soldier, both of them at the same time. iTunes, Android, Spotify, Stitcher, or the app of your choice to subscribe and listen to the show. On iTunes in particular, leave us a comment, rate us. We love to see that. That is always awesome. MarvelVisionPod on Twitter, Instagram, and Facebook. Comicbookclublive.com for this podcast and more. Until next time, stay marvelous.
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The first episode of The Falcon and the Winter Soldier is here, and we’re breaking down all the big moments on the series premiere, “New World Order”. Sam Wilson, a.k.a. The Falcon, is struggling with what to do about Captain America’s shield in the aftermath of Avengers: Endgame, and taking a side-trip down to New Orleans. Meanwhile, Bucky, a.k.a. The Winter Soldier, is dealing with the sins of his past and going on dates. But while these two Avengers deal with personal issues, in the background Sam’s sidekick Joaquín Torres is investigating the mysterious Flag Smashers, who might be a big threat than anyone realizes. From The Falcon and the Winter Soldier Easter eggs, to Marvel Comics references, to who that new Captain America is, we break it all down on this week’s episode.
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Full Episode Transcript
Alex: Welcome To MarvelVision, a podcast about Marvel the MCU and now Falcon and the Winter Soldier, which premiered today on Disney+. It’s finally here. It was suppose to be the first Marvel series on Disney+. Turns out, as you all know, it’s the second, to come out after WandaVision. That’s what happens in the real world. That is some real truths.
Justin: It’s crazy to say it’s finally here when literally WandaVision just ended. We’re spoiled. We’re spoiled is what it is, and now we’re diving into it like “Oh, we finally got this next one,” and we’re already doing it. We’re already here.
Alex: I had to watch Marvel Studios’ Assembled for a week instead of my friend adventures with my super friends. Very upsetting.
Justin: Yeah. I know. I had to take this time off and look at my family members and my pets.
Pete: Oh. Oh, gross.
Justin: Yeah. Just-
Alex: No thanks, man. No thanks. So as usual, or maybe you’re tuning in for the first time because you’re more interested in Falcon and the Winter Soldier than potentially you were in WandaVision, we go pretty heavily into spoilers on this podcast. That’s what we talk about here. So go watch the first episode right now before we get into it. We’re going to talk about some of our general thoughts on the show, how it kicked off, how it kicked off potentially compared to WandaVision, but we’ll also be talking about Marvel Easter eggs, references from the comics, anything that we picked up, and speculation for the rest of the show.
Alex: So let’s start off with our first thing. From your guys’ perspective, WandaVision, I think, in a very surprising way, really raised expectations before Falcon and the Winter Soldier, which I certainly wasn’t expecting going into WandaVision. That was a huge hit, global domination just built over the course of the run. Obviously, there was a lot of consternation about the last episode and how it went. I liked it, for my note, but this is a very different show. This is much more straightforward MCU.
Pete: Wait. Wait. Wait.
Alex: How did this first episode strike you?
Pete: Wait. What about the last episode? There was conversation? What did you say?
Alex: Consternation. Just there were people that I think were a little upset about how certain things turned out with the last episode of WandaVision.
Pete: Oh, really?
Alex: Yeah.
Pete: People were … Oh, okay. I didn’t know.
Alex: Yeah. I mean, it was a huge surprise to me too that-
Pete: You’re using big Cornell words. You’re going to lose our audience. You know what I mean?
Alex: No. That’s fair.
Pete: Let’s not flex our knowledge on us all the time. You know what I mean?
Justin: Oh, my god. When you say consternation, just use a smaller word, like butt angry.
Pete: Yeah. There you go. Thank you. Yeah.
Alex: Lot of butthurt fans out there. Okay.
Justin: There you go. Now you’re speaking to the people.
Alex: Let’s talk about Falcon and the Winter Soldier though and this first episode here. It’s obviously very different from WandaVision, but given those expectations going in here, given what you knew about the series, just broad strokes, how did the episode strike you?
Pete: Well, I also feel like it’s tough because it has to follow WandaVision now, which is such a quirky, huge hit, and I feel like that is a little tough because it’s a little bit straightforward. But what I really enjoyed was there’s a lot going on. It’s not just a simple kind of action thing, which I was happy about. There’s a lot going on with these two gentlemen’s lives, and it’s like we’re just really kind of digging into where they are. I thought it was fun. I was impressed with a lot of it and how quickly … I was surprised that there’s still, by the first episode, because we’re only getting a small handful here, that they’re not already together and kind of working together. So I was a little like “Oh, no. We didn’t get them together in the end,” but that’s the only-
Alex: You got to save something for episode six, man. That’s what it’s all building to.
Pete: Oh, don’t. I can’t do the whole thing apart. I don’t want to do the whole thing apart.
Justin: We’re just going to see them passing each other in a hallway now and again like “Hey.”
Alex: Game of Thrones style.
Justin: Yeah. I mean, I think the biggest … When you talk about WandaVision and Falcon and the Winter Soldier, it’s … If the TV show Friends … If they’d released Joey first because of a pandemic, it would have been a little bit harder to see what’s going on.
Alex: I’ll give you one better. It’s if they released Episodes first.
Justin: Yeah. Okay. For all you Matt LeBlanc heads out there, you must be loving-
Pete: Is that a shot against Joey?
Alex: No. Episodes was literally about him playing a Joey-type character on a show and commenting on the idea of television based on both Joey and Friends. So yeah. It feels like it’s skipping a beat. It’s like they jumped ahead and then they’re going back to the thing that should have come right after Endgame.
Justin: But it’s interesting because I think so much of all the commentary, the consternation, the butt anger about WandaVision was because the potential was all over the … Everyone was like-
Pete: Was huge. Yeah.
Justin: … “Fantastic Four. Al Pacino is Mephisto. Who’s going to be … The Mandarin’s rings are going to be hidden,” all this stuff, and it wasn’t that.
Pete: Also, Paul Bettany’s joke, which was hysterical, kind of fueled the fire for it as well, which didn’t help.
Justin: For sure, but what I think … If the original order had been preserved and Falcon and the Winter Soldier had come first, I think there would have been less of that, because what we see in this first episode of Falcon and the Winter Soldier, to me, is like this is like the bridge from Marvel movies to television. It’s like has the same pace, the same type of storytelling as the first act of a Marvel movie, where lots of actions, a little bit of introducing stuff, some table setting. The main characters don’t even meet here.
Pete: But you got Rhodey also being the bridge as well.
Justin: Rhodey pops in, but people aren’t like “Are we going to see War Machine?” It’s like “No. He’s here. He’s already here.”
Alex: Yeah. He’s here.
Justin: He’s watching.
Alex: Yeah. He left. He came here, and then he left.
Justin: Yeah. He’s out of here. It was nice to see him. It was a drop in.
Pete: Yeah. It was nice.
Justin: I think-
Alex: He was on set that day anyway. So they just added him in.
Justin: That’s how Holleywood works, you know?
Alex: Mm-hmm (affirmative).
Justin: It’s like “Hey. Pop in.”
Pete: Hey. You going to be around for something we’re shooting later? Because that would be cool.
Justin: We’re shooting this thing over here.
Alex: Yeah. No problem. What do I have to do? Is this like a Black Monday thing? Or what’s going on?
Justin: Yeah. It is. They tricked him. But I don’t think there’s going to be that kind of speculation for this show, because it is just starting in a different place, and its expectations are sort of right where we thought they were going to be, and that’s good. I was psyched to watch this, but it is such a different viewing experience, to your point.
Alex: Yeah. The thing, I had a blast watching this episode, like I think you guys are getting at. It’s very relaxing to watch this show, in a certain way, because WandaVision … You have to have this hyper attention while you’re watching it for all the details, everything that’s happening in every frame. That’s what was so wonderful about that show is the amount of different levels that it was working on. Here, it felt like “Ah, I’m back in the movie theater. I’m watching a Captain America movie,” or whatever, “It’s pretty cool. Just got to chill out, watch two handsome dudes have a good time kicking butt. Let’s have fun.”
Alex: But on the flip side of it, and this may have to do with the WandaVision expectations … I certainly talked about this a lot during the WandaVision podcast, and I think I was pleasantly surprised. What happens here is this really does feel like we’re making more of a six-hour movie thing, which is typical for streaming but I don’t love on TV and I don’t love in the weekly release format. It’s the sort of thing that I might totally change my mind on watching the second episode because we’ll see what happens.
Justin: Your mind’s about to change.
Alex: We’ll see what happens, but it’s the sort of thing that I feel like, if you’re into the MCU like we are, you jump into this episode, you’re in, you’re happy, you’re good, you’re having a good time. If you’re not sure about the MCU, I think this is the sort of thing you might actually want to wait until the second or third episode so you get more of a chunk and have more of a sense of what it is, unless, of course, you’re really into bank loans and fishing, in which case this is the show for you.
Justin: [crosstalk 00:07:59].
Pete: Come on, dude.
Justin: Yeah.
Pete: I mean, that’s really what I want. I want to know. Is he going to get bank loans as easy as I can? Because he’s got that star power, and what’s nice to know is that he’s still like me if I went in there. I wouldn’t have my numbers. I mean, the last five years have been a shit show, but-
Justin: Yeah. You pop into the bank and just ask for a loan sort of whenever you’re passing by, right?
Pete: Yeah. Exactly. It’s kind of in my route, you know?
Justin: Hey. You got a loan for your pal Pete?
Pete: Yeah. Hey. Just checking. Remember that loan I applied for a couple years ago?
Alex: Pete, for the last time, banks don’t work like a slot machine. Okay?
Pete: I’m just going to keep pulling that lever. Hopefully [crosstalk 00:08:36]-
Alex: That’s what bank tellers are. You’re pulling their arm.
Pete: He doesn’t seem cool with it.
Justin: He’s a one-eyed bandit. That’s the thing. Or one-armed bandit. That’s what it is.
Pete: I just wanted to say, though, I agree with you a little bit, but also, the action and stuff is kind of stressful. It was a pretty close call a couple of those times, but overall, I agree with what you’re saying, but I do disagree, though, with Justin with … There are fun little things that, because I’m WandaVision trained, I was like “Oh, what does that mean? Okay. Oh, my god. Those hand prints on the mask could be a crossover with Lord of the Rings. That looked very much-“
Alex: They’re a bunch of Uruk-hai?
Justin: Yeah.
Pete: Yeah. So I was like … You know? Just my mind is trained from WandaVision. So it’s hard to kind of shift into neutral.
Alex: Well, I do think-
Justin: I’m so sorry. You’re saying it was trained by WandaVision? You’ve one mad. [crosstalk 00:09:30].
Pete: Oh, right. Right. Right.
Alex: I mean, that’s part and parcel with the MCU and superhero movies, right? We do look at every frame and every scene for Easter eggs all over the place. WandaVision just took it to the Nth degree, just to an insane amount where there were those Easter eggs in every single frame hidden in little corners. Here, it’s thing like … I mean, I jotted down a couple of things. There weren’t much, but things like, oh, Erin Kellyman, who people probably know or might know as Enfys Nest from the Solo movie, from Solo Star Wars, plays Karli Morgenthau, one of the Flag-Smashers, and the original Flag-Smasher was Karl Morgenthau. That’s not the sort of thing where it’s like “Oh, shit. They put an I on the back of her name.
Pete: Whoa.
Justin: What do you think it means?
Alex: But it’s like “Oh, yeah. That’s a reference to the comics. That’s cool.”
Justin: Yeah, but we’re doing a lot of comparison, but this show … The whole opening sequence, the amount aerial … If we want to get into the episode a little bit-
Alex: Yes. Let’s please.
Pete: Can we, please?
Justin: First off, we start with the shield, and I don’t think we want to diminish this to be like “This is just a dumb movie-“
Pete: Well, first off, let’s really talk about first off we see him ironing, which is a relaxing thing to do. It seems like he starts his day right.
Alex: That’s a reference to Iron Man. Did you know that?
Justin: A little Easter egg.
Pete: How did I miss that?
Alex: Yes.
Justin: Easter egg.
Pete: Right out of the box. Oh, man.
Alex: On a similar very Pete-focused nose, did you notice that sweet shield case that Sam had that he put it in?
Justin: Yeah.
Pete: Yeah.
Alex: That’s very cool. I wonder if he got that custom or he went to-
Justin: Merch.
Pete: Yeah. It looks like it was custom.
Justin: I would think so. It’s hard to know what size shield someone has. It’s like-
Alex: Hey. Can I get that shield case over there, the one in tan? Not the black one or the red one, please.
Justin: One shield case fits all. I’m so sorry, but to … It starts with the shield, which I think, to get into some of the beginnings of themes for this series, I think it’s like symbolizing. An object like the shield is this symbol, and Sam treats it with this respect, and he’s like “I can’t bear this. It has the weight of history,” and so he puts it away. He puts it in this museum, and nobody else seems to think of it that way, or at least not the US government here, as we find at the end of the episode, and I really like that.
Justin: I think the idea of functional symbolism or functional patriotism, what stuff actually means to people versus the way we revere things that start to lose their meaning … That, to me, is what I took out of this first episode, and I think that’s a great theme, and just real quick, I think it’s reflected in the credits. The credits are a smattering of graffiti on these sort of icons, and I think that may be what the credits are getting at, that there’s these iconic things all around the country, all around our world, but the graffiti are the people saying something. They’re the people on the street. They’re putting their ideas out there, and I think the mixing of those ideas is what we’re going to get into in this series.
Alex: Yeah. That seems spot-
Pete: Yeah.
Alex: Oh, go ahead, Pete.
Pete: I was just going to say yeah. I really do like what they’re doing, this setting up of the weight of things, this symbolism. What does that mean? What does it mean to different people taking it for different things? But also, the fact that we picked up right where Falcon left off of like “Yo, man. This ain’t my shield,” or “I feel like I’m not good enough to rock this,” something that’s like he holds such reverence for it … It’s not like he’s not considering it. It such a big thing to him, and it means so much. So I love the fact that that’s where we are with him, and I also like this exploration throughout this episode of symbolism, like with the mask and the graffiti, and I’m glad you pointed that out, Justin.
Alex: Well, to that point, what I was going to say is about tearing down the iconography. I think that really ties into the villains as well. I love the idea of the Flag-Smashers, the idea that they’re people who lived through the Blip, thought it was great, and want to go back to that. That’s really fascinating. That sets them up as really good villains, the opposite of what Captain America is supposed to be, whoever Captain America is at the time. We didn’t meet Zemo at all in this episode, but we’ve seen from the teasers that his thing is about tearing down superheroes. So that’s iconography from another angle, and I think you’re right. I think you’re absolutely spot on. That’s exactly what it is. The other thing, of course, is legacy, which is another very obvious theme from Cap passing it down to Sam and Sam saying “No. That’s not me. I’m somebody else,” to Bucky dealing with his own legacy, which I thought was really interesting.
Justin: Bad legacy.
Alex: Yeah. Very bad legacy-
Justin: [crosstalk 00:14:09] legacy.
Alex: … and making friends with an old man because he killed his son. That was super sad.
Pete: Oh, my god, and the fact that he had to hear it from him, and then also when he was on that day, it’s like it was so clear as day, but how do you do that? How do you say that to somebody? You know what I mean? Oh, unbelievable.
Justin: Yeah, and I love the way they positioned Falcon and Winter Soldier in two very different places, with Falcon trying to bear the weight of this legacy, and Winter Soldier doing the same thing but from a negative place. So he has to come to terms with his legacy while Falcon has to prove that he has earned what was already given to him, and I think that’s really cool, and the fact that they introduced the new Captain America, the U.S. Agent type character … The end of this episode is the nexus point. This is the dude who feels unbothered by any legacy but also has the legacy in his hands.
Pete: I was worried we were going to get the kind of … At the end of it, I was like “That better not be fucking Hydra Cap,” because I can’t deal with that. That would just be too much, because they did bring up Hydra, and then it was like there’s this new Cap, and I was like “Please. Please don’t let … I can’t deal with this.”
Alex: Well, I mean, I don’t think … You’re talking about, if people haven’t read it, there’s an arc in the comics where Captain America, due to some time travel, I believe Cosmic Cube as well, shenanigans, ends up reliving his whole life but being loyal to Hydra the entire time. Pete hates that arc. I thought it was pretty good, but that’s how we’re different people, I guess.
Pete: Well, sometimes it’s fun to go places in comic books that you don’t want to go in real life, and sometimes it’s just too much to handle and you don’t like it.
Alex: I don’t know if this makes you feel any better. My theory currently right now is that U.S. Agent Captain America is not Hydra, but he is very racist. Do you feel better about that?
Pete: Oh, wow.
Justin: Nice.
Pete: What kind of shit is that?
Alex: I’m just wondering.
Pete: No. I don’t feel better. That’s-
Alex: I’m just throwing out a little thought experiment there, Pete.
Pete: I don’t want it. Oh, my god.
Justin: Think, Alex, like he’s a bad guy, but just a lower-case-B bad. He’s a bad guy.
Alex: Just a terrible guy.
Justin: He’s not a bad guy.
Alex: He’s a terrible guy.
Pete: Oh, all right. Well, I don’t like where this is going.
Justin: But let’s into the actual bones of the episode. This aerial opening sequence I thought was just wild. Just in all sorts of ways It feels like it was so hard to do. I love all the flying, all the Batroc going … I assume that’s Batroc, because how many French-speaking villains are there out there? Jumping, not squirrel suiting, out of a chopper, into a chopper, out of that chopper, and then into yet another chopper. This guy … He’s great at leaping.
Alex: He is. I was a little disappointed at first that Batroc the Leaper wasn’t doing enough leaping, but then he started leaping places, and I was very happy.
Justin: So much leaping. Quantum leaping.
Alex: By the way, that is Batroc. That’s Georges St‑Pierre, who played him in … Was it the beginning of Winter Soldier? I think it was the beginning of Winter Soldier.
Justin: Yes.
Alex: Yeah, and fought him there.
Pete: Sure.
Alex: There was a little more leaping and kicking and stuff going on there. I did want to mention two things about Batroc while we’re talking about him. I love the fact that he doesn’t have the ridiculous Batroc costume or mustache from the books, but he still has a Batroc-colored jacket. He has a purple jacket with little yellow around it, which I thought was very nice, and it also …
Alex: This doesn’t come up at all. This is just mentioning it to mention it, but I was thinking about it during the Batroc stuff. You guys probably remember this one, but there was this Captain America and Batroc one-shot by Kieron Gillen and Renato Arlem, and if you want a great Batroc story, anybody out there, search out this issue, because the whole idea of it is Batroc says “I can’t beat Captain America. I just can’t. That’s not a thing I can do. So what people hire me to do is slow him down. So I say ‘Okay. You pay me a certain amount of money. I’m going to slow him down for five minutes. I’m going to slow him down for 10 minutes while you get away as far as you can and do your thing and he’s distracted fighting me.'” It’s so cool, such a fun one-shot, and if you enjoyed Batroc’s appearance here at the beginning of this series, that’s a good one to check out.
Justin: Yeah. It’s good. Poor Louie the pilot. He seems Sam playing peekaboo, and he gets killed almost instantly.
Alex: Yeah.
Pete: Yeah.
Justin: [crosstalk 00:18:30].
Alex: There’s another comic book character that appears here though, and I really liked him in this episode. He’s very different from how he is in the comics, but we met First Lieutenant Joaquín Torres, who’s played by Danny Ramirez in the show. He is a character … I don’t know if this is a spoiler. I kind of think that it may end up being, but he is the new Falcon when Sam Wilson takes over Captain America. He was introduced in Captain America: Sam Wilson #1. I don’t think they’re going to go this route, but in the comics, he has actual bird wings due to a mutation that’s done to him by Hydra. So whatever it is, it’s setting him up as Sam’s Falcon.
Justin: Sam’s Bucky.
Alex: Yeah. Sam’s Bucky.
Justin: Sam’s Bucky.
Alex: Exactly, which I think is kind of great. Did you like the-
Pete: Yeah. That’s kind of-
Alex: … character, Pete? Because he was created by Nick Spencer.
Pete: I-
Alex: I was thinking about how much of a trick to make that, and I decided not much of a trick.
Pete: Yeah. I like your build up of how important the character is for it, but I do like them together, and just because … You don’t have to like everything that somebody does. You know what I mean? Sometimes writers do amazing things, and sometimes they make choices and you’re just like “I don’t know. Okay.” Yeah. Yeah. You know-
Alex: But I do think the actor is good. I enjoyed the actor. I think he’s a fun presence on the show. His action sequence with the Flag-Smashers I thought was cool and tense later in the episode. So I enjoyed him. I was not expecting his character. So that was a pleasant surprise for me.
Justin: Since Sam is a little more serious than Bucky on the other side of the show, it’s nice to have someone there to lighten it up, and then on the Bucky side, Bucky’s just like … He’s depressed but also like “I don’t know. I’m screwing around here too.”
Pete: I enjoyed him in the therapy. Even though it’s kind of hard for him, it was kind of fun the way he was playing it, and the back and forth between him and the therapist was very enjoyable.
Alex: That was a great sequence too. I mean, the aerial fight was awesome and super long and very MCU and a great way to kick it off, but getting a flash back to Winter Soldier, I thought, was a very nice surprise, and then, like you’re saying, I was surprised at how funny the therapy session was and Bucky’s whole storyline. There was still sadness. There was still some action in there, but the date that he goes on later was cute and funny, and him interacting with Yuri, the old man, was also kind of fun. You don’t expect, going into a Bucky storyline, that you’ll be laughing while you’re watching it, but I did.
Justin: This guy’s fun.
Alex: He is.
Pete: Yeah.
Justin: Underneath that metal arm is a funny bone, I guarantee. That therapist was me, right?
Pete: Well, she’s been taking a lot of crap from him over the years, and I think she was lashing out at him. She was like “Oh, you think I’m going to go back and forth with you? I’m sick of …” and the whole threatening to write stuff down was just … Oh, that’s fun. That’s real fun.
Justin: Yeah. I like how tiny the notebook is that Bucky has when he’s crossing his names off, very similar to a lot of standup comedians. So maybe we’re going to see him do an open mic.
Alex: Now, do you think Bucky making a list is a reference-
Pete: And checking it twice?
Alex: … to when Captain America made a list? It’s like an Easter egg, right? Remember when he made the list of movies he needed to-
Pete: Oh, right. Yeah. Yeah, and albums and stuff. Yeah.
Alex: Now Bucky’s making a list. I think that’s an Easter egg, and I’m going to go on record saying that.
Justin: Yeah. I only make lists as a reference to the Marvel movies I love so much.
Alex: Me too. Absolutely
Pete: Well, they say in this … They’re showing that old people make lists. So congratulations, guys.
Alex: Wow. I am 106.
Pete: Yeah.
Justin: Also, I do love him being so up front with like “I’m 106 years old.” All that stuff was really fun, and Bucky’s storyline really mixes sort of those sweet moments with all the sadness, and I think, until he meets up with Falcon and we get sort of the buddy side, I feel like it’s going to be a lot of grappling with that stuff.
Alex: Yeah. Now, what did you think of the whole Sam visiting his sister, fishing boat, loan storyline?
Justin: I thought it was crazy they slipped into an episode of Netflix’s Outer Banks there for a while-
Alex: Just very briefly.
Justin: … which was fun.
Pete: Well, New Orleans is a nice touch, especially for Anthony Mackie, who that’s where he’s from. So having that in there is kind of nice, but it is. That’s why I like the layers of dealing with somebody disappearing for five years in the Blip. It’s not just things that happened in old movies. The fact that there’s people still dealing with this stuff is cool.
Justin: A hundred percent.
Alex: When you say old movies, you’re talking about Avengers: Endgame?
Pete: Yeah. Yeah. Yeah.
Justin: Famously, in-
Pete: It feels so long ago.
Justin: Yeah. Famously-
Alex: I don’t honestly remember. Was that a talkie?
Justin: Yeah. There was a-
Pete: One of the first.
Justin: There was a train coming right to the camera, and then the Blip happened. I agree with you, Pete. Having the Blip have big ramifications is … It feels so comic book in the best way, and it just makes you feel, as a viewer, like “Oh, everything matters. I’m so glad I know what all this is,” and Alex, like you were saying earlier about the Flag-Smashers stuff, that feels like such a great justification for all that.
Justin: Then here we see the economic ramifications for Sam and his sister going to the bank try to get a loan for their family business, not getting it, because they don’t have credit for five years. It’s just like that feels like something banks would do, and you have this banker being so fan-y towards Sam for him being a superhero. We touch on race here, economics, the struggle of all of those things in America, which again, through Sam and all the symbolic … him passing the shield, all that stuff, it feels like it’s all going to come together in a great theme that is not just like these guys have to fight and get the shield back. It’s like no. We’re dealing with America, in a way, here.
Pete: Also, I really like the brother-sister tension. You know what I mean? The way that they kind of banter back and forth really feels like a brother-sister relationship. I like how the fact that he’s defensive that he’s been gone, and she had to kind of work through all of it and just want some recognition for that, and he’s so defensive he’s not really giving that to her, and the fact it affects how they banter. I really like that, and I’m excited for how this is all going to kind of unfold and what it’s going to mean for the bigger picture for Sam.
Alex: Now, Pete, you mentioned this. Anthony Mackie is from New Orleans. Sam Wilson in the comics is from Harlem, and they actually changed it to New Orleans on the show for Anthony Mackie. He said “Hey. I come from New Orleans. Let’s shoot it down there. What do you think?” and they were like-
Pete: Yeah. Why not?
Alex: … “Sounds great,” and he’s like “And my family works fishing, just like my family,” and they’re like “Sounds great,” and he’s like “And I’m eating some crawfish at one point,” and they’re like “I don’t think we need to do that, specifically, but-“
Pete: No. They should do that. Oh, my god. Yeah. Are you kidding me?
Alex: Well, they haven’t done it yet.
Justin: He’s like-
Alex: We’ll see if it …
Pete: He’s smart. He’s like “Hey. Listen, I want to go home. I want to visit my family. I want to have some crawfish. So let’s make it all part of the character.” You know what I mean?
Justin: Then he’s like “I want Jet Wings,” and they’re like “Okay. Okay.”
Alex: One little other thing that … Again, it’s not an Easter egg. It’s just part of the show, but in the comics as well, the boat is called Paul and Darlene, and Sam’s parents in the comics are Darlene Jeffries and Paul Wilson. So that’s that reference there. There you go.
Pete: Nice.
Justin: Again, Alex, I think these are just regular eggs.
Alex: Yes. These are just-
Justin: They’re not Easter eggs.
Alex: … good old scrambled eggs.
Pete: Nothing wrong with that. Now, let me ask. Is LAF real? Because that’s a horrible name for a villain group.
Alex: I think it’s L-A-F. It’s not-
Justin: L-A-F.
Alex: It’s not like the Laff Hut, though that would tie into why Bucky’s keeping that list.
Justin: Yeah. Exactly.
Alex: You’re going after-
Justin: He’s making a lineup.
Alex: I was going after the Laff Hut. You’re going after the Laff Hut?
Justin: It’s going to be-
Alex: They have a three-drink minimum. That’s out of control.
Pete: If you want to steal … like “Oh, we’re LAF. Look out for us,” it’s like L-A-F? Really, guy? That’s your move? I mean, unless they’re laughing at how ridiculous everything is. I don’t know. It pulled me out for a second. I was like “Is this real? What is going on with this?”
Alex: Well, wait until episode two where they introduce The Chuckle Club.
Justin: Yeah.
Pete: [crosstalk 00:27:08].
Justin: Well, it’s like how a lot of people are scared of clowns. Clowns are meant to be fun, but they can be scary.
Alex: We’ve kind of broad-stroked through this, but were there any other specific things that jumped out to you, things that you guys liked?
Justin: I love-
Pete: I love … Oh, go ahead.
Justin: I love that-
Alex: I love you. Oh, [crosstalk 00:27:27].
Justin: I love you.
Alex: Oh, my god.
Justin: I love the way at the end of the episode when Sam’s sister is like “You got to watch this,” and it’s the press conference where they’re introducing the new Captain America, and the way they shot this, I thought, was so nice. It’s shots from the press conference, and then you see a close up on Sam’s hands, his fingers closing around his other hands, and you see him just boiling in these very small ways, and not just boiling, but he’s mad. He’s upset. He’s just feeling lost. It was such a nice little sequence that wasn’t an action sequence but still had all these great, tense moments for Sam.
Alex: Yeah. I agree, and Pete, I don’t know if you know this. Wyatt Russell, who plays U.S. Agent, AKA the new Captain America … You know who he is? Could you recognize him?
Pete: No. I couldn’t tell. He had a fucking mask on.
Justin: Your uncle.
Pete: What?
Justin: He’s your uncle.
Alex: No. Wyatt Russell is the son of Kurt Russell and Goldie Hawn.
Pete: Oh, wow.
Alex: Yeah.
Pete: That Wyatt Russell.
Alex: Yes. I figured you’d like that.
Pete: Cool.
Alex: You love those people. You love Kurt Russell.
Justin: And Goldie Hawn.
Alex: You love Goldie Hawn.
Pete: Yes. I do. Overboard is a classic. I mean, come on.
Alex: You watched both The Christmas Chronicles.
Pete: [crosstalk 00:28:39]. Yes. That’s true. Speaking of shouting out other movies, the battleship date moment was real nice and a nice nod to Battleship the movie. I feel like that was a nice, enjoyable moment there, you know?
Alex: Mm-hmm (affirmative).
Justin: Yeah. No. Everybody-
Pete: Is that an Easter egg? Did I get one?
Alex: Yep.
Justin: That’s not even an egg.
Alex: That’s like an apple, maybe.
Justin: Yeah. That’s an Easter apple.
Pete: We talked in general about the therapist stuff, but I also really liked the breaking of the rules, and he was like “That should be rule number one if it’s so important.” Yeah. The back and forth there was just a lot of fun.
Alex: Yeah. Couple of other things I’ll call out that I just jotted down. Again, like you’re saying, they’re eggs. They’re not Easter eggs, but I feel like a lot of people are going to speculate about the conversation that Falcon and Joaquín have where he says “Hey. I heard that Steve is in a secret base on the Moon looking down at us.” I think that was just a joke, but things that … I immediately was like “Oh, is that a reference to something? Is that a reference to the comics? What’s going on?” because Bucky actually lived on the Moon for a while as the watcher on the wall in the comics. I was like “Are they saying that? Nah. It’s just a joke.”
Justin: I doubt they’re saying that, but I did think that was weird. That was a weird thing to very specifically bring up, and then Sam sort of said it back to him.
Pete: Yeah, and then he echoes it. He’s like “Yeah. [crosstalk 00:30:08].”
Justin: So I don’t know. I think it could be a larger reference to … If we want to start to spin up the old nonsense speculation top, the MCU is moving into space pretty specifically. Maybe there’s something to be said about that.
Alex: The other thing, and I couldn’t believe this was a real thing, but on the MCU wiki, there is a page for the Moon. It’s a very long page describing everything that happens on the Moon, but right at the top of the Moon wiki page, there’s a quote from Yo-Yo from Agents of S.H.I.E.L.D. to Phil Coulsin where she says “I always thought you guys had people hiding on the Moon.” So I think this is another case when people are going to look … “Oh, they made an Agents of S.H.I.E.L.D. reference. They’re bringing them in. Here we go. It’s going to happen.” It’s not going to happen, folks.
Justin: There were a ton of S.H.I.E.L.D. references. They were like “This shield. The Captain America shield.” Look at all that. It’s great. S.H.I.E.L.D. fans got to be psyched.
Alex: The shield fans.
Justin: Exactly. That should be one fan base.
Alex: I think Michael Chiklis is going to show up.
Justin: Oh, you mean The Thing?
Alex: What? Fantastic Four. They’re coming.
Justin: It’s here. It’s here.
Alex: It’s happening.
Pete: Oh, my god. The Chiklis. I did like seeing the fact that he was upset as I was that somebody else was taking up the mantle of Captain America without kind of checking with him, because it really did feel like, if anybody was going to do it, it would have to be him. So to see, like you said, the tension, I was like “That’s your job. What are you doing just being cool with it right there?” Yeah. There was a lot of cool acting moments that were kind of impressive.
Alex: We did touch on it in a jokey way earlier, but I do think it’s actually really important that they had a conversation just solo between Rhodey and Sam at the same time. I don’t think we’ve actually seen that on screen in the MCU before, having two black men having a conversation with each other about something. It comes from a black writer, Malcolm Spellman, and like you were touching on earlier, Justin, they don’t hit it very hard, but I think, as we go on, a lot of this series is going to start to be around race more and more as we get into it.
Justin: I agree, and I’m excited to see the MCU go there. Let’s talk about some real stuff, and I think they’re doing a good job of setting the stage to actually get into real issues alongside really cool fights.
Alex: Awesome. Can’t wait. Before we wrap up here, what is on your Vision Board for the next episode? That’s a leftover from our WandaVision days, but also the podcast-
Justin: It’s not leftover. We planned it this way.
Alex: Yeah. Exactly, but what are you looking forward to the next episode? What’s on your Vision Board, Pete?
Pete: Well, I’m just wondering, because I enjoy when the little thing pops out of his jet pack there-
Alex: Redwing.
Justin: Redwing.
Pete: … but I’m just … Yeah. I’m just wondering if he could set it for maim instead of murder, because that robot was taking people out like crazy. I was like “Oh, shit. This show’s just straight up murdering people right off the batt.” So it’ll be interesting to see if maybe they dial that back now that they’ve gotten our attention a little bit or how it kind of unfolds.
Justin: Do you think that Sam’s worried that he’s sort of training his replacement with Redwing, like Redwing’s just going to start to be Falcon because-
Pete: Yeah. I think Redwing is like “Yo. I think this is my job.”
Alex: It’s like-
Justin: When the robots just take our jobs.
Alex: It’s like I always say. Redwing gives you bulls.
Pete: Oh, wow.
Alex: That too much?
Pete: Wow.
Justin: You sound like a broken computer. I think you might have been replaced.
Alex: I think a screw popped out of my head when I said that.
Pete: You got to turn down your dad jokes a little bit. I think it’s a little high.
Alex: Right. I got to adjust that, Pete.
Justin: Dadbot 2000.
Alex: Justin, what about you? What’s on your Vision Board?
Justin: I want to see the guys get together. I want to put the ampersand in Falcon and Winter Soldier and see them come together perhaps over this new Cap news.
Alex: I’m looking forward to Zemo. That was the big thing obviously left off the board completely. I love Zemo. He’s one of my favorite villains.
Pete: Oh, my god.
Alex: I thought he was so good in Civil War as well.
Pete: You’ve got the color purple in this. You got a little purple.
Alex: Yep. Yeah. My favorite movie. My favorite Oprah movie as well.
Pete: Oh, my god.
Justin: Wow.
Pete: Wow.
Alex: But-
Justin: You do an Oprah film festival every couple nights, right?
Alex: Every couple of nights without fail. Absolutely. Watch through her entire filmography. No. I love Zemo. I think he’s a great villain, and I’m excited to see what’s going to happen. We’ve already set up these great villains with the Flag-Smashers. How is Zemo going to enter in there? Are we going to have a villain team-up? We set up the heroes. Now we set up a little bit of the conflict. It’s only going to get more complicated from here, and that’s very cool.
Justin: Yeah, and obviously in episode six when Al Pacino shows up as Mephisto would be … That is going to be fun.
Alex: I cannot wait. The Thing, played by Michael Chiklis, is going to kill him.
Justin: Putting on the old rock suit.
Alex: I still have it in my closet. Anyway, if you want to support this podcast, patreon.com/comicbookclub. Also, we do a live show every Tuesday night at 7:00 PM to Crowdcast and YouTube. Come hang out. We would love to chat with you about Falcon and the Winter Soldier. iTunes, Android, Spotify, Stitcher, or the app of your choice to subscribe and listen to the show. Also, on iTunes in particular, if you could rate us and leave a comment, that would be much appreciated. That helps us out quite a bit. Comicbookclublive.com for this podcast and more. MarvelVisionPod on Twitter, Instagram, and Facebook. Until next time, remember, Redwing gives you bulls.
Pete: Oh, boy.
Alex: Yep. Spring. [crosstalk 00:35:37].
Justin: Keep your eyes out for those Easter apples, you dad robots.
Pete: You doubled down on it.
The post MarvelVision: The Falcon And The Winter Soldier – Episode 1 – “New World Order” appeared first on Comic Book Club.
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On a special preview episode of our Marvel podcast, we’re breaking down everything we know about The Falcon and the Winter Soldier. With Bucky and Sam both having possible claims of Captain America’s shield, are we heading for a showdown? How do Baron Zemo and Batroc play into this? And will the show attempt to tackle the classic Marvel series “Truth”? All this and much more as we get prepped for Marvel Studios’ follow-up to WandaVision.
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Full Episode Transcript
Alex: What is up, everybody. Welcome to MarvelVision, a podcast about Marvel, the MCU. And coming up, the Falcon and the Winter Soldier, not one but two of them. I’m Alex.
Justin: I’m Justin.
Pete: I’m Pete.
Alex: And we are doing here a preview episode for the Falcon and the Winter Soldier. Now we have been doing this Marvel podcast throughout the run of Wanda Vision. It’s been very fun talking to you all, getting your theories either on our Patreon Slack, patreon.com/comicbookclub, or socially at MarvelVisionPod.
Alex: But we’re moving on to the next series. We’re going right into it. This is a slam bang action spectacular, where the last one was a sitcom puzzle box, I guess we can call it.
Justin: Ooo, okay.
Alex: How does that work?
Justin: I like it, it’s good.
Alex: But I’m excited to chat about this. I’m excited about this, not least of which because this was supposed to be the first series out of the gate. They were supposed to release Falcon and the Winter Soldier, then they switched it up and went for Wanda Vision first. That obviously enormous hit, I think way beyond their expectations.
Justin: Yeah.
Alex: But interestingly, and I’m curious to get your guys’ take on it, I think this has set up very different expectations for Falcon and the Winter Soldier. What’s your guys’ take?
Justin: Well, I do think it made so much sense to put Falcon and the Winter Soldier first, because it was going to be just the most seamless tonally into Marvel movie on television.
Pete: Right. Yeah, exactly.
Justin: And Wanda Vision would have been a great like, oh, you like what we did Falcon Winter Soldier with all these fights and fun stuff.
Pete: This is different.
Justin: But this is a little different. So that got upset, and the order was swapped. But it actually works this way too, because the way Wanda Vision ended was with sort of the big Marvel movie action that you might expect, with just some great emotional moments. So now we’re just picking up on the Marvel movie action beat and just giving you sort of a much more fun, guns, punches, talking shit.
Pete: Are you sure though, Justin?
Justin: Well, pretty sure. I’m pretty sure.
Pete: I don’t know, man, what if people are like I miss the weird, quirky, I don’t know what’s happening. I’m trying to shoe horn in my philosophies from comic books onto the show, and it may or may not pay off.
Justin: Wait, are you saying that maybe grief is just a buddy comedy persevering? Is that what you think?
Pete: That’s right.
Alex: What if each episode of Falcon and the Winter Soldier is a pastiche of all the action shows? So like the first episode is Gun Smoke? And then the next episode is A-Team.
Justin: Oh, yeah.
Pete: Come on, dude, yes A-Team, just stop there. That’s where it peaked.
Alex: Oh, that’s it?
Pete: That’s it.
Alex: Can’t get any better than that? Miami Vice, there’s a Miami Vice episode.
Pete: Aw man, that would be crazy.
Justin: Magnum PI.
Alex: Now let’s talk about the actual contents of the show before we get too far into it though.
Justin: Air Wolf.
Alex: I’m sure everybody is familiar, this is picking up on the end of Avengers Endgame. It was actually supposed to come out I believe in August, right after that.
Pete: Yeah, what happened?
Alex: I don’t know. I haven’t heard any news on it.
Justin: Don’t tell him. We’ve lasted a whole year without telling them anything about COVID. Don’t tell him at this point, he doesn’t know anything about it.
Pete: Everybody looks at me weird when I walk outside, I don’t get it.
Alex: Pete still thinks we’re talking about Ovid, his favorite.
Justin: His favorite canonical poet, is that what you were driving, Alex?
Alex: I was going to say philosopher, but that was wrong.
Justin: You know, there was some philosophy in there.
Alex: So this series buddies up Bucky Barnes, AKA the Winter Soldier, and Sam Wilson, AKA the Falcon. Takes them and is picking up on the fact that Steve Rogers passed the shield onto Sam Wilson. We don’t know a lot about the plot, but we do know a couple of things that are going to happen, and certainly have some speculation and guesses. We know that Daniel Bruhl is coming back as Zemo this time, wearing that classic purple mask that everybody loves so much.
Justin: The people have been dying for that mask. Everyone’s crazy about that mask.
Alex: I want a turtle neck and the mask.
Justin: Yes,
Alex: Here’s the big, I love Zemo as a villain. I’m excited about the mask.
Justin: One hundred percent, and that’s what that moment was for, him holding a purple mask. But can you imagine being like, I just love, I’ve really enjoyed, I really liked Iron Man 2 and that’s all the Marvel movies I’ve seen. I’m curious about this new show, why does everyone care about the color of that dude’s fit ski mask? I feel like that’s the approach their making.
Alex: The funnier thing is all we know really from the trailer is that Zemo says something like superheroes are over, there’s no room for superheroes in the world.
Pete: That’s right.
Alex: Instead, I’m going to put on a purple ski mask and blow shit up all over the place. You know, not like superheroes.
Justin: I mean he is a Baron. So think of the other Barons you know, like Red Baron-
Pete: Sasha Baron Cohen.
Justin: Sasha Baron Cohen, also a huge Baron. Lot of Barons out there.
Alex: [crosstalk 00:04:45] Snoopy Cartoons are the ones were Sasha baron Cohen is chasing him through the air.
Justin: Oh man, what a prankster.
Alex: Goes up to Woodstock, says, “My wife.”
Justin: The next in a long line of many, many barons is Baron Zemo.
Alex: Yes, exactly.
Justin: A turtle neck on all of them.
Alex: Other folks that are showing up, we know that Emily VanCamp is going to be back at Sharon Carter, AKA Agent 13, so that should be fun. And there’s a new one, which is a very interesting twist on the plot, Wyatt Russell is going to be there as John F. Walker, AKA US Agent. So we’ve talked about this a little bit on other podcasts, we do a live show every Tuesday night at 7:00 PM, Crowdcast and YouTube. I think we talked about it there. But US Agent is I think presumably going to be the person that the government assigns to be Captain America, leading to some sort of battle for the shield type thing. Does that seem fair?
Justin: Yeah, and I think it points to this show is going to be about who deserves the mantle of Captain America, with John Walker being like definitely not him. But really being the interplay between Bucky and Sam, and I think they’re both going to want it. They both think they are the more, the better inheritor of the shield than the other.
Pete: Well, always-
Justin: Let me finish. But also it’s a heavy mantle. They know that they can’t ever really live up to their idol, their mentor, Steve Rogers. So it’s a great push pull between the internal fight of do I deserve this, and the external, well, I deserve it more than this dude over here. All he does is have one big metal arm.
Pete: Wait, wait, wait. First off, there was a handoff, all right? Old one handy or one army didn’t walk over and grab the shield, all right, so he’s got no claim to it. There’s no take backsies. You can’t be like, hey listen, I know that Captain America was super old and gave you the shield, but you know how old people are. He was kind of out of his gourd, and I don’t think he was smart enough. I think I should take the next shift.
Alex: Yeah, dude, right after Endgame, that dude ran and won the Presidency of the United States. So that’s pretty impressive, before you slam him, Pete.
Justin: It is true, in candid Joe Biden?
Pete: I don’t know, oh, you’re calling him Joe Biden, okay.
Alex: Nope, I don’t think I will. I could see a world. I’m curious to see how this plays out, but to Justin’s point and kind of to the point you’re making Pete, sort of, I do think we could see a world where Bucky starts to feel like no, Sam is not the right person for this. I worked with Captain America, Sam is doing something, Sam is going rogue, who knows.
Justin: Oh, I think-
Pete: No, no, no, they’re going to fight because it’s two dudes, so sure there’s going to be that kind of fighting. But I would hope that they have a little bit more reverence for the shield and wouldn’t kind of fight over the shield.
Justin: Well, based on the trailer it does seem like there’s at least a competitive element to what’s going on.
Pete: Sure, agreed.
Justin: The whole trailer is built around that. So I do think there’s going to be something that happens either to Sam or to Bucky that causes them to question who should be the person to take the shield. And that’s an exciting thing, that’s a great emotional undertone for what also is extensively two dudes quipping at each other while they fly underneath trucks and screw around fighting anti superhero terrorists.
Alex: Well… oh, go ahead.
Pete: That’s the thing, like the great TV shows of past, like an A-Team if you will-
Justin: Like your A-Team.
Pete: Yeah, yeah, where you just were waiting for the action sequences. You wanted to see someone jump over a hay barrel, that’s the fun. So I think it’s-
Justin: Real quick, sorry to interrupt you, did you say hay barrel, because I don’t know why farmers keep their hay in barrels, because that’s an expensive place to keep your hay dry.
Pete: Well, okay, sorry sir.
Justin: I guess a barn is technically a big hay barrel, if you think about it. I’m from the country, so let me speak to this. You’re in my world here.
Pete: And I know that’s true, because I’ve seen your teeth fallout. It’s one of those things.
Justin: Donkey Kong famously rolled a bunch of hay barrels trying to get Mario. Allergic to hay, is what happened there.
Pete: Oh man. So I just think that don’t fuck up this great thing that we know and love. The two of them, kind of odd couple working together, is going to be fun. We want to see over the top action. We’ve got to find a working relationship with those two, and I think that’s where the show should be. I don’t want it to start one person questions somebody’s leadership and stuff like that.
Alex: No, I just think we could see that as a plot point at some point. I don’t think they’re going to end up in a place where Bucky’s going to try to kill Sam or anything like that.
Pete: Yeah, that would be whack.
Alex: Zemo’s whole thing in Civil War was working behind the scenes to, successfully mind you, break up the Avengers. Zemo one at the end of that movie, regardless of him ending up in jail.
Justin: The watch hit.
Alex: So his MO is not necessarily to be like I’m going to shoot you until you die, I’m going to do a heist. He plays on them psychologically, so I could see a plot line where he brings Sam and Bucky to a breaking point, but then they get past it and work together to ultimately beat him at the end.
Pete: And I just want to correct you real quick. Zemo did not win.
Alex: He won. He won the Civil War.
Pete: Winners don’t get thrown in jail, okay? Well, sometimes, I mean it’s a fucked up, horrible-
Alex: Nelson Mandela.
Justin: Yeah, Gandhi.
Pete: All right, yes, okay, it’s a horrible system. I’m just saying that like-
Alex: Charles Manson.
Pete: What?
Alex: Sort of. Too far?
Justin: Larger topic, all right.
Pete: Yeah, way too far.
Justin: You should check out our True Crime Podcast, where Alex roots for the killers.
Pete: I just-
Alex: I hope they get another one, I always say.
Pete: Maybe I have to rewatch it, but I remember Black Panther coming out on top at the end of Civil War. So that’s how I will remember it.
Justin: I think at the end of Falcon and the Winter Soldier they take the shield, split it in half, best on one side, friends on the other.
Pete: Hang it on their necks. It’s a necklace.
Justin: They each take their half and whenever they come together, they get a whole shield.
Alex: That’s going to be great. A couple of other details to mention about the show. We are going to see Batroc the Leaper is going to be back again, so that’s super fun.
Pete: I’m sorry, what?
Alex: Also Don Cheadle is going to be in it as War Machine at some point, he revealed.
Justin: Ooo, very good.
Alex: And one I’m very excited about, Erin Kellyman, who’s an actress who she played, what was it, Enfys Nest in Solo. I don’t know if you remember that. Which ended up at a very weird reveal and petered out, and obviously people have mixed feelings about Solo.
Pete: Don’t say stuff like that.
Alex: But she peted out, sorry.
Justin: Pete LePaged out.
Alex: But she was great in that movie, and she’s going to be playing Flag Smasher. So I think that’s going to be exciting to see. And the last thing that I’ll mention that I do think is kind of interesting is that Malcolm Spellman is the guy behind the scenes. He’s the guy who created the show, is the showrunner of the show. And I do get a sense, based on his previous work, that there’s going to be a little more or maybe a lot more to do with race than we think from the explosive trailers.
Pete: Cool.
Alex: There’s some hints. We were certainly speculating, again, when we were talking about the series earlier that maybe they might start to go into the truth storyline for the comics, which showed that there was a Captain America before Captain America who was African-American and experimented on like the Tuskegee experiments. And that to me feels like that’s a lot going on in six episodes, but potentially a natural extension to show Sam and Bucky, if they do get to a point where they’re fighting about the shield, to be like, no man, this doesn’t even belong to Steve. This was somebody else’s first.
Justin: I love that. Especially like as a full episode where we get, or three quarters of an episode or whatever, where we get that backstory, I think is a great episode. And I don’t know how explicitly they’re aiming at young Avengers with what we saw at the end of Wanda Vision, that Billy and Tommy-
Pete: Those kids are dead.
Justin: They’re probably still out there-
Pete: Those are dead kids.
Justin: Speed and Wicked, two of the young Avengers, to set up to go into this and get into that storyline. And we’ll set up a third young Avenger, so I think that’s very exciting.
Pete: Wait, first off, a couple of things that you touched on there, Alex, I want to dissect. First, what the fuck you mean only six episodes?
Alex: I mean, it’s only six episodes. They’re going to be longer episodes.
Pete: Are they two hour episodes? What are we talking? I’m not going to fucking invest time for a half an hour, six episodes. I mean what the fuck is that?
Alex: Yeah. And they’re going to release them every two to three years and call them movies, Pete.
Justin: Yeah.
Alex: So Marvel is still experimenting with the lengths of their shows, but Kevin Feige said as they’re going into it that they are going to be aiming for half hour-ish shows, with variation for more comedically inclined serious, like Wanda Vision as we saw at the beginning. And once it’s stretched into the MCU nature the episodes got a little bit longer. She Hulk, which is coming down the road starring Tatiana Maslany, that’s also going to be a half hour comedy. It’s going to be a legal comedy, and that’s kind of what they’re aiming for there. But things like Falcon and the Winter Soldier, and presumably also Loki, are going to be more hour long shows. And in this case, that means 40 to 50 minute episodes, typical TV length.
Alex: So no, we’re not talking two hour episodes. We are talking six episodes that are about 40 to 50 minutes long. The last little bit of clarification to calm you down a little bit, Pete, is that Kevin Feige, Anthony Mackie said that it was about a eight hour movie. Kevin Feige said, “No, it’s not an eight hour movie, but it’s not exactly eight hours.” So the point there being, they’re not going to be six 40 minute episodes, like shorter than six hours. Some of them might be a little longer, some of them might be a little shorter. But they’re essentially aiming for like six Netflix length episodes, so to speak.
Justin: Wow. That’s a long way of saying time.
Alex: Pete is very upset right now, so I’m trying to help him out here.
Justin: It’s going to be like a 30 second TV commercial that lasts a third of one day. Okay? That’s the way to think about it.
Pete: Oh man, that’s disappointing. And then what was the first person-
Justin: You’re disappointed? You’re getting so much content, what are you disappointed? I don’t want to hear that word, get that word out of your mouth.
Pete: What was the first person you said, Zalben, when you listed, and it was a character I didn’t recognize? I wanted to go back.
Alex: Batroc?
Pete: Yes, Add Rock. I know from the Beastie Boys Add Rock.
Alex: Nope.
Pete: But what Add Rock are you talking about?
Alex: Batroc the Leaper.
Justin: He’s a French Leaper.
Alex: He was in Winter Soldier, right, not Civil War at the beginning?
Justin: Yeah.
Alex: He was in Winter Soldier, he was at the beginning there. Batroc the Leaper, he fought Captain America. He’s been in the comics a bunch of times, usually has a very pointy mustache.
Pete: Oh the mustache guy, all right.
Justin: Ah, that sells it.
Pete: Speak English when you’re doing stuff.
Alex: Of all the details about Batroc the Leaper, the guy who was dressed in purple and yellow and jumps around, the thing you remember, I knew it, was the mustache.
Justin: Mustache.
Pete: Yeah.
Justin: Purple are going to be playing big in Falcon and Winter Storm.
Alex: Mm-hmm (affirmative), also the bruises, those will be purple as well. Before we wrap up here, any last thoughts on Falcon and Winter Soldier? Anything you’re particularly excited to see? I guess what we did was vision board for Wanda Vision. We can keep with that, we can keep doing that. Pete, what is on your vision board for Falcon and Winter Soldier as we head into the first couple of episodes?
Pete: Well, I don’t want to just get excited about a TV show and then have it end. That’s going to really blow. So-
Justin: I got bad news for literally everything in the world and your life.
Pete: Okay, great. Great. But the trailers look amazing, and they action looks unbelievable, so I’m excited to get some more of that.
Alex: Yeah. Justin, what about you, what’s on your vision board?
Justin: I mean, just sort of what we’ve been talking about. I want to see how they play. If they get into some of the race issues that are on the table here, that would be really great. I’d love if they got into some real stuff. Every Marvel sort of, now TV, but movie, I feel like they find a central emotional arc for the movie or theme in the main characters. And if this is about feeling like you deserve something and whether or not you do or, or in competing for that with the people around you, I think that’s a great theme. I’m excited to see that play out. I like both of these characters, and they’re going to be great together I think.
Alex: Yeah, I agree. That was my big thing as well. I know Pete’s going to call a flex on this one, but I will mention that I’ve seen two extended scenes from the episode. The first one was a nine minute-
Justin: Extended. I think you mean flex-tented scenes?
Alex: Mmm, there you go. I saw a scene, it was a nine minute non-stop action sequence with Falcon, which was very cool and very big and felt like an MCU movie. And then there was I think a six or seven minute scene with Bucky, some stuff happened that I won’t get into for spoilers. But it had more humor to it and had more psychological stuff going on. So these were two scenes, clearly probably for the first episode, but it’s hard to put together what the actual plot was. But my big impression there is I’m excited to see if they can take those different tones and mix them together. I think they can. I think that’s a very small lift to be like, can you do it a buddy action comedy? Can you do that? Can you figure out how to do that? I think the MCU can.
Alex: But that’s something that I am excited to watch and I think that’s going to be fun. And honestly, as much as I loved Wanda Vision, there’s going to be a certain level of relief of just like, boom, boom, pow, pow, yeah this is fun. Let’s just watch this and have a good time. You know?
Justin: Yeah.
Pete: That sounds great.
Justin: Who knows, maybe there could be a mystery. And for those of you who don’t know, nine minutes, let’s see, that’s like how long it takes to… It’s like making seven pancakes.
Pete: Wow.
Justin: Is that about? Because [inaudible 00:18:46] give the context for the context.
Alex: Thanks for being our time master, as always, Justin.
Justin: Time master spoiler, that’s my role in the MCU.
Alex: Oh, man. For all of you out there, we’re going to have the regular episodes rolling out on it Fridays after the episodes air on Disney +. So be sure to subscribe on iTunes, Android, Spotify, Stitcher, or the app of your choice. As mentioned, you can support these podcasts at patreon.com/comicbookclub. Also, we mentioned the live show every Tuesday night at 7:00 PM to Crowdcast and YouTube. @marvelvisionpod on Instagram, Facebook, and Twitter, follow us for all sorts of good stuff. Comicbookclublive.com for this podcast and many more. Until next time, hey Charlie, killing other one.
Pete: What the fuck? That’s how you’re going to end?
Alex: Too dark?
Pete: Yeah, what the fuck, man?
Alex: All right, I’ll do another take.
Pete: And you did like the finger guns like a psychopath.
Alex: Okay, keep marvelous.
Justin: Almost more terrifying, honestly, like scarier.
Alex: The second one was scarier, right?
Justin: Because the second one was more like you’re the killer, and I think that’s the worry.
Pete: Yeah, keep it marvelous.
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It’s time for the series finale of Marvel’s WandaVision, appropriately titled “The Series Finale,” so let’s break it all down on our podcast. Agatha Harkness stands fully revealed, and is going witch versus witch with Wanda Maximoff, aka The Scarlet Witch. Meanwhile, White Vision and Westview Vision settle things the only way a synthezoid can, Monica tries to escape from Fietro and discovers a surprising secret about him, and Billy and Tommy step up to the plate, with their lives – and the fate of the whole town – in the balance. From what happened to White Vision, to Skrulls, to Ralph Bohner, to the TWO WandaVision Episode 9 post credit scenes, to what this all means for Captain Marvel 2, Doctor Strange in the Multiverse of Madness and Spider-Man: No Way Home, to all the WandaVision finale Easter eggs and comic book references you can shake a gnarled, withered old hand at, we’ve got you covered.
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Full Episode Transcript
Alex: Welcome to MarvelVision, a podcast about Marvel the MCU, and right now, the finale of WandaVision is a very secretive title called The Series Finale. I’m Alex.
Justin: I’m Justin, coming at you live from the children’s bedroom, the very hub where all great content comes from.
Pete: I’m Pete.
Alex: Pete is awake this time. That’s very excited. I’m excited that your alarm went off here for the series finale. Now, requisite spoiler warning here. Go watch WandaVision The Series Finale. We’re going to spoil it. We’re going to talk about everything, all the Easter eggs, all the Marvel secrets, also talk about the two post-credit sequences. So if you watched through the regular WandaVision credits and then tuned out, keep watching through the regular credits, because there’s another sequence after that.
Justin: Actually, even beyond that, there’s this whole credit sequence called The Age of Ultron that I actually really enjoyed that you can keep watching, and then at the end of that, there’s another post-credit sequence.
Alex: Oh, man. What was that next post-credit sequence? Was it Raya and the Last Dragon?
Justin: Yes, and that one was expensive. I had to pay for that.
Pete: Wow.
Alex: Man, Marvel … They’re just-
Justin: They get you.
Alex: They’re taking us for everything we’re worth. Now-
Justin: Plus, there’s a whole pre-credit sequence I don’t know if you watched, which was the actual episode of television we’re talking about.
Alex: I skipped that completely.
Justin: Yeah. Oh, that’s sort of the important part.
Alex: Let’s talk about this. This is, of course, the final episode. It’s bringing everything together. Certainly, I’m sure there’s some things we want to talk about that weren’t necessarily touched on, but huge episode. We got the Fantastic Four. We got X-Men. We got Mephisto.
Pete: What the fuck.
Alex: Every theory-
Pete: Shut up.
Alex: … was 100 percent true, and that was great. I was very excited about that. What did you guys think?
Justin: About the episode? I mean, this was good. Earlier this week, the director … Right? Matt Shakman came out and said “Hey. You’re probably going to be disappointed,” which is always a weird thing to hear from one of the main creatives on a project before it comes out, but I see what he was saying, where it’s a classic end of the third act of a Marvel movie, where it’s mostly a big fight. There’s some nice, touching moments. There’s some really smart moments in this, and then everyone just sort of goes back to their corners, and we see what happens going forward.
Pete: Except for the fact that there’s a lot of loss and a lot of sadness that is still there. You know what I mean? I mean, we’ve said goodbye to a whole family in this episode, man. That’s a tough way to start your fucking Friday, especially so fucking early in the fucking morning.
Alex: I do that every Friday. Every Friday, I wake up, I say goodbye to a family, and then I go-
Justin: He has an ant farm that he smushes an entire family of ants every morning on Fridays when he gets up.
Alex: Teaches me about mortality. That’s how I like to end my week.
Justin: That’s a good way of saying it when you’re murdering tiny little creatures. The thing is, Pete, I don’t think we actually said goodbye to very many characters. The Vision gets-
Pete: There’s two Visions now. Which one you talking about?
Justin: Well, I think there’s eventually only one, the ghost Vision, that I think our old Hex Vision converts ghost Vision into the one true Vision. He just goes off. The kids, we hear … There’s no way we’re not going to see them again, and we hear, even in the post-post-credits sequence a little whisper from some sort of child.
Alex: Help. Mama, help. Just before we get too into the minutia of the episode, I’d also like to chime in and just say that I thought this was great. I thought this was a really good finale, and to your point, Justin, yeah, one of the pleasures of talking about WandaVision week to week has been talking about the theories and speculating about it and throwing out “Ooh, is this teasing X-Men? Is this teasing Fantastic Four? Is this teasing Mephisto?” whatever other Marvel characters you want to throw in there, “Is Dr. Strange going to show up? What are the cameos going to be?” and like we sort of talked about last week, what they did really smartly was the story.
Alex: I think, as a watcher, as a fan, go crazy. Theorize as much as you want. I think this is what Matt Shakman was saying, but at the end of the day, put those theories aside and just watch it, because what they were telling was a story about Wanda’s grief, her sadness, and not how you completely move past that, but how you start to move past that, and I think that’s what they effectively did through the action sequences, through the plot in this episode, which I really appreciated.
Justin: I agree. I mean, and like a lot of fans, I love speculating, but the ultimate speculation in fan theory is a show about grief. I think that, at the end of the day, there’s a million blog posts about “Yeah. It was grief. It was grief all along. Woo.”
Alex: Yeah. Now, we should talk about the Marvel Comics origins of grief, which is a classic character. It’s a demon, has a … No. It doesn’t. I don’t know. I liked that. I liked how, like we sort of even speculated about, they ended it with this quieter moment with the family of their house that was so sad and so poignant, but it really was that Wanda … It was all Wanda. Like they said in the third or fourth episode, it’s Wanda. It’s all Wanda, and that’s what it was about. It was about her emotional journey to getting to the point where she can let go of Vision, even though, to your point again, Vision is a god. He’s still out there somewhere.
Justin: Yeah.
Pete: Where do you think the White Vision flew to in such a hurry?
Alex: I mean, now that he realizes he’s alive, he’s probably going to get a good burger or something, go to In-N-Out?
Pete: Really?
Alex: That’s a good place.
Pete: I thought he-
Justin: Wow.
Pete: I thought it was more like “Hey, man. Go start your own family. Don’t live like this, all right? Go pick a town, take it over. You can do it better this time.”
Alex: If you look at the closed captioning, he was actually … While he was flying off, he says “It’s time to get married.”
Justin: Yeah. I love the idea, Pete, that you’re like “Wow. When someone’s really sad, the best advice is to go start their own family.” So when you were an angsty teen, you were like “That’s it. I’m out of here. I’m getting married, and I’m just going to have kids, and I’m going to be in charge of that family.”
Pete: That’s right.
Alex: I’ll tell you what. If you’re having problems, having a whole family … That’ll fix everything.
Justin: That’s a hundred percent right. Look at me, I make total sense. I’m on top of the world in here. I’m in a tiny, tiny room, and look at this. These are the Nordic sculptures at the end of the episode in the double post-credit sequence.
Pete: Oh, look it. You-
Justin: This is an Easter egg.
Pete: … cast your own spells in your own home. That’s smart, man.
Justin: Yeah.
Alex: Let’s talk a little bit more about Vision just to focus this in a bit. I loved that not only that we got the White Vision versus Westview Vision, or whatever we want to call him, fight, which was great and fun to watch, but that it ended with this very classic Vision fashion of having a philosophical discussion, which was very much … I mean, I know we’re joking about Age of Ultron and everybody’s been like “Jesus Christ, Disney Plus. Stop pushing Age of Ultron on me at the end here,” but one of the absolute best scenes in Age of Ultron is when Vision just talks to Ultron in the woods about humanity at the end there right before he takes care of him as he did.
Pete: You can’t say plateaus like “One of the best things of Ultron.” That’s crazy. There were so many fun little points. What about when Hawkeye threatens to shoot? He was like “Nobody would know. I could just take you out.” There was a lot of good moments. You can’t just say one of-
Alex: I’m not trying to slam your favorite movie, Avengers: Age of Ultron, Pete. All I’m saying-
Pete: All right. Well, don’t say best moments and talk about a moment that was like “All right. Let’s talk about life in the woods.”
Alex: That’s a great moment. You’re wrong.
Justin: Alex, don’t push him too much further. He’s going to go start another family, and he’s got too many fucking families.
Alex: Regardless, I think this whole thing about the ship and discussion it was really great and a great way of wrapping it up that I certainly was not expecting.
Justin: Yeah.
Pete: If you don’t like your family, move and start a new one next town over. No one will know.
Justin: Wow. That maybe used to work, but not anymore. I agree. I thought this was a cool way, especially in an episode that started … At the very beginning, it was just fight, fight, fight, and to have it sort of heighten and elevate to the point where we actually get to see this butting of heads in a really smart way, I thought, was great, and the way that it ends with him sort of … We see his stone flash to the Mind Stone yellow briefly and then back to blue, and then his eyes go from blur to just human, good old-fashioned human eyes.
Pete: Yeah. I mean, it’s impressive how after all the action movies, Marvel is like “All right. We’re going to make something that’s a little bit more sad, something that’s going to tug on the heartstrings a little bit and isn’t really going to be about fighting,” and it’s great that creatively we can be doing shows like this. Sure, you walk away not as pumped and maybe a little bit more sad, but it is a cool story nonetheless.
Alex: Shout out to my boy Paul Bettany for doing a great job on this series. Just everybody was great across the board, fantastic cast, but like we’ve been talking about on this podcast all along, he played so many modes of different comedy. In this episode, like we’re talking about, he got to be classic Vision, but that speech at the end to Wanda as he’s saying goodbye was so sweet and so sad and so beautiful. I do hope people don’t lump on it the same way they did the “What is grief but love persevering?” line, because-
Justin: That wasn’t getting lumped. I mean, it was elevated to the point after last week’s episode. This was on Twitter, if you don’t follow all this nonsense. It was elevated to the point of “Look at this perfect line,” and then everyone went after it then, but I mean, it was a good line.
Alex: It’s a good line. It was well said. I’m just saying that I think this was another good speech, and I feel like people are going to equate them in their minds a little bit. So it’s like “Lay off, buddy.” That’s all I’m saying.
Justin: Alex, we should give a shout out to you for calling Paul Bettany describing himself as the actor he wanted to work with.
Alex: Oh, yes. Thank you. Every once in a while … Here’s the thing. This is a little business thing that maybe you guys don’t know about.
Pete: Wait. Wait. Wait. Justin, are you kicking your own kids out of their own room right now? Is that what you’re-
Justin: Yeah. This is Daddy’s time.
Pete: Your kid just wants to go to its bed. Let that kid-
Justin: Its bed? Wow. For a man who has multiple families, you don’t know how to talk about kids very well. She’s awake. Ever since we’ve been doing this podcast, getting up at the crack of dawn, she gets up before me and sits in the living room. So we’ve really evolved as a family.
Alex: Does she talk to you about speculation and spoilers?
Justin: Yeah. She’s-
Pete: Yeah. What does she think?
Justin: She wanted to interrupt and say “Where the fuck was Al Pacino? I really wanted [inaudible 00:11:22].”
Pete: Give that kid a mic. That’s comedy gold.
Alex: But yeah. I do think it’s very funny, and Paul Bettany had this interview on Good Morning America, I believe, where he was like “Yeah. I thought it would be funny when I was saying that, and it kind of blew up out of control.” So that’s great, and that’s fine. I don’t love when they’re lying about stuff. Love Tatiana Maslany. The fact that she was like “No. I’m not She Hulk,” and then she was cast as She Hulk … That’s not her fault. Somebody told her to say that and deny that, but this Paul Bettany thing is just funny enough. I would rather they do stuff like that. It reminds me a little bit … I don’t know if you guys remember when Michael Shannon was doing a little press and people were asking him about Batman v Superman. He was like “Yeah. I’m in that as Zod again, but I have flipper hands. It was really difficult to open the bathroom door with my flipper hands.” That’s the sort of thing that’s like “Sure. Fuck with people. That’s fine.”
Justin: Do you think that Paul Bettany got a phone call late at night from Kevin Feige like “Hey, man. You really fucked us on this whole guest star thing. You get on Good Morning America and you fix it. You fix it.”
Alex: Probably, but it was good, and I did like seeing him go up. Yeah. It’s funny that we were speculating this much about the cameo. While we’re sort of talking about these things that we speculated a lot about, who was in witness protection for Jimmy Woo? We never tied that up.
Justin: That’s crazy to me because it’s one thing that we went off on our own little wild speculation. That’s our thing, but even the little nuggets they dropped didn’t really pay off in a way, and I was very surprised there wasn’t a cameo. Obviously, I think, last time I was like “It could still be Mephisto.” That was always a reach, but I thought for sure we would get Dr. Strange. We get a lot of reference to him.
Pete: Sure do.
Justin: We’re fully in his world with the Darkhold and all these other things that we’ll probably talk about in a minute, but I still was surprised that we didn’t get a resolution on the witness protection thing, because what is it? Was it Agatha? Also, the-
Pete: Also-
Justin: … the Ralph thing was odd. We just get-
Pete: Yeah. Yeah.
Justin: So that was an open-ended thing, really.
Pete: But also, it was like if you’re the Sorcerer Supreme, how do you not feel or notice this crazy shit going on? There was a lot of crazy shit happening magically that … You don’t have something that kind of senses that or kind of points in that direction that maybe you should check out?
Alex: I did not come up with this one. I saw somebody tweet it, and I do not remember who tweeted it, but somebody very correctly pointed out “You try getting somebody who lives in Midtown to come out to Jersey for a party.”
Justin: That’s legit. I mean, come on. He’s not going to leave his-
Pete: I was hoping that’s where she was going was going to New York City when she left.
Alex: I expected that we would see somebody at a post-credits. I was surprised that we didn’t see Dr. Strange in that last moment with Wanda in the cabin or something like that, but I appreciate that we didn’t actually have any cameos. It would have felt distracting.
Justin: Oh, okay, Alex. You appreciate that we didn’t have any cameos? Wow. What a strong point of view.
Alex: No. I do, because it kept it focused-
Pete: After the fact, after you’ve been speculating and wanting a cameo the whole time.
Alex: I have been saying, people can listen back, that maybe we’ll get some cameos, but I think that we would get Dr. Strange in a post-credits or showing up at the very end of the episode and that’s pretty much it all long.
Justin: Wow.
Alex: All along.
Pete: Sure. Sure. Sure.
Justin: Alex-
Alex: Also, all of the X-Men and Reed Richards.
Justin: Yeah. Exactly.
Alex: Other than that-
Justin: I think-
Pete: How did you like … Oh, go ahead.
Justin: No. You go, Pete.
Pete: I was going to say how did you like the kind of thing of like “Hey. It’s okay to come back to the theater. No, no, no. Come back to the theater. Please go into the theater, sit down in the seats, pay $30 for popcorn. Yes. Back in the theater. That’s where you belong. That’s where-“
Justin: You thought there was a little-
Pete: “… Marvel belongs, back in the movie theater. Right, everybody?”
Alex: Oh, okay. I didn’t get that at all.
Pete: “Home stuff is cool, but right? We should all be back in the movie theater. Now look up. Look up. Ah, yeah. Look at the giant screen. That’s nice, right?”
Justin: Wow. The ultimate post-credits sequence is being brainwashed.
Alex: Yeah. I think that might have been slightly more your thing. Can we talk about the stuff outside of the Hex, the folks outside of the Hex, and kind of run through them a little bit, talk about Jimmy Woo, what happened with him in this episode?
Pete: Flourish.
Alex: Flourish. Yeah. Straight out of Ant-Man and the Wasp, right? That’s where he learned-
Pete: It’s just magic talk. It’s a nice-
Justin: Yeah. That’s straight out of David Copperfield’s magic show, and I don’t know if I ever told you this, but David Copperfield made me disappear, actually, when I was five years old.
Pete: Yeah. I want-
Justin: [crosstalk 00:16:10].
Pete: I want the original Justin back. I don’t want this Copperfield copy. You know what I mean?
Alex: Yeah. Did you get-
Justin: Copyfield.
Alex: … dumped into a basement somewhere like in The Prestige?
Pete: Yeah.
Justin: Yeah. Exactly.
Alex: Spoilers for The Prestige.
Justin: Wow. Alex dropping bombs. Jimmy Woo, I think, is … It’s funny how much he sort of took center stage and Darcy got a little bit left on the wayside here. She had a-
Pete: Yeah, but come on. I mean, that was … The Kat entrance was just money.
Justin: Fun moment, but interesting how she really felt like center of the sort of outside-of-the-Hex show for a bit and then was just sort of here for a car accident.
Pete: Come on. Wait. Wait. Wait. Wait. Wait. Let’s not undercut it. It’s a bucket list dream, I think, of every person to drive a clown car into a clown. I mean, come on. That was just unbelievable.
Alex: Pete, I don’t want to keep lumping on … You did this the last time as well. It’s not a clown car. It is a funnel cake truck. I can’t believe you of all people is getting this wrong.
Justin: Yeah.
Pete: Okay. All right. Unbelievable.
Justin: We should tell you Pete has driven a clown car for several years, him and all of his [crosstalk 00:17:10].
Pete: Looking for some clown to run over, and I still haven’t found one.
Alex: I do wonder if maybe they didn’t have Kat Dennings really for this last episode, because-
Justin: It seems that way.
Alex: … it seemed like that was an insert shot and there was a credit in the end credits for double for Kat Dennings, double for Darcy. So I wonder if they were able to just grab her for one shot and that was pretty much it. So that’s why we got that.
Justin: It feels like-
Alex: It was a little bit of a bummer.
Justin: The Jimmy Woo stuff was fun. I liked him at the end of the episode. It’s like “Ooh, he’s running shit.” The idea that he gets to be maybe a more power player in the S.W.O.R.D. area. Or I guess I don’t know. He’s not technically in S.W.O.R.D., right? He’s in the FBI.
Alex: Well, I think that’s an interesting thing to talk about in terms of the MCU is we’ve seen S.H.I.E.L.D. dissolve. Then we get S.W.O.R.D. here, which we haven’t seen most of the development of, but certainly with Hayward gone, it seems like obviously there’s going to be some big changes there or that’s going to be dissolved, but it’s almost like they’re realigning the MCU to be the power player in terms of law and order is the FBI, very straightforward, which is interesting.
Justin: Well, and let’s not forget that Jimmy Woo is a character from the comics who ran the Agents of Atlas. Is that correct?
Alex: Yep.
Justin: So I could see him … Wow. Good job with the Hex situation in Westview. Maybe you can take over this random organization we just made up where there’s a talking gorilla and some other people.
Alex: Yep. First choice. First choice, talking gorilla. Also, we’re powered by a dragon. Don’t worry about it. It’s fine.
Justin: Yep.
Alex: That was good. We also got Monica, of course, and the full reveal, definitely has powers. She protects Billy and Tommy. Pretty fucked up that Hayward was trying to shoot a bunch of children.
Justin: Yo. I was like-
Pete: Yeah. Hayward just finally gets out of the truck to shoot kids? That’s his plan?
Alex: Jesus.
Justin: From a leadership position, it’s really hard to imagine being like “All right. Let me assess the situation. All right. Shoot the kids first. Bang, bang, bang.”
Pete: Yeah. I was like “Man, that’s like that Men in Black training where they took one shot at the poor kid the whole time.” That was crazy.
Alex: Well, particularly because all Billy and Tommy did was they were like “All right. We’re going to take care of the Army, steal their hats. Yeah.”
Pete: Oh, man. Military hates it when you steal their hats though. [crosstalk 00:19:16].
Alex: That’s where all their power is. They just shut down after that.
Justin: I will say it’s a very Olsen twin type movie choice at the end there too. Maybe that was a subtle nod to Elizabeth Olsen’s family.
Pete: Yeah.
Alex: Yeah, and then of course we get Wanda. Let’s go over to Wanda and the big witch battle with Agatha. What was your take on that? How do you think all of that panned out?
Pete: I thought it was fun. It was cool how we had a witch off and then a Vision off, and it was tough because they did a great job of being like “Oh, man. I don’t know if Wanda’s going to be able to win this, because she doesn’t know she’s a witch or is kind of denying it,” and then a fun kind of turn of like “Oh, I listened to your first lesson, and I’m now using that against you,” … That was really badass.
Justin: Yeah. I agree. It was sort of at a standstill for a while where I was like “She’s sucking her powers, and it really feels like there’s no way for her to get around this.” I liked the twist of the runes in the Hex. I thought that was a smart way to do it, and I guess I don’t know. Between those two battles and then the Vision battles, I wanted them to switch for just one little sequence.
Alex: Yeah. I thought that was going to happen, have the classic “We’re equally powered. Let’s switch partners,” but-
Justin: It wouldn’t have made a lot of sense.
Alex: … come on.
Justin: Yeah. No. Just for even a second. I thought that would have been cool just to break up the action of it a little bit, because it was just such a clean transfer of who’s winning from. Agatha was winning the entire time, and then it was like “Flip. Nope. I won,” later, and I wanted a little bit more nuance to that, I think, and Kathryn Hahn didn’t have a ton of chance to just not be spouting supervillain lines from hovering in the air. So I would have liked a little bit more stuff for her because she’s such a great character, such a great actor, such a great villain for this series. I like where we left her though, in a great way.
Pete: Oh, yeah. That was really crazy, the way it was kind of like touch the side of her head, and now she’s just like this little nosy neighbor, and it was fun to kind of see her back in that, and it just made it seem more empty and hollow than it was before and so added a nice kind of flavor to that.
Alex: Yeah. I 100 percent agree. I think we talked about this a little bit the last episode. There was just too much witch makeup on Kathryn Hahn. They poofed up her face and gave her these enormous brows. She’s great, but it felt like she was sort of trapped in this whole thing.
Pete: Also, I have a question. So the whole town is free except for her?
Alex: Yeah.
Pete: So she’s playing a 1950s nosy neighbor. Isn’t the town going to be like “Yo. What’s with this lady?”
Justin: That’s really funny. I didn’t think of that, like “Hey, Agnes. Cool it. All right? Go home.”
Pete: It’s not 1950. What are you doing out here baking?
Alex: Okie-dokie, Artichokie.
Justin: Go home. We’re trying to do our taxes.
Alex: That was great. I also like the fact that they didn’t back down from the damage that she had done to Westview. I was sort of surprised she didn’t turn herself in at the end, Wanda, I mean, but the fact that everybody was looking at her, the fact that they were like “Please. We’ve been living your nightmares. Let us die.”
Justin: Yeah.
Pete: That was … Oh, man. The living your-
Alex: I like the fact that they … Well, they didn’t back down from making it very dark at the end there, which I think is a-
Pete: [crosstalk 00:22:39].
Alex: … tribute to the production. It would be very easy to be like “Oh, Wanda. Save us. It wasn’t your fault. It was Agatha’s all along,” but no. It was actually Wanda all along. She was the one that was doing this. She was wrecking them, and it did a terrible job. So-
Pete: Yeah. Did you-
Alex: … she didn’t completely fix it.
Pete: I was hoping for after the post we’d get a little Wanda song that was like “Actually, it was me all along.” How come she didn’t get a fun song?
Justin: Pete-
Alex: The Wanda rap?
Pete: Yeah.
Justin: Pete, write and record it, release it. You have a couple hours before the internet …
Pete: Don’t be a white guy beat boxing.
Alex: Maximoff is going off.
Pete: Stop it. Stop. Stop. Stop.
Justin: I appreciate it, Alex.
Alex: Thank you.
Justin: Rhyming off with off this early in the morning is confident.
Alex: Well, I was going to rhyme witch with something, but it felt inappropriate.
Pete: Speaking of inappropriate, let’s talk about Ralph Bohner.
Alex: Just to be clear, B-O-H-N-E-R, Pete.
Pete: It’s Bohner. It’s Bohner is how you pronounce it.
Alex: It’s Bohner. It’s Ralph Bohner. It’s not Ralph Boner. Okay?
Pete: Yeah. Well, yeah.
Alex: I was okay with that. It sounds like you guys were a little disappointed that it wasn’t Quicksilver, it wasn’t Pietro actually or anything. It was just an actor.
Justin: I’m fine with-
Pete: Just an actor.
Justin: I’m fine with that choice. Any actor, especially a classically trained actor, is a star in my mind, but I do think it was weird that there wasn’t one little extra turn there, one little extra turn there, you know? Sorry. My-
Pete: Did she have an-
Justin: My daughter wants her bedroom back.
Pete: Yeah. Does your daughter have an idea about the extra turn? Is that why she jumped in?
Justin: Yeah. She was like “Maybe he’s Wong.” I don’t know what she’s talking about.
Pete: Oh, wow.
Alex: Huh. Interesting. I will say it’s interesting … There’s a lot more to talk about in the episode, but since we’re kind of touching on this now, there was a lot of speculation and it was well about how this tees up the next couple of Marvel movies, and they said “This is really going to open up the multiverse. It’s going to tie into Dr. Strange in the Multiverse of Madness. It’s going to tie into Spider-Man: No Way Home.” It doesn’t, specifically, right?
Justin: No.
Pete: No.
Justin: Zero, which again, that’s fine. It’s just there was … They had all these open threads and they didn’t close them, in a way. They just sort of let them hang, and I guess, if you’re not going to use them for all these wild speculation ideas, which is totally fine, at least close them up a little bit.
Alex: Yeah. So-
Pete: Yeah. I mean-
Alex: Go ahead.
Pete: … Olsen was on Jimmy Fallon and she said “This puts me exactly where I need to be,” for the Sorcerer Supreme movie that she’s shooting now. So I was hoping for a little cameo or a little something, but I guess Sorcerer Supreme finds her in a little cabin in the woods, which is totally-
Alex: Well, no. I mean, I think that’s the one that … To talk about the two post-credit sequence, one is setting up Captain Marvel 2. The other one is setting up Dr. Strange in the Multiverse of Madness, but like a lot of this stuff when they do the end credits, and I feel like people have probably forgotten because it’s been so long, it’s not specifically like “Here’s the first scene,” most of the time. It’s something that tees up the idea. So talking about the second one first, we got Wanda. She’s making tea. She’s in a cabin. You think she’s dealing with her grief. She’s in a sweat suit. She’s in quarantine just like the rest of us.
Pete: I think it’s like casual active wear is what she’s wearing. I don’t know why you’re-
Justin: Wow.
Alex: All right then.
Justin: Interesting stance to take, Pete. Athleisure wear? Is that what you’re talking about?
Pete: Yeah. Exactly.
Alex: Sure, but at the same time, she is also in her full Scarlet Witch outfit. She is floating in some magic. She’s-
Pete: Reading the Darkhold.
Alex: … reading the Darkhold, when she hears Billy and Tommy calling out from somewhere, and Billy says “Mom, help. Mom, please,” and Tommy says “Help, Mom. Please.” So we know, even though seemingly they disappeared in Westview, they’re out there somewhere. So I guess it’s a question of-
Pete: Do we know that? Or is she just hearing their cries because she’s grieving for them?
Alex: This is the open question, right? I think the thing that kicks her in is she’s exploring her powers. She’s been told in this episode she is more powerful than the Sorcerer Supreme. She thinks her kids are out there somewhere. Are they in the multiverse? Do they still exist in the MCU? Is it somebody tricking them? Clearly, she is going to seek out Dr. Strange to find them, and that’s going to be at least a part of the plot of that movie. So I think that was a very direct line there.
Justin: It’s interesting. She is in that post-post-credit … She’s in the pose in the Darkhold that Agatha referenced as a problem, a very problematic pose. So we speculated a little bit that maybe Wanda was some sort of villain in this Dr. Strange movie or at least a agent of chaos, and it sounds like she will be the catalyst to push Dr. Strange into the Multiverse of Madness on a quest for Billy and Tommy. Though, the Dr. Strange movie can’t be about finding Wanda’s kids, right?
Pete: Yeah, because Wanda killed her kids. So what is she looking for her kids for?
Justin: No. I don’t think that’s what happened, but-
Pete: Well, she controls the kind of field around the thing, and she was setting everything back to the way it was.
Alex: Just to touch on this a little bit, she took the field. We presume they disappear. I expected there to be a little thing at the end where she’s standing in the ruins of the house and they pop up like “What’s up, Mom?” but obviously, they didn’t. So yeah. I mean, to Pete’s point, yes. They disappeared. So we don’t know.
Pete: She killed them.
Alex: We don’t know how she hears those voices. Do their spirits exist? Are they out of the multiverse. We’re not sure at this point.
Pete: She killed them.
Justin: Well, I think-
Alex: [inaudible 00:28:21].
Justin: … if I were to speculate, which we can do … We have the power to do that in our own little personal Hex.
Alex: So far, we’ve been spot on with every bit of speculation.
Justin: Spot on. Spot on. I think, either Wiccan himself was like “Oh, I see what’s happening here,” and just jooped them out of there-
Pete: Yeah, because we didn’t see them. They died off screen.
Justin: They didn’t die for sure. Or there is something to this chaos magic that we’ll get to learn more about, where because they were fully realized people, they have souls, that the chaos magic couldn’t destroy them, they were just moved to a place of pure magic or something.
Pete: Wow. You’re really working hard to try to save the fact that she killed her kids, man.
Alex: Well, hold on. We heard their voices at the end. So there’s something going on there, Pete. Plus, it was very pointed that we didn’t see them disappear in the same way we saw Vision disappear. I think, first of all, that was put emotionally back on Wanda and Vision, also, real rough to recover a show after watching kids die, I think. But I do want to say, just while we’re jumping around here, I don’t know if you feel this way, Justin. There is a certain sense like I thought it hit on a very specific parental thing of when you say goodnight to your kids, you’re like “Oh, my god-“
Pete: Yeah. You might never see them again. Yeah. That’s it.
Alex: Honestly, there’s some times when that goes through your head, and it’s terrifying. So-
Pete: That was like “Oh, goodnight, kids,” and then the way they were hanging on it was like “Wait a second. This is bigger than a ‘Goodnight, kids,'” and then I was like “Oh, god. She’s going to murder her kids, isn’t she?”
Justin: Stop saying that.
Alex: She did not murder her kids.
Pete: What did she do then? You tell me. The whole thing slowly came and wiped everybody out and reset everything. Those kids didn’t exist until the spell. She wipes the spell, kids are gone, dude.
Justin: Monica Rambeau kept her powers. The Vision who was changed by the Vision in the Hex flies off, is still changed. The Hex world influenced the outside world. I don’t think you have to worry about it, but to your point, Alex, when you-
Pete: We just watched nine episodes of somebody bringing kids to life and then murdering them in front of us.
Justin: When your kids go to bed, that’s why you always check on them, and you whisper in their little ears “Hey. I’m recording a podcast tomorrow morning. Please, sleep in for a change, would you?”
Pete: The timing on the kid attacking you as you said that was magical.
Justin: Yep. That’s-
Alex: Real quick while we’re talking about post-credits things, there’s also the tee off of Captain Marvel 2. Pete preferred to focus on the fact that it was in a movie theater, but I do think it’s important or nice to talk about, I guess, that Monica seems to be heading into Captain Marvel 2. That seems like maybe it’s going to be headed more to space, because we had the reveal of a Skrull friend of her mother’s, who I assume is Talos-
Justin: Got to be.
Alex: … the Skrull.
Pete: Just real quick. If you were in a movie theater and somebody points up, what do you think they’re talking about? You know what I mean? Well, I just-
Alex: The theater right above it.
Pete: Right. Exactly. I would like a little bit like “Actually, there’s a giant sword floating above the Earth. That’s what I’m pointing at.” Be clear. If I got called to a movie theater, and then someone was pointing up, I’d be like-
Alex: Would you have preferred if Monica-
Pete: … “Help me help you.”
Alex: Would you have preferred if Monica was like “The ceiling?”
Pete: Yeah. Exactly. Are we talking about the ceiling, bro? Is there something on top of this building? Help me.
Justin: No. She was like “Let’s go sneak into Black Widow. It’s right upstairs.”
Alex: All right. As Justin’s kids are starting to get a little persnickety, why don’t we start to wrap this up here, talk about some other Easter eggs and little things in the episode? I could read through a couple I noticed, but I’d love to hear from you guys, of course, as well. First of all, in the witch battle right at the beginning, Agatha gets knocked into the house. We see Wanda looks underneath. You see just the shoes. It’s just like Wizard of Oz.
Pete: Oh, that’s a fun little-
Justin: Oh, Wizard of Oz.
Pete: Come on.
Justin: Just classic witch ref.
Alex: Well, they’ve had Oz stuff throughout the entire series. So it was a fun little point there.
Pete: Yeah, and if you look in the rubble, there’s a little dog tag that says Toto.
Alex: Man, you’re really into murdering kids and dogs in this episode.
Justin: [crosstalk 00:32:30].
Pete: Dog got murdered by that car, yo.
Justin: At the end of Wizard of Oz, Toto is going strong, dude.
Pete: Oh, right. Right. My bad.
Justin: Obviously, Dorothy, again, was just dealing with her grief. Every time I watch The Wizard of Oz, I’m like “Grief gang. Let’s see this.”
Alex: We talked very briefly about the Darkhold. We have speculated about whether this was or was not. They reveal that it is, in fact, the Darkhold. This is probably going to be a huge issue, I assume, online today, because the Darkhold played throughout Agents of S.H.I.E.L.D. and also played into Runaways a little bit. This looks entirely different. I think you could excuse it one of two ways. Either, A, yes, they are completely erasing everything that happened in Marvel TV before this, or it’s just another copy of the Darkhold either way.
Justin: Oh, yeah? You’re going with “Yeah. There was a big-“
Alex: No. I’m going with one, but I think, if people want to feel better about it, they could go with two.
Justin: Oh, that’s nice. If you want to delude yourself with your own personal Hex about the Marvel continuity, yeah. Go that way. I like the idea that you’re like “Yeah. Well, there was actually a pretty large print run on the Darkhold. Everybody got a copy.”
Alex: Hey. Can I get a copy of that, man?
Justin: Yeah, like the college bookstore where you’re like “Yeah. I just need to buy a couple copies of the Darkhold.”
Alex: The shittiest thing … I remember standing outside Barnes & Noble in a line before midnight waiting to get my copy of the Darkhold, and some asshole walked along and was like “She’s the Scarlet Witch, man.” God. Spoilers. Come on.
Justin: Some huge spoilers.
Pete: Oh, man.
Justin: I mean, to be fair, that’s right at the beginning of the Darkhold. There’s so much-
Pete: What sucked was I was in line, and then the person in front of me got two, and I didn’t get one, and I was like “Oh, that should be illegal.”
Alex: Did you get yours signed though by the fucking devil?
Justin: The Darkhold … I know we referenced, like “It’s probably the Darkhold.” I mean, there is only really one super magic book in the Marvel universe. So it’s not like we were-
Pete: You want credit for recognizing the one-
Justin: No. I’m saying we shouldn’t take credit.
Pete: Yeah. Okay.
Alex: No. It’s about on par with somebody being like “Hey. I’m going to go grab this nullifier,” and we’re like “Is it the Ultimate Nullifier?”
Justin: Nope. It’s just sort of the regular, casual nullifier. Oh, okay. Cool, but I mean, the Darkhold … Just leaving all the TV continuity aside from this show, Agents of S.H.I.E.L.D., that I guess some people watched, there’s a … That’s a dig on you, Alex. There is a-
Alex: I watched most of it.
Justin: Yeah. Cool. You and literally everyone else. There is a lot of comic book stuff that the Darkhold sort of opens up, even beyond sort of the magic side into the sort of more horror side. There was a series called the Darkhold Redeemers, which was a team of magical heroes track down and resolve horror monsters and stuff like that. So that’s cool. It opens the door for characters like Blade and whatnot to maybe re-enter the Marvel universe.
Pete: Yes. Come on.
Justin: Obviously, we know there’s a Blade movie that was announced very early on in the process. We have no idea what’s happening there, but it’s a nice doorway to have there.
Alex: I think that’s a really good point about the horror thing in particular. Since Sam Raimi is directing Dr. Strange in the Multiverse of Madness, there was a whole sticky thing behind the scenes where Scott Derrickson, who directed the first movie, was like “Yeah. We’re going to make this a fucking hard R horror movie,” and Marvel was like “Maybe not.” They brought in Sam Raimi. I think we’re still going to see whatever it means for horror in the MCU in that movie, which is cool. A couple of … Oh, go ahead, Pete.
Pete: I want to say some stuff I want to quickly talk about. I really love Jimmy Woo coming into power, especially the part where he got that douche military guy to start monologuing. That was, for me, a real hero move to get the bad guy to spill the beans on his plan and stuff, why he’s doing the Flourish. I really appreciated, and I wanted to kind of talk about the last moment there that we had with Vision and Wanda where it was like Vision cried, which was unbelievable moment, and then Wanda cried, and then I fucking cried because it was really a very touching moment that … I don’t know if we’re going to see Vision again or what’s going to happen after this. It was a pretty crazy, cool moment that we got to kind of witness that.
Justin: It was crazy to see a robot cry, and by that, I’m talking, of course, about you, Pete.
Pete: Oh, [crosstalk 00:36:56].
Justin: So that is truly amazing.
Alex: So I’m going to admit something now that is a bad thing to admit. I’ve definitely told you guys before, but I haven’t said it on this podcast. I have never seen Blade Runner, but on the marquee for-
Pete: How about the second one?
Alex: Yeah. I watched Blade Runner 2049, but-
Justin: That’s the one that people say to go see. That’s the [crosstalk 00:37:17].
Alex: But I know enough about references from Blade Runner. On the marquee, and they reviewed this the last episode, the movie that’s actually being shown there is called Tannhauser Gate: Puts the Fun 1n Dysfunction, with a one for the I, and that’s from the whole tears in the rain monologue that Rutger Hauer gives in Blade Runner. So I think that was a neat little Easter egg tee-up for Vision crying in the last episode.
Justin: I think Tannhauser Gate is like a warp station, or it’s like a doorway to other wilder places, so I think that’s definitely … Because we see it once when they’re sort of fighting and they sort of fight past the theater, right? Then I was like “Oh, cool. That’s got to be something,” and then later when they’re just like “Oh, go meet in the theater,” and then it’s a long, lingering shot, I was like “Okay. That’s like an Easter egg.”
Alex: Paul Bettany kind of comes into frame and is like …
Justin: Like “Try that out.”
Alex: [inaudible 00:38:17].
Pete: Go to movie theaters, guys.
Justin: It’s like if the-
Alex: That is not what anybody was saying.
Justin: You’re a conspiracy theorist, Pete.
Pete: Yeah.
Justin: It’s like if the Easter Bunny hid all of your Easter eggs on Easter morning inside an egg carton in your fridge.
Alex: Couple of other Easter eggs, speaking of which, and thank you for the transition, Justin. So this is something that a couple of people picked up on a couple of episodes back when Vision left the Hex, but I feel like it was even more prominent now. When Vision and Billy and Tommy are being ripped apart when Wanda’s taking down the Hex, it kind of looks like pixels, but it also kind of looks like puzzle pieces. There’s a classic cover from House of M of Scarlet Witch breaking apart into these puzzle pieces, into these bits. So I think that was a visual callback to that. Again-
Pete: I thought it was kind of like a callback to the Thanos snap where people turned into dust.
Alex: It definitely felt like that, emotionally, which sucked.
Pete: Yeah.
Alex: Another one. Maybe I’m reading too much into this, but when Wanda does the disappearing thing behind Agatha right at the beginning of their witch battle, it felt very I Dream of Jeannie or Bewitched to me just in terms of the movement, which I thought was cute. You watched Age of Ultron, Justin.
Justin: Of course.
Alex: So you know about this-
Justin: [crosstalk 00:39:34].
Alex: … but we got a callback to the Wanda doing the nightmare thing to Tony Stark in Age of Ultron, which we haven’t seen her do since, where she does that to Agatha and sucks her back to Salem 1602, I think it was, or something like that.
Pete: Sure.
Justin: Probably not, but that’s a good guess. 1602 is a big date in Marvel Comics, but-
Pete: Yeah. Exactly.
Alex: [crosstalk 00:39:53].
Justin: … I know we have a hard time differentiating between the two histories.
Alex: Oh, wow. Pete just pulling it out right there. Always on your person. That’s amazing.
Pete: Yeah. You got to be ready for when things like this happen.
Alex: Well, I-
Pete: Did I create that moment by having the comic ready? Or did you create that moment, and then I was ready for it, like-
Alex: Great question.
Pete: … “Oh, what? Oh, shit.”
Justin: Pete either took a philosophy 101 class just now, or this show has ruined him [crosstalk 00:40:23].
Alex: Couple other quick things that I wanted to call out. We got the energy head sock, which I thought was fun, a callback to the crown from the last episode, and then it becomes the real-
Justin: Wait. Head sock? Is that what you’re going with?
Pete: Yeah. What head sock are you talking-
Alex: Yeah, like the thing … I don’t know. It’s not exactly like Gambit’s head sock where he’s wearing this thing on his head that reveals his face, but I’ve always felt it’s the same thing with Scarlet Witch where it’s like … I don’t know. There’s too much stuff going on in your face.
Pete: What moment in the show are you talking about?
Alex: Wear a that or wear a mask. Choose one of the two. That’s all I’m saying.
Justin: It’s like the little-
Pete: Who are you talking about? What part of the show was-
Justin: When the Scarlet Witch got her little Batman ears.
Pete: Oh, okay. All right.
Alex: But before it was a costume, when it was just energy. Yeah.
Pete: Okay. All right. You call that a head sock?
Alex: Yeah. I call it a head sock.
Justin: I will say head sock is maybe the worst way of saying it, because that implies something very different. A head sock is like a little stocking that you have over your head.
Pete: Yeah.
Alex: Just to keep running through my notes here, I think … Yeah. The Westview, home is where you make it … We’ve seen that sign before, but it’s just driving that home one last time. Also, just the last thing that I’ll mention really got me, the line-
Pete: Don’t say that, because it won’t be the last thing that you mention.
Alex: The last thing I’ll mention from my list of things that I wrote down in my notes.
Pete: Okay. Thank you.
Alex: The line “Boys, thanks for choosing me to be your mom.”
Pete: That was weird to me. That’s-
Justin: That’s to show that-
Pete: That’s not how kids work. Kids don’t sit there and pick who their mom is.
Alex: Speaking-
Pete: You make the kid-
Alex: Speaking as a parent-
Pete: … and then that’s how you-
Alex: I understand what you’re saying, Pete. I know you’re making sort of a joke. Speaking as a parent, that line got me. That was the line that I cried to.
Justin: It was a good line. My kid just walked in, said “Hey. Thanks for choosing us, but we’re out.”
Pete: Yeah. Smart kid. Smart kid.
Justin: But I think that is also a good nod to show that they are fully realized beings. They’re not just another Hex creation. They have souls. “Thanks for choosing me,” means that they came from somewhere.
Pete: Yeah, but it was a crazy line to say to somebody after you then wipe them out of existence, “Hey. Thanks for choosing me. You choose wrong, because your mother’s about to kill you.”
Alex: Oh, my god, Pete.
Justin: Stop saying that.
Alex: Come on. Any other notes before we wrap up here, Pete?
Pete: Yeah. I mean, I felt like the whole kind of back and forth, like you don’t have power … It was a very cool reveal that when she was missing hitting Harkness that she was creating that thing, and I’m so glad that made sense, because it was definitely frustrating during the fight, and I really liked the exploration of the … As she’s kind of holding Vision, being like “That Mind Stone was the Mind Stone that lived in me in my memories,” and I thought that was an interesting kind of explanation for that that kind of made sense. So I thought those were some kind of touching moments. Yeah.
Alex: Just, any final notes from you?
Justin: I mean, it’s great talking about it with you guys. So much happened in this final episode, and it is crazy if we … Thinking about it all the way back to the first couple episodes, which were so … They started so far away from this sort of knock-down, drag-out Marvel movie style fight, and just giving credit to Marvel, if people are critical of this episode for not having enough whatever, they really took a swing with this show and started really far away from their comfort zone, and so I really appreciate being able to go on that journey and having characters that felt a little bit different and the show have a real theme rooted in something. Of course, I’m talking about everyone’s favorite character, grief.
Alex: Yes. Can’t wait to see how grief plays out in the MCU. Now, normally we’d end these episodes of Vision Board for the next episode, but obviously this is the actual series finale. Kevin Feige, just as a note, did say “Never say never,” or at least he’s learned to never say never when it comes to a sequel, but clearly, this episode is called The Series Finale. So they are planning it as a series finale for WandaVision until now, but this isn’t the series finale of MarvelVision. We’re going to keep going.
Justin: What?
Alex: Yeah. We are. Surprise, guys. In two weeks, we’re going to pick it up with … I keep wanting to say Captain America and the Winter Soldier … with Falcon and the Winter Soldier next episode.
Pete: Yeah. What? Are you racist, dude? Come on.
Alex: Jesus, Pete. No.
Pete: Good.
Justin: Pete’s ready to be done with these mornings.
Alex: If anything, that’s the opposite of racist because I’m calling Falcon Captain America right now.
Pete: Oh, okay. All right. I thought you were like “I can’t see that …” Or anyways.
Alex: Nope. Don’t follow that train of thought.
Pete: Yeah. Yeah. I’m not going to. Yeah.
Justin: No. Keep finishing your sentence.
Alex: Anyway, in two weeks, we’re going to be recapping that show and putting those up super early as well, which I know is Pete’s favorite thing.
Pete: No. Come on.
Alex: But we’re going to do-
Pete: Seriously. Please comment if getting this up earlier makes a difference, because it’s fucking killing us.
Alex: Nah.
Justin: I feel great.
Alex: I love it.
Justin: Yeah.
Alex: I feel more alive than ever.
Justin: I say earlier.
Alex: But-
Justin: I got to get up before my kids wake up. So we need to do this in the 4:00-
Alex: 3:00 AM. There you go.
Justin: Yeah. Exactly.
Alex: Before we’ve even watched it.
Justin: Yeah.
Pete: You guys can do a fun dad show. All right?
Alex: Well-
Justin: Dad show.
Alex: Speaking of which, we are going to do one more episode before Falcon and the Winter Soldier premiers. So here’s what we’d love from you. We’re going to do a preview for Falcon and the Winter Soldier, but we’d also love your thoughts on WandaVision, your theories, what you thought about the show, anything-
Pete: How sad you are.
Alex: … you thought was dangling, how sad you are. Send us your best griefs.
Justin: Yeah. Your grieves.
Alex: Grieves.
Pete: [crosstalk 00:46:01].
Alex: You can send us a couple of places, [email protected], or hit us up on Twitter @MarvelVisionPod. We’re try to read a couple of those things, those letters or tweets, in the next episode of the show before we get into Falcon and the Winter Soldier proper, and that is it, folks. If you’d like to support us, patreon.com/comicbookclub. Also, we do a live show every Tuesday night at 7:00 PM to Crowdcast and YouTube. Come hang out. We would love to talk about grief or WandaVision or whatever you want to discuss. Happy to discuss it live.
Alex: iTunes, Android, Spotify, Stitcher, or the app of your choice to subscribe and listen to the show. Specifically on iTunes, we would love you to rate and comment on the show. That helps us out quite a bit. So we would appreciate it if you do. As mentioned, MarvelVisionPod on Twitter, Instagram, and Facebook. Comicbooklive.com for this podcast and more. ComicBookClub on YouTube. Until next time, Marvel ya later.
Justin: Off to start a new family. Bye.
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We’re going back in time to discover Wanda’s full origin — and Agatha’s — as we break down WandaVision Episode 8, “Previously On.” Held captive by Agatha Harkness, Wanda Maximoff is forced to relive the most traumatic moments of her life: trapped with Pietro in Sokovia; getting her powers from the Mind Stone and HYDRA; the aftermath of Avengers: Age of Ultron and falling in love with Vision; and discovering Vision’s body post-Avengers: Endgame at SWORD. And this all leads up to a revelation about Wanda’s powers that changes everything. From Chaos Magic, to White Vision, to Scarlet Witch, we’re breaking down all of the WandaVision Easter eggs, Marvel Comics spoilers, and much more from WandaVision Episode 8.
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Full Episode Transcript
Justin: Zoom, good. I can’t believe I’m hiding in here specifically, so I wouldn’t be bothered.
Alex: Ready?
Justin: Mm-hmm (affirmative)
Alex: We’ll clap, right? Three, two, one. Feels like a little peekaboo.
Justin: Yeah.
Alex: One second. Welcome to Marvel Vision, a podcast about Marvel, the MCU, and specifically right now, WandaVision. I’m Alex.
Justin: I’m Justin coming at you live from the most adult Marvel place I can, my daughter’s bedroom. I got the unicorn balloon popping in the background. We are ready to go.
Alex: So here’s what we’re fighting about taping these early episodes. Before we get in and talk about episode eight, “Previously On”, and this will give you enough time to go watch the episode, check it out because we’re spoiling the heck out of it. Typically, this early in the morning, sometimes you tape stuff right in your daughter’s bedroom. Sometimes one of you Pete, over sleeps.
Justin: Could be, that could be. Marvel Vision is what happens when you get up too early in the morning on a Friday to watch TV. You have to develop Marvel Vision.
Alex: Exactly. In case I wasn’t totally clear, Pete our third member did in fact oversleep. So we are taping this without him. I’m sure he will have many thoughts once he finally wakes up luxuriously at 10:00 AM. Has his brunch breakfast, he usually has five eggs and two biscuits, I believe.
Justin: I can’t believe he can’t wake up this early. I’m up, like five, four or five in the morning everyday just to check and see if WandaVision has been premiered. Even on a Monday or Tuesday, my calisthenics, prepare my farm-fresh breakfast that I send out to Pete.
Alex: I’ll tell you what, I didn’t sleep last night. I just kept waking up and now I’m totally jazzed because the title of the episode was previously on and I guessed it. I called it.
Justin: I was going to say, Alex credit to you. So you couldn’t sleep because you were so excited about getting the title right?
Alex: I was nervous honestly. I was lying there, my brain going up like, what if it has this other title? What of the other title? What if I get it wrong this time? It’s not going to be previous now. This is going to damage my reputation for real.
Justin: Your shattered reputation. You’ve never guessed correctly yet so far. So this is [inaudible 00:02:47]
Alex: I did get now in color. So at this point, I have a two out of eight, which is 25%, which is like, I’m going to say what, B+, A, is that how that works?
Justin: I believe that is how That’s grading works. It’s been so long. Let me ask ne of my daughters that I know that will be bursting in here any minute.
Alex: What other shout out that I want to make? An actual shout out before we get in and talk about the episode, a shout out to Rachel Thompson who plays Major Goodner on the show popped up in the last episode. Watched her last episode on YouTube and posted a little clip on her Twitter and was very nice about it. So thank you for that. That was a very cool surprise.
Justin: We called her out as the big reveal, which she clearly was because she’s such a nice person.
Alex: There you go. Surprise. People are nice sometimes. Let’s get into this episode. This is a big one, the overall plot, as you could probably guess from the title and also hopefully again, watching it.
Justin: From watching it. It’s not called a guest when he just watched something and then know it.
Alex: That’s very true.
Justin: It’s the ultimate guess.
Alex: This is the big reveal episode, we walk through Wanda’s entire history with the MCU, get a bunch of recoms there thanks to Agatha Harkness, Kathryn Hahn, officially playing witch, straight up, not like, “I’m a science witch.” But, “I’m a witch.”
Justin: Actually, Salem based witch.
Alex: Yeah, walks her through her history, therapy style to try to find out how Wanda pulled off the Hex. A lot of the things that we thought were true, turned out to be true. We were talking about this actually before we came on. So let’s broad strokes before we get into any specifics, Easter eggs theories or anything like that. How do you feel about this?
Justin: I thought it was good. I liked the areas that the show’s covering. I liked the backstory they’re building for Scarlet Witch. Vision by the end of this episode lands in an interesting place. It was interesting that the big reveal by the end of the episode is knowledge we already had. Like to hear her be like, “You’re the Scarlet Witch.” Is like, “Yeah, we know. That’s why we showed up here.”
Alex: The funny thing about that end note, if we want to jump ahead to that last thing is for comic book fans. I’m sure there’s three levels of this almost, right? There’s comic book fans of like, “Yes, we’ve been calling you Scarlet Witch, even if you’ve been call yourself Wanda Maximoff. We know who you are from the comic books.” There’s also MCU fans who’ve been waiting for her to be called Scarlet Witch and I’m sure a bunch of them we’re like, “Oh, shit. They said it. They said the words.” So probably totally worked for them and then there’s the non comic book fans who were like, “I don’t know what that means.”
Justin: “Is that a big deal? Is that Scarlet?
Alex: Which is fine. It’s all fine. What I liked about this episode is sometimes the reveals don’t have to be, [inaudible 00:05:42] all the time or 30 layers of Easter eggs. One of the things the show has been doing really well is it’s been layering in, like we’ve talked about it here on the podcast, lots of different things, all the time, different layers of Easter eggs for sitcoms, for MCU, for Marvel Comics, for everything. Some of them are just like color and some of them mean something, but in this episode, they’ve been doing all along, they’ve just been telling us what’s been happening. It’s more about the outside world has been pulling it apart like we’ve been doing here, when the show has been pretty straight up about what’s happening.
Justin: Yeah. That’s what Marvel does really well. They’re like, “We have a story we’re telling and we’re going to give you little tangential teases to light you up.” Like the Quicksilver casting, just lit everybody on fire when really it’s just like, that was what it was designed to do in the end at least in this story. Maybe it’s going to be a way of dipping into the multi-verse by having that be the choice there as a larger plot choice. But I respect the move just as a like fun nod or poke to the fan base to be like, “Whoa! They’re doing it. They’re doing the thing.” But they aren’t doing yet, but they got us.
Alex: To get a little behind the scenes on that, there was a talk that Kevin Feige, the head of Marvel Studios did with the Television Critics Association this past week and for those who don’t know, this is a trade organization. The panels are very weird. They’re not like Comic Con panels or anything. It’s basically virtually, but the people sitting there taking question, after question, after question from press and that’s it. It’s not about announcements or trailers or anything.
Alex: But he did give some really good interesting information about the process of WandaVision and two the things he mentioned, one Evan Peters was very early on, he said that they blue sky everything. They did talk about Alan Donaldson, but ultimately decided, you know what, this Evan Peters thing, if he can pull it off, this is going to be the right thing for the show. But the other thing he said is exactly what you’re saying, that they felt like if they’re going to do weekly TV shows, this is their chance to try to create weekly conversation the same way that they do weekend conversation when they release a movie. So he-
Justin: By next year, there’ll be a Marvel TV show every week and a feature film every weekend so truly will be our entire lives.
Alex: Oh my God, I love it. Bring it on.
Justin: I love it. I’m dying.
Alex: But I respect that. I respect the fact that they were very specific about, “We want to give people something to talk about between the episodes.” That’s really nice. The other thing that I really liked about this episode that I’m curious to get your take on, this is the one that hit me emotionally the hardest. There were a couple of times where I got really teared up in this episode and I haven’t felt that same way throughout the show, but now it has enough weight, not just with the movies in the MCU, but also with the TV show that I feel like we’ve appropriately gotten to that place.
Justin: What I also give them credit for, this story, the format or the structure of it, it’s pretty like we could see that coming once the episode started, but they do a great job of upsetting our expectation like when Wanda finally sees the Vision’s body in Hayward’s lab. You think, “Oh, this is it. She’s going to lose it.” I love the choice they had of her, like touching his head and being like, “There’s nothing of him here. I don’t feel him here.” And then walking off and like, “Oh, it’s not it.” Then we see her emotional breakdown in Westview at the house they were going to build.
Justin: That hits so much harder because they got us one step later. Again same thing with the parents. You think you’re going to get this nice “vision” of her childhood life and then it’s upset immediately heartbreaking. They didn’t even have to show us the actual parents loss and then be gone. It was just, we see Wanda instantly fixing her trauma with her powers.
Alex: That was the first one that really got me specifically because we know where the Stark bomb is. So when they have that pause where she’s watching the sit-com, I was like, “Oh, it’s coming. Oh, this is so sad.” Just having her and Pietro under the bed with the bomb, knowing that we’ve heard this story, but never seen it before, awful. The other scene that I thought was really wonderful, we didn’t get a lot of Vision in this episode obviously with the big reveal with the Vision at the end of the episode, we should probably talk about at some point. But the scene post Age of Ultron probably like concurrent with civil war, right before they really started their relationship or anything like that, I thought was great. The stuff that they’re talking about there, about grief being another form of love. I thought was really smart and pointed and very nice.
Justin: Yeah, it made their romance real. I’m assuming in the last episode, we’re going to get a lot of that payoff or how they actually feel for each other. But this was such a great little… Because we’ve never really seen too much of this in the movies we got with them together and just like fighting, but never did we see them have any real, super sweet moments. It was just the high emotion of them being together and then the loss. So this was really great. It really helped set up what I assume is going to be the big emotional payoffs next time.
Alex: Yeah, I agree. To that point, I think a lot of Marvel fans all along have been like, “An Emmy for Elizabeth Olsen.” Which she’s great, she’s been doing a great job. Everything is super fun, but I haven’t necessarily felt that. This, if anything, is the Emmy’s submission episode for her because there’s so many different emotions and modes that she walks through here.
Justin: Wanda is obviously submit for the rabbit for the pet Emmy’s for eating that-
Alex: Which are on the CW, I believe.
Justin: Yeah, a hundred percent. For eating that fucking bug. Rabbits eats bugs?
Alex: Ugh, I guess rabbits eat bugs. I had a rabbit, but I don’t remember it eating flies.
Justin: Uh, good. I thought you were going to say, “Rabbits eats bugs. I had A rabbit. I fed it bugs all the time. I’m a sociopath.”
Alex: Oh, boy. Should we talk about some of these recoms here because this is a big change to Wanda, her origin, what we get here. We talked about Agatha straight up witch, at the Salem witch trials, sucked her whole coven dry.
Justin: Sucked the coven. Hey, welcome to Marvel Vision in the morning, we got to sucking coven today. We’re going to be here in the Marvel Vision. Ail suck it up, I’m coming right out.
Alex: That’s coffee, my man. This opening scene was great. Wow, Disney-
Justin: Disney Plus mug.
Alex: Really compromising your journalistic integrity to kick off this breakdown of the episode.
Justin: I’ll tell you what, nothing more journalistic than a Marvel podcast that we excited comic book fans woke up early in the morning to do.
Alex: It’s just very funny. That was like a Wayne’s world moment of the person reviewing the thing being like, “Cheers Disney blood.” I thought this opening sequence was great. Kathryn Hahn, I was imagining them filming this and she’s being zapped by a bunch of invisible CGI energy and she has to play the pain of it and then instantly switch it to like, “Ha ha, I got you. I’m sucking you dry coven.”
Justin: Now, why is that? Because I had that thought pretty much all episode two, maybe it’s because Kathryn Hahn comes from indie films and is sort of known like this quirky background or foreground potentially person. But we haven’t seen her at a big budget thing like this necessarily, maybe that’s it. All episode I was like, “Man, it’s great that they got Kathyrn Hahn to do this.
Alex: I also think she’s really good and the energy she brings. She brings this sort of the meme going around, the winking energy to so many of her roles where it feels like she’s looking at us being like, “Is it crazy I’m in this TV show. I’m acting here.” And I think that’s what it is. The fact that she gets to… She has a real audience surrogate power to her. She’s just great to watch. Despite the fact that she’s playing big in this episode every line is like “Well, my pretty eyes, they’ve captured you this time.” Then she still lands it. Even at the end, when she’s in full, hair styled witch regalia it’s-
Justin: Oh my God, those eyebrows were out of control.
Alex: I got them right here so I’m pretty psyched to see them on screen.
Justin: This is the first time you’ve seen yourself on screen.
Alex: I finally see my brow. So she was great. Loved the walkthroughs here. The big recom with Wanda, I was about to say Scarlet Witch, is that she had these witch powers, All Along and the Mind Stone-
Justin: You love saying All Along, by the way, ever since last ever that’s what you talk about. I’ve seen the tweets Alex. We know you like it.
Alex: I like it. I enjoy the song. It really is by resting state right now is Agatha All Along playing in my head and it’s driving me a little insane.
Justin: She’s deadly. That’s deadly.
Alex: Wanda had the witch powers from the beginning. That’s what Agatha is walking her through and the Mind Stone only amp them up quite a bit. What do you think about that record?
Justin: That’s mutant, right? I think that’s being a mutant. It is. It feels weird to say that but in the comic books, that’s what it is. Your powers come to you. We didn’t get to see Quicksilver be very fast here and his youth, but this could easily be it. It’s what they showed us. They just didn’t tell us.
Alex: For those who haven’t read the comics this is certainly changed a lot through X-Men and Marvel continuity. But initially it was always this puberty thing around the age that Wanda and Pietro are when the bomb hits. There’s a stressful situation and it activates your powers. It is this metaphor for puberty. Again, it’s been a lot of different things throughout the years, but that’s what you’re hitting on here, Justin. That’s what they do like you’re saying, without saying it. It’s interesting if they call it, witch powers or something like that instead of… There’s a, what is it? 1608 is the Neil Gaiman book where they call it the witch mark or the witch hex or something like that instead of being powers.
Justin: But I don’t know how you explain Quicksilver. If you’re going to do this for Wanda, it doesn’t make sense for him to have like a witchy amount of speed.
Alex: That was a weird thing. I think probably for story reasons, keeping it focused on WandaVision they did and didn’t get into it too much. But I agree with you. I was definitely in that scene where Wanda came in and was like, her witch powers are calling out the Mind Stone, here it goes. Wait, what happened with Pietro when he walked in there?
Justin: Or maybe they didn’t put him in that room. I don’t know. There were a little questions there. I don’t think they could even at all touch on them because it would have been too much of a distraction story-wise and also getting us into all these questions of like, “What does this mean for the X-Men in the Marvel Universe?” And even if they will start to classify Quicksilver and Scarlet Witch as mutants going forward.
Alex: The other thing that it does really nicely as it reminds us that Scarlet Witch and Vision’s powers are tied together by the Mind Stone, which they can kind of bumping around a little bit. They certainly mentioned it a couple of times, but it gives up that very clear line. Honestly, I was thankful for that because this is a very stupid thing. I constantly find it confusing that Loki Scepter which was blue, was holding the Mind Stone, which is yellow.
Justin: They did a good job of just being like, “Remember this guys, I know this is weird, but we made this movie before we had it really figured out what we were doing.” Someone in the VFX was like, “Let’s make this stuff blue.” And they were like, “Cool, I love how it looks.” And then later on they were like, “Fuck, it has to be the Mind Stone. What do we do here?” So I appreciate that, he cracks and we see a vision of the Vision through the yellow of the Mind Stone. Now let me throw this out to you. Does this call into question their feelings for each other at all, the fact that the Vision is the Mind Stone and she was influenced by the Mind Stone here. Is it real love they have between them or is it just the mind stone connection acting on her own?
Alex: Oh, that’s interesting. I hadn’t really thought about that. I think it’s real love. We going to go with that at this point, but certainly that Mind Stone could have created some initial connection with them because usually you don’t fall in love with a robot.
Justin: That’s true. I’ve been in and out of a lot of robot based relationships, but that’s just me, but I also encountered them early on.
Alex: They were all like, not love. You never said the big L word.
Justin: I know exactly we didn’t get that far, especially in robot years. But that’s an interesting question that could be posed because I agree with you. We obviously want them to have a real relationship and real love. That’s maybe something to call into question whatever they feel and whoever the villain ends up being in this series. Because despite all the Agatha-
Alex: You really think there’s somebody else other than Agatha?
Justin: In the scene with Hayward when he’s pushing Scarlet Witch with the body of the Vision, he’s clearly pushing her into a trauma reaction moment. He’s not just being like, “Oh no, you’ve seen our horrible experiment.” He is pushing her to crack there. Maybe I’m reading too much into the scene. The way he’s talking to her and the way he’s like, “Go ahead, go down there, touch it.” It was like this person is doing this perfectly.
Alex: I could see that. I don’t think he’s an ultimate big villain. I know you’ve been on the Hayward being pretty much this entire time. I do think he’s still a corporate dick, but he’s not able to activate Vision. Maybe Scarlet Witch will be able to do that. That’s potentially why he’s pushing her there. Maybe he does want her to crack so he can throw her into custody of the dissector as well. I really think he is just corporate dick straight out of the movies and that’s pretty much it.
Justin: Then let me ask you this… This is like getting outside of the show commentary. A couple of the actors have said, “There’s this big actor who we’re going to see in the series.” You’re telling me, you don’t think that’s happening or that was-
Alex: No, I’ll tell you what I think is happening there. That was Paul Bettany specifically was like, “There’s an actor I’ve always wanted to work with. We have some really…” I don’t think he uses the word meaty, but “Some really meaty scenes that we have together.” I think the actor he was talking about was Paul Bettany.
Justin: Oh, really?
Alex: That is what a hundred percent my theory right now. I don’t think we’re going to get another cameo. The reveal at the end of the episode of the mid credits, which we could probably get more into the comic book Origin Myths, Hayward has been able to rebuild Vision’s body as we saw. He is activating it using the hex energy that Scarlet Witch left on the drone that he sent in a couple of episodes back. We get this white Vision reveal, this evil Vision, if you will.
Justin: Ghost Vision.
Alex: Ghost Vision, and that’s straight out Vision Quest from West Coast, Avengers by John Byrne. I think it was issues 42 to 50. I didn’t double-check that. I wrote that data off of the volume, but that gives us like two very clear things that they pulled on for the series. There’s one the… At least for me as a kid dichotic shot of Vision all spread out on a table. That he has been dissected as Wanda discovers him. They rebuild him. He comes back without color. He’s completely white. He doesn’t have any as memories and Wanda has just had kids. So that, and you’d probably love this Justin, clears the way for Wonder Man, to profess his feelings for Wanda.
Justin: Yes, the Vision is like an emotionless ghost essentially and that’s why-
Alex: He’s like, “I have no interest in my family. Go ahead. Date Wonder Man. We have the same brain patterns. It’s complicated, don’t worry about it.”
Justin: “Don’t ask us any follow up questions about that.” I like Wonder Man as a character. In the comics, he’s also been powered up in the same way that Scarlet Witch has, in this series. I don’t know if there’s any real appetite for Wonder Man out there in the world, famously an actor, who’s also a superhero, come on.
Alex: What? That’s crazy. To that point, when we get that reveal at the end of the white Vision, evil Vision, ghost Vision, whatever you want to call him, what we were talking about going to this last episode, I don’t think they are dressed suddenly have Al Pacino pop up as Mephisto or anything like that. I think it’s Paul Bettany finally getting to act opposite Paul Bettany and he was tricking everybody the entire time.
Justin: Wow. It was Bettany all along, is what you’re saying.
Alex: Great cameo.
Justin: “That’s fucked up.” He’s going to get away with saying that about himself. I feel like there’s going to be a one more reveal. You really don’t think so?
Alex: No, don’t get me wrong. I think we’re still going to have-
Justin: This is Marvel, there’s going to be another reveal.
Alex: If we want to talk about the stuff after the episode, and there’s still plenty to talk about in the episode, but we got Monica and Jimmy outside the hex working with Goodner. Oh, sorry. Monica is in the hex. She’s been taken by Pietro. I really didn’t appreciate them pushing that hashtag to be honest with you. This isn’t Riverdale. You can’t do.
Justin: Wow! Okay. Strong interconnection multi-verse of madness of our podcasts.
Alex: She’s there. We don’t know what’s going on with her. Jimmy is outside with [inaudible Major Goodner and the rest. Hayward obviously is planning an attack with white Vision. Then you have Darcy is for Vision. Like he’s not even real. He was created inside the hex. There’s a lot of stuff going on there. To throw another character into the mix is a lot given how much focus we’ve had on the characters in the show so far. But I do think we’re going to see Dr. Strange by the end of the show. Showing up and being like, “Hey, you got to come over here. We got to take this book and figure out what’s going on.” Or something like that.
Justin: You think that we’re going to get Dr. Strange. To me that feels… I understand why that’s makes a lot of sense, but that’s not even a surprise reveal at this point, because we all know that Dr. Strange is like the next chess move here.
Alex: Right, that’s what I’m saying. We were talking about right at the beginning. As much as we’ve been dissecting the show and looking for surprises and there have been some really fun twists, a lot of the stuff is very predictable, very purposely so. I keep going back to, what was it, the second episode where they talk about the magic trick and they say, “You got to lay it out for everybody. You got to show them what the workings are so that they know.” That was giving away the whole structure of the show.
Justin: Yeah. But on the other side of the magic trick, it can’t just be like, “And that’s everything I just told you I was going to do that. Ta da!” There’s usually a surprise in there somewhere.
Alex: Yes. I don’t know, Maybe we’ll see somebody else show up, but bringing in Dr. Strange for the end makes sense. We’ll have obviously a post credit scene or two. Frankly, given that they’ve been doing mid credit scenes for the last two episodes I guess, we’re probably going to see an actual end credit scene after that teeing up Dr. Strange two or Spiderman three or something like that. That wouldn’t be too much of a surprise. Maybe even three, I don’t know. Maybe we’ll see multiple post credit sequences.
Justin: That’s the real Marvel way.
Alex: Yeah, really surprise people. Maybe Falcon and Winter Soldier will show up and be like, “We’ve got a series next. Two weeks from now.”
Justin: “Stick around guys.”
Alex: Much less on the mysteries. We should probably talk about… Do we want to go through talk about other Easter eggs and things?
Justin: Yes, it is almost Easter. I know it’s time to start finding last year’s stinky old eggs.
Alex: One thing I do want to mention just for the previous episode, two things we missed a little bit that people pointed out in the YouTube comments in particular. If you’re listening to the podcast by the way, we also have a visual YouTube version of this. If you’re watching on YouTube, you already know that.
Justin: Nice job. You get the added bonus to see my children’s bunk beds and their extensive book collection. Let’s not forget about this cute ass lion.
Alex: Here’s the things we missed though, the opening credits we call them The Office credits and the theme music was The Office, but they were actually straight up off of Happy Endings, which is something we didn’t quite pick up on. There’s also a quick shot of the middle there of some very ransom style letters that say, “Wanda, do you know what you are doing?” Which in retrospect is weird and I’m not 100% sure what was going on there.
Justin: I wonder whose point of view that’s from. Is that a S.W.O.R.D. style observation? Is that someone in the town? Is it a further reveal that we haven’t got to yet?
Alex: It might be the town. We didn’t really talk about this yet, but there’s this great sequence where Wanda drives into Westview. It’s a piece of shit, New Jersey town.
Justin: Wow, Alex.
Alex: It really is. Everybody’s so sad there. They’re having a bad time.
Justin: They are having a bad time but [inaudible 00:27:45] is giving piano lessons. He’s still bringing the music.
Alex: The postman who we’ve been very suspicious of it turns out to be a pizza delivery boy.
Justin: After all that, he’s just like, “Nope, just bringing a calzone into something.”
Alex: Then Mrs. Hart is also there. She is sitting, looking very sad at a cafe. So we get a couple of senses of them which I thought was interesting. Other stuff that I wrote down is not necessarily Easter egg things, but I thought were interesting. We get the switch to the Purple Marvel Logo at the beginning to tee up, Agatha back in Salem, 1693. I liked the little twist of that scene too, of everybody gathering her up and then who turns out to be her mom and saying, “Are you a witch? Well, good.” Basically that was a nice little twist on that scene.
Justin: That’s a great scene in general. Talking about the switch from Agatha Harkness in the comics is just like an old grandma who’s like, wow, this is a problem. In the show, she is super powerful like a real villain.
Alex: I love the line where she says, “Please, I can be good.” And her mom says, “No, you can’t.” And then tries to shut her down. What do you think they were trying to do? Were they trying to kill her? Where they trying to bind her? What do you think was happening in that scene?
Justin: If she was able to suck their powers out, I feel like other witches were going to suck her powers out and vanish her, basically kill her. To me I was like, “Oh, they’re burning her at the stake.” If this was the Salem witch trials, it wasn’t actually humans trying witches. It was witches trying witches, one witch remains Supreme.
Alex: We get a little glimpse… I wrote this down. We get a glimpse of runes. I’m not a really big rune guy, that’s why I don’t read them. But there was one-
Justin: But you seem like a rune guy.
Alex: I know. If you look over there, I have my rune lab. I don’t know what it is.
Justin: That’s a pornographic drawing that you have on your wall.
Alex: There was clearly an M logo, was one of those runes. It might’ve been a typical rune. It wasn’t like straight up house of M logo, which is something that’s mildly imply inspired the show. But that seemed pretty blatant to me to have that big M there, either for Mutant or for Magneto or something like that. Again might just be an Easter egg versus a clue. But I thought that was pretty obvious.
Justin: What is the difference between an Easter egg and a clue, really?
Alex: A clue is something that indicates an upcoming plot point. An Easter egg is just a fun thing that is there.
Justin: Mm-hmm (affirmative). Very fine line in this show.
Alex: I don’t celebrate Easter, but Easter eggs usually lead to nothing, right?
Justin: No, I’ve solved a lot of murders based on stuff I’ve found. Let me just say I’ve solved a lot of the murders. Too many for a normal person.
Alex: Also we’ve got a couple of shout outs to the comics we got. Wanda did a probability hex, which is something that she does in the comics. Also, by the end we find out that she has chaos magic, which is again, something that she messes around with way too much in the comic books. Also an interesting note, I thought we speculated what was going on with the commercials. That maybe the commercial people were her parents. They’re not her parents.
Justin: No. They do a good job of illustrating that in this episode that they were… Those two traumatic moments. I love the way when the red light starts to flash on the missile, the Stark bomb, I was like, “Yes, direct connection to that first episode the commercial there and the stress of that combined with the like, Oh, you’re feeling her stress from watching that commercial version of it. That first episode I thought was great.
Alex: But I guess some of the commercial people are more people trapped in Westview at this point.
Justin: Yeah. I guess that’s probably on a logistic point of view. For me, the commercials then are the hurt or broken parts of her psyche as a break from the part that she’s made beautiful, how she wants, it’s the darker part emerging in the middle of it.
Alex: A couple of other-
Justin: Commercials are evil parts of the Vision.
Alex: Exactly, yeah. That’s why I have my TiVo so I can skip the commercials.
Justin: You’re a witch in a way.
Alex: Absolutely. That’s their tagline right? “You’re a witch,.” The other little things we didn’t really talk about the sitcoms. We were correct about that she used to watch them in Sokovia. That’s exactly where that comes from. That’s her comfort place. That’s why she goes there with the hex, which I thought was great. I love seeing the scenes for the people who didn’t really pick up on the one-to-one of like the Van Dyke Show or Malcolm in the middle, but all of those scenes are straight up in the show. There’s one scene with a doll, that doll is in there at some point. The thing with, what’s his name, Bryan Cratson watching the thing collapse that was in one of the opening credits as well. So all that stuff is right there. I thought that was great. I also love for the MCU perspective that they layered in the Avengers music in this episode, which we haven’t really heard, which was pretty cool and fun. That’s all I wrote down. Did you have anything else you want to chat about?
Justin: I think that covers a lot of… We touched on it as we went around. Did I mention that the rabbit eats bugs? God.
Alex: What do you think is Scratchy is? Is he just familiar, is that it? Or is Al Pacino or Mephisto.
Justin: He’s Al Pacino.
Alex: He’s Al Pacino?
Justin: A hundred percent.
Alex: Last shot of the show is going to be where Scratchy said, “Huhaa You didn’t think I’d be here. Did you? I can go into any role. I was the devil once now I’m a rabbit.”
Justin: “I was also the bug.”Hu haa!
Alex: Before we wrap up here, what is on your vision board for the final episode of WandaVision Justin? What do you want to see?
Justin: We are going to get a massive fight. We’re going to see Monica Rambeau really come into power setting her up for Captain Marvel 2. I’m very curious where we end up with Scarlet Witch. I feel like perhaps she’s going to be lost in… One other thing I want to talk about. We got the word nexus last episode, which it doesn’t touch on really anything in Wanda’s past. So that makes me feel like it’s where we’re going, Scarlet Witch is going to be lost in the nexus of all realities.
Alex: We talked about that the last episode like you’re saying maybe it’s a movie length episode, potentially. Maybe we get some enormous fight. They certainly teased that it’s one of the biggest things Marvel has ever done. Maybe a tear. That is the thing that actually tears a hole in the fabric of reality that sends off all this bolts over stuff in Dr. Strange two and Spiderman three. So we’re not really dealing with that in the show, but the after effects of what happens with the Agatha and Wanda battle is potentially the thing that leads to that.
Alex: The other thing that I think we glanced over a little bit, that I think is super important for the last episode is the one Wanda-Vision relationship. The big thing that we’re going to get is this. Now we know non real Vision who was created by Wanda in the hex is going to have to tell her, “Let me go. You have to let go and move on with your life. You have to move past this grief.” We’ll potentially have white Vision going forward in some way, but it’s not going to be the Wanda-Vision relationship we know and Wanda is then going to go forward throughout the movies.
Justin: I’d be curious if the Vision will stick around. I like the idea that the ghostly Vision is a character that we encounter more. That emotional sadness, every time we see him we’ll be like, “Ah, shit. They were so happy when they were in TV. I still do think we’re going to get one more reveal despite your Paul Bettany theory. I know you’re riding high because you got previously on right. But I do think that we’ll get that. Did you have another theory you want to drop in?
Alex: Just about the title of the episode. I’ll throw it out there. Again, I have this really good track record of 25%.
Justin: Cocky, confident.
Alex: Depending on what direction we go, it could be one of two titles for the last episode. I think either we’ll see, “We’ll be right back.” If there’s a little bit of a dot, dot, dot at the end of the episode, or alternatively, it’ll be, “This ends our broadcasting.”
Justin: Wow. “Be right back” or “we’ll be right back” is really nice. Also has a reference to the black mirror. One of the best black mirror episodes that they’ve made.
Alex: The big thing on my vision board though, I know we’re kind of going far a field of this very set section of the show.
Justin: I know, really format breaking this episode.
Alex: The big thing I do want to see is the emotional catharsis here. Even more than the superhero fights and Agatha going better and better with Wanda and ghost Vision going against hex Vision or whatever we want to call him. The big thing is I want to see what happens with Wanda and Vision. We also didn’t talk about Billy and Tommy at all. The implication right now is, if Vision can’t survive outside the hex, neither can Billy and Tommy, but I don’t think that’s true. I think we’re going to see a reveal of teenage “Billy and Tommy” by the end of this. That’s going to be one of the big things that spurs us into somewhere down the road, several years, young Avengers. I think we’re going to get an actor reveal for both of them.
Justin: I bet we’re going to get a post credit sequence will be them being either placed for adoption or being separated and put into different lives and we’re going to just know who they are really setting that longterm Easter egg for young Avengers.
Alex: That is it for Marvel Vision. We have one more episode here. We’re going to get up even earlier and make Pete wake up earlier, get into even weirder places when we tape the episodes that’s going to be very exciting. But if you want to support us patrion.com/comic book club, also, we do a live show every Tuesday night at 7:00 PM to Crowdcast and YouTube come hang out. We would love to chat with you about WandaVision. I choose Android Stitcher or the app of your choice to subscribe and to listen to the show. If you’d like to rate and comment on iTunes in particular, that’d be much appreciated.
Justin: We love that.
Alex: We love it. Socially, Marvel Vision pod on Twitter, Instagram and Facebook. Well. right here for the end of the episode-
Pete: what’s up? I made it, I’m awake.
Alex: AP?
Pete: what are we doing?
Justin: What’s up, man?
Alex: How you doing? I was just doing the wrap up.
Pete: Oh man. How about that WandaVision?
Justin: What’s on your vision board, Pete.
Pete: Ah, you know what? It was Agnes All Along..
Justin: She snuck in and pressed your snooze button.
Alex: Real quick because we are wrapping up the episode, but I want to know your thoughts. Did you actually watch it Pete? Did you just wake up and get on the zoom?
Pete: I woke up and I tried watching and then I got a zoom invite, so I saw a very witchy beginning. Salem witch trials were real guys.
Justin: That’s a good takeaway right there.
Alex: Thanks for tuning in Pete. Thanks for jumping in. Always good to see you. We were just talking about this, but next week we’re going to wake up at 3:00 AM. [crosstalk 00:39:52]
Pete: Might as well. I mean, what’s the difference? Justin, you are covered in adorable things. This is a lovely image of you.
Justin: Yeah. Just me and-
Pete: And the color pink.
Justin: Yeah, a hundred percent.
Alex: This is great. I’m really glad we wrapped up like this. [email protected] for this podcast with many more. Until next time, set your alarm folks. [crosstalk 00:40:18]
Pete: It’s not, you’ve got to turn up the volume as well. You can’t just set the alarm, the volumes important sometimes.
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WestView is falling apart, and so is Wanda, as the WandaVision villain is revealed on Episode 7 “Breaking the Fourth Wall.” While Vision slowly makes his way back to the center of town with the help of Darcy, Wanda is taking some “me” time to recover from expanding the Hex in a The Office inspired episode. But things aren’t going well, leading to Agnes taking the twins… And revealing some less than altruistic motives. Meanwhile, outside the Hex, Hayward prepares to launch a full-scale attack, and Monica reenters, ready to try and help Wanda — leading to the birth of a new hero. From the Nexus to Major Goodner to the Darkhold, we’re breaking down all of the WandaVision Easter eggs, Marvel Comics spoilers, and much more from WandaVision Episode 7.
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Full Episode Transcript
Alex: Welcome to MarvelVision, a podcast about the MCU, Marvel, and right now, WandaVision. We’re talking to episode five… Excuse me, episode seven. I don’t know. It’s very early right now. Breaking the Fourth Wall. I’m Alex.
Justin: I’m Justin.
Pete: I’m Pete.
Alex: And very exciting, big episode of WandaVision as usual. Spoiler warning if you haven’t watched it yet on Disney+, which maybe you did because it crashed for a good point this morning. Go away. Go watch the episode. We’re going to be talking about all the big spoilers and Easter eggs and everything going on in here.
Pete: Plus after credits.
Alex: We got a mid credit sequence this time.
Justin: 100%.
Alex: So don’t turn it off.
Justin: They’ve been keeping that spot open in the mid credits, and it’s about time we used it.
Alex: Yeah. I’ll tell you what, usually I turn off the episodes halfway through because I’m like, “I’m done. Let’s just move on.”
Justin: “I’ve had enough.”
Alex: I have other things to do with my day. Let’s go. But this time I actually kept it on, not just through the entire episode, but also through the credits, and I was pleasantly surprised. Pete, I appreciate, since we’re on video now, that you’re just sinking lower and lower in the camera.
Pete: Don’t bring it here, asshole. You don’t want none of this. I’ve seen too much behind the curtain today for you to fuck with me, man. I was watching as you greased up your forehead, got the lighting all right, placed your sex dolls in the background. I don’t know what the fuck you’re doing.
Alex: Those are owls, Pete.
Pete: All right, well… They’re missing beaks. I don’t know what you’re doing to them.
Alex: I went out a nature hike with Pete once, and he was like, “What are these fucking sex dolls doing hooting up there in the trees? What’s going on?” Anyway, let’s talk about this episode. The broad strokes, this is the mockumentary style episode, a little bit of The Office, a little bit of the Modern Family going on. In case you haven’t picked up on what’s been going on, Vision was left for dead, pretty much, at the end of the last episode after the Hex expanded. This episode, we pick up with that. He teams up with Darcy to try to get back to the center of town and get back to Wanda. Meanwhile, Wanda’s in a real funk, having a me day, and gives the kids over to Agnes, which leads to the big reveal at the end of the episode that it’s been Agnes all along.
Justin: So funny, so weird.
Pete: Can I ask-
Alex: Wait, I just want to… The last thing, outside the Hex, we got Monica and Jimmy trying to get back inside. We finally meet the aerospace engineer. Huge moment that we’ve all been waiting for.
Justin: God, I can’t believe that. What a character reveal.
Alex: Monica does go back inside, does finally get powers, though we don’t get to see the full range of them, confronts Wanda and ends up in some trouble of her own by the end of the episode. Pete, what did you want to say? What’s going on?
Pete: So with the title, Breaking the Fourth Wall, I got very excited because I was like, “You know what famous Marvel character breaks the fourth wall all time? Deadpool.” So I was like, “Please, please give me Deadpool in this weird world, just a throwaway.” Make him a clown in the background or something.
Alex: I thought we were going to talk about Kool-Aid man. The Marvel character who famously breaks the fourth wall.
Pete: And a living room wall, not just a fourth wall.
Justin: Any living wall. The walls are alive and the Kool-Aid man is coming for them.
Alex: Before we talk about specific moments, as we usually do at the beginning of episodes, broad strokes, what’d you guys think? We’re now at the end of here, two episodes from the end, we’ve got a big finale, we know who the villain is. Here’s the gig spoiler warning. It is Agnes, who is Agatha Harkness, who we suspected all along. So that’s been pulled back. We don’t have all the answers yet, but certainly we have a better understanding of what’s going on here. How are you feeling about the series right now?
Pete: I’m very excited. I feel like this is doing a great job of building momentum. First episode, not that exciting, but it’s really been building since then, and I’ve been really into it. I’m really impressed with how things are going. I cannot wait to watch the last two eps.
Justin: This episode was weird to me. There was a lot of air in it. It felt very like… Especially the outside of the Hex stuff. The scenes where like… They’re left, they weren’t moving very quickly. And I thought that was interesting. I don’t know what that means. My tooth just literally broke.
Pete: You don’t have to put it in.
Alex: That one’s worse. That’s worse.
Justin: No, it’s good. It’s perfect. I’ll explain this later.
Alex: This doesn’t make much sense for our audio podcast. Can you quickly explain…
Justin: I broke a crown and it keeps sliding out. I’m getting it fixed on Monday, but now I have this half… I won’t talk about it anymore. It’s great for audio. So what was I saying? There’s so much air-
Pete: You’re part clown. You were saying you were part clown.
Justin: The Hex just absorbed me. There’s so much air in the episode. I thought it was strange on the outside how the longest scenes were going and stuff. I don’t know why that was.
Alex: That’s interesting. I had the opposite problem. I was okay with the stuff outside the Hex. Inside the Hex. I feel like they didn’t quite nail the mockumentary tone, and I think part of that is Wanda is depressed, so I get that. I think also it’s clearly falling apart, as we see, that the whole thing is dealing with.
Justin: I know all about that.
Alex: For the most part, this is no knock on her, but she’s been fantastic so far. I don’t think Elizabeth Olsen quite nailed the voice, and maybe that was a conscious choice because Wanda is not really into the sitcom format anymore. Versus Paul Bettany, who did that very funny scene outside of the funnel cake truck, where he’s kind of scratching his ear even though he doesn’t have an ear, taking off the microphone. He got it. She didn’t. Again, maybe a character choice, but it really felt like a lot of the structure of the jokes that have been hitting over the past couple of episodes didn’t quite work for me.
Pete: I’m not going to sit here and let you take down Olsen’s acting choices. I thought the fact that she is playing unnerved heightens the tension of the scenes and doesn’t give it that just like, “Hey, this is The Office. Whoa, hey, looking at the camera, having fun.” Shit is going down.
Alex: Hey, we’re having a good time here.
Pete: I don’t appreciate you taking shots at her like that.
Justin: Pete, very spicy when we do anything before dawn, it turns out. I mean, I agree with you. It does feel like a conscious choice in that the documentary sort of format for a sitcom is the closest to reality, and then that makes Wanda the most uncomfortable because they’re dealing with this actual real stuff that’s happening. I think it’s intentional.
Alex: Leave it out. Careful.
Pete: No, this whole catching his tooth as he’s talking is just such a nice thing in the morning. I can’t tell you.
Alex: I just watched a whole episode of WandaVision where she went down to a horrible dungeon. This is the most [inaudible 00:07:15]. But I think what we got here in terms of her grief and her depression and everything are really good. Like I was kind of indicating before, I think the horrifying moments are really good. Pete, I thought of you when Wanda went down to the basement. You had to be alone screaming, “Don’t go down into the basement.”
Pete: Yeah, why would you do that? Why would you do that?
Justin: You got to go down to the basement.
Pete: No, you do not have to… You fight her up here where she has no powers and secret charms. You fight her in the daylight. You don’t go into the witch’s secret room. That’s where all her power is. I mean, that’s fucking 101.
Justin: It’s interesting to me, the end of it. I mean, I don’t know if we want to talk about that now, but the way we’re getting the blend of… Agatha Harkness is a straight up witch. The science of Vision with the magic of Agatha Harkness is a totally new sort of blending, I feel like.
Pete: Justin, I think you’re really missing an opportunity to whistle while you talk, because-
Justin: I don’t know if you know, but no one wants to do that.
Alex: I agree with you. We talked about this a little bit the last episode, the fact that magic in the MCU is not strictly magic necessarily. It’s science masquerading as magic. And I’m sure that’s the direction they could go in. They also don’t need to have somebody be like, “Well you know, magic is actually this thing.” At this point we’re over a decade into the MCU.
Pete: Just real quick, were you doing the Bunny’s voice from the TV show? Whose voice were you just doing?
Justin: Señor Scratchy?
Alex: Yeah, that was Sir Scratchy. [crosstalk 00:08:53].
Pete: [inaudible 00:08:56]. I really hope next episode bunny explains magic to us because [crosstalk 00:09:00].
Alex: Bunny might be something. I mean, he’s certainly something in the CapEx we talked about this before, but Nick Scratch is Agatha Harkness’s son. I think… We’re kind of jumping all over the place here, but I think we’re probably going to discover that there are a couple of lieutenants, like we’ve speculated, that are working for her.
Justin: I think maybe Quicksilver is Nick Scratch, right?
Alex: Yeah. I think that’s pretty fair. Also the mailman, the delivery man. I don’t know if you’ve noticed, but he has Presto written on his name tag. So certainly he seems to be aware of what stuff is going on. I think we could write off… We were getting the name wrong. Herb, right? Not Hugh. I think we were calling him Hugh. But Herb seems to have been spelled by Agatha, so he may not be quite as much a lieutenant as we thought. But I don’t think she’s doing this alone. I think she has people working for her.
Justin: And Ralph definitely seems like someone who we’re going to find out is perhaps a larger bad that maybe looking forward into the rest of the Marvel Cinematic Universe.
Alex: Well who do you think… Again, we should probably go back and talk about individual moments throughout the episode, but since we’re here anyway, who do you think that could be? Do you think given the big song and dance, literal, at the end of the episode that, yes, Agatha Harkness is the villain, that’s what we’re following. Or is there another uber-bad beyond that? And if so, who is it?
Justin: I think there is. And what do we think? Like Immortus is a possibility. It feels like we could get into some of the weirder Doctor strange villains are the good crossover points here. Or some of the larger like Chaos, all those big elemental galactic figures. I don’t know.
Alex: The two that I’ve seen speculated about… One, everybody has mentioned Mephisto. That feels like a little bit of a reach to have a literal devil her.
Pete: Well that’s a shitty choice.
Alex: You just don’t like Mephisto.
Pete: Damn right I don’t.
Alex: The one that I find way more intriguing and makes a lot more sense to me is Nightmare, who is a Marvel comics villain, for those of you who don’t know, who is the literal manifestation of nightmares, has battled Doctor Strange a ton of times, Spider-Man, absolutely everybody. And if we’re going for a villain, this is a nightmare that she is living in, or she is trying to push it away and turn it into a dream. So that potentially makes a lot of sense to me.
Justin: I thought of that too, but the only thing that I don’t think it’s nightmares is he doesn’t seem powerful enough to really warrant a show across into the movies character move. He’s not that big of a villain
Alex: To throw out another possibility, it could be like Loki and Avengers. He was working for Thanos. We don’t get that Thanos reveal until later. So we don’t get an uber-bad in these last two episodes. It really is Agatha for the show, but Agatha is getting her power, was working with or for somebody else, potentially Nightmare. I’ll throw out another piece of evidence for you. So the commercial, this episode-
Pete: Yeah, Nexus.
Alex: Nexus, very on the news pointed to exactly what is going on now. We’ve had stuff throughout Wanda’s past we’ve speculated in terms of what’s been going on with the commercials. This very much seems to be the present. But in terms of a nexus in the Marvel universe, you got the Nexus of All Realities, which is where the Man-Thing lives and guards down in the Florida Everglades. Not in New Jersey usually, but I think we can fudge it a little bit. And that’s exactly what it sounds like. It’s this doorway to the multiverse, knowing that we’re going into the multiverse in Doctor Strange and the Multiverse of Madness and also in Spider-Man 3, potentially. That certainly seems like a good indicator there.
Pete: Now I’m all excited for man thing, and when we don’t get Man-Thing I’m going to be pissed at you.
Justin: I could see us getting Man-Thing.
Pete: No way, man.
Alex: Give us Man-Thing. All the people are demanding. Don’t go on Twitter, Man-Thing is trending right now.
Justin: Pete, we just got Agatha Harkness, like the old lady witch from a couple of random comics, and you’re like, “Man-Thing’s a bridge too far.”
Alex: Pete, you love that, though. Agatha’s basically a granny, so you must be over the moon right now.
Pete: All right. All right. That’s weird. No, but I do-
Alex: No, you love grannies. You talk about it constantly.
Justin: You love bad-ass grandma.
Pete: I like bad-ass people and if it happens to be a grandma, that’s even better, okay? This is kind of exciting. I’m not really familiar with Agnes too much. This would be fun to kind of have… I’m excited for this witch-off that’s going to be coming in the next two episodes.
Alex: No, wait, I wanted to… Just to close the loop here on this Nightmare conversation. The one thing that I wanted to throw out is-
Justin: Alex, this is a podcast, not a nightmare conversation.
Alex: What’s the difference?
Pete: I’ve had nightmares about this.
Alex: So the Nexus of All Realities could… There’s another area of the Marvel universe, I don’t think they’re directly connected. Maybe they are in some coming that I’m forgetting, but there’s a thing called the Crossroads of Reality that’s played into a lot of different stories, particularly Doctor Strange stories. I think that’s where it came from, and it was also a fantastic Hulk arc where he was stranded in the Crossroad of Realities and tried to find his happiness there. Absolutely fantastic. But I feel like they can kind of fudge the two together, and if I remember correctly, a lot of the Crossroads of Reality stuff was… At least led in some part to Nightmare. I remember him being part of some of those stories.
Justin: He was always hanging out in there.
Alex: Exactly. So I could see it all connecting in some way.
Justin: I think it does. The Crossroads and the Nexus are even drawn very similarly. There’s always just random planets floating around. So I definitely think that’s the case.
Pete: We kind of got that when we saw the power lines and there was all these weird kind of lights and they went on forever. It kind of looked a little bit like that.
Justin: No, that’s Monica’s powers developing. That was her point of view. So I don’t think that’s necessarily connected there. I did want to say, what do you think… There’s a book in one shot in Agatha’s-
Pete: Yeah, that’s kind of glowing, yeah.
Alex: So one of the prominent books of the Marvel universe is the Darkhold, so-
Justin: That’s what I was thinking too. That is a weird choice.
Alex: It is a very weird choice. They also, not for nothing, did the Darkhold on Agents of S.H.I.E.L.D. I don’t know how much that matters, necessarily.
Justin: Which show did you say? Agents of S.H.I.E.L.D.?
Alex: Oh, I’m sorry. NCIS.
Justin: I think a reference to an NCIS moment probably matters more than a reference to Agents of S.H.I.E.L.D.
Pete: Poor show.
Justin: Poor show.
Alex: Poor Coulson and his team.
Pete: Come on. [crosstalk 00:15:48] was great.
Alex: The other thing that was interesting about that book, which I’m sure you guys noticed, but it was crackling with red energy at the end, not the purple energy that Agnes, Agatha, I guess we can just straight up color Agatha at this point, is showing off. So it seems like it’s holding some of Wanda’s energy or containing it or powered by Wanda’s energy. I assume we’re going to find out in next week’s episode.
Justin: Or that that’s the conduit for all this extra energy that Wanda has, is what I was thinking.
Pete: I thought maybe just, she accidentally dumped some like Code Red over it or something. Because it kind of has that weird glow after you do that.
Justin: Of all the villains we named though, Mephisto’s sort of the most fun and the most… When I’m like, if I want to put an actor, a big A-list actor into the Marvel universe, Mephisto would be sort of the one to do, right?
Pete: No.
Justin: Red energy.
Alex: I mean, this would be also very on the nose, but a couple of people have pointed out that apparently Al Pacino had a meeting with Marvel about a potential role. I don’t know how much I want to see that. I’ve already seen Devil’s Advocate. [crosstalk 00:16:57].
Justin: They just take scenes from Devil’s Advocate and just drop them in randomly,
Alex: Hopefully my scene. That would be nice. I was in Devil’s Advocate, I don’t know if you guys know.
Justin: Oh, right.
Alex: That’s not a joke. I really wasn’t Devil’s Advocate.
Pete: You were in the background of a scene. It wasn’t like [crosstalk 00:17:15]-
Alex: My forehead, my blurry forehead, which you already pointed out is very shiny, was featured. They couldn’t keep it out.
Pete: The wonder you shined up that forehead so much this morning.
Justin: It’s the moneymaker.
Alex: Can I tell you what I did? I was an extra in the trial scene and I was sitting on the aisle, so to make sure they could catch me on camera I kind of sat like this.
Pete: That’s not what you’re supposed to do.
Justin: You ruined the shot.
Pete: That’s not what you’re supposed to do.
Alex: It’s fine. You can see me right behind Keanu Reeves in one shot.
Justin: Wow. Right behind Keanu Reeves. Alex’s dream role.
Alex: I was also supposed to be a reporter. They picked me out and then somebody, one of the the other actors was like, “Hey, are you SAG?” And I was like, “No.” And they’re like, “Well get out of here.”
Justin: That’s too bad. I was in Mystic River as an extra.
Alex: Maybe that’ll tie it to WandaVision as well.
Justin: It has to tie into us a little bit. We’ve covered a lot of big cinema territory.
Alex: The two most well-recognized pieces of cinema, Mystic River and Devil’s Advocate. So can we talk about Kathryn Hahn for a second, because I thought she was great.
Pete: I didn’t know if you guys wanted to go over your resumes a little bit more before we moved on.
Alex: Pete you are even lower on the camera than you were before. I don’t know how you’re doing this.
Pete: Yeah. It’s because your guys’s bullshit is slowly killing me and pushing me out of frame.
Alex: Can we talk about Kathryn Hahn? You got to love Kathryn Hahn, Pete, just to lift your spirits a little bit. She was great in this episode.
Pete: Yes. She’s always great. She’s a lot of fun. She’s been in a ton of stuff. I respect to work and her comedy. It’s very exciting. She got that big song at the end. I thought it was great. I feel like she’s been killing it on the show.
Justin: She got the big song. Everybody wants it.
Alex: She does a really good job in this episode, I think, first of all of hitting the comedy. Several of her lines made me laugh out loud. She’s the one that I think almost of anybody on this show just gets the sitcom tone perfectly, but also her turns and her little notes of danger, particularly as things go on with Billy and Tommy, with Wanda, obviously at the end, as you mentioned, Pete. Her song at the end was fantastic, and all the mode she played there. She was great in this episode.
Justin: She can do everything we need from the character here. She’s very funny, she’s been funny throughout the whole series with this undertone of a little bit of menace or a little bit of wink that we don’t exactly know what it means, and then we get the full reveal here. Very excited for the fight that will come. What do you think now? Do we want to get into more speculation, the kids-
Pete: Hang on. I just wanted to say… Alex brought this up and I didn’t want it to pass by. The line of don’t worry, she doesn’t bite, and then the cutaway of like, “I bit a kid once,” was just so funny.
Alex: It’s very funny.
Pete: Really funny.
Alex: It was great. What happened to Billy and Tommy? Is that what you’re getting towards?
Justin: And I guess what is Agatha’s role there? She clearly wants to control the kids. We talked a lot in the past about maybe she lost her kids or kid and maybe that’s a Nick Scratch situation that we were mentioning, because I think in the comics, Nick Scratch got pushed into another dimension at one point as a punishment for one of the things he was up to. So maybe she lost him and he’s taking the kids to fill that gap. I don’t know.
Alex: Right now, I was surprised at the end of the episode that it went so hard on, “I’m a straight up witch villain.” That’s it. “I’m cackling. I killed the dog. I killed Sparky. I’m the absolute worst because.” [crosstalk 00:20:53]. Like we talked about, or like you’re mentioning Justin, with most of the MCU villains, there’s some sort of actual motivation. They’re not just straight up evil. That doesn’t happen. So I feel like we’re still going to get that. I will note, this is not a big thing, but while I was frame by framing looking for Easter eggs in this episode, right at the beginning, there is a carton of milk that Wanda is holding and it’s very blurry, but you can see there’s a lost kid thing on there. So I do wonder if maybe there’s something with that, potentially. I’m still kind of sticking with that theory.
Pete: Well yeah, because there’s the whole thing of there were no kids and then for Halloween it was all kids and then the kids went away.
Justin: But I also think that to put her in that spot and make her be so obviously villainy feels like maybe there’s a deeper reason for doing that and we’re going to get this other villain. She’s play acting as well through this.
Alex: Yeah, that’s potentially possible. The other thing, maybe I’m remembering this wrong because a lot of things happen in the comics, but I think what actually happened was Agatha used two pieces of the devil’s soul, gave them to Wanda to create Billy and Tommy so she could have kids, and then Master Pandemonium, who’s this villain who’s like… I honestly don’t remember it, but minor devil character, works for the devil or something like that, comes back and then absorbs Billy and Tommy to start completing his soul and turns them into arms and it’s one of the most horrifying covers in comic book history. We could see something like that. Like you’re saying, she’s trying to resurrect somebody, she’s trying to bring somebody back. Something like that.
Pete: There was a moment where the douchy army guy was like, “We launch today,” and I thought there would be some kind of attack, but that never really paid off in this ep.
Alex: I think we’re going to get some sort of potentially a two-part finale, where we’re getting Hayward is attacking Westview with everything at his disposal. Inside Westview you got Wanda, you got Vision, you got Monica now with powers protecting things and taking the fight to them. You also have the people who are loyal to Monica outside potentially on her side. And then on the other end of the spectrum, you have Agnes and whatever is actually going on with her causing this magic fight. So I think we’re going to see this all out brawl span out over the course of the next two episodes potentially.
Justin: Yeah, I totally agree. Hayward’s setup as the villain, I think, for the other side of it. And I think we’re going to get… Everybody inside the Hex is going to have to fight Hayward, I think.
Alex: Yeah. You think Agnes potentially will team up with everybody?
Justin: I don’t know. I think there’s potential there.
Pete: I think they might have to team up for what’s coming at them. That could be interesting.
Justin: The post credit scene or the mid credit scene where we have Monica discovering Agnes’s basement, they’re all going to be there. I can’t imagine we’re going to get that fight at the beginning of this next episode and that’s it. I feel like we need… Beginning of that fight Hayward is the… Because Hayward’s the dumb villain that is clearly not going to have bigger implications for the Marvel universe perhaps. So then he gets defeated and then they go deal with the larger stuff.
Alex: Potentially I could see that. I could also see them skipping entirely and having next episode be called previously on or something like that, and zooming back and showing how we actually got here and what’s actually going on in the series before we get the blowout fight in the last episode.
Justin: You love predicting the titles.
Alex: I’m always wrong. I’ve had it in one. So far I’m one for seven.
Justin: Previously on’s a pretty good guess if they do the flashback.
Alex: Yeah. We’ll see what happens. Lots of other stuff going on, but I do want to jump back and mention something that we kind of brushed by that Pete mentioned is Monica getting her powers, what’s going on with her, that amazing moment when she jams herself through the wall and we get all the voices from Captain Marvel, we get to see young Monica Rambeau as well. I love this character. She’s great. I’m so excited to see her go forward in the MCU.
Justin: Yeah, really cool. The establishment of her powers here I thought was great. The different color spectrum that we’re seeing with all the different people here is really cool, and just the fact that her eyes went super blue and then we slowly dial that up throughout the episode. I’m here for it.
Alex: Yeah, that was very cool. We also didn’t really talk about the Vision Darcy team up that happened this episode, which was a lot of fun as well. Pete, you want to talk about that one?
Pete: Yeah, it was really fun because we see Darcy, she’s fully in her escape artist character and then Vision touches her and snaps her out of it, and the first thing she said is, “Secretly I wanted to have a guest cameo, but that really sucked.” I really loved that moment. And then the fun very slowly them trying to get there in the the waffle truck was… I really thought this was a lot of sweet moments. And then her kind of catching Vision up I thought was nice. We didn’t hear the whole conversation, but since we saw the show we don’t we don’t need everything, but the little parts that we saw, it was nice to see Vision coming to grips with everything that’s happened to him, and then Darcy being like, “You two really do belong together. That’s real love there.” I thought that was very touching and nice.
Justin: And really we get to see just how sad the story is. The tragic fall of Vision and how he doesn’t even know about it, and to hear it from an outside source, I thought really hit all the emotional moments.
Alex: And I don’t want to harp on this too much, but a little bit of a correction, Pete, and I can’t believe you got this wrong of all people, but it wasn’t a waffle truck. It was a funnel cake truck called funnel [crosstalk 00:26:55].
Justin: Oh Pete. Where are you, dude?
Alex: Food, your number one. Cars, your number two. Wrong on all counts.
Pete: See, I was too focused on getting the other details right.
Justin: Your notes. Your note is just a big funnel cake though, right, [crosstalk 00:27:12].
Pete: Yeah, that I’m slowly eating. I wish, man. Before you started busting my balls, I felt like there was another… Oh yeah, when Vision was trying to convince her when she was kind of in character was really funny and sweet too. He was like, “No, no, we had a moment before this whole circus thing happened.” And I’m glad we got to see some fun circus stuff. It was also cool to see Darcy knock down the strong man. That was really fun.
Justin: Not so strong. Not so strong.
Alex: Couple of notes that I jotted down, and you guys jump in obviously at any point, but as I was-
Pete: Oh, thanks for giving me the okay to do that.
Alex: No problem, Pete. Sometimes you just sit there and raise your hand. That’s why I’m saying. But other things as I was looking through for Easter eggs. I don’t think there were actually a ton this episode, which was surprising, but at the beginning scene, the bedspread was Hexagons that Wanda was under. So that was pretty fun. Also I looked at everything that was going out on the TV and the answer is pretty much nothing. The weather was going from the 40 to the 60s or 70s, which is a pretty far range.
Justin: Perfect weather. I mean, the weather is the ultimate Easter egg. Let’s be honest. On any show I’m like, “Is it going to rain?”
Alex: The Office opening. That was pretty much straight up, though I think everybody noticed this. It was all Wanda up until the end it was called WandaVision, but created by Wanda Maximoff. I thought that was a nice detail. Also Darcy being the escape artist based on the fact that she was handcuffed to the truck in the last episode, that’s what she got changed to. Thought that was a fun detail. The stork was back briefly as everything was starting to break down. Pete.
Justin: Stork watch. Who’s on stork watch.
Alex: Pete’s on stork watch.
Pete: Yeah, that was kind of crazy, but I wanted more stork for sure.
Alex: We all did.
Pete: No one wants more stork. The fact that it was in here for that, I was like, “Enough stork.”
Alex: Did I imagine this or at one point did somebody speculate that the stork is maybe Mephisto?
Justin: I think you said that on a previous podcast, but let me say, when the stork appeared and vanished in a cloud of red smoke, I was like, “It is weird.” And also the fact that… If we’re saying the stork delivered the children, the souls would come from somewhere.
Alex: Could you imagine if in the last episode of the show, the stork is like, “I’m the real villain here,” and morphs into Al Pacino.
Justin: I agree it’s weird, but also it’s weird that there’s red smoke there. There are weird moments around the stork and the fact that the stork is such a thing. We don’t need all this stork. So why do we keep seeing it?
Alex: Here’s the thing about that, that I felt like with this episode, which we kind of brushed over a little bit, but there was so much speculation about who the aerospace engineer was that Monica was contacting, and ultimately it ended up being this character called major Goodner who is still loyal to Monica’s mom, played by an actress named Rachel Thompson. And that’s it. She’s not from the comics. She hasn’t previously appeared in the MCU or anything like that. It’s just a random army person from S.W.O.R.D. who is loyal to Monica. Maybe we’ll see more of her going forward as Monica continues-
Pete: Or maybe she’s actually the stork.
Justin: Or another bird. What is she’s another-
Alex: Here’s the thing, Al Pacino is one of the greatest actors of all time. He could be major Goodner. He could pull that off.
Justin: I think he’s… If you look at the stork, it has a lot of Al Pacino’s features, and you can barely hear it going “Hoo-ah” if you listen.
Pete: If you really listen, yeah.
Alex: But that kind of points to me that in the best way, everybody is analyzing every single piece of this show and pulling it apart and looking for clues and try to figure out what’s going on, but sometimes it’s just a thing. It’s just a piece of the plot. Not everything is a clue to something.
Justin: Sometimes a stork is just a stork is what you’re saying.
Alex: Exactly.
Justin: I agree with you. Major Goodner, maybe that’s a huge new character for the MCU. Sounds like a good guy when you think about it.
Alex: It’s not major Badner.
Justin: That’s right. And I was definitely not on the Mephisto train at all, but I do think of all the villains we’ve talked about, that’s the one with the most intrigue, I think. And I don’t think Mephisto’s going to be the villain who’s like, “Ha ha, it’s me,” in the last ep so they have to fight. But I do think a post credit sequence where Agatha reports back to Mephisto makes a lot of sense.
Pete: No, Mephisto is not that… Don’t bolster up Mephisto. He’s a side bullshit character that they use to retcon shit.
Alex: I’ll throw out another possible villain to you guys. This is based on this episode, but when Wanda goes over to the house and sees Tommy and Billy missing, there’s a brief snippet of an actual TV show, which is Yo Gabba Gabba, which is a fantastic show that unfortunately is streaming nowhere. But that indicated to me, to anybody who’s seen Yo Gabba Gabba, what if it’s DJ Lance Rock, the guy who hosts Yo Gabba Gabba. You don’t see them in that shot, and that’s a little weird to me.
Justin: Wow. Interesting.
Pete: Why can’t you just accept what the show told you, and its Agnes? Stop looking deeper. That’s it. It’s Agnes. She’s doing it all. She clearly said that.
Alex: I think it might be Stilt-Man.
Justin: You got to look deeper. I think it’s Optimus Prime from Transformers. He’s been wanting to go bad. Think about it. We see a lot of trucks in this episode.
Alex: That’s true.
Justin: Obviously the funnel cake truck. And here’s the thing, they’re robots in disguise, so you’re not going to see them. You’re not going see them first. Because here’s the thing, Pete, I don’t know if you know, a lot of this stuff in the Marvel Cinematic Universe is actually based on comic books, which is an ongoing medium where a lot of times they set up the next story within the confines of the story that’s being told.
Alex: This is a really interesting. Somebody should do some sort of a Marvel podcast.
Justin: Oh, that’s an interesting idea. Oh, to talk about. Boo. Let me be honest, I don’t have much going on in my end of the world, so I’m happy to jump in and do a Marvel Podcast.
Alex: I love how you say that when you’ve got a dog and a couple of kids running around.
Pete: Your teeth are falling out.
Alex: It looks like you have an open lesion on your hand. I don’t know what’s going on with you.
Justin: Life’s good. I’ve just got to get up early and record podcasts. I made all the right choices.
Pete: You guys also agree with me though that it’s a horrible idea to go into the creepy basement, right? Why would you do that?
Alex: My sense of that moment is that’s what she has to do. She can’t do anything else. She’s scared for her kids. She realizes something is wrong.
Pete: Take on an Agatha right there. Don’t go into her trap.
Alex: She doesn’t know that it’s Agatha. She thinks it’s her friend Agnes, and I think Agnes is at the point where she is revealing herself to Wanda. So if anything, you could probably posit that its Agnes’s influence that is sending Wanda down there, giving her this need to go down to the basement and explore things. But it was great, it was great moment.
Justin: Let me throw this out to you, Pete. If you’re watching a horror movie, which I know you don’t love, the character’s about to open the basement door to go in the basement, and then they don’t. They go back and go to sleep and then you just watch the character sleep for the next 20 minutes.
Pete: That’s why I’ve lived my whole life and haven’t had a horror story moment because I won’t… If I hear something I’m not going to go investigate. Are you fucking out of your mind? I want to live.
Justin: Well that’s why your basement’s flooded several times, because you hear a noise down there and you’re-
Pete: I don’t care. Yeah, I don’t care. I hear cries from help sometimes from my basement. But I’m not going to go down there.
Justin: But so you would be happy with a horror movie that just was the last-
Pete: I would stand up and applaud if a horror movie was 10 minutes long, and I didn’t have to have nightmares.
Alex: Hey you guys want to go to that abandoned sleep away camp and have sex? No. Credits rolling.
Justin: Let’s have sex right here, and then you’re watching pornography, Pete. I hope you’re happy.
Pete: Don’t say that next to your child.
Alex: It’s fine. Before we start to wrap up here, though, any other moments from the episode either of you guys want to call out?
Pete: I was like, “Oh, they’re not going to have Quicksilver in the whole episode,” and then really this snoopers got to snoop line was really nice.
Alex: Yeah. It’s great. Fun to have him around. It also seems… We didn’t really talk about this, but Paul Bettany had a quote where he said the actor that he has always wanted to work with but never worked with who is some sort of secret cameo or a part on the show, he’s not Evan Peters. So there’s still somebody else who’s going to show up at some point. I don’t know if if we necessarily [crosstalk 00:36:17]-
Justin: I mean, that’s what I’m saying. That’s a big reveal. I can’t believe I haven’t gone all the way through the looking glass on the Mephisto thing, but I think I’m back on a last episode Mephisto reveal.
Alex: Al Pacino is the stork. There we go. That’s our number one theory that we all agree on on the spot.
Justin: We all agreed on that. We’ve all said it. We’ve all said it in different ways. I think we touched on everything. Like I said, this episode was very direct with its storytelling. The final payoff of all of the sitcom tropes being this, I thought it was the least fun version of it, and like we said, maybe that’s purposeful. I did think the Agatha being the documentary team filming the Modern Family podcast, I thought that was a good little hit there at the end.
Alex: That was great. That whole Agatha all along sequence was fantastic. That was the highlight of the episode for me. Before we wrap up here, what’s on your Vision board for the next episode. Pete, you want to go first with this one?
Pete: Well, my Vision board just says no Mephisto ever. Never again. Don’t ever put us through that again, ever, Marvel.
Alex: Most people don’t know what you’re talking about, but let’s go on, but Justin… You’re talking about an event that happened at this point probably 15 years ago.
Pete: Just don’t care. I don’t want it again, ever.
Alex: Justin, over to you, what’s on your Vision board?
Justin: I’ve got to say, to your call for a previously on episode that establishes everything I think would be very fun.
Pete: Don’t feed his ego, please.
Justin: I just mean like we do have to get this backstory at some point and we’ve revealed Agatha, Agnes, Agnes/Agatha as the villain. We have to hear that story, whether it’s a short sequence or the full flashback episode.
Alex: Yeah, that was kind of mine as well, but given you took that one, I’m going to go with I want to hear a stork say “Hoo-ah.”
Justin: Sorry to rob you of your thunder there, but I also think we are going to get everybody working together to fight some sort of series of Vision clone bots that Hayward has made.
Alex: Good call there. I like that. And I like all of you, particularly if you support us at patreon.com/comicbookclub. Also we do a live show every Tuesday night at 7:00 PM to Crowdcast and YouTube. Come hang out. We would love to chat with you about WandaVision. iTunes, Android, Spotify, Stitcher, or the app of your choice to subscribe and to listen to the show. Socially MarvelVisionPod on Twitter, Instagram, and Facebook. Comicbookclublive.com for this podcast and many more. Until next time, stay marvelous.
Pete: Keep your teeth in.
Speaker 1: Keep your mouth closed when you’re sledding, and if you’re a dentist, call me.
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Westview celebrates Halloween in the creepiest way possible on WandaVision Episode 6 – “All-New Halloween Spooktacular!” Wanda and Vision are on the outs, after the revelations of the last episode — and the reappearance of Wanda’s dead brother Pietro (played by Evan Peters) isn’t helping things. While Vision heads to the outskirts of Westview to figure out what’s really going on, Wanda goes trick r’ treating with Billy and Teddy, leading to the twins figuring out what their powers are. And outside the Hex, Jimmy, Monica and Darcy get closer to figuring out what Hayward is really up to. From Yo-Magic to Cataract, let’s break down all the WandaVision Easter Eggs, Marvel Comics spoilers, and much more.
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Full Episode Transcript
Alex: Welcome to Marvel Vision, a podcast about Marvel, the MCU and WandaVision.
Justin: WandaVision.
Alex: We’re going to be talking about WandaVision, Episode six, all new Halloween Spooktacular.
Justin: Oh, fun title.
Alex: Fun title. I’m Alex.
Justin: And I’m Justin.
Pete: I’m Pete, Happy Halloween motherfuckers.
Justin: Happy Halloweenie.
Alex: So, as mentioned, we’re going to be talking about Episode six, usual spoiler warning here, we’re probably going to jump pretty much right into it, so go watch the episode, come back here. We’re going to be talking about highlights, we’re going to be talking about Easter eggs, we’re going to be talking about theories-
Justin: Low lights.
Alex: Low lights, absolutely, all that stuff. But first off, we’ve been waking up pretty early to do this, I’ve been really appreciating this wake and Wanda, you know what I’m talking about?
Pete: Oh my God. Don’t.
Justin: Yeah. Another day, wake and Wanda, man. I love it. Kicking off the weekend.
Pete: So hardcore man.
Justin: It is hardcore.
Pete: Getting up early. Wanda.
Alex: Now Pete, it seems like, I don’t know if you want to talk about it this here, but it seems like you were very emotionally affected by this episode of WandaVision.
Pete: Well, it’s just crazy, this idea of living in a bubble and when you go outside of the bubble, all this crazy stuff is going to happen, is just… with everything that is happening right now, it’s just weird how some friends seem to be bubble affected, others acting like there isn’t a bubble. I don’t-
Justin: Oh, shit. Is this a Pete… are you having a PeteVision?
Pete: Yeah. It’s just… the show is very crazy right now. It’s-
Justin: Because I feel a little bit like Quicksilver.
Pete: Yeah? You do?
Alex: You definitely have the hair.
Justin: Exactly.
Pete: Cool. Well, yeah. I wouldn’t say you’re the fastest of the group. You’re a quick guy. You won’t shut the fuck up.
Justin: I can’t believe that landed in a compliment. Oh, there it is. Okay, great.
Pete: Yeah, yeah. Wait. Pete.
Justin: And Alex is the Agnes.
Alex: How was that? Good?
Justin: It was good.
Alex: Actually, yeah.
Justin: It was too good to have just done it randomly.
Alex: I’ve been practicing for weeks, at this point. Six weeks. So broad strokes about the episode, as you can tell from the title this is the Halloween episode. It is set in the 2000s. We were-
Justin: Did not see that coming.
Alex: Well, we were a little off in our guesses in terms of what this was, because at least for the opening, very specifically Malcolm in the Middle.
Justin: A hundred percent. And I was not ready for that. I guess what it was is, last episode we did the Full House and Family Ties. There was a double… and this just jumped forward past where we thought, and Malcolm in the Middle, wow. Strong choice.
Alex: Strong choice down to Billy and Teddy doing the narration directly to camera, which I thought was super fun. Also-
Justin: Billy and Tommy?
Alex: Tommy? I keep doing that in my head.
Justin: It’s okay. Names are hard. And I guess you’re just a comic fan like the rest of us.
Pete: Yeah.
Alex: Oh, I’m sorry that I keep mistaking two members of the ARG Avengers who have very similar names.
Justin: Don’t try to flex with more knowledge to make up for your mistake. It doesn’t work that way.
Alex: [inaudible 00:03:14]
Pete: I’m having fun. This is great.
Justin: Alex, I didn’t mean to do that. It’s the PeteVision. He made me do it. He made me do it. I would never correct you like that.
Alex: Pete. It’s all Pete. So Billy and Tommy doing the narration directly to the camera-
Pete: Can you fucken move that wire that’s right in the middle of your fucken shot? It’s driving me nuts.
Alex: Who are you talking to?
Pete: You, man. The wire that’s right running down the front of your fucken cameras. It’s driving me insane.
Alex: The wire?
Pete: Yeah. There’s a… right there.
Alex: This is great for our audio podcast. This thing over there?
Pete: Yeah. Yeah. What is that?
Alex: It’s a beam gorgeous light that is lighting me up, Pete.
Pete: Oh, Jesus Christ.
Justin: This is-
Alex: I cannot bend light the way that you can.
Justin: See, we can’t do this, this early in the morning because nothing makes sense.
Alex: Lots going on this episode, just a broad [inaudible 00:04:03] what’s going on, Pietro is here now. It is evident who Pete is from the X-men series, a lot of mystery that we’ll talk about, I’m sure in a moment. He seems to know what’s going on in Westview. He is talking to Wanda about that throughout the episode, but he’s also acting as the cool brother-in-law, Uncle Dude hanging out with the kids, kids start to develop their powers, Vision tries to make his way outside of Westview, because very poorly, and as a result, Wanda expands the hex, capturing Darcy as well as most of the members of S.W.O.R.D. Hayward makes it out with two people, probably that we don’t 100% know, Jimmy Woo and Monica Rambeau manage to make it out, they’ve had a break with S.W.O.R.D. this episode, after they’re kicked out. They are going to need-
Justin: We’re on a break. We’re on a break
Pete: We’re on a break.
Alex: They’re going to need Monica’s contact outside of Westview, so we’ll probably pick up on that and I’m sure have some theories there, so outside of Westview, where things are getting real bad, inside of Westview, things getting even worse and it’s still up in the air exactly who is behind this? Who is controlling this? Who is in charge? What is causing this, as we go through the episode.
Justin: We’re going to speculate. Yeah. This episode was interesting. It started to… the format starting to really fall apart. The way this episode ended, I was like, “Oh, that’s not an ending place.”
Pete: Yeah. It was a very interesting ending, where I was like, “Wait, what?” And then I was like, “Is there something pass the credits or something, because it feels like there should be a button of some kind.”
Justin: I always watch all the credits, including the Dutch ones, because maybe that’s where it’s buried.
Pete: Oh, nice.
Alex: You’ve got to read all of them. That’s the important part.
Justin: Duh. I got to learn so many languages.
Alex: It somewhere in there.
Justin: Yeah, exactly.
Alex: I agree with you, but we’ve talked about the structure of the season and we’re not going to fully know how it lands obviously, until the final episode, but I do feel like here, we’re kind of getting the end of the second act of the series, but also we’re just kicking into high gear, into the MCU movie. To my mind it feels like this episode, the last three episodes, that’s the MCU movie, the rest of it, there’s no slagging off at all, but the rest of it was set up that was the setting up the House of Cards, so that everything can start tumbling down this episode. And I think that’s what we’re going to see happening.
Justin: Yeah. And it is interesting we talked about how the different eras of television bends to more realistic storytelling. And then but we didn’t say, and it makes total sense, to make the jump into full movie storytelling, I think it is to your point, what’s happening here. But it makes for… it’s not TV. It’s fully-
Alex: It’s for HBO.
Justin: Exactly. Wow. How dare you. You’re about to get hexed in a major way from the Disney Corporation. But it does… it makes for a whole other way of telling the story. We’re just going to get little chunks of a movie basically, I think, going forward.
Pete: Yay. Movie chunks.
Justin: Yeah.
Alex: So what [inaudible 00:07:01].
Justin: Love [inaudible 00:07:03]
Alex: In the episode, what was something that you thought was particularly interesting or dramatically or plot wise?
Justin: Pete, what cars did you like?
Pete: I really identified with the crying lady who was putting up just frozen in a one move thing, where she was trying to put up Halloween decorations.
Justin: You identified with her?
Pete: Yeah, because I feel like because… time is weird right now, so it’s like, “Oh,-
Alex: Are you okay?
Justin: Yeah, Pete’s [crosstalk 00:07:29]
Pete: We’re all in this loop that we can’t stop and it’s just so weird and what are days anymore? I really identified with her and her single tear.
Justin: Wow. That was the most haunting moment of the episode. I think they did a good job of making it actually scary. I don’t think this is a purposeful connection, but it felt very Stranger Things to me. The vision sections here, because it was just like the Halloween connection and the way that they just went from very normal look/feeling and looking things into a very unsettling imagery by just freezing people. Unfreezing them when you don’t expect it.
Pete: Yeah, that was really… just seeing people frozen, that was very unsettling.
Alex: And I like how it hasn’t exactly been a slow progression, but the progression through the episodes where they’ve let things fall apart, where we start to get hints that things weren’t right, the reality was breaking down into little bits for the first couple of episodes and then it felt like the lid got popped off there in that last episode, where it’s with that moment where Agnes says, “Hey, do you want me to take it again?” Where now we know there are people who are aware, they know they’re in a sitcom, we get that from whatever’s going on with Pietro this episode, we get it from Agnes, we also get it from [Hugh 00:08:48], I believe that’s the name of the character which I thought that was interesting.
Alex: We got a little bit of that when he was trimming the hedges a couple of episodes back, but he seems to be on maybe the same kind of level of awareness as Agnes, in terms of the sitcom world. But also, like you’re saying, with Vision walking out of Westview, seeing outside of wherever Wanda is, things are frozen and people are just trapped. And that’s it. And that’s terrifying.
Justin: And while we’re talking about this, maybe it makes sense to talk about the commercial, the Go [Group 00:09:23] commercial, because that was ominous as well, where you have some Claymation characters, he’s just hungry, the kid on the island and he gets a YoMagic yogurt thing and just we watch slowly die.
Pete: Do you know how hard it is to peel off those things, especially when you’re on a deserted island.
Justin: Exactly. I was like, “If there’s a character Pete’s going to identify with, it’s going to be the kid who can’t open the yogurt.”
Pete: Oh, my God. Yeah. I feel like I’m that kid waiting for Black Widow to come out. It’s just… I’m going to slowly turn into a skeleton.
Justin: And Pete, I’ll be down to your apartment to open your yogurts. Obviously from outside your front door.
Pete: Well, make sure you open them and then leave them. There’s no point in [crosstalk 00:10:02], Jesus Christ. That would be… kids of the neighborhood walking by, “Oh, there’s the guy with the bunch of open yogurts.” Crazy old Pete.
Justin: “What’s your main form of income?” “I open a friend of mine’s yogurts and leave them on his welcome mat.”
Alex: You know it will a fun surprise Justin, just to wrap it all together, fill one of those yogurt with a bunch of actual black widows. So it’ll be, “Oh, [crosstalk 00:10:25].
Justin: It’s a tie in. It’s a product tie in.
Pete: I walk with that together.
Alex: What do I think is going on there? Because I feel like a lot of the other commercials, if a [inaudible 00:10:36], and this is the popular interim theory as we’re sort of progressing through Wanda’s history with all of these commercials, all the traumatic events she’s dealt with, what are you doing? What is this thumb?
Pete: There’s this-
Justin: The light.
Pete: … beam of light streaking down your thing and it is… I don’t know what to do with it, and it’s just…
Justin: I will say, Alex, did you shoot a gun into the sky recently? It looks like a bullet hole.
Pete: [inaudible 00:11:00] 77. It’s just like Pete have WandaVision this morning-
Alex: I was just so excited about this episode about WandaVision, I was like, “Oh, darn it. Living rabbits.”
Pete: Dude, when you were looking for places to live, do you have a single beam of light that will come down into my basement?
Alex: I’m sorry, when you looked for your apartment, you asked about the breathing calls, right?
Pete: Yes, of course. That’s smart.
Justin: It’s suffocating in here.
Alex: I’m going announce to get air if there are no holes in my apartment.
Justin: That’s great. If we can move past the shaft of light. I imagine it’s shining down on a button that says upload or something like that, or don’t download.
Alex: Can we get back to YoMagic? What’s going on there?
Justin: So I don’t know. This one is confusing me a little bit, because I didn’t know if it was a way of showing that the town’s people are slowly dying because they’re not eating, because the magic is killing them, which I thought was interesting and ties into the Vision being like, “You have to help these people,” when he gets past the bubble. And maybe that’s where it will turn and the Scarlet Witch will be like, “I have to stop doing this. I’m killing this town of people.” Either that, or maybe the magic is killing the Scarlet Witch. And that’s maybe about a reference to her past or something. And we’re going to find out that it’s related to her powering up in this show.
Pete: It was just weird how the shark was like, “I remember hunger.” He’s always full. What is that about? That doesn’t make any sense.
Alex: Whatever is going on there, I thought it was great to get in a Claymation commercial. I thought that was really a fun thing.
Pete: Do you think it’s a tease for a full Claymation episode?
Alex: Oh, that will be great. I didn’t see [inaudible 00:12:58]
Justin: Oh yes, definitely.
Alex: Well what we’re… if we’re moving to the 2000s and the 2010s as we all know the majority of the sitcoms in the 2010s were Claymation. That was the popular form.
Justin: That’s true. It started with the California Raisins, if you don’t what that is, I guess Google it or don’t. Just guess.
Pete: Don’t Google it.
Justin: Or guess what it is.
Pete: Don’t Google.
Alex: It actually also ended with the California Raisins.
Justin: That’s absolutely right.
Alex: That’s a little sitcom history for you all.
Justin: Do you think that they are going to push into 2010 sitcoms or are we done with it?
Alex: Yeah, I think next episode is going to be The Office style episode with confessionals and things. We’ve seen… there’s been footage in the trailers of Wanda talking directly to camera, so I do think we’re going to get that, but that’s going to be the final iteration of sitcom.
Pete: You mean we’re going to skip past Friends, like no Central Perk, nothing?
Justin: Well, let me just say it-
Alex: What is different about Friends that any of… I don’t know.
Justin: What an indictment of Friends from Aflix. He hates friends.
Pete: The guy hates Friends.
Justin: You didn’t watch all of Friends?
Alex: I didn’t.
Justin: Wow. Maybe I don’t know who you are-
Pete: Did you even get Justin’s reference from them before?
Alex: Could it be any more obvious?
Pete: Oh, wow. How could you do that? How did you do that? You’ve never even seen the show.
Justin: He can’t sit. He can’t sit.
Alex: Listen. I’ve watched two shows. Friends, just the first season, and California Raisins and that’s it. But I think I get a sense of what’s going on here.
Justin: Yeah. You understand television. Let me ask you this. Are we going to get a Two Broke Girls reference?
Alex: That… I know we’re a little off on the end of the episode, towards the beginning of this podcast here, but I love the ending here. I thought Wanda expanding the hex, really amped up the danger. I thought seeing everybody turn into a carnival, that’s something that we haven’t seen on the show yet. What happens when the hex wall comes over people, I thought that sequence was awesomely done. And having everybody switch over to just doing the miming and everything, it was great. And getting to see Pete. I feel like you asked for this the last episode, you were bummed that we weren’t going to see Kat Dennings in [inaudible 00:15:07] land. It was a very obvious way to set it up there by having her handcuffed to the truck and left and everything. But it’s still fun. It’s a good setup and getting her thrown in there is delightful.
Pete: The “Oh, fudge,” comment was hysterical. Where she goes, “Oh,” and then goes, “Fudge.” Because she was being… that was really fun.
Justin: And Kat Dennings I feel like, for whatever it is, she exists outside of all realms, because she had to some hacking lines, she was doing a lot of talking to herself like, “I got you now, Hayward”. It sounds like that very melodramatic stuff that usually are like, “This is lame.” But for whatever reason, her line delivery somehow works.
Pete: It really does. It’s great. It’s also very funny because she was on Kimmel talking about how she didn’t even about that brother reveal until the last second, they had them covered in a shroud and then moved down to set, so-
Justin: A shroud?
Pete: Yeah. So very interesting how we’re in the dark, the actors are in the dark until the last second. It’s scary.
Justin: Pete, speaking about scary and unsettled. Did you do some research for this podcast? Because you watched another thing about it. And provided that information for the rest of us to know something.
Pete: Yeah, things are weird, man. It’s a new world.
Justin: The hex. The Pete hex.
Alex: A couple of other things outside of the hex, just to wrap up that area before we move back inside, because there’s lots of comic book stuff we can talk through there that we’ve already touched on, but we don’t find out who Monica’s contact is, but I do feel more confident after this episode that we’re actually going to see whoever it is. So, any further feelings on that? I feel like the Reed Witcher thing has definitely gained speed on the internet, but I don’t know how likely that necessarily is.
Justin: No, I don’t-
Pete: Because-
Justin: Go ahead.
Pete: For Reed, you can just show a bendy arm-
Justin: Just an arm reaching on camera?
Pete: … holding your cellphone. Be like, “Hey, don’t worry, I’ll be right here.” Yeah, yeah. Real easy to do.
Justin: No I don’t think it can be a heavy hitter. We are going to get a new heavy hitter. I think it’s going to be a callback to somebody else. And I think it is going to be, I don’t know which one, but it’s a character from the MCU that we’ve already met, is what I think. And it’s going to be someone that helps her out in some way, but doesn’t go fight with her.
Alex: Yeah, I think it’s going to be a quick show-up. I felt a little more confident this episode on it being Talos, Ben Mendelssohn’s character from Captain Marvel, because they keep dropping Captain Marvel references-
Pete: They sure do.
Alex: … and it certainly could be a aerospace engineer and she had a good relationship with him as a child in Captain Marvel in the movie.
Pete: That Duchy guy was like, “Hey, Rambo, I’ve seen Captain Marvel.”
Justin: Even the movie.
Alex: Well, yeah. That’s the thing. If you’re in the MCU world, you’ve got to go see all the movies, what everybody’s talking about.
Justin: In the theater. Opening weekend, so. And you have to buy the big popcorn, if you live in the MCU.
Alex: Right. And now it’s even worse in the MCU. They’ve got to wake up at 3:00 AM and watch their own show, otherwise they’re going to spoiled on Twitter later on that day.
Justin: No one would do that. That’s crazy. But, what was I going to say-
Pete: Something about water balloons?
Justin: Yeah. I was going to like, “I got to get my water balloons filled with shaving cream.” Going right now.
Pete: Yeah, you’ve got to be ready for Halloween, yeah.
Justin: You don’t think it’s going to be actual Captain Marvel? You think Talos isn’t more-
Alex: I still think it feels like Monica has something weird about Captain Marvel. There is another mention there, there’s that showdown with Hayward that she has, right before they kicked out of S.W.O.R.D. where Hayward just drops, “I’m glad your mother died,” or whatever that line is.
Justin: I’m glad you weren’t here.
Pete: Yeah, y’all. That was messed up. How could nobody punch him?
Justin: I’m glad you weren’t here.
Pete: A room full of people, nobody punches him in the face for saying that?
Alex: But he mentions Captain Marvel and they cut to Monica and there is a little micro expression that she has. So again, I think there is some bad blood there or something like that and we don’t know exactly what it is yet. A couple of other quick little things to throw out, Cataract. So when Darcy is searching, she finds the secret file, it’s called Cataract. She sends it to Jimmy Woo. I did a big search while she’s putting in the email, she sees James D. Gold, James J. Alexander and James X. [Sackler 00:19:45]-MD show up when she’s searching for Jimmy Woo. It’s a email address-
Pete: I think this is smart.
Alex: Hold on. Hold on. Hold on, let me actually finish this thought. When she’s searching for Jimmy Woo’s address, she sends him the file on Cataract, so presumably next episode, since they’re outside the hex, probably they’re going to get that. James J. Alexander is a VFX producer for Marvel, so I think that’s the only real Easter egg there. But what do you think Cataract is? What’s going on?
Pete: Well, I think this is a smart way to have shows talk about cataracts, because it affects so many people, and if we’re not talking about it, you might have the symptoms and not even realize it, so I like this. It’s like a nod to the old G.I. Joe lesson at the end of the episode.
Justin: Oh, PSA.
Pete: Yeah, yeah. I think it was seamlessly introduced and I really… I think it’s important to make sure people are aware.
Justin: Well, let me throw this out to you. Cataract, obviously an eye… something that afflicts your eye. In the flashback to Sokovia, where Quicksilver had an eye patch at the beginning of the episode. I feel like Quicksilver, we’ll talk about this in a little bit, I feel like Quicksilver is maybe the villain in disguise as her brother. Is there a one eyed villain is somehow maybe at play here?
Alex: Can I throw something else out at you with that flashback?
Justin: Yes.
Alex: So, first of all, love that. Just classic sitcom flashback, really well done. Do think they were dressed up as Black Widow and Nick Fury? I think that’s what was going on there.
Justin: That’s what I thought, yeah.
Alex: Yeah. So I think that’s what was going on. She has even antennae and some sort of weird bug thing and she had the Natasha hair. So I think that’s what’s going on there. I think if anything, the eye can refer to the fact that every single credit sequence so far has zoomed into Vision’s eye. We’ve had that. That is a repeated riff right at the end of the episode, in the credits, we go directly into a shot of Vision from the episode into his eye. Clearly Hayward is very interested in Vision, he’s tracking him, inside of the Hex, who he seems to be potentially experimenting on his body back at S.W.O.R.D. So, if anything, I think Cataract probably has something to do with Vision, not necessarily anything else.
Pete: Well, I want to talk about in that flashback. That lady was giving away full size fish, not the small fish. That was full size fish she was giving away. That’s [crosstalk 00:22:12].
Justin: I always hated going trick or treating and just getting a bunch of minnows. You always got to go to the house with the big fish. The full fish.
Alex: I’ll tell you what, one of the weirdest Halloween experiences I ever had with my kids was, we went to a house that was giving away celery and they loved it. They kept asking for celery.
Justin: Your kids loved it?
Alex: They kept asking for celery for weeks afterwards. It was the weirdest thing that’s ever happened to me.
Justin: That’s real?
Alex: This is a 100% real story.
Pete: Why would you eat celery from a stranger’s house, man. That seems so creepy.
Alex: I don’t know. It wasn’t this past Halloween.
Justin: That’s fine.
Alex: We just went around in COVID times, we were like, “Give us celery.”
Justin: Yeah. Now I think you’re the one that’s having a psychotic break, not Pete. Were they handing-
Pete: Waking Wanda, man. Waking Wanda.
Justin: … naked stalks of celery?
Alex: Yeah, that was it.
Pete: No peanut butter, ants on a log, nothing?
Alex: No peanut butter, ants on a log, nothing.
Justin: Not prepackaged?
Pete: And your kids liked it?
Alex: No, it wasn’t prepackaged celery. What are you talking about?
Justin: Like the ones that go in the bloody Mary’s.
Pete: Just loose celery?
Alex: Single serving you pick up at a deli like, “Hey, give me a pack of smokes and one of them a single serve celeries, please?
Justin: Yeah, like the product I started, which is like Goger, but for celery? Speed is called speedlery?
Pete: I can’t believe your kids liked it.
Alex: Pete, you always have that problem with opening up the celery package, right? So you’ve got to love that.
Pete: Oh, it’s so hard. It’s so hard.
Alex: Can we get inside of the hex because there’s so much stuff to talk about and we’ve-
Justin: Oh, just real quick, I have to make a note to myself when I open Pete’s yogurts to make sure I pre-open the celery and slice it up so that he can eat it.
Pete: Dip it.
Justin: He can eat it.
Pete: Celery dip [inaudible 00:23:44].
Justin: Celery and yogurt. My favorite.
Pete: Who’s excited about celery? What is wrong with your children? What are you doing to your kids where they’re excited about celery?
Alex: I mean, they don’t have breeding holes in their rooms.
Justin: They’ve never tasted anything quite so interesting as in one stalk of celery.
Alex: Lots of stuff going on here. Love the dynamic with the whole family. I thought this was super fun. Also, as we talked about in the last episode, people aren’t being very secretive with their powers anymore. If you’re going to talk about the lid popping off, Speed, Wiccan, for those who don’t know, for those who are new to the comics, Billy and Tommy are Wiccan and Speed, I got that right?
Pete: Don’t flex because you remembered it, right?
Alex: No, I have it written down here, so I actually don’t forget.
Justin: When you advance into older age, remembering anything is a flex.
Alex: Here’s the problem. In the comics there’s Tommy and there’s Teddy. And Teddy and Billy are boyfriends and I constantly confuse the names. Teddy and Tommy and I’m sorry. They are the same first letter and the same last letter and the same number of letters. Also eyeballed.
Pete: Sounds like a whole lot of excuses, you know what I mean?
Alex: So, in the comics there are two parts of the Arg Avengers we talked about this a little bit last week as well. As we saw on the show, Tommy gets his speed powers, they’re very like Quicksilver, they can move fast. He also has a very similar costume, though not exactly the same costume as Quicksilver, and Billy has kind of undefined powers. In the comics he basically has to repeat things a bunch of times and he can warp reality like how Wanda can do in the comics, we get things that I think are a little more in line with her MCU nature here, where he has seemingly a little bit of telepathy. He can definitely move things, we see blue come out of his hands instead of red like his mom, but I like this. I’m excited that they’re pulling off their powers already.
Justin: Yeah, it’s exciting because this is the thing for sure now. Eventually we’re going to get… we talked about this. I think we’re going to get the Young Avengers. I don’t know what capacity they will be in.
Pete: I’m really worried about if they leave the bubble, if the kids can leave and they do leave, what that does to them, because in this episode they’re talking about how people’s cell structure changes if you go in and out, but if you’re born in there, what does that mean for you, trying to get anything into the outside world.
Alex: I do think there’s something to be said for the fact that they seem to be aware and able to control the narrative in a very similar way to how [Nawanda 00:26:20] is. I think that’s the purpose of them doing the direct to camera throughout this episode, it’s not just the sitcom [inaudible 00:26:25], it’s also the fact that, like we see Billy can see outside the dome. He sees what’s going on with Vision, not dome, Hex. He see’s what’s going on with Vision, he understands there, so yeah, I think that’s the question, I think they need to get to a certain age where they can venture outside the Hex, because that’s probably the whole point of this, as they told us from the very beginning.
Justin: Exactly.
Pete: What?
Alex: Yeah.
Pete: I don’t remember the beginning of the show where they said, “Listen, the whole point of this thing is we’ve got age some kids, so they’ll be okay to live outside of this bubble.
Alex: For the children. For the children. For the children. It’s all for the children. They told us that in the third episode, where they also said, “You got to tell people what the magic trick is.”
Justin: Now in light of it, because we speculated that Agnes was the one driving a lot of this taking care of the kids stuff, and then in this episode, we see Agnes and she is fully under the hex, she… Vision breaks her out of it briefly, and she’s acting like just another scared person. Do you think… my theory is that she was doing that to try to push Vision even harder. So that was a little bit of play acting there.
Alex: Yeah, I’m back on the Agnes Speed as of this episode, because versus the creepy lady that Pete calls out earlier, everybody else seems to be frozen in a very specific way, where they really cannot move. The lady is crying and she’s not moving. But when we cut in on Agnes in the car, it’s such a little thing, but she’s breathing.
Justin: And then we saw there’s a little movement that I thought was like, “That’s a purposeful thing.”
Alex: So, whatever she is doing, she’s dressed as a witch, which just doubles down on the idea that she is Agatha Heartless in some form from the comics and is a witch, certainly that might turn into the YoMagic thing in some way potentially, because Scarlet Witch’s powers aren’t exactly magic, they’re science based.
Pete: Well, I think… wait, back up for a second. First yogurt is magic, so that’s what that is.
Alex: How do they even make it? Nobody even knows.
Pete: Exactly.
Justin: It’s like milk, but hard.
Pete: Yeah.
Justin: And not too hard, but harder.
Alex: If you translate yogurt from the Native Socovian, it means hard milk. So yes, I agree with you Justin, I think Agnes was pushing Vision in some way. I think she was aware the entire time, even when he did the mind stone touch on her head. What her purpose is, what she’s trying to do, I’m not 100% sure, but it might just be what happens at the end of the episode. They set up a situation where the hex gets expanded.
Justin: It feels like she’s been pushing Scarlet Witch to break through whatever this is. So I think she’s seeking some sort of end to the hex and maybe that’s to then take control of the children, but is she doing it for the children? Does she care about them or is she trying to use them as a weapon. I guess it goes to like, “Is she a good guy or a bad guy?” At the end of the day.
Alex: I don’t know. I wonder. Because the show has this complete raw speculation that I’m just thinking about right now, but given that the show is really doubling down on trauma and that it is the whole point here that Wanda dealt with the death of Vision and many, many other people throughout her life, that we’re getting that from Monica, who very explicitly says, “I know what Wanda through,” and is relating that there. It certainly seems like, I think we talked about this the last episode, that Agnes went through some trauma herself. She has… there’s the moment when Billy and Tommy… looking at my notes here, say, “Why don’t you just bring Sparky back to life?” And Agnes starts crying and says, “You can do that.”
Alex: I wonder if her kids died? I wonder if there was some sort of deal of she is manipulating Wanda, saying, “I can bring Vision back and in return I get these kids.” Whether Wanda knows that or not, whether she said that out loud, she’s trying to make new children for herself.
Justin: That’s interesting. That goes Pietro mentions the kids when he’s talking to Wanda later in the episode like, “Where do all these kids come from?” These kids.
Pete: Yeah so, well first off I wanted to say, I understand what you’re saying about Agnes but she was stuck on the edge of the town. So maybe she was trying to drive out like the doctor was before, and then they both, when they got to the edge of town, had this thing of, “Nobody escapes.” So I feel like she was trying to escape a little bit. Or you know those drives you take, where you just stop at a stop sign or a stop light and you just start crying and you just question your life and what’s going on and what are we all doing here? Are we in some fish tank of life, but I think that when the kids thing is, because all a sudden kids appeared in this episode and the Quicksilver sit down with Wanda, where he’s like, “Hey, I’m fuzzy on the details, but you know what’s going on, right? How did this all start?”
Pete: And she’s like, “I’m not sure.” Yeah, it goes back and forth, because Quicksilver seems like he’s the fun Quicksilver we know, but then when we see him with a bullet holes and stuff, it really just-
Justin: It’s less fun.
Pete: Yeah, it’s very less fun and it’s also like which is this actually the Quicksilver in that scene.
Alex: This also might just be Evan Peter’s acting, but there’s much more of an edge to him than Aaron Taylor Johnson had in his performance. It feels like there’s something more going on there. I’m still not convinced this is Pietro from another universe or anything like that. I don’t know. They seem to strongly imply this episode, that this is Pietro’s re-animated body, but similar to others that we in the moment, where Vision doesn’t know that he was an Avenger, and there seems to be gaps in his memory, and he died, same as there’s gaps and things that are different and changed in Pietro’s memory. So, I guess what I’m saying is, I think it could go either way at this point.
Alex: It could I guess be Pietro from another universe, though I’m not convinced, it also could be something that was created out of thin air in a way, similar to how Vision’s body was reconstituted, but maybe his mind wasn’t exactly. I’m not 100% sure, but we’ll find out.
Justin: These are all great points. Do you remember when Pete says he just goes for drives and cries himself out.
Alex: I’ll tell you what, I don’t know about you, but my mind immediately went to him sitting there, listening to Driver’s License by Olivia Rodrigo, yogurt just pouring down the front of his shirt, his trunk full of celery, stocked.
Justin: Imagine if someone, a friend of yours was saying, “Oh, look at all this celery I bought.” You’ll be like, “This person’s lost it.” Because you don’t ever need more than one packet of celery.
Alex: [inaudible 00:33:24]
Justin: That’s always… but [inaudible 00:33:29] bottom of my fridge?
Alex: How many chicken pot pies are you making?
Justin: I’m having one bloody Mary and the rest goes straight in the trash. On the Pietro tip, I feel like he’s, if there is a villain in this show, I think he is the villain who is dressing up like Pietro. I think he’s working with the Agnes character. They’ve got Agnes’s job, up until this episode, was to be with Wanda and to watch her, push her, mind the kids. And then I think her job… because Pietro was there doing that. Agnes then switches to pushing Vision further through the story.
Pete: He also didn’t answer the question, he just deflected it. She asked him a very specific question, and he was like, “You’re testing me.” And didn’t answer the question.
Justin: She’s clearly suspicious of him. She’s asking him questions-
Pete: Why wouldn’t she be?
Justin: Yeah. So she knows subconsciously that this isn’t Quicksilver, but it’s playing on the same thing the trauma and the nostalgia factor that she’s… this caused her to create this hex anyway. Even in the beginning, she needs to see Vision. She wanted to have a family, she wants her brother to be there. So they’re taking advantage of what they know about her to serve their ends, whatever that is.
Alex: Yeah, I think that seems fair. What other things, there’s a bunch of different Easter eggs and little things that I wrote down, but were there any other big seams you guys wanted to talk about that jumped out at you?
Pete: It’s just weird that in Socovia they said to their parents, “I want to dress up like Nick Fury in Black Widow.” The parents said to me like, “Who in what?”
Alex: That doesn’t make sense with this timeline?
Pete: Yeah.
Alex: What are you doing?
Justin: Her parents are very aware. Well, I went one Halloween, went as Lowell, from the TV show, Wings, so I can understand no one would know what that costume is.
Pete: How old were you and what were parents saying.
Justin: They were like, “This kid loves Wings.” Great show.
Alex: I’ll just run through a couple of things that I wrote down. We mentioned this earlier, but Pietro gets the classic Quicksilver costume down to the hair, which I thought was super fun.
Justin: Very fun.
Alex: Really enjoyed that. Also, this was a weird thing, but just because I was still framing things and trying to find Easter eggs, there’s a brand in there, Maple Hill Milk, is what they’re using, which is actually a modern milk brand, so that was just a little anachronism thing, I don’t think it was a clue. I was like, “Maple Hill Marvel,” what is this in reference to?
Justin: Way to keep your eye on the milks. Or as we call it, soft milk as opposed to yogurt, which is hard milk.
Alex: Another thing that was harder to catch in the opening credits, Vision is reading a newspaper and on the back page, it looks like there’s an ad that just says Westview. There’s an alien space ship, a classic flying saucer over there, and it seems to be, I don’t know, a tractor meaning a TV or something. It was a little hard to see, but that was a little bit of weirdness. I also… another thing that I don’t think means much of anything, but Pietro has a tattoo that says “mom” on one shoulder.
Justin: I saw that.
Alex: A fun little, very meta reference, when they’re at the town square Halloween Scare Fest, Pietro says something to her, he runs away, he says, “Kick-Ass,” and she says, “Kick-Ass?” Which is a reference to the fact that both Evan Peters and Erin Taylor Johnson, were in Kick-Ass together.
Pete: Oh, that’s nice.
Alex: So there you go.
Justin: Interesting.
Alex: Another thing on the marquee, in the movie theater, the town is showing the Incredibles and The Parent Trap, both Disney movies, both from different time periods that don’t necessarily match the 2000s, but both of them make a lot of sense. Parent Trap, twins, Incredibles, super powered family. I think there was pretty much all that was going on there. And I think that was it. I wrote down the names of Ellis Avenue and Rolling Hill Drive, but I think those are just street names.
Justin: Yeah. I was like, “Ooh, what’s that a clue for?” And I was just like, “Oh, it’s just what Wanda said one scene ago. Don’t go pass Ellis Avenue.”
Alex: I do love that though. I know there’s a lot of people that are like, “Stop looking into Easter eggs, stop talking to theories,” but think that’s fun to look at these things and figure them out, some of them mean things, some of them don’t, but that’s a credit to the show for just packing everything so tightly in there. Like celery in a trunk.
Justin: Exactly.
Pete: Perfectly packed.
Justin: The beauty of Easter eggs is sometimes they’re about a deep reference to the original source material, and sometimes it’s an Easter egg for the story itself, also known as a plot.
Pete: I did really like the line where she was like, “Hey, it’s the guy who was almost killed by his own murder squad.” I thought that was really a funny line.
Justin: Yeah, they’re pretty nasty to Hayward in a way.
Pete: He deserves it, okay?
Justin: Of course, yes. But I’m saying then they fight their own soldiers. They’re going to get in trouble.
Alex: Yeah. They’re going to follow the rules.
Justin: We didn’t talk about Monica’s blood work. She’s getting her photon powers, basically.
Alex: Yes. I guess the question is, is she going to get the powers now or does she have to go through the hex one more time for it to really seal the deal.
Justin: I think one more time and my guess would be she’s going to do it purposefully and maybe be aware. Like that’s a great fight starter move, to step through the portal and be like, “[inaudible 00:38:44]”
Alex: Yeah. That will be fun.
Pete: What I’m worried about is the next episode, there’s going to be a lot of mimes. I don’t want that. I don’t want a mime episode.
Justin: Too many mimes. If you got pushed into the hex, who do you think you’d become? Obviously those soldiers all became clowns in mimes. A lot of the buildings became other buildings.
Alex: The shop became a funnel kick truck.
Pete: Yeah, the car is-
Alex: Pete, do you think you would also become a funnel kick truck?
Pete: Well, hang on a second. What was nice was it went from new cars to old timey cool cars in the used car lot, which I was like, “Oh wait, let’s just halt here and admire all these nice old cars here before we move on.”
Alex: Yeah. Everybody at Westview starts chanting, “For Pete, for Pete, for Pete, all for Pete.”
Justin: More cars, more cars.
Alex: Before we start to wrap up here-
Pete: Wait, wait.
Alex: Oh okay, yes, go ahead Pete.
Pete: The line where Pietro was like, “Hey, what you worried about?” It’s not like he could get more dead. I was just like, “Oh, dude.” Like I know brothers and sisters fight and stuff but that was below the belt for sure.
Alex: I have two quick thoughts there. One is, I think that ties into what we were saying about Pietro, that there’s an edge to him, that he is pushing in Wanda in some way, he’s pushing the narratives in some way in a very aggressive nature, and in a very negative nature, but the other thing is that this really reminded me how caustic a lot of sitcoms of that time were, which frankly, I did not watch, because I was like, “I don’t like watching people be mean to each other. This is not fun.”
Justin: They were mean to-
Pete: That’s why you only went one season in Friends, because it got real mean [inaudible 00:40:28]?
Alex: I was like, “These people aren’t friends. What’s happening here?”
Justin: It should be called Enemies. In Malcolm in the Middle, they were so mean to Bryan Cranston, that that’s why he became Breaking Bad.
Alex: There’s a whole theory about that.
Justin: Yeah. Let’s dip into speculation. If Quicksilver is the villain, what villain are we looking at here? Because he was being so… to what you were talking about, so blunt. He was taking a hammer to Wanda to try to shatter her control of the hex, it felt like, by calling out how Vision is dead and all that. It was really ramped up in this episode. But he seems like a villain who is not smart, but doing a good job.
Pete: It almost like a henchman rather than like a full on villain.
Alex: Yeah, that’s my take, I think. There’s been a lot of speculation about him being [Mafisto 00:41:23] who’s a devilish character-
Pete: No, don’t you fucken say that, man.
Alex: … from the comic books. Hold on. This is an entirely different discussion. But I don’t think they’re going to go there. I don’t they’re going to reveal some surprise villain. I believe we were actually this in the Patreon Slack a little bit. Patreon.com/comicbookclub.
Pete: Oh, Jesus Christ.
Alex: No, there’s been a lot of good theories in the Bible vision, remember, it’s been fun. But I think whoever the villain is, whatever they are, I feel like, at this point, it has to be something that was already introduced in the series, or mentioned in the series. We mentioned Hydra, we’ve mentioned S.W.O.R.D., we’ve mentioned Hayward, Agnes has been in the mix, now Pietro is in the mix, but I don’t think suddenly Pietro is going to be like, “And I am Mafisto,” because we haven’t had any setup for that.
Pete: Yeah, but what about… because we had S.W.O.R.D. and Scrolls together, nobody’s talking about Scrolls right now.
Justin: Nobody’s talking about Scrolls right now.
Alex: Scrolls like, “Why’s nobody talking about us? We’re pretty cool.” Hold that. All I was going to say is, I was going to agree with you Pete, that I do feel like we’ve got Agnes… my current theory is Agnes at the top, Pietro, Hugh as her lieutenants, everybody else trapped in this hex.
Justin: But that to me feels like they are some sort of henchman like super villain group or… because, against your point of introducing a new villain, I agree with you they’re not going to introduce a big new villain, but they are going to have to explain who Agnes is at some point. And that’s going to be someone, who we assume is Agatha Harkness. I feel like Pietro might be Grim Reaper because it makes sense to introduce a low level villain that they don’t have to explain much about, that he’s just some bad villain who has a connection to Wanda.
Alex: Oh that guy? Oh, he’s just the Grim Reaper.
Pete: No need to go into that more. Moving on.
Justin: No question.
Alex: No. I think you’re right Justin, I can see a scenario where they reveal he was the guy in witness protection, his name is X, his alias was The Grim Reaper, and he gets brought back to life through this hex power or something like [inaudible 00:43:33].
Justin: And he could be killed again without a lot of big ramifications and that may be what… because I think Wanda will eventually become a hero of some sort, but either she’ll become a hero and go back to some sort of status quo, or she will become the villain going forward into the movie [inaudible 00:43:49].
Pete: Yes.
Alex: Do you think, just to throw it out, I think she could either die a hero or live long enough to see herself become a villain.
Pete: Wow. Boo. Interesting.
Justin: Wow. That’s really smart. I was raised in the darkness.
Pete: I don’t know why you would need to say that part.
Alex: Do you feel like you’re in charge?
Pete: I think what she’s going to do is, she’s going to have an army of mimes at her disposal and things are going to get real weird.
Justin: An army of mimes you would never hear them coming.
Alex: Let’s wrap this up by saying what is on our vision board for the next episode. Justin, why don’t you go first. What’s on your vision board?
Justin: For the next episode, we have to get a reveal in here. We have three episodes left, so I think we’re going to get a big one in this next episode, probably what Agnes and Pietro, if they are working together as some sort of team or group of villains, what they’re up to, what their goals are and who they are.
Alex: Pete.
Pete: On my vision board, we’ve got to release the town people. The stuck people that are crying, “It’s too much to take.” We’ve got to release the people, okay? It’s too much.
Alex: Great. My main thing… this is such a small thing and it’s not really going to be that important, but I just want to find out who the aerospace engineer is next episode. I think that’s a fun easy mystery that they can solve, it will be a fun reveal. Whoever it is, whether it is somebody we already know or somebody new, and I’m excited to check that out.
Justin: I think it’s Captain Marvel. I think it’s Captain Marvel.
Alex: You think it’s Capital Marvel?
Pete: I think it’s Silver Surfer.
Justin: Hmm. Definitely the Silver Surfer. Maybe Galactus, the clown from the first Fantastic Four.
Alex: He hates clowns.
Pete: Maybe it’s Nick Nolte clown, from the angry Hulk movie.
Justin: What if it’s two clowns and the clowns don’t like each other and the fight in a clown fight.
Alex: It’s my favorite thing.
Pete: No offense to the clown but-
Justin: Clowns fighting clowns, how would you know what was happening?
Alex: Wait. Did you say clouds or clowns?
Justin: Clown clouds.
Pete: Oh boy.
Justin: Whether it’s clouds that look like clowns or clowns that look like clouds, each one is equally scary.
Alex: If you’d like to support our podcast, patreon.com/comicbookclub, also we do a live show every Tuesday night at 7:00 PM, to Chromecast and YouTube. Come hang out. We would love to talk to you about WandaVision. iTunes, Android and Spotify, Stitcher or the app of your choice, do subscribe and listen to the show, Marvel Vision Pod on Twitter, Instagram and Facebook. Comicbooklive.com, for this podcast and many more. Until next time. Don’t forget to wake and Wanda.
Justin: Honestly, I think I’m the one who’s losing it. I need to poke some air holes into my eyes.
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Things start breaking down in Westview as we recap WandaVision Episode 5, “On A Very Special Episode…” While the sitcom world transitions to the ’80s, outside Monica Rambeau tries to figure out what happened to her while she was under Wanda’s control, leading to a showdown with Hayward. And inside the Hex, when Tommy and Billy begin to grow up too fast, Vision starts to realize things are very, very wrong leading to a series of confrontations — and a surprise that we bet you didn’t see coming. Let’s break down all the WandaVision Easter eggs (that X-Men cameo!!), comic book references (Sparky!!), MCU references (Lagos!!) and more.
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Full Episode Transcript:
Alex: Welcome to MarvelVision, a podcast about Marvel, the MCU, and specifically WandaVision episode five, On a Very Special Episode. I am Alex.
Justin: I’m Justin.
Pete: I’m Pete.
Alex: And man alive, guys, this was a big one. This is a potential universe changing episode of WandaVision.
Justin: Our universe.
Alex: Yeah. What are you guys doing differently after this episode? I feel like just a new, fresh person, honestly.
Justin: I got a dead dog as a pet. I was like, let me just jump to the end.
Alex: Nice. I electrocuted my dead dog.
Pete: I’m going to go back to sleep.
Alex: Oh man, this is very early for Pete, but we’re very excited to talk about this, because again, this is a huge episode of WandaVision. Requisite spoiler warning here. We’re not going to talk about every single aspect of the episode. We’re not going to recap beat by beat, but we are going to get right into spoilers and talk through it. And there’s a lot of big things that happen. So if you haven’t watched episode five, again, episode five, On a Very Special Episode, check it out right now, and then head back here. Broad strokes, here’s what’s going on in this episode, just as a reminder. So now we’re splitting our time between the sitcom world of WandaVision and the real world of the MCU, which of course is our real-
Justin: Our reality, yes.
Pete: Very meta.
Alex: In reality, Monica Rambeau is out of the Wanda Hex. We have a name called Hex. We’ll talk about that in a second. Darcy and Jimmy are trying to help her out and figure out what’s going on with Wanda. There’s a big confrontation outside with Hayward, who attacks Wanda inside, and we find out a lot of more…. There’s a lot of Easter eggs, a lot of questions there that, again, we’ll get back to in a moment. Inside the sitcom world, we’re in the 80s, Tommy and Billy growing up real quick. Lots of weirdness going on here, both with the residents of Westview and with Wanda and with Tommy and Billy. Agnes is getting more in the mix of everything that’s going on. And Vision is definitely becoming self-aware.
Alex: We get a couple of notes that we’ve certainly wondered about. Some answers, more questions. And then the biggest one of all at the end, I don’t know if we want to talk about this right now, or we want to save it for a little later [crosstalk 00:02:29]-
Pete: Probably save it.
Alex: But I’ll mention what it is. You all know if you’ve seen it. But Evan Peters shows up as Quicksilver, which is wild.
Justin: It is wild.
Alex: Let’s let’s put it a little pin in that and come back because we have a huge discussion. First of all, as we do, let’s talk about the episode. What’d you think? I thought this was phenomenal. I was so excited that they’re bringing everything together, splitting the time between the two worlds. This is great.
Justin: So good. And a lot of people were like, “This is moving so slowly.” There’s all this criticism of how weird it is. It’s all laying the groundwork, and that’s the confidence that you get from a Marvel show, from the MCU, where they’re like, “We understand you might not get everything right from the first one, two episodes,” but it’s all worth it when they start to weave this stuff in and it’s just so much happening and so many revelations happening in this episode.
Pete: Guys, I want to go back to the 80s. You know, Jazzercise, you could give your kids liquor. I mean, those were the days, you know what I mean?
Justin: If the Vision grabbed your temples, you’d be like, “Hi, I’m Pete. I like it here. Please leave me here. I want to live here in this sitcom world.”
Alex: Vision, get it together, right? We’re all stuck in this. Stop fighting it. Go get an Orange Julius, Julius. Things are going to be cool. Yeah, instead of calling your family and letting them know where you are, you’re going to immediately run off to a 7-Eleven
Justin: Just have someone punch me right in the crotch before the commercial break. That’s all I’m living for right now. I’m the funny one.
Alex: To the point you were saying, Justin, I love how fast they’re whipping through story. I think going back to the first episode, we were like, “They’re going to be in sitcom land for eight episodes, and then we’ll see what the revelation is in episode nine.” Nope. They pretty much announced how quickly they’re going through it, I think, with episode four. We talked about this last time. This is only my suspicion here, but it really does feel like you got this first act, which is sitcom land, something’s wrong. The second act is Wanda versus Vision. And I still do think we’re going to see a twist here that this is not all Wanda, even though they’re doubling down very hard on it in this episode in particular.
Justin: But I do think we’re seeing what the cracks there in the theory that Wanda’s bad. Hayward’s clearly an overarching villain here, and I think Agnes is-
Pete: Agnes is in on it.
Justin: At the core of this somehow, obviously, as well. So I do think we’re going to get… Even the mailman at the end of sort of like… He seems suspect. And I just don’t trust mailmen in general. [crosstalk 00:05:01].
Alex: What’s their agenda? That’s what I want to know.
Justin: They’re always at my house.
Alex: Deliver mail.
Justin: Every day they got something to give me? Suspect.
Pete: Well, if you didn’t order all those crazy Amazon packages, maybe they wouldn’t have to be there.
Justin: I’m on my computer and they show up in real life from this guy.
Alex: Let’s talk about Agnes. I think that’s a good place to start, because we get a lot of Easter eggs here about that. Certainly there’s been a lot of speculate…
Pete: I mean…
Alex: Yes, Pete,
Pete: Let’s talk about that Jazzercise outfit. That was glorious. It brings me right back.
Justin: Brings you back? What are you talking about? It’s not like you were an adult in the 80s Jazzercising.
Pete: No, but my mom was. It was fun to see those outfits. Like, “Hey, you know what? Kids will shut up if you give them booze.” I was like, “Oh yeah, this was the time.”
Justin: Could you send us that picture of your mom in the Jazzercise outfit that you keep talking about?
Pete: That’s creepy and no.
Justin: You said it. You said it.
Pete: No, no, no. When you say it it’s creepy.
Justin: You said it, it’s creepier.
Pete: The binkies bit was just fun television, you know what I mean? The dad coming in with them in both ears. I mean, that’s classic physical comedy.
Alex: I do want to talk about, actually, the easter eggs with Agnes in a second, but to the point that you’re making, Pete, I love getting back to the sitcom tropes here. I think something that they’ve been pushing really hard that I think a lot of viewers have been struggling with… Forgive me, I know Pete’s going to yell at me for this, but the jokes aren’t very funny most of the time, but that’s okay. They are very much 80s sitcom style jokes. They perfectly fit the era.
Pete: Still hold up. I don’t know what the you’re talking about, not funny.
Alex: Nope.
Pete: Did you see those binkies?
Justin: Stop saying binky as such an adult man. Well let me say this. I think the jokes in the first couple of episodes when the sitcom world-
Alex: Hey Justin, take the binkie out of your ear.
Justin: Those are headphones. In the first couple episodes, the jokes were strong when the sitcom reality was strong. And now that Wanda’s attention is split between so many things and there’s all these problems starting to emerge, I think this is purposeful. She doesn’t have as much time to mentally write good sitcom jokes. I really think that’s… My takeaway from this episode is the stories in the sitcom are getting dumber because Wanda’s attention is split.
Alex: Yeah, she’s got so much going on. The little writer’s room in her head is having a tough time keeping up with all of it.
Justin: How’s the writers’ room in your head, Pete? They’ve been passing out booze for a couple of seasons now, let me be honest.
Alex: Let’s get back to the Agatha/Agnes easter eggs. We’ve certainly spent-
Justin: Dropping Agatha [crosstalk 00:07:39].
Alex: A lot of people have speculated that she is Agatha Harkness from the comics who ends up taking care of the kids. I believe takes care of Wanda and Pietro’s kids. Here she straight up calls herself auntie Agnes, says she has some tricks up her sleeve. But the big thing, I think, for overarching with the show that you were mentioning, Justin, is she seems to be aware in some way. I don’t know if she’s the villain necessarily, but she certainly has known what is going on and does know what’s going on. We talked about this with the last episode… Not last episode, two episodes back as well, where people seem to have different levels of awareness of what’s happening. But Agatha… I keep calling her Agatha. Agnes is definitely at the top of that chain.
Justin: And we see in this episode that Wanda is comfortable enough with her to use her powers in front of her. There’s definitely some… I feel like she’s being manipulated by Agnes in some way. I think when the Vision calls out that she used her powers in front of her, that was a moment where it felt like Wanda wasn’t quite sure why she did something, which is the only instance of that. And I also thought it was telling the Agnes is like, “Do you want me to take that again?” Because I should have the kids in my care. She wants the kids, the kids are her focus. She seems like she’s operating in and around Vision and Wanda so that she can have more time have control over the kids.
Pete: Oh, that’s interesting. But you know, as a classically trained actor, the take it from the top is something that is used in stage and television. Wouldn’t you say that?
Justin: Thank you, yes.
Alex: That’s a great inside baseball tip right there, Pete.
Pete: But this show does love sitting in these awkward moments, these kind of painful moments of like, “Let’s take it from the top.” “What are you talking about?” [crosstalk 00:09:25]. Oh God, yeah.
Justin: When the reality breaks. It’s almost like they were going to go back to one.
Pete: Look at this guy.
Alex: Like you’re saying, Pete, I think this episode did this really well in particular. We got, in the first episode, just that, “No stop it, stop it” moment that broke the reality. Here we’re going back and forth from the camera angles to what’s going on in the scenes. It comes in close and has a more modern style whenever the reality starts breaking down. And it’s pretty much constant. It’s non-stop here. To the point that it’s alarming to watch, and I think purposely so, because it’s breaking cinema convention. You’re getting all of these things all at the same time.
Justin: But what also, I think, is so cool about this is cinema convention caught up with reality over the course of these decades of television they’re dealing with it, so that modern TV is meant to feel as much like everyday life in a lot of ways. You get hand held camera work and all that now. So as reality is creeping in on the sitcoms world of the show, the same pace that reality crept in reality looking television crept in on TV. It’s a little bit of a mindfuck, And I think that I’m in a Hex of some sort.
Alex: It’s catching on.
Justin: But it makes everything really works so well, I think.
Alex: Yeah, the other thing… I know I’ve been doubling down on this pretty much every episode, but one thing that I really liked about this one in particular, given everything that was going on, it really had a very strong theme about grief and how you deal with grief and it hit it on every level. I know a couple of people commented and pushed back on me, both in our Patreon Slack and on Twitter about-
Pete: It’s my favorite thing to do.
Alex: [Crosstalk 00:11:10] love… Oh, was it all you, Pete, with different alts accounts?
Pete: Burners? I love pushing back on you, regardless of what’s happening.
Alex: I didn’t love last episode because I liked what they did, and I thought there were some really smart choices, but particularly when it came to Monica Rambeau, I liked what they set up, but it didn’t feel like it panned out over the whole entire episode. The theme with her and her grief over her mother’s death and missing that really played out in this episode. It played out with Wanda, of course, in the quote unquote real world. But it also played out in the sitcom world, which is what I think the last episode was missing a little bit, because we get this whole storyline with Sparky that ties in with the kids, with Wanda, with Vision, with everything. Very smartly written across the board, and I liked that quite a bit.
Pete: Well, you guys had to be nervous when you saw that dog because you know the rule in television, that dog’s got to die so those kids learn about responsibility. That was a scary moment when they’re teaching this dog tricks. I was like, “This is going too well.” [crosstalk 00:12:09].
Alex: Is that a thing that regularly happens, they kill dogs on television?
Pete: That’s how I learned about responsibility.
Justin: Yeah. That’s how Pete learned how to kill a dog.
Alex: I do remember there was an episode of full house where they got a dog and then by the end it was just a bloody smear on the pavement.
Pete: You got it, dude.
Justin: To your point, Alex, I do think Monica dealing with her mom’s death makes her the only character that really, I think, sympathizes and understands what Wanda’s actually going through. And we see that in the scene, the confrontation scene at the end of the episode, and that’s why Monica is so important, and she’s really the leader of the Jimmy and Darcy triumvirate that are going to be sort of our outside heroes here.
Alex: Do you want to talk about outside the Hex a little bit, because I think there were so many different things going on there that we possibly could plumb through. Certainly, like you mentioned, there’s the grief thing. I do love the three of them working together. I think that’s super fun.
Justin: Great trio.
Pete: Oh, for sure.
Alex: The Hex, I’m sure comic book fans caught onto this, but just in case, there are people who are not diehard comic book fans listening to this podcast. Wanda’s powers in the comics are called hex powers. They riff on this a little bit when Hayward and Jimmy Woo talk about does she have a cute nickname or anything like that? No, she doesn’t. She’s not really called Scarlet Witch in the MCU, though I expect we’ll be calling her that by the end of the series. So that was all fun. But there’s a bunch of questions that get brought up as well. Little things that are teases. One, Monica goes through these scans after she comes out of the Hex, and it seems like maybe she is empty from the scan, they need to do blood tests again. We know from the comics, she becomes Captain Marvel, Photon, bunch of different names, Monica Rambeau sometimes. So this certainly seems to be the first hint of her powers. But what do you think’s going on here? Are we actually going to see her power up in this series?
Justin: I think so. That’s what the test results really told me. And I think she’s going to be called Photon, which is what her mom’s nickname was, and I think she’ll take on that moniker. It seems like tests weren’t working on her because she is perhaps made of light or something like that.
Pete: Oh, I thought she was dead and a ghost, because usually when you can’t see organs and stuff like that, that’s what that means.
Justin: Usually when you can’t see organs. How is your ghost hunting going, Pete?
Pete: That’s great. Shh. Oh, I thought I heard something.
Alex: I love the idea that when you look at people, Pete, you’re like, “I don’t see skin color, I just see a big bag of organs.”
Justin: Or you’re like, every person you see, you’re like, “Yep. Organs. Not dead. So far so good. No ghost.”
Pete: Not dead. Not a ghost. Don’t fuck with me, man.
Alex: In the comics I believe she’s able to turn herself into different wavelengths of light, is that right, or is it different wavelengths of energy?
Justin: I don’t know. I mean, Photon, I think it’s light focused [crosstalk 00:15:07]. Harsh question from Alex.
Pete: It’s too early for that kind of shit.
Justin: Yeah, the sun hasn’t come up yet.
Alex: So that’s one thing. Another thing that is going on with her is she comes up with a method of getting inside the Hex. We’ve actually seen some of this in teasers. So it is something that they potentially try out. But she figures out if she has basically a huge lab on wheels, she might be able to get in there and says, “I know somebody who can help me with this,” and texts, I believe an aerospace engineer. Who she texted? This is my favorite part of the show.
Justin: Who she texted.
Pete: Who she texted. Who she texted.
Alex: I liked the pause there, where we’re like, “Oh, now we need to follow this up with information.”
Justin: But we were letting theme song end, for who you’re texting. I mean, my first thought was Captain Marvel.
Alex: Well probably not. She has a weird reaction when somebody mentions Captain Marvel and I do wonder… They haven’t explicitly stated this, but I do wonder if there’s some sort of her relating Captain Marvel to letting her mom die. That maybe Captain Marvel’s space radiation gave her cancer or something like that. I wonder if we’re going to find that out, because again, I think it was Darcy mentioned Captain Marvel and she just brushed over that and moved past it.
Justin: What I thought that was, was she was like, “I’ll text my aerospace engineer friend,” and then a second later she like, “Captain Marvel,” I thought she was like, “How’d you know who I was texting?” That was my take on it, but I don’t know.
Pete: She was like, “I’m going to text Samuel L. Jackson,” and then look right at the camera.
Alex: Find out what’s in his wallet?
Justin: Who did you think?
Pete: Oh, I thought it was originally, when they were kind of describing things, I was like, “Oh man, I want it to be a van time machine so bad because I think Paul Rudd would be hilarious in this little trio of people,” but I don’t know.
Alex: Okay, so you thought maybe Ant-Man?
Pete: Yep.
Alex: All right. I wrote down a couple of possibilities. The first one that I thought it was Bruce Banner. That made sense to me. I know he’s not an aerospace engineer, but you know, Marvel universe.
Pete: Why would that makes sense, then?
Alex: Marvel universe scientists, it doesn’t matter, they can do anything. The other one that came to mind was Talos from Captain Marvel, Ben Mendelsohn’s character. I don’t know if he’s an aerospace engineer necessarily, but I think kid Monica in Captain Marvel, if I remember correctly, was friendly with Talos. They hung out together, right?
Justin: Yeah. But of the ones we’ve just said, between Samuel L. Jackson from the Capital One commercial campaign, Captain Marvel, and Talos, I think Captain Marvel is the more likely get.
Alex: Hold on. Hold on. I have two more possibilities. I have two more. Are you ready?
Pete: The dog.
Alex: The dog. She was texting the dog. As we know, his name’s Sparky.
Justin: His name’s Sparky, Pete. It’s Dr. Sparky, aerospace engineer.
Alex: Riri Williams. What about Riri Williams? We do know there’s an Ironheart show coming down the road. She certainly knows a lot about tech. We haven’t met her yet, so that might be kind of a fun introduction there.
Justin: That’d be very cool. I would be surprised if she was introduced in this fashion, but that would be awesome.
Alex: I have another one. This is a crazy theory.
Pete: Wow, this is fun. You’re just spit balling ideas.
Alex: This is the last one. This is the last one.
Justin: Who she texted?
Pete: Who she texted?
Alex: This is what our podcast is about, just brainstorming.
Justin: This is a game show within the podcast called Who She Texted?
Pete: Who she texted?
Alex: What do you think, is there a possibility that it’s Mr. Fantastic?
Pete: What?
Justin: Yeah. Do you think they’re going to… Because there was some speculation in some of the earlier episodes, I guess last episode when she’s walking into the lab, but you see them working on a spaceship of some sort. If they just drop Reed Richards as like, “Hey, this is a young doctor, aerospace engineer named Reed Richards,” and then we don’t say anything about it. That feels crazy for a mid season drop, but…
Pete: I was rewatching it, and if you look really close, while she’s texting, she’s mumbling, “This fucking stretchy piece of shit better answer.” So maybe it is.
Alex: Well, just to talk about that theory, Pete, a little further, and then we’ll move on from here. But what Justin was saying about the Fantastic Four thing. Last episode we saw Monica goes into S.W.O.R.D. There’s a rocket they’re building in the background. Hayward talks about how everybody has failed out of the space flight program, and certainly the S.W.O.R.D uniforms are blue and white, which is the classic Fantastic Four colors. So there’s a way of drawing a line that they don’t have to follow this. Like a lot of the MCU things, sometimes they drop things and then they go in an entirely different direction.
Pete: Do they?
Alex: Well they do sometimes. Like they mentioned Dr. Strange, but it didn’t necessarily follow up. There’s other things like that.
Pete: That’s who I thought it was at the door.
Alex: We’ll get to that in a moment. But it’s possible that this could be setting up a thing where they failed out, they get these astronauts, the Fantastic Four, who steal this rocket, take it into space. We get a riff on their classic origin story. And introducing-
Pete: Nothing like a riff.
Alex: Whoever is Reed Richards this way would be huge, and I think make a lot of sense.
Justin: Yes, that would be such a strong… Don’t you think that would overtake some of the story here?
Alex: I do think so. I agree with you, except for what happens at the end of the episode, which already established that sort of thing of taking things over. All right, a couple of other things we should… I mean, there’s a lot else we should be talking about, but let’s go back inside of the dome.
Pete: We should be talking about postcards. Do you remember postcards? That was a nice ad for postcards right there at the start in the opening credits. Man, those are fun.
Justin: We get the opening credits to Family Ties obviously here. My daughter has entered the chat, so she’ll be speaking briefly over the course of this. But we get the Family Ties opening sequence, which we’re all a fan of.
Alex: I did love, and this reminded me, how nonsensical 80s theme songs are. This always bothers me. The entire theme song, which they nailed perfectly in this, is we’re doing the best we can over and over. So you’re like, “Oh, the name of the show is Doing the Best We Can,” but nope it’s WandaVision.
Justin: That’s very true. And what was the other line in there? We’re making it up as we go along, which I thought was very cool.
Alex: The theme song was great. Love seeing Vision as a baby, Vision growing up in the credits. That was also very funny.
Pete: Very interesting to see the kids rocking the Vision stuff as well for a little while. So that was kind of cool.
Alex: Lots more to talk about, though. We haven’t really even talked about the meat of the episode, which is Vision versus Scarlet Witch as he becomes more and more aware over the course of this episode, pushes back on Wanda, by the end they’re in the air yelling at each other. He doesn’t know his life before Westview. What’d you think about this whole arc?
Pete: I’m glad he’s finally putting things together because for a machine he was kind of acting dumb. And then finally when he calls out her entrance. She was like, “Oh, why do you look so formal?” He was like, “Probably someone’s going to pop by right in time with the thing we need.” Yeah, I thought that was great the way he called that. And he’s putting things together and it’s not adding up. And the part at his job made a lot of a sense, and I’m so glad that he did that. I’ve been impressed with the Vision in this episode…
Alex: I know we’re releasing this as an audio podcast, but I love the fact on video just more and more things are coming in Justin’s view.
Justin: Reality is being invaded right now. I got daughter who woke up way before she usually does, and my dog is going to be hearing all this dead dog talk, and it’s like, “What the fuck are you talking about?”
Pete: Pip don’t slip, so Pip’s not going to stand for any bad talking Sparky.
Alex: This conflict is so hard to watch. And I loved the job that Paul Bettany does in this episode in particular, just how broken he is by the end. He doesn’t remember his life. He doesn’t know what’s going on. We know that he died. We talked about it, I think, the last episode. What did Wanda do? Pick up his corpse and walk across several states? Turns out she did.
Justin: She did. And I think we see that Hayward has been experimenting on the Vision corpse, which Jimmy Woo is like, “Hey, that’s not cool.” And he totally just glosses over it. So I thought all that stuff was cool. It is weird to me that Hayward is just being a straight up villain.
Alex: I don’t think he’s an overarching villain so much as corporate dick. We’ve seen this time-
Pete: Douchy kind of agent dude. Yeah, that’s classic.
Justin: But he’s just outwardly… I thought he would be a little more secretly evil.
Alex: No, but he’s shooting Wanda with a rocket. He does the classic, “No, it’s a drone. It’s fine. Just kidding. Shoot her down with a missile,” which leads to that moment that made me say, “Oh shit,” at home alone, watching this, when Wanda [crosstalk 00:24:26] comes out of the dome… When Wanda comes out of the dome wearing her costume the last time we saw her, and that was Endgame. She is talking with a very deep Sokovian accent, which has been a big question people have had throughout the series. This moment was great.
Justin: This episode, we haven’t really talked about it yet, is about Wanda’s powers. She is powered up in the Marvel universe in this episode in a way that we knew from the comics, but it was a big move for the show.
Alex: Well, I think this is a big question that, to my mind, and maybe I’m thinking about it too much, points to the fact that she is not the villain here, because… And Jimmy and Darcy bring this up. We know that she had telepathy. We know that she had… What’s the other one? Telekinesis. And she’s super strong. But manipulating and changing matter is not something that we’ve necessarily seen in her power set. So there’s steps missing there. The mind stone is not in Vision anymore. It is destroyed. She has Vision’s body, but just because she has Vision’s body doesn’t mean that she can do all of these other things. Maybe it does, but there’s certainly like… Right now, we’re A to C and we don’t have the B.
Pete: Also, speaking of her powers, it was kind of crazy how her powers didn’t really work on her kids at all. That was very interesting when she was trying to get the babies to shut up. And I was really worried what she was going to do to those kids. But it seems like the kids are controlling themselves and aren’t succumbed to her power at all.
Alex: Yeah, what’s your take on Tommy and Billy right now?
Justin: I think because they were created in this reality, they aren’t beholden to it. And I think they are going to… We’re going to walk out of this show with them being real people that have a power set and that know everything about what happened in there. Wanda sees it, and I think it works great in two ways. As a superhero story, the fact that these kids were created out of nothing and now are going to be characters is really cool.
Pete: You don’t know that, though.
Justin: I don’t know that, but that’s what…
Pete: When the sitcom ends, maybe they end. Sitcoms are sad like that.
Justin: Wow. Interesting. They don’t kill the actors at the end of a sitcom, Pete. I hate to tell you. Not like the dogs. My daughter just grew up too. Now she’s 10.
Pete: Oh wow. Congrats. Happened fast.
Alex: That’s great. Let’s talk about the end of the episode. I think we need to jump and talk about that because that’s obviously the huge thing that’s breaking the internet right now. We’ve gotten mentions of Pietro before, which was very emotional, a couple of episodes back. But here we get the thing that we kind of speculated about and turns out to be exactly what happens. We get a classic 80s recasting, as Darcy points out, but it’s not just any recasting. It’s Quicksilver at the door, but it’s played by Evan Peters from the X-Men franchise. This is huge. People are freaking out. They’re like, “This is it. This is the multiverse. It’s coming.” We know this show is setting up Doctor Strange 2: Multiverse of Madness. We know it’s setting up in some way, Spider-Man 3, which also deals with the multiverse. Here’s what I’ll throw out to you guys.
Pete: Wait wait wait.
Alex: Yes.
Pete: When you saw the back of the head of the person at the door, what were your guys’ first thoughts?
Justin: I was like, “Old person.” Gray hair. I was like-
Pete: Captain America.
Justin: Oh, interesting.
Pete: I thought Captain America was going to ring the doorbell and be like, “Yo, I need that stone. I got to go back and fall in love and have some real fun. So I don’t know what you’re doing here, but I need the stone.” Because it did look like an old person. And then I thought maybe Mr. Fantastic because of the gray. But then I was completely shocked by Quicksilver.
Alex: I mean, I think what you’re supposed to think is that it’s Quicksilver, it’s Aaron Taylor-Johnson, and then the camera comes around and it’s actually Evan Peters being classic 80s brother coming into town douchebag, which is great.
Pete: Don’t call him a douchebag. You don’t know that yet.
Alex: No, but that’s what the character is in the 80s sitcom. But the question in my mind, is this Evan Peters as Quicksilver from the X-Men franchise or is it a town member of Westview who has been recast as Quicksilver? Or is it something else entirely?
Justin: And don’t know how they’d justify any of that? Where is that going to come in? Who’s manipulating this? Is this someone from the Agnes/Agatha side of it, who’s pushed this out there to help the manipulation of Wanda? Because this isn’t a plan coming from the S.W.O.R.D. people.
Pete: It’s not planned from Wanda, because she doesn’t know who’s at the door.
Alex: Right. There’s certainly something else going on here. Regardless of what’s happening, it’s very exciting to see Evan Peters as Quicksilver. He was one of the highlights of, not the best [crosstalk 00:29:31] one might say, X-Men movies, but he’s awesome and he’s an awesome actor. I’m very excited to see what he does.
Pete: His parts in the X-Men movie were my favorite parts, the reason that I would watch it.
Alex: Absolutely
Justin: The sequence where he puts on Time in a Bottle. That’s just epic.
Alex: And also it’s going to be… I’m curious to see how they execute this. I’m curious to see how it happens, whether they do reference X-Men at all. I’m doubtful they will. I think it’s more going to be about Quicksilver and we may see Aaron Taylor-Johnson down the road as well.
Pete: Because I thought maybe this was the twins’ doing, because one of the kids was like, “Mom, where’s your brother. Do you have a brother?” And she’s like, “Yeah, but he’s not here.” And when she was like, “Oh, I don’t know who’s at the door.” I was like, “Could be the twins making some magic happening.”
Alex: That’s interesting. I wonder about that theory because we don’t know a lot about them yet, but I do like the idea of-
Pete: They’re 10 now, so…
Alex: Well they’re 10 now-
Pete: Good to know.
Alex: Which is a bad age.
Pete: Shots fired.
Justin: Wow, slammed.
Alex: It’s fine, [crosstalk 00:30:38]-
Pete: Isn’t one of your kids 10?
Alex: Yeah. Before we wrap up here, I’m sure there’s a couple of other things we need to call out. We didn’t mention this earlier, but Sparky is from the Vision comics by Tom King and Gabriel Walta. He is a-
Pete: Died in that comic too.
Alex: Died in that comic too. Very sad. But nice to see him here, albeit briefly. What else? There were a couple of other things.
Justin: The commercial. We want to talk about the commercial? For Lagos brand paper towels. And that’s obviously a reference to Captain America: Civil War, the fight in Lagos. And I think this cements our theory we had that maybe these commercials are just all the trauma moments in Wanda’s life.
Pete: Because that paper towel didn’t look like it was doing that good of a job. I mean, that commercial wasn’t…
Justin: You nailed it, Pete. You’re right.
Alex: Well that’s the point. The narration says, “For when you make a mess you didn’t mean to.” And if you don’t remember Civil War, Wanda accidentally took Crossbones, threw him into a building and a bunch of people died, which caused the Sokovia Accords, which we also get a little mention of here. Last thing I had a question about, this bothered me a little bit, and they’ve been doing this throughout the series. I think Monica says she could have taken out Thanos on her own if he hadn’t initiated a blitz. Did everybody see Avengers Endgame? Did they watch the movie? What’s going on? How do they know all of this stuff?
Justin: A blitz that she said, right?
Alex: Yeah.
Justin: I don’t know. Maybe that just means the attack.
Pete: Didn’t she say a blintz? Those are delicious.
Alex: Yeah, [crosstalk 00:32:10] a cheese blintz. I’m sure they read the reports, but there’s something about it where they’re like, they’re all fans of Avengers Endgame, they saw it four times in the theaters.
Pete: I was hoping they would all quiz each other.
Alex: Cheered at the portal scene like everybody else.
Pete: Be like, “Did you stay after the credits.”
Alex: “There was nothing, but it was still really nice, like there was a little bit. It was just really nice to pay tribute to the whole cast. Hey, did you know we have like 10 minutes of credits on this show.” Last little thing that I’ll mention that I thought was interesting.
Pete: Don’t say that. Anytime you say last thing-
Alex: I know, there’s several more things, you’re right.
Pete: It’s never the last thing and it drives me fucking crazy.
Alex: I’m really sorry. This really is the last thing that I have to say.
Pete: Not it’s not.
Alex: We talked about this previously when they were putting up Jimmy Woo’s theory wall, Agnes didn’t have an ID and Dottie wasn’t on the wall. We see the wall again. Same thing, even though time’s past, Agnes still doesn’t have an ID, Dottie still isn’t on the wall, which definitely raises some questions about that, I think.
Pete: Great. Well you can’t say another thing on this whole podcast because you said last thing. So Justin, let’s have some fun.
Alex: Before we wrap up here then, what is on your vision board for the next episode, Pete?
Pete: You said another thing.
Alex: What are you talking?
Justin: I think we’re going to get the big confrontation between Vision, a larger version of the confrontation between Vision and Scarlet witch.
Alex: Pete, what about you? What’s on your vision board?
Pete: I just wanted to say that what’s nice is they had a great moment in the show where they showed her outfit from when she was on the sitcom, and something in the 80s that is great can be bulletproof in today’s world. So just think about bringing back some great outfits from the 80s, because they’re really [crosstalk 00:33:45].
Alex: For next episode?
Justin: Quite a takeaway from this episode, Pete.
Pete: Things in the 80s are bulletproof now, is what I’m saying.
Justin: 80s fashion is bulletproof is what you’re saying.
Pete: That’s right.
Alex: Two things I want to see on my vision board for the next episode. I want to of course, find out more of what’s going on with Evan Peters’ Quicksilver. That’s very exciting. We need to get some sort of potential answers there. But also the overarching thing, bouncing off of what you mentioned, Justin, is I still think we’re going to see the Vision Scarlet Witch confrontation conclude, not next episode probably, but yeah, I guess next episode, potentially propelling us into the final act, revealing whoever the real villain behind this whole thing is. And that’s what we’re going to see in the last three episodes is them teaming up together to figure out this issue and get past it. That’s what I want to see. We’ll see if that actually happens or maybe they’ll double down on Wanda’s trauma and she really is the real villain after all.
Justin: What sitcom do you think we’re going to jump into next? Obviously we had Family Ties here and a lot of Mr. Belvedere as I predicted. What do you think-
Pete: Definitely Mr. Belvedere? I’m done with that.
Justin: Really happy with a lot of Belvedere stuff.
Alex: I don’t know, are we going to jump ahead all the way to the 2000s and get The Office style sitcom, or is it going to be… What is a 90s sitcom?
Justin: I think any of the TGIFs [crosstalk 00:35:00]-
Pete: We’ve got a lot of rad dudes. What are you talking about?
Justin: The fact that they introduced Quicksilver as the brother feels very Full Housey to me, where they can be like, “What are we all doing in here? Cool uncle Quicksilver’s here.”
Pete: Uncle Jesse.
Alex: Wait, what about Seinfeld? Could they do Seinfeld?
Justin: Feels like a strong tonal shift.
Alex: I guess we’ll see what happens. And thank you all for tuning in for this episode. If you’d like to support this podcast, patreon.com/comicbookclub. Also we do a live show every Tuesday night at 7:00 PM to Crowdcast and YouTube. Come hang out. We would love to theorize about WandaVision with you. iTunes, Android, Spotify, Stitcher, or the app of your choice to subscribe and listen to the show, @MarvelVisionPod on Twitter, Instagram, and Facebook. Comicbookclublive.com for this podcast and many more. Until next time, Marvel you later.
Pete: Give your kids booze.
Justin: Give your kids booze. Is that what you said? Wow. Okay. Maybe that’ll get her to go back to sleep.
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WandaVision Episode 4 takes things outside the dome, and officially brings Monica Rambeau, Jimmy Woo and Darcy Lewis into the series. Geraldine, a.k.a. Monica, post-Blip, discovers that something is very wrong in WestView. Things only get weirder from there as SWORD tries to find out who is manipulating Wanda, leading to a shocking twist.
Join us as we break down all the WandaVision Easter eggs, spoilers and comic book references in “We Interrupt This Program.”
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Full Episode Transcript:
Alex: Welcome to Marvel Vision, a podcast about the MCU, Marvel, and specifically WandaVision. We’re going to be talking about episode four of WandaVision.
Pete: We interrupt this program.
Alex: Thank you, Pete.
Justin: That’s… Wow, way to show and not tell, Pete.
Alex: I’m Alex.
Justin: I’m Justin.
Pete: I’m Pete.
Justin: Shouty Pete.
Alex: And we are very excited to talk about episode four of season one, maybe the only season, we don’t know. Right now it’s a limited series, we’ll see what happens.
Justin: Alex, stop talking about these harsh realities.
Pete: Yeah, geez.
Alex: Maybe this is the final season of humanity.
Pete: Oh, wow man.
Justin: Jesus, Alex is going through it. This show is in your head.
Alex: Pretty soon, as soon as my reality bending powers, as soon as my hex powers develop, that’s it for all of you, that’s all I’m saying.
Pete: Well, if you keep eating those sketchy ass Oreos, yeah, I’m sure it might happen for you.
Alex: Fair enough.
Justin: Yup, that’s how it works.
Alex: So, here’s what we’re going to do, first of all, go watch WandaVision episode four, because we’re going to be talking very broad strokes, probably immediately veer off into theories and things like that, there’s so much to talk about in this episode.
Justin: Certainly.
Alex: So definitely watch that first, because spoilers past this point. We probably could talk quality-wise what we thought about this episode versus the other episodes, as well as theories, speculation, and Easter eggs and things like that, but before we do, it’s time for everybody’s favorite segment, or rather, Pete’s favorite segment, which is corrections and additions. Corrections and additions.
Pete: We interrupt this program!
Justin: Just so we’re clear, this is when Alex walks us through things that he found, that he said incorrectly, and Pete and I don’t ever acknowledge any mistakes.
Pete: That’s right.
Alex: Yup, pretty much. So the first one, right off. This is one that we called right off at the beginning of the third episode, I griped about the lack of episode titles for the show.
Justin: Yes.
Alex: The little caveat here is we actually taped episode three of our podcast before they released episode titles, now they are there.
Justin: Yes.
Alex: I’ll read them off, so I don’t get them wrong. The first one is Filmed Before A Live Studio Audience, second one is Don’t Touch That Dial, third one, Now In Color, and the fourth one is We Interrupt This Pro-
Pete: We interrupt this program!
Justin: He gets it, he gets it.
Alex: I feel like there’s a pattern there, I haven’t really caught on to what it is yet, but there’s definitely something going on.
Justin: I can’t think of anything because of all the shouting from Pete.
Alex: Regardless, though, that’s what’s going on. Obviously, they’re calling on TVTropes throughout there, so that’s pretty cool. A couple of other things, these are little Easter eggs people have mentioned to us either on Twitter, or on our Patreon slack, Patreon.com/comicbookclub. Come join us, hang out, we’ve been speculating wildly about-
Justin: It’s fun.
Alex: It is fun. About WandaVision. So one thing, this is from the first episode, a lot of folks caught on to this, but Agnes called out if she, I’m forgetting the exact line, but she mentions some beer, and she says the beer would be named June 2nd, after her anniversary with Ralph, that was the start of the Salem witch trials, a lot of people caught on to this, certainly there’s been a fair amount of speculation about what’s going on with Agnes, I’m sure we’ll have more this episode as well, but yeah, there you go. More evidence that maybe she is not just a regular resident of Westview, but perhaps the witch, Agatha Harkness from the comic books.
Justin: Hundred percent.
Alex: This is one that nobody thought it was as interesting as I did, but I thought it was interesting. The name of the town they’re in is Westview, which is W V, just like Wandavision, I don’t think that’s a clue.
Pete: Oh!
Justin: No, that’s just letters, that’s just reading letters.
Alex: No, but what the show is doing really well, even through episode four, without jumping ahead, is they’re layering in things that aren’t necessarily like, this is a clue, this is a clue, but just additional things that show that they are paying attention to every detail that is going on.
Justin: That’s right, and that’s not an Easter egg, that’s what we call an Easter basket, which is the not fun part, but a detail that did happen.
Alex: It’s equally tasty though.
Justin: True, eat your whole basket, and I mean the whole thing.
Alex: Start with the basket, eat your basket before you get your candy, that’s what my parents always said. We’re Jewish.
Justin: I save the basket for last.
Pete: I want to just say though, in the beginning of the ep, when they ask the cops where they’re from, and they say Eastview, I touched my heart, because Eastview mall is where I grew up and would ride my bike to to play video games and stuff like that, so that was just like, a little personal shout out.
Alex: Are you an Easter egg, Pete?
Justin: Yeah, he’s our Easter egg, and eventually he’s going to hatch into a full blown Easter monster.
Pete: They had this creepy theme song though that always fucked with me, it was like ‘Eastview mall, just around the corner’, like it was this creepy thing that you couldn’t escape if you ever went there and I did feel like I was in this kind of like, time warp trap thing playing video games for hours on end.
Justin: There it is.
Alex: I’m very excited about this, you’re going to bring the Jersey to this podcast going forward, Pete. The last two things that I wanted to mention, I’m sure there are plenty more Easter eggs that we have not mentioned in the first three episodes of the podcast, one that I thought was super neat, as the color was changing at the end of the second episode, you could see the hydro facility that Pietro and Wanda were held at, it’s even like, legitimately the shot from [crosstalk 00:05:18] that they put onto the wallpaper there.
Justin: Very cool.
Alex: Certainly bringing credence to some theories, perhaps we’re going in other directions with this episode, which we’ll get to later on. Then the last one that I saw a couple people catch onto on the internet, the house number is 2800, which I believe has long been rumored to be the universe number of the MCU, if you wanted to put it in with the comics and everything, but specifically it’s a call out to the fact that the house in Vision, the series by Tom King and Gabriel Walta was 616, after Earth 616, which is the designation of the main Marvel universe in the comics. So just, again, I think it’s not pointing to anything, it’s not like suddenly they’re going to go into comic book world, so much as we’re getting more fun Easter eggs and attention paid to detail.
Justin: And one other thing, the headpiece from what’s his name…
Alex: Grim Reaper.
Justin: Grim Reaper, the vision series, is at least partially, perhaps used as a source material, here, was hidden in the credit sequence, I want to say, the title sequence.
Alex: Yeah, I feel like we talked about this actually.
Justin: Did we?
Alex: Because we went on a whole riff about Wonder Man and whether they’re going to turn Vision into Wonder Man at the end or something like that.
Justin: Yes.
Alex: But again, there’s probably many more things we didn’t catch onto, let’s move into episode four, before we talk about plot points or anything like that, because a lot of stuff is going on here. This of course, is the episode that does, as I speculated… took us outside-
Pete: Don’t you fucking do that.
Justin: Hold for applause, hold for applause.
Pete: Don’t you fucking do that. Don’t like, list the points that like, ‘Oh, I missed all this’, and then be like, ‘Oh, I got this one thing right!’
Justin: I mean, you’ve got to give it to him.
Alex: I’m allowed to be proud of myself.
Justin: You’ve got to call it when you see it.
Alex: I’ve got to get it back somehow, that cred.
Justin: How many times did Babe Ruth point to the outfield, and then he finally hit a home run, right?
Alex: Hey, one out of a hundred is still one out of a hundred.
Justin: That’s a hell of a motto.
Alex: This is the episode that takes us outside, we loop back to the very beginning, we go back even to the blip, which I’m sure we’ll talk about. Big deal right there. Followed Geraldine, she disappears into the dome. We get to see outside with Darcy, from the Thor movies-
Justin: Kat!
Pete: Kat!
Alex: We get to see Jimmy Woo from the Ant-Man, Ant-Man and The Wasp. I was about to say Ant-Man movies, but he’s just in the second one. They’re all teaming up together with some new folks, trying to figure out what’s going on in this dome, by the end of the episode, we loop back to where we left off with Geraldine, aka Monica Rambeau, though we kind of knew that based on casting, popping out there and saying “Wanda, it’s all Wanda, this is her fault,” and that’s where we leave off, so that’s the broad strokes of the plot. What did you guys think about this episode? Very different episode, obviously, because we’re not in sitcom land at all at this point.
Pete: Yeah, I was like, geeking out when we saw the dust reverse from the movies where it was like people coming back. I was like, holy shit. I thought it was really cool the way we’ve been in this separate TV world, and then went into what we know and love from the movies. So I thought that was a really cool, crazy way to start.
Justin: It was-
Alex: How’d you feel about this one, Justin?
Justin: There are two things that really stood out to me. One, the way that they were able to just really drop into the Marvel cinematic universe tone here. Having the first three episodes are very much their own thing, and then instantly, it was like, oh, this is a series of scenes that could be in any marvel movie, and I love that. It’s amazing that they are able to do that so quickly, and how much I as a viewer, love the one liners, action, everything’s movie very quickly, but at the same time, we’re really getting character moments, they’re so good at that in all of the Marvel shows and movies. And the second point is just how they wrap everything up in this episode so we can move forward from here into a totally… the actual story of the show.
Alex: I’ve been worried about Pete yelling at me all day at this point that I’m about to say, he’s definitely going to be like, no, fuck you.
Justin: Yes.
Pete: Oh, this is very exciting.
Alex: So I’ll just pull the bandaid off here. I really like this episode, I agree with you guys, just seeing the MCU literal cinematic nature of it, getting the cold open, going to the Marvel studios logo, going into the main episode, wrapping everything up, well filmed, I loved a lot of moments that I’ll definitely be talking about, I also think this was the weakest episode of the series so far.
Pete: What the fucking shit are you talking about?!
Justin: That was like when your dog is waiting for food and you hold it over his nose for like a couple minutes, and then finally throw it in his big old mouth.
Pete: We can’t keep living in crazy town, we need some reality so we can enjoy it!
Alex: Here’s why, I agree with you, I think this episode was necessary-
Pete: So don’t say that-
Alex: I liked it, I didn’t hate this episode, I’m not saying it’s garbage.
Pete: It sounds like that’s what you’re saying.
Alex: What I’m saying is something that we’ve been talking about, or at least I’ve been talking about with the first three episodes, is-
Pete: Sounds like you’ve been talking about it.
Alex: I’ve been trying to look at them as like, an episodic nature, like how do they work as an episode of television. Because even though they produced Falcon and The Winter Soldier first, this is the first chance we’ve seen Marvel studios do a TV show. So are they trying to do the classic, ‘Oh it’s more of a six hour movie’, or are they actually trying to do TV shows. So far they’ve been really successful on multiple levels in each individual episode of layering in little tiny bits of the plot, making it work as a classic sitcom, but also tying it to something emotionally with Wanda and Vision. Here, I do think there was something thematic, definitely, which we can talk about in a second, but on an emotional level, it felt like more it was filling in gaps in the plot, versus having that strong emotional theme weaving throughout.
Pete: No, no. It was going back and being like, all these weird things we’re going to explain so you don’t seem like a crazy person who’s hanging on to this stuff being like, ‘what does this mean, what does this mean?” We’re going to kind of go back, show you from a different vantage point of what’s going on, so then when we get to the end of the episode and we’re right back in the motion of after she gets thrown out, now we’re really feeling things.
Alex: So you feel like it’s the sort of thing where somebody explains something, and then they explain the same thing back to you, but in a different way.
Pete: No, what I’m saying is, you can’t say garbage statements like ‘This is the weakest episode’ when this episode explained things so you could enjoy it moving forward!
Alex: To be very clear, I’m talking about you, Pete. You were explaining the thing back to me, what I just said.
Justin: Yeah, that’s what just happened.
Alex: We’re in agreement, you’re just ignoring the last point that I made, Pete.
Justin: I feel like I’ve been trapped in a scarlet witch bubble, with this especially shouty episode of crossfire.
Alex: Here’s what I think is going on, I mean I’ll just throw it out there[crosstalk 00:12:21].
Justin: Here, let me say it. I think you’re both actually right. This, dramatically, was the weakest episode, because they had to do all the work that Pete’s talking about that he was looking forward to. This is like, a classic middling episode, where you have your fun, you eat your steak, then you’ve got to eat your vegetables before you get your candy. And this is the vegetables, and here comes candy when we get to see all the ways they’re going to confront scarlet witch. And I think they gave us tastes of that when we get to see her hex powers activated, we get to see the stuff that we’re like, yes, we’ve wanted this, but we’re still not getting it. So it’s an explanation episode tied in with what we’re going to get next.
Pete: Yeah, but here’s the thing. As you get older, the vegetables become something that you look forward to as well, okay?
Justin: That’s not true about you, for instance.
Pete: Okay, well, fine. Me aside, but normal people would agree-
Alex: Pete, like me, is a basket first kind of guy.
Pete: I just think that, regardless of how… I just can’t believe that you guys want to say that this is a shitty episode when there were so many great moments.
Alex: Nobody is saying that.
Justin: We both liked it.
Pete: Literally both of you people- You called it a middling episode, you said it was the weakest one of the thing. I was saying Justin, pay attention. The thing is, it had those great Marvel moments, which is why we’re all here. So saying that this is a bad episode is insane to me.
Alex: Nobody said it was a bad episode.
Pete: Oh my god.
Justin: I think what it is though is the first three episodes had these great, especially the first two, for me, had these great breathtaking moments where you’re like ‘Oh! I can’t believe they’re doing that, that’s such an interesting way of doing that, it’s so meticulously done.” While this dropped back to a form of storytelling that we’ve seen before, that we’ve seen in the movies, and I’m welcoming seeing that, but it doesn’t have those big swing moments that I think really made it stand out in the first two.
Pete: Oh, really? When you got to see what Vision really looks like, that wasn’t a big swing?
Justin: That was cool, but that wasn’t a big swing?
Pete: What are you talking about?!
Alex: Can we get away from this? Because I feel like we’re going to get stuck in a Pete yelling at us episode.
Pete: Well don’t set me up for madness and then get mad at me when I fucking react the how you wound me up to react.
Justin: You’ve set me up for madness!
Alex: That’s my favorite part of King Lear when he shouts that. ‘Your fault Cordelia!’
Justin: You daughters of mine, you’ve set me up for madness.
Alex: Classic, classic scam. Here’s what I did like about the episode that I thought was really smartly done. It was more an intellectual theme than an emotional one, and what they were playing with here, I think, is the idea of people viewing and analyzing and breaking down TV. Like, it’s kind of an obvious thing, but I like the fact that they got to the point where in the middle chunk of the episode, love the stuff with Monica, but she disappears for most of the episode, so it’s hard to hang in emotionally on her. The stuff with Darcy and Jimmy Woo, they’re reacting like us, the TV viewer. So I think the theme that they were playing with here, was spoiler culture, Easter egg culture, analyzing these things, you need to look no further than Jimmy Woo at his whiteboard, jotting down the very things the viewers have been talking about, which is a smart, cheeky meta thing to do, but also something that, potentially, they could have taken and pushed a little further, but I liked that it was there. It made the episode feel richer throughout.
Pete: Also-
Alex: I’m going to hold back from saying anything else there because I don’t want to poke the bear one more time.
Pete: Thank you.
Justin: Poke that bear.
Pete: Also the fact that like, you had Jimmy Woo white boarding it, and then Kat commenting on it being like, ‘Oh, I’m so into this.’ It was really just a fun kind of both worlds type of thing.
Alex: Yeah, I mean, the implication there, this is very much jumping into the episode properly, which I feel like after seventeen minutes of a podcast we probably should do. No, it’s not your fault Pete, don’t give me the finger. It’s all of us, we’re all at fault here. There seemed to be an implication that there are more episodes than we’ve seen.
Justin: Yes, I thought that was cool.
Alex: Like that she’s been binge watching this, she was the binge watcher, Jimmy Woo is the guy that’s analyzing it, he’s looking for the Easter eggs, trying to figure out the mystery, which I thought was great. Like playing on those two levels of how we view TV shows I thought was pretty neat.
Pete: Yeah, who watches the binge watcher. I agree, that felt like definitely a sort of slight hum underneath the whole episode. A lot of TV now is just sort of, hang out TV, like watching people hang out. And this was like watching us watching this TV show in an interesting way, which I’m always here for. But I also think it added some nice little small turns into the mystery, like you’re saying, the fact that there are other episodes. What actually makes them transition between different eras of television? They asked that question and we don’t know the answer. I think it might be the outside influence from S.W.O.R.D. or from whatever. Wanda gets unsettled in the era of television, so she has to reset. It’s all about her resetting once a mistake enters this reality that she’s created. So I thought that was fun, they do a good job of really laying in the mystery in little clues throughout the series.
Alex: Let’s jump back, because we kind of skipped past this moment, and I know that Pete mentioned that he really like it, but I definitely, right at the top of the episode when they started with the great shot of the dust floating in air and I was like okay, is this scarlet witch, what’s going on? Immediately when it started to reform, I said oh shit out loud when I saw it. It’s one of those things that I think is such a great touchstone for bringing you back into the MCU nature here. I don’t think we’ve ever seen an unblip, right?
Justin: At first I didn’t know what it was. I was like, oh, this is a weird thing, I don’t know… and then I was like, oh, of course, it’s a reverse of the blip, that was very cool.
Pete: Very cool, because it was like this thing that the movies would pass by, but because we’re doing this TV show, the fact that we can kind of live in this moment at a hospital where people are just running around like ‘They’re all coming back!’ And just seeing these people appear five years later was just so intense, and then watching somebody come to the realization of that was just unbelievable.
Alex: Well, and I loved… this is definitely, we were talking about this also, not to keep plugging our Patreon slack, but we were talking about what movies you need to watch beforehand. It’s super necessary not just to watch Endgame, but also Captain Marvel before this, because you hear Captain Marvel over Monica Rambeau reforming.
Pete: Yeah, you do!
Alex: Clearly, we find out that her mom has died, which is super sad.
Justin: Sad.
Alex: And then we get a little hint of her with the Captain, was she Maria Rambeau? Was that what it was?
Justin: Maria, yup. Photon.
Pete: Photon.
Alex: Maria Photon Rambeau, when she got in the movie as well. Super fun.
Pete: I was happy we got the picture because I was like wait, where is the Rambeau that I know, and then we saw it, that’s when it really clicked for me, seeing here picture.
Justin: Rambeau?
Alex: The Rambeau you know. Better the Rambeau you know…
Justin: Than the Rambeau you don’t know. Than the Rambeau you don’t Rambeau. I was also going to say the fact that the snap was such a big part of the Infinity War, Endgame movies, I feel like another franchise might be like, all right, we did that, let’s move on. But Marvel does such a good of owning every piece of the mythology here, and to use that as, like you said, a touchstone, I think is just so smart and keeps us always invested in everything that’s come before.
Pete: I mean, I would love it if movies do things, and then TV dives into the minutia about all the little things…
Alex: Yeah, that’s great.
Pete: Very nerdy, very cool. I was losing it.
Alex: So as we’re starting to walk through here, I think two other things that we could potentially talk about. One, sentient weapon observation and response department, that’s what we encounter pretty quickly that was established by Maria Rambeau, up until she died, she passed it off to this guy, Tyler Hayward, who doesn’t seem suspicious at all, but in the comics, it’s a sentient world observation and response department. There’s definitely hints that there’s something more going on there, they’re starting to build weapons.
Pete: Oh yeah, just walking through-
Alex: What are your theories, what do you think is going on here? Does this tie into WandaVision, are they setting up other things for down the road, what’s your take?
Justin: Feels like they’re setting up other things for down the road, I think. The difference between weapon and world is huge. Sentient weapon are like humans. They’re like super heroes, essentially, so the fact that they’re trying to control them kind of reminds me of the comic book civil war, the iron man side, the hero registration act, like a lot of things in the comics that end up being villainous, or something that the heroes have to rally together to defeat. The other side is S.W.O.R.D. was a big part of Skrull, of defeating the Skrulls. One, in disguise, shape shifted into S.W.O.R.D. to try to take control of it over a ton of different comic book stories, maybe that’s another direction we’re going to get here.
Alex: Yeah, I mean, no go ahead Pete.
Pete: The fact that when they’re walking through and it looks like they’re building giant evil robots, I was just like…
Alex: I think that was a space shuttle.
Pete: Was it?
Justin: Maybe a sentinel.
Alex: Oh, there we go. There it is. This is a crazy connection. I did want to talk about this, just because we’re talking about this suspicious guy Tyler Hayward.
Pete: Tyler, don’t trust anybody with that name.
Alex: 100 percent. There’s no Tyler Hayward from the comics, but there was a character named Bryan Hayward who was on Agents of S.H.I.E.L.D., he was working for Hydra, he was part of project Centipede, which was the super power spine thing that they did for a while. People… we talked about this before on the podcast, but people have picked up a lot of potential connections to Agents of S.H.I.E.L.D., what are the chances they’re actually going to tie into Agents of S.H.I.E.L.D. versus just kind of like, skim the surface there, or ignore it entirely and it’s just coincidence.
Justin: I think, at most, skimming. Just like most people, skimming the surface of S.H.I.E.L.D. is sort of the way that it happened.
Alex: Pete, you think full on, the cavalry’s coming?
Pete: Yeah, it would be interesting if it was a sort of S.H.I.E.L.D versus S.W.O.R.D. type of thing that could happen, I don’t know, I’m very excited for more S.H.I.E.L.D. references just because I want to get Coleson in there. And the cavalry.
Alex: This is interesting, Coleson actually was in there. He was in avengers.
Pete: Yeah, no shit dickhead, I’m talking about…[crosstalk 00:23:15]
Justin: I think Jimmy Woo is our Coleson for perhaps, going forward. It’s really cool to see him here, and I think… the Ant-Man and Wasp connection, obviously, but also starting to think about him from the comics, who he goes on to run Agents of Atlas, which is this whole other organization that I think could be fun.
Pete: Plus, I really hope that he does get a family, it sounds like that’s something he really wants, it’s a beautiful little moment there.
Justin: That’s nice, and he also, to carry on his game and style from the original Ant-Man and Wasp movie is super fun. He’s such a different energy from Kat Dennings’ character who is just like, sarcastic and in everybody’s face, and he’s just sort of like goofy and being funny in a totally different way, it’s great.
Pete: I really did like the way Kat showed up, walked through all the madness and was able to right the ship.
Alex: So, two quick things about that. Jimmy Woo introducing his card, he finally learned the card trick from Ant-Man and the Wasp. Super fun, just a fun little bit there.
Justin: Great, so fun.
Alex: Darcy, she’s now got a doctorate, so that’s very exciting. We last saw her in Thor and the Dark Worlds, that’s pretty cool. The other thing that I had a question about, and I think this is like, classic action movie stuff and I’m not mad about it or anything like that, but it was very funny to me that after Monica disappears into the dome or whatever it is, there’s suddenly hundreds of people there, but the only people who are doing anything are Darcy and Jimmy. What are the rest of these people doing?
Justin: They do say it. They do say it’s a huge cross organization, cross military thing, so I think there’s a lot of people just being ready in case something emerges from there. I think it’s soldiers setting up perimeters…
Pete: There’s people who are just studying the force field and stuff like that. I mean, they’re the people who care about what’s trying to happen. There are other people there for different nefarious reasons.
Justin: Nefarious?
Pete: Oh yeah.
Justin: Who?
Pete: You get a giant group of people like that, not everybody’s on the same team there.
Justin: Like people overcharging other people for a bottle of water and stuff?
Pete: Oh, yeah, yeah.
Justin: Like selling T-shirts?
Alex: There’s probably a hot dog man hanging out there and he’s like yeah, they’re five dollars now.
Justin: I used the sell them in this empty field but now all you people showed up and now I’m charging five.
Pete: Now I’m going to be able to retire.
Alex: So there are a couple of those interesting things, talking about the staff that’s working outside here. We find out that the beekeeper, as far as we know, nothing to do with A.I.M. potentially, that was kind of our theory there, but actually is working with S.W.O.R.D., crawls through, and gets changed into this beekeeper once he passes the TV annihilation wall, whatever it is. Yes Pete?
Pete: Not only the beekeeper, but then one of the worst jump ropes ever made. You guys remember that jump rope? It would pinch your skin when you were trying to use it. Just seeing that jump rope made me so angry.
Alex: [crosstalk 00:26:21] No, go ahead.
Justin: Sorry. Pete, how long were you on the Olympic jump roping team, as a child? I know this is a big issue for you.
Pete: It was just a shitty gift that I had to use.
Justin: Sorry, Alex, you probably had a…
Alex: If any of you kids out there are listening to this, use your shitty gifts, too. You can make the Olympics someday like Pete.
Justin: Like Pete did.
Alex: I do think it’s interesting, on that note, we did talk a little bit about Geraldine/Monica having the clothes that she had in sitcom world when she came outside. Same thing happens with this jump rope, coaxial cord, whatever it actually is. So that was kind of fascinating as well to see that some things are left over, some things do make it outside.
Justin: That’s actually an important point I think, because it shows that what Wanda affects in the bubble lasts after it leaves the bubble, or after the bubble goes away. For instance, her children, perhaps.
Pete: A little bit… oh…
Alex: I think the two big ones there are her children, and also Vision, who we get reaffirmed, the Marvel universe knows he’s dead. We do get that horrifying moment, so well done. But the way that was shot, with him blurry in the distance and then cutting to the close up. Like he is caved in on his head from Thanos pulling out the gem, but we don’t get that reveal until she turns around. We’re jumping over so many things that we probably need to get back to in the episode, where Wanda sees Vision, clearly dead, convinces him that he’s alive, says she’s totally in control, and then Monica reveals outside, Wanda, it’s all Wanda. Maybe I’m overthinking it, I’ve certainly been of the opinion for the first three episodes, that yes, this is Wanda, this is all Wanda, and the second I heard that, I was like, no, there’s something else going on here, somebody else is in control.
Pete: Wow.
Justin: Really? That’s interesting, maybe that’s where Agatha Harkness comes in, because I did think it was interesting there’s the montage where they’re naming all the townspeople and what roles they’re playing and we never get Agnes here. So I think that just shows that she is definitely outside of a normal towns person. I don’t know, I took another fact to hear the other way, they talk a lot about the CMBR, the background radiation, or relic radiation, that was there from the Big Bang. I think that is a signal of just how powerful she is, and the fact that what she does is permanent, like as permanent as the Big Bang was.
Alex: The popular theory is this is how Monica is going to get powers. She has powers in the comic books, she’s probably going to take on the name Photon. To take it one step further, I don’t know how much I believe in this, but there’s certainly been a lot of speculation about maybe this series is going to lead into mutants in some way. Certainly Ms. Marvel lives in New Jersey, and we know that’s coming up pretty soon. So if there is some sort of Wanda explosion M. Day style event, or something like that, where it just irradiates all of New Jersey and gives people powers, that would be pretty funny, right? Mutants coming from New Jersey?
Pete: [crosstalk 00:29:35] scary.
Justin: All mutants come from New Jersey? Bummer.
Alex: I’m into it.
Pete: No way, man.
Alex: Wolverine, total hairy dude from the beach.
Pete: Oh my god.
Justin: Ey, it’s me, Wolverine, hey. You like Bruce Springsteen?
Alex: Hey, it’s me, Wolverine “The Situation” Howlett.
Justin: Everybody’s dream. I don’t think that’s the way they’re going to go. I think it cheapens mutants as a thing in the Marvel universe, to have it be just an off hand creation of the Scarlet Witch.
Pete: I had the opposite reaction happen when she was like, it’s all Wanda, I was kind of like yeah, that would explain why she went in and then all of a sudden was kind of mind wiped, and she didn’t know who she was until she touched Wanda’s hand and then she was like oh, and got right into character. So I feel like it does make sense that Wanda is, through this trauma, kind of creating this whole thing for herself.
Alex: So a couple of quick things about the residents, just because we talked about that. Most of their names, as far as I can tell, don’t mean anything. Except for the guy who plays Herb, is named John Collins, which, by the way, I thought it was a very funny note where they were like Herb, played by John Collins, Ms. Hart, played by Sharon Davis, very funny in joke thing.
Pete: Yeah, that was really fun.
Alex: But John Collins who plays Herb, and Sharon Davis, who plays Ms. Hart are both art directors, on WandaVision. I don’t think that means anything, that’s just a fun little Easter egg they put in there.
Pete: A little nod.
Alex: Also, I definitely don’t think this is an Easter egg in any way, it just made me laugh. Mustache man, his real name is Harold Copter, which is basically helicopter, very close, he just has a doofy name, there you go. And then there was one other thing… Oh, let’s talk about Agnes, and how she does or does not connect to whoever’s in witness protection, because that’s a very offhand thing that they throw out. That’s the impetus for Jimmy Woo being there at Westview, because their person in witness protection has disappeared. He used him, as a pronoun, and then Darcy enters he, so we can kind of assume this is a man. My first thought was oh, okay, Agnes is the one in witness protection. Probably not, who is it? That’s got to play in at some point.
Justin: I agree. I’m curious, maybe this is where we get the Grim Reaper and Wonder Man connection, and maybe that’s what sets her off initially? Because we do need to find out what triggers this trauma, because it clearly wasn’t the death of the Vision, like we had speculated.
Pete: It seems like it is.
Justin: I think that’s the underlying issue, but that’s not the actual catalyst that caused her to take over the town with her hex powers and build this TV reality. Something happened there, and we just don’t know anything about what that is, and that may be the mystery that we’re going to unravel going forward, and I think it will have to do with Agatha Harkness, Agnes in there, and whoever this missing person is going to end up being.
Pete: So just real quick, you’re saying if somebody you died, you wouldn’t go to New Jersey, kick everybody out of a town, and then start your own town based on television shows that you saw from your childhood?
Justin: I mean, are you saying if I have scarlet witches powers, or I just have to, myself, go to a town in New Jersey, and be like, hey, get out of here, I’m doing a little play about my dead friend.
Pete: I’m going through a loss and I need to work this out.
Justin: My friend Pete died, and he wanted me to come to this small New Jersey town and take it over briefly.
Alex: Very briefly turn it into Tommy Boy, a fantasy of Tommy Boy.
Pete: Oh! Please!
Alex: I’m with you Justin, I think-
Pete: If I die, you’ve got to re-enact Tommy Boy.
Justin: Re-enact.
Alex: This is what, in my mind, pushes the ‘no, they’re telling us to early that Wanda is the villain of this piece’ there’s something else going on here. To throw out a couple of theories that are probably very wrong, but the person in witness protection could be Ralph, Agnes’ husband that keeps getting mentioned that we’ve never seen. It’s also possible it could be a villain, it could be a Strucker, like we’ve talked about before, or somebody from Hydra who had to be in witness protection, started A.I.M. there and there was some sort of inciting incident event that kicked Wanda into high gear here. We don’t have enough information yet, but it’s too much of a dangling detail not to follow up in some way.
Justin: I also think- go ahead Pete.
Pete: I was just going to say the fact that Kat is watching the shows and taking notes, and then the commercials came up and she didn’t say anything, to me, kind of felt like it would be Hydra, that that would be the…
Justin: It is very funny.
Alex: I feel like they’re not quite looking into enough theories.
Justin: 100 percent, they’re treating commercials like actual commercials in TV shows, like oh, we don’t need to watch this let’s go to the bathroom. But it’s like, no, those are clues! Those are big clues guys, pay attention.
Pete: Fast forward through this, we don’t need to see this commercial.
Alex: What other clue, and again, maybe I’m reading too much into it, but those weirdly ripped cops from Eastview right at the top of the episode? Definitely felt like there was something going on with them. They were a little too ominous, I felt, for what the role demanded.
Justin: I feel like those are somehow creations of Wanda as well, to try to keep people out, and their job is to turn people away who happen to go in, despite the sort of hex on the town. Jumping back a little bit though.
Alex: Wait, sorry, one last thing that I want to say about the cops. I didn’t even catch on to this, this was Brett White, a friend of our show who we work with, caught on, but their license plate does say 1966 on it, and that’s the year that A.I.M. was introduced in Marvel comics.
Pete: Wow, that’s a deep cut.
Justin: That’s a deep cut right there. Could also be pretty arbitrary, because I do think to your point earlier about who’s causing this. The fact that in the comics, Agatha Harkness was the next door neighbor to Vision and Scarlet Witch and was observing Wanda, I feel like maybe in the years since Vision died, her powers started to deepen, and maybe she was losing control of them, so Agatha’s there to monitor her as a danger, because she’s sort of losing control, and then perhaps this villain that was there, is someone who is pushing her powers, pushing her trauma, which causes her to finally go into this fantasy world. And that would, I think, play into the Grim Reaper Wonder Man side of it.
Alex: Well, I guess we’ll see what happens there. Before we move on here, we’ve certainly speculated quite a bit, but there’s lots of other great moments in the episode. Pete, anything you want to call out in particular?
Pete: I couldn’t get enough of Kat in this episode, where she talks about… she has so many great one liners, and it’s also really fun how quickly she’s able to assess what’s going on, process it, and make decisions, like that whole clown car comment and then when she was breaking it down, like they have no idea what’s happening, all of us in here are just kind of like a crazy shot in the dark, I did really like how she broke down, she washes dishes once an episode, barf, and then the twins, what a twist, I love that.
Alex: Yeah, Justin, what about you, any moments you want to call out?
Justin: The whiteboard, I think is something we didn’t really talk about. You do see on one side of it, Skrulls sort of on the edge, I thought that was interesting, and then the first question up top was ‘Why the hexagonal shape?’ Which I thought was something, that feels like a clue as to maybe…
Pete: Yeah, because there’s a beekeeper, and then that shape.
Alex: Yeah, I do wonder, getting back to the A.I.M. theory, we talked about the hexagons, I think in the first episode of the podcast, so I like that we weren’t necessarily on the wrong track with that, but what if it is, again, I know I’m sticking with this thing, but what if it is Wanda into this, because Vision is alive, she has kids, she’s happy, so that’s what’s keeping her along, but at the same time, her subconscious is giving out clues of A.I.M. with the beekeeper, with the hexagons, with these other things sort of shouting under everything that’s going on to try to free herself.
Justin: I think that’s true, and that keeps her as a hero, I think throughout this story, because I don’t think we would want to lose that.
Pete: Also, I liked the, again, this thing that Vision doesn’t like what’s going on. Like the shot of Vision kind of like ‘Hey, what’s wrong Wanda?’ And she’s like ‘Everything’s fine let’s go watch something.’ And he’s like hmm… So I’m glad that they’re keeping that theme going on for what’s to come. I feel like there’s going to be a real WandaVision showdown at some point.
Justin: And I think an emotional showdown and something where maybe Scarlet Witch will have to give up her love for him. Let him go.
Pete: And great use of Voodoo Child by Jimi Hendrix there at the end, that was really nice.
Justin: That’s another thing that I wanted to say, the credits are starting to be influenced by the content of the show, in the background, maybe I hallucinated this, but isn’t the dead Vision head in the background of the credits?
Alex: It was, yeah.
Pete: Yeah.
Justin: I thought that was interesting as a little nod there.
Alex: Good stuff, let’s talk about what’s on your vision board for the next episode. Justin, you want to go first?
Justin: I feel like we have to jump back into the Wanda side of it and get back into some TV after this episode. This was a nice break, but we’ve got to get back to those big breathtaking moments we saw early, and then my long term vision board, is Wanda, I know I just literally said the opposite of this, but is Wanda being set up as the next big villain?
Pete: What?
Justin: Is she perhaps being positioned the multiverse of madness. She seems like she could be a big creator of that, or queen of that. Does this series push her into that way and then this becomes the true first step into the next phase of the cinematic universe?
Alex: Pete, what about you, what’s on your vision board?
Pete: Well, for me, it’s who do we send into the bubble next? Now that this failed with Rambeau, who do you send after Rambeau?
Justin: What about Rambeau? The voice of freedom.
Pete: Right, but I’m just saying, who do we have on the roster that we can send in next to kind of get more information, which I’m excited about.
Alex: Rambeau, we already said that.
Pete: Yeah, yeah, I’ve…
Justin: Or, I’ve got a good one. How about Jersey Wolverine, this new character we created?
Pete: Forget about it. I feel like we are going to go back into the sitcom world a little bit, but I’m excited to see who Jimmy’s going to get on his team to send in next.
Alex: Yeah, we’ll see. Getting backing to what we talked about right before this section, I think the thing that I’m really looking forward to; Is Vision exploring this more? We got a hint to this, I think the first three episodes really worked as an Act with an emotional arc, the thrust, with everything. Potentially, what we’re getting here, this three episode chunk is more, okay what’s going on in the outside world versus the inside world, but what I want to see is Vision explore his instincts and continue to push this because he’s dead, so if he tries to go outside this dome, what happens to him? What happens to emotionally, when he starts to not trust Wanda maybe not as much? We’ve seen them together, now potentially we see them break apart, that’s going to be very emotionally fraught, and I’m excited and nervous to follow it going forward.
Pete: Plus there’s this whole-
Justin: I think he turns into a Roomba, if Visions leaves…
Alex: That’s how I got my Roomba.
Pete: You killed Vision for your Roomba?
Alex: Yeah.
Pete: That is too much.
Alex: Roomba’s slogan is every Roomba was a husband someday.
Justin: That’s exactly right. The second season-
Pete: By that logic, you could be turned into a Roomba.
Alex: If it happens, it happens.
Justin: That’s the fear we all have. Season 2, Wanda Roomba.
Pete: I just wanted to quickly talk a little bit, like topically, having this right now, this bubble going on, while we’re all kind of living in this dome of oh shit, I can’t go outside without all this stuff on is kind of crazy and freaking me out a little bit.
Alex: Yeah, no yeah, that’s a good point.
Pete: It’s very timely, and I’m freaked out.
Alex: Sorry Pete.
Justin: No doubt about that.
Alex: As we start to wrap up here, a couple of things to plug. You can support us at Patreon.com/comicbookclub also we do a live show every Tuesday night to crowd casted YouTube, come hang out, we would love to chat with you. Choose Android, Spotify, Stitcher, or the app of your choice to subscribe and listen to the show. Socially, MarvelVisionPod on Twitter, Instagram, and Facebook. Comicbookclublive.com for this podcast and more. Until next time, start with the basket first, everybody.
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Wandavision Episode 3 “Now In Color” jumps from the ’60s to the ’70s, but those aren’t the only big changes in store for Wanda and Vision. While Wanda is rapidly getting more pregnant by the second, expectant father Vision is freaking out as he prepares for the impossible prospect of having children. And in the middle of everything, the mystery of who Geraldine is, and what’s really going on in Westview expands in a big, big way.
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Full Episode Transcript:
Alex: What’s up, y’all? Welcome to MarvelVision, a podcast all about the MCU, Marvel TV shows, specifically WandaVision. Third episode…
Justin: We’re in a Wanda world right now.
Alex: It’s Wanda’s world, Vision’s just living in it, and so are we. I’m Alex.
Justin: I’m Justin.
Pete: I’m Pete.
Alex: And as mentioned, we are going to be talking about the third episode of WandaVision that just dropped on Disney+. It is very creatively titled Episode 3, I believe.
Justin: Whoo.
Pete: Oh-ho.
Justin: See, there’s a clue.
Alex: Yeah.
Pete: There’s a clue.
Alex: I got to tell you, before we get into the episode, and regular note, we’re going to talk about spoilers here for the entire series up until now. We’re not going to recap every little plot point. So go watch the episode first, then come back here, because we’re going to get into it.
Justin: Yeah.
Pete: Yeah.
Alex: But doing a little bit of pickup from the first week, from Episode 1 and Episode 2, I got to admit, I-
Pete: Wait, Justin, do you have any corrections that you want to give first, or…
Alex: Hold on, I’m not into the corrections. You are jumping ahead of the narrative here, Pete.
Pete: Oh. My fault. My fault. Sorry, sorry.
Alex: It’s fine. You’re very… Pete is very excited, because I told him before we got on that I had made some errors on previous episodes.
Pete: Yeah?
Alex: He’s just excited that he was not the one that made errors.
Justin: Oh, no, he made errors, it’s just he didn’t clock them.
Alex: Oh, yeah. He didn’t check them. He didn’t fact-check them at any point.
Pete: Nobody cares if I make errors, but…
Alex: The one thing that I wanted to say first, though, I got to admit I was a little bummed that the episodes don’t have titles, that they’re just calling them Episode 1, Episode 2, Episode 3. It felt like an opportunity for some fun and creativity there that’s a little missed, personally.
Justin: Yeah. I hear that. I think that’s a very modern thing. I would argue that while older TV shows did have titles, most often, we would never hear them or see them.
Pete: Also, it’s very Kendrick Lamar, you know what I mean? Just releasing an untitled album, just kind of giving you the track numbers. I like Marvel on the cutting edge of what’s hot and cool.
Justin: Plus, there are clues here, like Episode 1 is obviously like, “Oh, this is the beginning. This is where it all starts.”
Alex: Episode 2 is the one that follows up on Episode 1.
Justin: Exactly. And Episode 3…
Alex: Episode 3.
Justin: Everything changes, specifically the number.
Pete: Oh, wow.
Alex: I mean, it’s kind of like, if you think about it, Episode 3 is like two plus one, which is pretty cool.
Pete: Wow.
Justin: Exactly. You got to think. You got to think. Open your third eye in Episode 3, specifically.
Alex: By the way, we should mention this week’s episode is sponsored by the Children’s Television Workshop.
Pete: What?
Alex: Yeah, we’re teaching her how to count in this episode.
Pete: Oh, okay, okay.
Alex: So I don’t know. That was a little bit of a bummer. I just wanted to mention that right off, but it’s fine. I think we’ll all move on emotionally from there. The corrections and additions that I wanted to mention that I thought were interesting, first of all, I messed up. That was not Saul Rubinek as Mr. Hart in the first episode. Very different character actor. That’s actually Fred Melamed in the episode. My bad there. Also, there was the sign in the opening credits to Episode 2 in the supermarket, which I thought maybe was milk or cereal or something like that. It’s actually Auntie A’s Kitty Litter, which is an even stronger indication, because you got a black cat, you got Auntie A, that Kathryn Hahn is probably some form of Agatha Harkness going on there.
Alex: Another couple of things that I thought were interesting that I didn’t pick up on, now that other people have seen Episode 1 and 2, they did. One, this is a little dicey, I think, but also in the animated credits, some people noticed what looks like maybe the Grim Reaper’s headgear in the opening credits. Now, this is getting pretty deep into comic book stuff. Yes.
Justin: Yeah. I was going to say Grim Reaper, famously in the Tom King Vision story is sort of the villain.
Alex: Yes. Yeah. So Grim Reaper is the brother of Wonder Man, who in the comics is the template… His name is Simon. He is the template for Vision’s brain patterns, or am I reversing it?
Justin: Uh, no, I think that’s accurate. And it’s sort of a weird thing. Wonder Man is not a super-popular character. He’s an actor who’s very powered. In the last like 15 years in Marvel comics, he’s been way powered up. Because before, he used to be just super-strong, he could shoot some lasers out of his eyes. And then, yeah, I think the Vision’s brain patterns were modeled on Wonder Man. So that has created in the comics a weird relationship between Wonder Man and Scarlet Witch and his brother, Grim Reaper, who hates them.
Alex: Yes. And Wonder Man has had romantic relationships with Scarlet Witch. They’ve kind of switched off between Vision. So it’s definitely possible he could be mixed in there. It might just be a weird Easter egg. I guess we won’t know until later. The other theory that I thought was kind of neat that I wanted to throw out there, we talked about the people in the commercials. Right? There’s two people. We see them again in Episode 3.
Pete: Same two.
Alex: Same three people. They seem very separated from everything that’s going on. I thought this was an interesting catch, and I don’t know if I’m 100% sold on this theory, but I like it anyway, is that those are Wanda’s parents. Now, in the MCU, we never met Wanda’s parents. We just know that a Stark bomb blew up, killed Wanda’s parents, and Wanda was trapped there with, I believe, Pietro for about two days, staring at her parents’ dead bodies before she was finally rescued in Sokovia. And the fact that you got this toaster in the first episode that’s doing a very bomb-like beep, and it’s a Stark toaster, seems to indicate that might be a potential there.
Justin: So are we saying that those are manifestations of her parents, maybe dealing with all that… She’s dealing with trauma, with Vision having just died, perhaps, and maybe these are other traumas in her life coming out? Because that would explain the Strucker stuff, since he’s dead in the current continuity.
Alex: Mm-hmm (affirmative). I mean, I think so, and I think the fact that they’re walled off, like they don’t exist in the same part of the reality as everybody else in… it’s Westview, right? I’ve been very terrified about getting it wrong.
Justin: Yeah.
Alex: But Westview.
Justin: Terrified, you say?
Alex: Yeah, terrified. Might mean that they don’t actually exist. They are figments of her imagination, perhaps in a different way than everybody else is. Pete, what were you going to say?
Pete: I just wanted to say, this is my new favorite part about doing a podcast with you, is the part where at the beginning, you admit your flaws and that you’re not perfect. This is really…
Alex: We’ve moved on from there. That was the last topic.
Pete: Well, I’m just saying.
Alex: We’ve now moved on to theories, Pete.
Pete: This is really enjoyable. I got to say, as a long-time listener of the show, this is my new favorite section.
Justin: Oh, Pete, news flash, you’re actually on the show.
Pete: Oh, dang it! Oh, man. Busted!
Justin: But Alex, we would love to hear an official apology for your mistakes, if possible.
Alex: All right, everybody. Before we get into talking about Episode 3, I want to look all of you in the eyes here, and I want to say I’m sorry for everything…
Pete: Wow, he’s looking right into…
Alex: Pete has gotten wrong for 14 fricking years.
Pete: This is great [crosstalk 00:07:09].
Justin: Didn’t want to swear, buddy? Hold it back in the end there.
Alex: No. I want to keep this safe for kids.
Pete: Could actually apologize.
Alex: Children’s Television Workshop, again.
Justin: Yes.
Pete: Oh, right, right.
Alex: We have a lot of kids tuning in this episode. I know we’ve spent a lot of time here at the beginning of the episode. I do want to move on to actually talking about episode 3 in a second, but the last little thing that I thought was kind of neat, after Episode 1 and 2, they released this behind-the-scenes thing to tease the episodes that are coming up. And at least for the first episode, the one set in the ’50s, we knew it was filmed in front of a live studio audience, but I didn’t know until they showed the behind-the-scenes stuff that everybody on set and in the audience is wearing vintage clothing as well.
Pete: Wow.
Alex: Which is crazy.
Justin: I mean, the thoroughness with which Marvel makes their products is admirable.
Alex: I do wonder…
Pete: I wonder…
Alex: I was just going to say, I do wonder if that’s just for fun, they were like, “Have a little fun with it and live in the moment,” or if we are going to loop back to the ’50s thing, see the studio audience at some point, and kind of break that fourth wall. That seems like a place the show could go.
Pete: Yeah. Otherwise, it would be kind of like a waste. I don’t think that Marvel would just waste money like that, so I feel like we would have to see something.
Alex: Yeah. Marvel, famously frugal.
Justin: The House of Frugal Ideas.
Alex: Let’s get into the episode. There’s so much to talk about here in Episode 3.
Pete: About time.
Alex: Broad strokes, the sitcom plot here is Wanda is now pregnant. They’re dealing with the fact that she has a much-expedited pregnancy that’s going on, to the point where it takes under a day for her finally to give birth to twins. Our new… I keep blanking on her name. Is it Gabrielle? Is that what we’re calling her? Teyonah Parris’s character?
Justin: Geraldine.
Alex: What?
Justin: Geraldine.
Alex: Geraldine.
Pete: Yeah, Geraldine.
Alex: I don’t know why I keep messing that up. Geraldine is coming into the house, and Wanda’s trying to keep the pregnancy secret. Meanwhile, Vision is going to get the doctor, who’s about to head off on vacation. So lots of stuff going on there, and by the end of the episode, we’ve gotten a lot more information about what’s going on outside this bubble that’s been created or whatever’s going on. We’ve certainly found out a lot more about what’s going inside the bubble as well, and the town. They’ve given birth to twins. They are Tommy and Billy, who fans of the comics know grow up to be Scarlet Witch’s twins, so great not just Easter egg, but plot point there.
Justin: That’s just a regular egg. It’s an egg.
Alex: Yeah, it’s just an egg.
Justin: It’s an egg.
Alex: Yeah. Maybe even omelet, to be honest. Like something that’s come to fruition. I don’t know [crosstalk 00:09:40].
Pete: Don’t make omelets out of your kids.
Justin: Whenever I eat an omelet, I’m like, “I’m so happy these eggs came to fruition on my plate.”
Alex: Oh, boy. Okay. So that’s broad strokes about the episode. A lot of stuff to dive in there. What do you guys want to start with? I mean, I think-
Pete: The fun new intro is what I want to start with.
Alex: Go for it, Pete.
Pete: I like how every episode, we’re getting a kind of different time period intro. I think it’s kind of a cool thing to look forward to with each ep. Also, now, we got the kind of “WandaVision in color,” which was something they actually did back in the day when television went to color. “It’s in color!” So that was just kind of a funny bit. And also, the house is different. It seems like it’s a completely different house, which is kind of fun.
Alex: It’s basically… Maybe you’re about to say this, Justin. It’s basically the Brady Bunch house.
Pete: Yeah, it’s the Brady Bunch house. [crosstalk 00:10:37]
Justin: I was going to say our TV references, to me anyway, are Mary Tyler Moore, Brady Bunch here. Especially with the opening credits. And I do think the set is a slightly tweaked version of the reference show in each episode, I think. In the first two, same thing. But I would also argue it’s a slightly purposefully uncomfortable version of the set. Like the way that door is on the left, and the stairway is awkwardly in the shot the whole time, and maybe I’m reading too much into this, but it feels like it’s oppressive, like it’s being laid on them in a way that’s awkward. And I think that’s true of the previous sets. Like the double doors that opened in the first episode were way too big and felt unruly and sort of oppressive when they were in the kitchen, and I think that’s perhaps an intentional thing to show that these shows are really bearing down on our heroes.
Pete: Now, let me ask you guys. You both have kids. When your wives got pregnant, did it feel like same day, just shooting out babies? Does it go by so quick?
Alex: Certainly to me.
Pete: Yeah?
Justin: Wow. Uh, let’s bring Alex’s wife into the stream, just to [crosstalk 00:11:48].
Alex: She’s ready.
Justin: Yeah.
Alex: No. I do think… We talked about with the previous episode how well this is balancing the whole MCU nature with, thematically, does it work as TV episodes? And certainly, I think that’s where my head is really at when I’m looking at this, is, “Does this work as a TV show?” Or the thing that makes me super annoyed when people say it, “Is it more of a six-hour movie, but on TV?” And right now, I actually think they’re doing a good job of making it episodic. Specifically, what they drive in immediately, and particularly with Paul Bettany’s performance in this episode, is the panic of being new parents.
Alex: It’s sped up, it’s magical, so they get to go through all of the different parts of it very quickly, but that feels like a sitcom episode that they would’ve done back in the ’70s with some sort of magical couple, with all of the emotional… To your point, Pete, all of that panic that you potentially feel as a father, “What am I going to do? Do I know how to do it right? I’ve got to practice putting on the diapers so I get it right, so I know what I’m doing.” And then, it all changes when you actually have the kid in your hand, and it becomes something entirely different, which is exactly what happens over the arc of this episode.
Pete: Now, did you guys both practice on dolls, putting on diapers and stuff?
Justin: Nah. The diaper stuff, you sort of figure it out, and then once you do it once, it’s like, “Well, I’m going to do this 1,000 times going forward.” But this parenting workshop, if I can put it on hold for one second, I feel like when last episode’s… I feel like the reference was Pleasantville. This one feels almost like Too Many Cooks, the Adult Swim sketch that was released like maybe 10 years ago now, which was about the circular nature of sitcoms and how it’s almost… family sitcoms over the years, and it’s sort of how they make you crazy by the end. I feel like that is so accurate for this.
Justin: And then, as we’re moving into this sort of 1970s sitcom world, no more workplace. All the workplace people have moved to become neighbors or people that they bump into. I think that’s very accurate for the decade. And that’s when we start to see the reality really start to degrade around Vision and Scarlet Witch.
Alex: Yeah. I mean, in terms of references, this could probably be applied to all three episodes at this point, but it really drove home to me with Scarlet Witch’s reaction to… oh, my God. Why… Geraldine?
Justin: Geraldine.
Pete: Geraldine.
Alex: Geraldine. I don’t know why I haven’t been… I think my mental block there is because I know her character’s name is Monica Rambeau, and I know who Monica Rambeau is, and the fact that she’s using a different name, I’m like, “Oh, I can’t shove that in there.” But Geraldine, her reaction to her, and how she looks at her, and is like, “What are you doing here? What’s going on here?” And clearly, even though we don’t get to see it, kicks her out of this bubble, it felt very… I don’t know if you guys have seen the Twilight Zone episode It’s a Good Life, the one with the kid who has basically wish powers and sends people into the corn and stuff.
Justin: Yeah.
Alex: Everybody being very careful, also Kathryn Hahn and everybody else being very careful around Scarlet Witch and everything going on, I got a lot of shades of that, of sort of this wish-kid who they don’t want to piss off in the wrong way, or things are going to go very badly.
Pete: Just to correct you, Alex, I haven’t seen ahead, obviously, but I’m pretty sure when we get to the ’90s era, you’re going to find that she Fresh Prince of Bel Air-style threw her outside of the house. DJ Jazzy Jeff style.
Alex: Oh, okay. That isn’t really a correction so much as just a thing you’re saying.
Justin: That’s not a correction. Yeah.
Pete: Well, I’m just saying, when we get to the ’90s, they’re going to show it, and then you’ll be wrong. So you don’t have to do a whole corrections thing again, I’m trying to help you out.
Justin: Oh.
Alex: Oh. Thanks, Pete, I really appreciate it.
Justin: Like a pre-correction, also known as being a dick.
Pete: Well, I’m a precog, you know what I mean?
Justin: Yeah, definitely, that’s what that means.
Alex: Uh, I did figure out one other reference while we’re talking about comic book stuff. This was mentioned to us by Stray Ward on YouTube. And I don’t know if they’re specifically pulling on this, but I do think this is a fun one to read, anyway. There was this book called Avengers Standoff, where all the villains were sent to a small town called Pleasant Hill. They were living there, their minds were wiped, and I think Winter Soldier shows up and is like, “What is happening here?” And it slowly starts to unravel. Spoilers, you find out S.H.I.E.L.D. is behind it, and they’re trying a new type of prison for the villains, but it’s a very fun crossover that probably has similar themes, if not necessarily what they’re pulling on for this show.
Justin: Yeah, that was one of those sort of micro-crossovers from three or four years ago that just sort of came and went and was a good story.
Pete: Yeah. That was probably when Micro Machines were popular, you know.
Justin: Yeah, probably that. That’s probably [crosstalk 00:16:33].
Alex: Thanks. Just want to do a little correction: no.
Pete: Yeah, but I want to get back to Paul Bentley in this episode-
Alex: Just a little bit of a correction, his name is Paul Bettany, Pete.
Pete: Oh, thanks. Yep.
Alex: No problem.
Justin: This is spinning out of control.
Alex: It’s a good bit.
Pete: PB&J was… I really liked his like, “How did this happen?” to the doctor moment. Really funny, his kind of playing catch-up to everything happening so fast was a very kind of a cool theme that was happening throughout this episode.
Justin: And sort of on that, the way that the reality falls apart throughout this episode I thought was great. Hub working on his hedges and cutting into the fence I thought was very cool as a way of just…
Pete: A cement brick wall.
Justin: Yeah. Just being like, “Uh, what’s happening here?” And it’s unsettling, and you see it unsettle Vision, and us the viewer being like, “We know this is wrong, because we know the format of these sitcoms.” You get her water breaking as rain.
Pete: Sprinklers. It was almost like sprinklers going off.
Justin: Yeah. Sprinklers are inside rain, so I think…
Pete: Well, it was raining inside their house, so I figured it was a sprinkler system.
Alex: I think it was rain. I think the joke was that she was creating rain because she was doing… I don’t know if you know, this is a little bit of an Easter egg. She was doing magic throughout the show.
Pete: Oh!
Alex: Yeah.
Justin: Very little Easter egg. More of an egg, really. I hope we can bring it to fruition.
Alex: Well, actually, this is something that I wanted to bring up. Not to interrupt your flow here, Justin, but we’ve already done it, so I’m going to go ahead. One thing we haven’t really talked about with the show is we haven’t seen Scarlet Witch’s powers manifest this way in the MCU. She has been able to move stuff, she’s been able to mind-control, she created that dream in Tony Stark in Age of Ultron a little bit. But she hasn’t had reality-bending powers the way that she does in the comics, which is what we’re getting here. So I don’t know, this is getting into speculation, and I don’t really have an idea, but what do you think is going on here? Is this all imagined? Has her powers been amped up? What’s your best theory at this point?
Justin: I think it’s going to be that there’s a shift in her power set because of the trauma of Vision dying, and this is her way of dealing with it. And that’s why I think Agatha Harkness being part of this, I think, is key, because she’s maybe trying to shape it. Maybe has more of an understanding of the powers, while Monica Rambeau is in there purely as a like, “I need to try to fix this.” Sort of doing the full superhero thing.
Pete: It’s Geraldine.
Justin: Uh, yes. Great. Corrections Department. Let’s mute the Corrections Department until we need it, which I guess will be next episode. Yeah, so I think it will be considered a new manifestation of her powers.
Alex: Pete, what’s your take?
Pete: I don’t know. I’m still thinking that she has kind of formed this protective bubble over herself and just kind of locked out everything as she’s dealing with these problems. And I think that’s why she threw out Geraldine, because she’s not fitting into her… everything that’s going on. She’s starting to kind of question it. And the fact that Vision was kind of restarted or mind-wiped, and it was like he said, “Something is wrong,” and then she kind of re-did it, was very telling that… For me, it feels like this is all her doing.
Alex: I’m definitely leaning towards that at this point, but I did want to jump back and talk about the Geraldine/Wanda conversation, exactly what you’re talking about with Vision as well. All that stuff was fantastic. We got a sense… we talked about this with Episode 2 a little bit, that Geraldine is kind of poking at them very gently, and it feels like when she mentions Pietro, first of all, kind of a maligned storyline from Age of Ultron that I think comes back here phenomenally, in a very emotional way that’s very surprising. But it feels like, based on Teyonah Parris’s performance, that I think she realizes she goes a little too far. She thinks she’s hooking into Wanda remembering things, but she pushes her too hard. We’ve seen this beekeeper who had the S.W.O.R.D. logo on it. We’ve seen the helicopter, very invasive, with the S.W.O.R.D. logo on it, and now…
Pete: Her necklace.
Alex: Yeah, now she sees the necklace with the S.W.O.R.D. logo on it. I think Wanda’s assumption is that these are people attacking her and attacking her town, and she pushes back on that. I still think they’re good guys, but I don’t think Wanda knows that yet, and I don’t think Vision knows that yet.
Justin: And I think to her, it probably doesn’t matter, because whatever it is, it’s a threat to what she’s trying to do here. And to get into sort of how our theorizing may be changing, before, we had talked about it as like a pocket dimension, they’re the only real people. I feel like this episode sort of put this in the direction like this is a real town. The residents of the town are trapped there, and they are forced to go along with it. I think Hub’s line in this episode where he’s like, “It’s hard to escape a small town.”
Pete: Small town, yeah.
Justin: “A small town’s so hard to escape.” I thought… and you could see he’s clearly upset, and Kathryn Hahn talking to him. And I think the strategies between Geraldine and Kathryn Hahn’s character are interesting. Kathryn Hahn feels like she’s doing everything to preserve this environment. She’s trying to keep the game going, keep the sitcom stories moving along, as quickly and cleanly as she can, while Monica Rambeau, Geraldine, is in there trying to push, trying to be like, “Hey, there’s a real world out there.” And here, she sort of punctures the reality too much too quick and gets punished for it.
Alex: Yeah. The thing that I thought was interesting about Kathryn Hahn… What is the name of the guy who’s trimming the hedges? What was his character?
Justin: Hub.
Alex: Hub? It made me feel like Kathryn Hahn, like we’ve been kind of talking about, is not necessarily the villain, not necessarily the bad guy, like you’re saying, Justin. They seem scared of something, and my best theory, I think the show is leading us along this, but it certainly feels like they’re living in the sitcom reality, maybe they think they can escape at some point. They can get out. Some people certainly seem to be more cognizant than others. We have that break with Dottie in the previous episode, where it seems like she came back to reality a little bit, versus Kathryn Hahn, who kind of seems to know what’s going on.
Alex: But I do think the birth of the children is the thing that set them back. Particularly with the doctor, he has the very dumb, very sitcom-y line of going, “Bermuda, baby!” earlier in the episode, which I thought was very funny and on point. And then his reaction at the end, it seems like once he sees the babies are born, he knows, “We’re not getting out of here anytime soon. Whatever this experiment is, it’s moved on to the second phase, and now we’re going to continue to be trapped here.”
Pete: Yeah. The doctor’s the one that says, “Small towns are hard to escape.” But the doctor’s arc was really fun, of like this, “Oh, yeah, no,” and then, “This is fine, everything’s good,” and then when he is basically Flash-run in to deliver, and then once the baby is delivered, that whole demeanor’s changed. Like, “We’re all trapped now.” Which added a real kind of interesting, scary element to it, to see this fun doctor go through that.
Justin: It almost… Maybe it feels like that Kathryn Hahn’s strategy and maybe some of the townspeople’s strategy is to “finish the story.” Finish each sitcom story, and that will be their escape, like she’ll almost release them once she’s lived out everything she needs. While Geraldine, Monica Rambeau, is there to be like, “We need to solve this now. I don’t think this is… She just keeps regressing, keeps getting deeper into this false reality.” But I thought it was interesting when the twins were born, that’s a real moment between Vision and Scarlet Witch. You can see she’s genuinely happy. He’s genuinely happy. And I think that’s what her goal is. If the Vision is dead or dying in this moment, in this town, and she’s preserved this moment, she’s living out their lives as best she can, and so these moments are what it’s all about.
Pete: Yeah, that’s interesting. It’s almost like before he dies, she’s slowing down time to give them a life together, and then he can die at the end.
Justin: Yeah, it’s sort of… I said this earlier, but Occurrence at Owl Creek Bridge is an old… I think it’s an O. Henry story, and then a film I saw in like elementary school, where a guy is dying. He’s being hung because he was a criminal of some sort, but you watch, and the rope breaks, and he escapes, and the story’s all about his journey, how he… he gets away, he dodges all these close calls, and then at the very last minute of the story, it flashes back, and he just dies. So it’s like living out that bit of your life in the last moment of your life.
Alex: Yeah. Do you wonder if they would go back to that moment in Infinity War? It does feel like maybe regressing it a little bit, but I also, on the same note, don’t know how past Endgame, you get Scarlet Witch… She’s not necessarily in this distraught place at the end of the movie, so if this does take place after Endgame versus what you’re saying, Justin, in that moment in Infinity War, what triggers it? Is it just spiraling grief of, “We’re past this massive war with Thanos, now I can sit down, and I realize what’s happened,” or is it something else? And I’m just not sure at this point.
Justin: Yeah.
Pete: All right, we-
Justin: It could also be a break later, past Endgame, where she just fully hasn’t dealt with all this, and it’s a full disaster.
Pete: Okay. We got to start talking about the real hero of this episode, the stork. I mean, come on, that’s just comedy gold.
Alex: That bit went on a little too long for me. I’m just going to throw it out there. I liked it, there was good beats, there was a good pickup on… Geraldine.
Pete: Geraldine.
Justin: Geraldine.
Alex: Jesus Christ! What is that? Oh, my God.
Justin: Pete broke your brain. I’m so sorry.
Alex: I think so. Geraldine wearing those fish pants, and that paying off with the stork kind of picking at them, that’s fun. It all feels very ’70s sitcom, but there was something about that bit where I was like, “Let’s move on.” Just from a comedic perspective.
Pete: You didn’t like when the stork got right up next to the picture of the stork and kind of stood there? You didn’t think that was…
Alex: I think it was that I liked other bits earlier on better. I think the fruit bowl is a fun little thing. I think the jackets changing while she’s going through labor is a lot of fun.
Justin: Yeah.
Pete: And when she stopped to enjoy the mink, that was hilarious.
Alex: That was a great beat as well, and I think even little things like when she starts to go through… I think it’s the Braxton Hicks at this point, and the kitchen goes crazy, and they’re screaming and running out of the kitchen. It all felt very in the ’70s moment, down to her poses at the end and everything. This episode, to me, I’ve loved Paul Bettany in the previous episodes, and I thought he was great here. Here in particular, I noticed how much Elizabeth Olsen has been modulating her voice every episode to embrace the era, and I was very impressed.
Justin: Well, I think just the detail work, performance-wise, and the pacing of the story is really amazing. The way they’re able to tweak their performances as they move in an out of the sitcom stuff and then in these moments where reality starts to come in, like that back-and-forth montage between Vision outside talking to Kathryn Hahn and Hub and Wanda inside with Geraldine is so great. The performances are sort of ping-pong-y back and forth. The shots are changing as it’s getting out of the sitcom world and more into the stressful reality of the false world they’re in. And even in the end, when we switch over to the letterbox, and it goes into movie form, which I guess is meant to be the real reality, and Monica Rambeau flies out of the town, military surrounds her…
Pete: Geraldine.
Justin: Geraldine. My name is correct as well. Daydream Believer playing, which I think is such a fun song choice.
Alex: There were a couple of interesting things about that moment, I thought. I mean, first of all, just visually, you kind of see the energy crackling around as she gets thrown out of the dome. I know we keep calling it a dome. We don’t know that it’s a dome. I just kind of assume that. But you see sort of this TV test pattern as she’s being pushed outside, but then when she’s outside, two things happen that I’m not quite sure how to parse. One is you definitely see the Scarlet Witch energy signature crackling around her and swirling around her, so that seems pretty clear. But also, her clothes didn’t change back. They stay. I kind of expected her to suddenly be in a S.H.I.E.L.D. uniform, or a S.W.O.R.D. uniform, or a beekeeper’s uniform, or something like that, but nope, she’s still got the Geraldine outfit on, and I thought that was an interesting detail to kind of hold onto going forward.
Justin: Well, I think that points to what we were saying earlier, that Kathryn Hahn and all the townspeople were in the town when this happened, and that’s why they’re main characters, and Geraldine, Monica Rambeau, has inserted herself. So I think she’s sort of undercover. She put on those clothes so she could blend in with the era of sitcom that they’re dealing with.
Pete: Yeah. I kind of want to talk about… like in three episodes, just short episodes, we’ve gone through so much. So much has happened, but because of the TV show format, they were really able to pack a lot of stuff in. It’s really impressive, everything that’s gone on in these three episodes, and the arcs, and all the stuff that has happened. I went from, after the first episode, being like, “I don’t like this. This is scaring me,” to really-
Justin: “Wah, wah, I’m scared. This is stupid. I need smelling salts to wake me up, because I’m just not doing well right now.”
Pete: Yeah, thanks for recapping all that. But I just feel like from where it started to where we are now, in three episodes, is really impressive.
Alex: Can you… I’m sorry. Can you say, “How it started, how it’s going”? That’s kind of the internet meme, so.
Justin: Oh, nice, dude, yes.
Alex: It’ll be much more fun to do that.
Pete: Yeah, I’m not going to do whatever.
Justin: Yeah, brand manager. So let’s take that back. We’re just going to rewind, because you sort of fucked it up in the same way Vision does in this episode. “Something is wrong,” and then speak only in internet speak, if possible.
Alex: Yeah, that would be good.
Pete: Yeah, yeah. Cool. So I-
Alex: Can you talk about Bean Dad real quick?
Pete: I just think that…
Justin: Don’t…
Pete: It’s impressive what they’ve done so far, and I know that I started off not enjoying myself, but man, I can’t wait for the next episode, and it’s really awesome.
Alex: Awesome. I’m glad you’re coming around.
Justin: You just got to trust. You’ve been on a journey. The one thing I think we haven’t talked about in the episode is the commercial, and that felt like… the other commercials felt very specific about certain things. This one felt like a big clue for the overarching situation. Like, “Do you need a break? A world all your own? Want to get away but don’t want to go anywhere?” That feels very commentary on literally the story and what’s happening.
Pete: But it’s-
Alex: Yeah, 100%. And… Oh, go ahead, Pete.
Pete: But it’s also called HYDRA Soak, which made me think like, “Oh, HYDRA, that could be an interesting idea that’s injected in there.”
Alex: Like the organization from the MCU?
Pete: Yeah. Yeah, just-
Alex: Or the mythological creature?
Pete: Ooh, it’s hard to tell.
Alex: It is hard to tell. So here’s what we got in terms of commercial clues so far, right? The first one is the Stark toaster. We talked about that a little bit, potentially that being the Stark bomb. The second one, we got the Strucker watch, which does have HYDRA on it. It has the HYDRA symbol on it, which could indicate a bunch of things. It could indicate they’re behind it, like we talked about. It could be an offshoot of HYDRA. It could be A.I.M., that it dresses like beekeepers in the comic books, so you certainly got that indication there. Or it could just be Scarlet Witch’s history, where she was taken in by HYDRA, and that’s part of her. That could be the same thing with the HYDRA Soak in this episode, where it’s just kind of as she walks through her own personal history, it’s riffing off of that. Or it could be indicating the bad guy behind it.
Justin: Yeah, it’s also… It’s a commercial break. You call them a commercial break. That’s also like she may be having a psychotic break. Maybe those are sort of lining up.
Alex: I certainly feel like that every time I have to watch commercials.
Justin: Yeah.
Pete: Oh, wow.
Alex: Speaking of which, thank you to this week’s sponsor, Children’s Television Workshop. “Me want cookie.” They asked me to say that. I don’t know why.
Justin: They make you say that.
Alex: Yeah, every time.
Pete: I want cookie, too.
Alex: As we start to wrap up here, any other moments you want to call out? I just wanted to mention we talked a lot about the supporting cast, and I wanted to mention them by name. I wrote it down so I wouldn’t forget, but Asif Ali as Norm, Jolene Purdy as Beverly, and we’ve been calling him Mustache Guy, but David-
Pete: Mustachio!
Alex: Mustachio. David Lengel as Phil Jones, and I thought it was such a weird but funny reveal that it turns out he’s married to Dottie. There’s that great scene in the middle where she comes in and asks, “Do these earrings make me look fat?” And his deadpan…
Pete: The power goes out.
Alex: “Oh, thank God.” Very funny.
Pete: Yeah, the power goes out, and then he goes, “Oh, thank God.” Ah, that was-
Alex: He’s the real hero of this show right now for me. I’m enjoying him quite a bit. Any other moments you guys want to mention that we may have skipped over?
Pete: I just feel like if somebody knocks on your door and asks for a bucket, you can just be like, “Go fuck yourself, all right? I’m not going to give you a bucket.”
Alex: You could cut out a couple of words there and say, “Bucket? Fuck it.”
Justin: Nice. Okay, I’ll know not to darken your door when I need something to bail out my house.
Pete: Well, I feel like there’s real things, and then there’s, “What do you mean, you need a bucket? How do you not have a bucket? How do you exist without a bucket?”
Justin: What are some things I could borrow from you that would be reasonable to your mind?
Pete: Uh, sugar. If you were like, “Hey, man, I really need to get drunk right now,” I’d give you some of my booze or beer or something. Like normal things you ask somebody. But a bucket was just so out of-
Justin: So if I came over to ask for a bucket, you’d be like, “Fuck this guy”? I’m concerned about this. If I came over and was like, “Hey, I need to get drunk right now,” you’d be like, “Totally normal. Come on in.”
Pete: Yep. It’s happened. It’s happened.
Justin: Okay, makes sense.
Pete: I always have extra booze just in case friends need it.
Alex: Let’s wrap this up with our Vision Boards. What are on our Vision Boards for the next episode? Justin, let’s go to you first.
Justin: Well, I mean, if we’ve done Brady Bunch, are we moving into ’80s? Are we going to get perhaps a Mr. Belvedere situation?
Pete: No doy.
Alex: Mr. Belvedere? I feel like the reference is probably Full House, right? That’s what they got to go for.
Pete: You got an Olsen. Come on!
Justin: Family Ties. I feel like Full House you could edge into ’90s. ’80s TV sitcoms are like… What are the big ones? Family Ties.
Pete: Charles in Charge.
Justin: Charles in Charge, perhaps.
Pete: Webster.
Justin: I feel like that’s the world. And in the preview image…
Pete: Diff’rent Strokes.
Justin: Some of the preview images from what I assume is the next episode, it does look like Mr. Belvedere’s house, so I’m just throwing that out there.
Alex: All right. It’s possible. Saved by the Bell?
Justin: So, I’m just look… That was the ’90s. I’m looking forward to how they sort of show us that world, very much so. And also because of the timeline… there are nine episodes in this series. Episode 3 is ’70s. Four, we’re assuming, ’80s. Five, ’90s. Do we get into aughts in the sixth episode? Then there are three more episodes.
Pete: Nobody cares about the aughts.
Alex: Yeah, I think by the time we get to the final episode, we’ll be in the 2020s, so it’ll be, what, sea shanty TikToks?
Justin: Good. Yeah.
Pete: Oh, my God.
Alex: Maybe Quibi? It’ll be Quibi-style?
Justin: Wow.
Pete: Quibi?
Alex: Seven minutes long and canceled?
Justin: Quibi’s last stand. I do think that we’re going to eventually push through into whatever the final battle is, so I’m really enjoying the move through the decades before we get to whatever that is.
Alex: On my Vision Board, I want to see more of the outside at this point. Now that we’ve gotten past the first act of the show, I want to see a little bit more of what’s going on. I love the sitcom stuff, I think it’s a lot of fun, but I think there’s an opportunity to change up the format over the next three episodes and kind of split our time between inside and outside and reveal a little bit more of what’s going on. I love a good mystery, but there’s going to be a point where it’s feeling like it’s dragging on too long. And-
Justin: This is a classic-
Alex: Go ahead.
Justin: Sorry to interrupt. This is a classic Lost fan ask. Like, “Oh, I want to live with the Others for a season,” or whatever. It’s like, no. Stick with the team.
Alex: No, I do want to see it. I want to see S.W.O.R.D. I want to see what’s going on outside. Now that we’ve gone outside the dome, let’s keep following… Giselle?
Justin: Geraldine, you asshole! Geraldine!
Alex: I don’t know.
Pete: Oh, my God.
Justin: [crosstalk 00:37:20] Clearly. Clearly.
Pete: Yeah, clearly.
Alex: Let’s follow whoever that is. See what’s going on out there.
Justin: Yeah, you’re like, “Let me list some esoteric Wonder Man facts,” but you can’t remember the name that we’ve said many times.
Alex: That’s… I hate that. I hate that about my life. It’s terrible. People are like, “Oh, hey, do you remember this person that you met last year? They’re doing this thing now.” And I’m like, “I have no memory of that.” The other day, my kids were like, “Hey, real quick, can you name every Robin in order?” And I was like, “No problem. Here it goes. Here’s the alternate universe versions.”
Justin: That’s so crazy. Your son Gerald and your daughter Geraldine must’ve been so mad that you…
Alex: Who?
Pete: Yeah.
Alex: Pete, what’s on your Vision Board?
Pete: Well, there’s a lot of bubbles. It’s very blue. It’s really about breaking through and finding out what’s real and what’s not. But I got to give a shout-out to Mustachio. You kind of took that thunder from me, but even though we got just a little taste, it was so worth it, and that really made my episode. I thought that was just so funny. As far as cutaway shots go, that was legendary.
Alex: And that’s what you want to see more of going forward? In the Vision Board section, it’s new.
Pete: Oh.
Alex: We’re talking about next episode. We’re looking forward.
Pete: Yeah, yeah. Yeah. So I think that… But sometimes, you got to break through before you’re ready to look forward. So I hope when we do move forward, we still get cutaways to Mustachio. But yeah, I think that we tasted the outside world, but I think it will start inside, and then we’ll kind of get more and more of the outside kind of breaking in or breaking out. But I’m excited to see how this moves forward. I don’t want to immediately just drop the fun openings and the different eras. I feel like a slow transition will work.
Alex: I don’t think we will, and I think we’re in for a wild ride here as we continue our way through WandaVision on MarvelVision. We’ll keep putting out the episodes as quickly as we possibly can on Fridays or over the weekend, so stay tuned for those. If you want to support us, patreon.com/comicbookclub. Also, we do a live show every Tuesday night at 7:00 PM to Crowdcast and also the Comic Book Club channel on YouTube. Come hang out, we would love to chat with you about WandaVision and the rest of the MCU.
Alex: Socially, you can follow us @marvelvisionpod on Twitter, Instagram, and Facebook. iTunes, Android, Spotify, Stitcher, or the app of your choice to subscribe and listen to the show. comicbookclublive.com for this podcast and more… Oh, sorry, geraldine.com, that’s what I meant. [crosstalk 00:39:57] Go to geraldine.com for this podcast and more. Until next time, Marvel you later. I’m still working on it.
Justin: Count it. That’s a good one.
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Things get weirder as WandaVision heads to the ’60s in Episode 2 of the brand new Marvel Studios Disney+ series, “Don’t Touch That Dial”. Wanda and Vision are getting ready for the town’s talent show, but a stick of gum manages to mess things up. Meanwhile, Agnes introduces Wanda to the neighbors, including the tightly wound Dotty and Geraldine, who seems to know more than she’s letting on. And we break down some wild theories about what might be going on in the show, as well as the usual comic book Easter eggs and references.
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Full Episode Transcript:
Alex: MarvelVision, a podcast, all about the MCU, Marvel movies, Marvel TV shows, specifically Marvel TV shows because we’re going to be talking about the second episode ever of WandaVision, which just dropped on Disney+. I’m Alex.
Justin: I’m Justin.
Pete: I’m Pete.
Alex: And very exciting. Lots of stuff again to talk about. Requisite spoiler warning upfront. We’re not going to recap every moment of the episode. We’re definitely going to get into it. We’re going to get into predictions. We’re going to get into Easter eggs. We’re going to talk about some of our favorite moments in the episode, but before we do, I think the big thing that we need to talk about, because two episodes dropped on Disney+ today. From now on out, it’s going to be one episode a week, but a lot of discussion on our first episode was focused on how does that episode hold up by its own? How does it pair with the second one? We’ve seen the second one, in particular, I’m curious to go to Pete who was panicked I think about the first one
Justin: He was a screaming lunatic I think we could say. His [crosstalk 00:01:06] was literally on fire. He couldn’t deal. Had to take a nap and then woke up [inaudible 00:01:10].
Alex: Just fell down in the middle of the podcast. If you listen to the podcast, there’s a half hour of blank space when Pete was unconscious.
Justin: I went to get smelling salts and put them under his little nose. [crosstalk 00:01:21]. It was like an old timey cowboy story. Wake up, Pete. It’s time to talk about MarvelVision.
Alex: Finally, put a pie on the window sill and he just floated right up.
Pete: Pie or cheeseburgers will work.
Justin: Big old bucket of water in the face and he was like, let’s talk about Wanda.
Alex: How are you feeling after this one, Pete?
Pete: A lot better, I’m feeling a lot better. And I think that’s obviously why they dropped two in the beginning because that first one is off and the second one is a lot more digestible. Not as stressful, even though there are things happening for sure. It’s just dealt with it in a way that was a little bit easier on my heart and mind, but I would like to point out something I did notice right at the beginning. We’re getting that famous Marvel logo showing all the action and oh, you know this, you know what’s up. Oh, you remember this when this happened? Oh yeah. And this show is none of that. So it is a little bit jarring for somebody who just knows the maybe movies and TV stuff to come in and just be like, where is the Wanda that I know and love?
Justin: But frankly, I think that’s exciting. I think it’s exciting that this is so different and able to still be super interesting, unique, while also being under the same banner. Because I think what that banner does at the top of the episode is it gives you that promise that, hey, trust us, we nailed all of these projects. So have a little confidence that we’re going to get there with this one. You’re going to get to see…
Alex: Just calm a little bit. We’ll get back to this.
Justin: Exactly. Like a little…
Alex: Eventually, it’ll get back to this.
Justin: Like a little sedative to put you at ease.
Alex: A couple of things, not to harp too much on the first three seconds of the episode too much, but I did want to talk about it because I forgot to mention this in the previous podcast, I got so, I don’t know, excited isn’t the right word. Relieved actually might be closer, when the Marvel Studios fanfare came up at the beginning of the episode because it has been so long since anything Marvel. We’ve gotten used to this cadence of two, three movies a year, things coming out regularly. It’s been almost a solid year since we’ve seen anything. So to see something else coming up new, it felt good.
Justin: Exactly. I got so hyped. I took a bucket of water and put it on my face. I was like, [wooorrr 00:03:41].
Alex: I baked a whole pie and put it on the window sill. An hour later it was gone.
Justin: I took some smelling salts and poured it right in my mouth because I was like, what am I doing with this stuff, I’m so excited?
Alex: The other thing though, and these are two little caveats and I love this episode. I thought this was a fantastic episode, but two things that I thought were, not bad choices, but weird choices. Well, still talking about the logo here. I loved it the first episode, how it changed into sort of a classic TV logo. I was expecting that again this episode and that didn’t really happen, which was strange. The other thing is the, previously on, is a weird choice here in terms of how they execute it, because it doesn’t feel stylistically consistent with the rest of the episode. I think it’s probably going to become much more important as we go out in this series, which is why they set it up here, but right now it’s like, I don’t need to remember most of this.
Justin: Well, here’s what I think. I think you do need to remember most of it. And I also think it was sort of recreating the tone because they don’t want to have to keep slow walking us into the tone of this show every episode. And I think to both of your points, the logo changed into the black and white television intro in the first episode, in this episode it’s almost reminding us what’s up, giving us a little sense of the tension, dread and classic look of everything. And then it’s almost like a hard transition into the new episode. And I think that serves a dual purpose in that we saw it’s a different sitcom this time. So it’s almost like the characters are also changing channels, changing eras a little bit into this new episode and I think that’s important.
Pete: I disagree, Justin. I think what Alex is saying is right. Somebody dropped the ball and someone needs to be fired because it was a sweet transition, really helped us. The second one, they left us high and dry. I was like, what the fuck is going on? Because it goes into this fun animated thing, maybe do a little bit of that with the logo. [crosstalk 00:05:34].
Alex: I love the idea that Kevin Feige didn’t watch this at all until it’s Friday morning, Disney+, wakes up nice and early, gets himself a cup of coffee, is about to sip it, sees the intro and is like, “What the fuck?”
Pete: Yes. Spits it on his brand new computer.
Alex: Someone is getting fired. What the…
Justin: And he’s like, “Give me Tanya on the phone. She’s fired.” Well, because the two camps here, just to be clear, is me saying pat on the back, that was a cool choice. And Pete saying, someone’s head has to roll for this obvious mistake. So you be the judge listener.
Alex: [crosstalk 00:00:06:04]. It was definitely me first and Pete was just backing me up.
Pete: I’m just supporting his choice.
Alex: Great. I think we’ve pretty much covered everything in the episode.
Justin: We’ve covered that in seconds of dialogues so far.
Alex: I’m going to give kind of a broad strokes about the plot. We did this last time.
Pete: Okay, you want to move forward? Okay. I’ve more things to say but okay.
Alex: Hold on. We can get back to the logo for our middle chunk of the podcast where we do logo revisited.
Justin: Yeah, logo, go, go, go, our favorite section. Here we go. Let’s go back and talk about the logo.
Alex: Like the first episode, this is a very typical sitcom plot. And I think I was a little too dismissive about the first episode being a premise pilot. This is what’s really driven home here is the idea of this show is twofold. Obviously whatever’s going on outside in the world, whatever’s happening with Scarlet Witch and Vision in the “real world”, but the premise of the show is they moved to a small town of they’re trying to hide their magic powers, which is a very classic sitcom premise. And I got that in the first episode, but I think that’s driven home in a really good way, thematically in a modern thematic way as well in this episode, which I thought was really cool. So we get mostly, they’re trying to prepare for the town talent show, at the same time they’re hearing some weird noises outside. So Vision joins the community watch program.
Justin: Neighborhood watch.
Alex: Gets accidentally drunk on some gum, a very classic sitcom premise for a robot, I guess. And they go to the talent show, think they’re messing it up because they’re showing off their magic powers, but turns out they actually win the talent show. And so that’s the sitcom of the show. The other thing that I thought was really fascinating stylistically, because you compare this to the previous episode, is the performances because they’ve evolved as well. Scarlet Witch is now more sarcastic 1960s. Everything’s a little looser, it’s a little sexier. We see more different races in here as well, which is something that you wouldn’t necessarily see in the 1950s. So I thought it was neat to see that evolving, take on the sitcom in episode two.
Justin: Well, I think that all of this, there’s just so much in every choice in this show and to your point, yes, it’s just a slow natural progression from the 1950s to the 1960s typified I think by, at the beginning we see the bed separate. And then in that opening sequence, the beds get pushed together which was a big landmark choice in I think, I Love Lucy. And it was a legit controversy back in the day when they put the beds together. Which is crazy to think that back in the day… It’s not like people in the 1950s slept in separate beds. Everyone always slept in one bed. It’s just on television they couldn’t insinuate that people might touch each other at night. So they set the two child beds.
Pete: I would like to point out something that [inaudible 00:08:52] said though, is that it’s very hurtful. I felt like the lady in the horse costume in this episode, because I’ve been to talent shows and worked really hard and not only my outfit, but my routine, gotten it all down and then someone shows up stumbles through it. Everybody loves them and they win. And it is fucking heartbreaking to sit there, holding your horse head in your hand, just emotionally drained from what you’ve put in for months and months at a time. And somebody just stumbles their way through and just kills it.
Justin: Pete, imagine how I feel as the horse’s ass standing right behind you, being the butt, still coming in second place in over 100 talent shows that we’ve entered.
Alex: I just want to give a little bit of clarity to what we’re talking about here. Back when we were allowed to meet in person, Justin, Pete and I used to do our horse centipede act. There was lot of…
Pete: Ah, don’t make this creepy, you asshole.
Justin: Pete was the head.
Alex: I was the middle.
Justin: I like the idea that this horse centipede act with three people is one head at two butts. And you and I were butts and Pete was the head. No second head.
Alex: What were we talking about?
Justin: I have a point to make. You said that the premise of the show is about them hiding their magic powers. And I think that is one of the central tensions of the show because they’re not hiding their identities. Their identities are, they’re called Vision, they’re called Scarlet Witch. That’s real, but they have to hide the instances of their superpowers when they’re using them. And I think that points to a lot of facts that we have yet to uncover on this show in that they are in control of this environment. And the only reason they can’t use their magic powers is because it breaks the sitcom format. If that makes sense. You know what I’m saying? They can’t be super powered because then…
Pete: And again, this is something that doesn’t make sense to us, but because you are a line producer and have worked in television for so many years, this is your kind of second calling. Like you understand how sitcoms work and their structure and everything.
Alex: Actually, let’s take a step back there. As a line producer, so what is that? You make sure that everything lines up properly?
Justin: Yes. Exactly.
Pete: Well, no, it’s lined in frame. It’s producing everything that’s in frame. I think that’s how it works.
Alex: Or are you a lion producer?
Justin: Yeah. I mostly make sure that the lions have the right amount of meat. So no one gets…
Pete: And that’s the lion that roars at the beginning before the movie starts.
Justin: Shout out to Siegfried who died this week.
Pete: That’s right. Man. Oh, why would you do that?
Alex: We’re going wild today already. Let’s talk about some specific things in the episode that jump out to you, plot points you liked, moments that you thought were interesting or fun. Without getting too much into speculation, let’s talk just raw about the episode. What were sequences you were [crosstalk 00:00:11:37]. I’ll mention like, I thought the animated sequences both in the title sequence and in Vision’s stomach were very fun and perfectly done.
Pete: Now, to me that said, Jetsons. How about you guys? What was your feeling on the animation?
Justin: Bewitched.
Alex: Yeah, Bewitched.
Pete: Okay.
Justin: Bewitched, I think is the main touchstone and I Love Lucy with some of the stuff. So they’re moving forward in time through sitcoms. One other observation there about the opening credit bit, the animated thing, they’re the only two characters introduced despite the fact that there are a ton of other recurring characters here. We talked about Debra Jo Rupp from last episode, the ultimate sitcom mom.
Pete: Dottie is in this one.
Justin: Yeah, Dottie. We see, well, she’s new in this episode, I think. But we do see the mustachioed guy and all the other supporting characters, but we’re only introduced in the title sequence to Wanda and Vision making me think that they’re the only real people and everyone else is a construct of some sort.
Alex: Interesting. I mean, that’s definitely getting into some speculation.
Pete: Agnes isn’t real?
Alex: Okay. Let’s talk about Agnes. Kathryn Hahn continues to be great this episode. So funny.
Pete: “How do people do this sober.” Oh, what a line?
Alex: I love that she gets to move forward through the decades. Now she is the boozy housewife. The one that’s constantly getting drunk and wasted, very classic sitcom trope there. Her delivery of her lines are good. I love her exchange with Dennis, the mailman where she’s looking back and [crosstalk 00:13:01], checked him out, very funny. The lying about her husband, Ralph, being the assistant and making him disappear, also very funny. And all the stuff that was said, you’re a scratch, the buddy, was very funny as well. To get into like the theorizing part about it, I think there are a couple of interesting things here. This, potential spoilers I guess. We talked about this in the first episode, but a lot of focus was on maybe her being some variation on the character, Agatha Harkness from the comic books. We get a couple of clues here. Maybe I’m looking into it too much, but seeing a Scratch, in the comic books, Agatha Harkness’ son is Nick Scratch. Not the character on Sabrina. Don’t nobody freak out. We don’t have a bad boy alert here or anything. [crosstalk 00:13:47]
Justin: I was about to hit the light.
Alex: But her son is named Nick Scratch, and I looked this up. She has a husband that we never see. We never find out who Nick Scratch’s father is. So that seems to be at least… Yeah, they’re playing with that here I think. The other thing, which is a way bigger clue is over the animated opening credits, as we see Wanda in the supermarket, there’s two sides in the background. One of them is for, I believe Auntie A’s cereal. So Auntie Agatha’s cereal. And there’s something about like it being magically delicious or whatever. It’s not exactly that, but then the other one is our Bova Brand milk. And again, this is going to get to the comics, but Agatha Harkness, at least for a little while, lives in this town that I’m blanking on the name of, I’m sorry. I’m a bad comic book fan.
Justin: Are you talking about Wundagore Mountain?
Alex: Yes, Wundagore Mountain, which is run by the High Evolutionary. And there’s a bunch of animal people there, including Bova, a cow woman who also helps take care of Pietro and Wanda and I believe their kids later on as well. So whether it turns out to be that or not, there’s definitely like they’re typically hemmed and this gets into a bigger thing. I know I’m monologuing at this point, but this is the big thing that I took away from the episode that I really liked about this. What I was mentioning earlier, that it worked thematically in terms of a modern context as well, is the whole point of the episode is they’re doing this magic act where Wanda is saying, no, you got to show them. You got to show them what the magic is. You got to show them that it’s not real and what’s really happening. And that’s exactly what we get this episode. They’re not playing coy about it. We don’t know what’s happening, but we know this isn’t real. We know there’s a problem. We know there’s an outside world and we know eventually it’s going to have to be solved in some way. And I think that was a subtle way of weaving that in the episode and making it work for a 1960s sitcom premise, but also making it work for a modern TV show.
Justin: Yeah. It’s so smart. On the Agnes tip, I feel like in the first episode and in this episode, it feels like she’s sort of keeping the fantasy alive. She’s aiding and almost teaching Scarlet Witch on how to keep the sitcom trope going and to live within it so that she can be happy with Vision. And on the other side of that, Vision keeps pressing against the reality. He keeps logic, keeps trying to overwrite and then the sitcom world keeps gumming him up or somehow reshifting him back into the sitcom thing. And I think that may be the essential tension in what each character is sort of going through in this series.
Alex: I mean, a couple of things that point to that, I think pretty clearly, one, Vision is dead. So something is going on there where he, I imagine if he suddenly realized that he died, he’d just poof into a puff of smoke or something like that. But on the Agnes side of things, I think it’s her first line of the episode as she walks up to Wanda and says, “There she is the star of the show”, which is like, she knows what’s going on. She’s aware. If nobody else is aware, at least Agnes is aware.
Justin: I think you’re right. And there’s also a line that I think Wanda has, “This is our home now”, which I think it also enforces like I’m going to keep this going for as long as I can so that we can be happy.
Alex: I love Elizabeth Olsen’s performance in this episode in particular. She goes through so many different ranges and we got a sense of this in the scene in the last episode where the, stop it, stop it scene where she broke a little bit and we saw real Wanda, not sitcom Wanda. Here she gets to play that throughout. And it’s still very unclear to me. I still kind of not 100%, but pretty firmly stand by the idea that she’s the one keeping this going. She might not be the villain of the show necessarily, but she definitely doesn’t want to leave the sitcom world as strongly as maybe she should. And you get that through the performance, particularly at the scene at the end in the gazebo where she wants to tell Vision something weird is happening. And there’s clearly a level of her that realizes this is wrong, but she doesn’t want to change it.
Justin: Yeah, I agree. The performance is so strong. There’s a subtle panic all the time and sort of a wide-eyed like sadness I think, that is permeating this. And this is sort of speculation for later on, but I think they’re living their moments of a life very quickly. Last episode, they got married. This episode at the end there’s the reveal that she’s pregnant. I think my theory from last time is that these may be the very moments when Vision’s dying or if this is all happening in a split second, and she’s trying to live out the life that she wished she could have had with Vision as fast as possible.
Alex: Well, I think… Oh, go ahead, Pete.
Pete: I was just going to say, we’re talking a lot about Wanda, her acting, but man, Vision and the way Vision was drunk and talking to the audience is really hilarious. Like, “You’re dumb little faces”, he says at one point. “I’m feeling pukey.” He had so many great lines. I know it was sitcom fun, but the fact that Paul Bettany is playing a robot and then the robot that’s drunk and it’s just really fun to see all this happening at once. It’s really impressive.
Alex: He’s great. I know I was in the tag for him in the last episode, but seeing his drunk dad routine this episode was really fun. Just his stammering Brit, just really funny. And I even liked the line at the end, after he takes out the gum, he was like, “Oh, I’m not that funny without this”, and then throwing it behind him. Just a fun little moment in the middle of all this weirdness, particularly at that point. I thought it was really good.
Pete: Also, I just wanted to say as far as really great performances, mustache man killed it when she turns, he was like, “That was my grandmother’s piano.”
Alex: Yeah. Well, those things, we talked about the computational systems’ thing for the last episode, which works for the weirdness of the world, but also works as a very typical sitcom joke. I love those things in that way. Also the line about, “Wait, is that how mirrors work”, which are exactly what people would say in sitcoms like that as magic is happening around them. But also these are clearly real people or maybe pretend people who are trapped in something who are trying to figure it out as well.
Pete: Well, …
Alex: Yeah, Pete.
Pete: Speaking of that, speaking of real people, there was a moment at Dottie’s kind of thing where we got introduced to a new character who also, she seemed like she wasn’t aware of what’s going on or how she got there or even her name when she’s introduced to Wanda.
Justin: Yeah, she breaks the format.
Pete: It seems like that maybe this character is also having a Wanda experience, where she’s trapped in there as well.
Alex: Yeah.
Pete: So it might not all be Wanda’s doing. It might be like; this could be a place where they’ve trapped different heroes.
Alex: I have a theory about that that I want to get to in a second, but that’s Teyonah Parris. People might know her from Mad Men, which I think she was channeling probably at least a little bit here.
Justin: I love that. I love her as a guest star.
Alex: Yeah. She’s really good. Here, I’ll throw in a theory and this is based on kind of knowing a little bit about who she is and what she’s playing.
Pete: Oh, I thought it was based on the fact that you’ve watched ahead.
Alex: No, no, no, no, it’s not. I mean, they’ve revealed casting for other movies and things. And we talked about it the previous episode. Again, this is probably a spoiler. So if you don’t want to know, turn away, but she is Monica Rambeau. She’s the grownup Monica Rambeau. She comes from the comics. She’s going to show up at Captain Marvel 2. I think there’s a connection between the red helicopter that drops that has the sword symbol on it again, and her showing up. My theory is that that helicopter brought her in somehow, got enveloped in the sitcom world. And she is trying to figure out what’s going on with Scarlet Witch and Vision in a very direct way versus the voices outside who we hear this episode saying, “Wanda, who’s doing this to you.” She’s in there and really trying to free them because a lot of her dialogue seems to be nudging them a little bit to be like, hey, that’s a weird thing, right? Oh, that’s weird, do you remember this thing and kind of tickling them a little bit? I don’t know if you guys have the same impression.
Pete: Also the helicopter was Ironman colors.
Alex: That’s true. Yeah. Maybe. I mean, I think it’s also Vision colors, right? Because you’ve got that Vision red and yellow and everything else.
Justin: And that makes me think that maybe that the Scarlet Witch has created some sort of pocket dimension that she was able to penetrate. Maybe it’s like a little bubble or something and anything that goes into it becomes part of the fantasy.
Alex: While we’re just going wild on speculation, spoilers, I do you want to talk about two other things in the episode that I thought were interesting? One of them is pretty obvious, but when you’re talking about thematic stuff, the benefit from the talent show is for the children. And they keep saying, this is all for children. Which again, in terms of like thematically tipping their hand and saying, we’re going to tell you what this show is actually about, it’s clear when Wanda is pregnant by the end, whoever is doing this, whatever is happening here, it is all about these kids who of course are very important to the comics. And we know that, but that seems to be the plot of the show as well.
Pete: As people have kids, like that’s how it worked, or you guys just started talking about kids and then kids showed up. Right.
Justin: I mean, technically, yes. There’s one other step in there that I don’t want to tell you about, Pete.
Pete: Okay. All right.
Alex: That’s for a real spoiler podcast.
Justin: Yeah. We do a podcast every time [crosstalk 00:23:42].
Alex: The other thing that I wanted to throw out to you guys, and I don’t know. I’m very iffy on this theory, but I do think there’s some evidence for this. In terms of who is behind this, we have that very terrifying moment at the end when they go outside to the street and they see a guy come up through the street through the manhole.
Pete: The beekeeper.
Alex: The beekeeper.
Pete: And what’s interesting about this guy is, and I don’t know if this at all, but bees don’t usually live in the sewer. So the fact that a beekeeper came out of the sewers, it doesn’t make a lot of sense.
Justin: What’s about the famous cartoon and comic book, Teenage Mutant Ninja Bees? They live in the sewer.
Alex: Teenage Mutant Ninja Bees. Teenage Mutant Ninja Bees. Bees in the house.
Justin: Heroes who make honey.
Alex: Confusing.
Justin: Heroes who make money or make honey.
Alex: Oh. Make honey. No, that’s much better. Thank you. The thing that I wanted to mention about the beekeeper, this is my theory that I’m kind of iffy about is based on that and one other thing that I’ll mention in a second, what if A.I.M. is behind this. A.I.M. is an organization from the comics. They’re scientists who regularly muck with everybody. There are constantly jokes about their uniforms and how they’re wearing these beekeeper helmets. The other additional thing that I’ll throw in there, this design was at the end of the first episode as well before they cut to the TV and then again here, Wanda and Vision are trapped in this hexagon, which is a honeycomb design. So there’s something there that I think indicates, to take a wildly far field, also adding in the commercial with Strucker and knowing Wanda and Vision and Pietro’s history with HYDRA, there could be something. We know HYDRA is dead in the MCU. We know S.H.I.E.L.D. is dead. What if it is these two offshoots? A.I.M. has somehow captured them, a science offshoot of HYDRA and S.W.O.R.D. is this offshoot of S.H.I.E.L.D. that’s dealing with interdimensional incursions or something. And they’re basically battling for a Scarlet Witch and Vision
Justin: That’s what I was thinking. And so the influence is coming from both sides. We have Monica Rambeau coming in to try to pull them back on the heroic side. I think that’s what the radio is, probably a good guy voice. And I think the HYDRA, A.I.M. influence is for trying to get children. They want a creation out of this using their powers that they can control.
Pete: Because when I saw the beekeeper, I thought like, oh, maybe this world that she’s creating is sucking real people in, but when the beekeeper turned and looked angrily, it seemed like it was someone too down there. And I thought, okay, this isn’t just a regular person trapped in here.
Alex: It might also be that the bee is sort of an illusion.
Justin: Tude is a comic book shortening of the word attitude.
Alex: Yes. Oh, thank you for specifying. I appreciate that, Justin. Yeah. I mean, it’s possible that he might’ve been changed by this reality bubble or something like that. So he might not look like that at all. We might be just piecing together things that don’t actually piece together, but it’s definitely a weird moment and worth mentioning. Two other that I wanted to mention. One of them, Emma Caufield, Anya from Buffy the Vampire Slayer plays Dottie, which I thought was a fun little bit of casting. And I think she nailed that perfectly. And the second thing, this is more of an advanced thing that I do not think is going to happen here. But I only mentioned this because this news just recently came out with the MCU, not confirmed by Disney, but apparently Chris Evans might be coming back for something as Steve Rogers. They’ve also indicated that there’s some sort of cameo that we’re not expecting. Is there any possibility that we could see like Steve Rogers or one of the Avengers or somebody like that pop up in this fantasy world towards the end?
Pete: The thing was like, after the radio, Wanda was like, “That is strange.” And I was like, ooh, I wonder if that was like Dr. Strange on the radio or something just because the way she said that was trying to, I think draw a little attention to it.
Justin: This is just total stray observation as well, but I did think the boss from last episode had Dr. Strange facial hair. So I agree with you, Dr. Strange is a likely candidate of someone trying to get in there and influence this.
Alex: Before we start to wrap up here, there’s obviously a lot more that we could talk about of the episode, but any other moments that jumped out to you that you wanted to mention?
Justin: Well, obviously the helicopter coming in, very Pleasantville, if you remember that movie, I thought. And that informs, I think the moment at the end, when they go into full color, which I think if our theory that Scarlet Witch is the person who’s guiding this and trying to keep them in the sitcom world, why would they then go to color? And my thought was that it is the influence, seeing that helicopter same as the movie Pleasantville, Scarlet Witch then has to make that make sense. So she pushes the whole world into color.
Pete: Yeah. I thought it was almost like a protective move. Like after seeing the creepy beekeeper then rewinding it and being like, no. The bubble got stronger. Like she colored it and tried to almost turn it up a little bit because [inaudible 00:28:55].
Alex: Yeah. I like that idea of the bubble getting stronger. I think that’s an interesting one. I think also just on a logistical level, it’s something that lets us again, pull back the curtain a little bit on the whole magic trick they’re doing with the show vs between episode one and episode two, where it just went from 1950s to 1960s. Now we see it go from 1960s to 1970s, presumably here at the end of the episode.
Pete: Some things that you had mentioned that I wanted to talk about. What was interesting about this commercial parody that is run in both episodes, it’s the same two people in them, which adds a nice creepy factor. And this, “Strucker will make time for you.” Like that was a crazy message as it was showing that watch.
Alex: Yeah. I mean, Strucker is dead and there was some Strucker stuff that I’m only vaguely remembering from Agents of Shield that I do not think they’re going to refer to at all, but it is possible that we might get some sort of Strucker Jr, or Strucker the third leading up in an A.I.M. or a HYDRA or something like that as behind this, potentially.
Justin: Yeah, I think.
Pete: Also, I did want to talk about when Vision went to the neighborhood watch, the fact that their top secret stuff was gossip, was really funny. And that whole thing of norms of communists and everybody falls down, that was really just fun to see Vision trying to fit in and the choices that the robot would make. It was really… “Oh, I don’t eat food.” Like just fun.
Justin: That was [inaudible 00:30:29] the mastication joke, which I thought was sort of sitcom format breaking for that era, but super funny.
Alex: Yeah. All good stuff. Oh, you wanted to mention something else, Justin.
Justin: Yes. Talking about the commercials makes me think another random theory. What if the commercials are sort of… If this is a Scarlet Witch constructed little pocket universe or whatever, bubble, maybe that’s what she’s putting out. She’s blaming Strucker or that’s the sort of outward signals she’s giving back to people like, this isn’t me doing this. Go chase these villains. Like red herrings for whoever’s coming after them to go deal with it.
Alex: I do get worried about those two folks in the commercials because they seem very separate from everybody else. At least everybody else gets to interact in this real world. It’s clear, whether they’re real or not like Dottie breaking at that point and saying, “Who are you? What’s going on?” There seems to be an understanding of at least we are here with each other trapped to this thing. Wherever those commercial people are, they’re all on their own. I’m very scared for them.
Pete: It also seems like after an incident, the person, it’s almost like a Men in Black mind wipe. They’re always like, oh, hey, okay, now I’m back to normal.
Justin: Alex, do you feel that way when you see regular commercials, where you’re like, Oh God, those poor people?
Alex: I’m terrified. Yeah. Whenever I see…
Justin: [inaudible 00:31:50] Matthew McConaughey is driving that car somewhere all by himself.
Alex: Ah, so scary.
Justin: I was scared for him.
Alex: I hope he’s all right, all right, all right.
Justin: Good.
Alex: I’m sorry. I’m really sorry.
Justin: Never apologize for a strong Matthew McConaughey.
Pete: Make him apologize. Fuck that.
Alex: Before we wrap up here… Oh, you have two more things.
Justin: Two small things. I love when Wanda reveals that she’s pregnant at the end and says, “Is this really happening?” I really liked that because it feels like she’s giving away the game a little bit to Vision. She’s like, I want this to be happening. You want this to be happening extensively. Let’s agree that this is happening now so that we can enjoy it. I thought that was a real nice, subtle explanation moment.
Alex: And well, we touched on this earlier in the podcast, but I think that also raises a lot of about what’s going on with Vision because he died and the fact that he is assuring that…
Pete: Stop saying that.
Alex: Well, he did.
Pete: You’re really breaking my heart.
Alex: The fact that he is saying…
Pete: Leave him in this little bubble that Wanda created and…
Alex: Trust me, it is hard to have a baby with a corpse. It is very, very hard. [crosstalk 00:32:55].
Pete: I trust you. Why did you say that?
Alex: The main takeaway is that I’m proud of them.
Pete: Oh my God.
Justin: What I think Alex means is in the same way that your phone dies, that’s the way that Vision died. So do you have a little funeral every time your phone dies, Pete, or do you just recharge it and move on?
Pete: Yes. No, I have a little funeral every time.
Justin: Crying. My phone’s dead. Help.
Pete: Yeah. I’ve some people say some nice things. And drop some roses on top.
Justin: Rose petals. Meanwhile, when Alex’s phone dies, he tries to make a baby with it. Last observation. Sort of overarchingly, the way that the show is moving forward in time through television, but in the same way, in reality, television became more and more real in the way that it showed reality. In the 1950s, it was super fake, people weren’t allowed to sleep in the same beds, all that. And then it slowly became now TV today is like that you can do anything you want. It’s the same as reality. And I think that’s a nice parallel that they’re using to show as the series moves forward, everything’s going to become more and more closer to reality, the reality for Vision and Scarlet Witch.
Alex: Now, Justin, I hate to be the one to tell you this. I feel like you should know better, but you can’t do anything in television. It’s run by ratings and views. So you can’t just show a flower pot and then have someone shit on it and be like, ah, this is my time.
Pete: Not to disagree with you, Pete. You’ve been backing me up a lot this episode, but have you ever watched the classic show, You Can’t Do That on Television? They did a lot on television.
Justin: That’s the real twist there, was it was already on television. And I will say that my sitcom that I’ve been pitching featuring a flower pot getting shit on over and over, it’s going well.
Pete: Oh, well, I’m sorry. Congratulations.
Alex: That’s great. Before we wrap up here, here’s what we’re going to try as a wrap up for the show. What is on your vision board? What are you predicting? What are you expecting? What do you want to see in the next week’s episode? Justin, you want to take that one first?
Justin: Sure. So we’re moving into, I guess, late 1960s, 1970s television or is that going to be like a T.J. Hooker? Like we’re getting into some more action stuff, which that seemed very exciting to me. And I think in the trailer we’ve seen definitely some more action. I’m excited about that. And the evolution of Kathryn Hahn’s character, she almost feels like she’s…
Pete: How many people are you taking here? It’s supposed to be one person.
Justin: He said prediction. It’s my vision board.
Alex: Vision board isn’t like one picture you put up there and like, this is the house I want. It’s a picture of the house. It’s more like colors and splashes.
Justin: And I’m looking forward to the color purple kind of [crosstalk 00:35:44]. I will get there.
Alex: Okay.
Justin: Just because your personal vision board is just a picture of Wolverine, Hugh Jackman, doesn’t mean that everyone else has to be.
Pete: That’s not true.
Alex: Well, Pete, why don’t we go over your vision board? What’s on your vision board for next week’s episode?
Pete: Okay. It’s a lot of oranges. Some yellows. Okay. Yeah. Red, which I feel like meets the theme of the show. I’m very excited about Justin said, it kind of crushed my vision board because I would love to see some Magnum PI type of stuff for Vision sliding across the roof of a car. You know what I mean? Stuff like that, where they’re solving crimes together. That would be a lot of fun, but no, I just think that I’m really impressed with how they went from episode one to episode two. I feel like they really did a good job of being like it’s going to be okay, stop freaking out and relaxed into a more palpable show. So I’m very excited about where it’s flowing into from here. But I really feel like the side characters, I’m very excited about, to see how they’re going to add to it and mustachio all the way.
Alex: I mean that segues nicely into what’s on my vision board. The thing that I’m really excited about beyond the main plot, I want to find more about Teyonah Parris’s character. She’s really fascinating like we talked about. Really an interesting addition to the cast that throws things a little off-kilter, so excited to see more of her in episode three, as well as the side characters. I’m always a big fan in comedies of the more they could flesh out the world of the show with random side characters coming back again and again, and again, it just makes the overall show stronger. So even though we’re focusing on the mysteries, we’re focusing on the superpowers, the comic book, Easter eggs of at all, if they can continue to make it work as a sitcom, that’s very exciting to me.
Justin: 100%.
Alex: All right. And that is it. Thank you everybody for tuning in. As mentioned, the show is going to go weekly from here on out. So we’ll have one episode going up a week. That said, if you want to support us, patreon.com/comicbookclub. We also do a live show every Tuesday night at 7:00 PM to Crowdcast and YouTube. Coming up, we would love to chat with you about WandaVision on YouTube, Comic Book Club. You can subscribe right there at comicbooklive on Twitter. iTunes, Android, Spotify, Stitcher, or the app of your choice, to subscribe and listen to the show, comicbookclublive.com for this podcast and many more. Until next time, don’t lose your Marvels.
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Our MCU podcast officially kicks off with WandaVision Episode 1, “Filmed Before a Live Studio Audience”! Vision and Scarlet Witch are trapped in a strange, ’50s sitcom world with no clear way out. We break down our reactions to the first episode of the series, as well as plenty of speculation what exactly is going on, when this takes place in the Marvel movie timeline, and Easter eggs from the comics — and movies.
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Full Episode Transcript:
Alex: What is up, y’all? Welcome to MarvelVision, a podcast about the MCU, and specifically, the kickoff of the MCU on Disney Plus, big deal. First episode of WandaVision, we’re talking about all of it right now. I’m Alex.
Justin: I’m Justin.
Pete: I’m Pete.
Alex: And this is very exciting. We did a preview episode for this, but we are officially getting into it now. Two episodes of WandaVision launched on Disney plus today, we’re going to talk about them individually, so check pretty soon for our second podcast talking about the second episode. But I think there’s a… I want to go to a bunch of different directions here. First of all, I want to say, for anybody who is watching this or listening to this podcast, definitely watch the episode first. We’re not going to do a complete recap or anything like that. We’re going to talk broad strokes about feelings about it. I know we have some differing opinions about-
Justin: We’ll see. There could be some different takes in here just based on our faces.
Alex: Potentially, how traumatized some of us are, or not.
Justin: Or exuberant.
Alex: But also, we’re going to talk about specific plot points. Obviously we’ll speculate about it. We’ll talk about potential comic book origins, though that’s going to be a tough one I think with this one.
Justin: Dicey.
Alex: Yeah, a little bit dicey. Let’s start with you, Justin. Well, just to get broad strokes about this episode, this is like the 50 sitcom episode, it’s very Bewitched, I’d say. I’m not very versed, honestly, in old sitcoms.
Justin: I feel like it was Bewitched, Dick van Dyk.
Pete: I would say Leave It To Beaver as well, type of thing.
Alex: Yeah. So this is something we talked about a little on the preview episode, something that they did with the show, which I think is really fascinating, is they tried to film each episode like the time period they’re in. So this was filmed in front of a studio audience, they did the effects just naturally the way that they would do them at that time period, and the thing that I would say that I was really impressed with with this episode is I feel like they wrote the jokes and they structured it exactly how they would for that time period as well.
Justin: Truly, I mean, we’ve talked over the years a lot about how the Marvel films, they take a genre and really play the genre and then lay the superhero specifics on top of it. So you get your original Captain America movie, you get your Guardians Of The Galaxy that feels like the fun space romp. All of them use the genre to its most extreme or to its utmost and helps them with the storytelling, and this is like an even harder commitment to that in the television world. This was an episode of this type of TV show, it was perfectly milk toast. And I mean that as a compliment, the jokes, those are real jokes that the writer’s room of an actual sitcom in the fifties would be trying to make the same level of jokes, same style of joke. It’s not mocking the format, it’s doing this perfect translation of it, which I thought was a wild choice. That is a wild tonal choice.
Alex: And you’re giving us insider information because as everybody knows, you’re a line producer on many TV shows for years now, so you know when you see it, writer’s room stuff.
Justin: That is not. I do work in television, mostly on the writing and directing side, but not in the 1950s, so I don’t have a ton of experience being that [crosstalk 00:03:35]. That’s where you come in, Pete.
Alex: Well, something that all three of us have experience with is comedy, right? And comedy writing, and definitely, the thing that I think is kind of fascinating about the structure of this particular episode is, it starts off and it started to feel like a sketch to me. I was like, okay, I get this. It’s a sit-com, but you got Wanda Maximoff. You got Vision, so what if that was in the Marvel universe? But to your point, Justin, it really just doubles down on all the sit-com trips to the point where it’s not just a sketch, it moves beyond a sketch, and then by the end we get, which is my favorite part of this episode, we get this turn into weird, creepy horror that feels right out of a Twilight Zone of that episode down to, again, the way that they’re filming it.
Alex: So they’re almost doing two things at the same time, and that total consistency and that time consistency, even if in this early episode, we have no idea what’s going on, though we will get into speculation later, I really appreciated. Pete, I know we’re going to go to you for the contrary take. You were very bummed out about this. I also think though, you were not very excited to get into this show. Is there a reason you were hesitant in the first place?
Pete: Well, yes. Tom King, an amazing writer, but the vision comic that he did was a little depressing, and was this kind of take on suburbia, if you will. This kind of, Wanda being trapped or trapping herself or whatever it was-
Alex: Vision being trapped.
Pete: Vision, sorry. Yes. So that, it was tough because the comic was… You didn’t really know what was going on, but it was also very sad and depressing, and this heightened that a little bit. It got scary and depressing, and I very much was on the side of that 70s show mom when I was like, “Stop, just make this stop. Stop it. This is really uncomfortable and creepy in a way that I don’t understand, nor can I get behind.” So it was a little tough.
Justin: Well, because I don’t think there’s a lot of speculation before this came out that it was going to be based on the Tom King vision comic, and I actually don’t think it is. This first episode that sort of tension and the suburban panic of that comic series, but this is something, a totally different animal I think. And it feels like this is a dense show. I mean, we can talk about sort of the big swing nature of this show and the fact that because of COVID, it’s coming out first as opposed to Falcon and Winter Soldier, which would have been a way more across the plate type show as we… What we think we know of it anyway. That this truly does feel like… I’m just going to be very interested to see the reaction because I feel like a lot of people might have a very similar reaction to Pete, which is like, “Wait, what is this?” This has none of the things that I expect from an Avengers.
Alex: 100%. I think anything Marvel at this point is a safe bet, right? Like we’ve talked about this incessantly on all the podcasts we’ve done, but even with their bad stuff, it’s really, you could argue, you can quibble a little bit, but it’s like C plus or better, right? Like, “This is fine. I’ll watch it. It’s good.” With something like this, it’s definitely going to be confusing for people. If you’re a sit-com fan and you don’t know anything about it, you’re going to be like, “Who are these people and what is going on here, and what are these jokes?” If you’re a Marvel fan, you might be like, “Why is nobody hitting each other? What’s going on? This doesn’t feel like anything in the Marvel universe.”
Alex: So it is a big risk, but at the same time, you do have those little notes, and this is very much jumping to the middle of the episode, but you have that fake commercial in the middle of the episode.
Pete: Yeah, what was that?
Alex: Well, we don’t know. We don’t know what that is yet, but that gives you that tease of Stark Industries, they probably were making weird toasters at the time, and I feel like that gives you that MCU thing to hang on to, not just Wanda and Vision, but mentioning Stark, throwing other little things in there-
Pete: Yeah, but mentioning Stark in a bad way, in a creepy commercial where that woman doesn’t look right. I don’t think she’s okay. She was shiny. I was like, “Somebody helped that lady. I don’t know if she’s there on her own free will” That’s the thing, I wanted to understand what was happening, and it was tough because when it starts, it’s like, “Oh, hey, ’50s, fun.” Like you said, an SNL sketch, but sometimes, an SNL sketch goes too long and you’re like, “Okay, what’s happening?” And I felt like that, where it was like, “Okay, this SNL sketch is getting dark. I don’t know what the payoff is.”
Alex: Where’s Kate McKinnon?
Pete: Yeah, there was-
Justin: Don Pardo.
Pete: Yeah, the neighbor was SNL for sure, but I wanted to enjoy this, and it kept me at a distance and kept me confused in ways that I couldn’t latch on. Even the Stark stuff, I was like, why is Stark bad? What is happening?
Justin: Well, I do think there’s a reason they released two episodes up tap, so we haven’t seen the second episode yet.
Pete: And that’s what I was worried about. I was like, why are you doing that? I was like, does your first episode suck? That’s why you’re releasing two? Oh, okay. Thank you,
Alex: Pete. I think the way you were feeling is the way the episode is supposed to make you feel. All of the things they’re trying to get across to you, and to Justin’s point, we’ll watch and talk about the second episode in a second, but my impression is that that is going to walk you further along the path to hopefully understanding a little bit of what’s going on, or at least understanding the show. Something that I was thinking about while I was watching this was, this isn’t strictly a pilot for a TV series in the way that you think of a pilot of a TV series, right? It’s setting up more a tone. It is introducing or re-introducing the characters of Wanda and Vision, but even if you’re a hardcore MC fan and you’ve read everything about the show, I think you understand what’s going on.
Alex: But if you’re a casual fan who watched the movies, you might have this reaction of, “Wait, hold on. I thought… Isn’t Vision dead? Did I remember that wrong? Hold on. What’s going on with Wanda? Where does this take place? Is this before the Avengers movies? Wait, I didn’t think they were married.” So there’s all these questions they’re throwing out at you depending on your level of knowledge there, if you haven’t read every Entertainment Weekly article. And again, like you were saying, Justin, I think that’s a tough place to put the audience in, but I do think it’s valuing them at the tight of their intelligence.
Justin: And I feel like I love it. I think it’s great. To be able to play so hard and hit the genre so hard, I think is… No other place would have the confidence to start a show like this this way, so I appreciate it. And to walk through it a little bit maybe, the actual plot of the sit-com plot is the classic misunderstanding. Wanda thinks Vision’s coming home for a romantic night in, he’s actually bringing the boss over. They have a bunch of misunderstandings and try to cook dinner, so that feels like they’re just using a very standard boiler plate, 1950 sitcom on plot. But the stuff that was interesting, if we want to get into that, they-
Pete: There was one really interesting thing that stood out to me, and I think this is going to catch on like wildfire.
Alex: What is this? What is happening? What is about to happen?
Pete: A beer that’s the name of your anniversary? I mean, think about that. If you could buy a beer that has your anniversary on it, you don’t have to worry about anything. You can just enjoy your-
Justin: You’re talking about the throwaway joke that Kathryn Hahn makes about Ralph, her husband, not remembering their anniversary, unless it was the name of a beer.
Pete: Yeah. June 2nd was the name of the beer, and I was like, “This is cash money.” There’s like 80 million breweries out there, somebody get on this and you’re just going to be rolling around in dough.
Alex: I’ll tell you what, this is a little bit of a side note and we can get back to what you were saying, Justin, but Kathryn Hahn is so good at this and she’s so perfect for a sitcom, it is out of control. Her lines are easily the actual laugh out loud lines. A lot of the lines, like you were saying, I think milk toast is a good word for it, but she actually nails the jokes really, really well. All of her off-hand stuff about her husband, Ralph, it’s so stupid, but she hits it in the perfect way. Somebody mentioned that line, I don’t know if you guys saw, but they’re doing this Lucy Ricardo movie with Nicole Kidman, and I saw some random tweet where somebody was like, “Hey, I’m just saying,” and it had a picture of Lucy and a picture of Kathryn Hahn, and I was like, well I love Kathryn Hahn, I don’t know. But then watching this, it felt like, yeah, 100%, absolutely.
Justin: It’s like weird serendipity, that that fight’s going on online, and we see the show where she literally is playing, she’s technically playing Ethel, but she is really a shoe in for Lucy. But I do think, to jump right on there, she stands out as something weird. She is, and obviously she’s [crosstalk 00:12:59].
Alex: Oh, that’s what you thought was weird?
Justin: But I just mean, in the world, she is a deviation from the sitcom world. It feels like she is trying to get information out of them. She is keeping them in the plot, the sitcom plot, as the episode goes on, so she feels like she’s a presence there that wants something from them and is containing them in this, whatever it is, this fantasy world, however we learn about it.
Alex: How much… I only ask, because this is our first official episode here so I’m not sure how much we want to get into speculation, and certainly if you’re listening to this and you feel like you want to just talk about recap or something, we can leave the speculation stuff for the end, so just hit us up at MarvelVisionPod. We’re happy to chat about it, we’re happy to do whatever you guys like, but I-
Justin: We’ll do anything, [crosstalk 00:13:44] I’m trapped in this child’s room. I’m trapped in my own version of suburbia.
Alex: Yeah. I’m also trapped in… This is child stuff over here, and not mine.
Justin: We’re all clearly trapped in children’s rooms, because you guys have comic books and stuff like that around you. I have dresses.
Alex: A lot of the speculation pre-show focused on Kathryn Hahn and specifically her character, Agnes, and whether she was the character Agatha Harkness from the comic books who… There’s been different takes at Agatha Harkness, but she usually is the one who I think raised Pietro and Wanda also. She ends up, I think, raising the twins that Vision and Scarlet Witch have later on. She’s kind of an antagonist, kind of an ally, sort of straddles the line there. But certainly to your point, Justin, that’s what it feels like in this first episode, right? She knows more about what’s going on than she’s letting on.
Justin: And don’t we get the name Harkness at one point?
Alex: Heart.
Justin: Is that what it was? I heard Harkness.
Alex: Yeah, the boss’s name is Heart. It’s close. It’s close. Heart and Hark are different.
Justin: Yeah, true. They are different, just the letters, the consonants.
Alex: Yeah. Catherine Hahn is great. While we’re talking about performances, let’s talk about Elizabeth Olsen and Paul Bettany I think. Pete, you look so bummed out right now.
Pete: I wanted to talk about the 70s Show mom. I thought she killed it, I thought-
Alex: Go for it. I want to throw that to you.
Justin: Throw the bone, That 70s Show.
Pete: I mean, she was hysterical the way she got behind the goodbye with the hands behind the face, it was really great.
Justin: Perfect callback.
Pete: Yeah, it was-
Alex: There’s no better sitcom mom. I’m just looking up her actual name because I’ve forgotten. Isn’t she-
Justin: Debra Jo Rupp. It’s Debra Jo Rupp.
Alex: Debra Jo Rup there we go. And it’s [Saul Rubinek 00:15:32] is Mr. Hart, right?
Justin: Mm-hmm (affirmative).
Alex: Great actor as well.
Justin: Yeah.
Alex: Great, Pete. That’s all you wanted to say? Just that you liked her?
Pete: Yeah, I thought she was really great and she was calming me down because I was freaking the fuck out. And then she started to freak me out with the stop it, and I almost walked away.
Alex: What you’ve got to do, Pete, is smoke some pot and do one of those spinney table things where it checks in with all the characters.
Justin: That’d be fun. We should do that. Pete, have you ever tried weed? You might want to give it a try.
Pete: I’m just laughing at Alex. Go and smoke some pot, and then jut do the-
Alex: Yeah, woop. You know, the table thing. And have you’ve ever been a hanging out down the street, the same old gang, saw last week?
Justin: Hello, Wisconsin.
Alex: Yes.
Justin: Yeah. I think everyone in the cast I thought was great. Even the smaller parts felt like walk-ons in a studio system sitcom, where they were just like, “I’m a day player. This is the only acting job I’ve ever had.” And it was great.
Alex: Well, like mustache guy, he was like, “I tried out for Ross on Friends and I didn’t get it.
Justin: Yeah, exactly. Exactly. This is my big break. No, it’s not.
Alex: But I do want to talk about Elizabeth Olsen and Paul Bettany, specifically because they’ve done a lot of different things as actors, but the way most fans are going to know them coming in here is as Vision, as Scarlet Witch, who’ve gone through a lot of different iterations throughout the MCU, but this is very, very different. How did you feel about their performance this year?
Justin: Great. It’s interesting there, Elizabeth Olsen really pops I think more than Paul Bettany. Paul Bettany is in the role of this stodgy dad or stodgy husband, and he feels a little robotic in a way, and maybe that’s a purposeful choice, but it really works. That’s not a super criticism. I think the whole thing really… It’s also a little hard because the characters are confused, so it’s really hard to figure out exactly what they know, what they’re doing, and the Vision especially spends a lot of the episode like, “What are these forms? Why are we doing these things?” And clearly there’s no answer, so he’s frustrated for a lot of the time.
Alex: One of the things that I really liked about that joke and that I want to get back to the performances is I felt like it serves such a great dual purpose to have, like you’re saying, to have Vision be confused, not understand. He’s sort of in this prisoner type place where he can’t get out of there and nothing makes any sense, but at the same time, it actually felt very consistent with sitcoms of that era, where they would just go to an office and do office work, but they’re not actually producing anything. So I liked that quite a bit. I had an opposite reaction to you. I thought Elizabeth Olson was really solid and got to a play some very big, bold choices, but I really liked Paul Bettany a lot. I thought he nailed his jokes, he nailed the sense of that sort of character, the stodgy dad character, I was really impressed with him in particular.
Justin: Pete?
Alex: Pete?
Pete: Yeah, that guy can take a plate to the head, I’ll tell you what. Yeah. I think that the, “I am too a human, all organic material.” That was fun. Her being like, “I’m definitely married to a human man.” That was fun. I just am worried about what’s going on, where they are. It seems like maybe they’re trapped somewhere from the kind of ending that we got, and I’m worried and confused about these characters that I care about.
Justin: Well, let’s talk about that. I think we talked a little bit about the scene where the boss asked them too many questions, they start to question the world around them, he chokes, he’s dying, and then we break out of the sitcom, the three camera format and get into these super creepy, slow, David Lynchian push-ins on each of their heads.
Pete: So creepy, stop that.
Justin: I thought it worked so well.
Pete: I don’t need tension right now. The world is on fucking fire. I don’t need this right now. What are you doing?
Justin: I can’t believe I’m saying this to a human, but I don’t think you’re in a good place to watch TV right now, just any TV.
Pete: That’s all I got. What are you fucking saying?
Justin: I think you need to take it back to just, not moving pictures, just regular pictures. You need to just look at a painting or something.
Alex: Yeah, look at some Thomas Kincaid or something like that and just bliss out.
Pete: I don’t need to be stressed.
Alex: Have you ever tried smoking pot, Pete? You should try that.
Justin: Maybe the woman who photographs those dogs with roller skates on their feet, I think that’s a good place to start for you. Or the babies that are in flowers, that’s a good… Start there and then we can work up the moving pictures.
Alex: I love the tension moment of that moment as well. I thought that whole sequence was great, and just to get into some speculation about potentially what’s happening here, because I really think you could only analyze the very tiny clues we have. We know that Wanda and Vision don’t know how they got there, they don’t know how they got married, they don’t know anything about the relationship, and where we left them off as mentioned, Vision was dead, they were not married, they really couldn’t be together, so something happened between there obviously.
Alex: The big telling thing for me is that ’70s Show lady saying, “Stop it, stop it, stop it.” Which to me, makes it feel like they’re causing this. This is not an outside villain, this is maybe, to completely throw out a wild theory or maybe not that wild theory, based on the comic Scarlet Witch is constantly going crazy and creating these alternate scenarios, it’s entirely possible that Vision’s death drove her to the brain because she created this scenario where she traps a town, locks them in there and makes them live out this sitcom fantasy where Vision is still alive.
Pete: So she’s choking the boss then? Is that what you’re saying? She was-
Justin: That’s what I’ve been thinking as well.
Pete: Because when she was like, “Vision, go help him.” It was like he was released, like he was being held there and then all of a sudden, he was released and able to help.
Justin: To keep them back. I think she’s subconsciously, it may be like the moment of Vision’s death in the movie, and-
Pete: Like all of this is taking place in that, as he’s dying, [crosstalk 00:22:03]
Justin: That’s what I think, it’s sort of an occurrence at Owl Creek Bridge style thing where-
Pete: Then who’s watching the videos of this though? Who’s in that-
Justin: So here’s my wild speculation. Rather than them taking over a town or forcing people to do it, I think they’re inside the vision. I feel like the credit sequence was first, oddly cinematic, and it’s all about being inside Vision. It’s like [nia nights 00:00:22:29], it all feels very like we’re inside this robot man. So that’s where I was thinking that, and the fact that the commercial I feel like is the other big clue. It’s one of the few moments where we see color in the episode, the red light on the toaster feels like that sort of ticking, like a bomb or like something that’s pressing and maybe you’re going to shatter their illusion as well.
Alex: I liked the idea of, and I think it makes a lot of sense, it doesn’t just have to be Scarlet which has powers. You also have Vision has the mind sewed, so if they are… That was destroyed by Thanos, right? But then a second version that they brought back at the end of Avengers End Game, so it’s possible that there’s some shenanigans going on in there where they got trapped in it in some way. But to Pete’s point, I do think the person watching the TV show throws a weird wrinkle in any of those theories.
Pete: Yeah. To me, it felt like a little nod to Mojo type of thing, where they’re trapped in some kind of like TV show type of thing.
Justin: But I think Alex, that points to what you were saying earlier with Agatha Harkness, it feels like the Scarlet Witch, because of her horrible loss, she maybe shatters a bit her consciousness and goes into Vision, and there are people trying to help her, trying to pull her out. And that’s what the people watching in the TV are, that’s what Kathryn Hahn is trying to do, or maybe she’s a malevolent presence like we were talking about earlier.
Alex: Well, let me ask you guys something, how many episodes could you take of this before they got to gave us more information about what’s actually going on? Could you do three more episodes like this?
Justin: If there are more clues, bring them on, yeah. I think we are going to get some slow play of this. There’s nine episodes.
Pete: I can’t take the slow play is what I’m saying. I need next episode, some kind of relief here.
Alex: I don’t think they’re going to do it that quickly, but I do think if they, and I know this is a controversial thing to call out, but if they do it like Lost pacing, where it’s slowly eeking things out, but-
Pete: How dare you?
Alex: Hold on. But they actually give some answers as they’re going. I don’t need them to be like, episode two and this is Mojo, and this is-
Pete: I don’t need it all revealed, I just need something because right now, you didn’t leave a good feeling with us.
Justin: Sp Alex, are you saying you hope that they have just as much understanding of where the story was going on this show as they did on Lost?
Pete: Smoke monsters? You want like two or three smoke monsters?
Alex: Yeah. Smoke monsters, polar bears, dog kind of wandering around.
Justin: And then in the script, instead of it saying, oh, a tiny light blinks on a toaster, it’s like, the tiniest fucking light you’ve ever seen is blinking like crazy on the toaster. This is the Lost script. This is probably [inaudible 00:25:29] lost.
Alex: And if they could bring it an Outrigger at some point and never follow up on that, I think that’d be really great.
Justin: Yes, yeah. All we got to do is get to the end of the season. We’ll explain the hatch later.
Alex: Yes. I think we probably need a couple more answers to that, but to your point, Pete, I would say, yeah, I don’t know. I mean, I don’t know in terms of pacing how you do it because there are nine episodes, but I feel like you got another two to three episodes before it really needs to start pulling things back for me.
Justin: But what we said at the top of this, we haven’t watched the second episode yet. They released those two for a reason. I feel like you’re going to get something. You’re going to get a little bone, you’re going to get a little precious little Debra Jo Rupp style bone that’s going to carry you through.
Alex: There’s one other thing that I’ll throw out, and I only mentioned this because we did talk about this in the preview episode, but if you look at that final screen of the guy looking at the screen of watching Wanda and Vision, in the bottom left hand corner, there’s a little symbol with a sword in it which Marvel Comics fans will know that there is an organization called S.W.O.R.D. It’s usually involved with extra terrestrial life and Abigail Brand is this character who runs it, it comes out of the X-men and everything. I don’t think they’re going to do anything like that, but certainly, all three of us, everybody who is watching this stuff is trained to parse through every frame. I saw some article that was looking at the dial on the radio and was like, “Oh, this is the time it is, and that points to the issue of West Coast Avengers.” And I was like, “That’s crazy. But maybe.”
Justin: Yeah. Well I quickly typed the names and the credits of the internal sitcom show into an anagram generator. Didn’t get a lot of hits though. Barely, Babs Digby doesn’t really mean a lot of other things.
Alex: I will say, I love the idea that they’re giving us such tiny little hints about everything that it’s going to drive people insane.
Justin: It drove Pete crazy and he doesn’t even know what’s happening.
Pete: Yeah.
Justin: The only other clue that I would throw out there is I thought it was strange that Vision has the remote in his hand at the end. They talk about being married, they get married, which I thought was very much wish fulfillment for probably both of the characters, the characters as if Vision’s dying, it’s wish fulfillment for both of them to be married if they both know that he’s dying, but him having the remote made me feel it was odd how he had his arm around her. It stuck out to me, it feels like maybe he has a little bit of a hand on the wheel of what’s happening to them.
Pete: But it also felt very like Married With Children moment, where it was just like, “All right, now I always got the remote. Gonna put one hand down the pants and another on the remote.”
Alex: [crosstalk 00:28:20], Pete? The 90s sitcom, when Paul Bettany is like, “Eh, one day, one day.” That’s going to be great. Before we wrap up here. Any other moments that you guys want to call out? And we’ve certainly done a fair amount of speculation about this episode, but any other tiny moments or anything that you thought were particularly interesting?
Pete: The set designs are really fun? They definitely felt like a 50s TV show type of thing. The way the plates were set up and all that kind of fun stuff. Yeah, it definitely… The suits were made different. It really felt like the time period, so that was-
Justin: Great attention to detail.
Pete: Yeah, and even the coloring and all that kind of stuff, it was really well done.
Justin: Pete, you must have at least loved that they chose your karaoke song, Yakety Yak, to be a centerpiece of the episode.
Pete: Nope. Nope.
Justin: I’ve heard you sing that just countless times.
Pete: But if somebody awkwardly just yelled that out, that would pull people’s attention. I did appreciate the fact that sometimes when they do stuff, it’s like, “Look over here,” you know? It’s almost not believable, but the way he just belted into that song was pretty funny.
Alex: Good stuff. Justin, any other little things you want to call out, or have we covered everything?
Justin: No, I think we covered it, but just in general, I loved it.
Alex: Yeah. I was impressed as well. Like we talked about, I think just the fact that they went for it here is really fascinating. I’m excited to talk to you guys about the rest of the episodes. I hope for Pete’s sake they pull the veil back a little bit. For Pete’s sake, I didn’t mean to say that. But for all of your sake, thank you for tuning in. We are going to be talking about episode two. If you’re awake, it’s probably in the feed already, hopefully, so check that out. And then we’re going to be talking about the episodes weekly from there.
Alex: If you want to support us, patreon.com/comicbookclub. Also do a live show every Tuesday night at 7:00 PM to Crowdcast and YouTube. Come hang out, we’d love to chat with you about WandaVision or anything in the MCU. Socially, you can check us out at MarvelVisionPod on Twitter, Instagram, and Facebook. We are actually live in all the feeds pretty much everywhere at this point, so iTunes, Android, Spotify, Stitcher, or the app of your choice. I believe they should be everywhere live right now where you can subscribe specifically to this podcast. Comicbookclublive.com for this podcast and many more, until next time, stay marvelous.
Justin: Good. Forget the past. This is your future. yakety yak.
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On the preview episode of our brand new MCU podcast MarvelVision, we’re getting prepped for the debut of WandaVision! Find out what’s in store for the series, why it’s different from every other Marvel TV series that’s premiered before, and we chat a bit about the comic book inspo behind the show.
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Support the show: https://www.patreon.com/comicbookclub
En liten tjänst av I'm With Friends. Finns även på engelska.