Louis Menashe, “Moscow Believes in Tears: Russians and Their Movies” (New Academia, 2010)

Did you see one of Eisenstein’s masterpieces “The Battleship Potemkin” and “Alexander Nevsky” in a Russian or Soviet history class? Were you captivated by Tarkovsky’s brooding long shots in movies such as “Solaris” and “Stalker“? Did you seek out Pichul’s “Little Vera” in the theater to get a glimpse of...

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