1000 avsnitt • Längd: 55 min • Dagligen
Interviews with Scholars of Gender about their New Books
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After over 175 years, the feminist movement, now in its fourth wave, is at risk of collapsing on its eroding foundation. In Faux Feminism: Why We Fall for White Feminism and How We Can Stop (Beacon Press, 2024), political philosopher Serene Khader advocates for another feminism—one that doesn’t overwhelmingly serve white, affluent #girlbosses. With empathy, passion, and wit, Khader invites the reader to join her as she excavates the movement’s history and draws a blueprint for a more inclusive and resilient future.
A feminist myth buster, Khader begins by deconstructing “faux feminisms.” Thought to be the pillars of good feminism, they may appeal to many but, in truth, leave most women behind. Khader identifies these traps that white feminism lays for us all, asking readers to think critically about:
–The Freedom Myth: The overarching misconception that feminism is about personal freedom rather than collective equality.
–The Individualism Myth: The pervasive idea that feminism aims to free individual women from social expectations.
–The Culture Myth: The harmful misconception that “other” cultures restrict women’s liberation.
–The Restriction Myth: The flawed belief that feminism is a fight against social restrictions.
–The Judgment Myth: The fallacy of celebrating women’s choices without first interrogating the privileges afforded or denied to the women.
In later chapters, Khader draws on global and intersectional feminist lessons of the past and present to imagine feminism’s future. She pays particular attention to women of color, especially those in the Global South. Khader recounts their cultural and political stories of building a more inclusive framework in their societies. These are the women, she argues, from whom today’s feminists can learn.
Khader’s critical inquiry begets a new vision of feminism: one that tackles inequality at the societal, not individual, level and is ultimately rooted in community.
Serene Khader is Jay Newman Chair in Philosophy of Culture at Brooklyn College and Professor of Philosophy and Women's and Gender Studies at the CUNY Graduate Center.
Emily K. Crandall is a Doctoral Lecturer in Women and Gender Studies at Hunter College. She holds a PhD in Political Theory from the Graduate Center, CUNY.
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Cosplay, born from the fusion of ‘costume’ and ‘play’, transcends mere dress-up by transforming enthusiasts of TV shows, movies, books or video games into living embodiments of their cherished characters. Cosplay and the Dressing of Identity (Reaktion, 2024) by Dr. Vivian Asimos is a close exploration of the vibrant world of cosplay, showing what makes it so captivating for so many.
The book frames cosplay as an enactment and embodiment of mythology, revealing its inherent complexity, and providing valuable insight into cosplayers’ experiences. Exploring cosplay performances, the skills involved and its community, the book shows how cosplayers build a strong connection to the characters and stories they treasure, and ultimately how they are constructing their own identities.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In Radical Acts: HIV/AIDS Activism in Late Twentieth-Century England (Bloomsbury Academic, 2024), Dr George Severs draws on activist campaign literature and materials, broadcast media, and new oral history interviews to reconstruct the overlooked world of radical AIDS activism in England. This book provides one of the first detailed histories of the radical HIV/AIDS movement in England, following ACT UP's travels from New York to London via prominent queer intellectuals, and reconstructing the vibrant theatrical campaigns staged by ACT UP groups across England.
But Radical Acts also highlights expressions of activism that were far more common than demonstrations and marches. Manifestations of a political commitment to ameliorating the injustices facing people living with HIV permeated most aspects of everyday life. These forms of 'everyday activism' played out in workplaces, universities and church halls across England, as well as through networks that stretched across Europe and North America. This book breaks new ground by studying the radical alongside the everyday, presenting a diverse constellation of activist responses to the epidemic.
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The State's Sexuality: Prostitution and Postcolonial Nation Building in South Korea (University of California Press, 2024) by Dr. Park Jeong-Mi uncovers how the lives and work of women engaged in prostitution, long considered the most abased members of society, have been strategically intertwined with the lofty purpose of building South Korea's postcolonial nation-state.
Through a complicated, contradictory patchwork of laws and regulations, which Dr. Park conceptualizes as a "toleration-regulation regime," the South Korean state did not merely exclude sex workers from ordinary citizenship; it also mobilized them for national security, national development, and the making of a gendered citizenry. In the process, the newly independent state was constructed, augmented, and consolidated. Sex workers often protested such draconian policies and sometimes utilized state apparatuses to get recognition as citizens. Based on expansive, meticulous archival research and sophisticated interpretation of historical records and women's voices, Dr. Park rewrites the dynamic history of South Korea from 1945 to the present through the lens of prostitution.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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By the end of the twentieth century, the idea of self-esteem had become enormously influential. A staggering amount of psychological research and self-help literature was being published and, before long, devoured by readers. Self-esteem initiatives permeated American schools. Self-esteem became the way of understanding ourselves, our personalities, our interactions with others. Nowadays, however, few people think much about the concept of self-esteem—but perhaps we should.
Self-Esteem: An American History (Polity, 2024) by Dr. Ian Miller is the first historical study to explore the emotional politics of self-esteem in modern America. Written with verve and insight, Dr. Miller’s expert analysis looks at the critiques of self-help that accuse it of propping up conservative agendas by encouraging us to look solely inside ourselves to resolve life’s problems. At the same time, he reveals how African American, LGBTQ+, and feminist activists have endeavoured to build positive collective identities based on self-esteem, pride, and self-respect.
This revelatory book will be essential reading for anyone with an interest in the history of mental health and well-being, and in how the politics of self-esteem is played out in today’s US society and culture.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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When Jacqueline Kennedy Onassis became First Lady of the United States over sixty years ago, she stepped into the public spotlight. Although Jackie is perhaps best known for her two highly-publicized marriages, her legacy has endured beyond twentieth-century pop culture and she remains an object of public fascination today.
Drawing on a range of sources– from articles penned for the women’s pages of local newspapers, to esteemed national periodicals, to fan magazines and film– Our Jackie: Public Claims on a Private Life (NYU Press, 2024) evaluates how media coverage of Jacqueline Kennedy Onassis changed over the course of her very public life. Jackie’s interactions with and framing by the American media reflect the changing attitudes toward American womanhood. Over the course of four decades, Jackie was alternatively praised for her service to others, and pilloried for her perceived self-interest. In Our Jackie, Karen M. Dunak argues that whether she was portrayed as a campaign wife, a loyal widow, a selfish jetsetter, or a mature career woman, the history of Jackie’s highly publicized life demonstrates the ways in which news, entertainment, politics, and celebrity evolved and intertwined over the second half of the twentieth century.
Examining the intimate chronicles of this famous First Lady’s life, Our Jackie suggests that media coverage of this enigmatic public figure revealed as much about the prevailing views of women in America– how they should behave and whom they should serve– as it did about Jacqueline Kennedy Onassis as an individual.
Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1
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Saadia Yacoob’s excellent new book, Beyond the Binary: Gender and Legal Personhood in Islamic Law (U of California Press 2024), makes a compelling argument about gender and Islamic law that has been shockingly overlooked: Legal personhood in Islamic law is intersectional and relational, and gender is not a binary. While Muslims commonly treat gender as a fixed, stand-alone category in Islam that fundamentally shapes an individual’s legal status, Yacoob shows that that legal status in Islamic law was not determined by fixed categories of male or female but by a complex web of social hierarchies, including class, age, freedom, enslavement, social status, and lineage. She challenges the conventional binary understanding of gender by drawing on a rich array of historical, early Hanafi texts from the ninth to twelfth centuries. With insightful coverage of topics such as marriage, slavery, and sexual ethics, Yacoob finds that the categories of man and woman are unstable and conditional in Islamic law. In fact, she shows, the person’s legal and social status determined their role in society and not just their role but also how they were punished and treated in the law. Further, she argues that the category gender “did not exist as a group that had shared interests or a shared social position that led to a shared legal personhood as men or women” (p. 92).
In our interview today, Yacoob describes the origins of the book and its main arguments and findings and explains what she means by “beyond the binary” and “legal personhood” in the title of the book. We also discuss the specific chapters and some of the major themes that show up in each chapter, such as illicit sex and its consequences depending on one’s legal personhood, how a “child” was understood in her sources, what the terms “emphasized femininity” and “hegemonic masculinity” mean. Yacoob also explains what scholars miss by using only “gender” as an analytical category for studying power relations in Islamic law. We end with some of the practical implications of the arguments and findings of this book for both academics and lay Muslims, such as how we can use Islamic law itself to build our critiques of where we are today.
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Today’s book is: We Refuse: A Forceful History of Black Resistance (Seal Press, 2024) by Dr. Kellie Carter Jackson.
Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse, historian Dr. Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women. The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Dr. Kellie Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away. Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.
Our guest is: Dr. Kellie Carter Jackson, who is the Michael and Denise Kellen ’68 Associate Professor and Chair of Africana Studies at Wellesley College. Her book Force and Freedom was a finalist for the Frederick Douglass Book Prize and the Museum of African American History Stone Book Award. She is the cohost of the Radiotopia podcast “This Day in Esoteric Political History.” She lives outside of Boston with her husband and three children.
Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Playlist for listeners:
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Vaughn Scribner joins Jana Byars on the occasion of the paperback edition of Merpeople: A Human History (Reaktion, 2024) People have been fascinated by merpeople and merfolk since ancient times. From the sirens of Homer’s Odyssey to Hans Christian Andersen’s The Little Mermaid and the film Splash, myths, stories, and legends of half-human, half-fish creatures abound. In modern times “mermaiding” has gained popularity among cosplayers throughout the world. In Merpeople: A Human History, Vaughn Scribner traces the long history of mermaids and mermen, taking in a wide variety of sources and using 117 striking images. From film to philosophy, church halls to coffee houses, ancient myth to modern science, Scribner shows that mermaids and tritons are—and always have been—everywhere.
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Women on Philosophy of Art: Britain 1770-1900 (Oxford UP, 2024) is the first study of women's philosophies of art in long nineteenth-century Britain. It looks at seven women spanning the time from the Enlightenment to the beginning of modernism. They are Anna Barbauld, Joanna Baillie, Harriet Martineau, Anna Jameson, Frances Power Cobbe, Emilia Dilke, and Vernon Lee. The central issue that concerned them was how art related to morality and religion. Baillie and Martineau treated art as an agency of moral instruction, whereas Dilke and Lee argued that art must be made for beauty's sake. Barbauld, Jameson, and Cobbe thought that beauty and religion were linked, while other women believed that art and religion must be decoupled.
Other topics explored are gender and genius, tragedy, literary realism, why we enjoy the sufferings of fictional characters, the hierarchy of the art-forms, whether art can transcend its historical circumstances, and critical issues around the artistic canon. Examining the print culture that made these women's interventions possible, this book shows that these women were doing a particular kind of philosophy of art, which was interdisciplinary and closely tied to artistic criticism and practice. The book traces how these seven women influenced one another, as well as engaging with their male contemporaries. But unlike their male interlocutors, these women have been unjustly left out of narratives about the history of aesthetics. By including these women, we can enrich and broaden our understanding of the history of philosophy of art.
Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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Anastasia Berg and Rachel Wiseman's book What Are Children For?: On Ambivalence and Choice (St. Martin's Press, 2024) presents a modern argument, grounded in philosophy and cultural criticism, about childbearing ambivalence and how to overcome it.
Becoming a parent, once the expected outcome of adulthood, is increasingly viewed as a potential threat to the most basic goals and aspirations of modern life. We seek self-fulfillment; we want to liberate women to find meaning and self-worth outside the home; and we wish to protect the planet from the ravages of climate change. Weighing the pros and cons of having children, Millennials and Zoomers are finding it increasingly difficult to judge in its favor.
With lucid argument and passionate prose, Anastasia Berg and Rachel Wiseman offer the guidance necessary to move beyond uncertainty. The decision whether or not to have children, they argue, is not just a women’s issue but a basic human one. And at a time when climate change worries threaten the very legitimacy of human reproduction, Berg and Wiseman conclude that neither our personal nor collective failures ought to prevent us from embracing the fundamental goodness of human life—not only in the present but, in choosing to have children, in the future.
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In the latest edition of Ethnographic Marginalia, we talk with Roxani Krystalli about her new book Good Victims: The Political as a Feminist Question (Oxford UP, 2024). Roxani describes the dilemmas she faced in her research on encounters between those recognized as victims of the Colombian conflict and the state agencies that attend them. She also explains what makes this a feminist book—not because of a focus on gender, but a feminist sensibility that questions categories like politics and victimhood and how they influence each other. Finally, she ends by describing the books that inspired her and telling us about her new project focused on love.
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Care Activism: Migrant Domestic Workers, Movement-Building, and Communities of Care (U Illinois Press, 2023) challenges the stereotype of downtrodden migrant caregivers by showing that care workers have distinct ways of caring for themselves, for each other, and for the larger transnational community of care workers and their families. Ethel Tungohan illuminates how the goals and desires of migrant care worker activists goes beyond political considerations like policy changes and overturning power structures.
Dr. Tungohan is the Canada Research Chair in Canadian Migration Policy, Impacts and Activism, and Associate Professor of Politics at York University. She has also been appointed as a Broadbent Institute Fellow. Previously, she was the Grant Notley Postdoctoral Fellow at the University of Alberta’s Department of Political Science. She received her doctoral degree in Political Science and Women and Gender Studies from the University of Toronto. Her research looks at migrant labor, specifically assessing migrant activism. Dr. Tungohan specializes in socially engaged research and is actively involved in grassroots migrant organizations such as Gabriela-Ontario and Migrante-Canada.
Dr. Tungohan’s hosting a podcast channel, Academic Aunties. You can find her previous conversation with NBN host Dr. Christina Gessler here.
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Freelance curator Joanne Rosenthal joins Jana Byars to talk about Sex: Jewish Positions (Hirmer, 2024) and its concomitant exhibition at the Jewish museums in Berlin and Amsterdam. This book is also available in German with the same publisher as Sex. Judisches Positionen. An exploration of sexuality in Judaism, from ultra-Orthodox to secular. Sensuous, bold, and topical, this volume studies the entire spectrum of Jewish attitudes to sexuality. In doing so it examines widely held and contradictory stereotypes, according to which Judaism encounters sexuality either in a highly positive manner or with exceptionally strict rules and restrictions. This significant volume takes up central aspects of sexuality in Judaism and provides a comprehensive insight on topics such as Rabbinic regulations and the history of sexuality in Judaism; how ultra-Orthodox women deal with the strict regulations relating to intimacy; sexuality in films and art; and the experience of a Jewish couple and sexual therapist. Accompanied by eighty images, this interdisciplinary overview informs and offers surprises.
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Who deserves public assistance from the government? This age-old question has been revived by policymakers, pundits, and activists following the massive economic impact of the COVID-19 pandemic. Anne Whitesell takes up this timely debate, showing us how our welfare system, in its current state, fails the people it is designed to serve.
From debates over stimulus check eligibility to the uncertain future of unemployment benefits, Living Off the Government?: Race, Gender, and the Politics of Welfare (NYU Press, 2024) tackles it all. Examining welfare rules across eight different states, as well as 19,000 state and local interest groups, Whitesell shows how we determine who is—and who isn't—deserving of government assistance. She explores racial and gender stereotypes surrounding welfare recipients, particularly Black women and mothers; how different groups take advantage of these harmful stereotypes to push their own political agendas; and how the interests and needs of welfare recipients are inadequately represented as a result. Living Off the Government? highlights how harmful stereotypes about the race, gender, and class of welfare recipients filter into our highly polarized political arena to shape public policy. Whitesell calls out a system that she believes serves special interests and not the interests of low-income Americans.
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The “uncut” penis is viewed by some as attractive or erotic, and by others as ugly or undesirable. Secular parents of male infants worry about whether or not the foreskin should be removed so their little boy can grow up to “look like dad” or to avoid imagined bullying in the locker room. Medical experts and public health organisations argue back and forth about whether circumcision is medically necessary, while “intactivists” advocate that removing an infant’s foreskin without their consent is mutilation.
Uncut: A Cultural Analysis of the Foreskin (University of Regina Press, 2024) by Dr. Jonathan Allen takes an interdisciplinary approach to understanding the foreskin and its contentious position in contemporary Anglo-American culture. From language to art, from religion to medicine and public health, Uncut is a provocative book that asks us to ask ourselves what we know and don’t know about this seemingly small piece of skin.
Drawing on all these threads, Dr.. Allan leads us through the history and cultural construction of the foreskin—from Michelangelo’s David to parenting manuals, from nineteenth-century panic over masturbation to foreskin restoration—to ultimately ask: what is the future of the foreskin?
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The Reparative Impulse of Queer Young Adult Literature (Routledge, 2024) is a provocative meditation on emotion, mood, history, and futurism in the critique of queer texts created for younger audiences. Given critical demands to distance queer youth culture from narratives of violence, sadness, and hurt that have haunted the queer imagination, this volume considers how post-2000s YA literature and media negotiate their hopeful purview with a broader—and ongoing—history of queer oppression and violence. It not only considers the tactics that authors use in bridging a supposedly “bad” queer past with a “better” queer present, but also offers strategies on how readers can approach YA reparatively given the field’s attachments to normative, capitalist, and neoliberal frameworks. Central to Matos’ argument are the use of historical hurt to spark healing and transformation, the implementation of disruptive imagery and narrative structures to challenge normative understandings of time and feeling, and the impact of intersectional thinking in reparative readings of queer youth texts.
The Reparative Impulse of Queer Young Adult Literature shows how YA cultural productions are akin to the broader queer imagination in their ability to move and affect audiences, and how these texts encapsulate a significant and enduring change in terms of how queerness is—or can be—read, structured, represented, and felt.
The Open Access version of this book, available here, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Peter C. Kunze is an assistant professor of communication at Tulane University.
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Alistaire Tallent joins Jana Byars to talk about her new book, Fictions of Pleasure: The Putain Memoirs of Prerevolutionary France (University of Delaware Press, 2024). Out of the libertine literary tradition of eighteenth-century France emerged over a dozen memoir novels of female libertines who eagerly take up sex work as a means of escape from the patriarchal control of fathers and husbands to pursue pleasure, wealth, and personal independence outside the private, domestic sphere. In these anonymously published novels, the heroines proudly declare themselves prostitutes, or putains, and use the desire they arouse, the professional skills they develop, and the network of female friends they create to exploit, humiliate, and financially ruin wealthy and powerful men. In pursuing their desires, the putains challenge contemporary notions of womanhood and expose the injustices of ancien-régime France. Until the French Revolution spelled the end of the genre, these novels proposed not only an appealing libertine utopia in which libertine women enjoy the same benefits as their male counterparts but also entirely new ways of looking at systems of power, gender, and sexuality.
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Poverty, Gender and Health in the Slums of Bangladesh: Children of Crows (Routledge, 2024) provides comprehensive ethnographic accounts that depict the daily life experiences and health hardships encountered by young women and their families living in the slums of Dhaka city and the injustices they face.
The analysis focuses on two specific historical eras: 2002-2003 and 2020-2022 and shows that despite recent improvements in employment opportunities and greater mobility for young women, their lives reflect ongoing challenges reminiscent of those faced two decades earlier. While national and global organizations acknowledge the nation's economic and social progress, those on the outskirts of society continue to grapple with enduring poverty. They are excluded from the advantages of economic growth, oppressed by unjust local, national, and global systems, discriminatory laws, and policies. Their struggles go unnoticed as they confront a slew of challenges, including slum evictions, enforced lockdowns, income losses, food insecurity, and ongoing crises related to health, injuries, fatalities, and exploitation and harassment by law enforcement and influential individuals within the slum and the city. After two decades, these obstacles persist, and life remains tenuous, with health severely compromised. This book will appeal to students, academics, and researchers in the fields of Public Health, Medical Anthropology, Gender Studies, Urban Studies, Development Studies, Social Sciences, as well as professionals engaged in urban health and poverty-related work.
Rituparna Patgiri is an Assistant Professor of Sociology at the Department of Humanities and Social Sciences, Indian Institute of Technology (IIT), Guwahati. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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Digital Masquerade: Feminist Rights and Queer Media in China (NYU Press, 2023) offers a trenchant and singular analysis of the convergence of digital media, feminist and queer culture, and rights consciousness in China. Jia Tan examines the formation of what she calls “rights feminism,” or the emergence of rights consciousness in Chinese feminist formations, as well as queer activism and rights advocacy. Expanding on feminist and queer theory of masquerade, she develops the notion of “digital masquerade” to theorize the co-constitutive role of digital technology as assemblage and entanglement in the articulation of feminism, queerness, and rights.
Drawing from interviews with various feminist and queer media practitioners, participant observation at community events, and detailed analyses of a variety of media forms such as social media, electronic journals, digital filmmaking, film festivals, and dating app videos, Jia Tan captures the feminist, queer, and rights articulations that are simultaneously disruptive of and conditioned by state censorship, technological affordances, and dominant social norms.
Jia Tan is Associate Professor of Cultural Studies in the Department of Cultural and Religious Studies at The Chinese University of Hong Kong.
Qing Shen is a PhD candidate in anthropology at Uppsala University, Sweden.
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Monstrous Work and Radical Satisfaction: Black Women Writing Under Segregation (U Minnesota Press, 2024) offers new and insightful readings of African American women's writings in the 1930s-1950s, illustrating how these writers centered Black women's satisfaction as radical resistance to the false and incomplete promise of liberal racial integration. Eve Dunbar examines the writings of Ann Petry, Dorothy West, Alice Childress, and Gwendolyn Brooks to show how these women explored self-fulfillment over normative and sanctioned models of national belonging.
Paying close attention to literary moments of disruption, miscommunication, or confusion rather than ease, assimilation, or mutual understanding around race and gender, Dunbar tracks these writers' dissatisfaction with American race relations. She shows how Petry, West, Childress, and Brooks redeploy the idea of monstrous work to offer potential modalities for registering Black women's capacity to locate satisfaction within the domestic and interpersonal.
While racial integration may satisfy the national idea of equality and inclusion, it has not met the long-term needs of Black people's quest for equity. Dunbar responds, demonstrating how these mid-century women offer new blueprints for Black life by creating narrative models for radical satisfaction: Black women's completeness, joy, and happiness outside the bounds of normative racial inclusion.
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A colourful account of women's health, beauty, and cosmetic aids, from stays and corsets to today's viral trends.
Victorian women ate arsenic to achieve an ideal, pale complexion, while in the 1790s balloon corsets were all the rage, designed to make the wearer appear pregnant. Women of the eighteenth century applied blood from a black cat's tail to problem skin, while doctors in the 1880s promoted woollen underwear to keep colds at bay. Beautification and the pursuit of health may seem all-consuming today, but their history is long and fantastically varied.
Ranging across the last four hundred years, Margarette Lincoln examines women's health and beauty in fascinating detail. Through first-hand accounts and reports of physicians, quacks, and advertising, Lincoln captures women's lived experience of consuming beauty products, and the excitement--and trauma--of adopting the latest fashion trends.
Considering everything from body sculpture, diet, and exercise to skin, teeth, and hair, Perfection: 400 Years of Women's Quest for Beauty (Yale UP, 2024) is a vibrant account of women's body-fashioning--and shows how intimately these practices are related to community and identity throughout history.
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On Tuesday 13 September 2022, all Mahsa Amini has planned is a day shopping in Tehran. Her birthday is next week. But she is arrested as she comes out of the subway – the Guidance Patrol deem her hijab inadequate. On Friday she is pronounced dead. By Sunday, women have taken to the streets across Iran, setting their headscarves on fire and cursing the Supreme Leader. Months later, workers down their tools and businesses close. The battle cry everywhere: Women, Life, Freedom. This isn’t a passing protest wave; something has changed irrevocably.
Arash Azizi guides us through Iran ablaze, history being made in real time. From an International Women’s Day celebrated inside Iran’s most notorious prison to mass strikes in Kurdistan, ordinary Iranians are taking risks to fight for a better future. Even as the regime spills blood in retaliation, Iranians have not given up. Today one thing’s clear: no Supreme Leader can turn the clock back. A different Iran is within sight; Azizi shows us what it might look like in What Iranians Want: Women, Life, Freedom (ONEWorld Publications, 2024).
Arash Azizi is an historian, visiting fellow at Boston University, and a contributing writer at The Atlantic.
Caleb Zakarin is editor at the New Books Network.
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In Confucian Feminism: A Practical Ethic for Life (Bloomsbury, 2024), Li-Hsiang Lisa Rosenlee expands the theoretical horizons of feminism by using characteristic Confucian terms, methods, and concerns to interrogate the issue of gender oppression and liberation.
With its theoretical roots in the Confucian textual tradition, this is the first re-imagining of Confucianism that enriches, and is enriched by, feminism.
Incorporating distinctive Confucian conceptual tools such as ren (benevolent governance), xiao (filial care), you (friendship), li (ritual), and datong (great community), Rosenlee creates an ethic of care that is feminist and Confucian. At the same time she confronts the issue of gender inequity in Confucian thought. Her hybrid feminist theory not only broadens the range of feminist understandings of the roots of gender oppression, but opens up what we believe constitutes gender liberation for women transnationally and transculturally.
Here is a practical ethic that uses Confucianism to navigate the contours of inequality in everyday life.
Readers interested in the book referenced during our interview please check here: Beyond Individualism by Rupp.
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Jeremy Chow and Shelby Johnson set out, their new collection, Unsettling Sexuality: Queer Horizons in the Long Eighteenth Century (University of Delaware Press, 2024) to challenge the traditional ways that scholarship has approached sexuality, gender nonconformity, and sex (as well as its absence) in the long eighteenth century. Drawing from recent and emerging criticisms in Middle-Eastern and Asian studies, Black studies, and Native American and Indigenous studies, the collected authors perform intersectional queer readings, reimagine queer historiographic methods, and spearhead new citational models that can invigorate the field. In charting multidirectional queer horizons, this collection locates new prospective desires and intimacies in the literature, culture, and media of the period to imagine new directions and simultaneously unsettle eighteenth-century studies.
This book is available open source here.
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Joséphine Bonaparte, future Empress of France; Térézia Tallien, the most beautiful woman in Europe; and Juliette Récamier, muse of intellectuals, had nothing left to lose. After surviving incarceration and forced incestuous marriage during the worst violence of the French Revolution of 1789, they dared sartorial revolt. Together, Joséphine and Térézia shed the underwear cages and massive, rigid garments that women had been obliged to wear for centuries. They slipped into light, mobile dresses, cropped their hair short, wrapped themselves in shawls, and championed the handbag. Juliette made the new style stand for individual liberty.
The erotic audacity of these fashion revolutionaries conquered Europe, starting with Napoleon. Everywhere a fashion magazine could reach, women imitated the news coming from Paris. It was the fastest and most total change in clothing history. Two centuries ahead of its time, it was rolled back after only a decade by misogynist rumors of obscene extravagance.
As Dr. Anne Higonnet shows in Liberty, Equality, Fashion: The Women Who Styled the French Revolution (Norton, 2024), new evidence allows the real fashion revolution to be told. This is a story for our time: of a revolution that demanded universal human rights, of self-creation, of women empowering each other, and of transcendent glamor.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In the summer of 1925, Katharine Sergeant Angell White walked into The New Yorker's midtown office and left with a job as an editor. The magazine was only a few months old. Over the next thirty-six years, White would transform the publication into a literary powerhouse.
The World She Edited: Katharine S. White at The New Yorker (Mariner Books, 2024) brings to life the remarkable relationships White fostered with her writers and how these relationships nurtured an astonishing array of literary talent. She edited a young John Updike, to whom she sent seventeen rejections before a single acceptance, as well as Vladimir Nabokov, with whom she fought incessantly, urging that he drop needlessly obscure, confusing words.
White's biggest contribution, however, was her cultivation of women writers whose careers were made at The New Yorker--Janet Flanner, Mary McCarthy, Elizabeth Bishop, Jean Stafford, Nadine Gordimer, Elizabeth Taylor, Emily Hahn, Kay Boyle, and more. She cleared their mental and financial obstacles, introduced them to each other, and helped them create now classic stories and essays. She propelled these women to great literary heights and, in the process, reinvented the role of the editor, transforming the relationship to be not just a way to improve a writer's work but also their life.
Based on years of scrupulous research, acclaimed author Amy Reading creates a rare and deeply intimate portrait of a prolific editor--through both her incredible tenure at The New Yorker, and her famous marriage to E.B. White--and reveals how she transformed our understanding of literary culture and community.
Amy Reading is the recipient of fellowships from the National Endowment of the Humanities and the New York Public Library. She is the author of The Mark Inside: A Perfect Swindle, A Cunning Revenge, and A Small History of the Big Con. She lives in upstate New York, where she has served on the executive board of Buffalo Street Books, an indie cooperative bookstore, since 2018.
Recommended Books:
Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is forthcoming with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
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Children are Everywhere: Conspicuous Reproduction and Childlessness in Reunified Berlin (Berghahn Books, 2024) by Dr. Meghana Joshi engages with how demographic anxieties and reproductive regimes emerge as forms of social inclusion and exclusion in a low fertility Western European context.
This book explores everyday experiences of parenting and childlessness of ‘ethnic’ Germans in Berlin, who came of age around the fall of the Berlin Wall, and brings them into conversation with theories on parenting, waithood, non-biological intimacies, and masculinities. This is the first ethnographic work by a South Asian author on demographic anxieties and reproduction in Germany and reverses the anthropological gaze to study Europe as the ‘Other.’
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Women Writing Antiquity: Gender and Learning in Early Modern France (Oxford UP, 2024) recounts women authors' struggle to define the female intellectual through their engagement with the classical world in early modern France. Bringing together the fields of classical reception and women writers, Helena Taylor looks at various female novelists, translators, poets, playwrights, and essayists to see how they both reacted to and in turn shaped cultural discourses, especially around learned women and the Quarrel between Ancients and Moderns. From Marie de Gournay's polemic translations to the conteuses fairy tales, Greco-Roman culture provided inspiration, authorization, and means of self-fashioning for a wide range of women writers.
Women Writing Antiquity is perfect for readers interested in classical reception, women's writers, authorial strategies, gender history, and French literature.
Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe.
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Adoption has always been viewed as a beloved institution for building families, as well as a mutually agreeable common ground in the otherwise partisan abortion debate. Little attention, however, has been paid to the lives of mothers who relinquish their infants for private adoption. Through the lens of reproductive justice, Relinquished: The Politics of Adoption and the Privilege of American Motherhood reveals adoption to be a path of constrained choice for women who face immense barriers to access abortion, or to parent their children safely.
With the overturning of Roe v. Wade, adoption increasingly functions as an institution that perpetuates reproductive injustice by separating families and policing parenthood under the guise of feel-good family building for middle-upper-class white people. Based on hundreds of in-depth interviews, Relinquished centers and amplifies the voices of relinquishing mothers, and fills an important gap in the national conversation about reproductive politics and justice.
Shui-yin Sharon Yam is Associate Professor of Writing, Rhetoric, and Digital Studies, and Affiliate Faculty of Gender and Women's Studies at the University of Kentucky. She is the co-author of Doing Gender Justice: Queering Reproduction, Kin, and Care.
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In All the Rage: Power, Pain, Pleasure: Stories from the Frontline of Beauty 1860-1960 (Pegasus Book, 2024) richly detailed account, Virginia Nicholson provides a richly detailed account to take us to the Frontline of Beauty to reveal the power, the pain and the pleasure involved in adorning the female body. At the heart of this history is the female body. The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period.
Who determines which shape is currently 'all the rage'? Looking at how custom, colour, class and sex fit into the picture, this book also charts how the advances made by feminism collided with the changing shape of desirability.
Here are the 'New Women' who discovered freedom by bobbing their hair; the boyish, athletic 'Health and Beauty' ladies in black knickers; and starlets in bohemian beachwear. Among the first to experience true women's liberation were the early adopters of trousers.
Encompassing two world wars and a revolution in women's rights, All the Rage tells the story of western female beauty from 1860 to 1960, chronicling its codes, its contradictions, its lies, its highs - and its underlying power struggle.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Maya, the protagonist of Rohit Manchanda’s novel The Enclave (Fourth Estate: 2024), should be happy with her life. She’s newly single, her net worth steadily rising in the booming India of the 2000s. She has a cushy, if slightly unfulfilling, job in academia. But she struggles: She wants to write, but can’t summon the energy to do so. She juggles several relationships, each one slowly imploding as the novel continues. And she butts heads with an oblivious and pompous bureaucrat, nicknamed “The Pontiff.”
Rohit Manchanda is a professor at IIT Bombay where he teaches and researches computational neurophysiology. His first novel won a Betty Trask Award, was published with the title In the Light of the Black Sun and was republished in 2024 titled A Speck of Coal Dust.
The Enclave is Rohit Manchanda’s second novel, coming decades after his first published work. In this episode, Rohit and I talk about his writing career, the themes of The Enclave, and the very real struggle of wanting, but not having the energy, to write.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Enclave. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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There She Goes Again: Gender, Power, and Knowledge in Contemporary Film and Television Franchises (Rutgers UP, 2023) interrogates the representation of ostensibly powerful women in transmedia franchises, examining how presumed feminine traits—love, empathy, altruism, diplomacy—are alternately lauded and repudiated as possibilities for effecting long-lasting social change. By questioning how these franchises reimagine their protagonists over time, the book reflects on the role that gendered exceptionalism plays in social and political action, as well as what forms of knowledge and power are presumed distinctly feminine. The franchises explored in this book illustrate the ambivalent (post)feminist representation of women protagonists as uniquely gifted in ways both gendered and seemingly ungendered, and yet inherently bound to expressions of their femininity. At heart, There She Goes Again asks under what terms and in what contexts women protagonists are imagined, envisioned, embodied, and replicated in media. Especially now, in a period of gradually increasing representation, women protagonists demonstrate the importance of considering how we should define—and whether we need—feminine forms of knowledge and power.
Peter C. Kunze is an assistant professor of communication at Tulane University.
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In 1997, a group of white pro-life evangelical Christians in the United States created the nation’s first embryo adoption program to “save” the thousands of frozen human embryos remaining from assisted reproduction procedures, which they contend are unborn children. While a small part of US fertility services, embryo adoption has played an outsized role in conservative politics, from high-profile battles over public investment in human embryonic stem cell research to the overturning of Roe v. Wade. Based on six years of ethnographic research with embryo adoption staff and participants, Dr. Risa Cromer uncovers how embryo adoption advances ambitious political goals for expanding the influence of conservative Christian values and power.
Conceiving Christian America: Embryo Adoption and Reproductive Politics (NYU Press, 2023) is the first book on embryo adoption tracing how this powerful social movement draws on white saviorist tropes in their aims to reconceive personhood, with drastic consequences for reproductive rights and justice. Documenting the practices, narratives, and beliefs that move embryos from freezers to uteruses, this book wields anthropological wariness as a tool for confronting the multiple tactics of the Christian Right. Timely and provocative, Conceiving Christian America presents a bold and nuanced examination of a family-making process focused on conceiving a Christian nation.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The Battle for Sabarimala: Religion, Law, and Gender in Contemporary India (Oxford UP, 2024) tells the story of one of contemporary India’s most contentious disputes: a long-running struggle over women’s access to the Hindu temple at Sabarimala. In 2018, the Indian Supreme Court ruled that the temple, which had traditionally been forbidden to women aged ten to fifty because their presence offended the presiding deity, was required to open its doors to all Hindus. The decision in Indian Younger Lawyers Association rocked the nation: protests were launched around India and throughout the diaspora, a record-setting human chain called the ‘Women’s Wall’ was coordinated, and dozens of petitions were filed asking the Supreme Court to review, and potentially reverse, its landmark opinion.
Perhaps most significantly, IYLA led the Court to openly reconsider the Essential Practices Doctrine that has been a mainstay of Indian religious freedom jurisprudence since 1954. In this first monograph-length study of the dispute, legal anthropologist Deepa Das Acevedo draws on ethnographic fieldwork, legal analysis, and media archives to tell a multifaceted narrative about the ‘ban on women’. Reaching as far back as the eighteenth century, when the relationship between temple deities and the government was transformed by an ambitious precolonial ruler, and coming up to the litigation delays caused by the coronavirus pandemic, Das Acevedo reveals the complexities of the dispute and the constitutional framework that defines it. That framework, Das Acevedo argues, reflects two distinct conceptions of religion-state relations, both of which have emerged at various stages in the—still unresolved—battle for Sabarimala.
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A compelling work that explores the lives and aspirations of young footballers with deep nuance and insight, The Precarity of Masculinity: Football, Pentecostalism, and Transnational Aspirations in Cameroon (Berghahn Books, 2022) shows how precarious masculinity, Pentecostal spirituality, and aspirations of prosperous futures are intertwining and interrelated in the everyday lives in Southwest regions of Cameroon.
Since the 1990s, an increasing number of young men in Cameroon have aspired to play football as a career and a strategy to migrate abroad. Migration through the sport promises fulfillment of masculine dreams of sports stardom, as well as opportunities to earn a living that have been hollowed out by the country’s long economic stalemate. The aspiring footballers are increasingly turning to Pentecostal Christianity, which allows them to challenge common tropes of young men as stubborn and promiscuous, while also offering a moral and bodily regime that promises success despite the odds. Yet the transnational sports market is tough and unpredictable: it demands disciplined young bodies and introduces new forms of uncertainty. The book unpacks young Cameroonians’ football dreams, Pentecostal faith, obligations to provide, and desires to migrate to highlight the precarity of masculinity in structurally adjusted Africa and neoliberal capitalism.
Uroš Kovač is a Postdoctoral Fellow at the University of Groningen’s Centre for Religion, Conflict, and Globalization. He is a social anthropologist researching gender, migration, religion and development, often through the prism of sports in Africa and Europe.
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
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Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction (Routledge, 2022) addresses the role of YA Irish literature in responding and contributing to some the most controversial and contemporary issues in today's modern society: gender, and conflicting views of power, sexism, and consent.
This volume provides an original, innovative, and necessary examination of how "rape culture" and the intersections between feminism and power have become increasingly relevant to Irish society in the years since Irish author Louise O'Neill's novels for young adults Only Ever Yours and Asking for It were published. In consideration of the socio-political context in Ireland and broader Western culture from which O'Neill's works were written, and taking into account a selection of Irish, American, Australian and British YA texts that address similar issues in different contexts, this text highlights the contradictions in O'Neill's works and illuminates their potential to function as a form of literary/social fundamentalism which often undermines, rather than promotes, equality.
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In this episode of the Language on the Move Podcast, Tazin Abdullah speaks with Dr. Kate Steel, Lecturer in Linguistics at the University of the West of England, in Bristol, UK.
Tazin and Kate discuss discursive management in the context of police first responders and domestic violence victims, focusing on Kate’s research in her 2024 paper ‘“Can I Have a Look?”: The Discursive Management of Victims’ Personal Space During Police First Response Call-Outs to Domestic Abuse Incidents’.
Using body cam footage from police call outs for domestic violence incidents, this paper focuses on how the interaction between police and domestic violence victims is managed. The interaction analysis reveals the impact of the context – in this case, the victims’ personal space – which police must enter in order to perform their role and responsibilities as first responders.
If you enjoy the show, support us by subscribing to the Language on the Move Podcast on your podcast app of choice, leaving a 5-star review, and recommending the Language on the Move Podcast and our partner the New Books Network to your students, colleagues, and friends.
For additional resources, show notes, and transcripts, go here.
Reference
Steel, K. (2024). “Can I Have a Look?”: The Discursive Management of Victims’ Personal Space During Police First Response Call-Outs to Domestic Abuse Incidents. International Journal for the Semiotics of Law – Revue internationale de Sémiotique juridique, 37(2), 547-572. https://doi.org/10.1007/s11196-023-10050-x
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Charmian Mansell joins Jana Byars to talk about Female Servants in Early Modern England (Oxford University Press, 2024).
What was it like to be a woman in service in early modern England? Drawing on evidence recorded in church court testimony, Mansell excavates experiences of over a thousand female servants between 1532 and 1649. Intervening in histories of labour, gender, freedom, law, migration, youth, and community, Female Servants in Early Modern England rethinks traditional scholarship of servant institution. De-coupling 'household' and 'service', it highlights the importance of female servants' labour to the wider economy and their key role in broader social networks and communities, despite their high mobility. Moving beyond regulatory codes of service prescribed by law and conduct literature, Mansell reveals the varied experiences of these women in service, both fluid and contingent: in early modern England, service (and the freedoms it allowed) was in flux.
This book is available open access here.
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In their book Women, Households, and the Hereafter in the Qur’an: A Patronage of Piety (Oxford UP/Institute of Ismaili Studies, 2024), Karen Bauer and Feras Hamza make a compelling and thought-provoking argument about the role of everyday life in the Qur’an. They aptly demonstrate that the idea of households and women is integral to the salvific message of the Qur’an, to the Qur’an’s understanding of piety and morality, and to Islamic theology. By doing this, the book also makes an important case for the limitations of applying modern ideals and frameworks to the Qur’an, given the 7th century context that sets the stage for the social structures in the text. For instance, the social arrangement of the 7th century community, of the broader society, was reciprocal and inherently set up certain people to be disadvantaged. But that set-up necessitated a focus on piety and morality that would ensure that the privileged protect the marginalized. Yet, the equality component is significant: as Feras Hamza explains in this interview, in the patronage of piety, currency is piety “and the payout is the reward in the afterlife, and once the currency is piety, not material, then everyone can participate.” In other words, since piety is available to everyone, it becomes emancipatory for everyone.
What’s unique about this book isn’t simply that the authors make discoveries about the Qur’an’s transformative and emancipatory message about people and communities who are marginalized and vulnerable, which many other scholars have already highlighted; but the main contribution of this book is the way that it shows the equal moral agency of women and men by narrating the developmental story of the Qur’an. Women aren’t simply a separate subject, aside from the Qur’an, but are integral to the developmental story of the Qur’an. For instance, the authors highlight some of the major developments from the early to later Meccan surahs, where women become pious subjects in their own right, to early and later Medinan surahs, where women’s moral agency comes to its fruition, as seen in linguistics shifts. This idea of the developmental narrative of the Qur’an is a key point in the book and in the interview: Bauer and Hamza consistently show that the moral thread of the Qur’an stays the same, which is that life is a moral test, but its specifics change, evolving from being less nuanced in early Meccan surahs to more so in Medinan ones. Women are related to the theology, to Muhammad, to morality, to ethics, to law. As the authors point out, the Qur’an’s purpose of including so many verses on marriage and women is that these issues are clearly connected to larger questions of morality and especially moral agency. The subject of women and the everyday life therefore cannot be isolated from these other categories. The Qur’an is all daily life, and daily life is connected to the hereafter.
In this interview, we discuss dissonances between the tradition and the Qur’an and the harms of taking Qur’anic verses in isolation. The authors explain why they believe that households and daily life haven’t really been associated with Qur’anic piety and the sacred realm in the study of the Qur’an before. They discuss in detail the idea of the developmental narrative that emerges from their study. We end with the authors’ idea that, to quote them, “women’s agency did not undermine the Qur’anic patriarchy but was constructed from within it” (p 359), as they explain what this might mean for our world today.
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Growing up in West Texas, Jane Little Botkin didn’t have designs on becoming a beauty queen. But not long after joining a pageant on a whim in college, she became the first protégé of El Paso’s Richard Guy and Rex Holt, known as the “Kings of Beauty”—just as the 1970’s counterculture movement began to take off.
A pink, rose-covered gown—a Guyrex creation—symbolizes the fairy tale life that young women in Jane’s time imagined beauty queens had. Its near destruction exposes reality: the author’s failed relationship with her mother, and her parents’ failed relationship with one another. Weaving these narrative threads together is the Wild West notion that anything is possible, especially do-overs.
The Pink Dress: A Memoir of a Reluctant Beauty Queen (She Writes Press, 2024) awakens nostalgia for the 1960s and 1970s, the era’s conflicts and growth pains. A common expectation that women went to college to get “MRS” degrees—to find a husband and become a stay-at-home wife and mother—often prevailed. How does one swim upstream against this notion among feminist voices that protest “If You Want Meat, Go to a Butcher!” at beauty pageants, two flamboyant showmen, and a developing awareness of self? Torn between women’s traditional roles and what women could be, Guyrex Girls evolved, as did the author.
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During the heyday of Hollywood’s studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman’s new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood’s best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood’s patriarchal structure.
Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women’s labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry.
Peter C. Kunze is an assistant professor of communication at Tulane University.
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Women of the Mafia: Power and Influence in the Neapolitan Camorra (Cornell UP, 2024) by Dr. Felia Allum dives into the Neapolitan criminal underworld of the Camorra as seen and lived by the women who inhabit it. It tells their life stories and unpacks the gender dynamics by examining their participation as active agents in the organisation as leaders, managers, foot soldiers, and enablers. Felia Allum shows that these women are true partners in crime.
The author offers an innovative interdisciplinary analysis that demystifies the notion that the Camorra is a sexist, male-centric organisation. She links her analysis of Camorra culture within the wider Neapolitan context to show how mothers and women act and are treated in the private sphere of the household and how the family helps explain the power women have found in the Neapolitan Camorra.
It is civil society and law enforcement agencies that continue to see the Camorra using traditional gender assumptions which render women irrelevant and lacking independent agency in the criminal underworld. In Women of the Mafia, Allum debunks these assumptions by revealing the power and influence of women in the Camorra.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Dr. Aideen O'Shaughnessy is a Senior Lecturer in Sociology at the University of Lincoln. She has a PhD in Sociology from the University of Cambridge, an MA in Gender Studies Research from Utrecht University and a BA in Sociology and French at Trinity College Dublin. Her research focuses on gender, health, and social movements and she is particularly interested in the study of reproductive health, rights, and justice. She has published widely in journals including Body and Society, the European Journal of Women's Studies, and the BMJ Sexual and Reproductive Health.
Embodying Irish Abortion Reform: Bodies, Emotions, and Feminist Activism (Bristol UP, 2024) explores the lived, embodied and affective experiences of reproductive rights activists living under, and mobilizing against, Ireland’s constitutional abortion ban.
Through qualitative research and in-depth interviews with activists, the author exposes the subtle influence of the 8th Amendment on Irish women and their (reproductive) bodies, whether or not they have ever attempted to access a clandestine abortion.
It explains how the everyday embodied practices, bodily labours and affective experiences of women and gestating people were shaped by the 8th amendment and through the need to ‘prepare’ for crisis pregnancies. In addition, it reveals the integral role of women’s bodies and emotions in changing the political and social landscape in Ireland, through the historical transformation of the country’s abortion laws.
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Can self-harm be art? In Performance, Masculinity, and Self-Injury (Routledge, 2024), Lucy Weir, a Reader in History of Art at the University of Edinburgh rethinks the recent history of performance to understand the ‘injurious turn’ in contemporary live art. The book challenges the usual associations between self-harm and gender by exploring the work of a diverse range of artists.
Taking Viennese Actionism as its starting point, the book then offers detailed case studies of, amongst others, André Stitt, Ron Athey, Wafaa Bilal and Pyotr Pavlensky. Each artist is considered in relation to their context, as well as how their work relates to the more general question of how masculinity itself relates to extreme performance in challenging and censorious settings. As well as being theoretically and empirically rich, the book offers an engaging route into art theory and art history for non-specialists. It will be of interest widely in humanities, medicine and the social sciences.
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Spain's former African colonies-Equatorial Guinea and Western Sahara-share similar histories. Both are under the thumbs of heavy-handed, postcolonial regimes, and are known by human rights organizations as being among the worst places in the world with regard to oppression and lack of civil liberties. Yet the resistance movement in one is dominated by women, the other by men.
In Silenced Resistance: Women, Dictatorships, and Genderwashing in Western Sahara and Equatorial Guinea (U Wisconsin Press, 2029), Joanna Allan demonstrates why we should foreground gender as key for understanding both authoritarian power projection and resistance. She brings an ethnographic component to a subject that has often been looked at through the lens of literary studies to examine how concerns for equality and women's rights can be co-opted for authoritarian projects. She reveals how Moroccan and Equatoguinean regimes, in partnership with Western states and corporations, conjure a mirage of promoting equality while simultaneously undermining women's rights in a bid to cash in on oil, minerals, and other natural resources. This genderwashing, along with historical local, indigenous, and colonially imposed gender norms mixed with Western misconceptions about African and Arab gender roles, plays an integral role in determining the shape and composition of public resistance to authoritarian regimes.
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A different kind of Star Trek television series debuted in 1993. Deep Space Nine was set not on a starship but a space station near a postcolonial planet still reeling from a genocidal occupation. The crew was led by a reluctant Black American commander and an extraterrestrial first officer who had until recently been an anticolonial revolutionary. DS9 extended Star Trek’s tradition of critical social commentary but did so by transgressing many of Star Trek’s previous taboos, including religion, money, eugenics, and interpersonal conflict. DS9 imagined a twenty-fourth century that was less a glitzy utopia than a critical mirror of contemporary U.S. racism, capitalism, imperialism, and heteropatriarchy.
Thirty years after its premiere, DS9 is beloved by critics and fans but remains marginalised in scholarly studies of science fiction. Drawing on cultural geography, Black studies, and feminist and queer studies, A Different Trek: Radical Geographies of Deep Space Nine (University of Nebraska Press, 2023) by Dr. David Seitz is the first scholarly monograph dedicated to a critical interpretation of DS9’s allegorical world-building. If DS9 has been vindicated aesthetically, this book argues that its prophetic, place-based critiques of 1990s U.S. politics, which deepened the foundations of many of our current crises, have been vindicated politically, to a degree most scholars and even many fans have yet to fully appreciate.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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We remember Audre Lorde as an iconic writer, a quotable teacher whose words and face grace T-shirts, nonprofit annual reports, and campus diversity-center walls. But even those who are inspired by Lorde's teachings on "the creative power of difference" may be missing something fundamental about her life and work, and what they can mean for us today.
Lorde's understanding of survival was not simply about getting through to the other side of oppression or being resilient in the face of cancer. It was about the total stakes of what it means to be in relationship with a planet in transformation. Possibly the focus on Lorde's quotable essays, to the neglect of her complex poems, has led us to ignore her deep engagement with the natural world, the planetary dynamics of geology, meteorology, and biology. For her, ecological images are not simply metaphors but rather literal guides to how to be of earth on earth, and how to survive--to live the ethics that a Black feminist lesbian warrior poetics demands.
In Survival Is a Promise: The Eternal Life of Audre Lorde (FSG, 2024), Alexis Pauline Gumbs, the first researcher to explore the full depths of Lorde's manuscript archives, illuminates the eternal life of Lorde. Her life and work become more than a sound bite; they become a cosmic force, teaching us the grand contingency of life together on earth.
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Mary McAuliffe is a historian and lecturer in Gender Studies at UCD. Her latest publications include (is The Diaries of Kathleen Lynn co-authored with Harriet Wheelock) and Margaret Skinnider; a biography (UCD Press,2020). Throughout the Decade of Centenaries 2012-2023 she has been conducting extensive research on the experiences of women during the War of Independence and Civil War and is currently completing her book based on that research, OUTRAGE: Gendered and Sexual Violence in the Irish War of Independence and Civil War, 1919-1923 (forthcoming 2025). Jennifer Redmond is Associate Professor in Twentieth Century Irish History in the Department of History at Maynooth University. She is the author of Moving Histories: Irish Women’s Emigration to Britain from Independence to Republic and the co-editor of Irish Women in the First World War Era. She also sits on the Editorial Board for the journal, Women's History Review and for the Documents in Irish Foreign Policy series, a joint initiative of the National Archives of Ireland and the Royal Irish Academy.
In this interview, they discuss their new edited collection The Politics of Gender and Sexuality in Modern Ireland (Four Courts Press, 2024) as well as their own intellectual backgrounds and views on Irish history-writing.
The Politics of Gender and Sexuality in Modern Ireland is an edited collection of focused, cohesive and persuasive essays, based on the newest research on gender, sexuality and sexual politics. It offers historical reflections and contemporary analyses of issues related to the contested and often hidden histories of sexual politics and gender identities in Ireland in the nineteenth and twentieth centuries. Including but going beyond the binary of male and female heterosexual experience, the book explores LGBTQI+ histories, the treatment of intersex persons, and the history of trans people and activism in Ireland. As an interdisciplinary work, this reader draws together scholars working in a range of fields on innovative, new research on this theme. The essays consider these histories as seen over two centuries and reflect on the societal shifts in modern Ireland as evidenced in two recent referenda and the responses to the scandals emerging from the state’s treatment of unmarried mothers.
Aidan Beatty is a lecturer in history at Carnegie Mellon University
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Lesbian poetry as a form of socio-political praxis in the Philippine context. This episode’s guest argues that lesbian writing – by lesbians and about lesbians – is a form of activism and decolonial praxis, as well as an important form of political identity.
Dr Naomi Cammayo’s academic/literary interests are within the fields of poetry, Philippine Studies, lesbian feminism and queer feminism. She is currently a tutor at the University of Sydney’s School of Art, Communication and English and the School of Languages and Cultures.
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In her incisive study Baseball as Mediated Latinidad: Race, Masculinity, Nationalism, and Performances of Identity (Ohio State University Press, 2020), Jennifer Domino Rudolph analyzes major league baseball’s Latin/o American players—who now make up more than twenty-five percent of MLB—as sites of undesirable surveillance due to the historical, political, and sociological weight placed on them via stereotypes around immigration, crime, masculinity, aggression, and violence. Rudolph examines the perception by media and fans of Latino baseball players and the consumption of these athletes as both social and political stand-ins for an entire culture, showing how these participants in the nationalist game of baseball exemplify tensions over race, nation, and language for some while simultaneously revealing baseball as a practice of latinidad, or pan-Latina/o/x identity, for others. By simultaneously exploring the ways in which Latino baseball players can appear both as threats to American values and the embodiment of the American Dream, and engaging with both archival research and new media representations of MLB players, Rudolph sheds new light on the current ambivalence of mainstream American media and fans towards Latin/o culture.
David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Follow him on Twitter @djgonzoPhD.
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Martha Rampton, Trafficking with Demons: Magic, Ritual, and Gender from Late Antiquity to 1000 (Cornell University Press, 2021) explores how magic was perceived, practiced, and prohibited in western Europe during the first millennium CE. Through the overlapping frameworks of religion, ritual, and gender, Martha Rampton connects early Christian reckonings with pagan magic to later doctrines and dogmas. Challenging established views on the role of women in ritual magic during this period, Rampton provides a new narrative of the ways in which magic was embedded within the foundational assumptions of western European society, informing how people understood the cosmos, divinity, and their own Christian faith.
As Rampton shows, throughout the first Christian millennium, magic was thought to play a natural role within the functioning of the universe and existed within a rational cosmos hierarchically arranged according to a "great chain of being." Trafficking with the "demons of the lower air" was the essence of magic. Interactions with those demons occurred both in highly formalistic, ritual settings and on a routine and casual basis. Rampton tracks the competition between pagan magic and Christian belief from the first century CE, when it was fiercest, through the early Middle Ages, as atavistic forms of magic mutated and found sanctuary in the daily habits of the converted peoples and new paganisms entered Europe with their own forms of magic. By the year 1000, she concludes, many forms of magic had been tamed and were, by the reckoning of the elite, essentially ineffective, as were the women who practiced it and the rituals that attended it.
Martha Rampton is full of energy and excitement about her book and she and Jana Byars have a wonderful, spirited chat.
Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
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Kaitlin Sidorsky’s new book, All Roads Lead to Power: The Appointed and Elected Paths to Public Office for US Women (University Press of Kansas, 2019), is an extremely well written and important analysis of women in public life and public service. This book combines qualitative and quantitative research to examine appointed and elected state positions, particularly in regard to gender, and concludes that there are quite a few women in appointed positions, an area not usually the focus of research and analysis of women and power. Sidorsky notes that women in appointed positions on boards and commissions at the state and local level see themselves not in political positions but instead working in capacities to accomplish goals, serve the public, and continue along their career paths. In the way many of these women conceptualize their work in these positions, this is not necessarily about political ambition, as Sidorsky’s research discovers, but because this public work is usually connected to the individual office holder’s personal or professional life. This research will be of particular interest to those who study women and politics, political representation, and questions of politics and power. This is an excellent study and analysis, enlightening in both the data compiled and the assessment of the data within our understanding of appointed and elected positions, politics, and power.
Lilly J. Goren is Professor of Political Science at Carroll University in Waukesha, WI. She is co-editor of Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). You can follow her on twitter @gorenlj
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In The Woman as Slave in Nineteenth-Century American Social Movements (Palgrave Macmillan, 2019), Ana Stevenson explores the ubiquity of what she terms the “woman-slave analogy” in nineteenth-century US feminist discourse. Using examples from the women’s suffrage, abolition, dress-reform, and labor movements, among others, Steveson reconstructs the creation of this theoretical framework that imagined women’s subjugation as similar to, and sometimes even worse than, the plight of enslaved Americans. Although the women-slave analogy sometimes appeared tone-deaf, Stevenson demonstrates the many different ways that reformers--men and women, black and white--embraced the concept to fight for women’s political, legal, and economic rights. Crucially, Stevenson’s book encourages us to rethink the intellectual foundations of modern feminism and to critically evaluate the legacy of the women-as-slave worldview.
Chelsea Gibson is a Visiting Assistant Professor at Binghamton University. Her research explores the reception of Russian terrorist women in the United States before 1917.
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Behavioral scientist Alison Fragale offers powerful new insights and a practical playbook for women to advance in any workplace, full of tips, tricks, and strategies to help secure that elusive corner office.
Over decades of research, speaking engagements, and mentorship, psychologist and professor Alison Fragale encountered recurring questions from high powered and early career women alike: How do women thread the needle of kindness and competence in the workplace? How can women earn credit for their accomplishments, negotiate better, and navigate complex office politics without losing the goodwill of their peers?
Fragale investigated and determined that many women's workplace issues boil down to what psychologists call status: the perception of them by others. No amount of power-- no degree, title, or paycheck-- will raise a woman's workplace stature unless it also affects how others see her. Acknowledging this roadblock, Fragale pulls back the curtain on how we can change how others see us by developing our standing as a "likeable badass." By cultivating perceptions of warmth and assertiveness, women can achieve the kind of reputation that leads to a seat at the table and a fulfilling career path.
Likeable Badass: The New Science of Successful Women (Doubleday Books, 2024) is equal parts behavioral science and life hacks, weaving together rigorous research with actionable advice and impactful stories from a diverse array of women. This is a warm, heartening book written for women, their allies, and anyone who struggles to rise, and wants evidence-based, practical strategies for success, served with a side of inspiration and humor.
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In Batman and The Joker: Contested Sexuality in Popular Culture (Routledge, 2020), Chris Richardson presents a cultural analysis of the ways gender, identity, and sexuality are negotiated in the rivalry of Batman and The Joker. Richardson's queer reading of the text provides new understandings of Batman and The Joker and the transformations of the Gotham Universe throughout its 80-year existence. In particular, Richardson investigates how artists, writers, and fans engage with, challenge, and interpret gendered and sexual representations of this influential and popular rivalry. Fans of Batman and The Joker will find this work engaging and applicable across a range of scholarly fields and popular interests.
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In the years following World War II, the New York intellectuals became some of the most renowned critics and writers in the country. Although mostly male and Jewish, this prominent group also included women and non-Jews. Yet all of its members embraced a secular Jewish machismo that became a defining characteristic of the contemporary experience. Write like a Man: Jewish Masculinity and the New York Intellectuals (Princeton University Press, 2024) examines how the New York intellectuals shared a uniquely American conception of Jewish masculinity that prized verbal confrontation, polemical aggression, and an unflinching style of argumentation.
Dr. Ronnie Grinberg paints illuminating portraits of figures such as Norman Mailer, Hannah Arendt, Lionel and Diana Trilling, Mary McCarthy, Norman Podhoretz, Midge Decter, and Irving Howe. She describes how their construction of Jewish masculinity helped to propel the American Jew from outsider to insider even as they clashed over its meaning in a deeply anxious project of self-definition. Along the way, Dr. Grinberg sheds light on their fraught encounters with the most contentious issues and ideas of the day, from student radicalism and the civil rights movement to feminism, Freudianism, and neoconservatism.
A spellbinding chronicle of mid-century America, Write like a Man shows how a combative and intellectually grounded vision of Jewish manhood contributed to the masculinization of intellectual life and shaped some of the most important political and cultural debates of the postwar era.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Scholars often narrate the legal cases confirming LGBTQ+ rights as a huge success story. While it took 100 years to confirm the rights of Black Americans, it took far less time for courts to recognize marriage and adoption rights or workplace discrimination protections for queer people.
The legal and political success of LGBTQ+ advocates often depended upon presenting sexual and gender identities as innate – or “immutable” to fit legal categories. Conservatives who oppose LGBTQ+ equality often argue that sexual and gender identity is something that can be taught. They use the offensive language of “grooming” and contagious “gender ideology” that corrupts susceptible children.
In Born This Way: Science, Citizenship, and Inequality in the American LGBTQ+ Movement (U Chicago Press, 2023), Dr. Joanna Wuest unpacks how a biologically based understanding of gender and sexuality– based on arguments from the “natural sciences and mental health professions” – became central to American LGBTQ+ advocacy. Her book is both a “celebratory and cautionary” story about the costs of relying on science to win impressive victories for queer rights. The book interrogates the “LGBTQ+ rights movement, the scientific study of human difference, and the biopolitical character of citizenship that formed at the nexus of the two.” As LGBTQ+ advocates brought “science to bear on civil rights struggles,” they transformed American politics and the epistemology of identity politics more broadly.”
Dr. Joanna Wuest is an incoming Assistant Professor of Women's, Gender, and Sexuality Studies at Stony Brook University and a sociolegal scholar specializing in sexual and gender minority rights, health, and political economy. Her book, Born This Way: Science, Citizenship, and Inequality in the American LGBTQ+ Movement, received an Honorable Mention for the Society for Social Studies of Science's 2024 Rachel Carson Prize and was featured on a recent episode of Radiolab.
During the podcast, we mentioned:
Joanna’s article with Dr. Briana S. Last, “Agents of scientific uncertainty: Conflicts over evidence and expertise in gender-affirming care bans for minors” in Social Science & Medicine.
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Maid to Queer: Asian Labor Migration and Female Same-Sex Desires (Hong Kong UP, 2021) is the first book about Asian female migrant workers who develop same-sex relationships in a host city. Based on participant observation and in-depth interviews with Indonesian domestic workers in Hong Kong, the book explores the meanings of same-sex relationships to these migrant women. Instead of searching for reasons to explain why they engage in a same-sex relationship, this book provides an ethnographic perspective by addressing their Sunday activities and considering how migration policies and the practices of Hong Kong people unintentionally produce alternative sexuality and desires for them.
The author contrasts the migrant experiences of same-sex relationships with the Western discourse that individuals carry a strong sense of sexual identification prior to migration; same-sex desires among Indonesian domestic workers are often not realized until they leave home. Addressing the changes from maid to queer, this book documents the intersections of domestic work, labor migration, race, and religion on the sexual subject formation, specifically how Indonesian women negotiate heteronormativity and remake a space for their love, sex, and intimacy. For those interested in lesbian studies, Asian labor migration, sexual citizenship, and queer migration, this ethnography fills an important gap in explaining how the feminization of international migration and the constraints imposed on live-in domestic workers unintentionally become productive possibilities of queerness and normativity.
Qing Shen is currently a PhD candidate in anthropology at Uppsala University, Sweden.
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In 2003, in a ruling that bordered on poetic, Supreme Court Justice Anthony Kennedy wrote in Lawrence v. Texas that sexual behavior between consenting adults was protected under the constitutional right to privacy. This was a landmark case in the course of LGBTQ+ rights in the Untied States, laying the groundwork for cases like 2015's Obergefell v. Hodges. Yet, this case did not emerge out of nowhere.
In Before Lawrence v. Texas: The Making of a Queer Social Movement (U Texas Press, 2023), University of North Texas history professor Wesley Phelps argues that behind each successful court case stands a litany of failures, challenges, and individual human stories, each of which laid the groundwork for these landmark successes. By tracking the long history of queer activism in Texas during the 1960s, 70s, and 80s, Phelps shows how the long road toward greater LGBTQ+ civil rights was paved with hard work by hundreds of activists, lawyers, and allies. No movement exists in a vacuum, and Before Lawrence v. Texas provides a roadmap showing how historical change really occurs.
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How did ideas of masculinity shape the British legal profession and the wider expectations of the white-collar professional? Brotherhood of Barristers: A Cultural History of the British Legal Profession, 1840–1940 (Cambridge University Press, 2024) by Dr. Ren Pepitone examines the cultural history of the Inns of Court – four legal societies whose rituals of symbolic brotherhood took place in their supposedly ancient halls. These societies invented traditions to create a sense of belonging among members – or, conversely, to marginalise those who did not fit the profession's ideals.
Dr. Pepitone examines the legal profession's efforts to maintain an exclusive, masculine culture in the face of sweeping social changes across the nineteenth and twentieth centuries. Utilising established sources such as institutional records alongside diaries, guidebooks, and newspapers, this book looks afresh at the gendered operations of Victorian professional life. Brotherhood of Barristers incorporates a diverse array of historical actors, from the bar's most high-flying to struggling law students, disbarred barristers, political radicals, and women's rights campaigners.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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How can we diversify the creative industries? In Craft as a Creative Industry (Routledge, 2024), Karen Patel, an Associate Professor in Media and Director of the Centre for Equality, Diversity and Inclusion in the Arts (CEDIA) at Birmingham City University, examines the craft industries of Australia and the UK to show new ways of organising these crucial parts of the economy. The book uses case studies and lived experience from women makers of colour, situated within the history of context of both countries’ craft sectors, to demonstrate the scale of inequalities in craft and the need for change. A compact and easy to read intervention into current debates, the book is essential reading across creative industries, as well as the humanities and social sciences.
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In historical writing on World War I, Czech-speaking soldiers serving in the Austro-Hungarian military are typically studied as Czechs, rarely as soldiers, and never as men. As a result, the question of these soldiers' imperial loyalties has dominated the historical literature to the exclusion of any debate on their identities and experiences. Men Under Fire: Motivation, Morale, and Masculinity among Czech Soldiers in the Great War, 1914–1918 (Berghahn Books, 2019) provides a groundbreaking analysis of this oft-overlooked cohort, drawing on a wealth of soldiers' private writings to explore experiences of exhaustion, sex, loyalty, authority, and combat itself. It combines methods from history, gender studies, and military science to reveal the extent to which the Great War challenged these men's senses of masculinity, and to which the resulting dynamics influenced their attitudes and loyalties.
Jiří Hutečka is an Associate Professor at the Institute of History, University of Hradec Králové, Czech Republic.
Steven Seegel is Professor of History at the University of Northern Colorado.
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Women, Agency, and the State in Guinea: Silent Politics (Routledge, 2020) examines how women in Guinea articulate themselves politically within and outside institutional politics. It documents the everyday practices that local female actors adopt to deal with the continuous economic, political, and social insecurities that emerge in times of political transformations.
Carole Ammann argues that women's political articulations in Muslim Guinea do not primarily take place within women's associations or institutional politics such as political parties; but instead women's silent forms of politics manifest in their daily agency, that is, when they make a living, study, marry, meet friends, raise their children, and do household chores. The book also analyses the relationship between the female population and the local authorities, and discusses when and why women's claim making enjoys legitimacy in the eyes of other men and women, as well as representatives of 'traditional' authorities and the local government.
Paying particular attention to intersectional perspectives, this book will be of interest to scholars of African studies, social anthropology, political anthropology, the anthropology of gender, urban anthropology, gender studies, and Islamic studies.
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In Normporn: Queer Viewers and the TV That Soothes Us (NYU Press, 2023), Karen Tongson presents an irreverent look at the love-hate relationship between queer viewers and mainstream family TV shows like Gilmore Girls and This Is Us. After personal loss, political upheaval, and the devastation of the COVID-19 pandemic, many of us craved a return to business as usual, the mundane, the middlebrow. We turned to TV to find these things. For nearly forty years, network television has produced a constant stream of “cry-along” sentimental-realist dramedies designed to appeal to liberal, heterosexual, white America. But what makes us keep watching, even though these TV series inevitably fail to reflect who we are?
Revisiting soothing network dramedies like Parenthood, Gilmore Girls, This Is Us, and their late-80s precursor, thirtysomething, Normporn mines the nuanced pleasures and attraction-repulsion queer viewers experience watching liberal family-centric shows. Tongson reflects on how queer cultural observers work through repeated declarations of a “new normal” and flash lifestyle trends like “normcore,” even as the absurdity, aberrance, and violence of our culture intensifies. Normporn allows us to process how the intimate traumas of everyday life depicted on certain TV shows—of love, life, death, and loss—are linked to the collective and historical traumas of their contemporary moments, from financial recessions and political crises to the pandemic.
Normporn asks, what are queers to do—what is anyone to do, really—when we are forced to confront the fact of our own normalcy, and our own privilege, inherited or attained? The fantasies, the utopian impulses, and (paradoxically) the unreality of sentimental realist TV drama creates a productive tension that queer spectators in particular take pleasure in, even as—or precisely because—it lulls us into a sense of boredom and stability that we never thought we could want or have.
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Schuyler Bailar didn’t set out to be an activist, but his very public transition to the Harvard men’s swim team put him in the spotlight. His choice to be open about his journey and share his experience has evolved into tireless advocacy for inclusion and collective liberation.
Today’s book is: He/She/They: How We Talk About Gender and Why it Matters (Hachette, 2023), by Schuyler Bailar, which gives readers the essential language and context of gender, paving the way for understanding, acceptance and connection. He/She/They compassionately addresses fundamental topics, from why being transgender is not a choice and why pronouns are important, to complex issues including how gender-affirming healthcare can be lifesaving. With a narrative rooted in science and history, Schuyler helps restore common sense and humanity to a discussion that continues to be divisively and deceptively politicized. In chapters both myth-busting and affirming, compassionate and fierce, Schulyer offers readers an urgent and lifesaving book to change the conversation about gender.
Our guest is: Schuyler Bailar (he/him), who is an educator, author, and advocate. He is the first transgender athlete to compete in any sport on an NCAA Division 1 men’s team, and has earned numerous honors including the Harvard Varsity Director’s Award. He is one of the top LGBTQ+ educators and advocates, a leading DEI speaker and advisor, the creator of the LaneChanger.com gender literacy online learning series, and the author of the award-winning book He/She/They: How We Talk About Gender and Why it Matters. Schuyler holds a degree in Cognitive Neuroscience and Evolutionary Psychology from Harvard, and works in four research labs focusing in clinical psychology and public health.
Our host is: Dr. Christina Gessler, who is the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Listeners may enjoy this playlist:
Welcome to Academic Life, the podcast for your academic journey—and beyond! You can help support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? Find them all here.
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Film critic Alonso Duralde and I talk his new book, Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film (Running Press, 2024), including some fascinating anecdotes, case studies, and watershed moments in queer cinematic history, not to mention its creators, its stars, its detractors, and its various ebbs and flows -- from as early as Edison sound experiments to the pornographic underground to more recent strides and mainstream representation in the new millennium. Featuring: your gracious host not being able to pronounce "linoleum."
Alonso Duralde is Chief US Film Critic for The Film Verdict, author of Have Yourself a Movie Little Christmas, and coauthor of I'll Be Home for Christmas Movies. He is the cohost of the Linoleum Knife, Maximum Film!, and Breakfast All Day podcasts, and has discussed film on CNN, PBS, TCM, ABC, and in numerous documentaries.
Tyler Thier is a faculty member and administrator in the Department of Writing Studies & Rhetoric at Hofstra University. He regularly writes and teaches cultural criticism, specifically in relation to maligned, dangerous, "poor-taste," and otherwise controversial pieces of film and pop culture.
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Tracing women’s experiences of miscarriage and termination for foetal anomaly in the second trimester, before legal viability, shows how such events are positioned as less ‘real’ or significant when the foetal being does not, or will not, survive. Invisible Labour: The Reproductive Politics of Second Trimester Pregnancy Loss in England (Berghahn, 2024) by Dr. Aimee Louise Middlemiss describes the reproductive politics of this category of pregnancy loss in England. It shows how second trimester pregnancy loss produces specific medical and social experiences, revealing an underlying teleological ontology of pregnancy. Some women then understand their pregnancy through kinship with the unborn baby.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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An early wave of research helped make visible the complex dynamics of sexuality and gender norms in Latino life, but a new generation of scholars is bringing renewed energy and curiosity to this field of inquiry. In this episode we sit down with Frederick Luis Aldama, Distinguished University Professor at the Ohio State University and co-editor of Decolonizing Latinx Masculinities (University of Arizona Press), to discuss some of the cutting-edge research in this new edited volume.
This rich collection of work from eighteen contributors approaches the topic of masculinities from a diversity of perspectives and methodologies. With special emphasis on the plurality of Latinx masculinities, the essays reveal the divergent manifestations of masculinity across a broad spectrum including politics, social movements, literature, media, popular culture, personal experience, and other analytical angles. The pernicious effect of stereotypes and toxic Latinx masculinity is laid bare throughout the text in chapters that challenge the derogatory performances and reification of machismo in mainstream U.S. culture and society.
At the same time, other essays look to how Latinx masculinities are being reclaimed and remade. Rejecting the inherited legacy of colonial thinking and heteronormative labels, authors outline the creation of new masculinities, new ways of being and coexisting. In this way, Decolonizing Latinx Masculinities shows that masculinities are not simply violent and traumatic, but also healing and affirming.
Jaime Sánchez, Jr. is a Ph.D. Candidate in the Department of History at Princeton University and a scholar of U.S. politics and Latino studies. He is currently writing an institutional history of the Democratic National Committee and partisan coalition politics in the twentieth century. You can follow him on Twitter @Jaime_SanchezJr.
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Why do "second wave" and "trans feminism" rarely get considered together? Challenging the idea that trans feminism is antagonistic to, or arrived after, second wave feminism, Emily Cousens re-orients trans epistemologies as crucial sites of second wave feminist theorising. By revisiting the contributions of trans individuals writing in underground print publications, as well as the more well-known arguments of Andrea Dworkin, Trans Feminist Epistemologies in the US Second Wave (Palgrave Macmillan, 2023) demonstrates that valuable yet overlooked trans feminist philosophies of sex and gender were present throughout the US second wave. It argues that not only were these trans feminist epistemologies an important component of second wave feminism's knowledge production, but that this period has an unacknowledged trans feminist legacy.
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Mainstream portrayals of ultra-Orthodox religious women often frame their faith as oppressive: they are empowered only when they leave their community. For Women and Girls Only: Reshaping Jewish Orthodoxy Through the Arts in the Digital Age (NYU Press, 2024), by Jessica Roda, flips this notion on its head. Drawing on six years of fieldwork between New York and Montreal, Roda examines modern performances on the stage and screen directed by and for ultra-Orthodox women. Their incredibly vibrant Jewish artistic scenes defy stereotypes that paint these women as repressed, reclusive to their shtetl (village), and devoid of creativity and agency.
For Women and Girls Only argues that access to technology has completely transformed how ultra-Orthodox women express their way of being religious and that the digital era has enabled them to create an alternative entertainment market outside of the public, male-dominated one. Because expectations surrounding modesty, ultra-Orthodox women do not sing, dance, or act in front of men and the public. Yet, in a revolutionary move, they are creating “women and girls only” spaces onsite and online, putting the onus on men to shield themselves from the content. They develop modest public spaces on the Internet, about which male religious leaders are often unaware. The book also explores the entanglement between these observant female artists and those who left religion and became public performers. The author shows that the arts expressed by all these women offer a means of not only social but also economic empowerment in their respective worlds.
Interviewee: Jessica Roda is Assistant Professor of Jewish Civilization in the Walsh School of Foreign Service at Georgetown University.
Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.
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In his compelling evaluation of Cold War popular culture, Pulp Vietnam: War and Gender in Cold War Men’s Adventure Magazines (Cambridge UP, 2020), Gregory Daddis explores how men's adventure magazines helped shape the attitudes of young, working-class Americans, the same men who fought and served in the long and bitter war in Vietnam. The 'macho pulps' - boasting titles like Man's Conquest, Battle Cry, and Adventure Life - portrayed men courageously defeating their enemies in battle, while women were reduced to sexual objects, either trivialized as erotic trophies or depicted as sexualized villains using their bodies to prey on unsuspecting, innocent men. The result was the crafting and dissemination of a particular version of martial masculinity that helped establish GIs' expectations and perceptions of war in Vietnam. By examining the role that popular culture can play in normalizing wartime sexual violence and challenging readers to consider how American society should move beyond pulp conceptions of 'normal' male behavior, Daddis convincingly argues that how we construct popular tales of masculinity matters in both peace and war.
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected].
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Vice President Kamala Harris is poised to become the Democratic Party’s nominee for president. The path to this nomination and the generation election has been a bit unusual—with President Joe Biden deciding not to pursue re-election but doing so after the primary season has concluded. Thus, there is a rather condensed election season, and Vice President Kamala Harris has worked to bring the Democratic Party together after she received President Biden’s endorsement after he withdrew from the race. Given the changing dynamics of the presidential race, we also find ourselves with an unexpected choice for the presidency, Kamala Harris, a former attorney general for California, a senator from California, a former prosecutor, and now the vice president of the United States. Harris is also bi-racial, of South Asian and Black heritage, and she will be the second woman nominated as the standard bearer for one of the two major political parties in the United States.
I invited three experts on presidential politics, gender, and race in American politics to join me to discuss Kamala Harris’s historic and unique run for the presidency. Mary McHugh, Executive Director of Civic and Community Engagement, Stevens Service Learning Center at Merrimack College and member of the Political Science Department at Merrimack, Valeria Sinclair-Chapman, Deputy Director of the American Association for the Advancement of Science SEA Change Program, and professor of political science at Purdue University, and Linda Beail, Professor of Political Science at Point Loma Nazarene University and co-author of the 2012 book, Framing Sarah Palin: Pit Bulls, Puritans, and Politics, all joined the conversation to think about the presidential race, Kamala Harris, race, gender, masculinity, and partisan politics. We cover a lot of ground, including the presentation of masculinity at the Republican National Convention in Milwaukee in July, how TikTok and viral memes may influence younger voters, and how Kamala Harris is trying to frame herself and how others are trying to frame her in the course of the abbreviated election cycle. We examine historical contexts for women ascending to office, and how that might be a component of the shifting candidates and how Americans think about elections. We also dive into some of the controversial comments about “crazy cat ladies” and concepts of motherhood, politics, and racial and gendered double binds.
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Anne Gray Fischer speaks about her path to and through research, including how sex workers informed her analysis of policing and state violence, the role of law enforcement in struggles over economic development, and the intellectual and practical factors of research design.
Men, especially Black men, often stand in as the ultimate symbol of the mass incarceration crisis in the United States. Women are treated as marginal, if not overlooked altogether, in histories of the criminal legal system. In The Streets Belong to Us: Sex, Race, and Police Power from Segregation to Gentrification (UNC Press, 2022)--a searing history of women and police in the modern United States--Anne Gray Fischer narrates how sexual policing fueled a dramatic expansion of police power. The enormous discretionary power that police officers wield to surveil, target, and arrest anyone they deem suspicious was tested, legitimized, and legalized through the policing of women's sexuality and their right to move freely through city streets.
Throughout the twentieth century, police departments achieved a stunning consolidation of urban authority through the strategic discretionary enforcement of morals laws, including disorderly conduct, vagrancy, and other prostitution-related misdemeanors. Between Prohibition in the 1920s and the rise of broken windows policing in the 1980s, police targeted white and Black women in distinct but interconnected ways. These tactics reveal the centrality of racist and sexist myths to the justification and deployment of state power. Sexual policing did not just enhance police power. It also transformed cities from segregated sites of urban vice into the gentrified sites of Black displacement and banishment we live in today. By illuminating both the racial dimension of sexual liberalism and the gender dimension of policing in Black neighborhoods, The Streets Belong to Us illustrates the decisive role that race, gender, and sexuality played in the construction of urban police regimes.
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Susan Stryker is a foundational figure in trans studies. When Monsters Speak: A Susan Stryker Reader (Duke UP, 2024) showcases the development of Stryker’s writing from the 1990s to the present. It combines canonical pieces, such as “My Words to Victor Frankenstein,” with her hard to find earlier work published in zines and newsletters. Brought together, they ground Stryker’s thought in 1990s San Francisco and its innovative queer, trans, and S/M cultures. The volume includes an introduction by editor McKenzie Wark, who highlights Stryker’s connections to developments in queer theory, media studies, and autotheory while foregrounding Stryker’s innovative writing style and scholarly methods. When Monsters Speak is an authoritative and essential collection by one of the most important and influential intellectuals of our time.
Susan Stryker is Professor Emerita of Gender and Women’s Studies at the University of Arizona. She is the author of Transgender History and coeditor of The Transgender Studies Reader.
McKenzie Wark is Professor of Culture and Media at The New School and the author of several books, including Raving and Philosophy for Spiders: On the Low Theory of Kathy Acker, both also published by Duke University Press.
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In Generations of Freedom: Gender, Movement, and Violence in Natchez, 1779-1865 (U Georgia Press, 2021), Nik Ribianszky employs the lenses of gender and violence to examine family, community, and the tenacious struggles by which free blacks claimed and maintained their freedom under shifting international governance from Spanish colonial rule (1779-95), through American acquisition (1795) and eventual statehood (established in 1817), and finally to slavery’s legal demise in 1865.
Freedom was not necessarily a permanent condition, but one separated from racial slavery by a permeable and highly unstable boundary. This book explicates how the interlocking categories of race, class, and gender shaped Natchez, Mississippi’s free community of color and how implicit and explicit violence carried down from one generation to another. To demonstrate this, Ribianszky introduces the concept of generational freedom. Inspired by the work of Ira Berlin, who focused on the complex process through which free Africans and their descendants came to experience enslavement, generational freedom is an analytical tool that employs this same idea in reverse to trace how various generations of free people of color embraced, navigated, and protected their tenuous freedom. This approach allows for the identification of a foundational generation of free people of color, those who were born into slavery but later freed. The generations that followed, the conditional generations, were those who were born free and without the experience of and socialization into North America's system of chattel, racial slavery. Notwithstanding one's status at birth as legally free or unfree, though, each individual's continued freedom was based on compliance with a demanding and often unfair system.
Generations of Freedom tells the stories of people who collectively inhabited an uncertain world of qualified freedom. Taken together—by exploring the themes of movement, gendered violence, and threats to their property and, indeed, their very bodies—these accounts argue that free blacks were active in shaping their own freedom and that of generations thereafter. Their successful navigation of the shifting ground of freedom was dependent on their utilization of all available tools at their disposal: securing reliable and influential allies, maintaining their independence, and using the legal system to protect their property—including that most precious, themselves.
For more, see the "Generations of Freedom" website.
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What would it mean for American and African American literary studies if readers took the spirituality and travel of Black women seriously?
With Spirit Deep: Recovering the Sacred in Black Women’s Travel (U Virginia Press, 2023), Tisha Brooks addresses this question by focusing on three nineteenth-century Black women writers who merged the spiritual and travel narrative genres: Zilpha Elaw, Amanda Smith, and Nancy Prince. Brooks hereby challenges the divides between religious and literary studies, and between coerced and "free" passages within travel writing studies to reveal meaningful new connections in Black women’s writings. Bringing together both sacred and secular texts, Spirit Deep uncovers an enduring spiritual legacy of movement and power that Black women have claimed for themselves in opposition to the single story of the Black (female) body as captive, monstrous, and strange. Spirit Deep thus addresses the marginalization of Black women from larger conversations about travel writing, demonstrating the continuing impact of their spirituality and movements in our present world.
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Jane-Marie Collins's book Emancipatory Narratives & Enslaved Motherhood: Bahia, Brazil, 1830-1888 (Liverpool UP, 2023) examines three major currents in the historiography of Brazilian slavery: manumission, miscegenation, and creolisation. It revisits themes central to the history of slavery and race relations in Brazil, updates the research about them, and revises interpretations of the role of gender and reproduction within them. First, about the preponderance of women and children in manumission; second, about the association of black female mobility with intimate inter-racial relations; third, about the racialised and gendered routes to freed status; and fourth, about the legacies of West African female socio-economic behaviours for modalities of family and freedom in nineteenth-century Salvador da Bahia, Brazil.
The central concern within the book is how African and African descendant women navigated enslaved motherhood and negotiated the divide between enslavement and freedom for themselves and their children. The book is, therefore, organised around the subject position of the enslaved mother and the reproduction of her children in enslavement, while the condition of enslaved motherhood is examined through overlapping historical praxis evidenced in nineteenth-century Bahia: contested freedom, racialised mothering, and competing maternal interests - biological, ritual, surrogate. The point at which these interests converged historically was, it is argued, a conflict over black female reproductive rights.
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The Fox Spirit, the Stone Maiden, and Other Transgender Histories from Late Imperial China (Columbia University Press, 2024) is a fascinating study of transgender lives and practices in late imperial China. This book takes as its core subject matter six court cases from Qing China that involve people who moved away from the gender they were assigned at birth. Focusing on this movement, Matthew H. Sommer looks at the transgender paradigms and literary tropes through which gender-transing was understood, ultimately revealing how acts of gender-crossing and gender boundaries were perceived. This book is an effortless blend of social, legal, and cultural history, and it is filled with captivating legal cases involving forgery and impersonation, fox-spirit mediums, midwives, and those living on the margins of late imperial China. This is definitely a must-read for those interested in Chinese history and gender history, as well as any scholars who need inspiration for what can be done with interesting sources that don't quite fit in existing projects.
To find out more about Matthew Sommer’s work, head to his website, or you can listen to his previous appearance on the New Books Network here.
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Despite global undertakings to safeguard the full enjoyment of human rights, culture, traditional practices and religion are widely used to discriminate against women. In Women’s Human Rights and the Elimination of Discrimination (Brill/Nijhoff, 2016), 17 scholars approach women’s human rights globally, regionally and nationally, combining the perspectives of public and private international law in a hitherto unique manner. Comprehensive legal, culture-based and theoretical overviews are combined with analyses of topical issues, such as unbalanced sex-ratios, intercountry adoption, women as refugees or as “surrogate mothers”, violence against women and cross-border enforcement of protection orders.
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For twentieth-century Jewish immigrants and their children attempting to gain full access to American society, performative masculinity was a tool of acculturation. However, as scholar Miriam Eve Mora demonstrates, this performance is consistently challenged by American mainstream society that holds Jewish men outside of the American ideal of masculinity. Depicted as weak, effeminate, cowardly, gentle, bookish, or conflict-averse, Jewish men have been ascribed these qualities by outside forces, but some have also intentionally subscribed themselves to masculinities at odds with the American mainstream.
Carrying a Big Schtick: Jewish Acculturation and Masculinity in the Twentieth Century (Wayne State UP, 2024) dissects notions of Jewish masculinity and its perception and practice in America in the twentieth century through the lenses of immigration and cultural history. Tracing Jewish masculinity through major themes and events including both World Wars, the Holocaust, American Zionism, Israeli statehood, and the Six-Day War, this work establishes that the struggle of this process can shed light on the changing dynamics in religious, social, and economic American Jewish life.
Geraldine Gudefin is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University’s Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.
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Jewish stars have longed faced pressure to downplay Jewish identity for fear of alienating wider audiences. But unexpectedly, since the 2000s, many millennial Jewish stars have won stellar success while spotlighting (rather than muting) Jewish identity. In Millennial Jewish Stars: Navigating Racial Antisemitism, Masculinity, and White Supremacy (NYU Press, 2024), Jonathan Branfman offers case studies on six top millennial Jewish stars: the biracial rap superstar Drake, comedic rapper Lil Dicky, TV comedy duo Abbi Jacobson and Ilana Glazer, “man-baby” film star Seth Rogen, and chiseled film star Zac Efron.
Branfman argues that despite their differences, each star’s success depends on how they navigate racial antisemitism: the historical notion that Jews are physically inferior to Christians. Each star especially navigates racial stigmas about Jewish masculinity―stigmas that depict Jewish men as emasculated, Jewish women as masculinized, and both as sexually perverse. By embracing, deflecting, or satirizing these stigmas, each star comes to symbolize national hopes and fears about all kinds of hot-button issues. For instance, by putting a cuter twist on stereotypes of Jewish emasculation, Seth Rogen plays soft man-babies who dramatize (and then resolve) popular anxieties about modern fatherhood. This knack for channeling national dreams and doubts is what makes each star so unexpectedly marketable. In turn, examining how each star navigates racial antisemitism onscreen makes it easier to pinpoint how antisemitism, white privilege, and color-based racism interact in the real world.
Jonathan Branfman is the Eli Reinhard Postdoctoral Fellow in Jewish Studies at Stanford University.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
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Violent Affections: Queer Sexuality, Techniques of Power, and Law in Russia (UCL Press, 2022) by Alexander Sasha Kondakov uncovers techniques of power that work to translate emotions into violence against queer people. Based on analysis of over 300 criminal cases of anti-queer violence in Russia before and after the introduction of ‘gay propaganda’ law, the book shows how violent acts are framed in emotional language by perpetrators during their criminal trials. It then utilises an original methodology of studying ‘legal memes’ and argues that these individual affective states are directly connected to the political violence aimed at queer lives more generally.
The main aim of Violent Affections is to explore the social mechanisms and techniques that impact anti-queer violence evidenced in the reviewed cases. Kondakov expands upon two sets of interdisciplinary literature – queer theory and affect theory – in order to conceptualise what is referred to as neo-disciplinary power. Taking the empirical observations from Russia as a starting point, he develops an original explanation of how contemporary power relations are changing from those of late modernity as envisioned by Foucault’s Panopticon to neo-disciplinary power relations of a much more fragmented, fluid and unstructured kind – the Memeticon. The book traces how exactly affections circulate from body to body as a kind of virus and eventually invade the body that responds with violence. In this analytic effort, it draws on the arguments from memetics – the theory of how pieces of information pass on from one body to another as they thrive to survive by continuing to resonate. This work makes the argument truly interdisciplinary.
This book is available open access here.
Alexander Sasha Kondakov is an assistant professor at the School of Sociology, University College Dublin, Ireland.
Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism.
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Committed: On Meaning and Madwomen (Vintage, 2024) is a critical memoir about women, reading, and mental illness. When Suzanne Scanlon was a student at Barnard in the 90s, grieving the loss of her mother—feeling untethered and swimming through inarticulable pain—she made a suicide attempt that landed her in the New York State Psychiatric Institute. After nearly three years and countless experimental treatments, Suzanne left the ward on shaky legs.
In the decades after, Suzanne came to understand her suffering as part of something larger: a long tradition of women whose complicated and compromised stories of self-actualization are reduced to “crazy chick” and “madwoman” narratives. She searched for more books, more woman writers, as the journey of her life converged with her journey through the literature that shaped her. Committed is a story of discovery and of questioning linear and neat ideas of recovery. It reclaims the idea of the madwoman as a template for insight and transcendence through the works of Audre Lorde, Charlotte Perkins Gilman, Virginia Woolf, Sylvia Plath, Janet Frame, Shulamith Firestone, and others.
Suzanne Scanlon is the author of the memoir Committed, which was recently published with from Vintage in Spring 2024. She is also the author of two works of fiction, Promising Young Women (Dorothy, 2012) and Her 37th Year, An Index (Noemi, 2015). Her writing has appeared in Granta, BOMB, Fence, The Iowa Review, Electric Literature’s Recommended Reading, Los Angeles Review of Books, The Millions, and elsewhere. Scanlon has a BA from Barnard College and both an MFA and an MA from Northwestern University.
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Burn It Down: Feminist Manifestos for the Revolution (Verso, 2020), Breanne Fahs has curated a comprehensive collection of feminist manifestos from the nineteenth century to today. Fahs collected over seventy-five manifestos from around the world, calling on feminists to act, be defiant and show their rage. This thought-provoking and timely collection includes not only popular manifestos often taught in women and gender studies courses, but also introduces readers to works from feminist activists who are often placed on the margins. The eight sections of the book cover manifestos from a wide range of feminist activist spectrums: queer/trans, anticapitalist/anarchist, angry/violent, indigenous/women of color, sex/body, hacker/cyborg, trashy/punk, and witchy/bitchy. Fahs has put together a collection that has something for everyone and that is a must-need on every feminist bookshelf.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at [email protected].
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Black women undertook an energetic and unprecedented engagement with internationalism from the late nineteenth century to the 1970s. In many cases, their work reflected a complex effort to merge internationalism with issues of women's rights and with feminist concerns.
To Turn the Whole World Over: Black Women and Internationalism (U Illinois Press, 2019) examines these and other issues with a collection of cutting-edge essays on black women's internationalism in this pivotal era and beyond. Analyzing the contours of gender within black internationalism, scholars examine the range and complexity of black women's global engagements. At the same time, they focus on these women's remarkable experiences in shaping internationalist movements and dialogues. The essays explore the travels and migrations of black women; the internationalist writings of women from Paris to Chicago to Spain; black women advocating for internationalism through art and performance; and the involvement of black women in politics, activism, and global freedom struggles.
Tiffany Gill is an Associate Professor of Africana Studies & History and Cochran Scholar at the University of Delaware.
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The 'baby boom' generation, born between the 1940s and the 1960s, is often credited with pioneering new and creative ways of relating, doing intimacy and making families. With this cohort now entering mid and later life in Britain, they are also said to be revolutionising the experience of ageing. Are the romantic practices of this 'revolutionary cohort' breaking with tradition and allowing new ways of understanding and doing ageing and relating to emerge? Based on an innovative combination of sensory ethnography in salsa classes and life history interviews, Ageing and New Intimacies: Gender, Sexuality and Temporality in an English Salsa Scene (Manchester UP, 2024) by Dr. Sarah Milton documents the meanings of desire and romance, and 'new' - or renewed - intimacies, among women in mid and later life.
Beginning with women at a transition point, when newly single or newly dating in midlife, the chapters look back over life histories to examine prior relationship experiences at different life stages, and look forward to hopes for future intimacies. In the navigation of romance and new relationships we see the sensory, sensual and affective nature of heteronormativity, and gendered practices that are informed by memories of the past, the imagination of previous generations and class-based desires. Challenging conventional notions of the baby boomers, this book illuminates the intersections of age, class, and white normativity, making important contributions to our understanding of ageing and generation, intimacy and gender.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Fatima, the daughter of Prophet Muhammad, has an interesting legacy, one that is often shaped by sectarian differences and tensions. The sermon of Fatima, which is the focus of Mahjabeen Dhala's Feminist Theology and Sociology of Islam: A Study of the Sermon of Fatima (Cambridge University Press, 2024), though itself riddled with questions of authenticity, is a compelling incident which brings to light various possibilities of analysis and insights. The issue of fadak or inheritance, which prompts Fatima to take a public stance against the male leaders of the community, such as Abu Bakr, after the passing of her father, results in a rich sermon that has theological and social justice implications, as Dhala highlights. In Dhala's reading of the sermon by Fatima and her response to an injustice experienced by her and her family, Fatima is seen as a theologian and a social activist. Moreover, this study also sheds on light of an example of pre-modern history of Muslim woman’s resistance. This book will be of interest to those who think about gender and Islam, social justice, theology, feminism and much more.
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The Politics of Emotion: Love, Grief, and Madness in Medieval and Early Modern Iberia (Cornell University Press, 2024) by Dr. Nuria Silleras-Fernandez explores the intersection of powerful emotional states—love, melancholy, grief, and madness—with gender and political power on the Iberian Peninsula from the Middle Ages to the early modern period. Using an array of sources—literary texts, medical treatises, and archival documents—Dr. Silleras-Fernandez focuses on three royal women: Isabel of Portugal (1428–1496), queen-consort of Castile; Isabel of Aragon (1470–1498), queen-consort of Portugal; and Juana of Castile (1479–1555), queen of Castile and its empire. Each of these women was perceived by their contemporaries as having gone "mad" as a result of excessive grief, and all three were related to Isabel the Catholic (1451–1504), queen of Castile and a woman lauded in her time as a paragon of reason.
Through the lives and experiences of these royal women and the observations, judgments, and machinations of their families, entourages, and circles of writers, chronicles, courtiers, moralists, and physicians in their orbits, Dr. Silleras-Fernandez addresses critical questions about how royal women in Iberia were expected to behave, the affective standards to which they were held, and how perceptions about their emotional states influenced the way they were able to exercise power. More broadly, The Politics of Emotion details how the court cultures in mediaeval and early modern Castile and Portugal contributed to the development of new notions of emotional excess and mental illness.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Throughout US history, lesbian, gay, bisexual, transgender, and queer (LGBTQ) people have been pathologized, victimized, and criminalized. Reports of lynching, burning, or murdering of LGBTQ people have been documented for centuries. Prior to the 1970s, LGBTQ people were deemed as having psychological disorders and subsequently subject to electroshock therapy and other ineffective and cruel treatments. LGBTQ people have historically been arrested or imprisoned for crimes like sodomy, cross-dressing, and gathering in public spaces. And while there have been many strides to advocate for LGBTQ rights in contemporary times, there are still many ways that the criminal justice system works against LGBTQ and their lives, liberties, and freedoms.
Queering Law and Order: LGBTQ Communities and the Criminal Justice System (Lexington Books, 2020) examines the state of LGBTQ people within the criminal justice system. Intertwining legal cases, academic research, and popular media, Nadal reviews a wide range of issues—ranging from historical heterosexist and transphobic legislation to police brutality to the prison industrial complex to family law. Grounded in Queer Theory and intersectional lenses, each chapter provides recommendations for queering and disrupting the justice system. This book serves as both an academic resource and a call to action for readers who are interested in advocating for LGBTQ rights.
Nick Pozek is the Assistant Director of the Parker School of Foreign and Comparative Law at Columbia University in the City of New York and a host of New Books in Law.
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This interview with Shawn(ta) Smith-Cruz about Grabbing Tea: Queer Conversations on Identity and Libraries and Grabbing Tea: Queer Conversations on Archives and Practice (available in 2024 from the Litwin Books Series on Gender and Sexuality in Library and Information Studies) explores how queerness is centered within library and archival theory and practice. Smith-Cruz and co-editor Sara A. Howard invited library and archives workers to share conversations which became the chapters for these two volumes. These conversations explore a huge range of topics: identity, community practice and outreach, visibility and coming out or being outed in the library, as well as the archive as a site for reclamation, narrative storytelling, ancestral recalling, and historical revisioning within LGBTQ+ communities. Contributions to these volumes integrate interpersonal experiences of professionalism for queer folks in the field, dive into their relationships and points of connection with each other and the communities they serve, and engage with the implications of race and sexuality in archival practice. Readers are invited to listen in and join these conversations that consider the fluidity of our bodies as queer bodies, and our lives as queer lives inside of the library and the archive.
Shawn(ta) Smith-Cruz is a volunteer archivist at the Lesbian Herstory Archives, and an Assistant Curator, and Associate Dean for Teaching, Learning, and Engagement at New York University Division of Libraries.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
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Last week, I had the privilege to talk with Dr. Kristen R. Ghodsee about her most recent book Second World, Second Sex: Socialist Women's Activism and Global Solidarity during the Cold War (Duke University Press, 2019) and the behind-the-scene details of its making. Ghodsee is a professor in Russian and East European Studies at the University of Pennsylvania and an author of nine books and many more articles and essays.
Second World, Second Sex addresses a telling gap in the historiography of women rights movements – the contributions of the Second World women rights activists. While careful not to idealize the socialist authoritarian regimes, Ghodsee reveals how deeply problematic and unfair it is to define feminism based on Western-inspired definitions of self-fulfillment or grassroot activism and to dismiss the achievements of women’s state organizations in the Eastern bloc as top-down policies and socialist propaganda.
Aiming to retell the UN Decade for Women from a non-Western perspective, this book follows the participation of the Bulgarian and Zambian delegations in the international conferences in Mexico City (1975), Copenhagen (1980) and Nairobi (1985). The author makes use of a painstaking multi-site archival research and compassionate oral histories, to reconstruct the conferences and their context of arduous preparations and ideological tensions. The book’s approach to the conferences is very factual but also offers a lot of context, which helps the reader to better understand the main points of conflict between the Western delegates and the delegates from the developing and non-aligning countries. Ironically, what was rebranded in the 1990’s as “intersectionality” was the main argument of the state socialist women activists much earlier, namely, that the discussions of women’s rights separately from other social injustices such as racism, imperialism and colonialism are ultimately futile.
Curiously enough, Ghodsee’s comparative overview of the state of women’s rights before the UN Decade reveals that socialist states were forerunners of women’s rights with generous maternal leaves and state-run childcare among others. Moreover, the author reminds us, that the US government’s attention to women’s issues in the 1960s was actually a direct response to the threat coming from the USSR where women’s brains and forces were put into service of the rivalry with the West.
Thus, in the aftermath of the end of the Cold War, Ghodsee sees the current political and cultural hegemony of the West as rather disadvantageous in terms women’s rights. There is no rivalry to push governments to do better and women remaining in the periphery hardly benefit from having equal access to the free market in their crime-ridden and economically dependent from the West countries with dismantled welfare systems.
Marina Kadriu is an international MA student in Anthropology at Simon Fraser University.
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Kristin J. Jacobson In her new book, The American Adrenaline Narrative (University of Georgia Press), Kristin Jacobson considers the nature of perilous outdoor adventure tales, their gendered biases, and how they simultaneously promote and hinder ecological sustainability.
To explore these themes, Jacobson defines and compares adrenaline narratives by a range of American authors published after the first Earth Day in 1970, a time frame selected as a watershed moment for the contemporary American environmental movement. The forty-plus years since that day also mark the rise in the popularity and marketing of many things as "extreme," including sports, jobs, travel, beverages, gum, makeovers, laundry detergent, and even the environmental movement itself.
Jacobson maps the American eco-imagination via adrenaline narratives, surveying a range of popular and lesser-known primary texts by American authors, including best-sellers such as Jon Krakauer's Into Thin Air and Aron Ralston's Between a Rock and a Hard Place. She also covers lesser-known novels as well as stories found in all types of media ranging from magazines, feature-length and short films, television shows, amateur videos, social media posts, advertising, and blogs.
Jacobson argues for recognizing adrenaline narratives as a distinctive genre because, unlike traditional nature, travel, and sports writing, adrenaline narratives sustain heightened risk or the element of the "extreme" within a natural setting. Additionally, these narratives provide important insight into the American environmental imagination's connection to masculinity and adventure––knowledge that helps us grasp the current climate crisis and see how narrative understanding provides a needed intervention.
Kristin Jacobson is a professor of American literature, American Studies, and Women’s, Gender and Sexuality Studies at Stockton University in New Jersey. She completed her Ph.D. at Penn State, her M.A. at the University of Colorado-Boulder, and her B.A. at Carthage College in Kenosha, WI.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.
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What does the history of men tell us about life today? In Men and Masculinities in Modern Britain: A History for the Present (Manchester UP, 2024), the editors Matt Houlbrook, a Professor of Cultural History at the University of Birmingham, Katie Jones, an independent scholar living in Birmingham, and Ben Mechen, an Associate Lecturer in Modern British History at University College London, bring together a range of essays presenting historical research and contemporary reflections on both the history and historiography of men. The collection is organised into four themes across institutions, histories, everyday lives and bodies. The themes gather an eclectic yet interrelated set of chapters ranging from how bureaucracy intersects with race and gender, through reflections on sexuality and censorship, to place based analysis of work and communities. Essential reading for both historians and anyone interested in understanding contemporary society, the book is available open access here.
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I Spit On Your Celluloid: The History of Women Directing Horror Movies (Headpress, 2024) by Heidi Honeycutt is the first book-length history of female horror directors from the late 1800s to present day. Having conducted hundreds of interviews and watched thousands of horror films, Honeycutt defines the political and cultural forces that shape the way modern horror movies are made by women. The women's rights and civil rights movements, new distribution technology, digital cameras, the destruction of the classic studio system, and the abandonment of the Hays code have significantly impacted women directors and their movies. So, too, social media, modern ideas of gender and racial equality, LGBTQ acceptance, and a new generation of provocative, daring films that take shocking risks in the genre. Includes short films, anthologies, documentaries, animated horror, horror pornography, pink films, and experimental horror.
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In Dance Music Spaces: Clubs, Clubbers, and DJs Navigating Authenticity, Branding, and Commercialism (Lexington Books, 2022), Danielle Antoinette Hidalgo examines the production of physical and digital spaces in dance music, and how the players—clubs, clubbers, and DJs—use authenticity, branding, and commercialism to navigate them. An in-depth study into three women DJs—The Blessed Madonna, Honey Dijon, and Peggy Gou—reveals a new concept, “authenticity maneuvering.” In it Danielle Hidalgo exposes how the strategic use of a rave ethos both bolsters acceptance in dance music spaces and hides often problematic commercial practices. This timely, thoughtful, and deeply personal book presents a compelling analysis of the complicated interplay between dancing bodies, digital practices, and spatial offerings in contemporary dance music.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is in the areas of social construction of experience, identity, and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by employees of bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at [email protected].
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In this episode Hizer Mir and his co-author Sahar Ghumkhor talk to Shareef Muhammad about the phenomenon of Muslims in the Manosphere. Shareef is a scholar of history based in Atlanta, Georgia, who works on Muslims, race and third worldism - especially the experience of Black Muslims in the context of imperial America. This interview results from an article Sahar and Hizer wrote about the Muslim Manosphere, which observes the behaviour of Muslim men in alt right online spaces. Together with Shareef, they explain what drives these Muslim men to make alarming alliances with the far-right white supremacist men they meet online, and what this means for their understanding of Muslim masculinity.
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Paige Reynolds's book Modernism in Irish Women's Contemporary Writing: The Stubborn Mode (Oxford UP, 2023) examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world.
Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse.
Disclaimer/apology: Slightly stormy conditions during the recording of the interview led to slightly reduced sound quality.
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Coming Out Republican: A History of the Gay Right (U Chicago Press, 2024) is a fascinating and engaging historical tour of those who were gay and active in Republican and conservative politics over the course of the last 80 years. Neil J. Young has written an accessible and deeply sources book that brings forward stories about those in the closet, those out of the closet, and in some cases, the move to come out as gay in Republican politics and in conservative activism. Young explains early on that part of the impetus for the book is the contemporary question: why would anyone be a gay Republican? But the discussion is far from simple, and the book traces more than eight decades of history focusing on the evolution and changing ideology of the Republican Party while also exploring different factions within the party, in a variety of places and regions in the United States. All of this is woven together to provide a lively history. Young himself is part of this history, as he explains his own political evolution and his personal story.
One of the points that becomes clear in Coming Out Republican is that there are distinctions between conservativism and Republican politics. It is also undeniable from the research and the history that the individuals who are gay Republicans, either in the 1950s or in the 1980s or in the 2020s, are generally middle- or upper-class white men. The book starts in the 1950s in Washington, D.C., where a number of closeted gay men were instrumental in fundraising and political activism for both the Republican Party and the conservative movement. Young also notes that Washington, D.C. at this time had a lively gay community. What is fascinating with this starting point is that these gay men were adamantly anti-Communist, as Young explains it, they were essentially creating a kind of closet for themselves that protected them from many of the homophobic attacks that were made during the McCarthy era. Moving through historical periods and back and forth across the country, Young traces the different kinds of activists and the causes within the Republican party that animated them—personal freedom and liberty, bodily autonomy, fiscal conservativism, anti-statism, etc.—alongside the evolution of the Republican Party itself, which integrates white Evangelical voters, especially from the South, during this same time period.
Coming Out Republican provides the reader with essentially two historical accounts, focusing on the role and place of gay Republicans and conservatives within the party and the conservative movement as a whole, while also delineating the shifts in the conversative movement towards the New Right, and a Republican Party that highlights socially conservative policy, which tends to be more limiting of individual freedom and bodily autonomy. Coming Out Republican: A History of the Gay Right also outlines the other side of the LGBTQ movement, teasing out how those on the left were or were not engaged in the quest for equal rights and full citizenship for LGBTQ individuals. This is a really interesting assessment, since it pulls out competing approaches to rights advocacy and political advocacy, and also spotlights the places and times when advocacy was absent.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social
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The story of four remarkable women who shaped the intellectual history of the 20th century: Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch.
On the cusp of the Second World War, four women went to Oxford to begin their studies: a fiercely brilliant Catholic convert; a daughter of privilege longing to escape her stifling upbringing; an ardent Communist and aspiring novelist with a list of would-be lovers as long as her arm; and a quiet, messy lover of newts and mice who would become a great public intellectual of our time. They became lifelong friends. At the time, only a handful of women had ever made lives in philosophy. But when Oxford's men were drafted in the war, everything changed.
As Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch labored to make a place for themselves in a male-dominated world, as they made friendships and families, and as they drifted toward and away from each other, they never stopped insisting that some lives are better than others. They argued that courage and discernment and justice--and love--are the heart of a good life.
The Women Are Up to Something: How Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch Revolutionized Ethics (Oxford UP, 2021) presents the first sustained engagement with these women's contributions: with the critique and the alternative they framed. Drawing on a cluster of recently opened archives and extensive correspondence and interviews with those who knew them best, Benjamin Lipscomb traces the lives and ideas of four friends who gave us a better way to think about ethics, and ourselves.
Benjamin J. B. Lipscomb is Professor of Philosophy and Director of the Honors Program at Houghton University. He lives with his family in Fillmore, New York, when his teaching doesn't call him to London for a season.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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The beginning of the modern contraceptive era began in 1882, when Dr. Aletta Jacobs opened the first birth control clinic in Amsterdam. The founding of this facility, and the clinical provision of contraception that it enabled, marked the moment when physicians started to take the prevention of pregnancy seriously as a medical concern. In Contraception: A Concise History (The MIT Press, 2020), Donna Drucker traces the history of modern contraception, outlining the development, manufacturing, and use of contraceptive methods from the opening of Dr. Jacobs's clinic to the present. Drucker approaches the subject from the perspective of reproductive justice: the right to have a child, the right not to have a child, and the right to parent children safely and healthily.
Drucker describes contraceptive methods available before the pill, including the diaphragm (dispensed at the Jacobs clinic) and condom, spermicidal jellies, and periodic abstinences. She looks at the development and dissemination of the pill and its chemical descendants; describes technological developments in such non-hormonal contraceptives as the cervical cap and timing methods (including the “rhythm method” favored by the Roman Catholic church); and explains the concept of reproductive justice. Finally, Drucker considers the future of contraception—the adaptations of existing methods, new forms of distribution, and ongoing efforts needed to support contraceptive access
Dr. Donna Drucker leads the English as the Language for Instruction Project, which helps faculty, administrative staff, scientific staff, and students at the Technische Universität Darmstadt (Germany) improve their English abilities for teaching and learning.
Chris Babits is an Andrew W. Mellon Engaged Scholar Initiative Postdoctoral Fellow at the University of Texas at Austin. He researches the intersecting histories of medicine, religion, and gender and sexuality and is currently working on his book about the history of conversion therapy in the United States.
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In the 1990s, India's mediascape saw the efflorescence of edgy soft-porn films in the Malayalam-speaking state of Kerala. In Rated A: Soft-Porn Cinema and Mediations of Desire in India (U California Press, 2024), Darshana Sreedhar Mini examines the local and transnational influences that shaped Malayalam soft-porn cinema—such as vernacular pulp fiction, illustrated erotic tales, and American exploitation cinema—and maps the genre's circulation among blue-collar workers of the Indian diaspora in the Middle East, where pirated versions circulate alongside low-budget Bangladeshi films and Pakistani mujra dance films as South Asian pornography. Through a mix of archival and ethnographic research, Mini also explores the soft-porn industry's utilization of gendered labor and trust-based arrangements, as well as how actresses and production personnel who are marked by their involvement with a taboo form negotiate their social lives. By locating the tense negotiations between sexuality, import policy, and censorship in contemporary India, this study offers a model for understanding film genres outside of screen space, emphasizing that they constitute not just industrial formations but entire fields of social relations and gendered imaginaries.
Dr. Darshana Sreedhar Mini is an Assistant Professor at the University of Wisconsin- Madison. She did her PhD from the University of Southern California. Her teaching and research lie at the intersection of gender, sexuality, transnational media, migrant media and screen cultures of South Asia. She is the co-editor of South Asian Pornographies: Vernacular Formations of the Permissible and the Obscene (Routledge, 2024).
Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha
Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media, National University of Singapore, Singapore. She can be reached at [email protected]
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Elizabeth Cohen, Professor Emerita at York University, joins Jana Byars to talk about her new volume, Non-Elite Women's Networks Across the Early Modern World (Amsterdam University Press, 2023), edited with Marilee Couling. Non-elite or marginalized early modern women-among them the poor, migrants, members of religious or ethnic minorities, abused or abandoned wives, servants, and sex workers-have seldom left records of their experiences. Drawing on a variety of sources, including trial records, administrative paperwork, letters, pamphlets, hagiography, and picaresque literature, this volume explores how, as social agents, these doubly invisible women built and used networks and informal alliances to supplement the usual structures of family and community that often let them down. Ten essays, ranging widely in geography from the eastern Mediterranean to colonial Spanish America and in time from the sixteenth to the eighteenth centuries, show how flexible, sometimes ad hoc relationships could provide crucial practical and emotional support for women who faced problems of livelihood, reputation, displacement, and violence.
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The psychological establishment has long pathologized diverse forms of sexual identity and gender expression. In the mid-century, a brave movement of gays and lesbians fought back and claimed: no, actually, we’re healthy. But in the process, did they define other identities unhealthy?
This is episode two of Cited Podcast's returning season, the Rationality Wars. It tells stories about the political and intellectual battles to define rationality and irrational. For the rest of the series, visit citedpodcast.com. You will be able find this on all the relevant podcatchers (Apple, Spotify, etc.). If you use something else or you cannot find our feed, you can manually add our RSS feed.
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Credited with popularizing the label "ex-wife" in 1929, Ursula Parrott wrote provocatively about divorcées, career women, single mothers, work-life balance, and a host of new challenges facing modern women. Her best sellers, Hollywood film deals, marriages and divorces, and run-ins with the law made her a household name. Part biography, part cultural history, Becoming the Ex-Wife: The Unconventional Life and Forgotten Writings of Ursula Parrott (U California Press, 2024) establishes Parrott's rightful place in twentieth-century American culture, uncovering her neglected work and keen insights into American women's lives during a period of immense social change.
Although she was frequently dismissed as a "woman's writer," reading Parrott's writing today makes it clear that she was a trenchant philosopher of modernity—her work was prescient, anticipating issues not widely raised until decades after her decline into obscurity. With elegant wit and a deft command of the archive, Marsha Gordon tells a timely story about the life of a woman on the front lines of a culture war that is still raging today.
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In Surgery & Salvation: The Roots of Reproductive Injustice in Mexico, 1770-1940 (University of North Carolina Press, 2023), Elizabeth O’Brien foregrounds the racial and religious meanings of surgery to draw important connections between historical and contemporary politics regarding fetal and maternal healthcare. She traces practices of caesarean section and coercive Christianization throughout Mexico’s colonial period; patriarchal pregnancy management during republican state formation; and tubal ligation and vaginal bifurcation in Mexico’s twentieth century Eugenics movement. Surgery and Salvation has received several awards including the Rocky Mountain Council for Latin American Studies’ Judy Ewell Award; the Latin American Studies Association 2024 Best Book Award for the Nineteenth-Century Section; and Honorable Mention for the 2024 Frances Richardson Keller-Sierra Prize (WAWH) as well as the Thomas McGann Prize (RMCLAS). O’Brien is an Assistant Professor of the History of Medicine and Latin American History at the University of California, Los Angeles. In this episode, O'Brien is interviewed by Leah Cargin (PhD candidate, University of Oklahoma).
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Including women in the global South as users, producers, consumers, designers, and developers of technology has become a mantra against inequality, prompting movements to train individuals in information and communication technologies and foster the participation and retention of women in science and technology fields.
In In Defense of Solidarity and Pleasure: Feminist Technopolitics from the Global South (Stanford UP, 2023), Firuzeh Shokooh Valle argues that these efforts have given rise to an idealized, female economic figure that combines technological dexterity and keen entrepreneurial instinct with gendered stereotypes of care and selflessness. Narratives about the "equalizing" potential of digital technologies spotlight these women's capacity to overcome inequality using said technologies, ignoring the barriers and circumstances that create such inequality in the first place as well as the potentially violent role of technology in their lives. In Defense of Solidarity and Pleasure examines how women in the Global South experience and resist the coopting and depoliticizing nature of these scripts. Drawing on fieldwork in Costa Rica and a transnational feminist digital organization, Shokooh Valle explores the ways that feminist activists, using digital technologies as well as a collective politics that prioritize solidarity and pleasure, advance a new feminist technopolitics.
Firuzeh Shokooh Valle is Assistant Professor of Sociology at Franklin and Marshall College. Previously, she was a journalist in Puerto Rico covering violence against women, the LGBTQI+ community, migration, racism, and social movements, and earned numerous national awards for her investigative work.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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Brynn Quick speaks with Dr. Ella van Hest (Ghent University, Belgium) about her ethnographic research related to language diversity at an abortion clinic in Belgium. The conversation focusses on a co-authored paper entitled Language policy at an abortion clinic published in Language Policy in 2023.
For additional resources, show notes, and transcripts, go here.
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Throughout its history, the American West symbolized a place of hope and new beginnings, where anything was possible, especially for men. However, the history written until the 1970s and 1980s excluded women.
In 'Gold Fever' and Women: Transformations in Lives, Health Care and Medicine in the 19th Century American West (Transcript, 2023), Sigrid Schönfelder illustrates how the American West served as a catalytic gold mine for many transformations for women. It draws on the life narratives of three healthcare providers whose devotion within the social reform movements of the long nineteenth century contributed significantly to shaping healthcare policies. Their stories show how women contributed to place-making in the West and served as role models for other women to enter the field of medicine.
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Previously ranked among the hemisphere’s poorest countries, Guyana is becoming a global leader in per capita oil production, a shift which promises to profoundly transform the nation. This sea change presents a unique opportunity to dissect both the environmental impacts of modern-world resource extraction and the obscured yet damaging ways in which intersectional race and gender formations circumscribe Caribbean women’s lives.
Drawing from archival research and oral history, and examining mass-mediated flashpoints across the African and Indian diasporas―including Rihanna’s sonic routes, ethnic conflict reportage, HBO’s Lovecraft Country, and Netflix’s Indian Matchmaking―Global Guyana: Shaping Race, Gender, and Environment in the Caribbean and Beyond (NYU Press, 2024) repositions this marginalized nation as a nexus of social and economic activity which drives popular culture and ideas about sexuality while reshaping the geopolitical and literal topography of the Caribbean region. Oneka LaBennett employs the powerful analytic of the pointer broom to disentangle the symbiotic relationship between Guyanese women’s gendered labor and global racial capitalism. She illuminates how both oil extraction and sand export are implicated in a well-established practice of pillaging the Caribbean’s natural resources while masking the ecological consequences that disproportionately affect women and children.
Global Guyana uncovers how ecological erosion and gendered violence are entrenched in extractive industries emanating from this often-effaced but pivotal country. Sounding the alarm on the portentous repercussions that ambitious development spells out for the nation’s people and its geographical terrain, LaBennett issues a warning for all of us about the looming threat of global environmental calamity.
Oneka LaBennett is Associate Professor of American Studies and Ethnicity and Gender and Sexuality Studies at the University of Southern California. She’s the author of She’s Mad Real: Popular Culture and West Indian Girls in Brooklyn and co-editor of Racial Formation in the Twenty-First Century.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
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Between the 1920s and 1980s, the choices that Ghanaian women made regarding their reproductive health were defined by development policy and practice. Spanning the colonial and immediate postcolonial periods, Holly Ashford's book Development and Women's Reproductive Health in Ghana, 1920-1982 (Routledge, 2022) demonstrates that whilst the substance of development discourse shifted over time, principles of development continued to be used to impact and legitimise reproductive health policy and practices well after independence. The book explores Ghana’s pluralist health system, the introduction of maternal and child welfare, the dominance of the Red Cross in Ghana’s maternal and child health landscape, nationalist pronatalism and global population activism. In order to understand how global iterations of development and health policy impacted ordinary lives in Ghana, the author uses evidence from multiple ‘levels,’ including private papers, national archives and records of international and transnational organisations. Providing balanced archival perspectives, the book includes extensive oral history interviews carried out with both rural Ghanaian women and traditional birth attendants, as well as with midwives, doctors and family planning fieldworkers.
This book will have an important impact on a number of historical fields including Ghanaian history, global health history, global histories of population and family planning and histories of development. It will be of interest to researchers and students in the history of public health, development, Africa, Ghana and gender.
Dr. Nicole Bourbonnais is an Associate Professor of International History and Politics and Co-Director of the Gender Centre at the Graduate Institute of International and Development Studies in Geneva, Switzerland. Her research explores reproductive politics and practice from a transnational historical perspective. More info here. Twitter: @iheid_history and @GC_IHEID
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Asians on Demand: Mediating Race in Video Art and Activism (University of Minnesota Press, 2023) explores a multilingual archive of contemporary queer and feminist videos by Asian diasporans in North America, Europe, and East Asia. It grapples with the pressing question of how media representation can critique and advance social justice for racialized minorities in the wake of today’s unprecedented rise of onscreen diversity.
Feng-Mei Heberer is an Assistant Professor in the Department of Cinema Studies at New York University. She is also a faculty affiliate of the department’s Asian Film and Media Initiative. Her research interests lie at the junctures of labor, transnational migration, and Asian diaspora, and her work draws heavily on the insights of ethnic studies, queer studies, feminist studies, and critical area studies. In addition, she researches and works in film curation and community arts and culture organizing.
Ailin Zhou is a PhD student in Film & Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories.
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Feminist Perspective on Russia’s War in Ukraine: Hear Our Voices came out with Lexington Books at the two-year’s mark of Russia’s full-scale invasion of Ukraine, in February 2024. This volume undertakes an exploration of how gender norms have been transgressed and cultural expectations of womanhood and manhood evolved within the context of the war in Ukraine, ongoing since 2014. Edited by Maryna Shevtsova, it gives voice to feminist scholars and practitioners from Ukraine and the wider Central and Eastern European region who share their perspectives on the complex interconnection between gender and warfare.
Table of contents is available here.
Maryna Shevtsova is a Senior Postdoctoral Fellow of the Flanders Research Foundation at the Catholic University of Leuven in Belgium.
Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism.
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The third edition of Women and the American Experience: A Concise History (Routledge, 2024) is a comprehensive survey of U.S. women’s history from the seventeenth century to the present that illuminates the diversity of women’s experience and underscores the roles that women have played as agents of change.
Moving women’s lives from the margins of history into the spotlight, the text draws links between women’s experience and traditional facets of history, such as colonization, industrialization, politics, and war. This new edition grapples with emerging themes and debates in the field. A new chapter covers the Civil War and emancipation. Discussions of current issues include the COVID-19 pandemic and its impact on women’s health and work, the #MeToo movement, transgender activism, reproductive rights, and the ERA. Updated suggestions for further reading reinforce evolving trends in women’s history.
Used often to shape college curricula and revised to include recent research, this book is designed to serve students, teachers, and general readers concerned with U.S. history and women’s past.
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A conversation with award-winning academic Dr. Shabana Mir discussing her book Muslim American Women on Campus: Undergraduate Social Life and Identity (UNC Press, 2016) Interviewer: Sofia Rehman.
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In this episode we are joined by Thomas Hendriks, an anthropologist studying capitalism and resource extraction in the Democratic Republic of Congo. Hendriks' work is amongst the most innovative in the anthropological study of capitalism, drawing upon queer theory, feminist ethnography, and phenomenology to make sense of cutting down large trees in the tropical rainforest.
Congolese logging camps are places where mud, rain, fuel smugglers, and village roadblocks slow down multinational timber firms; where workers wage wars against trees while evading company surveillance deep in the forest; where labor compounds trigger disturbing colonial memories; and where blunt racism, logger machismo, and homoerotic desires reproduce violence. In Rainforest Capitalism: Power and Masculinity in a Congolese Timber Concession (Duke UP, 2021) Thomas Hendriks examines the rowdy world of industrial timber production in the Democratic Republic of the Congo to theorize racialized and gendered power dynamics in capitalist extraction. Drawing on ethnographic fieldwork among Congolese workers and European company managers as well as traders, farmers, smugglers, and barkeepers, Hendriks shows how logging is deeply tied to feelings of existential vulnerability in the face of larger forces, structures, and histories. These feelings, Hendriks contends, reveal a precarious side of power in an environment where companies, workers, and local residents frequently find themselves out of control. An ethnography of complicity, ecstasis, and paranoia, Rainforest Capitalism queers assumptions of corporate strength and opens up new ways to understand the complexities and contradictions of capitalist extraction.
Elliott M. Reichardt, MPhil, is a PhD Candidate in Socio-Cultural Anthropology at Stanford University. Elliott conducts fieldwork on Dakelh Territory in Northern British Columbia, on capitalism, forestry, and colonialism. Elliott is studies contestations over profit, property and territory on Indigenous land. Elliott also has long standing interests in medical anthropology and the history of science and medicine.
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Stories are woven into the fabric of our most personal garments. From the first loincloths to the intricate layers of shapewear, the concealed world of underwear is capable of expressing individual desire and also aspects of society at large.
An indicator of the vagaries of fashion, underwear can be simple or elaborate. It both safeguards and exposes, reflecting our hopes and experiences. Underwear can embarrass and excite, amuse and shame us. The Virtues of Underwear: Modesty, Flamboyance, and Filth (Reaktion, 2024) by Nina Edwards illuminates the sometimes profound significance of the garments we wear beneath our outer clothing. It discusses the history of both women’s and men’s underwear, and global cultures of dress.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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From the 1960s through the 1990s, the most common job for women in the United States was clerical work. Even as college-educated women obtained greater opportunities for career advancement, occupational segregation by gender remained entrenched. How did feminism in corporate America come to represent the individual success of the executive woman and not the collective success of the secretary?
Allison Elias argues that feminist goals of advancing equal opportunity and promoting meritocracy unintentionally undercut the status and prospects of so-called "pink-collar" workers. In the 1960s, ideas about sex equality spurred some clerical workers to organize, demanding "raises and respect," while others pushed for professionalization through credentialing. This cross-class alliance pushed a feminist agenda that included unionizing some clerical workers and advancing others who had college degrees into management. But these efforts diverged in the 1980s, when corporations adopted measures to move qualified women into their upper ranks. By the 1990s, corporate support for professional women resulted in an individualistic feminism that focused on the needs of those at the top. Meanwhile, as many white, college-educated women advanced up the corporate ladder, clerical work became a job for lower-socioeconomic-status women of all races.
The Rise of Corporate Feminism: Women in the American Office, 1960-1990 (Columbia UP, 2022) considers changes in the workplace surrounding affirmative action, human resource management, automation, and unionization by groups such as 9to5. At the intersection of history, gender, and management studies, this book spotlights the secretaries, clerks, receptionists, typists, and bookkeepers whose career trajectories remained remarkably similar despite sweeping social and legal change.
Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1
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Women across the Caribbean have been writing, reading, and exchanging cookbooks since at least the turn of the nineteenth century. These cookbooks are about much more than cooking. Through cookbooks, Caribbean women, and a few men, have shaped, embedded, and contested colonial and domestic orders, delineated the contours of independent national cultures, and transformed tastes for independence into flavours of domestic autonomy.
Culinary Colonialism, Caribbean Cookbooks, and Recipes for National Independence (Rutgers University Press, 2024) by Dr. Keja Valens integrates new documents into the Caribbean archive and presents them in a rare pan-Caribbean perspective. The first book-length consideration of Caribbean cookbooks, Culinary Colonialism joins a growing body of work in Caribbean studies and food studies that considers the intersections of food writing, race, class, gender, and nationality. A selection of recipes, culled from the archive that Culinary Colonialism assembles, allows readers to savour the confluence of culinary traditions and local specifications that connect and distinguish national cuisines in the Caribbean.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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How have women resisted sexism in TV? In Producing Feminism: Television Work in the Age of Women’s Liberation (U California Press, 2024), Jennifer S. Clark, an Assistant Professor of Communication and Media Studies at Fordham University, explores the people, organisations, TV shows and audiences who all shaped women in and on television during the 1970s. Drawing on a production studies perspective, the book ranges widely from organisational archives, through key programmes and personalities, to specific genres including sport on TV. The analysis also offers a challenge to both contemporary television’s approach to equity and diversity issues, as well as a significant contribution to the history of television too. The book is essential reading across the humanities and social sciences, as well as for anyone interested in television. The book is also available open access here.
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Friendships can be the foundation of our earliest memories and most formative moments. But why are they often seen as secondary to romantic, or familial connection, something to age out of and take a back seat to other relationships? BFFs: The Radical Potential of Female Friendship (404 Ink, 2023) by Dr. Anahit Behrooz is an examination of the power of female friendship, not as something lesser, but as a site of radical intimacy, as told through the cultural touchstones around us.
From coming-of-age tales through physical intimacy and discovering personhood to break ups and parting of ways, Dr. Behrooz considers the vast significance of our friendships through the work of Toni Morrison and Elena Ferrante, Booksmart and Grey’s Anatomy, Insecure, The Virgin Suicides and beyond.
To have a life rich in love is often viewed through a specific lens; BFFs shows us that friendship can offer a more expansive and emancipatory understanding of female intimacy, and can be the most important, loving relationships in our lives.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Can capitalism be made ecologically sustainable? Can it be good for women? What theoretical approaches help us to grapple with these questions in ways that offer us strategies for how to proceed? Have we already become lost in some sort of gender essentialism to ask these questions together?
In Feminism, Capitalism, and Ecology (Northwestern University Press, 2023), Johanna Oksala brings the resources of ecofeminism and Marxist feminism to these questions, arguing that capitalism cannot be made sustainable, nor can it do without the expropriation of bodies that produce new laborers and consumers. By attending to the rise of biocapitalism, Oksala further develops analytic resources for diagnosing the fundamental problems of an economic system predicated on profit, consumer choice, and endless growth. She also gives us theoretical tools for discerning strategies that will help us create a world beyond capitalism.
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An increasing number of students worldwide attend graduate school while simultaneously navigating a variety of competing responsibilities in their personal lives. For many students, this includes both parenting and working full-time, while maintaining a rigorous graduate course-load. Because academia overwhelmingly defaults to assuming all graduate students’ needs are similar to those of middle-class single white males, PhDing while parenting remains under-explored in the literature, and hidden in plain sight on campus. Graduate students are often reluctant to talk to their supervisors about the strains of juggling a demanding private life while attending school…until they hit a personal crisis or they burn out. But what if supervisors were trained to mentor holistically? What if they tailored support, checking in with students not just about their academic progress, but about their off-campus priorities and problems as well?
In today’s episode, we explore why graduate supervisors need to be trained to connect their students to a variety of necessary resources, to help their student-parents get to PhDone. We explore the new case-study documenting experiences of doctoral students in South Africa juggling both parental and professional roles. And we dive into the findings of the new article “Balanced-Integration: A Dimension of Supervision to Support Students Navigating Parenthood in Pursuit of a PHD,” by Dr. S. Nkoala, which was published in South African Journal of Higher Education Volume 38, Number 1, in March 2024.
Our guest is: Dr. Sisanda Nkoala who is an Associate Professor in the Linguistics Department at the University of the Western Cape. She has won numerous awards, and serves as vice-chair of the IAMCR’s media education research section, the African Journalism Educators Network secretary-general, as an associate editor for the Journal of Communication Technology, a public representative on the South African Press Council, a member of the Film & Publication Board’s Appeals Tribunal, and as the vice-president of the South African Communication Association. She is published in many journals, and is the editor of 100 Years of Radio in South Africa, Volume 1: South African Radio Stations and Broadcasters Then & Now, and Community Radio, Digital Radio and the Future of Radio in South Africa.
Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. You can help support the show by downloading, assigning, or sharing any of our 200+ episodes.
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Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (Cambridge University Press, 2022) by Dr. Harry McCarthy provides a new approach to the study of early modern boy actors, offering a historical re-appraisal of these performers' physical skills in order to reassess their wide-reaching contribution to early modern theatrical culture. Ranging across drama performed from the 1580s to the 1630s by all-boy and adult companies alike, the book argues that the exuberant physicality fostered in boy performers across the early modern repertory shaped not only their own performances, but how and why plays were written for them in the first place. Dr. McCarthy's ground-breaking approach to boy performance draws on detailed analysis of a wide range of plays, thorough interrogation of the cultural contexts in which they were written and performed, and present-day practice-based research, offering a critical reimagining of this important and unique facet of early modern theatrical culture.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The unintended consequences of youth empowerment programs for Latino boys Educational research has long documented the politics of punishment for boys and young men of color in schools—but what about the politics of empowerment and inclusion? In Good Boys, Bad Hombres: The Racial Politics of Mentoring Latino Boys in Schools (U Minnesota Press, 2024), Michael V. Singh focuses on this aspect of youth control in schools, asking on whose terms a positive Latino manhood gets to be envisioned. Based on two years of ethnographic research in an urban school district in California, Good Boys, Bad Hombres examines Latino Male Success, a school-based mentorship program for Latino boys. Instead of attempting to shape these boys’ lives through the threat of punishment, the program aims to provide an “invitation to a respectable and productive masculinity” framed as being rooted in traditional Latinx signifiers of manhood.
Singh argues, however, that the promotion of this aspirational form of Latino masculinity is rooted in neoliberal multiculturalism, heteropatriarchy, and anti-Blackness, and that even such empowerment programs can unintentionally reproduce attitudes that paint Latino boys as problematic and in need of control and containment. An insightful gender analysis, Good Boys, Bad Hombres sheds light on how mentorship is a reaction to the alleged crisis of Latino boys and is governed by the perceived remedies of the neoliberal state. Documenting the ways Latino men and boys resist the politics of neoliberal empowerment for new visions of justice, Singh works to deconstruct male empowerment, arguing that new narratives and practices—beyond patriarchal redemption—are necessary for a reimagining of Latino manhood in schools and beyond.
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Women working in the sciences face obstacles at virtually every step along their career paths. From subtle slights to blatant biases, deep systemic problems block women from advancing or push them out of science and technology entirely.
Women in Science Now: Stories and Strategies for Achieving Equity (Columbia UP, 2023) examines solutions to this persistent gender gap, offering new perspectives on how to make science more equitable and inclusive for all. This book shares stories and insights of women from a range of backgrounds working in various disciplines, illustrating the journeys that brought them to the sciences, the challenges they faced along the way, and the important contributions they have made to their fields. Lisa M. P. Munoz combines these narratives with a wealth of data to illuminate the size and scope of the challenges women scientists face, while highlighting research-based solutions to help overcome these obstacles. She presents groundbreaking studies in social psychology and organizational behavior that are informing novel approaches for combating historic and ongoing inequities.
Through a combined focus on personal experiences and social-science research, this timely book provides both a path toward greater gender equity and an inspiring vision of science and scientists.
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How do unequal societies function? In Holding It Together: How Women Became America's Safety Net (Portfolio, 2024), Jesscia Calarco, an Associate Professor of Sociology at the University of Wisconsin-Madison, examines how America’s DIY society depends on the labour of mothers and excludes the sorts of social supports present in other countries. This dependence has hugely negative social and individual consequences, as demonstrated by the rich qualitiative and quantitative data examined in the book. Alongside the analysis of the problems and consequences of women’s role in the US, the book also thinks through solutions, demonstrating how much political discourse is far from the collective action that is likely to be effective for social change. An outstanding contribution to social science and contemporary politics, the book is essential reading for anyone interested in contemporary social inequalities.
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Today’s book is: More Than A Glitch: Confronting Race, Gender, and Ability Bias in Tech (MIT Press, 2024), by Meredith Broussard. When technology reinforces inequality, it's not just a glitch—it's a signal that we need to redesign our systems to create a more equitable world. The word “glitch” implies an incidental error, as easy to patch up as it is to identify. But what if racism, sexism, and ableism aren't just bugs in mostly functional machinery? What if they're coded into the system itself?
Meredith Broussard demonstrates in More Than a Glitch how neutrality in tech is a myth and why algorithms need to be held accountable. Broussard, a data scientist and one of the few Black female researchers in artificial intelligence, masterfully synthesizes concepts from computer science and sociology. She explores a range of examples: from facial recognition technology trained only to recognize lighter skin tones, to mortgage-approval algorithms that encourage discriminatory lending, to the dangerous feedback loops that arise when medical diagnostic algorithms are trained on insufficiently diverse data. Even when such technologies are designed with good intentions, Broussard shows, fallible humans develop programs that can result in devastating consequences. Broussard argues that the solution isn't to make omnipresent tech more inclusive, but to root out the algorithms that target certain demographics as “other” to begin with. With sweeping implications for fields ranging from jurisprudence to medicine, the ground-breaking insights of More Than a Glitch are essential reading for anyone invested in building a more equitable future.
Our guest is: Meredith Broussard, who is an associate professor at the Arthur L. Carter Journalism Institute of New York University, research director at the NYU Alliance for Public Interest Technology, and the author of several books, including More Than a Glitch: Confronting Race, Gender, and Ability Bias in Tech, and Artificial Unintelligence: How Computers Misunderstand the World. Her academic research focuses on artificial intelligence in investigative reporting and ethical AI, with a particular interest in using data analysis for social good.
Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. You can help support the show by downloading, sharing, posting about, or assigning any of our 200+ episodes.
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Amidst the global instability of the early twentieth century, white Christian American women embraced the idea of an “empire of Christ” that was racially diverse, but which they believed they were uniquely qualified to manage. America’s burgeoning power, combined with women’s rising roles within the church, led to white Protestant women adopting a feminism rooted in religion and imperialism.
In Christian Imperial Feminism: White Protestant Women and the Consecration of Empire (NYU Press, 2024), Dr. Gale L. Kenny examines this Christian imperial feminism from the women’s missionary movement to create a Christian world order. She shows that this Christian imperial feminism marked a break from an earlier Protestant worldview that focused on moral and racial purity and in which interactions among races were inconceivable. This new approach actually prioritised issues like civil rights and racial integration, as well as the uplift of women, though the racially diverse world Christianity it aspired to was still to be rigidly hierarchically ordered, with white women retaining a privileged place as guardians.
In exposing these dynamics, this book departs from recent scholarship on white evangelical nationalism to focus on the racial politics of white religious liberalism. Christian Imperial Feminism adds a necessary layer to our understanding of religion, gender, and empire.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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After the end of the Maoist era in the People's Republic of China, the rise of queer communities and non-governmental organizations (NGOs) has generated growing public and academic attention. Drawing on over a decade of ethnographic fieldwork in northwest China, Casey James Miller offers a novel, compelling, and intimately personal perspective on Chinese queer culture and activism.
In Inside the Circle: Queer Culture and Activism in Northwest China (Rutgers UP, 2023), Miller tells the stories of two courageous and dedicated groups of queer activists in the city of Xi’an: a grassroots gay men’s HIV/AIDS organization called Tong’ai and a lesbian women’s group named UNITE. Taking inspiration from “the circle,” a term used to imagine local, national, and global queer communities, Miller shows how everyday people in northwest China are taking part in queer culture and activism while also striving to lead traditionally moral lives in a rapidly changing society. The queer stories in this book broaden our understandings of gender and sexuality in contemporary China and show how taking global queer diversity seriously requires us to de-center Western cultural values, historical experiences, and theoretical perspectives.
Casey James Miller is Assistant Professor of anthropology at Muhlenberg College in Allentown, Pennsylvania. He receives his PhD degree in anthropology from Brandeis University. His work focuses on the intersections between queer anthropology, medical anthropology, and the anthropology of Chinese culture and society.
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
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Selling French Sex: Prostitution, Trafficking, and Global Migrations (Cambridge UP, 2024) is an illuminating account of the cultural, social, and economic history of the sale of 'French sex'. It explores the discourses and experiences surrounding the early twentieth century debate on sex trafficking, which mobilized various international reform movements to combat the coerced prostitution of young women abroad. According to popular legend and empirical studies, French women were present in brothels all over the world, where they were the most desired and best paid in the business. But were they trafficking victims or willing migrants? In this timely book, Elisa Camiscioli reconstructs the networks and mechanisms of cross-border migrations for sexual labor; elucidates women's motives for leaving and staying; and explains why French migrant sexual labor occupied such a prominent place in the underworld of prostitution, as well as in the imaginaries of anti-trafficking campaigners, immigration officials, and ordinary consumers of vice.
Elisa Camiscioli is a professor of history at Binghamton University. She specializes in immigration to and from France, sex trafficking, and race and sexual politics in modern France and its empire. She completed a B.A., cum laude, at University of Pennsylvania and earned a M.A. and Ph.D. from the University of Chicago. In addition to a number of peer-reviewed articles, she is the author of Reproducing the French Race: Immigration, Intimacy, and Embodiment in the Early Twentieth Century (Duke University Press. 2009). Dr. Camiscioli was co-editor of the Journal of Women's History from 2015 to 2020.
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Policing the Womb: Invisible Women and the Criminalization of Motherhood (Cambridge University Press, 2020) a brilliant but shocking account of the criminalization of all aspects of reproduction, pregnancy, abortion, birth, and motherhood in the United States. In her extensively researched monograph, Michele Goodwin recounts the horrific contemporary situation, which includes, for example, mothers giving birth shackled in leg irons, in solitary confinement, even in prison toilets, and in some states, women being coerced by the State into sterilization, in exchange for reduced sentences. She contextualises the modern day situation in America’s history of slavery and oppression, and also in relation to its place in the world. Goodwin shows how prosecutors abuse laws, and medical professionals are complicit in a system that disproportionally impacts the poor and women of color. However, Goodwin warns that these women are just the canaries in the coalmine. Not only is the United States the deadliest country in the developed world for pregnant women, but the severe lack of protections for reproductive rights and motherhood is compounding racial and indigent disparities.
Jane Richards is a doctoral candidate in Human Rights Law at the University of Hong Kong. Her research interests include disability, equality, criminal law and civil disobedience. You can find her on twitter @JaneRichardsHK where she avidly follows the Hong Kong’s protests and its politics.
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Patriarchy and Its Discontents: Psychoanalytic Perspectives (Routledge, 2022) joins luminaries in contemporary psychoanalysis with pioneers of feminism to provide a timely analysis of the crushing effects of patriarchy and the role that psychoanalysis can play in moving us into a future defined by mutuality and respect.
Departing from the contemporary psychoanalytic view that the socio-political and intrapsychic are inextricably linked, contributors use psychoanalysis as a tool to demystify and even dismantle patriarchy, while also examining how our theories, practices, and institutions have been implicated in it. The issues under examination here include important and often under-theorized topics such as institutional responses to boundary violations, the search for a black-feminist psychoanalytic theory, patriarchal enactments within the trans community, the persistence of patriarchy within contemporary psychoanalysis, and the impacts of patriarchy on diverse patient populations and ways to address this clinically.
This book represents the first anthology comprised of voices from both within and outside the psychoanalytic realm, outlining a contemporary feminist psychoanalysis for both an analytic and non-analytic audience. It is invaluable for both psychoanalysts and for those in gender studies wishing to draw on psychoanalytic thinking.
About the editors:
Jean Petrucelli is a training and supervising analyst, director and co-founder of the Eating Disorders, Compulsions and Addictions Service (EDCAS), a one-year certificate program, and founder and chair of the Conference Advisory Board (CAB) at the William Alanson White Institute.
Sarah Schoen is a training and supervising analyst at the William Alanson White Institute, faculty and supervisor at the Eating Disorders, Compulsions and Addictions Program at the William Alanson White Institute, and clinical professor of Psychology at the New York University Postdoctoral Program in Psychotherapy and Psychoanalysis.
Naomi Snider is a psychoanalyst in New York City and a graduate of the William Alanson White Institute’s Certificate Program in Psychoanalysis.
Helena Vissing, PsyD, SEP, PMH-C is a Licensed Psychologist practicing in California. She can be reached at [email protected]. She is the author of Somatic Maternal Healing: Psychodynamic and Somatic Treatment of Trauma in the Perinatal Period (Routledge, 2023).
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The contributors to Feminism Against Cisness (Duke UP, 2024) showcase the future of feminist historical, theoretical, and political thought freed from the conceptual strictures of cisness: the fallacy that assigned sex determines sexed experience. The essays demonstrate that this fallacy hinges on the enforcement of white and bourgeois standards of gender comportment that naturalize brutalizing race and class hierarchies. It is, therefore, no accident that the social processes making cisness compulsory are also implicated in anti-Blackness, misogyny, Indigenous erasure, xenophobia, and bourgeois antipathy for working-class life. Working from trans historical archives and materialist trans feminist theories, this volume demonstrates the violent work that cis ideology has done and thinks toward a future for feminism beyond this ideology's counterrevolutionary pull.
Contributors. Cameron Awkward-Rich, Marquis Bey, Kay Gabriel, Jules Gill-Peterson, Emma Heaney, Margaux L. Kristjansson, Greta LaFleur, Grace Lavery, Durba Mitra, Beans Velocci, Joanna Wuest.
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Eleanor Medhurst joins us today to talk about Unsuitable: A History of Lesbian Fashion (Hurst & Company, 2024). Clothes are integral to lesbian history. Lesbians, in turn, are integral to the history of fashion. The way that we dress can help us to present who we are to the world, or it can help us to hide ourselves. It can align us with a community or make us stand out from the crowd. For lesbians, fashion can have innumerable meanings - yet "lesbian fashion" is rarely considered, the main association between lesbians and their clothes being of un-fashionability.
In Unsuitable, Eleanor Medhurst explores the history of lesbian fashion, a field that has been overwhelmingly ignored within both fashion and queer histories. Unsuitable uncovers the relationships between lesbians and their clothes as well as their fashionable details, from top hats to violet tiaras. It spans centuries and continents: Anne Lister of nineteenth century Yorkshire and "Paris Lesbos" of the 1920s, butch/femme bar culture of the 1950s and lesbian activists in the '80s. It celebrates Black lesbian histories, trans lesbian histories, and histories of gender-nonconformity. The lesbian past is slippery; it has often deliberately been hidden, altered or left unrecorded. This book lights it up and shares it with the world, adorned in all its finery.
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Aya Gruber, a professor of law at the University of Colorado Law School, has written a history of how the women’s movement in America has shaped the law on domestic violence and sexual assault.
In The Feminist War on Crime: The Unexpected Role of Women’s Liberation in Mass Incarceration (University of California Press, 2020), Professor Gruber contends that the legal reform movement on sexual assault began with feminists in the 19th century, who argued in favor of temperance reform, partly in the hope that it would lead to less violence against women. She also argues that the social context in which sexual assault allegations were made in the 19th century, especially regarding African-American males and white women, influenced the outcomes in legal cases and divided the feminists of the 19th century. Professor Gruber also addresses the fissures created in the women’s movement from the 1960s through today regarding how sexual assault should be treated under the law has worked against justice for both victims and their assailants. Professor Gruber argues that sexual assault law is premised upon erroneous beliefs about how men and women interact, the norms of nonverbal conduct, and the efficacy of punitive solutions. In addition to covering the history of sexual assault law she addresses how the criminal law might be reformed to meet the “convergent interests” of men and women.
Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory.
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The idea of sexual fluidity may seem new, but it is at least as old as the ancient Greeks, who wrote about queer experiences with remarkable frankness, wit, and insight. Sarah Nooter's How to Be Queer: An Ancient Guide to Sexuality (Princeton UP, 2024) is an infatuating collection of these writings about desire, love, and lust between men, between women, and between humans and gods, in lucid and lively new translations. Filled with enthralling stories, this anthology invites readers of all sexualities and identities to explore writings that describe many kinds of erotic encounters and feelings, and that envision a playful and passionate approach to sexuality as part of a rich and fulfilling life.
How to Be Queer starts with Homer's Iliad and moves through lyric poetry, tragedy, comedy, philosophy, and biography, drawing on a wide range of authors, including Sappho, Plato, Anacreon, Pindar, Theognis, Aristophanes, and Xenophon. It features both beautiful poetry and thought-provoking prose, emotional outpourings and humorous anecdotes. From Homer's story of the relationship between Achilles and Patroclus, one of the most intense between men in world literature, to Sappho's lyrics on the pleasures and pains of loving women, these writings show the many meanings of what the Greeks called eros.
Complete with brief introductions to the selections, and with the original Greek on facing pages, How to Be Queer reveals what the Greeks knew long ago--that the erotic and queer are a source of life and a cause for celebration.
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In Violent Intimacies: The Trans Everyday and the Making of an Urban World (Duke UP, 2024), Aslı Zengin traces how trans people in Turkey creatively negotiate and resist everyday cisheteronormative violence. Drawing on the history and ethnography of the trans communal life in Istanbul, Zengin develops an understanding of cisheteronormative violence that expands beyond sex, gender and sexuality. She shows how cisheteronormativity forms a connective tissue among neoliberal governmentality, biopolitical and necropolitical regimes, nationalist religiosity and authoritarian management of social difference. As much as trans people are shaped by these processes, they also transform them in intimate ways. Transness in Turkey provides an insightful site for developing new perspectives on statecraft, securitization and surveillance, family and kin-making, urban geography, and political life. Zengin offers the concept of violent intimacies to theorize this entangled world of the trans everyday where violence and intimacy are co-constitutive. Violent intimacies emerge from trans people’s everyday interactions with the police, religious and medical institutions, street life, family and kinship, and trans femicides and funerals. The dynamic of violent intimacies prompts new understandings of violence and intimacy and the world-making struggles of trans people in a Middle Eastern context.
Aslı Zengin is Assistant Professor of Women’s, Gender, and Sexuality Studies at Rutgers University.
Alize Arıcan is an Assistant Professor of Anthropology at The City College of New York (CUNY). Her work has been featured in Environment and Planning D, Current Anthropology, and City & Society, among other journals and public-facing platforms. You can find her on Twitter @alizearican.
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Polo B. Moji's book Gender and the Spatiality of Blackness in Contemporary AfroFrench Narratives (Routledge, 2022) approaches the study of AfroEurope through narrative forms produced in contemporary France, a location which richly illustrates race in European spaces.
Moji adopts a transdisciplinary lens that combines critical black and urban geographies, intersectional feminism, and textual analysis to explore the spatial negotiations of black women in France. It assesses literature, film, and music as narrative forms and engages with the sociocultural and political contexts from which they emerge. Through the figure of the black flâneuse and the analytical framework of "walking as method", the book goes beneath spectacular representations of ghettoised banlieues, televised protests, and shipwrecked migrants to analyse the spatiality of blackness in the everyday. It argues that the material-discursive framing of black flânerie, as both relational and embodied movements, renders visible a politics of place embedded in everyday micro-struggles of raced-sexed subjects.
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In Queer Palestine and the Empire of Critique (Stanford University Press, 2020) anthropologist and activist Sa’ed Atshan explores the Palestinian LGBTQ movement and offers a window into the diverse community living both in historic Palestine and in diaspora.
His timely and urgent account contends that the movement has been subjected to an “empire of critique,” which has inhibited its growth and undermines the fight against homophobia in the region and beyond. On the one hand, explains Atshan, queer Palestinians must contend with the harsh realities of patriarchal nationalism, homophobia and heteronormativity, Israeli occupation, dehumanizing discourses such as ‘pinkwashing,’ and the legacies of western imperialism.
At the same time, Atshan argues that critiques against such issues – leveled by academics, journalists, and even queer activists – have contributed to a stifling ideological purism that has put activists on the defensive and alienates some queer Palestinians.
Along with a succinct presentation of the immense challenges faced by the LGBTQ-identifying Palestinians, Atshan highlights Palestinian agency, ingenuity, and resilience. He considers how progressive social movements around the world can navigate the often fraught and complex dynamics of intersectional activism, and leaves his readers with a vision of a diverse queer Palestinian movement capable of “radically reimagining possible futures.”
Sa’ed Atshan is an assistant professor of Peace and Conflict Studies at Swarthmore College.
Joshua Donovan is a History PhD candidate and Core Preceptor at Columbia University. His dissertation examines competing conceptions of identity and subjectivity within the Antiochian Greek Orthodox Christian community in Syria, Lebanon, and the diaspora.
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The Handbook of Modern and Contemporary Japanese Women Writers (MHM Limited and Amsterdam University Press, 2022) offers a comprehensive overview of women writers in Japan, from the late 19th century to the early 21st. Featuring 24 newly written contributions from scholars in the field—representing expertise from North America, Europe, Japan, and Australia—the Handbook introduces and analyzes works by modern and contemporary women writers that coalesce loosely around common themes, tropes, and genres. Putting writers from different generations in conversation with one another reveals the diverse ways they have responded to similar subjects. Whereas women writers may have shared concerns—the pressure to conform to gendered expectation, the tension between family responsibility and individual interests, the quest for self-affirmation—each writer invents her own approach. As readers will see, we have writers who turn to memoir and autobiography, while others prefer to imagine fabulous fictional worlds. Some engage with the literary classics—whether Japanese, Chinese, or European—and invest their works with rich intertextual allusions. Other writers grapple with colonialism, militarism, nationalism, and industrialization. This Handbook builds a foundation which invites readers to launch their own investigations into women’s writing in Japan.
Professor Rebecca Copeland is a professor of Japanese literature at Washington University in St. Louis. Professor Copeland’s research and teaching interests include modern and contemporary women’s writing in Japan, modern literature and material culture, and translation studies. She is the author of The Sound of the Wind: The Life and Works of Uno Chiyo (1992) and Lost Leaves: Women Writers of Meiji Japan (2000), the latter of which was named a Choice Outstanding Academic Title for 2001. She is the editor of Woman Critiqued: Translated Essays on Japanese Women's Writing (2006) and co-editor of The Father-Daughter Plot: Japanese Literary Women and the Law of the Father (2001) and Modern Murasaki: Writing by Women of Meiji Japan (2006), and Diva Nation: Female Icons from Japanese Cultural History (2018). Professor Copeland also translates one of the most well-known Japanese woman writer, Kirino Natsuo’s Grotesque (2007) and Joshinki (The Goddess Chronicles, 2012). The Goddess Chronicles won the 2014-15 Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature. Professor Copeland is also a creative writer and her debut novel, The Kimono Tattoo, was published in 2021.
Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Her primary research project focuses on female writers’ war experiences and memories of the Asia-Pacific War, entitled Women Writing War Memories. Her second research project explores how queerness is performed in Sinophone queer cultural productions. She has published articles about gender studies and queer studies in literature and culture as well as translations of scholarly and popular works in Chinese and English. She has been making a podcast named Gleaners with her friends for more than ten years and she is also a host of the East Asian Studies channel for the New Books Network.
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Castoffs of Capital: Work and Love among Garment Workers in Bangladesh (U Minnesota Press, 2022) examines how female garment workers experience their work and personal lives within the stranglehold of global capital. Drawing on fieldwork in Bangladesh, anthropologist Lamia Karim focuses attention onto the lives of older women aged out of factory work, heretofore largely ignored, thereby introducing a new dimension to the understanding of a female-headed workforce that today numbers around four million in Bangladesh.
Bringing a feminist labor studies lens, Castoffs of Capital foregrounds these women not only as workers but as mothers, wives, sisters, lovers, friends, and political agents. Focusing on relations among work, gender, and global capital's targeting of poor women to advance its market penetration, Karim shows how women navigate these spaces by adopting new subject formations. She locates these women's aspirations for the "good life" not only in material comforts but also in their longings for love and sexual fulfillment that help them momentarily forget the precarity of their existence under the shadow of capital.
Through richly detailed ethnographic studies, this innovative and beautifully written book examines the making and unmaking of these women's wants and desires, loves and tribulations, hopes and despairs, and triumphs and struggles.
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During the COVID pandemic, billions of dollars in relief aid was sent out to help us ride out the storm, although many people who struggled through it might scratch their heads at such a number, having seen little of it make any concrete impact in their own lives. This discrepancy is indicative of the underlying problem with the contemporary care economy, a series of federal and state programs, healthcare facilities and NGO’s, all trying to bend the needs of those under their care to the mechanisms and incentives laid out by capitalism. The result is a massive apparatus that regularly fails to fulfill its supposed intentions, leaving workers and those in need of help in precarious and often dangerous situations.
This apparatus is untangled and explained in clear detail by Premilla Nadasen in her book Care: The Highest Stage of Capitalism (Haymarket Books, 2023). Informed by both her work as a historian and as a political activist, she manages to untangle and explain why the massive apparatus regularly fails to fulfill its purpose. She also outlines offramps, forms of resistance that workers and activists have taken to develop alternative anticapitalist forms of care that might someday allow us to truly flourish together.
Premilla Nadasen is a professor of history at Barnard College, Columbia University. She is the co-director of the Barnard Center for Research on Women. She is also the author of Welfare Warriors: The Welfare Rights Movement in the United States and Household Workers Unite: The Untold Story of African American Women Who Built a Movement.
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The book Present Woman: Our Pleasure, Our Power (2023) is an honest and rare first-person account for female seekers and curious men. A woman in her twenties embarks to discover her sexuality and learns how her journey towards pleasure affects her career, her attitude to money, and her relationships.
Narkis Alon participates in sexuality workshops around the world, leads entrepreneurial workshops, marries her true love, undergoes an Ayahuasca ceremony, gives birth, speaks at the U.N., and explores and affirms the connection between fulfillment and pleasure. Through the accompanying booklet, readers are invited to embark on a personal journey to discover their own pleasure, awaken their body, and express the creativity stirring within them.
Narkis Alon is a social entrepreneur, content creator, and bestselling author. She leads workshops in Israel and abroad on female leadership and the body-mind connection in business organizations and academic institutions. She created and hosts the podcast "Playing with Fire" on the subject of healthy sexuality and manages a virtual community of tens of thousands of men and women who share on such topics as relationships, sexuality, and gender. She co- founded Double You, an international leadership community that encourages women to lead social and business initiatives with community support. She was selected by Calcalist as one of the leading social leaders in Israel and by the American Real Leaders magazine as one of 100 visionary leaders in the world.
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In Abundance: Sexuality’s History (Duke UP, 2023), Anjali Arondekar refuses the historical common sense that archival loss is foundational to a subaltern history of sexuality, and that the deficit of our minoritized pasts can be redeemed through acquisitions of lost pasts. Instead, Arondekar theorizes the radical abundance of sexuality through the archives of the Gomantak Maratha Samaj—a caste-oppressed devadasi collective in South Asia—that are plentiful and quotidian, imaginative and ordinary. For Arondekar, abundance is inextricably linked to the histories of subordinated groups in ways that challenge narratives of their constant devaluation. Summoning abundance over loss upends settled genealogies of historical recuperation and representation and works against the imperative to fix sexuality within wider structures of vulnerability, damage, and precarity. Multigeneric and multilingual, transregional and historically supple, Abundance centers sexuality within area, post/colonial, and anti/caste histories.
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'A woman, a dog and a walnut tree, the more they are beaten, the better they’ll be.' So went the proverb quoted by a prominent MP in the Houses of Parliament in 1853. His words – intended ironically in a debate about a rise in attacks on women – summed up the prevailing attitude of the day, in which violence against women was waved away as a part and parcel of modern living – a chilling seam of misogyny that had polluted both parliament and the law. But were things about to change?
The Walnut Tree: Women, Violence and the Law – A Hidden History (Mudlark, 2024) is a vivid and essential work of historical non-fiction. In it, Kate Morgan explores the legal campaigns, test cases and individual injustices of the Victorian and Edwardian eras which fundamentally re-shaped the status of women under British law. These are seen through the untold stories of women whose cases became cornerstones of our modern legal system and shine a light on the historical inequalities of the law.
We hear of the uniquely abusive marriage which culminated in the dramatic story of the ‘Clitheroe wife abduction’; of the domestic tragedies which changed the law on domestic violence; the controversies surrounding the Contagious Diseases Act and the women who campaigned to abolish it; and the real courtroom stories behind notorious murder cases such as the ‘Camden Town Murder’.
Exploring the 19th- and early 20th Century legal history that influenced the modern-day stances on issues such as domestic abuse, sexual violence and divorce, The Walnut Tree lifts the lid on the shocking history of women under British law – and what it means for women today.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The low-wage service industry is one of the fastest-growing employment sectors in the US economy. Its workers disproportionately tend to be low-income and minority women. Service sector work entails rigid forms of temporal discipline manifested in work requirements for flexible, last-minute, and round-the-clock availability, as well as limited to no eligibility for sick and parental leaves, all of which impact workers’ ability to care for themselves and their dependents.
Pregnant at Work: Low-Wage Workers, Power, and Temporal Injustice (NYU Press, 2024) examines the experiences of pregnant service sector workers in New York City as they try to navigate the time conflicts between precarious low-wage service labor and safety net prenatal care. Through interviews and fieldwork in a prenatal clinic of a public hospital, Elise Andaya vividly describes workers’ struggles to maintain expected tempos of labor as their pregnancies progress as well as their efforts to schedule and attend prenatal care, where waiting is a constant factor—a reflection of the pervasive belief that poor people’s time is less valuable than that of other people.
Pregnant at Work is a compelling examination of the ways in which power and inequalities of race, class, gender, and immigration status are produced and reproduced in the US, including in individual pregnant bodies. The stories of the pregnant workers featured in this book underscore the urgency of movements towards temporal justice and a new politics of care in the twenty-first century.
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What isn't counted doesn't count. And mainstream institutions systematically fail to account for feminicide, the gender-related killing of women and girls, including cisgender and transgender women. Against this failure, Counting Feminicide: Data Feminism in Action (MIT Press, 2024) brings to the fore the work of data activists across the Americas who are documenting such murders—and challenging the reigning logic of data science by centering care, memory, and justice in their work.
Drawing on Data Against Feminicide, a large-scale collaborative research project, Catherine D'Ignazio describes the creative, intellectual, and emotional labor of feminicide data activists who are at the forefront of a data ethics that rigorously and consistently takes power and people into account. This book is also a forceful intervention that challenges hegemonic data science by exploring the possibilities and limitations of counting and quantification and drawing lessons for a restorative and transformative data science.
This book is available open access here.
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In Dangerous Intercourse: Gender and Interracial Relations in the American Colonial Philippines, 1898–1946 (Cornell University Press, 2023), Dr. Tessa Winkelmann examines interracial social and sexual contact between Americans and Filipinos in the early twentieth century via a wide range of relationships—from the casual and economic to the formal and long term. Dr. Winkelmann argues that such intercourse was foundational not only to the colonisation of the Philippines but also to the longer, uneven history between the two nations. Although some relationships between Filipinos and Americans served as demonstrations of US "benevolence," too-close sexual relations also threatened social hierarchies and the so-called civilizing mission. For the Filipino, Indigenous, Moro, Chinese, and other local populations, intercourse offered opportunities to negotiate and challenge empire, though these opportunities often came at a high cost for those most vulnerable.
Drawing on a multilingual array of primary sources, Dangerous Intercourse highlights that sexual relationships enabled US authorities to police white and nonwhite bodies alike, define racial and national boundaries, and solidify colonial rule throughout the archipelago. The dangerous ideas about sexuality and Filipina women created and shaped by US imperialists of the early twentieth century remain at the core of contemporary American notions of the island nation and indeed, of Asian and Asian American women more generally.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Russian Style: Performing Gender, Power, and Putinism (University of Wisconsin Press, 2023) provides a critical and nuanced analysis of the relationship between popular culture and politics in Russia during Vladimir Putin’s first two decades in power. It traces how the performance of Russian citizenship has been remolded according to a neoconservative agenda characterized by increasingly exaggerated gender roles. By connecting gendered and sexualized citizenship to developments in Russian popular culture, Julie Cassiday argues that heteronormativity and homophobia became a kind of politicized style under Putin’s leadership. Examining everything from memes to the Eurovision Song Contest and self-help literature, Cassiday untangles the discourse of gender to argue that drag, or travesti, became the performative trope par excellence in Putin's Russia. Provocatively, Cassiday further argues that the exaggerated expressions of gender demanded by Putin's regime are best understood as a form of cisgender drag. The book also demonstrates that while the multiple modes of gender performativity generated in Russian popular culture between 2000 and 2010 supported Putin's neoconservative agenda, they also helped citizens resist and protest the state's mandate of heteronormativity.
Russian Style: Performing Gender, Power, and Putinism has been shortlisted for the 2024 Pushkin House Book Prize.
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The Limits of Sexuality Education: Love, Sex, and Adolescent Masculinities in Urban India (Routledge, 2024) explores different strands of thinking about sexuality education in contemporary urban India. It interrogates the limits of sexuality education as we know it today by rethinking adolescent masculinities in middle-class urban India.
This book contributes to the wide gap in theorising sexuality education and adolescent masculinities in urban India. It presents an adolescent perspective on sexuality education, looks at adolescent love from the school teachers’ perspective, and tries to understand a teacher’s negotiations with student romance. It unravels the sexual and romantic lives of adolescents and examines the circulation of sexual knowledge and sources of information on sex that adolescent boys in India have access to. This book uncovers the limits of sexuality education by examining State, feminist, Christian, and sexological materials on sexuality education in Mumbai and Delhi. Based on detailed research and narratives from teachers, young men, and women, the book explores adolescent male romance and its affective registers, adolescent male sexual knowledge, and the regulation of romance in school spaces.
This book will be of interest to students and researchers of education, sexuality and gender studies, masculinity studies, and sex education as well as those interested in education policy, education politics, educational research, and inclusion and special education. Located at the intersection of sexuality studies, education, masculinity studies, and cultural studies, it will also appeal to those working in sexuality education in urban India within the complex web of the middle classes, consumerism, post-feminism, romance, adolescent masculinities, and cinema.
Rituparna Patgiri has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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The Sisterhood: How a Network of Black Women Writers Changed American Culture (Columbia University Press, 2023) explores how an incredible group of Black women writers, including Alice Walker, June Jordan, Toni Morrison, Ntozake Shange, Audre Lorde, and writers and intellectuals convened an informal group called “The Sisterhood” and how they transformed American writing and cultural and educational institutions in the decades that followed. Thorsson traces the personal, professional, and political connections that led to the group’s emergence and explores the remarkable legacy. While focusing on the organizing, networking, and community building that nurtured Black women’s writing, The Sisterhood provides an impactful model of Black feminist collaboration.
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Gender Revolution: How Electoral Politics and #MeToo are Reshaping Everyday Life (Routledge, 2023) by Dr. Pamela Aronson and Matthew R. Fleming carefully examines the profound transformations happening in both public and private arenas of gender relations. It also draws critical attention to the simultaneous and potent challenges that have risen in response.
The authors look to large-scale phenomena in this contemporary study and address how electoral politics and the #MeToo movement are reshaping everyday life. This gender revolution has led to a culture in which women, and increasing numbers of men, refuse to accept traditional gender norms and gender inequalities. People of all genders no longer tolerate abuses of power in politics or in their interpersonal relationships. Despite vigorous resistance, women are seizing power and refusing to back down, in ways both large and small. The authors note on the one hand that people of all genders in support of these transformations are voting for progressive candidates, engaging on social media, and making their interpersonal relationships more equal. On the other hand, they document considerable backlash and contestation, as some people are resisting these changes and creating adversarial gender divisions. Probing across these issues, the book develops an analysis of gendered social and cultural change that reveals how movement ideas diffuse into broader culture.
Gender Revolution presents a vibrant and essential study for a moment marked by significant changes to attitudes, beliefs, and views surrounding gender and gender relations and will appeal to readers interested in the scholarly study of gender, society, politics, media, law, and culture.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The Chosen We: Black Women's Empowerment in Higher Education (SUNY Press, 2023) elevates the oral histories of 105 accomplished, college-educated Black women who earned success despite experiencing reprehensible racist and sexist barriers. The central argument is that these women succeeded in and beyond college by developing a Chosen We—a community with one another. The book builds on their words and insights to offer a powerful rethinking of educational success that moves away from individualistic and competitive models and instead imagines success as a result of recognizing what people owe to one another. It also uncovers the importance of the type of institutions that students attend for higher education, comparing Black women's experiences not only by region and era but also by whether they attended a predominantly White institution (PWI) or a historically Black college or university (HBCU). The Chosen We features theoretical and methodological exemplars for how to conduct research across lines of difference. The Black women's oral histories shared here manifest the wisdom from which many groups in the United States might benefit—that liberation is only found through community.
Rachelle Winkle-Wagner is Professor of Educational Leadership and Policy Analysis at the University of Wisconsin-Madison. She is the coauthor (with Angela M. Locks) of Diversity and Inclusion on Campus: Supporting Students of Color in College, and the author of The Unchosen We: Black Women and Identity in Higher Education, among other books.
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Despite the hypervisibility of a constellation of female pop stars, the music business is structured around gender inequality. As a result, women in the music industry often seize on self-branding opportunities in fashion, cosmetics, food, and technology for the purposes of professional longevity. Extending Play: The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century (Oxford UP, 2023) examines the ubiquity of brand partnerships in the contemporary music industry through the lens of feminized labor, to demonstrate how female artists use them as a resource for artistic expression and to articulate forms of popular feminism through self-commodification. In this book, author Alyxandra Vesey examines this type of promotional work and examines its proliferation in the early 21st century.
Though brand partnerships exist across all media industries, they are a distinct phenomenon for the music business because of their associations with fan club merchandise, concert merchandise, and lifestyle branding, often foregrounding women's participation in shaping these economies through fan labor and image management. Through textual and discourse analysis of artists' songs, music videos, interviews, social media usage, promotional campaigns, marketing strategies, and business decisions, Extending Play investigates how female musicians co-create branded feminine-coded products like perfume, clothes, makeup, and cookbooks and masculine-coded products like music equipment as resources to work through their own ideas about gender and femininity as workers in industries that often use sexism and ageism to diminish women's creative authority and diminish the value of the recording in order to incentivize musicians to internalize the demands of industrial convergence.
By merging star studies, popular music studies, and media industry studies, Extending Play proposes an integrated methodology for approaching contemporary cultural history that demonstrates how female-identified musicians have operated as both a hub for industrial convergence and as music industry professionals who use their extramusical skills to reassert their creative acumen.
Alyxandra Vesey is Assistant Professor in Journalism and Creative Media at the University of Alabama. Her research focuses on the gendered dynamics of creative labor in the music industries. Her work has appeared in Journal of Cinema and Media Studies, Feminist Media Studies, Television and New Media, Journal of Popular Music Studies, Camera Obscura, Velvet Light Trap, and Emergent Feminisms: Complicating a Postfeminist Media Culture. Alyxandra on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
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Ecological psychology holds that perception and action are best explained in terms of dynamic interactions between brain, body, and environment, not in classical cognitivist terms of the manipulation of representations in the head. This anti-representationalist stance, argues Luis Favela, makes ecological psychology deeply at odds with dominant trends in some parts of neuroscience.
In The Ecological Brain: Unifying the Sciences of Brain, Body, and Environment (Routledge, 2024), Favela lays out the seemingly irreconciliable theoretical commitments of ecological psychology and neuroscience, and then defends a framework for reconciling them: the NeuroEcological Nexus Theory (NExT). According to Favela, who is an associate professor of philosophy and cognitive sciences at the University of Central Florida, complexity science provides the conceptual tools that can help integrate these frameworks, such as by articulating the key notion of affordances in ecological psychology as a kind of dimensional reduction in complexity science.
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While American television has long relied on a strategic foregrounding of feminist politics to promote certain programming's cultural value, Woman Up: Invoking Feminism in Quality Television (Wayne State University Press, 2022) by Dr. Julia Havas is the first sustained critical analysis of the twenty-first-century resurgence of this tradition. In Woman Up, Dr. Havas’ central argument is that postmillennial "feminist quality television" springs from a rhetorical subversion of the (much-debated) masculine-coded "quality television" culture on the one hand and the dominance of postfeminist popular culture on the other.
Postmillennial quality television culture promotes the idea of aesthetic-generic hierarchies among different types of scripted programming. Its development has facilitated evaluative academic analyses of television texts based on aesthetic merit, producing a corpus of scholarship devoted to pinpointing where value resides in shows considered worthy of discussion. Other strands of television scholarship have criticised this approach for sidestepping the gendered and classed processes of canonization informing the phenomenon. Woman Up intervenes in this debate by reevaluating such approaches and insisting that rather than further fostering or critiquing already prominent processes of canonization, there is a need to interrogate the cultural forces underlying them. Via detailed analyses of four TV programs emerging in the early period of the "feminist quality TV" trend—30 Rock (2006–13), Parks and Recreation (2009–15), The Good Wife (2009–16), and Orange Is the New Black (2013–19)—Woman Up demonstrates that such series mediate their cultural significance by combining formal aesthetic exceptionalism and a politicised rhetoric around a "problematic" postfeminism, thus linking ideals of political and aesthetic value.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Gendered Publics: Chandraprava Saikiani and the Mahila Samiti in Colonial Assam (Oxford UP, 2024) is a first-of-its-kind comprehensive appraisal of the relatively unexplored but highly impactful women’s associations, the Assam Mahila Samiti (1926 cont.) which led one of the most remarkable women’s movements in colonial India; Sucheta Kripalani praised it as the ‘largest democratic women’s association in India’ in 1949. Central to the Assam Mahila Samiti story is its founding Secretary, the firebrand feminist Chandraprava Saikiani (1901–72), who while being an unwed mother and belonging to a lower caste, was a celebrated writer, mobilizer, and publisher. The book traverses these individual and collective journeys from the 1920s to the 1950s and explores how women’s movements evolve in conversation/contestation with both traditional spaces such as naam kirtan and contemporary ones of tribal-caste associations, anti-colonial movements, and international ideological paradigms such as the Bolshevik revolution.
The book also plots through specific examples, such as the controversy surrounding the Samiti’s serving of a legal notice to a groom in 1934 to stop child marriage, to argue that gender may not function merely as constitutive of the public, but women’s collectives may shape, transform, and orchestrate a veritable gendered public, resistant to both native patriarchy and sometimes to colonial authority. The study makes crucial methodological intervention through an interdisciplinary approach by constantly juxtaposing print sources with handwritten minutes of early mahila samiti meetings, performative spaces such as women’s singing of naam kirtan and women’s weaving, and women’s memory (recorded as part of a digital archive of the mahila samitis in Assam).
Rituparna Patgiri has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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In Haitian Vodou, spirits impact Black practitioners' everyday lives, tightly connecting the sacred and the secular. As Eziaku Atuama Nwokocha reveals in Vodou En Vogue: Fashioning Black Divinities in Haiti and the United States (UNC Press, 2023), that connection is manifest in the dynamic relationship between public religious ceremonies, material aesthetics, bodily adornment, and spirit possession. Nwokocha spent more than a decade observing Vodou ceremonies from Montreal and New York to Miami and Port-au-Prince. She engaged particularly with a Haitian practitioner and former fashion designer, Manbo Maude, who presided over Vodou temples in Mattapan, Massachusetts, and Jacmel, Haiti. With vivid description and nuanced analysis, Nwokocha shows how Manbo Maude's use of dress and her production of ritual garments are key to serving Black gods and illuminate a larger transnational economy of fashion and spiritual exchange.
Eziaku Atuama Nwokocha is assistant professor of religion at the University of Miami.
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
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Sreeparna Chattopadhyay's book The Gravity of Hope (Crossed Arrows, 2023) is a non-fictional account of women’s lives who sometimes endured, often resisted and ultimately coped with marital violence as best as they could in an informal settlement in northeastern Mumbai. It uses anthropological methods and two decades of research-driven insights to analyse the role of gender, marriage, structural violence, family, and informal and legal institutions in tackling wife abuse in India. In conclusion, there are many reasons why domestic violence in India continues unabated; the most important is the social norm that views marriage as the primary, and often the only, path to securing women’s financial futures.
Rituparna Patgiri has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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The Weimar Republic is well-known for its gay rights movement and recent scholarship has demonstrated some of its contradictory elements. In his recent book entitled The Seduction of Youth: Print Culture and Homosexual Rights in the Weimar Republic (University of Toronto Press, 2020), Javier Samper Vendrell writes the first study to focus on the League for Human Rights and its leader, Friedrich Radszuweit. It uses his position at the center of the Weimar-era gay rights movement to tease out the diverging political strategies and contradictory tactics that distinguished the movement. By examining news articles and opinion pieces, as well as literary texts and photographs in the League’s numerous pulp magazines for homosexuals, Vendrell reconstructs forgotten aspects of the history of same-sex desire and subjectivity. While recognizing the possibilities of liberal rights for sexual freedom during the Weimar Republic, the League’s "respectability politics" failed in part because Radszuweit’s own publications contributed to the idea that homosexual men were considered a threat to youth, doing little to change the views of the many people who believed in homosexual seduction – a homophobic trope that endured well into the twentieth century.
Michael E. O’Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018. It was recently awarded the Waterloo Centre for German Studies Book Prize for 2018.
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Rustam Alexander's Gay Lives and 'Aversion Therapy' in Brezhnev's Russia, 1964-1982 (Palgrave Macmillan, 2023) examines the autobiographies and diaries of Soviet homosexual men who underwent psychotherapy during the period from 1970 to 1980 under the guidance of Yan Goland, a psychiatrist-sexopathologist from Gorky. The examination of these unique and little-known documents contributes to our scant knowledge about the practices that many would call a Soviet proto-type of 'aversion therapy'. It also helps us understand the way homosexual people faced "queer dilemmas" of the self and how they sought to reconcile their queer desire with being Soviet.
Tatiana Klepikova is a Postdoctoral Fellow at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism.
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Fiercely intelligent, fantastically transgressive, Working It: Sex Workers on the Work of Sex (PM Press, 2023) is an intimate portrait of the lives of sex workers. A polyphonic story of triumph, survival, and solidarity, this collection showcases the vastly different experiences and interests of those who have traded sex, among them a brothel worker in Australia, First Nation survivors of the Canadian child welfare system, and an Afro Latina single parent raising a radicalized child. Packed with first-person essays, interviews, poetry, drawings, mixed media collage, and photographs Working It honors the complexity of lived experience. Sometimes heartbreaking, sometimes hardboiled, these dazzling pieces will go straight to the heart.
Matilda Bickers is an artist and writer originally from Boston’s South End. Her experience in sex work, which she entered at age eighteen, has enabled her to focus on art and activism and the vital intersection of the two. She has performed her written work at the Radar Reading Series in San Francisco, and with Sister Spit in Portland, OR. Witnessing the experiences of other people faced with only terrible options in a world uninterested in their success or even survival, Bickers has worked to create spaces to amplify and showcase their creative work, from Working It, a quarterly zine of sex worker art and writing, to the annual Portland Sex Worker Art Show. Bickers is currently writing and illustrating Aspiration Risk, a graphic novel about her ongoing attempt to leave the sex trades for a career in healthcare, and the painful parallels between the two industries.
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How are notions of justice and equality constructed in Islamic virtue ethics (akhlaq)? How are Islamic virtue ethics gendered, despite their venture into perennial concerns of how best to live a good and ethical life? These are the questions that Zahra Ayubi, an assistant professor of religion at Dartmouth college, examines in her new book Gendered Morality: Classical Islamic Ethics of the Self, Family, and Society (Columbia University Press, 2019). Using akhlaq literature by al-Ghazali, Davani and Tusi, Ayubi closely studies the ways in which these male Muslim scholars constructed ideas of the self (nafs), particularly in relation to the family and the society. Despite the ethicists’ differing sectarian and theological orientations in Islam, they still concluded that the status of a perfect ethical human was only achievable by a male elite. Meaning that the capacity to utilize rational faculty, which is central to self-refinement, was deemed not accessible to females, slaves, and non-elite males. In unpacking these gendered and hierarchical dynamics around ethics and comportment, Aybui masterfully applies feminist and gender analysis to deconstruct ethical texts. In light of her findings, she calls for a “philosophical turn” that must employ critical gender analysis when reading these texts not only in the context of Islamic philosophy, but broadly in the study of Islam. The book is a must read for scholars and students interested in Islamic philosophy and gender and Islamic studies.
M. Shobhana Xavier is an Assistant Professor of Religion at Queen’s University. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism(Bloombsury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2017). More details about her research and scholarship may be found on here and here. She may be reached at [email protected].
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As developing states adopt neoliberal policies, more and more working-class women find themselves pulled into the public sphere. They are pressed into wage work by a privatizing and unstable job market. Likewise, they are pulled into public roles by gender mainstreaming policies that developing states must sign on to in order to receive transnational aid. Their inclusion into the political economy is very beneficial for society, but is it also beneficial for women?
In The Stigma Matrix: Gender, Globalization, and the Agency of Pakistan's Frontline Women (Stanford UP, 2024), Fauzia Husain draws on the experiences of policewomen, lady health workers, and airline attendants, all frontline workers who help the Pakistani state, and its global allies, address, surveil, and discipline veiled women citizens. These women, she finds, confront a stigma matrix: a complex of local and global, historic, and contemporary factors that work together to complicate women's integration into public life. The experiences of the three groups Husain examines reveal that inclusion requires more than quotas or special seats. This book advances critical feminist and sociological frameworks on stigma and agency showing that both concepts are made up of multiple layers of meaning, and are entangled with elite projects of hegemony.
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In many countries, property law grants equal rights to men and women. Why, then, do women still accumulate less wealth than men? Combining quantitative, ethnographic, and archival research, The Gender of Capital: How Families Perpetuate Wealth Inequality (Harvard UP, 2023) explains how and why, in every class of society, women are economically disadvantaged with respect to their husbands, fathers, and brothers. The reasons lie with the unfair economic arrangements that play out in divorce proceedings, estate planning, and other crucial situations where law and family life intersect.
Céline Bessière and Sibylle Gollac argue that, whatever the law intends, too many outcomes are imprinted with unthought sexism. In private decisions, old habits die hard: families continue to allocate resources disproportionately to benefit boys and men. Meanwhile, the legal profession remains in thrall to assumptions that reinforce gender inequality. Bessière and Gollac marshal a range of economic data documenting these biases. They also examine scores of family histories and interview family members, lawyers, and notaries to identify the accounting tricks that tip the scales in favor of men.
Women across the class spectrum—from poor single mothers to MacKenzie Scott, ex-wife of Amazon billionaire Jeff Bezos—can face systematic economic disadvantages in divorce cases. The same is true in matters of inheritance and succession in family-owned businesses. Moreover, these disadvantages perpetuate broader social disparities beyond gender inequality. As Bessière and Gollac make clear, the appropriation of capital by men has helped to secure the rigid hierarchies of contemporary class society itself.
Céline Bessière is Professor of Sociology at the University of Paris-Dauphine.
Sibylle Gollac is a researcher in sociology at the National Centre for Scientific Research.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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If you are familiar with traditional Chinese literature, you have likely come across the figure of the “shrew,” a morally threatening woman who is either transgressive and polluting, promiscuous, or violent (or perhaps a combination of all three). Scholars of literature typically write about how this archetype faded out after 1911, while the figure of the more ‘modern’ “new woman” came to dominate. In Untamed Shrews: Negotiating New Womanhood in Modern China (Cornell University Press, 2023), Shu Yang shows how the shrew persisted and actually served as the basis for the celebrated “new woman,” thus revealing an entirely different relationship between the shrew and the new woman and a new origin story for symbols of female empowerment in modern China.
In Untamed Shrews, Yang charts how the figure of the shrew was used to depict early Chinese suffragettes, pulled into discussions of female jealousy, reworked in reconsiderations of female promiscuity and henpecked husbands, and repackaged in Communist reconfigurations of how reasonable revolutionary wives ought to behave. Throughout, Yang provides careful and detailed readings of a wide range of sources, scrutinizing the historical context and wider meaning of the shrew as she appeared in newspaper accounts, fiction, and theater.
Untamed Shrews is sure to be of interest to anyone who works on modern Chinese literature, Republican history, global 'new women,' and print culture, as well as those fascinated by literary repackagings and depictions of the shrew -- both in tamed and untamed forms.
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Whether you are a commuter weighing options of taking the bus vs walking to get you to work on time or a military general leading troops into war, risk is something we deal with every day. Even the most cautious of us can’t opt out—the question is always which risks to take to maximize our results. But how do we know which path is correct? Enter Allison Schrager. Schrager is not a typical economist. Like others, she has spent her career assessing risk, but instead of crunching numbers or sitting at a desk, she chose to venture out. Now, she travels to unexpected places to uncover how financial principles can be used to navigate hazards and prevent danger. In her new book An Economist Walks Into A Brothel And Other Unexpected Places to Understand Risk (Portfolio, 2019), Schrager puts together a five-pronged approach for understanding and assessing risk. First, she helps define what risk and reward mean for individuals. Then, taking into account irrationality and uncertainty, Schrager helps readers master their domains and ultimately get the biggest bang for what she calls the “risk buck.” While there are certain factors that cannot be predicted, An Economist Walks Into A Brothelmarries financial economics with real life examples to provide a road map, offer concrete advice, and maximize payoff.
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In this episode of the CEU Press Podcast, host Andrea Talabér (CEU Press/CEU Review of Books) sat down with Éric Fassin (Université Paris 8) to discuss his new book with CEU Press entitled, State Anti-Intellectualism and the Politics of Gender and Race: Illiberal France and Beyond (2024).
Éric Fassin examines the trend of state anti-intellectualism in France using the nation as a case study to demonstrate that this tendency is not limited to ostensibly illiberal regimes. He argues that today’s world requires an examination of this phenomenon beyond Cold War geopolitical divisions and highlights a global shift towards authoritarian neoliberalism. His book is a plea for the political urgency of intellectual work in a global moment of political anti-intellectualism.
Éric’s book is part of our new series, CEU Press Perspectives. The series offers the latest viewpoints on both new and perennial issues, these books address a wide range of topics of critical importance today. The new series, originating from an international collection of leading authors, encourages us to look at issues from a different viewpoint, to think outside the box, and to stimulate debate.
You can learn more about the series here.
The CEU Press Podcast delves into various aspects of the publishing process: from crafting a book proposal, finding a publisher, responding to peer review feedback on the manuscript, to the subsequent distribution, promotion and marketing of academic books. We will also talk to series editors and authors, who will share their experiences of getting published and talk about their series or books.
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Shakespeare's Adolescents: Age, Gender and the Body in Shakespearean Performance and Early Modern Culture (Manchester UP, 2024) by Dr. Victoria Sparey examines the varied representation of adolescent characters in Shakespeare's plays. Using early modern medical knowledge and an understanding of contemporary theatrical practices, the book unpacks complexities that surrounded the cultural and theatrical representations of 'signs' associated with an individual's physical maturation. Each chapter explores the implications of different 'signs' of puberty, in verbal cues, facial adornments, vocal traits and body sizes, to illuminate how Shakespeare presents vibrant adolescent selves and stories.
By analysing female and male puberty together in its discussion of adolescence, Shakespeare's adolescents provides fresh insight into the age-based symmetry of early modern adolescent identities. The book uses the adolescent's state of transformation to illuminate how the unfixed nature of adolescence was valued in early modern culture and through Shakespeare's celebrated characters and actors.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In Nature's Wild: Love, Sex, and Law in the Caribbean (Duke UP, 2021), Andil Gosine engages with questions of humanism, queer theory, and animality to examine and revise understandings of queer desire in the Caribbean. Surveying colonial law, visual art practices, and contemporary activism, Gosine shows how the very concept of homosexuality in the Caribbean (and in the Americas more broadly) has been overdetermined by a colonially influenced human/animal divide. Gosine refutes this presupposed binary and embraces animality through a series of case studies: a homoerotic game called puhngah, the institution of gender-based dress codes in Guyana, and efforts toward the decriminalization of sodomy in Trinidad and Tobago—including the work of famed activist Colin Robinson, paintings of human animality by Guadeloupean artist Kelly Sinnapah Mary, and Gosine's own artistic practice. In so doing, he troubles the ways in which individual and collective anxieties about “wild natures” have shaped the existence of Caribbean people while calling for a reassessment of what political liberation might look like.
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In sixteenth and seventeenth-century England, the female silhouette underwent a dramatic change. This very structured form, created using garments called bodies and farthingales, existed in various extremes in Western Europe and beyond, in the form of stays, corsets, hoop petticoats and crinolines, right up until the twentieth century.
With a nuanced approach that incorporates a stunning array of visual and written sources and drawing on transdisciplinary methodologies, Shaping Femininity: Foundation Garments, the Body and Women in Early Modern England (Bloomsbury, 2021) by Dr. Sarah Bendall explores the relationship between material culture and femininity by examining the lives of a wide range of women, from queens to courtiers, farmer's wives and servants, uncovering their lost voices and experiences. It reorients discussions about female foundation garments in English and wider European history, arguing that these objects of material culture began to shape and define changing notions of the feminine bodily ideal, social status, sexuality and modesty in the early modern period, influencing enduring Western notions of femininity.
Beautifully illustrated in full colour throughout, Shaping Femininity is the first large-scale exploration of the materiality, production, consumption and meanings of women's foundation garments in sixteenth and seventeenth-century England. It offers a fascinating insight into dress and fashion in the early modern period, and offers much of value to all those interested in the history of early modern women and gender, material culture and consumption, and the history of the body, as well as curators and reconstructors.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The #MeToo movement inspired millions to testify to the widespread experience of sexual violence. More broadly, it shifted the deeply ingrained response to women’s accounts of sexual violence from doubting all of them to believing some of them. What changed?
In The #MeToo Effect: What Happens When We Believe Women (Columbia UP, 2023), Leigh Gilmore provides a new account of #MeToo that reveals how storytelling by survivors propelled the call for sexual justice beyond courts and high-profile cases. At a time when the cultural conversation was fixated on appeals to legal and bureaucratic systems, narrative activism— storytelling in the service of social change—elevated survivors as authorities. Their testimony fused credibility and accountability into the #MeToo effect: uniting millions of separate accounts into an existential demand for sexual justice and the right to be heard.
Gilmore reframes #MeToo as a breakthrough moment within a longer history of feminist thought and activism. She analyzes the centrality of autobiographical storytelling in intersectional and antirape activism and traces how literary representations of sexual violence dating from antiquity intertwine with cultural notions of doubt, obligation, and agency. By focusing on the intersectional prehistory of #MeToo, Gilmore sheds light on how survivors have used narrative to frame sexual violence as an urgent problem requiring structural solutions in diverse global contexts. Considering the roles of literature and literary criticism in movements for social change, The #MeToo Effect demonstrates how “reading like a survivor” provides resources for activism.
Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1
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In Unhomed: Cycles of Mobility and Placelessness in American Cinema (University of California Press, 2024), Dr. Pamela Roberston Wojcik examines America's ambivalent and shifting attitude toward homelessness. She considers film cycles from five distinct historical moments that show characters who are unhomed and placeless, mobile rather than fixed—characters who fail, resist, or opt out of the mandate for a home of one's own.
From the tramp films of the silent era to the 2021 Oscar-winning Nomadland, Dr. Wojcik reveals a tension in the American imaginary between viewing homelessness as deviant and threatening or emblematic of freedom and independence. Blending social history with insights drawn from a complex array of films, both canonical and fringe, Dr. Wojcik effectively "unhomes" dominant narratives that cast aspirations for success and social mobility as the focus of American cinema, reminding us that genres of precarity have been central to American cinema (and the American story) all along.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Libertine London: Sex in the Eighteenth-Century Metropolis (Reaktion, 2024) by Dr. Julie Peakman investigates the sex lives of women from 1680 to 1830, the period known as the long eighteenth century. It uncovers the various experiences of women, whether mistresses, adulteresses or those involved in the sex trade. From renowned courtesans to downtrodden streetwalkers, Julie Peakman examines the multifaceted lives of these women within brothels, on stage and even behind bars.
Based on new research into court transcripts, asylum records, magazines, pamphlets, satires, songs, theatre plays and erotica, we learn of the gruesome treatment of women who were sexually active outside of marriage. Dr. Peakman looks at sex from women’s points of view, undercutting the traditional image of the bawdy eighteenth century to expose a more sordid side, of women left distressed, ostracised and vilified for their sexual behaviour.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Covering a fascinating period of population growth, high infant mortality and deep social inequality, rapid medical advances and pseudoscientific quackery, Confinement: The Hidden History of Maternal Bodies in Nineteenth-Century Britain (The History Press, 2023) by Dr. Jessica Cox is the untold history of pregnancy and childbirth in Victorian Britain.
During the nineteenth century, having children was frequently viewed as a woman’s central function and destiny – and yet the pregnant and postnatal body, as well as the birthing room, are almost entirely absent from the public conversation and written histories of the period. Confinement corrects this omission by exploring stories of pregnancy and motherhood across this period. Drawing on a range of contemporary sources, Dr. Cox charts the maternal experiences of women, examining fertility, pregnancy, miscarriage, childbirth, maternal mortality, unwanted pregnancies, infant loss, breastfeeding, and postnatal bodies and minds.
From the royal family to inhabitants of the workhouse, this absorbing history reveals what motherhood was truly like for the women of nineteenth-century Britain.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The engaging memoir of a legendary president of Wellesley College known for authentic and open-hearted leadership, who drove innovation with power and love. The Claims of Life: A Memoir (The MIT Press, 2023) traces the emergence of a young woman who set out believing she wasn’t particularly smart but went on to meet multiple tests of leadership in the American academy—a place where everyone wants to be heard and no one wants a boss. In college, Diana Chapman met Chris Walsh, who became a towering figure in academic science. Their marriage of fifty-seven years brought them to the forefront of revolutions in higher education, gender expectations, health-care delivery, and biomedical research.
The Claims of Life offers readers an unusually intimate view of trustworthy leadership that begins and ends in self-knowledge. During a transformative fourteen-year Wellesley presidency, Walsh advanced women’s authority, compassionate governance, and self-reinvention. After Wellesley, Walsh’s interests took her to the boards of five national nonprofits galvanizing change. She kept counsel with Nobel laureates, feminist icons, and even the Dalai Lama, seeking solutions to the world’s climate crisis. With an ear tuned to social issues, The Claims of Life is an inspiring account of a life lived with humor, insight, and meaning that will surely leave a lasting impression on its readers.
Diana Chapman Walsh is President Emerita of Wellesley College and an emerita member of the governing boards of MIT and Amherst College. She was a trustee of the Kaiser Family Foundation, the Institute for Healthcare Improvement, and the Mind and Life Institute, and also chaired the Broad Institute's inaugural board and cofounded the Council on the Uncertain Human Future.
Caleb Zakarin is editor at the New Books Network.
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In Cambodia, the government and civil society organisations have paid significant attention to Gender-based Violence and Harassment, within both the domestic sphere and, increasingly, in the workplace context. A major driver behind this increased scrutiny of GBVH issues is the presence of international donors in Cambodia, and an expectation that international norms will be implemented in-country through policies and actions.
Whilst greater attention of GBVH in Cambodia is both needed and welcome, there is also the question of how to address these issues effectively. Guests Professor Michele Ford and Vichhra Mouyly argue, to effectively eliminate GBVH from the workplace, we need to closely examine the way work is organised and controlled – to look at the day-to-day interactions on the production floor, and how the way in which work is managed contributes to the incidence of GBVH. They’re thinking about these issues in the context of Cambodia’s construction industry, and share their research on women’s experiences of GBVH in this sector.
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In the summer of 2016, Disney introduced its first Latina princess, Elena of Avalor. Elena, Princess of the Periphery: Disney’s Flexible Latina Girl (Rutgers University Press, 2023) by Dr. Diana Leon-Boys explores this Disney property using multiple case studies to understand its approach to girlhood and Latinidad. Following the circuit of culture model, Dr. Leon-Boys teases out moments of complex negotiations by Disney, producers, and audiences as they navigate Elena’s circulation. Case studies highlight how a flexible Latinidad is deployed through corporate materials, social media pages, theme park experiences, and the television series to create a princess who is both marginal to Disney’s normative vision of princesshood and central to Disney’s claims of diversification.
This multi-layered analysis of Disney’s mediated Latina girlhood interrogates the complex relationship between the U.S.’s largest ethnic minority and a global conglomerate that stands in for the U.S. on the global stage.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Contemporary Chinese film and literature often draw on time-honored fantastical texts and tales which were founded in the milieu of patriarchy, parental authority, heteronormativity, nationalism, and anthropocentrism. Cathy Yue Wang's Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy (Wayne State University Press, 2023) examines the processes by which modern authors and filmmakers reshape these traditional tales to develop new narratives that interrogate the ingrained patriarchal paradigm. Through a rigorous analysis, Wang delineates changes in both content and narrative that allow contemporary interpretations to reimagine the gender politics and contexts of the tales retold. With a broad transmedia approach and a nuanced understanding of intertextuality, this work contributes to the ongoing negotiation in academic and popular discourse between past and present, traditional and contemporary, and text and reality in a globalized and postmodern world. Snake Sisters and Ghost Daughters offers an engaging interdisciplinary investigation of issues at the heart of these traditional tales such as gender and status hierarchy, marriage and family life, and in-group/out-group distinction. Beyond the content of these individual stories, Wang ties these narratives together across time using cognitive literary criticism, especially affective narratology, to shed new light on the adaptation of literary and cultural texts and their sociopolitical contexts.
Dr. Cathy Yue Wang is a lecturer in Department of Chinese Language and Literature, School of Humanities, Shanghai Normal University in China. She received her PhD from Macquarie University in Australia. She is particularly interested in applying feminist and queer perspectives into examinations of adaptation and retelling, children and young adult literature, as well as boys’ love subculture and fandom in the East Asian context. She is the author of Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy (Wayne State University Press, 2023) and editor of Catching Chen Qing Ling: The Untamed and Adaptation, Production, and Reception in Transcultural Contexts (Peter Lang, forthcoming).
Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.
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What does the Miss Tibet beauty pageant tell us about what it means to be Tibetan in a globalized world? And what understandings of Tibetan culture does it convey? In this episode, Kenneth Bo Nielsen talks to Pema Choedon about representations of Tibet and Tibetan culture on the global stage from the vantage point of the Miss Tibet beauty pageant. While such pageants are often thought of as an example of “low-brow culture” and a site of women’s objectification by the male gaze, Choedon shows how one can also see them as arenas where cultural meanings are produced, consumed, and rejected, and where local and global, and ethnic and national cultural forms are engaged and showcased.
Kenneth Bo Nielsen is a social anthropologist based at the University of Oslo and one of the leaders of the Norwegian Network for Asian Studies.
Pema Choedon holds a PhD degree from the University of Tartu in Estonia, with a thesis on the construction of Tibet in the diaspora.
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In A Blackqueer Sexual Ethics: Embodiment, Possibility, and Living Archive (T&T Clark, 2024), Elyse Ambrose looks to an archive of blackqueerness as an authoritative source for religious ethical reflection. This approach counters the disintegrative norms of anti-black and anti-body traditionalism in Christian sexual ethics, even those that strive to be liberative. It builds upon a tradition of black queer and LGBTQ+-centered critique at the intersections of race, sexuality, gender, and religion through exploring the moral imagination of sexual and gender non-conformist communities in 1920's Harlem (their rent parties, blues environments, and Hamilton Lodge Ball); ethics and theology blackqueering the disciplines; and contemporary oral histories (including photographs of the subjects by the scholar-artist) of those doing ethics in their blackqueerness. These serve as integrative sites that signal blackqueer ethical counter-patterns of communal belonging, individual and collective becoming, goodness, embodied spirit/inspirited bodies, and shared thriving. Emphases on both personal and social right-relatedness mark a shift from Christian sexual ethics based on rules, toward a communal relations-based transreligious ethics of sexuality.
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China’s communist revolution has an intricate relationship with gender and religion. In Enchanted Revolution: Ghosts, Shamans, and Gender Politics in Chinese Communist Propaganda, 1942-1953 (Oxford UP, 2023), Xiaofei Kang moves the two themes to the center stage in the Chinese Revolution. It examines the Communist Party’s first anti-superstition campaign in its wartime headquarters of Yan’an, the holy land of the Maoist revolution. The book argues that religion was not a mere adversary for the revolution; it also served as a model with which the Party mobilized support and constructed legitimacy. In its rise from rural backwaters to national dominance, the Party attacked “superstitions” that had supported the foundations of Chinese religious life. At the same time, Party propaganda co-opted the same religious resources for its own political ends. In this parallel and often paradoxical process, the persuasive power of Party propaganda relied heavily on recasting the cosmic forces of yin and yang that sustained the traditional gender hierarchy and ritual order. Furthermore, revolutionary art and literature revamped old narratives of female ghosts and ritual exorcism to inject the people with a new hegemonic vision of the Party-state endowed with both scientific potency and the heavenly mandate. Gendered language and symbolism in Chinese religion thus remained central to inspiring pathos, ethos, and logos for the revolution. The interplay of religion, gender, and revolution holds historical and contemporary significance of the Maoist legacy in contemporary China. It also offers insights into the transformative power of propaganda in global politics.
Xiaofei Kang is Professor in the Department of Religion at the George Washington University. Her research focuses on gender, ethnicity, and Chinese religions in traditional and modern China. She is the author of The Cult of the Fox: Power, Gender, and Popular Religion in Late Imperial and Modern China (Columbia University Press, 2006). She co-authored (with Donald S. Sutton) Contesting the Yellow Dragon: Ethnicity, Religion and the State in the Sino-Tibetan Borderland (Brill, 2016), and co-edited (with Jia Jinhua and Ping Yao) Gendering Chinese Religion: Subject, Identity and Body (SUNY Press, 2014).
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
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How is comedy hostile to women? In Stand-up Comedy and Contemporary Feminisms: Sexism, Stereotypes and Structural Inequalities (Bloomsbury, 2023), Ellie Tomsett, a Senior Lecturer in media and film at Birmingham City University, explores the reality of a comedy industry that, despite many changes, still has a sexism problem. The book draws on a huge range of research materials, illustrating the experience of stand-up comic performers, the views of audiences, the impact of digital and social media, and the content of stand-up’s routines. Offering both a rich history of stand-up in the UK, alongside a wealth of contemporary reflections, the book will be essential reading across arts, humanities and media studies, as well as for anyone interested in how comedy can be open to anyone who wants to make people laugh.
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This is a story of four composers whose careers, lives and loves as women working in 20th century Britain have since been largely forgotten.
Dr Leah Broad’s 2023 debut Quartet: How Four Women Changed the Musical World (Faber & Faber, 2023), reveals the life and music of some of Britain’s most exciting 20th-century composers. A musicologist who gravitates towards figures at the margins of Western Art Music, the four subjects of Broad’s biography (Ethel Smyth, Rebecca Clarke, Doreen Carwithen and Dorothy Howell) experience success, even fame, before being pushed to the periphery. They compose operas, film music, songs and sonatas, encounter the Second Viennese School and fashion early freelance instrumental careers. Broad’s narrative begins in 1858 with the birth of Ethel Smyth. She charts two world wars, the development of post-war British institutions such as the BBC and the Arts Council of Great Britain, and brings us all the way to Doreen Carwithen’s death in 2003. In this time, the four composers take on the diverse politics of suffragette militancy, 60’s American liberalism and a staunch British-Catholic conservatism. Through grouping such diverse personalities, Broad refuses the tendency to isolate women as historical anomalies or singular figures. Her fluent prose expertly interweaves their lives, whilst revealing a true diversity of music, thought and experience.
Joseph Edwards is a writer and violinist based in London. His current research looks at the importance of sound in chronic illness experience. Contact him via email at [email protected] or through Twitter @joseph8edwards.
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A stirring, comprehensive look at the state of women in the workforce--why women's progress has stalled, how our economy fosters unproductive competition, and how we can fix the system that holds women back.
In an era of supposed great equality, women are still falling behind in the workplace. Even with more women in the workforce than in decades past, wage gaps continue to increase. It is the most educated women who have fallen the furthest behind. Blue-collar women hold the most insecure and badly paid jobs in our economy. And even as we celebrate high-profile representation--women on the board of Fortune 500 companies and our first female vice president--women have limited recourse when they experience harassment and discrimination.
Fair Shake: Women and the Fight to Build a Just Economy (Simon & Schuster, 2023) explains that the system that governs our economy--a winner-take-all economy--is the root cause of these myriad problems. The WTA economy self-selects for aggressive, cutthroat business tactics, which creates a feedback loop that sidelines women. The authors, three legal scholars, call this feedback loop "the triple bind" if women don't compete on the same terms as men, they lose; if women do compete on the same terms as men, they're punished more harshly for their sharp elbows or actual misdeeds; and when women see that they can't win on the same terms as men, they take themselves out of the game (if they haven't been pushed out already). With odds like these stacked against them, it's no wonder women feel like, no matter how hard they work, they can't get ahead.
Fair Shake is not a "fix the woman" book; it's a "fix the system" book. It not only diagnoses the problem of what's wrong with the modern economy, but shows how, with awareness and collective action, we can build a truly just economy for all.
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How has the participation of women in Hindu nationalist politics in India changed over time? More broadly, what has their changing participation meant for women, Hindu nationalism, and Indian democracy?
In Marginalized, Mobilized, Incorporated: Women and Religious Nationalism in Indian Democracy (Oxford UP, 2023), Rina Verma Williams places women's participation in religious politics in India into historical and comparative perspective through a focus on the most important Hindu nationalist political parties in modern Indian history: the All-India Hindu Mahasabha (HMS) and the Bharatiya Janata Party (BJP). She compares three critical periods to show the increasing involvement of women in Hindu nationalist politics over time. In its formative years in the early 1900s, the HMS marginalized women; in the 1980s, the BJP began to mobilize them; and in the contemporary period, as the BJP returned to power in 2014, it has incorporated women into its structures and activities. Williams contends that the incorporation of women into Hindu nationalist politics has significantly advanced the BJP's electoral success compared to prior periods when women were either marginalized or mobilized in more limited ways. Given that the BJP is one of the most dynamic religious/ethno-nationalist parties in the world at present, Williams' account of how it incorporated masses of women into its coalition is essential reading for scholars and students interested not just in India, but in the relationship between gender and right-wing populist politics globally.
Yash Sharma is a PhD student in Political Science at the School of Public and International Affairs, University of Cincinnati. His research is focused on the interactions of political mobilization and anti-minority violence within Hindu nationalist organizations in India. Twitter. Email: [email protected]
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Evangelical Christians and members of the global LGBTQI human rights movement have vied for influence in Haiti since the 2010 earthquake. Each side accuses the other of serving foreign interests. Yet each proposes future foreign interventions on behalf of their respective causes despite the country’s traumatic past with European colonialism and American imperialism.
In The Sexual Politics of the Empire: Postcolonial Homophobia in Haiti (University of Illinois Press, 2023), author Erin L. Durban shows two discourses dominate discussions of intervention. One maintains imperialist notions of a backward Haiti so riddled with cultural deficiencies that foreign supervision is necessary to overcome Haitians’ resistance to progress. The other sees Haiti as a modern but failed state that exists only through its capacity for violence, including homophobia. In the context of these competing claims, the book explores the creative ways that same-sex desiring and gender creative Haitians contend with anti-LGBTQI violence and ongoing foreign intervention.
As the episode neared its conclusion, Erin took a moment to shine a spotlight on the vital efforts of various organizations operating within Haiti, emphasizing the significance of their work and expressing a keen interest in bringing their endeavors to the forefront. The aim was not only to acknowledge these organizations but also to explore avenues through which individuals could offer their support, be it through donations, volunteering, or simply by raising awareness about their commendable efforts. These entities represent just a fraction of the many groups making a difference in Haiti, and include:
Erin L. Durban is an associate professor in the Department of Anthropology at the University of Minnesota–Twin Cities, affiliated with American Studies; Gender, Women, Sexuality Studies; and the Center for Race, Indigeneity, Disability, Gender, and Sexuality Studies. Their scholarship works at the intersections of interdisciplinary feminist and queer studies, transnational American studies, critical disability studies, and critical ecologies.
Aleem Mahabir is a PhD candidate in Geography at the University of the West Indies, Mona, Jamaica. His research interests lie at the intersection of Urban Geography, Social Exclusion, and Psychology. His dissertation research focuses on the link among negative psychosocial dispositions, exclusion, and under-development among marginalized communities in Port of Spain, Trinidad and Tobago. You can find him on Twitter.
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How and why the election of Donald Trump inspired more women to enter politics.
Donald Trump's victory over Hillary Clinton in the 2016 presidential election shocked and dismayed many women, and motivated many to run for office at all levels of government. In The Pink Wave: Women Running for Office After Trump (NYU Press, 2023), Regina M. Matheson and William W. Parsons explore this inspiring phenomenon and its impact on women's representation.
Drawing on national surveys and in-depth interviews of over 900 women, across almost every state, Matheson and Parsons show us why more women decided to run for state legislature during the Trump administration, the obstacles they faced on the campaign trail, and whether they ultimately succeeded or failed in their bid for office. Candidates share valuable lessons they learned from their recent campaign experiences, providing future insight for women--on both sides of the aisle--who may be inspired to follow in their footsteps.
Matheson and Parsons examine the impact Donald Trump had on women candidates--both positive and negative--and women's ambitions to pursue political office. The Pink Wave celebrates the hundreds of trailblazing women creating new political opportunities for representation, now and in the future.
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Can you really die from laughing too hard? Between 1870 and 1920, hundreds of women suffered such a fate—or so a slew of sensationalist obituaries would have us believe. How could laughter be fatal, and what do these reports of women’s risible deaths tell us about the politics of female joy?
In Death by Laughter: Female Hysteria and Early Cinema (Columbia University Press, 2024), Dr. Maggie Hennefeld reveals the forgotten histories of “hysterical laughter,” exploring how women’s amusement has been theorised and demonised, suppressed and exploited. In nineteenth-century medicine and culture, hysteria was an ailment that afflicted unruly women on the cusp of emotional or nervous breakdown. Cinema, Hennefeld argues, made it possible for women to laugh outrageously as never before, with irreversible social and political consequences. As female enjoyment became a surefire promise of profitability, alarmist tales of women laughing themselves to death epitomised the tension between subversive pleasure and its violent repression.
Dr. Hennefeld traces the social politics of women’s laughter from the heyday of nineteenth-century sentimentalism to the collective euphoria of early film spectatorship, traversing contagious dancing outbreaks, hysteria photography, madwomen’s cackling, cinematic close-ups, and screenings of slapstick movies in mental asylums. Placing little-known silent films and an archive of remarkable, often unusual texts in conversation with affect theory, comedy studies, and feminist film theory, this book makes a timely case for the power of hysterical laughter to change the world.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Following the 2011 wave of revolutions and protests in North Africa and the Middle East, new discussions of individual freedoms emerged in the Moroccan public sphere and human rights discourse. A segment of the public rallied around the removal of an article in the penal code that punished sexual relationships outside of marriage. As debates about personal and sexual freedom gain momentum, love and intimacy remain complex issues.
Moving between public, clandestine, and online interactions, Quest for Love in Central Morocco: Young Women and the Dynamics of Intimate Lives (Syracuse University Press, 2024) explores the creative ways young women navigate desire and morality. Laura Menin's ethnography focuses on young women living in the low-income and lower-middle-class neighbourhoods of a midsized town in Central Morocco, far from the overt influence of city life. At the heart of the book, Menin draws upon ideas of "love" as an ethnographic object and source of theoretical examination. She demonstrates that love, as a complex cultural and historical phenomenon shaped through intersecting socioeconomic and political developments, is crucial in thinking through generational changes and debates in Morocco and the Middle East more broadly. What is at stake in the quest for love, she argues, is not only the making of gendered selves and intimate relationships, but also the imagination of social and political life.
Rituparna Patgiri has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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Through a variety of archival documents, artefacts, illustrations, and references to primary and secondary literature, On the Job: A History of American Work Uniforms (Bloomsbury, 2024) by Dr. Heather Akou explores the changing styles, business practices, and lived experiences of the people who make, sell, and wear service-industry uniforms in the United States.
It highlights how the uniform business is distinct from the fashion business, including how manufacturing developed outside of the typical fashion hubs such as New York City; and gives attention to the ways that various types of employers (small business, corporate, government and others) differ in their ambitions and regulations surrounding uniforms.
On the Job sheds new light on an understudied yet important field of dress and clothing within everyday life, and is an essential addition to any fashion historian's library, appealing to all those interested in material culture, the service industry, heritage and history.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Dreams of Flight: The Lives of Chinese Women Students in the West (Duke UP, 2021) explores the significance of transnational educational mobility in the life aspirations of young, middle-class Chinese women. Based on extensive, long-term ethnographic research, Fran Martin explores how young Chinese women negotiate competing pressures on their identity while studying abroad. On one hand, unmarried middle-class women in the single-child generations are encouraged to develop themselves as professional human capital through international education, molding themselves into independent, cosmopolitan, career-oriented individuals. On the other, strong neo-traditionalist state, social, and familial pressures of the post-Mao era push them back toward marriage and family by age thirty. Martin examines these women’s motivations for studying in Australia and traces their embodied and emotional experiences of urban life, social media worlds, work in low-skilled and professional jobs, romantic relationships, religion, Chinese patriotism, and changed self-understanding after study abroad. Martin illustrates how emerging forms of gender, class, and mobility fundamentally transform the basis of identity for a whole generation of Chinese women.
Fran Martin is Professor of Cultural Studies at the University of Melbourne. Her research focuses on television, film, literature and other forms of cultural production in contemporary transnational China (The PRC, Taiwan, and Hong Kong), with a specialization in transnational flows and representations and cultures of gender and sexuality.
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
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Nancy Folbre’s The Rise and Decline of Patriarchal Systems: An Intersectional Political Economy (Verso, 2021) asks the questions of why and under what conditions overlapping systems of exploitation persist and decline. Folbre adds this book to a long repertoire of studying the economics of care, social reproduction, household-state relations, and women’s coalition building. In making sense of the gender-skewed outcomes of capitalist development, the undervaluation of care, and the dynamics of social reproduction, Folbre draws from various economic and sociological perspectives to introduce an analytical framework attuned to the multiple layers of patriarchal systems of control. The book’s theoretical toolbox (Part 1) is particularly valuable for those interested in key concepts and theories in feminist political economy. The Reconstructed Narratives (Part 2) engages readers with polemics on gendered dynamics of bargaining power, the disciplining of social reproduction labor, the intertwined nature of affect and care, and prospects for progressive collective organizing.
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Catastrophic wartime casualties and postwar discomfort with the successes of women who had served in combat roles combined to shatter prewar ideals about what service meant for Soviet masculine identity. The soldier had to be re-imagined and resold to a public that had just emerged from the Second World War, and a younger generation suspicious of state control. In doing so, Soviet military culture wrote women out and attempted to re-establish soldiering as the premier form of masculinity in society.
Erica L. Fraser's book Military Masculinity and Postwar Recovery in the Soviet Union (U Toronto Press, 2019) combines textual and visual analysis, as well as archival research to highlight the multiple narratives that contributed to rebuilding military identities. Each chapter visits a particular site of this reconstruction, including debates about conscription and evasion, appropriate role models for cadets, misogynist military imagery in cartoons, the fraught militarized workplaces of nuclear physicists, and the first cohort of cosmonauts, who represented the completion of the project to rebuild militarized masculinity.
Erica L. Fraser is an Associate Professor in the Department of History at Carleton University.
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In their edited volume Veil Obsessed: Representations in Literature, Art, and Media (Syracuse University Press, 2024), Umme Al-wazedi and Afrin Zeenat complicate discussions of the veil and highlight the prevalent anxieties surrounding it. The edited volume is unique in its focus and engagement of the veil as it appears in various literary, artistic, and popular cultures, such as of historical Algeria and contemporary Iranian television series, Bollywood films, and street art in Europe. The book locates these critical discussions and theoretical interventions within both a postcolonial and neocolonial critique of how the veil was orientalised and fetishized historically, for example in the Victorian transmissions of the 1001 Nights, and how the veil, specifically the burka, is deployed in reductive and harmful ways in contemporary state projects today, as seen in France, and even in popular liberal discourses (such as in the United States). The essays in this collection are sharp and accessibly written and will be useful as a teaching tool in various undergraduate courses. The book will also be of interest to those who work on literature, popular culture, gender, Islam, and much more.
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Untold Histories of Nigerian Women: Emerging from the Margins (Cambridge Scholars Publishing, 2023) is a curation of insightful and engaging narrations aimed at freeing women from the margins of Nigeria's history. It chronicles their protest movements against colonial administrations, including "monster" petitions on taxation and food price controls. It details a string of remarkable political landmarks which highlight women's historical credentials as nationalists, as well as their voice in early male-dominated legislative institutions. It also narrates more contemporary episodes in women's resistance against oil exploitation, environmental pollution and anger over the mass abduction of school girls. This timely preservation of the voice and agency of Nigerian women from a wide variety of colonial and contemporary documents will benefit readers interested in African history and gender and women's studies.
Tayo Agunbiade is a journalist and social historian. She studied history at the University of Lagos, Nigeria, and women development studies at the University of East London. She has published articles on women’s history and is an Associate Fellow of the Royal Historical Society. Tayo is Newsletter Editor for the Women’s History Network.
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Gendering the Hadith Tradition: Recentering the Authority of Aisha, Mother of the Believers (Oxford UP, 2024) presents for the first time a partial translation and study of Imam Badr al-Din al-Zarkashi's work, al-Ijaba li-Iradi ma Istadraktahu Aisha Ala al-Sahabah-"The Corrective: Aisha's Rectification of the Companions. "It critically analyses from the perspective of hadith criticism a number of sections presenting Aisha's refutations and corrections of key Companions including, Umar b. al-Khattab, Abdullah b. Abbas, Zayd b. Thabit, and Abu Hurayra, applying classical hadith methodology to the scrutiny of narrators by way of impugnment and validation (al-jarh wa al-tadil) in an effort to re-construct and re-present Aisha as a central authority in Islamic knowledge production.
This work constitutes a major rethinking of the Muslim hadith and jurisprudential traditions by evaluating how Aisha responded to hadiths that were circulating and being ascribed, often incorrectly, as authoritative statements of the Prophet Muhammad. From her critique of overwhelmingly male Companions of the Prophet, the study elicits a methodology for hadith criticism which is sure to challenge classical approaches. Sofia Rehman unearths the scholarly acumen of this great female Companion and mother of the believers, in her discussion of several legal positions which Aisha held in contradistinction to many of the male authorities among the Companions.
This interdisciplinary study serves as a model for how the voice of Aisha may be given renewed life and significance in the way it re-centres her traditions and thinking. A crucial aspect is its contributing to expanding the horizons of multiple Islamic disciplines. A major contribution to the study of hadith lies in the development of an emergent methodology of Aisha in the scrutiny of the actual statements (matn) of traditions, not just the chains of transmission (isnad). The contributions of this study to the development of the Muslim legal tradition (fiqh) also lies in a framework that emerges from this research based on the pattern of how Aisha approaches juridical matters. The implications for this are many, especially regarding women and their spiritual and daily life and practice.“
Sofia Rehman is an independent scholar of Islam, trained both traditionally in Syria and Turkey, and in Western academia, receiving her PhD from the University of Leeds. She advocates bridging the gap between scholarship on Islam and the Muslim community, setting up critical reading groups with global reach to facilitate learning and empowerment. She is a contributor to Mapping Faith: Theologies of Migration, edited by Lia Shimada, Cut from the Same Cloth?, edited by Sabeena Akhtar and Violent Phenomena: 21 Essays on Translation, edited by Kavita Bhanot and Jeremy Tiang. She is author of A Treasury of Aisha Bint Abu Bakr.
Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher.
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Political Black Girl Magic: The Elections and Governance of Black Female Mayors (Temple UP, 2023) explores black women's experiences as mayors in American cities. The editor and contributors to this comprehensive volume examine black female mayoral campaigns and elections where race and gender are a factor--and where deracialized campaigns have garnered candidate support from white as well as Hispanic and Asian American voters. Chapters also consider how Black female mayors govern, from discussions of their pursuit of economic growth and how they use their power to enact positive reforms to the challenges they face that inhibit their abilities to cater to neglected communities.
Case studies in this interdisciplinary volume include female mayors in Atlanta, Baltimore, Charlotte, Chicago, Compton, and Washington, DC, among other cities, along with discussion of each official's political context. Covering mayors from the 1960s to the present, Political Black Girl Magic identifies the most significant obstacles black women have faced as mayors and mayoral candidates, and seeks to understand how race, gender, or the combination of both affected them.
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How did men cope with sexual health issues in early modern England? In Men's Sexual Health in Early Modern England (Amsterdam University Press, 2023), Dr. Jennifer Evans presents a vivid history that investigates how sexual, reproductive, and genitourinary conditions were understood between 1580 and 1740. Drawing on medical sources and personal testimonies, it reveals how men responded to bouts of ill health and their relationships with the medical practitioners tasked with curing them. In doing so, this study restores men’s health to medical histories of reproduction, demonstrating how men’s sexual self-identity was tied to their health.
Charting genitourinary conditions across the life cycle, the book illustrates how fertility and potency were key to medical understandings of men’s health. Men utilised networks of care to help them with ostensibly embarrassing and shameful conditions like hernias, venereal disease, bladder stones, and testicular injuries. The book thus offers a historical voice to modern calls for men to be alert to, and open about, their own bodily health.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Race and Gender in the Western Music History Survey: A Teacher’s Guide provides concrete information and approaches that will help instructors include women and people of color in the typical music history survey course and the foundational music theory classes. This book provides a reconceptualization of the principles that shape the decisions instructors should make when crafting the syllabus. It offers new perspectives on canonical composers and pieces that take into account musical, cultural, and social contexts where women and people of color are present. Secondly, it suggests new topics of study and pieces by composers whose work fits into a more inclusive narrative of music history. A thematic approach parallels the traditional chronological sequencing in Western music history classes. Three themes include people and communities that suffer from various kinds of exclusion: Locales & Locations; Forms & Factions; Responses & Reception. Each theme is designed to uncover a different cultural facet that is often minimized in traditional music history classrooms but which, if explored, lead to topics in which other perspectives and people can be included organically in the curriculum, while not excluding canonical composers.
Dr. Horace J. Maxile, Jr. is Associate Professor of Music Theory at Baylor University. His primary interests are the concert music of Black composers, music semiotics, and gospel music. His research has appeared in scholarly journals such as Perspectives of New Music, American Music, the Journal of the Society for American Music, and Black Music Research Journal.
Dr. Kristen M. Turner is a Lecturer in the music and honors departments at North Carolina State University. Her work centers on issues of race, gender, and class in American popular culture at the turn of the twentieth century. Her research has appeared in collected editions and scholarly journals including the Journal of the American Musicological Society, the Journal of the Society for American Music, American Studies, and Musical Quarterly.
Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research is about parade musics in Mobile, Alabama’s Carnival.
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Eve Benhamou's book Contemporary Disney Animation: Genre, Gender and Hollywood (Edinburgh UP, 2022) is the first in-depth study of Disney’s latest animated output from the perspective of genre theory. Analysing a decade in Disney’s history (2008-2018), Benhamou examines the multifaceted interactions between animated films, Disney properties such as Pixar and Marvel, and popular genres including the romantic comedy, the superhero film and the cop buddy film.
Through this extensive critical lens, combined with a focus on gender, she provides illuminating and original insights on films such as Tangled, Frozen and Moana. Informed by wider discourses on contemporary Hollywood and post-feminism, this book challenges conventional approaches to Disney, and foregrounds the importance of animation in understandings of film genres.
Erratum. In the interview, Eve said that Eeyore was from Dumbo, while it is from Winnie the Pooh. She also said "the first Ralph Breaks the Internet", which is of course just Wreck-It Ralph.
Peter C. Kunze is an assistant professor of communication at Tulane University.
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In this highly original book Land Expropriation in Ancient Rome and Contemporary Zimbabwe: Veterans, Masculinity and War (Bloomsbury, 2022), Dr. Obert Bernard Mlambo offers a comparative and critical examination of the relationship between military veterans and land expropriation in the client-army of the first-century BC Roman Republic and veterans of the Zimbabwean liberation war. The study centres on the body of the soldier, the cultural production of images and representations of gender which advance theoretical discussions around war, masculinity and violence. Mlambo employs a transcultural comparative approach based on a persistent factor found in both societies: land expropriation. Often articulated in a framework of patriarchy, land appropriation takes place in the context of war-shaped masculinities.
This book fosters a deeper understanding of social processes, adding an important new perspective to the study of military violence, and paying attention to veterans' claims for rewards and compensation. These claims are developed in the context of war and its direct consequences, namely expropriation, confiscation and violence. Land Expropriation in Ancient Rome and Contemporary Zimbabwe contributes to current efforts to decolonise knowledge construction by revealing that a non-Western perspective can broaden our understanding of veterans, war, violence, land and gender in classical culture.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Neema Avashia is the daughter of Indian immigrants and was born and raised in southern West Virginia. She has been an educator and activist in the Boston Public Schools since 2003 and was named a City of Boston Educator of the Year in 2013. Her first book, Another Appalachia: Coming Up Queer and Indian in a Mountain Place, was published by West Virginia University Press in March 2022. It has been called “A timely collection that begins to fill the gap in literature focused mainly on the white male experience” by Ms. Magazine, and “A graceful exploration of identity, community, and contradictions,” by Scalawag. The book was named Best LGBTQ Memoir of 2022 by BookRiot, was one of the New York Public Library’s Best Books of 2022, and was a finalist for the New England Book Award, the Weatherford Award, and a Lambda Literary Award. Neema lives in Boston with her partner, Laura, and her daughter, Kahani.
Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee.
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Vulnerable narratives of fatherhood are few and far between; rarer still is an ethnography that delves into the practical and emotional realities of intensive caregiving. Grounded in the intimate everyday lives of men caring for children with major physical and intellectual disabilities, Worlds of Care: The Emotional Lives of Fathers Caring for Children with Disabilities (U California Press, 2021) undertakes an exploration of how men shape their identities in the context of caregiving. Anthropologist Aaron J. Jackson fuses ethnographic research and creative nonfiction to offer an evocative account of what is required for men to create habitable worlds and find some kind of “normal” when their circumstances are anything but. Combining stories from his fieldwork in North America with reflections on his own experience caring for his severely disabled son, Jackson argues that care has the potential to transform our understanding of who we are and how we relate to others.
Aaron J. Jackson is a Lecturer in Anthropology at Victoria University. His research focuses on fatherhood, care, and disability.
Alize Arıcan is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City & Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography.
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For western colonists in the early American backcountry, disputes often ended in bloodshed and death. Making the Frontier Man: Violence, White Manhood, and Authority in the Early Western Backcountry (University of Pittsburgh Press, 2023) by Dr. Matthew C. Ward examines early life and the origins of lawless behaviour in Pennsylvania, Virginia, Kentucky, and Ohio from 1750 to 1815. It provides a key to understanding why the trans-Appalachian West was prone to violent struggles, especially between white men. Traumatic experiences of the Revolution and the Forty Years War legitimised killing as a means of self-defence—of property, reputation, and rights—transferring power from the county courts to the ordinary citizen. Backcountry men waged war against American Indians in state-sponsored militias as they worked to establish farms and seize property in the West. And white neighbours declared war on each other, often taking extreme measures to resolve petty disputes that ended with infamous family feuds.
Making the Frontier Man focuses on these experiences of western expansion and how they influenced American culture and society, specifically the nature of western manhood, which radically transformed in the North American environment. In search of independence and improvement, the new American man was also destitute, frustrated by the economic and political power of his elite counterparts, and undermined by failure. He was aggressive, misogynistic, racist, and violent, and looked to reclaim his dominance and masculinity by any means necessary.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In The French Invention of Menopause and the Medicalisation of Women's Ageing (Oxford University Press, 2022), Alison Downham Moore discusses her contribution to the history of women's ageing. Doctors writing about menopause in France vastly outnumbered those in other cultures throughout the entire nineteenth century. The concept of menopause was invented by French male medical students in the aftermath of the French Revolution, becoming an important pedagogic topic and a common theme of doctors' professional identities in postrevolutionary biomedicine. Older women were identified as an important patient cohort for the expanding medicalisation of French society and were advised to entrust themselves to the hygienic care of doctors in managing the whole era of life from around and after the final cessation of menses. However, menopause owed much of its conceptual weft to earlier themes of women as the sicker sex, of vitalist crisis, of the vapours, and of astrological climacteric years.
This is the first comprehensive study of the origins of the medical concept of menopause, richly contextualising its role in nineteenth-century French medicine and revealing the complex threads of meaning that informed its invention. It tells a complex story of how women's ageing featured in the demographic revolution in modern science, in the denigration of folk medicine, in the unique French field of hygiène, and in the fixation on women in the emergence of modern psychiatry. It reveals the nineteenth-century French origins of the still-current medical and alternative-health approaches to women's ageing as something to be managed through gynaecological surgery, hormonal replacement, and lifestyle intervention.
Jana Byars is an independent scholar located in Amsterdam.
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Kareem Khubchandani’s book Decolonize Drag (OR Books, 2024) explores the intricate interplay among gender, colonialism, and drag performance. It illustrates how gender serves as a tool of colonial governance, stifling diverse forms of expression, while also delving into how contemporary drag both mirrors and disrupts these entrenched institutional hierarchies. Through the lens of select performers, Khubchandani unveils how they use their art to satirize, deconstruct, and resist colonialism and the manifestations of white supremacy embedded within society. Central to the narrative is Khubchandani’s drag alter ego, LaWhore Vagistan, whose firsthand experiences shed light on encounters with depoliticized iterations of drag that fall short of its transformative potential, leaving her disheartened and bewildered. Decolonize Drag advocates for the proliferation of more inclusive and accessible avenues for gender expression while also contemplating how the meaning and impact of drag evolve across different social and geographical contexts.
As an educator, scholar, and performer, Dr. Kareem Khubchandani channels his expertise and passion within feminist, queer, and trans aesthetics, with a focus on South Asia and its diaspora. Khubchandani is an associate professor in theatre, dance, and performance studies at Tufts University.
Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing delve into various aspects of popular culture. She is particularly interested in exploring the public history of women's fiction and the portrayal of femme characters in Greco-Roman mythology.
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On the podcast today, I am joined by Professor Anru Lee, who is professor of anthropology at John Jay College, the City University of New York. Anru will be talking about her new book, Haunted Modernities: Gender, Memory and Placemaking in Postindustrial Taiwan, which was published just last year in 2023 by University of Hawai’i Press.
Haunted Modernities interrogates the nature of shared expressions of history, sentiment and memory as it investigates the role of the tragic death of twenty-five unwed women who drowned in a ferry accident on their way to work in factories in Taiwan’s Kaohsiung Export Processing Zone. By exploring the ways in which the deceased young women were perceived to “haunt” the living and the diverse renovations recommended, Professor Anru Lee illuminates how women workers in Taiwan have been conceptualized in the last several decades. In their proposals to renovate a memorial tomb in honor of their death, the interested parties forged specific accounts of history, transforming the collective burial site according to varying definitions of “heritage” as Taiwan shifted to a postindustrial economy, where factory jobs were no longer the main source of employment. Their plans engaged with acts of remembering—communal and individual—to create new ways of understanding the present. Haunted Modernities is a beautiful piece of scholar work that elucidates how “history” and “memory” are not simply about the past but part of a forward-looking process that emerges from the social, political, and economic needs of the present, legitimized and validated through its associations with the past.
Dr. Suvi Rautio is an anthropologist of China.
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Known as Black Rome, Salvador da Bahia, Brazil, is a predominantly Black city. The local art, food, and dance are closely linked to the population's African roots. Yet many Black Brazilian residents are politically and economically disenfranchised. Bryce Henson details a culture of resistance and activism that has emerged in response, expressed through hip-hop and the social relations surrounding it.
Based on years of ethnographic research, Emergent Quilombos: Black Life and Hip-Hop in Brazil (University of Texas Press, 2023) illuminates how Black hip-hop artists and their circles contest structures of anti-Black racism by creating safe havens and alternative social, cultural, and political systems that serve Black people. These artists valorize and empower marginalized Black peoples through song, aesthetics, media, visual art, and community action that emphasize diasporic connections, ancestrality, and Black identifications in opposition to the anti-Black Brazilian nation. In the process, Henson argues, the Salvador hip-hop scene has reinvigorated and reterritorialized a critical legacy of Black politicocultural resistance: the quilombo, maroon communities of Black fugitives who refused slavery as a way of life, gathered away from the spaces of their oppression, protected their communities, and nurtured Black life in all its possibilities.
Bryce Henson is an assistant professor of media, culture, and identity in the Department of Communication and Journalism and associate faculty in the Africana Studies Program at Texas A&M University.
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
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Feminist Afterlives of the Witch: Popular Culture, Memory, Activism (Palgrave Macmillan, 2023) by Dr. Brydie Kosmina investigates the witch as a key rhetorical symbol in twentieth- and twenty-first century feminist memory, politics, activism, and popular culture.
The witch demonstrates the inheritance of paradoxical pasts, traversing numerous ideological memoryscapes. This book is an examination of the ways that the witch has been deployed by feminist activists and writers in their political efforts in the twentieth century, and how this has indelibly affected cultural memories of the witch and the witch trials, and how this plays out in popular culture representations of the symbol through the twentieth and twenty-first centuries. Consequently, this book considers the relationship between popular culture and media, activist politics, and cultural memory.
Using hauntological theories of memory and temporality, and literary, screen, and cultural studies methodologies, this book considers how popular culture remembers, misremembers, and forgets usable pasts, and the uses (and misuses) of these memories for feminist politics. Given the ubiquity of the witch in popular culture, politics and activism since 2016, this book is a timely examination of the range of meanings inherent to the figure, and is an important study of how cultural symbols like the witch inherit paradoxical memories, histories, and politics. The book will be valuable for scholars across disciplines, including witchcraft studies, feminist philosophy and history, memory studies, and popular culture studies.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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During the “global land grab” of the early twenty-first century, legions of investors rushed to Africa to acquire land to produce and speculate on agricultural commodities. In Sweet Deal, Bitter Landscape: Gender Politics and Liminality in Tanzania's New Enclosures (Cornell UP, 2024), Youjin Chung examines the messy, indeterminate trajectory of a high-profile land deal signed by the Tanzanian government and a foreign investor: a 99-year lease to over 20,000 hectares of land in coastal Tanzania—land on which thousands of people live—to establish a sugarcane plantation. Despite receiving significant political support from government officials, international development agencies, and financial institutions, the land deal remained stalled for over a decade.
Drawing on long-term research combining ethnographic, archival, participatory, and visual methods, Chung argues that the dynamics of new and incomplete enclosures must be understood in relation to the legacies of colonial/postcolonial land enclosures, cultural and ecological histories of a place, and gendered structures of power. Foregrounding the lived experiences of diverse rural people, the book shows how the land deal’s uncertain future gave rise to new forms of social control and resistance, but in ways that reinforced intersecting inequalities of gender, race, class, age, and social status. By tracing the complicated ways the land deal was made, remade, and unmade, and by illuminating people’s struggles for survival in the face of seemingly endless liminality, the book raises critical questions about the directions and stakes of postcolonial development and nation-building in Tanzania, and the shifting meanings of identity, citizenship, and belonging for those living on the margins of capitalist agrarian transformation.
Dhouha Djerbi is a PhD researcher at the Department of International Relations and Political Science at the Geneva Graduate Institute.
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Until Jessica Hinchy’s latest book, Governing Gender and Sexuality in Colonial India: The Hijra, c.1850-1900 (Cambridge University Press, 2019), there was no single monograph dedicated to the history of the Hijra community. Perhaps this silence can bear the loudest testament of the marginalization this gender non-confirming community was subjected to under British colonial rule. This book is, therefore, important not only because of its efforts to humanize and situate this community amid the anxieties and hubristic ambitions of colonial rule, but also because it documents the ability many Hijras have to preserve in spite of systematic policing and criminalization. More importantly, perhaps, Jessica Hinchy reveals that the Hijras’ were not just surveilled or marginalized; British colonial authorities ultimately aimed to eradicate and eliminate the community entirely.
Jessica Hinchy is Assistant Professor in History at the Nanyang Technological University, in Singapore. Her research examines gender, sexuality and colonialism in India. In addition to studying the history of the transgender Hijra community under British colonial rule, Dr. Hinchy has also explored problems related to slavery, masculinity, and indirect colonial rule in India through several publications on Khwajasarai eunuch-slaves. She has also investigated the history of childhood, in particular in relation to sexuality and slavery.
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Conversations about gender equity in the workplace accelerated in the 2010s, with debates inside Hollywood specifically pointing to broader systemic problems of employment disparities and exploitative labor practices. Compounded by the devastating #MeToo revelations, these problems led to a wide-scale call for change.
Courtney Brannon Donoghue's book The Value Gap: Female-Driven Films from Pitch to Premiere (U Texas Press, 2023) traces female-driven filmmaking across development, financing, production, film festivals, marketing, and distribution, examining the realities facing women working in the industry during this transformative moment. Drawing from five years of extensive interviews with female producers, writers, and directors at different stages of their careers, Courtney Brannon Donoghue examines how Hollywood business cultures “value" female-driven projects as risky or not bankable. Industry claims that “movies targeting female audiences don’t make money" or “women can't direct big-budget blockbusters" have long circulated to rationalize systemic gender inequities and have served to normalize studios prioritizing the white male–driven status quo. Through a critical media industry studies lens, The Value Gap challenges this pervasive logic with firsthand accounts of women actively navigating the male-dominated and conglomerate-owned industrial landscape.
Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
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From the closing years of the nineteenth century, women received subtle--and not so subtle--messages that they shouldn't be in public. Or, if they were, that they were not safe. Breaking the Gender Code: Women and Urban Public Space in the Twentieth-Century United States (U Texas Press, 2023) tells the story of both this danger narrative and the resistance to it.
Historian Georgina Hickey investigates challenges to the code of urban gender segregation in the twentieth century, focusing on organized advocacy to make the public spaces of American cities accessible to women. She traces waves of activism from the Progressive Era, with its calls for public restrooms, safe and accessible transportation, and public accommodations, through and beyond second-wave feminism, and its focus on the creation of alternative, women-only spaces and extensive anti-violence efforts. In doing so, Hickey explores how gender segregation intertwined with other systems of social control, as well as how class, race, and sexuality shaped activists' agendas and women's experiences of urban space.
Drawing connections between the vulnerability of women in public spaces, real and presumed, and contemporary debates surrounding rape culture, bathroom bills, and domestic violence, Hickey unveils both the strikingly successful and the incomplete initiatives of activists who worked to open up public space to women.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Facing the harrowing task of rebuilding a life in the wake of the Holocaust, many Jewish survivors, community and religious leaders, and Allied soldiers viewed marriage between Jewish women and military personnel as a way to move forward after unspeakable loss. Proponents believed that these unions were more than just a ticket out of war-torn Europe: they would help the Jewish people repopulate after the attempted annihilation of European Jewry.
Historian Robin Judd, whose grandmother survived the Holocaust and married an American soldier after liberation, introduces us to the Jewish women who lived through genocide and went on to wed American, Canadian, and British military personnel after the war. In Between Two Worlds: Jewish War Brides After the Holocaust (UNC Press, 2023), she offers an intimate portrait of how these unions emerged and developed—from meeting and courtship to marriage and immigration to life in the United States, Canada, and the United Kingdom—and shows how they helped shape the postwar world by touching thousands of lives, including those of the chaplains who officiated their weddings, the Allied authorities whose policy decisions structured the couples' fates, and the bureaucrats involved in immigration and acculturation. The stories Judd tells are at once heartbreaking and restorative, and she vividly captures how the exhilaration of the brides' early romances coexisted with survivor's guilt, grief, and apprehension at the challenges of starting a new life in a new land.
Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at [email protected] and @PFLerner.
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Epic poetry and tragic drama provide us with some of the richest ancient Greek depictions of women who are married to soldiers. In tales of the Trojan War, as told by Homer, Aeschylus, Sophocles, and Euripides, we encounter these mythical warriors' wives: Penelope, isolated but resourceful as she awaits the return of Odysseus after his lengthy absence; the war widow Andromache, enslaved and displaced from her homeland after the fall of Troy; the unfaithful and murderous Clytemnestra; and Tecmessa, a war captive who witnesses her partner's breakdown and suicide in the aftermath of battle.
Warriors' Wives: Ancient Greek Myth and Modern Experience (Oxford University Press, 2023) by Dr. Emma Bridges compares the experiences of these mythical characters with those of contemporary military spouses. Dr. Bridges traces aspects of the lives of warriors' wives—mythical and real, ancient and modern—from the moment of farewell, through periods of separation and reunion, to the often traumatic aftermath of war, to consider the emotional, psychological, and social impacts of life as a military spouse. By unearthing a wealth of contemporary evidence for the lives of the often silenced and unacknowledged partners of those who serve in the military, and by examining this alongside the ancient stories of warriors' wives, Warriors' Wives sheds fresh light on the experience of being married to the military.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Today’s book is: Black Women, Ivory Tower: Revealing the Lies of White Supremacy in American Education (Broadleaf Books, 2024), by Dr. Jasmine L. Harris, which is an exploration of what it means to be a Black woman in higher education. Dr. Jasmine Harris shares her own experiences attempting to be a Vassar girl and reckoning with a lack of legacy and agency, while examining the day-to-day impacts on Black women as individuals, and the longer-term consequences to their professional lives, and the generational costs to entire families. Trial and error has been required of Black students to navigate systems of discrimination and disadvantage. But this book now offers useful support, illuminating the community of Black women dealing with similar issues. The author's story is not unusual, nor are her interactions anomalies. Black Women, Ivory Tower explores why.
Our guest is: Dr. Jasmine L. Harris, who is associate professor of African American Studies and coordinator of the African American Studies Program in the Department of Race, Ethnicity, Gender, and Sexuality Studies at the University of Texas, San Antonio. A rising voice in the study of Black lives in the US, Dr. Harris's research and teaching focus on the experiences of Black people in predominantly white schools, specifically the social, physical, and economic impacts of their presence there. She has been published in the Washington Post, Chicago Tribune, Houston Chronicle, Boston Globe, Baltimore Sun, Women's Studies Quarterly, and the Journal of Economics, Race, and Policy.
Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Listeners may also be interested in:
Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here.
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On mainstream social media platforms, far-right women make extremism relatable. They share Instagram stories about organic foods that help pregnant women propagate the “pure” white race and post behind-the-scenes selfies at antivaccination rallies. These social media personalities model a feminine lifestyle, at once promoting their personal brands and radicalizing their followers. Amid discussions of issues like dating, marriage, and family life, they call on women to become housewives to counteract the corrosive effects of feminism and champion the Great Replacement conspiracy theory, which motivated massacres in Christchurch, El Paso, and Buffalo.
Eviane Leidig offers an in-depth look into the world of far-right women influencers, exploring the digital lives they cultivate as they seek new recruits for white nationalism. Going beyond stereotypes of the typical male white supremacist, she uncovers how young, attractive women are playing key roles as propagandists, organizers, fundraisers, and entrepreneurs. Leidig argues that far-right women are marketing themselves as authentic and accessible in order to reach new followers and spread a hateful ideology. This insidious—and highly gendered—strategy takes advantage of the structure of social media platforms, where far-right women influencers’ content is shared with and promoted to mainstream audiences. Providing much-needed expertise on gender and the far right, this timely and accessible book also details online and offline approaches to countering extremism.
Rameen Mohammed is a community organizer based in Texas, a fellow for Muslim Counterpublics Lab and a soon-to-be law student.
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Why do some countries do better than others in advancing women as political leaders and in promoting women’s rights? And what difference does this make to women’s everyday lives? In this episode CEDAR’s Nic Cheeseman talks to Aili Mari Tripp, a world leading researcher of women’s movements, who explains why there are more women in parliament than ever before, and the role that gender quotas have played in this trend. We also discuss why some authoritarian governments gone to greater lengths to promote women’s representation than their democratic counterparts, and whether this is simply a PR exercise or reflects a deeper commitment to equality.
Aili Mari Tripp is the Vilas Research Professor of Political Science at the University of Wisconsin-Madison and one of the world’s leading researchers on women’s movements and political representation. She has written seven books and co-edited seven more, many of which have won awards, and all of which have demonstrated the complexities of women’s struggle for equality, especially in sub-Saharan Africa. Her most recent work focusses on women’s representation under authoritarian rule.
Nic Cheeseman is the Professor of Democracy and International Development at the University of Birmingham and Founding Director of CEDAR.
The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom. Join us to better understand the factors that promote and undermine democratic government around the world and follow us on Twitter at @CEDAR_Bham!
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Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914.
Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art.
Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review.
Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism.
Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1
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The role of mother is often celebrated in the United States as the most important job in the world but Dr. Caitlin Killian argues that American motherhood is increasingly monitored and perilous. From preconception, through pregnancy, and while parenting, she argues that women are held to ever-higher standards and punished – both socially and criminally – for failing to live up to these norms.
Using historical accounts, public health pronouncements, social psychological research, and course cases, Failing Moms: Social Condemnation and Criminalization of Mothers (Polity Press, 2023) documents how women of all ethnic backgrounds and socioeconomic statuses have been interrogated, held against their will, and jailed for a rapidly expanding list of offenses such as falling down the stairs while pregnant or letting a child spend time alone in a park, actions that were not considered criminal a generation ago. While poor mothers and moms of color are targeted the most, Dr. Killian argues that all moms are in jeopardy, whether they realize it or not. Women and mothers are disproportionately held accountable compared to men and fathers who do not see their reproduction policed and almost never incur charges for “failure to protect.” The gendered inequality of prosecutions reveals them to be more about controlling women than protecting children. Other books have examined the specific risks to either pregnant or parenting women – but few connect the issues – and that is Dr. Killian’s goal. Using a reproductive justice lens, she analyzes the extent of the crisis and what must change to prevent mass penalization and provide resources to allow people to mother well.
Dr. Caitlin Killian is a professor of sociology at Drew University specializing in gender, families, reproduction, and immigration. She has worked as a consultant for the United Nations, developing the module on sexual and reproductive health and rights for UN staff training and co-authoring a UNDP report on Syrian refugee women. Her articles have appeared in Contexts magazine and The Conversation, and she has published in numerous academic journals about adoption, overblown warnings about women’s alcohol consumption during pregnancy, sexual and reproductive health and justice, and immigrant and refugee women.
Dr. Killian mentions:
George Lobis served as the editorial assistant for this podcast.
Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia.
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Angel Park is a Mormon fundamentalist polygamous community where plural marriages between one man and multiple women are common. Based on many years of in-depth ethnographic research, in Illicit Monogamy: Inside a Fundamentalist Mormon Community (Columbia UP, 2023), William Jankowiak considers the plural family from the points of view of husbands, wives, and children, giving a balanced account of its complications and conflicts. Through an extensive case study, the book not only gives the readers a real feeling for the society, but also invites us to rethink something essential about being human.
William R. Jankowiak is professor of anthropology at the University of Nevada, Las Vegas. He is the author of Sex, Death, and Hierarchy in a Chinese City: An Anthropological Account (1993) as well as the editor of Romantic Passion: A Universal Experience? (1995) and Intimacies: Love and Sex Across Cultures (2008), among other books.
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
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Medicine carries the burden of its own troubling history. Over centuries, women’s bodies have been demonised and demeaned until we feared them, felt ashamed of them, were humiliated by them. But as doctors, researchers, campaigners and most of all as patients, women have continuously challenged medical orthodoxy. Medicine’s history has always been, and is still being, rewritten by women’s resistance, strength and incredible courage.
In this ground-breaking history Dr. Elinor Cleghorn unpacks the roots of the perpetual misunderstanding, mystification and misdiagnosis of women’s bodies, illness and pain. From the ‘wandering womb’ of ancient Greece to today’s shifting understanding of hormones, menstruation and menopause, Unwell Women: A Journey Through Medicine and Myth in a Man-Made World (Dutton, 2021) is the revolutionary story of women who have suffered, challenged and rewritten medical misogyny. Drawing on Elinor’s own experience as an unwell woman, this is a powerful and timely exposé of the medical world and woman’s place within it.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The City Aroused: Queer Places and Urban Redevelopment in Postwar San Francisco (University of Texas Press, 2024) by Dr. Damon Scott is a lively history of urban development and its influence on queer political identity in postwar San Francisco. By reconstructing the planning and queer history of waterfront drinking establishments, Dr. Scott shows that urban renewal was a catalyst for community organising among racially diverse operators and patrons with far-reaching implications for the national gay rights movement.
Following the exclusion of suspected homosexuals from the maritime trades in West Coast ports in the early 1950s, seamen's hangouts in the city came to resemble gay bars. Local officials responded by containing the influx of gay men to a strip of bars on the central waterfront while also making plans to raze and rebuild the area. This practice ended when city redevelopment officials began acquiring land in the early 1960s. Aided by law enforcement, they put these queer social clubs out of business, replacing them with heteronormative, desexualized land uses that served larger postwar urban development goals. Dr. Scott argues that this shift from queer containment to displacement aroused a collective response among gay and transgender drinking publics who united in solidarity to secure a place in the rapidly changing urban landscape.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Beauty is often dismissed as superfluous and frivolous cultural consumption. In her book, Beauty Regimes: A History of Power and Modern Empire in the Philippines, 1898-1941 (Duke UP, 2023), Genevieve Clutario asks the readers, "what can we gain by taking beauty seriously?" (3) What does it tell us about national identity formation and intimate connections between overlapping empires? Bringing together sartorial styles and women's labor by critically engaging with archival documents ranging from colonial government reports to photograph collections, memoirs, and women’s magazines, Clutario shows how “colonial subjects, like Filipinas, were not only impacted by [nation-building] but also actively shaped [these] ventures within and beyond national borders” (14). Furthermore, her work highlights how the embroidery industry, public schools, and colonial prison systems mobilized the racial idea of dexterous fingers and modernization to discipline Filipina women. However, the imperial rule was contested by Flipina women, as the Manila Carnival Queen contests became a site of negotiating US imperialism through national identity formation. Beauty Regimes is an important read for anyone who is interested in gender, continuities between empires, labor, and critical engagement with the archives.
Genevieve Clutario is associate professor of American Studies at Wellesley College and the author of Beauty Regimes: A History of Power and Modern Empire in the Philippines, 1898 - 1941 (Duke University Press, 2023). She is a recipient of the Duke University Press Scholars of Color First Book Award and the Weatherhead East Asian Institute at Columbia University First Book Award. Her other publications include “Pageant Politics: Tensions of Power, Empire, and Nationalism in Manila Carnival Queen Contests,” in Gendering the Trans-Pacific World (Brill Press, 2017) and “World War II and the Promise of Normalcy: Filipina Lives Under Two Empires” in Beyond the Edge of the Nation: Transimperial Histories with a U.S. Angle (Duke University Press, 2020). She is currently pursuing a new project called Power and Allure: Gender, Authoritarianism, and the Promise of Development with interests on topics such as the Cold War, international development, U.S. imperialism, and the making of the Global South.
Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at [email protected].
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During British colonial rule in India, the treatment of high-caste Hindu widows became the subject of great controversy. Such women were not permitted to remarry and were offered two options: a life of seclusion and rigorous asceticism or death on the funeral pyre of a deceased husband. Was this a modern development, or did it date from the classical period? In Widows Under Hindu Law (Oxford UP, 2023), David Brick offers an exhaustive history of the treatment and status of widows under classical Hindu law, or Dharmasastra as it is called in Sanskrit, which spanned approximately the third century BCE to the eighteenth-century CE.
Under Dharmasastra, Hindu jurists treated at length and at times hotly debated four widow-related issues: widow remarriage and levirate, a widow's right to inherit her husband's estate, widow-asceticism, and sati. Each of the book's chapters examine these issues in depth, concluding with an appendix that addresses a widow's right to adopt a son-a fifth widow-related issue that became the topic of discussion in late Dharmasastra works and was a significant point of legal contentions during the colonial period. When read critically and historically, works of Dharmasastra provide a long and detailed record of the prevailing legal and social norms of high-caste Hindu society. Widows Under Hindu Law uses lengthy English translations of important passages from Hindu legal texts to present a largescale narrative of the treatment of widows under the Hindu legal tradition.
This book is available open access here.
During British colonial rule in India, the treatment of high-caste Hindu widows became the subject of great controversy. Such women were not permitted to remarry and were offered two options: a life of seclusion and rigorous asceticism or death on the funeral pyre of a deceased husband. Was this a modern development, or did it date from the classical period?
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Incorporate Women’s and Gender Studies into your middle school classroom using the powerful lesson plans in this book. In Kathryn Fishman-Weaver and Jill Clingan's Teaching Women's and Gender Studies (Grades 9-12) (Routledge, 2022), the authors present seven units organized around four key concepts: Why WGST; Art, Emotion, and Resistance; Diversity, Inclusion, and Representation; and Intersectionality.
With thought questions for activating prior knowledge, teaching notes, reflection questions, reproducibles, and strategies, these units are ready to integrate purposefully into your existing classroom practice. Across various subject areas and interdisciplinary courses, these lessons help to fill a critical gap in the curriculum. Through affirming, inclusive, and representative projects, this book offers actionable ways to encourage and support young people as they become changemakers for justice.
This book is part of a series on teaching Women’s and Gender Studies in the K-12 classroom. We encourage readers to also check out the high school edition.
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Jana Byars speaks with Catherine Powell-Warren about Gender and Self-Fashioning at the Intersection of Art and Science: Agnes Block, Botany, and Networks in the Dutch 17th Century (Amsterdam University Press, 2024). The conversation begins by examining the ways modern scholars are radically changing our understanding of the position of early modern women one monograph at a time before dialing in on a book that does just that. At once collector, botanist, reader, artist, and patron, Agnes Block is best described as a cultural producer. A member of an influential network in her lifetime, today she remains a largely obscure figure. The socioeconomic and political barriers faced by early modern women, together with a male-dominated tradition in art history, have meant that too few stories of women's roles in the creation, production, and consumption of art have reached us. This book seeks to write Block and her contributions into the art and cultural history of the seventeenth-century Netherlands, highlighting the need for and advantages of a multifaceted approach to research on early modern women. Examining Block's achievements, relationships, and objects reveals a woman who was independent, knowledgeable, self-aware, and not above self-promotion. Though her gender brought few opportunities and many barriers, Agnes Block succeeded in fashioning herself as Flora Batava, a liefhebber at the intersection of art and science.
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Chelsea Schields's book Offshore Attachments: Oil and Intimacy in the Caribbean (U California Press, 2023) reveals how the contested management of sex and race transformed the Caribbean into a crucial site in the global oil economy. By the mid-twentieth century, the Dutch islands of Curaçao and Aruba housed the world's largest oil refineries. To bolster this massive industrial experiment, oil corporations and political authorities offshored intimacy, circumventing laws regulating sex, reproduction, and the family in a bid to maximize profits and turn Caribbean subjects into citizens.
Historian Chelsea Schields demonstrates how Caribbean people both embraced and challenged efforts to alter intimate behavior in service to the energy economy. Moving from Caribbean oil towns to European metropolises and examining such issues as sex work, contraception, kinship, and the constitution of desire, Schields narrates a surprising story of how racialized concern with sex shaped hydrocarbon industries as the age of oil met the end of empire.
Chelsea Schields is Associate Professor of History at the University of California, Irvine.
Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University.
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Incorporate Women’s and Gender Studies into your middle school classroom using the powerful lesson plans in this book. In Kathryn Fishman-Weaver and Jill Clingan's Teaching Women's and Gender Studies (Grades 6-8) (Routledge, 2022), the authors present seven units organized around four key concepts: Why WGST; Art, Emotion, and Resistance; Diversity, Inclusion, and Representation; and Intersectionality.
With thought questions for activating prior knowledge, teaching notes, reflection questions, reproducibles, and strategies, these units are ready to integrate purposefully into your existing classroom practice. Across various subject areas and interdisciplinary courses, these lessons help to fill a critical gap in the curriculum. Through affirming, inclusive, and representative projects, this book offers actionable ways to encourage and support young people as they become changemakers for justice.
This book is part of a series on teaching Women’s and Gender Studies in the K-12 classroom. We encourage readers to also check out the high school edition.
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In Reckoning with Restorative Justice Hawaii Women's Prison Writing (Duke University Press, 2023), Dr. Leanne Trapedo Sims explores the experiences of women incarcerated at the Women’s Community Correctional Center, the only women’s prison in Hawaii. Adopting a decolonial and pro-abolitionist lens, she focuses mainly on women’s participation in the Kailua Prison Writing Project and its accompanying Prison Monologues program. Trapedo Sims argues that while the writing project was a vital resource for the inside women, it also remained deeply embedded within carceral logics at the institutional, state, and federal levels. She foregrounds different aspects of these programs, such as the classroom spaces and the dynamics that emerged between performers and audiences in the Prison Monologues. Blending ethnography, literary studies, psychological analysis, and criminal justice critique, Trapedo Sims centers the often-overlooked stories of incarcerated Native Hawaiian and Pacific Islander women in Hawai‘i in ways that resound with the broader American narrative: the disproportionate incarceration of people of color in the prison-industrial complex.
Rameen Mohammed is a community organizer based in Texas, a fellow for Muslim Counterpublics Lab, and a soon-to-be law student.
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Today’s book is: Black and Queer on Campus (NYU Press, 2023) by Michael P. Jeffries, which offers an inside look at what life is like for LGBTQ college students on campuses across the United States. Dr. Jeffries shows that Black and queer college students often struggle to find safe spaces and a sense of belonging when they arrive on campus. Drawing on his interviews with students from over a dozen colleges, Dr. Jeffries provides a much-needed perspective on the specific challenges Black LGBTQ students face and the ways they overcome them. We learn through these intimate portraits that many of the most harmful stereotypes and threats to black queer safety continue to haunt this generation of students. We also learn how students build queer identities. Black and Queer on Campus sheds light on the oft-hidden lives of Black LGBTQ students, and how educational institutions can better serve them. It highlights the quiet beauty and joy of Black queer social life, and the bonds of friendship that sustain the students.
Our guest is: Dr. Michael P. Jeffries, who is Dean of Academic Affairs, Class of 1949 Professor in Ethics, and Professor of American Studies at Wellesley College. He is the author of Behind the Laughs: Community and Inequality in Comedy; Paint the White House Black: Barack Obama and the Meaning of Race in America; Thug Life: Race, Gender, and the Meaning of Hip-Hop; and Black and Queer on Campus. He has published dozens of essays and works of criticism in The New York Times, The Atlantic, The Guardian, and The Boston Globe, and has been interviewed by The Washington Post, The New York Times, and NPR.
Our host is: Dr. Christina Gessler, who is the creator and show host of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Listeners may also be interested in:
Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. The Academic Life podcast is currently listened to in more than 150 countries. You can help support the show’s mission of democratizing education and sharing the hidden curriculum by downloading episodes, and by telling a friend—because knowledge is for everybody. You’ll find all 190+ Academic Life episodes archived here.
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In 2007, Japan’s health minister referred to women ages 15-50 as “birthing machines.” The context was a speech about Japan’s declining birthrate and projected population shrinkage. As Sujin Lee shows in Wombs of Empire: Population Discourses and Biopolitics in Modern Japan (Stanford UP, 2023), neither population anxieties nor the idea of women as childbearing devices whose wombs were the property of the state are new. However, when the “population problem” became a public preoccupation for politicians, scientists, and activists in the 1910s, it was an expression of worries about overpopulation and carrying capacity in a “resource-poor” nation and empire. Wombs of Empire traces the trajectory of population discourses and practices from these years through wartime Japan, with particular attention to the ways in which notions of motherhood were constructed hierarchically within the context of empire and war, and how Malthusian population control discourses formulated by leftists, feminists, scientists, and politicians gave way to the natalism of total war.
Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
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In the late 1970s, Hollywood producers took the published biography of Crystal Lee Sutton, a white southern textile worker, and transformed it into a blockbuster 1979 film, Norma Rae, featuring Sally Field in the title role. This fascinating book reveals how the film and the popular icon it created each worked to efface the labor history that formed the foundation of the film's story. Drawing on an impressive range of sources--union records, industry reports, film scripts, and oral histories--Aimee Loiselle's cutting-edge scholarship shows how gender, race, culture, film, and mythology have reconfigured and often undermined the history of the American working class and their labor activism.
While Norma Rae constructed a powerful image of individual defiance by a white working-class woman, Loiselle's Beyond Norma Rae: How Puerto Rican and Southern White Women Fought for a Place in the American Working Class (University of North Carolina Press, 2023) demonstrates that female industrial workers across the country and from diverse racial backgrounds understood the significance of cultural representation and fought to tell their own stories. Loiselle painstakingly reconstructs the underlying histories of working women in this era and makes clear that cultural depictions must be understood as the complicated creations they are.
Aimee Loiselle is assistant professor of history at Central Connecticut State University.
Caleb Zakarin is the Assistant Editor of the New Books Network.
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In the late eighteenth-century, elite British women had an unprecedented opportunity to travel. Taking travel home uncovers the souvenir culture these women developed around the texts and objects they brought back with them to realise their ambitions in the arenas of connoisseurship, friendship and science.
Key characters include forty-three-year-old Hester Piozzi (Thrale), who honeymooned in Italy; thirty-one-year-old Anna Miller, who accompanied her husband on a Grand Tour; Dorothy Richardson, who undertook various tours of England from the ages of twelve to fifty-two; and the sisters Katherine and Martha Wilmot, who travelled to Russia in their late twenties. The supreme tourist of the book, the political salon hostess Lady Elizabeth Holland, travelled to many countries with her husband, including Paris, where she met Napoleon, and Spain during the Peninsular War.
Using a methodology informed by literary and design theory, art history, material culture studies and tourism studies, Emma Gleadhill's Taking Travel Home: The Souvenir Culture of British Women Tourists, 1750-1830 (Manchester UP, 2022) examines a wide range of objects, from painted fans "of the ruins of Rome for a sequin apiece" and the Pope's "bless'd beads", to lava from Vesuvius and pieces of Stonehenge. It argues that the rise of the souvenir is representative of female agency, as women used their souvenirs to form spaces in which they could create and control their own travel narrative
Emma Gleadhill is a Melbourne-based historian and artist
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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Thomas Baudinette's Boys Love Media in Thailand: Celebrity, Fans, and Transnational Asian Queer Popular Culture (Bloomsbury, 2023) explores the contours of fandom, and in particular the mainstreaming of queer romance, not only in Thailand but in the Philippines and also Japan. Topics include the Japanese origins of the Boys Love trope, the Thai Boys Love series, the audiences the series has found in Thailand and elsewhere. This podcast is also hosted by the New Books Network, and will focus on the significance of this genre for our understanding of Thailand.
Over the past several years, the Thai popular culture landscape has radically transformed due to the emergence of “Boys Love” (BL) soap operas which celebrate the love between handsome young men. Boys Love Media in Thailand is the first book length study of this increasingly significant transnational pop culture phenomenon. Drawing upon six years of ethnographic research, the book reveals BL's impacts on depictions of same-sex desire in Thai media culture and the resultant mainstreaming of queer romance through new forms of celebrity and participatory fandom.
The author explores how the rise of BL has transformed contemporary Thai consumer culture, leading to heterosexual female fans of male celebrities who perform homoeroticism becoming the main audience to whom Thai pop culture is geared. Through the case study of BL, this book thus also investigates how Thai media is responding to broader regional trends across Asia where the economic potentials of female and queer fans are becoming increasingly important. Baudinette ultimately argues that the center of queer cultural production in Asia has shifted from Japan to Thailand, investigating both the growing international fandom of Thailand's BL series as well as the influence of international investment into the development of these media. The book particularly focuses on specific case studies of the fandom for Thai BL celebrity couples in Thailand, China, the Philippines, and Japan to explore how BL series have transformed each of these national contexts' queer consumer cultures.
Professor Michele Ford is the Director of the Sydney Southeast Asia Centre, a university-wide multidisciplinary center at the University of Sydney, Australia.
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As a trans history of Argentina, a country that banned medically assisted gender affirmation practices and punished trans lives, A Body of One’s Own: A Trans History of Argentina (University of Texas Press, 2024) places the histories of trans bodies at the core of modern Argentinian history. Dr. Patricio Simonetto documents the lives of people who crossed the boundaries of gender from the early twentieth century to the present. Based on extensive archival research in public and community-based archives, this book explores the mainstream medical and media portrayals of trans or travesti people, the state policing of gender embodiment, the experiences of those transgressing the boundaries of gender, and the development of homemade technologies from prosthetics to the self-injection of silicone.
A Body of One's Own explores how trans activists' challenges to the exclusionary effects of Argentina’s legal, cultural, social, and political cisgender order led to the passage of the Gender Identity Law in 2012. Analyzing the decisive yet overlooked impact of gender transformation in the formation of the nation-state, gender-belonging, and citizenship, this book ultimately shows that supposedly abstract struggles to define the shifting notions of "sex," citizenship, and nationhood are embodied material experiences.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The United States has more guns than people and more gun violence than any Western democracy. Scholars in diverse fields interrogate why 21st century Americans support gun ownership and valorize vigilantism even as they fear gun violence. Many question how the NRA – National Rifle Association – has successfully lobbied for radical gun laws that most Americans don’t support.
In Race, Rights, and Rifles: The Origins of the NRA and Contemporary Gun Culture (U Chicago Press, 2023), Dr. Alexandra Filindra highlights political culture. She argues that the NRA depends upon political narratives that can be traced back to the American Revolution. Rather than focus on the constitution, Lockean liberalism, rule of law, or individual rights, she argues that the American Revolution depended upon classical republican ideals – especially the martial virtue of the citizen-soldier – that became foundational to American democracy. American gun culture fuses the republican citizen-soldier with White male supremacy to create what Filindra calls ascriptive martial republicanism. Her book demonstrates how the militarized understandings of political membership prominent in NRA narratives and embraced by many White Americans fit within this broader revolutionary ideology.
Even as contemporary NRA narratives embrace 18th and 19th century versions of ascriptive martial republicanism, the NRA radically decouples political virtue and military service by associating virtue with the consumer act of purchasing a firearm. Rather than emphasizing military service or preparedness, consumer choice defines the politically virtuous citizen.
White Amerians embrace this combination of civic republicanism and White male supremacy but Filindra’s research shows that they also hold a competing form of republicanism (inclusive republicanism) that includes a commitment to peaceful political engagement, civic forms of voluntarism and participation, and a strong belief in multiculturalism.
In the podcast, Susan mentions previous podcasts on Katherine Franke’s Repair: Redeeming the Promise of Abolition and Drew McKevitt’s Gun Country: Gun Capitalism, Culture, and Control in Cold War America.
Dr. Alexandra Filindra is an Associate Professor of Political Science and Psychology at the University of Illinois Chicago. She specializes in American gun politics, immigration policy, race and ethnic politics, public opinion, and political psychology.
George Lobis served as the editorial assistant for this podcast.
Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia.
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From rumps and stays to muffs and handkerchiefs, underwear and accessories were critical components of the 18th-century woman's wardrobe. They not only created her shape, but expressed her character, sociability, fashionability, and even political allegiances. These so-called ephemeral flights of fashion were not peripheral and supplementary, but highly charged artefacts, acting as cultural currency in contemporary society.
The Modern Venus: Dress, Underwear and Accessories in the Late 18th-Century Atlantic World (Bloomsbury, 2023) by Dr. Elisabeth Gernerd highlights the significance of these elements of a woman's wardrobe in 1770s and 1780s Britain and the Atlantic World, and shows how they played their part in transforming fashionable dress when this was expanding to new heights and volumes. Dissecting the female silhouette into regions of the body and types of dress and shifting away from a broad-sweeping stylistic evolution, this book explores these potent players within the woman's armoury. Marrying material, archival and visual approaches to dress history, and drawing on a rich range of sources – including painted portraiture, satirical prints, diaries, memoirs – The Modern Venus unpacks dress as a medium and mediator in women's lives. It demonstrates the importance of these overlooked garments in defining not just a woman's silhouette, but also her social and cultural situation, and thereby shapes our understanding of late 18th-century life.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Judith Surkis's Sex, Law, and Sovereignty in French Algeria, 1830-1930 (Cornell UP, 2019) traces the intersection of colonialism, law, land expropriation, sex, gender, and family during the century after the French conquest of Algeria in 1830. Seeking to assimilate Algerian land while differentiating Algerian Muslims from European settlers, colonial authorities developed a system that confined Muslim law to family matters while subjecting Algerian property to French Civil law. Securing and extending French sovereignty over Algeria, this system deprived Algerian Muslims of full citizenship rights while reinforcing French colonial authority.
Sex, Law, and Sovereignty is a rigorous and provocative critical "history of the present" that illuminates the persistence of the "Muslim question" in contemporary France. In chapters focused on polygamy, repudiation, and child marriage, the book traces the ways that the French fantasies of the family, including the sexualization of Muslim women and a preoccupation with the sexual "excesses" of Muslim men, found expression in legislation that segregated the legal control of property from the regulation of bodies, beliefs, and personhood. A fascinating genealogy that understands colonial law and the problem of difference within a broader cultural field, the book is an impressive, compelling analysis with striking resonances for a Franco-Algerian present still shaped by the legacies of the colonial past.
Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. If you have a recent title to suggest for the podcast, please send her an email ([email protected]).
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In The Queer Art of History: Queer Kinship After Fascism (Duke UP, 2023), Jennifer V. Evans examines postwar and contemporary German history to broadly argue for a practice of queer history that moves beyond bounded concepts and narratives of identity. Drawing on Black feminism, queer of color critique, and trans studies, Evans points out that although many rights for LGBTQI people have been gained in Germany, those rights have not been enjoyed equally. There remain fundamental struggles around whose bodies, behaviors, and communities belong. Evans uses kinship as an analytic category to identify the fraught and productive ways that Germans have confronted race, gender nonconformity, and sexuality in social movements, art, and everyday life. Evans shows how kinship illuminates the work of solidarity and intersectional organizing across difference and offers an openness to forms of contemporary and historical queerness that may escape the archive’s confines. Through forms of kinship, queer and trans people test out new possibilities for citizenship, love, and public and family life in postwar Germany in ways that question claims about liberal democracy, the social contract, and the place of identity in rights-based discourses.
Jennifer V. Evans is Professor of History at Carleton University and author of Life among the Ruins: Cityscape and Sexuality in Cold War Berlin.
Armanc Yildiz is a postdoctoral researcher at Humboldt University. He received his Ph.D. in Social Anthropology at Harvard University, with a secondary degree in Studies of Women, Gender, and Sexuality. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor.
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Selby Wynn Schwartz writes about gender, performance, and the politics of embodiment. Her articles have been published in Women & Performance, PAJ, Dance Research Journal, TSQ: Transgender Studies Quarterly, Critical Correspondence, Ballet-Dance Magazine, In Dance, The Oxford Handbook of Screendance Studies, and the forthcoming anthology (Re)Claiming Ballet. She holds a PhD from UC Berkeley in Comparative Literature and currently teaches writing at Stanford University.
The Bodies of Others: Drag Dances and Their Afterlives (University of Michigan Press, 2019) covers four decades of drag dances, exploring the politics of gender in motion. From drag ballerinas to faux queens, and from butoh divas to the club mothers of modern dance, the book delves into four decades of drag dances. It takes us beyond glittery one-liners and into the spaces between gender norms. In these backstage histories, dancers give their bodies over to other selves, opening up the category of realness. The book maps out a drag politics of embodiment, connecting drag dances to queer hope, memory, and mourning. Drawing on queer theory, dance history, and the embodied practices of dancers themselves, The Bodies of Others examines the ways in which drag dances undertake the work of a shared queer and trans politics.
Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries.
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Kami Fletcher and Ashley Towle’s edited collection Grave History: Death, Race and Gender in Southern Cemeteries (University of Georgia Press, 2023), demonstrates how Jim Crow laws extended into the realms of the dead. Cemeteries throughout the Southern states either relegated Black funerals to the margins in existing cemeteries or excluded the community altogether, often citing the excuse that inclusion would create unrest amongst white lot-holders, and disturb the peace of the cemetery. Burial spaces become demonstrative of oppression, but could also signal resistance to oppression. This impressive text provides an essential primer in African American cemetery history and illustrates how the Black community created frameworks of community support to ensure that homegoing services were dignified and affordable. Chapters also explore the historic importance of African American burial grounds, where grave markers are uniquely important to the recreation of otherwise poorly documented communities. The chapters also lean into the problems intrinsic to interpreting the material culture of oppression, where historic Black identities risk becoming fixed within narratives of victimhood.
The book includes workshop guidance for teachers, for use with students at all stages in the education process.
Dr Julie Rugg is Director of the Cemetery Research Group, University of York, UK.
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A Revolution in Type: Gender and the Making of the American Yiddish Press (NYU Press, 2023) by Dr. Ayelet Brinn offers a fascinating glimpse into the complex and often unexpected ways that women and ideas about women shaped widely read Jewish newspapers.
Between the 1880s and 1920s, Yiddish-language newspapers rose from obscurity to become successful institutions integral to American Jewish life. During this period, Yiddish-speaking immigrants came to view newspapers as indispensable parts of their daily lives. For many Jewish immigrants from Eastern Europe, acclimating to America became inextricably intertwined with becoming a devoted reader of the Yiddish periodical press, as the newspapers and their staffs became a fusion of friends, religious and political authorities, tour guides, matchmakers, and social welfare agencies.
In A Revolution in Type, Dr. Brinn argues that women were central to the emergence of the Yiddish press as a powerful, influential force in American Jewish culture. Through rhetorical debates about women readers and writers, the producers of the Yiddish press explored how to transform their newspapers to reach a large, diverse audience. The seemingly peripheral status of women’s columns and other newspaper features supposedly aimed at a female audience—but in reality, read with great interest by male and female readers alike—meant that editors and publishers often used these articles as testing grounds for the types of content their newspapers should encompass. The book explores the discovery of previously unknown work by female writers in the Yiddish press, whose contributions most often appeared without attribution; it also examines the work of men who wrote under women’s names in order to break into the press. Brinn shows that instead of framing issues of gender as marginal, we must view them as central to understanding how the American Yiddish press developed into the influential, complex, and diverse publication field it eventually became.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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When Algerians of the 1920s and 30s imagined the future of their country, women’s liberation was foundational to their vision. From the first generation of French-educated schoolteachers, to urban domestic workers who challenged spatial and economic divisions, to nationalist journalists pushing back against French colonial claims, Sara Rahnama describes how a range of Algerian actors conceived of women’s rights and responded to new developments in their own country and across the Middle East.
The Future is Feminist: Women and Social Change in Interwar Algeria (Cornell University Press, 2023) reveals a broad consensus that the advancement of Muslim women was necessary to Algeria’s progress. Rahnama draws on new sources to explain the “ecosystem of intellectual energy devoted to Muslim” that debated girls’ education, women’s employment, voting rights, and women’s and men’s headwear. The book places Algeria in a broader regional conversation, as writers turned to Islamic teachings and history and looked to contemporary changes to women’s political and social opportunities in Egypt, Turkey, Afghanistan, and Palestine to justify needed reforms in Algeria. These discussions in the interwar period sowed seeds that would blossom in the 1950s and 60s as Algerian women joined the nationalist movement, and gained new platforms to contribute their own opinions to these contested issues.
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Dr Pierce Salguero sits down with Amy Langenberg, a scholar of South Asian Buddhism, gender, sexuality, and the body. We focus on Amy’s work on misogyny in Buddhist texts, her book on Buddhist embryology, and her current project on sexual abuse in contemporary Buddhist communities. Along the way we discuss miscarriage, menstruation, and the importance of feminist scholarship . . . and also, what does the Buddha have in common with Michael Phelps?
Enjoy the conversation! And remember that not all of our episodes are distributed by NBN, so be sure to subscribe to Blue Beryl!
Resources mentioned in this episode:
Dr. Pierce Salguero is a transdisciplinary scholar of health humanities who is fascinated by historical and contemporary intersections between Buddhism, medicine, and crosscultural exchange. He has a Ph.D. in History of Medicine from the Johns Hopkins School of Medicine (2010), and teaches Asian history, medicine, and religion at Penn State University’s Abington College, located near Philadelphia. www.piercesalguero.com.
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Eileen Hunt Botting is Professor of Political Science at Notre Dame and co-editor with Sandrine Berges and Alan Coffee of the anthology The Wollstonecraftian Mind (Routledge, 2019). The collection presents thirty-nine essays from distinguished scholars in philosophy, religion, literature, intellectual history, and other fields who consider the work of the eighteenth-century British philosopher Mary Wollstonecraft. A political and moral thinker and a forerunner to modern feminism she has not received attention on par with the wide breath of her ideas. The collection gives the reader insight into to her life, major works of philosophy and novels, debates with Edmund Burke and Rousseau, and enduring legacy. She commented on religion, liberalism, republicanism, moral virtue, education, women’s place in society and much more. Her ideas were known to women such as Lucretia Mott, Virginia Woolf, and Simone de Beauvoir who found in her a source for building a modern feminist philosophy. Timely and fruitful, The Wollstone-craftian Mind provides a board survey of an erudite thinker and a source for understanding the politics of the modern era.
Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current research project is on the intellectual history of feminism seen through the emblematic life and work of Simone de Beauvoir.
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In 1912, at age 24, Georgia O’Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas.
In Georgia O'Keeffe's Wartime Texas Letters (Texas A&M UP, 2020), Amy Von Lintel brings to readers the collected O’Keeffe correspondence and added commentary and analysis, shining fresh light on a period of the artist’s life she characterizes as “some of the least appreciated in the vast O’Keeffe scholarship,” but also as “a time when she discovered her own voice as a young, successful, and independent woman . . . a dedicated faculty member at a brand-new college . . . a vibrant social butterfly . . . a progressive woman who spoke her mind and fought for her beliefs to be heard.”
Although selected paintings by O’Keeffe that support the narrative are featured, this work focuses on O’Keeffe’s words. By doing so, Von Lintel aims to allow the artist’s voice to “emerge as a powerful witness of her own life, but also of western America in a pivotal moment of its development.” The result is an important new examination of one of our most beloved artists during a time when she was in the process of discovering her future identity.
Amy Von Lintel is the Doris Alexander Endowed Professor of Fine Arts at West Texas A&M University. She is the author of Georgia O’Keeffe: Watercolors and coauthor of Robert Smithson in Texas. She resides in Amarillo, Texas.
Kirstin L. Ellsworth is an Associate Professor of Art History at California State University Dominguez Hills.
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How was music important to medieval society? In Medieval Sex Lives:The Sounds of Courtly Intimacy on the Francophone Borders (Cornell UP, 2023), Prof Elizabeth Eva Leach, a Professor of Music at the University of Oxford explores the history and content of the Douce 308 manuscript to tell the story of the cultural and sexual scripts that framed courtly life in the Medieval era. The book tells the long history of the idea of courtly love, as well as using contemporary theories and cultural practices to re-examine the songs and lyrics in the manuscript. A fascinating and absorbing read, the book will be of interest to humanities scholars and more widely to anyone interested in the history of music, sex, and sexuality. You can also find out more about the book here on Prof Leach’s blog.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
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Kate Kirkpatrick a lecturer in Religion, Philosophy and Culture at King’s College London and author of Becoming Beauvoir: A Life (Bloomsbury Academic, 2019). Kirkpatrick has given us a biography that addresses the puzzle and contradictions of the life of the philosopher Simone de Beauvoir drawn from never-before-published diaries and letters to tell the fascinating story of how choices shaped her life. Beauvoir, a writer and feminist icon, won prestigious literary prizes and scandalized many with her now classic The Second Sex. She is now celebrated, but during her life she was a controversial figure both by conventional and feminists’ standards. As one who chose to write about lived ideas, both in fiction and essays, rather than build philosophical systems she was easily dismissed as Jean-Paul Sartre’s overly loyal side kick. Kirkpatrick shows how Beauvoir’s thinking evolved as a feminist and a philosopher – labels she was reluctant to embrace. The author reexamines the overemphasis on Beauvoir’s atheism, the extent of her political engagement, and her ethical failures in regard to third parties in the Sartre/Beauvoir relational triads. Beginning with her childhood to her adoption of Sylvie Le Bon, Kirkpatrick focuses on the significant relationships in Beauvoir’s life to expand our understand of how they shaped her thinking about the nature of subjectivity. Becoming Beauvoir demonstrates how the choices we make shape who we become.
Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology, (Oxford University Press, 2018). Her current research project is on the intellectual history of feminist thought seen through the emblematic life and work of Simone de Beauvoir.
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She is benevolent and nurturing, yet fierce and terrible, a warrior and a lover. She creates and gives life, is death personified, and the one who grants eternal salvation. She is the ultimate form of reality, the cosmos. As the Saundaryalahiri says, "Only when Shiva joins with you, O Shakti, can he exert his powers as lord, on his own he has not even the power to stir. You are worshipped by Shiva, Vishnu, Brahma, and other gods. How dare I, meritless mortal, offer you reverence and praise?" The Goddess inspires deep devotion and it is not surprising to see Her being worshipped and revered across homes in India.
Nilima Chitgopekar's Shakti (DK Publishing, 2022) will delve into this rich tradition of the Divine Feminine as She is represented across India and the subcontinent. Shakti will be a one-of-a-kind linear exploration of Goddess worship, neither a basic guide nor a dense academic treatise. Instead, it will invite the reader to learn about the Shakta culture, while telling the story of its birth and evolution, the many manifestations of the Goddess and their worship, and the myths, legends, and rituals that make up the tradition. This title will position itself as the first point of entry for anyone interested in the world of the Devi and Her culture.
Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.
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Why did the New York Public Library ban a novel about women’s independence? What was the Human Potential Movement? And who was Claire Myers Owens?
Today’s book is: Rivers of Light: The Life of Claire Myers Owens (Syracuse University Press,, 2019) by Miriam Kalman Friedman, which is a biography of Owens, who grew up in a conservative, middle-class family in Texas, but sought adventure and freedom. At twenty years old, she left home and quickly found a community of like-minded free spirits and intellectuals in New York’s Greenwich Village. There Owens wrote novels and short stories, including the controversial novel The Unpredictable Adventure: A Comedy of Woman’s Independence, which was banned by the New York Public Library for its “risqué” content. Drawn to ideals of self-actualization and creative freedom, Owens became a key figure in the Human Potential Movement along with founder Abraham Maslow and Aldous Huxley. In her later years, Owens devoted her life to the practice of Zen Buddhism, and published her final book, Zen and the Lady, at the age of eighty-three. Dr. Friedman’s rediscovery of Owens brings attention to her little known yet extraordinary life and passionate spirit. Drawing upon autobiographies, letters, journals, and novels, Dr. Friedman chronicles Owens’s robust intellect and her tumultuous private life.
Our guest is: Dr. Miriam Kalman Friedman, who is a writing coach, editor, and lecturer. She has published multiple books on feminism, women, and women's studies. She is the author of Rivers of Light: The Life of Claire Myers Owens.
Our host is: Dr. Christina Gessler, who is the host and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Listeners may also be interested in:
Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us here to learn from experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here.
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Katherine M. Marino is an assistant professor of history at the University of California, Los Angeles. Feminism for the Americas: The Making of an International Human Rights Movement (University of North Carolina Press, 2019) follows the many Latin American and Caribbean women in the first half of the century who not only championed feminism for the continent but also contributed to defining the meaning of international human rights. They drove a transnational movement for women’s suffrage that included equal work and maternity rights and the self-determination of their nations rejecting U.S. imperialism. Marino draws attention to the enduring contributions of women such as the Brazilian Bertha Lutz, Cuban Clara Gonzales and Chilean Marta Vergara who have yet to receive a significant place in human rights history. The work of Latin American and Caribbean feminist was impeded by internal race and class conflict, insufficient funding, lack of government support and by imperial assumptions of U.S. feminists. Their tenacious efforts through multiple organizations, gatherings, and personal networks led to the inclusion of women’s rights in the global human rights framework and assured that economic and social rights would not be sidelined. The book also illuminates the ideological differences that have plagued the global feminist movement and adds a significant piece to the history of human rights.
Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current research project is on the intellectual history of feminism seen through the emblematic life and work of Simone de Beauvoir.
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In Are Men Animals? How Modern Masculinity Sells Men Short (Basic Books, 2019), Matthew Gutmann examines how cultural expectations viewing men as violent and sex driven becomes a self-fulfilling prophecy. Dubious interpretations of the scientific study of the effects of testosterone, comparisons to the animal kingdom and the persistence of sex segregation reinforces ideas about what is natural. The idea that masculinity is the result of biology allows the “boys will be boys” excuse and reinforces patriarchal values harmful to women and setting false limits for male behavior. Presenting a cross-cultural survey Gutmann demonstrates how the variations across culture from Mexico to China contradict notions of a fixed masculinity. Seeing masculinity as a product of culture and malleable allows us to reimagine fathering, who is capable of leadership and offers new possibilities for how men and women will relate to each other.
Matthew Gutmann is professor of anthropology at Brown University.
Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current writing project is on the intellectual history of feminism seen through the emblematic life and work of Simone de Beauvoir.
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Scholars Stephen Engel and Timothy Lyle have a new book that dives into the thinking around power, political and cultural progress, and the LGBTQ+ communities in the United States. This book is fascinating and important in examining not only policy developments around rights and full citizenship for members of the LGBTQ+ communities, but also how these discussions and dialogues shape thinking about access to rights and dimensions of full citizenship. The overarching title of the book, Disrupting Dignity: Rethinking Power and Progress in LGBTQ Lives (NYU Press, 2021), gets to the heart of the rhetoric in the debate, specifically this concept of “dignity” and how dignity has become a particularly thorny component of defining out political, legal, and civil rights for the LGBTQ+ community.
Both Engel and Lyle note that they found the term dignity very clearly associated with the legal reasoning in judicial opinions around LGBTQ+ rights, that it was a celebrated status, and that while it was more commonly used in international political rhetoric or in the legal dialogue in other countries, it is far less common in the United States and the U.S. legal tradition. And yet, it kept getting connected to the expansion of LGBTQ+ rights. Often, we think of dignity as an unalloyed good, but Engel and Lyle, as they start to unpack the way in which this term and concept are used, begin to reconsider exactly how and why this term, dignity, is also so often connected with LGBTQ+ communities, and not as connected to other communities and their legal, political, and civil rights. Engel and Lyle consider the way in which dignity is bestowed by the state, and in this way, how it becomes a tool of power. There is also the question of whether the way in which dignity is integrated into legal decisions helps to widen out equality, or does it instead redefine boundaries of otherness and inequality.
In exploring the concept of dignity, especially as it has been connected to the expansion of LGBTQ+ rights, Engel and Lyle take the reader through three different case studies that examine the evolving rights status and rhetorical presentations of these kinds of dialogues and representations. These three case studies are kind of dialectics, in that they present two sides, often in tension with each other, wrestling with the power of the state, the individual’s rights, the social and cultural understandings of these situations, and the evolving outcomes. The first case study focuses in on the Politics of Public Health from AIDS to PREP. The second section of the book takes up popular culture representations of dignity—wrestling with the concept of sameness (in Love, Simon) in contrast with queer excess (in Pose). The final section of the book, and the part that might be of most interest to legal scholars, is the role of the courts in defining dignity in judicial opinions. This section also leads into the conclusion, as the authors take up the ongoing tension around the concept, implications, and use of dignity in regard to full citizenship, rights, and LGBTQ+ communities. Disrupting Dignity: Rethinking Power and Progress in LGBTQ Lives is a compelling exploration of the rights regimes in the United States and how the Constitution, the current cultural milieu, and the historical role of the state and state power have all contributed to this evolving question of full citizenship.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics
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Hongwei Bao’s book is a thoughtful exploration of gay identity and queer activism in China. This work stems from the term and identity tongzhi, which means “comrade” and in more recent decades has been a popular term to refer to gay people and sexual minorities more broadly. Based on ethnographic research and a solid theoretical base, Queer Comrades: Gay Identity and Tongzhi Activism in Postsocialist China (NIAS Press, 2018) explores queer identity, activism, and governmentality in China, where negotiations between socialism and neoliberalism play out. From a cultural studies perspective, Bao examines a variety of topics from queer spaces in urban centers such as Shanghai, Beijing, and Guangzhou to conversion therapy diaries to queer film festivals. This book speaks to a wide variety of humanities and social science fields and will appeal to those interested in a fresh study of postsocialist China, gay identity formation, activism, and LGBT studies.
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In the 1890s Australian and New Zealand women became the first in the world to win the vote. Buoyed by their victories, they promised to lead a global struggle for the expansion of women’s electoral rights. Charting the common trajectory of the colonial suffrage campaigns, James Keating's book Distant Sisters: Australasian Women and the International Struggle for the Vote, 1880-1914 (Manchester UP, 2020) uncovers the personal and material networks that transformed feminist organising. Considering intimate and institutional connections, well-connected elites and ordinary women, this book argues developments in Auckland, Sydney, and Adelaide―long considered the peripheries of the feminist world―cannot be separated from its glamourous metropoles. Focusing on Antipodean women, simultaneously insiders and outsiders in the emerging international women’s movement, and documenting the failures of their expansive vision alongside its successes, this book reveals a more contingent history of international organising and challenges celebratory accounts of fin-de-siècle global connection.
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In this episode, Dr. Anthony Christian Ocampo takes us both inside and beyond his new book, Brown and Gay in LA: The Lives of Immigrant Sons (NYU Press, 2022), to talk about the craft of writing nonfiction, the importance of writing communities and fellowships, and about putting your writing out into the world.
Today’s book is: Brown and Gay in LA: The Lives of Immigrant Sons, by Anthony Christian Ocampo. Growing up in the shadow of Hollywood, the gay sons of immigrants featured in Brown and Gay in LA maneuver through family and friendship circles where masculinity dominates, gay sexuality is unspoken, and heterosexuality is strictly enforced. Dr. Ocampo details his story of reconciling his queer Filipino American identity and those of men like him. He shows what it was like to grow up gay in an immigrant family, to be the one gay person in their school and ethnic community, and to be a person of color in predominantly White gay spaces. Brown and Gay in LA is an homage to second-generation gay men and their radical redefinition of what it means to be gay, to be a man, to be a person of color, and, ultimately, what it means to be an American.
Our guest is: Dr. Anthony Christian Ocampo, who is Professor of Sociology at California State Polytechnic University, Pomona. He is the author of Brown and Gay in LA, and The Latinos of Asia: How Filipino Americans Break the Rules of Race. He is an Academic Director of the National Center for Faculty Development and Diversity, and co-host of the podcast Professor-ing. His writing has appeared in GQ, Catapult, BuzzFeed, Los Angeles Review of Books, Colorlines, Gravy, Life & Thyme, and the Chronicle of Higher Education. He received fellowships from the Ford Foundation, Jack Jones Literary Arts, Tin House, and the VONA/Voices of Our Nations Arts Foundation. He was recently featured in the Netflix documentary “White Hot: The Rise and Fall of Abercrombie & Fitch,” as he was one of the employees involved in suing the company for racial discriminatory hiring practices. He holds a BA in comparative studies in race and ethnicity and MA in modern thought and literature from Stanford University, and an MA and PhD in sociology from UCLA.
Our host is: Dr. Christina Gessler, who is the producer and host of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
For more author-talks that consider the craft of writing, try:
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Today we spoke with Dr. Helena Vissing about her new book Somatic Maternal Healing Psychodynamic and Somatic Trauma Treatment for Perinatal Mental Health (Routledge, 2023). What does the research of neuro science, immunology and biology tell us about the complex links between trauma, stress, inflammatory responses, and postpartum depression? What are the somatic counter transferences specific to the perinatal transition? What is the difference between empowered mothering and feminist mothering? What are the five tenets of empowered mothering? These are some of the questions we discuss with Dr. Vissing. All of them aimed at answering the larger clinical question, “What do you do with a new mother who walks into your office - how do we sit with new mothers and parents who are shaking to their core?”
Initially a school psychologist specializing in Developmental Psychology Play Therapy, Dr. Vissing was already interested in psychoanalytic or psychodynamic perspectives. When beginning her training in somatic approaches she was really excited to “learn a new modality to deepen my work in the maternal mental health specialization and specifically the transition to motherhood.” However, working in a “pretty big” community of somatic training practitioners Vissing was “a bit surprised and also a bit disappointed” to discover that there was not really a subgroup specifically dedicated to maternal mental health adaptations and that a “particular focus on the mother's perspective was missing.” Struck by this this lack Vissing became motivated and determined to “create a bridge between the two.”
For Vissing the bridge is a biopsychosocial approach which is both a “clinical attitude” and a “guiding principle” that addresses the frustrations she encountered when studying maternal mental health felt like “jumping from one paradigm to the other where the paradigms were not connecting…were not communicating and I was frustrated by that because we know all of this interacts … we know that the enormous intensity of the hormonal shifts of the perinatal transitions will impact emotional health and mental health.”
Dr. Vissing’s hope is that by reading this book, “as a clinician you will feel less apprehension about the tender work of trauma healing in the perinatal period.”
As hosts we both noted that Somatic Maternal Healing is a rigorously researched and clinically informed book. The majority of the citations reflect current findings, including research into pandemic stress and resonances in telehealth.
Golzar Selbe Naghshineh, is a training and supervising licensed Psychoanalyst with special expertise in reproductive and maternal mental health. She created and built the Network For The Advancement of Perinatal Support – an integrative mental health program for OBGYN offices and fertility clinics that she launched in 2014 at the renowned Downtown Women OBGYN practice in New York City. Naghshineh is also teaching faculty at the New York Graduate School of Psychoanalysis and the Center for Modern Psychoanalytic Studies in New York.
Christopher Russell, LP is a psychoanalyst in Chelsea, Manhattan. He is a member of the faculty and supervising analyst at The Center for Modern Psychoanalytic Studies and The New York Graduate School of Psychoanalysis. His primary theorists are Sándor Ferenczi and Hyman Spotnitz.
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Dr. Alice Collett’s monograph Lives of Early Buddhist Nuns: Biographies as History (Oxford University Press, 2016) delves into the lives of six of the best-known nuns from the period of early Buddhism: Dhammadinnā, Khemā, Kisāgotamī, Paṭācārā, Bhaddā Kuṇḍalakesā, and Uppalavaṇṇā, all of whom are said to have been direct disciples of the historical Buddha. Collett does the thankless task of sorting through the biographical information scattered throughout the canonical and commentarial literature to present a richly textured account of the these six extraordinary women’s lives. She further analyzes the differences between the various biographical accounts to glean historical information about the position of women and changing gender relations in the early centuries of Buddhism in India. One of the main contributions of her monograph is the finding that women were treated more favorably in the Pāli Canon than is commonly presented. She also gains insight into an impressive number of other themes ranging from notions of beauty and bodily adornment, to family, class, and marriage. This book is sure to be of value to a wide audience, especially those interested in women in Buddhism, early Buddhism and early Indian society.
Alex Carroll studies Buddhist Studies at the University of South Wales and is primarily interested in Theravāda and early Buddhism. He lives in Oslo, Norway and can be reached via his website here.
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Analysing materials from literature and film, this book considers the fates of women who did not or could not buy into the Japanese imperial ideology of "good wives, wise mothers" in support of male empire-building.
Although many feminist critics have articulated women's active roles as dutiful collaborators for the Japanese empire, male-dominated narratives of empire-building have been largely supported and rectified. In contrast, the roles of marginalized women, such as sex workers, women entertainers, hostesses, and hibakusha have rarely been analyzed. This book addresses this intellectual lacuna by closely examining memories, (semi-)autobiographical stories, and newspaper articles, grounded or inspired by lived experiences not only in Japan, but also in Shanghai, Manchukuo, colonial Korea, and the Pacific. Chapters further explore the voices of diasporic Korean women (Zainichi Korean woman born in Japan, as well as Korean American woman born in Korea) whose lives were impacted, intervening ethnocentric narratives that were at the heart of the Japanese empire. An appendix presents the first English translation of a memorable statement on comfort women by former Japanese propaganda actress, Ri Kōran / Yamaguchi Yoshiko.
Nobuko Ishitate-Okunomiya Yamasaki's book Prostitutes, Hostesses, and Actresses at the Edge of the Japanese Empire (Routledge, 2021) will appeal to students and scholars of Japanese literature and film studies, as well as gender, sexuality and postcolonial studies.
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In There's a Disco Ball Between Us: A Theory of Black Gay Life (Duke UP, 2022), Jafari S. Allen offers a sweeping and lively ethnographic and intellectual history of what he calls “Black gay habits of mind.” In conversational and lyrical language, Allen locates this sensibility as it emerged from radical Black lesbian activism and writing during the long 1980s. He traverses multiple temporalities and locations, drawing on research and fieldwork conducted across the globe, from Nairobi, London, and Paris to Toronto, Miami, and Trinidad and Tobago. In these locations and archives, Allen traces the genealogies of Black gay politics and cultures in the visual art, poetry, film, Black feminist theory, historiography, and activism of thinkers and artists such as Audre Lorde, Marsha P. Johnson, Essex Hemphill, Colin Robinson, Marlon Riggs, Pat Parker, and Joseph Beam. Throughout, Allen renarrates Black queer history while cultivating a Black gay method of thinking and writing. In so doing, he speaks to the urgent contemporary struggles for social justice while calling on Black studies to pursue scholarship, art, and policy derived from the lived experience and fantasies of Black people throughout the world.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
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Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood.
Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe.
Jana Byars is an independent scholar located in Amsterdam.
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In Unseen Flesh: Gynecology and Black Queer Worth-Making in Brazil (Duke University Press, 2023) Nessette Falu explores how Black lesbians in Brazil define and sustain their well-being and self-worth against persistent racial, sexual, class, and gender-based prejudice. Focusing on the trauma caused by interactions with gynecologists, Falu draws on in-depth ethnographic work among the Black lesbian community to reveal their profoundly negative affective experiences within Brazil’s deeply biased medical system. In the face of such entrenched, intersectional intimate violence, Falu’s informants actively pursue well-being in ways that channel their struggle for self-worth toward broader goals of social change, self care, and communal action. Demonstrating how the racist and heteronormative underpinnings of gynecology erase Black lesbian subjecthood through mental, emotional, and physical traumas, Falu explores the daily resistance and abolitionist practices of worth-making that claim and sustain Black queer identity and living. Falu rethinks the medicalization of race, sex, and gender in Brazil and elsewhere while offering a new perspective on Black queer life through well-being grounded in relationships, socioeconomic struggles, the erotic, and freedom strivings.
Nessette Falu is Assistant Professor of African and African Diaspora Studies at the University of Texas at Austin.
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
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Women’s college basketball is big business—top teams bring in millions of dollars in revenue for their schools. Women’s NCAA games are broadcast regularly on sports networks, and many of the top players and coaches are household names. Yet these athletes face immense pressure to be more than successful at their sport. They must also conform to expectations about gender, sexuality, and race—expectations that are often in direct contrast to success in the game. They are not supposed to have muscles that are too big, they are not supposed to be too tough, they are not supposed to be too masculine or “look like men,” and they are not supposed to be queer.
A former college athlete herself, Michelle J. Manno spent a full season with a highly competitive NCAA Division I women’s basketball program as one of the team’s managers. In vivid detail, she takes us on the court, on the team bus, into the locker room, and to championship games to show the intense dedication that these women give to the game. She found, perhaps unsurprisingly, that these extremely talented women were strictly policed around the presentation of their gender and sexuality, especially the athletes who were Black. They were routinely monitored, banned from engaging in certain activities, and often punished for behavior that put their queerness, Blackness, and masculinity on display. Convincingly conforming to conventional expectations of gender and sexuality—from the clothes they wore to the people they dated—was yet another challenge at which they needed to excel. Importantly, Manno also highlights several well-known contemporary professional athletes—Brittney Griner, Serena Williams, Gabby Douglas, and Caster Semenya, among others—to show that fame and performing at the highest levels in sport does not protect women athletes from having to navigate the conflicting and often contradictory expectations of identity.
A riveting portrait of an elite basketball program, Denied: Women, Sports, and the Contradictions of Identity (NYU Press, 2023) will forever change our understanding of women athletes and the sports they play.
Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1
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The Everyday Lives of Gay Men in Hainan: Sociality, Space and Time (Palgrave Macmillan, 2022) by Dr. James Cummings explores the everyday lives of gay men in Hainan, an island province of the People’s Republic of China. Taking an ethnographic and phenomenological approach, it asks how these men construct and experience ways of ‘sexual being’ – as gay, homosexual, tongzhi and/or in the scene – and what these mean for the ways of living they see as possible within a socio-cultural, political and material context characterised by pervasive heteronormativity. It explores what it means for gay men in Hainan to ‘come into the scene’, how internet and mobile technologies figure in their everyday processes of sexual categorisation and how these men negotiate orientations and disorientations towards the future in relation to dominant heterosexual life scripts of marriage and reproduction.
This book offers vital insights into the production and restriction of non-heterosexual lives in diverse settings, while addressing universal questions of how certain ways of living are enabled and curtailed in living together with others through powerful conditions of uncertainty and precarity.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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A compelling study of medical and literary imaginations, Anne Linton's Unmaking Sex: The Gender Outlaws of Nineteenth-Century France (Cambridge University Press, 2022) examines the complex relationship between modes of seeing, thinking, and writing intersex bodies and lives.
In this project, Linton brings a rich archive of medical cases from 1800 to 1902 into dialogue with canonical nineteenth-century authors (Honoré de Balzac, Théophile Gautier, and Emile Zola), as well as an impressive range of less well-known writers and popular fictions that captivated French readers during the period. Challenging the (Foucauldian) emphasis on the principle of a "true sex" that apparently preoccupied French doctors following the Napoleonic Code's regulation of sexual identification (within three days of birth), Linton looks at multiple instances in which the instability of sex, the uncertainties of bodies and their stories, came up again and again for medical and other observers. Revisiting the well-known case of Herculine Barbin, Linton situates Barbin's own account within the wider medical and literary worlds of nineteenth-century France. The book's earlier chapters lay a historical groundwork for subsequent closer readings of fictions that responded and contributed to a broader cultural fascination with sexual and gender identities, desires, and ambiguities.
While historically specific in its research and arguments, Unmaking Sex offers much to readers interested in the past and present politics of medical, legal, and cultural debates surrounding intersex people, with implications well beyond the French context.
Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013.
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In the aftermath of the Second World War, the French government cultivated images of sensual and sophisticated white French women in an attempt to reestablish its global image as a great nation. They promoted the beauty, sexual appeal, and general allure of French women, all while shrinking the boundaries of what was considered beautiful.
Charm Offensive: Commodifying Femininity in Postwar France (University of Toronto Press, 2023) by Dr. Kelly Colvin explores how this elevation of French femininity created problems on both sides of the equation: the pressure on French women to conform to an exacting physical standard was immense, while the inability of anyone else to access that standard resulted in a sense of failure. Drawing on cultural figures like Air France hostesses, tourism workers, and celebrities such as Brigitte Bardot, Charm Offensive offers an innovative understanding of a tumultuous time of decolonization.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In August, Representative Alexandria Ocasio-Cortez took to Twitter to complain about how U.S. regulations are holding local sunscreens back compared to the rest of the world. And while she didn’t name any specific country, the video featured headlines that did name one nation: South Korea. On social media, Korean cosmetics are now viewed as the world’s best.
But where did this success come from—and, perhaps, what does it say about South Korea? Elise Hu, during her time in South Korea, tried to find out, researching and reporting on not just the cosmetics industry, but gender politics, the culture of lookism, K-Pop, and cosmetic surgery, all covered in her latest book Flawless: Lessons in Looks and Culture from the K-Beauty Capital (Dutton, 2023)
In this interview, Elise and I talk about South Korea, its world-leading cosmetics industry, and what that says about gender and lookism in this buzzing East Asian economy.
Elise Hu is a correspondent and host at-large for NPR, the American news network; and since April 2020, the inaugural host of TED Talks Daily, the daily podcast from TED that’s downloaded a million times a day in all countries of the world. For nearly four years, she was the NPR bureau chief responsible for coverage of North Korea, South Korea, and Japan.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Flawless. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
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Animal products were used extensively in nineteenth-century Britain. A middle-class Victorian woman might wear a dress made of alpaca wool, drape herself in a sealskin jacket, brush her hair with a tortoiseshell comb, and sport feathers in her hat. She might entertain her friends by playing a piano with ivory keys or own a parrot or monkey as a living fashion accessory.
In Victims of Fashion: Animal Commodities in Victorian Britain (Cambridge University Press, 2021), Dr. Helen Cowie examines the role of these animal-based commodities in Britain in the long nineteenth century and traces their rise and fall in popularity in response to changing tastes, availability, and ethical concerns. Focusing on six popular animal products – feathers, sealskin, ivory, alpaca wool, perfumes, and exotic pets – she considers how animal commodities were sourced and processed, how they were marketed and how they were consumed. Dr. Cowie also assesses the ecological impact of nineteenth-century fashion.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Documenting Death: Maternal Mortality and the Ethics of Care in Tanzania (University of California Press, 2020) is a gripping ethnographic account of the deaths of pregnant women in a hospital in a low-resource setting in Tanzania. Through an exploration of everyday ethics and care practices on a local maternity ward, anthropologist Adrienne E. Strong untangles the reasons Tanzania has achieved so little sustainable success in reducing maternal mortality rates, despite global development support. Growing administrative pressures to document good care serve to preclude good care in practice while placing frontline healthcare workers in moral and ethical peril. Maternal health emergencies expose the precarity of hospital social relations and accountability systems, which, together, continue to lead to the deaths of pregnant women.
Dr. Nicole Bourbonnais is an Associate Professor of International History and Politics and Co-Director of the Gender Centre at the Graduate Institute of International and Development Studies in Geneva, Switzerland. Her research explores reproductive politics and practice from a transnational historical perspective. More info here. Twitter: @iheid_history and @GC_IHEID
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We often narrate the history of women’s rights in the United States by focusing on the fight for suffrage. Yet starting as early as 1835, states expanded married women’s economic rights. How were these statutes passed at a time when women’s political power was severely constrained, including no right to vote in most states? With limited national coordination?
In In Her Own Name: The Politics of Women’s Rights Before Suffrage (Columbia UP, 2023), Dr. Sara Chatfield argues that married women’s property rights reform occurred through a two-level process. Within each state, policy developed and cycled through different state-level institutions. Without explicit coordination, these policies spread throughout the states with institutional actors borrowing, copying, and learning from the successes and failures of other states – such that ALL states passed some reform by 1920. Dr. Chatfield’s important contribution to the American political development literature shows how male legislators pursued legislation that served their own interests and how state legislatures and courts interacted to create property reforms essential to changing economics, the project of permanently seizing land from Native people, and protecting slaveholding women and families from economic instability. The reform of property rights included both property as a commodity and also a means of social control and order. Dr. Chatfield’s book furthers our understanding of how gender, federalism, and liberalism interacted in the development of state power.
In the podcast, Dr. Chatfield generously cites the works of others including Disenfranchising Democracy: Constructing the Electorate in the United States, the United Kingdom, and France (my NBN interview with Dr. Bateman here), Emily Zackin and Chloe N. Thurston’s The Political Development of American Debt Relief (Chicago), and Alena Wolflink’s Claiming Value:The Politics of Priority from Aristotle to Black Lives Matter (Routledge).
Dr. Sara Chatfield is an assistant professor of political science at the University of Denver, where she teaches classes on American politics and law. Her research interests focus on American politics, especially American political development, gender and politics, and methods.
Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia.
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In The Cancer Within: Reproduction, Cultural Transformation, and Health Care in Romania (Rutgers UP, 2022), Cristina Pop examines cervical cancer in Romania as a point of entry into an anthropological reflection on contemporary health care, especially in the post-communist context. Cervical cancer prevention reveals the inner workings of emerging post-communist medicine, which aligns the state and the market, public and private health care providers, policy makers, and ordinary women. Fashioned by patriarchal relations, lived religion, and the historical trauma of pronatalism, Romanian women’s responses to reproductive medicine and cervical cancer prevention are complicated by neoliberal reforms to medical care. Cervical cancer prevention – and especially the HPV vaccination – provided Romanians a legitimate instance to express their conflicting views of post-communist medicine. What sets Romania apart is that pronatalism, patriarchy, lived religion, medical reforms, and moral contestation of preventive medicine bring into line systemic contingencies that expose the historical, social, and cultural trajectories of cervical cancer.
Cristina A. Pop is an assistant professor of medical anthropology and medical humanities at Creighton University. Her research interests are reproductive health and healthcare, reproductive governance, vaccination hesitancy, post-Communism, discourse analysis, and ethnographic fiction. She has published in Medical Anthropology Quarterly, Medical Anthropology, Culture, Health and Sexuality, and Journal of Religion and Health. Cristina is the author of The Cancer Within: Reproduction, Cultural Transformation and Health Care in Romania, published in 2022 with Rutgers University Press in the series “Medical Anthropology: Health, Inequality, and Social Justice.”
Yadong Li is a PhD student in anthropology at Tulane University. He conducts ethnography among ufologists in China. His research interests lie at the intersection of the anthropology of the paranormal, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
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In this episode of High Theory, Katherine Turk tells us about Sisterhood, a familial metaphor used to evoke gendered solidarity in women’s movement of the mid-sixties and seventies, and a utopian ideal of equality within the human family. It’s a universalizing but aspirational concept that helped feminists build a political coalition.
Our conversation is based upon Katherine’s new book about the National Organization of Women: The Women of NOW: How Feminists Built an Organization That Transformed America (FSG, 2023). This mainstream feminist organization is often neglected in histories of the period, dismissed as a liberal organization dedicated to incremental change. But NOW was an expansive organization that changed over time, shifted the conversation and legal structures in the US, and left an important historical record that we can learn from in social justice work today.
Katherine Turk is an associate professor of History and an adjunct associate professor of Women’s and Gender Studies at UNC Chapel Hill. Her research and teaching focus on women, sex, gender, law, labor, and modern social movements. Her first book Equality on Trial: Gender and Rights in the Modern American Workplace (Politics and Culture in Modern America Series, University of Pennsylvania Press, 2016) studies the history of Title VII of the 1964 US Civil Rights Act, which outlawed workplace discrimination on the basis of such personal attributes as sex, race, and religion.
The image for this week was made by Saronik Bosu. It shows Aileen Hernandez, Mary Jean Collins, and Patricia Hill Burnett, leaders of NOW who are the primary subjects of Katherine’s book.
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Listen to this interview of Cassidy Sugimoto and Vincent Larivière, co-authors of Equity for Women in Science: Dismantling Systemic Barriers to Advancement (Harvard UP, 2023). Cassidy is Professor and Tom and Marie Patton School Chair in the School of Public Policy at the Georgia Institute of Technology. She is also President of the International Society for Scientometrics and Informetrics. Vincent is Professor of Information Science at Université de Montréal, where he also serves as Associate Vice-President of Planning and Communications. He is Scientific Director of the Érudit journal platform and Associate Scientific Director of the Observatoire des Sciences et des Technologies.
We talk about how the science of science is advancing the work done by each and every scientist, by helping them to do work that is fairer, truer, and realer.
Vincent Larivière : "Scientists are group leaders, reviewers, editors, administrators — I mean, we are mostly an autonomous community, so there's mostly no one else to blame for inequity in our science practice. The system that we're in is the one that we've created collectively. So, there is a responsibility in all of the actions we do and in all of the different roles that we have to actually make science better and to fight inequality. Because the inequality, as so much work now demonstrates, is bad. It’s bad from the point of view of the individual scientist, but it’s bad too for the science itself — we could do better science by being more inclusive in our science practice."
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Between 2000 and 2010, many contemporary US-American women writers were returning to the private space of the kitchen, writing about their experiences in that space and then publishing their memoirs for the larger public to consume. Season to Taste: Rewriting Kitchen Space in Contemporary Women’s Food Memoirs (U Mississippi Press, 2023) explores women’s food memoirs with recipes in order to consider the ways in which these women are rewriting this kitchen space and renegotiating their relationships with food.
Caroline J. Smith begins the book with a historical overview of how the space of the kitchen, and the expectations of women associated with it, have shifted considerably since the 1960s. Better Homes and Gardens, as well as the discourse of the second-wave feminist movement, tended to depict the space as a place of imprisonment. The contemporary popular writers examined in Season to Taste, such as Ruth Reichl, Kim Sunée, Jocelyn Delk Adams, Julie Powell, and Molly Wizenberg, respond to this characterization by instead presenting the kitchen as a place of transformation. In their memoirs and recipes, these authors reinterpret their roles within the private sphere of the home as well as the public sphere of the world of publishing (whether print or digital publication). The authors examined here explode the divide of private/feminine and public/masculine in both content and form and complicate the genres of recipe writing, diary writing, and memoir. These women writers, through the act of preparing and consuming food, encourage readers to reconsider the changing gender politics of the kitchen.
Jeannette Cockroft is an associate professor of history and political science at Schreiner University.
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Released in 1919, "Anders als die Andern" (Different from the Others) stunned audiences with its straightforward depiction of queer love. Supporters celebrated the film’s moving storyline, while conservative detractors succeeded in prohibiting public screenings. Banned and partially destroyed after the rise of Nazism, the film was lost until the 1970s and only about one-third of its original footage is preserved today.
Directed by Richard Oswald and co-written by Oswald and the renowned sexologist Magnus Hirschfeld, "Anders als die Andern" is a remarkable artifact of cinema culture connected to the vibrant pre-Stonewall homosexual rights movement of early-twentieth-century Germany. The film makes a strong case for the normalization of homosexuality and for its decriminalization, but the central melodrama still finds its characters undone by their public outing. Ervin Malakaj sees the film’s portrayal of the pain of living life queerly as generating a complex emotional identification in modern spectators, even those living in apparently friendlier circumstances. There is a strange comfort in knowing that we are not alone in our struggles, and Malakaj recuperates "Anders als die Andern"’s mournful cinema as an essential element of its endurance, treating the film’s melancholia both as a valuable feeling in and of itself and as a springboard to engage in an intergenerational queer struggle.
Over a century after the film’s release, Anders als die Andern (McGill-Queen's UP, 2023) serves as a stark reminder of how hostile the world can be to queer people, but also as an object lesson in how to find sustenance and social connection in tragic narratives.
Ervin Malakaj is associate professor of German studies at the University of British Columbia.
Armanc Yildiz is a postdoctoral researcher at Humboldt University. He received his Ph.D. in Social Anthropology at Harvard University, with a secondary degree in Studies of Women, Gender, and Sexuality. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor.
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Drawing on a decade of fieldwork in the borderlands of northern Bangladesh and eastern India, A Thousand Tiny Cuts: Mobility and Security Across the Bangladesh-India Borderlands (U California Press, 2023) chronicles the slow transformation of a connected region into national borderlands and shows the foundational place of gender and sexuality in the meaning and management of threat in relation to mobility. It recasts a singular focus on border fences and border crossings to show, instead, that bordering is an expansive and accumulative reordering of relations of value. Devaluations--of agrarian land and crops, borderland youth undesirable as brides and grooms in their respective national hinterlands, disconnection of regional infrastructures, and social and physical geographies disordered by surveillance--proliferate as the costs of militarization across this ostensibly "friendly" border. Through a textured ethnography of the gendered political economy of mobility across a postcolonial borderlands in South Asia, this ambitious book challenges anthropological understanding of the violence of bordering, migration and citizenship, and transnational inequalities that are based on Euro-American borders and security regimes.
Sneha Annavarapu is Assistant Professor of Urban Studies at Yale-NUS College.
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In the past, it was assumed that men, as good citizens, would serve in the armed forces in wartime. In the present, however, liberal democratic states increasingly rely on small, all-volunteer militaries deployed in distant wars of choice. While few people now serve in the armed forces, our cultural myths and narratives of warfare continue to reproduce a strong connection between military service, citizenship, and normative masculinity.
In Support the Troops: Military Obligation, Gender, and the Making of Political Community (Oxford University Press, 2022), Dr. Katharine M. Millar provides an empirical overview of "support the troops" discourses in the US and UK during the early years of the global war on terror (2001-2010). As Dr. Millar argues, seemingly stable understandings of the relationship between military service, citizenship, and gender norms are being unsettled by changes in warfare. The effect is a sense of uneasiness about the meaning of what it means to be a "good" citizen, "good" person, and, crucially, a "good" man in a context where neither war nor military service easily align with existing cultural myths about wartime obligations and collective sacrifice. Instead we participate in the performance of supporting the troops, even when we oppose war—an act that appears not only patriotic and moral, but also apolitical. Failing to support the troops, either through active opposition or a lack of overt supportive actions, is perceived as not only offensive and inappropriately political, but disloyal and dangerous.
Dr. Millar asserts that military support acts as a new form of military service, which serves to limit anti-war dissent, plays a crucial role in naturalizing the violence of the transnational liberal order, and recasts war as an internal issue of solidarity and loyalty. Rigorous and politically challenging, Millar provides the first work to systematically examine "support the troops" as a distinct social phenomenon and offers a novel reading of this discourse through a gendered lens that places it in historical and transnational context.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Ramona Dima's book Queer Culture in Romania, 1920–2018 (Palgrave MacMillan, 2023) is an in depth, extensive study of Romanian queer cultural products. It brings an essential contribution to the literature on Central and South Eastern European gender studies, post-communism studies, media, and cultural studies, as well as transnational queer studies. The book looks at Romanian queer culture ”from inside”, and from the acknowledgment that the research process is guided by the sensitivity of the approached topics, by the lack of archival footprints, and by a solid dose of media archaeology, especially when looking at the beginning of Romanian LGBT+ activism in the 90s.
The book starts from contemporary Romanian cultural products that are focusing on queer topics and/or produced by queer creators. It looks back at the memories of seminal queer and trans activists in extensive interviews conducted for this volume, and fragmented literary and media sources that cover the most part of the 20th century.
Roland Clark is a Reader in Modern European History at the University of Liverpool, a Senior Fellow with the Centre for Analysis of the Radical Right, and the Principal Investigator of an AHRC-funded project on European Fascist Movements.
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Since her debut in 1959, Barbie has transcended boundaries and transformed into a global symbol of femininity, capturing the imaginations of girls all around the world. An American Icon in Puerto Rico: Barbie, Girlhood, and Colonialism at Play (Berghahn, 2022) offers a captivating study of that iconic influence by focusing on a group of multigenerational Puerto Rican women and girls.
Through personal narratives and insights, author Dr. Emily R. Aguiló-Pérez unveils the emotional attachment that these women and girls have formed with the doll during their formative years. This connection serves as a powerful lens to explore the intricate relationships girls have with their Barbie dolls and the complex role Barbie plays in shaping their identities.
Dr. Aguiló-Pérez boldly confronts the challenges and contradictions that arise, offering a compelling analysis of how playing with Barbie dolls can impact a girl's perception of femininity, body image, race, and even national identity. Through these nuanced explorations, she unearths the potential pitfalls of these influences, encouraging readers to reflect on their own relationships with the iconic doll.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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It’s a subject that stirs up plenty of passion: Why do men’s clothes have so many pockets and women’s so few? In her captivating book Pockets: An Intimate History of How We Keep Things Close (Hachette, 2023), Dr. Hannah Carlson, a lecturer in dress history at the Rhode Island School of Design, shows us how we tuck gender politics, security, sexuality, and privilege inside our pockets.
In mediaeval Europe, the purse was an almost universal dress feature carried by men and women alike. But when tailors stitched the first pockets into men’s trousers 500 years ago, it ignited controversy and introduced a range of social issues that we continue to wrestle with today, from concealed pistols to gender inequality, as noted in hashtags like #GiveMePocketsOrGiveMeDeath.
This abundantly illustrated four-colour book explores much more than who has pockets and why. How is it that putting your hands in your pocket can be seen as a sign of laziness, arrogance, confidence, or perversion? Walt Whitman’s author photograph, hand in pocket, for Leaves of Grass, seemed like an affront to middle class respectability. When W.E.B. DuBois posed for a portrait, his pocketed hands signalled defiant coolness.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Cervical cancer kills almost 350,000 women each year. What's more horrifying, is that millions have died of this disease that's nearly 100% preventable. It's no secret that healthcare is full of inequities, with a severe lack of accessible screening programs. But women's health care is also impeded by cultural, gender, and political barriers, issues that have combined to create devastating consequences.
In Enough: Because We Can Stop Cervical Cancer (Cambridge UP, 2024), Dr Linda Eckert takes her years of experience and weaves it together with the voices of the courageous women who use their own experience of cervical cancer to advocate for change. This heart-breaking, yet hopeful, book takes you through the world of cervical cancer with evidence-based information, personal stories and actionable outcomes. Society flourishes when women have access to safe and affordable healthcare. Together we can make this need a reality and eliminate the world's most preventable cancer.
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It has been decades since Michel Foucault urged us to rethink "the repressive hypothesis" and see new forms of sexual discourse as coming into being in the nineteenth century, yet the term "Victorian" still has largely negative connotations. LGBT Victorians: Sexuality and Gender in the Nineteenth-Century Archives (Oxford UP, 2022) argues for re-visiting the period's thinking about gender and sexual identity at a time when our queer alliances are fraying. We think of those whose primary self-definition is in terms of sexuality (lesbians, gay men, bisexuals) and those for whom it is gender identity (intersex and transgender people, genderqueers) as simultaneously in coalition and distinct from each other, on the assumption that gender and sexuality are independent aspects of self-identification. Re-examining how the Victorians considered such identity categories to have produced and shaped each other can ground a more durable basis for strengthening our present LGBTQ+ coalition.
LGBT Victorians draws on scholarship reconsidering the significance of sexology and efforts to retrospectively discover transgender people in historical archives, particularly in the gap between what the nineteenth century termed the sodomite and the hermaphrodite. It highlights a broad range of individuals (including Anne Lister, and the defendants in the "Fanny and Stella" trial of the 1870s), key thinkers and activists (including Karl-Heinrich Ulrichs and Edward Carpenter), and writers such as Walt Whitman and John Addington Symonds to map the complicated landscape of gender and sexuality in the Victorian period. In the process, it decenters Oscar Wilde and his imprisonment from our historical understanding of sexual and gender nonconformity.
Simon Joyce is Professor of English, College of William and Mary. He holds a BA and MA from the University of Sussex and a PhD from the University of Buffalo. He is a Professor of English at the College of William and Mary in Virginia, where he teaches Victorian and modernist literature from Britain and Ireland and LGBTQI+ Studies.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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What is the significance of gender and masculinities in understanding conflict?
Through an ethnographic study conducted between 2013 and 2016, Amya Agarwal's book Contesting Masculinities and Women’s Agency in Kashmir (Rowman & Littlefield, 2022) explores the politics of competing and sometimes overlapping masculinities represented by the state armed forces and the non-state actors in the Kashmir valley. In addition, the book broadens the understanding of women's agency through its engagement with the construction, performance, and interplay of masculinities in the conflict.
Combining existing elements of both feminist research and critical scholarship on men and masculinities, the book highlights the significance of foregrounding the interplay of men's identities in conflicts to understand agency in a meaningful way. Through the focus on the simultaneous play of multiple masculinities, the book also questions the oversimplified and monolithic usage of masculinity being associated only with violence in conflicts.
The empirical data in the book includes interviews and narratives of multiple stakeholders belonging to diverse vantage points in the Kashmir conflict. Some of these include activists, widows, wives of the disappeared, ex-militants, surrendered militants, participants of the stone-pelting movement, mothers of sons killed in the conflict, women representatives of the village Halqa Panchayats, and army personnel. The book also draws from alternative material in the form of graffiti, folk songs, poetry on graves, and slogans. Through anecdotal reminiscence, the author reflects on the challenges of field research in Kashmir that served as an opportunity for self-contemplation.
Dr. Amya Agarwal is a senior researcher at the Arnold Bergstraesser Institute in Freiburg, Germany. She also teaches at the University of Freiburg and University College Freiburg. Her research interests include gender, conflict and security in South Asia; critical masculinities studies and visuality, and aesthetics in war and resistance.
Tusharika Deka is a PhD student in International Relations at the University of Nottingham. Currently, she serves as an Editor-at-large for E-International Relations and as the Social Media Editor for Commonwealth and Comparative Politics, a peer-reviewed journal published by Taylor and Francis. Previously she was the Assistant Editor for the Asia Dialogue, an online journal affiliated with the Asia Research Institute at the University of Nottingham. On Twitter: @Tusharika24.
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Born in rural Michigan during the Jim Crow era, the bold and irrepressible Merze Tate (1905–1996) refused to limit her intellectual ambitions, despite living in what she called a “sex and race discriminating world.” Against all odds, the brilliant and hardworking Tate earned degrees in international relations from Oxford University in 1935 and a doctorate in government from Harvard in 1941. She then joined the faculty of Howard University, where she taught for three decades of her long life spanning the tumultuous twentieth century.
Merze Tate: The Global Odyssey of a Black Woman Scholar (Yale UP, 2023) revives and critiques Tate’s prolific and prescient body of scholarship, with topics ranging from nuclear arms limitations to race and imperialism in India, Asia, the Pacific, and Africa. Tate credited her success to other women, Black and white, who helped her realize her dream of becoming a scholar. Her quest for research and adventure took her around the world twice, traveling solo with her cameras.
Barbara Savage’s skilled rendering of Tate’s story is built on more than a decade of research. Tate’s life and work challenge provincial approaches to African American and American history, women’s history, the history of education, diplomatic history, and international thought.
Omari Averette-Phillips is a History educator based in Southern California. He can be reached at [email protected].
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Queer theory has often been hesitant to align itself with a politics of the state, approaching it with a negative or pragmatic framework. A Queer Theory of the State (Floating Opera Press, 2023) expands an earlier online essay from The Point by historian Samuel Huneke to offer a more optimistic perspective. Rather than eschew political engagement with democratic theorizing, Huneke asks how queer theory can wed its critically anti-normative impulses to the empirical need for a state. In answering this question, Huneke shows how the state is an integral component of a politics that seeks to subvert and undo the oppression of queer lives.
Lea Greenberg is an editor, translator, and scholar of German and Jewish studies.
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What is intersex and why does it matter? What is the power of law to disrupt dominant narratives? I had a fascinating conversation with authors Dr Fae Garland and Dr Mitchell Travis about their book, Intersex Embodiment: Legal Frameworks Beyond Identity and Disorder (Bristol UP, 2023). We got into detail about these groundbreaking human rights issues. We spoke about the very real challenges faced in conducting legal research that has meaningful impact for social change. In research spanning many years, Garland and Travis worked directly with intersex people and their parents to produce this nuanced, sensitive and extensively researched book. Their's is a monograph that challenges dominant medical narratives, particularly with regard to the way that gender binaries are demarcated and identities are constructed. The book has power both beyond its subject matter and beyond the academy: it will bring pause for reflection as to the role of researchers and the work that lawyers can do in the pursuit of the acceptance and emergence of difference, and especially with regard to the enforcement of human rights.
Dr Fae Garland is a Senior Lecturer in Law at The University of Manchester
Dr Mitchell Travis is a Senior Lecturer in Law and Social Justice at The University of Leeds.
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Sarah E. Stoller, Inventing the Working Parent: Work, Gender, and Feminism in Neoliberal Britain (MIT Press, 2023) is the first historical examination of working parenthood in the late twentieth century--and how the concepts of "family-friendly" work culture and "work-life balance" came to be.
Since the 1980s, families across the developed West have lived through a revolution on a scale unprecedented since industrialization. With more mothers than ever before in paid work and the rise of the middle-class, dual-income household, we have entered a new era in the history of everyday life: the era of the working parent. In Inventing the Working Parent, Stoller charts the politics that shaped the creation of the phenomenon of working parenthood in Britain as it arose out of a new culture of work.
Stoller begins with the first sustained efforts by feminists to mobilize politically on behalf of working parents in the late 1970s and concludes in the context of an emerging national political agenda for working families with the rise of New Labour in the 1990s. She explores how and why the notion of working parenthood emerged as a powerful new political claim and identity category and addresses how feminists used the concept of working parenthood to advocate for new organizational policies and practices. Lastly, Stoller shows how neoliberal capitalism under Margaret Thatcher and subsequent New Labour governments made a family's ability to survive on one income nearly impossible--with significant consequences for individual experience, the gendered division of labor, and intimate life.
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How do Black women in higher education create, experience, and understand joy? What sustains them? While scholars have long documented sexism, racism, and classism in the academy, one topic has been conspicuously absent from the literature--how Black women academics have found joy in the midst of adversity. Moving beyond questions of resilience, labor for others, and coping, Robin Phylisia Chapdelaine, Abena Ampofoa Asare, and Michelle Dionne Thompson's book When Will the Joy Come?: Black Women in the Ivory Tower (U Massachusetts Press, 2023) focuses on the journeys of over thirty Black women at various stages of their careers.
Joy is a mixture of well-being, pleasure, alignment, and purpose that can be elusive for Black women scholars. With racial reckoning and a global pandemic as context, this volume brings together honest and vital essays that ponder how Black women balance fatigue and frustrations in the halls of the ivory tower, and explore where, when, and if joy enters their lives. By carefully contemplating the emotional, physical, and material consequences of their labor, this collection demonstrates that joy is a tactical and strategic component of Black women's struggle.
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Being Single in Georgian England: Families, Households, and the Unmarried (Oxford University Press, 2023) by Dr. Amy Harris is the first book-length exploration of what family life looked like, and how it was experienced, when viewed from the perspective of unmarried and childless family members. Using a microhistorical approach, Dr. Harris covers three generations of the famous musical and abolitionist Sharp family. The abundance of records the Sharps produced and preserved reveals how single family members influenced the household economy, marital decisions, childrearing practices, and conceptions about lineage and genealogy. The importance of childhood relationships and the life-long nature of siblinghood stand out as central aspects of Sharp family life, no matter their marital status. Along the way, Being Single explores humour, music, religious practice and belief, death and mourning, infertility, disability, slavery, abolition, philanthropy, and family memory.
The Sharps' experiences uncover how important lateral kin like siblings and cousins were to marital and household decisions. The analysis also reveals additional layers of Georgian family life, including: single sociability not centred on courtship; the importance of aunting and uncling on their own terms; the ways charitable acts and philanthropic endeavours could serve as outlets or partial replacements for parenthood; and how genealogical practices could be tied to values and identity instead of to biological descendants' possession of property.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In her book Hell Hath No Fury: Gender, Disability, and the Invention of Damned Bodies in Early Christian Literature (Yale University Press, 2021), Meghan Henning illuminates how the bodies that populate hell in early Christian literature are punished after death in spaces that mirror real carceral spaces, effectually criminalizing those bodies on Earth. Contextualizing the apocalypses alongside ancient medical texts, inscriptions, philosophy, and patristic writings, this book demonstrates the ways that Christian depictions of hell intensified and preserved ancient notions of gender and bodily normativity that continue to inform Christian identity.
Meghan R. Henning is associate professor of Christian origins at the University of Dayton.
Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
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Terah J. Stewart's book Sex Work on Campus (Routledge, 2022) examines the experiences of college students engaged in sex work and sparks dialogue about the ways educators might develop a deeper appreciation for-and praxis of-equity and justice on campus.
Analyzing a study conducted with seven college student sex workers, the book focuses on sex work histories, student motivations, and how power (or lack thereof) associated with social identity shape experiences of student sex work. It examines what these students learn because of sex work, and what college and university leaders can do to support them. These findings are combined in tandem with analysis of current research, popular culture, sex work rights movements, and exploration of legal contexts.
This fresh and important writing is suitable for students and scholars in sexuality studies, gender studies, sociology, and education.
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Kimberley Ens Manning's book The Party Family: Revolutionary Attachments and the Gendered Origins of State Power in China (Cornell UP, 2023) explores the formation and consolidation of the state in revolutionary China through the crucial role that social ties—specifically family ties—played in the state's capacity to respond to crisis before and after the foundation of the People's Republic of China. Central to these ties, Kimberley Ens Manning finds, were women as both the subjects and leaders of reform. Drawing on interviews with 163 participants in the provinces of Henan and Jiangsu, as well as government documents and elite memoirs, biographies, speeches, and reports, Manning offers a new theoretical lens—attachment politics—to underscore how family and ideology intertwined to create an important building block of state capacity and governance.
As The Party Family details, infant mortality in China dropped by more than half within a decade of the PRC's foundation, a policy achievement produced to a large extent through the personal and family ties of the maternalist policy coalition that led the reform movement. However, these achievements were undermined or reversed in the complex policy struggles over the family during Mao's Great Leap Forward (1958–60).
Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies.
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Human trafficking for the sex trade is a form of modern-day slavery that ensnares thousands of victims each year, disproportionately affecting women and girls. While the international community has developed an impressive edifice of human rights law, these laws are not equally recognized or enforced by all countries. Sex Trafficking and Human Rights demonstrates that state responsiveness to human trafficking is shaped by the political, social, cultural, and economic rights afforded to women in that state. While combatting human trafficking is a multiscalar problem with a host of conflating variables, this book shows that a common theme in the effectiveness of state response is the degree to which women and girls are perceived as, and actually are, full citizens. By analyzing human trafficking cases in India, Thailand, Russia, Nigeria, and Brazil, they shed light on the factors that make some women and girls more susceptible to traffickers than others.
Heather Smith-Cannoy (PhD, UC San Diego, 2007) is a Professor of Political Science/Social Justice and Human Rights at the New College of Interdisciplinary Arts and Sciences at Arizona State University. She is currently serving as the Interim Director of the School of Social and Behavioral Sciences. Her work explores when and under what conditions international law impacts the human rights of the most marginalized populations, focusing on both the opportunities and the challenges associated with this body of law. She has also focused on the role that international law can play in advancing the legal rights of sex trafficking victims. She has published 4 books and more than 15 articles and book chapters.
Patricia C. Rodda is the Assistant Professor of Political Science at Carroll University in Waukesha, Wisconsin. She teaches international relations, comparative politics, international law, conflict and security and political theory. Her research often focuses on vulnerable populations and the challenges they face seeking human rights protections. She is currently working on a new book project that investigates the institutions and interests that facilitate or obstruct the adoption of women’s rights in Muslim-majority states.
Charles “Tony” Smith is a Professor in Political Science and Law at the University of California-Irvine (PhD UCSD 2004; JD UF 1987). His research concerns how institutions and the strategic interactions of political actors relate to the contestation over rights, law, and democracy. He has authored or co-authored eight books including Sex Trafficking and Human Rights: The Status of Women and State Responses (Georgetown University Press 2022) and The Politics of Perverts: The Political Attitudes and Actions of Non-Traditional Sexual Minorities (NYU Press 2024) and published over 40 articles and chapters. He is currently the Editor in Chief of Political Research Quarterly.
Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at [email protected]
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Pavitra Sundar's book Listening with a Feminist Ear: Soundwork in Bombay Cinema (U Michigan Press, 2023) is a study of the cultural politics and possibilities of sound in cinema. Eschewing ocularcentric and siloed disciplinary formations, the book takes seriously the radical theoretical and methodological potential of listening. It models a feminist interpretive practice that is not just attuned to how power and privilege are materialized in sound, but that engenders new, counter-hegemonic imaginaries.
Focusing on mainstream Bombay cinema, Sundar identifies singing, listening, and speaking as key sites in which gendered notions of identity and difference take form. Charting new paths through seven decades of film, media, and cultural history, Sundar identifies key shifts in women's playback voices and the Islamicate genre of the qawwali. She also conceptualizes spoken language as sound, and turns up the volume on a capacious, multilingual politics of belonging that scholarly and popular accounts of nation typically render silent. All in all, Listening with a Feminist Ear offers a critical sonic sensibility that reinvigorates debates about the gendering of voice and body in cinema, and the role of sound and media in conjuring community.
Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media at the National University of Singapore, Singapore. @KhadeejaAmenda.
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Beatriz Nascimento (1942-1995) was a poet, historian, artist, and political leader in Brazil's Black movement, an innovative and creative thinker whose work offers a radical reimagining of gender, space, politics, and spirituality around the Atlantic and across the Black diaspora. Her powerful voice still resonates today, reflecting a deep commitment to political organizing, revisionist historiography, and the lived experience of Black women. The Dialectic Is in the Sea: The Black Radical Thought of Beatriz Nascimento (Princeton UP, 2023) is the first English-language collection of writings by this vitally important figure in the global tradition of Black radical thought.
The Dialectic Is in the Sea traces the development of Nascimento's thought across the decades of her activism and writing, covering topics such as the Black woman, race and Brazilian society, Black freedom, and Black aesthetics and spirituality. Incisive introductory and analytical essays provide key insights into the political and historical context of Nascimento's work. This engaging collection includes an essay by Bethânia Gomes, Nascimento's only daughter, who shares illuminating and uniquely personal insights into her mother's life and career.
This is an interview with Christen A. Smith, Bethânia Gomes and Archie Davies.
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Æthelflæd (c. 870–918), political leader, military strategist, and administrator of law, is one of the most important ruling women in English history. Despite her multifaceted roles and family legacy, however, her reign and relationship with other women in tenth-century England have never been the subject of a book-length study.
This interdisciplinary collection of essays redresses a notable hiatus in scholarship of early medieval England. Æthelflæd, Lady of the Mercians, and Women in Tenth-Century England (Medieval Institute Publications, 2021)argues for a reassessment of women’s political, military, literary, and domestic agency. It invites deeper reflection on the female kinships, networks, and communities that give meaning to Æthelflæd’s life, and through this shows how medieval history can invite new engagements with the past.
Rebecca Hardie is a postdoctoral researcher at Freie Universität, Berlin, and the Managing Editor of the Living Handbook of Temporal Communities in the Excellence Cluster 2020 “Temporal Communities.”
Becky Straple-Sovers is a medievalist and freelance editor who earned her Ph.D. in English at Western Michigan University in 2021. Her research interests include bodies, movement, gender, and sexuality in literature, as well as poetry of the First World War and the public humanities. She can be found on Twitter @restraple.
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Many scholars have struggled with Irigaray’s focus on sexuate difference, in particular with her claim that it is “ontological,” wondering if this implies a problematically naïve or essentialist account of sexuate difference. As a result, the ethical vision which Irigaray elaborates has not been taken up in a robust way in the fields of philosophy, feminism, or psychoanalysis.
By tracing the notion of relation throughout Irigaray’s work, Being as Relation in Luce Irigaray (Palgrave Macmillan, 2023) identifies a rigorous philosophical continuity between the three self-identified “phases” in Irigaray’s thought (despite some critics’ concerns that there is a discontinuity between these phases) and clarifies the relational ontology that underlies Irigaray’s conceptualization of sexuate difference – one that always already implies an ethical project.
Jones demonstrates that an understanding of Irigaray’s Heideggerian inheritance – especially prominent in her later texts – is essential to grasping the sense of the idea that sexuate difference is ontological – it concerns Being, rather than beings. This book further develops potential applications of this ontological notion of a “relational limit” for the fields of philosophy, feminism, and psychotherapy.
Emma R. Jones is a psychotherapist in private practice in the San Francisco East Bay Area. She was educated at the New School, the University of Oregon, where she earned her PhD in philosophy; and the California Institute of Integral studies, where she earned her clinical degree. She is the author of several articles engaging the work of Luce Irigaray as well as phenomenology, psychoanalysis, and ancient Greek philosophy.
Helena Vissing, PsyD, SEP, PMH-C is a Licensed Psychologist practicing in California. She can be reached at [email protected]. She is the author of Somatic Maternal Healing: Psychodynamic and Somatic Treatment of Trauma in the Perinatal Period (Routledge, 2023).
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Feminist theory has enhanced and expanded the agency, influence, status and contributions of women throughout the globe. However, feminist critical analysis has not yet examined how the assumption that religion is natural, timeless, universal and omnipresent supports sexist and race-based oppression.
Kathleen Mcphillips and Naomi Goldenberg edited volume The End of Religion: Feminist Reappraisals of the State (Routledge, 2020) proposes radical new thinking about religion in order to better comprehend and confront the systematic disempowerment of women and marginalized groups. Utilising feminist and post-colonial analysis of access, equity and violence, contributors draw on recent critical theory to collapse accepted boundaries between religion and secularity with the aim of understanding that religion is a technology of governance in its function, meaning and history. The volume includes case studies focusing on how the category of religion is deployed to perpetuate male hegemony and racist inequities in Australia, Mexico, the United States, Britain and Canada. This trenchant feminist critique and academic analysis will be of key interest to scholars and students of Religion, Sociology, Political Science and Gender Studies.
Naomi Goldenberg is professor of Classics and Religious Studies at the University of Ottawa. Her publications include Resurrecting the Body (Crossroad Publishing, 1993), The End of God (University of Ottawa Press, 1981), and Changing the Gods (Beacon Press, 1979).
This episode’s host, Jacob Barrett, is currently a PhD student in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website.
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From the twentieth century onward, women took on an extraordinary range of roles in intelligence, defying the conventions of their time. Across both world wars, far from being a small part of covert operations, women ran spy networks and escape lines, parachuted behind enemy lines, and interrogated prisoners. And, back in Bletchley and Whitehall, women’s vital administrative work in MI offices kept the British war engine running.
In this major, panoramic history, Helen Fry looks at the rich and varied work women undertook as civilians and in uniform. From spies in the Belgian network “La Dame Blanche,” knitting coded messages into jumpers, to those who interpreted aerial images and even ran entire sections, Fry shows just how crucial women were in the intelligence mission. Filled with hitherto unknown stories, Women in Intelligence: The Hidden History of Two World Wars (Yale UP, 2023) places new research on record for the first time and showcases the inspirational contributions of these remarkable women.
AJ Woodhams hosts the "War Books" podcast. You can subscribe on Apple here and on Spotify here. War Books is on YouTube, Facebook and Instagram.
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The Bond movies have influenced portrayals of masculinity and femininity for decades, but the Daniel Craig-era saw a revolution in depictions of sex, gender, and inclusivity. The UConn PopCast discusses with Professor Susan Burgess, author of LGBT Inclusion in American Life: Pop Culture, Political Imagination, and Civil Rights (NYU Press, 2023)
The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program.
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Transgender Refugees and the Imagined South Africa: Bodies Over Borders and Borders Over Bodies (Palgrave MacMillan, 2018) tracks the conceptual journeying of the term ‘transgender’ from the Global North—where it originated—along with the physical embodied journeying of transgender asylum seekers from countries within Africa to South Africa and considers the interrelationships between the two. The term 'transgender' transforms as it travels, taking on meaning in relation to bodies, national homes, institutional frameworks and imaginaries. This study centres on the experiences and narratives of people that can be usefully termed 'gender refugees', gathered through a series of life story interviews. It is the argument of this book that the departures, border crossings, arrivals and perceptions of South Africa for gender refugees have been both enabled and constrained by the contested meanings and politics of this emergence of transgender. This book explores, through these narratives, the radical constitutional-legal possibilities for 'transgender' in South Africa, the dissonances between the possibilities of constitutional law, and the pervasive politics/logic of binary ‘sex/gender’ within South African society. In doing so, this book enriches the emergent field of Transgender Studies and challenges some of the current dominant theoretical and political perceptions of 'transgender'. It offers complex narratives from the African continent regarding sex, gender, sexuality and notions of home concerning particular geo-politically situated bodies.
B Camminga (they/them) received a PhD from the Institute for Humanities in Africa (HUMA), University of Cape Town, in 2016. They have since held a postdoctoral fellowship at the African Centre for Migration & Society, Wits University, and several visiting fellowships, including at the Universities of Edinburgh and Oxford. They work on issues relating to gender identity and expression on the African continent with a focus on transgender migrants, refugees, and asylum seekers.
Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast.
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The Work of Gender: Service, Performance and Fantasy in Contemporary Japan (NIAS Press, 2022) is an edited volume of ethnographic research organized around a cluster of key themes such as affective labor and the commodified performance of gender in contemporary Japan. Refreshingly, the chapters consist exclusively of the work of early-career scholars, tied together with an introductory chapter and epilogue by the book’s editors, Gitte Marianne Hansen and Fabio Gygi. The authors are attentive to the spatial and temporal boundaries of gender performance, and the interactions between fantasy, play, performance, and identity in the marketplace of gendered service.
Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
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How did humans, a species that evolved to be cooperative and egalitarian, develop societies of enforced inequality? Why did our ancestors create patriarchal power and warfare? Did it have to be this way? These are some of the key questions that Dr. Nancy Lindisfarne and Dr. Jonathan Neale grapple with in Why Men? A Human History of Violence and Inequality (Hurst, 2023).
Elites have always called hierarchy and violence unavoidable facts of human nature. Evolution, they claim, has caused men to fight, and people—starting with men and women—to have separate, unequal roles. But that is bad science.
Why Men? tells a smarter story of humanity, from early behaviours to contemporary cultures. From bonobo sex and prehistoric childcare to human sacrifice, Joan of Arc, Darwinism and Abu Ghraib, this fascinating, fun and important book reveals that humans adapted to live equally, yet the earliest class societies suppressed this with invented ideas of difference. Ever since, these distortions have caused female, queer and minority suffering. But our deeply human instincts towards equality have endured.
This book is not about what men and women are or do. It’s about the privileges humans claim, how they rationalise them, and how we unpick those ideas about our roots. It will change how you see injustice, violence and even yourself.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In a world dominated by the notion of autonomy, free choice, and consent, Akiko Takeyama takes us on a thought-provoking journey into the heart of Japan's adult video industry in her groundbreaking book, Involuntary Consent The Illusion of Choice in Japan’s Adult Video Industry. With an ethereal blend of ethnography and critical analysis, Takeyama challenges the pervasive idea that participation in the adult entertainment industry is always a matter of free will. Instead, she introduces us to the complex concept of "involuntary consent," shining a light on a phenomenon that resonates far beyond the boundaries of Japan's AV industry.
The Paradox of Involuntary Consent
At the core of Takeyama's narrative lies the paradox of involuntary consent, a concept that questions the very foundations of modern societies built on principles of autonomy, choice, and equality. In a world where the adult entertainment industry alone generates billions of dollars annually, the narrative of consent has taken center stage. However, Takeyama's meticulous exploration reveals that beneath this facade of consent often lies a murky world of coercion and pressure.
Behind-the-Scenes Realities
"Involuntary Consent" delves into the behind-the-scenes negotiations and abuses within Japan's adult video industry. While the industry's glossy exterior may suggest willing participation, Takeyama uncovers a troubling reality where sex workers, predominantly women, are frequently pressured to comply with production companies' expectations and demands. This issue extends beyond the borders of Japan, as the US Department of State has recognized forced performance as a human rights violation.
Dualistic Contract-Making
One of the book's central arguments is that the framework of contract-making within the adult entertainment industry is inherently dualistic. It often creates a binary where consent and pleasure are pitted against coercion and pain. Sex workers, employed on a contractual basis, find themselves outside the protective purview of standard labor and employment laws, leaving them vulnerable to exploitation and abuse.
Global Implications
The book's significance transcends the borders of Japan. The series of arrests and trials of former talent agency owners and executives within the Japanese AV industry led to a call for systematic investigations. The US Department of State's recognition of forced performance as a human rights violation underscores the global ramifications of the issue. "Involuntary Consent" serves as a poignant reminder that the exploitation and coercion within the adult entertainment industry are not confined to one nation but are indicative of broader systemic issues.
Akiko Takeyama is a Professor of Women, Gender, and Sexuality Studies at the University of Kansas. She is also the Director of the Centre for East Asian Studies.
Bing Wang receives her PhD at the University of Leeds. Her research interests include diasporic Chinese cultural identity and critical heritage studies.
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Zora Neale Hurston, an anthropologist and writer best known for her classic novel Their Eyes Were Watching God, led a complicated life often marked by tragedy and contradictions. When both she and her writing fell out of favor after the Harlem Renaissance, she struggled not only to regain an audience for her novels but also to simply make ends meet. In The Chase and Ruins: Zora Neale Hurston in Honduras (Johns Hopkins University Press, 2023), Sharony Green uncovers an understudied but important period of Hurston's life: her stay in Honduras in the late 1940s.
On the eve of an awful accusation that nearly led to her suicide, Hurston fled to Honduras in search of a lost Mayan ruin. During her yearlong trip south of the US border, she appears to have never found the ruin she was chasing. But by escaping the Jim Crow south to Honduras, she avoided racist violence in the United States while still embracing her privilege—and power—as a US citizen in postwar Central America. While in Honduras, Hurston wrote Seraph on the Suwanee, her final novel and her only book to feature white characters, in an attempt to appeal to Hollywood's growing appetite for "crackerphilia" (stories about poor white folks) and to finally secure herself some financial stability. In a letter to her editor, Hurston wrote that in Honduras, she may not have found the Mayan ruin she was looking for, but she finally found herself.
Hurston's experience in Honduras has much to teach us about Black women's lives and the thorny politics of postwar America as well as America's long and complicated entanglement with Central America. In an attempt to find historical meaning in an extraordinary woman's conceptions of herself in a changing world, Green unearths letters, diaries, literary writings, research reports, and other archival materials. The Chase and Ruins encourages us to reckon with and reimagine Hurston's fascinating life in all of its complexity and contradictions.
Award-winning writer Sharony Green is an Associate Professor of History at the University of Alabama. She is the author of Remember Me to Miss Louisa: Hidden Black-White Intimacies in Antebellum America.
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
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Witchfinder General, Salem, Malleus Maleficarum. The world of witch-hunts and witch trials sounds archaic and fanciful, these terms relics of an unenlightened, brutal age. However, we often hear ‘witch-hunt’ in today’s media, and the misogyny that shaped witch trials is all too familiar. Three women were prosecuted under a version of the 1735 Witchcraft Act as recently as 2018.
In Witchcraft: A History in Thirteen Trials (Simon & Schuster, 2023), Professor Marion Gibson uses thirteen significant trials to tell the global history of witchcraft and witch-hunts. As well as exploring the origins of witch-hunts through some of the most famous trials from the Middle Ages to the eighteenth century, it takes us in new and surprising directions. It shows us how witchcraft was reimagined by lawyers and radical historians in France, how suspicions of sorcery led to murder in Jazz Age Pennsylvania, the effects of colonialism and Christian missionary zeal on ‘witches’ in Africa, and how even today a witch trial can come in many guises.
Professor Gibson also tells the stories of the ‘witches’ – mostly women like Helena Scheuberin, Anny Sampson and Joan Wright, whose stories have too often been overshadowed by those of the powerful men, such as King James I and ‘Witchfinder General’ Matthew Hopkins, who hounded them.
Once a tool invented by demonologists to hurt and silence their enemies, witch trials have been twisted and transformed over the course of history and the lines between witch and witch-hunter blurred. For the fortunate, a witch-hunt is just a metaphor, but, as this book makes clear, witches are truly still on trial.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Leonie Hannan's book Culture of Curiosity: Science in the Eighteenth Century Home (Manchester University Press, 2023) explores the practice of scientific enquiry as it took place in the eighteenth-century home. While histories of science have identified the genteel household as an important site for scientific experiment, they have tended to do so via biographies of important men of science. Using a wide range of historical source material, from household accounts and inventories to letters and print culture, this book investigates the tools within reach of early modern householders in their search for knowledge. It considers the under-explored question of the home as a site of knowledge production and does so by viewing scientific enquiry as one of many interrelated domestic practices. It shows that knowledge production and consumption were necessary facets of domestic life and that the eighteenth-century home generated practices that were integral to 'Enlightenment' enquiry.
Jana Byars is an independent scholar located in Amsterdam.
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Today I spoke with Lesley Nicole Braun to talk about her new book on Congo's dancers. Dance music plays a central role in the cultural, social, religious, and family lives of the people of the Democratic Republic of the Congo. Among the various genres popular in the capital city of Kinshasa, Congolese rumba occupies a special place and can be counted as one of the DRC’s most well-known cultural exports. The public image of rumba was historically dominated by male bandleaders, singers, and musicians. However, with the introduction of the danseuse (professional concert dancer) in the late 1970s, the role of women as cultural, moral, and economic actors came into public prominence and helped further raise Congolese rumba’s international profile.
In Congo's Dancers: Women and Work in Kinshasa (U Wisconsin Press, 2023), Lesley Nicole Braun uses the prism of the Congolese danseuse to examine the politics of control and the ways in which notions of visibility, virtue, and socio-economic opportunity are interlinked in this urban African context. The work of the danseuse highlights the fact that public visibility is necessary to build the social networks required for economic independence, even as this visibility invites social opprobrium for women. The concert dancer therefore exemplifies many of the challenges that women face in Kinshasa as they navigate the public sphere, and she illustrates the gendered differences of local patronage politics that shape public morality. As an ethnographer, Braun had unusual access to the world she documents, having been invited to participate as a concert dancer herself.
Dr. Suvi Rautio is an anthropologist of China.
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From the colonial through the antebellum era, enslaved women in the US used lethal force as the ultimate form of resistance. By amplifying their voices and experiences, Brooding over Bloody Revenge: Enslaved Women's Lethal Resistance (Cambridge UP, 2023) strongly challenges assumptions that enslaved women only participated in covert, non-violent forms of resistance, when in fact they consistently seized justice for themselves and organized toward revolt.
Nikki M. Taylor expertly reveals how women killed for deeply personal instances of injustice committed by their owners. The stories presented, which span centuries and legal contexts, demonstrate that these acts of lethal force were carefully pre-meditated. Enslaved women planned how and when their enslavers would die, what weapons and accomplices were necessary, and how to evade capture in the aftermath. Original and compelling, Brooding Over Bloody Revenge presents a window into the lives and philosophies of enslaved women who had their own ideas about justice and how to achieve it.
Katrina Anderson is a doctoral candidate at the University of Delaware.
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Réka Máté's Portrayals of Women in Pakistan: An Analysis of Fahmīdah Riyāẓ's Urdu Poetry (de Gruyter, 2023) examines the connection between progressivism and feminist movements in the Indian subcontinent, scrutinizing shifting portrayals of women in Fahmīdah Riyāẓ’s poetry at the time of her writing from a historical perspective, and the historical, political, social and personal influences reflected in her work and life.
Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.
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When King Arthur was conveyed to Avalon they were there. When Odin summoned warriors to Valhalla they were there. When Apollo was worshipped on Greek mountains they were there. When Brendan came to the Island of Women they were there.
They are the Nine Maidens – from the mothers of the Norse God Heimdall, Morgan and her sisters on Avalon, to the nine sisters at the heart of the found myth of the Gikuyu of Kenya or witches battling with the Irish St Patrick, these women stand out in history and mythology.
Triggered by a local story still told in his native Dundee, Stuart McHardy has traced what seems to be memories of groups of nine women across much of Europe and as far as Siberia, Korea, India and Africa. As explored in his book The Nine Maidens: Priestesses of the Ancient World (Luath Press, 2023), McHardy shows that whether as Pictish saints, muses, valkyries, druidesses or witches, the tales of these groups of nine women transcend a vast range of cultural and linguistic boundaries.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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When the Nazis came to power, they used various strategies to expel German Jews from social, cultural, and economic life. Fighter, Worker, and Family Man: German-Jewish Men and Their Gendered Experiences in Nazi Germany, 1933–1941 (U Toronto Press, 2022) focuses on the gendered experiences and discrimination that German-Jewish men faced between 1933 and 1941.
Sebastian Huebel argues that Jewish men's gender identities, intersecting with categories of ethnicity, race, class, and age, underwent a profound process of marginalization that destabilized accustomed ways of performing masculinity. At the same time, in their attempts to sustain their conceptions of masculinity these men maintained agency and developed coping strategies that prevented their full-scale emasculation. Huebel draws on a rich archive of diaries, letters, and autobiographies to interpret the experiences of these men, focusing on their roles as soldiers and protectors, professionals and breadwinners, and parents and husbands.
Fighter, Worker, and Family Man sheds light on how the Nazis sought to emasculate Jewish men through propaganda, the law, and violence, and how in turn German-Jewish men were able to defy emasculation and adapt - at least temporarily - to their marginalized status as men.
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Fighting for the River: Gender, Body, and Agency in Environmental Struggles (U California Press, 2023) portrays women's intimate, embodied relationships with river waters and explores how those relationships embolden local communities' resistance to private run-of-the-river hydroelectric power plants in Turkey. Building on extensive ethnographic research, Özge Yaka develops a body-centered, phenomenological approach to women's environmental activism and combines it with a relational ontological perspective. In this way, the book pushes beyond the "natural resources" frame to demonstrate how our corporeal connection to nonhuman entities is constitutive of our more-than-human lifeworld. Fighting for the River takes the human body as a starting point to explore the connection between lived experience and nonhuman environments, treating bodily senses and affects as the media of more-than-human connectivity and political agency. Analyzing local environmental struggles as struggles for coexistence, Yaka frames human-nonhuman relationality as a matter of socio-ecological justice.
Özge Yaka is Senior Researcher at the Institute of Geographical Sciences, Freie Universität Berlin.
Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University and an incoming Assistant Professor of Anthropology at CUNY—City College, focusing on urban renewal, futurity, care, and migration. You can find her on Twitter @alizearican.
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Can you run a marathon, drink coffee, eat fish, or fly on a plane while pregnant? Such questions are just the tip of the iceberg for how most pregnant women's bodies are managed, surveilled, and scrutinized during pregnancy. The Reproduction of Inequality: How Class Shapes the Pregnant Body and Infant Health (NYU Press, 2023) examines the intense social pressure that expectant and new mothers face when it comes to their health and body-care choices.
Drawing on interviews with dozens of pregnant women and new mothers from poor, middle-class, and mixed-class backgrounds, Katherine Mason paints a vivid picture of the immense weight of expectation that comes with the early stages of motherhood. The women in Mason's study universally sought to give their children a healthy start in life; however, their chosen approaches varied based on their socio-economic class. Whereas middle-class mothers attempted a complete lifestyle change and absolute devotion to the achievement and maintenance of "the healthy pregnant body," poorer women made strategic choices about which health goals to prioritize on a limited budget, lacking the economic and cultural capital required to speak and perfectly adhere to the language of "good health." The unfortunate result is that middle-class mothers are more likely to be seen by others and by themselves as "good" parents, whereas the efforts of working-class mothers are often misread as displaying inadequate concern about their health and that of their child. This in turn contributes to longstanding stereotypes about poor families and communities, and limits their children's chances for upward mobility.
The Reproduction of Inequality is a compelling analysis of the impact of class on new mothers' approaches to health and wellness, and a sobering examination of how inequality shapes mothers' efforts to maximize their own health and that of their children.
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In this episode I interview Elena Serrano, a research member of the Project Cirgen at the Universitat de València and Ramón y Cajal researcher at the Institut d'Història de la Ciència (Universidad Autónoma de Barcelona). She trained in the former Centre for the History of Science in the Universitat Autònoma de Barcelona and in the History of Science and Philosophy Department in Cambridge University before taking postdoctoral fellowships at the Max Planck Institute for the History of Science in Berlin, the Science History Institute in Philadelphia, and Sydney University.
In the late eighteenth century, enlightened politicians and upper-class women in Spain debated the right of women to join one of the country’s most prominent scientific institutions: the Madrid Economic Society of Friends of the Country. Societies such as these, as Elena Serrano describes in her book, were founded on the idea that laypeople could contribute to the advancement of their country by providing “useful knowledge,” and their fellows often referred to themselves as improvers, or friends of the country. After intense debates, the duchess of Benavente, along with nine distinguished ladies, claimed, won, and exercised the right of women to participate in shaping the future of their nation by inaugurating the Junta de Damas de Honor y Mérito, or the Committee of Ladies of Honor and Merit. Ten years later, the Junta established a network of over sixty correspondents extending from Tenerife to Asturias and Austria to Cuba.
In Ladies of Honor and Merit. Gender, Useful Knowledge, and Politics in Enlightened Spain (U Pittsburgh Press, 2022), Serrano tells the unknown story of how the duchess and her peers—who succeeded in creating the only known female branch among some five hundred patriotic societies in the eighteenth century—shaped Spanish scientific culture. Her study reveals how the Junta, by stressing the value of their feminine nature in their efforts to reform education, rural economy, and the poor, produced and circulated useful knowledge and ultimately crystallized the European improvement movement in Spain within an otherwise all-male context.
Your host for this episode is Paula de la Cruz-Fernández.
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In Pregnancy in the Victorian Novel (Ohio State University Press, 2023), Livia Arndal Woods traces the connections between literary treatments of pregnancy and the medicalization of pregnancy and childbirth occurring over the nineteenth century. In the first book-length study of the topic, Woods uses the problem of pregnancy in the Victorian novel (in which pregnancy is treated modestly as a rule and only rarely as an embodied experience) to advocate for "somatic reading," a practice attuned to impressions of the body on the page and in our own messy lived experiences.
Examining works by Emily Brontë, Charlotte Mary Yonge, Anthony Trollope, George Eliot, Thomas Hardy, and others, Woods considers instances of pregnancy tied to representations of immodesty, poverty, and medical diagnosis. These representations, Woods argues, should be understood in the arc of Anglo-American modernity and its aftershocks, connecting back to early modern witch trials and forward to the criminalization of women for pregnancy outcomes in twenty-first-century America. Ultimately, she makes the case that by clearing space for the personal and anecdotal in scholarship, somatic reading helps us analyze with uncertainty rather than against it and allows for relevant textual interpretation.
Livia Arndal Woods earned her PhD in English Literature from the Graduate Center of the City University of New York (CUNY). As a scholar, she focuses on Victorian literature and culture, women and gender studies, and the medical humanities. Dr. Woods is an Associate Professor of English at the University of Illinois at Springfield.
Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing interests include books and reading in popular culture, the public history of women's fiction, and women in Greco-Roman mythology.
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While globalization is often credited with the eradication of 'traditional' constraints tied to gender and caste, in reality the opening up of the Indian economy in the 1990s has led to a decline in freedom for many female, Dalit, and lower class Indians. This book explores the contraction of what it means to be free in post-liberalization India, examining how global capitalism has exacerbated existing inequalities based on traditional femininities and masculinities, while also creating new hierarchies.
Mukti Lakhi Mangharam's book Freedom Inc.: Gendered Capitalism in New Indian Literature and Culture (Bloomsbury, 2023) argues that post-1990s literature and culture frequently represents and reinforces the equation of free-market capitalism with individual freedom within the new 'idea of India.' However, many texts often also challenge this logic by pointing to more expansive horizons of autonomy for the gendered self. Through readings of texts as diverse as Dalit women's life-writing, pop fiction, realist novels, self-help, regional film, and Netflix TV shows, Mukti Mangharam investigates how notions like 'free trade,' 'entrepreneurship,' and 'self-help' are experienced, embodied, and challenged by disadvantaged peoples, and by women differently than men. In the process, Freedom Inc. explores how different literary forms illuminate alternative and buried pathways to fuller freedoms.
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Gina A. Zurlo's book Women in World Christianity: Building and Sustaining a Global Movement (Wiley-Blackwell, 2023) is the first textbook to focus on women’s experiences in the founding, spread, and continuation of the Christian faith. Integrating historical, theological, and social scientific approaches to World Christianity, this innovative volume centers women’s perspectives to illustrate their key role in Christianity becoming a world religion, including how they sustain the faith in the present and their expanding role in the future.
Women in World Christianity features findings from the Women in World Christianity Project, a groundbreaking study that produced the first quantitative dataset on gender in every Christian denomination in every country of the world. Throughout the text, special emphasis is placed on women in the twentieth and twenty-first centuries, the period of Christianity’s shift from the global North to the global South. Easily accessible chapters – organized by continent, tradition, and select topics – introduce students to the wide variety of Christian belief and practice around the world. The book also discusses issues specifically relevant to women in the church: gender-based violence, ecology, theological education, peacebuilding and more. This textbook:
Women in World Christianity: Building and Sustaining a Global Movement is an excellent primary textbook for introductory courses on World Christianity, History of Christianity, World Religions, Gender in Religion, as well as undergraduate and graduate courses specifically focused on women in World Christianity.
Byung Ho Choi is a Ph.D. candidate in the History and Ecumenics program at Princeton Theological Seminary, concentrating in World Christianity and history of religions. His research focuses on the indigenous expressions of Christianities found in Southeast Asia, particularly Christianity that is practiced in the Muslim-dominant archipelagic nation of Indonesia. More broadly, he is interested in history and the anthropology of Christianity, complexities of religious conversion and social identity, inter-religious dialogue, ecumenism, and World Christianity.
Sun Yong Lee is a Ph.D. candidate in the Department of History and Ecumenics, studying World Christianity and the history of religions at Princeton Theological Seminary. Her research interests center on the history of Christianity in East Asia and Protestant missions. She is especially interested in women’s experiences in their mission encounters and their participation in the formation of Christianity and social changes. Her research expands to social theory of religion, church-state relations, and politics of religion.
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Historian Alejandra Dubcovsky tells a story of war, slavery, loss, remembrance, and the women whose resilience and resistance transformed the colonial South. In exploring their lives she rewrites early American history, challenging the established male-centered narrative.
In Talking Back: Native Women and the Making of the Early South (Yale UP, 2023), Dubcovsky reconstructs the lives of Native women—Timucua, Apalachee, Chacato, and Guale—to show how they made claims to protect their livelihoods, bodies, and families. Through the stories of the Native cacica who demanded her authority be recognized; the elite Spanish woman who turned her dowry and household into a source of independent power; the Floridiana who slapped a leading Native man in the town square; and the Black woman who ran a successful business at the heart of a Spanish town, Dubcovsky reveals the formidable women who claimed and used their power, shaping the history of the early South.
Brandon T. Jett, professor of history at Florida SouthWestern State College, creator of the Lynching in LaBelle Digital History Project, and author of Race, Crime, and Policing in the Jim Crow South (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1.
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The Purple Color of Kurdish Politics: Women Politicians Write from Prison (Pluto Press, 2022) is a one-of-a-kind collection of prison writings from more than 20 Kurdish women politicians. Here they reflect on their personal and collective struggles against patriarchy and anti-Kurdish repression in Turkey; on the radical feminist principles and practices through which they transformed the political structures and state offices in which they operated. They discuss what worked and what didn't, and the ways in which Turkey's anti-capitalist and socialist movements closely informed their political stances and practices.
Demonstrating Kurdish women's ceaseless political determination and refusal to be silenced - even when behind bars - the book ultimately hopes to inspire women living under even the most unjust conditions to engage in collective resistance.
Gültan Kışanak is a longtime journalist, politician and anticolonial feminist activist for Kurdish liberation, who was elected to Parliament in 2007 as the MP from Diyarbakır. In 2016 she was arrested and charged with 'being a member of an armed illegal organization', for which she was sentenced to over 14 years imprisonment.
Deniz Yonucu is a Lecturer (Assistant Professor) in the School of Geography, Politics, and Sociology at Newcastle University. Her work focuses on counterinsurgency, policing and security, surveillance, left-wing and anti-colonial resistance, memory, racism, and emerging digital control technologies. Her book, Police, Provocation, Politics Counterinsurgency in Istanbul (Cornell University Press, 2022), presents a counterintuitive analysis of policing, focusing particular attention on the incitement of counterviolence and perpetual conflict by state security apparatus.
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From the overloaded courts with their constantly changing dates and appointments to the need to prove oneself the “right" kind of asylum seeker, the asylum system in the United States is an exacting and drawn-out immigration process that itself results in suffering. When anthropologist Rhoda Kanaaneh became a volunteer interpreter for Arab asylum seekers, she discovered how applicants learned to craft a specific narrative to satisfy the system's requirements.
Kanaaneh tells the stories of four Arab asylum seekers who sought protection in the United States on the basis of their gender or sexuality: Saud, who relived painful memories of her circumcision and police harassment in Sudan and then learned to number and sequence these recollections; Fatima, who visited doctors and therapists in order to document years of spousal abuse without over-emphasizing her resulting mental illness; Fadi, who highlighted the homophobic motivations that provoked his arrest and torture in Jordan, all the while omitting connected issues of class and racism; and Marwa, who showcased her private hardships as a lesbian in a Shiite family in Lebanon and downplayed her environmental activism. The Right Kind of Suffering: Gender, Sexuality, and Arab Asylum Seekers in America (U Texas Press, 2023) is a compelling portrait of Arab asylum seekers whose success stories stand in contrast with those whom the system failed.
Rhoda Kanaaneh has taught anthropology and gender and sexuality studies at Columbia University, American University, New York University, and Fordham University. She is the editor of Displaced at Home: Ethnicity and Gender Among Palestinians in Israel and author of Surrounded: Palestinian Soldiers in the Israeli Military and Birthing the Nation: Strategies of Palestinian Women in Israel.
Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University and an incoming Assistant Professor of Anthropology at CUNY—City College, focusing on urban renewal, futurity, care, and migration. You can find her on Twitter @alizearican.
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What it feels like: Visceral Rhetoric and the Politics of Rape Culture (Penn State Press, 2021) by Dr. Stephanie Larson interrogates an underexamined reason for our failure to abolish rape in the United States: the way we communicate about it. Using affective and feminist materialist approaches to rhetorical criticism, Dr. Larson examines how discourses about rape and sexual assault rely on strategies of containment, denying the felt experiences of victims and ultimately stalling broader claims for justice.
Investigating anti-pornography debates from the 1980s, Violence Against Women Act advocacy materials, sexual assault forensic kits, public performances, and the #MeToo movement, Dr. Larson reveals how our language privileges male perspectives and, more deeply, how it is shaped by systems of power—patriarchy, white supremacy, ableism, and heteronormativity. Interrogating how these systems work to propagate masculine commitments to “science” and “hard evidence,” Dr. Larson finds that US culture holds a general mistrust of testimony by women, stereotyping it as “emotional.” But she also gives us hope for change, arguing that testimonies grounded in the bodily, material expression of violation are necessary for giving voice to victims of sexual violence and presenting, accurately, the scale of these crimes. Larson makes a case for visceral rhetorics, theorizing them as powerful forms of communication and persuasion.
Demonstrating the communicative power of bodily feeling, Dr. Larson challenges the long-held commitment to detached, distant, rationalized discourses of sexual harassment and rape. Timely and poignant, the book offers a much-needed corrective to our legal and political discourses.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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This episode, which is co-hosted with Mika Thornburg, features a conversation with Dr. Chrissy Yee Lau, the author of the newly published New Women of Empire: Gendered Politics and Racial Uplift in Interwar Japanese America (U Washington Press, 2022). The book centers the compelling life histories of five young women and men in Los Angeles to illuminate how they negotiated overlapping imperialisms through new gender roles. With extensive youth networks and the largest Japanese population in the United States, Los Angeles was a critical site of transnational relations, and in the 1920s and '30s Japanese American youth became politicized through active participation in Christian civic organizations. By racially uplifting their peers through youth clubs, athletics, and cultural ambassadorship, these young leaders reshaped Japanese and US imperialisms and provided the groundwork for future expressions of model minority respectability and Japanese American feminisms.
Dr. Lau is an assistant professor of Asian American Studies at San Francisco State University. Her research and teaching interests include Asian American History, U.S. Women's History, California History, and Public History. She is also co-editor of The Auntie Sewing Squad Guide to Mask Making, Radical Care, and Racial Justice.
Donna Doan Anderson (she/her) is a PhD candidate in History and Asian American Studies at the University of California, Santa Barbara.
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In 2014, Sweden announced the world’s first “feminist foreign policy,” an approach more than two dozen other nations have since adopted. But different national approaches and a range of theoretical frameworks complicate definitions of what feminist foreign policy should or could be. With Feminist Foreign Policy in Theory and in Practice: An Introduction (Routledge 2023), Stephenie Foster and Susan Markham offer an accessible overview of the main tenets of a feminist foreign policy, and how such policies have evolved in practice since 2014. With decades of experience working on gender equality issues, both in and out of government, Markham and Foster build on their own professional backgrounds to examine what feminist foreign policy roadmap might look like in the United States context, drawing on definitions from governments, civil society organizations, feminist activists, and academics. As feminist foreign policy continues to spread on the global stage, “Feminist Foreign Policy in Theory and in Practice” is a useful primer for practitioners and scholars seeking to understand the origins and the future of this agenda.
Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks.
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The expansion of the British Empire facilitated movement across the globe for both the colonizers and the colonized. Waiting on Empire: A History of Indian Travelling Ayahs in Britain (OUP, 2023) focuses on a largely forgotten group in this story of movement and migration: South Asian travelling ayahs (servants and nannies), who travelled between India and Britain and often found themselves destitute in Britain as they struggled to find their way home to South Asia. Delving into the stories of individual ayahs from a wide range of sources, Arunima Datta illuminates their brave struggle to assert their rights, showing how ayahs negotiated their precarious employment conditions, capitalized on social sympathy amongst some sections of the British population, and confronted or collaborated with various British institutions and individuals to demand justice and humane treatment. In doing so, Datta re-imagines the experience of waiting. Waiting is a recurrent human experience, yet it is often marginalized. It takes a particular form within complex bureaucratized societies in which the marginalized inevitably wait upon those with power over them. Those who wait are often discounted as passive, inactive victims. This book shows that, in spite of their precarious position, the travelling ayahs of the British empire were far from this stereotype.
The Museum of the Home in London will be hosting Arunima Datta for a public book talk and interactive tour on Waiting on Empire on October 28, 2023.
Arunima Datta is an Assistant Professor in the Department of History at the University of North Texas. She is a historian of the British Empire and Asian (South and Southeast Asian) history. Her research and teaching explore the everyday experiences of labor migrants within the context of the British Empire. She has previously been on New Books Network to discuss her first book, the award-winning Fleeting Agencies: A Social History of Indian Coolie Women in British Malaya (2021). She serves as an associate editor of Gender & History, Britain and the World, and as the Associate Review Editor of the American Historical Review.
Zoya Sameen is a Postdoctoral Teaching Fellow in the Department of History at the University of Chicago. She is a historian of gender, law, and empire in modern South Asia and her current book project examines how Indian and European women responded defiantly to the policing of prostitution from the late nineteenth to the mid-twentieth century in colonial India.
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Born into upper-class America in the same year, 1854, Sara Delano (later to become the mother of Franklin Delano Roosevelt) and Jennie Jerome (later to become the mother of Winston Churchill) refused to settle into predictable, sheltered lives as little-known wives to prominent men. Instead, both women concentrated much of their energies on enabling their sons to reach the epicentre of political power on two continents.
Set against one hundred years of history, Passionate Mothers, Powerful Sons: The Lives of Jennie Jerome Churchill and Sara Delano Roosevelt (Simon & Schuster, 2023) by Dr. Charlotte Gray is a study in loyalty and resilience. Gray argues that Jennie and Sara are too often presented as lesser figures in the backdrop of history rather than as two remarkable individuals who were key in shaping the characters of the sons who adored them and in preparing them for leadership on the world stage.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In an other: a black feminist examination of animal life (Duke UP, 2023), Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE's incarnation as an animal liberation group; uses sovereignty in Morrison's A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett's films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives.
Sharon P. Holland (she/her) is the President of the American Studies Association. She is also the Townsend Ludington Distinguished Professor in American Studies at the University of North Carolina at Chapel Hill. She served as Chair of the Department from July 2020- July 2022.
Callie Smith, PhD. is a museum educator and poet based in Louisiana.
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In Bringing Home the White House: The Hidden History of Women Who Shaped the Presidency in the Twentieth Century (U Georgia Press, 2023), Melissa Estes Blair introduces us to five fascinating yet largely unheralded women who were at the heart of campaigns to elect and reelect some of our most beloved presidents. By examining the roles of these political strategists in affecting the outcome of presidential elections, Blair sheds light on their historical importance and the relevance of their individual influence.
In the middle decades of the twentieth century both major political parties had Women's Divisions. The leaders of these divisions--five women who held the job from 1932 until 1958--organized tens of thousands of women all over the country, turning them into the "saleswomen for the party" by providing them with talking points, fliers, and other material they needed to strike up political conversations with their friends and neighbors. The leaders of the Women's Divisions also produced a huge portion of the media used by the campaigns--over 90 percent of all print material in the 1930s--and were close advisors of the presidents of both parties.
In spite of their importance, these women and their work have been left out of the narratives of midcentury America. In telling the story of these five West Wing women, Blair reveals the ways that women were central to American politics from the depths of the Great Depression to the height of the Cold War.
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In Gendered Fortunes: Divination, Precarity, and Affect in Postsecular Turkey (Duke UP, 2023), Zeynep K. Korkman examines Turkey’s commercial fortunetelling cafés where secular Muslim women and LGBTIQ individuals navigate the precarities of twenty-first-century life. Criminalized by long-standing secularist laws and disdained by contemporary Islamist government, fortunetelling cafés proliferate in part because they offer shelter from the conservative secularist, Islamist, neoliberal, and gender pressures of the public sphere. Korkman shows how fortunetelling is a form of affective labor through which its participants build intimate feminized publics in which they share and address their hopes and fears. Korkman uses feeling—which is how her interlocutors describe the divination process—as an analytic to view the shifting landscape of gendered vulnerability in Turkey. In so doing, Korkman foregrounds “feeling” as a feminist lens to explore how those who are pushed to the margins feel their way through oppressive landscapes to create new futures.
Zeynep K. Korkman is Associate Professor of Gender Studies at the University of California, Los Angeles.
Armanc Yildiz is a postdoctoral researcher at Humboldt University. He received his Ph.D. in Social Anthropology at Harvard University, with a secondary degree in Studies of Women, Gender, and Sexuality. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor.
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The year 1972 is often hailed as an inflection point in the evolution of women's rights. Congress passed Title IX of the Education Amendments of 1972, a law that outlawed sex-based discrimination in education. Many Americans celebrate Title IX for having ushered in an era of expanded opportunity for women's athletics; yet fifty years after its passage, sex-based inequalities in college athletics remain the reality. James N. Druckman and Elizabeth A. Sharrow's book Equality Unfulfilled: How Title IX's Policy Design Undermines Change to College Sports (Cambridge UP, 2023) explains why.
The book identifies institutional roadblocks - including sex-based segregation, androcentric organizational cultures, and overbearing market incentives - that undermine efforts to achieve systemic change. Drawing on surveys with student-athletes, athletic administrators, college coaches, members of the public, and fans of college sports, it highlights how institutions shape attitudes toward gender equity policy. It offers novel lessons not only for those interested in college sports but for everyone seeking to understand the barriers that any marginalized group faces in their quest for equality.
Kelly McFall is Professor of History and Director of the Honors Program at Newman University.
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Which stories are left out of the history books? What’s in the documents omitted from the “official” record? And what happens when we go in search of people’s hidden lives?
Today’s book is No Way, They Were Gay? Hidden Lives and Secret Loves (Zest Books, 2021), by Lee Wind, in which he reminds us that “history” was crafted by the people who recorded it. And sometimes, those historians were biased against, didn’t see, or couldn’t even imagine anyone different from themselves. That means that history has often left out the stories of LGBTQIA+ people: men who loved men, women who loved women, people who loved without regard to gender, and people who lived outside gender boundaries. Historians have even censored the lives and loves of some of the world’s most famous people, from William Shakespeare and Pharaoh Hatshepsut to Cary Grant and Eleanor Roosevelt. Throughout the text, Lee Wind shares primary sources—poetry, memoir, news clippings, and images of ancient artwork—and explores the hidden (and often surprising) Queer lives and loves of two dozen historical figures. No Way, They Were Gay was honored as a Junior Library Guild Gold Standard selection, and was selected for the Chicago Public Library’s 2021 Best of the Best Books list.
Our guest is: Lee Wind, who writes stories that center marginalized kids and teens and celebrate their power to change the world. Closeted until his 20s, Lee writes the books that would have changed his life as a young Gay kid. His Masters Degree from Harvard didn’t include blueprints for a time machine to go back and tell these stories to himself, so Lee pays it forward with a popular blog with over 3 million page views (I’m Here. I’m Queer. What The Hell Do I Read?) and books for kids and teens. He is the author of No Way, They Were Gay? His day-job is for the Independent Book Publishers Association (as their Chief Content Officer), and for the Society of Children’s Book Writers and Illustrators (as their official blogger).
Our host is: Dr. Christina Gessler, who holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. She is the producer and show-host of the Academic Life podcasts.
Listeners to this episode may be interested in:
Welcome to Academic Life, the podcast for your academic journey--and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 175+ Academic Life episodes? You’ll find them all archived here.
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Ingenious Trade: Women and Work in Seventeenth-Century London (Cambridge University Press, 2021) by Dr. Laura Gowing recovers the intricate stories of the young women who came to London in the late seventeenth century to earn their own living, most often with the needle, and the mistresses who set up shops and supervised their apprenticeships. Through an intensive and creative archival reconstruction, Dr. Gowing recovers the significance of apprenticeship in the lives of girls and women, and puts women's work at the heart of the revolution in worldly goods.
Tracking women through city archives, Dr. Gowing reveals the extent and complexity of their contracts, training and skills, from adolescence to old age. In contrast to the informal, unstructured and marginalised aspects of women's work, this book uses legal records and guild archives to reconstruct women's negotiations with city regulations and bureaucracy. It shows single women, wives and widows establishing themselves in guilds both alongside and separate to men, in a network that extended from elites to paupers and around the country.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Against High-Caste Polygamy: An Annotated Translation (Oxford UP, 2023) offers a complete, annotated translation of Ishvarchandra Vidyasagar's 1871 tract arguing against the practice of high-caste Kulin marriage in Bengal. Vidyasagar published this work fifteen years after passage of the Hindu Widow's Remarriage Act, which owed so much to his earlier reform leadership. However, in the wake of the Rebellion of 1857 British and Indian attitudes toward official intervention in customary practices underwent a sea change.The British were increasingly reluctant to create unrest, while many Indian leaders began to question the legitimacy of seeking government assistance for social change. The age of active collaboration between the British officials and Indian reformers had passed. In Against High-Caste Polygamy, Vidyasagar demonstrates both his continued faith in an earlier approach to reform and his frustration at the new tenor of the times.
Against High-Caste Polygamy is not a treatise on polygamy in general. Rather, it addresses a subset of polygamous marriage as practiced among the highest Hindu castes in eastern India, or what then constituted the Bengal Presidency of British India. This particular form of polygamy came to be known in English as Kulinism, from the term for a person who holds high clan rank (known in Bengali as a kulina). As Vidyasagar shows, Kulinism rests on a highly articulated and historically entrenched system of status and rank that trapped women in wretched domestic situations. Against High-Caste Polygamy is Vidysagar's attempt to open the eyes of Bengali readers as well as the government to the extent and dire ramifications of polygamous practices that often left women ostracized, neglected, and abused. Brian A. Hatcher's translation makes Vidyasagar's polemic available to English-language readers for the first time. It features a scholarly introduction, extensive notes, and a variety of supplementary critical tools.
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In Rewriting Eve: Rescuing Women’s Stories from the Bible and Reclaiming Them as Our Own (She Writes Press, 2023), Ronna Detrick invites us into the presence and power of ten sacred, biblical women, revealing the endlessly relevant ways in which they speak today and showing how they can heal, embolden, and transform our stories.
Trapped in patriarchy and theological argument, dismissed as irrelevant, or viewed as unchangeable even as times change, these women’s voices, desires, and hearts have too often been silenced through misunderstanding and neglect. When they are reimagined, deconstructed, disentangled from doctrine and dogma, and heard on their own terms, these stories become a powerful inspiration and a source of discernment that reconnects us to a feminine lineage and a sovereign sense of self we’ve never known to call on or trust.
Detrick has combined her love of writing with a diverse and winding career that has included coaching, spiritual direction, professional development training, corporate leadership, and entrepreneurship. She shocked and delighted her audience in a provocative TEDx Talk, Redeeming Eve – Reimagining Everything, on an Eve who inspires and empowers women instead of shaming and silencing them.
Ronna Detrick holds both a Master of Divinity degree and a Certificate in Spiritual Direction from The Seattle School of Theology and Psychology and a Bachelor of Arts in Business and Communications from Whitworth University.
Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing interests include books and reading in popular culture, the public history of women's fiction, and women in Greco-Roman mythology.
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Rachel Elior's book The Unknown History of Jewish Women: On Learning and Illiteracy, On Slavery and Liberty (de Gruyter, 2023) is a comprehensive study on the history of Jewish women, which discusses their absence from the Jewish Hebrew library of the "People of the Book" and interprets their social condition in relation to their imposed ignorance and exclusion from public literacy.
The book begins with a chapter on communal education for Jewish boys, which was compulsory and free of charge for the first ten years in all traditional Jewish communities. The discussion continues with the striking absence of any communal Jewish education for girls until the late nineteenth and early twentieth century, and the implications of this fact for twentieth-century immigration to Israel (1949-1959). The following chapters discuss the social, cultural and legal contexts of this reality of female illiteracy in the Jewish community-a community that placed a supreme value on male education. The discussion focuses on the patriarchal order and the postulations, rules, norms, sanctions and mythologies that, in antiquity and the Middle Ages, laid the religious foundations of this discriminatory reality.
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In the 1970s, the invention of the home pregnancy test changed what it means to be pregnant. For the first time, women could use a technology in the privacy of their own homes that gave them a yes or no answer. That answer had the power to change the course of their reproductive lives, and it chipped away at a paternalistic culture that gave gynecologists-the majority of whom were men-control over information about women's bodies.
However, while science so often promises clear-cut answers, the reality of pregnancy is often much messier. Pregnancy Test (Bloomsbury, 2023) explores how the pregnancy test has not always lived up to the fantasy that more information equals more knowledge. Karen Weingarten examines the history and cultural representation of the pregnancy test to show how this object radically changed sex and pregnancy in the late 20th and early 21st centuries.
Jana Byars is an independent scholar located in Amsterdam.
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Jessica Lowell Mason and Nicole Crevar's Madwomen in Social Justice Movements, Literatures, and Art (Vernon Press, 2023) boldly reasserts the importance of the Madwoman more than four decades after the publication of Sandra Gilbert and Susan Gubar's seminal work in feminist literary criticism, 'The Madwoman in the Attic'. Since Gilbert and Gubar's work was published, the Madwoman has reemerged to do important work, rock the academic boat, and ignite social justice agency inside and outside of academic spaces, moving beyond the literary context that defined the Madwoman in the late 20th century.
In this dynamic collection of essays, scholars, creative writers, and Mad activists come together to (re)define the Madwoman in pluralistic and expansive ways and to realize new potential in Mad agency. This collection blazes new directions of thinking through Madness as a gendered category, comprised of a combination of creative works that (re)imagine the figure of the Madwoman, speeches in which Mad-identifying artists and writers reclaim the label of "Madwoman," and scholarly essays that articulate ambitious theories of the Madwoman.
The collection is an interdisciplinary scholarly resource that will appeal to multiple academic fields, including literary studies, disability studies, feminist studies, and Mad studies. Additionally, the work contributes to the countermovement against colonial, sanist, patriarchal, and institutional social practices that continue to silence women and confine them to the metaphorical attic. Appealing to a broad audience of readers, 'Madwomen in Social Justice Movements, Literatures, and Art' is a cutting-edge inquiry into the implications of Madness as a theoretical tool in which dissenting, deviant, and abnormal women and gender non-conforming writers, artists, and activists open the door to Mad futurities.
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Sexual violence is a significant problem within many Western militaries. Despite international attention to the issue and global #MeToo and #TimesUp movements highlighting the impact of sexual violence, rates of sexual violence are going up in many militaries. Good Soldiers Don't Rape: The Stories We Tell About Military Sexual Violence (Cambridge University Press, 2023) by Dr. Megan MacKenzie uses feminist theories of 'rape culture' and institutional gaslighting to identify the key stories, myths, and misconceptions about military sexual violence that have obstructed addressing and preventing it.
The book is a landmark study that considers nearly thirty years of media coverage of military sexual violence in three case countries – the US, Canada and Australia. Dr. MacKenzie’s findings have implications not only for those seeking to address, reduce, and prevent sexual violence in militaries, but also for those hoping to understanding rape culture and how patriarchy operates more broadly. It will appeal to students, scholars and general readers interested in gender, feminism and the military.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Tracy Rutler's Queering the Enlightenment: Kinship and Gender in Eighteenth-Century French Literature (Oxford University Studies in the Enlightenment, Liverpool UP, 2021) explores the imaginaries of novels and plays from the "liminal" period that followed the end of Louis the XIV's reign in France. Examining a range of French works from the 1730s and 1740s, including writing by Antoine François Prévost, Claude Crébillion, Pierre de Marivaux, and Françoise de Graffigny, Rutler traces a set of utopian themes and impulses that questioned and resisted heteronormativity and bourgeois family relations during this period. Interrogating gender, sexuality, and kinship in both the content and the form of their work, these authors challenged patriarchal power and relations as the foundations of state and society in France. At once intimate and political, the characters, scenes, and narratives these authors produced also posed questions about (the) Enlightenment more broadly.
In readings informed by thinkers like Foucault and Rancière, as well as the work of psychoanalytic, feminist, and queer theorists, Queering the Enlightenment is divided into three sections: Family Remains, Prodigal Sons, and Narrative Spinsters. Beginning with an analysis of eighteenth-century powerhouses Montesquieu and Voltaire on patriarchal decline and repair, Rutler goes on to consider literary representations of reproduction, masculinity, the public sphere, marriage, maternity, and same-sex community. The book will be of great interest to literary scholars and historians alike, particularly anyone interested the legacies of the Enlightenment and how historical struggles/debates over kinship, gender, and sexuality continue to resonate in the present.
Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013.
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From Asia to Africa to the Middle East, #MeToo has inspired local movements and hashtag trends like #AnaKaman and transnational collective hashtags like #MosqueMeToo. Yet, most Western scholarly and popular treatment of the movement assumes it is a primarily Western phenomenon.
To attend to the revolutionary international impact of #MeToo, Iqra Shagufta Cheema brings together contributions from scholars and scholar activists that look at specific iterations of the #MeToo movement across multiple communities, cultures, and countries in the Global South. Going beyond gender, this comprehensive study focuses on the intersectional assemblage of ethnicity, religion, race, class, and politics that informs #MeToo and its place in local and transnational feminisms. By doing so, The Other #MeToos (Oxford UP, 2023) highlights the adaptation, translation, and impact of #MeToo in non-Western, postcolonial, minoritized, and othered locales to explore its wider scope and possibilities.
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While early Buddhists hailed their religion's founder for opening a path to enlightenment, they also exalted him as the paragon of masculinity. According to Buddhist scriptures, the Buddha's body boasts thirty-two physical features, including lionlike jaws, thighs like a royal stag, broad shoulders, and a deep, resonant voice, that distinguish him from ordinary men. As Buddhism spread throughout Asia and around the world, the Buddha remained an exemplary man, but Buddhists in other times and places developed their own understandings of what it meant to be masculine.
This transdisciplinary book brings together essays that explore the variety and diversity of Buddhist masculinities, from early India to the contemporary United States, and from bodhisattva-kings to martial monks. Buddhist Masculinities (Columbia UP, 2023) adopts the methods of religious studies, anthropology, art history, textual-historical studies, and cultural studies to explore texts, images, films, media, and embodiments of masculinity across the Buddhist world, past and present. It turns scholarly attention to normative forms of masculinity that usually go unmarked and unstudied precisely because they are "normal," illuminating the religious and cultural processes that construct Buddhist masculinities. Engaging with contemporary issues of gender identity, intersectionality, and sexual ethics, Buddhist Masculinities ushers in a new era for the study of Buddhism and gender.
MEGAN BRYSON is Associate Professor of Religious Studies and chair of the Asian Studies program at the University of Tennessee, Knoxville. She received her B.A. in Religious Studies and Chinese from University of Oregon, and her Ph.D. in Religious Studies from Stanford University. Her research focuses primarily on themes of gender and ethnicity in Chinese religions, especially in the Dali region of Yunnan Province. The geographical specificity of her work is balanced by its temporal breadth, which ranges from the Nanzhao (649-903) and Dali (937-1253) kingdoms to the present, as reflected in her monograph, Goddess on the Frontier: Religion, Ethnicity, and Gender in Southwest China (Stanford University Press, 2016, an interview with her about this book is also on the New Books Network), which traces the worship of a local deity in Dali from the 12th to 21st centuries.
KEVIN BUCKELEW is Assistant Professor of Religious Studies at Northwestern University. He received his B.A. in the liberal arts from Sarah Lawrence College, and his Ph.D. from Columbia University's Department of East Asian Languages and Cultures. His research focuses on Buddhism in premodern China, with special attention to the rise of the Chan (Zen) Buddhist tradition and to interactions between Chinese Buddhists and Daoists. Thematically, his work explores how religious identities take shape and assume social authority; how materiality, embodiment, and gender figure into Buddhist soteriology; and how Buddhists have grappled with the problem of human agency.
Jue Liang is an Assistant Professor in the Department of Religious Studies at Case Western Reserve University. She is currently completing her first book, entitled Conceiving the Mother of Tibet: The Early Literary Lives of the Buddhist Saint Yeshé Tsogyel. She is also working on a second project, tentatively titled i. As a scholar of Buddhist literature, history, and culture in South and East Asia, she reflects in her research and teaching continuities as well as innovations in the gender discourses of Buddhist communities. She is also interested in the theory and practice of translation in general, and translating Tibetan literature in particular.
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Middle-Class Dharma: Gender, Aspiration, and the Making of Contemporary Hinduism (Oxford UP, 2023) is a contemporary ethnography of class mobility among Hindus in Udaipur, Rajasthan, India. Focusing on women in Pulan, an emerging middle-class neighborhood of Udaipur, Jennifer D. Ortegren argues that upward class mobility is not just a socio-economic process, but also a religious one.
Central to Hindu women's upward class mobility is negotiating dharma, the moral and ethical groundings of Hindu worlds. As women experiment with middle-class consumer and lifestyle practices, they navigate tensions around what is possible and what is appropriate--that is, what is dharmic--as middle-class Hindu women. Ortegren shows how these women strategically align emerging middle-class desires with more traditional religious obligations in ways that enable them to generate new dharmic boundaries and religious selfhoods in the middle classes. Such transitions can be as joyful as they are difficult and disorienting.
Middle-Class Dharma explores how contemporary Hindu women's everyday practices reimagine and reshape Hindu traditions. By developing dharma as an analytical category and class as a dharmic category, Ortegren pushes for expanding definitions of religion in academia, both within and beyond the study of Hinduism in South Asia.
Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.
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Foremost among the images of the Armenian Genocide is the specter of tattooed Islamized Armenian women. Blue tribal tattoos that covered face and body signified assimilation into Muslim Bedouin and Kurdish households. Among Armenians, the tattooed survivor was seen as a living ethnomartyr or, alternatively, a national stain, and the bodies of women and children figured centrally within the Armenian communal memory and humanitarian imaginary. In Remnants: Embodied Archives of the Armenian Genocide (Stanford UP, 2023), these tattooed and scar-bearing bodies reveal a larger history, as the lived trauma of genocide is understood through bodies, skin, and-in what remains of those lives a century afterward-bones.
With this book, Elyse Semerdjian offers a feminist reading of the Armenian Genocide. She explores how the Ottoman Armenian communal body was dis-membered, disfigured, and later re-membered by the survivor community. Gathering individual memories and archival fragments, she writes a deeply personal history, and issues a call to break open the archival record in order to embrace affect and memory. Traces of women and children rescued during and after the war are reconstructed to center the quietest voices in the historical record. This daring work embraces physical and archival remnants, the imprinted negatives of once living bodies, as a space of radical possibility within Armenian prosthetic memory and a necessary way to recognize the absence that remains.
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Innovative essays that explore how men perform femininity and what femininity looks like without women
What counts as “male femininity”? Is it simply men behaving in effeminate ways or is it the absence of masculinity? Male Femininities (NYU Press, 2023) presents a nuanced, critical collection of essays that highlight the extent to which male femininities are neither an imitation of femaleness nor an emptying of masculinity. These innovative essays focus on both gay and straight men, and transmasculine and genderqueer people in their construction and performance of femininity, thereby revealing the possibilities that open up when we critically examine femininity without women. Male Femininities asks, What does femininity look like for men?
The contributors—highly regarded scholars and rising stars—cover a range of topics, including drag queens, cosmetic enhancements, trans fertility, and gender-non-conforming childhoods. Male Femininities illuminates what happens when we decouple femininity from female bodies and how even the smallest cracks and fissures in the normative order can disrupt, challenge, and in some cases reaffirm our existing sex-gender regime. This volume pluralizes the concept of male femininities and leads readers through an exploration of how gender, sex, and sexuality are manifested in the United States today.
Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries.
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New York City, 1929. A sanatorium, a deadly disease, and a dire nursing shortage.
In the pre-antibiotic days when tuberculosis stirred people’s darkest fears, killing one in seven, white nurses at Sea View, New York’s largest municipal hospital, began quitting en masse. Desperate to avert a public health crisis, city officials summoned Black southern nurses, luring them with promises of good pay, a career, and an escape from the strictures of Jim Crow. But after arriving, they found themselves on an isolated hilltop in the remote borough of Staten Island, yet again confronting racism and consigned to a woefully understaffed sanatorium, dubbed “the pest house,” where it was said that “no one left alive.”
Spanning the Great Depression and moving through World War II and beyond, this remarkable true story follows the intrepid young women known by their patients as the “Black Angels.” For twenty years, they risked their lives working under appalling conditions while caring for New York’s poorest residents, who languished in wards, waiting to die, or became guinea pigs for experimental surgeries and often deadly drugs. But despite their major role in desegregating the New York City hospital system—and their vital work in helping to find the cure for tuberculosis at Sea View—these nurses were completely erased from history. Maria Smilios' book The Black Angels: The Untold Story of the Nurses Who Helped Cure Tuberculosis (G.P. Putnam's Sons, 2023) recovers the voices of these extraordinary women and puts them at the center of this riveting story, celebrating their legacy and spirit of survival. New York City, 1929. A sanatorium, a deadly disease, and a dire nursing shortage.
In the pre-antibiotic days when tuberculosis stirred people’s darkest fears, killing one in seven, white nurses at Sea View, New York’s largest municipal hospital, began quitting en masse. Desperate to avert a public health crisis, city officials summoned Black southern nurses, luring them with promises of good pay, a career, and an escape from the strictures of Jim Crow. But after arriving, they found themselves on an isolated hilltop in the remote borough of Staten Island, yet again confronting racism and consigned to a woefully understaffed sanatorium, dubbed “the pest house,” where it was said that “no one left alive.”
Spanning the Great Depression and moving through World War II and beyond, this remarkable true story follows the intrepid young women known by their patients as the “Black Angels.” For twenty years, they risked their lives working under appalling conditions while caring for New York’s poorest residents, who languished in wards, waiting to die, or became guinea pigs for experimental surgeries and often deadly drugs. But despite their major role in desegregating the New York City hospital system—and their vital work in helping to find the cure for tuberculosis at Sea View—these nurses were completely erased from history. The Black Angels recovers the voices of these extraordinary women and puts them at the center of this riveting story, celebrating their legacy and spirit of survival.
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Deanne Williams's newest book, Girl Culture in the Middle Ages and Renaissance: Performance and Pedagogy (Bloombury, 2023), is a groundbreaking study of the girl actor in the medieval and early modern world, demonstrating the existence of the girl performer in England long before the Restoration. Challenging existing academic assumptions about the supposed male dominance of the early modern stage, this book reveals girls' participation in a host of areas, from medieval religious drama to pageants and royal entries under the Tudors, country house entertainments, and Jacobean masques. Williams situates her historical study of the girl actor within the wider contexts of 'girl culture', including singing, translating, and writing. By examining the impact of the girl actor in Shakespeare's various constructions of girlhood– those girl characters which play upon the precedent of the performing girl in the medieval world– Girl Culture in the Middle Ages and Renaissance argues that girls' actively shaped culture in the middle ages and Renaissance through their various performances. Interweaving her study of literary texts with the lives of girls who wrote, collected, and performed them—people like Hroswitha of Gandersheim, Anne Boleyn, Jane Lumely, the Russell sisters, and Elizabeth Carey—Williams centers the lived reality of girl children as they interacted with dramatic culture.
Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe.
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In In Visible Archives: Queer and Feminist Visual Culture in the 1980s (U Minnesota Press, 2023), Margaret Galvan explores a number of feminist and cultural touchstones—the feminist sex wars, the HIV/AIDS crisis, the women in print movement, and countercultural grassroots periodical networks—and examines how visual culture interacts with these pivotal moments. She goes deep into the records to bring together a decade’s worth of research in grassroots and university archives that include comics, collages, photographs, drawings, and other image-text media produced by women, including Hannah Alderfer, Beth Jaker, Marybeth Nelson, Roberta Gregory, Lee Marrs, Alison Bechdel, Gloria Anzaldúa, and Nan Goldin.
Through all of this, Galvan documents the community networks that produced visual culture, analyzing how this material provided a vital space for women artists to theorize and visualize their own bodies and sexualities. The art highlighted in In Visible Archives demonstrates how women represented their bodies and sexualities on their own terms and created visibility for new, diverse identities, thus serving as blueprints for future activism and advocacy—work that is urgent now more than ever as LGBTQ+ and women’s rights face challenges and restrictions across the nation.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
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Sister Mary Josefa of the Eucharist is a Benedictine nun in Missouri; she and the sisters of her community recently wrote a charming children’s book, Brides of Christ (Sophia Institute Press, 2023), which invites the reader into the rhythms of their contemplative life through the course of the day and cycle of the year. She talks about this life with me and also the discernment that drew her into it.
We also discuss the late Sister Wilhelmina Lancaster who founded their community who drew the attention of the world earlier this year when her exhumed body was miraculously not corrupted four years after death, nor her garments (though the fabric of her coffin was completely rotted away).
Finally, we discuss the special charism and Marian consecration of this Benedictine community who emulate the quiet, loving role of the Mother of God in the years between the Ascension of Jesus and her own Assumption, supporting the Early Church.
Krzysztof Odyniec is a historian of Medieval and Early Modern Europe; he is also the host of the 'Almost Good Catholics' podcast.
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The idea that women are dangerous - individually or collectively - runs throughout history and across cultures. Behind this label lies a significant set of questions about the dynamics, conflicts, identities and power relations with which women live today.
The Art of Being Dangerous: Exploring Women and Danger through Creative Expression (Leuven UP, 2021) offers many different images of women, some humorous, some challenging, some well-known, some forgotten, but all unique. In a dazzling variety of creative forms, artists and writers of diverse identities explore what it means to be a dangerous woman.
With almost 100 evocative images, this collection showcases an array of contemporary art that highlights the staggering breadth of talent among today's female artists. It offers an unparalleled gallery of feminist creativity, ranging from emerging visual artists from the UK to multi-award-winning writers and translators from the Global South.
This book emerges from the Dangerous Women Project. For more information, visit dangerouswomenproject.org
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Drag: A British History (University of California Press, 2023) is a groundbreaking study of the sustained popularity and changing forms of male drag performance in modern Britain. With this book, Jacob Bloomfield provides fresh perspectives on drag and recovers previously neglected episodes in the history of the art form. Despite its transgressive associations, drag has persisted as an intrinsic, and common, part of British popular culture--drag artists have consistently asserted themselves as some of the most renowned and significant entertainers of their day. As Bloomfield demonstrates, drag was also at the center of public discussions around gender and sexuality in the nineteenth and twentieth centuries, from Victorian sex scandals to the "permissive society" of the 1960s. This compelling new history demythologizes drag, stressing its ordinariness while affirming its important place in British cultural heritage.
Jacob Bloomfield is a Zukunftskolleg Postdoctoral Fellow at the University of Konstanz and an Honorary Research Fellow at the University of Kent. His research is situated primarily in the fields of cultural history, the history of sexuality, and gender history. Jacob is the author of Drag: A British History (2023). His second monograph will be about the historical reception to, and cultural impact of, musician Little Richard.
Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries.
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Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities.
Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub.
Caleb Zakarin is the Assistant Editor of the New Books Network.
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In 2019, nearly two-thirds of domestic violence homicides in the United States were committed with a gun. On average, three women are killed by a current or former partner every day in the United States. Between 1980 and 2014, more than half of women killed by intimate partners were killed with guns. Domestic violence affects children, friends, neighbors, peace officers, the abusers themselves, and society as a whole. This fall, the United States Supreme Court will hear a Second Amendment case (United States v. Rahimi) that may affect whether Congress or state legislatures may pass laws to mitigate domestic violence. To unpack what we know about the effect of firearms on intimate partner violence, Postscript brings you two nationally recognized experts on public health and firearms and an attorney who helped assembled an amicus brief for the Supreme Court.
Dr. Shannon Frattoroli, PhD, MPH, is Professor at the Johns Hopkins Bloomberg School of Public Health. She is affiliated with the Johns Hopkins Center for Gun Violence Solutions. Her scholarship focuses on how to translate evidence about injury and violence prevention into policies and practices that create safe places for people to thrive. She is a leader on both research and practice efforts to implement firearm dispossession, provisions of domestic violence restraining orders, and the new extreme risk protection order laws (often called “red flag laws”). Policy creation and implementation are crucial components of her research.
Dr. April M. Zeoli, PhD, MPH is Associate Professor of Health Management at the University of Michigan's School of Public Health and also the Policy Core Director at their Institute for Firearm Injury Prevention. Her research focuses on the impact of state-level firearm safety laws on interpersonal firearm violence. She studies domestic violence-related firearm restrictions, such as laws that require or allow firearm restrictions on domestic violence restraining orders. She has particular interest in outcomes (for example reductions in violence, including suicide and intimate partner homicide) and how local implementation affects these outcomes. She is dedicated to using science to create and enforce policy that reduces firearm violence.
Kelly Roskam, JD, is the Director of Law and Policy at the Johns Hopkins Center for Gun Violence Solutions. She studies the constitutional implications of, advocates for, and works to improve the implementation of firearms laws. She served as the Legal Director of the Educational Fund to Stop Gun Violence and has published on gun violence restraining orders, most recently work highlighting the practical implications of the Rahimi case (e.g., she co-authored “A Texas Judge Is Using Originalism to Justify Arming Domestic Abusers” with her colleague at Johns Hopkins, Spencer Cantrell and Natalie Nanasi at SMU-Dedman).
Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia.
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The Disney Princesses are a billion-dollar industry, known and loved by children across the globe.
In The Disney Princess Phenomenon: A Feminist Analysis (Bristol University Press, 2023) Dr. Robyn Muir provides an exploratory and holistic examination of this worldwide commercial and cultural phenomenon in its key representations: films, merchandising and marketing, and park experiences. Muir highlights the messages and images of femininity found within the Disney Princess canon and provides a rigorous and innovative methodology for analysing gender in media.
Including an in-depth examination of each princess film from the last 83 years, the book provides a lens through which to view and understand how Disney Princesses have contributed to the depiction of femininity within popular culture.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Based on ethnographic research with victims of intimate partner violence since 2014, Tiantian Zheng's Violent Intimacy: Family Harmony, State Stability, and Intimate Partner Violence in Post-Socialist China (Bloomsbury, 2022) brings to the forefront women's experiences of, negotiations about, and contestations against violence, and men's narratives about the reasons for their violence. Using an innovative methodology - online chat groups, it foregrounds the role of history, structural inequalities, and the cultural system of power hierarchy in situating and constructing intimate partner violence. Centering on men and women's narratives about violence, this book connects intimate partner violence with invisible structural violence - the historical, cultural, political, economic, and legal context that gives rise to and perpetuates violence against women. Through examining the ways in which women's lives are constrained by various forms of violence, hierarchy, and inequality, this book shows that violence against women is a structural issue that is historically produced and politically and culturally engaged.
Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. On Twitter: @slissw.
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How are women represented in Chinese crime films? In what ways do the representation reflect traditional Chinese values and contemporary Chinese social-cultural norms? How did boys’ love culture emerge in China? What is the role of the Chinese state in queer media production and queer culture in China? In a conversation with Joanne Kuai, PhD candidate at Karlstad University, Sweden, and an affiliated PhD student at NIAS, Tingting Hu talked about her book Victims, Perpetrators and Professionals: The Representation of Women in Chinese Crime Films and her latest research on A Transmedia ‘Third’ Space: The Counterculture of Chinese Boys’ Love Audio Dramas.
Tingting Hu is an Assistant Professor at the Department of Media and Communication, Xi’an Jiaotong Liverpool University. Her research interest lies in the articulation of film, media and cultural studies with feminist theories, and transmedia studies in various social and cultural contexts. You can connect with Tingting at [email protected].
Victims, Perpetrators and Professionals examines the representation of women in relation to violence in Chinese crime films made on the mainland, and in Hong Kong and Taiwan. It introduces a new trajectory in the investigation of the cinematic representation of female figures in relation to gender issues by interweaving Western feminist and postfeminist critiques with traditional Chinese sociocultural discourse.
The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical, and well-edited discussions of new research and developments about Asia.
About NIAS: http://www.nias.ku.dk/
Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast
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Where does morality fit into contemporary social science? In Moral Minefields: How Sociologists Debate Good Science (U Chicago Press, 2023), Shai Dromi, an Associate Senior Lecturer at the Department of Sociology at Harvard University and Samuel Stabler Associate Teaching Professor of Sociology at Pennsylvania State University, draw on pragmatist theory to offer insights as to how sociology can avoid moral myopia and be value pluralistic. The book offers rich case studies of key fields and debates, including sociology of religion, race and inequality, nationalism and cosmopolitanism, and fertility and work, all showing how values and morals shape the practice of research. The book makes a significant contribution to both sociology and the social sciences more generally, and will be essential reading for both academics and anyone interested in the values of contemporary research.
Dave O'Brien is Professor of Cultural and Creative Industries at the University of Manchester.
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To mark the publication of John's book Ursula Le Guin's Earthsea (My Reading), with Oxford University Press (2023), John and Elizabeth take to the airways to share their love of Le Guin's "speculative anthropology," gender politics, and goats.
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Does it ever feel like you have no free time? You come home after work and instead of finding a space of rest and relaxation, you're confronted by a pile of new tasks to complete – cooking, cleaning, looking after the kids, and so on.
In After Work: A History of the Home and the Fight for Free Time (Verso, 2023), Dr. Helen Hester and Dr. Nick Srnicek lay out how unpaid work in our homes has come to take up an ever-increasing portion of our lives – how the vacuum of free time has been taken up by vacuuming. Examining the history of the home over the past century – from running water to white goods to smart homes – they show how repeated efforts to reduce the burden of this work have faced a variety of barriers, challenges, and reversals.
Charting the trajectory of our domestic spaces over the past century, Dr. Hester and Dr. Srnicek consider new possibilities for the future, uncovering the abandoned ideas of anti-housework visionaries and sketching out a path towards real free time for all, where everyone is at liberty to pursue their passions, or do nothing at all. It will require rethinking our living arrangements, our expectations and our cities.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In A Feminist Reading of China’s Digital Public Sphere (Palgrave Pivot, 2020), Altman Yuzhu Peng articulates how feminism and pseudo-feminism become confused in contemporary Chinese society, and how this confusion is invoked by misogynist voices to boycott feminist movements in China’s digital public sphere.
Peng examines how Western women politicians are stereotyped from a gendered lens in China’s digital public sphere, and how this gendered stereotyping reflects the continuous exclusion of Chinese women in politics and beyond.
The book examines how nationalist sentiment and patriarchal values converge in the Chinese context, and how nationalist rhetoric is deployed by misogynists to distort gender-issue debates in China’s digital public sphere.
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On September 1, 1967, one of the Third Reich's most infamous figures hanged herself in her cell after nearly twenty-four years in prison. Known as the "Bitch of Buchenwald," Ilse Koch was singularly notorious, having been accused of owning lampshades fabricated from skins of murdered camp inmates and engaging in "bestial" sexual behavior. These allegations fueled a public fascination that turned Koch into a household name and the foremost symbol of Nazi savagery. Her subsequent prosecution resulted in a scandal that prompted US Senate hearings and even the intervention of President Truman.
Yet the most sensational atrocities attributed to Koch were apocryphal or unproven. In this authoritative reappraisal, Tomaz Jardim shows that, while Koch was guilty of heinous crimes, she also became a scapegoat for postwar Germans eager to distance themselves from the Nazi past. The popular condemnation of Koch--and the particularly perverse crimes attributed to her by prosecutors, the media, and the public at large--diverted attention from the far more consequential but less sensational complicity of millions of ordinary Germans in the Third Reich's crimes.
Ilse Koch on Trial: Making the 'Bitch of Buchenwald' (Harvard UP, 2023) reveals how gendered perceptions of violence and culpability drove Koch's zealous prosecution at a time when male Nazi perpetrators responsible for greater crimes often escaped punishment or received lighter sentences. Both in the international press and during her three criminal trials, Koch was condemned for her violation of accepted gender norms and "good womanly behavior." Koch's "sexual barbarism," though treated as an emblem of the Third Reich's depravity, ultimately obscured the bureaucratized terror of the Nazi state and hampered understanding of the Holocaust.
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At five years old, Kristal Brent Zook sat on the steps of a Venice Beach, California, motel trying to make sense of her white father’s abandonment, which left her feeling unworthy of a man’s love and of white protection. Raised by her working-class African American mother and grandmother, Zook was taught not to count on anyone, especially men. Men leave. Men disappoint. In adulthood she became a feminist, activist, and “race woman” journalist in New York City. Despite her professional success, something was missing. Coming to terms with her identity was a constant challenge.
The Girl in the Yellow Poncho: A Memoir (Duke UP, 2023) is Zook’s coming-of-age tale about what it means to be biracial in America. Throughout, she grapples with in-betweenness while also facing childhood sexual assault, economic insecurity, and multigenerational alcoholism and substance abuse on both the Black and white sides of her family. Her story is one of strong Black women—herself, her cousin, her mother, and her grandmother—and the generational cycles of oppression and survival that seemingly defined their lives.
Setting out on an inner journey that takes her across oceans and continents, Zook tells the story of a little girl who never gives up on love, even long after it seems to have been destroyed. In the end she triumphs, reconciling with her father and mother to create the family of her dreams through forgiveness and sheer force of will. A testament to the power of settling into one’s authentic identity, this book tells a story of a daughter’s lifelong yearning, a mother’s rediscovery of lost love, and the profound power of atonement and faith to heal a broken family.
Katrina Anderson is a doctoral candidate at the University of Delaware.
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In A Queer Way of Feeling: Girl Fans and Personal Archives of Early Hollywood (University of California Press, 2023), Diana W. Anselmo queers the earliest development of the "fangirl." Gathering an unexplored archive of fan-made scrapbooks, letters, diaries, and photographs, A Queer Way of Feeling explores how, in the 1910s, girls coming of age in the United States used cinema to forge a foundational language of female nonconformity, intimacy, and kinship. Pasting cross-dressed photos on personal scrapbooks and making love to movie actresses in epistolary writing, adolescent girls from all walks of life stitched together established homoerotic conventions with an emergent syntax of film stardom to make sense of mental states, actions, and proclivities self-described as "queer" or "different from the norm." Material testimonies of a forgotten audience, these autobiographical artifacts show how early movie-loving girls engendered terminologies, communities, and creative practices that would become cornerstones of media fan reception and queer belonging.
Links Mentioned in the Episode
Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research.
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In Jewish Women in Comics: Bodies and Borders (Syracuse UP, 2022), contributors draw upon a rich treasure trove of Jewish women’s comics to explore the representation of Jewish women’s bodies and bodily experiences in pictorial narratives. Spanning national, cultural, and artistic borders, the essays shine a light on the significant contributions of Jewish women to comics. The volume features established figures including Emil Ferris, Amy Kurzweil, Miriam Libicki, Trina Robbins, Sharon Rudahl, and Ilana Zeffren, alongside works by artists translated for the first time into English, such as artist Rona Mor. Exploring topics of family, motherhood, miscarriages, queerness, gender and Judaism, illness, war, Haredi and Orthodox family life, and the lingering impact of the Holocaust, the contributors present unique, at times intensely personal, insights into how Jewishness intersects with other forms of identity and identification. In doing so, the volume deepens our understanding of Jewish women’s experiences.
Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at [email protected]. Twitter: @ndabrams
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Creatures like Lilith, the seductive first wife of Adam, and mermaids, who lured sailors to their death, are familiar figures in the genre of monstrous temptresses who use their charms to entice men to their doom.
But if we go back 4,000 years, the roots of these demons lie in horrific creatures like Lamashtu, a lion-headed Mesopotamian demon who strangled infants and murdered pregnant women, and Gello, a virgin ghost of ancient Greece who killed expectant mothers and babies out of jealousy. Far from enticing men into danger and destruction, these monsters were part of women's ritual practices surrounding childbirth and pregnancy. So how did their mythology evolve into one focused on the seduction of men?
In Women's Lore: 4,000 Years of Sirens, Serpents, and Succubi (Apollo, 2023) Dr. Sarah Clegg takes us on an absorbing and witty journey from ancient Mesopotamia to the present day, encountering a multitude of serpentine succubi, a child-eating wolf-monster of ancient Greece, the Queen of Sheba and a host of vampires. Dr. Clegg shows how these demons were appropriated by male-centred societies, before they were eventually recast as symbols of women's liberation, offering new insights into attitudes towards womanhood, sexuality and women's rights.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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While there is little doubt that women were active participants in medieval musical culture, their role has nevertheless been variously obfuscated, undermined, and overlooked, in large part because of the relative absence of named women composers. Work from recent decades has sought to re-insert women into our music-historical narratives, often by broadening their scopes and shifting away from strictly author-focused surveys.
Female-Voice Song and Women's Musical Agency in the Middle Ages (Brill, 2022) brings together seventeen essays, each of which newly identifies contributions to musical culture made by women before 1500 across Europe. Encompassing not only medieval French, English, and Italian culture, but also stretching to Iceland and the Islamicite courts, this volume speaks to the various ways in which we can hear women’s voices through history.
Prof. Lisa Colton and Dr. Anna Kathryn Grau jointly edited this collection, in addition to contributing chapters to it. In this episode, they speak with Áine Palmer about the study of women’s participation in medieval musical culture, the process of putting together an edited volume such as this, and share insights on their own analyses of 13th-century French motets.
Further Reading and Listening:
For those interested, you can here performer’s renditions of some of the songs and motets mentioned in Anna’s chapter here, here, and here, and a rendition of the motet Lisa’s chapter focuses on can be found here.
Those interested in Bahktinian approaches to early music should also read Helen Dell, Desire by Gender and Genre in Trouvère Song (Woodbridge: Suffolk, 2008), particularly chapters 5 and 6, and Anna Kathryn Grau ‘Hearing Voices: Heteroglossia, Homoglossia, and the Old French Motet’ in Musica Disciplina 58 (2013), pp. 73-100.
Prof. Lisa Colton can be found on Twitter at @elsie33, and you can find Dr. Anna Kathryn Grau at @AnnaKathrynGrau.
Aine Palmer is a PhD candidate in the Music Department at Yale.
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In this interview, I speak with Marion Holmes Katz about her latest book Wives and Work: Islamic Law and Ethics Before Modernity (Columbia UP, 2022). This fascinating book explores the question of wives’ domestic responsibilities from a Sunni Islamic legal perspective, covering scholarship from the ninth to the fourteenth centuries. The book addresses questions such as, does the wife have the obligation to provide housework? What counts as housework? And if it is true that the wife is not obligated to perform any household labor, as many western Muslims believe, how did the Muslim tradition reconcile this ruling with the anecdote involving Fatima’s request to the Prophet Muhammad for help with household work because she is overworked? And how did Muslim scholars reconcile this idea with what they understood to be morally, culturally, or religiously correct behavior from a woman? If the wife does choose to perform housework, is she entitled to compensation from her husband?
For most Muslim scholars historically, answers to these questions involved distinguishing between ethical ideals and legal claims. Katz shows, for instance, that the discourse on women’s household labor evolves with time, context, geographical location, such that, for example, in the formative period, it was widely accepted that wives are not obligated to perform any household chores, but by the time we get to the 14th century, this doctrine is challenged. Overall, then, not only do scholarly views expectedly disagree with each other, but also, scholars are less interested in providing a set of generic rules about wifely duties and more in encouraging the fulfillment of duties as they’re understood in one’s own social location.
In our conversation today, we discuss the book’s main contributions and its origins; a hadith report describing an incident about Fatima’s request to Muhammad for domestic help; what exactly domestic service means and who is required or obligated to provide it—and what that obligation means; what exactly is so ethical about household work, since this discourse is rooted in ethics for Muslim scholars; and how male scholars have historically treated domestic service. We end with some thoughts on discussions about Islamic law and domestic service from a class perspective; for example, where do poor men and poor wives fit into this discussion? What are their rights?
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Italian courts and churches began employing castrato singers in the late sixteenth century. By the eighteenth century, the singers occupied a celebrity status on the operatic stage. Constructed through surgical alteration and further modified by rigorous training, castrati inhabited human bodies that had been “mechanized” to produce sounds in ways that unmechanized bodies could not. The voices of these technologically enhanced singers, with their unique timbre, range, and strength, contributed to a dramatic expansion of musical vocabulary and prompted new ways of imagining sound, the body, and personhood.
Connecting sometimes bizarre snippets of history, this multi-disciplinary book moves backward and forward in time, deliberately troubling the meaning of concepts like “technology” and “human.” Voice Machines: The Castrato, the Cat Piano, and Other Strange Sounds (U Chicago Press, 2023) attends to the ways that early modern encounters and inventions—including settler colonialism, emergent racialized worldviews, the printing press, gunpowder, and the telescope—participated in making castrati. In Bonnie Gordon’s revealing study, castrati serve as a critical provocation to ask questions about the voice, the limits of the body, and the stories historians tell.
Nathan Smith is a PhD candidate in Music Theory at Yale University. Email: [email protected]
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A concise overview of fertility technology—its history, practical applications, and ethical and social implications around the world. In the late 1850s, a physician in New York City used a syringe and glass tube to inject half a drop of sperm into a woman’s uterus, marking the first recorded instance of artificial insemination. From that day forward, doctors and scientists have turned to technology in ever more innovative ways to facilitate conception. Fertility Technology (MIT Press, 2023) surveys this history in all its medical, practical, and ethical complexity, and offers a look at state-of-the-art fertility technology in various social and political contexts around the world. Donna J. Drucker’s concise and eminently readable account introduces the five principal types of fertility technologies used in human reproduction—artificial insemination; ovulation timing; sperm, egg, and embryo freezing; in vitro fertilization; and IVF in uterine transplants—discussing the development, manufacture, dispersion, and use of each. Geographically, it focuses on countries where innovations have emerged and countries where these technologies most profoundly affect individuals and population policies. Drucker’s wide-ranging perspective reveals how these technologies, used for birth control as well as conception in many cases, have been critical in shaping the moral, practical, and political meaning of human life, kinship, and family in different nations and cultures since the mid-nineteenth century.
Donna J. Drucker is Assistant Director of Scholarship and Research Development at the Columbia University School of Nursing.
Caleb Zakarin is the Assistant Editor of the New Books Network.
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Karima K. Jeffrey-Legette's book Speculative Film and Moving Images by or about Black Women and Girls (Lexington Books, 2022) examines depictions of African-descended women and girls in twentieth and twenty-first century filmmaking. Topics include a discursive analysis of stereotypes; roles garnered by Halle Berry, the only Black woman to receive an Oscar for Best Actress in a Leading Role; the promise of characters, relationships, and scripts found in works ranging from Altered Carbon, Lovecraft Country, and HBO’s Watchmen series; and a closing chapter that considers the legacy of Black women in horror. Jeffrey-Legette illustrates the ways in which recent texts explore the trauma endured by people of African descent in the United States of America in evocative ways. In doing so, she provides a compelling interpretation of prevalent, well-received, and recurring images of Black women and girls in American popular culture.
Katrina Anderson is a doctoral candidate at the University of Delaware.
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Self-Declaration in the Legal Recognition of Gender (Routledge, 2023) is a socio-legal study that offers a critique of what it means to self-declare with regard to legal gender. Based on empirical research conducted in Denmark, the book engages in some of the most controversial issues surrounding trans and gender diverse rights. The theoretical analysis draws upon legal consciousness, affect theory, vulnerability and governmentality, to cross jurisdictional boundaries between law and medicine. The book reflects on the limits of progress that legislative reform may make, and the way that increased regulation can actually limit access to rights protections. Broadly transferrable beyond its specific field, this book will be useful to socio-legal scholars, feminist scholars, trans scholars, policy makers and practitioners.
Dr Chris Dietz is a Lecturer at the Centre for Law & Social Justice at The University of Leeds.
Jane Richards is a doctoral student at the University of Hong Kong. You can find her on twitter where she follows all things related to human rights and Hong Kong politics @JaneRichardsHK
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First introduced in the pages of X-Men, Storm is probably the most recognized Black female superhero. She is also one of the most powerful characters in the Marvel Universe, with abilities that allow her to control the weather itself. Yet that power is almost always deployed in the service of White characters, and Storm is rarely treated as an authority figure.
Hero Me Not: The Containment of the Most Powerful Black, Female Superhero (Rutgers UP, 2023) offers an in-depth look at this fascinating yet often frustrating character through all her manifestations in comics, animation, and films. Chesya Burke examines the coding of Storm as racially “exotic,” an African woman who nonetheless has bright white hair and blue eyes and was portrayed onscreen by biracial actresses Halle Berry and Alexandra Shipp. She shows how Storm, created by White writers and artists, was an amalgam of various Black stereotypes, from the Mammy and the Jezebel to the Magical Negro, resulting in a new stereotype she terms the Negro Spiritual Woman.
With chapters focusing on the history, transmedia representation, and racial politics of Storm, Burke offers a very personal account of what it means to be a Black female comics fan searching popular culture for positive images of powerful women who look like you.
Katrina Anderson is a doctoral candidate at the University of Delaware.
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Can your graduate school affect your mental health? Dr. Zoe Ayres joins us to discuss what she wishes she had known before starting graduate school, including:
Today’s book is: Managing Your Mental Health During Your PhD: A Survival Guide, by Dr. Zoe Ayres, which investigates why mental health issues are so common among the student population. Ayres looks honestly at the experiences of PhD students, and explores environmental factors that can impact mental health. These include the PhD student-supervisor relationship, the pressure to publish, and deep systemic problems in academia, such as racism, bullying and harassment. She provides resources students, while offering ideas for improvements that universities can make to ensure that academia is a place for all to thrive.
Our guest is: Dr. Zoë Ayres, who studied for a PhD in chemistry at the University of Warwick, looking at using electrochemical boron doped diamond sensors to monitor environmental contaminants, before transitioning to industry. She worked for several years as a Senior Scientist in the water industry, before becoming Head of Research and Technology for a biotechnology start-up. She has transitioned back into academia, and is Head of Laboratory Facilities at the Open University, working with her team to manage over 180 laboratories. Zoë cares passionately about creating spaces for people to thrive in research. She is the author of Managing Your Mental Health During Your PhD: A Survival Guide, and of articles and peer-reviewed papers on improving research culture. She is co-Founder of Voices of Academia, an international blog designed to share the academic mental health experiences of academics from around the world.
Our host is: Dr. Christina Gessler, who is a historian.
Listeners to this episode may also be interested in:
Welcome to The Academic Life! Join us here each week to learn from today’s experts inside and outside the academy, and embrace the broad definition of what it truly means to live an academic life.
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Public-Private Partnerships (PPPs) have gained a renewed momentum in recent years, and have come to be viewed by governments and funders alike as a silver bullet for infrastructure development and public service provision. Critiques of the corporate capture of development are well established, yet until now the urgent question of the impacts of PPPs on women's human rights around the world has remained under-explored.
Corina Rodríguez Enríquez and Masaya Llavaneras Blanco's book Corporate Capture of Development: Public-Private Partnerships, Women’s Human Rights, and Global Resistance (Bloomsbury, 2023) aims to fill the gap, providing new insights from a set of case studies from across the Global South. Bringing an intersectional feminist approach to PPPs, these cases enable analysis that can inform advocacy and activism, whilst challenging dominant narratives and resisting the negative impacts of PPPs on women and historically marginalized communities' human rights. Widely advocating for stronger regulatory frameworks and institutions, and indicating how changes could be implemented, the examples analysed cover a range of sectors including health, energy, and infrastructure from countries including Ethiopia, Peru, India and Fiji.
The eBook editions of this book are available open access under a CC BY-NC-ND 4.0 licence here. Open access was funded by Development Alternatives with Women for a New Era (DAWN).
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Today’s episode of POSTSCRIPT explores and examines director Greta Gerwig’s film, Barbie. This Warner Brothers’ movie has been in theaters for under a month but has crossed the $1 billion dollar mark during that time, breaking all kinds of box office records and making Gerwig the first solo female director to enter this rarified realm. Barbie is now Warner Brothers’ most successful film, surpassing Christopher Nolan’s The Dark Knight, which had held that position at Warner Brothers. Barbie has hit a kind of cultural and cinematic sweet spot—with a marketing campaign around the movie establishing pink as the new black, bringing in Barbie-connected products across almost all consumer platforms, from Barbie-themed furniture to holiday home rentals, from lunchboxes and tee-shirts to new Mattel Barbies reflecting characters in the film. Barbie has also received positive reviews in the United States and globally, with audience members attending the film in pink clothing and accessories, often accompanied by friends and family members. Thus, Barbie is more than a summer tent-pole release, though it certainly has fulfilled that particular role. Barbie is more of an event—driving theater attendance, conversations, and in-person community experiences.
In this episode, I am joined by four scholars and experts to discuss “all things Barbie” as we examine the narrative of the film itself, the questions of gender and feminism, patriarchy, and sexuality. We also dive into the marketing campaign, the tensions between capitalism, neoliberalism, postfeminism, and an original intellectual property based on a consumer product. Dr. Linda Beail (Point Loma Nazarene University), Dr. Shuchi Kapila (Grinnell College), Dr. Danielle Hanley (Clark University), and Dr. Susan Liebell (St. Joseph University and co-host of the New Books in Political Science podcast) take up all these dimensions of this brightly colored film as we explore our thinking about this movie event that has landed in the post-Covid landscape of 2023.
We all found the experience of seeing Barbie, in a movie theater, to be one filled with joy and fun, for ourselves, and among those in the theater with us. Join in our conversation about Barbie, since this is both a delightful cinematic experience and a film with something to say to its audience and the world around us.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social
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In South Asian urban landscapes, men are everywhere. And yet we do not seem to know very much about precisely what men do in the city as men. How do men experience gender in city spaces? What are the interactional dynamics between different groups of men on city streets? How do men adjudicate between good and bad conduct in urban spaces?
Through ethnographic descriptions of copresence on public transport in Kolkata, India, Romit Chowdhury's City of Men: Masculinities and Everyday Morality on Public Transport (Rutgers UP, 2023) brings into sight the gendered logics of cooperation and everyday morality through which masculinities take up space in cities. It follows the labour geographies of auto-rickshaw and taxi operators and their interactions with traffic police and commuters to argue that the gendered fabric of urban life needs to be understood as a product of situational forms of cooperation between different social groups. Such an orientation sheds light on the part played by everyday morality and provisional support in upholding male privilege in the city.
Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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Undaunted: How Women Changed American Journalism (Knopf, 2023) is a representative history of the American women who surmounted every impediment put in their way to do journalism's most valued work. From Margaret Fuller's improbable success to the highly paid reporters of the mid-nineteenth century to the breakthrough investigative triumphs of Nellie Bly, Ida Tarbell, and Ida B. Wells, Brooke Kroeger examines the lives of the best-remembered and long-forgotten woman journalists. She explores the careers of standout woman reporters who covered the major news stories and every conflict at home and abroad since before the Civil War, and she celebrates those exceptional careers up to the present, including those of Martha Gellhorn, Rachel Carson, Janet Malcolm, Joan Didion, Cokie Roberts, and Charlayne Hunter-Gault.
As Kroeger chronicles the lives of journalists and newsroom leaders in every medium, a larger story develops: the nearly two-centuries-old struggle for women's rights. Here as well is the collective fight for equity from the gentle stirrings of the late 1800s through the legal battles of the 1970s to the #MeToo movement and today's racial and gender disparities.
Undaunted unveils the huge and singular impact women have had on a vital profession still dominated by men.
Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1
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In the library profession, and in the world as a whole, the experiences of trans and gender diverse people often go unnoticed, hidden, and ignored. Trans and Gender Diverse Voices in Libraries (Library Juice Press, 2021) is entirely written and edited by trans and gender diverse people involved in the field: its fifty-seven authors include workers from academic and public libraries, special collections and archives, and more; LIS students; and a few people who have left the library profession completely.
Editors Kalani Adolpho, Stephen G. Krueger, and Krista McCracken share in this interview how this book is not intended to be the definitive guide to trans and gender diverse experiences in libraries, but instead to start the conversation. This project hopes to help trans and gender diverse people in libraries realize that they are not alone, and that their experiences are worth sharing.
This book also demonstrates some of the reality in a field that loves to think of itself as inclusive. From physical spaces to policies to interpersonal ignorance and bigotry, the experiences recounted in this book demonstrate that the library profession continues to fail its trans and gender diverse members over and over again. You cannot read these chapters and claim that Safe Zone stickers and “libraries are for everyone” signs have done the job. You cannot assume that everything is fine in your workplace because nobody has spoken out. You can no longer pretend that trans and gender diverse people don’t exist.
Find the table of contents for Trans and Gender Diverse Voices in Libraries as well as open access chapters online here. Learn about the Trans and Gender Diverse LIS network here.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
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Jamila Rodrigues's new book Sufi Women, Embodiment and the “Self”: Gender in Islamic Ritual (Routledge 2023) uses her dance and performance studies background to study women’s hadra or zikr experiences of a Naqshbandi Sufi community in Cape Town, South Africa. This ritual includes engagement with sacred texts, music, and bodily movement with the aim of reaching union with Allah. This focused study on women’s bodily movement during zikr and women’s understanding of the mind and soul provides fascinating insights of what constitutes the “self” via ritual and performance studies. Rodrigues also uses auto-ethnography to situate some of this discussion on embodiment. The book will be of interest to anthropologists, Sufi studies scholars, and performance studies scholars.
Shobhana Xavier is an Associate Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at [email protected]. You can follow her on Twitter via @shobhanaxavier.
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What is a Whisper Network? What can you gain from being in one, and what is expected of the network members? Not everybody is invited is into a Whisper Network—which is part of how they keep members safe. But it’s also how many of the vulnerable are further left out. Today, Dr. Carrie Ann Johnson joins us to share her research on Whisper Networks, and their role in bridging the safety gap for vulnerable people. This episode explores:
CW: Examples of harassment (including sexual harassment) are included throughout this episode.
Our guest is: Dr. Carrie Ann Johnson, who earned a Ph.D. in Rhetoric and Professional communication from Iowa State University and received the Iowa State Research Excellence Award for her dissertation, "Whisper Networks: Sexual Harassment Protection Through Informal Networks." She earned a master’s degree in American Studies and a bachelor’s degree in journalism and public relations, both from Utah State University. She loves digging into difficult topics and opening doors for deeper contemplation about our lived realities. She is the Research and Outreach Coordinator for the Catt Center for Women in Politics, Iowa State University, and is on the editorial board of BONDS, where you can read more her work on whisper networks in organizations.
Our host is: Dr. Christina Gessler, who holds a PhD in history. She is a freelance book editor. She has served as content director and producer of the Academic Life podcast since she launched it in 2020. The Academic Life is proud to be an academic partner of the New Books Network.
Listeners to this episode may also be interested in:
Welcome to the Academic Life! Join us here each week to learn from experts inside and outside the academy, and around the world, and embrace the broad definition of what it truly means to live an academic life. Missed any of the 150+ Academic Life episodes? You can find them all archived here. And check back soon: we’re in the studio preparing more episodes for your academic journey—and beyond!
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Credited with popularizing the label "ex-wife" in 1929, Ursula Parrott wrote provocatively about divorcées, career women, single mothers, work-life balance, and a host of new challenges facing modern women. Her best sellers, Hollywood film deals, marriages and divorces, and run-ins with the law made her a household name. Part biography, part cultural history, Becoming the Ex-Wife: The Unconventional Life and Forgotten Writings of Ursula Parrott (U California Press, 2023) establishes Parrott's rightful place in twentieth-century American culture, uncovering her neglected work and keen insights into American women's lives during a period of immense social change.
Although she was frequently dismissed as a "woman's writer," reading Parrott's writing today makes it clear that she was a trenchant philosopher of modernity--her work was prescient, anticipating issues not widely raised until decades after her decline into obscurity. With elegant wit and a deft command of the archive, Marsha Gordon tells a timely story about the life of a woman on the front lines of a culture war that is still raging today.
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The Divine Institution: White Evangelicalism's Politics of the Family (Rutgers University Press, 2021) provides an account of how a theology of the family came to dominate a white evangelical tradition in the post-civil rights movement United States, providing a theological corollary to Religious Right politics. This tradition inherently enforces racial inequality in that it draws moral, religious, and political attention away from problems of racial and economic structural oppression, explaining all social problems as a failure of the individual to achieve the strong gender and sexual identities that ground the nuclear family. The consequences of this theology are both personal suffering for individuals who cannot measure up to prescribed gender and sexual roles, and political support for conservative government policies. Exposure to experiences that undermine the idea that an emphasis on the family is the solution to all social problems is causing a younger generation of white evangelicals to shift away from this narrow theological emphasis and toward a more social justice-oriented theology. The material and political effects of this shift remain to be seen.
Sophie Bjork-James is an Assistant Professor of Anthropology at Vanderbilt University. She has over ten years of experience researching both the US based Religious Right and the white nationalist movements.
She is the author of The Divine Institution: White Evangelicalism’s Politics of the Family (Rutgers 2021, winner of the the Anne Bolin & Gil Herdt Book Prize from the Human Sexuality and Anthropology Interest Group (HSAIG)) and the co-editor of Beyond Populism: Angry Politics and the Twilight of Neoliberalism (2020). Her work has appeared recently in American Anthropologist, Oxford Bibliographies, the Journal of the American Academy of Religion, Feminist Anthropology, and Transforming Anthropology. She has been interviewed on the NBC Nightly News, NPR’s All Things Considered, BBC Radio 4’s Today, and in the New York Times. She has published op-eds in the LA Times, Religious Dispatches, and the Conversation among others. She is a senior fellow with the Centre for the Analysis of the Radical Right and a fellow with the Institute for Research on Male Supremacism and a board member for the Society for the Anthropology of Religion.
Joseph Gaines can be reached at [email protected]
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Drawing from stratification economics, intersectionality, and respectability politics, Kris Marsh's The Love Jones Cohort: Single and Living Alone in the Black Middle Class (Cambridge UP, 2023) centers on the voices and lifestyles of members of the Black middle class who are single and living alone (SALA). While much has been written about both the Black middle class and the rise of singlehood, this book represents a first foray into bridging these two concepts. In studying these intersections, The Love Jones Cohort provides a more nuanced understanding of how race, gender, and class, coupled with social structures, shape five central lifestyle factors of Black middle-class adults who are SALA. The book explores how these Black adults define family and friends and decide on whether and how to pursue romantic relationships, articulate the ebbs and flows of being Black and middle class, select where to live and why, accumulate and disseminate wealth, and maintain overall health, well-being, and coping mechanisms.
Blyss Cleveland is a PhD candidate in sociology at Stanford University.
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Many of the hundreds of thousands of Syrians who immigrated to the US beginning in the 1870s worked as peddlers. Men were able to transgress Syrian norms related to marriage practices while they were traveling, while Syrian women accessed more economic autonomy though their participation in peddling networks.
In Possible Histories: Arab Americans and the Queer Ecology of Peddling (U California Press, 2023), Charlotte Karem Albrecht explores this peddling economy of the late nineteenth and early twentieth centuries as a site for revealing how dominant ideas about sexuality are imbricated in Arab American racial histories. Karem Albrecht marshals a queer affective approach to community and family history to show how Syrian immigrant peddlers and their interdependent networks of labor and care appeared in interconnected discourses of modernity, sexuality, gender, class, and race. Possible Histories conceptualizes this profession, and its place in narratives of Arab American history, as a "queer ecology" of laboring practices, intimacies, and knowledge production. This book ultimately proposes a new understanding of the long arm of Arab American history that puts sexuality and gender at the heart of ways of navigating US racial systems.
Charlotte Karem Albrecht is Associate Professor of American Culture and Women's and Gender Studies at the University of Michigan, Ann Arbor, where she is also a core faculty member for the Arab and Muslim American Studies program. You can find her on Twitter: @ckaremalbrecht
Najwa Mayer is an interdisciplinary cultural scholar of race, gender, sexuality, and Islam in/and the United States, working at the intersections of politics, aesthetics, and critical theory. She is currently a Society of Fellows Postdoctoral Scholar at Boston University.
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Postscript invites scholars to react to contemporary political events and today’s podcast welcomes an expert on domestic violence and firearms law to analyze a controversial Second Amendment case that the United States Supreme Court will hear this Fall, United States v. Rahimi. Kelly Roskam, JD is the Director of Law and Policy at the Johns Hopkins Center for Gun Violence Prevention and Policy. She studies the constitutional implications of, advocates for, and works to improve the implementation of firearms laws. She has been writing about the practical implications of the Rahimi case since it came up through the 5th circuit (for example, “The Fifth Circuit’s Rahimi decision protects abusers’ access to guns. The Supreme Court must act to protect survivors of domestic violence” and “A Texas Judge Is Using Originalism to Justify Arming Domestic Abusers” (co-authored with Spencer Cantrell and Natalie Nanasi).
In the podcast, we discuss the specifics of this strange case (a man who assaulted a woman, shot in the air, and later threatened to kill her claims that his constitutional rights have been violated – and the 5th circuit agrees that Congress is the threat to liberty). Ms. Roskam explains how the legal regime Congress created in 1994 to protect survivors of intimate violence also protects the safety of the public at large. She presents some of the data (e.g., that the presence of a firearm increases the likelihood that domestic violence will escalate into a homicide). She explains what is at stake, the possible ways the Supreme Court might approach the case, and ways to combat firearm violence beyond the courts.
Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.
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This book tells the untold story of the Married Women's Association. Unlike more conventional histories of family law, which focus on legal actors, it highlights the little-known yet indispensable work of a dedicated group of life-long activists.
Formed in 1938, the Married Women's Association took reform of family property law as its chief focus. The name is deceptively innocuous, suggesting tea parties and charity fundraisers, but in fact the MWA was often involved in dramatic confrontations with politicians, civil servants, and Law Commissioners. The Association boasted powerful public figures, including MP Edith Summerskill, authors Vera Brittain and Dora Russell, and barrister Helena Normanton. They campaigned on matters that are still being debated in family law today.
Sharon Thompson's Quiet Revolutionaries: The Married Women's Association and Family Law (Hart Publishing, 2022) sheds new light upon legal reform then and now by challenging longstanding assumptions, showing that piecemeal legislation can be an effective stepping stone to comprehensive reform and highlighting how unsuccessful bills, though often now forgotten, can still be important triggers for change. Drawing upon interviews with members' friends and family, and thousands of archival documents, the book is compulsory reading for lawyers, legal historians, and anyone who wishes to explore histories of law reform from the ground up.
Jeannette Cockroft is an associate professor of history and political science at Schreiner University.
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In Unruly Women: Race, Neocolonialism, and the Hijab (Oxford UP, 2022), Falguni Sheth explores the multiple ways that liberalism is understood and exploited, and liberalism’s origin as a project of British colonialism and as a legacy of settler colonialism in the U.S. The “unruly women” in the author’s title are, in liberalism, women who do not conform or who are not “suitably feminist”—like Muslim women who veil or Black women who, really, simply exist. Falguni argues that certain key terms, such as professionalism, dismissiveness, excruciation, ontopolitics, and address are crucial to our understanding of the ways that women of color are treated in legal cases and in the broader culture as well as our understanding of the psychic violence that liberalism and colonialism perpetuate on women of color.
In our interview today, we discuss liberalism as a problem in theory, too, and not just in practice and its connections to the prejudice and discrimination faced by different groups of women of color. We also talk about the ways that feminism is defined by liberal and radical western feminists, the limitations of such understandings; specific supreme court and other legal cases involving discrimination against Muslim women; and the author explains the significance of political theory, liberal feminist theory, and theories of power to her arguments in the book overall.
Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. She earned her PhD in Islamic Studies with a focus on gender from the University of Texas at Austin in 2018. Her dissertation research explored questions of change and tradition, specifically in the context of gender and sexuality, in Islam. She can be reached at [email protected].
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Childfree and Happy: Transforming the Rhetoric of Womens' Reproductive Choices (Utah State University Press, 2023) examines how millennia of reproductive beliefs (or doxa) have positioned women who choose not to have children as deviant or outside the norm. Considering affect and emotion alongside the lived experiences of women who have chosen not to have children, Courtney Adams Wooten offers a new theoretical lens to feminist rhetorical scholars’ examinations of reproductive rhetorics and how they circulate through women’s lives by paying attention not just to spoken or written beliefs but also to affectual circulations of reproductive doxa.
Through interviews with thirty-four childfree women and analysis of childfree rhetorics circulating in historical and contemporary texts and events, this book demonstrates how childfree women individually and collectively try to speak back to common beliefs about their reproductive experiences, even as they struggle to make their identities legible in a sociocultural context that centers motherhood. Childfree and Happy theorizes how affect and rhetoric work together to circulate reproductive doxa by using Sara Ahmed’s theories of gendered happiness scripts to analyze what reproductive doxa is embedded in those scripts and how they influence rhetoric by, about, and around childfree women.
Delving into how childfree women position their decision not to have children and the different types of interactions they have with others about this choice, including family members, friends, colleagues, and medical professionals, Childfree and Happy also explores how communities that make space for alternative happiness scripts form between childfree women and those who support them. It will be of interest to scholars in the fields of the rhetoric of motherhood/mothering, as well as feminist rhetorical studies.
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This field-defining collection establishes unfinished film projects--abandoned, interrupted, lost, or open-ended--as rich and under-appreciated resources for feminist film and media studies. In deeply researched and creatively conceived chapters, scholars join with film practitioners in approaching the unfinished film as an ideal site for revealing the lived experiences, practical conditions, and institutional realities of women's film production across historical periods and national borders.
Alix Beeston and Stefan Solomon's Incomplete: The Feminist Possibilities of the Unfinished Film (U California Press, 2023) recovers projects and practices marginalized in film industries and scholarship alike, while also showing how feminist filmmakers have cultivated incompletion as an aesthetic strategy. Objects of loss and of possibility, incomplete films raise profound historiographical and ethical questions about the always unfinished project of film history, film spectatorship, and film studies.
Host Annie Berke sits down with editors Alix Beeston and Stefan Solomon to ask how this project originated, what makes a film "incomplete," and what unfinished work has to tell us about the nature of cinema and art.
Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms.
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The Imperial Gridiron: Manhood, Civilization, and Football at the Carlisle Indian Industrial School (University of Nebraska Press, 2022) examines the competing versions of manhood at the Carlisle Indian Industrial School between 1879 and 1918. Students often arrived at Carlisle already engrained with Indigenous ideals of masculinity. On many occasions these ideals would come into conflict with the models of manhood created by the school’s original superintendent, Richard Henry Pratt. Pratt believed that Native Americans required the “embrace of civilization,” and he emphasized the qualities of self-control, Christian ethics, and retaliatory masculinity. He encouraged sportsmanship and fair play over victory.
Pratt’s successors, however, adopted a different approach, and victory was enshrined as the main objective of Carlisle sports. As major stars like Jim Thorpe and Lewis Tewanima came to the fore, this change in approach created a conflict over manhood within the school: should the competitive athletic model be promoted, or should Carlisle focus on the more self-controlled, Christian ideal as promoted by the school’s Young Men’s Christian Association? The answer came from the 1914 congressional investigation of Carlisle. After this grueling investigation, Carlisle’s model of manhood starkly reverted to the form of the Pratt years, and by the time the school closed in 1918, the school’s standards of masculinity had come full circle.
Bennett Koerber is a senior research associate at Taylor Research Group. He can be reached at [email protected]
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Why do women in contemporary western societies experience contradiction between their autonomous and maternal selves? What are the origins of this contradiction and the associated ‘double shift’ that result in widespread calls to either ‘lean in’ or ‘opt out’? How are some mothers subverting these contradictions and finding meaningful ways of reconciling their autonomous and maternal selves?
In Modern Motherhood and Women’s Dual Identities: Rewriting the Sexual Contract (Routledge, 2018), Petra Bueskens argues that western modernisation consigned women to the home and released them from it in historically unprecedented, yet interconnected, ways. Her ground-breaking formulation is that western women are free as ‘individuals’ and constrained as mothers, with the twist that it is the former that produces the latter.
Bueskens’ theoretical contribution consists of the identification and analysis of modern women’s duality, drawing on political philosophy, feminist theory and sociology tracking the changing nature of discourses of women, freedom and motherhood across three centuries. While the current literature points to the pervasiveness of contradiction and double-shifts for mothers, very little attention has been paid to how (some) women are subverting contradiction and ‘rewriting the sexual contract’. Bridging this gap, Bueskens’ interviews ten ‘revolving mothers’ to reveal how periodic absence, exceeding the standard work-day, disrupts the default position assigned to mothers in the home, and in turn disrupts the gendered dynamics of household work.
Helena Vissing, PsyD, SEP, PMH-C is a Licensed Psychologist practicing in California. She can be reached at [email protected]. She is the author of Somatic Maternal Healing: Psychodynamic and Somatic Treatment of Trauma in the Perinatal Period
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Sexuality and gender have come to serve as measures for cultural belonging in discussions of the position of Muslim immigrants in multicultural Western societies. While the acceptance of assumed local norms such as sexual liberty and gender equality is seen as successful integration, rejecting them is regarded as a sign of failed citizenship. Focusing on premarital sex, homosexuality, and cohabitation outside marriage, Sexual Self-Fashioning: Iranian Dutch Narratives of Sexuality and Belonging (Berghahn Books, 2022) provides an ethnographic account of sexuality among the Iranian Dutch. It argues that by embracing, rejecting, and questioning modernity in stories about sexuality, the Iranian Dutch actively engage in processes of self-fashioning.
Rahil Roodsaz is an Assistant Professor of Anthropology at the University of Amsterdam.
Armanc Yildiz is a postdoctoral researcher at Humboldt University. He received his Ph.D. in Social Anthropology at Harvard University, with a secondary degree in Studies of Women, Gender, and Sexuality. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor.
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Melissa Shew and Kimberly Garchar's book Philosophy for Girls: An Invitation to the Life of Thought (Oxford UP, 2020) empowers its readers by exploring enduring, challenging, and timely philosophical issues in new essays written by expert women philosophers. The book will inspire and entice these philosophers' younger counterparts, curious readers of all genders, and all who support equity in philosophy.
If asked to envision a philosopher, people might imagine a bearded man, probably Greek, perhaps in a toga, pontificating about abstract ideas. Or they might think of that same man in the Enlightenment, gripping a quill pen and pouring universal truths onto a page. They may even call to mind a much more modern man, wearing a black sweater and smoking a cigarette in a Paris café, expressing existential angst in a new novel or essay.
What people are unlikely to picture, though, is a woman. Women have historically been excluded from the discipline of philosophy and remain largely marginalized in contemporary textbooks and anthologies. The under-representation of women in secondary and post-secondary curricula makes it harder for young women to see themselves as future philosophers. In fact, it makes it harder for all people to engage the valuable contributions that women have made and continue to make to intellectual thought. While some progress has been made in building a more inclusive world of philosophy, especially in the last fifty years, important work remains to be done.
Philosophy for Girls helps correct the pervasive and problematic omission of women from philosophy. Divided into four sections that connect to major, primary fields in philosophy (metaphysics, epistemology, social and political philosophy, and ethics), this anthology is unique: chapters are all written by women, and each chapter opens with an anecdote about a girl or woman from mythology, history, art, literature, or science to introduce chapter topics. Further, nearly all primary and secondary sources used in the chapters are written by women philosophers. The book is written in a rigorous, academic spirit but in lively and engaging prose, making serious philosophical insights accessible to readers who are new to philosophy.
This book appeals to a wide audience. Individual readers will find value in these pages--especially girls and women ages 16-24, as well as university and high school educators and students who want a change from standard anthologies that include few or no women. The book's contributors both represent and map the diverse landscape of philosophy, highlighting its engagement with themes of gender and equity. In doing so, they encourage philosophers current and future philosophers to explore new territory and further develop the topography of the field.
Philosophy for Girls is a rigorous yet accessible entry-point to philosophical contemplation designed to inspire a new generation of philosophers.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
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After being forgotten for nearly 130 years, the “Mother of Suffrage in Missouri” and her husband are finally taking their rightful place in history.
St. Louisans Virginia and Francis Minor forever changed the direction of women’s rights by taking the issue to the Supreme Court for the first and only time in 1875, a feat never eclipsed even by their better-known peers Susan B. Anthony and Elizabeth Cady Stanton.
Yet despite a myriad of accomplishments and gaining notoriety in their own time, the Minors’ names have largely faded from memory. In 1867, Virginia founded the nation’s first organization solely dedicated to women’s suffrage—two years before Anthony formed the National Woman’s Suffrage Association (NWSA). Virginia and Francis were also the brains behind the groundbreaking idea that women were given the right to vote under the Fourteenth Amendment, a philosophy the NWSA adopted for nearly a decade.
And their story doesn’t end there. After the court case, Francis went on to become a prolific writer on women’s rights and one of the first and strongest male allies of the suffrage movement. Virginia instigated tax revolts across the country and campaigned side-by-side with Anthony for women’s rights in Missouri, Kansas, and Nebraska.
America's Forgotten Suffragists: Virginia and Francis Minor (Two Dot Books, 2023) is the first biography of these suffrage celebrities who were unique for their time in being jointly dedicated to the cause of female enfranchisement. This book follows their lives from slave-holding Virginians through their highly-lauded civilian work during the Civil War, and into the height of the early suffrage movement to show how two ordinary people of like mind, dedicated to a cause, can change the course of history.
Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1
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Kathleen Lubey,'s book What Pornography Knows: Sex and Social Protest Since the Eighteenth Century (Stanford UP, 2022) offers a new history of pornography based on forgotten bawdy fiction of the eighteenth century, its nineteenth-century republication, and its appearance in 1960s paperbacks. Through close textual study, Lubey shows how these texts were edited across time to become what we think pornography is—a genre focused primarily on sex. Originally, they were far more variable, joining speculative philosophy and feminist theory to sexual description. Lubey's readings show that pornography always had a social consciousness—that it knew, long before anti-pornography feminists said it, that women and nonbinary people are disadvantaged by a society that grants sexual privilege to men. Rather than glorify this inequity, Lubey argues, the genre's central task has historically been to expose its artifice and envision social reform. Centering women's bodies, pornography refuses to divert its focus from genital action, forcing readers to connect sex with its social outcomes. Lubey offers a surprising take on a deeply misunderstood cultural form: pornography transforms sexual description into feminist commentary, revealing the genre's deep knowledge of how social inequities are perpetuated as well as its plans for how to rectify them.
Kathleen Lubey is Professor of English at St. John's University. She is the author of Excitable Imaginations: Eroticism and Reading in Britain, 1660-1760 (2012).
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
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The Supreme Court recently wrapped up their term – and announced that they will hear a very controversial case about domestic abuse, the power of Congress, and the right to keep and bear arms called United States v. Rahimi. The Court will decide whether a Texas man who assaulted his girlfriend in a parking lot and threatened to shoot her if she told anyone has been deprived of his Second Amendment rights. When the assaulted woman later obtained a restraining order against Mr. Zackey Rahimi, federal law made illegal for him to possess a firearm or ammunition while under that order.
In 2019, Mr. Zackey Rahimi had an argument with his girlfriend in a parking lot. Mr. Rahimi knocked the woman to the ground. As he dragged her back to his car, she hit her head on the car’s dashboard. Later, in a telephone call. Mr. Rahimi threatened the woman that he would shoot her if she told anyone about the assault. Later, a Texas state court entered a domestic violence restraining order against Rahimi. The order also barred Rahimi from possessing a gun based on a part of a federal statute: the Violent Crime Control and Law Enforcement Act of 1994. Mr. Rahimi claims that the statute violates his Second Amendment rights.
Postscript invites authors to react to contemporary events that engage their scholarship and we have two experts on the Second Amendment to unpack the case. Joseph Blocher, Lanty L. Smith ’67 Professor of Law at Duke University School of Law co-authored The Positive Second Amendment: Rights, Regulation, and the Future of Heller (Cambridge University Press, 2018) with Darrell Miller and has a forthcoming article in the Yale Law Review (co-authored with Eric Ruben) entitled Originalism-by-Analogy and Second Amendment Adjudication. In addition to his numerous influential law review articles and nuanced public facing scholarship in print, radio, and tv, he was one of the attorneys who helped write the brief for the District of C in Heller and he contributed an important brief to New York State Rifle & Pistol Association v. Bruen.
Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.
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In Turkey, circumcision is viewed as both a religious obligation and a rite of passage for young boys, as communities celebrate the ritual through gatherings, gifts, and special outfits. Yet the procedure is a potentially painful and traumatic ordeal. With the expansion of modern medicine, the social position of sünnetçi (male circumcisers) became subject to the institutional arrangements of Turkey’s evolving health care and welfare system. In the transition from traditional itinerant circumcisers to low-ranking health officers in the 1960s and hospital doctors in the 1990s, the medicalization of male circumcision has become entangled with state formation, market fetishism, and class inequalities.
Based on Oyman Başaran’s extensive ethnographic and historical research, Circumcision and Medicine in Modern Turkey is a close examination of the socioreligious practice of circumcision in twenty-five cities and their outlying towns and villages in Turkey. By analyzing the changing subjectivity of medical actors who seek to alleviate suffering in male circumcision, Başaran offers a psychoanalytically informed alternate approach to the standard sociological arguments surrounding medicalization and male circumcision.
Oyman Başaran is an associate professor of sociology at Bowdoin College.
Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University, focusing on urban renewal, futurity, care, and migration. You can find her on Twitter @alizearican.
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Robert Payne's Reimagining the Family: Lesbian Mothering in Contemporary French Literature (Peter Lang, 2021) is the first book-length study of representations of lesbian mothering in French literature. Focusing on female-authored texts published between 1970 and 2013, the book explores how literature reflects, engages with and even anticipates the recent, highly charged debates on the rights of same-sex couples and parents in France. Centered around the notion of «reimagining», the book examines how literature interrogates the normative definition of the family as a heterosexual, biological unit. It discusses a range of themes, including the difficulty of reconciling lesbianism with mothering, the role of the father, the identity of the co-mother and issues of difference and equality. The corpus includes both well-known and previously unstudied authors, and covers a range of genres, from autobiography to popular fiction. Collectively, the texts offer privileged insights into the increasingly relevant experiences of lesbian mothers and illustrate the changing face of the family in twenty-first-century France.
Salvador Lopez Rivera is a PhD candidate in French language and literature at Washington University in St. Louis.
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Witchcraft and Adolescence in American Popular Culture: Teen Witches (University of Wales Press, 2022) by Miranda Corcoran is a study in teenage witches in twentieth-century American popular culture. The teenage witch emerged in American fiction in the late twentieth century, quickly becoming a cultural touchstone. Witchcraft and Adolescence in American Popular Culture reveals how novels, films, television, and comics about witchy women register shifting attitudes toward adolescent femininity. Drawing on Deleuzian, Foucauldian, and new materialist theories, Miranda Corcoran charts a new feminist history from 1940s bobbysoxer to today, untangling strands of embodiments, agency, and violence.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
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Commercial dating agencies that facilitate marriages across national borders comprise a $2.5 billion global industry. Ideas about the industry are rife with stereotypes-younger, more physically attractive brides from non-Western countries being paired with older Western men.
These ideas are more myth than fact, Monica Liu finds in Seeking Western Men: Email-Order Brides Under China's Global Rise (Stanford UP, 2022). Her study of China's email-order bride industry offers stories of Chinese women who are primarily middle-aged, divorced, and proactively seeking spouses to fulfill their material and sexual needs. What they seek in their Western partners is tied to what they believe they've lost in the shifting global economy around them. Ranging from multimillionaire entrepreneurs or ex-wives and mistresses of wealthy Chinese businessmen, to contingent sector workers and struggling single mothers, these women, along with their translators and potential husbands from the US, Canada, and Australia, make up the actors in this multifaceted story. Set against the backdrop of China's global economic ascendance and a relative decline of the West, this book asks: How does this reshape Chinese women's perception of Western masculinity? Through the unique window of global internet dating, this book reveals the shifting relationships of race, class, gender, sex, and intimacy across borders.
Dr. Monica Liu is a sociologist whose teaching and research interests include gender, globalization, family, immigration, race/ethnicity, Asia and Asian America, digital technology/media, and qualitative methods. She has explored the phenomenon of global internet dating and cross-border marriage between women from China and men from English-speaking Western countries. She is currently working on a new project that examines institutional racism against Asian women leaders in higher education.
Born and raised in China, Dr. Liu immigrated to the U.S. at the age of eight. Before joining the University of St. Thomas, she taught at Colgate University and Carleton College.
Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies.
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Miriam Thaggert, Professor of English at the University of Buffalo, talks about her book, Riding Jane Crow: African American Women on the American Railroad (University of Illinois Press, 2022), with Peoples & Things host, Lee Vinsel. Riding Jane Crow features creative uses of a wide variety of sources to reconstruct how African American women interacted with Jim Crow railroads as both riders and workers. Thaggert and Vinsel also discuss what kinds of research were necessary to reconstruct these stories and why so many previous histories of the railroad passed over the lives of black women, even when they were noticing black men.
Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change. His first book, Moving Violations: Automobiles, Experts, and Regulations in the United States, was published by Johns Hopkins University Press in July 2019.
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Teen films of the 1980s were notorious for treating consent as irrelevant, with scenes of boys spying in girls' locker rooms and tricking girls into sex. While contemporary movies now routinely prioritize consent, ensure date rape is no longer a joke, and celebrate girls' desires, sexual consent remains a problematic and often elusive ideal in teen films.
In Consent Culture and Teen Films: Adolescent Sexuality in US Movies (Indiana UP, 2023), Michele Meek traces the history of adolescent sexuality in US cinema and examines how several films from the 2000s, including Blockers, To All the Boys I've Loved Before, The Kissing Booth, and Alex Strangelove, take consent into account. Yet, at the same time, Meek reveals that teen films expose how affirmative consent ("yes means yes") fails to protect youth from unwanted and unpleasant sexual encounters. By highlighting ambiguous sexual interactions in teen films—such as girls' failure to obtain consent from boys, queer teens subjected to conversion therapy camps, and youth manipulated into sexual relationships with adults—Meek unravels some of consent's intricacies rather than relying on oversimplification.
By exposing affirmative consent in teen films as gendered, heteronormative, and cis-centered, Consent Culture and Teen Films suggests we must continue building a more inclusive consent framework that normalizes youth sexual desire and agency with all its complexities and ambivalences.
Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
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Part memoir, part cultural critique, In Our Shoes: On Being a Young Black Woman in Not-So 'Post-Racial' America (Plume Books, 2023) uses pop culture and author Brianna Holt’s own lived experience to dissect the stereotypes and preconceived notions that young Black women must overcome in America today. In this fresh exploration of cultural appropriation, wokeness, tone policing, and more, Holt carefully dismantles myths about Black womanhood, allowing readers to assess their biases while examining the roles Black millennial women are forced to take on simply to survive. Through nine thoughtful chapters—such as “Leave the Box Braids for the Black Girls” and “Why Are You So Dark?”—laced with searing commentary, personal anecdotes from Brianna’s own life, and interviews conducted with “everyday” Black women, In Our Shoes reveals the complexities of existence for Black women and creates a thought-provoking book that helps readers to learn, empathize, reflect, and, most importantly, act. A history, a work of criticism, a piece of reporting, and a call to action, In Our Shoes is a timely exploration of race and womanhood that will entertain, inspire, and inform in equal measures.
Brianna Holt is an author, screenwriter, and reporter living in New York City. Holt's writing has been published in The New York Times, The Guardian, Rolling Stone, GQ, The Cut, The Atlantic, Complex, and more, including her own column, Active Voice, through Medium's GEN. In Our Shoes is her first book.
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creations. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
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First taking hold of the American cultural imagination in the 1990s, the sexual purity movement of contemporary evangelicalism has since received considerable attention from a wide range of media outlets, religious leaders, and feminist critics. Virgin Nation: Sexual Purity and American Adolescence (Oxford UP, 2015) offers a history of this movement that goes beyond the Religious Right, demonstrating a link between sexual purity rhetoric and fears of national decline that has shaped American ideas about morality since the nineteenth century.
Concentrating on two of today's best known purity organizations, True Loves Waits and Silver Ring Thing, Sara Moslener's investigation reveals that purity work over the last two centuries has developed in concert with widespread fears of changing traditional gender roles and sexual norms, national decline, and global apocalypse. Moslener highlights a number of points in U.S. history when evangelical beliefs and values have seemed to provide viable explanations for and solutions to widespread cultural crises, resulting in the growth of their cultural and political influence. By asserting a causal relationship between sexual immorality, national decline, and apocalyptic anticipation, leaders have shaped a purity rhetoric that positions Protestant evangelicalism as the salvation of American civilization.
From the purity reformers of the nineteenth century to fundamentalist leaders such as Billy Graham and Carl F.H. Henry, Moslener illuminates the evolution of a strain of purity rhetoric that runs throughout Protestant evangelicalism.
Sara Moslener is a lecturer in the Department of Philosophy, Anthropology, and Religion at Central Michigan University, where she teaches courses on the history of religious and racial discrimination in the United States. Sara’s work has been featured in The Revealer, The Guardian, The Washington Post, The New York Times, Cosmopolitan Magazine, Sojourners Magazine, Jezebel, Religion Dispatches, Religion & Politics, Religion News Service, and The Baffler. She has appeared on numerous podcasts and is a regular contributor to the podcast Straight White American Jesus.
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Jenna Grant is a cultural anthropologist from the University of Washington and author of Fixing the Image: Ultrasound and the Visuality of Care in Phnom Penh, published by University of Washington Press in 2022.
Introduced in Phnom Penh around 1990, at the twilight of socialism and after two decades of conflict and upheaval, ultrasound took root in humanitarian and then privatized medicine. Services have since multiplied, promising diagnostic information and better prenatal and general health care. In Fixing the Image Jenna Grant draws on years of ethnographic and archival research to theorize the force and appeal of medical imaging in the urban landscape of Phnom Penh. Set within long genealogies of technology as tool of postcolonial modernity, and vision as central to skilled diagnosis in medicine and Theravada Buddhism, ultrasound offers stabilizing knowledge and elicits desire and pleasure, particularly for pregnant women. Grant offers the concept of "fixing"--which invokes repair, stabilization, and a dose of something to which one is addicted--to illuminate how ultrasound is entangled with practices of care and neglect across different domains. Fixing the Image thus provides a method for studying technological practice in terms of specific materialities and capacities of technologies--in this case, image production and the permeability of the body--illuminating how images are a material form of engagement between patients, between patients and their doctors, and between patients and their bodies.
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From the colonial through the antebellum era, enslaved women in the US used lethal force as the ultimate form of resistance. By amplifying their voices and experiences, Brooding over Bloody Revenge: Enslaved Women's Lethal Resistance (Cambridge UP, 2023) strongly challenges assumptions that enslaved women only participated in covert, non-violent forms of resistance, when in fact they consistently seized justice for themselves and organized toward revolt.
Nikki M. Taylor expertly reveals how women killed for deeply personal instances of injustice committed by their owners. The stories presented, which span centuries and legal contexts, demonstrate that these acts of lethal force were carefully pre-meditated. Enslaved women planned how and when their enslavers would die, what weapons and accomplices were necessary, and how to evade capture in the aftermath. Original and compelling, Brooding Over Bloody Revenge presents a window into the lives and philosophies of enslaved women who had their own ideas about justice and how to achieve it.
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Pressing Onward: The Imperative Resilience of Latina Migrant Mothers (U California Press, 2023) centers the stories of mothers who migrated from Latin America, settled in New Haven, Connecticut, and overcame trauma and ongoing adversity to build futures for their children. These migrant mothers enact imperative resilience, engaging cognitive and social strategies to resist racial, economic, and gender-based oppression to seguir adelante, or press onward. Both a contemporary view of the impacts of the COVID-19 pandemic on racially minoritized populations and a timeless account of the ways immigration enforcement and healthcare inequality affect migrant mothers, Pressing Onward uses ethnography to tell a greater story of persistence amid long-standing structural violence.
Jessica P. Cerdeña is an anthropologist, family physician-in-training, and mother of two who lives in New Haven, Connecticut, where she advocates for racial justice and health equity (Twitter: @jes_cerdena)
Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University, focusing on urban renewal, futurity, care, and migration. You can find her on Twitter @alizearican.
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Elaborating the history, variety, pervasiveness, and function of the adornments and ornaments with which we beautify ourselves, Stephen Davies's Adornment: What Self-Decoration Tells Us About Who We Are (Bloomsbury, 2020) takes in human prehistory, ancient civilizations, hunter-foragers, and present-day industrial societies to tell a captivating story of hair, skin, and make-up practices across times and cultures.
From the decline of the hat, the function of jewelry and popularity of tattooing to the wealth of grave goods found in the Upper Paleolithic burials and body painting of the Nuba, we see that there is no one who does not adorn themselves, their possessions, or their environment. But what messages do these adornments send? Drawing on aesthetics, evolutionary history, archaeology, ethology, anthropology, psychology, cultural history, and gender studies, Stephen Davies brings together African, Australian and North and South American indigenous cultures and unites them around the theme of adornment. He shows us that adorning is one of the few social behaviors that is close to being genuinely universal, more typical and extensive than the high-minded activities we prefer to think of as marking our species - religion, morality, and art.
Each chapter shows how modes of decoration send vitally important signals about what we care about, our affiliations and backgrounds, our social status and values. In short, by using the theme of bodily adornment to unify a very diverse set of human practices, this book tells us about who we are.
Stephen John Davies is Emeritus Professor of philosophy at the University of Auckland, New Zealand. He mainly writes on aesthetics, evolution, and particularly the philosophy of art.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
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Seeing Sodomy in the Middle Ages (University of Chicago, 2015) explores the relation between sodomy and motifs of vision and visibility in medieval culture through the categories of gender and sexuality as we understand them today. Although substantial energy has already been devoted to examining the textual evidence of sodomy in the Middle Ages, Robert Mills's aim here is to add a further visual dimension to these discussions in what amounts to the first large-scale comparative analysis of sodomitical themes in medieval literary and visual art, built around an impressive range of texts and artworks from high and late medieval England, France, and Italy.
As Mills shows, sodomy does enter the field of vision in certain contexts, despite being associated with a rhetoric of unmentionability. He shows why sodomy appears when it does and in which media and genres (e.g., commentaries on the Bible and Ovid s Metamorphoses, in manuscript illuminations and sculpture); how it shifts categories as a means of becoming visible (e.g., appearing in narratives involving age difference or gender transformation); and how, as readers/viewers, the process of translating the medieval category of sodomy into the languages of the present is at once a necessity and an impossibility. In a single stroke, Mills revises the way we think about well known medieval literary and visual materials in the light of twenty-first century thinking and the interaction between the visual and the textual, bringing both literary and art historical discourse on the subject to a new level of maturity."
Jana Byars is an independent scholar located in Amsterdam.
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Hiring domestic workers is a routine part of the expat development lifestyle. Whether working for the United Nations, governmental aid agencies, or NGOs such as Oxfam, Save the Children, or World Vision, expatriate aid workers in the developing world employ maids, nannies, security guards, gardeners and chauffeurs. Though nearly every expat aid worker in the developing world has local people working within the intimate sphere of their homes, these relationships are seldom, if ever, discussed in analyses of the development paradigm and its praxis.
Aid and the Help: International Development and the Transnational Extraction of Care (Stanford University Press, 2023) by Dr. Dinah Hannaford addresses this major lacuna through an ethnographic analysis of the intersection of development work and domestic work. Examining the reproductive labor cheaply purchased by aid workers posted overseas opens the opportunity to assess the multiple ways that the ostensibly "giving" industry of development can be an extractive industry as well.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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What is the future of the global creative economy? In Creative Hustling: Women Making and Distributing Films from Nairobi (MIT Press, 2023), Robin Steedman, a postdoc in the Department of Management, Society and Communication at Copenhagen Business School, offers a detailed analysis of the struggles and successes of women in Kenya’s capital city. The book draws on detailed fieldwork in Nairobi and an in-depth knowledge of the international film industry to explain how gender, class, and racial inequalities operate both at the local and global scale. Blending analysis of key films and directors with significant theoretical contributions such as the idea of creative hustling itself, the book is essential reading across media and cultural studies as well as social science and humanities, as well as for anyone interested in understanding how film and TV works.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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Kristina Horn Sheeler and Karrin Vasby Anderson have each worked on and researched questions of gender, leadership, executive positions, and popular culture. In Woman President: Confronting Postfeminist Political Culture, Horn Sheeler and Vasby Anderson examine the experiences of Hillary Rodham Clinton and Sarah Palin as both women ran for office in 2008, at the presidential and vice-presidential level respectively. Woman President digs into the question of gendered presidentiality, and how this contributes to voters’ expectations and to the double bind that most female candidates face, especially those running for executive positions. The requirement that women must demonstrate capacity and capability and ambition, but at the same time not appear to be threatening, overly ambitious, or unfeminine is particularly complicated for presidential or vice-presidential candidates in the United States. Horn Sheeler and Vasby Anderson dive into the issue of feminism as it has swirled around politics for decades, but particularly in the ways that feminism and postfeminism framed the 2008 election cycle and has come to frame and contribute to more discussions of gender and politics in subsequent election cycles. They also integrate popular culture narratives around women and the presidency and explore the interaction between imaginary narratives and real life and how each influences the other, while providing a space for citizens and voters to see non-white/male/Christian/straight individuals occupying the Oval Office.
In Women, Feminism, and Pop Politics, Vasby Anderson brings together a diversity of voices and scholars to explore the connection between popular culture narratives, women, and feminism, particularly as seen within the context of American politics. This edited volume integrates analysis of a variety of sites where politics, gender, and popular culture interact. The first section of the book explores iconic embodiments of real women and feminism, and how these embodiments communicate ideas about women, and questions of gender equality. The second section of the book interrogates parody and satire in the late-night television zone, where different shows and different comedic formats present differing views of feminism, gender, and politics. Finally, the last section of the book explores the scripted narratives of dramas and comedies (The Good Wife, Madam Secretary, Scandal, Veep, and Parks and Rec) and what these imaginaries provide for audiences as we consider both fictional and real women in power.
Both books are important explorations of the complexities of women, gender, and power within the U.S. political system, with particular attention to the issues that surround the American presidency and the idea of presidentiality.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at [email protected] or tweet to @gorenlj.
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Who is believed in our mediated world? In Believability: Sexual Violence, Media and the Politics of Doubt (Polity Press, 2023), Sarah Banet-Weiser, Distinguished Professor at the University of Pennsylvania’s Annenberg School for Communication and Professor of Communication at the University of Southern California’s Annenberg School for Communication and Journalism, and Kathryn Claire Higgins, Postdoctoral Fellow at the University of Pennsylvania’s Annenberg Center for Collaborative Communication, examine this question by introducing the conception of an economy of believability governing who is, and who is not, believed or doubted. Written in the wake of #MeToo, the book engages directly with key contexts such as post-truth and the commodification of sexual violence. Thinking through questions of race and class, the analysis ranges widely, covering representations of sexual violence in fiction and non-fiction media, contemporary controversies and court cases, and the backlash from men in positions of power. The book is essential reading across the humanities and social sciences, as well as for anyone seeking to understand ongoing gender inequalities in media and in society.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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In Begin Transmission: The Trans Allegories of The Matrix (BearManor Media, 2023), trans woman and screenwriter Tilly Bridges takes you through the trans allegories of the Matrix franchise, with deep dives into The Matrix, The Matrix Reloaded, The Animatrix, The Matrix Revolutions, and The Matrix Resurrections, tracking one person's transition journey - from Thomas Anderson, to Neo... to Trinity. Each movie's allegory is deeply layered, building from movie to movie, and speaks to a different aspect of trans existence. You'll learn how color is used to convey more than you realize, how Neo's psyche is personified in the people around him, how no other mass media franchise speaks as truly, deeply, and honestly to the trans experience, and exactly why these movies are beloved and vital to the trans community (and their cis allies). Free your mind, and see just how deep the rabbit hole goes.
Jana Byars is an independent scholar located in Amsterdam.
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In an era of falling births, it’s often said that millennials invented the idea of not having kids. But history is full of women without children: some who chose childless lives, others who wanted children but never had them, and still others—the vast majority, then and now—who fell somewhere in between. Modern women considering how and if children fit into their lives are products of their political, ecological, and cultural moment. But history also tells them that they are not alone.
In Without Children: The Long History of Not Being a Mother (Seal Press, 2023), historian Peggy O’Donnell Heffington shows that many of the reasons women are not having children today are ones they share with women in the past: a lack of support, their jobs or finances, environmental concerns, infertility, and the desire to live different kinds of lives. Understanding this history—how normal it has always been to not have children, and how hard society has worked to make it seem abnormal—is key, she writes, to rebuilding kinship between mothers and non-mothers, and to building a better world for us all.
Dr Peggy O’Donnell Heffington teaches in History at the University of Chicago, and writes on feminism, women's movements, and motherhood in American and European history. She has been published in numerous outlets including the New York Times, Time Magazine and The Washington Post.
Catriona Gold is a PhD candidate in Geography at University College London. She is currently researching the US Passport Office's role in governing Cold War travel, and broadly interested in questions of security, surveillance and mobility. She can be reached by email, Mastodon or Twitter.
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In some ways, Hackman’s Emotional Labor: The Invisible Work Shaping Our Lives and How to Claim Our Power (Flatiron Books, 2023) serves as a natural update to Arlie Hochschild’s classic, The Managed Heart. After all, in public life it’s most often the women members of the service economy—in retail, in nursing, teaching, and elsewhere—who are asked to exercise emotional skills that often go undervalued and, therefore, also under-compensated. Hackman goes further, however, by also exploring the private realm where men rarely help to fully join in to aid the household, whether in the form of childrearing, aid to ailing parents, and the marriage itself. As Hackman adroitly points out, the situation becomes even worse for black households because 50% of black women have a loved one who is incarcerated. This episode also naturally turns to how men could and should get out of the “man box” of an emotionally destitute existence that is harming themselves and those around them.
Rose Hackman is a British journalist who grew up largely in Belgium and now lives in Detroit. For The Guardian, she writes on issues involving gender, race, labor, policing, housing and the environment, with an eye to historically entrenches injustices.
Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His latest two books are Blah Blah Blah: A Snarky Guide to Office Lingo and Emotionomics 2.0: The Emotional Dynamics Underlying Key Business Goals.
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Dr Lynsey Black is a lecturer in criminology, in the School of Law and Criminology, Maynooth University. She researches in the areas of gender and punishment, the death penalty, historical and postcolonial criminology, and borders.
In this interview she discusses her new book, Gender and Punishment in Ireland: Women, Murder and the Death Penalty, 1922-64 (Manchester UP, 2022).
Gender and Punishment in Ireland explores women's lethal violence in Ireland. Drawing on comprehensive archival research, including government documents, press reporting, the remnants of public opinion and the voices of the women themselves, the book contributes to the burgeoning literature on gender and punishment and women who kill. Engaging with concepts such as ‘double deviance’, chivalry, paternalism and ‘coercive confinement’, the work explores the penal landscape for offending women in postcolonial Ireland, examining in particular the role of the Catholic Church in responses to female deviance. The book is an extensive interdisciplinary treatment of women who kill in Ireland and will be useful to scholars of gender, criminology and history.
Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh
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In this episode, JJ Mull discusses Gender Without Identity (Unconscious in Translation, 2023) with co-authors Avgi Saketopoulou and Ann Pellegrini. Weaving together a variety of influences -- ranging from the metapsychology of Jean Laplanche to trans of color critique and queer theory -- Gender Without Identity formulates a theory of gender formation adequate to the radical complexity of trans and queer subjects. Pushing up against static notions of “core gender identity,” Saketopoulou and Pellegrini argue for the ethical urgency of recognizing that gender emerges from complex processes of “self-theorization.” This brave new work invites radical new ways for working with gender diversity psychoanalytically.
J.J. Mull is a poet, training clinician, and fellow in the Program for Psychotherapy at Cambridge Health Alliance. Originally from the west coast, he currently lives and bikes in Somerville, MA. He can be reached at: [email protected].
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Historian Paula de la Cruz-Fernandez talks about her book, Gendered Capitalism: Sewing Machines and Multinational Business in Spain and Mexico, 1850-1940 (Routledge, 2021), with Peoples & Things host, Lee Vinsel. Gendered Capitalism tells the fascinating tale of how the Singer corporation operated in Spain and Mexico. Along the way, Cruz-Fernandez finds that selling sewing machines was not a top-down process by which an American corporation forced its products on unwilling consumers, but a complex development that involved collective entrepreneurship and most importantly the dreams, ideals, and efforts of women who worked with sewing machines in the home. The book raises larger questions about how we think about processes of technology adoption in different cultures and about the relationship between corporations and consumers.
Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change. His first book, Moving Violations: Automobiles, Experts, and Regulations in the United States, was published by Johns Hopkins University Press in July 2019.
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What is the relationship between class and sexuality? In Working-Class Queers: Time, Place and Politics (Pluto Press, 2023), Yvette Taylor, Professor of Education at the University of Strathclyde, explores the lives of working-class queers to tell the story of the past twenty years in the UK and beyond. Reflecting on her own biography as a researcher, the book brings in analysis of a range of research projects, giving insights into the impact of Brexit, austerity, and the pandemic on working-class queers. The book also deals with themes of migration and race, alongside offering a challenge to rethink our contemporary understandings of class. Attentive to the task of teaching, and building a canon of key texts, Taylor’s approach offers much for the classroom as well as for research. A hugely significant intervention on the study of both class and sexuality, the book will be essential reading across the social sciences and humanities.
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Sex is a difficult issue for contemporary Christians, but the past decade has witnessed a newfound openness regarding the topic among Eastern Orthodox Christians. Both the theological trajectory and the historical circumstances of the Orthodox Church differ radically from those of other Christian denominations that have already developed robust and creative reflections on sexuality and sexual diversity. Within its unique history, theology, and tradition, Orthodox Christianity holds rich resources for engaging challenging questions of sexuality in new and responsive ways. What is at stake in questions of sexuality in the Orthodox tradition? What sources and theological convictions can uniquely shape Orthodox understandings of sexuality? Orthodox Tradition and Human Sexuality (Fordham UP, 2022) aims to create an agora for discussing sex, and not least the sexualities that are often thought of as untraditional in Orthodox contexts.
Through fifteen distinct chapters, written by leading scholars and theologians, this book offers a developed treatment of sexuality in the Orthodox Christian world by approaching the subject from scriptural, patristic, theological, historical, and sociological perspectives. Chapters devoted to practical and pastoral insights, as well as reflections on specific cultural contexts, engage the human realities of sexual diversity and Christian life. From re-thinking scripture to developing theologies of sex, from eschatological views of eros to re-evaluations of the Orthodox responses to science, this book offers new thinking on pressing, present-day issues and initiates conversations about homosexuality and sexual diversity within Orthodox Christianity.
Dr. Thomas Arentzen is a researcher in the Department of Linguistics and Philology at the University of Uppsala.
Dr. Ashley Purpura is director of the Women’s Gender and Sexuality Studies program and Associate Professor of Religious Studies Purdue University.
Dr. Aristotle Papanikolau is Professor of Theology and Archbishop Demetrios Chair in Orthodox Theology and Culture and Co-Director of the Orthodox Christian Studies Center at Fordham University.
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New Directions in Queer Oral History, edited by Amy Tooth Murphy, Clare Summerskill, and Emma Vickers (Routledge, 2022) is a comprehensive international collection that reflects on the practice, purpose, and functionality of queer oral history, and in doing so demonstrates the vibrancy and innovation of this rapidly evolving field. Drawing on the roots of oral history’s original commitment to "history from below" queer oral history has become an indispensable methodology at the heart of queer studies. Expanding and extending the existing canon, this book offers up key observations about queer oral history as a methodology, and how it might be advanced through cutting-edge approaches. The collection contains a mix of contributions from established scholars, early career researchers, postgraduate students, archivists, and activists, ensuring its accessibility and wide appeal.
Dr. Amy Tooth Murphy is Lecturer in Oral History at Royal Holloway, University of London, where her specialisations include queer oral history, post-war lesbian history of Britain, and oral history theory and method. She is a Trustee of the Oral History Society and a Co-Founder and Editor of the peer-reviewed blog, Notches: (re)marks on the history of sexuality.
Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries.
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Men have always dominated the most basic precepts of the criminal legal world – its norms, its priorities and its character. Men have been the regulators and the regulated: the main subjects and objects of criminal law and by far the more dangerous sex. And yet men, as men, are still hardly talked about as the determining force within criminal law or in its exegesis. Criminal Law and the Man Problem (Bloomsbury, 2020) by Dr. Ngaire Naffine brings men into sharp focus, as the pervasively powerful interest group, whose wants and preoccupations have shaped the discipline. This constitutes the 'man problem' of criminal law.
Dr. Naffine’s analysis probes the unacknowledged thinking of generations of influential legal men, which includes the psychological and legal techniques that have obscured the operation of bias, even to the legal experts themselves. She explains how men's interests have influenced the most cherished legal norms, especially the rules of human contact, which were designed to protect men from other men, while specifically securing lawful sexual access to at least one woman. The aim is to test the discipline's broadest commitments to civility, and its trajectory towards the final resolution, when men and women were declared to be equal and equivalent legal persons. In the process, Criminal Law and the Man Problem exposes the morally and intellectually limiting consequences of male power.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In The Chastity Plot (U Chicago Press, 2021), Lisabeth During tells the story of the rise, fall, and transformation of the ideal of chastity. From its role in the practice of asceticism to its associations with sovereignty, violence, and the purity of nature, it has been loved, honored, and despised. Obsession with chastity has played a powerful and disturbing role in our moral imagination. It has enforced patriarchy’s double standards, complicated sexual relations, and imbedded in Western culture a myth of gender that has been long contested by feminists. Still not yet fully understood, the chastity plot remains with us, and the metaphysics of purity continue to haunt literature, religion, and philosophy. Idealized and unattainable, sexual renunciation has shaped social institutions, political power, ethical norms, and clerical abuses. It has led to destruction and passion, to seductive fantasies that inspired saints and provoked libertines. As During shows, it should not be underestimated.
Examining literature, religion, psychoanalysis, and cultural history from antiquity through the middle ages and into modernity, During provides a sweeping history of chastity and insight into its subversive potential. Instead of simply asking what chastity is, During considers what chastity can do, why we should care, and how it might provide a productive disruption, generating new ways of thinking about sex, integrity, and freedom.
Keep your eyes out for Lisabeth's next book, She Did It In Her Sleep, which focuses on the horrifying phenomenon that is comatose rape.
Frances Sacks is a graduate of Wesleyan University where she studied in the Science and Society Program.
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In Imperial China, the idea of filial piety not only shaped family relations but was also the official ideology by which Qing China was governed. In State and Family in China (Cambridge UP, 2021), Yue Du examines the relationship between politics and intergenerational family relations in China from the Qing period to 1949, focusing on changes in family law, parent-child relationships, and the changing nature of the Chinese state during this period.
This book highlights how the Qing dynasty treated the state-sponsored parent-child hierarchy as the axis around which Chinese family and political power relations were constructed and maintained. It shows how following the fall of the Qing in 1911, reform of filial piety law in the Republic of China became the basis of state-directed family reform, playing a central role in China's transition from empire to nation-state.
Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. On Twitter: @slissw.
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Until fairly recently, Orthodox people in Israel could not imagine embracing their LGBT sexual or gender identity and staying within the Orthodox fold. But within the span of about a decade and a half, Orthodox LGBT people have forged social circles and communities and become much more visible. This has been a remarkable shift in a relatively short time span. Queer Judaism offers the compelling story of how Jewish LGBT persons in Israel created an effective social movement.
Drawing on more than 120 interviews, Orit Avishai illustrates how LGBT Jews accomplished this radical change. She makes the case that it has taken multiple approaches to achieve recognition within the community, ranging from political activism to more personal interactions with religious leaders and community members, to simply creating spaces to go about their everyday lives. Orthodox LGBT Jews have drawn from their lived experiences as well as Jewish traditions, symbols, and mythologies to build this movement, motivated to embrace their sexual identity not in spite of, but rather because of, their commitment to Jewish scripture, tradition, and way of life. Unique and timely, Queer Judaism: LGBT Activism and the Remaking of Jewish Orthodoxy in Israel (NYU Press, 2023) challenges popular conceptions of how LGBT people interact and identify with conservative communities of faith.
Orit Avishai is an ethnographer at Fordham University, where she teaches in the Sociology Department and in the Program on Women's, Gender, and Sexuality Studies. Her work considers how ideology and culture, broadly defined, shape social institutions, identities, political dialogue, and cultural practices. Her recent public-facing writing has appeared in The Conversation, The Katz Center Blog, and Religion Dispatches. Dr. Avishai has degrees from The University of California at Berkeley, the Yale Law School, and Tel Aviv University Law School.
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In recent years the niqab has emerged as one of the most ubiquitous symbols of everything that is perceived to be wrong with Islam: barbarity, backwardness, exploitation of women, and political radicalization. Yet all these notions are assigned to women who wear the niqab without their consultation; “niqab debates” are held without their voices being heard, and, when they do speak, their views are dismissed. Wearing the Niqab: Muslim Women in the UK and the US (Bloomsbury, 2021) brings niqab wearers' voices to the fore, discussing their narratives on religious agency, identity, social interaction, community, and urban spaces.
Anna Piela, Visiting Scholar at Northwestern University, situates women's accounts firmly within UK and US socio-political contexts as well as within media discourses on Islam. The picture painted by the stories told here demonstrates that, for these women, religious symbols such as the niqab are deeply personal, freely chosen, multilayered, and socially situated. In our conversation we discussed religious explanations for wearing niqab, public notions of what constitutes religious practice, mainstream media’s image of niqab wearers, niqabi inclusive journalism, contradictions between religious perspectives and secular frameworks, Muslim use of social media, religious identity and pious dress, and intersections of racism and sexism with wearing the niqab.
Kristian Petersen is an Associate Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected].
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In Pleasure and Efficacy: Of Pen Names, Cover Versions, and Other Trans Techniques (Princeton UP, 2023), Grace Lavery investigates gender transition as it has been experienced and represented in the modern period. Considering examples that range from the novels of George Eliot to the psychoanalytic practice of Sigmund Freud to marriage manuals by Marie Stopes, Lavery explores the skepticism found in such works about whether it is truly possible to change one's sex. This ambivalence, she argues, has contributed to both anti-trans oppression and the civil rights claims with which trans people have confronted it. Lavery examines what she terms "trans pragmatism"--the ways that trans people resist medicalization and pathologization to achieve pleasure and freedom. Trans pragmatism, she writes, affirms that transition works, that it is possible, and that it happens.
With Eliot and Freud as the guiding geniuses of the book, Lavery covers a vast range of modern culture--poetry, prose, criticism, philosophy, fiction, cinema, pop music, pornography, and memes. Since transition takes people out of one genre and deposits them in another, she suggests, it should be no surprise that a cultural history of gender transition will also provide, by accident, a history of genre transition. Considering the concept of technique and its associations with feminine craftiness, as opposed to masculine freedom, Lavery argues that techniques of giving and receiving pleasure are essential to the possibility of trans feminist thriving--even as they are suppressed by patriarchal and antitrans feminist philosophies. Contesting claims for the impossibility of transition, she offers a counterhistory of tricks and techniques, passed on by women to women, that comprises a body of knowledge written in the margins of history.
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Alison S. Fell's book Warrior Women: The Cultural Politics of Armed Women, c.1850-1945 (Cambridge UP, 2023) examines women warriors as vehicles of mobilisation. It argues that women warrior figures from the mid-nineteenth century until the end of the Second World War are best understood as examples of 'palimpsestic memory', as the way they were represented reflected new contexts while retaining traces of legendary models such as Joan of Arc, and of 'travelling memory', as their stories crossed geographical borders and were re-told and re-imagined. It considers both the instrumentalisation of women warriors by state actors to mobilise populations in the world wars, and by non-state actors in resistance, anti-colonial and feminist movements. Fell's analysis of a broad range of global conflicts helps us to understand who these actors were, what motivated them, and what meanings armed women embodied for them, enabling a fresh understanding of the woman warrior as an archetype in modern warfare.
Roland Clark is a Reader in Modern European History at the University of Liverpool, a Senior Fellow with the Centre for Analysis of the Radical Right, and the Principal Investigator of an AHRC-funded project on European Fascist Movements.
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Few people realize that raising children is the single largest industry in the United States. Yet this vital work receives little political support, and its primary workers--parents--labor in isolation. If they ask for help, they are made to feel inadequate; there is no centralized organization to represent their interests; and there is virtually nothing spent on research and development to help them achieve their goals. It's almost as if parents are set up to fail--and the result is lost opportunities that limit children's success and make us all worse off. In The Parent Trap: How to Stop Overloading Parents and Fix Our Inequality Crisis (MIT Press, 2023), Nate Hilger combines cutting-edge social science research, revealing historical case studies, and on-the-ground investigation to recast parenting as the hidden crucible of inequality.
Parents are expected not only to care for their children but to help them develop the skills they will need to thrive in today's socioeconomic reality--but most parents, including even the most caring parents on the planet, are not trained in skill development and lack the resources to get help. How do we fix this? The solution, Hilger argues, is to ask less of parents, not more. America should consider child development a public investment with a monumental payoff. We need a program like Medicare--call it Familycare--to drive this investment. To make it happen, parents need to organize to wield their political power on behalf of children--who will always be the largest bloc of disenfranchised people in this country.
The Parent Trap exposes the true costs of our society's unrealistic expectations around parenting and lays out a profoundly hopeful blueprint for reform.
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The future of work is at the centre of debates related to the emerging digital society. Concerns range from the inclusion, equity, and dignity of those at the far end of the value chain, who participate on and off platforms, often in the shadows, invisible to policymakers, designers, and consumers. Precarity and informality characterize this largely female workforce, across sectors ranging from artisanal work to salon services to ride-hailing and construction. A feminist reimagining of the futures of work - what we term “FemWork” - is the need of the day and should manifest in multiple and various forms, placing the worker at the core and drawing on her experiences, aspirations, and realities.
Payal Arora, Usha Raman, and René König's book Feminist Futures of Work: Reimagining Labour in the Digital Economy (Amsterdam UP, 2023) offers grounded insights from academic, activist, legal, development and design perspectives that can help us think through these inclusive futures and possibly create digital, social, and governance infrastructures of work that are fairer and more meaningful.
The book is published open access and can be downloaded from here.
Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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Patriarchal forces of law, finance, and social custom restricted women’s rights and agency in revolutionary America. Yet women in this period exploited these confines, transforming constraints into vehicles of female empowerment. Through a close reading of thousands of legislative, judicial, and institutional pleas across seventy years of history in three urban centers, Jacqueline Beatty illustrates the ways in which women in the revolutionary era asserted their status as dependents, demanding the protections owed to them as the assumed subordinates of men. In so doing, they claimed various forms of aid and assistance, won divorce suits, and defended themselves and their female friends in the face of patriarchal assumptions about their powerlessness. Ultimately, women in the revolutionary era were able to advocate for themselves and express a relative degree of power not in spite of their dependent status, but because of it.
Their varying degrees of success in using these methods, however, was contingent on their race, class, and socio-economic status, and the degree to which their language and behavior conformed to assumptions of Anglo-American femininity. In Dependence: Women and the Patriarchal State in Revolutionary America (NYU Press, 2023) thus exposes the central paradoxes inherent in American women’s social, legal, and economic positions of dependence in the Revolutionary era, complicating binary understandings of power and weakness, of agency and impotence, and of independence and dependence. Significantly, the American Revolution provided some women with the language and opportunities in which to claim old rights―the rights of dependents―in new ways. Most importantly, In Dependence shows how women’s coming to consciousness as rights-bearing individuals laid the groundwork for the activism and collective petitioning efforts of later generations of American feminists.
Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1
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Why are girls discouraged from doing science? Why do so many promising women leave science in early and mid-career? Why do women not prosper in the scientific workforce?
Not Just for the Boys: Why We Need More Women in Science (Oxford UP, 2023) looks back at how society has historically excluded women from the scientific sphere and discourse, what progress has been made, and how more is still needed. Athene Donald, herself a distinguished physicist, explores societal expectations during both childhood and working life using evidence of the systemic disadvantages women operate under, from the developing science of how our brains are―and more importantly aren't―gendered, to social science evidence around attitudes towards girls and women doing science.
It also discusses how science is done in practice, in order to dispel common myths: for example, the perception that science is not creative, or that it is carried out by a lone genius in an ivory tower, myths that can be very off-putting to many sections of the population. A better appreciation of the collaborative, creative, and multi-disciplinary nature of science is likely to lead to its appeal to a far wider swathe of people, especially women. This book examines the modern way of working in scientific research, and how gender bias operates in various ways within it, drawing on the voices of leading women in science describing their feelings and experiences. It argues the moral and business case for greater diversity in modern research, the better to improve science and tackle the great challenges we face today.
Athene Donald is Professor Emerita in Experimental Physics and Master of Churchill College, University of Cambridge. Other than four years postdoctoral research in the USA, she has spent her career in Cambridge, specializing in soft matter physics and physics at the interface with biology. She was the University of Cambridge's first Gender Equality Champion, and has been involved in numerous initiatives concerning women in science. She was elected Fellow of the Royal Society in 1999 and appointed DBE for services to Physics in 2010.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
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Is feminism compatible with progress? Reactionary feminist Mary Harrington thinks not. In this interview, she discusses the history of feminism, her own journey from proponent to radical opponent of progress, the impact of technology on women and society, and, of course, her new book, Feminism Against Progress (Regnery, 2023).
Mary Harrington is a contributing editor at UnHerd and widely-published essayist. You can her book, Feminism Against Progress here.
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On today’s episode on New Books Network, we're joined by Dr. Felipe Valencia, Associate Professor of Spanish in the World Languages and Cultures Department at Utah State University to discuss his book, The Melancholy Void: Lyric and Masculinity in the Age of Góngora, published by the University of Nebraska Press in 2021. At the turn of the seventeenth century, Spanish lyric underwent a notable development. Several Spanish poets reinvented lyric as a melancholy and masculinist discourse that sang of and perpetrated symbolic violence against the female beloved. This shift emerged in response to the rising prestige and commercial success of the epic and was enabled by the rich discourse on the link between melancholy and creativity in men. In The Melancholy Void Professor Valencia examines this reconstruction of the lyric in key texts of Spanish poetry from 1580 to 1620.
Dr. Julia M. Gossard hosts this episode. She is Associate Dean for Research in the College of Humanities and Social Sciences and Associate Professor of History at Utah State University.
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Poor Black women who benefit from social welfare are marginalized in a number of ways by interlocking systemic racism, sexism, and classism. The media renders them invisible or casts them as racialized and undeserving "welfare queens" who exploit social safety nets. Even when Black women voters are celebrated, the voices of the poorest too often go unheard. How do Afro-descendant women in former slave-holding societies survive amid multifaceted oppression?
In The Politics of Survival: Black Women Social Welfare Beneficiaries in Brazil and the United States (Columbia University Press, 2023), Gladys L. Mitchell-Walthour offers a comparative analysis of how Black women social welfare beneficiaries in Brazil and the United States defy systems of domination. She argues that poor Black women act as political subjects in the struggle to survive, to provide food for their children and themselves, and challenge daily discrimination even in dire circumstances. Mitchell-Walthour examines the effects of social welfare programs, showing that mutual aid networks and informal labor play greater roles in beneficiaries' lives. She also details how Afro-descendant women perceive stereotypes and discrimination based on race, class, gender, and skin color. Mitchell-Walthour considers their formal political participation, demonstrating that low-income Black women support progressive politics and that religious affiliation does not lead to conservative attitudes. Drawing on Black feminist frameworks, The Politics of Survival confronts the persistent invisibility of poor Black women by foregrounding their experiences and voices. Providing a wealth of empirical evidence on these women's views and survival strategies, this book not only highlights how systemic structures marginalize them but also offers insight into how they resist such forces.
Gladys L. Mitchell-Walthour is Dan T. Blue Endowed Chair of Political Science at North Carolina Central University. She is the author of The Politics of Blackness: Racial Identity and Political Behavior in Contemporary Brazil (2018). Mitchell-Walthour is a national co-coordinator of the U.S. Network for Democracy in Brazil and former president of the Brazilian Studies Association (BRASA).
Reighan Gillam is Associate Professor in the Department of Anthropology at the University of Southern California. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
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Featured episode from Between Art and Science, a new podcast from Leonardo.
This episode, hosted by Erica Hruby, features a conversation between two authors published in the Leonardo special issue “Cosmos and Chaos:” Bettina Forget and Lindy Elkins-Tanton. Listen as these authors discuss the connection between art and science, the flawed idea of the hero, exploration of both land and space, and the complexities of being a woman in male dominated fields.
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In this interview, Anna Fishzon, co editor with Emma Lieber on The Queerness of Childhood: Essays from the Other Side of the Looking Glass (Palgrave Macmillan, 2022), discusses her thinking about temporality, queer theory, psychoanalysis and childhood with Tracy Morgan who concomitantly calls time on her own work with the podcast. Together these two friends and colleagues and former hosts, laugh, maybe choke up a bit, reminisce and riff. Morgan, in a first in her over thirteen years as host and founding editor of the channel, ends the interview and her work with NBiP, with a song.
About the book:
This book represents a meeting of queer theorists and psychoanalysts around the figure of the child. Its intention is not only to interrogate the discursive work performed on, and by, the child in these fields, but also to provide a stage for examining how psychoanalysis and queer theory themselves interact, with the understanding that the meeting of these discourses is most generative around the queer time and sexualities of childhood. From the theoretical perspectives of queer theory, psychoanalysis, anthropology, and gender studies, the chapters explore cultural, aesthetic, and historical forms and phenomena that are aimed at, or are about, children, and that give expression to and make room for the queerness of childhood.
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The routinization of non-invasive prenatal genetic testing (NIPT) raises urgent questions about disability rights and reproductive justice. Supporters defend NIPT on the grounds that genetic information about the fetus helps would-be parents make better family planning choices. Prenatal Genetic Testing, Abortion, and Disability Justice challenges that assessment by exploring how NIPT can actually constrain pregnant women's options. Prospective parents must
balance a complicated array of factors, including the familial, social, and financial support they can reasonably expect to receive if they choose to carry a disabled fetus to term and raise after birth, causing many pregnant women to “choose” termination.
Focusing on the US, the book explores the intent and effects of prenatal screening in connection to women's bodily autonomy and disability rights, addressing themes at the intersection of genetic medicine, policymaking, critical disabilities studies, and political theory. Knight and Miller shift debates about reprogenetics from bioethics to political practice, as well as thoroughly critiquing the neoliberal state and the eugenic technologies that support it. Providing concrete suggestions for reforming medical practice, welfare policy, and cultural norms surrounding disability, this book highlights sites of necessary reform to envision how prospective parents can make truly free choices about prenatal genetic testing and selection abortion.
Amber Knight, Associate Professor of Political Science and Public Administration, University of North Carolina at Charlotte. Joshua Miller, Assistant Teaching Professor of Political Science and Public Administration, University of North Carolina at Charlotte.
Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. On Twitter: @slissw.
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The Women’s Mosque of America (WMA), a multiracial, women-only mosque in Los Angeles, is the first of its kind in the United States. Since 2015, the WMA has provided a space for Muslim women to build inclusive communities committed to gender and social justice, challenging the dominant mosque culture that has historically marginalized them through inadequate prayer spaces, exclusion from leadership, and limited access to religious learning.
In The Women’s Mosque of America: Authority and Community in US Islam (NYU Press, 2022), Tazeen M. Ali explores this congregation, focusing on how members contest established patriarchal norms while simultaneously contending with domestic and global Islamophobia that renders their communities vulnerable to violence. Drawing on textual analysis of WMA sermons and ethnographic interviews with community members, and utilizing Black feminist and womanist frameworks, Ali investigates how American Muslim women create and authorize new conceptions of Islamic authority. Whereas the established model of Islamic authority is rooted in formal religious training and Arabic language expertise, the WMA is predicated on women’s embodied experiences, commitments to social and racial justice, English interpretations of the Qur’an, and community building across Islamic sects and in an interfaith context.
Situating the US at the center rather than at the margins of debates over Islamic authority and showing how American Muslim women assert themselves as meaningful religious actors in the US and beyond, Ali’s work offers new insights on Islamic authority as it relates to the intersections of gender, religious space, and national belonging.
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Writer Huw Lemmey (Chubz, Red Tory, Unknown Language) speaks with Mattilda Bernstein Sycamore about her most recent book The Freezer Door and searching for connection in a world that enforces bland norms of gender, sexuality, and friendship.
Produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen GallerneauxSoundtrack by Kristen Gallerneaux
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Today I talked to Michaela Chamberlain, author of Misogyny in Psychoanalysis (Phoenix Publishing House, 2022)
Chamberlain’s book is a product of “cumulative trauma” whose original starting point was an interest in in menstruation where, in psychoanalytic literature filled with papers on “micturition and feces”, there is a “startling lack of writing on the monthly passing of menstrual blood.” Chamberlain realized that this absence was a symptom of something bigger. That something is misogyny.
Working with a definition attributed to Kate Manne[1] misogyny is seen as “the law enforcement branch of sexism” and Chamberlain argues that we really have “to grapple with the law enforcement of the male gaze. The minute you free yourself from this or at least know what you’re fighting it means you can think all sorts of things. The more we straightjacket ourselves with the laws of Freud the more we are lessening the possibilities for creativity, which surely has to be the point of psychoanalysis.”
“We need to take on the trauma that’s been caused by past analytic gods and really examine the continued use of psychoanalytic terms owned by a man to apply a man-made theory to women” and a discipline that has historically had “no trust in women to adequately understand their own experience.” Chamberlain references her training where the phrase “Bowlby said” was a way to remind her “to pay respect to her male elders and keep to my place. The analyst expected me to swallow the comment as truth in much the same was as Freud quotes are given to remind everyone of the rules of play.”
After reviewing the foundations of psychoanalysis and the continued reification of the clearly misogynistic Oedipus complex, Chamberlain turns her focus to how this misogyny gets played out in the clinical setting. Chapter 4 “The misogynistic introject – a case study” is a painful story of a mother whose insight into the struggles of her child are rapidly dismissed “because she is the mother”.
In this interview, recorded in May of 2023, Chamberlain observes that psychoanalytic institutes have yet to engage with the public protests around misogyny, the Women's Safety Movement, #MeToo, and #ReclaimTheseStreets. Whereas the Black Lives Matter movement has finally entered psychoanalytic institutes in the form of trainings, conferences, supervisions, and groups aimed at confronting legacies of racism in psychoanalysis no such movement has occurred with regards to misogyny following the horrific murder of Sarah Everard at the hands of a police officer in 2021 when the Mayor of London, Sadiq Khan, stated that “London streets are not safe for women or girls” and 50% of UK women reported they did not feel safe leaving their homes after dark.
Misogyny in Psychoanalysis argues that women’s experience in psychoanalysis has been “negatively hallucinated” and that “What is needed for psychoanalysis to take the brave first step of putting itself on the couch to grapple fully with its unconscious fantasies about women and begin coping with what it working hard not to see.”
[1] Manne, K. (2018). Down Girl: The Logic of Misogyny. United Kingdom: Oxford University Press.
Christopher Russell, LP is a psychoanalyst in Chelsea, Manhattan.
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Over six million prime-age men are neither working nor looking for work; America's low unemployment rate hides the fact that many men have dropped out of the workforce altogether. Our workforce participation rate is on par with that seen during the Great Depression.
Why does this problem affect men so acutely? Why is it so specific to America? What are these missing men doing with their time? How do we differentiate between leisure and idleness? Demographer and economist Nicholas Eberstadt of the American Enterprise Institute discusses these trends and what they mean for America's future.
Eberstadt is the author of Men Without Work.
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In the modern age, some parts of the world are experiencing a long peace. Nuclear weapons, capitalism and the widespread adoption of democratic institutions have been credited with fostering this relatively peaceful period. Yet, these accounts overlook one of the most dramatic transformations of the 20th century: the massive redistribution of political power as millions of women around the world won the right to vote.
The Suffragist Peace: How Women Shape the Politics of War (Oxford University Press, 2023) by Dr. Robert Trager and Dr. Joslyn Barnhart presents a deep and historical examination of how the political influence of women at the ballot box has shaped the course of war and peace.
Through gripping history and careful reasoning, this book examines how the political influence of women at the ballot box has shaped war and peace. What would a world ruled by women look like? For more than a hundred years, conventional wisdom held that women's votes had little effect. That view is changing - it turns out that women voters had a profound effect on the world we know and in ways we hardly understand. A world ruled by women's voices is a world that is less willing to fall in love with war as a noble end in itself, less prone to lapse into violence for the sake of maintaining an image. In other words, it is the world we live in now, more so than we have ever realised.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In Reproductive Realities in Modern China: Birth Control and Abortion, 1911-2021 (Cambridge UP, 2022), assistant professor of history at Missouri State University, Sarah Mellors Rodriguez explores the longue durée history of birth control and abortion in China from the Republican period to the present day. Drawing from a rich array of archival materials, oral histories, posters, films, novels, and other media, she delves into the diverse attitudes, policies, and practices of birth control and abortion from 1911 to 2021.
In this episode, Rodriguez shares how she first became interested in birth control in China and her research process and decisions. She then walks listeners through her book, paying special attention to the lived experiences of women whose decisions about birth control were often mediated by geography, class, and shifting regional and national policies and enforcement. By tracing birth control and abortion in China over a long period, she is able to identify persistent trends and specific features of each period covered–the Republican period, the early People’s Republic of China, the Cultural Revolution and Sent-Down Student Movement, and the era of the One Child Policy. Sarah Mellors Rodriguez has crafted her book in a thorough, thoughtful manner, not only contributing new details and insights about birth control and abortion in China before, during, and after the One Child Policy but also commenting on the larger themes of sexuality and the law, gender, medicine, and modern China.
Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth century US-China relations. She can be reached at [email protected].
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Among the many things expectant parents are told to buy, none is a more visible symbol of status and parenting philosophy than a stroller. Although its association with wealth dates back to the invention of the first pram in the 1700s, in recent decades, four-figure strollers have become not just status symbols but cultural identifiers.
There are sleek jogging strollers for serious athletes, impossibly compact strollers for parents determined to travel internationally with pre-ambulatory children, and those featuring a ride-on kick board or second, less “babyish” seat, designed with older siblings in mind. Despite the many models available, we are all familiar with the image of a harried mother struggling to use a stroller of any kind in a public space that does not accommodate it. There are anti-stroller evangelists, fervently preaching the gospel of baby wearing and attachment parenting. All of these attitudes, seemingly about an object, are also revealing of how we believe parents and children ought to move through the world.
Amanda Parrish Morgan's book Stroller (Bloomsbury, 2022) is part Object Lessons, a series of short, beautifully designed books about the hidden lives of ordinary things.
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The pill has rocked our society to its core: but have we fully examined all its repercussions? Influential author and essayist Mary Eberstadt thinks we've only scratched the surface; in her most recent book, Adam and Eve after the Pill, Revisited (Ignatius Press, 2023) she argues that the papal encyclical Humane Vitae predicted our deep loneliness and other modern woes.
Mary Eberstadt holds the Panula Chair in Christian Culture at the Catholic information center in Washington, D.C., and is a Senior Research Fellow at the Faith and Reason Institute.
Annika Nordquist is the Communications Coordinator of Princeton University’s James Madison Program in American Ideals and Institutions and host of the Program’s podcast, Madison’s Notes.
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An extended conversation between Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism and writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.)
Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux
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Cathi Unsworth, journalist and author of Bad Penny Blues, as well as numerous other novels, speaks with artists and author Jenny Hval about her recent book Girls Against God.
At once a time-travelling horror story and a fugue-like feminist manifesto, this is a singular, genre-warping new novel from the author of the acclaimed Paradise Rot.
“It’s 1992 and I’m the Gloomiest Child Queen.”
Welcome to 1990s Norway. White picket fences run in neat rows and Christian conservatism runs deep. But as the Artist considers her past, her practice and her hatred, things start stirring themselves up around her. In a corner of Oslo, a coven of witches begins cooking up some curses. A time-travelling Edvard Munch arrives in town to join a black metal band, closely pursued by the teenaged subject of his painting Puberty, who has murder on her mind. Meanwhile, out deep in the forest, a group of school girls get very lost and things get very strange. Awful things happen in aspic.
Jenny Hval’s latest novel is a radical fusion of feminist theory and experimental horror, and a unique treatise on magic, gender and art.
Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux
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In Changing the Subject: Feminist and Queer Politics in Neoliberal India (Duke UP, 2022), Srila Roy maps the rapidly transforming terrain of gender and sexual politics in India under the conditions of global neoliberalism. The consequences of India’s liberalization were paradoxical: the influx of global funds for social development and NGOs signaled the co-optation and depoliticization of struggles for women’s rights, even as they amplified the visibility and vitalization of queer activism. Roy reveals the specificity of activist and NGO work around issues of gender and sexuality through a decade-long ethnography of two West Bengal organizations, one working on lesbian, bisexual, and transgender issues and the other on rural women’s empowerment. Tracing changes in feminist governmentality that were entangled in transnational neoliberalism, Roy shows how historical and highly local feminist currents shaped contemporary queer and nonqueer neoliberal feminisms. The interplay between historic techniques of activist governance and queer feminist governmentality’s focus on changing the self offers a new way of knowing feminism—both as always already co-opted and as a transformative force in the world.
Shraddha Chatterjee has a PhD in Gender, Feminist & Women’s Studies from York University, Toronto, and is the author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).
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Massive Resistance and Southern Womanhood: White Women, Class, and Segregation (U Georgia Press, 2021) offers a comparative sociocultural and spatial history of white supremacist women involved in massive resistance. The book focuses on segregationist grassroots activism in Little Rock, Arkansas, New Orleans, Louisiana, and Charleston, South Carolina from the late 1940s to the late 1960s. Dr. Rebecca Brückmann combines theory and detailed case studies to interrogate the “roles, actions, self-understandings, and media representations” of these segregationist women.
Dr. Brückmann argues that these women – motivated by an everyday culture of white supremacy – created performative spaces for their segregationist agitation in the public sphere to legitimize their actions. Unlike other studies of mass resistance that have focused on maternalism, Dr. Brückmann argues that women’s invocation of motherhood was varied and primarily served as a tactical tool to continuously expand these women’s spaces. Her book carefully differentiates the circumstances, tactics, and representations used in the creation of performative spaces by working-class, middle-class, and elite women engaged in massive resistance. Brückmann contrasts the transgressive “street politics” of working-class female activists in Little Rock and New Orleans with the more traditional political actions of segregationist, middle-class, and elite women in Charleston. While these women aligned white supremacist agitation with long-standing experience in conservative women’s clubs (e.g., United Daughters of the Confederacy and the Daughters of the American Revolution), working-class women’s groups (who lacked the economic, cultural, and social capital) chose consciously transgressive strategies, including violence, to elicit shock value and create states of emergency to further legitimize their actions and push for white supremacy. Dr. Brückmann’s nuanced work of history uses scholarship from sociology, political science, law, and other relevant disciplines to demonstrate how “interactions between class and status concerns, race, space, and gender shaped these women’s views and actions.”
Dr. Rebecca Brückmann is an Associate Professor of History at Carleton College. Her research and teachings interrogate African American history, the transnational history of the Black Diaspora, Southern US history, White Supremacy, and gender.
Daniela Lavergne assisted with this podcast.
Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.
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In From Back Alley to the Border: Criminal Abortion in California, 1920-1969 (U Nebraska Press, 2020), Alicia Gutierrez-Romine examines the history of criminal abortion in California and the role abortion providers played in exposing and exploiting the faults in California’s anti-abortion statute throughout the twentieth century. Focused on the patients who used this underground network and the physicians who facilitated it, Gutierrez-Romine provides insight into the world of illegal abortion from the 1920s through the 1960s, including regular physicians as well as women and African American abortionists, and the investigations, scandals, and trials that surrounded them.
During the 1930s the Pacific Coast Abortion Ring, a large, coast-wide, and comparatively safe abortion syndicate, became the target of law enforcement agencies, forcing those needing abortions across the border into Mexico and ushering in an era of Tijuana “abortion tourism” in the early 1950s. The movement south of the border ultimately compelled the California Supreme Court to rule its abortion statute “void for vagueness” in People v. Belous in 1969—four years before Roe v. Wade.
Gutierrez-Romine presents the first book focused on abortion on the West Coast and the U.S.-Mexico border and provides a new approach to studying how providers of illegal abortions and their clients navigated this underground network. In the post-Dobbs moment, From Back Alley to the Border shows us how little we have learned from history.
Jeannette Cockroft is an associate professor of history and political science at Schreiner University.
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Today I interview Julia Serano about her new book, Sexed Up: How Society Sexualizes Us and How We Can Fight Back (Seal, 2022). Serano is an activist, performer, and acclaimed author of Whipping Girl, Excluded, and other books. Her writing has appeared in The New York Times, the Guardian, TIME, Salon, and Ms. In Sexed Up, Serano argues that sexualization is a far more pervasive problem that we might recognize. She explores such questions as: Why do we perceive men as sexual predators and women as sexual objects? Why are LGBTQ+ people stereotyped as being sexually indiscriminate and deceptive? Why are people of color still being hyper-sexualized? Serano offers not only a clear-eyed understanding of how sexualization occurs and the harms it creates, but she also offers ways of leading us out of these dynamics toward a more kind, humane, and sex-positive future.
Eric LeMay is on the creative writing faculty at Ohio University. He is the author of five books, most recently Remember Me. He can be reached at [email protected].
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Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism discusses her forthcoming book with writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.)
In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory.
Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 I Love Dick marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work Food for the Spirit as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's The Argonauts; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing.
Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux
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The word "glitch" implies an incidental error, as easy to patch up as it is to identify. But what if racism, sexism, and ableism aren't just bugs in mostly functional machinery--what if they're coded into the system itself? In the vein of heavy hitters such as Safiya Umoja Noble, Cathy O'Neil, and Ruha Benjamin, Meredith Broussard demonstrates in More than a Glitch: Confronting Race, Gender, and Ability Bias in Tech (MIT Press, 2023) how neutrality in tech is a myth and why algorithms need to be held accountable.
Broussard, a data scientist and one of the few Black female researchers in artificial intelligence, masterfully synthesizes concepts from computer science and sociology. She explores a range of examples: from facial recognition technology trained only to recognize lighter skin tones, to mortgage-approval algorithms that encourage discriminatory lending, to the dangerous feedback loops that arise when medical diagnostic algorithms are trained on insufficiently diverse data. Even when such technologies are designed with good intentions, Broussard shows, fallible humans develop programs that can result in devastating consequences.
Broussard argues that the solution isn't to make omnipresent tech more inclusive, but to root out the algorithms that target certain demographics as "other" to begin with. With sweeping implications for fields ranging from jurisprudence to medicine, the ground-breaking insights of More Than a Glitch are essential reading for anyone invested in building a more equitable future.
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In this series of interviews from The MIT Press Podcast, we'll be drawing on the research of various authors to reflect on some of the issues shaping the American political landscape of today.
In this episode Carol A. Stabile discusses her book The Broadcast 41 (published in April of last year by Goldsmiths Press.)
In her book, Carol traces the history of forty-one women who were forced out of American television and radio in the 1950s as part of a censorship program often referred to as the Red Scare. She explains their broad and nuanced political beliefs and how an FBI-backed program of state censorship invoked the paranoia of another American revolution to try and destroy their careers.
We discuss how the cause of anti-communism, g-man masculinity and censorship destroyed a potential television landscape that reflected the reality of post-war America in favor of a white, straight, patriarchal world of white picket fences and eager beavers. We also discuss what the history of these women might tell us about current debates on free-speech and ‘cancel-culture’.
Carol is Professor of Women's, Gender, and Sexuality Studies and Associate Dean for Strategic Initiatives for the College of Arts and Sciences at the University of Oregon. She’s also the author of Feminism and the Technological Fix, White Victims, Black Villains: Gender, Race, and Crime News in US Culture, among other books.
You can find more resources related to the book, including FBI files released since the book's publication, at https://broadcast41.com/
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Is it right that, despite the promises of feminism, women’s bodies remain at the mercy of state, society and religion? Should a scantily clad woman, or a promiscuous one, be worth less than a fully covered woman, or a chaste one? Are being sexy and being smart really mutually exclusive? Can a woman be both body and brain? Dr. Victoria Bateman has confronted these questions with actions as well as words. She has appeared naked on national television, on stage, in art and at protests – using her body, as well as her brain, to deliver her message.
In Naked Feminism: Breaking the Cult of Female Modesty (Polity/Wiley, 2023), Dr. Bateman makes a compelling case for women’s bodily freedom, and explains why the current puritanical revival is so dangerous for women. Illustrating the swinging pendulum of bodily modesty through the ages, she takes us on a journey from the ancient civilisations of Egypt and Babylon, through the birth of Christianity and Islam, to the lax morals of the medieval period and the bawdiness of Chaucer and Shakespeare; to the clampdowns of the Puritans and later the Victorians and, more recently, to the re-veiling of the Middle East and the purity pledges of modern-day America. She ends with a plea: feminists must unite to challenge the repression of the female body, as only then can women be truly free.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Menstruation is something half the world does for a week at a time, for months and years on end, yet it remains largely misunderstood. Scientists once thought of an individual's period as useless, and some doctors still believe it's unsafe for a menstruating person to swim in the ocean wearing a tampon. Period: The Real Story of Menstruation (Princeton UP, 2023) counters the false theories that have long defined the study of the uterus, exposing the eugenic history of gynecology while providing an intersectional feminist perspective on menstruation science.
Blending interviews and personal experience with engaging stories from her own pioneering research, Kate Clancy challenges a host of myths and false assumptions. There is no such a thing as a "normal" menstrual cycle. In fact, menstrual cycles are incredibly variable and highly responsive to environmental and psychological stressors. Clancy takes up a host of timely issues surrounding menstruation, from bodily autonomy, menstrual hygiene, and the COVID-19 vaccine to the ways racism, sexism, and medical betrayal warp public perceptions of menstruation and erase it from public life.
Offering a revelatory new perspective on one of the most captivating biological processes in the human body, Period will change the way you think about the past, present, and future of periods.
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In the past two decades, the consumption of beauty services and cosmetic surgery in Turkey has developed from an elite phenomenon to an increasingly common practice, especially among younger and middle-aged women. Turkey now ranks among the top countries worldwide with the highest number of cosmetic procedures, and with its cultural and economic capital, Istanbul has become a regional center for the beauty and fashion industries. Istanbul Appearances: Beauty and the Making of Middle-Class Femininities in Urban Turkey (Syracuse University Press, 2023) shows the profound effects of this growing market on urban residents’ body images, gendered norms, and practices. Drawing upon extensive fieldwork carried out in beauty salons and clinics in different parts of the city, Liebelt explores how standards of femininity and female desire have shifted since the consolidation of power and authoritarian rule of the conservative, pro-Islamic Justice and Development Party.
Arguing that the politics of beauty are intricately bound up with the politics of race, class, gender, and sexuality, Liebelt shows that female bodies have become a major site for the negotiation of citizenship. It is in the numerous beauty salons and clinics that the heteronormative ideals and images of gendered bodies become real, embodied in a complex array of emotional desires of who and what is considered not only beautiful but also morally proper.
Claudia Liebelt is professor in social and cultural anthropology at the Free University of Berlin. She is the author of Caring for the ‘Holy Land’: Filipina Domestic Workers in Israel.
Armanc Yildiz is a doctoral candidate in Social Anthropology with a secondary field in Studies in Women, Gender and Sexuality at Harvard University. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor.
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In the powerful book Among the Eunuchs: A Muslim Transgender Journey (Hurst Publishers, 2022), Leyla Jagiella reflects on her story as a trans Muslim living among a third-gender community known as Khwajasira in Pakistan and hijra in India. Throughout the book, we learn about this community, the ways they forge relationships with each other and with the mainstream community, the roles they play, the challenges they face, all told from an inviting, loving perspective. Jagiella’s academic background as an anthropologist is especially prominent in her writing, given her attention to the everyday in this book. Jagiella also pays close attention to religious history, to Islam more specifically, and the role of trans people in Islam. However, as Jagiella emphasizes in our conversation, this book is not about trans people – it is specifically her own journey, and as a part of a community, she cannot be separated from the community she is part of. The book in fact resists attempts to essentialize and clearly define identity.
In our conversation, Jagiella discusses the origins of the book, its contributions to our understanding of gender and sexuality in the Muslim South Asian context, the evolution of the terms for this third-gender community, her own experiences as a trans person traveling throughout South Asia, colonialism and its impact on trans identity, homonationalism and identity as ideology, and the importance and beauty of nuance, complexity, and ambiguity, which the book embraces.
Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. She earned her PhD in Islamic Studies with a focus on gender from the University of Texas at Austin in 2018. Her dissertation research explored questions of change and tradition, specifically in the context of gender and sexuality, in Islam. She can be reached at [email protected].
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The Wrong Kind of Women: Inside Our Revolution to Dismantle the Gods of Hollywood (Beacon, 2020) by Naomi McDougall Jones is a brutally honest look at the systemic exclusion of women in film—an industry with massive cultural influence—and how, in response, women are making space in cinema for their voices to be heard.
Generation after generation, women have faced the devastating reality that Hollywood is a system built to keep them out. The films created by that system influence everything from our worldviews to our brain chemistry. When women’s voices are excluded from the medium, the impact on society is immense. Actor, screenwriter, and award-winning independent filmmaker Naomi McDougall Jones takes us inside the cutthroat, scandal-laden film industry, where only 5% of top studio films are directed by women and less than 20% of leading characters in mainstream films are female. Jones calls on all of us to act radically to build a different kind of future for cinema—not only for the women being actively hurt inside the industry but for those outside it, whose lives, purchasing decisions, and sense of selves are shaped by the stories told.
Informed by the journey of her own career; by interviews with others throughout the film industry; and by cold, hard data, Jones deconstructs the casual, commonplace sexism rampant in Hollywood that has kept women out of key roles for decades. Next, she shows us the growing women-driven revolution in filmmaking—sparked by streaming services, crumbling distribution models, direct-to-audience access via innovative online platforms, and outside advocacy groups—which has enabled women to build careers outside the traditional studio system. Finally, she makes a business case for financing and producing films by female filmmakers.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Living with the Law: Gender and Community Among the Jews of Medieval Egypt (U Pennsylvania Press, 2023) explores the marital disputes of Jews in medieval Islamic Egypt (1000-1250), relating medieval gossip, marital woes, and the voices of men and women of a world long gone. Probing the rich documents of the Cairo Geniza, a unique repository of discarded paper discovered in a Cairo synagogue, the book recovers the life stories of Jewish women and men working through their marital problems at home, with their families, in the streets of old Cairo, and in Jewish and Muslim courts. Despite a voluminous literature on Jewish law, the everyday practice of Jewish courts has only recently begun to be investigated systematically. The experiences of those at a legal, social, and cultural disadvantage allow us to go beyond the image propagated by legal institutions and offer a view "from below" of Jewish communal life and Jewish law as it was lived.
Examining the interactions between gender and law in medieval Jewish communities under Islamic rule, Oded Zinger considers how women experienced Jewish courts and the pressure they faced to relinquish their monetary rights. The tactics with which women countered this pressure--ranging from exploiting family ties to appealing to Muslim courts--expose the complex relationship between individual agency, gendered expectations, and communal authority. Zinger concludes that, more than money, education, or lineage, it was the maintenance of a supportive network of social relations with men that protected women at different stages of their lives.
Drora Arussy, EdD, MA, MJS, is the Senior Director of the ASF Institute of Jewish Experience.
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Equality between the sexes has long been recognized as a fundamental moral and legal objective of the UN, and more recently of many governments and international financial and development institutions. Women's empowerment has long been recognized as essential to the larger development objectives of the UN and the international community. Extensive empirical data from all over the world today informs and supports the thesis that countries and regions just do better when women are educated, formally employed legally secure and politically well represented.
In this episode of International Horizons, Ellen Chesler talks with Latanya Mapp Frett about the effects that investment in women led initiatives have for the world. Mapp Frett is the author of The Everyday Feminist: The Key to Sustainable Social Impact Driving Movements We Need Now More Than Ever (Wiley, 2023)
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The heroic romance is one of the West's most enduring narratives, found everywhere, from religion and myth to blockbuster films and young adult literature. Within this story, adolescent girls are not, and cannot be, the heroes. They are, at best, the hero's bride, a prize he wins for slaying monsters. Crucially, although the girl's exclusion from heroic selfhood affects all girls, it does not do so equally- whiteness and able-bodiedness are taken as markers of heightened, fantasy femininity.
Female Heroes in Young Adult Fantasy Fiction: Reframing Myths of Adolescent Girlhood (Bloomsbury, 2023) by Dr. Leah Phillips explores how the young female-heroes of mythopoeic YA, a Tolkienian-inspired genre drawing on myth's world-creating power and YA's liminal potential, disrupt the conventional heroic narrative. These heroes, such as Tamora Pierce's Alanna the Lioness, Daine the Wildmage, and Marissa Meyer's Cinder and Iko, offer a model of being-hero, an embodied way of living and being in this world that disrupts the typical hero's violent hierarchy, isolating individuality, and erasure of difference. In doing so, they push the boundaries of what it means to be a hero, a girl, and even human.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In 2005, after considerable campaigning by women’s groups, the Indian government brought in an important new law, the Protection of Women from Domestic Violence Act (PWDVA). A civil law, the PWDVA was meant to combat violence against women in familial and intimate spaces.
In The Violent Domestic Law: Its Practice and Strategies of Survival (Zubaan Academic, 2022), the authors ask: how effective has this law been? Have there been any changes in institutional regimes and their politics as a result of this legislation? They look at seven districts of West Bengal and interrogate, through the testimonies of survivors, whether the law reshapes the domestic, or whether the embeddedness of violence in the domestic is so complete that change through law must necessarily be partial and imperfect. Importantly, the questions the authors ask go beyond the heteronormative approach that centres only the married woman in the discourse around domestic violence. They include the voices of lesbian and transgender women, as well as women with physical and psycho-social disabilities. Given these unique insights, The Violent Domestic will be a welcome addition to legal and gender studies.
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A groundbreaking account of New York's Fire Island, chronicling its influence on art, literature, culture and queer liberation over the past century Fire Island, a thin strip of beach off the Long Island coast, has long been a vital space in the queer history of America. Both utopian and exclusionary, healing and destructive, the island is a locus of contradictions, all of which coalesce against a stunning ocean backdrop. Now, poet and scholar Jack Parlett tells the story of this iconic destination--its history, its meaning and its cultural significance--told through the lens of the artists and creators who sought refuge on its shores. Together, figures as divergent as Walt Whitman, Oscar Wilde, James Baldwin, Carson McCullers, Frank O'Hara, Patricia Highsmith and Jeremy O. Harris tell the story of a queer space in constant evolution.
Transporting, impeccably researched and gorgeously written, Fire Island (Hanover Square Press, 2022) is the definitive book on an iconic American destination and an essential contribution to queer history.
Kendall Dinniene is an English PhD candidate at Southern Methodist University in Dallas, Texas. Their research examines how contemporary American authors respond to anti-fatness in their work, revealing the contours of citizenship and paths toward liberation.
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In Peak TV’s Unapologetic Jewish Woman: Exploring Jewish Female Representation in Contemporary Television Comedy (Lexington Books, 2022), Samantha Pickette analyzes the ways in which contemporary American television is establishing a new version of the Jewish woman and a new take on American Jewish female identity that challenges the stereotypes of Jewish femininity proliferated on television since its inception. Using case studies of streaming, cable, and network comedy series from the past decade written and created by Jewish women, including Broad City, Crazy Ex-Girlfriend, The Marvelous Mrs. Maisel, among others, this book illustrates how this new Jewish woman has been given voice and agency by the bevy of Jewish female showrunners interested in telling stories about Jewish women for wider audiences.
Samantha Pickette is assistant professor of Instruction in Jewish Studies and the assistant director of the Schusterman Center for Jewish Studies at the University of Texas at Austin.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020).
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In 1949, women from across the world traveled to Beijing for the Asian Women’s Conference to discuss how to combat the dual threats of colonial rule and a new post-war global imperialism. These activists developed a groundbreaking political strategy, which assigned different roles to women living in colonial nations and those still colonized, arguing that both had a part to place in creating a more just global peace.
In Bury the Corpse of Colonialism: The Revolutionary Feminist Conference of 1949 (University of California Press, 2023), Elisabeth Armstrong looks more closely at the lives of the women who attended the conference. Their backgrounds in anticolonial struggles helped shape the work of the umbrella organization—the Women’s International Democratic Federation—that supported the convening. The book profiles a range of women from Indonesia, Vietnam, the United States, France, India, Iraq, and China among others, who had been involved in armed revolution, antifascist resistance, and leftist party politics worldwide. In the preparations and travel that led to the conference they butted heads, but also built lasting friendships with each other through their activism. Their collective efforts helped create a framework for internationalist solidarity for women’s emancipation in a world structured through militarism, capitalism, patriarchy, and the seeming impossibility of justice.
Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks.
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In Semiotics of Rape: Sexual Subjectivity and Violation in Rural India (Duke UP, 2022), Rupal Oza follows the social life of rape in rural northwest India to reveal how rape is not only a violation of the body but a language through which a range of issues—including caste and gender hierarchies, control over land and labor, and the shape of justice—are contested. Rather than focus on the laws governing rape, Oza closely examines rape charges to show how the victims and survivors of rape reclaim their autonomy by refusing to see themselves as defined entirely by the act of violation. Oza also shows how rape cases become arenas where bureaucrats, village council members, caste communities, and the police debate women’s sexual subjectivities and how those varied understandings impact the status and reputations of individuals and groups. In this way, rape gains meaning beyond the level of the survivor and victim to create a social category. By tracing the shifting meanings of sexual violence and justice, Oza offers insights into the social significance of rape in India and beyond.
Iqra Shagufta Cheema writes and teaches in the areas of media cultures, postcolonial literatures, transnational feminisms, gender and sexuality studies, and global south film studies. Check out her upcoming books: The Other #MeToos and ReFocus: The Films of Annemarie Jacir. Follow her on Twitter
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If race is increasingly understood to be socially constructed, why does it continue to seem like a physiological reality? In Deadly and Slick: Sexual Modernity and the Making of Race (Verso, 2023), Sita Balani argues that the trickery of race comes down to how it is embedded in everyday life through the domain we take to be most intimate and essential: sexuality. Modernity inaugurates a new political subject made legible as an individual through the nuclear family, sexual adventure and the pursuit of romantic love. By examining the regulation of sexual life at Britain's borders, in colonial India, and through the functioning of the welfare state, marriage laws, education, and counterterrorism, Balani reveals that sexuality has become fatally intertwined with the making of race.
Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at [email protected].
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By foregrounding the ways that human existence is bound together with the lives of other entities, contemporary cultural theorists have sought to move beyond an anthropocentric worldview. Yet as Eva Haifa Giraud contends in What Comes After Entanglement?: Activism, Anthropocentrism, and an Ethics of Exclusion (Duke UP, 2019), for all their conceptual power in implicating humans in ecologically damaging practices, these theories can undermine scope for political action. Drawing inspiration from activist projects between the 1980s and the present that range from anticapitalist media experiments and vegan food activism to social media campaigns against animal research, Giraud explores possibilities for action while fleshing out the tensions between theory and practice. Rather than an activist ethics based solely on relationality and entanglement, Giraud calls for what she describes as an ethics of exclusion, which would attend to the entities, practices, and ways of being that are foreclosed when other entangled realities are realized. Such an ethics of exclusion emphasizes foreclosures in the context of human entanglement in order to foster the conditions for people to create meaningful political change.
Dr Eva Haifa Giraud (@evahaifa_) is Senior Lecturer in Digital Media & Society in the Department of Sociological Studies, University of Sheffield. Her latest book is Veganism: Politics, Practice and Theory(Bloomsbury Academic, 2021).
Catriona Gold is a PhD candidate in Geography at University College London. She is currently researching the US Passport Office's role in governing Cold War travel, and broadly interested in questions of security, surveillance and mobility. She can be reached by email, Mastodon or Twitter.
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In her moving, sophisticated, and analytically groundbreaking new book Rebuilding Community: Displaced Women and the Making of a Shia Ismaili Muslim Sociality (Oxford UP, 2023), Shenila Khoja-Moolji recounts and engages critical narratives of displacement and migration to examine the formation of religious communities. A central theme of this book is the idea of an Isma‘ili ethics of care, as Khoja-Moolji documents with meticulous care the powerful manifestations and consequences of everyday life connected with practices ranging from cooking, socio-religious counseling, and story telling. Moving nimbly between different locations including East Africa, South Asia, and North America, as well as varied theoretical registers dealing with categories of sacred space, the sensorium, and embodied sociality, Rebuilding Community is a delightful text that will interest scholars in multiple fields across the Humanities.
SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize and was selected as a finalist for the 2021 American Academy of Religion Book Award. His second book is called Perilous Intimacies: Debating Hindu-Muslim Friendship after Empire (Columbia University Press, 2023). His other academic publications are available here. He can be reached at [email protected]. Listener feedback is most welcome.
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What is the history and future of feminism? In Left Feminisms: Conversations on the Personal and Political (Lawrence Wishart, 2023), Jo Littler, Professor of Social Analysis and Cultural Politics at City, University of London, collects almost a decade of interviews with key thinkers in contemporary feminism. United by a shared left feminist perspective, interviewees including Nancy Fraser, Akwugo Emejulu, Sheila Rowbotham, Hilary Wainwright, Wendy Brown and Angela McRobbie, reflect on their work and thought in conversations that cover politics and praxis as much as theoretical interventions and academic work. The book also engages with earlier career feminists, such as Finn Mackay and Sophia Siddiqui, alongside those focused on feminism in the global south, such as Veronica Gago. Showing the breadth of left feminism, as well as the themes and ideas that unite a genuinely diverse range of interviewees, the book is essential reading across arts, humanities, and social sciences, as well as for anyone interested in the key issue of gender in contemporary society.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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In 1995, the Fourth World Conference on Women in Beijing launched the Women, Peace, and Security (WPS) agenda. Successive UN Security Council resolutions highlighted the need to include more women in peace processes, the perpetration of gender-based violence during war, the underrepresentation of women as peacekeepers, and the need for greater diversity at all levels of governance to respond to international security challenges. These norms seemed clear, feminist, and ambitious.
Dr. Stéfanie von Hlatky’s new book, Deploying Feminism: The Role of Gender in NATO Military Operation (Oxford UP, 2022), argues that these WPS norms were distorted during the implementation process. NATO, a predominantly male organizations experimented with gender mainstreaming but instead of serving general equality goals, the Women, Peace, and Security norms served operational effectiveness. Women on the battlefield in Afghanistan and Iraq were seen as a military asset – because they were able to interact with local women and children or more effectively get information from male inhabitants. The ambitious Women, Peace, and Security global norms ultimately left military culture untouched.
Deploying Feminism provides a detailed account of the changes made within the NATO military due to WPS norms. Using comparative case studies, interviews, and feminist I.R. scholarship, Dr. von Hlatky examines why norm distortion occurs and how the military carries it out. She recommends ways that the military might implement gender norms without distortion. distorting it.
Dr. Stéfanie von Hlatky is an Associate professor of political studies and Canada Research Chair on Gender, Security, and the Armed Forces at Queen’s University. She is also fellow at the Centre for International and Defence Policy (CIDP). She is the author of American Allies in Times of War: The Great Asymmetry (Oxford University Press, 2013) and co-editor of Going to War?: Trends in Military Interventions (McGill-Queen's University Press, 2016).
Daniella Campos served as the editorial assistant for this podcast.
Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.
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As one of the world's best-selling musicians, Lady Gaga has set the musical bar high. Since her debut album, The Fame (2008), she has sold more than 124 million records and scooped numerous awards, including twelve Grammy Awards and eighteen MTV Music Video Awards.
Yet she is much more than a musician. At the helm of the Haus of Gaga--a close-knit circle of behind-the-scenes creatives--Lady Gaga is a performance artist like no other; her forward-thinking fashions and innovations mark her out as the ultimate maverick. Recently, she has reinvented herself as an accomplished jazz performer, dueting with legendary singer Tony Bennett on Cheek to Cheek (2014) and Love For Sale (2021), while also proving herself a consummate actor with lead roles in A Star Is Born (2018) and House of Gucci (2021). And with her advocacy for LGBT rights and active championing of kindness via the Born This Way Foundation, co-founded with her mother Cynthia Germanotta in 2011, it's clear to see why her fans adore her.
Lady Gaga: Applause (Palazzo Editions, 2022) is a celebration of a true artist of our time. Illustrated throughout with stunning photography and complementary fashion segments, this comprehensive history follows Lady Gaga's ever-evolving and often unpredictable career, and is testament to her many talents. A must for Little Monsters everywhere.
Annie Zaleski is an award-winning freelance, journalist, editor, and critic based in Cleveland, Ohio. Previously, she was on staff at the Riverfront Times and Alternative Press. Her profiles, interviews, and criticism have appeared in publications such as Rolling Stone, NPR Music, The Guardian, Salon, Time, Billboard, The A.V. Club, Vulture, The Los Angeles Times, Stereogum, Cleveland Plain Dealer, and Las Vegas Weekly. She is the author Duran Duran's Rio (Bloomsbury).
Annie on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
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An interview with Donna J. Drucker, author of Contraception, from The MIT Press Essential Knowledge series. We discuss reproductive justice, the history of contraceptive technology and how the future of contraception can offer more choice and more freedom for every kind of person.
The development, manufacturing, and use of contraceptive methods from the late nineteenth century to the present, viewed from the perspective of reproductive justice.
The beginning of the modern contraceptive era began in 1882, when Dr. Aletta Jacobs opened the first birth control clinic in Amsterdam. The founding of this facility, and the clinical provision of contraception that it enabled, marked the moment when physicians started to take the prevention of pregnancy seriously as a medical concern. In this volume in the MIT Press Essential Knowledge series, Donna Drucker traces the history of modern contraception, outlining the development, manufacturing, and use of contraceptive methods from the opening of Dr. Jacobs's clinic to the present. Drucker approaches the subject from the perspective of reproductive justice: the right to have a child, the right not to have a child, and the right to parent children safely and healthily.
Drucker describes contraceptive methods available before the pill, including the diaphragm (dispensed at the Jacobs clinic) and condom, spermicidal jellies, and periodic abstinences. She looks at the development and dissemination of the pill and its chemical descendants; describes technological developments in such non-hormonal contraceptives as the cervical cap and timing methods (including the “rhythm method” favored by the Roman Catholic church); and explains the concept of reproductive justice. Finally, Drucker considers the future of contraception—the adaptations of existing methods, new forms of distribution, and ongoing efforts needed to support contraceptive access worldwide.
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Mentorship continues to loom large in stories about women's work and personal lives-- sometimes for the better, but often for the worse. If mentors can nurture and support, they can also bitterly disappoint, reproducing the hardships they once suffered and reinforcing the same old hierarchies and inequities. The stories gathered in Feminists Reclaim Mentorship (SUNY Press, 2023) challenge our fundamental assumptions about mentorship, illuminating the obstacles that make it difficult to connect meaningfully and ethically while reimagining the possibilities for reciprocity.
Does mentorship require sameness? Might we find more inventive, collaborative ways to bond than the traditional top-down model of mentoring? Drawing on their experiences in academia, creative writing, publishing, and journalism, the volume's editors, Nancy K. Miller and Tahneer Oksman, and their twenty-six contributors collectively strive for relationships that acknowledge differences alongside the importance of common bonds. Feminists Reclaim Mentorship will resonate across workspaces and arrives at a moment when the need to form feminist connections within and between generations couldn't feel more urgent.
Host Annie Berke sits down with Drs. Miller and Oksman, as well as contributor Dr. Elizabeth Alsop, to discuss the origins of this anthology, the biggest myths behind mentorship, and what mentors and mentees owe to one another.
Nancy K. Miller is Distinguished Professor of English and Comparative Literature at The Graduate Center of the City University of New York. Her many books include My Brilliant Friends: Our Lives in Feminism; Breathless: An American Girl in Paris; What They Saved: Pieces of a Jewish Past; and But Enough About Me: Why We Read Other People's Lives.
Tahneer Oksman is Associate Professor of Academic Writing at Marymount Manhattan College. She is the author of "How Come Boys Get to Keep Their Noses?" Women and Jewish American Identity in Contemporary Graphic Memoirs and coeditor (with Seamus O'Malley) of The Comics of Julie Doucet and Gabrielle Bell: A Place Inside Yourself. She reviews memoirs, graphic novels, and comics for NPR and The Washington Post.
Elizabeth Alsop is Assistant Professor of Communication and Media at the CUNY School of Professional Studies, and affiliated faculty in the M.A. in Liberal Studies program at the CUNY Graduate Center. She is the author of Making Conversation in Modernist Fiction (Ohio State UP, 2019) and a number of scholarly essays on 20th-century fiction, film and television aesthetics, and contemporary TV storytelling. Her cultural criticism has appeared in The Atlantic, The Los Angeles Review of Books, Salon, and The New York Times Magazine. She is currently writing a book on the films of Elaine May.
Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms.
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In this podcast we discuss visibility, haunting and fascism with art historian and theorist Elizabeth Otto. Otto's book Haunted Bauhaus explores the marginalized histories of occult spirituality, gender fluidity and queer identity within the Bauhaus; offering fresh insight into one of the most canonized periods of European art history.
The Bauhaus (1919–1933) is widely regarded as the twentieth century's most influential art, architecture, and design school, celebrated as the archetypal movement of rational modernism and famous for bringing functional and elegant design to the masses. In Haunted Bauhaus, art historian Elizabeth Otto liberates Bauhaus history, uncovering a movement that is vastly more diverse and paradoxical than previously assumed. Otto traces the surprising trajectories of the school's engagement with occult spirituality, gender fluidity, queer identities, and radical politics. The Bauhaus, she shows us, is haunted by these untold stories.
The Bauhaus is most often associated with a handful of famous artists, architects, and designers—notably Paul Klee, Walter Gropius, László Moholy-Nagy, and Marcel Breuer. Otto enlarges this narrow focus by reclaiming the historically marginalized lives and accomplishments of many of the more than 1,200 Bauhaus teachers and students (the so-called Bauhäusler), arguing that they are central to our understanding of this movement. Otto reveals Bauhaus members' spiritual experimentation, expressed in double-exposed “spirit photographs” and enacted in breathing exercises and nude gymnastics; their explorations of the dark sides of masculinity and emerging female identities; the “queer hauntology” of certain Bauhaus works; and the role of radical politics on both the left and the right—during the school's Communist period, when some of the Bauhäusler put their skills to work for the revolution, and, later, into the service of the Nazis.
With Haunted Bauhaus, Otto not only expands our knowledge of a foundational movement of modern art, architecture, and design, she also provides the first sustained investigation of the irrational and the unconventional currents swirling behind the Bauhaus's signature sleek surfaces and austere structures. This is a fresh, wild ride through the Bauhaus you thought you knew.
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Hello, this is Eric LeMay, a host on the New Books Network. Today I interview Susan Stryker and Dylan McCarthy Blackston about The Transgender Studies Reader Remix (Routledge, 2023). This is a book that’s as big as it is rich. It brings together 50 previously published articles that track both the history and the current directions in the interdisciplinary field of transgender studies. The reader shows the conversations taking place not only within transgender studies but also between transgender studies and such fields as feminist theory, queer theory, Black studies, history, biopolitics, and the posthumanities. In our conversation, editors Stryker and Blackston gives us a sense of this range and also the crucial issues that inform the creation of the reader itself and the importance of transgender studies as a field. Blackston is an Assistant Professor of Gender, Women’s, and Sexuality Studies in the Department of Interdisciplinary Studies at Appalachian State University. Stryker is Professor Emerita of Gender and Women’s Studies at the University of Arizona, founding co-editor of TSQ: Transgender Studies Quarterly, founding co-editor of Duke University Press’s ASTERISK book series, and co-editor of Routledge’s two previous transgender studies readers. And here’s our conversation.
Eric LeMay is on the creative writing faculty at Ohio University. He is the author of five books, most recently Remember Me. He can be reached at [email protected].
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In A Time of One's Own: Histories of Feminism in Contemporary Art (Duke UP, 2022) Catherine Grant examines how contemporary feminist artists are turning to broad histories of feminism ranging from political organizing and artworks from the 1970s to queer art and activism in the 1990s. Exploring artworks from 2002 to 2017 by artists including Sharon Hayes, Mary Kelly, Allyson Mitchell, Deirdre Logue, Lubaina Himid, Pauline Boudry, and Renate Lorenz, Grant maps a revival of feminism that takes up the creative and political implications of forging feminist communities across time and space. Grant characterizes these artists’ engagement with feminism as a fannish, autodidactic, and collective form of learning from history. This fandom of feminism allows artists to build relationships with previous feminist ideas, artworks, and communities that reject a generational model and embrace aspects of feminism that might be seen as embarrassing, queer, or anachronistic. Accounting for the growing interest in feminist art, politics, and ideas across generations, Grant demonstrates that for many contemporary feminist artists, the present moment can only be understood through an embodied engagement with history in which feminist pasts are reinhabited and reimagined.
Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies.
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More than fifty years of civil rights legislation and movements have not ended employment discrimination. Kerri Lynn Stone's Panes of the Glass Ceiling: The Unspoken Beliefs Behind the Law's Failure to Help Women Achieve Professional Parity (Cambridge UP, 2022) reframes the discourse about the "glass ceiling" that women face with respect to workplace inequality. It explores the unspoken, societally held beliefs that underlie and engender workplace behaviour and failures of the law, policy, and human nature that contribute "panes" and ("pains") to the "glass ceiling." Each chapter identifies an "unspoken belief" and connects it with failures of law, policy, and human nature. It then describes the resulting harm and shows how this belief is not imagined or operating in a vacuum, but is pervasive throughout popular culture and society. By giving voice to previously unvoiced - even taboo - beliefs, we can better address and confront them and the problems they cause.
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In the United States, one in four women will be victims of domestic violence each year. Despite the passage of federal legislation on violence against women beginning in 1994, differences persist across states in how domestic violence is addressed. Kaitlin Sidorsky and Wendy J. Schiller's book Inequality across State Lines: How Policymakers Have Failed Domestic Violence Victims in the United States (Cambridge UP, 2023) illuminates the epidemic of domestic violence in the U.S. through the lens of politics, policy adoption, and policy implementation. Combining narrative case studies, surveys, and data analysis, the book discusses the specific factors that explain why U.S. domestic violence politics and policies have failed to keep women safe at all income levels, and across racial and ethnic lines. The book argues that the issue of domestic violence, and how government responds to it, raises fundamental questions of justice; gender and racial equality; and the limited efficacy of a state-by-state and even town-by-town response. This book goes beyond revealing the vast differences in how states respond to domestic violence, by offering pathways to reform.
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Gender in Southeast Asia (Cambridge UP, 2022) examines how gender norms are constructed and contested in a region the book describes as ‘a fertile place for analysing gender differences that both defy and modify dominant paradigms that emanate from the Western world’ (p.1).
In less than 100 pages, Professor Mina Roces provides a clear and compelling summary of pioneering work on gender studies in the region, identifies the contradictory discourses of gender ideals that shape historical and contemporary power relations and puts a spotlight on how religion and authoritarian governments advanced and policed gender constructs. The book concludes by mapping the various ways in which citizens and transnational movements resist, contest, and transform dominant cultural constructions.
Mina Roces is a Professor of History in the School of Humanities and Languages in the Faculty of Arts, Design and Architecture. Her research interests lie in twentieth century Philippine history particularly women’s history as well as the history of dress. She is book series editor for the Sussex Library of Asian and Asian American Studies Book Series and leader of the UNSW Research Cluster on Imperial, Colonial and Transnational Histories. In 2016 she was elected fellow of the Australian Academy of the Humanities.
Nicole Curato is a Professor of Sociology in the Centre for Deliberative Democracy and Global Governance at the University of Canberra. She co-hosts the New Books in Southeast Asia Studies channel.
This episode was created in collaboration with Erron C. Medina of the Development Studies Program of Ateneo De Manila University and Ariane Defreine of the Sydney Southeast Asia Centre at the University of Sydney.
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Unequal opportunity sparked Jim Brown's endeavors to encourage Black development while Billie Jean King fought so that women tennis players could earn more money and enjoy greater freedom. Gregory J. Kaliss examines these events and others to guide readers through the unprecedented wave of protest that swept sports in the 1960s and 1970s. The little-known story of the University of Wyoming football players suspended for their activism highlights an analysis of protests by college athletes. The 1971 Muhammad Ali-Joe Frazier clash provides a high-profile example of the Black male athlete's effort to redefine Black masculinity. An in-depth look at the American Basketball Association reveals a league that put Black culture front and center with its style of play and shows how the ABA influenced the development of hip-hop. In Beyond the Black Power Salute: Athlete Activism in an Era of Change (University of Illinois Press, 2023), Kaliss describes the breakthroughs achieved by these athletes, while also exploring the barriers that remained--and in some cases remain today.
Bennett Koerber is an instructor of history at Carnegie Mellon University. He can be reached at [email protected].
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Today’s Postscript focuses on abortion politics in the United States, with particular attention to the April 7, 2023 federal court decisions in Texas and Washington controlling access to mifepristone and the wider political forces at play. We have a slightly different format for today’s emergency podcast – spanning four time zones. First, legal historian Mary Ziegler, Martin Luther King Professor of Law at UC Davis, shares insights on the two cases – and why the Texas opinion is such a radical departure with regards to standing and legal language. Then Political Scientist Rebecca Kreitzer, Associate Professor of Public Policy and Adjunct Associate Professor of Political Science at the University of North Carolina at Chapel Hill, provides a deep dive on the role of the Comstock Act of 1873 and why this 19th century law helps us understand 21st century reproductive politics. The podcast concludes with two scholars of politics and law Dr. Renée Ann Cramer, Professor of Law, Politics, and Society at Drake University and Dr. Joshua C. Wilson, Professor of Political Science at the University of Denver). They pull back the curtain on the cases to expose the ways in which those who oppose abortion have created parallel organizations to provide the false expertise relied upon in the Texas decision. We also talk about the wider implications of banning approved medications for trans people.
Links mentioned in the podcast:
Rebecca J. Kreitzer and Candis Watts Smith, Washington Post, on Alito’s draft and research on women’s political power.
Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.
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Online masculinity is getting weirder and weirder. We’re way past mere misogyny and sexual predation (though, that’s still certainly there). Now, we’ve also got bro science, ball tanning, ball eatin,’ piss drinkin,’ and who knows what's next.
However, perhaps these mockable male influencers are onto something, in a roundabout way. There is just something broken in the hearts of men, as Barbara Ehrenreich once put it. If there wasn't, male influencers wouldn't be as popular as they are. This new mansophere offers a simple for whatever ails: yearning for old gendered hierarchies, obsessing over self-improvement and dieting, and ceaselessly grinding under capitalism. In response, we ask: what's really wrong with men, and how might we fix it?
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Welcome to Tokyo's Kabuki-chō red-light district, where Professor Akiko Takeyama started her 'affective ethnographic' fieldwork to explore the host clubs in which ambitious young men seek their fortunes by selling love, romance, companionship, and female clients look for self-satisfaction. Her book Staged Seduction: Selling Dreams in a Tokyo Host Club (Stanford UP, 2016) facilitates an intimate look at this mysterious love business, providing an insightful window into the lives of hosts, clients, club owners, and managers.
With rich details from her fieldwork, Takeyama reveals that the host club is a site of aspiration, desperation, and hope, where both hosts and clients are eager to take a chance. The hosts employ their exceptional sales skills to create a fantasy world for their clients who seek an escape from their everyday lives. In this world, 'the art of seduction' plays an important role to bring in the actors and actresses in a play staged at the club. The role of 'seducer' and 'seducee' are interchangeable in the host-client and manage-host relationship which are the core factors of the 'Affect Economy'.
Akiko Takeyama is Associate Professor of Anthropology and Women, Gender, and Sexuality Studies at the University of Kansas.
Bing Wang receives her PhD at the University of Leeds. Her research interests include diasporic Chinese cultural identity and critical heritage studies.
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Feeling is not “feelin”. Feelin, in African American Vernacular English, is how Black women artists approach and produce knowledge as sensation: internal and complex, entangled with pleasure, pain, anger, and joy, and manifesting artistic production itself as the meaning of the work.
Feelin: Creative Practice, Pleasure, and Black Feminist Thought (Northwestern University Press, 2022) discusses Black women’s creative production as feminist knowledge production produced by registers of affect called feelin. Through interviews, close readings, and archival research, Judd draws on the fields of affect studies and Black studies to analyze the creative processes and contributions of Black women.
Bettina Judd is an interdisciplinary writer, artist, scholar, and performer whose research focus is Black women’s creative production and our use of visual art, literature, and music to develop feminist thought. She is Associate Professor of Gender, Women, and Sexuality Studies at the University of Washington.
Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing interests include books and reading in popular culture, the public history of women's fiction, and women in Greco-Roman mythology.
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Greta LaFleur, Masha Raskolnikov, and Anna Klosowska's edited volume Transhistorical: Gender Plurality Before the Modern (Cornell University Press, 2021) explores the plurality of gender experiences that flourished before the modern era, from Late Antiquity to the eighteenth century, across a broad geographic range, from Spain to Poland and Byzantium to Boston. Refuting arguments that transgender people, experiences, and identities were non-existent or even impossible prior to the twentieth century, this volume focuses on archives--literary texts, trial transcripts, documents, and artifacts--that denaturalize gender as a category. The volume historicizes the many different social lives of sexual differentiation, exploring what gender might have been before modern medicine, the anatomical sciences, and the sedimentation of gender difference into its putatively binary form. The volume's multidisciplinary group of contributors consider how individuals, communities, and states understood and enacted gender as a social experience distinct from the assignment of sex at birth. Alongside historical questions about the meaning of sexual differentiation, Trans Historical also offers a series of diverse meditations on how scholars of the medieval and early modern periods might approach gender nonconformity before the nineteenth-century emergence of the norm and the normal.
Contributors: Abdulhamit Arvas, University of Pennsylvania; Roland Betancourt, University of California, Irvine; M. W. Bychowski, Case Western Reserve University; Emma Campbell, Warwick University; Igor H. de Souza, Yale University; Leah DeVun, Rutgers University; Micah James Goodrich, University of Connecticut; Alexa Alice Joubin, George Washington University; Anna Kłosowska; Greta LaFleur; Scott Larson, University of Michigan, Ann Arbor; Kathleen Perry Long, Cornell University; Robert Mills, University College London; Masha Raskolnikov; Zrinka Stahuljak, UCLA.
Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
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Commercial dating agencies that facilitate marriages across national borders comprise a $2.5 billion global industry. Ideas about the industry are rife with stereotypes-younger, more physically attractive brides from non-Western countries being paired with older Western men. These ideas are more myth than fact, Monica Liu finds in Seeking Western Men: Email-Order Brides Under China's Global Rise (Stanford UP, 2022).
Her study of China's email-order bride industry offers stories of Chinese women who are primarily middle-aged, divorced, and proactively seeking spouses to fulfill their material and sexual needs. What they seek in their Western partners is tied to what they believe they've lost in the shifting global economy around them. Ranging from multimillionaire entrepreneurs or ex-wives and mistresses of wealthy Chinese businessmen, to contingent sector workers and struggling single mothers, these women, along with their translators and potential husbands from the US, Canada, and Australia, make up the actors in this multifaceted story. Set against the backdrop of China's global economic ascendance and a relative decline of the West, this book asks: How does this reshape Chinese women's perception of Western masculinity? Through the unique window of global internet dating, this book reveals the shifting relationships of race, class, gender, sex, and intimacy across borders.
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What does climate change adaptation look like in Bangladesh? And what kind of gendered social landscape does climate change adaptation have to navigate in Bangladesh?
Bangladesh is among the countries most at risk from the negative consequences, and often spoken of as ground zero of climate change. In recent years, more attention has been devoted to grappling with the question of how gender intersects with climate change and adaptation.
In this episode Kenneth Bo Nielsen is joined by Kathinka Fossum Evertsen to discuss these questions and more, as we focus on gender and climate change adaptation in Bangladesh.
Kathinka Fossum Evertsen is a Senior Research Fellow at the Institue for Social Research. Her research interests include questions of migration, gender, and climate change, as well as the politics that shape how these issues are understood and how they intersect.
Kenneth Bo Nielsen is an Associate Professor at the dept. of Social Anthropology at the University of Oslo and one of the leaders of the Norwegian Network for Asian Studies.
The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo.
We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.
About NIAS: www.nias.ku.dk
Transcripts of the Nordic Asia Podcasts: https://www.nias.ku.dk/nordic-asia-podcast
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Transnational Yoga at Work: Spiritual Tourism and Its Blind Spots (Lexington Books, 2022) is an ethnography about local wageworkers in the Indian branches of a transnational yoga institution and about yoga practitioners and spiritual tourists who visualize peace through yoga. Practitioners' aspirations for peace situate them at the heart of an international movement that has captured the imagination of cosmopolitans the world over, with its purported benefits to mind, body, and spirit. Yoga is thought to offer health, vitality, and relief from depression through control of body and breath. Yet, the vision of peace in this institution is a partial vision that obscures the important but seemingly peripheral others of its self-conception.
Through in-depth ethnographic analysis, this book explores the processes through which global spiritual movements can have peace front and center in their vision and yet condone and perpetuate cycles of injustice and social inequality that form the critical and problematic foundations of our global economy. The book privileges the experiences and hardships faced by Indian wageworkers--most of them women --but it also offers a sympathetic portrayal of international yoga practitioners and of the complex patterns of work and worship central to a global mission.
Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.
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Americans have always had mixed emotions about schooling: in popular literature and television, teachers are often depicted as tyrannical authorities, even as in classroom settings they often try to style themselves as "friends." Dr. Rita Koganzon, professor of political science at the University of Houston, discusses the history of the idea of authority in education, dwelling on Enlightenment thinkers like Locke, Rousseau, and Bodin. Along the way, she covers contemporary issues like homeschooling and parents' rights, and how attitudes towards those concepts have changed from the Early Modern period to the present.
Koganzon is the author of Liberal States, Authoritarian Families: Childhood and Education in Early Modern Thought (Oxford UP, 2021). Also see her recent article "There Is No Such Thing as a Banned Book: Censorship, Authority, and the School Book Controversies of the 1970s."
Annika Nordquist is the Communications Coordinator of Princeton University’s James Madison Program in American Ideals and Institutions and host of the Program’s podcast, Madison’s Notes.
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Americans have always had mixed emotions about schooling: in popular literature and television, teachers are often depicted as tyrannical authorities, even as in classroom settings they often try to style themselves as "friends." Dr. Rita Koganzon, professor of political science at the University of Houston, discusses the history of the idea of authority in education, dwelling on Enlightenment thinkers like Locke, Rousseau, and Bodin. Along the way, she covers contemporary issues like homeschooling and parents' rights, and how attitudes towards those concepts have changed from the Early Modern period to the present.
Koganzon is the author of Liberal States, Authoritarian Families: Childhood and Education in Early Modern Thought (Oxford UP, 2021). Also see her recent article "There Is No Such Thing as a Banned Book: Censorship, Authority, and the School Book Controversies of the 1970s."
Annika Nordquist is the Communications Coordinator of Princeton University’s James Madison Program in American Ideals and Institutions and host of the Program’s podcast, Madison’s Notes.
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Elizabeth Bronwyn Boyd's book Southern Beauty: Race, Ritual, and Memory in the Modern South (U Georgia Press, 2022) explains a curiosity: why a feminine ideal rooted in the nineteenth century continues to enjoy currency well into the twenty-first. Elizabeth Bronwyn Boyd examines how the continuation of certain gender rituals in the American South has served to perpetuate racism, sexism, and classism.
In a trio of popular gender rituals—sorority rush, beauty pageants, and the Confederate Pageant of the Natchez (Mississippi) Pilgrimage—young white southern women have readily ditched contemporary modes of dress and comportment for performances of purity, gentility, and deference. Clearly, the ability to “do” white southern womanhood, convincingly and on cue, has remained a valued performance. But why?
Based on ethnographic research and more than sixty taped interviews, Southern Beauty goes behind the scenes of the three rituals to explore the motivations and rewards associated with participation. The picture that Boyd paints is not pretty: it is one of southern beauties securing status and sustaining segregation by making nostalgic gestures to the southern past. Boyd also maintains that the audiences for these rituals and pageants have been complicit, unwilling to acknowledge the beauties’ racial work or their investment in it.
With its focus on performance, Southern Beauty moves beyond representations to show how femininity in motion—stylized and predictable but ephemeral—has succeeded as an enduring emblem, where other symbols faltered, by failing to draw scrutiny. Continuing to make the moves of region and race even as many Confederate symbols have been retired, the southern beauty has persisted, maintaining power and privilege through consistent performance.
Brandon T. Jett, professor of history at Florida SouthWestern State College, creator of the Lynching in LaBelle Digital History Project, and author of Race, Crime, and Policing in the Jim Crow South (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1.
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Gendering Peace in Violent Peripheries: Marginality, Masculinity, and Feminist Agency (Routledge, 2022) forward Assam (and Northeast India) as a specific location for studying operations of gendered power in multi-ethnic, conflict-habituated geopolitical peripheries globally.
In the shifting and relational margins of such peripheral societies, power and agency are constantly negotiated and in flux. Notions of masculinity are redefined in an interlaced environment of militarization, hyper-masculinization, and gendered violence. These interconnections inform victimhood and agency among the most vulnerable marginalised constituencies – namely, women and migrants. By centering the marginalised in its inquiry, the book analyses obstacles to achieving positive, organic peace based on cooperation and mutual healing. The tools used to perpetuate an endless cycle of violence that makes conflict a habit – a way of life – are identified in order to enable resistance against them from within the margins. Such resistance must be based on reflexivity and strategic, cautious radicalism. This involves critically interrogating the inherent connections between engendered pasts and feminist futures, local changes and global contexts, as well as between small, incremental changes and big shifts impacting entire societies, nations, and global orders.
This book will be of much interest to students of ethnic conflict, conflict resolution, feminist peace, and Asian/South Asian politics.
Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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Goldwater Girls to Reagan Women: Gender, Georgia, and the Growth of the New Right (U Georgia Press, 2022) is a statewide study of women’s part in the history of conservatism, the New Right, and the Republican Party in the state of Georgia. Robin M. Morris examines how the growth of the Republican Party in the 1960s and 1970s was due in large part to the political activism of white women. The book begins with the African American women who established the Georgia Federation of Republican Women and follows how they lost the organization and the party to white women moving to the Sunbelt South. Conservative white women developed a language and strategy of family values that they deployed to battle school busing, defeat the Equal Rights Amendment, and elect Republican leaders even in Jimmy Carter’s home state.
Morris uses original interviews and archival research in personal papers of women activists in the Georgia New Right movement, including Lee Ague Miller, Beth Callaway, Kathryn Dunaway, Lee Wysong, and Hattie Greene, to reveal the motivations and actions that transformed the state from blue to red. In this era, perceived threats to family life and traditional values spurred women-led grassroots organization that enabled broad political shifts on the state level. Conservative women carved out their political niche as they consolidated and expanded their power and influence. Rather than a male-dominated, top-down approach, Morris centers her historical account on the middle-class white women whose actions changed the political landscape of the state and ultimately the country.
Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1.
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Leigh Goodmark’s new book, Imperfect Victims: Criminalized Survivors and the Promise of Abolition Feminism (U California Press, 2023), uses the stories of individual criminalized survivors of gender based violence to illuminate the ways that the criminal legal system perpetuates violence against the very women, transgender people, and gender non-conforming people it claims to protect. Leigh argues that reform is not the answer to this problem, and that instead of limiting our efforts and imaginations to the pursuit of reforms that ultimately expand the reach of the criminal legal system, we should invest in abolition feminism and a world of non-carceral supports and resources like housing, healthcare, and education instead of arrest, prosecution, and incarceration.
Kendall Dinniene is a fourth year English PhD student at Southern Methodist University in Dallas, Texas. Their research examines how contemporary American authors respond to anti-fatness in their work.
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Women’s rights activists around the world have commonly understood gendered violence as the product of so-called traditional family structures, from which women must be liberated. Counseling Women: Kinship Against Violence in India (U Pennsylvania Press, 2022) contends that this perspective overlooks the social and cultural contexts in which women understand and navigate their relationships with kin.
This book follows frontline workers in India, called family counselors, as they support women who have experienced violence at home in the context of complex shifting legal and familial systems. Drawing on ethnographic research at counseling centers in Jaipur, Rajasthan, Julia Kowalski shows how an individualistic notion of women’s rights places already vulnerable women into even more precarious positions by ignoring the reality of the social relations that shape lives within and beyond the family. Thus, rather than focusing on attaining independence from kin, family counselors in India instead strive to help women cultivate relationships of interdependence in order to reimagine family life in the wake of violence. Counselors mobilize the beliefs, concepts, and frameworks of kinship to offer women interactive strategies to gain agency within the family, including multigenerational kin networks encompassing parents, in-laws, and other extended family. Through this work, kinship becomes a resource through which people imagine and act on new familial futures.
In viewing this reliance on kinship as part of, rather than a deviation from, global women’s rights projects, Counseling Women reassesses Western liberal feminism’s notions of what it means to have agency and what constitutes violence, and retheorizes the role of interdependence in gendered violence and inequality as not only a site of vulnerability but a potential source of strength.
Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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In the past thirty years, polygamy has become a flashpoint of conflict as Western governments attempt to regulate certain cultural and religious practices that challenge seemingly central principles of family and justice. In Forbidden Intimacies: Polygamies at the Limits of Western Tolerance (Stanford UP, 2023), Melanie Heath comparatively investigates the regulation of polygamy in the United States, Canada, France, and Mayotte. Drawing on a wealth of ethnographic and archival sources, Heath uncovers the ways in which intimacies framed as "other" and "offensive" serve to define the very limits of Western tolerance.
These regulation efforts, counterintuitively, allow the flourishing of polygamies on the ground. The case studies illustrate a continuum of justice, in which some groups, like white fundamentalist Mormons in the U.S., organise to fight against the prohibition of their families' existence, whereas African migrants in France face racialized discrimination in addition to rigid migration policies. The matrix of legal and social contexts, informed by gender, race, sexuality, and class, shapes the everyday experiences of these relationships. Heath uses the term "labyrinthine love" to conceptualise the complex ways individuals negotiate different kinds of relationships, ranging from romantic to coercive.
What unites these families is the secrecy in which they must operate. As government intervention erodes their abilities to secure housing, welfare, work, and even protection from abuse, Heath exposes the huge variety of intimacies, and the power they hold to challenge heteronormative, Western ideals of love.
Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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You've heard of Ted Bundy and John Wayne Gacy. But have you heard of Amy Archer-Gilligan? Or Belle Gunness? Or Nannie Doss? Women have committed some of the most disturbing serial killings ever seen in the United States. Yet scientific inquiry, criminal profiling, and public interest have focused more on their better-known male counterparts. As a result, female serial killers have been misunderstood, overlooked, and underestimated.
In this riveting account, Dr. Marissa A. Harrison draws on original scientific research, various psychological perspectives, and richly detailed case studies to illuminate the stark differences between female and male serial killers' backgrounds, motives, and crimes. She also emphasizes the countless victims of this grisly phenomenon to capture the complexity and tragedy of serial murder. Meticulously weaving data-based evidence and insight with intimate storytelling, Just as Deadly: The Psychology of Female Serial Killers (Cambridge UP, 2023) reveals how and why these women murder--and why they often get away with it.
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In Women, Empires, and Body Politics at the United Nations, 1946–1975 (University of Nebraska Press, 2023), Giusi Russo focuses on the first decades of the United Nations Commission on the Status of Women (CSW) to examine gender politics in the postwar period. The Commission was comprised of a diverse group of women whose ideas about equality often clashed. Shaped by Cold War politics and the process of decolonization, the CSW’s work grappled with issues like polygamy, family planning, FGM, and women’s role in development. Through its interactions with women and women’s bodies in the colonial world, the CSW moved from concerns with law to practice, and from formal public rights like civic equality and political participation to private rights concerning marriage and reproduction. Russo brings in the voices of a range of CSW delegates to highlight how women representing newly independent nations pushed back against narratives that rested on an imperial feminist foundation. Their rhetoric demonstrates how body politics were intertwined with broader geopolitical trends, and recenters prevailing understandings of the CSW that underestimate its influence prior to 1975. Russo argues that women living under colonial and postcolonial systems were key actors in defining the politics of women’s rights at the UN.
Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks.
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Kate Sylvester’s Women and Martial Art in Japan (Routledge 2023) examines sport, gender, and society in Japan through the author’s extensive experience and ethnographic research as a kendo practitioner both at elite international levels and in Japan. Sylvester focuses on kendo as a university sport, placing her experiences as a veteran (foreign) competitor working within the hierarchies of that system in the context of the ideologies and lived realities of gender in contemporary Japan. In doing so, Women and Martial Art in Japan unpacks the “sporting masculinity” that permeates women’s experiences of sport within a masculinist culture, and places the practice of sport within the idealized and actual life course of Japanese women.
Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
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What Is to Be Done?
In her luminous biography Emma Goldman: Revolution as a Way of Life (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can’t dance, I don’t want to be in your revolution.”
Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for Fierce Attachments (1987) and The Romance of American Communism (1977), recounts Goldman’s progression as an anarchist and feminist. Goldman’s feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman’s radical political program and their resonance in our time.
Gornick also wrote an original preface for a new Goldman reader from Warbler Press, The Essential Emma Goldman—Anarchism, Feminism, Liberation (2022).
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In Between Banat: Queer Arab Critique and Transnational Arab Archives (Duke UP, 2023), Mejdulene Bernard Shomali examines homoeroticism and non-normative sexualities between Arab women in transnational Arab literature, art, and film.
Moving from The Thousand and One Nights and the Golden Era of Egyptian cinema to contemporary novels, autobiographical writing, and prints and graphic novels that imagine queer Arab futures, Shomali uses what she calls queer Arab critique to locate queer desire amid heteronormative imperatives. Showing how systems of heteropatriarchy and Arab nationalisms foreclose queer Arab women’s futures, she draws on the transliterated term “banat”—the Arabic word for girls—to refer to women, femmes, and nonbinary people who disrupt stereotypical and Orientalist representations of the “Arab woman.” By attending to Arab women’s narration of desire and identity, queer Arab critique substantiates queer Arab histories while challenging Orientalist and Arab national paradigms that erase queer subjects. In this way, Shomali frames queerness and Arabness as relational and transnational subject formations and contends that prioritizing transnational collectivity over politics of authenticity, respectability, and inclusion can help lead toward queer freedom.
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In It's Always Been Ours: Rewriting the Story of Black Women's Bodies (Hachette Go, 2023) eating disorder specialist and storyteller Jessica Wilson challenges us to rethink what having a "good" body means in contemporary society. By centering the bodies of Black women in her cultural discussions of body image, food, health, and wellness, Wilson argues that we can interrogate white supremacy's hold on us and reimagine the ways we think about, discuss, and tend to our bodies.
A narrative that spans the year of racial reckoning (that wasn't), It's Always Been Ours is an incisive blend of historical documents, contemporary writing, and narratives of clients, friends, and celebrities that examines the politics of body liberation. Wilson argues that our culture's fixation on thin, white women reinscribes racist ideas about Black women's bodies and ways of being in the world as "too much." For Wilson, this white supremacist, capitalist undergirding in wellness movements perpetuates a culture of respectability and restriction that force Black women to perform unhealthy forms of resilience and strength at the expense of their physical and psychological needs.
With just the right mix of wit, levity, and wisdom, Wilson shows us how a radical reimagining of body narratives is a prerequisite to well-being. It's Always Been Ours is a love letter that celebrates Black women's bodies and shows us a radical and essential path forward to rediscovering their vulnerability and joy.
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The long nineteenth-century--the period beginning with the French Revolution and ending with World War I--was a transformative period for women philosophers in German-speaking countries and contexts. The period spans romanticism and idealism, socialism, Nietzscheanism, and phenomenology, philosophical movements we most often associate with Hegel, Schopenhauer, Kierkegaard, Nietzsche, and Marx--but rarely with women. Yet women philosophers not only contributed to these movements, but also spearheaded debates about their social and political implications. While today their works are less well-known than those of their male contemporaries, many of these women philosophers were widely-read and influential in their own time. Their contributions shed important new light on nineteenth-century philosophy and philosophy more generally: revealing the extent to which various movements which we consider distinct were joined, and demonstrating the degree to which philosophy can transform lives and be transformed by lived experiences and practices.
In the nineteenth century, women philosophers explored a wide range of philosophical topics and styles. Working within and in dialogue with popular philosophical movements, women philosophers helped shape philosophy's agenda and provided unique approaches to existential, political, aesthetic, and epistemological questions. Though largely deprived formal education and academic positions, women thinkers developed a way of philosophizing that was accessible, intuitive, and activist in spirit.
Dalia Nassar and Kristin Gjesdal's Women Philosophers in the Long Nineteenth Century: The German Tradition (Oxford UP, 2021) makes available to English-language readers―in many cases for the first time―the works of nine women philosophers, with the hope of stimulating further interest in and scholarship on their works. The volume includes a comprehensive introduction to women philosophers in the nineteenth century and introduces each philosopher and her position. The translations are furnished with explanatory footnotes. The volume is designed to be accessible to students as well as scholars.
Kristin Gjesdal is a Norwegian philosopher and Professor of Philosophy at Temple University. She is known for her expertise in the field of hermeneutics, nineteenth-century philosophy, aesthetics, and phenomenology. Gjesdal is a member of The Norwegian Academy of Science and Letters
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
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This week on International Horizons, Ellen Chesler interviews Rebecca Adami and Fatima Sator, editor and co-author of Women and the UN: A New History of Women's International Human Rights (Routledge, 2022) that debunks the myth that the UN Charter and the Universal Declaration of Human Rights were Western male-dominated inventions. Moreover, the authors discuss how women did not act as a unified bloc in the first chapters of global governance, and that it has been women from the Global South such as Marie Sivomey from Togo, Jaiyeola Aduke Moore from Nigeria, Jeanne Martin Cissé from Guinea, Aziza Hussein from Egypt, Artati Marzuki from Indonesia, and Carmela Aguilar from Peru, Bertha Lutz from Brazil and Minerva Bernardino from Dominican Republic who were the main drivers of feminism in the early stages of the UN.
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In recent years the authors of a slew of books and articles have debated whether China is moving toward or away from the rule of law. Against this end-of-history approach to legal inquiry, Ke Li advocates for an approach that attends to the circumstances in which state actors select legal methodologies for the purposes of statecraft, and those in which they prefer nonlegal, extralegal and illegal ones. She demonstrates this approach in Marriage Unbound: State Law, Power, and Inequality in Contemporary China (Stanford University Press, 2022), in which she offers a sophisticated “historically charged, culturalist perspective” of state legal practice in China, worked out over 15 years of immersive research and careful writing.
Ke Li joins this episode of New Books in Interpretive Political and Social Science to discuss why research on authoritarian legality fails to give culture its due, the differences between practice-oriented inquiry and studies that concentrate on intersubjective meaning-making, causal inference in interpretive research, and descriptive and creative writing in the social sciences. Ke also has some great fieldwork tips for budding ethnographers.
Nick Cheesman is associate professor in the Department of Political and Social Change, Australian National University and in Fall 2022 was a fellow at the Baldy Center for Law and Social Policy, University at Buffalo. He is a committee member of the Interpretive Methodologies and Methods group of the American Political Science Association and co-convenes the Interpretation, Method, Critique network at the ANU.
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Dress codes are as old as clothing itself. For centuries, clothing has been a wearable status symbol; fashion, a weapon in struggles for social change; and dress codes, a way to maintain political control. Dress codes evolved along with the social and political ideals of the day, but they always reflected struggles for power and status. In the 1700s, South Carolina’s “Negro Act” made it illegal for Black people to dress “above their condition.” In the 1920s, the bobbed hair and form-fitting dresses worn by free-spirited flappers were banned in workplaces throughout the United States.
Even in today’s more informal world, dress codes still determine what we wear, when we wear it—and what our clothing means. People lose their jobs for wearing braided hair, long fingernails, large earrings, beards, and tattoos or refusing to wear a suit and tie or make-up and high heels. In some cities, wearing sagging pants is a crime.
In Dress Codes: How the Laws of Fashion Made History (Simon & Schuster, 2021), law professor and cultural critic Dr. Richard Thompson Ford presents a history of the laws of fashion from the middle ages to the present day, a walk down history’s red carpet to uncover and examine the canons, mores, and customs of clothing—rules that we often take for granted. After reading Dress Codes, you’ll never think of fashion as superficial again—and getting dressed will never be the same.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Many women wrote philosophy in nineteenth-century Britain, and they wrote across the full range of philosophical topics. Yet these important women thinkers have been left out of the philosophical canon and many of them are barely known today.
The aim of Women Philosophers in Nineteenth-Century Britain (Oxford UP, 2023) is to put them back on the map. It introduces twelve women philosophers - Mary Shepherd, Harriet Martineau, Ada Lovelace, George Eliot, Frances Power Cobbe, Helena Blavatsky, Julia Wedgwood, Victoria Welby, Arabella Buckley, Annie Besant, Vernon Lee, and Constance Naden. Alison Stone looks at their views on naturalism, philosophy of mind, evolution, morality and religion, and progress in history. She shows how these women interacted and developed their philosophical views in conversation with one another, not only with their male contemporaries. The rich print and periodical culture of the period enabled these women to publish philosophy in forms accessible to a general readership, despite the restrictions women faced, such as having limited or no access to university education. Stone explains how these women became excluded from the history of philosophy because there was a cultural shift at the end of the nineteenth century towards specialised forms of philosophical writing, which depended on academic credentials that were still largely unavailable to women.
Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
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Ever since her triumphant debut in Chaucer's Canterbury Tales, the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers--from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In The Wife of Bath: A Biography (Princeton UP, 2023), Marion Turner tells the fascinating story of where Chaucer's favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter.
A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a story of rape and redemption. Formed from misogynist sources, she plays with stereotypes. Turner sets Alison's fictional story alongside the lives of real medieval women--from a maid who travelled around Europe, abandoned her employer, and forged a new career in Rome to a duchess who married her fourth husband, a teenager, when she was sixty-five. Turner also tells the incredible story of Alison's post-medieval life, from seventeenth-century ballads and Polish communist pop art to her reclamation by postcolonial Black British women writers.
Entertaining and enlightening, funny and provocative, The Wife of Bath is a one-of-a-kind history of a literary and feminist icon who continues to capture the imagination of readers.
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Today’s book is: Engage in Public Scholarship: A Guidebook on Feminist and Accessible Communication, by Dr. Alex D. Ketchum. Public scholarship—sharing research with audiences outside of academic settings—has become increasingly necessary to counter the rise of misinformation, fill gaps from cuts to traditional media, and increase the reach of important scholarship. Engaging in these efforts often comes with the risk of harassment and threats—especially for women, people of color, queer communities, and precariously employed workers. Engage in Public Scholarship provides guidance on translating research into inclusive public outreach while ensuring that such efforts are safer and more accessible. Dr. Ketchum discusses practices and planning for a range of educational activities from in-person and online events, conferences, and lectures to publishing and working with the media, social media activity, blogging, and podcasting. Using an intersectional feminist lens, this book offers a concise approach to challenges and benefits of feminist and accessible public scholarship.
Our guest is: Dr. Alex Ketchum, who is the Faculty Lecturer of the Institute for Gender, Sexuality, and Feminist Studies of McGill University. She is the Director of the Just Feminist Tech and Scholarship Lab. She is the author of Engage in Public Scholarship!: A Guidebook on Feminist and Accessible Communication (Concordia University Press, 2022), and Ingredients for Revolution: A History of American Feminist Restaurants, Cafes, and Coffeehouses (2022). Since 2019, Ketchum has organized the SSHRC-funded Disrupting Disruptions: The Feminist and Accessible Publishing and Communications Technologies Speaker and Workshop Series. She is also the founder of The Feminist Restaurant Project, and co-founder and editor of The Historical Cooking Project, and the former co-founder of Food, Feminism, and Fermentation. She is published in Feminist Studies, Feminist Media Studies, and Digital Humanities Quarterly. Dr. Ketchum was named one of the 100 Brilliant Women in AI Ethics for 2021, and is involved in feminist, food, and environmental politics. She has worked on organic farms in Ireland and France, and she founded Farm House in Middletown, Connecticut, a living community dedicated to food politics work.
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Welcome to The Academic Life! Join us here each week, where we learn directly from experts. We embrace the broad definition of what it means to lead an academic life, and are informed and inspired by today’s knowledge-producers working inside and outside the academy.
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Scientist Alfred Kinsey tried to differentiate human sexualities on a seven-point scale. In so doing, he brought us the basics of bisexuality. But the scale leaves a lot to be desired. Instead of a spectrum, Special Guest Kate Sisk leads us into a gay fog.
GUEST
Kate Sisk (she/they/he) is a professional stand up comedian, amateur drag king, and co-host of the award-winning podcast, We’re Having Gay Sex.
This episode was produced by Andrew Middleton and Liya Rechtman.
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To fend off American and European imperialism in the nineteenth century, Japan strove to strengthen itself by drawing on the most updated ideas and practices from around the world. By the 1880s, this included the introduction of Western-derived psychiatry and its ideas about mental illness. The first Japanese psychiatrists claimed that mental illnesses required medical treatment in specialized institutions rather than confinement at home, as had been common practice. Yet the state implemented no social welfare policies to make new medical services more accessible and affordable to the public. The family, especially women, thus continued to carry the burden of caring for those considered mad.
Madness in the Family: Women, Care, and Illness in Japan (Oxford UP, 2022) examines how the family in Japan came to be seen as the natural provider of care for those suffering from mental illnesses. It centers on the experiences of women and families, which have long been obscured by the voices of male psychiatrists, state officials, and lawmakers. H. Yumi Kim traces how women and families negotiated a dizzying array of claims about madness and its proper management across various settings. In the countryside, psychiatrists tried to refute the notion that fox spirits could cause madness, and the government regulated the use of cage-like structures inside homes. In cities, a booming medical marketplace spread ideas about feminized illnesses such as hysteria, and female defendants were evaluated for menstruation-induced disorders. As women and families navigated this shifting therapeutic landscape, they produced their own gendered approaches to madness that would take precedence over the claims of psychiatry, the law, and the state in
everyday life.
Decoupling the history of mental illness from the discipline and institutions of psychiatry, Madness in the Family reveals the power and fragilities of gender, kinship, and care in the creation of different modes of caring for and understanding mental illness that persist to this day.
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This volume collects the private letters and published epistles of English women philosophers of the early modern period (c. 1650-1700). It includes the correspondences of Margaret Cavendish, Anne Conway, Damaris Cudworth Masham, and Elizabeth Berkeley Burnet. These women were the interlocutors of some of the best-known intellectuals of their era, including Constantijn Huygens, Walter Charleton, Henry More, Joseph Glanvill, John Locke, Jean Le Clerc, and Gottfried Wilhelm Leibniz. Their epistolary exchanges range over a wide variety of philosophical subjects, from religion, moral theology, and ethics to epistemology, metaphysics, and natural philosophy. For the first time in one collection, the philosophical correspondences of these women have been brought together to be appreciated as a whole.
Women Philosophers of Seventeenth-Century England: Selected Correspondence (Oxford UP, 2019) is an invaluable primary resource for students and scholars of these neglected women thinkers. It includes original introductory essays for each woman philosopher, demonstrating how her correspondences contributed to the formation of her own views as well as those of her better-known contemporaries. It also provides detailed scholarly annotations to the letters and epistles, explaining unfamiliar philosophical ideas and defining obscure terminology to help make the texts accessible and comprehensible to the modern reader. This collection and its companion volume, Women Philosophers of Eighteenth-Century England (forthcoming), provide valuable historical evidence that women made substantial contributions to the formation and development of early modern thought and reflect the intensely collaborative and gender-inclusive nature of philosophical discussion in the early modern period.
Jacqueline Broad is a professor of Philosophy and also the Head of the Monash Philosophy Department at Monash University, Melbourne. Her main area of research is women's philosophy of the seventeenth and eighteenth centuries.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
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In this podcast, the host, Lara Momesso, interviews Dr Beatrice Zani, author of the book Women Migrants in Southern China and Taiwan. Mobilities, Digital Economies and Emotions, published by Routledge in 2021. The two scholars chat about novel ethnographic methods, such as itinerant ethnography and digital ethnography, solidarity between migrant women, the role of emotions in research. This episode can’t be missed by those interested in understanding globalisation from the perspective of contemporary Chinese migrant women, e-entrepreneurship and petit-capitalism.
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Broadway has body issues.
What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body.
In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West’s Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside?
In answering these questions, Broadway Bodies tells a history of Broadway’s inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies.
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Although refugee camps are established to accommodate, protect, and assist those fleeing from violent conflict and persecution, life often remains difficult there. Building on empirical research with refugees in a Ugandan camp, Ulrike Krause offers nuanced insights into violence, humanitarian protection, gender relations, and coping of refugees who mainly escaped the conflicts in the Democratic Republic of Congo.
Difficult Life in a Refugee Camp: Gender, Violence, and Coping in Uganda explores how risks of gender-based violence against women, in particular, but also against men, persist despite and partly due to their settlement in the camp and the system established there. It reflects on modes and shortcomings of humanitarian protection, changes in gender relations, as well as strategies that the women and men use to cope with insecurities, everyday struggles, and structural problems occurring across different levels and temporalities.
Ulrike Krause is Junior Professor of Forced Migration and Refugee Studies at the Institute for Migration Research and Intercultural Studies and the Institute for Social Sciences, Osnabrück University, Germany, and affiliated Research Associate at the Refugee Studies Centre, University of Oxford. Her research focuses on the gender, forced migration and conflict, including gender-based violence, humanitarian refugee protection, policy and norms, as well as displaced people’s agency and resilience.
Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at [email protected] or tweet to @LAbdelaaty.
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Global Feminist Autoethnographies During COVID-19: Displacements and Disruptions (Routledge, 2022) bears witness to our displacements, disruptions, and distress as tenured faculty, faculty on temporary contracts, graduate students, and people connected to academia during COVID-19.
The authors document their experiences arising within academia and beyond it, gathering narratives from across the globe—Australia, Canada, Ghana, Finland, India, Norway, South Africa, the United Kingdom, the United States along with transnational engagements with Bolivia, Iran, Nepal, and Taiwan. In an era where the older rules about work and family related to our survival, wellbeing, and dignity are rapidly being transformed, this book shows that distress and traumas are emerging and deepening across the divides within and between the global North and South, depending on the intersecting structures that have affected each of us. It documents our distress and trauma and how we have worked to lift each other up amidst severe precarities.
A global co-written project, this book shows how we are moving to decolonize our scholarship. It will be of interest to an interdisciplinary array of scholars in the areas of intersectionality, gender, family, race, sexuality, migration, and global and transnational sociology.
Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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Who built the twentieth century birth control movement? In Women's Medicine: Family Planning and British Female Doctors in Transnational Perspective, 1920-70 (Manchester University Press 2020), Dr. Caroline Rusterholz highlights British female doctors' key contribution to the production and circulation of scientific knowledge around contraception, family planning and sexual disorders between 1920-70. It argues that women doctors were pivotal in developing a holistic approach to family planning and transmitting this knowledge across borders, playing a more prominent role in shaping scientific and medical knowledge than previously acknowledged.
The book locates women doctors' involvement within the changing landscape of national and international reproductive politics. Illuminating women doctors' agency in the male-dominated field of medicine, this book reveals their practical engagement with birth control and later family planning clinics in Britain, their participation in the development of the international movement of birth control and family planning and their influence on French doctors. Drawing on a wide range of archived and published medical materials, Rusterholz sheds light on the strategies British female doctors used and the alliances they made to put forward their medical agenda and position themselves as experts and leaders in birth control and family planning research and practice.
Nicole Bourbonnais is Associate Professor of International History and Politics and Co-Director of the Gender Centre at the Graduate Institute of International and Development Studies in Geneva, Switzerland. Her research explores reproductive politics and practice from a transnational, historical perspective. Profile here.
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In Courtly and Queer: Deconstruction, Desire, and Medieval French Literature (Ohio State UP, 2022), Charlie Samuelson casts queerness in medieval French texts about courtly love in a new light by bringing together for the first time two exemplary genres: high medieval verse romance, associated with the towering figure of Chrétien de Troyes, and late medieval dits, primarily associated with Guillaume de Machaut. In close readings informed by deconstruction and queer theory, Samuelson argues that the genres’ juxtaposition opens up radical new perspectives on the deviant poetics and gender and sexual politics of both. Contrary to a critical tradition that locates the queer Middle Ages at the margins of these courtly genres, Courtly and Queer emphasizes an unflagging queerness that is inseparable from poetic indeterminacy and that inhabits the core of a literary tradition usually assumed to be conservative and patriarchal. Ultimately, Courtly and Queer contends that one facet of texts commonly referred to as their “courtliness”—namely, their literary sophistication—powerfully overlaps with modern conceptions of queerness.
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Garret Johnson works with Courage, the Catholic apostolate for people experience same-sex attractions. He describes his experience living the gay lifestyle and responds to my interview with Father Jim Martin, SJ, author of Building a Bridge, and several things Fr Jim said in that conversation that Garrett disagrees with. This is—please be warned—an honest, raw, and redeeming discussion about sex, gay culture, drugs, pornography, identity politics, Catholic doctrine, and the secular narrative.
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'How do gender constructions transform religious experiences?' 'What is the role of bodily materiality in ethics and epistemology?' 'How does rethinking gender and sexuality force us to reconceptualise settled ontological frameworks?' The Bloomsbury Research Handbook of Indian Philosophy and Gender (Bloomsbury, 2019) provides the first research resource to Indian philosophical gender issues, exploring a variety of texts and traditions from Indian philosophy where the treatment of gender is dynamic and diverse.
Organised around three central themes - the gender dynamics of enlightenment in the Hindu and Buddhist traditions; the simple binary opposition of genders in Indian traditions; the ways in which symbolic representations of gender differ from social realities in Hindu and Buddhist practice - a team of respected scholars discuss feminist readings, examinations of femininity and masculinity, as well as queer and trans identities, representations, and theories.
Beginning with the Vedic tradition and ending with sections on Sri Ramakrishna and Gandhi, this wide-ranging handbook encourages fresh inquiry into classic philosophical questions. Offering critical analyses relevant to literary, cultural and religious studies, The Bloomsbury Research Handbook of Indian Philosophy and Gender opens up new ways of understanding gender and South Asian philosophy.
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The Dating Divide: Race and Desire in the Era of Online Romance (U California Press, 2021) is the first comprehensive look at "digital-sexual racism," a distinct form of racism that is mediated and amplified through the impersonal and anonymous context of online dating. Drawing on large-scale behavioral data from a mainstream dating website, extensive archival research, and more than seventy-five in-depth interviews with daters of diverse racial backgrounds and sexual identities, Curington, Lundquist, and Lin illustrate how the seemingly open space of the internet interacts with the loss of social inhibition in cyberspace contexts, fostering openly expressed forms of sexual racism that are rarely exposed in face-to-face encounters. The Dating Divide is a fascinating look at how a contemporary conflux of individualization, consumerism, and the proliferation of digital technologies has given rise to a unique form of gendered racism in the era of swiping right--or left.
The internet is often heralded as an equalizer, a seemingly level playing field, but the digital world also acts as an extension of and platform for the insidious prejudices and divisive impulses that affect social politics in the "real" world. Shedding light on how every click, swipe, or message can be linked to the history of racism and courtship in the United States, this compelling study uses data to show the racial biases at play in digital dating spaces.
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How does it feel to be groomed as the "solution" to a national Black male "problem"? This is the guiding paradox of Respectable: Politics and Paradox in Making the Morehouse Man (U California Press, 2022), an in-depth examination of graduates of Morehouse College, the nation's only historically Black college for men. While Black male collegians are often culturally fetishized for "beating the odds," the image of Black male success that Morehouse assiduously promotes and celebrates is belied by many of the realities that challenge the students on this campus. Saida Grundy offers a unique insider perspective: a graduate of Spelman college and a former "Miss Morehouse," Grundy crafts an incisive feminist and sociological account informed by her personal insights and scholarly expertise.
Respectable gathers the experiences of former students and others connected to Morehouse to illustrate the narrow, conservative vision of masculinity molded at a competitive Black institution. The thirty-two men interviewed unveil a culture that forges confining ideas of respectable Black manhood within a context of relentless peer competition and sexual violence, measured against unattainable archetypes of idealized racial leadership. Grundy underlines the high costs of making these men—the experiences of low-income students who navigate class issues at Morehouse, the widespread homophobia laced throughout the college's notions of Black male respectability, and the crushingly conformist expectations of a college that sees itself as making "good" Black men. As Morehouse's problems continue to pour out into national newsfeeds, this book contextualizes these issues not as a defect of Black masculinity, but as a critique of what happens when an institution services an imagination of what Black men should be, at the expense of more fully understanding the many ways these young people see themselves.
Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at [email protected] and on twitter @MickellCarter.
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Amrita De talks about affective masculinities, aspirational linkages with dominant scripts of masculinities, socially organized. As she expands her work beyond her study of South Asian masculinities, she talks about how understanding and loosening these linkages entails crucial feminist work. She also talks about Shah Rukh Khan.
Amrita De is a Postdoctoral fellow in the Center of Humanities and Information at Penn State University. Her research focuses on global south masculinity studies and affect theory. Her works have been published in NORMA, Boyhood Studies, Global Humanities and are forthcoming in other edited collections. She is also working her way through her first novel centered around contemporary Indian Masculinities.
Image: © 2023 Saronik Bosu
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Today we are joined by Frankie de la Cretaz, a sports journalist whose work focuses on the intersection of sport and gender, and one of the authors alongside Lyndsey D’Arcangelo of Hail Mary: The Rise and Fall of the National Women’s Football League (Bold Type Books, 2021). In our conversation, we discussed the beginnings of women’s gridiron football in the United States’ the reason why so many women wanted to play a “man’s game” in the 1970s and 80s; and the successes, failures and legacies of the NWFL.
In Hail Mary, de la Cretaz and D’Arcangelo recover the lost history of the National Women’s Football League, a professional gridiron competition that ran from 1974 to 1988. To revive this hidden history of women’s football, the authors interviewed dozens of women from and consulted archives around the country. They discovered a competitive, vibrant, and popular sporting entertainment that rose in the Rust Belt, spread to the football meccas of Texas and California, before collapsing due to financial issues in the 1980s.
The book is organized chronologically – except for a first chapter that showcases one of the most dramatic confrontations between two teams – the Toledo Troopers and Oklahoma City Dolls. De la Cretaz and D’Arcangelo’s archival history work, which relies mostly on newspapers, shows the spread and popularity of women’s football. They illustrate how male coaches, journalists, and owners framed the league in gendered ways. Many advocated for the league, particularly promoters like Sid Friedman who hoped to make lots of money, but lots of others genuinely enjoyed the athleticism of the competitors.
More impressively, their oral history interviews also allow the authors to move beyond the social history of the league and to tell the story of individual football players. Through their conversations with former players, they explore why so many women wanted to play the “masculine” game of football, even when they were no longer being paid, what they got out of their competition, the difficulties they faced as players, and what they thought about the failure of the NWFL.
Sexual orientation and race play important roles in the NWFL history. One team basically formed in a lesbian bar and many of the players were lesbians, although the league averred a strict heteronormativity. On the other hand, unlike the better known All-American Girls Professional Baseball League during the Second World War, the NWFL was very visibly racially integrated. Black athletes played crucial roles on teams – the best player in the league was a black woman from Toledo, Linda Jefferson, who racked up more yards and touchdowns per year than better known male running backs. The NWFL also gave opportunities to black head coaches at a time when the NFL unofficially barred them.
In the final chapter, “The Legacy of the NWFL”, the authors discuss the successes, failures and legacies of the league. For a while the NWFL opened the door to professional women’s gridiron football in the United States. Many women interviewed discuss it as one of the formative experiences of their life. Nevertheless, the league collapsed due to financial weakness (although perhaps not unusually when compared to the early men’s gridiron competitions.) Its legacies continue in semi-professional and amateur women’s competitions in the US today.
De la Cretaz and D’Arcangelo’s innovative account recovers a very poorly known history of hundreds of women’s professional athletes in the United States. It should be read by scholars interested in women’s sport, gridiron football in the United States, and LGBTQI+ people in sport. It will also be very useful to classroom teaching.
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From her start playing paddle tennis on the streets of Harlem as a young teenager to her eleven Grand Slam tennis wins to her professional golf career, Althea Gibson became the most famous black sportswoman of the mid-twentieth century. In her unprecedented athletic career, she was the first African American to win titles at the French Open, Wimbledon, and the US Open.
In this comprehensive biography, Ashley Brown narrates the public career and private struggles of Althea Gibson (1927-2003). Based on extensive archival work and oral histories, Serving Herself: The Life and Times of Althea Gibson (Oxford UP, 2023) sets Gibson's life and choices against the backdrop of the Great Migration, Jim Crow racism, the integration of American sports, the civil rights movement, the Cold War, and second wave feminism. Throughout her life Gibson continuously negotiated the expectations of her supporters and adversaries, including her patrons in the black-led American Tennis Association, the white-led United States Lawn Tennis Association, and the media, particularly the Black press and community's expectations that she selflessly serve as a representative of her race.
An incredibly talented, ultra-competitive, and not always likeable athlete, Gibson wanted to be treated as an individual first and foremost, not as a member of a specific race or gender. She was reluctant to speak openly about the indignities and prejudices she navigated as an African American woman, though she faced numerous institutional and societal barriers in achieving her goals. She frequently bucked conventional norms of femininity and put her career ahead of romantic relationships, making her personal life the subject of constant scrutiny and rumors. Despite her major wins and international recognition, including a ticker tape parade in New York City and the covers of Sports Illustrated and Time, Gibson endeavored to find commercial sponsorship and permanent economic stability. Committed to self-sufficiency, she pivoted from the elite amateur tennis circuit to State Department-sponsored goodwill tours, attempts to find success as a singer and Hollywood actress, the professional golf circuit, a tour with the Harlem Globetrotters and her own professional tennis tour, coaching, teaching children at tennis clinics, and a stint as New Jersey Athletics Commissioner. As she struggled to support herself in old age, she was left with disappointment, recounting her past achievements decades before female tennis players were able to garner substantial earnings.
A compelling life and times portrait, Serving Herself offers a revealing look at the rise and fall of a fiercely independent trailblazer who satisfied her own needs and simultaneously set a pathbreaking course for Black athletes.
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Victorine Elizabeth du Pont, the first child of Eleuthère Irénée du Pont and his wife Sophie, was seven years old when her family emigrated to America, where her father established the humble beginnings of what would become a corporate giant. Through correspondence with friends and relatives from the ages of eight to sixty-eight, Victorine unwittingly chronicled the first sixty years of the du Pont saga in America. As she recovered from personal tragedy, she became first tutor of her siblings and relations.
Leonard C. Spitale's biography Victorine Du Pont: The Force Behind the Family (U Delaware Press, 2022) makes the case that Victorine has had the broadest—and most enduring—influence within the entire du Pont family of any family member. The intellectual heir of her venerable grandfather, Pierre Samuel du Pont de Nemours, although Victorine grew up in an age where women's opportunities were limited, her pioneering efforts in education, medicine, and religion transformed an entire millworkers’ community.
Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1
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An exploration of the intersection of feminism, human rights, and memory, Ethical Encounters: Transnational Feminism, Human Rights, and War Cinema in Bangladesh (Temple University Press, 2022) examines contemporary, woman-centered Muktijuddho cinema--features and documentaries that focus on the Bangladesh Liberation War of 1971. Elora Chowdhury shows how these films imagine, disrupt, and reinscribe a gendered nationalist landscape of trauma, freedom, and justice. She analyzes the Bangladeshi feminist films Meherjaan, Guerilla, and Itihaash Konna, as well as socially engaged films by activist-filmmakers including Rising Silence, Bish Kanta, Jonmo Shathi, and Shadhinota, to show how war films of Bangladesh can conjure a global cinematic imagination for the advancement of human rights. Focusing on women-centric films, and steeped in Black and transnational feminist critiques, Chowdhury engages shared histories, experiences, and identities in the region to encourage transnational solidarity among women across borders. Ethical Encounters reveals how Bangladeshi national cinema can foster a much-needed dialogue among ordinary citizens who have grown up with the legacy of liberty and violence of nationalist and anti-colonial struggles.
Dr. Elora Halim Chowdhury is a Professor of Women's, Gender, and Sexuality Studies, College of Liberal Arts, at the University of Massachusetts, Boston, as well as an Affiliate Faculty of the Asian Studies Department; the Asian American Studies Program; the Cinema Studies Program; and the Department of Conflict Resolution, Human Security and Global Governance. She is also an Affiliated Researcher, Consortium on Gender, Security and Human Rights, and the Series Editor for the Dissident Feminisms Series at the University of Illinois Press.
Dr. Rine Vieth is a researcher studying how the UK Immigration and Asylum tribunals consider claims of belief, how claims of religious belief are evidenced, and the role of faith communities in asylum-seeker support.
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Shannon Philip's book Becoming Young Men in a New India: Masculinities, Gender Relations and Violence in the Postcolony (Cambridge UP, 2022) tells the gendered story of a changing India through the lives of its young middle class men. Through time spent ethnographically 'hanging-out' with young men in gyms, bars, clubs, trains and gay cruising grounds in India, this book critically reveals Indian men's violence towards women in various city spaces and also shows the many classed and masculine entitlements and challenges that they experience. The book lays bare the often secretive and hidden social worlds of young Indian men and critically analyses the impact young men's actions and identities have not just for themselves, but for the many women they encounter. In this way, it puts forward a critical queer-feminist perspective of men and masculinities in postcolonial India where the politics of class, gender, sexuality, violence and urban spaces come together.
Dr. Shannon Philip is Lecturer in the Department of Sociology at the University of East Anglia and was previously a Postdoctoral Research Associate at the Department of Sociology, University of Cambridge.
Sohini Chatterjee is a PhD Candidate and Vanier Scholar in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.
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We love the tradition of the Amsterdam red light district, where many women stand in the windows in their underwear. Busloads of tourists and school children come by every day to look at them. In the Netherlands, where it has been taken out of the dark and made legal, we can even be proud of this age old profession. It is legal, so it must be okay, right?
In England, Israel and other countries, we see the street prostitutes standing alongside the road in skimpy clothes, waiting for customers. We often walk by indifferent to their situation, thinking it is their own choice.
Of course, we must realize that behind the scenes the reality is different? Red Alert: The Inside Story of Prostitution and Human Trafficking (Scholten Uitgeverij BV, 2016) takes you undercover into the world of prostitution. Not the outside story of how we think it is, but the inside story, told by the prostitutes from the streets and behind the windows, the windows where many people walk past giggling and pointing, blind to the bitter reality.
After seeing a group of school children walking past the red light windows in Amsterdam, laughing and making fun of the women, and seeing the ashamed and broken look in the women's eyes, Jane Lasonder decided that this book must be written. To give a voice to the voiceless. To open our eyes and our hearts.
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At the time of her death in 1962, Kathleen M. Murphy was recognized as “the most widely and most knowledgeably travelled Irish woman of her time . . . insofar as she let herself be known to the public at all.” An abiding interest in sacred sites and ancient civilizations took Murphy down the Amazon and over the Andes, into the jungles of Southeast Asia and onto the deserts of the Middle East, above the Arctic Circle and behind the Iron Curtain.
After the Second World War, Murphy began publishing a series of vivid, humorous, and often harrowing accounts of her travels in The Capuchin Annual, a journal reaching a largely Catholic and nationalist audience in Ireland and the United States. At home in the Irish midlands, Murphy may have been a modest and retiring figure, but her travelogues shuttle between religious devotion and searching curiosity, primitivist assumptions and probing insights, gender decorum and bold adventuring.
Unaccompanied Traveler: The Writings of Kathleen M. Murphy (Syracuse UP, 2021), with its wide-ranging introduction, detailed notes, and eye-catching maps, retrieves these remarkable accounts from obscurity and presents them to a new generation of readers interested in travel and adventure.
Marci Mazzarotto is an Assistant Professor and Program Coordinator of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on mass media, popular culture and avant-garde art.
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In the excellent expansive book, Rebellious Wives, Neglectful Husbands: Controversies in Modern Qur'anic Commentaries (Oxford UP, 2022), Hadia Mubarak explores the many different interpretations of four Qur’anic verses: 4:128 on nashiz or neglectful husbands, 4:34 on nashiz or rebellious wives, 4:3 on polygyny, and 2:228 on divorce. She does this through a careful examination of four of the most influential Arab male Sunni Qur’anic commentators of the 20th century, namely Seyyed Qutb, Muhammad Abduh, Rashid Rida, and Ibn Ashur; she also compares their interpretations with several medieval, pre-modern commentators from the 9th to the 14th centuries. A part of Mubarak’s conclusion is that interpretations of the Qur’an cannot simplistically be reduced to a monolithic assessment like either patriarchal or feminist but that they are an evolving, complex engagement with phenomena such as colonialism, nationalism, modernity, and the commentator’s own personal background.
In our conversation today, we discuss the individual modern exegetes on whom this study centers, their specific interpretations of the four verses, the unique ways in which they all depart from their predecessors’ interpretations of these verses, and the limits of the current genre of tafsir studies. For example, must we keep defining tafsir in such a way that it justifies our exclusion of scholarly interpretations of the Qur’an provided by those who have not written a complete commentary on the Qur’an? We also discuss whether the specific interpretations of the four verses are indeed diverse and if so, what exactly are those nuances that express diversity.
Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. She earned her PhD in Islamic Studies with a focus on gender from the University of Texas at Austin in 2018. Her dissertation research explored questions of change and tradition, specifically in the context of gender and sexuality, in Islam. She can be reached at [email protected].
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In this episode, Greg Marchildon interviews Sarah Carter on her book Ours by Every Law of Right and Justice: Women and the Vote in the Prairie Provinces published by the University of British Columbia Press in 2020. She examines the reasons why Manitoba, Saskatchewan and Alberta were the first provinces to extend the vote to women in 1916 and why this same franchise was not extended to First Nations men and women as well as targeted minorities such as Chinese-Canadians until much later. Sarah Carter is professor and Henry Marshall Tory Chair of History and Classics at the University of Alberta and has published extensively on Indigenous history and gender in the Prairie Provinces.
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Practicing shame investigates how the literature of medieval England encouraged women to safeguard their honour by cultivating hypervigilance against the possibility of sexual shame. A combination of inward reflection and outward comportment, this practice of 'shamefastness' was believed to reinforce women's chastity of mind and body, and to communicate that chastity to others by means of conventional gestures.
Practicing Shame: Female Honour in Later Medieval England (Manchester UP, 2019) uncovers the paradoxes and complications that emerged from these emotional practices, as well as the ways in which they were satirised and reappropriated by male authors. Working at the intersection of literary studies, gender studies and the history of emotions, it transforms our understanding of the ethical construction of femininity in the past and provides a new framework for thinking about honourable womanhood now and in the years to come.
Mary C. Flannery is a Swiss National Science Foundation Eccellenza Professorial Fellow at the University of Bern
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
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Texts After Terror: Rape, Sexual Violence, and the Hebrew Bible (Oxford UP, 2021) offers an important new theory of rape and sexual violence in the Hebrew Bible. While the Bible is filled with stories of rape, scholarly approaches to sexual violence in the scriptures remain exhausted, dated, and in some cases even un-feminist, lagging far behind contemporary discourse about sexual violence and rape culture. Graybill responds to this disconnect by engaging contemporary conversations about rape culture, sexual violence, and #MeToo, arguing that rape and sexual violence - both in the Bible and in contemporary culture - are frequently fuzzy, messy, and icky, and that we need to take these features seriously.
Texts after Terror offers a new framework informed by contemporary conversations about sexual violence, writings by victims and survivors, and feminist, queer, and affect theory. In addition, Graybill offers significant new readings of biblical rape stories, including Dinah (Gen. 34), Tamar (2 Sam. 13), Bathsheba (2 Sam. 11), Hagar (Gen. 16), Daughter Zion (Lam. 1-2), and the unnamed woman known as the Levite's concubine (Judges 19). Texts after Terror urges feminist biblical scholars and readers of all sorts to take seriously sexual violence and rape, while also holding space for new ways of reading these texts that go beyond terror, considering what might come after.
Rhiannon Graybill is Associate Professor of Religious Studies, at Rhodes College, Memphis, Tennessee.
Rachel Adelman is Associate Professor of Hebrew Bible in the rabbinic program at Hebrew College in Boston.
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Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and success.
In Queer Voices in Hip Hop: Cultures, Communities, and Contemporary Performance (University of Michigan Press, 2022), Lauron J. Kehrer turns our attention to openly queer and trans rappers and presents an alternative and more inclusive narrative about the development of hip hop that includes the contributions of queer people throughout the history of the genre. They consider the role of disco, house music, and the ballroom scene in New York City to demonstrate how these different communities and networks played and continue to play a role in hip hop. Kehrer also explores Bounce, a regional form of hip hop with deep roots in New Orleans and its queer communities that has recently entered national circulation. By centering the performances of openly queer and trans artists of color, Queer Voices in Hip Hop reclaims their work as essential to the development and persistence of hip hop in the United States as it tells the story of the queer roots of hip hop.
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In this podcast episode, Greg Marchildon interviews Stacey Barker and Krista Cooke on the lives of Canadian women and their involvement in the two world wars of the 20th century. They along with co-author Molly McCullough wrote Material Traces of War: Stories of Canadian Women and Conflict, 1914-1945 published by the University of Ottawa Press in 2021 as part of the Canadian Museum of History’s Mercury Series. This book provides short biographies of selected women who served as military nurses, volunteers and workers or who suffered great loss during the two wars. Stacey Barker is an historian in Arts and Military History at the Canadian War Museum in Ottawa while Krista Cooke is a Parks Canada curator with two decades of experience in archives and museums. This podcast was produced by Jessica Schmidt.
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Hearts Ablaze: Parables for the Queer Soul (Morehouse Publishing, 2022), written by Dr. Rolf R. Nolasco Jr., was published by Morehouse Publishing in 2022. In this powerful book, Dr. Nolasco takes us on a journey deeper into the queerness of Jesus and his movement.
These meditations also address the spiritual needs of queer Christians.
This book is a new look at ten selected parables of Jesus, that expands the scope of interpretation of each story to highlight God's extravagant welcome of all people. The perspective in the reflections is deeply personal and written to be used by both individuals and groups. Queer affirming churches, seminaries, and retreat centers will benefit from this resource as they continue to champion the flourishing of their queer siblings in Christ.
Meg Gambino is an artist and activist currently working as the Client and Community Relations Manager at a local nonprofit focused on ending hunger in North Penn. Her life mission is to creatively empower others by modeling reconciliation between communities of people and people on the margins. Find her on Instagram @megambino.
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Lesly Deschler Canossi and Zoraida Lopez-Diago's edited volume Black Matrilineage, Photography, and Representation: Another Way of Knowing (Leuven UP, 2022) questions how the Black female body, specifically the Black maternal body, navigates interlocking structures that place a false narrative on her body and that of her maternal ancestors. Drawing on a wide range of scholarly inquiry and contemporary art, this book addresses these misconceptions and fills in the gaps that exist in the photographic representation of Black motherhood, mothering, and mutual care within Black communities.
The essays and interviews, paired with a curated selection of images, address the complicated relationship between Blackness and photography and in particular its gendered dimension, its relationship to health, sexuality, and digital culture - primarily in the context of racialized heteronormativity. This collection, then, challenges racist images and discourses, both historically and in its persistence in contemporary society, while reclaiming the innate brilliance of Black women through personal stories, history, political acts, connections to place, moments of pleasure, and communal celebration.
This visual exploration of Black motherhood through pictures made by Black woman-identifying photographers thus serves as a reflection of the past and a portal to the future and contributes to recent scholarship on the complexity of Black life and Black joy.
This book emerges from the project Women Picturing Revolution.
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Shailaja Paik's book The Vulgarity of Caste: Dalits, Sexuality, and Humanity in Modern India (Stanford UP, 2022) is an important reflection on the question of Dalit women and their sexuality question. Through the performance of Tamasha, Paik has relooked into the lifeworld of Dalit women and has argued about what the performance of Tamasha means in Dalit women’s everydayness rather than conventionally understanding it through a moral lens of good vs bad. The framework of ‘manuski’ and ‘assli’ reflects upon the Dalit women quest to transgress ascribed identities and it reinforces Dalit performance as a weapon for the weak. The work is a watershed as it re-centers Dalit woman’s experiences in the sex-gender-caste complex, rather than looking at them as passive recipients of male-centered Dalit assertion.
Shailaja Paik is an Associate Professor at the University of Cincinnati. She is Taft's Distinguished Professor of History and Affiliate Faculty in Women's, Gender, and Sexuality Studies, and Asian Studies. Her research lies at the intersection of fields concerning Modern South Asia, Dalit Studies, Women’s Studies, and oral History to mention a few.
Kalyani Kalyani is a sociologist and currently teaches at School of Arts and Sciences in Azim Premji University at Bengaluru.
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Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers.
Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice.
Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
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According to the 2010 US census, more than seventy percent of Black women in America are unmarried. Black Women, Black Love: America's War on African-American Marriage (Seal Press, 2020) reveals how four centuries of laws, policies, and customs have created that crisis.
Dianne Stewart begins in the colonial era, when slave owners denied Blacks the right to marry, divided families, and, in many cases, raped enslaved women and girls. Later, during Reconstruction and the ensuing decades, violence split up couples again as millions embarked on the Great Migration north, where the welfare system mandated that women remain single in order to receive government support. And no institution has forbidden Black love as effectively as the prison-industrial complex, which removes Black men en masse from the pool of marriageable partners.
Prodigiously researched and deeply felt, Black Women, Black Love reveals how white supremacy has systematically broken the heart of Black America, and it proposes strategies for dismantling the structural forces that have plagued Black love and marriage for centuries.
Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at [email protected] and on twitter @MickellCarter
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Life will always bring us experiences and uncertainty, risks, losses - never planned, never found - emotional upheaval that defines what it means to be vulnerable; to break down to our breakthrough. It is here we find the courage to rise up, become our authentic selves and live our purpose.
In this book, twelve women expose their vulnerability, their pain, their truth, their intuitive guidance and insights that led to the courage it has taken to go from the depths of fear, grief, and heartbreak to finding their place in the world. They have come to own their sovereignty, become more empathic, found a new sense of creating a life they love and tapping into gifts that were not recognized prior and found a new vision on their journey.
Women Standing Strong Together: A Collection of Stories with Soul Purpose, Volume II (2023) is about finding that powerful place within; our strength from our life experiences. It’s about courage in a world where we feel not good enough and giving ourselves the permission to examine our lives, become uncomfortable and step into the fire to grow stronger. The shattered pieces in our lives create the magic that waits for us to claim our power within. When we allow ourselves to surrender to the divine plan great things are illuminated before us and our path becomes clear, we climb higher and our goddess emerges.
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Today I interview Erin Reed. Reed is an activist, public speaker, and writer across multiple platforms, including a Substack newsletter, all of which she gathers under the title “Erin in the Morning.” Reed’s work centers on advocacy for the transgender community and the greater queer community. At the moment, she’s undertaken the momentous task of tracking the anti-trans legislation that’s being forwarded in state houses across the country and exposing its troubling, deceitful, and vicious nature. Through her newsletter, social media posts, and in-person appearances, Reed supports not only trans and queer rights, but also a vision for our communities and our country in which mutual care and kindness are our abiding values. To say it another way, Erin supports the fight against cruel ant-trans legislation currently underway and she also connects her readers with trans girl scouts so she can help these kids with their annual cookie sale.
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Laura Ann Twagira, an associate professor of history, head of African Studies, and an affiliate with science in society program and feminist gender sexuality studies program at Wesleyan University, talks about her book, Embodied Engineering: Gendered Labor, Food Security, and Taste in Twentieth-Century Mali with Peoples & Things host, Lee Vinsel. Embodied Engineering examines how women in rural Mali have used technology to ensure food security through the colonial period, environmental crises, and postcolonial rule. Twagira charts how women in Mali resisted some technological changes in agriculture and kitchens while embracing others, often in the name of pursuing their own notions of how food should taste. Twagira and Vinsel also talk about the need to redefine concepts, such as engineering and technology, in different contexts, and how doing so challenges reigning paradigms, such as that the goal of technology adoption should be increasing productivity and replacing labor - two values that women in Mali rejected.
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In Rachael E. Adelman's monograph The Female Ruse: Women's Deception and Divine Sanction in the Hebrew Bible (Sheffield Press, 2017) she explores how the feminine trickster archetype plays a central role in the Hebrew bible and is an important forces that drives the narrative forward and unmasks wisdom.
From Eve to Esther, the Hebrew Bible is replete with gendered tales of trickery. A lie is uttered, a mask donned, a seduction staged, while redemption is propelled forward, guided by the divine hand. From the first 'female ruse' - Eve presenting the fruit of the tree of knowledge to Adam - humanity becomes embodied, engaged in history, moving from the Garden to exile, from wandering to homeland and redemption (and back again). Consider Rebekah dressing her beloved son in goatskins to steal the blessing from his blind father; Lot's daughters lying with their drunken father, and then conceiving the founding fathers of Ammon and Moab; Leah and Rachel, the mothers of the twelve tribes of Israel, duping Jacob on their wedding night; Tamar's seduction of Judah, her father-in-law, who then bears the progenitor of the Davidic line; Naomi sending Ruth to the threshing floor to seduce Boaz by night; Bathsheba invoking an oath that King David had supposedly made in order to forward Solomon, her son, as successor to the monarchy; and Queen Esther concealing her Jewish identity in the Persian imperial court. Over the course of nine chapters, the author traces these narratives of deception; in each case, God is in cahoots with these feminine agents in advancing the providential plan. A tension holds between the 'best laid plans' of men and the divine will as forwarded by women. Drawing on classic rabbinic sources and modern literary exegesis, the author exposes the conflict between the simple progression of genealogies and the process of selection through alliances of family and kin. Women are at the crux of that conflict, seemingly compelled to choose the indirect route while the deity appears to endorse their lie.
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The overturning of Roe v. Wade has led to a flurry of commentary and wondering, "Where next?" But, it also begs deeper questions: what is the history of abortion and sex-positivity within the feminist movement, and how did Roe affect our views on sex? Feminist legal scholar Dr. Erika Bachiochi is the founder and director of the Wollstonecraft Project at the Abigail Adams Institute and a fellow at the Ethics and Public Policy Center. Here, she discusses these questions as well as her recent book on Mary Wollstonecraft, The Rights of Women: Reclaiming a Lost Vision (University of Notre Dame Press, 2021).
Annika Nordquist is the Communications Coordinator of Princeton University’s James Madison Program in American Ideals and Institutions and host of the Program’s podcast, Madison’s Notes.
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Why are there so few women from non-elite backgrounds in Sri Lankan politics? What barriers do they face on their pathways to politics? And what can be done to support them? Ramona Vijeyarasa and Nadine Vanniasinkam join Petra Alderman, associate researcher at NIAS and postdoctoral research fellow at the University of Birmingham, to talk about non-elite women’s political leadership in Sri Lanka. This research is part of a larger comparative project funded by the Australian government’s Department of Foreign Affairs and Trade through the Developmental Leadership Program.
Dr Ramona Vijeyarasa is a Senior Lecturer in the Faculty of Law at the University of Technology Sydney, where she has designed a “Gender Legislative Index” to assess the gender-responsiveness of domestic laws. Her latest book, The Woman President: Leadership, Law and Legacy for Women Based on Experiences from South and Southeast Asia, was published by Oxford University Press in July 2022.
Nadine Vanniasinkam is a Senior Researcher at the International Centre for Ethnic Studies, Sri Lanka. Her research focuses on social inclusion, minority identity politics and religious coexistence with gender as a cross cutting focus.
The Development Leadership Program (DLP) is an international research initiative that explores the role of leadership, power and political processes in forming locally-legitimate ideas, coalitions and institutions that promote development outcomes – from sustainable growth to political stability and social inclusion. To learn more about the larger comparative project on ‘Non-elite pathways to women's political leadership in Sri Lanka and Indonesia’ that Ramona and Nadine are part of, visit their DLP project page.
The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, the University of Helsinki and Asianettverket at the University of Oslo.
We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.
About NIAS: www.nias.ku.dk
Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast
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In most mainstream traditions of Hinduism and Buddhism, women have for centuries largely been excluded from positions of religious and ritual leadership. However, as this volume shows, in an increasing number of late-20th-century and early-21st-century contexts, women can and do undergo monastic and priestly education; they can receive ordination/initiation as Buddhist nuns or Hindu priestesses; and they are accepted as religious and political leaders. Even though these processes still take place largely outside or at the margins of traditional religious institutions, it is clear that women are actually establishing new religious trends and currents. They are attracting followers, and they are occupying religious positions on par with men.
At times women are filling a void left behind by male religious specialists who left the profession, and at times they are perceived as their rivals. In some cases, this process takes place in collaboration with male religious specialists, in others against the will of the women's male counterparts. However, in most cases we see both acceptance and resistance. Whether silently or with great fanfare, women are grasping new opportunities to occupy positions of leadership.
Ute Hüsken's Laughter, Creativity, and Perseverance: Female Agency in Buddhism and Hinduism (Oxford UP, 2022) offers ten in-depth case studies analysing culturally, historically, and geographically unique situations in order to explore the historical background, contemporary trajectories, and impact of the emergence of new and powerful forms of female agency in mostly conservative Hindu and Buddhist religious traditions.
Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.
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Bringing together two voices, practice and theory, in a collaboration that emerges from lived experience and structured reflection upon that experience, O'Mochain and Ueno show how entrenched discursive forces exert immense influence in Japanese society and how they might be most effectively challenged. With a psychosocial framework that draws insights from feminism, sociology, international studies, and political psychology, the authors pinpoint the motivations of the nativist right and reflect on the change of conditions that is necessary to end cultures of impunity for perpetrators of sexual abuse in Japan.
Evaluating the value of the #MeToo model of activism, the authors offer insights that will encourage victims to come out of the shadows, pursue justice, and help transform Japan's sense of identity both at home and abroad. Ueno, a female Japanese educator and O'Mochain, a non-Japanese male academic, examine the nature of sexual abuse problems both in educational contexts and in society at large through the use of surveys, interviews, and engagement with an eclectic range of academic literature. They identify the groups within society who offer the least support for women who pursue justice against perpetrators of sexual abuse. They also ask if far-right ideological extremists are fixated with proving that so-called "comfort women" are higaisha-buru or "fake victims." Japan would have much to gain on the international stage were it to fully acknowledge historical crimes of sexual violence, yet it continues to refuse to do so.
In Sexual Abuse and Education in Japan: In the (Inter)National Shadows (Routledge, 2022), O'Mochain and Ueno shed light on this puzzling refusal through recourse to the concepts of 'international status anxiety' and 'male hysteria.' An insightful read for scholars of Japanese society, especially those concerned about its treatment of women.
Resources for seeking help in Japan:
AWARE(アウェア) [Jpn&Eng]
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
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Drag shows that test the capacity of bars persist alongside wishes for stronger community among River City's LGBTQ population. In this examination of LGBTQ community in a small, Midwestern city, Clare Forstie highlights the ambivalence of LGBTQ lives in the rural Midwest. Drawing on in-depth interviews, ethnographic research, and friendship mapping, Forstie reveals the ways that community spaces are disappearing and emerging, LGBTQ people feel safe and unrecognized, and friendships do and don't matter. In this community, non-LGBTQ allies are essential support for their LGBTQ friends and organizations, but, sometimes, their support comes at a cost. Those who find they feel most comfortable and safe also align with community norms, forming with and connecting to families and identities that are the majority in River City.
In Queering the Midwest: Forging LGBTQ Community (NYU Press, 2022), Forstie offers the story of a community that does not fit neatly into a narrative of progress or decline. Rather, it's a little bit of both. Forstie's ambivalent community framework reveals the ways we might think about our communities and relationships more authentically, embracing the contradictions that inform the possibilities for change.
Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy, and community efforts. His scholarly engagement spans the subject areas of cultural anthropology, queer studies, disability studies, mad studies, and religious studies.
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Over six million prime-age men are neither working nor looking for work; America's low unemployment rate hides the fact that many men have dropped out of the workforce altogether. Our workforce participation rate is on par with that seen during the Great Depression.
Why does this problem affect men so acutely? Why is it so specific to America? What are these missing men doing with their time? How do we differentiate between leisure and idleness? Demographer and economist Nicholas Eberstadt, author of Men Without Work (Templeton Press, 2022), discusses these trends and what they mean for America's future.
Annika Nordquist is the Communications Coordinator of Princeton University’s James Madison Program in American Ideals and Institutions and host of the Program’s podcast, Madison’s Notes.
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This episode of How To Be Wrong is about humility, beauty and the ways in which our society dictates the nature and boundaries of what is deemed beautiful. We talk with philosophy professor and Pulitzer Prize finalist Chloé Cooper Jones about desirability and the ways in which difference is constrained through our social interactions, as well as her own experience as a disabled person. We also discuss some of the ideas in her superb book, Easy Beauty: A Memoir, published by Simon & Schuster in 2022.
John Kaag is Professor and Chair of Philosophy at UMass Lowell and External Professor at the Santa Fe Institute. John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations.
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The idea of brotherhood has been an important philosophical concept for understanding community, equality, and justice. In Gendering Modern Jewish Thought (Indiana UP, 2021), Andrea Dara Cooper offers a gendered reading that challenges the key figures of the all-male fraternity of twentieth-century Jewish philosophy to open up to the feminine.
Cooper offers a feminist lens, which when applied to thinkers such as Franz Rosenzweig and Emmanuel Levinas, reveals new ways of illuminating questions of relational ethics, embodiment, politics, and positionality. She shows that patriarchal kinship as models of erotic love, brotherhood, and paternity are not accidental in Jewish philosophy, but serve as norms that have excluded women and non-normative individuals.
Gendering Modern Jewish Thought suggests these fraternal models do real damage and must be brought to account in more broadly humanistic frameworks. For Cooper, a more responsible and ethical reading of Jewish philosophy comes forward when it is opened to the voices of mothers, sisters, and daughters.
Lea Greenberg is an editor, translator, and scholar of German and Jewish studies.
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In this episode of High Theory, Jack Jen Gieseking tells us about queer space. Queer geographies matter alongside queer temporalities. And it turns out that lesbian life in the 1950s cannot be generalized from the specific history of Buffalo, New York.
In the episode they reference a number of scholarly books including J. Jack Halberstam, In a Queer Time and Place: Transgender Bodies, Subcultural Lives (NYU Press, 2005); Elizabeth Freeman, Time Binds: Queer Temporalities, Queer Histories (Duke UP, 2010); Elizabeth Lapovsky Kennedy and Madeline D. Davis, Boots of Leather, Slippers of Gold: The History of a Lesbian Community (Routledge, 1993); Mairead Sullivan, Lesbian Death: Desire and Danger between Feminist and Queer (Minnesota UP, 2022); Henri Lefebre, The Production of Space (La production de l'espace, Editions Anthropos, 1974, trans. Donald Nicholson-Smith, Blackwell, 1919). He also names a number of scholars, including the geographer Gill Valentine, the historian David Harvey, and cultural anthropologist Gayle Rubin, and the 1982 Barnard Conference on Sexuality.
Jack Jen Gieseking is a Research Fellow at the Five College Women’s Studies Research Center. Their book A Queer New York: Geographies of Lesbians, Dykes, and Queers was published by NYU Press in 2020, and has a companion website called An Everyday Queer New York. They are working on a new book called Dyke Bars*: Queer Spaces for the End Times that uses the trans asterisk to invite consideration of queer spaces not historically claimed as dyke bars.
Image: “Last Lesbian Bars in New York City” © 2023 Saronik Bosu
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The Vulgarity of Caste: Dalits, Sexuality, and Humanity in Modern India (Stanford UP, 2022) offers the first social and intellectual history of Dalit performance of Tamasha—a popular form of public, secular, traveling theater in Maharashtra—and places Dalit Tamasha women who represented the desire and disgust of the patriarchal society at the heart of modernization in twentieth century India. Drawing on ethnographies, films, and untapped archival materials, Shailaja Paik illuminates how Tamasha was produced and shaped through conflicts over caste, gender, sexuality, and culture. Dalit performers, activists, and leaders negotiated the violence and stigma in Tamasha as they struggled to claim manuski (human dignity) and transform themselves from ashlil(vulgar) to assli (authentic) and manus (human beings).
Building on and departing from the Ambedkar-centered historiography and movement-focused approach of Dalit studies, Paik examines the ordinary and everydayness in Dalit lives. Ultimately, she demonstrates how the choices that communities make about culture speak to much larger questions about inclusion, inequality, and structures of violence of caste within Indian society, and opens up new approaches for the transformative potential of Dalit politics and the global history of gender, sexuality, and the human.
Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia.
Niharika Yadav is a PhD candidate in the history department at Princeton University. She is a historian of South Asia whose research interests include the genealogies of literary and political practices; print cultures; and language movements in postcolonial India.
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Since 2016, and with the blessing of Pope Francis, Father Jim Martin has been talking with LGBT Catholics about their relationship with their church. That’s the subject of his book, Building a Bridge, and also a documentary film by the same title; we talk about what the bridge is and where it might take us. He also reflects on his vocation as a Jesuit priest and editor-at-large at America Magazine: the Jesuit Review and about his travels in the Holy Land.
In this episode we refer back to earlier conversations, including episode 16 with Colleen Dulle of America Media and episode 17 with Fr. Greg Boyle, SJ of Homeboy Industries, both from May of 2022.
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In Break Point: Two Minnesota Athletes and the Road to Title IX (University of Minnesota Press, 2022), Sheri Brenden examines how two teenage girls in Minnesota jump-started a revolution in high school athletics Peggy Brenden, a senior, played tennis. Toni St. Pierre, a junior, was a cross country runner and skier. All these two talented teenagers wanted was a chance to compete on their high school sports teams. But in Minnesota in 1972 the only way on the field with the boys ran through a federal court--so that was where the girls went. Break Point tells the story, for the first time, of how two teenagers took on the unequal system of high school athletics, setting a legal precedent for schools nationwide before the passage of Title IX.
As Peggy's younger sister, author Sheri Brenden is uniquely positioned to convey the human drama of the case, the stakes, and the consequences for two young women facing the legal machinery of the state, in court and in school. In an account that begins with Peggy painstakingly typing her appeal to the Minnesota Civil Liberties Union and concludes with a long view of what Brenden v. Independent School District 742 set in motion, Sheri Brenden summons the salient details of this landmark case as it makes its way through the courts. Peggy and Toni, coaches, administrators, and experts testify before Judge Miles Lord, whose decision, upheld in a precedent-setting appeal, would change these girls' lives and open up athletic opportunities for innumerable others. Grounded in newspaper coverage, court records, and interviews, Brenden's deeply researched, scrupulously reported book is at heart the story of two talented teenage girls whose pluck and determination--and, often, heartache--led to a victory much greater than any high school championship.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
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Claudia Garcia crossed the border because her toddler, Natalia, could not hear. Leaving behind everything she knew in Mexico, Claudia recounts the terror of migrating alone with her toddler and the incredible challenges she faced advocating for her daughter's health in the United States. When she arrived in Texas, Claudia discovered that being undocumented would mean more than just an immigration status—it would be a way of living, of mothering, and of being discarded by even those institutions we count on to care.
Elizabeth Farfán-Santos spent five years with Claudia. As she listened to Claudia's experiences, she recalled her own mother's story, another life molded by migration, the US-Mexico border, and the quest for a healthy future on either side. Witnessing Claudia's struggles with doctors and teachers, we see how the education and medical systems enforce undocumented status and perpetuate disability. At one point, in the midst of advocating for her daughter, Claudia suddenly finds herself struck by debilitating pain. Claudia is lifted up by her comadres, sent to the doctor, and reminded why she must care for herself.
A braided narrative that speaks to the power of stories for creating connection, Undocumented Motherhood: Conversations on Love, Trauma, and Border Crossing (University of Texas Press, 2022) reveals what remains undocumented in the motherhood of Mexican women who find themselves making impossible decisions and multiple sacrifices as they build a future for their families.
Elizabeth Farfán-Santos is a medical anthropologist and the author of Black Bodies, Black Rights: The Politics of Quilombolismo in Contemporary Brazil.
Reighan Gillam is Associate Professor in the Department of Anthropology at the University of Southern California. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
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In “Fame is Not Just for the Fellas”: Female Renown and the Childhood of Famous Americans Series (University of Massachusetts Press, 2022), Gregory Pfitzer examines the editorial and production choices surrounding the biographies of women in the popular children’s book series Childhood of Famous Americans, published between 1932 and 1958. Using conversations and disagreements among authors, editors, readers, reviewers, and sales agents at Bobbs-Merrill publishers, the book tells the story of how female subjects were chosen and what went into writing these histories for young readers of the time. Tensions between “feminism” and “femininity” reflected changing Cold War gender norms, and sources reveal ongoing negotiation of the virtues that the biographies should instill. Pfitzer illustrates how these books shaped children's thinking and historical imaginations around girlhood using tales from the past and considers the influence of the series on readers and American culture more broadly. "Fame Is Not Just for the Fellas" places the series in the context of national debates around fame, gender, historical memory, and portrayals of children and childhood for a young reading public--charged debates that continue to this day.
Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks.
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Western sanctions have slowed Iran's economy, causing protests against the absence of freedom and opportunities -- teachers their lack of pay; farmers their lack of water; retirees their fear of economic insecurity. But at the heart of this powerful new movement has been Iran's women, whose frustration with Iran’s misogynist theocracy had been mounting for four decades.
This week on International Horizons, RBI Research Associate Ellen Chesler is joined by Mahnaz Afkhami, former Minister of Women's Affairs in Iran, and Kelly Shannon, Associate Professor of History at Florida Atlantic University, to discuss the rise of the women's movement in Iran. The interviewees describe how the different interpretations of the Quran have influenced politics and the role women play in Muslim societies, the prospects of the protests in Iran, and the importance of collective action in bringing about change.
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Danielle Bean talks about everyday mysticism and learning to listen for God in her book, Whisper: Finding God in the Everyday. God is there in our daily tasks and especially in our daily relationships. She also talks about the special role that women play in the Catholic Church – the feminine genius – from the Virgin Mary to today’s busy moms. Both of these threads are a delightful continuation of our earlier discussion about St. Thérèse of Lisieux and the Little Way (with Heather King and Lauren Nelson, on episodes 04 and 05, respectively).
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Fatigue, disorientation, numbness, envy, rage, burnout. What good could come from thinking about trans experience and these bad feelings? In Side Affects: On Being Trans and Feeling Bad (University of Minnesota Press, 2022), Hil Malatino theorizes the centrality of bad feelings in a world of quotidian and spectacular anti-trans misrecognition, hostility, and violence. He does so not only to understand how bad feelings arise and how they can be hard to survive, but also what they can make possible when they are taken up through political practices of care. Centered on trans experience as it is represented through many cultural productions, Malatino highlights the pressure on trans folks to be made happy by transition. He takes the analysis further by arguing for the power of communal care to enable survival not despite, but through these feelings.
Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver.
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In histories of enslavement and in Black women's history, coercion looms large in any discussion of sex and sexuality. At a time when sexual violence against Black women was virtually unregulated—even normalized—a vast economy developed specifically to sell the sexual labor of Black women. In Consent in the Presence of Force: Sexual Violence and Black Women's Survival in Antebellum New Orleans (UNC Press, 2023), Emily A. Owens wrestles with the question of why white men paid notoriously high prices to gain sexual access to the bodies of enslaved women to whom they already had legal and social access.
Owens centers the survival strategies and intellectual labor of Black women enslaved in New Orleans to unravel the culture of violence they endured, in which slaveholders obscured "the presence of force" with arrangements that included gifts and money. Owens's storytelling highlights that the classic formulation of rape law that requires "the presence of force" and "the absence of consent" to denote a crime was in fact a key legal fixture that packaged predation as pleasure and produced, rather than prevented, violence against Black women. Owens dramatically reorients our understanding of enslaved women's lives as well as of the nature of violence in the entire venture of racial slavery in the U.S. South. Unsettling the idea that consent is necessarily incompatible with structural and interpersonal violence, this history shows that when sex is understood as a transaction, women are imagined as responsible for their own violation.
Katrina Anderson is a doctoral candidate at the University of Delaware.
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Though we are all one—“there is neither Jew nor Greek,” St. Paul wrote to the Galatians—each of us brings a particular heritage to the mosaic of God’s universal pilgrim church on Earth. Father Maurice Nutt helps us understand and celebrate the special contribution of African Americans in the Catholic Church. Father Maurice is a redemptorist priest and former director of the Institute for Black Catholic Studies at Xavier University in New Orleans, an apostolate that celebrates and connects Black Catholicism in the United States, the Caribbean, and Africa. And, as fewer Americans are embracing the vocation of the priesthood, more pastors are coming to us from other countries, which brings both cultural opportunities and challenges.
In addition, Fr. Maurice tells us about his friend and mentor, Sister Thea Bowman, and the case he and others are making for her sainthood.
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Ever since her triumphant debut in Chaucer's Canterbury Tales, the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers--from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In The Wife of Bath: A Biography (Princeton UP, 2023), Marion Turner tells the fascinating story of where Chaucer's favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter.
A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a story of rape and redemption. Formed from misogynist sources, she plays with stereotypes. Turner sets Alison's fictional story alongside the lives of real medieval women--from a maid who travelled around Europe, abandoned her employer, and forged a new career in Rome to a duchess who married her fourth husband, a teenager, when she was sixty-five. Turner also tells the incredible story of Alison's post-medieval life, from seventeenth-century ballads and Polish communist pop art to her reclamation by postcolonial Black British women writers.
Entertaining and enlightening, funny and provocative, The Wife of Bath is a one-of-a-kind history of a literary and feminist icon who continues to capture the imagination of readers.
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“Raise your voice!” and “Speak up!” are familiar refrains that assume, all too easily, that gaining voice will lead to empowerment, healing, and inclusion for marginalized subjects. Marlene Schäfers’s Voices That Matter: Kurdish Women at the Limits of Representation in Contemporary Turkey (U Chicago Press, 2022) reveals where such assumptions fall short, demonstrating that “raising one’s voice” is no straightforward path to emancipation but fraught with anxieties, dilemmas, and contradictions. In its attention to the voice as form, this book examines not only what voices say but also how they do so, focusing on Kurdish contexts where oral genres have a long, rich legacy. Examining the social labor that voices carry out as they sound, speak, and resonate, Schäfers shows that where new vocal practices arise, they produce new selves and practices of social relations. In Turkey, recent decades have seen Kurdish voices gain increasing moral and political value as metaphors of representation and resistance. Women’s voices, in particular, are understood as potent means to withstand patriarchal restrictions and political oppression. By ethnographically tracing the transformations in how Kurdish women relate to and employ their voices as a result of these shifts, Schäfers illustrates how contemporary politics foster not only new hopes and desires but also create novel vulnerabilities as they valorize, elicit, and discipline voice in the name of empowerment and liberation.
Marlene Schäfers is assistant professor in cultural anthropology at Utrecht University in the Netherlands. You may find some of the songs mentioned in the book and the episode here.
Armanc Yildiz is a doctoral candidate in Social Anthropology with a secondary field in Studies in Women, Gender and Sexuality at Harvard University. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor.
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Over the last five decades, Black women have been one of the fastest-growing segments of the global prison population, thanks to changes in policies that mandate incarceration for nonviolent offenses and criminalize what women do to survive interpersonal and state violence. In The Healing Stage: Black Women, Incarceration, and the Art of Transformation (Ohio State UP, 2022), Lisa Biggs reveals how four ensembles of currently and formerly incarcerated women and their collaborating artists use theater and performance to challenge harmful policies and popular discourses that justify locking up "bad" women.
Focusing on prison-based arts programs in the US and South Africa, Biggs illustrates how Black feminist cultural traditions--theater, dance, storytelling, poetry, humor, and protest--enable women to investigate the root causes of crime and refute dominant narratives about incarcerated women. In doing so, the arts initiatives that she writes about encourage individual and collective healing, a process of repair that exceeds state definitions of rehabilitation. These case studies offer powerful examples of how the labor of incarcerated Black women artists--some of the most marginalized and vulnerable people in our society--radically extends our knowledge of prison arts programs and our understanding of what is required to resolve human conflicts and protect women's lives.
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Content note: This episode contains discussions of suicide, as well as allusions to graphic anti-LGBTQ+ and anti-Black violence
Advances in LGBTQ rights in the recent past—marriage equality, the repeal of Don't Ask, Don't Tell, and the expansion of hate crimes legislation—have been accompanied by a rise in attacks against trans, queer and/or gender-nonconforming people of color. In Atmospheres of Violence: Structuring Antagonism and the Trans/Queer Ungovernable (Duke UP, 2021), theorist and organizer Eric A. Stanley shows how this seeming contradiction reveals the central role of racialized and gendered violence in the United States. Rather than suggesting that such violence is evidence of individual phobias, Stanley shows how it is a structuring antagonism in our social world. Drawing on an archive of suicide notes, AIDS activist histories, surveillance tapes, and prison interviews, they offer a theory of anti-trans/queer violence in which inclusion and recognition are forms of harm rather than remedies to it. In calling for trans/queer organizing and worldmaking beyond these forms, Stanley points to abolitionist ways of life that might offer livable futures.
Dr. Eric A. Stanley is an associate professor in the Department of Gender and Women’s Studies at the University of California, Berkeley.
Rine Vieth is a researcher studying how the UK Immigration and Asylum tribunals consider claims of belief, how claims of religious belief are evidenced, and the role of faith communities in asylum-seeker support.
Links referenced in the episode:
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In The Made-Up State: Technology, Trans Femininity, and Citizenship in Indonesia (Cornell UP, 2022), Benjamin Hegarty contends that warias, one of Indonesia's trans feminine populations, have cultivated a distinctive way of captivating the affective, material, and spatial experiences of belonging to a modern public sphere. Combining historical and ethnographic research, Hegarty traces the participation of warias in visual and bodily technologies, ranging from psychiatry and medical transsexuality to photography and feminine beauty.
The concept of development deployed by the modern Indonesian state relies on naturalizing the binary of "male" and "female." As historical brokers between gender as a technological system of classifying human difference and state citizenship, warias shaped the contours of modern selfhood even while being positioned as nonconforming within it. The Made-Up State illuminates warias as part of the social and technological format of state rule, which has given rise to new possibilities for seeing and being seen as a citizen in postcolonial Indonesia.
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Professor Michele Ford is the Director of the Sydney Southeast Asia Centre, a university-wide multidisciplinary center at the University of Sydney, Australia.
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In A Regarded Self: Caribbean Womanhood and the Ethics of Disorderly Being (Duke UP, 2021), Kaiama L. Glover champions unruly female protagonists who adamantly refuse the constraints of coercive communities. Reading novels by Marie Chauvet, Maryse Condé, René Depestre, Marlon James, and Jamaica Kincaid, Glover shows how these authors' women characters enact practices of freedom that privilege the self in ways unmediated and unrestricted by group affiliation. The women of these texts offend, disturb, and reorder the world around them. They challenge the primacy of the community over the individual and propose provocative forms of subjecthood. Highlighting the style and the stakes of these women's radical ethics of self-regard, Glover reframes Caribbean literary studies in ways that critique the moral principles, politicized perspectives, and established critical frameworks that so often govern contemporary reading practices. She asks readers and critics of postcolonial literature to question their own gendered expectations and to embrace less constrictive modes of theorization.
Anna E. Lindner is a doctoral candidate in the Department of Communication at Wayne State University in Detroit, Michigan. On Twitter.
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Today I talked to Dr. Heidi K. Gardner about her new book (co-authored with Ivan A. Matviak) Smarter Collaboration: A New Approach to Breaking Down Barriers and Transforming Work (HBR Press, 2022)
Diversity doesn’t mean much if a range of people are in the room but not really a part of the conversation taking place there. To counter that all-together too frequent shortcoming, today’s guest has focused on a variety of ways to achieve better collaboration where multiple viewpoints enrich the outcome. One way is to understand seven key dimensions of collaboration that focus on the personalities and behavioral tendencies in that room. Are people given to being risk seekers or spotters, for instance? Do they tend to be complex or concrete thinkers? And so on. Another way forward is to understand how the team will be evaluated and rewarded. When pay and promotions are weighted such that 40% is dependent on the outcome for customers, you tend to get a broader, more altruistic vantage point. Underlying it all in this conversation is how to overcome homophily: the basic human tendency to form connections with people most like yourself, thereby (unconsciously) excluding those who may look, dress, talk, think and feel in ways outside of your natural comfort zone.
Dr. Heidi K. Gardner is a Distinguished Fellow at Harvard Law School and was previously a professor at Harvard Business School and a consultant at McKinsey & Co. Named by Thinkers50 as a Next Generation Business Guru, she has lived and worked on four continents and holds a PhD from London Business School.
Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His newest book is Emotionomics 2.0: The Emotional Dynamics Underlying Key Business Goals. To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
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In this episode of the Blue Beryl Podcast, Pierce Salguero sits down with Wakoh Shannon Hickey, who is a Soto Zen priest, hospice chaplain, scholar, and activist. She talks about her early experiences with social violence in the 1980s, her work as a hospital chaplain, and her 2019 book Mind Cure, which is a groundbreaking social history of religion and mindfulness in the U.S.
Resources:
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Pierce Salguero is a transdisciplinary scholar of health humanities who is fascinated by historical and contemporary intersections between Buddhism, medicine, and crosscultural exchange. He has a Ph.D. in History of Medicine from the Johns Hopkins School of Medicine (2010), and teaches Asian history, medicine, and religion at Penn State University’s Abington College, located near Philadelphia. He is also the host (with Lan Li) of the Blue Beryl podcast. Subscribe to Blue Beryl here.
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In Administering Affect: Pop-Culture Japan and the Politics of Anxiety (Stanford UP, 2022), Daniel White draws on extensive fieldwork in government ministries and government-adjacent organizations to explore Japan’s current “politics of anxiety,” the ways in which state administrators have transformed anxieties about Japan’s global geopolitical status into future-oriented programs of national branding and revitalization based on a narrowly defined vision of pop-culture as synecdoche and savior. Examining the so-called “Cool Japan” soft-power strategy and policymaking decisions to nominate anime favorite Doraemon as a cultural ambassador and icons of young women’s culture as “Ambassadors of Cute,” White shows that the anxieties driving Japan’s administrators are disseminated into the culture broadly. He also pays close attention to the gender politics of these campaigns and the instrumentalization of women as agents of national branding and soft-power politics.
Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
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Today I talked to Ellen Cassedy about her new book Working 9 to 5: A Women's Movement, a Labor Union, and the Iconic Movie (Chicago Review Press, 2022).
Many people may identify 9 to 5 with the comic film starring Jane Fonda, Dolly Parton and Lily Tomlin or perhaps only know Parton’s hit song that served as its theme. But 9 to 5 wasn't just a comic film—it was a movement built by Ellen Cassedy and her friends. Ten office workers in Boston started out sitting in a circle and sharing the problems they encountered on the job. In a few short years, they had built a nationwide movement that united people of diverse races, classes, and ages. They took on the corporate titans. They leafleted and filed lawsuits and started a woman-led union. They won millions of dollars in back pay and helped make sexual harassment and pregnancy discrimination illegal. The women office workers who rose up to win rights and respect on the job transformed workplaces throughout America. And along the way came Dolly Parton's toe-tapping song and a hit movie inspired by their work. Working 9 to 5 is a lively, informative, firsthand account packed with practical organizing lore that will embolden anyone striving for fair treatment.
Ellen Cassedy was a founder of the 9 to 5 organization in 1973. She is the coauthor with Karen Nussbaum of 9 to 5: The Working Woman's Guide to Office Survival and with Ellen Bravo of The 9 to 5 Guide to Combating Sexual Harassment. Ellen Cassedy is a former columnist for the Philadelphia Daily News, was a speechwriter in the Clinton administration, and has contributed to Huffington Post, Redbook, Woman's Day, Hadassah, Philadelphia Inquirer, and other publications.
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Rebecca Binn's Gee Vaucher: Beyond Punk, Feminism and the Avante Garde (Manchester University Press, 2022) is the first book-length work dedicated to the life and career of Vaucher. As one of the people who defined punk's protest art in the 1970s and 1980s, Gee Vaucher (b. 1945) deserves to be much better-known. She produced confrontational album covers for the legendary anarchist band Crass and later went on to do the same for Northern indie legends the Charlatans, among others. More recently, her work was recognized the day after Donald Trump's 2016 election victory, when the front page of the Daily Mirror ran her 1989 painting Oh America, which shows the Statue of Liberty, head in hands. This is the first book to critically assess an extensive range of Vaucher's work. It examines her unique position connecting avant-garde art movements, counterculture, punk and even contemporary street art. While Vaucher rejects all 'isms', her work offers a unique take on the history of feminist art. The book explores how her life has shaped her output, with particular focus on the open-house collective at Dial House in Essex, a centre for radical creativity.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
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Author Heather King discusses her journey from the alcoholic abyss to redemption and new life (which she described in her book, Parched, 2006), St. Thérèse of Lisieux and the Little Way (whom she wrote about in her book, Shirt of Flame, 20011), the Communion of Saints, literature, women in the Church. In this conversation, we talk over the “Little Ways” that we may look for in our lives to follow the Way of Jesus—as women, men, parents, clerics, lay-people, writers, teachers, workers, and every other kind of human—whether or not anyone see us doing it, except God.
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The loss of lesbian spaces, as well as ideas of the lesbian as anachronistic, has called into question the place of lesbian identity within our current culture. In Lesbian Death: Desire and Danger Between Feminist and Queer (U Minnesota Press, 2022), Mairead Sullivan probes the perception that lesbian status is in retreat, exploring the political promises—and especially the failures—of lesbian feminism and its usefulness today.
Lesbian Death reads how lesbian is conceptualized in relation to death from the 1970s onward to argue that lesbian offers disruptive potential. Lesbian Death examines the rise of lesbian breast cancer activism in San Francisco in conversation with ACT UP, the lesbian separatist manifestos “The C.L.I.T. Papers,” the enduring specter of lesbian bed death, and the weaponization of lesbian identity against trans lives.
By situating the lesbian as a border figure between feminist and queer, Lesbian Death offers a fresh perspective on the value of lesbian for both feminist and queer projects, even if her value is her death.
Cover alt text: Background covered entirely by yellow text, quoting the reasons the author wrote this book; the main title in black follows the block of text
Mairead Sullivan is Associate Professor of Women’s and Gender Studies at Loyola Marymount University.
Sohini Chatterjee is a PhD Candidate and Vanier Scholar in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.
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Examining infanticide cases in the United States from the late eighteenth to the late nineteenth centuries, Felicity M. Turner's Proving Pregnancy: Gender, Law, and Medical Knowledge in Nineteenth-Century America (UNC Press, 2022) documents how women—Black and white, enslaved and free—gradually lost control over reproduction to male medical and legal professionals. In the first half of the nineteenth century, community-based female knowledge played a crucial role in prosecutions for infanticide: midwives, neighbors, healers, and relatives were better acquainted with an accused woman's intimate life, the circumstances of her pregnancy, and possible motives for infanticide than any man. As the century progressed, women accused of the crime were increasingly subject to the scrutiny of white male legal and medical experts educated in institutions that reinforced prevailing ideas about the inferior mental and physical capacities of women and Black people. As Reconstruction ended, the reach of the carceral state expanded, while law and medicine simultaneously privileged federal and state regulatory power over that of local institutions. These transformations placed all women's bodies at the mercy of male doctors, judges, and juries in ways they had not been before.
Reframing knowledge of the body as property, Felicity M. Turner shows how, at the very moment when the federal government expanded formal civil and political rights to formerly enslaved people, the medical profession instituted new legal regulations across the nation that restricted access to knowledge of the female body to white men.
Katrina Anderson is a doctoral candidate at the University of Delaware.
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Jayne Mansfield (1933-1967) was driven not just to be an actress but to be a star. One of the most influential sex symbols of her time, she was known for her platinum blonde hair, hourglass figure, outrageously low necklines, and flamboyant lifestyle. Hardworking and ambitious, Mansfield proved early in her career that she was adept in both comic and dramatic roles, but her tenacious search for the spotlight and her risqué promotional stunts caused her to be increasingly snubbed in Hollywood.
In Jayne Mansfield: The Girl Couldn't Help It (UP of Kentucky, 2021), Eve Golden offers a joyful account of the star Andy Warhol called "the poet of publicity," revealing the smart, determined woman behind the persona. While she always had her sights set on the silver screen, Mansfield got her start as Rita Marlowe in the Broadway show Will Success Spoil Rock Hunter?. She made her film debut in the low-budget drama Female Jungle (1955) before landing the starring role in The Girl Can't Help It (1956). Mansfield followed this success with a dramatic role in The Wayward Bus (1957), winning a Golden Globe for New Star of the Year, and starred alongside Cary Grant in Kiss Them for Me (1957). Despite her popularity, her appearance as the first celebrity in Playboy and her nude scene in Promises! Promises! (1963) cemented her reputation as an outsider.
By the 1960s, Mansfield's film career had declined, but she remained very popular with the public. She capitalized on that popularity through in-person and TV appearances, nightclub appearances, and stage productions. Her larger-than-life life ended sadly when she passed away at age thirty-four in a car accident.
Golden looks beyond Mansfield's flashy public image and tragic death to fully explore her life and legacy. She discusses Mansfield's childhood, her many loves—including her famous on-again, off-again relationship with Miklós "Mickey" Hargitay—her struggles with alcohol, and her sometimes tumultuous family relationships. She also considers Mansfield's enduring contributions to American popular culture and celebrity culture. This funny, engaging biography offers a nuanced portrait of a fascinating woman who loved every minute of life and lived each one to the fullest.
Carmen Gomez-Galisteo, Ph.D. is a lecturer at Centro de Educación Superior de Enseñanza e Investigación Educativa (CEIE).
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Arya Aryan's The Post-War Novel and the Death of the Author (Palgrave Macmillan, 2021) not only discloses and examines different functions and concepts of authorship in fiction and theory from the 1950s and 1960s to the present but it also reveals, at least implicitly, a trajectory of some of the modes and functions of the novel as a genre in the last few decades. It argues that the explicit terms of much of the theoretical and philosophical debate surrounding the concept of authorship in the moment of High Theory in the 1980s had already been engaged, albeit often more implicitly, in literary fictions by writers themselves. This book examines the fortunes of the authorship debate and the conceptualisations and functions of authorship before, during, and after the Death of the Author came to prominence as one of the key foci for the moment of High Theory in the 1980s.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
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Lauren N. Haumesser's The Democratic Collapse: How Gender Politics Broke a Party and a Nation, 1856-1861 (UNC Press, 2022) offers a fresh examination of antebellum politics comprehensively examines the ways that gender issues and gendered discourse exacerbated fissures within the Democratic Party in the critical years between 1856 and 1861. Whereas the cultural politics of gender had bolstered Democratic unity through the 1850s, the Lecompton crisis and John Brown's raid revealed that white manhood and its association with familial and national protection meant disparate--and ultimately incompatible--things in free and slave society. In fierce debates over the extension of slavery, gendered rhetoric hardened conflicts that ultimately led to the outbreak of the Civil War.
Lauren Haumesser here traces how northern and southern Democrats and their partisan media organs used gender to make powerful arguments about slavery as the sectional crisis grew, from the emergence of the Republican Party to secession. Gendered charges and countercharges turned slavery into an intractable cultural debate, raising the stakes of every dispute and making compromise ever more elusive.
Lauren N. Haumesser holds a Ph.D. in History from the University of Virginia.
Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at [email protected] and follow him on Twitter @JTRhardt
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In The Dancer's Voice: Performance and Womanhood in Transnational India (Duke UP, 2022) Rumya Sree Putcha theorizes how the Indian classical dancer performs the complex dynamics of transnational Indian womanhood. Putcha argues that the public persona of the Indian dancer has come to represent India in the global imagination—a representation that supports caste hierarchies and Hindu ethnonationalism, as well as white supremacist model minority narratives. Generations of Indian women have been encouraged to embody the archetype of the dancer, popularized through film cultures from the 1930s to the present. Through analyses of films, immigration and marriage laws, histories of caste and race, advertising campaigns, and her own family’s heirlooms, photographs, and memories, Putcha reveals how women’s citizenship is based on separating their voices from their bodies. In listening closely to and for the dancer’s voice, she offers a new way to understand the intersections of body, voice, performance, caste, race, gender, and nation.
Sneha Annavarapu is Assistant Professor of Urban Studies at Yale-NUS College. Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia.
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Qatar, an ambitious country in the Arabian Gulf, grabbed headlines as the first Middle Eastern nation selected to host the FIFA World Cup. As the wealthiest country in the world—and one of the fastest-growing - it is known for its capital, Doha, which boasts a striking, futuristic skyline.
In Changing Qatar: Culture, Citizenship, and Rapid Modernization (NYU Press, 2022), Geoff Harkness takes us beyond the headlines, providing a fresh perspective on modern-day life in the increasingly visible Gulf. Drawing on three years of immersive fieldwork and more than a hundred interviews, he describes a country in transition, one struggling to negotiate the fluid boundaries of culture, tradition, and modernity.
Harkness shows how Qataris reaffirm - and challenge - traditions in many areas of everyday life, from dating and marriage, to clothing and humour, to gender and sports. A cultural study of citizenship in modern Qatar, this book offers an illuminating portrait that cannot be found elsewhere.
Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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Black women continue to have a complex and convoluted relationship with their hair. From grammar and high schools to corporate boardrooms and military squadrons, Black and Afro Latina natural hair continues to confound, transfix, and enrage members of White American society. Why, in 2022, is this still the case? Why have we not moved beyond that perennial racist emblem? And why are women so disproportionately affected?
Why does our hair become most palatable when it capitulates, and has been subjugated, to resemble Caucasian features as closely as possible? Who or what is responsible for the web of supervision and surveillance of our hair? Who in our society gets to author the prevailing constitution of professional appearance?
Particularly relevant during this time of emboldened White supremacy, racism, and provocative othering, Lyzette Wanzer's Trauma, Tresses, and Truth: Untangling Our Hair Through Personal Narratives (Chicago Review Press, 2022) explores how writing about one of the still-remaining systemic biases in schools, academia, and corporate America might lead to greater understanding and respect.
Iqra Shagufta Cheema writes and teaches in the areas of digital cultures, postcolonial literatures, transnational digital feminisms, gender and sexuality studies, and global south film studies. Check out their latest book: The Other #MeToos. Follow them on Twitter.
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In Feminist Transformations and Domestic Violence Activism in Divided Berlin, 1968-2002 (Oxford University Press, 2022), Jane Freeland traces the development of the shelter movement in East and West Germany. In the 1970s, feminist activists exposed the harmful gender norms and lack of legal protections that left women vulnerable to abuse in the home. Their efforts led to the founding of the first women’s shelter in West Berlin in 1976 and a broadly successful campaign that changed legal and social attitudes toward domestic abuse. Situating domestic violence activism within a broader history of feminism in post-war Germany, the book traces the evolution of this movement both across political division and reunification and from grassroots campaign to established, professionalized social service. It links histories of feminism in East and West Germany and challenges historiographies of reunification that focus on feminist failures. Feminist Transformations reflects on the tensions between the activists who founded the shelter movement and the media and bureaucratic institutions that helped build popular and political support, with important consequences for the trajectory of German feminism up to today.
Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks.
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Sandie Holguín (Professor of History and Coeditor of the Journal of Women’s History, University of Oklahoma) speaks with Rebecca Ingram (Associate Professor of Spanish in the Department of Languages, Cultures, and Literatures, University of San Diego) about her book, Women’s Work: How Culinary Cultures Shaped Modern Spain (Vanderbilt University Press, 2022).
Today Spain is widely known for its culinary achievements, drawing tourists from around the world to sample delights from Michelin-starred restaurants. But in the early twentieth century, visitors to Spain complained unceasingly about the poor, primitive qualities of Spanish food and its preparation. To Spanish intellectuals, this denigrated place of Spanish food within the European pantheon of “civilized” cuisines seemed misplaced, and they set about to correct this mischaracterization. It is during this period of Spain’s great imperial losses and uneven economic modernization that Ingram enters to analyze the place of culinary writing in Spain’s modernization process. Ingram dives deeply into the culinary writings of Spanish feminists like Emilia Pardo Bazán and Carmen de Burgos, and the decidedly-not-feminist polymath physician, Gregorio Marañón’, and she examines the culinary training ground for working-class women at Barcelona’s Institut de Cultura i Biblioteca Popular de la Dona. Through her deep reading of culinary paratexts, she elucidates the numerous debates around women’s labor and domesticity and its relationship to Spanish modernity. Ingram reveals "how culinary writing engaged these debates and reached women at the site of much of their daily labor—the kitchen—and, in this way, shaped their thinking."
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This groundbreaking book argues that the fundamental issues around how victim-survivors of digital gender-sexual violations (DGSVs) are abused can be understood in terms of gender and sexual dynamics, constructions, positioning and logics. Digital Gender-Sexual Violations: Violence, Technologies, Motivations (Routledge, 2022) builds upon Hall and Hearn's previous work, Revenge Pornography, but has been substantially reworked to examine other forms of DGSV such as upskirting and sexual deepfakes, as well as the latest research and debates in the field.
Facilitated by developments in internet and mobile technologies, the non-consensual posting of real or fake sexually explicit images of others for revenge, entertainment, homosocial status or political leverage has become a global phenomenon. Using discourse and thematic analytical approaches, this text examines digital, survey and interview data on gendered sexual violences, abuses, and violations. The words of both the perpetrators and victim-survivors are presented, showing the impact on victim-survivors and the complex ways in which phallocentric power relations and existing hegemonic masculinities are reinforced and invoked by perpetrators to position girls and women as gendered and sexualised commodities to be traded, admired, violated or abused for the needs of individual men or groups of men.
Hall, Hearn, and Lewis explore their research in a broader social and political context, evaluating and suggesting changes to existing legislative frameworks, education, victim support, and practical and policy interventions against DGSV, along with wider political considerations. This is a unique resource for students, academics and researchers as well as professionals dealing with issues around digital gender-sexual violations.
Iqra Shagufta Cheema writes and teaches in the areas of digital cultures, postcolonial literatures, transnational digital feminisms, gender and sexuality studies, and global south film studies. Check out their latest book: The Other #MeToos. Follow them on Twitter.
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Ying-chen Peng’s Artful Subversion: Empress Dowager Cixi’s Image Making is a beautiful new volume on late Qing imperial art practice from Yale University Press (forthcoming in 2023). Peng’s book, rigorously researched and richly illustrated, presents a revisionist biography of the Empress Dowager through an analysis of her patronage and participation in making art. Each chapter follows Cixi’s her “artfully subversive” command of various media forms, from photography and portraiture, to architecture, porcelain, painting, and calligraphy. Considering Cixi as a patron and artist in her own right, Peng frames the regent as a canny political and aesthetic strategist who worked within and against conventions that circumscribed female power to craft an assertive role as the face of the Great Qing Empire at a moment of immense historical changes. Join us for a fascinating discussion of the artistic universe crafted by Cixi.
Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms.
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Beverley Chalmers's book Betrayed: Child Sex Abuse in the Holocaust (Grosvenor House, 2020) exposes a taboo aspect of Holocaust history; the sexual abuse of children. Children were sexually assaulted in ghettos, camps, on transit trains, while in hiding, and even when sent to supposed safety outside Europe. The Nazi’s genocidal brutality facilitated the abuse of children, in addition to targeting them for murder. In addition, children were sexually assaulted by some rescuers and peers who took advantage of their vulnerability. After the war, they were again betrayed by those who discounted their experiences, and by Holocaust scholars who refuse to acknowledge their stories or give credence to their memories.
Jeannette Cockroft is an associate professor of history and political science at Schreiner University.
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A critical figure in queer Sinophone cinema—and the first director ever commissioned to create a film for the permanent collection of the Louvre—Tsai Ming-liang is a major force in Taiwan cinema and global moving image art. Cruisy, Sleepy, Melancholy: Sexual Disorientation in the Films of Tsai Ming-Liang (U Minnesota Press, 2022) offers a fascinating, systematic method for analyzing the queerness of Tsai’s films.
Nicholas de Villiers argues that Tsai expands and revises the notion of queerness by engaging with the sexuality of characters who are migrants, tourists, diasporic, or otherwise displaced. Through their lack of fixed identities, these characters offer a clear challenge to the binary division between heterosexuality and homosexuality, as well as the Orientalist binary division of Asia versus the West. Ultimately, de Villiers explores how Tsai’s films help us understand queerness in terms of spatial, temporal, and sexual disorientation.
Conceiving of Tsai’s cinema as an intertextual network, Cruisy, Sleepy, Melancholy makes an important addition to scholarly work on Tsai in English. It draws on extensive interviews with the director, while also offering a complete reappraisal of Tsai’s body of work. Contributing to queer film theory and the aesthetics of displacement, Cruisy, Sleepy, Melancholy reveals striking connections between sexuality, space, and cinema.
Nicholas de Villiers is professor of English and film at the University of North Florida. He is author of Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol and Sexography: Sex Work in Documentary.
Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
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The first monograph devoted to women artists of the Republican period, The Golden Key: Women Artists and Gender Negotiations in Republican China (1911-1949) (Brill, 2020) , authored by Amanda Wangwright, recovers the history of a groundbreaking yet forgotten force in China's modern art world. Through its detailed examination of the lives and careers of six female artists—Guan Zilan, Qiu Ti, Pan Yuliang, Fang Junbi, Yu Feng, and Liang Baibo—this book argues that women were central to the emergence of modernist art in early twentieth-century China and to the nation’s larger modernization project. Amanda S. Wangwright’s analysis of a wealth of primary sources demonstrates how these women constructed public personas, negotiated space within art societies, applied feminist thought to their artistic praxis, and surmounted obstacles to their careers—wielding art as the “golden key” to professional advancement and gender equality.
Huiying Chen is an Assistant Professor in History at Purdue University. She is interested in the circulation of people, goods, and ideas and how societies in history and today cope with the challenges wrought by increased travel in aspects of culture, politics, commerce, law, science, and technology.
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Arguing that we have become culturally obsessed with healing trauma, Sexuality Beyond Consent: Risk, Race, Traumatophilia (NYU Press, 2023) calls attention to what traumatized subjects do with their pain. The erotics of racism offers a paradigmatic example of how what is proximal to violation may become an unexpected site of flourishing. Central to the transformational possibilities of trauma is a queer form of consent, limit consent, that is not about guarding the self but about risking experience. Saketopoulou thereby shows why sexualities beyond consent may be worth risking-and how risk can solicit the future.
Moving between clinical and cultural case studies, Saketopoulou takes up theatrical and cinematic works such as Slave Play and The Night Porter, to chart how trauma and sexuality join forces to surge through the aesthetic domain. Putting the psychoanalytic theory of Jean Laplanche in conversation with queer of color critique, performance studies, and philosophy, Sexuality Beyond Consent proposes that enduring the strange in ourselves, not to master trauma but to rub up against it, can open us up to encounters with opacity. The book concludes by theorizing currents of sadism that, when pursued ethically, can animate unique forms of interpersonal and social care.
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Britney Spears barely survived 2007. She divorced her husband, lost custody of her kids, went to rehab, shaved her head and assaulted a paparazzo. In the midst of her public breakdown, she managed to record an album, Blackout. Critics thought it spelled the end for Britney Spears' career.
But Blackout turned out to be one of the most influential albums of the aughts. It not only brought glitchy digital noise and dubstep into the Top 40, but also transformed Britney into a new kind of pop star, one who shrugged off mainstream ubiquity for the devotion of smaller groups of fans who worshipped her idiosyncratic sound.
Britney Spears’s Blackout (Bloomsbury, 2022) returns to the grimy clubs and paparazzi hangouts of LA in the 2000s as well as the blogs and forums of the early internet to show how Blackout was a crucial hinge between twentieth and twenty-first-century pop.
Natasha Lasky is a writer and filmmaker living in Chicago, USA.
Natasha on Instagram.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley on Twitter.
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Migration is typically seen as a transnational phenomenon, but it happens within borders, too. Oaxaca in Motion: An Ethnography of Internal, Transnational, and Return Migration (U Texas Press, 2022), documents a revealing irony in the latter sort: internal migration often is global in character, motivated by foreign affairs and international economic integration, and it is no less transformative than its cross-border analog.
Iván Sandoval-Cervantes spent nearly two years observing and interviewing migrants from the rural Oaxacan town of Santa Ana Zegache. Many women from the area travel to Mexico City to work as domestics, and men are encouraged to join the Mexican military to fight the US-instigated “war on drugs" or else leave their fields to labor in industries serving global supply chains. Placing these moves in their historical and cultural context, Sandoval-Cervantes discovers that migrants' experiences dramatically alter their conceptions of gender, upsetting their traditional notions of masculinity and femininity. And some migrants bring their revised views with them when they return home, influencing their families and community of origin. Comparing Oaxacans moving within Mexico to those living along the US West Coast, Sandoval-Cervantes clearly demonstrates the multiplicity of answers to the question, “Who is a migrant?"
Iván Sandoval-Cervantes is an assistant professor of anthropology at the University of Nevada, Las Vegas. You can find him on Twitter @IvanAntropologo
Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University, focusing on urban anthropology, futurity, care, and migration. Her work has been featured in Current Anthropology, City & Society, JOTSA, Radical Housing Journal, and entanglements. You can find her on Twitter @alizearican
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Inna Perheentupa's book Feminist Politics in Neoconservative Russia: An Ethnography of Resistance and Resources (Policy Press, 2022) is a nuanced and compelling analysis of grassroots feminist activism in Russia in the politically turbulent 2010s. Drawing on rich ethnographic data, the author illustrates how a new generation of activists chose feminism as their main political beacon, and how they negotiated the challenges of authoritarian and conservative trends. As we witness a backlash against feminism on a global scale with the rise of neoconservative governments, this highly relevant book decentres Western theory and concepts of feminism and social movements, offering significant insights into how resistance can mobilize and invent creative tactics to cope with an increasingly repressed space for independent political action.
Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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While the story of women’s liberation has often been framed by the growing acceptance of pants over the twentieth century, the most important and influential female fashions of the era featured skirts. Suffragists and soldiers marched in skirts; the heroines of the Civil Rights Movement took a stand in skirts. Frida Kahlo and Georgia O’Keeffe revolutionized modern art and Marie Curie won two Nobel Prizes in skirts. When NASA put a man on the moon, “the computer wore a skirt,” in the words of one of those computers, mathematician Katherine G. Johnson. As women made strides towards equality in the vote, the workforce, and the world at large, their wardrobes evolved with them. They did not need to "wear the pants" to be powerful or progressive; the dress itself became modern as designers like Mariano Fortuny, Coco Chanel, Jean Patou, and Diane von Furstenberg redefined femininity for a new era.
Kimberly Chrisman-Campbell's Skirts: Fashioning Modern Femininity in the Twentieth Century (St. Martin's Press, 2022) looks at the history of twentieth-century womenswear through the lens of game-changing styles like the little black dress and the Bar Suit, as well as more obscure innovations like the Taxi dress or the Pop-Over dress, which came with a matching potholder. These influential garments illuminate the times in which they were first worn―and the women who wore them―while continuing to shape contemporary fashion and even opening the door for a genderfluid future of skirts. At once an authoritative work of history and a delightfully entertaining romp through decades of fashion, Skirts charts the changing fortunes, freedoms, and aspirations of women themselves.
Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1
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Women played an essential role in the international struggle against fascism during the interwar period, though their work has been neglected in broader historiography. In Anti-Fascism, Gender, and International Communism (Routledge, 2022), Jasmine Calver provides a comprehensive history of the Comité mondial des femmes contre la guerre et le fascisme (the International Committee of Women Against War and Fascism, or CMF), an international women's organization concerned with confronting the impact of fascism on women and children across the globe. Examining the CMF's key figures and campaigns during its short 1934-41 tenure, Calver reveals its place at the forefront of global debates about the threat posed by fascism and imperialism. This book explores how the professional women activists and the working-class women who populated the organization developed a committee which advocated for women on a global scale. CMF campaigns around the Spanish Civil War, rising Nazism in Germany, the Sino-Japanese War, and the Italian invasion of Ethiopia show its international ambitions. Using newly-available sources to assess CMF congresses, correspondence, travels, and publications, Calver uncovers the complexities of its links to the Communist International, and its status as an early Popular Front organization. The book comes at an important time to reevaluate the successes and failures of historical efforts to combat rising fascist movements.
Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks.
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Cathy McClive (Florida State University) offers the first full-length bilingual edition of an extraordinary treatise on childbirth written by a seventeenth-century French midwife in The Art of Childbirth: A Seventeenth-Century Midwife's Epistolary Treatise to Doctor Vallant (University of Toronto Press, 2022). In 1671, Marie Baudoin (1625-1700), head midwife and governor of the Hôtel-Dieu of Clermont-Ferrand, sent a treatise on the art of childbirth to her powerful Parisian patron, Dr. Vallant. The story of how Baudoin's knowledge and expertise as a midwife came to be expressed, recorded, and archived raises the question: Was Baudoin exceptional because she was herself extraordinary, or because her voice has reached us through Vallant's careful archival practices? Either way, Baudoin's treatise invites us to reconsider the limits of what we thought we knew midwives "could be and do" in seventeenth-century France. Grounding Marie Baudoin's text in a microanalysis of her life, work, and the Jansenist network between Paris and Clermont-Ferrand, this book connects historiographies of midwifery, Jansenism, hospital administration, public health, knowledge and record-keeping, and women's work, underscoring both Baudoin's capabilities and the archival accidents and intentions behind the preservation of her treatise in a letter.
Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
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In Wandering Games (MIT Press, 2022), Melissa Kagen analyzes wandering within different game worlds, viewed through the lenses of work, colonialism, gender, and death. Wandering in games can be a theme, a formal mode, an aesthetic metaphor, or a player action. It can mean walking, escaping, traversing, meandering, or returning. Kagen introduces the concept of “wandering games,” exploring the uses of wandering in a variety of game worlds. She shows how the much-derided Walking Simulator—a term that began as an insult, a denigration of games that are less violent, less task-oriented, or less difficult to complete—semi-accidentally tapped into something brilliant: the vast heritage and intellectual history of the concept of walking in fiction, philosophy, pilgrimage, performance, and protest. Kagen examines wandering in a series of games that vary widely in terms of genre, mechanics, themes, player base, studio size, and funding, giving close readings to Return of the Obra Dinn, Eastshade, Ritual of the Moon, 80 Days, Heaven’s Vault, Death Stranding, and The Last of Us Part II. Exploring the connotations of wandering within these different game worlds, she considers how ideologies of work, gender, colonialism, and death inflect the ways we wander through digital spaces. Overlapping and intersecting, each provides a multifaceted lens through which to understand what wandering does, lacks, implies, and offers. Kagen’s account will attune game designers, players, and scholars to the myriad possibilities of the wandering ludic body.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
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Women, Mysticism, and Hysteria in Fin-De-Siècle Spain (Vanderbilt UP, 2021) argues that the reinterpretation of female mysticism as hysteria and nymphomania in late nineteenth and early twentieth century Spain was part of a larger project to suppress the growing female emancipation movement by sexualizing the female subject. This archival-historical work highlights the phenomenon in medical, social, and literary texts of the time, illustrating that despite many liberals' hostility toward the Church, secular doctors and intellectuals employed strikingly similar paradigms to those through which the early modern Spanish Church castigated female mysticism as demonic possession.
Author Jennifer Smith also directs modern historians to the writings of Emilia Pardo Bazán (1851-1921) as a thinker whose work points out mysticism's subversive potential in terms of the patriarchal order. The only woman author studied here, Pardo Bazán, unlike her male counterparts, rejected the hysteria diagnosis and promoted mysticism as a path for women's personal development and self-realization.
Jennifer Smith is an associate professor of Spanish and chair of the Department of Languages, Cultures, and International Trade at Southern Illinois University.
Carmen Gomez-Galisteo, Ph.D. is a lecturer at Centro de Educación Superior de Enseñanza e Investigación Educativa (CEIE).
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A man is arrested for a single typo, a woman gets on buses at random, and two friends reunite in a changed world.... Diverse in form, scope and style, Amanat: Women's Writing from Kazakhstan (Gaudy Boy, 2022) brings together the voices of thirteen female Kazakhstani writers, to offer a glimpse into the many lives, stories, and histories of one of the largest countries to emerge from the breakup of the Soviet Union.
The twenty-four stories in Amanat, translated into English from Kazakh and Russian, comprise a groundbreaking survey of women's writing in the Central Asian country over its thirty years of independence, paying homage to the rich but largely unrecorded oral storytelling tradition of the region. Contemplating nostalgia, politics, and intergenerational history in a time altered by modernity, Amanat acutely traces the uncertainties, struggles, joys, and losses of a corner of the post-Soviet world often unseen and overlooked.
Utterly absorbing, Amanat is an invitation to listen-the women of Kazakhstan have stories to tell.
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Today I talked to Chris McMorran about his new book Ryokan: Mobilizing Hospitality in Rural Japan (U Hawaii Press, 2022).
Amid the decline of many of Japan’s rural communities, the hot springs village resort of Kurokawa Onsen is a rare, bright spot. Its two dozen traditional inns, or ryokan, draw nearly a million tourists a year eager to admire its landscape, experience its hospitality, and soak in its hot springs. As a result, these ryokan have enticed village youth to return home to take over successful family businesses and revive the community.
Chris McMorran spent nearly two decades researching ryokan in Kurokawa, including a full year of welcoming guests, carrying luggage, scrubbing baths, cleaning rooms, washing dishes, and talking with co-workers and owners about their jobs, relationships, concerns, and aspirations. He presents the realities of ryokan work—celebrated, messy, ignored, exploitative, and liberating—and introduces the people who keep the inns running by making guests feel at home. McMorran explores how Kurokawa’s ryokan mobilize hospitality to create a rural escape from the globalized dimensions of everyday life in urban Japan. Ryokan do this by fusing a romanticized notion of the countryside with an enduring notion of the hospitable woman embodied by nakai, the hired female staff who welcome guests, serve meals, and clean rooms. These women are the face of the ryokan. But hospitality often hides a harsh reality. McMorran found numerous nakai in their 50s, 60s, and 70s who escaped violent or unhappy marriages by finding employment in ryokan. Yet, despite years of experience, nakai remain socially and economically vulnerable. Through this intimate and inventive ethnography of a year in a ryokan, McMorran highlights the importance of both the generational work of ryokan owners and the daily work of their employees, while emphasizing the gulf between them. With its focus on small, family-owned businesses and a mobile, vulnerable workforce, Ryokan makes an invaluable contribution to scholarship on the Japanese workplace. It also will interest students and scholars in geography, mobility studies, and women’s studies and anyone who has ever stayed at a ryokan and is curious about the work that takes place behind the scenes.
John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations.
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Monica Juneja and Sumathi Ramaswamy's Motherland: Pushpamala N.'s 'Woman and Nation' (Roli Books, 2022) examines Motherland, an important series of photo-performances by the acclaimed artist Pushpamala N. on the Indian nation personified as woman, mother, and goddess. The series shows Pushpamala taking on Mother India's myriad personifications: nubile beauty and saintly renunciant; militant goddess wearing a garland of skulls or receiving the ultimate sacrifice of a warrior's head; the mother-surgeon activating the birth of model citizens; and destitute widow, bent from years of abject labor. As she does so, she reveals that nations are invented, as are national embodiments. The artist's burden is to reveal the ingredients of such inventions.
Ujaan Ghosh is a graduate student at the Department of Art History at University of Wisconsin, Madison
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In a pathbreaking new book, today’s guest, Jennifer Eun-Jung Row, asks how delay and haste in early modern French theater subverts the temporality of heteronormative politics and sexuality. Professor Row is the author of Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage, published by Northwestern University Press in 2022. A Professor of French at the University of Minnesota, Professor Row serves as the co-chair of the Arts and Design and Humanities Imagine for the project "Dreaming up the Change Disability Makes" and leads the CLA Interdisciplinary Collaborative Workshop on “Refusing Disposability: Racial and Disability Justice Toward Another World.” Professor Row’s scholarship has been supported by the National Endowment of the Humanities and a Solmsen Postdoctoral Fellowship from the University of Wisconsin-Madison.
John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.
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Kwasi Konadu's book Many Black Women of this Fortress: Graça, Mónica and Adwoa, Three Enslaved Women of Portugal's African Empire (Hurst, 2022) presents rare evidence about the lives of three African women in the sixteenth century--the very period from which we can trace the origins of global empires, slavery, capitalism, modern religious dogma and anti-Black violence. These features of today's world took shape as Portugal built a global empire on African gold and bodies. Forced labor was essential to the world economy of the Atlantic basin, and afflicted many African women and girls who were enslaved and manumitted, baptised and unconvinced.
While some women liaised with European and mixed-race men along the West African coast, others, ordinary yet bold, pushed back against new forms of captivity, racial capitalism, religious orthodoxy and sexual violence, as if they were already self-governing. Many Black Women of this Fortress lays bare the insurgent ideas and actions of Graça, Mónica and Adwoa, charting how they advocated for themselves and exercised spiritual and female power. Theirs is a collective story, written from obscurity; from the forgotten and overlooked colonial records. By drawing attention to their lives, we dare to grasp the complexities of modernity's gestation.
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In this interview, we speak with Dr. amina wadud about her latest book Once in a Lifetime (Kantara Press, 2022), a book that started out as a blog for her hajj journey back in 2012.
Dr. amina wadud is Professor Emeritus of Islamic Studies at Virginia Commonwealth University. She earned her PhD in Arabic and Islamic Studies from the University of Michigan in 1988. Her other books are Qur’an and Woman: Re-reading the Sacred Text from a Woman’s Perspective published in 1992 with Oxford UP and Inside the Gender Jihad: Women's Reform in Islam, published with Oneworld in 2006.
The book is rooted in her experience of the famous five pillars of Islam, through a feminist, inclusive, and faith-centered lens. Each chapter includes relevant experiences related to the theme of the chapter, such as her specific experiences at hajj or the gendered nature of certain Islamic rituals and the ways that common understandings of these rituals might affect women.
In our conversation, we talk about the theme of the masculine and the feminine that figures throughout the book, the gender of God, the Islamic concept of tawhid (monotheism, unity of God) and its relation to fractals and nature and the cosmos, and her experiences at hajj, which serve as the basis of the book. But mostly, I attempt to utilize my time with her to hear her speak about her journey through the last several decades as a Muslim academic committed to social justice and faith.
The book’s accessible and approachable style makes it especially useful for undergraduate religion courses, including Islam and Islam and gender specific courses. Anyone interested in personal journeys in religion, Islam and gender, Islam and religion would also benefit from this book.
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In Gendering the GOP: Intraparty Politics and Republican Women's Representation in Congress (Oxford UP, 2022), Catherine N. Wineinger argues that to truly understand the evolution of women's congressional representation, it is necessary to move beyond an analysis of legislative behavior and toward an analysis of intraparty gender dynamics. Unlike previous research on women in Congress, Wineinger focuses exclusively on the experiences of Republican congresswomen to uncover some of the gendered implications of congressional polarization.
Developing a novel theory of partisan-gender identity, defined as a categorical identity that sits at the intersection of one's partisan affiliation and gender identity, Gendering the GOP argues that Republican women in Congress are not merely gender-blind partisans. In fact, polarization and party competition have incentivized Republican women to organize around their partisan-gender identity and distinguish themselves from both Democratic women and Republican men. In so doing, Republican congresswomen have increased their visibility as party messengers, while simultaneously upholding a party culture that limits women's presence and power in the institution. Through extensive interviews with women members of Congress and in-depth analyses of House floor speeches, Wineinger details how women have both navigated and shaped existing gender dynamics within the House GOP conference.
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In queer culture, silence has been equated with voicelessness, complicity, and even death. Queer Silence: On Disability and Rhetorical Absence (U Minnesota Press, 2022) insists, however, that silence can be a generative and empowering mode of survival. Triangulating insights from queer studies, disability studies, and rhetorical studies, J. Logan Smilges explores what silence can mean for people whose bodyminds signify more powerfully than their words.
Queer Silence begins by historicizing silence’s negative reputation, beginning with the ways homophile activists rejected medical models pathologizing homosexuality as a disability, resulting in the silencing of disability itself. This silencing was redoubled by HIV/AIDS activism’s demand for “out, loud, and proud” rhetorical activities that saw silence as capitulation.
Reading a range of cultural artifacts whose relative silence has failed to attract queer attachment, from anonymous profiles on Grindr to ex-gays to belated gender transitions to disability performance art, Dr. Smilges argues for silence’s critical role in serving the needs of queers who are never named as such. Queer Silence urges queer activists and queer studies scholars to reconcile with their own ableism by acknowledging the liberatory potential of silence, a mode of engagement that disattached queers use every day for resistance, sociality, and survival.
J. Logan Smilges is Assistant Professor of English Language and Literatures at the University of British Columbia.
Sohini Chatterjee is a PhD Candidate in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.
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In Cistem Failure: Essays on Blackness and Cisgender (Duke UP, 2022), Marquis Bey meditates on the antagonistic relationship between blackness and cisgender. Bey asks, What does it mean to have a gender that “matches” one’s sex---that is, to be cisgender---when decades of feminist theory have destroyed the belief that there is some natural way to be a sex? Moving from the The Powerpuff Girls to the greeting “How ya mama’n’em?” to their own gender identity, Bey finds that cisgender is too flat as a category to hold the myriad ways that people who may or may not have undergone gender-affirmative interventions depart from gender alignment. At the same time, blackness, they contend, strikes at the heart of cisgender’s invariable coding as white: just as transness names a non-cis space, blackness implies a non-cis space. By showing how blackness opens up a way to subvert the hegemonic power of the gender binary, Bey makes a case for an antiracist gender abolition project that rejects cisgender as a regulatory apparatus.
Marquis Bey is Assistant Professor of African American Studies and English at Northwestern University and author of several books, most recently Black Trans Feminism, also published by Duke University Press.
Sohini Chatterjee is a PhD Candidate in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.
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Western culture has endlessly represented the ways in which love miraculously erupts in people's lives, the mythical moment in which one knows someone is destined for us; the feverish waiting for a phone call or an email, the thrill that runs down our spine at the mere thought of him or her. Yet, a culture that has so much to say about love is virtually silent on the no less mysterious moments when we avoid falling in love, where we fall out of love, when the one who kept us awake at night now leaves us indifferent, or when we hurry away from those who excited us a few months or even a few hours before.
In The End of Love: A Sociology of Negative Relations (Polity Press, 2021), Eva Illouz documents the multifarious ways in which relationships end. She argues that if modern love was once marked by the freedom to enter sexual and emotional bonds according to one's will and choice, contemporary love has now become characterized by practices of non-choice, the freedom to withdraw from relationships. Illouz dubs this process by which relationships fade, evaporate, dissolve, and break down "unloving." While sociology has classically focused on the formation of social bonds, The End of Love makes a powerful case for studying why and how social bonds collapse and dissolve.
Particularly striking is the role that capitalism plays in practices of non-choice and "unloving." The unmaking of social bonds, she argues, is connected to contemporary capitalism that is characterised by practices of non-commitment and non-choice, practices that enable the quick withdrawal from a transaction and the quick realignment of prices and the breaking of loyalties. Unloving and non-choice have in turn a profound impact on society and economics as they explain why people may be having fewer children, increasingly living alone, and having less sex.
The End of Love presents a profound and original analysis of the effects of capitalism and consumer culture on personal relationships and of what the dissolution of personal relationships means for capitalism.
Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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Today I talked to Elissa Bassist about her memoir Hysterical: A Memoir (Hachette, 2022)
For two years author Elissa Bassist saw over twenty medical specialists for pain that none of them managed to diagnose or resolve. Some of their treatments led to other medical problems but never relief. Then an acupuncturist suggested that she simply needed to take control of her voice, and Bassist was shocked when it worked. How, as far as we think we’ve come, is it still the case that a girl born in 1984 could have so much in common with generations of women who were expected to be silent, to "get along," to accept whatever was happening even when their souls ached, their heads pounded, and their bodies withered? Bassist was accused of "being dramatic" when she experienced pain and "inappropriate" when she expressed her sadness or suffering. She said “yes,” when she meant, “no,” and accepted others’ opinions that she was too emotional, too loud, or too aggressive. In her justifiably angry voice, the one she had to take control of, Bassist shares her personal journey from broken and bleeding, scared and lonely, to acerbically funny and quick to call out nonsense. She’s straightforward and unashamed in sharing the moments she’s least proud of and the times she’d rather forget, because now she wants to teach other women that it’s okay to "look bad" in service of unmuting their own voices.
Elissa Bassist is the editor of the “Funny Women” column on The Rumpus and the author of the award-deserving memoir Hysterical. As a founding contributor to The Rumpus, she’s written cultural and personal criticism since the website launched in 2009. She also teaches humor writing at The New School, Catapult, 92NY, Lighthouse Writers Workshop, and elsewhere, and she is probably her therapist’s favorite. Bassist lives in Brooklyn with her dog Benny, a very good boy, and when not writing or reading or teaching, she watches horror movies, rides roller coasters, and does light witchcraft.
G.P. Gottlieb is the author of the Whipped and Sipped Mystery Series and a prolific baker of healthful breads and pastries. Please contact her through her website (GPGottlieb.com).
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Dawne Y. Curry’s Social Justice at Apartheid’s Dawn: African Women Intellectuals and the Quest to Save the Nation (Palgrave MacMillan, 2022), which examines the role of African women in the conversation on nationalism during South Africa’s era of segregation, excavates female voices and brings them to the provocative fore. From 1910 to 1948, African women contributed to political thought as editorialists, club organizers, poets, leaders, and activists who dared to challenge the country’s segregationist regime at a time when it was bent on consolidating White power. Daughters of Africa founder Cecilia Lillian Tshabalala and National Council of African Women President Mina Tembeka Soga feature in this work, which employs the artistic theory of “sampling” and decoloniality to highlight and showcase how these women and others among their cadre spoke truth to power through the fiery lines of their poetry, newspaper columns, thought-provoking speeches, organizational documents, personal testimonies, and musical compositions. It argues that these African women left behind a blueprint to grapple with and contest the political climate in which they lived under segregation, by highlighting the role and agency of African women intellectuals at Apartheid’s dawn.
Amanda Joyce Hall is a postdoctoral fellow at Northwestern University in the Department of African American Studies. She's on Twitter @amandajoycehall.
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What if family were not the only place you might hope to feel safe, loved, cared for and accepted? What if we could do better than the family? We need to talk about the family. For those who are lucky, families can be filled with love and care, but for many they are sites of pain: from abandonment and neglect, to abuse and violence. Nobody is more likely to harm you than your family. Even in so-called happy families, the unpaid, unacknowledged work that it takes to raise children and care for each other is endless and exhausting. It could be otherwise: in this urgent, incisive polemic, leading feminist critic Sophie Lewis makes the case for family abolition.
Abolish the Family: A Manifesto for Care and Liberation: A Manifesto for Care and Liberation (Verso, 2022) traces the history of family abolitionist demands, beginning with nineteenth century utopian socialist and sex radical Charles Fourier, the Communist Manifesto and early-twentieth century Russian family abolitionist Alexandra Kollontai. Turning her attention to the 1960s, Lewis reminds us of the anti-family politics of radical feminists like Shulamith Firestone and the gay liberationists, a tradition she traces to the queer marxists bringing family abolition to the twenty-first century. This exhilarating essay looks at historic rightwing panic about Black families and the violent imposition of the family on indigenous communities, and insists: only by thinking beyond the family can we begin to imagine what might come after.
Sophie Lewis is a freelance writer living in Philadelphia, teaching courses for the Brooklyn Institute for Social Research. Her first book was Full Surrogacy Now: Feminism Against Family, and her essays have appeared in the New York Times, Harper’s, Boston Review, n+1, the London Review of Books and Salvage. Sophie studied English, Politics, Environment and Geography at Oxford, the New School, and Manchester University, and is now an unpaid visiting scholar at the Feminist, Queer and Transgender Studies Center at the University of Pennsylvania.
Oana Uiorean is a Romanian writer and translator. She writes and thinks about communism and feminism while raising children and organising women’s strikes. She curates the book series Bread&Roses on feminist theory and practice for the publisher frACTalia. Her debut novel is Aporia.Dezbărații (frACTalia, 2019). A pamphlet on socialist revolutionary feminism is forthcoming, as well as a book for our comrades the children.
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Hatred of Sex (U Nebraska Press, 2022) links Jacques Rancière’s political philosophy of the constitutive disorder of democracy with Jean Laplanche’s identification of a fundamental perturbation at the heart of human sexuality. Sex is hated as well as desired, Oliver Davis and Tim Dean contend, because sexual intensity impedes coherent selfhood and undermines identity, rendering us all a little more deplorable than we might wish. Davis and Dean explore the consequences of this conflicted dynamic across a range of fields and institutions, including queer studies, attachment theory, the #MeToo movement, and “traumatology,” demonstrating how hatred of sex has been optimized and exploited by neoliberalism. Advancing strong claims about sex, pleasure, power, intersectionality, therapy, and governance, Davis and Dean shed new light on enduring questions of equality at a historical moment when democracy appears ever more precarious.
Matthew Pieknik is a psychoanalyst in private practice in New York City.
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In Emancipation's Daughters: Re-Imagining Black Femininity and the National Body (Duke UP, 2020), Riché Richardson examines iconic black women leaders who have contested racial stereotypes and constructed new national narratives of black womanhood in the United States. Drawing on literary texts and cultural representations, Richardson shows how five emblematic black women—Mary McLeod Bethune, Rosa Parks, Condoleezza Rice, Michelle Obama, and Beyoncé—have challenged white-centered definitions of American identity. By using the rhetoric of motherhood and focusing on families and children, these leaders have defied racist images of black women, such as the mammy or the welfare queen, and rewritten scripts of femininity designed to exclude black women from civic participation. Richardson shows that these women's status as national icons was central to reconstructing black womanhood in ways that moved beyond dominant stereotypes. However, these formulations are often premised on heteronormativity and exclude black queer and trans women. Throughout Emancipation's Daughters, Richardson reveals new possibilities for inclusive models of blackness, national femininity, and democracy.
Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at [email protected] and on twitter @MickellCarter
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Ruth Vanita's book The Dharma of Justice in the Sanskrit Epics (Oxford UP, 2021) shows that many characters in the Sanskrit epics - men and women of all varnas and mixed-varna - discuss and criticize discrimination based on gender, varna, poverty, age, and disability. On the basis of philosophy, logic and devotion, these characters argue that such categories are ever-changing, mixed and ultimately unreal therefore humans should be judged on the basis of their actions, not birth. The book explores the dharmas of singleness, friendship, marriage, parenting, and ruling. Bhakta poets such as Kabir, Tulsidas, Rahim and Raidas drew on ideas and characters from the epics to present a vision of oneness. Justice is indivisible, all bodies are made of the same matter, all beings suffer, and all consciousnesses are akin. This book makes the radical argument that in the epics, kindness to animals, the dharma available to all, is inseparable from all other forms of dharma.
Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com.
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Alongside rapid socio-economic development, China has achieved remarkable gains in gender equality on metrics like health, education, and labor force participation. Yet, the glass ceiling phenomenon and the underrepresentation of women in management has worsened. Sisi Sung's The Economics of Gender in China (Routledge, 2022) develops a cross-disciplinary paradigm, with economics at its core, to better understand gender in China and women in management in the Chinese business context.
In addition to its theoretical advancements, The Economics of Gender in China uses in-depth interviews with managers in China’s largest enterprises to form rich qualitative insights on women’s managerial experiences and career choices. The book also focuses on the enduring power of stereotypes that specify women’s roles in the family, organization, and society. The book's multi-disciplinary approach allows readers across disciplines with an interest in gender studies to find it useful as an introductory reference.
Sisi Sung is a postdoctoral fellow at the Max Weber Centre for Advanced Cultural and Social Studies, University of Erfurt, Germany, and a research fellow at Tsinghua University, China. This interview was conducted by Kelsi Caywood, a PhD student in Sociology at the University of Michigan, who researches comparative gender inequality in the United States and East Asia.
Kelsi Caywood is a PhD Student in Sociology at the University of Michigan
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Laureline Latour founded Women In Art Magazine in July 2022 from a desire to bring together artists from different countries. She studied German and Russian ab initio at Oxford University. Women In Art Magazine's teams are based between Oxford, London, Paris and beyond.
Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).
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As a broad category of identity, “transgender” has given life to a vibrant field of academic research since the 1990s. Yet the Western origins of the field have tended to limit its cross-cultural scope. Howard Chiang proposes a new paradigm for doing transgender history in which geopolitics assumes central importance. Defined as the antidote to transphobia, transtopia challenges a minoritarian view of transgender experience and makes room for the variability of transness on a historical continuum.
Against the backdrop of the Sinophone Pacific, Chiang argues that the concept of transgender identity must be rethought beyond a purely Western frame. At the same time, he challenges China-centrism in the study of East Asian gender and sexual configurations. Chiang brings Sinophone studies to bear on trans theory to deconstruct the ways in which sexual normativity and Chinese imperialism have been produced through one another. Grounded in an eclectic range of sources—from the archives of sexology to press reports of intersexuality, films about castration, and records of social activism—this book reorients anti-transphobic inquiry at the crossroads of area studies, medical humanities, and queer theory. Timely and provocative, Transtopia in the Sinophone Pacific (Columbia UP, 2021) highlights the urgency of interdisciplinary knowledge in debates over the promise and future of human diversity.
Howard Chiang proposes a new paradigm for doing transgender history in which geopolitics assumes central importance. Defined as the antidote to transphobia, transtopia challenges a minoritarian view of transgender experience and makes room for the variability of transness on a historical continuum.
Please join Howard in conversation with Thomas Baudinette to learn more about this book's exciting theoretical interventions into the fields of trans studies, gender and sexuality studies, and Sinophone studies.
Thomas Baudinette is Lecturer in International Studies at Macquarie University, Australia.
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Hard-drinking, hard-living poker players and prostitutes of the new boom towns; wives and mothers traveling two and a half thousand miles across the prairies in covered-wagon convoys, some of them so poor they walked the entire route; African-American women in search of freedom from slavery; Chinese sex-workers sold openly on the docks of San Francisco; Native American women brutally displaced by the unstoppable tide of white settlers - these were the women who settled the American West, whose stories until now have remained mostly untold. As the internationally bestselling historian Katie Hickman writes, "Myth and misunderstanding spring from the American frontier as readily as rye grass from sod, and--like the wiry grass-- seem as difficult to weed out and discard." But the true-life story of women's experiences in the Wild West is more gripping, heart-rending, and stirring than all the movies, novels, folk-legends, and ballads of popular imagination.
Drawing on letters, diaries, and other extraordinary contemporary accounts, sifting through the legends and the myths, the laws and the treaties, Katie Hickman presents us with a cast of unforgettable women, all forced to draw on huge reserves of resilience and courage in the face of tumultuous change: the half Cree, Marguerite McLoughlin, the much-admired "First Lady" of Fort Vancouver; the Presbyterian missionary Narcissa Whitman, who in 1837 became the first white woman to make the overland journey west across the Rocky Mountains; Biddy Mason, the Mississippi slave who fought for her freedom through the courts of California; Olive Oatman, adopted by the Mohave, famous for her facial tattoos.This is the story of the women who participated in the greatest mass migration in American history, transforming their country in the process. Brave Hearted: The Women of the American West (Spiegel & Grau, 2022) is American history not as it was romanticized but as it was lived.
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While studying caregiving and chronic illness in families living in situations of economic and social insecurity in Baltimore, anthropologist Todd Meyers met a woman named Beverly. In All That Was Not Her (Duke UP, 2022) Meyers presents an intimate ethnographic portrait of Beverly, stitching together small moments they shared scattered over months and years and, following her death, into the present. He meditates on the possibilities of writing about someone who is gone—what should be represented, what experiences resist rendering, what ethical challenges exist when studying the lives of others. Meyers considers how chronic illness is bound up in the racialized and socioeconomic conditions of Beverly’s life and explores the stakes of the anthropologist’s engagement with one subject. Even as Meyers struggles to give Beverly the final word, he finds himself unmade alongside her. All That Was Not Her captures the complexity of personal relationships in the field and the difficulty of their ending.
Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine.
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Richard Petts' Father Involvement and Gender Equality in the United States: Contemporary Norms and Barriers (Routledge, 2022) focuses on issues of family, work, and gender, with a focus on gender inequality. Women are disadvantaged in both paid and domestic work, due in large part to being primarily responsible for duties within the domestic sphere. The COVID-19 pandemic has exacerbated these inequalities, making the issue of reducing gender inequality even more pressing.
Fathers play an important role in contributing to, and perhaps reducing, gender inequality, but barriers to their involvement in family life have received less attention than detailing challenges that mothers face. If men were equally involved in all aspects of domestic life (i.e., were fully engaged dads), women's burdens would be reduced and perceptions of who is responsible for parenting may change, resulting in greater gender equality. The book focuses on the key issue of father involvement, seeking to understand why fathers are less involved at home than mothers despite an increased desire for fathers to be more engaged parents. This book utilizes recent national survey data, interviews with fathers, and insights from the author's personal experience as a father to identify current norms of fatherhood within the United States, barriers to father involvement, and strategies to overcome these barriers. Overall, this book argues that by establishing the expectation that fathers will be fully engaged dads as a cultural norm, and by providing structural opportunities for fathers to meet this cultural standard, greater gender equality can be achieved within the United States.
The arguments presented in this book are valuable for scholars in the areas of family, work, and gender, policymakers and business leaders who seek to promote gender equality and work-family balance, and parents who are interested in achieving a more egalitarian division of labor within their own families.
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How do women balance feminist identities whilst being science fiction fans? In Women Negotiating Feminism and Science Fiction Fandom: The Case of the “Good” Fan (Palgrave MacMillan, 2022), Neta Yodovich, a postdoctoral researcher at the University of Haifa’s department of Sociology, explores the lived experience of feminist women who are sci-fi fans. The book shows their commitments to being both feminists and part of the sci-fi community, even where they face hostility and gatekeeping, personal ambivalences, and the reality of sci-fi as a problematic genre. Adopting an intersectional perspective, the book shows how race, age, and gender all play a role in the way feminist women interpret some of the biggest sci-fi franchises, as well as how they think about iconic characters. Crucially the analysis foregrounds the agency of feminist women sci-fi fans, demonstrating how they are challenging and changing the genre and its fan community for the better. Theoretically and empirically rich and deep, the book is essential reading across humanities and social sciences, as well as for anyone interested in fandom!
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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It’s easy to forget that the cultural archetypes that pass for queerness today have historical roots. Some of these roots are mere years away from today’s reality but they are nonetheless distinct and come with their own artefacts and subcultures.
Peter Rehberg’s book Hipster Porn: Queer Masculinities and Affective Sexualities in the Fanzine 'Butt' (Routledge, 2022) looks at one such source artefact and its fandom, using as its matter the pink-papered magazine Butt which gained a cult following among European gay men in the first decade of the 2000s. The book reconstructs an important chapter of recent gay and queer history in order to make sense of the cultural shifts of the last 20 years in the contemporary gay world.
Peter Rehberg speaks to Pierre d’Alancaisez about pornography after porn, Butt‘s outsized influence and the ultimate failures of its politics, as well as queer theory’s urgent need to refocus on the realities of sex and sexuality.
Peter Rehberg is a writer, critic, and curator. He holds a PhD in German Literature from New York University and has taught and researched at universities and institutes including Cornell, Northwestern, Brown, University of Bonn, The University of Texas at Austin, and The University of Illinois, Chicago. He has published two novels and a collection of short stories. He also writes regularly for German media. In his academic work, he focusses on queer theory, queer visual culture, and popular culture. He is also the head of collections and archives at Schwules Museum, Berlin.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
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Today I talked to Richard Reeves about his important new book Of Boys and Men: Why the Modern Male Is Struggling, Why It Matters, and What to Do about It (Brookings Institution, 2022).
The statistics are stunning. Men have a 9% lower graduation rate from college. One in three men without a completed high school education are now out of the workforce. About 40% of births take place outside of marriage (up from 11% in 1970). And men are 50% more likely to die from Covid-19 than women after contracting the virus. The long and short of it, while also advocating for full, real opportunities for women, short shrift is often being given to the problems men face. Neither ignoring the problem (the liberal choice, often) or suggesting we turn-back-the-clock to the 1950s (the conservative choice, often) will suffice. In this episode, Richard Reeves dares to propose some real solutions regarding education reforms, workplace opportunities, and pro-childrearing roles for all dads, married or otherwise.
Richard Reeves is a senior fellow in economic studies at the Brookings Institution. He’s the author of the 2017 book Dream Hoarders and is also a regular contributor to The New York Times, Washington Post, Wall Street Journal, and The Atlantic.
Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His newest book is Emotionomics 2.0: The Emotional Dynamics Underlying Key Business Goals. To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
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In Chingona: Owning Your Inner Badass for Healing and Justice (Broadleaf Books, 2022), Mexican American activist, scholar, and podcast host Alma Zaragoza-Petty helps us claim our inner chingona, a Spanish term for badass woman. For all the brown women the world has tried to conquer, badassery can be an asset, especially when we face personal and collective trauma. Working for change while preserving her spirit, a chingona repurposes her pain for the good of the world. She may even learn that she belongs to a long line of chingonas who came before her--unruly women who used their persevering energy to survive and thrive.
As a first-generation Mexican American, Zaragoza-Petty narrates in riveting terms her own childhood, split between the rain-soaked beauty of her grandparents' home in Acapulco and a harsh new life as an immigrant family in Los Angeles. She describes the chingona spirit she began to claim within herself and leads us toward the courage required to speak up and speak out against oppressive systems. As we begin to own who we are as chingonas, we go back to where our memories lead, insist on telling our own stories, and see our scars as proof of healing.
Liberating ourselves from the bondage of the patriarchy, white supremacy, and colonization that exists in our own bodies, we begin to see our way toward a more joyful future. This work won't be easy, Zaragoza-Petty reminds us. Imagining a just and healed world from the inside out will take dialing in to our chingona spirit. But by unleashing our inner badass, we join the righteous fight for dignity and justice for all.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
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In Rebels, Scholars, Explorers: Women in Vertebrate Paleontology (Johns Hopkins University Press, 2020), Professors Annalisa Berta and Susan Turner uncover the rich legacy of women in the field of vertebrate paleontology from the eighteenth century until today. Through a series of biographies arranged both chronologically and geographically, the book offers a most welcome historical overview of the diverse contributions made by women to the advancement of vertebrate paleontology. Traditional narratives of the history of paleontology are dominated by the figures of men, leaving behind the achievements of countless women, who worked, especially during the eighteenth and nineteenth centuries, as assistants, preparators, or illustrators. Rebels, Scholars, Explorers constitutes a powerful antidote to this distorted vision of history, introducing the reader to the many ways women have been navigating gender biases to advance the science of vertebrate paleontology. By uncovering the contributions of women, the book also reveals the critical role played by a diversity of specializations and professions (such as paleoart, collection management, and preparation) in the field of vertebrate paleontology. Overall, the book paints a holistic portrait of the field, making questions of equity and fair representation within it even more urgent.
Victor Monnin, Ph.D. is an historian of science specialized in the history of Earth sciences. He is also teaching French language and literature to undergraduates.
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Not long ago, same-sex couples had to jump through endless hoops to make their relationships even close to legal. Happily, those days are over. But here's the rub: many gay and lesbian couples, accustomed to living off-grid, are so thrilled to have the benefits of marriage that they jump into it without fully considering the consequences.
In Before I Do: A Legal Guide to Marriage, Gay and Otherwise (New Press, 2016), leading gay rights attorney Elizabeth F. Schwartz spells out the range of practical considerations any couple should address before tying the knot. She explains the rights married couples have--and those they do not. With cameos from some of the most prominent LGBTQ+ professionals, Schwartz explores all of the implications of marriage from name changes and getting a license to taxes, insurance, Social Security, and much more.
Chapters on estate planning, pre- and post-nuptial agreements, and organizing finances make Before I Do a crucial handbook for anyone considering marriage--because, as Schwartz explains, just because you can get married does not mean you should.
Eugenio Duarte, Ph.D. is a psychologist and psychoanalyst practicing in Miami.
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The average person concerned about becoming pregnant spends approximately thirty years trying to prevent conception. People largely do so alone using prescription birth control, a situation often taken for granted in the United States as natural and beneficial.
In Just Get On the Pill: The Uneven Burden of Reproductive Politics (University of California Press, 2021), a keenly researched and incisive examination, Krystale Littlejohn investigates how birth control becomes a fundamentally unbalanced and gendered responsibility. She uncovers how parents, peers, partners, and providers draw on narratives of male and female birth control methods to socialize cisgender women into sex and ultimately into shouldering the burden for preventing pregnancy. Littlejohn draws on extensive interviews to document this gendered compulsory birth control—a phenomenon in which people who give birth are held accountable for preventing and resolving pregnancies in gender-constrained ways. She shows how this gendered approach encroaches on reproductive autonomy and poses obstacles for preventing disease. While diverse cisgender women are the focus, Littlejohn shows that they are not the only ones harmed by this dynamic. Indeed, gendered approaches to birth control also negatively impact trans, intersex, and gender nonconforming people in overlooked ways. In tracing the divisive politics of pregnancy prevention, Littlejohn demonstrates that the gendered division of labor in birth control is not natural. It is unjust.
Nicole Bourbonnais is Associate Professor of International History and Politics and Co-Director of the Gender Centre at the Graduate Institute of International and Development Studies in Geneva, Switzerland. Her research explores reproductive politics and practice from a transnational, historical perspective. Profile here.
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As the first study of its kind, Gender, Sexuality and Feminism in Pakistani Urdu Writing (Anthem, 2022) offers a new understanding of progressive women’s poetry in Urdu and the legacy of postcolonial politics. It underlines Urdu’s linguistic hybridities, the context of the zenana, reform, and rekhti to illustrate how the modernising impulse under colonial rule impacted women as subjects in textual form. It argues that canonical texts for sharif women from Mirat-ul Arus to Umrao Jan Ada need to be looked at alongside women’s diaries and autobiographies so that we have an overall picture of gendered lives from imaginative fiction, memoirs and biographies.
In the late nineteenth century, ideas of the cosmopolitan and local were in conversation with the secular and sacred across different Indian literatures. Emerging poets from the zenana can be traced back to Zahida Khatun Sherwania from Aligarh and Haya Lakhnavi from Lucknow who had very unique trajectories as sharif women. With the rise of anti-colonial nationalism, the Indian women’s movement gathered force and those who had previously been confined to the private sphere took their place in public as speaking subjects. The influence of the Left, Marxist thought and resistance against colonial rule fired the Progressive Writers Movement in the 1930s. The pioneering writer and activist Rashid Jahan was at the helm of the movement mediating women’s voices through a scientific and rational lens. She was succeeded by Ismat Chughtai, who like her contemporary Saadat Hasan Manto courted controversy by writing openly about sexualities and class. With the onset of partition, as the progressive writers were split across two nations, they carried with them the vision of a secular borderless world. In Pakistan, Urdu became an ideological ground for state formation, and Urdu writers came under state surveillance in the Cold War era. The study picks up the story of progressive women poets in Pakistan to try and understand their response to emerging dominant narratives of nation, community and gender. How did national politics and an ideological Islamisation that was at odds with a secular separation of church and state affect their writing?
Despite the disintegration of the Progressive Writers Movement and the official closure of the Left in Pakistan, the author argues that an exceptional legacy can be found in the voices of distinctive women poets including Ada Jafri, Zehra Nigah, Sara Shagufta, Parvin Shakir, Fahmida Riaz and Kishwar Naheed. Their poems offer new metaphors and symbols borrowing from feminist thought and a hybrid Islamicate culture. Riaz and Naheed joined forces with the women’s movement in Pakistan in the 1980s and caused some discomfort amongst Urdu literary circles with their writing. Celebrated across both sides of the border, their poetry and politics is less well known than the verse of the progressive poet par excellence Faiz Ahmed Faiz or the hard hitting lyrics of Habib Jalib. The book demonstrates how they manipulate and appropriate a national language as mother tongue speakers to enunciate a middle ground between the sacred and secular. In doing so they offer a new aesthetic that is inspired by activism and influenced by feminist philosophy.
Iqra Shagufta Cheema is a writer, researcher, and chronic procrastinator. When they do write, they write in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. Check out their latest book chapter Queer Love: He is also Made in Heaven. They can be reached via email at [email protected] or Twitter.
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Why is religion important in understanding creative industries? In British Muslim Women in the Cultural and Creative Industries (Edinburgh University Press, 2022), Saskia Warren, a Senior Lecturer in Human Geography at the University of Manchester, presents an analysis of the fashion, digital media, and visual arts industries to show, for the first time, the centrality of faith and religion to any intersectional analysis of contemporary cultural production and consumption. The book uses in depth interviews, as well as a rich and detailed understanding of institutions and trends, to map the unique experiences of British Muslim women. Offering insights as to the barriers and exclusions, as well as the successes and forms of resistance, experienced by this community, the book is essential reading across social sciences and the humanities, as well as for anyone interested in understanding how culture is made today.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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Andrei Nae's book Immersion, Narrative, and Gender Crisis in Survival Horror Video Games (Routledge, 2021) investigates the narrativity of some of the most popular survival horror video games and the gender politics implicit in their storyworlds. In a thorough analysis of the genre that draws upon detailed comparisons with the mainstream action genre, Andrei Nae places his analysis firmly within a political and social context.
In comparing survival horror games to the dominant game design norms of the action genre, the author differentiates between classical and postclassical survival horror games to show how the former reject the norms of the action genre and deliver a critique of the conservative gender politics of action games, while the latter are more heterogeneous in terms of their game design and, implicitly, gender politics.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture.
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In Queer China: Lesbian and Gay Literature and Visual Culture Under Postsocialism (Routledge, 2020), associate professor of media and cultural studies at the University of Nottingham Hongwei Bao returns with a theory-driven, methodologically-diverse, empathetic, and insightful analysis of LGBTQ literature and visual culture in postsocialist China. A thorough introduction positions Bao as a participant observer and explores key concepts including “postsocialist metamorphosis,” defined as “the transformation of subjectivity, desire and sense of belonging in the postsocialist era” (4). After exploring the history of homosexuality’s (re-)emergence in China’s reform era by tracing public, intellectual discourse, Bao counters the misperception that Chinese gay and lesbian identities are the result of the influence of global (Western) gay culture. Instead, he identifies a variety of gender and sexual subjectivities unique to China’s postsocialist conditions and historical context. Each chapter then explores rich case studies from queer China, touching upon a wide variety of cultural production types. From poetry to papercutting art, from comrade (tongzhi)/gay literature to girls’ love fan fiction, from lesbian films to activist documentaries, and from a drag show in Shanghai to a public performance of a same-sex wedding in Beijing, Queer China provides unique analysis and insights and also acts as an archive of queer cultural production in postsocialist China.
Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth century US-China relations. She can be reached at [email protected].
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In her diary, Simone de Beauvoir once wrote “I did not think of myself as a 'woman.' I was me.” Then, in 1949, de Beauvoir published The Second Sex, laying bare the widely accepted gender inequalities of her time and questioning the idea of man as “universal.” Her book incited both outrage and inspiration, and her ideas were quickly adapted by the Second-wave feminist movement. Although feminist ideas have changed over time, de Beauvoir’s vision of a just and equal society in which men and women respect each other as free and responsible subjects was remarkable for her time. Professor Toril Moi is the James B. Duke Distinguished Professor of Literature at Duke University. She is the author of books such as Revolution of the Ordinary Literary Studies After Wittgenstein, Austin, and Cavell and Sex, Gender, and the Body: The Student Edition of What Is a Woman? See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod.
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Amphibious Subjects: Sasso and the Contested Politics of Queer Self-Making in Neoliberal Ghana (University of California Press, 2022) is an ethnographic study of a community of self-identified effeminate men--known in local parlance as sasso--residing in coastal Jamestown, a suburb of Accra, Ghana's capital. Drawing on the Ghanaian philosopher Kwame Gyekye's notion of "amphibious personhood," Kwame Edwin Otu argues that sasso embody and articulate amphibious subjectivity in their self-making, creating an identity that moves beyond the homogenizing impulses of western categories of gender and sexuality. Such subjectivity simultaneously unsettles claims purported by the Christian heteronationalist state and LGBT+ human rights organizations that Ghana is predominantly heterosexual or homophobic. Weaving together personal interactions with sasso, participant observation, autoethnography, archival sources, essays from African and African-diasporic literature, and critical analyses of documentaries such as the BBC's The World's Worst Place to Be Gay, Amphibious Subjects is an ethnographic meditation on how Africa is configured as the "heart of homophobic darkness" in transnational LGBT+ human rights imaginaries.
Kwame Edwin Otu is a Visiting Associate Professor of African Studies at Georgetown University and an Assistant Professor of African American and African Studies at the Carter G. Woodson Institute for African American and African Studies, University of Virginia. He wrote and starred in the award-winning short film Reluctantly Queer.
Reighan Gillam is Associate Professor in the Department of Anthropology at University of Southern California.
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Unequal under Socialism: Race, Women, and Transnationalism in Bulgaria (U Toronto Press, 2021) examines the formation of racial, gender, and national identities and relations in the socialist state. With a specific focus on Bulgaria, a former socialist country in the Balkans, the book traces the intertwined local and global forces driving racialization, socialist state policies, and Eurocentric Marxist and Leninist ideologies, all of which led to valued and devalued categories of women. Roma women, Muslim women, ethnic Bulgarian women, sex workers, and female factory and office workers were among those marked by socialist authorities for prosperity, accommodation, violent reformation, or erasure.
Covering the period from the 1930s to the present and drawing upon original archival sources as well as a constellation of critical theories, Unequal under Socialism focuses on the lives of different women to articulate deep doubt about the capacity of socialism to sustain societies where all women prosper. Such doubt, the book suggests, is an under-recognized but important force shaping how women in former socialist countries have related to one another and to other women in the global North and South.
Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life.
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Kings throughout medieval and early modern Europe had extraconjugal sexual partners. Only in France, however, did the royal mistress become a quasi-institutionalized political position. This study explores the emergence and development of the position of French royal mistress through detailed portraits of nine of its most significant incumbents: Agnès Sorel, Anne de Pisseleu d’Heilly, Diane de Poitiers, Gabrielle d’Estrées, Françoise Louise de La Baume Le Blanc, Françoise Athénaïs de Rochechouart de Mortemart, Françoise d’Aubigné, Jeanne-Antoinette Poisson, and Jeanne Bécu.
Beginning in the fifteenth century, key structures converged to create a space at court for the royal mistress. The first was an idea of gender already in place: that while women were legally inferior to men, they were men’s equals in competence. Because of their legal subordinacy, queens were considered to be the safest regents for their husbands, and, subsequently, the royal mistress was the surest counterpoint to the royal favorite. Second, the Renaissance was a period during which people began to experience space as theatrical. This shift to a theatrical world opened up new ways of imagining political guile, which came to be positively associated with the royal mistress. Still, the role had to be activated by an intelligent, charismatic woman associated with a king who sought women as advisors. The fascinating particulars of each case are covered in the chapters of Tracy Adams and Christine Adams's book The Creation of the French Royal Mistress: From Agnes Sorel to Madame DuBarry (Penn State University Press, 2021).
Thoroughly researched and compellingly narrated, this important study explains why the tradition of a politically powerful royal mistress materialized at the French court, but nowhere else in Europe. It will appeal to anyone interested in the history of the French monarchy, women and royalty, and gender studies.
Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
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Gender and Sexuality in Modern Japan (Cambridge University Press 2022) is a new addition to a list of publications by Sabine Fruhstuck, one of the leading scholars in the world on the topic. Written for both academics and the general public alike, this book introduces and discusses debates about sex, gender, and sexuality in modern and contemporary Japan, spanning from the 1860s to the 2020s. In Fruhstuck’s own words, this book aims to “balance descriptions of individual experience; institutional mechanisms based in law, pedagogy, and statecraft; and the socioculturally inflected politics within which those mechanisms have been embedded and which they have in turn shaped over an extended period that began with the nation- and empire-building of the late nineteenth century.”
The book is divided into seven chapters, each tracing the movements of individuals, ideas, and things between and beyond the nation, empire, and cyberspace. At the end of each chapter, readers can find a handful of recommendations for pairing the text with literary works, documentaries, and other films.
As Fruhstuck explains, the chapters share three analytical sensibilities. First, deriving from research in several nations’ archives and bodies of knowledge in Japanese, German, and English, the book is a transnational historical study in which “’Japan’ is configured as a malleable entity, as both a subject and object of global modernity, and a mediator between a global and a regional East Asian modernity.” Second, this book draws from History, Anthropology, Sociology, and Visual Studies, via a wide variety of sources ranging from print media and government documents to biographical accounts, from political pamphlets to pulp comics and contemporary art. Third, this book adopts a sensibility of “flexible intersectionality,” which aims to “invite readers to think at the varying levels of structures, dynamics, and subjectivities.”
Sabine Frühstück is Professor and the Koichi Takashima Chair in Japanese Cultural Studies in the Department of East Asian Languages & Cultural Studies at the University of California, Santa Barbara.
Daigengna Duoer is a Ph.D. candidate in the Religious Studies Department at the University of California, Santa Barbara.
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How is sexuality experienced in contemporary China? What are the connections and tensions between China and the West in producing knowledges of sexuality? Dr Weiyi Hu notes that most of the seminal writings on sexuality are produced in the West, and that the definition of sexuality is largely theorised by Western scholars.
In a conversation with Joanne Kuai, PhD candidate at Karlstad University, Sweden and an affiliated PhD student at NIAS, Dr. Weiyi Hu sketches an alternative approach that questions the unreflective reliance on Western understanding of sexuality, and to cut through a cluster of dualisms, such as East and West, in theorising Chinese sexuality.
She combines Xiaomei Chen’s concept of the Chinese Occidentalism discourse and Bourdieu’s notion of symbolic capital to elucidate the connections and tensions between China and the West. Drawing on fieldwork, she argues that within contemporary Chinese culture the meaning of sexuality experienced in everyday life is charged with tensions between orthodoxy and heterodoxy.
Weiyi Hu is a sessional facilitator at the University of Sydney, where she recently completed her doctorate in the social sciences. She is interested in the sociology of everyday life, sexuality, feminism, and familial relations in contemporary China. Born in Shanghai, she is fascinated by the complex ways that the Occident (West) is perceived, imagined, narrated, and experienced by Chinese peoples.
The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku and Asianettverket at the University of Oslo.
We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.
About NIAS: http://www.nias.ku.dk/
Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast
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Two neighbors from the same village fall in love and elope to a shelter for couples that break caste norms. A Hindu woman falls in love with a Muslim man, drawing the ire of Hindu nationalists. Two women start a lesbian relationship.
These three couples are the protagonists of Mansi Choksi’s The Newlyweds: Rearranging Marriage in Modern India (Atria Book, 2022). This work charts the lives of Dawinder and Neetu, Monika and Arif, Reshma and Preethi, who all break social norms in their relationships, and are forced to endure the sometimes-violent consequences—not always successfully.
In this interview, Mansi and I talk about the three couples in her book—and what their struggles tell us about love, relationships and social pressure in today’s India.
Mansi Choksi is a graduate of the Columbia School of Journalism and two-time Livingston Award Finalist. Her writing has appeared in The New York Times, The New Yorker, Harper’s Magazine, National Geographic, The Atlantic, and more. She lives in Dubai with her husband and son. The Newlyweds is her first book.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Newlyweds. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
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In The Terrible We: Thinking with Trans Maladjustment (Duke UP, 2022), Cameron Awkward-Rich thinks with the bad feelings and mad habits of thought that persist in both transphobic discourse and trans cultural production. Observing that trans studies was founded on a split from and disavowal of madness, illness, and disability, Awkward-Rich argues for and models a trans criticism that works against this disavowal. By tracing the coproduction of the categories of disabled and transgender in the United States at the turn of the twentieth century and analyzing transmasculine literature and theory by Eli Clare, Elliott DeLine, Dylan Scholinski, and others, Awkward-Rich suggests that thinking with maladjustment might provide new perspectives on the impasses arising from the conflicted relationships among trans, feminist, and queer. In so doing, he demonstrates that rather than only impeding or confining trans life, thought, and creativity, forms of maladjustment have also been and will continue to be central to their development.
The Terrible We is the Duke University Press Scholars of Color First Book Award recipient
Cameron Awkward-Rich is Assistant Professor of Women, Gender, Sexuality Studies at the University of Massachusetts, Amherst, and author of Dispatch and Sympathetic Little Monster.
Sohini Chatterjee is a PhD Candidate in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.
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There has been no greater surge in global fashion trends and expressions of personal style than in the contemporary era of social media fashion influencers. But what constitutes “being in fashion” amongst this multiplicity of interpretations?
In this episode of Humanities Matter, Dr. Laura Petican, Professor of Sociology at the National University, San Diego, and Dr. Jacque Lynn Foltyn, Associate Professor and Director of University Galleries at Texas A&M University-Corpus Christi, explore various disciplinary, professional, and creative perspectives to expand their proposition that fashion is about self-presentation. In Fashion: Culture, Commerce, Craft, and Identity, published by Brill and edited by Drs. Petican and Foltyn, is a deep exploration of fashion representations; being fashionable, shopping, luxury, and vintage; fashion materials, craft, industry, and innovation; museum-worthy fashion; and fashioning cultural identities.
Summary: A conversation on the cultural, commercial, and creative perspectives of what it means to be ‘in fashion’ in the modern world.
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In Global Norms and Local Action: The Campaigns to End Violence against Women in Africa (Oxford UP, 2020), Peace A. Medie studies the domestic implementation of international norms by examining how and why two post-conflict states in Africa, Liberia and Côte d'Ivoire, have differed in their responses to rape and domestic violence. Specifically, she looks at the roles of the United Nations and women's movements in the establishment of specialized criminal justice sector agencies, and the referral of cases for prosecution. She argues that variation in implementation in Liberia and Côte d'Ivoire can be explained by the levels of international and domestic pressures that states face and by the favorability of domestic political and institutional conditions. Medie's study is based on interviews with over 300 policymakers, bureaucrats, staff at the UN and NGOs, police officers, and survivors of domestic violence and rape — an unprecedented depth of research into women's rights and gender violence norm implementation in post-conflict countries. Furthermore, through her interviews with survivors of violence, Medie explains not only how states implement anti-rape and anti-domestic violence norms, but also how women experience and are affected by these norms. She draws on this research to recommend that states adopt a holistic approach to addressing violence against women.
Peace A. Medie is an award-winning scholar and a writer. She is associate professor in politics at the University of Bristol. She studies state and non-state actors’ responses to gender-based violence and other forms of insecurity in countries in Africa. She is author of ‘Global Norms and Local Action: The Campaigns to End Violence Against Women in Africa’ (OUP 2020). Her debut novel, His Only Wife, was a New York Times Notable Book of 2020 and a Time Magazine Must-Read Book of 2020. Her second novel, Nightbloom, will be published in June 2023.
Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at [email protected] or tweet to @LAbdelaaty.
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Siobhan Lambert-Hurley, Daniel Majchrowicz, and Sunil Sharma's edited anthology Three Centuries of Travel Writing by Muslim Women (Indiana University Press 2022) is a collection of travel writings from the late 19th century to the early and mid-20th century. It captures the fascinating lives of diverse Muslim women as they travelled for religious pilgrimage, political reasons, education, and for leisure. This anthology not only recovers the voices of women from a broad range of languages, Urdu, Punjabi, Turkish, and Persian but also provides the historical and cultural contexts necessary to understand the full significance of what these women were trying to convey of their experiences in their context. Such fascinating travel excerpts include those of Mirza Khalil and the Nur Begum’s pilgrimage to hajj or those of the Egyptian Huda Shaarawi or Amina Said’s travel related to their thinking of feminism, the Indonesian communist Suharti Suwarto’s visit to the Soviet Union or the Indian nurse Mehr al-Nisa navigating new life in Ohio, to name just a few of the 45 examples documented here. The historical experiences of Muslim women offers a fascinating and understudied point of insight into the role of imperial, colonial, and global history.
The original texts gathered are accessible via the accompanying website for you to check out and explore. This anthology will be of interest to anyone working on travel, colonial history, Muslim women, and comparative literature, Islamic Studies. It will also be an excellent resource in many courses that cover a range of topics be it religious piety, feminism, travel, travel writing, and much more.
Shobhana Xavier is an Assistant Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at [email protected]. You can follow her on Twitter via @shobhanaxavier.
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Do we always know our own desire? How does it elude us? In her new book, Disorganisation & Sex (Divided Publishing, 2022), Jamieson Webster makes us think about the ways in which our deepest, truest desires can be unknown to us and offers thoughts about how we might get closer to knowing them. In our interview, we discuss her ideas on unconscious desire as well as the painful complexities of dealing with sexual abuse and the role of the body as an avenue towards greater self-knowledge.
Eugenio Duarte, Ph.D. is a psychologist and psychoanalyst practicing in Miami.
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A sweeping history of the federal legislation that prohibits sex discrimination in education, published on the fiftieth anniversary of Title IX.
“No person in the United States shall, on the basis of sex, be excluded from participation in, be denied the benefits of, or be subjected to discrimination under any education program or activity receiving federal financial assistance.” —Title IX’s first thirty-seven words
By prohibiting sex discrimination in federally funded education, the 1972 legislation popularly known as Title IX profoundly changed the lives of women and girls in the United States, accelerating a movement for equal education in classrooms, on sports fields, and in all of campus life.
Sherry Boschert's book 37 Words: Title IX and Fifty Years of Fighting Sex Discrimination (New Press, 2022) is the story of Title IX. Filled with rich characters—from Bernice Resnick Sandler, an early organizer for the law, to her trans grandchild—the story of Title IX is a legislative and legal drama with conflicts over regulations and challenges to the law. It’s also a human story about women denied opportunities, students struggling for an education free from sexual harassment, and activists defying sexist discrimination. These intersecting narratives of women seeking an education, playing sports, and wanting protection from sexual harassment and assault map gains and setbacks for feminism in the last fifty years and show how some women benefit more than others. Award-winning journalist Sherry Boschert beautifully explores the gripping history of Title IX through the gutsy people behind it.
In the tradition of the acclaimed documentary She’s Beautiful When She’s Angry, 37 Words offers a crucial playbook for anyone who wants to understand how we got here and who is horrified by current attacks on women’s rights.
Jane Scimeca is Professor of History at Brookdale Community College.
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Ramzi Fawaz, Professor of English at the University of Wisconsin-Madison, has a new book that weaves together the more contemporary history of feminism and women’s liberation, the gay liberation movement, feminist and queer theory, and iconic popular culture artifacts in order to understand gendered and sexual forms in context of gender and sexual fluidity. This is a brilliant book, interdisciplinary in scope and approach, taking the reader on a journey through theoretical frameworks and interpretive understandings of where we often see queer forms, and what we think about those forms. Fawaz notes that he is working to tell a story, interpreting cultural artifacts to forefront the ideas from feminist and queer theory, knitting these approaches together to guide us through a fascinating understanding of what we see when we watch films, or television, or read comics, or enjoy Broadway performances. These interpretations provide us with ways of seeing identity and shape within narrative forms and creative storytelling. But Fawaz is also pushing against an excess of thinking that all identities and forms are fluid—instead, Queer Forms (NYU Press, 2022) examines the capacity of identity and forms to, essentially, shapeshift, which is not the same as being fluid, since shapeshifting is an adaption, and thus is not without form itself. Form has little meaning until or unless they are/it is interpreted by others.
The thrust of the work that Fawaz is doing in Queer Forms ultimately is about freedom and how we can each exist as free individuals, especially when there are often social and legal rules that constrain us as individuals with distinct identities that traverse a host of markers and qualities. Popular culture artifacts can provide the room and opportunity to imagine identities in different forms and contexts. Queer Forms provides the reader with an archive of culture forms as a kind of gift, helping us to see and understand how we might interpret or reinterpret the queer and feminist past so that we approach our daily contemporary life with that understanding. Fawaz explains the variegated theories that frame these interpretations and gets at this historical foundation—especially of the liberation movements in the 1960s and 1970s—in order to engage in a valuable consideration of freedom.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at [email protected] or tweet to @gorenlj.
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Treason and Masculinity in Medieval England: Gender, Law and Political Culture (Boydell Press, 2020) by Dr. E. Amanda McVitty presents a groundbreaking new approach to the idea of treason in medieval England, showing the profound effect played by gender.
Conflicts over treason tormented English political society in the later Middle Ages. As legal and political historians have shown, treason was always a constitutional matter as well as a legal one because it was pivotal in mediating the relationship between English kings, their political subjects and the abstraction of the crown. However, despite renewed interest in constitutional history, there has been no extended examination of treason in medieval England since the 1970s.
This pioneering study presents a new interpretation of treason, not only as a legal construct, a political weapon and a tool for constitutional thinking, but also as a cultural category, aligning it with questions of gender, vernacularity and national identity. It examines cases from the 1380s to the 1420s, revealing how kings defended their claims to sovereign authority by using the laws of treason to bind their mortal male bodies to the enduring body politic of the realm, and explains how that body politic was masculinised through its entanglement in contests over manly honour and homosocial loyalties.
Drawing on evidence from trial records, legislation and chronicles, Dr. McVitty illuminates the ways in which cultural ideals of manhood reinforced or subverted government responses to crises of legitimacy, and demonstrates that gender conditioned understandings of treason in the political arena as well as the definitions embedded in statutes and case law. At the same time, it explores the varied ways men defended themselves from accusations of treason by invoking, and in the process helping to transform, shared beliefs about what it meant to be a man in medieval England.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In this episode of the Queer Voices podcast, John Marszalek interviews author John D’Emilio, one of the leading historians of his generation and a pioneering figure in the field of LGBTQ history, about his memoir, Memories of a Gay Catholic Boyhood: Coming of Age in the Sixties (Duke UP, 2022)
At times his life has been seemingly at odds with his upbringing. How does a boy from an Italian immigrant family in which everyone unfailingly went to confession and Sunday Mass become a lapsed Catholic? How does a family who worshipped Senator Joseph McCarthy and supported Richard Nixon produce an antiwar activist and pacifist? How does a family in which the word divorce was never spoken raise a son who comes to explore the hidden gay sexual underworld of New York City?
Memories of a Gay Catholic Boyhood is D’Emilio’s coming-of-age story in which he takes readers from his working-class Bronx neighborhood to an elite Jesuit high school in Manhattan to Columbia University and the political and social upheavals of the late 1960s. He shares his personal experiences of growing up in a conservative, tight-knit, multigenerational family, how he went from considering entering the priesthood to losing his faith and coming to terms with his same-sex desires. Throughout, D’Emilio outlines his complicated relationship with his family while showing how his passion for activism influenced his decision to use research, writing, and teaching to build a strong LGBTQ movement.
This is not just John D’Emilio’s personal story; it opens a window into how the conformist baby boom decade of the 1950s transformed into the tumultuous years of radical social movements and widespread protest during the 1960s. It is the story of what happens when different cultures and values collide and the tensions and possibilities for personal discovery and growth that emerge. Intimate and honest, D’Emilio’s story will resonate with anyone who has had to chart their own path in a world they did not expect to find.
Listeners can receive a 30% discount on the cost of the book by ordering through Duke University Press here using the following discount code: E22DEMIL.
A pioneer in the field of LGBTQ studies and the history of sexuality, John D’Emilio is Emeritus Professor of Gender & Women’s Studies and History at the University of Illinois at Chicago.
John Marszalek III is a co-host of the Queer Voices podcast and author of Coming Out of the Magnolia Closet: Same-Sex Couples in Mississippi (2020, University Press of Mississippi). He is clinical faculty of the Clinical Mental Health Counseling Program at Southern New Hampshire University. On Twitter: @marsjf3
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Shinjuku Ni-chome is a nightlife district in central Tokyo filled with bars and clubs targeting the city's gay male community. Typically understood as a "safe space" where same-sex attracted men and women from across Japan's largest city can gather to find support from a relentlessly heteronormative society, Thomas Baudinette's Regimes of Desire: Young Gay Men, Media, and Masculinity in Tokyo (U Michigan Press, 2021) reveals that the neighborhood may not be as welcoming as previously depicted in prior literature. Through fieldwork observation and interviews with young men who regularly frequent the neighborhood's many bars, the book reveals that the district is instead a space where only certain performances of gay identity are considered desirable. In fact, the district is highly stratified, with Shinjuku Ni-chome's bar culture privileging "hard" masculine identities as the only legitimate expression of gay desire and thus excluding all those men who supposedly "fail" to live up to these hegemonic gendered ideals. Through careful analysis of media such as pornographic videos, manga comics, lifestyle magazines and online dating services, this book argues that the commercial imperatives of the Japanese gay media landscape and the bar culture of Shinjuku Ni-chome act together to limit the agency of young gay men so as to better exploit them economically.
Exploring the direct impacts of media consumption on the lives of four key informants who frequent the district's gay bars in search of community, fun and romance, Regimes of Desire reveals the complexity of Tokyo's most popular "gay town" and intervenes in debates over the changing nature of masculinity in contemporary Japan.
Alexandra Hambleton is an assistant professor at Tsuda University in Tokyo, Japan. I write on media, gender, and sexuality in contemporary Japan with a particular interest in pornography and sex-positive feminism.
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Beyond simplistic binaries of the dark continent or Africa Rising, Africans at home and abroad articulate their identities through their quotidian practices and cultural politics. Amongst the privileged classes, these articulations can be characterized as Afropolitan projects--cultural, political, and aesthetic expressions of global belonging rooted in African ideals.
Afropolitan Projects: Redefining Blackness, Sexualities, and Culture from Houston to Accra (UNC Press, 2021) examines the Afropolitan projects of Ghanaians living in two cosmopolitan cities: Houston, Texas, and Accra, Ghana. Anima Adjepong's focus shifts between the cities, exploring contests around national and pan-African cultural politics, race, class, sexuality, and religion. Focusing particularly on queer sexuality, Adjepong offers unique insight into the contemporary sexual politics of the Afropolitan class. The book expands and complicates existing research by providing an in-depth transnational case study that not only addresses questions of cosmopolitanism, class, and racial identity but also considers how gender and sexuality inform the racialized identities of Africans in the United States and in Ghana. Bringing an understudied cohort of class-privileged Africans to the forefront, Adjepong offers a more fully realized understanding of the diversity of African lives.
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Gidget: Origins of a Teen Girl Transmedia Franchise (Routledge, 2022) examines the multiplicity of books, films, TV shows, and merchandise that make up the transmedia Gidget universe from the late 1950s to the 1980s.
The book examines the Gidget phenomenon as an early and unique teen girl franchise that expands understanding of both teen girlhood and transmedia storytelling. It locates the film as existing at the historical intersection of numerous discourses and events, including the emergence of surf culture and surf films; the rise of California as signifier of modernity and as the epicentre of white American middle-class teen culture; the annexation of Hawaii; the invention of Barbie; and Hollywood’s reluctant acceptance of teen culture and teen audiences. Each chapter places the Gidget text in context, looking at production and reception circumstances and intertexts such as the novels of Françoise Sagan, the Tammy series, La Dolce Vita, and The Patty Duke Show, to better understand Gidget’s meaning at different points in time.
This book explores many aspects of Gidget, providing an invaluable insight into this iconic franchise for students and researchers in film studies, feminist media studies, and youth culture.
Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
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The first biography of trailblazing legislator Patsy Takemoto Mink, best known as the legislative champion of Title IX.
"Every girl in Little League, every woman playing college sports, and every parent-including Michelle and myself-who watches their daughter on a field or in the classroom is forever grateful to the late Patsy Takemoto Mink."-President Barack Obama, on posthumously awarding Mink the Presidential Medal of Freedom in 2014
Patsy Takemoto Mink was the first woman of color and the first Asian American woman elected to Congress. Fierce and Fearless is the first biography of this remarkable woman, who first won election to Congress in 1964 and went on to serve in the House for twenty-four years, her final term ending with her death in 2002. Mink was an advocate for girls and women, best known for her work shepherding and defending Title IX, the legislation that changed the face of education in America, making it possible for girls and women to participate in school sports, and in education more broadly, at the same level as boys and men.
Mink's life is wonderfully chronicled by eminent historian Judy Tzu-Chun Wu and Gwendolyn Mink, Patsy's daughter, a noted political science scholar and first-hand witness to the many political struggles that her mother had to overcome. Featuring family anecdotes, vignettes, and photographs, Fierce and Fearless offers new insight into who Mink was, and the progressive principles that fueled her mission. Wu and Mink provide readers with an up-close understanding of her life as a third-generation Japanese American from Hawaii-from her childhood on Maui to her decades-long career in the House, working with noted legislators like Shirley Chisholm, Bella Abzug, and Nancy Pelosi. They follow the evolution of her politics, including her advocacy for race, gender, and class equality and her work to promote peace and environmental justice.
Fierce and Fearless provides vivid details of how Patsy Takemoto Mink changed the future of American politics. Celebrating the life and legacy of a woman, activist, and politician ahead of her time, this book illuminates the life of a trailblazing icon who made history.
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Martha Rampton, Trafficking with Demons: Magic, Ritual, and Gender from Late Antiquity to 1000 (Cornell University Press, 2021) explores how magic was perceived, practiced, and prohibited in western Europe during the first millennium CE. Through the overlapping frameworks of religion, ritual, and gender, Martha Rampton connects early Christian reckonings with pagan magic to later doctrines and dogmas. Challenging established views on the role of women in ritual magic during this period, Rampton provides a new narrative of the ways in which magic was embedded within the foundational assumptions of western European society, informing how people understood the cosmos, divinity, and their own Christian faith.
As Rampton shows, throughout the first Christian millennium, magic was thought to play a natural role within the functioning of the universe and existed within a rational cosmos hierarchically arranged according to a "great chain of being." Trafficking with the "demons of the lower air" was the essence of magic. Interactions with those demons occurred both in highly formalistic, ritual settings and on a routine and casual basis. Rampton tracks the competition between pagan magic and Christian belief from the first century CE, when it was fiercest, through the early Middle Ages, as atavistic forms of magic mutated and found sanctuary in the daily habits of the converted peoples and new paganisms entered Europe with their own forms of magic. By the year 1000, she concludes, many forms of magic had been tamed and were, by the reckoning of the elite, essentially ineffective, as were the women who practiced it and the rituals that attended it.
Martha Rampton is full of energy and excitement about her book and she and Jana Byars have a wonderful, spirited chat.
Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
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Italian court culture of the fifteenth century was a golden age, gleaming with dazzling princes, splendid surfaces, and luminous images that separated the lords from the (literally) lackluster masses. In Brilliant Bodies: Fashioning Courtly Men in Early Renaissance Italy (Pennsylvania State University Press, 2022), Timothy McCall describes and interprets the Renaissance glitterati―gorgeously dressed and adorned men―to reveal how charismatic bodies, in the palazzo and the piazza, seduced audiences and materialized power.
Fifteenth-century Italian courts put men on display. Here, men were peacocks, attracting attention with scintillating brocades, shining armor, sparkling jewels, and glistening swords, spurs, and sequins. McCall’s investigation of these spectacular masculinities challenges widely held assumptions about appropriate male display and adornment. Interpreting surviving objects, visual representations in a wide range of media, and a diverse array of primary textual sources, McCall argues that Renaissance masculine dress was a political phenomenon that fashioned power and patriarchal authority. Brilliant Bodies describes and recontextualizes the technical construction and cultural meanings of attire, casts a critical eye toward the complex and entangled relations between bodies and clothing, and explores the negotiations among makers, wearers, and materials.
This groundbreaking study of masculinity makes an important intervention in the history of male ornamentation and fashion by examining a period when the public display of splendid men not only supported but also constituted authority. It will appeal to specialists in art history and fashion history as well as scholars working at the intersections of gender and politics in quattrocento Italy.
Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center.
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Born to a powerful family and educated at the prominent Mindröling Monastery, the Tibetan Buddhist nun and teacher Mingyur Peldrön (1699–1769) leveraged her privileged status and overcame significant adversity, including exile during a civil war, to play a central role in the reconstruction of her religious community. In The Tibetan Nun Mingyur Peldrön: A Woman of Power and Privilege (U Washington Press, 2022), Alison Melnick Dyer employs literary and historical analysis, centered on a biography written by the nun's disciple Gyurmé Ösel, to consider how privilege influences individual authority, how authoritative Buddhist women have negotiated their position in gendered contexts, and how the lives of historical Buddhist women are (and are not) memorialized by their communities.
Mingyur Peldrön's story challenges the dominant paradigms of women in religious life and adds nuance to our ideas about the history of gendered engagement in religious institutions. Her example serves as a means for better understanding of how gender can be both masked and asserted in the search for authority—operations that have wider implications for religious and political developments in eighteenth-century Tibet. In its engagement with Tibetan history, this study also illuminates the relationships between the Geluk and Nyingma schools of Tibetan Buddhism from the eighteenth century, to the nonsectarian developments of the nineteenth century.
The Tibetan Nun Mingyur Peldrön is available for free open-access download here.
Bruno M. Shirley is a PhD candidate at Cornell University, working on Buddhism, politics, and gender in medieval Sri Lankan texts and landscapes. He is on Twitter at @brunomshirley.
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Dancing Women: Choreographing Corporeal Histories of Hindi Cinema (Oxford UP, 2020), an ambitious study of two of South Asia's most popular cultural forms ― cinema and dance ― historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, sexuality, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the "women's question" via new mobilities corpo-realized by dancing women.
Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the “choreomusicking body” and “dance musicalization,” aesthetic approaches to embodiment drawing on treatises like the Natya Sastra and the Abhinaya Darpana, and formal analyses of cine-choreographic “techno-spectacles,” Dancing Women offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women.
Pratichi Priyambada is a Ph.D Candidate in the Department of History at the University of California, Irvine. She is broadly interested in histories of performance, gender and sexuality, and colonial law. She can be reached at @rhymingrhythm on Twitter.
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The phenomenon of “war brides” from Japan moving to the West has been quite widely discussed, but this book tells the stories of women whose lives followed a rather different path after they married foreign occupiers. During Okinawa’s Occupation by the Allies from 1945 to 1972, many Okinawan women met and had relationships with non-Western men who were stationed in Okinawa as soldiers and base employees. Most of these men were from the Philippines.
In Okinawan Women's Stories of Migration: From War Brides to Issei (Routledge, 2022), Zulueta explores the journeys of these women to their husbands’ homeland, their acculturation to their adopted land, and their return to their native Okinawa in their late adult years. Utilizing a life-course approach, she examines how these women crafted their own identities as first-generation migrants or “Issei” in both the country of migration and their natal homeland, their re-integration to Okinawan society, and the role of religion in this regard, as well as their thoughts on end-of-life as returnees.
This book will be of interest to scholars looking at gender and migration, cross-cultural marriages, aging and migration, as well as those interested in East Asia, particularly Japan/Okinawa.
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In Queer and Trans Madness: Struggles for Social Justice (Palgrave Macmillan), Merrick D. Pilling urges those invested in social justice for 2SLGBTQ people to interrogate the biomedical model of mental illness beyond the diagnoses that specifically target gender and sexual dissidence. In this first comprehensive application of Mad Studies to queer and trans experiences of mental distress, Pilling advances a broad critique of the biomedical model of mental illness as it pertains to 2SLGBTQ people, arguing that Mad Studies is especially amenable to making sense of queer and trans madness. Based on empirical data from two qualitative research studies, this book includes analyses of inpatient chart documentation from a psychiatric hospital and interviews with those who have experienced distress. Using an intersectional lens, Pilling critically examines what constitutes mental health treatment and the impacts of medical strategies on mad queer and trans people.
Ultimately, Queer and Trans Madness: Struggles for Social Justice explores the emancipatory promise of queer and trans madness, advocating for more resources to respond to crisis and distress in ways that are non-coercive, non-carceral, and honour autonomy as well as interdependence within 2SLGBTQ communities.
Clayton Jarrard works at the University of Kansas Center for Research, contributing to initiatives that bridge research, policy, and community efforts. His scholarly engagement spans the subject areas of cultural anthropology, queer studies, disability studies, mad studies, and religious studies.
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Black Communist women throughout the early to mid-twentieth century fought for and led mass campaigns in the service of building collective power in the fight for liberation. Through concrete materialist analysis of the conditions of Black workers, these women argued that racial and economic equality can only be achieved by overthrowing capitalism.
The first collection of its kind, Organize, Fight, Win: Black Communist Women's Political Writing (Verso, 2022) brings together three decades of Black Communist women’s political writings. In doing so, it highlights the link between Communism and Black liberation. Likewise, it makes clear how Black women fundamentally shaped, and were shaped by, Communist praxis in the twentieth century.
Organize, Fight, Win includes writings from card-carrying Communists like Dorothy Burnham, Williana Burroughs, Grace P. Campbell, Alice Childress, Marvel Cooke, Esther Cooper Jackson, Thelma Dale Perkins, Vicki Garvin, Yvonne Gregory, Claudia Jones, Maude White Katz, and Louise Thompson Patterson, and writings by those who organized alongside the Communist Party, like Ella Baker, Charlotta Bass, Thyra Edwards, Lorraine Hansberry, and Dorothy Hunton.
In this interview, I spoke with the editors of this collection, Charisse Burden-Stelly and Jodi Dean.
Charisse Burden-Stelly (@blackleftaf) is Associate Professor of Africana Studies and Political Science at Wayne State University. She is the author, with Gerald Horne, of W. E. B. Du Bois: A Life in American History.
Jodi Dean (@Jodi7768) is a professor in the Political Science Department at Hobart and William Smith Colleges in Geneva, New York. She has written or edited thirteen books, including recent Verso title Comrade: An Essay on Political Belonging.
Catriona Gold (@cat__gold) is a PhD candidate in Geography at University College London, researching security and mobility in the 20-21st century United States. Her current work concerns the US Passport Office's role in governing Cold War travel.
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Manga historian Ryan Holmberg introduces the influential alternative manga artist Murasaki Yamada (1948-2009) to English readers through a scholarly translation of Talk to My Back (1981-1984), Yamada’s feminist examination of the fraying of Japan's suburban middle-class dreams. The manga is paired with an extensive essay by Dr. Holmberg, in which he positions Yamada’s oeuvre within the history of alternative manga and Yamada’s manga within her life. Alternative manga is primarily associated with male artists in the United States, but Holmberg illuminates why that came to be and how that image varies from reality through his examination of Yamada’s oeuvre.
Talk to My Back (Drawn & Quarterly, 2022) portrays a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family.
Ryan Holmberg is a comics historian and translator. He is the author of The Translator Without Talent (2020) and Garo Manga: The First Decade, 1964-1973 (2010). He has edited and translated over two dozen manga, including the 2014 Eisner Award-winning edition of Tezuka Osamu’s The Mysterious Underground Men. His many essays and reviews can be found in such venues as The Comics Journal, Artforum International, and The New York Review. He has advised on exhibitions at the British Museum and the Honolulu Museum of Art, and is currently Senior Lecturer at the School of the Art Institute of Chicago. He can be found on social media @mangaberg.
Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in 2023 from the University of Hawai’i Press. She consulted on the British Museum’s exhibition on manga, and her work has appeared in the Journal of Adaptation in Film & Performance, the Journal of Popular Culture, Film Criticism, and the Washington Post, among other publications.
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In Gender, Embodiment, and the History of the Scholarly Persona. Incarnations and Contestations (Palgrave Macmillan, 2021), Professors Kirsti Niskanen and Michael J. Barany present a rich collection of essays on the historical construction and reinvention of scholarly personae. The book carries this investigation by focusing on three contextual conditions that play a decisive role in the fashioning of such personae: international travels, embodiment, and gender. The book also pays great attention to the role of incomes and funding opportunities in the evolution of scholarly personae in disciplines as varied as mathematics, philosophy, experimental psychology, pedagogy, history, and medicine.
Niskanen and Barany “see the history of scholarly personae as occupying a vital space in cultural theories of science and scholarship”. This statement should be understood in at least two ways. Firstly, the study of scholarly personae delves into the dynamic interactions between personalities, institutions, professional ethos, social norms, international exchanges, and explains how these interactions generate ways of conducting and presenting one’s life. Secondly, uncovering such histories of scholarly personae eventually leads to a better understanding of contextual forces that prevent or encourage the emergence of greater diversity and equity within academia today.
At the intersection of a wide range of scholarly disciplines and geographical contexts, Gender, Embodiment, and the History of the Scholarly Persona represent a major contribution to the historical study of scientific personae since Lorraine Daston and H. Otto Sibum’s special issue, “Scientific Personae and Their Histories”, published in 2003.
Victor Monnin, Ph.D. is an historian of science specialized in the history of Earth sciences. He is teaching the Humanities and French language to undergraduates.
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When did "parenting" become a verb? Why is it so hard to parent, and so rife with the possibility of failure? Sitcom families of the past--the Cleavers, the Bradys, the Conners--didn't seem to lose any sleep about their parenting methods. Today, parents are likely to be up late, doomscrolling on parenting websites. In Long Days, Short Years: A Cultural History of Modern Parenting (MIT Press, 2022), Andrew Bomback--physician, writer, and father of three young children--looks at why it can be so much fun to be a parent but, at the same time, so frustrating and difficult to parent. It's not a "how to" book (although Bomback has read plenty of these) but a "how come" book, investigating the emergence of an immersive, all-in approach to raising children that has made parenting a competitive (and often not very enjoyable) sport.
Drawing on parenting books, mommy blogs, and historical accounts of parental duties as well as novels, films, podcasts, television shows, and his own experiences as a parent, Bomback charts the cultural history of parenting as a skill to be mastered, from the laid-back Dr. Spock's 1950s childcare bible--in some years outsold only by the actual Bible--to the more rigid training schedules of Babywise. Along the way, he considers the high costs of commercialized parenting (from the babymoon on), the pressure on mothers to have it all (and do it all), scripted parenting as laid out in How to Talk So Kids Will Listen, parenting during a pandemic, and much more.
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Corrections in Ink (St. Martin's Press, 2022) is an electric and unforgettable memoir about a young woman's journey-from the ice rink, to addiction and a prison sentence, to the newsroom-emerging with a fierce determination to expose the broken system she experienced. An elite, competitive figure skater growing up, Keri Blakinger poured herself into the sport, even competing at nationals. But when her skating partnership ended abruptly, her world shattered. With all the intensity she saved for the ice, she dove into self-destruction.
Then, on a cold day during Keri's senior year, the police stopped her. Caught with a Tupperware container full of heroin, she was arrested and ushered into a holding cell, a county jail, and finally into state prison. There, in the cruel "upside down," Keri witnessed callous conditions and encountered women from all walks of life-women who would change Keri forever. Two years later, Keri walked out of prison sober and determined to make the most of the second chance she was given-an opportunity impacted by her privilege as a white woman. She scored a local reporting job and eventually moved to Texas, where she started covering nothing other than: prisons. Now, over her career as an award-winning journalist, she has dedicated herself to exposing the broken system as only an insider could.
Not just a story about getting out and getting off drugs, this rich memoir is about finding redemption within yourself, as well as from the outside world, and the power of second chances.
Keri Blakinger is a staff reporter for The Marshall Project, an online news source about the criminal justice system. Her Twitter handle is @keribla.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
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Goddess characters are revered as feminist heroes in the popular media of many cultures. However, these goddess characters often prove to be less promising and more regressive than most people initially perceive. Goddesses in film, television, and fiction project worldviews and messages that reflect mostly patriarchal culture (including essentialized gender assumptions), in contrast to the feminist, empowering levels many fans and critics observe.
Building on critiques of other skeptical scholars, The Goddess Myth in Contemporary Literature and Popular Culture: A Feminist Critique (University Press of Mississippi, 2022) deepens how our remythologizing of the ancient past reflects a contemporary worldview and rhetoric. Structures of contemporary goddess myths often fit typical extremes as either vilified, destructive, dark, and chaotic (typical in film or television); or romanticized, positive, even utopian (typical in women’s speculative fiction). This goddess spectrum persistently essentializes gender, stereotyping women as emotional, intuitive, sexual, motherly beings (good or bad), precluded from complex potential and fuller natures. Within apparent good-over-evil, pop-culture narrative frames, these goddesses all suffer significantly.
However, a few recent intersectional writers, like N. K. Jemisin, break through these dark reflections of contemporary power dynamics to offer complex characters who evince “hopepunk.” They resist typical simplified, reductionist absolutes to offer messages that resonate with potential for today’s world. Mythic narratives featuring goddesses often do, but need not, serve merely as ideological mirrors of our culture’s still problematically reductionist approach to women and all humanity.
Mary J. Magoulick is professor of English at Georgia College and State University.
Iqra Shagufta Cheema is a writer, researcher, and chronic procrastinator. When they do write, they write in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. They can be reached via email at [email protected] or Twitter.
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Today we are joined by two guests: Dr. Fiona Crawford, a writer, editor, and researcher whose work engages with social, environmental, and sports. Dr. Crawford writes for a range of publications including Four Four Two and works frequently Football Australia. We are also joined by Dr. Lee McGowan, a researcher, writer and teacher working at the University of Sunshine Coast. Dr McGowan works on the intersections of sport, culture and community engagement. Together, they are the authors of Never Say Die: The Hundred-Year Overnight Success of Australian Women’s Football (University of New South Wales Press, 2019). In our conversation, we discussed the booms and busts of women’s football in Australia, “sliding door” moments that offered alternative possibilities for women’s football, and the obstacles facing the contemporary women’s game around the world.
In Never Say Die, Crawford and McGowan both trace the history of women’s football in Australia and offer a commentary on the state of the women’s game today. The first three chapters chart the development of women’s football, emerging earliest in Queensland before being hobbled by the actions of men in state federations. In this way, the rise and fall of the early Australian game mirrored history of the famous English FA ban of women’s football.
An Australian women’s led football league re-emerged in the heady days of the 1960s and 1970s, when creative and hardworking people such as Pat O’Connor, Elaine Watson, and Heather Reid opened the way for an Australia wide women’s competition. In 1974, female administrators and players organized the Australian Women’s Soccer Association, which under the leadership of “quiet achieving ground breakers” built the foundations for women’s football today. The following year they competed in the Asian Women’s Championship, but never with the same financial support as the men’s side. Of course, success brought new challenges and the Crawford Report (no relation) helped to subordinate women’s football again under the national federation: Football Australia.
The latter chapters of Never Say Die deal with contemporary challenges to the women’s game including: the organization of the W-League, pay disputes between the women’s national team and the federation, injury issues among women’s footballers resulting from inadequate medical facilities and improper training, a dearth of female coaches, particularly at the top level, and the trajectory of the current Matildas. Crawford and McGowan’s comments in these chapters are vital for understanding the issues in women’s football today and have helped to shape public debate over issues such as pay disparities, an issue that has subsequently been addressed by Football Australia.
In their work, Crawford and McGowan offer a compelling and rich account of women’s football in Australia. Their work is informed not only by a deep dive into the archival resources, especially the popular press, but also by interviews with many former women’s players, referees, coaches and administrators.
Crawford and McGowan’s very readable and timely book will be of interest to people broadly interested in sport, especially those with a focus on women’s sport, but also to a public audience interested in the history of the Matildas before the 2023 Australian Women’s World Cup.
Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at [email protected] and follow him at @keithrathbone on twitter.
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Buy Black: How Black Women Transformed US Pop Culture (U Illinois Press, 2022) examines the role American Black women play in Black consumption in the US and worldwide, with a focus on their pivotal role in packaging Black feminine identity since the 1960s. Through an exploration of the dolls, princesses, and rags-to-riches stories that represent Black girlhood and womanhood in everything from haircare to Nicki Minaj’s hip-hop, Aria S. Halliday spotlights how the products created by Black women have furthered Black women’s position as the moral compass and arbiter of Black racial progress.
Buy Black reveals what attitudes inform a contemporary Black sensibility based in representation and consumerism. It also traces the parameters of Black symbolic power, mapping the sites where intraracial ideals of blackness, womanhood, beauty, play, and sexuality meet and mix in consumer and popular culture.
Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at [email protected] and on twitter @MickellCarter.
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Dirshuni: Contemporary Women's Midrash (Brandeis UP, 2022), is the first-ever English edition of a historic collection of midrashim composed by Israeli women, which has been long-anticipated by multiple American audiences, including synagogues, rabbinical seminaries, adult learning programs, Jewish educators, and scholars of gender and religion. Using the classical forms developed by the ancient rabbis, the contributors express their religious and moral thought and experience through innovative interpretations of scripture.
The women writers, from all denominations and beyond, of all political stripes and ethnic backgrounds, contribute their Torah to fill the missing half of the sacred Jewish bookshelf. This book reflects dramatic changes in the agency of women in the world of religious writings. The volume features a comprehensive introduction to Midrash for the uninitiated reader by the distinguished scholar Tamar Kadari and extensive annotation and commentary by Tamar Biala.
Matthew Miller is a graduate of Yeshivat Yesodei HaTorah. He studied Jewish Studies and Linguistics at McGill for his BA and completed an MA in Hebrew Linguistics at Queen Mary University of London. He works with Jewish organizations in media and content distribution, such as TheHabura.com and RabbiEfremGoldberg.org.
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Edited by Ellie D. Hernandez, Eddy Francisco Alvarez Jr., and Magda García, Transmovimientos: Latinx Queer Migrations, Bodies, and Space (University of Nebraska Press, 2021) focuses on queer, trans, and gender nonconforming communities of immigrants and social dissidents who reflect on and write about diaspora and migratory movements while navigating geographical and embodied spaces across gendered and racialized contexts. It forms a nuanced conversation between scholarship and social activism that speaks in concrete ways about diasporic and migratory LGBTQ communities who suffer from immoral immigration policies and political discourses that produce untenable living situations. It received the silver medal in the Best LGBTQ Themed book category at the 2022 International Latino Book Prize.
Dr. Ellie D. Hernandez is an Associate Professor in the department of Chicana/o Studies at the University of California at Santa Barbara where she teaches and writes extensively on Chicanx literature and culture, citizenship, transnational Chicana/o and Latina/o cultural production, and Latinx LGBTQ Studies. She is also the author of Postnationalism in Chicana/o Literature and Culture and co-editor of The UnMaking of Latina/o Citizenship: Culture, Politics, and Aesthetics.
Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries.
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Science plays a substantial, though under-acknowledged, role in shaping popular understandings of rape. Statistical figures like “1 in 4 women have experienced completed or attempted rape” are central for raising awareness. Yet such scientific facts often become points of controversy, particularly as conservative scholars and public figures attempt to discredit feminist activists.
Rape by the Numbers: Producing and Contesting Scientific Knowledge about Sexual Violence (Rutgers University Press, 2021) by Dr. Ethan Czuy Levine explores scientists’ approaches to studying rape over more than forty years in the United States and Canada. In addition to investigating how scientists come to know the scope, causes, and consequences of rape, this book delves into the politics of rape research. Scholars who study rape often face a range of social pressures and resource constraints, including some that are unique to feminized and politicized fields of inquiry. Collectively, these matters have far-reaching consequences. Scientific projects may determine who counts as a potential victim/survivor or aggressor in a range of contexts, shaping research agendas as well as state policy, anti-violence programming and services, and public perceptions. Social processes within the study of rape determine which knowledges count as credible science, and thus who may count as an expert in academic and public contexts.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Leah Cargin (Ph.D student, University of Oklahoma) speaks with Elizabeth Quay Hutchison (Professor, University of New Mexico) about Hutchison’s recent book, Workers Like All the Rest of Them: Domestic Service and the Rights of Labor in Twentieth-Century Chile (Duke University Press, 2021).
In this episode, Leah Cargin invites Elizabeth Hutchison to consider the long-term influences that have shaped her personal and professional interests in Latin American history and gender history, and to reflect on how these commitments led to this recent book. Hutchison introduces us to a few of the cooks, nannies, gardeners, and housekeepers who mobilized for recognition as workers in twentieth-century Chile, including Doña Elba Bravo and Aída Moreno Valenzuela. Rooted in oral histories with leaders and allies of the domestic service workers’ movement, Hutchison analyzes how changing constructions of domestic service labor impacted women’s work in this underpaid and under-regulated sector over the course of the twentieth century. The ‘living archive’ of activists’ testimony, in combination with congressional and associational records, enables Hutchison to narrate large-scale social and political change in Chile, centering the perspective of women domestic workers, and showcasing the alliances they forged with leadership in the Catholic Church, left-wing political organizations, and feminist organizations. Throughout this conversation, Hutchison observes the obligations and rewards of politically- and socially-engaged scholarship.
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The contributors to Queer Kinship: Race, Sex, Belonging, Form (Duke UP, 2022) assert the importance of queer kinship to queer and trans theory and to kinship theory. In a contemporary moment marked by the rising tides of neoliberalism, fascism, xenophobia, and homo- and cis-nationalism, they approach kinship as both a horizon and a source of violence and possibility. The contributors challenge dominant theories of kinship that ignore the devastating impacts of chattel slavery, settler colonialism, and racialized nationalism on the bonds of Black and Indigenous people and people of color. Among other topics, they examine the “blood tie” as the legal marker of kin relations, the everyday experiences and memories of trans mothers and daughters in Istanbul, the outsourcing of reproductive labor in postcolonial India, kinship as a model of governance beyond the liberal state, and the intergenerational effects of the adoption of Indigenous children as a technology of settler colonialism. Queer Kinship pushes the methodological and theoretical underpinnings of queer theory forward while opening up new paths for studying kinship.
Tyler Bradway is Associate Professor of English at the State University of New York, Cortland, and author of Queer Experimental Literature: The Affective Politics of Bad Reading.
Elizabeth Freeman is Professor of English at the University of California, Davis, and author of Beside You in Time: Sense Methods and Queer Sociabilities in the American Nineteenth Century, and other books also published by Duke University Press.
Sohini Chatterjee is a PhD Candidate in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.
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L. L. Wynn and Angel M. Foster,'s edited volume Sex in the Middle East and North Africa (Vanderbilt UP, 2022) examines the sexual practices, politics, and complexities of the modern Arab world. Short chapters feature a variety of experts in anthropology, sociology, health science, and cultural studies. Many of the chapters are based on original ethnographic and interview work with subjects involved in these practices and include their voices.
The book is organized into three sections: Single and Dating, Engaged and Married, and It's Complicated. The allusion to categories of relationship status on social media is at once a nod to the compulsion to categorize, recognition of the many ways that categorization is rarely straightforward, and acknowledgment that much of the intimate lives described by the contributors is mediated by online technologies.
Mathew Gagné is an Assistant Professor in the Department of Sociology and Social Anthropology at Dalhousie University.
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Silvia Schwarz Linder's Goddess Traditions in India: Theological Poems and Philosophical Tales in the Tripurarahasya (Routledge, 2022) is a study of the Śrīvidyā and Śākta traditions in the context of South Indian intellectual history in the late middle ages.
Associated with the religious tradition known as Śrīvidyā and devoted to the cult of the Goddess Tripurā, the text was probably composed between the 13th and the 16th century CE. The analysis of its narrative parts addresses questions about the relationships between Tantric and Purāṇic goddesses. The discussion of its philosophical and theological teachings tackles problems related to the relationships between Sākta and Śaiva traditions. The stylistic devices adopted by the author(s) of the work deal uniquely with doctrinal and ritual elements of the Śrīvidyā through the medium of a literary and poetic language. This stylistic peculiarity distinguishes the Tripurārahasya from many other Tantric texts, characterized by a more technical language.
Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com.
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In High-Risk Feminism in Colombia: Women's Mobilization in Violent Contexts (Rutgers University Press, 2022), Dr. Julia Zulver documents the experiences of grassroots women’s organizations that united to demand gender justice during and in the aftermath of Colombia’s armed conflict. In doing so, she illustrates a little-studied phenomenon: women whose experiences with violence catalyze them to mobilize and resist as feminists, even in the face of grave danger. Despite a well-established tradition of studying women in war, we tend to focus on their roles as mothers or carers, as peacemakers, or sometimes as revolutionaries.
This book explains the gendered underpinnings of why women engage in feminist mobilization, even when this takes place in a ‘domain of losses’ that exposes them to high levels of risk. It follows four women’s organizations who break with traditional gender norms and defy armed groups’ social and territorial control, exposing them to retributive punishment. Dr. Zulver provides rich evidence to document how women are able to surmount the barriers to mobilization when they frame their actions in terms of resistance, rather than fear.
High-Risk Feminism in Colombia has also been translated and released in Spanish! Dr. Zulver discusses the book in Spanish here.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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It was only two decades ago, but, for the women of country music, 1999 seems like an entirely different universe. With Shania Twain, country's biggest award winner and star, and The Chicks topping every chart, country music was a woman's world: specifically, country radio and Nashville's Music Row.
Cut to 2021, when women are only played on country radio 16% of the time, on a good day, and when only men have won Entertainer of the Year at the CMA Awards for a decade. To a world where artists like Kacey Musgraves sell out arenas but barely score a single second of airplay. But also to a world where these women are infinitely bigger live draws than most male counterparts, having massive pop crossover hits like Maren Morris's "The Middle," pushing the industry to confront its deeply embedded racial biases with Mickey Guyton's "Black Like Me," winning heaps of Grammy nominations, banding up in supergroups like The Highwomen and taking complete control of their own careers, on their own terms. When the rules stopped working for the women of country music, they threw them out and made their own: and changed the genre forever, and for better.
Her Country: How the Women of Country Music Became the Success They Were Never Supposed to Be (Henry Holt, 2022) is veteran Nashville journalist Marissa R. Moss's story of how in the past two decades, country's women fought back against systems designed to keep them down, armed with their art and never willing to just shut up and sing: how women like Kacey, Mickey, Maren, The Chicks, Miranda Lambert, Rissi Palmer, Brandy Clark, LeAnn Rimes, Brandi Carlile, Margo Price and many more have reinvented the rules to find their place in an industry stacked against them, how they've ruled the century when it comes to artistic output--and about how women can and do belong in the mainstream of country music, even if their voices aren't being heard as loudly.
Marissa R. Moss is an award-winning journalist who has written about the topic of gender inequality on the country airwaves for outlets like Rolling Stone, NPR, Billboard, Entertainment Weekly, and many more. Moss was the 2018 recipient of the Rolling Stone Chet Flippo Award for Excellence in Country Music Journalism, and the 2019 Nashville Scene Best of Nashville Best Music Reporter. She has been a guest on The TODAY Show, Entertainment Tonight, CBS Morning Show, NPR's Weekend Edition, WPLN, the Pop Literacy Podcast, and more.
Marissa R. Moss on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.
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From gender expert and professional facilitator Kate Mangino comes Equal Partners: Improving Gender Equality at Home (St. Martin’s Press, 2022), an informed guide about how we can all collectively work to undo harmful gender norms and create greater household equity.
As American society shut down due to Covid, millions of women had to leave their jobs to take on full-time childcare. As the country opens back up, women continue to struggle to balance the demands of work and home life. Kate Mangino, a professional facilitator for twenty years, has written a comprehensive, practical guide for readers and their partners about gender norms and household balance. Yes, part of our gender problem is structural, and that requires policy change. But much of our gender problem is social, and that requires us to change.
Quickly moving from diagnosis to solution, Equal Partners focuses on what we can do, everyday people living busy lives, to rewrite gender norms to support a balanced homelife so both partners have equal time for work, family, and self. Mangino adopts an interactive model, posing questions, and asking readers to assess their situations through guided lists and talking points. Equal Partners is broad in its definition of gender and gender roles. This is a book for all: straight, gay, trans, and non-binary, parents and grandparents, and friends, with the goal to help foster gender equality in readers' homes, with their partners, family and wider community.
Jane Scimeca is Professor of History at Brookdale Community College.
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Welcome to The Academic Life! In this episode you’ll hear about:
Today’s book is: Tomboy: The Surprising History and Future of Girls Who Dare to be Different, which journalist Lisa Selin Davis was inspired to write when her six-year-old daughter first called herself a "tomboy.” She favored sweatpants and T-shirts over anything pink or princess-themed, just like the sporty and skinned-kneed girls Davis had played with as a kid. But "tomboy" seemed like an outdated word, and why use a word with "boy" in it for girls? Where do tomboys fit into our understandings of gender? In Tomboy, Davis highlights the forces behind what we think of as masculine and feminine, delving into everything from clothing to psychology, history to neuroscience, and the connection between tomboyism, gender identity, and sexuality. Davis's deep-dive appreciates those who defy traditional gender boundaries, and the incredible people they become.
Our guest is: journalist Lisa Selin Davis, who wrote the novels Belly, and Lost Stars, and the non-fiction book Tomboy: The Surprising History and Future of Girls* Who Dare to Be Different. She has written for the New York Times, Wall Street Journal, Time and many others.
Our host is: Dr. Christina Gessler, who holds a PhD in American history. She is the co-producer of the Academic Life.
Listeners to this episode may also be interested in:
You are smart and capable, but you aren’t an island, and neither are we. We reach across our mentor network to bring you podcasts on everything from how to finish that project to how to take care of your beautiful mind. Here on the Academic Life channel, we embrace a broad definition of what it means to be an academic and to lead an academic life. We view education as a transformative human endeavor and are inspired by today’s knowledge-producers working inside and outside the academy. Wish we’d bring on an expert about something? DMs us on Twitter: @AcademicLifeNBN.
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Growing up in the shadow of Hollywood, the gay sons of immigrants featured in Brown and Gay in LA: The Lives of Immigrant Sons (NYU Press, 2022) could not have felt further removed from a world where queerness was accepted and celebrated. Instead, the men profiled here maneuver through family and friendship circles where masculinity dominates, gay sexuality is unspoken, and heterosexuality is strictly enforced. For these men, the path to sexual freedom often involves chasing the dreams while resisting the expectations of their immigrant parents—and finding community in each other.
Anthony Christian Ocampo also details his own story of reconciling his queer Filipino American identity and those of men like him. He shows what it was like for these young men to grow up gay in an immigrant family, to be the one gay person in their school and ethnic community, and to be a person of color in predominantly White gay spaces. Brown and Gay in LA is an homage to second-generation gay men and their radical redefinition of what it means to be gay, to be a man, to be a person of color, and, ultimately, what it means to be an American.
Prof. Anthony Christian Ocampo is Professor of Sociology at California State Polytechnic University, Pomona. He is the author of The Latinos of Asia: How Filipino Americans Break the Rules of Race (Stanford University Press, 2016).
Sohini Chatterjee is a PhD Candidate in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.
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An eye-opening exploration of the medical origins of gender in modern US history. Today, a world without "gender" is hard to imagine. Gender is at the center of contentious political and social debates, shapes policy decisions, and informs our everyday lives. Its formulation, however, is lesser known: Gender was first used in clinical practice. How the Clinic Made Gender: The Medical History of a Transformative Idea (U Chicago Press, 2022) tells the story of the invention of gender in American medicine, detailing how it was shaped by mid-twentieth-century American notions of culture, personality, and social engineering.
Sandra Eder shows how the concept of gender transformed from a pragmatic tool in the sex assignment of children with intersex traits in the 1950s to an essential category in clinics for transgender individuals in the 1960s. Following gender outside the clinic, she reconstructs the variable ways feminists integrated gender into their theories and practices in the 1970s. The process by which ideas about gender became medicalized, enforced, and popularized was messy, and the route by which gender came to be understood and applied through the treatment of patients with intersex traits was fraught and contested. In historicizing the emergence of the sex/gender binary, Eder reveals the role of medical practice in developing a transformative idea and the interdependence between practice and wider social norms that inform the attitudes of physicians and researchers. She shows that ideas like gender can take on a life of their own and may be used to question the normative perceptions they were based on. Illuminating and deeply researched, the book closes a notable gap in the history of gender and will inspire current debates on the relationship between social norms and medical practice.
Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine.
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In this timely collection, gender, sex, and technology are explored through an intersectional and interdisciplinary lens. Gender, Sex, and Tech!: An Intersectional Feminist Guide (Canadian Scholars, 2022) provides insight into the ways that technology affects, and is affected by, cultural perceptions of gender and sex. Through an examination of a range of past and present issues, the text highlights our relationships to technology and illustrates how gendered relations are shaped and transformed through social and technological innovations. Contributors bring to the fore feminist, decolonizing, and anti-racist methods to examine our everyday uses of technology, from the mundane to the surreal to the playful to the devastating. Original research and scholarship is skillfully grounded in real-world scenarios like revenge pornography, gender bias in artificial intelligence, menstrual tracking, online dating, and the COVID-19 pandemic, inviting students to take a closer look at technological transformations and their impact on gendered lived experience and to consider how the benefits of technology are inequitably shared within society. Centring Canadian scholars and Canadian perspectives without losing sight of the broader global connection, Gender, Sex, and Tech! is bursting with timely and of-the-moment content, making this collection a must-read for courses focused on gender and technology.
Dr. Iqra Shagufta Cheema writes and teaches about transnational feminisms, Global South #MeToos, postmodernist postcolonial literatures, transnational feminisms, and global cinema.
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In From Schlemiel to Sabra: Zionist Masculinity and Palestinian Hebrew Literature (Indiana UP, 2019), Philip Hollander examines how masculine ideals and images of the New Hebrew man shaped the Israeli state. In this innovative book, Hollander uncovers the complex relationship that Jews had with masculinity, interrogating narratives depicting masculinity in the new state as a transition from weak, feminized schlemiels to robust, muscular, and rugged Israelis. Turning to key literary texts by S. Y. Agnon, Y. H. Brenner, L. A. Arieli, and Aharon Reuveni, Hollander reveals how gender and sexuality were intertwined to promote a specific Zionist political agenda. A Zionist masculinity grounded in military prowess could not only protect the new state but also ensure its procreative needs and future. Self-awareness, physical power, fierce loyalty to the state and devotion to the land, humility, and nurture of the young were essential qualities that needed to be cultivated in migrants to the state. By turning to the early literature of Zionist Palestine, Hollander shows how Jews strove to construct a better Jewish future.
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Philip Nash's book Clare Boothe Luce: American Renaissance Woman (Routledge, 2022) is a concise and highly readable political biography that examines the life of one of the most accomplished American women of the 20th century.
Wife and mother, author, editor, playwright, political activist, war journalist, Congresswoman, ambassador, pundit, and feminist—Luce did it all. Carefully placing Luce in a series of shifting historical contexts, this book offers the reader an insight into mid-century American political, cultural, gender, and foreign relations history. Eleven primary sources follow the text, including excerpts from Luce’s diary, letters, speeches, and published works, as well as a TV talk-show appearance and a critic’s diary entry describing an evening with her, helping readers to understand her fascinating life. Together, the narrative and documents afford readers a brief yet in-depth look at Luce with all her complications: glamorous intellectual, acid-tongued diplomat, and feminist conservative, she was a deeply flawed high-achiever who repeatedly challenged the entrenched sexism of her age to become a significant actor in the rise of the “American Century.”
Addressing the neglect suffered by women in foreign relations history, this will be of interest to students and scholars of US foreign relations, 20th-century US history, and US women’s history.
Victoria Phillips is a Visiting Fellow at the London School of Economics in the Department of International History.
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In this path breaking work Desperately Seeking Shah Rukh : India's Lonely Young Women and the Search for Intimacy and Independence (Harper Collins, 2021), Shrayana Bhattacharya maps the economic and personal trajectories – the jobs, desires, prayers, love affairs and rivalries – of a diverse group of women. Divided by class but united in fandom, they remain steadfast in their search for intimacy, independence and fun. Embracing Hindi film idol Shah Rukh Khan allows them a small respite from an oppressive culture, a fillip to their fantasies of a friendlier masculinity in Indian men. Most struggle to find the freedom-or income-to follow their favourite actor.
Bobbing along in this stream of multiple lives for more than a decade-from Manju’s boredom in ‘rurban’ Rampur and Gold’s anger at having to compete with Western women for male attention in Delhi’s nightclubs, to Zahira’s break from domestic abuse in Ahmedabad-Bhattacharya gleans the details on what Indian women think about men, money, movies, beauty, helplessness, agency and love. A most unusual and compelling book on the female gaze, this is the story of how women have experienced post-liberalization India.
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Beyond Exclusion: Intersections of Ethnicity, Sex, and Society Under English Law in Medieval Ireland (Brepols, 2022) offers a fresh look at the legal status of minorities in English Ireland. Through a detailed analysis of case studies gleaned from medieval court rolls, Stephen Hewer challenges the prevailing narrative of wholesale ethnic discrimination and presents a nuanced picture of intersectional identities, strategies of negotiation, and evolving tensions between legal principle and practice.
The notion that all Gaelic peoples were immediately and ipso facto denied access to the English royal courts in Ireland, upon the advent of the English in 1167, has become so accepted in academic and popular histories of Ireland that it is no longer questioned. This book tackles this narrative of absolute ethnic discrimination in thirteenth- and early fourteenth-century English Ireland on the basis of a thorough re-examination of the Irish plea rolls. A forensic study of these records reveals a great deal of variation in how members of various ethnic groups and women who came before the royal courts in Ireland were treated. Specifically, it demonstrates the existence of a large, and hitherto scarcely noticed, population of Gaels with regular and unimpeded access to English law, identifiable as Gaelic either through explicit ethnic labelling in the records or implicitly through their naming practices.
Dr. Margaret Smith is a historian of medieval Ireland and Research Assistant Professor of Digital Humanities in the IRIS Center at Southern Illinois University, Edwardsville.
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Linda Connolly is a professor of sociology at Maynooth University, with research focusing on gender, Irish society, family studies, migration, and Irish studies. Dr Tina O'Toole is a literary scholar with research expertise in Irish and diasporic writing, gender studies, and the history of sexualities; she is a senior lecturer at the University of Limerick.
In this interview, they discuss their well-known text Documenting Irish Feminisms, first published in 2005 and now re-released.
Documenting Irish Feminisms: The Second Wave (Arlen House, 2022) is a wide-ranging volume that traces the development of second-wave feminism in Ireland. The work draws upon a diversity of rare primary sources, including documents, photos, and publications. Connolly and O’Toole explore several themes in Irish feminist politics from the 1970s to the 1990s, including the emergence of pioneering feminist groups and organizations; reproductive rights and activism; the legal system and the state; the development of cultural projects; feminism and Northern Ireland; lesbian activism; and class and education. This book is an invaluable resource in the fields of history, sociology, politics, Irish studies, and women’s studies.
Aidan Beatty is a historian at the Honors College of the University of Pittsburgh.
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It is not terribly controversial to say that castration fear is one of the key conceptual engines driving the psychoanalytic project overall. Whether one thinks of it manifesting as a looming, retributive threat for incestuous longings or as a struggle to face one’s shortcomings, contending with what we are at risk of losing or what has already gone missing animates both the field and the consulting room. Imagine the profession if it didn’t contend with this subject: without castration we would have neither Oedipal conflict nor a theory of repression. As such, it is noteworthy to consider the paucity of writing about circumcision in psychoanalysis, especially when you remember that circumcision and castration both involve cutting male genitalia. And before you protest that a penis is not a testicle, it should not come as a surprise that in the unconscious the bits and bobs of male genitalia might not be represented as separately as they are in medical discourse—in the unconscious sometimes a penis is a scrotal sac and sometimes the balls include the dick.
Jordan Osserman’s Circumcision on the Couch: The Cultural, Psychological, and Gendered Dimensions of the World's Oldest Surgery (Bloomsbury, 2022), approaches the subject of penile cutting née circumcision from myriad angles. It represents the pining of contemporary “intactivists” in search of lost foreskins and lost chances as both poignant if not also politically pregnant with neoliberal meaning. It fleshes out the pondering of St. Paul (of “love thy neighbor as thyself’ fame) on the importance of the unimportance of circumcision. It illuminates the ways in which what appears to be a fear of childhood sexuality run amok also belies a prurient interest in it. The discussion of 19th century American medicine’s invention of reflex theory, which employed circumcision to cure boys’ perceived ailments, investigates a mode of thinking that will be familiar to readers of feminist medical history of the same period. The removal of the foreskin and the removal of the uterus share a close, perhaps twinned, relationship.
Osserman has written a book that invites the reader to see circumcision as a rite, experience, discourse and practice that offers itself up to unabashedly efflorescent and ambivalent readings. Is a penis without a foreskin more masculine because it lacks a flowery covering— think of tulip petals or better yet pansies strewn on the roadside? Or is a penis without a foreskin a tad castrated, having been bloodied, (and a tad envious—sorry Alice Cooper but not only women bleed) and so ultimately feminized? We are encouraged to wonder what might keep this practice—the world’s oldest surgery—in seemingly perpetual, if at times contested, circulation? What are the unconscious roots of the wish to cut penises anyway?
I found myself a little surprised at how little I or others I know have given thought to the beautifully irrational reasons that underlie a surgical practice (performed the world over and without any singular religious allegiance as it ends up) laden with meaning and yet not medically necessary. What has given it such staying power? What unconscious conflicts might circumcision sate, if not actually resolve? In trying to answer these questions, I find myself asking if there is any relationship between circumcision and Freud’s idea that the repudiation of femininity functions as a kind of bedrock? What is bedrock is challenging to crack open (intellectually, philosophically) precisely because it is foundational. It is the ground upon which we stand. We fear fucking with it.
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Looking across time and the globe, a critical history of sexual violence--what causes it and how we overcome it. Disgrace: Global Reflections on Sexual Violence (Reaktion, 2022) is the first truly global history of sexual violence. The book explores how sexual violence varies widely across time and place, from nineteenth-century peasant women in Ireland who were abducted as a way of forcing marriage, to date-raped high-school students in twentieth-century America, and from girls and women violated by Russian soldiers in 1945 to Dalit women raped by men of higher castes today. It delves into the factors that facilitate violence--including institutions, ideologies, and practices--but also gives voice to survivors and activists, drawing inspiration from their struggles. Ultimately, Joanna Bourke intends to forge a transnational feminism that will promote a more harmonious, equal, and rape- and violence-free world.
Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
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The veiling and unveiling of women have been controversial issues in Turkey since the late-Ottoman period. It was with the advent of local campaigns against certain veils in the 1930s, however, that women's dress turned into an issue of national mobilisation in which gender norms would be redefined.
In Anti-Veiling Campaigns in Turkey: State, Society and Gender in the Early Republic (I. B. Tauris, 2022), Sevgi Adak casts light onto the historical context within which the meanings of veiling and unveiling in Turkey were formed. By shifting the focus from the high politics of the elite to the implementation of state policies, the book situates the anti-veiling campaigns as a space where the Kemalist reforms were negotiated, compromised and resisted by societal actors. Using previously unpublished archival material, Adak reveals the intricacies of the Kemalist modernisation process and provides a nuanced reading of the gender order established in the early republic by looking at the various ways women responded to the anti-veiling campaigns. A major contribution to the literature on the social history of modern Turkey, the book provides a complex analysis of these campaigns which goes beyond a simple binary between liberation and oppression.
Reuben Silverman is a PhD candidate at University of California, San Diego.
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Andrea Karnes' book Women Painting Women (Delmonico Books, 2022) documents a wide-ranging exhibit inclusive of women as both the makers and subjects of paintings. The artists hail from around the world, and over the past half-century. Our conversation took several directions. One was to discuss the power of the gaze; who’s looking, who’s being seen, and the poses evident more a matter of self-agency or passivity. Another angle was the body itself, with these female images being more realistic and often far less glamorous than commercial popular culture allows for. Third, what subject matter tropes are being overturned – from Christianity to pornography, and points in between. As the exhibit strived to accomplish, there should be something here for everyone – women especially.
Andrea Karnes is the Chief Curator at the Modern Art Museum of forth Worth. She joined the museum as a receptionist in 1989 and has risen through the ranks into her current role, where she has served as the curator for over 40 shows that mostly focus on female artists.
Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His newest book is Emotionomics 2.0: The Emotional Dynamics Underlying Key Business Goals. To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
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In or, on being the other woman (Duke UP, 2022), Simone White considers the dynamics of contemporary black feminist life. Throughout this book-length poem, White writes through a hybrid of poetry, essay, personal narrative, and critical theory, attesting to the narrative complexities of writing and living as a black woman and artist. She considers black social life—from art and motherhood to trap music and love—as unspeakably troubling and reflects on the degree to which it strands and punishes black women. She also explores what constitutes sexual freedom and the rewards and dangers that come with it. White meditates on trap music and the ways artists such as Future and Meek Mill and the sonic waves of the drum machine convey desire and the black experience. Charting the pressures of ordinary black womanhood, White pushes the limits of language, showing how those limits can be the basis for new modes of expression.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
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In Millennial Feminism at Work: Bridging Theory and Practice (Cornell UP, 2021), volume editor Jane Juffer brings together recently graduated students from across the US to reflect on the relevance of their feminist studies programs in their chosen career paths. The result is a dynamic collection of voices, shaking up preconceived ideas and showing the positive influence of gender and sexuality studies on individuals at work.
Encompassing five areas—corporate, education, nonprofit, medical, and media careers—these engaging essays use personal experiences to analyze the pressure on young adults to define themselves through creative work, even when that job may not sustain them financially. Obstacles to feminist work conditions notwithstanding, they urge readers to never downplay their feminist credentials and prove that gender and sexuality studies degrees can serve graduates well in the current marketplace and prepare them for life outside of their alma mater.
Emphasizing the importance of individual stories situated within political and economic structures, Millennial Feminism at Work provides spirited collective advice and a unique window into the lives and careers of young feminists sharing the lessons they have learned.
Contributors to this volume include Rose Al Abosy, Rachel Cromidas, Lauren Danzig, Sadaf Ferdowsi, Reina Gattuso, Jael Goldfine, Sassafras Lowrey, Alissa Medina, Samuel Naimi, Stephanie Newman, Justine Parkin, Lily Pierce, Kate Poor, Laura Ramos-Jaimes, Savannah Taylor, Addie Tsai, and Hayley Zablotsky.
Rose Al Abosy and Jael Goldfine, along with Dr. Jane Juffer, were able to join us for this conversation.
Iqra Shagufta Cheema is a writer, researcher, and chronic procrastinator. When she does write, she writes in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. Check out her latest book chapter Queer Love: He is also Made in Heaven. She can be reached via email at [email protected] or Twitter.
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Feminism's Empire (Cornell UP, 2022) investigates the complex relationships between imperialisms and feminisms in the late nineteenth century and demonstrates the challenge of conceptualizing "pro-imperialist" and "anti-imperialist" as binary positions. By intellectually and spatially tracing the era's first French feminists' engagement with empire, Carolyn J. Eichner explores how feminists opposed—yet employed—approaches to empire in writing, speaking, and publishing. In differing ways, they ultimately tied forms of imperialism to gender liberation. Among the era's first anti-imperialists, French feminists were enmeshed in the hierarchies and epistemologies of empire. They likened their gender-based marginalization to imperialist oppressions. Imperialism and colonialism's gendered and sexualized racial hierarchies established categories of inclusion and exclusion that rested in both universalism and ideas of "nature" that presented colonized people with theoretical, yet impossible, paths to integration. Feminists faced similar barriers to full incorporation due to the gendered contradictions inherent in universalism. The system presumed citizenship to be male and thus positioned women as outsiders. Feminism's Empire connects this critical struggle to hierarchical power shifts in racial and national status that created uneasy linkages between French feminists and imperial authorities.
Dr. Carolyn J. Eichner about is a Professor of History and Women’s and Gender Studies at the University of Wisconsin, Milwaukee. Feminism’s Empire is her third book. Surmounting the Barricades: Women in the Paris Commune came out in 2004 and The Paris Commune: A Brief History came out in 2022. Surmounting the Barricades: Women in the Paris Commune was published in French as Franchir les barricades: les femmes dans la Commune de Paris (Éditions de la Sorbonne, 2020). Translated by Bastien Craipain, it was a finalist for the Prix Augustin Thierry in 2021, an award from the city of Paris for a historical study concerning the period between Antiquity and the late 19th century. In 2022-2023 she will be a Fulbright Research scholar in France and will be in residence at the Camargo Foundation in Cassis.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
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Tara Nurin explores women in all aspects of the brewing industry in A Women's Place is in the Brewhouse (Chicago Review Press, 2021). Women have brewed beer throughout most of human history. Their role as family and village brewer lasted for hundreds of thousands of years--through the earliest days of Mesopotamian civilization, the reign of Cleopatra, the witch trials of Medieval and Renaissance Europe, and the settling of colonial America. A Woman's Place Is in the Brewhouse celebrates the contributions and influence of female brewers and explores the forces that have erased them from the brewing world. It's a history that's simultaneously inspiring and demeaning. Wherever and whenever the cottage brewing industry has grown profitable, politics, religion, and capitalism have grown greedy. On a macro scale, men have repeatedly seized control and forced women out of the business. Other times, women have simply lost the minimal independence, respect, and economic power brewing brought them. But there are more breweries now than at any time in American history and today women serve as founder, CEO, or head brewer at more than one thousand of them. As women continue to work hard for equal treatment and recognition in the industry, author Tara Nurin shows readers that women have been--and are once again becoming--relevant in the brewing world.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
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On the morning of Thursday 29 June 1682, a magpie came rasping, rapping and tapping at the window of a prosperous Devon merchant. Frightened by its appearance, his servants and members of his family had, within a matter of hours, convinced themselves that the bird was an emissary of the devil sent by witches to destroy the fabric of their lives. As the result of these allegations, three women of Bideford came to be forever defined as witches. A Secretary of State brushed aside their case and condemned them to the gallows; to hang as the last group of women to be executed in England for the crime. Yet, the hatred of their neighbours endured. For Bideford, it was said, was a place of witches.
Though 'pretty much worn away' the belief in witchcraft still lingered on for more than a century after their deaths. In turn, ignored, reviled, and extinguished but never more than half-forgotten, it seems that the memory of these three women - and of their deeds and sufferings, both real and imagined – was transformed from canker to regret, and from regret into celebration in our own age. Indeed, their example was cited during the final Parliamentary debates, in 1951, that saw the last of the witchcraft acts repealed, and their names were chanted, as both inspiration and incantation, by the women beyond the wire at Greenham Common.
In The Last Witches of England: A Tragedy of Sorcery and Superstition (Bloomsbury, 2021), Dr. John Callow explores this remarkable reversal of fate, and the remarkable tale of the Bideford Witches.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In Academic Outsider: Stories of Exclusion and Hope (Stanford University Press, 2022), sociologist Victoria Reyes combines her personal experiences with research findings to examine how academia creates conditional citizenship for its marginalized members. Reyes draws from her family background, experiences during routine university life, and academic scholarship to theorize the academic outsiders as those who "are constantly reminded that our presence in the academy is contingent and in constant flux" (10-11). She elaborates on how love and worth are assessed in the university and her experiences as a mother in the academy. The final chapter calls for academic justice and offers practical strategies to combat the academy's exclusionary practices. In this book Reyes contributes to important conversations in the university on the experiences of people of color, women, and those from marginalized backgrounds. This book will be of interest to those who experience the academy's conditional citizenship, those who want to understand how the university perpetuates inequality, and those who want to challenge these conditions.
Victoria Reyes is Associate Professor in the Department of Gender & Sexuality Studies at the University of California, Riverside. She is the author of Global Borderlands (Stanford, 2019).
Reighan Gillam is Associate Professor in the Department of Anthropology at the University of Southern California. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (Illinois, 2022).
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The Lebanese state is structured through religious freedom and secular power sharing across sectarian groups. Every sect has specific laws that govern kinship matters like marriage or inheritance. Together with criminal and civil laws, these laws regulate and produce political difference. But whether women or men, Muslims or Christians, queer or straight, all people in Lebanon have one thing in common—they are biopolitical subjects forged through bureaucratic, ideological, and legal techniques of the state.
With this book, Maya Mikdashi offers a new way to understand state power, theorizing how sex, sexuality, and sect shape and are shaped by law, secularism, and sovereignty. Drawing on court archives, public records, and ethnography of the Court of Cassation, the highest civil court in Lebanon, Mikdashi shows how political difference is entangled with religious, secular, and sexual difference. She presents state power as inevitably contingent, like the practices of everyday life it engenders, focusing on the regulation of religious conversion, the curation of legal archives, state and parastatal violence, and secular activism. Sextarianism: Sovereignty, Secularism, and the State in Lebanon (Stanford UP, 2022) locates state power in the experiences, transitions, uprisings, and violence that people in the Middle East continue to live.
Maya Mikdashi is Associate Professor of Women's, Gender, and Sexuality Studies, and a Lecturer in the Middle East Studies Program at Rutgers University.
Alize Arıcan is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City & Society, JOTSA, Radical Housing Journal, and entanglements. You can find her on Twitter @alizearican
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Utilizing a breadth of archival sources from activists, artists, and policymakers, Charlie Jeffries' Teenage Dreams: Girlhood Sexualities in the U.S. Culture Wars (Rutgers UP, 2022) examines the race- and class-inflected battles over adolescent women’s sexual and reproductive lives in the late twentieth and early twenty-first century United States. Charlie Jeffries finds that most adults in this period hesitated to advocate for adolescent sexual and reproductive rights, revealing a new culture war altogether--one between adults of various political stripes in the cultural mainstream who prioritized the desire to delay girlhood sexual experience at all costs, and adults who remained culturally underground in their support for teenagers’ access to frank sexual information, and who would dare to advocate for this in public. The book tells the story of how the latter group of adults fought alongside teenagers themselves, who constituted a large and increasingly visible part of this activism. The history of the debates over teenage sexual behavior reveals unexpected alliances in American political battles, and sheds new light on the resurgence of the right in the US in recent years.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
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In Citizens of the World: U.S. Women and Global Government (University of Pennsylvania Press, 2022), Megan Threlkeld profiles nine American women in the first half of the 20th century who invoked world citizenship as they promoted world government. These women agreed neither on the best form for such a government nor on the best means to achieve it, and they had different definitions of peace and different levels of commitment to genuine equality. But they all saw themselves as part of a global effort to end war that required their participation in the international body politic. This book argues that the phrase “citizen of the world” was not simply a rhetorical flourish; it represented a demand to participate in shaping the global polity and an expression of women's obligation to work for peace and equality. It gave them a language with which to advocate for international cooperation. Citizens of the World not only provides a more complete understanding of the kind of world these women envisioned, it also draws attention to the ways in which they were excluded from international institution-building and to the critiques many of them leveled at those institutions. Women's arguments for world government and their practices of world citizenship represented an alternative reaction to the crises of the first half of the twentieth century, one predicated on cooperation and equality rather than competition and force.
Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks.
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Will Jawando tells a deeply affirmative story of hope and respect for men of color at a time when Black men are routinely stigmatized. As a boy growing up outside DC, Will, who went by his Nigerian name, Yemi, was shunted from school to school, never quite fitting in. He was a Black kid with a divorced white mother, a frayed relationship with his biological father, and teachers who scolded him for being disruptive in class and on the playground. Eventually, he became close to Kalfani, a kid he looked up to on the basketball court. Years after he got the call telling him that Kalfani was dead, another sickening casualty of gun violence, Will looks back on the relationships with an extraordinary series of mentors that enabled him to thrive.
Among them were Mr. Williams, the rare Black male grade school teacher, who found a way to bolster Will's self-esteem when he discovered he was being bullied; Jay Fletcher, the openly gay colleague of his mother who got him off junk food and took him to his first play; Mr. Holmes, the high school coach and chorus director who saw him through a crushing disappointment; Deen Sanwoola, the businessman who helped him bridge the gap between his American upbringing and his Nigerian heritage, eventually leading to a dramatic reconciliation with his biological father; and President Barack Obama, who made Will his associate director of public engagement at the White House--and who invited him to play basketball on more than one occasion. Without the influence of these men, Will knows he would not be who he is today: a civil rights and education policy attorney, a civic leader, a husband, and a father.
Drawing on Will's inspiring personal story and involvement in My Brother's Keeper, President Obama's national initiative to address persistent opportunity gaps facing boys and young men of color, My Seven Black Fathers: A Young Activist's Memoir of Race, Family, and the Mentors Who Made Him Whole (FSG, 2022) offers a transformative way for Black men to shape the next generation.
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Every government agency in the United States, from Homeland Security to Departments of Motor Vehicles, has the authority to make its own rules for sex classification. Many transgender people find themselves in the bizarre situation of having different sex classifications on different documents. Whether you can change your legal sex to “F” or “M” (or more recently “X”) depends on what state you live in, what jurisdiction you were born in, and what government agency you’re dealing with. In Sex Is as Sex Does, noted transgender advocate and scholar Paisley Currah explores this deeply flawed system, showing why it fails transgender and non-binary people.
Providing examples from different states, government agencies, and court cases, Prof. Currah explains how transgender people struggle to navigate this confusing and contradictory web of legal rules, definitions, and classifications. Unlike most gender scholars, who are concerned with what the concepts of sex and gender really mean, Prof. Currah is more interested in what the category of “sex” does for governments. What does “sex” do on our driver’s licenses, in how we play sports, in how we access health care, or in the bathroom we use? Why do prisons have very different rules than social service agencies? Why is there such resistance to people changing their sex designation? Or to dropping it from identity documents altogether?
In this thought-provoking and original volume, Sex Is as Sex Does: Governing Transgender Identity (NYU Press, 2022) reveals the hidden logics that have governed sex classification policies in the United States and shows what the regulation of transgender identity can tell us about society’s approach to sex and gender writ large. Ultimately, Paisley Currah demonstrates that, because the difficulties transgender people face are not just the result of transphobia but also stem from larger injustices, an identity-based transgender rights movement will not, by itself, be up to the task of resolving them.
Paisley Currah is Professor of Political Science and Women’s & Gender Studies at Brooklyn College and the Graduate Center of the City University of New York.
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Skye C. Cleary is a philosopher, writer and university teacher. In her new book How to Be Authentic: Simone de Beauvoir and the Quest for Fulfillment (St. Martin’s Press, 2022) offers an introduction to Beauvoir’s thinking about authenticity and how experience and situation shape the people we become. For Beauvoir, as an existential philosopher, we first exist and spend our lives not uncovering who we are but constructing our identity. Authenticity is the pursuit of self-creation and self-renewal. Under patriarchy women receive a set of myths that stand in the way of taking responsibility for our freedom. Through the experiences and the milestones of friendship, love, marriage, children and confronting death we have opportunity to choose who we will become. Because we live in interdependence with others, Beauvoir’s philosophy of the self and genuine living allows others to also achieve freedom in self-creation through reciprocity. Cleary has given us a lively written book drawing not only from Beauvoir’s life but her own experience in self-creation.
Lilian Calles Barger is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current writing project is on the cultural and intellectual history of women and the origins of feminism seen through the emblematic life and work of Simone de Beauvoir.
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Layla Murad (1918-1995) was once the highest-paid star in Egypt, and her movies were among the top-grossing in the box office. She starred in 28 films, nearly all now classics in Arab musical cinema. In 1955 she was forced to stop acting—and struggled for decades for a comeback. Today, even decades after her death, public interest in her life continues, and new generations of Egyptians still love her work. Unknown Past: Layla Murad, the Jewish-Muslim Star of Egypt (Stanford UP, 2022) recounts Murad's extraordinary life—and the rapid political and sociocultural changes she witnessed.
Hanan Hammad writes a story centered on Layla Murad's persona and legacy, and broadly framed around a gendered history of twentieth-century Egypt. Murad was a Jew who converted to Islam in the shadow of the first Arab-Israeli war. Her career blossomed under the Egyptian monarchy and later gave a singing voice to the Free Officers and the 1952 Revolution. The definitive end of her cinematic career came under Nasser on the eve of the 1956 Suez War.
Egyptians have long told their national story through interpretations of Murad's life, intertwining the individual and Egyptian state and society to better understand Egyptian identity. As Unknown Past recounts, there's no life better than Murad's to reflect the tumultuous changes experienced over the dramatic decades of the mid-twentieth century.
Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at [email protected]. Twitter: @robbyref
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Today, the majority of the world's population lives in a country with falling marriage rates, a phenomenon with profound impacts on women, gender, and sexuality.
In Being Single in India: Stories of Gender, Exclusion, and Possibility (U California Press, 2022), Sarah Lamb probes the gendered trend of single women living in India, examining what makes living outside marriage for women increasingly possible and yet incredibly challenging. Featuring the stories of never-married women as young as 35 and as old as 92, the book offers a remarkable portrait of a way of life experienced by women across class and caste divides, from urban professionals and rural day laborers, to those who identify as heterosexual and lesbian, to others who evaded marriage both by choice and by circumstance. For women in India, complex social-cultural and political-economic contexts are foundational to their lives and decisions, and evading marriage is often an unintended consequence of other pressing life priorities. Arguing that never-married women are able to illuminate their society's broader social-cultural values, Lamb offers a new and startling look at prevailing systems of gender, sexuality, kinship, freedom, and social belonging in India today.
Garima Jaju is currently a post-doc at Cambridge University.
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Why are we working harder? In The Flexibility Paradox: Why Flexible Working Leads To (Self-)Exploitation (Polity Press, 2022), Heejung Chung, a professor of sociology and social policy at the University of Kent, looks a contemporary employment practices to tell the story of the rise of flexible working and its impact on workers, individuals, and families. The book sets out the paradox that even though flexible working seems to offer more control over work, it leads to a worse work/life balance and makes more demands on staff. The paradox is also not evenly distributed, and the book pays close attention to the importance of gender in understanding how flexible work interacts with domestic labour to impact on women’s lives. Packed with rich, cross-national data, along with analysis of the impact of the Covid-19 pandemic, the book is essential across social science disciplines and for anyone interested in contemporary working life!
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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The term cacica was a Spanish linguistic invention, the female counterpart to caciques, the Arawak word for male indigenous leaders in Spanish America. But the term’s meaning was adapted and manipulated by natives, creating a new social stratum where it previously may not have existed. This book explores that transformation, a conscious construction and reshaping of identity from within.
Cacicas feature far and wide in the history of Spanish America, as female governors and tribute collectors and as relatives of ruling caciques—or their destitute widows. They played a crucial role in the establishment and success of Spanish rule, but were also instrumental in colonial natives’ resistance and self-definition.
Margarita R. Ochoa and Sara V. Guengerich's edited book Cacicas: The Indigenous Women Leaders of Spanish America, 1492-1825 (U Oklahoma Press, 2021), noted scholars uncover the history of colonial cacicas, moving beyond anecdotes of individuals in Spanish America. Their work focuses on the evolution of indigenous leadership, particularly the lineage and succession of these positions in different regions, through the lens of native women’s political activism. Such activism might mean the intervention of cacicas in the economic, familial, and religious realms or their participation in official and unofficial matters of governance. The authors explore the role of such personal authority and political influence across a broad geographic, chronological, and thematic range—in patterns of succession, the settling of frontier regions, interethnic relations and the importance of purity of blood, gender and family dynamics, legal and marital strategies for defending communities, and the continuation of indigenous governance.
This volume showcases colonial cacicas as historical subjects who constructed their consciousness around their place, whether symbolic or geographic, and articulated their own unique identities. It expands our understanding of the significant influence these women exerted—within but also well beyond the native communities of Spanish America.
Jane Scimeca is Professor of History at Brookdale Community College
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Are you a born, revert, or convert Muslim who is trying to navigate the puzzle that is Muslim marriage in America? Do you want an egalitarian and fair Muslim marriage? Have you ever wondered how you can institute equality, respect, and care in your marital relationship? Do you want an interfaith and/or a non-heteronormative marriage? Are you planning or drafting a marriage contract that is more suitable for you and your marital goals? How can you build an ethics of care that facilitates and accommodates you, your partner, and your broader community?
If you are curious about these and other questions related to Muslim marriages, then Tying the Knot: A Feminist/Womanist Guide to Muslim Marriage in America (Open BU, 2021) is the book for you.
This book is edited by Dr Kecia Ali and advances the conversation that Dr Ali, along with her contributors, initiated in a reader, Half of Faith: American Muslim Marriage and Divorce in the Twenty-First Century. Tying the Knot is a collection of reflections and guides to facilitate Muslim women on their path to marriage. It addresses curiosities, questions, controversies, and needs of women from diverse Muslim communities in America. It also provides the solutions, guides, and sample contract drafts to equip them with the tools that they need to make the best decision for themselves before, during, or after their marriages. The book contains chapters that address issues as diverse as Muslim women’s interfaith/interracial/interethnic marriages, Muslim LGBTQ+ marriages, Muta’h marriage, pre-marital counseling and contracts, officiating the diverse Muslim marriages, and Muslim widows and their challenges.
This book is available open-access here.
Iqra Shagufta Cheema (@so_difoucault) is a researcher, writer, teacher, and a chronic procrastinator.
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Dr. Liz Bucar is a professor in the department of philosophy and religion and Dean’s Leadership Fellow at Northeastern University in Boston. Dr. Bucar is the author of the award-winning Pious Fashion: How Muslim Women Dress which came out from Harvard University Press in 2017, and was issued in paperback in July 2019. Furthermore, Bucar writes and teaches about gender, sexuality, and politics in everyday religious practice. Her public scholarship has appeared in The Atlantic, The Los AngelesTimes, and Teen Vogue.
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It’s stardate 99040.01 and lead producer Jay Cockburn is temporarily taking over command of Darts and Letters for an episode.
For this episode, as part of the week’s theme of “ideas in strange places” we boldly go into the strange new worlds of science fiction, revealing how it’s long been a vehicle for radical thought. We dig into post-scarcity, Afrofuturism, and feminist speculative fiction as we set our phasers to fun and go where no podcast has gone before.
This episode is a rebroadcast from our catalogue. We’re revisiting some of our favourites until the new season of Darts and Letters launches on September 18th.
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Darts and Letters is hosted and edited by Gordon Katic; this episode our guest host and lead producer is Jay Cockburn. Gordon Katic is our editor. Our managing producer is Marc Apollonio. Our research assistants for this episode were Addye Susnick and David Moscrop. Our theme song was created by Mike Barber. Our graphic design was created by Dakota Koop.
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Erika Balsom and Hila Peleg's edited volume Feminist Worldmaking and the Moving Image (MIT Press, 2022) offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it.
The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term "feminism"; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like.
The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
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On November 19, 1895, eighteen year old Lloyd Montgomery murdered his parents and their neighbor at his home in rural Linn County, Oregon. In Pioneering Death: The Violence of Boyhood in Turn-of-the-Century Oregon (U Washington Press, 2022), Peter Boag, professor of history at Washington State University, tries to explain how this horrific crime came to pass. Boag explains that rural America in the late nineteenth century was in a state of crisis, and rural boyhood in particular was an experience fraught with both symbolism and peril. With an ongoing economic crisis and with violence and death everywhere, young American boys in places like Linn County found themselves with fewer future prospects and more expectations upon their shoulders than ever. The Montgomery murder thus spoke directly to the fears and the hopes that many Americans had for their nation's future, as well as to the inherent violence at the core of the American Western experience.
Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
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Since slavery, Black women have struggled to liberate themselves from racism and sexism. Yet despite these hurdles and under the most difficult circumstances, they managed to achieve greatness. Trailblazers: Black Women Who Helped Make America Great, American Firsts/American Icons (2leaf Press, 2021) shines a light on these their accomplishments, which often led to widespread cultural change. Trailblazers is a six-volume series that examines the lives and careers of over four hundred brilliant women from the eighteenth century to the present who blazed uncharted paths in every conceivable way.
Each Trailblazers volume is organized into several sections. Along with biographical information and powerful photographs, David provides a historical timeline for each section--written from the viewpoint of Black women--that maps out the significance of the featured women that follow.
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Where are the women in the history of British cinema? In Movie Workers: The Women Who Made British Cinema (U Illinois Press, 2021), Melanie Bell, a Professor of Film History at the University of Leeds, answers this question with a fascinating and compelling narrative telling the forgotten history of women as workers in the film industry. Drawing on union records and oral histories, as well as a wealth of historical knowledge and analysis, the book highlights women’s key contributions from the 1930s to the end of the 1980s, demonstrating the ongoing importance of women’s struggles, and their triumphs, to the film industry today. The book is essential reading across arts, humanities, and social sciences, as well as for anyone who has ever watched a film and wondered about how it was made!
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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Patti Smith arrived in New York City at the end of the Age of Aquarius in search of work and purpose. What she found—what she fostered—was a cultural revolution. Through her poetry, her songs, her unapologetic vocal power, and her very presence as a woman fronting a rock band, she kicked open a door that countless others walked through. No other musician has better embodied the “nothing-to-hide” rawness of punk, nor has any other done more to nurture a place in society for misfits of every stripe.
Why Patti Smith Matters (University of Texas Press, 2022) is the first book about the iconic artist written by a woman. The veteran music journalist Caryn Rose contextualizes Smith’s creative work, her influence, and her wide-ranging and still-evolving impact on rock and roll, visual art, and the written word. Rose goes deep into Smith’s oeuvre, from her first album, Horses, to acclaimed memoirs operating at a surprising remove from her music. The portrait of a ceaseless inventor, Why Patti Smith Matters rescues punk’s poet laureate from “strong woman” clichés. Of course Smith is strong. She is also a nuanced thinker. A maker of beautiful and challenging things. A transformative artist who has not simply entertained but also empowered millions.
Caryn Rose can be found on Twitter and you can read her work in her newsletter.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
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Marquis Bey talks about the radical and abolitionist project of Black Trans Feminism. Rather than an identity formation, it is a politics and modality of being that vitiates the limits of subjectivity. Black Trans Feminism finds joy in irreverence, just like we try to do on High Theory.
You can recalibrate your understanding of the subject by reading Marquis’s forthcoming book Black Trans Feminism, published by Duke University Press. Released next week! On February 25th.
In the episode Marquis references a wonderful quote from Saidiya Hartman, that “A Black revolution makes everyone freer than they actually want to be.” It’s a hard quote to find, but it appears in Frank Wilderson’s interview with C.S. Soong, “Blacks and the Master/Slave Relation” in Afropessimism: An Introduction (Racked & Dispatched, 2017).
Marquis is Assistant Professor of African American Studies and English at Northwestern University. They also serve as Faculty Affiliate and Advisory Board Member in Gender & Sexuality Studies and Advisory Board Faculty Member in Critical Theory.
This week’s image was provided by Marquis.
Music used in promotional material: ‘Semiacoustic’ by Pk Jazz Collective
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Joy Wiltenburg's book Laughing Histories: From the Renaissance Man to the Woman of Wit (Routledge, 2022) breaks new ground by exploring moments of laughter in early modern Europe, showing how laughter was inflected by gender and social power.
"I dearly love a laugh," declared Jane Austen's heroine Elizabeth Bennet, and her wit won the heart of the aristocratic Mr. Darcy. Yet the widely read Earl of Chesterfield asserted that only "the mob" would laugh out loud; the gentleman should merely smile. This literary contrast raises important historical questions: how did social rules constrain laughter? Did the highest elites really laugh less than others? How did laughter play out in relations between the sexes? Through fascinating case studies of individuals such as the Renaissance artist Benvenuto Cellini, the French aristocrat Madame de Sévigné, and the rising civil servant and diarist Samuel Pepys, Laughing Histories reveals the multiple meanings of laughter, from the court to the tavern and street, in a complex history that paved the way for modern laughter.
With its study of laughter in relation to power, aggression, gender, sex, class, and social bonding, Laughing Histories is perfect for readers interested in the history of emotions, cultural history, gender history, and literature.
Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe.
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Birth, Sex and Abuse: Women's Voices Under Nazi Rule (Grosvenor House, 2015) is a fascinating and gripping examination of birth, sex and abuse during the Nazi era. Dr Chalmers’ unique lens on the Holocaust provides a stunning and controversial exposé of the voices of both Jewish and non-Jewish women living under Nazi rule. Based on twelve years of study, the book takes an inter-disciplinary view incorporating women’s history, Holocaust studies, social sciences and medicine, in a unique, cutting-edge examination of what women themselves said, thought and did.
Dr Chalmers (DSc(Med);PhD) has dedicated her life to studying women’s experiences of giving birth in difficult social, political, economic and religious environments. During her distinguished academic career, she has held professorial appointments in both the Medical and Social Sciences and has served, for decades, as a maternal and child health consultant for numerous United Nations and other global aid agencies. Her inter-disciplinary focus and extensive international experience provide a novel perspective on the Nazi era and on the neglected issue of the Nazi abuse of childbearing and sexuality.
"This book should be a ‘must’ for everybody dealing with the cruel chapters of the Holocaust, especially for those who are dealing with research about the subject of women and children, and medicine, during the Shoah” (Prof. Dr. Miriam Gillis-Carlebach, Director, The Joseph Carlebach Institute, Bar-Ilan University, Israel).
“This book has an utterly unique, in-depth focus on all aspects of sexuality and reproduction during the Nazi regime; the author has written the first-ever, comprehensive tome on the treatment of women and infants that is essential for many disciplines” (Prof. Caroline Pukall, PhD, Professor of Psychology, Director of SexLab and the Sex Therapy Service, Queen's University, Kingston, Canada).
Jeannette Cockroft is an associate professor of history and political science at Schreiner University.
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The Women’s House of Detention stood in New York City’s Greenwich Village from 1929 to 1974. Throughout its history, it was a nexus for tens of thousands of women, trans men, and gender nonconforming people. Some of these inmates—Angela Davis, Andrea Dworkin, Afeni Shakur—were famous, but the vast majority were detained for the crimes of being poor or gender nonconforming. Today, approximately 40 percent of the people in women’s prisons identify as queer; in earlier decades, that percentage was almost certainly higher.
In The Women's House of Detention: A Queer History of a Forgotten Prison (Bold Type Books, 2022), writer, activist, and historian Hugh Ryan explores the history of queerness, transness, and gender nonconformity by reconstructing the little-known lives of incarcerated New Yorkers. He makes a clear case for prison abolition and demonstrates how the House of D, as it was colloquially known, helped define queerness for the rest of the United States. From the lesbian communities forged through the Women’s House of Detention to the turbulent prison riots that presaged Stonewall, this is the story of a jail, the people it caged, the neighborhood it changed, and the resistance it inspired.
Hugh Ryan is a writer, historian, and curator in New York City. His first book When Brooklyn Was Queer won a 2020 NYC Book Award and was a New York Times Editors’ Choice in 2019. Hugh Ryan regularly teaches creative nonfiction at SUNY Stonybrook and serves on the Board of Advisors for the Archives at the LGBT Center in Manhattan and the Stonewall National Museum and Archives in Fr. Lauderdale.
Leo Valdes is a PhD candidate in the History Department at Rutgers University-New Brunswick.
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While it is an overused cliché, France is indeed a land of contrasts, famous for its paradoxes. In French political history, the most startling may be the progressive policies of the Third Republic (1870-1940) on just about everything except for gender. Despite its embrace of the spirit of 1789, universal manhood suffrage, and secularism, the republic deemed French women second class citizens. Indeed, French women did not get the vote until the Fourth Republic in 1944, a full generation after almost every nation-state in the global north. Karen Offen has written an encyclopedic history of French debates about the soi-dissant “Woman Question”. While Dr. Offen’s Debating the Woman Question in the French Third Republic, 1870-1920 (Cambridge University Press, 2018), was the focus of our discussion, we also touched on its companion book, The Woman Question in France, 1400-1870 (Cambridge UP, 2017).
Karen Offen earned her Ph.D. at Stanford University. She is currently a historian and independent scholar, affiliated as a Senior Scholar with the Michelle R. Clayman Institute for Gender Research, Stanford University. Dr. Offen publishes on the history of Modern Europe, especially France and its global influence; Western thought and politics with reference to family, gender, and the relative status of women; historiography; women's history; national, regional and global histories of feminism; comparative history, and the politics of knowledge. She has held fellowships from the John Simon Guggenheim Memorial Foundation Fellowship for study and research, the Rockefeller Foundation, and the National Endowment for the Humanities.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
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In 1931, a sexologist arrived in colonial Shanghai to give a public lecture about homosexuality. In the audience was a medical student. The sexologist, Magnus Hirschfeld, fell in love with the medical student, Li Shiu Tong. Li became Hirschfeld’s assistant on a lecture tour around the world.
Racism and the Making of Gay Rights: A Sexologist, His Student, and the Empire of Queer Love (U Toronto Press, 2022) shows how Hirschfeld laid the groundwork for modern gay rights, and how he did so by borrowing from a disturbing set of racist, imperial, and eugenic ideas.
Following Hirschfeld and Li in their travels through the American, Dutch, and British empires, from Manila to Tel Aviv to having tea with Langston Hughes in New York City, and then into exile in Hitler’s Europe, Laurie Marhoefer provides a vivid portrait of queer lives in the 1930s and of the turbulent, often-forgotten first chapter of gay rights.
Laurie Marhoefer is the Jon Bridgman Endowed Associate Professor in History at the University of Washington.
Armanc Yildiz is a doctoral candidate in Social Anthropology with a secondary field in Studies in Women, Gender and Sexuality at Harvard University. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor.
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In Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art (Duke University Press, 2022) Nicole Erin Morse examines how trans feminine artists use selfies and self-representational art to explore transition, selfhood, and relationality. Morse contends that rather than being understood as shallow emblems of a narcissistic age, selfies can produce politically meaningful encounters between creators and viewers. Through close readings of selfies and other digital artworks by trans feminist artists, Morse details a set of formal strategies they call selfie aesthetics: doubling, improvisation, seriality, and nonlinear temporality. Morse traces these strategies in the work of Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, showing how these artists present improvisational identities and new modes of performative resistance by conveying the materialities of trans life. Morse shows how the interaction between selfie creators and viewers constructs collective modes of being and belonging in ways that envision trans feminist futures. By demonstrating the aesthetic depth and political potential of selfie creation, distribution, and reception, Morse deepens understandings of gender performativity and trans experience.
Daniela Meneses Sala is Peruvian Academic and Journalist. She holds an MSc in Gender (Sexuality) from the London School of Economics and Political Science. In October, she is starting a PhD in Latin American Studies at Cambridge University, funded by the Harding Distinguished Postgraduate Scholars Programme.
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A legacy of the transatlantic slave trade, Brazil is home to the largest number of African descendants outside Africa and the greatest number of domestic workers in the world. Drawing on ten years of interviews and ethnographic research, Second-Class Daughters: Black Brazilian Women and Informal Adoption as Modern Slavery (Cambridge University Press, 2022) examines the lives of marginalized informal domestic workers who are called 'adopted daughters' but who live in slave-like conditions in the homes of their adoptive families. Elizabeth Hordge-Freeman traces a nuanced and, at times, disturbing account of how adopted daughters, who are trapped in a system of racial, gender, and class oppression, live with the coexistence of extreme forms of exploitation and seemingly loving familial interactions and affective relationships. Highlighting the humanity of her respondents, Hordge-Freeman examines how filhas de criação (raised daughters) navigate the realities of their structural constraints and in the context of pervasive norms of morality, gratitude, and kinship. In all, the author clarifies the link between contemporary and colonial forms of exploitation, while highlighting the resistance and agency of informal domestic workers.
Elizabeth Hordge-Freeman is an Associate Professor of sociology, interim Vice President for Institutional Equity, and Senior Advisor to the President and Provost for Diversity and Inclusion at The University of South Florida.
Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.
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Why Would I Be Married Here?: Marriage Migration and Dispossession in Neoliberal India (Cornell UP, 2022) examines marriage migration undertaken by rural bachelors in North India, unable to marry locally, who travel across the breadth of India seeking brides who do not share the same caste, ethnicity, language, or customs as themselves. Combining rich ethnographic evidence with Dalit feminist and political economy frameworks, Reena Kukreja connects the macro-political violent process of neoliberalism to the micro-personal level of marriage and intimate gender relations to analyze the lived reality of this set of migrant brides in cross-region marriages among dominant-peasant caste Hindus and Meo Muslims in rural North India.
Why Would I Be Married Here? reveals how predatory capitalism links with patriarchy to dispossess many poor women from India's marginalized Dalit and Muslim communities of marriage choices in their local communities. It reveals how, within the context of the increasing spread of capitalist relations, these women's pragmatic cross-region migration for marriage needs to be reframed as an exercise of their agency that simultaneously exposes them to new forms of gender subordination and internal othering of caste discrimination and ethnocentrism in conjugal communities. Why Would I Be Married Here? offers powerful examples of how contemporary forces of neoliberalism reshape the structural oppressions compelling poor women from marginalized communities worldwide into making compromised choices about their bodies, their labor, and their lives.
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Childbirth defines families, communities, and nations. In Birthing the West, Jennifer J. Hill fills the silences around historical reproduction with copious new evidence and an enticing narrative, describing a process of settlement in the American West that depended on the nurturing connections of reproductive caregivers and the authority of mothers over birth.
Economic and cultural development depended on childbirth. Hill’s expanded vision suggests that the mantra of cattle drives and military campaigns leaves out essential events and falls far short of an accurate representation of American expansion. The picture that emerges in Birthing the West presents a more complete understanding of the American West: no less moving or engaging than the typical stories of extraction and exploration but concurrently intriguing and complex.
Birthing the West: Mothers and Midwives in the Rockies and Plains (U Nebraska Press, 2022) unearths the woman-centric practice of childbirth across Montana, the Dakotas, and Wyoming, a region known as a death zone for pregnant women and their infants. As public health entities struggled to establish authority over its isolated inhabitants, they collaborated with physicians, eroding the power and control of mothers and midwives. The transition from home to hospital and from midwife to doctor created a dramatic shift in the intimately personal act of birth.
Jennifer J. Hill is an associate teaching professor of American studies at Montana State University and serves as the executive director of the Women’s Reproductive History Alliance, a digital museum dedicated to educating the public on reproductive history.
Troy A. Hallsell is the 341st Missile Wing Historian at Malmstrom AFB, Montana. The ideas represented in this podcast do not reflect the 341st Missile Wing, United States Air Force, or the Department of Defense.
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Why does gender matter in our troubled global times? In Gender in an Era of Post-truth Populism: Pedagogies, Challenges and Strategies (Bloomsbury, 2022), the editors Penny Jane Burke, Rosalind Gill, Akane Kanai, and Julia Coffey have assembled a collection of interventions that seek to think through the relationship between the populism that seems to dominate many nation’s contemporary politics and the continuing need for feminist perspectives. The chapters range from feminist philosophical and theoretical reflections on the meaning of truth, through empirical work on digital feminism, to considerations on the role and purpose of education and the university. Across 11 chapters, with an agenda setting introduction, the book is essential reading for all in the humanities and social sciences, as well as for anyone seeking to understand the current post-truth populist crisis and how to intervene for change.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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Freedom Girls: Voicing Femininity in 1960s British Pop (Oxford University Press, 2021) by Alexandra M. Apolloni is about how the vocal performances of girl singers in 1960s Britain defined—and sometimes defied—ideas about what it meant to be a young woman. Apolloni takes a case study approach to tease out many different strands of the nature of femininity in 1960s Britain, but she tackles much more than gender in this book. She also considers larger public conversations about authenticity, race, sexuality, and class which dictated and shaped the careers and the reception of the group of singers she writes about. In what is almost a group biography, Apolloni writes about Sandie Shaw, Cilla Black, Lulu, Dusty Springfield, Millie Small, Marianne Faithfull and P.P. Arnold. They are Black and white, many come from working-class backgrounds, most were born in Britain, and all were very young when they first gained national attention. While most of them have an international following, their careers were rooted in the U.K., but the music they sang was fundamentally influenced by the music of Black Americans. Apolloni carefully separates and interrogates the maelstrom of identity, music, political agendas, and cultural meanings that surround these women. The performances she analyzes reveal the historical and contemporary connections between voice, social mobility, and musical authority, and demonstrate how singers used voice to navigate the boundaries of race, class, and gender.
Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Race and Gender in the Western Music History Classroom: A Teacher’s Guide, which she wrote with Horace Maxile, was published by Routledge Press in 2022.
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How do we go forward in our psychoanalytic understanding of transgender children? This highly contested issue is at the core of an interesting edition of the journal The Psychoanalytic Study of the Child (Volume 75, Issue 1, 2022), titled “Transgender Children: From Controversy to Dialogue”, and edited by Jordan Osserman and Hannah Wallerstein. To counter the feeling of being stuck in an endless spiral of splitting and binary thinking in the field, they have proposed a new model of dialogue: Four scholars of issues connected to transgender children, namely Eve Watson, Oren Gozlan, Tobias Wiggins and Laurel Silber, shared their views in four short papers, and then engaged in a real-time online discussion, which was transcribed and edited for the journal. In the edition, as well as in the interview, a lot of ground is covered: Questions about the psychoanalytic theorization of gender and the mind-body divide are raised and clinical issues like regret, responsibility and countertransference phenomena are discussed. Maybe one way forward in our clinical approach might be found neither in affirmation, nor in neutrality, but in acceptance – a third term suggested in this volume. This interview will be of great interest to psychotherapeutic and psychoanalytic clinicians working with children, adolescents and young adults, as well as scholars and researchers of gender and trans issues.
Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at [email protected].
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Marriage's central role in The Church of Jesus Christ of Latter-day Saints distinguishes the faith while simultaneously reflecting widespread American beliefs. But what does Latter-day Saint marriage mean for men?
In Revising Eternity: 27 Latter-Day Saint Men Reflect on Modern Relationships (U Illinois Press, 2022), Holly Welker presents a collection of essays exploring this question. The essayists provide insight into challenges involving sexuality, physical and emotional illness, addiction, loss of faith, infidelity, sexual orientation, and other topics. Conversational and heartfelt, the writings reveal the varied experiences of Latter-day Saint marriage against the backdrop of a society transformed by everything from economic issues affecting marriage to evolving ideas about gender.
An insightful exploration of the gap between human realities and engrained ideals, Revising Eternity sheds light on how Latter-day Saint men view and experience marriage today.
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Approximately half the population menstruates for a large portion of their lives, but the law is mostly silent about the topic. Until recently, most people would have said that periods are private matters not to be discussed in public. But the last few years have seen a new willingness among advocates and allies of all ages to speak openly about periods. Slowly around the globe, people are recognizing the basic fundamental human right to address menstruation in a safe and affordable way, free of stigma, shame, or barriers to access.
In Menstruation Matters: Challenging the Law’s Silence on Periods (NYU Press, 2022), Dr. Bridget Crawford and Dr. Emily Gold Waldman explore the role of law in this movement. They ask what the law currently says about menstruation (spoiler alert: not much) and provides a roadmap for legal reform that can move society closer to a world where no one is held back or disadvantaged by menstruation. The book examines these issues in a wide range of contexts, from schools to workplaces to prisons to tax policies and more. Ultimately, they seek to transform both law and society so that menstruation is no longer an obstacle to full participation in all aspects of public and private life.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Sarah Fox's fascinating new book Giving Birth in Eighteenth-Century England (U London Press, 2022) rewrites all that we know about eighteenth-century childbirth by placing women’s voices at the center of the story. Examining childbirth from the perspective of the birthing woman, this research offers new perspectives on the history of the family, the social history of medicine, community and neighborhood studies, and the study of women’s lives in eighteenth-century England.
From “quickening” through to “confinement,” “giving caudle,” delivery, and “lying-in,” birth was once a complex ritual that involved entire communities. Drawing on an extensive and under-researched body of materials, such as letters, diaries, and recipe books, this book offers critical new perspectives on the history of the family, community, and the lives of women in the coming age of modern medicine. It unpacks the rituals of contemporary childbirth—from foods traditionally eaten before and after birth, birthing clothing, and how a woman’s relationship with her family, husband, friends, and neighbors changed during and after pregnancy. In this important and deeply moving study, we are invited onto a detailed and emotional journey through motherhood in an age of immense socio-cultural and intellectual change.
Hannah Smith is a PhD Candidate in History at the University of Minnesota-Twin Cities. She can be reached at [email protected].
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In Black Masculinity and Hip-Hop Music: Black Gay Men Who Rap (Palgrave Macmillan, 2019), XinLing Li offers an interdisciplinary study of hip-hop music written and performed by rappers who are black gay men. This study examines the storytelling mechanisms of gay themed lyrics, and how these form protests and become enabling tools for (black) gay men to discuss issues such as living on the down-low and HIV/AIDS. It considers how the biased promotion of feminized gay male artists/characters in the mainstream entertainment industry have rendered masculinity an exclusively male heterosexual property, providing a representational framework for men to identify with a form of “homosexual masculinity” – one that is constructed without having to either victimize anything feminine or necessarily convert to femininity. The book makes a strong case that it is possible for individuals (like gay rappers) to perform masculinity against masculinity, and open up a new way of striving for gender equality.
XinLing Li received his PhD in sociology from the University of Cambridge, United Kingdom.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
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Daniel Silva’s Embodying Modernity: Global Fitness Culture and Building the Brazilian Body (U Pittsburgh Press, 2022) examines the current boom of fitness culture in Brazil in the context of the white patriarchal notions of race, gender, and sexuality through which fitness practice, commodities, and cultural products traffic. The book traces the imperial meanings and orders of power conveyed through “fit” bodies and their different configurations of muscularity, beauty, strength, and health within mainstream visual media and national and global public spheres. Drawing from a wide range of Brazilian visual media sources including fitness magazines, television programs, film, and social media, Daniel F. Silva theorizes concepts and renderings of modern corporality, its racialized and gendered underpinnings, and its complex relationship to white patriarchal power and capital. This study works to define the ubiquitous parameters of fitness culture and argues that its growth is part of a longer collective nationalist project of modernity tied to whiteness, capitalist ideals, and historical exceptionalism.
Patricio Simonetto a Marie Skłodowska-Curie Fellow at the Institute of the Americas (University College London).
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In Black to Nature: Pastoral Return and African American Culture (University Press of Mississippi, 2021), author Stefanie K. Dunning considers both popular and literary texts that range from Beyoncé’s Lemonade to Jesmyn Ward’s Salvage the Bones. These key works restage Black women in relation to nature. Dunning argues that depictions of protagonists who return to pastoral settings contest the violent and racist history that incentivized Black disavowal of the natural world. Dunning offers an original theoretical paradigm for thinking through race and nature by showing that diverse constructions of nature in these texts are deployed as a means of rescrambling the teleology of the Western progress narrative. In a series of fascinating close readings of contemporary Black texts, she reveals how a range of artists evoke nature to suggest that interbeing with nature signals a call for what Jared Sexton calls “the dream of Black Studies”—abolition.
Black to Nature thus offers nuanced readings that advance an emerging body of critical and creative work at the nexus of Blackness, gender, and nature. Written in a clear, approachable, and multilayered style that aims to be as poignant as nature itself, the volume offers a unique combination of theoretical breadth, narrative beauty, and broader perspective that suggests it will be a foundational text in a new critical turn towards framing nature within a cultural studies context.
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With I Am Jugoslovenka!: Feminist Performance Politics During and After Yugoslav Socialism (Manchester UP, 2022), Jasmina Tumbas examines forms of feminist political and artistic engagement in Yugoslavia and its successor nations. By bringing together a wide range of materials—from performance and conceptual art, video works, film and pop music, lesbian activism, and press photos of female snipers in the Yugoslav wars—this study reveals that performative representations of women’s emancipation were crucial for the rise of gender equality in the socialist project. Covering celebrated and lesser-known artists from the 1970s to today, I am Jugoslovenka offers a unique insight into the struggles and ambitions of Yugoslav women through the intersection of feminism, socialism, and nationalism in visual culture.
Jasmina Tumbas is an Assistant Professor of Contemporary Art History and Performance Studies in the Department of Global Gender and Sexuality Studies at the University at Buffalo. Her research interests include feminist histories and theories of performance, body and conceptual art, art and activism, the politics of contemporary visual culture, socialist film, gender and sexuality in Eastern Europe after the Second World War, and contemporary activist art practices by ethnic Roma in the Balkan region.
Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.
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In Institutional Sexual Abuse in the #metoo Era (Southern Illinois UP, 2021), editors Jason D. Spraitz and Kendra N. Bowen bring together the work of contributors in the fields of criminal justice and criminology, sociology, journalism, and communications. These chapters show #MeToo is not only a support network of victims’ voices and testimonies but also a revolutionary interrogation of policies, power imbalances, and ethical failures that resulted in decades-long cover-ups and institutions structured to ensure continued abuse. This book reveals #MeToo as so much more than a hashtag.
Contributors discuss how #MeToo has altered the landscape of higher education; detail a political history of sexual abuse in the United States and the UK; discuss a recent grand jury report about religious institutions; and address the foster care and correctional systems. Hollywood instances are noted for their fear of retaliation among victims and continued accolades for alleged abusers. In sports, contributors examine the Jerry Sandusky scandal and the abuse by Larry Nassar. Advertising and journalism are scrutinized for covering the #MeToo disclosures while dealing with their own scandals. Finally, social media platforms are investigated for harassment and threats of violent victimization.
Drawing on the general framework of the #MeToo Movement, contributors look at complex and very different institutions—athletics, academia, religion, politics, justice, childcare, social media, and entertainment. Contributors include revelatory case studies to ensure we hear the victims’ voices; bring to light the complicity and negligence of social institutions; and advocate for systemic solutions to institutional sexual abuse, violence, and harassment.
Jeannette Cockroft is an associate professor of history and political science at Schreiner University.
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Stories of world-ending catastrophe have featured prominently in film and television lately. Zombie apocalypses, climate disasters, alien invasions, global pandemics, and dystopian world orders fill our screens—typically with a singular figure or tenacious group tasked with saving or salvaging the world. In her new book, Apocalypse and Heroism in Popular Culture: Allegories of White Masculinity in Crisis (McFarland Press, 2022), Dr. Katherine E. Sugg asks, why are stories of End Times crisis so popular with audiences? And why is the hero so often a white man who overcomes personal struggles and major obstacles to lead humanity toward a restored future?
This book examines the familiar trope of the hero and the recasting of contemporary anxieties in films and TV like The Walking Dead, Snowpiercer, Mad Max: Fury Road, and more. Some have familiar roots in Western cultural traditions, yet many question popular assumptions about heroes and heroism to tell new and fascinating stories about race, gender and society, and the power of individuals to change the world.
Katherine E. Sugg is a professor of English and Latino & Puerto Rican studies at Central Connecticut State University in New Britain, Connecticut. She teaches and writes on world literatures, Latino and comparative American studies, and film and media. She has also written several journal articles and published a book entitled Gender and Allegory in Transamerican Fiction and Performance.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. [email protected] @carrielynnland
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In Subversive Habits: Black Catholic Nuns in the Long African American Freedom Struggle (Duke UP, 2022), Shannen Dee Williams provides the first full history of Black Catholic nuns in the United States, hailing them as the forgotten prophets of Catholicism and democracy. Drawing on oral histories and previously sealed Church records, Williams demonstrates how master narratives of women's religious life and Catholic commitments to racial and gender justice fundamentally change when the lives and experiences of African American nuns are taken seriously. For Black Catholic women and girls, embracing the celibate religious state constituted a radical act of resistance to white supremacy and the sexual terrorism built into chattel slavery and segregation. Williams shows how Black sisters--such as Sister Mary Antona Ebo, who was the only Black member of the inaugural delegation of Catholic sisters to travel to Selma, Alabama, and join the Black voting rights marches of 1965--were pioneering religious leaders, educators, healthcare professionals, desegregation foot soldiers, Black Power activists, and womanist theologians. In the process, Williams calls attention to Catholic women's religious life as a stronghold of white supremacy and racial segregation--and thus an important battleground in the long African American freedom struggle.
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In Queer Companions: Religion, Public Intimacy, and Saintly Affects in Pakistan (Duke UP, 2022), Omar Kasmani theorizes saintly intimacy and the construction of queer social relations at Pakistan's most important site of Sufi pilgrimage. Conjoining queer theory and the anthropology of Islam, Kasmani outlines the felt and enfleshed ways in which saintly affections bind individuals, society, and the state in Pakistan through a public architecture of intimacy. Islamic saints become lovers and queer companions just as a religious universe is made valuable to critical and queer forms of thinking. Focusing on the lives of ascetics known as fakirs in Pakistan, Kasmani shows how the affective bonds with the place's patron saint, a thirteenth-century antinomian mystic, foster unstraight modes of living in the present. In a national context where religious shrines are entangled in the state's infrastructures of governance, coming close to saints further entails a drawing near to more-than-official histories and public forms of affect. Through various fakir life stories, Kasmani contends that this intimacy offers a form of queer world making with saints.
Mathew Gagné in an independent writer, scholar, and educator, currently teaching in the Department of Anthropology at the University of Toronto Mississauga.
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In her eighteenth-century medical recipe manuscript, the Philadelphia healer Elizabeth Coates Paschall asserted her ingenuity and authority with the bold strokes of her pen. Paschall developed an extensive healing practice, consulted medical texts, and conducted experiments based on personal observations. As British North America’s premier city of medicine and science, Philadelphia offered Paschall a nurturing environment enriched by diverse healing cultures and the Quaker values of gender equality and women’s education. She participated in transatlantic medical and scientific networks with her friend, Benjamin Franklin. Paschall was not unique, however. Women Healers: Gender, Authority, and Medicine in Early Philadelphia (U Pennsylvania Press, 2022) recovers numerous women of European, African, and Native American descent who provided the bulk of health care in the greater Philadelphia area for centuries.
Although the history of women practitioners often begins with the 1850 founding of Philadelphia’s Female Medical College, the first women’s medical school in the United States, these students merely continued the legacies of women like Paschall. Remarkably, though, the lives and work of early American female practitioners have gone largely unexplored. While some sources depict these women as amateurs whose influence declined, Susan Brandt documents women’s authoritative medical work that continued well into the nineteenth century. Spanning a century and a half, Women Healers traces the transmission of European women’s medical remedies to the Delaware Valley where they blended with African and Indigenous women’s practices, forming hybrid healing cultures.
Drawing on extensive archival research, Brandt demonstrates that women healers were not inflexible traditional practitioners destined to fall victim to the onward march of Enlightenment science, capitalism, and medical professionalization. Instead, women of various classes and ethnicities found new sources of healing authority, engaged in the consumer medical marketplace, and resisted physicians’ attempts to marginalize them. Brandt reveals that women healers participated actively in medical and scientific knowledge production and the transition to market capitalism.
Corinne Doria is a historian specializing in the social history of medicine. She is a lecturer at the Chinese University of Hong Kong in Shenzhen and teaches Disability Studies at Sciences-Po (Paris). Her work focuses on the history of ophthalmology and visual impairment in the West.
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A close look at stories of maternal death in Malawi that considers their implications in the broader arena of medical knowledge.
By the early twenty-first century, about one woman in twelve could expect to die of a pregnancy or childbirth complication in Malawi. Specific deaths became object lessons. Explanatory stories circulated through hospitals and villages, proliferating among a range of practitioners: nurse-midwives, traditional birth attendants, doctors, epidemiologists, herbalists. Was biology to blame? Economic underdevelopment? Immoral behavior? Tradition? Were the dead themselves at fault?
In Partial Stories: Maternal Death from Six Angles (U Chicago Press, 2022), Claire L. Wendland considers these explanations for maternal death, showing how they reflect competing visions of the past and shared concerns about social change. Drawing on extended fieldwork, Wendland reveals how efforts to legitimate a single story as the authoritative version can render care more dangerous than it might otherwise be. Historical, biological, technological, ethical, statistical, and political perspectives on death usually circulate in different expert communities and different bodies of literature. Here, Wendland considers them together, illuminating dilemmas of maternity care in contexts of acute change, chronic scarcity, and endemic inequity within Malawi and beyond.
Rachel Pagones is an acupuncturist, educator, and author based in Cambridge, England. Her book, Acupuncture as Revolution: Suffering, Liberation, and Love (Brevis Press) was published in 2021.
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In Different: Gender Through the Eyes of a Primatologist (W. W. Norton, 2022), world-renowned primatologist Frans de Waal draws on decades of observation and studies of both human and animal behavior to argue that despite the linkage between gender and biological sex, biology does not automatically support the traditional gender roles in human societies. While humans and other primates do share some behavioral differences, biology offers no justification for existing gender inequalities.
Using chimpanzees and bonobos to illustrate this point--two ape relatives that are genetically equally close to humans--de Waal challenges widely held beliefs about masculinity and femininity, and common assumptions about authority, leadership, cooperation, competition, filial bonds, and sexual behavior. Chimpanzees are male-dominated and violent, while bonobos are female-dominated and peaceful. In both species, political power needs to be distinguished from physical dominance. Power is not limited to the males, and both sexes show true leadership capacities.
Different is a fresh and thought-provoking approach to the long-running debate about the balance between nature and nurture, and where sex and gender roles fit in. De Waal peppers his discussion with details from his own life--a Dutch childhood in a family of six boys, his marriage to a French woman with a different orientation toward gender, and decades of academic turf wars over outdated scientific theories that have proven hard to dislodge from public discourse. He discusses sexual orientation, gender identity, and the limitations of the gender binary, exceptions to which are also found in other primates.
With humor, clarity, and compassion, Different seeks to broaden the conversation about human gender dynamics by promoting an inclusive model that embraces differences, rather than negating them.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
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Anne Gray Fischer speaks about her path to and through research, including how sex workers informed her analysis of policing and state violence, the role of law enforcement in struggles over economic development, and the intellectual and practical factors of research design.
Men, especially Black men, often stand in as the ultimate symbol of the mass incarceration crisis in the United States. Women are treated as marginal, if not overlooked altogether, in histories of the criminal legal system. In The Streets Belong to Us: Sex, Race, and Police Power from Segregation to Gentrification (UNC Press, 2022)--a searing history of women and police in the modern United States--Anne Gray Fischer narrates how sexual policing fueled a dramatic expansion of police power. The enormous discretionary power that police officers wield to surveil, target, and arrest anyone they deem suspicious was tested, legitimized, and legalized through the policing of women's sexuality and their right to move freely through city streets.
Throughout the twentieth century, police departments achieved a stunning consolidation of urban authority through the strategic discretionary enforcement of morals laws, including disorderly conduct, vagrancy, and other prostitution-related misdemeanors. Between Prohibition in the 1920s and the rise of broken windows policing in the 1980s, police targeted white and Black women in distinct but interconnected ways. These tactics reveal the centrality of racist and sexist myths to the justification and deployment of state power. Sexual policing did not just enhance police power. It also transformed cities from segregated sites of urban vice into the gentrified sites of Black displacement and banishment we live in today. By illuminating both the racial dimension of sexual liberalism and the gender dimension of policing in Black neighborhoods, The Streets Belong to Us illustrates the decisive role that race, gender, and sexuality played in the construction of urban police regimes.
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There are three major myths of human nature: humans are divided into biological races; humans are naturally aggressive; and men and women are wholly different in behavior, desires, and wiring. Race, Monogamy, and Other Lies They Told You: Busting Myths about Human Nature (Second Edition) (U California Press, 2022) counters these pervasive and pernicious myths about human behavior. Agustín Fuentes tackles misconceptions about what race, aggression, and sex really mean for humans, and incorporates an accessible understanding of culture, genetics, and evolution that requires us to dispose of notions of "nature or nurture."
Presenting scientific evidence from diverse fields, including anthropology, biology, and psychology, Fuentes devises a myth-busting toolkit to dismantle persistent fallacies about the validity of biological races, the innateness of aggression and violence, and the nature of monogamy, sex, and gender. This revised and expanded edition provides up-to-date references, data, and analyses, and addresses new topics, including the popularity of home DNA testing kits and the lies behind '"incel" culture; the resurgence of racist, nativist thinking and the internet's influence in promoting bad science; and a broader understanding of the diversity of sex and gender.
Sine Yaganoglu trained as a neuroscientist and bioengineer (PhD, ETH Zurich). She currently works in innovation management and diagnostics.
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Mirelsie Velázquez (Associate Professor & Rainbolt Family Endowed Presidential Professor, University of Oklahoma) speaks with Natalie Lira (Associate Professor, University of Illinois at Urbana-Champaign) about Lira’s recent book, Laboratory of Deficiency: Sterilization and Confinement in California, 1900-1950s (University of California Press, 2021).
Over 20,000 residents of California were sterilized in the first half of the twentieth century. A vast archive of the sterilization request records provides chilling evidence of the identities and family resources of these people. Furthermore, the documents explain why physicians and social workers deemed reproductive intervention to be in the interests of the state. Using the records from the Pacific Colony institution, Lira investigates why young women and men of Mexican origin were disproportionately detained, narrates their experiences of confinement and sterilization, and traces diverse strands testifying to widespread individual and familial resistance. In this conversation, Lira and Velázquez dig deeper into some of the themes addressed in Lira’s book, and reflect broadly on the cultural and racialist assumptions that fuel carceral and sterilization strategies a century ago and in the present day.
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One of the largely untold stories of Orientalism is the degree to which the Middle East has been associated with "deviant" male homosexuality by scores of Western travelers, historians, writers, and artists for well over four hundred years. And this story stands to shatter our preconceptions of Orientalism.
To illuminate why and how the Islamicate world became the locus for such fantasies and desires, Boone deploys a supple mode of analysis that reveals how the cultural exchanges between Middle East and West have always been reciprocal and often mutual, amatory as well as bellicose. Whether examining European accounts of Istanbul and Egypt as hotbeds of forbidden desire, juxtaposing Ottoman homoerotic genres and their European imitators, or unlocking the homoerotic encoding in Persian miniatures and Orientalist paintings, this remarkable study models an ethics of crosscultural reading that exposes, with nuance and economy, the crucial role played by the homoerotics of Orientalism in shaping the world as we know it today.
A contribution to studies in visual culture as well as literary and social history, The Homoerotics of Orientalism (Columbia UP, 2014) draws on primary sources ranging from untranslated Middle Eastern manuscripts and European belles-lettres to miniature paintings and photographic erotica that are presented here for the first time.
Joseph Allen Boone is a professor of English and gender studies at the University of Southern California and the author of Libidinal Currents: Sexuality and the Shaping of Modernism and Tradition Counter Tradition: Love and the Form of Fiction. He has received fellowships from the Guggenheim Foundation, the National Humanities Center, the Huntington, the Stanford Humanity Center, and the American Council of Learned Societies and has been in residency at the Liguria Center at Bogliasco, the Rockefeller-Bellagio Center, and the Valparaiso Foundation.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
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In the summer of 1925, Enid Justin--daughter of H. J. Justin, founder of legendary Justin Boots--announced to her family that she was going to start her own boot company in her hometown of Nocona, Texas. The announcement shocked her family, who prophesied failure and begged her to reconsider, but thirty-one-year-old Enid’s mind was made up. What followed would be a multi-decade saga of tenacity, endurance, dedication, and entrepreneurial success.
The Lady Makes Boots: Enid Justin & the Nocona Boot Company (Texas Tech UP, 2021) is the first biography of Enid Justin, lady bootmaker and the visionary who founded the Nocona Boot Company. Utilizing archival material, hundreds of newspaper articles from across the U. S. and beyond, and many personal interviews with Justin family members and boot company employees, The Lady Makes Boots tells the complete story of this multi-faceted woman and the growth of her small-town business to a multi-million-dollar corporation. Remembered fondly as the hard-working “Miss Enid”, Justin led the Nocona Boot Company through a seventy-four year history that included the Great Depression, World War II, and countless other challenges. Enid Justin was a true Texas pioneer: this is her story, stitched and bound.
Jane Scimeca is Professor of History at Brookdale Community College
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Shelly Oria has just produced an anthology of writings on reproductive freedom that is available now from McSweeney’s Books, in partnership with The Brigid Alliance. Spanning nearly every genre of writing, the collection greatly broadens the parameters for how we might speak of reproductive freedoms and fight for their continuation even in this particularly bleak time. She is joined by the novelist, Kirstin Valdez Quade, author most recently of The Five Wounds. It was an honor to talk to Shelly and Kirstin about their hopes and fears for a future after Roe vs Wade and the potential for writers to enter the fray as defenders of the right to abortion, but also to be issuers of a clarion call for the many other natural rights that are being trammeled upon. Please consider supporting I Know What's Best for You: Stories on Reproductive Freedom by purchasing it directly from McSweeney’s or your local bookstore. The work within is moving, empathetic, horrifying, touching, and unforgettable.
Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
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Despite her famous pseudonym, "Jane Roe," no one knows the truth about Norma McCorvey (1947-2017), whose unwanted pregnancy in 1969 opened a great fracture in American life. Journalist Joshua Prager spent hundreds of hours with Norma, discovered her personal papers--a previously unseen trove--and witnessed her final moments. The Family Roe: An American Story (W. W. Norton, 2021) presents her life in full. Propelled by the crosscurrents of sex and religion, gender and class, it is a life that tells the story of abortion in America.
Prager begins that story on the banks of Louisiana's Atchafalaya River where Norma was born, and where unplanned pregnancies upended generations of her forebears. A pregnancy then upended Norma's life too, and the Dallas waitress became Jane Roe.
Drawing on a decade of research, Prager reveals the woman behind the pseudonym, writing in novelistic detail of her unknown life from her time as a sex worker in Dallas, to her private thoughts on family and abortion, to her dealings with feminist and Christian leaders, to the three daughters she placed for adoption.
Prager found those women, including the youngest--Baby Roe--now fifty years old. She shares her story in The Family Roe for the first time, from her tortured interactions with her birth mother, to her emotional first meeting with her sisters, to the burden that was uniquely hers from conception.
The Family Roe abounds in such revelations--not only about Norma and her children but about the broader "family" connected to the case. Prager tells the stories of activists and bystanders alike whose lives intertwined with Roe. In particular, he introduces three figures as important as they are unknown: feminist lawyer Linda Coffee, who filed the original Texas lawsuit yet now lives in obscurity; Curtis Boyd, a former fundamentalist Christian, today a leading provider of third-trimester abortions; and Mildred Jefferson, the first black female Harvard Medical School graduate, who became a pro-life leader with great secrets.
An epic work spanning fifty years of American history, The Family Roe will change the way you think about our enduring American divide: the right to choose or the right to life.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
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Women in Lagos, Nigeria, practice a spectacularly feminine form of black beauty. From cascading hair extensions to immaculate makeup to high heels, their style permeates both day-to-day life and media representations of women not only in a swatch of Africa but across an increasingly globalized world. Simidele Dosekun's detailed interviews and critical analysis consider the female subjectivities these elite women are performing and desiring. She finds that the women embody the postfeminist idea that their unapologetically immaculate beauty signals - but also constitutes - feminine power. As wealthy, empowered global consumers and media citizens, the women deny any need to critique their culture or to take part in feminism's collective political struggle. Throughout, Dosekun unearths evocative details around the practical challenges to attaining their style, examines the gap between how others view these women and how they view themselves, and engages with ideas about postfeminist self-fashioning and subjectivity across cultures and class. Intellectually provocative and rich with theory, Fashioning Postfeminism: Spectacular Femininity and Transnational Culture (U Illinois Press, 2020) reveals why women choose to live, embody, and even suffer for a fascinating performative culture.
Dr Simidele Dosekun is Assistant Professor in the Department of Media and Communications at LSE.
Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.
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The climate crisis is not primarily a problem of ‘believing science’ or individual ‘carbon footprints’ – it is a class problem rooted in who owns, controls and profits from material production. As such, it will take a class struggle to solve. In Climate Change as Class War: Building Socialism on a Warming Planet (Verso, 2022), Matthew T. Huber argues that the carbon-intensive capitalist class must be confronted for producing climate change. Yet, the narrow and unpopular roots of climate politics in the professional class is not capable of building a movement up to this challenge. For an alternative strategy, he proposes climate politics that appeals to the vast majority of society: the working class. Huber evaluates the Green New Deal as a first attempt to channel working class material and ecological interests and advocates building union power in the very energy system we need to dramatically transform. In the end, as in classical socialist movements of the early 20th Century, winning the climate struggle will need to be internationalist based on a form of planetary working class solidarity.
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Offering a fresh perspective, this timely book analyzes the socio-cultural and physical production of planned capital cities through the theoretical lens of feminism.
In Trophy Cities: A Feminist Perspective on New Capitals (Edward Elgar, 2021), Dorina Pojani evaluates the historical, spatial and symbolic manifestations of new capital cities, as well as the everyday experiences of those living there, to shed light on planning processes, outcomes and contemporary planning issues. Chapters explore seven geographically, culturally and temporally diverse capital cities across Australia, India, Brazil, Nigeria, Kazakhstan, Myanmar and South Korea. Pojani argues that new capital cities have embodied patriarchal systems to govern their respective polities which has magnified problems in these cities. The book highlights how in new capitals, notions such as the state, the nation, urbanism, religion, the economy and even nature have been conceived of or treated in patriarchal terms, to the detriment of women and other disadvantaged groups. This book will be an invigorating read for urban studies and planning scholars. The information about the processes of new city formation will also be of great use to urban planner
Access more of Dorina's publications via her researcher profile.
Ingrid Bailey is a PhD candidate in geography at the University of Queensland.
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Queer Carnival: Festivals and Mardi Gras in the South (NYU Press, 2022) reveals the importance of citywide celebrations like Mardi Gras and Fiesta for LGBTQIA+ communities in the US South. Drawing on five years of research, and over a hundred days at LGBTQ events in cities such as San Antonio, Santa Fe, Baton Rouge, and Mobile, Stone gives readers a front-row seat to festivals, carnivals, and Mardi Gras celebrations, vividly bringing these queer cultural spaces and the people that create and participate in them to life. Stone shows how these events serve a larger fundamental purpose, helping LGBTQ people to cultivate a sense of belonging in cities that may be otherwise hostile
Amy L. Stone is Professor of Sociology and Anthropology at Trinity University in San Antonio, Texas. They are the author of several other books, including Gay Rights at the Ballot Box, Out of the Closet, Into the Archives: Researching Sexual Histories, and Cornyation: San Antonio’s Outrageous Fiesta Tradition.
Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries.
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Today I talked to Lilianne Milgrom about L' Origine: The Secret Life of the World's Most Erotic Masterpiece (Girl Friday Books, 2021).
In 1866, maverick French artist Gustave Courbet painted one of the most iconic images in the history of art: a sexually explicit portrait of a woman's exposed genitals. Audaciously titled L'Origine du monde (The Origin of the World), the scandalous painting was kept hidden for a century and a half. Today, it hangs in the world-renowned Orsay Museum in Paris, viewed by millions of visitors a year.
As the first artist authorized by the Orsay Museum to re-create Courbet's The Origin of the World, author Lilianne Milgrom was thrust into the painting's intimate orbit, spending six weeks replicating every fold, crevice, and pubic hair. The experience inspired her to share her story and the painting's riveting clandestine history with readers beyond the confines of the art world.
Pallavi Joshi is a PhD Candidate in French Studies at the University of Warwick.
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Denisa Nesťáková and Katja Grosse-Sommer edited volumne If This Is a Woman: Studies on Women and Gender in the Holocaust (Academic Studies Press, 2021) contains thirteen articles based on work presented at the “XX. Century Conference: If This Is A Woman” at Comenius University Bratislava in January 2019. The conference was organized against anti-gender narratives and related attacks on academic freedom and women’s rights currently all too prevalent in East-Central Europe. The papers presented at the conference and in this volume focus, to a significant extent, on this region. They touch upon numerous points concerning gendered experiences of World War II and the Holocaust. By purposely emphasizing the female experience in the title, we encourage to fill the lacunae that still, four decades after the enrichment of Holocaust studies with a gendered lens, exist when it comes to female experiences.
Amber Nickell is Associate Professor of History at Fort Hays State University, Editor at H-Ukraine, and Host at NBN Jewish Studies, Ukrainian Studies, and Eastern Europe.
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In her latest book Journeys Toward Gender Equality in Islam (Oneworld Publications, 2022) Ziba Mir-Hosseini interviews several Muslim scholars of gender in different settings over the course of a decade. These folks are Abdullahi Ahmed An-Na’im, amina wadud, Asma Lamrabet, Khaled Abou El Fadl, Mohsen Kadivar, and Sedigheh Vasmaghi. Mir-Hosseini is a scholar of Islam, a film-maker, an anthropologist, and an activist. She is a founding member of Musawah: Global Movement for Equality in Muslim Family Laws, and the convenor of its knowledge-building initiative to rethink the notion of male authority in Muslim family laws. Currently, Mir-Hosseini is a professorial research associate at the Centre for Islamic and Middle Eastern Law at SOAS, University of London. Her other books include Marriage on Trial: A Study of Islamic Family Law in Iran and Morocco (I. B. Tauris, 1993, 2002) and Islam and Gender: The Religious Debate in Contemporary Iran (Princeton University Press, 1999). She is also co-editor of Men in Charge?: Rethinking Authority in Muslim Legal Tradition (Oneworld Academic, 2015), and co-director of two award-winning feature-length documentary films on contemporary issues in Iran, Divorce Iranian Style from 1998 and Runaway from 2001 (2001).
Ziba and the six other scholars she speaks with are contemporary influential scholars of Islam who have been working for decades on gender and social justice issues from an Islamic perspective, using Islamic sources, and in most cases, working with Islamic institutions in Muslim-majority countries. As the tittle of the book suggests, it describes these scholars’ journey toward gender equality. Some of the themes covered in the book are these scholars’ opinion on the role of Muslim institutions in bringing gender justice in Muslim societies, that of the meaning and role of the Qur’an, their approaches to sharia and fiqh, and so on.
In our conversation today, I talk with Ziba about each of the scholars covered in the book, some of the main issues and themes that arise in their journeys toward gender justice in Islam, sharia and fiqh – and in particular about the social construction of sharia – about maintaining hope and faith in working toward gender justice, about experience as a source of theological knowledge, the consequences of these scholars’ work on their lives, the future of Islamic feminism, and the work of Musawah, which is a movement for gender equality in Muslim family laws.
Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. She earned her PhD in Islamic Studies with a focus on gender from the University of Texas at Austin in 2018. Her dissertation research explored questions of change and tradition, specifically in the context of gender and sexuality, in Islam. She can be reached at [email protected].
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China has one of the largest queer populations in the world, but what does it mean to be queer in a Confucian society in which kinship roles, ties, and ideologies are of paramount importance? This book analyzes queer cultures in China, offering an alternative to western blueprints of queer individual identity. Using a critical approach—“queering Chinese kinship”—Lin Song scrutinizes the relationship between queerness and family relations, questioning the Eurocentric assumption of the separation of queerness from family ties. Offering five case studies of queer representations, Queering Chinese Kinship: Queer Public Culture in Globalizing China (Hong Kong UP, 2021)also challenges the tendency in current scholarship to understand queer cultures as predominantly marginalized. Shedding light on cultural expressions of queerness and kinship, this book highlights queer politics as an integral part of contemporary Chinese public culture.
Dr. Lin Song is a scholar of media and cultural studies, and Assistant Professor in the School of Journalism & Communication at Jinan University in Guangzhou, China. He holds a PhD in Gender Studies from The Chinese University of Hong Kong, and is currently working on projects related to Emotional and algorithmic governance in China during the COVID-19 outbreak, and Erotic self-representation and queer cultural production in Chinese DIY pornography.
Cody Skahan ([email protected]) is an anthropologist by training, starting an MA program in Anthropology at the University of Iceland in August 2022 as a Leifur Eriksson Fellow. His work focuses on the intersections of queerness, environmentalisms, and tourism in Iceland. Cody has a blog at where he sometimes writes about Games User Research and will totally, 100% in the future post the podcast and other projects he is working on.
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Minoritarian Liberalism: A Travesti Life in a Brazilian Favela (University of Chicago Press, 2022) is a mesmerizing ethnography of the largest favela in Rio, where residents articulate their own politics of freedom against the backdrop of multiple forms of oppression. Normative liberalism has promoted the freedom of privileged subjects, those entitled to rights--usually white, adult, heteronormative, and bourgeois--at the expense of marginalized groups, such as Black people, children, LGBTQ folks, and slum dwellers. In this visceral ethnography of Rocinha, the largest favela in Rio de Janeiro, Brazil, Moisés Lino e Silva explores what happens when liberalism is inflected by people whose lives are impaired by normative understandings of liberty. He calls these marginalized visions of freedom "minoritarian liberalism," a concept that stands in for overlapping, alternative modes of freedom--be they queer, favela, or peasant. Lino e Silva introduces readers to a broad collective of favela residents, most intimately accompanying Natasha Kellem, a charismatic self-declared travesti (a term used in Latin America to indicate a specific form of female gender construction opposite to the sex assigned at birth). Many of those the author meets consider themselves "queer," while some are treated as "abnormal" simply because they live in favelas. Through these interconnected experiences, Lino e Silva not only pushes at the boundaries of anthropological inquiry, but also offers ethnographic evidence of non-normative routes to freedom for those seeking liberties against the backdrop of capitalist exploitation, transphobia, racism, and other patterns of domination.
Moisés Lino e Silva is a Professor in the Department of Anthropology at the Federal University of Bahia (UFBA) in Brazil.
Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.
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Echoing the energy of Nina Simone's searing protest song that inspired the title, this book is a call to action in our collective journey toward just futures.
America, Goddam: Violence, Black Women, and the Struggle for Justice (U California Press, 2022) explores the combined force of anti-Blackness, misogyny, patriarchy, and capitalism in the lives of Black women and girls in the United States today.
Through personal accounts and hard-hitting analysis, Black feminist historian Treva B. Lindsey starkly assesses the forms and legacies of violence against Black women and girls, as well as their demands for justice for themselves and their communities. Combining history, theory, and memoir, America, Goddam renders visible the gender dynamics of anti-Black violence. Black women and girls occupy a unique status of vulnerability to harm and death, while the circumstances and traumas of this violence go underreported and understudied. America, Goddam allows readers to understand
America, Goddam powerfully demonstrates that the struggle for justice begins with reckoning with the pervasiveness of violence against Black women and girls in the United States”
Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at [email protected] and on twitter @MickellCarter
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Trina Nileena Banerjee's book Performing Silence: Women in the Group Theatre Movement in Bengal (Oxford UP, 2021) addresses the absence of a sustained and critical engagement with the gender politics of the group theatre movement, by looking at the difficult negotiations of a 'movement' that self-consciously fashions itself as a leftist cultural enterprise with questions of gender and sexuality. It endeavours to do so by studying the movement in two different ways, it examines both the aesthetic representations of women on stage and the actual participation of women as cultural activists in the movement.
Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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Hello, this is Eric LeMay, a host on the New Books Network. Today I interview Sarah Durham Wilson, whose new book Maiden to Mother: Unlocking Our Archetypal Journey into the Mature Feminine (Sounds True, 2022) is a reclamation and celebration of women, women’s power, and the possibilities for women’s lives outside of limitations imposed by our patriarchal culture. Wilson seeks to unearth a sacred, ancient, and empowering connection to the divine feminine, reviving the stories of such figures as the legendary Sumerian goddess Innana and showing what wisdom these stories hold for women who find themselves under threat by the misogynistic politics and policies currently proliferating around us. And Durham is a live wire, a generous and profound spirit who seeks to connect women with one another and with their birthright—the chance to become whole and radiant selves who can lead the world through this wounded present to a future in which each us and our planet can flourish.
Eric LeMay is on the creative writing faculty at Ohio University. He is the author of five books, most recently Remember Me. He can be reached at [email protected].
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In Masculinity and Dress in Roman Antiquity (Routledge, 2020), Olson argues that clothing functioned as part of the process of communication by which elite male influence, masculinity, and sexuality were made known and acknowledged, and furthermore that these concepts interconnected in socially significant ways. This volume also sets out the details of masculine dress from literary and artistic evidence and the connection of clothing to rank, status, and ritual. This is the first monograph in English to draw together the myriad evidence for male dress in the Roman world, and examine it as evidence for men's self-presentation, status, and social convention.
Reyes Bertolin is a professor of Classics at the University of Calgary.
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Emma Heaney talks about the social organization of the supposedly biologically derived terms of the sex binary into a hierarchy of persons and qualities. She speaks widely about the work that she and her colleagues are doing, drawing on a tradition of scholarship that includes the work of Luce Irigaray, Hortense Spillers, Cathy J. Cohen and others.
Emma Heaney is a teacher, researcher, and writer living in Queens. Her first book, a study of the medicalization of trans femininity and the uptake of the diagnostic figure in works of twentieth-century literature and philosophy, is The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory (Northwestern, 2017). Her forthcoming second book, Feminism Against Cisness, is an edited collection of essays by Trans Studies scholars who use anti-colonial, Black, and Marxist feminist methods to address the many legacies of the historical emergence of the idea that assigned sex determines sexed experience. Her introduction for that collection, entitled “Sexual Difference Without Cisness” provides the basis for this interview.
Image: © 2021 Saronik Bosu
Music used in promotional material: “Flow” by dustmotes
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The culture of mainstream American childhood is vastly different than the culture of Orthodox Jewish childhood - which is itself a rich and varied landscape of texts, music, toys, and more, with nuanced shadings from one sect of Orthodox Judaism to the next. In Artifacts of Orthodox Jewish Childhoods: Personal and Critical Essays (Ben Yehuda Press, 2022), Dainy Bernstein has collected a treasury of essays examining the artifacts of Orthodox Jewish childhood and how they influence a child's developing view of the wider world - and their inner world.
Interviewees:
Dainy Bernstein holds a PhD in English and a Certificate in Medieval Studies from the CUNY Graduate Center and teaches college composition, medieval literature, and children's and Young Adult literature at Lehman College, CUNY.
Goldie Gross earned a bachelor’s degree in art and business from Baruch College and earned a master’s degree in the history of art and archeology at the Institute of Fine Arts at New York University
Yehudis Keller earned a BA in psychology and fine arts from Brooklyn College and is pursuing a doctorate in clinical psychology at Case Western Reserve University.
Hannah Lebovits is an assistant professor of public affairs at the University of Texas-Arlington
Miriam Moster is a doctoral student in sociology at the Graduate Center of the City University of New York
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020).
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In this first study of Black radicalism in midwestern cities before the civil rights movement, Melissa Ford connects the activism of Black women who championed justice during the Great Depression to those involved in the Ferguson Uprising and the Black Lives Matter movement. A Brick and a Bible: Black Women's Radical Activism in the Midwest During the Great Depression (Southern Illinois UP, 2022) examines how African American working-class women, many of whom had just migrated to “the promised land” only to find hunger, cold, and unemployment, forged a region of revolutionary potential.
A Brick and a Bible theorizes a tradition of Midwestern Black radicalism, a praxis-based ideology informed by but divergent from American Communism. Midwestern Black radicalism that contests that interlocking systems of oppression directly relates the distinct racial, political, geographic, economic, and gendered characteristics that make up the American heartland. This volume illustrates how, at the risk of their careers, their reputations, and even their lives, African American working-class women in the Midwest used their position to shape a unique form of social activism.
Case studies of Detroit, St. Louis, Chicago, and Cleveland—hotbeds of radical activism—follow African American women across the Midwest as they participated in the Ford Hunger March, organized the Funsten Nut Pickers’ strike, led the Sopkin Dressmakers’ strike, and supported the Unemployed Councils and the Scottsboro Boys’ defense. Ford profoundly reimagines how we remember and interpret these “ordinary” women doing extraordinary things across the heartland. Once overlooked, their activism shaped a radical tradition in midwestern cities that continues to be seen in cities like Ferguson and Minneapolis today.
Omari Averette-Phillips is a doctoral student in the department of history at UC Davis. He can be reached at [email protected].
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Andrew Leon Hanna's book 25 Million Sparks: The Untold Story of Refugee Entrepreneurs (Cambridge UP, 2022) takes readers inside the Za'atari refugee camp to follow the stories of three courageous Syrian women entrepreneurs: Yasmina, a wedding shop and salon owner creating moments of celebration; Malak, a young artist infusing color and beauty throughout the camp; and Asma, a social entrepreneur leading a storytelling initiative to enrich children's lives. Anchored by these three inspiring stories, as well as accompanying artwork and poetry by Malak and Asma, the narrative expands beyond Za'atari to explore the broader refugee entrepreneurship phenomenon in more than twenty camps and cities across the globe. What emerges is a tale of power, determination, and dignity - of igniting the brightest sparks of joy, even when the rest of the world sees only the darkness. A significant portion of the author's proceeds from this book is being contributed to support refugee entrepreneurs in Za'atari and around the world.
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Normative liberalism has promoted the freedom of privileged subjects, those entitled to rights—usually white, adult, heteronormative, and bourgeois—at the expense of marginalized groups, such as Black people, children, LGBTQ people, and slum dwellers. In this visceral ethnography of Rocinha, the largest favela in Rio de Janeiro, Brazil, Moisés Lino e Silva explores what happens when liberalism is challenged by people whose lives are impaired by normative understandings of liberty. He calls such marginalized visions of freedom “minoritarian liberalism,” a concept that stands in for overlapping, alternative modes of freedom—be they queer, favela, or peasant.
In Minoritarian Liberalism: A Travesti Life in a Brazilian Favela (University of Chicago Press, 2022), Lino e Silva introduces readers to a broad collective of favela residents, most intimately accompanying Natasha Kellem, a charismatic self-declared travesti (a term used in Latin America to indicate a specific form of female gender construction opposite to the sex assigned at birth). While many of those the author meets consider themselves “queer,” others are treated as “abnormal” simply because they live in favelas. Through these interconnected experiences, Lino e Silva not only pushes at the boundaries of anthropological inquiry, but also offers ethnographic evidence of non-normative routes to freedom for those seeking liberties against the backdrop of capitalist exploitation, transphobia, racism, and other patterns of domination.
Moisés Lino e Silva is tenured faculty in the department of anthropology at the Federal University of Bahia (UFBA) in Brazil.
Armanc Yildiz is a doctoral candidate in Social Anthropology with a secondary field in Studies in Women, Gender and Sexuality at Harvard University. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor.
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In conversations about polarised political issues, phrases like ‘it’s not about race, it’s about class’ have become the perfect way to induce a stalemate. It seems as though the traditional, materialist critique of inequality has been supplanted by a fast-evolving set of reflections on group identity. Mainstream politics makes fast and loose assumptions about the relationship between class and identity, and economic conditions and culture. These assumptions are fodder for the culture wars.
In The Identity Myth: Why We Need to Embrace Our Differences to Beat Inequality (Constable & Robinson, 2022), David Swift covers the four different kinds of identity most susceptible to rhetorical and cultural manipulation – class, race, sex, and age. He considers how the boundaries of identities are policed and how diverse versions of the same identity can be deployed to different ends. Ultimately, it is not that identities are simply more ‘complex’ than they appear. Rather, there are commonalities more important to the creation of solidarity.
David Swift speaks to Pierre d'Alancaisez about the crisis of class and the deceptive allure of identity politics. We talk about the divisive nature of the contested claims of identity and about strategies for regaining control of the narrative. In a powerful call to arms, Swift argues that we must unite against these identity myths and embrace our differences to beat inequality.
David Swift is a historian and writer who specialises in the history and contemporary politics of the British Left. He has written on the state of the Left for The Times, Fabian Review, Progress Online, Jewish Chronicle, and The Critic. He is the author of A Left for Itself, 2019.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
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The title of the book that we are introducing today is Building a Housewife's Paradise Gender, Politics, and American Grocery Stores in the Twentieth Century. This is not a new book, it was published in 2010, but one that deserves to be highlighted especially within the most recent debates on gender and business. Building a Housewife's Paradise studies the emergence of supermarkets in the urban United States by focusing on the case of Chicago. The book argues that this history, the birth, and growth of large and standardized grocery stores is undetachable from the social, cultural, and economic identities and gendered contexts of food and household provision and systems. Her analysis goes back to the beginning of the twentieth century through World War II.
Supermarkets are a mundane feature in the landscape, but as Tracey Deutsch reveals, they represent a major transformation in the ways that Americans feed themselves. In her examination of the history of food distribution in the United States, Deutsch demonstrates the important roles that gender, business, class, and the state played in the evolution of American grocery stores.
Deutsch's analysis reframes shopping as labor and embeds consumption in the structures of capitalism. The supermarket, that icon of postwar American life, emerged not from straightforward consumer demand for low prices, Deutsch argues, but through government regulations, women customers' demands, and retailers' concerns with financial success and control of the "shop floor." From small neighborhood stores to huge corporate chains of supermarkets, Deutsch traces the charged story of the origins of contemporary food distribution, treating topics as varied as everyday food purchases, the sales tax, postwar celebrations and critiques of mass consumption, and 1960s and 1970s urban insurrections. Demonstrating connections between women's work and the history of capitalism, Deutsch locates the origins of supermarkets in the politics of twentieth-century consumption.
Tracey Deutsch is a history professor at the University of Minnesota. She teaches, researches, and writes about gender and women’s history, the history of capitalism, critical food studies, and modern US history. She has also published essays on the uses of women's history and women's labor in contemporary local food discourses. I recommend her chapter Home, Cooking: Women’s Place and Women’s History in Local Foods Discourse in Food Fights: How the Past Matters in Contemporary Food Debates, 2019. Her current research uses Julia Child's biography to study the emergence of food as a crucial object in middle-class life in the mid-twentieth-century United States. She is also pursuing research on the history of the abstraction of consumer demand in economic thought. Tracey Deutsch studies the intersections between gender and capitalism and she has recently published “Capitalism in the 20th and 21st Centuries,” co-authored with Nan Enstad in the Companion to American Women’s History, published by Wiley, 2021.
Paula De La Cruz-Fernandez is a consultant, historian, and digital editor. Editor New Books Network en español. Edita CEO.
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In The Digital Closet: How the Internet Became Straight (MIT Press, 2022), Alexander Monea argues provocatively that the internet became straight by suppressing everything that is not, forcing LGBTQIA+ content into increasingly narrow channels--rendering it invisible through opaque algorithms, automated and human content moderation, warped keywords, and other strategies of digital overreach. Monea explains how the United States' thirty-year "war on porn" has brought about the over-regulation of sexual content, which, in turn, has resulted in the censorship of much nonpornographic content--including material on sex education and LGBTQIA+ activism. In this wide-ranging, enlightening account, Monea examines the cultural, technological, and political conditions that put LGBTQIA+ content into the closet.
Monea looks at the anti-porn activism of the alt-right, Christian conservatives, and anti-porn feminists, who became strange bedfellows in the politics of pornography; investigates the coders, code, and moderators whose work serves to reify heteronormativity; and explores the collateral damage in the ongoing war on porn--the censorship of LGBTQ+ community resources, sex education materials, art, literature, and other content that engages with sexuality but would rarely be categorized as pornography by today's community standards. Finally, he examines the internet architectures responsible for the heteronormalization of porn: Google Safe Search and the data structures of tube sites and other porn platforms.
Monea reveals the porn industry's deepest, darkest secret: porn is boring. Mainstream porn is stuck in a heteronormative filter bubble, limited to the same heteronormative tropes, tagged by the same heteronormative keywords. This heteronormativity is mirrored by the algorithms meant to filter pornographic content, increasingly filtering out all LGBTQIA+ content. Everyone suffers from this forced heteronormativity of the internet--suffering, Monea suggests, that could be alleviated by queering straightness and introducing feminism to dissipate the misogyny.
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In Engendering Islands: Sexuality, Reproduction, and Violence in the Early French Caribbean (University of Nebraska Press, 2021), Dr. Ashley M. Williard demonstrates how problematics of gender played a central role in defining colonial others, male and female, at the moment when slavery was first introduced in the French-controlled Antilles. The book argues that seventeenth-century French Caribbean reconstructions of masculinity and femininity helped sustain and justify occupation, slavery, and nascent ideas of race. In the face of historical silences, Williard’s close readings of archival and narrative texts reveals the words, images, and perspectives that reflected and produced new ideas of human difference in this colonial context. Juridical, religious, and medical discourses expose the interdependence of multiple conditions—male and female, enslaved and free, Black and white, Indigenous and displaced, normative and disabled—in the islands claimed for the French Crown.
R. Grant Kleiser is a Ph.D. candidate in the Columbia University History Department. His dissertation researches the development of the free-port system in the eighteenth-century Caribbean, investigating the rationale for such moves towards “free trade” and the impact these policies had on subsequent philosophers, policy-makers, and revolutionaries in the Atlantic world.
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In There's a Disco Ball Between Us: A Theory of Black Gay Life (Duke UP, 2022), Jafari S. Allen offers a sweeping and lively ethnographic and intellectual history of what he calls “Black gay habits of mind.” In conversational and lyrical language, Allen locates this sensibility as it emerged from radical Black lesbian activism and writing during the long 1980s. He traverses multiple temporalities and locations, drawing on research and fieldwork conducted across the globe, from Nairobi, London, and Paris to Toronto, Miami, and Trinidad and Tobago. In these locations and archives, Allen traces the genealogies of Black gay politics and cultures in the visual art, poetry, film, Black feminist theory, historiography, and activism of thinkers and artists such as Audre Lorde, Marsha P. Johnson, Essex Hemphill, Colin Robinson, Marlon Riggs, Pat Parker, and Joseph Beam. Throughout, Allen renarrates Black queer history while cultivating a Black gay method of thinking and writing. In so doing, he speaks to the urgent contemporary struggles for social justice while calling on Black studies to pursue scholarship, art, and policy derived from the lived experience and fantasies of Black people throughout the world.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
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Since the beginning of the COVID-19 pandemic, consumers across East and Southeast Asia have found themselves turning to Thai soap operas known as “Boys Love series” as a source of comfort and joy. Originally deriving from Japanese comic book culture, Boys Love, or BL, represents just one of many instances where the queer popular culture of Japan has transformed sexual culture in Southeast Asia through the development of new expressions of gender and sexuality.
Joining Dr Natali Pearson on SSEAC Stories, Dr Thomas Baudinette shines the spotlight on the influence of Japanese queer popular across Southeast Asia, highlighting how, across the region, young consumers – most prominently from sexual minority communities – have been turning away from Western media to draw upon Japanese popular culture in the ongoing search for affirmative representation and tools to not only make sense of their minoritised sexualities, but to also advocate for their emancipation.
About Tom Baudinette:
Dr Thomas Baudinette is Senior Lecturer in Japanese and International Studies, Department of Media, Communication, Creative Arts, Language, and Literature at Macquarie University. Thomas’s scholarly research focuses upon the role of Asian popular culture in informing knowledge about gender and sexuality across East and Southeast Asia. His first book is Regimes of Desire: Young Gay Men, Media, and Masculinity in Tokyo (University of Michigan Press, 2021). His second book is Boys Love Media in Thailand: Celebrity, Fans, and Transnational Asian Queer Popular Culture (Bloomsbury, forthcoming).
For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website: www.sydney.edu.au/sseac.
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Stephen Vider uncovers how LGBTQ people reshaped domestic life in the postwar United States. From the Stonewall riots to the protests of ACT UP, histories of queer and trans politics have almost exclusively centered on public activism. In The Queerness of Home: Gender, Sexuality, and the Politics of Domesticity After World War II (U Chicago Press, 2021), Vider turns the focus inward, showing that the intimacy of domestic space has been equally crucial to the history of postwar LGBTQ life.
Beginning in the 1940s, LGBTQ activists looked increasingly to the home as a site of connection, care, and cultural inclusion. They struggled against the conventions of marriage, challenged the gendered codes of everyday labor, reimagined domestic architecture, and contested the racial and class boundaries of kinship and belonging. Retelling LGBTQ history from the inside out, Vider reveals the surprising ways that the home became, and remains, a charged space in battles for social and economic justice, making it clear that LGBTQ people not only realized new forms of community and culture for themselves—they remade the possibilities of home life for everyone.
Jane Scimeca is Professor of History at Brookdale Community College.
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Art historian Catherine McCormack challenges how culture teaches us to see and value women, their bodies, and their lives.
Venus, maiden, wife, mother, monster—women have been bound so long by these restrictive roles, codified by patriarchal culture, that we scarcely see them. In Women in the Picture: What Culture Does with Female Bodies (Norton, 2021), Catherine McCormack illuminates the assumptions behind these stereotypes whether writ large or subtly hidden. She ranges through Western art—think Titian, Botticelli, and Millais—and the image-saturated world of fashion photographs, advertisements, and social media, and boldly counters these depictions by turning to the work of women artists like Morisot, Ringgold, Lacy, and Walker, who offer alternative images for exploring women’s identity, sexuality, race, and power in more complex ways.
Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries.
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Today we are joined by Dr. Shannon Walsh, Associate Professor of Theatre History, and author of Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout (Palgrave MacMillan, 2020). In our conversation, we discussed the origins of women’s physical culture in the United States, the role that physical culture reformers played in producing femininity and whiteness, and the possibilities for anti-racist and anti-sexist sport to reconceptualize the white supremist roots of American athleticism.
In Eugenics and Physical Culture Performance in the Progressive Era, Walsh traces the beginnings of reform era physical culture, paying special attention to the way that physical culturists attempted to shape women’s bodies. She argues that their efforts hinged on using exercise to produce femininity and whiteness and that they prefigured the larger eugenic movements aimed at perpetuating the white race later in the 20th century. In each chapter she looks at different physical culturists or physical cultural movement. Her second chapter looks at Steele MacKaye and Americanised Delsarte, a physical cultural practice that combined acting, dance and exercise. Her third chapter focuses on Dudley Allen Sargent and mimetic workouts that introduced working class motions – for example wood chopping - to middle and upper-middle class men and women at Ivy League colleges.
The fourth and fifth chapter work together to unpack the complicated position of women’s physical culture, femininity and motherhood. In chapter four, Walsh shows how Abby Shaw Mayhew and the YWCA articulated a genre of motherhood, which Walsh calls “social motherhood,” that reframed women’s exercise as domestic and maternal rather than grotesque and masculine. In the fifth chapter, Walsh examines Bernarr MacFadden – the Barnum of physical culture – to showcases the places where advertising, motherhood, and women’s exercise came into explicit contact.
Relying on a close reading of physical culture through critical theory, these main chapters trace the intersections between exercise, femininity, motherhood, race and social class, to illustrate how debates over these issues helped to produce whiteness. Whether they were in elite educational institutions in the Northeast, Midwestern metropolises like Minneapolis, or travelling around the country these experts helped to code physical culture as specifically as womanly, middle class, white, and ultimately as unremarkable.
He final body chapter, chapter six, looks at physical culture for indigenous women in three sites: the Odanah Mission School, the Model Indian School at the Louisiana Purchase Exposition in St. Louis, and the Standing Rock Indian Reservation. Unlike their white counterparts, indigenous women were not offered significant opportunities for physical exercise and if they were it was only for the purpose of assimilation. Unsurprisingly, many indigenous girls and women challenged those expectations and were successful athletes.
Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at [email protected] and follow him at @keithrathbone on twitter.
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In Affect, Ecofeminism, and Intersectional Struggles in Latin America: A Tribute to Berta Cáceres (Peter Lang, 2020), Irune del Rio Gabiola examines the power of affect in structuring decolonizing modes of resistance performed by social movements such as COPINH (Civic Council of Popular and Indigenous Organizations of Honduras). Despite a harsh legacy of colonialism, indigenous communities continue suffering from territorial displacements, dispossession, and human rights abuses due to extractivist projects that are violently destroying their land and, therefore, the environment. In particular, the Lenca communities in Honduras have been negatively affected by Western ideas of progress and development that have historically eliminated ancestral knowledges and indigenous ecological cosmologies while reinforcing Eurocentrism. Nevertheless, by reflecting on and articulating strategies for resisting neoliberalism, COPINH and its cofounder Berta Cáceres' commitment to environmental activism, ecofeminism, and intersectional struggles has contributed affectively and effectively to the production of democratic encounters in pursuit of social justice. In homage to Berta, who was brutally assassinated for her activism in 2016, this book takes the reader on an affective journey departing from the violent affects experienced by the Lencas due to colonial disruption, contemporary industrialization, and criminalization, towards COPINH's political and social intervention fueled by outrage, resistance, transnational solidarity, care, mourning, and hope. In this way, subaltern actors nurture the power to--in line with Brian Massumi's interpretation of affect--transform necropolitics into natality with the aim of creating a fairer and better world
The host, Elize Mazadiego, is a Marie Skłodowska Curie Fellow at the University of Amsterdam and author of Dematerialization and the Social Materiality of Art: Experimental Forms in Argentina, 1955-1968 (Brill, 2021). She works on Modern and Contemporary art, with a specialization in Latin American art history.
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Postcolonial feminist scholarship on the formation of gender relations primarily uses the analytic of colonizer-colonized dyad. In her new monograph, Gender Politics at Home and Abroad: Protestant Modernity in Colonial-Era Korea (Cambridge UP, 2020), Professor Hyaeweol Choi makes an important intervention by examining colonial Korea to propose a new framework that accounts for transnational encounters between national reformists, missionaries, and colonial authorities. Drawing from both major and minor archives in various geographic sites such as Korea, Japan, the US, Sweden, and Denmark, Choi locates the voices of the educated Korean women whose reform rhetoric and activities reflect transnational encounters. Postcolonial studies have shown us how archives are a contentious, political site with prominent feminist scholar Antoinette Burton pointing out the need to understand the interdependence between discursive visibility of minoritized people and their experiences. Through her research, Choi is able to show how educated women, despite their status as an elite minority, points to the larger structure of patriarchy and how it is constantly contested and reshaped by forces such as the state, ideologies of western domesticity, and religion.
Gender Politics at Home and Abroad is an important read for scholars and public who are interested in postcolonial feminism, domesticity, transnational history, and colonial modernity.
Hyaeweol Choi is a Professor who holds joint appointments with Religious Studies and Gender, Women's and Sexuality Studies at the University of Iowa. She is also a C. Maxwell and Elizabeth M. Stanley Family and Korea Foundation Chair in Korean Studies. Her publications include Gender and Mission Encounters in Korea: New Women, Old Ways (Berkeley: University of California Press, 2009), New Women in Colonial Korea: A Sourcebook (London: Routledge, 2013), and Gender Politics at Home and Abroad: Protestant Modernity in Colonial-era Korea (Cambridge: Cambridge University Press, 2020).
Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at [email protected].
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Sylvia Chan-Malik is Associate Professor in the Departments of American and Women’s and Gender Studies at Rutgers University, New Brunswick. She talks, teaches, and writes about the intersections of race, gender, and religion, with a focus on the history and cultures of Islam and Muslims in the United States. Her research highlights the lives, voices, histories, and representations of Muslim women, and reveals how critical legacies of Black freedom, women’s agency, and global liberation struggles have continually marked U.S. Muslim women’s engagements with Islam.
She is the author of Being Muslim: A Cultural History of Women of Color in American Islam (New York University Press, 2018).
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The anti-feminist movement in South Korea is gaining global attention. The story has been covered by many western mainstream news outlets including the New York Times, CNN, and BBC. Is this trend a new trend in South Korea? Where does this anti-feminist idea come from?
In this episode, we invite Prof. Ju Hui Judy Han and discuss South Korean feminist history and gender politics. We discuss pre- and post-democratization feminist movements, the new president’s worrisome position on gender issues, and predict the future feminist movements in South Korea. We end our conversation with the conclusion that although there have been many obstacles, we cannot overlook the progress at the grassroots level. If you are interested in learning about South Korean feminist history, join Myunghee Lee for this interview with Judy Han.
This is the second episode in the series. The first episode can be found here.
About the interviewer
Myunghee Lee is a Postdoctoral Fellow at NIAS. She also is a Non-resident Fellow at the Center for International Trade and Security at the University of Georgia. Her research focuses on protest, authoritarian politics, and democratization.
About the speaker
Ju Hui Judy Han is a cultural geographer and assistant professor in Gender Studies at the University of California, Los Angeles. She holds a PhD in Geography from the University of California, Berkeley, and has previously taught at the University of Toronto in Canada. Her comics and writings about (im)mobilities, faith-based movements, and queer politics have been published in journals such as The Scholar & Feminist Online, Critical Asian Studies, positions: asia critique, Geoforum, and Journal of Korean Studies as well as in several edited books such as Rights Claiming in South Korea (2021), Digital Lives in the Global City (2020), Ethnographies of U.S. Empire (2018), and Territories of Poverty (2015). She is currently working on a book on “queer throughlines” and co-writing another book on protest cultures.
The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo.
We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.
About NIAS: www.nias.ku.dk
Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast
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Today’s Postscript uniquely engages abortion politics by addressing structural political issues (voter suppression, gerrymandering, dilutions of minority voting, obstacles to women registering their positions politically), inconsistencies in Justice Samuel Alito’s majority draft, the ascent of the medical profession, the intersection of race, gender, and religion, narratives of morality, the genesis of white evangelical opposition, myths created by popular culture and abortion stereotypes, and more. Dr. Lilly J. Goren (Professor of Political Science and Global Studies at Carroll University), Dr. Rebecca Kreitzer (Associate Professor of Public Policy and Adjunct Associate Professor of Political Science at the University of North Carolina at Chapel Hill), Dr. Andrew R. Lewis (Associate Professor of Political Science at the University of Cincinnati), Dr. Candis Watts Smith (Associate Professor of Political Science at Duke University and co-host of the Democracy Works Podcast) and Dr. Joshua C. Wilson (Professor of Political Science at the University of Denver).
Some of the books and articles mentioned in the podcast:
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In Holy Science: The Biopolitics of Hindu Nationalism (University of Washington Press, 2019), Banu Subramaniam examines how science and religion have come together to propel a vision of the modern Indian nation, and in particular, a Hindu nationalist vision of India. Subramaniam demonstrates that the politics of gender, race, class, caste, sexuality, and indigeneity are deeply implicated in the projects and narratives of the nation.
Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com.
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In 2014 Barbados introduced a vaccine to prevent certain strains of the human papillomavirus (HPV) and reduce the risk of cervical cancer in young women. Despite the disproportionate burden of cervical cancer in the Caribbean, many Afro-Barbadians chose not to immunize their daughters. In Suspicion: Vaccines, Hesitancy, and the Affective Politics of Protection in Barbados (Duke University Press, 2022), Nicole Charles reframes Afro-Barbadian vaccine refusal from a question of hesitancy to one of suspicion. Drawing on ethnographic fieldwork, black feminist theory, transnational feminist studies and science and technology studies, Charles foregrounds Afro-Barbadians' gut feelings and emotions and the lingering trauma of colonial and biopolitical violence. She shows that suspicion, far from being irrational, is a fraught and generative affective orientation grounded in concrete histories of mistrust of government and coercive medical practices foisted on colonized peoples. By contextualizing suspicion within these longer cultural and political histories, Charles troubles traditional narratives of vaccine hesitancy while offering new entry points into discussions on racialized biopolitics, neocolonialism, care, affect, and biomedicine across the Black diaspora.
Nicole Charles is Assistant Professor of Women and Gender Studies in Culture and Media, University of Toronto, Mississauga.
Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.
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The Jahriyya Sufis—a primarily Sinophone order of Naqshbandiyya Sufism in northwestern China—inhabit a unique religious soundscape. The hallmark of their spiritual practice is the “loud” (jahr) remembrance of God in liturgical rituals featuring distinctive melodic vocal chants.
The first ethnography of this order in any language, The Sound of Salvation: Voice, Gender, and the Sufi Mediascape in China (Columbia UP, 2021) draws on nearly a decade of fieldwork to reveal the intricacies and importance of Jahriyya vocal recitation. Guangtian Ha examines how the use of voice in liturgy helps the Jahriyya to sustain their faith and the ways it has enabled them to endure political persecution over the past two and a half centuries. He situates the Jahriyya in a global multilingual network of Sufis and shows how their characteristic soundscapes result from transcultural interactions among Middle Eastern, Central Asian, and Chinese Muslim communities. Ha argues that the resilience of Jahriyya Sufism stems from the diversity and multiplicity of liturgical practice, which he shows to be rooted in notions of Sufi sainthood. He considers the movement of Jahriyya vocal recitation to new media forms and foregrounds the gendered opposition of male voices and female silence that structures the group’s rituals.
Spanning diverse disciplines—including anthropology, ethnomusicology, Islamic studies, sound studies, and media studies—and using Arabic, Persian, and Chinese sources, The Sound of Salvation offers new perspectives on the importance of sound to religious practice, the role of gender in Chinese Islam, and the links connecting Chinese Muslims to the broader Islamic world.
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How does queer life fit into Buddhism and ritual? What role do gay men and trans women play in the practice of spirit mediumship and how do queer spirit mediums mediate between Thailand’s religious fields? How can we understand the increasing numbers of queer spirit mediums across mainland Southeast Asia?
Peter A. Jackson and Benjamin Baumann provide important insights into their new book Deities and Divas, Queer Ritual Specialists in Myanmar, Thailand and Beyond (NIAS Press 2021). Deities and Divas is the first book to trace commonalities between queer and religious cultures in Southeast Asia and the West. The book details the very prominent roles that gay men and trans women are playing in the spirit medium cults rapidly growing in Myanmar, Thailand and beyond.
Visit the NIAS Press Webshop to find the book.
Peter A. Jackson is Emeritus Professor in Thai cultural history at the Australian National University. Over the past four decades, he has written extensively on religion, gender and sexuality in modern Thailand as well as critical approaches to Asian area studies. His ongoing research includes studying media and masculinity in Thai gay cultures and religion and ritual in Thai communities affected by HIV.
Benjamin Baumann is an assistant professor at the University of Heidelberg. His ethnographic work examines rural lifeworlds, socio-cultural identities and local language games in Thailand's lower Northeast, focusing on how the ghostly structures the imagination, reproduction of social collectives and communal sentiments of belonging.
The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo.
We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.
About NIAS: www.nias.ku.dk
Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast
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“Identity politics” is everywhere, polarizing discourse from the campaign trail to the classroom and amplifying antagonisms in the media, both online and off. But the compulsively referenced phrase bears little resemblance to the concept as first introduced by the radical Black feminist Combahee River Collective. While the Collective articulated a political viewpoint grounded in their own position as Black lesbians with the explicit aim of building solidarity across lines of difference, identity politics is now frequently weaponized as a means of closing ranks around ever-narrower conceptions of group interests.
But the trouble, Olúfẹ́mi O. Táíwò deftly argues, is not with identity politics itself. Through a substantive engagement with the global Black radical tradition and a critical understanding of racial capitalism, Táíwò identifies the process by which a radical concept can be stripped of its political substance and liberatory potential by becoming the victim of elite capture—deployed by political, social, and economic elites in the service of their own interests.
Táíwò’s book Elite Capture: How the Powerful Took Over Identity Politics (and Everything Else) (Haymarket, 2022) both elucidates this complex process and helps us move beyond a binary of “class” vs. “race.” By rejecting elitist identity politics in favor of a constructive politics of radical solidarity, he advances the possibility of organizing across our differences in the urgent struggle for a better world.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
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Yi’s eyes soften as he watches Jiazhi sing a Chinese folk song with subtle, feminine movements in the film, Lust, Caution. The room fills with laughter when Ali Wong unabashedly enacts her vulgar, bodily desires. What is the affect created through these performances? At different localities and temporalities, an actress and a comedian Tang Wei and Ali Wong embody ever-failing meaning of Chineseness, offering themselves for consumption and survival.
In Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke UP, 2022), Mila Zuo re-evaluates beauty to understand how it creates a feeling Chineseness, engendering a messy world of relationalities that challenge a stable binary of national identity. Using weidao, which escapes meaning in English as flavor and style of a person, object, or environment, Zuo challenges the Cartesian epistemology dividing mind/body and vision/hearing. Through in-depth analysis of films and shows, Zuo asks how five flavors of Chinese medicine, “bitter, salty, pungent, sweet, and sour” become “modalities of vulgar beauty” (33). Vulgar, often tied to the non-western and working-class bodies, becomes a means to complicate the relations between objecthood and subjecthood embodied in Chinese beauty.
This beautifully written and theoretically rich book will be helpful resource for any scholars and public interested in film and media studies, Asian American studies, object studies, and gender studies.
Mila Zuo is an assistant professor in the Department of Theatre and Film at UBC. Her first book Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke University Press, 2022) focuses on the affective racialization of Chinese women film stars, demonstrating the ways which vulgar, flavourful beauty disrupts Western and colonial notions of beauty. In addition to scholarship, Zuo directs and writes narrative films, visual essays, documentaries and music videos. Her short films have screened in international film festivals and universities, including Carnal Orient (2016) which premiered at Slamdance Film Festival, and her short narrative film Kin (2021), which was the recipient of the 2019 Oregon Media Arts Fellowship, and screened at HollyShorts Film Festival.
Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at [email protected].
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Transforming Girls: The Work of Nineteenth-Century Adolescence (UP of Mississippi, 2021) explores the paradox of the nineteenth-century girls’ book. On the one hand, early novels for adolescent girls rely on gender binaries and suggest that girls must accommodate and support a patriarchal framework to be happy. On the other, they provide access to imagined worlds in which teens are at the center. The early girls’ book frames female adolescence as an opportunity for productive investment in the self. This is a space where mentors who trust themselves, the education they provide, and the girl’s essentially good nature neutralize the girl’s own anxieties about maturity.
These mid-nineteenth-century novels focus on female adolescence as a social category in unexpected ways. They draw not on a twentieth-century model of the alienated adolescent, but on a model of collaborative growth. The purpose of these novels is to approach adolescence—a category that continues to engage and perplex us—from another perspective, one in which fluid identity and the deliberate construction of a self are celebrated. They provide alternatives to cultural beliefs about what it was like to be a white, middle-class girl in the nineteenth century and challenge the assumption that the evolution of the girls’ book is always a movement towards less sexist, less restrictive images of girls.
Drawing on forgotten bestsellers in the United States and Germany (where this genre is referred to as Backfischliteratur), Transforming Girls offers insightful readings that call scholars to reexamine the history of the girls’ book. It also outlines an alternate model for imagining adolescence and supporting adolescent girls. The awkward adolescent girl—so popular in mid-nineteenth-century fiction for girls—remains a valuable resource for understanding contemporary girls and stories about them.
Julie Pfeiffer is a professor of English at Hollins University. She is editor of Children’s Literature, the annual of Children’s Literature Association.
Renee Garris is a professor of Humanities in Virginia. She teaches the Humanities as a discipline as well as hosts authors on this network as well as the Performing Arts channel.
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When the Nazis came to power, they used various strategies to expel German Jews from social, cultural, and economic life. Fighter, Worker, and Family Man (U Toronto Press, 2022) focuses on the gendered experiences and discrimination that German-Jewish men faced between 1933 and 1941.
Sebastian Huebel argues that Jewish men’s gender identities, intersecting with categories of ethnicity, race, class, and age, underwent a profound process of marginalization that destabilized accustomed ways of performing masculinity. At the same time, in their attempts to sustain their conceptions of masculinity these men maintained agency and developed coping strategies that prevented their full-scale emasculation. Huebel draws on a rich archive of diaries, letters, and autobiographies to interpret the experiences of these men, focusing on their roles as soldiers and protectors, professionals and breadwinners, and parents and husbands.
Fighter, Worker, and Family Man sheds light on how the Nazis sought to emasculate Jewish men through propaganda, the law, and violence, and how in turn German-Jewish men were able to defy emasculation and adapt – at least temporarily – to their marginalized status as men.
Amber Nickell is Associate Professor of History at Fort Hays State University, Editor at H-Ukraine, and Host at NBN Jewish Studies and Eastern Europe.
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Why has the underrepresentation of women and racial minorities in elected office proved so persistent in American politics? In Nowhere to Run: Race, Gender, and Immigration in American Elections (Oxford UP, 2021), Dr. Christian Dyogi Phillips argues that any analysis must contend with multiple dimensions of identity, context, and the simultaneous dynamism of opportunity and constraint. Complementing previous studies with her original datasets and rich interviews, Phillips demonstrates how two simultaneous and interactive processes shape electoral opportunity across groups. At the national level, majority-white districts sharply limit realistic opportunities for Latinx and Asian Americans of either gender to get on the ballot – and partisan politics further narrows prospects for women from these groups. At the local and group level, within districts and among Asian American and Latinx political elites and activists, the scarcity of viable opportunities exacerbates informal processes and institutions that tend to push Latinas and Asian American women further from the pipeline. Phillips’s integration of national and local-level processes reveals that the pathways to getting on the ballot are few and far between for Latinx and Asian Americans – and especially fraught with prospects for exclusion of Latinas and Asian American women. Race and gender simultaneously constrain and facilitate electoral opportunities for Asian American women and men, Latinas, and Latinos. These sharp differences in opportunities across groups help explain persistent underrepresentation among elected officials.
Dr. Christian Dyogi Phillips is an Assistant Professor of Political Science at the University of Southern California. Her research addresses political behavior, electoral institutions, and political incorporation, with an emphasis on the intersection of race, gender and immigrant communities in American politics.
Daniella Campos assisted with this podcast.
Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.
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Mid-century America had a problem talking about sex. Dr. Mary Calderone first diagnosed this condition and, in 1964, led the uphill battle to de-stigmatize sex education. Supporters hailed her as the “grandmother of modern sex education” while her detractors painted her as an “aging libertine,” but both could agree that she was quickly shaping the way sex was discussed in the classroom.
Part biography, part social history, The Transformation of American Sex Education: Mary Calderone and the Fight for Sexual Health (NYU Press, 2022) for the first time situates Dr. Mary Calderone at the center of decades of political, cultural, and religious conflict in the fight for comprehensive sex education. Ellen S. More examines Americans’ attempts to come to terms with the vexed subject of sex education in schools from the late 1940s to the early twenty-first century. Using Mary Calderone’s life and career as a touchstone, she traces the origins of modern sex education in the United States from the work of a group of reformers who coalesced around Calderone to create the Sexuality Information and Education Council of the United States (SIECUS) in 1964, to the development and use of the competing approaches known as “abstinence-based” and “comprehensive” sex education from the 1980s into the twenty-first century.
A fascinating and timely read, The Transformation of American Sex Education provides a substantial contribution to the history of one of America’s most intense and protracted culture wars, and the first account of the woman who fought those battles.
Jane Scimeca is Professor of History at Brookdale Community College.
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Saronik interviews Kim about intersectionality, a concept developed by Kimberlé Crenshaw.
Kim references two essays by Crenshaw in the episode: one that she read, and one that our previous podcast guest, Chad Hegelmeyer taught.
“Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color,” Stanford Law Review 43, no. 6 (July 1991) https://www.jstor.org/stable/1229039 (Kim read this one)
“Demarginalizing the Intersections of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory and Antiracist Politics,” University of Chicago Legal Forum Iss. 1 (1989) https://chicagounbound.uchicago.edu/uclf/vol1989/iss1/8/ (Chad taught this one)
Kim recommends that you read the latter.
This week’s image is a painting by Alma Thomas, titled “Light Blue Nursery” (1968). The image is made available under a Creative Commons license by the Smithsonian American Art Museum.
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Sissy Insurgencies: A Racial Anatomy of Unfit Manliness (Duke University Press, 2022) by Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how it constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Demonstrating that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy, he also shows how it constitutes a central element in modern understandings of race and gender.
Dr. Marlon B. Ross is professor of English at the University of Virginia, where he has taught since 2001. Before that, he was professor of English and African American & African Studies at the University of Michigan. His interests include a variety of fields related to race, gender, sexuality, and culture. He is also the author of Manning the Race: Reforming Black Men in the Jim Crow Era and The Contours of Masculine Desire: Romanticism and the Rise of Women's Poetry.
Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries.
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Lillian Faderman is professor emerita at California State University, Fresno. An award-winning author Dr Faderman, widely known as the mother of lesbian history, has authored many books on women, gender and sexuality. In her new release entitled Woman: The American History of an Idea (Yale University Press, 2022). Faderman examines what it means to be a “woman” in America? She traces the evolution of the meaning from Puritan ideas of God’s plan for women to the sexual revolution of the 1960s and its reversals to the impact of such recent events as #metoo, the appointment of Amy Coney Barrett to the Supreme Court, the election of Kamala Harris as vice president, and the transgender movement. This long 400-year history chronicles conflicts, retreats, defeats, and hard-won victories in both the private and the public sectors and shines a light on the often-overlooked battles of enslaved women and women leaders in tribal nations. Noting that every attempt to cement a particular definition of “woman” has met resistance, Faderman shows that successful challenges to the status quo are often short-lived. The idea of womanhood in America continues to be contested.
Lilian Calles Barger is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current writing project is on the intellectual history of women and the origins of feminism seen through the emblematic life and work of Simone de Beauvoir.
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Feminisms with Chinese Characteristics (Syracuse University Press, 2021), co-edited by Ping Zhu and Hui Faye Xiao, offers an examination of the ways in which Chinese feminist ideas have developed since the mid-1990s. By juxtaposing the plural “feminisms” with “Chinese characteristics,” they both underline the importance of integrating Chinese culture, history, and tradition in the discussions of Chinese feminisms, and stress the difference between the plethora of contemporary Chinese feminisms and the singular state feminism. There are twelve chapters in this interdisciplinary collection. It addresses the theme of feminisms with Chinese characteristics from different perspectives rendered from lived experiences, historical reflections, theoretical ruminations, and cultural and sociopolitical critiques, painting a panoramic picture of Chinese feminisms in the age of globalization.
Ping Zhu is associate professor of Chinese literature at the University of Oklahoma. She is the author of Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture and the coeditor of Maoist Laughter. She is also the acting editor-in-chief of the biennial literary journal Chinese Literature Today, which will become Chinese Literature and Thought Today in 2022.
Hui Faye Xiao is professor of Chinese literature at the University of Kansas. She is the author of Family Revolution: Marital Strife in Contemporary Chinese Literature and Visual Culture and Youth Economy, Crisis, and Reinvention in Twenty-First-Century China: Morning Sun in the Tiny Times.
Linshan Jiang is Ph.D. candidate in the Department of East Asian Languages and Cultural Studies, University of California, Santa Barbara. Her research interests are modern and contemporary literature, film, and popular culture in mainland China, Taiwan and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.
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NB: This interview contains explicit language.
In Banning Transgender Conversion Practices: A Legal and Policy Analysis (U British Columbia Press, 2022), bioethicist and jurist Florence Ashley historicizes recent developments in bans on transgender conversion practices, explains the legal implications of various conversion therapy bans, and argues for implementation that comes alongside education and action by professional orders. This book would be of great interest to sociolegal scholars, policymakers, those working in healthcare, and scholars simply seeking to further understand the enactment of bans on transgender conversion practices.
Survivors of conversion practices – interventions meant to stop gender transition – have likened the process to torture. Ashley rethinks and pushes forward the banning of these practices by surveying these bans in different jurisdictions, and addressing key issues around their legal regulation. Ashley also investigates the advantages and disadvantages of legislative approaches to regulating conversion therapies, and provides guidance for how prohibitions can be improved. Finally, Ashley offers a carefully annotated model law that provides detailed guidance for legislatures and policymakers. Most importantly, this book centres the experiences of trans people themselves in its analysis and recommendations.
Florence Ashley can be found on Twitter (https://twitter.com/ButNotTheC...), with their extensive publications available on their website (https://www.florenceashley.com...).
Rine Vieth (https://rinevieth.carrd.co/) is a PhD candidate in Anthropology at McGill University, where they research the how UK asylum tribunals consider claims on the basis of belief. Their public writing focuses on issues of migration governance, as well as how inaccessibility and transphobia can shape the practice of anthropological research.
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When China’s War of Resistance against Japan began in July 1937, it sparked an immediate health crisis throughout China. In the end, China not only survived the war but emerged from the trauma with a more cohesive population.
Nicole Elizabeth Barnes’s book, Intimate Communities: Wartime Healthcare and the Birth of Modern China, 1937-1945 (University of California Press, 2018), argues that women who worked as military and civilian nurses, doctors, and midwives during this turbulent period built the national community, one relationship at a time. In a country with a majority illiterate, agricultural population that could not relate to urban elites’ conceptualization of nationalism, these women used their work of healing to create emotional bonds with soldiers and civilians from across the country. These bonds transcended the divides of social class, region, gender, and language.
This book has won two major awards, William H. Welch Award by American Association for the History of Medicine in 2020, and Joan Kelly Memorial Prize by American Historical Association in 2019.
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.
Nicole Elizabeth Barnes is Assistant Professor of History and Gender, Sexuality and Feminist Studies at Duke University.
Linshan Jiang is Ph.D. candidate in the Department of East Asian Languages and Cultural Studies, University of California, Santa Barbara. Her research interests are modern and contemporary literature, film, and popular culture in mainland China, Taiwan and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.
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Sista, Stanap Strong!: A Vanuatu Women's Anthology (Te Herenaa Waka UP, 2021) is an anthology of new writing from Vanuatu by three generations of women—and the first of its kind. With poetry, fiction, essay, memoir, and song, its narrative arc stretches from the days of blackbirding to Independence in 1980 to Vanuatu's coming of age in 2020. Most of these writers are ni-Vanuatu living in Vanuatu. Some have set down roots in New Zealand, Fiji, the Solomon Islands, and Canada. Some were born overseas and have made Vanuatu their home. One is just twenty; another is an octogenarian. The writers in this anthology have chosen to harness the coloniser’s language, English, for their own purposes. They are writing against racism, colonialism, misogyny, and sexism. Writing across bloodlines and linguistic boundaries. Professing their love for ancestors, offspring, and language— Bislama, vernacular, and English. What these writers also have in common is a sharp eye for detail, a love of words, a deep connection to Vanuatu, and a willingness to share a glimpse of their world. Includes a foreword by Viran Molisa Trief.
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Spanning the decades from the rise of photography to the age of the selfie, The Culture of Male Beauty in Britain: From the First Photographs to David Beckham (University of Chicago Press, 2021) traces the complex visual and consumer cultures that shaped masculine beauty in Britain, examining the realms of advertising, health, pornography, psychology, sport, and celebrity culture. Paul R. Deslandes chronicles the shifting standards of male beauty in British culture—from the rising cult of the athlete to changing views on hairlessness—while connecting discussions of youth, fitness, and beauty to growing concerns about race, empire, and degeneracy. From earlier beauty show contestants and youth-obsessed artists, the book moves through the decades into considerations of disfigured soldiers, physique models, body-conscious gay men, and celebrities such as David Beckham and David Gandy who populate the worlds of television and social media. Deslandes calls on historians to take beauty and gendered aesthetics seriously while recasting how we think about the place of physical appearance in historical study, the intersection of different forms of high and popular culture, and what has been at stake for men in “looking good.”
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Cindy Couyoumjian--founder of Cinergy Financial, with over thirty-six years of experience--is on a mission to empower women to stop being spectators and enter the financial arena; to stand up and assert their inalienable right to financial self-determination. Although today in the US, women are making gains in higher education, hold corporate positions, and are successful leaders, men still control most of the household wealth.
Yet women are powerful agents of change with boundless potential in the financial realm. In The Rise of Women and Wealth: Our Fight for Freedom, Equality, and Control of Our Financial Future (Greenleaf, 2022), Cindy shows that by confronting America's patriarchal past, women can become financially literate; reclaim the power and liberty that have been taken away; embrace a financial future filled with endless possibilities; strongly affirm, "Yes, I can."
Women everywhere must find the courage, strength, and inspiration to move forward by understanding the past. Cindy's message is a hopeful one, filled with intuitive truths about a brighter tomorrow for women and their financial power and freedom.
Cindy Couyoumjian is a Registered Representative offering securities and advisory services through Independent Financial Group LLC (IFG), a Registered Investment Adviser. Member FINRA/SIPC. Cinergy Financial and IFG are unaffiliated.
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Few would disagree that inclusion is both the right thing to do and good for business. Then why are we so terrible at it? If we believe in the morality and the profitability of including people of diverse and underestimated backgrounds in the workplace, why don’t we do it? Because, explains Ruchika Tulshyan in this eye-opening book, we don’t realize that inclusion takes awareness, intention, and regular practice. Inclusion doesn’t just happen; we have to work at it. Tulshyan presents inclusion best practices, showing how leaders and organizations can meaningfully promote inclusion and diversity. Tulshyan centers the workplace experience of women of color, who are subject to both gender and racial bias. It is at the intersection of gender and race, she shows, that we discover the kind of inclusion policies that benefit all. Tulshyan debunks the idea of the “level playing field” and explains how leaders and organizations can use their privilege for good by identifying and exposing bias, knowing that they typically have less to lose in speaking up than a woman of color does. She explains why “leaning in” doesn’t work—and dismantling structural bias does; warns against hiring for “culture fit,” arguing for “culture add” instead; and emphasizes the importance of psychological safety in the workplace—you need to know that your organization has your back. With Inclusion on Purpose: An Intersectional Approach to Creating a Culture of Belonging at Work (MIT Press, 2022), Tulshyan shows us how we can make progress toward inclusion and diversity—and we must start now.
Sine Yaganoglu trained as a neuroscientist and bioengineer (PhD, ETH Zurich). She currently works in innovation management and diagnostics.
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The continuing crisis in Xinjiang has, thanks to the work of many scholars and reporters, led to greatly increased awareness of the region's history and Uyghur population among publics outside China. But so far less appreciated have been the specific ways in which the targeted regime of Uyghur imprisonment operates, and its creeping emergence over the course of the 2010s.
Darren Byler’s Terror Capitalism: Uyghur Dispossession and Masculinity in a Chinese City (Duke UP, 2022) is therefore a vital addition to our understanding of this emergency. Based on long-term fieldwork in Urumqi and elsewhere, this is a chilling and deeply moving portrait of processes of dispossession and ‘reeducation’ whose advance has intensified since the 2014 onset of what the Chinese government calls the ‘People’s War on Terror’. Combining ethnographic nuance with piercing insight into grand colonial processes, Byler both offers an encompassing theory of the technological, economic and political forces which have brought this situation about, and demonstrates its horrifying effects on ordinary people who face an unassailable edifice of state and corporate violence.
Ed Pulford is a Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and indigeneity in northeast Asia.
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Drawing on a rich body of archival and ethnographic research, Queering Drag: Redefining the Discourse of Gender-Bending (Indian UP, 2020) illuminates diverse examples of theatrical gender-bending. It shows how, in each case, standard drag discourses do not sufficiently capture the complexity of performers' intents and methods or provide a strong enough foundation for holistically evaluating the impact of this work. Queering Drag offers a redefinition of the genre centralized in the performer's construction and presentation of a "queer" version of hegemonic identity. It also models a new set of tools for analyzing drag as a process of intents and methods enacted to effect specific goals. The book won the 2021 John Leo and Dana Heller Award for Best Book in LGBTQ Studies from the Popular Culture Association and was named one of NBC's "10 LGBTQ books to watch out for in 2020.”
Dr. Meredith Heller is an Associate Teaching Professor in the Women’s and Gender Studies Program at Northern Arizona University, where she has taught since 2014. She earned a Ph.D. in Theater Studies with a Feminist Studies doctoral emphasis from the University of California, Santa Barbara. She specializes in queer theory and critical identity studies, with additional expertise in performance studies, digital media, and popular culture.
Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries.
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In this episode, Dr. Brandon J. Manning talks about his most recent book, Played Out: The Race Man in 21st Century Satire (Rutgers UP, 2022). Here's a short description: through contemporary examples, including the work of Kendrick Lamar, Key and Peele and the presidency of Barack Obama and many others, Played Out: The Race Man in 21st Century Satire examines how Black satirists create vulnerability to highlight the inner emotional lives of Black men.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
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Ireland’s 2015 Marriage Equality referendum is often framed as an incredible achievement just twenty years after sex between men was decriminalized (1993). But starting the story of gay and lesbian rights in Ireland in 1993 is misleading; the work and roots of the major reforms of the 1990s and twenty-first century are in the 1970s, when gay and lesbian activists formed organizations, lobbied for legislative change, and, perhaps most importantly, engaged in the essential work of shifting public perception of same-sex love. In his 2021 book Gay and Lesbian Activism in the Republic of Ireland, 1973-1993, Patrick McDonagh chronicles the work of the groups and individuals who helped shape Ireland into the state it is today. Join us as we chat about the isolation of being gay in a conservative Catholic nation, the fortitude of Ireland’s gay and lesbian groups, and the revolutionary possibilities of Saturday night discos.
Averill Earls is the Executive Producer of Dig: A History Podcast (a narrative history podcast, rather than interview-based), and an Assistant Professor of History at Mercyhurst University.
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At the Risk of Thinking: An Intellectual Biography of Julia Kristeva (Bloomsbury, 2020) is the first biography of Julia Kristeva--one of the most celebrated intellectuals in the world. Alice Jardine brings Kristeva's work to a broader readership by connecting Kristeva's personal journey, from her childhood in Communist Bulgaria to her adult life as an international public intellectual based in Paris, with the history of her ideas. Informed by extensive interviews with Kristeva herself, this telling of a remarkable woman's life story also draws out the complexities of Kristeva's writing, emphasizing her call for an urgent revival of bold interdisciplinary thinking in order to understand--and to act in--today's world.
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Today I talked to Roberta Moore, author of Emotion at Work: Unleashing the Secret Power of Emotional Intelligence (Conscious Choice, 2018).
Much like methodologies that focus on a range of personality traits, the approach taken by today’s guest looks at 16 different skills grouped into five categories. Those categories are self-perception, self-expression, interpersonal, decision-making, and stress management. Which are you best at? Where might you falter? Compare your answers to those Moore shares from two decades of work with clients in leadership roles across a range of industries. One notable client: a high-powered art dealer whose ability to handle stress is challenged anytime a “cargo” of Van Goghs, for instance, run the risk of going unguarded on the tarmac when the flight schedules change!
Roberta Ann Moore is a business executive and licensed therapist, certified in Dr. Reuven Bar-On’s model of emotional intelligence. She provides assessments, training and developing using the EQ-I 2.0 and EQ 360 programs as a framework.
Dan Hill, PhD, is the author of nine books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His new book is Blah, Blah, Blah: A Snarky Guide to Office Lingo. To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
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Too often, vaudeville is seen from the perspective of its decline: it is the corny, messy art form that predated the book musical, or that gave us Chaplin, Keaton, and the Marx Brothers. Rarely is it seen as the populist avant-garde form it was at its height. David Hajdu and John Carey's graphic history, A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge (Columbia University Press, 2021), corrects this misconception, giving us illustrated biographies of three of the genre's most outré and successful stars. Eva Tanguay challenged contemporary gender roles through her outrageous behavior and sexually suggestive songs. Julian Eltinge also subverted gendered expectations of femininity by performing them to the hilt -- but as a man. And Bert Williams, a black man who performed in black face, tried to use his fame to soften the hard edges of Jim Crow bigotry but eventually became exhausted by the racism he encountered within the entertainment industry. These three performers truly were revolutionary, and their stories should be known to any theatre fan or historian.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
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Privilege at Play: Class, Race, Gender, and Golf in Mexico (Oxford University Press, 2019) is a book about inequalities, social hierarchies, and privilege in contemporary Mexico. Based on ethnographic research conducted in exclusive golf clubs and in-depth interviews with upper-middle-class and upper-class golfers, as well as working-class employees, Cerón-Anaya’s book focuses on the class, racial, and gender dynamics that underpin privilege. This study makes use of rich qualitative data to demonstrate how social hierarchies are relations reproduced through a multitude of everyday practices. The vast disparities between club members and workers, for example, are built on traditional class indicators, such as wealth, and on more subtle expressions of class, such as notions of fashion, sense of humour, perceptions about competition, and everyday oral interactions. The book incorporates race and gender perspectives into the study of inequalities, illustrating the multilayer condition of privilege. Although Mexicans commonly attributed racial relations a marginal role in the continuation of inequities, the book explains how affluent individuals frequently express racialized ideas to describe and justify the impoverished condition of workers. In doing so, Privilege at Play demonstrates the necessity of considering the role of racialized dynamics when studying social inequalities in Mexico. An analysis of gender relations shows how men maintain a dominant position over their fellow female golfers despite the similar upper-class origins of both male and female golf club members. This book pays particular attention to the spatial dynamics that reinforce social inequalities, arguing that the apparent triviality of space makes it a highly effective way to mark social inequalities and, hence, emphasise privilege.
Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and the public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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Time and again, antebellum Americans justified slavery and white supremacy by linking blackness to disability, defectiveness, and dependency. In The Mark of Slavery: Disability, Race, and Gender in Antebellum America (University of Illinois Press, 2021), historian Jenifer L. Barclay examines the ubiquitous narratives that depicted black people with disabilities as pitiable, monstrous, or comical, narratives used not only to defend slavery but argue against it. As she shows, this relationship between ableism and racism impacted racial identities during the antebellum period and played an overlooked role in shaping American history afterward. Barclay also illuminates the everyday lives of the ten percent of enslaved people who lived with disabilities. Devalued by slaveholders as unsound and therefore worthless, these individuals nonetheless carved out an unusual autonomy. Their roles as caregivers, healers, and keepers of memory made them esteemed within their own communities and celebrated figures in song and folklore.
Prescient in its analysis and rich in detail, The Mark of Slavery is a powerful addition to the intertwined histories of disability, slavery, and race.
Jenifer L. Barclay is an Assistant Professor of History at SUNY Buffalo. Her research places African American history in conversation with the “new” disability history, a field that emphasizes disability as a lived human experience embedded in a set of socially constructed ideas that change over time, across cultures, and in relation to other categories of identity such as race, gender, class and sexuality. She earned her Ph.D. in African American History at Michigan State University.
Jerrad P. Pacatte is a Ph.D. candidate and School of Arts and Sciences Excellence Fellow in the Department of History at Rutgers University-New Brunswick. A social historian of gender, slavery, and emancipation in early America and the Atlantic World, Jerrad is currently completing his dissertation, entitled “The Work of Freedom: African American Women and the Ordeal of Emancipation in New England, 1740-1840” which examines the everyday lives, labors, and emancipation experiences of African-descended women in late-colonial and early republic New England. Jerrad is also increasingly interested in the history of slavery and disability in the context of early America; his research examining the lives and physically-disabling nature of enslavement in early New England will be published in two peer-reviewed anthologies - one of which is co-edited by Jenifer L. Barclay and Stefanie Hunt Kennedy - early next year.
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When Hurricanes Irma and María made landfall in Puerto Rico in September 2017, their destructive force further devastated an archipelago already pommeled by economic austerity, political upheaval, and environmental calamities. To navigate these ongoing multiple crises, Afro-Puerto Rican women have drawn from their cultural knowledge to engage in daily improvisations that enable their communities to survive and thrive. Their life-affirming practices, developed and passed down through generations, offer powerful modes of resistance to gendered and racialized exploitation, ecological ruination, and deepening capitalist extraction. Through solidarity, reciprocity, and an ethics of care, these women create restorative alternatives to dispossession to produce good, meaningful lives for their communities.
Making Livable Worlds: Afro-Puerto Rican Women Building Environmental Justice (University of Washington Press, 2021) weaves together autobiography, ethnography, interviews, memories, and fieldwork to recast narratives that continuously erase Black Puerto Rican women as agents of social change. In doing so, Lloréns serves as an "ethnographer of home" as she brings to life the powerful histories and testimonies of a marginalized, disavowed community that has been treated as disposable.
Interviewer Byline: Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
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The rise of celebrity stage actresses in the long eighteenth century created a class of women who worked in the public sphere while facing considerable scrutiny about their offstage lives. Such powerful celebrity women used the cultural and affective significance of their reproductive bodies to leverage audience support and interest to advance their careers, and eighteenth-century London patent theatres even capitalized on their pregnancies. Carrying All Before Her: Celebrity Pregnancy and the London Stage, 1689-1800 (University of Delaware Press, 2022) uses the reproductive histories of six celebrity women (Susanna Mountfort Verbruggen, Anne Oldfield, Susannah Cibber, George Anne Bellamy, Sarah Siddons, and Dorothy Jordan) to demonstrate that pregnancy affected celebrity identity, impacted audience reception and interpretation of performance, changed company repertory and altered company hierarchy, influenced the development and performance of new plays, and had substantial economic consequences for both women and the companies for which they worked. Deepening the fields of celebrity, theatre, and women's studies, as well as social and medical histories, Phillips reveals an untapped history whose relevance and impact persists today.
Hannah Smith is a PhD Candidate in History at the University of Minnesota-Twin Cities. She can be reached at [email protected].
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According to the definition offered by Tate on the occasion of the exhibition Surrealism Without Borders, Surrealism “aims to revolutionise human experience. It balances a rational vision of life with one that asserts the power of the unconscious and dreams.” Surrealism, therefore, produces images and artefacts that are rooted outside the real and that evade rational description.
For many artists, however, the practice of Surrealist art took on an explicitly political and therefore practical dimensions. In Surrealist Sabotage and the War on Work (Manchester UP, 2021), art historian Abigail Susik argues that many Surrealists tried to transform the work of art into a form of unmanageable anti-work.
Abigail Susik speaks with Pierre d’Alancaisez about what the politics of work meant to the early French Surrealists, the ambiguous labour practices of artists like Simone Breton, and the imagery of typewriters and sewing machines that permeates the work of artists such as Oscar Domínguez. She brings these questions into the present by engaging with the work of the Chicago Surrealists of the 1960s and 70s.
Abigail Susik is Associate Professor of Art History at Willamette University and co-editor of Surrealism and film after 1945.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
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Inquiries into marital patterns can serve as an effective lens to analyze social structures and material cultures not only on the question of sexuality, but also on the nature of a private citizen’s engagement with state and law. Through ethnographic research in courtrooms, community, and kinship spaces, Rama Srinivasan outlines the transformations in material culture and political economy that have led to renewed negotiations on the institution of marriage in North India, especially in legal spaces. Tracing organically evolving notions of sexual consent and legal subjectivity, Courting Desire: Litigating for Love in North India (Rutgers UP, 2020) underlines how non-normative decisions regarding marriage become possible in a region otherwise known for high instances of honor killings and rigid kinship structures. Aspirations for consensual relationships have led to a tentative attempt to forge relationships that are non-normative but grudgingly approved after state intervention. The book traces this nascent and under-explored trend in the North Indian landscape.
Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).
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For women who have experienced domestic violence, proving that you are a “good victim” is no longer enough. Victims must also show that they are recovering, as if domestic violence were a disease: they must transform from “victims” into “survivors.” Women’s access to life-saving resources may even hinge on “good” performances of survivorhood. Through archival and ethnographic research, Paige L. Sweet reveals how trauma discourses and coerced therapy play central roles in women’s lives as they navigate state programs for assistance. Sweet uses an intersectional lens to uncover how “resilience” and “survivorhood” can become coercive and exclusionary forces in women’s lives. With nuance and compassion, The Politics of Surviving: How Women Navigate Domestic Violence and Its Aftermath (U California Press, 2021) wrestles with questions about the gendered nature of the welfare state, the unintended consequences of feminist mobilizations for anti-violence programs, and the women who are left behind by the limited forms of citizenship we offer them.
Sneha Annavarapu is Assistant Professor of Urban Studies at Yale-NUS College. To know more about Sneha's work, please visit www.snehanna.com
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In The Business of Beauty: Gender and the Body in Modern London (Bloomsbury, 2020), historian Jessica Clark takes the reader on a tour through the shifting commercial and cultural landscape of London in the second half of the 19th Century and the early decades of the 20th. The business of beatification––aimed at both men and women, and conducted by both men and women––was influenced by and reflective of shifting attitudes towards women in public spaces, the influx and success of immigrants in the nation’s capital, the development of wholesale production processes and the standardization of commodities, and the cultural competition between European nations that accompanied the growing political and military competition at the fin de siècle, among other things. In other words, Jessica Clark shows us that The Business of Beauty intersects with an amazing array of historical subjects.
Lia Paradis is Professor of History at Slippery Rock University of Pennsylvania. She is the co-host of the Lies Agreed Upon podcast and author of Imperial Culture and the Sudan: Authorship, Identity and the British Empire (IB Tauris, 2020)
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A camera obscura reflects the world back but dimmer and inverted. Similarly, science has long viewed woman through a warped lens, one focused narrowly on her capacity for reproduction. As a result, there exists a vast knowledge gap when it comes to what we know about half of the bodies on the planet.
That is finally changing. Today, a new generation of researchers is turning its gaze to the organs traditionally bound up in baby-making—the uterus, ovaries, and vagina—and illuminating them as part of a dynamic, resilient, and ever-changing whole. Welcome to Vagina Obscura: An Anatomical Voyage (W.W. Norton, 2022), an odyssey into a woman’s body from a fresh perspective, ushering in a whole new cast of characters.
In Boston, a pair of biologists are growing artificial ovaries to counter the cascading health effects of menopause. In Melbourne, a urologist remaps the clitoris to fill in crucial gaps in female sexual anatomy. Given unparalleled access to labs and the latest research, journalist Rachel E. Gross takes readers on a scientific journey to the center of a wonderous world where the uterus regrows itself, ovaries pump out fresh eggs, and the clitoris pulses beneath the surface like a shimmering pyramid of nerves.
This paradigm shift is made possible by the growing understanding that sex and gender are not binary; we all share the same universal body plan and origin in the womb. That’s why insights into the vaginal microbiome, ovarian stem cells, and the biology of menstruation don’t mean only a better understanding of female bodies, but a better understanding of male, non-binary, transgender, and intersex bodies—in other words, all bodies.
By turns funny, lyrical, incisive, and shocking, Vagina Obscura is a powerful testament to how the landscape of human knowledge can be rewritten to better serve everyone.
Sine Yaganoglu: Having trained as a neuroscientist and bioengineer, I switched to industry following my PhD at ETH Zurich and have been working in innovation management and diagnostics. Besides reading about science, innovation and entrepreneurship, I have become interested in the scientific and cultural aspects of parenting and motherhood since welcoming my first child.
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By showing how a wide, and surprising, range of Caribbean writers have contributed to the crafting of a supple and inclusive erotic repertoire across the second half of the twentieth century, the readings in Creolized Sexualities: Undoing Heteronormativity in the Literary Imagination of the Anglo-Caribbean (Rutgers University Press, 2021) aim to demonstrate that a recognition of creolized and pluralized sexualities already exists within the literary imagination. Professor Alison Donnell and I talk about her writing process and inspiration, the importance of place, and the ways this book might help us rethink the queer Caribbean.
Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany.
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This sourcebook provides the first systematic overview of witchcraft laws and trials in Russia and Ukraine from medieval times to the late nineteenth century. Witchcraft in Russia and Ukraine (Northern Illinois UP, 2020) weaves scholarly commentary with never-before-published primary source materials translated from Polish, Russian, and Ukrainian. These sources include the earliest references to witchcraft and sorcery, secular and religious laws regarding witchcraft and possession, full trial transcripts, and a wealth of magical spells. The documents present a rich panorama of daily life and reveal the extraordinary power of magical words.
Editors Valerie A. Kivelson and Christine D. Worobec present new analyses of the workings and evolution of legal systems, the interplay and tensions between church and state, and the prosaic concerns of the women and men involved in witchcraft proceedings. The extended documentary commentaries also explore the shifting boundaries and fraught political relations between Russia and Ukraine.
Valerie A. Kivelson teaches at the University of Michigan, where she is Thomas N. Tentler Collegiate Professor and Arthur F. Thurnau Professor of History. Christine D. Worobec is professor emerita at Northern Illinois University.
Steven Seegel is Professor of Slavic and Eurasian Studies at The University of Texas at Austin.
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In mid-twentieth-century America, women faced a paradox. Thanks to their efforts, World War II production had been robust, and in the peace that followed, more women worked outside the home than ever before, even dominating some professions. Yet the culture, from politicians to corporations to television shows, portrayed the ideal woman as a housewife. Many women happily assumed that role, but a small segment bucked the tide-women who wanted to use their talents differently, in jobs that had always been reserved for men.
In They Called Us Girls: Stories of Female Ambition from Suffrage to Mad Men (Cynren Press, 2022), author Kathleen Stone meets seven of these unconventional women. In insightful, personalized portraits that span a half-century, Kathleen weaves stories of female ambition, uncovering the families, teachers, mentors, and historical events that led to unexpected paths. What inspired these women, and what can they teach women and girls today?
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Bitch: On the Female of the Species (Basic Books, 2022) is a fierce, funny, and revolutionary look at the queens of the animal kingdom. Studying zoology made Lucy Cooke feel like a sad freak. Not because she loved spiders or would root around in animal feces: all her friends shared the same curious kinks. The problem was her sex. Being female meant she was, by nature, a loser. Since Charles Darwin, evolutionary biologists have been convinced that the males of the animal kingdom are the interesting ones—dominating and promiscuous, while females are dull, passive, and devoted. In Bitch, Cooke tells a new story. Whether investigating same-sex female albatross couples that raise chicks, murderous mother meerkats, or the titanic battle of the sexes waged by ducks, Cooke shows us a new evolutionary biology, one where females can be as dynamic as any male. This isn‘t your grandfather’s evolutionary biology. It’s more inclusive, truer to life, and, simply, more fun.
Sine Yaganoglu trained as a neuroscientist and bioengineer (PhD, ETH Zurich). She currently works in innovation management and diagnostics.
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In Parenting Empires: Class, Whiteness, and the Moral Economy of Privilege in Latin America (Duke University Press, 2020), Ana Y. Ramos-Zayas focuses on the parenting practices of Latin American urban elites to analyze how everyday experiences of whiteness, privilege, and inequality reinforce national and hemispheric idioms of anti-corruption and austerity. Ramos-Zayas shows that for upper-class residents in the affluent neighborhoods of Ipanema (Rio de Janeiro) and El Condado (San Juan), parenting is particularly effective in providing moral grounding for neoliberal projects that disadvantage the overwhelmingly poor and racialized people who care for and teach their children. Wealthy parents in Ipanema and El Condado cultivate a liberal cosmopolitanism by living in multicultural city neighborhoods rather than gated suburban communities. Yet as Ramos-Zayas reveals, their parenting strategies, which stress spirituality, empathy, and equality, allow them to preserve and reproduce their white privilege. Defining this moral economy as “parenting empires,” she sheds light on how child-rearing practices permit urban elites in the Global South to sustain and profit from entrenched social and racial hierarchies.
Ana Y. Ramos-Zayas is Professor of American Studies; Ethnicity, Race, and Migration; and Women, Gender, and Sexuality Studies at Yale University.
Armanc Yildiz is a doctoral candidate in Social Anthropology with a secondary field in Studies in Women, Gender and Sexuality at Harvard University. He can be found on Twitter @arman_c.
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Gender and sexuality in modern Iran are frequently examined through the prisms of nationalist symbols and religious discourse. In Revolutionary Bodies: Technologies of Gender, Sex, and Self in Contemporary Iran (Bloomsbury, 2020), Kristin Soraya Batmanghelichi, Associate Professor at the University of Oslo, Norway, takes a different approach, by interrogating how normative ideas of women's bodies in state, religious, and public health discourses have resulted in the female body being deemed as immodest and taboo. Through a diverse blend of sources, including a popular women's journal, a red-light district, cases studies of temporary marriages, iconic public statues, and an HIV-AIDS advocacy organization in Tehran, Batmanghelichi argues that conceptions of gender and sexuality have been mediated in public discourse and experienced and modified by women themselves over the past thirty years of the Islamic Republic. In our conversation we discuss the regulation of gender & sexuality through bodily technologies, tensions between state notions of modernization and Islamization, how Iranian women were visualized in the pages of magazines, a micro-history of the Red-light district in Tehran, organizing sex work within Islamic frameworks through temporary marriages, reinforcing “Islamic” public morality through the regulation of public space, the disfiguring of female mannequins, the challenges of ethnographic research and learning to ask new questions, and notions of gendered work in contemporary Iran.
Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected].
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What does it mean for trans people to show up for one another, to care deeply for one another? How have failures of care shaped trans lives? What care practices have trans subjects and communities cultivated in the wake of widespread transphobia and systemic forms of trans exclusion?
Trans Care (University of Minnesota Press, 2020) is a critical intervention in how care labor and care ethics have been thought, arguing that dominant modes of conceiving and critiquing the politics and distribution of care entrench normative and cis-centric familial structures and gendered arrangements. A serious consideration of trans survival and flourishing requires a radical rethinking of how care operates. Trans Care is the recipient of the Publishing Triangle Award for Trans and Gender-Variant Literature.
Hil Malatino is Assistant Professor in the Department of Women’s, Gender, and Sexuality Studies and a research associate in the Rock Ethics Institute. Dr. Malatino was previously a postdoctoral fellow in the Department of Gender Studies at Indiana University and Assistant Director and Lecturer in Women’s Studies at East Tennessee State University. His first book, Queer Embodiment: Monstrosity, Medical Violence, and Intersex Experience (University of Nebraska Press, 2019) examines the relationship between intersex embodiment, biomedical technologies, and the forms of subjectivity both enabled and constrained by the medicalization of gender non-conformance. His articles can be found in TSQ, Rhizomes, the Journal of Medical Humanities, and Angelaki, as well as in multiple edited volumes.
Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.
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Knowing Women: Same-sex Intimacy, Gender, and Identity in Postcolonial Ghana (Cambridge UP, 2021) is a study of same-sex desire in West Africa, which explores the lives and friendships of working-class women in southern Ghana who are intimately involved with each other. Based on in-depth research of the life histories of women in the region, Serena O. Dankwa highlights the vibrancy of everyday same-sex intimacies that have not been captured in a globally pervasive language of sexual identity. Paying close attention to the women's practices of self-reference, Dankwa refers to them as 'knowing women' in a way that both distinguishes them from, and relates them to categories such as lesbian or supi, a Ghanaian term for female friend. In doing so, this study is not only a significant contribution to the field of global queer studies in which both women and Africa have been underrepresented, but a starting point to further theorize the relation between gender, kinship, and sexuality that is key to queer, feminist, and postcolonial theories. This title is also available as Open Access on Cambridge Core.
Serena O. Dankwa is an Associate Researcher in the Institute of Social Anthropology and the Interdisciplinary Center for Gender Studies at the University of Bern and is affiliated with Institute of African Studies, University of Ghana, Legon. She previously held the Sarah Pettit Fellowship at Yale University and worked as a music journalist with Swiss Radio and Television.
Today, she advocates for the rights and dignity of migrant sex workers and women of color in Switzerland. She is a co-founder of the Black women’s network Bla*Sh and a co-editor of the book Racial Profiling: Struktureller Rassismus und antirassistischer Widerstand (2019).
Thomas Zuber is a PhD Candidate in History at Columbia University.
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Scholars Heather Hlavka (Marquette University) and Sameena Mulla (Emory University) have written a new book that examines and interrogates the place and space of the courtroom, the use of expertise, especially scientific expertise, in the adjudicative process, and how this all intersects with race and gender in cases of sexual assault. Bodies in Evidence: Race, Gender, and Science in Sexual Assault Adjudication (NYU Press, 2021) is the result of a long-term ethnographic study of sexual assault cases in the city of Milwaukee, and how those cases, as they come through the legal system, re-animate cultural narratives and re-inscribe the authority associated with law courts and the legal system itself. A key focus of the research was in examining the ways in which medicolegal and forensic evidence was used in the trial process, and how the reliance on these scientific resources and those who narrate and explain these dimensions of evidence and information are often set in contrast with the experiences of the victim-witnesses in sexual assault cases.
Hlavka and Mulla, and their team of students and research assistants, spent more than five years in the Milwaukee County Courthouse, sitting in at all aspects of the trial process, from jury selection to the trial itself, and more. During this time, all of the researchers observed the dynamics around how victims and victim-witnesses were assessed based on their class, race, virtue, gender, and how their very bodies were re-visited during the course of the evidence presentment. This analysis was seen in contrast to the approach to “expert” testimony in the form of medical professionals, forensic professionals, police, and legal professionals. Key points that come through the research, and thus through the book, note how the racialize and gendered narratives are clear within the interactions in the courtroom, but these dynamics do not generally come through in trial transcripts, opinions, or the judicial record of a case. Thus, the deeply lopsided racial dynamics of the courtroom are not clear in the written record but are starkly clear within the walls of the courtroom.
Bodies in Evidence: Race, Gender, and Science in Sexual Assault Adjudication is a multi-layered, multi-method examination of how the judicial system, in context of sexual assault adjudication, does not, in fact, achieve what might be a just outcome in many situations. The adversarial legal system in the United States does not generally assist the communities that are often broken by this very process. Hlavka and Mulla also suggest that the investment in and use of forensic and scientific evidence has not, in fact, shifted the outcomes in these kinds of cases. Bodies in Evidence will be of interest to a great many readers, from a host of different perspectives and disciplines.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at [email protected] or tweet to @gorenlj.
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Early American literature scholar Elisabeth Ceppi’s thought-provoking new book, Invisible Masters: Gender, Race, and the Economy of Service in Early New England (Dartmouth College Press, 2018), rewrites the familiar narrative of the relation between Puritan religious culture and New England’s economic culture as a history of the primary discourse that connected them: service. The understanding early Puritans had of themselves as God’s servants and earthly masters was shaped by their immersion in an Atlantic culture of service and the worldly pressures and opportunities generated by New England’s particular place in it. Concepts of spiritual service and mastery determined Puritan views of the men, women, and children who were servants and slaves in that world. So, too, did these concepts shape the experience of family, labor, law, and economy for those men, women, and children—the very bedrock of their lives. This strikingly original look at Puritan culture will appeal to a wide range of Americanists and historians.
Elisabeth Ceppi is a Professor of English at Portland State University. Professor Ceppi’s research focuses on early American representations of unfreedom and what they reveal about how concepts of liberty, authority, and obedience entwine with hierarchies of gender, race, and class.
Jerrad P. Pacatte is a Ph.D. candidate and School of Arts and Sciences Excellence Fellow in the Department of History at Rutgers University-New Brunswick. A social historian of gender, slavery, and emancipation in early America and the Atlantic World, Jerrad is currently completing his dissertation, entitled “The Work of Freedom: African American Women and the Ordeal of Emancipation in New England, 1740-1840” which examines the everyday lives, labors, and emancipation experiences of African-descended women in late-colonial and early republic New England.
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During the 1910s, films about war often featured a female protagonist. The films portrayed women as spies, cross-dressing soldiers, and athletic defenders of their homes--roles typically reserved for men and that contradicted gendered-expectations of home-front women waiting for their husbands, sons, and brothers to return from battle. The representation of American martial spirit--particularly in the form of heroines--has a rich history in film in the years just prior to the American entry into World War I. The American Girl Goes to War: Women and National Identity in US Silent Film (Rutgers UP, 2022) demonstrates the predominance of heroic female characters in in early narrative films about war from 1908 to 1919. American Girls were filled with the military spirit of their forefathers and became one of the major ways that American women's changing political involvement, independence, and active natures were contained by and subsumed into pre-existing American ideologies.
Jane Scimeca is Professor of History at Brookdale Community College.
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In the fall of 2020, Poland’s Constitutional Tribunal decreed that the country’s near-total ban on abortion was too liberal; henceforth, pregnancies could be terminated only in cases of rape, incest, or imminent threat to the mother’s life. The court’s decision triggered a nationwide Women’s Strike, whose social mobilization galvanized reproductive rights advocacy across Europe.
In the wake of the Polish mass protests, and in the context of the COVID-19 pandemic, now is a crucial moment to re-visit anthropologist Joanna Mishtal’s ground-breaking book The Politics of Morality: The Church, the State, and Reproductive Rights in Postsocialist Poland (Ohio University Press, 2015). Mishtal recast the decades since communism’s collapse as a time of joint Church-State war on reproductive rights, as well as feminism, which was painted as either a communist legacy or a foreign import. The Politics of Morality examines the contradiction between an emerging democracy on the one hand, and a declining tolerance for women’s rights and political and religious pluralism on the other. Surveillance, control, and abuse of power are persistent themes in this revealing ethnography, which has had an enormous scholarly impact in the study of gender and religion & politics in Eastern Europe, but carries powerful lessons far beyond its immediate field.
Piotr H. Kosicki is Associate Professor of History at the University of Maryland, College Park. He is the author of Catholics on the Barricades (Yale, 2018) and editor, among others, of Political Exile in the Global Twentieth Century (with Wolfram Kaiser).
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Across the global South, poor women’s lives are embedded in their social relationships and governed not just by formal institutions – rules that exist on paper – but by informal norms and practices. Village Ties: Women, NGOs, and Informal Institutions in Rural Bangladesh (Rutgers UP, 2021) takes the reader to Bangladesh, a country that has risen from the ashes of war, natural disaster, and decades of resource drain to become a development miracle. The book argues that grassroots women’s mobilization programs can empower women to challenge informal institutions when such programs are anti-oppression, deliberative, and embedded in their communities. Qayum dives into the work of Polli Shomaj (PS), a program of the development organization BRAC to show how the women of PS negotiate with state and society to alter the rules of the game, changing how poor people access resources including safety nets, the law, and governing spaces. These women create a complex and rapidly transforming world where multiple overlapping institutions exist – formal and informal, old and new, desirable and undesirable. In actively challenging power structures around them, these women defy stereotypes of poor Muslim women as backward, subservient, oppressed, and in need of saving.
Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).
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The Ambivalence of Gay Liberation: Male Homosexual Politics in 1970s West Germany (Oxford UP, 2021) explores ways of thinking, feeling, and talking about being gay in the 1970s, an influential decade sandwiched between the partial decriminalisation of male homosexuality in 1969, and the arrival of the HIV/AIDS crisis in the early 1980s. Moving beyond divided Cold War Berlin, it also focuses on lesser-known cities, such as Aachen, Cologne, Frankfurt, Münster, and Stuttgart, to name just a few of the 53 localities that were home to a gay group by the end of the 1970s. These groups were important, and this book tells their story.
In 1970s West Germany gay liberation did not take place only in activist meetings, universities, and on street demonstrations, but also on television, in magazine editorial offices, ordinary homes, bedrooms, and beyond. In considering all these spaces and individuals, this book provides a more complex account than previous histories, which have tended to focus only on a social movement and only on the idea of 'gay pride'. By drawing attention to ambivalence, this book shows that gay liberation was never only about pride, but also about shame; characterized not only by hope, but also by fear; and driven forward not just by the pushes of confrontation, but also by the pulls of conformism. Ranging from the painstaking emergence of the gay press to the first representation of homosexuality on television, from debates over the sexual legacy of 1968 and the student movement to the memory of Nazi persecution, The Ambivalence of Gay Liberation is the first English-language book to tell the story of male homosexual politics in 1970s West Germany. In doing so, this book changes the way we think about modern queer history.
Craig Griffiths is a Senior Lecturer in Modern History at Manchester Metropolitan University, where he teaches and researches queer history, the history of sexuality, and modern European history. He is an Associate of the Raphael Samuel History Centre, and a co-founder and co-convenor of the Seminar Series in the History of Sexuality at the Institute of Historical Research, London.
Leslie Waters is a historian of modern Central and Eastern Europe and assistant professor at The University of Texas at El Paso.
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In Half of Faith: American Muslim Marriage and Divorce in the Twenty-First Century, readers find a wide range of texts on Muslim Americans’ experiences with questions of marriage and divorce in an effort to do what is deemed Islamically acceptable. This exciting reader, which brings together previously published as well as new content, includes the broad themes of wedding, marriage, and divorce in the Muslim American experience. More specifically, the reader aims to explore the diversity in Islamic legal and theoretical thought, marriage and divorce practices, marriage contracts, wedding customs, and related issues.
In today’s very vibrant and engaging conversation, I speak with Kecia Ali, the editor of the reader, in addition to several contributors, who are Zahra Ayubi, Aminah McCloud, and Asifa Quraishi-Landes. Each scholar speaks on her contribution to the volume—Ayubi on divorce, Quraishi-Landes on marriage contracts and Islamic law, and McCloud on African American Muslim women as they transition to Islam, get married, and face issues of male guardianship. Further, we discuss why an Islamic marriage even matters to Muslims, and Kecia and Asifa share their views on fundamental issues with the Islamic marriage contract and whether, as Asifa suggests, it’s possible to re-imagine the Islamic marriage contract as a partnership contract rather than a sales contract.
The book, which is available for free, with a searchable PDF, through Boston University’s website, will be of interest to scholars and researchers interested in questions of marriage and divorce generally but more specifically in the context of Islam; individual practicing Muslims who seek resources on nikaah contracts, Islamic law, and divorce; Muslim and other religious leaders who serve Muslim communities; and undergraduate and graduate students in women’s and gender studies as well as religious studies courses.
Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. She earned her PhD in Islamic Studies with a focus on gender from the University of Texas at Austin in 2018. Her dissertation research explored questions of change and tradition, specifically in the context of gender and sexuality, in Islam. She is currently working on a book project on Muslim women's marriage to non-Muslims in Islam. Shehnaz runs a YouTube channel called What the Patriarchy?! (WTP?!), where she vlogs about feminism and Islam in an effort to dismantle the patriarchy and uproot it from Islam (ambitious, she knows). She can be reached at [email protected].
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What is the hidden history of women in the television industry? In Their Own Best Creations: Women Writers in Postwar Television (U California Press, 2022), Annie Berke, film editor at the Los Angeles Review of Books and host of the Film channel of the New Books Network podcast, explores the history of women writers through key case studies, industry analysis, and readings of on-screen representations. The book is a rich and detailed analysis of the changing nature of the gendered profession of making television, thinking through the past, with lessons for the present and future of the entertainment industry. Accessible and fascinating, the book should be widely read by scholars, industry insiders, and the public too!
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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Can subalterns speak? Now an iconic question from a prominent postcolonial studies scholar Gayatri Spivak, the question interrogates the in-built assumption about the locatable agency in an individual. Postcolonial studies have grappled with the question of legibility and limitations of archives. In her pathbreaking work, An Empire of Touch: Women's Political Labor and the Fabrication of East Bengal (Columbia UP, 2019), Poulomi Saha disrupts the binaries of nation/individual and agency/silence by arguing that women’s labor is a political one that articulate their relational aspirations through the tactile. In this contemporary moment with neoliberalism’s co-optation of ethnonationalism and an increasing disciplinary turn towards ethnicity as culture, Saha emphasizes the urgency of postcolonialism to prioritize political project in literary critiques and understand the connections between global capital and intimate, material life of women’s labor.
The book is divided into three parts: “Reading the Body Politic,” “The Fetish of Nationalism,” and “International Basket Case.” In the first section, Saha provides a theoretical framework through her reading of Pritilata Waddedar’s body to disrupt the individualistic idea of agency and signify gendered refusal. In the second part, Saha brings Tagore’s understanding of fetish to rethink non-sovereignty as not a loss but rather an enthrallment that allowed women to express their attachment to desh (home). In the third part, Saha problematizes the power of a name by analyzing the production of discourses around birangona (war heroines) and connect the devaluation of clothes to the larger history of development where women’s labor simultaneously turned into an object of empowerment and erasure. Saha’s rich and insightful book will be an important read for scholars who are interested in development, history of labor, and feminist theories.
Poulomi Saha is associate professor of English at the University of California, Berkeley. Her first book, An Empire of Touch, was awarded the 2020 Harry Levin Prize for Outstanding First Book from the American Comparative Literature Association.
Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at [email protected].
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Melissa M. Wilcox received her doctorate in Religious Studies from U.C. Santa Barbara in 2000. Her transdisciplinary research program focuses on gender studies and queer studies in religion, with particular emphasis on the U.S. and Europe in the context of transnational queer and religious politics. Her books include Coming Out in Christianity: Religion, Identity, and Community (Indiana University Press, 2003); Sexuality and the World’s Religions (co-edited with David W. Machacek; ABC-CLIO, 2003); Queer Women and Religious Individualism (Indiana University Press, 2009); and Religion in Today’s World: Global Issues, Sociological Perspectives (Routledge, 2013). Her 2009 book received the annual book award from the Sociology of Religion Section of the American Sociological Association. Her newest book, Queer Nuns: Religion, Activism, and Serious Parody, is forthcoming in 2018 from the Sexual Cultures series at NYU Press, and she is currently working on two textbooks focused on sexuality and queer studies in religion.
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What are the proper things for a philosopher to worry about? And who should be able to worry about them? These two questions, raised in the context of the disruptions and horrors of World War II, animate Metaphysical Animals: How Four Women Brought Philosophy Back to Life (Doubleday, 2022). The book interweaves the biographies and philosophies of Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch, who met as students at Oxford as World War II left the old men, refugees, women, and conscientious objectors behind to bloom intellectually while most of the men were away. Each argued, in her own way, for a view of human life as necessarily concerned with metaphysical issues and moral approaches that then-ascendant logical positivism and ordinary language philosophy tried to dismiss as mere nonsense. Authors Clare Mac Cumhaill (assistant professor of philosophy at Durham University) and Rachael Wiseman (senior lecturer in philosophy at University of Liverpool) bring Anscombe, Foot, Midgley, and Murdoch to life in this highly readable account, sparked by a series of interviews with the elderly Midgley as the last survivor of the group.
Carrie Figdor is professor of philosophy at the University of Iowa.
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In the past decade, adventurous travelers have flocked to the island nation of Iceland to enjoy its many wonders: stunning nature and wildlife, innovative and unique cuisine, a compelling history that includes Vikings, and the rich literary tradition rooted in the Icelandic Sagas, which is still vibrantly alive today in this well read nation.
Once in Iceland, travelers may also note that Iceland has one of the happiest populations with one of the highest rates of acceptance for LGBTQIA individuals, and with no military, Iceland is also one of the more peaceful nations on the planet.
Iceland is also a great place to be a woman in 2022. Just how and why that is, and whether Iceland’s proximity to gender parity can serve as a model for other nations, is explored in a marvelous new book by Iceland’s current first lady, Canadian born Eliza Reid. “Secrets of the Sprakkar Iceland’s Extraordinary Women and How They Are Changing the World” explores Iceland’s unique history, people, politics, and of course nature, and how these have enabled women to pursue the equality that they know to be their right.
In the pages of Secrets of the Sprakkar: What the Outstanding Women of Iceland Know about Equality (Sourcebooks, 2022), Reid introduces us to several extraordinary “sprakkar” or powerful women. This is an ancient Icelandic word that perfectly describes the pioneering politicians, medieval heroines, stand-up comedians, fishermen, search and rescue team leaders, and immigrants to Iceland, like Reid herself who populate the book. As Reid delves into the stories of these extraordinary women, she tells her own story of immigrating to Iceland for love, having a family, and forging her own professional path as the founder of the Popular Iceland Writers Retreat.
Life threw Reid and her husband Guðni Jóhannesson a curve ball in 2016: Jóhannesson, a professor of history, was invited to be a pundit on Icelandic TV in the run up to the presidential election following the explosive Panama Papers. And then, as Reid recounts, the phone began to ring. Jóhannesson was elected president and Reid assumed the very public role of First Lady. In “Secrets of the Sprakkar,” she muses about the oddity of the role, but her decision to embrace it with dignity and enthusiasm. She speaks eloquently about how it is important for Iceland’s growing community of immigrants to hear her speak in public forums with an accent, just as they do, and know that what she — and they — have to say is important.
“Secrets of the Sprakkar” is a slim volume that packs a big punch: part history, part political science, rooted in social observation of a society that has actively pursued gender parity and may well be closing in on it. But above all, this is a love letter to Iceland, from its still-besotted First Lady.
Eliza Reid is a Canadian-Icelandic writer, co-founder of Iceland Writers Retreat, and has been Iceland’s First Lady since 2016. Reid was educated at the University of Toronto and Oxford University.
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Increasingly fraught debates about sex, consent, feminism, justice, law, and gender relations have taken centre stage in academic, journalistic and social media circles in recent years. This has resulted in myriad new theories, debates and mediated movements including #MeToo and #TimesUp. In Sex, Consent, and Justice: A New Feminist Framework (Edinburgh UP), Tina Sikka explores many of the contradictions and tensions that make up these debates and movements. She looks at those that draw together contemporary understandings of justice, violence, consent, pleasure and desire.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at [email protected].
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For every woman, from the young to those in midlife and beyond, who has ever been told, You can't and thought, Oh, I definitely will!--this book is for you.
Women are expected to be many things. They should be young enough, but not too young; old enough, but not too old; creative, but not crazy; passionate, but not angry. They should be fertile and feminine and self-reliant, not barren or butch or solitary. Women, in other words, are caught between social expectations and a much more complicated reality.
Women who don't fit in, whether during life transitions or because of changes in their body, mind, or gender identity, are carving out new ways of being in and remaking the world. But this is nothing new: they have been doing so for thousands of years, often at the margins of the same religious traditions and cultures that created these limited ways of being for women in the first place.
In The Defiant Middle: How Women Claim Life's In-Betweens to Remake the World (Broadleaf Books, 2021), Kaya Oakes draws on the wisdom of women mystics and explores how transitional eras or living in marginalized female identities can be both spiritually challenging and wonderfully freeing, ultimately resulting in a reinvented way of seeing the world and changing it. Change, after all, Oakes writes, always comes from the margins.
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The Gender Regime of Anti-Liberal Hungary (Palgrave, 2021) explains a new type of political order that emerged in Hungary in 2010: a form of authoritarian capitalism with an anti-liberal political and social agenda. Eva Fodor analyzes an important part of this agenda that directly targets gender relations through a set of policies, political practice and discourse—what she calls “carefare.” The book reveals how this is the anti-liberal response to the crisis-of-care problem and establishes how a state carefare regime disciplines women into doing an increasing amount of paid and unpaid work without fair remuneration. Fodor analyzes elements of this regime in depth and contrasts it to other social policy ideal-types, demonstrating how carefare is not only a set of policies targeting women, but an integral element of anti-liberal rule that can be seen emerging globally.
Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life.
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According to a broad consensus among philosophers across the ages, anger is regrettable, counterproductive, and bad. It is something to be overcome or suppressed, something that involves an immoral drive for revenge or a naïve commitment to cosmic justice. Anger is said to involve a corruption of the person – it “eats away” at them, or plunges them into madness.
Maybe anger has been under-appreciated. Perhaps we have failed to make the right distinctions between different varieties of anger – thereby overlooking kinds that are productive and appropriate. In The Case for Rage: Why Anger is Essential to Anti-Racist Struggle (Oxford University Press 2021), Myisha Cherry argues that we need to give anger a chance. After identifying distinct forms of anger, she defends a kind of anger she calls Lordean Rage, which she argues is central to antiracist social progress.
Robert Talisse is the W. Alton Jones Professor of Philosophy at Vanderbilt University.
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States of Liberation: Gay Men Between Dictatorship and Democracy in Cold War Germany (U Toronto Press, 2022) traces the paths of gay men in East and West Germany from the violent aftermath of the Second World War to the thundering nightclubs of present-day Berlin. Following a captivating cast of characters, from gay spies and Nazi scientists to queer politicians and secret police bureaucrats, States of Liberation tells the remarkable story of how the two German states persecuted gay men - and how those men slowly, over the course of decades, won new rights and created new opportunities for themselves in the heart of Cold War Europe. Relying on untapped archives in Germany and the United States as well as oral histories with witnesses and survivors, Huneke reveals that communist East Germany was in many ways far more progressive on queer issues than democratic West Germany.
Samuel Clowes Huneke is assistant professor of history at George Mason University.
Steven Seegel is Professor of Slavic and Eurasian Studies at The University of Texas at Austin.
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Quotas for women in government have swept the globe. Yet we know little about their capacity to upend entrenched social, political, and economic hierarchies. Property and Power seeks to explore this issue within the context of India, the world's largest democracy. Brulé uses cutting-edge research design and extensive field research to make connections among political representation, backlash, and economic empowerment. Her findings show that women in government catalyze access to fundamental economic rights: property rights. Women in politics also have the power to support constituent rights at critical junctures, such as marriage negotiations, sparking integrative solutions to intra-household bargaining. Although they can lead to backlash, quotas are essential for enforcement of rights. In this groundbreaking study, Brulé shows how quotas can operate as a crucial tool to foster equality and benefit the women they are meant to empower. Women, Power, and Property: The Paradox of Gender Equality Laws in India has been awarded the APSA’s 2021 Luebbert Prize for the Best Book in Comparative Politics.
Dr. Rachel Brule is Assistant Professor of Global Development Policy at Boston University’s Frederick S. Pardee School of Global Studies and Graduate Faculty with BU’s Department of Political Science, a Core Faculty at the Global Development Policy Center, and affiliated faculty with the Institute for Economic Development.
Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.
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Nicole M. Guidotti-Hernández once again engages in the fearless work of challenging structures of domination. In her most recent book, Archiving Mexican Masculinities in Diaspora (Duke University Press, 2021), Profesora Guidotti-Hernández theorizes through the idea of the masculinized Mexican subject and leads us to the possibilities of historicizing how masculinities are archived and to what degree their intimacies, desires, and emotions emerge in both private collections and public institutions. By taking a Latinx feminist and queer reading of two of the most well-known stories in Mexican History in the United States (the Flores Magón brothers and the Bracero Program), she provides us with an affective history of Mexican masculinities in diaspora. Guidotti-Hernández declares early on that “...migration and separation…altered gender relations and expressions of gender” (2). This critical understanding provides her with a foundation on which to unravel the rest of her manuscript.
Dr. Nicole Guidotti-Hernández first came into contact with the highly-curated archives of these two historical flashpoints and saw what other scholars and public audiences were supposed to see, but, she writes, “Yet I also saw something else that was harder to put into words” (12-13). By exemplifying rigorous interdisciplinary research, she puts into words how migration structured and created feelings. Mexican men’s intimacies, emotions, and desires, as a result of separation, influenced their lives as political and economic subjects. Over 16 chapters and 290 pages, Guidotti-Hernández offers field-shifting contributions to Latinx Studies, histories of migration and labor, and Gender and Sexuality. Readers interested in Latinx feminist and queer approaches to history, and those interested in the history of Mexicans in the United States, should immediately get their copy of Archiving Mexican Masculinities in Diaspora.
Jonathan Cortez is currently the 2021-2023 César Chávez Postdoctoral Fellow in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. You can follow Jonathan on Twitter @joncortz
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Challenging persistent geopolitical asymmetries in feminist knowledge production, this collection depicts collisions between concepts and lived experiences, between academic feminism and political activism, between the West as generalizable and the East as the concrete Other. Borderlands in European Gender Studies (Routledge, 2020) narrows the gap between cultural analysis and social theory, addressing feminist theory’s epistemological foundations and its capacity to confront the legacies of colonialism and socialism. The contributions demonstrate the enduring worth of feminist concepts for critical analysis, conceptualize resistance to multiple forms of oppression, and identify the implications of the decoupling of cultural and social feminist critique for the analysis of gender relations in a post-socialist space.
Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life.
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In the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and spare, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body: Race, Gender, and the Politics of Power in Design (Princeton UP, 2021) offers a powerful new look at how codes of race, gender, and identity influenced—and were influenced by—Modern design and shaped its presentation to consumers.
Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others.
A striking counter-narrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture.
Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
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Toxic Loves, Impossible Futures: Feminist Living as Resistance (Vanderbilt UP, 2022) is an homage to a constellation of women writers, feminists, and creators whose voices draw a map of our current global political-environmental crisis and the interlinked massive violence, enabled by the denigration of life and human relationships. In a world in which "a woman's voice" exists in bodies called on to occupy important positions in corporations, government, and cultural and academic institutions, to work in factories, and to join the army—but whose bodies are systematically rendered vulnerable by gender violence and by the double burden imposed on them to perform both productive and reproductive labor—Emmelhainz asks: What is the task of thought and form in contemporary feminist-situated knowledge?
Toxic Loves, Impossible Futures is a collection of essays rethinking feminist issues in the current context of the production of redundant populations, the omnipresence of the technosphere and environmental devastation, toxic relationships, toxic nationalisms, and more. These reflections and dialogues are an urgent attempt to resist the present in the company of the voices of women like bell hooks, Sara Ahmed, Leslie Jamison, Lina Meruane, Leanne Betasamosake Simpson, Chris Kraus, Alaíde Foppa, Lorena Wolffer, Sayak Valencia, Pip Day, Veronica Gonzalez Peña, Eimear McBride, Simone de Beauvoir, Elena Poniatowska, Susan Sontag, Margaret Randall, Simone Weil, Arundhati Roy, Marta Lamas, Paul B. Preciado, Dawn Marie Paley, Raquel Gutiérrez, Sara Eliassen, and Silvia Gruner. Toxic Loves, Impossible Futures continues the discussion on how to undo misogyny and dismantle heteropatriarchy's sublimating and denigrating tricks against women, which are intrinsically linked to colonialism and violence against the Earth.
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Today we are joined by Dr. Michella Marino, the Deputy Director of the Indiana Historical Bureau, a division of the Indiana State Library, and the author of Roller Derby: The History of an American Sport (University of Texas Press, 2021). In our conversation, we discussed the origins of Roller Derby, its radically progressive politics in mid-century America, and its reinvention in the 21st century.
In Roller Derby, Marino charts the rise, fall, and rise again of one of America’s most unique sports. It began as an endurance competition akin to pedestrianism and weeklong cycling races and in many ways it never left those beginnings. Roller Derby always mixed sport and spectacle, eventually becoming on of the most popular entertainments in the country. Unlike any other sports at the time, Roller Derby included men and women skaters on the same team and even in some circumstances on the track at the same time. Both men and women contributed equally to the score, but changes to the game in the 1930s that made physical contact, including fighting, more common produced unease among some spectators. Roller Derby’s mixed gender composition and its violence both helped ensure its popularity with male and female fans, but also raised significant challenges to mid-century norms.
To make the sport palatable to a more conservative middle America, Leo Seltzer, Roller Derby’s founder, promoted normative gender images of the skaters. Roller Derby crowned an annual king and a queen: a popularity contest that usually rewarded the most likable man and the most beautiful woman skater. Marino shows how these performative showcases both mollified critics of the game even as they limited the participation of some of the skaters – non-white and non-traditionally feminine skaters could not perform mid-century beauty in the same way. These contests also undermined the image of Roller Derby as a sport among many journalists who refused to cover it.
Even so, Marino shows that most fans could see the athleticism of the skaters on the track and Roller Derby quickly became popular among in-person fans from across the social spectrum and later on television. Roller Derby was tough work. To keep his skaters happy, Seltzer instituted radically progressive, encouraging families to compete as families, equal pay for its skaters, maternity leave, and day care. When the league folded, it paid out the remaining skaters from a pension fund.
The final chapter details the rejuvenation of Roller Derby as an explicitly female-led and feminist sport that continues to face challenges around the sexualization of competitors, the integration of male competitors and spectators, and the challenges and opportunities provided by becoming an Olympic sport. Fun and full of life, Marino’s Roller Derby will appeal to scholars interested in American sport, gender, and spectacle, but also to the broad audience of skaters and sports fans.
Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at [email protected] and follow him at @keithrathbone on twitter.
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Today I talked to Jarrod Whitaker about his book Strong Arms and Drinking Strength: Masculinity, Violence, and the Body in Ancient India (Oxford UP, 2011).
The Rgveda contains over a thousand hymns, addressed primarily to three gods: the deified ritual Fire, Agni; the war god, Indra; and Soma, who is none other than the personification of the sacred beverage soma. The hymns were sung in day-long fire rituals in which poet-priests prepared the sacred drink to empower Indra. The dominant image of Indra is that of a highly glamorized, violent, and powerful Aryan male; the three gods represent the ideals of manhood.Whitaker finds that the Rgvedic poet-priests employed a fascinating range of poetic and performative strategies--some explicit, others very subtle--to construct their masculine ideology, while justifying it as the most valid way for men to live.
Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com.
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We tend to associate Roe v. Wade, the landmark Supreme Court decision that decriminalized abortion in 1973, with the choice not to have children. But Roe was equally transformative for Americans' understanding of family--having and raising children also came to be thought of as a choice. In Reproduction Reconceived: Family Making and the Limits of Choice after Roe v. Wade (University of California Press, 2021), Sara Matthiesen highlights the distance between this idea of choice and worsening forms of inequality that have forced far too many to work harder simply to create and maintain a family. In this new and timely work, Matthiesen shows how the effects of incarceration, for-profit and racist healthcare, disease, and poverty have been worsened by state neglect. At its core, Reproduction Reconceived is an urgent historical account: of the myriad labors that families have been made to perform simply to survive, and of the inevitable costs that pile up when family making is seen as a private responsibility rather than a public good.
Dr. Nicole Bourbonnais is an Associate Professor of International History and Politics and Co-Director of the Gender Centre at the Graduate Institute of International and Development Studies in Geneva, Switzerland. Her research explores reproductive politics and practice from a transnational historical perspective. More info here. Twitter: @iheid_history and @GC_IHEID
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Patricia Tilburg's Working Girls: Sex, Taste, and Reform in the Parisian Garment Trades, 1880-1919 (Oxford University Press, 2019) is at once a cultural, gender, urban, and labour history of the Belle Epoque era. The midinette is the central figure the book chases across serval chapters. Named for the lunch hour when thousands of female garment workers spilled into the streets of Paris each day, this female garment worker became a symbol of French taste and skill, the embodiment of productive labour and the pleasures of the modern capital. Represented by a range of observers during the period as young, cheerful, attractive, and sexually available, the midinette became the subject of (male) fantasy and philanthropy, her image working to assuage anxieties about a rapidly changing world.
The lived experiences and activisms of the women workers who inspired these projections play significant roles throughout the book. Using a wide array of sources--state and police documents, municipal and philanthropic archival collections, press, fiction, music, letters, and more--the author ensures that the conditions of their working lives, their voices and demands, do not get lost in the swirl of ideas surrounding them. A cultural history that moves deftly between the material and the metaphoric, Working Girls is a pleasure to read, and I so enjoyed speaking with its author.
Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. If you have a recent title to suggest for the podcast, please send her an email ([email protected]).
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In Designing Motherhood: Things that Make and Break Our Births (MIT Press, 2021), Michelle Millar Fisher and Amber Winick along with more than fifty contributors consider over a hundred designs that have defined the arc of human reproduction. The designed objects that surround people during menstruation, birth control, conception, pregnancy, childbirth, and early motherhood vary as oddly, messily, and dramatically as the stereotypes suggest. This volume considers a breadth of designs that have defined the relationships between people and babies during the past century.
It is organized around four sections (Reproduction, Pregnancy, Birth, and Postpartum) and includes designs such as the menstrual cup, population policy posters, home pregnancy tests, tie-waist skirts, cesarean birth curtains, birth in film, the Kuddle Up blanket, breast pumps, and car seats.
Holiday Powers is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies.
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How should we understand identity? What sort of politics are needed to address various forms of oppression and marginalization? Are knowledge and practice untainted by ideological obfuscation possible? These questions and many more are what animate my guest today, Himani Bannerji, here to discuss her book The Ideological Condition: Selected Essays on History, Race and Gender (Brill, 2020). Clocking in at close to 800 pages and spanning several decades of research and writing, this volume brings a number of themes together.
Following Marx, Bannerji argues that social inquiry and critique must start with everyday life as it is lived, with the various social formations and relations generating various forms of consciousness. From this rather humble starting point, Bannerji is poised to enter into a productive dialogue with various other thinkers, particularly Lukacs, Gramsci and Dorothy Smith. She is also able to tackle questions of education, economics, race, gender, narrative, history, colonialism and emancipation. Tying these threads together is no easy task, but in working her way through an assortment of different themes and thinkers, Bannerji helps clarify the ways in which disparate elements of reality are tied to one another and cannot be understood in isolation. Readers will find this book to be overflowing with insights, and endlessly clarifying in the struggle to understand who we are, what we know, and what we can do.
Shortlisted for the Isaac Deutscher Memorial Prize, the book was published as part of the Historical Materialism book series, and was published first by Brill and then by Haymarket.
Himani Bannerji is professor emeritus of sociology at York University. Her publications include Demography and Democracy: Essays on Nationalism, Gender and Ideology, Inventing Subjects: Studies in Hegemony, Patriarchy and Colonialism, The Dark Side of the Nation: Essays on Multiculturalism, Nationalism and Racism and Thinking Through: Essays on Feminism, Marxism and Anti-Racism.
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Something is definitely up with men. From millions online who engage with the manosphere to the #metoo backlash, from Men's Rights activists and incels to spiralling suicide rates, it's easy to see that, while men still rule the world, masculinity is in crisis. Feminism has gone some way towards dismantling the patriarchy, but how can we hold on to the best aspects of our metaphorical Father?
Nina Power, author of What Do Men Want?: Masculinity and Its Discontents (Penguin, 2022), speaks to Pierre d'Alancaisez about the challenge of accepting biological differences and the potential for men and women living well in a world where capitalism has replaced the values - family, religion, service, and honour - that used to give our lives meaning.
Nina Power is a philosopher, critic, and cultural theorist. She is the author of One Dimensional Woman, a co-host of The Lack, and she publishes a newsletter on Substack.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
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On this episode I spoke to Dr. Susie Porter, Professor in History and in Gender Studies at the University of Utah. She is the author Working Women in Mexico City: Public Discourses and Material Conditions, 1879-1931 published in 2003, and in today's podcast we will be talking about her more recent book From Angel to Office Worker: Middle-Class Identity and Female Consciousness in Mexico, 1890–1950, which is part of The Mexican Experience Series of the University of Nebraska Press.
In late nineteenth-century Mexico a woman’s presence in the home was a marker of middle-class identity. However, as economic conditions declined during the Mexican Revolution and jobs traditionally held by women disappeared, a growing number of women began to look for work outside the domestic sphere. As these “angels of the home” began to take office jobs, middle-class identity became more porous.
To understand how office workers shaped middle-class identities in Mexico, From Angel to Office Worker examines the material conditions of women’s work and analyzes how women themselves reconfigured public debates over their employment. At the heart of the women’s movement was a labor movement led by secretaries and office workers whose demands included respect for seniority, equal pay for equal work, and resources to support working mothers, both married and unmarried. Office workers also developed a critique of gender inequality and sexual exploitation both within and outside the workplace. From Angel to Office Worker is a major contribution to modern Mexican history as historians begin to ask new questions about the relationships between labor, politics, and the cultural and public spheres.
Your host, Paula De La Cruz-Fernandez is a consultant, historian, and digital editor. Editor New Books Network en español. Edita CEO.
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In his new book Masculinity and its Discontents: The Male Psyche and the Inherent Tensions of Maturing Manhood (Routledge, 2021), Michael J. Diamond develops an original psychoanalytic theory of male development through the prephallic, phallic and genital positions. He critically acknowledges and complicates oedipal and disidentification theories as the predominant paradigms in psychoanalytic theorizing about masculinity and helps us to shift our focus to primordial male vulnerability and its vicissitudes. This book is part of the emergent third wave of psychoanalytic theorizing about male development and takes conflict, fluidity and complex gendered identifications as hallmarks of the livelong struggle for a secure enough sense of masculinity. The book's specific strength lies in its rich clinical illustrations that show the analyst working with his own and his patients´ ever-evolving feelings about manhood. In the interview, Diamond presents his ideas, and we take a deep dive in the psychodynamics of the male psyche, looking at questions of contemporary masculinity, fatherhood and clinical technique.
Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at [email protected].
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Queer history is a living practice. Talk to any group of LGBTQ people today, and they will not agree on what story should be told. Many people desire to celebrate the past by erecting plaques and painting rainbow crosswalks, but queer and trans people in the twenty-first century need more than just symbols—they need access to power, justice for marginalized people, spaces of belonging. Approaching the past through a lens of queer and trans survival and world-building transforms history itself into a tool for imagining and realizing a better future.
Living Queer History: Remembrance and Belonging in a Southern City (UNC Press, 2021) tells the story of an LGBTQ community in Roanoke, Virginia, a small city on the edge of Appalachia. Interweaving historical analysis, theory, and memoir, Gregory Samantha Rosenthal tells the story of their own journey—coming out and transitioning as a transgender woman—in the midst of working on a community-based history project that documented a multigenerational southern LGBTQ community. Based on over forty interviews with LGBTQ elders, Living Queer History explores how queer people today think about the past and how history lives on in the present.
Gregory Samantha Rosenthal, PhD, is Associate Professor of History and Coordinator of the Public History Concentration at Roanoke College in Salem, Virginia. She teaches courses in public history, women’s and gender studies, and general education. She is interested in environmental studies, working-class studies, LGBTQ, queer, and trans studies, community organizing, and scholar-activism. Her pronouns are she/her or they/them.
The Queer Voices of the South podcast encourages listeners to suggest authors they would like to hear us interview. Follow us on Twitter @voices_south or in the public group Queer Voices of the South on Facebook or email us at [email protected]
Morris Ardoin is the author of Stone Motel – Memoirs of a Cajun Boy (2020, University Press of Mississippi), which was optioned for TV/film development in 2021. A communications leader in health care, immigration and asylum, and higher education, his work has appeared in national and international media. He divides his time between New York City and Cornwallville, New York, where he does most of his writing. His blog, “Parenthetically Speaking,” which focuses on life as a writer, home cook, and Cajun New Yorker, can be found at www.morrisardoin.com. Twitter: @morrisardoin Instagram: morrisardoin.
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In The Queer Nuyorican: Racialized Sexualities and Aesthetics in Losaida (NYU Press, 2021), Karen Jaime argues that the Nuyorican Poet's Cafe has always been a queer space. While acknowledging elements of masculinist posturing among some artists affiliated with the Nuyorican, Jaime also argues that the Cafe has provided space for artists to articulate queer aesthetics since the 1970s. Jaime also investigates the contested history of the term "Nuyorican." Is it an aesthetic label? An ethnic group? Both? Something else entirely? She situates these questions within the history of a changing Losaida (or Lower East Side), as the Cafe adjusts to a rapidly gentrifying neighborhood. Jaime's book should be of interest to anyone engaged in spoken word, immigrant politics and aesthetics, and the literary history of New York.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
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In The Laywoman Project: Remaking Catholic Womanhood in the Vatican II Era (UNC Press, 2020), Mary J. Henold considers how these committed parishioners experienced their religion in the wake of Vatican II (1962-1965). This era saw major changes within the heavily patriarchal religious faith--at the same time as an American feminist revolution caught fire. Who was the Catholic woman for a new era? Henold uncovers a vast archive of writing, both intimate and public-facing, by hundreds of rank-and-file American laywomen active in national laywomen’s groups, including the National Council of Catholic Women, the Catholic Daughters of America, and the Daughters of Isabella. These records evoke a formative period when laywomen played publicly with a surprising variety of ideas about their own position in the Catholic Church.
While marginalized near the bottom of the church hierarchy, laywomen quietly but purposefully engaged both their religious and gender roles as changing circumstances called them into question. Some eventually chose feminism while others rejected it, but most, Henold says, crafted a middle position: even conservative, nonfeminist laywomen came to reject the idea that the church could adapt to the modern world while keeping women’s status frozen in amber.
Allison Isidore is an Instructor of Record for the Religious Studies department at the University of Alabama. Her research interest is focused on the twentieth-century American Civil Rights Movement and the Catholic Church’s response to racism and the participation of Catholic clergy, nuns, and laypeople in marches, sit-ins, and kneel-ins during the 1950s and 1960s. Allison is also a Video Editor for The Religious Studies Project, producing videos for the podcast and marketing team. She tweets from @AllisonIsidore1.
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In this episode of the Queer Voices of the South podcast, John Marszalek interviews author Baker A. Rogers about their research on drag kings in the South and about their own experience performing as a drag king.
While drag subcultures have gained mainstream media attention in recent years, the main focus has been on female impersonators. Equally lively, however, is the community of drag kings: cis women, trans men, and non-binary people who perform exaggerated masculine personas onstage under such names as Adonis Black, Papi Chulo, and Oliver Clothesoff.
King of Hearts: Drag Kings in the American South (Rutgers UP, 2021) shows how drag king performers are thriving in an unlikely location: Southern Bible Belt states like Tennessee, Georgia, and South Carolina. Based on observations and interviews with sixty Southern drag kings, this study reveals how they are challenging the region’s gender norms while creating a unique community with its own distinctive Southern flair. Reflecting the region’s racial diversity, it profiles not only white drag kings, but also those who are African American, multiracial, and Hispanic.
The Queer Voices of the South podcast encouragers listeners to suggest authors they would like to hear us interview. Follow us on Twitter @voices_south or in the public group Queer Voices of the South on Facebook or email us at [email protected]
Baker A. Rogers is an associate professor of sociology at Georgia Southern University in Statesboro. Baker is the author of Conditionally Accepted: Christians’ Perspectives on Sexuality and Gay and Lesbian Civil Rights (Rutgers University Press) and Trans Men in the South: Becoming Men.
John Marszalek III is author of Coming Out of the Magnolia Closet: Same-Sex Couples in Mississippi (2020, University Press of Mississippi). He is clinical faculty of the Clinical Mental Health Counseling Program at Southern New Hampshire University. Website: Johnmarszalek3.com Twitter: @marsjf3
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How do gender and race interact to affect the election, behavior, and impact of all individuals – raced women and gendered minorities alike? According to our authors, “what we know depends mightily on how we go about obtaining that knowledge.” Political scientists have often assumed that there are no gender differences among minority representatives, and no racial differences among female representatives. Race, Gender, and Political Representation: Toward a More Intersectional Approach (Oxford UP, 2020)examines HOW and to what extent political representation is simultaneously gendered and raced in the context of late 20th and early 21st century US state legislatures. Haynie, Reingold, and Widner examine how gender and race interact to affect the election, behavior, and impact of individual state legislators. The analysis – and their substantive findings – demonstrate how intersectionality, as a critical epistemology, compels us to re-evaluate the study of gender, race, and representation. Without critically evaluating single-axis women-and-politics and race-and-ethnic-politics theories about descriptive representation, we miss the differences in obstacles to election, substantive policy contributions, or policy leadership styles among White women, men of color, and women of color. The book aims to both give us a more nuanced understanding of representation and an intersectional “tool kit” that others can use to answer critical political questions. Winner of the 2021 Richard Fenno, Jr. Prize for the best book in Legislative Studies.
Dr. Kerry L. Haynie is Professor and Chair of Political Science and Professor of African and African American Studies at Duke University. His many books and articles interrogate how the underlying theory, structures, and practices of American political institutions affect African Americans’ and women’s efforts to organize and exert influence on the political system.
Dr. Beth Reingold is an Associate Professor of Political Science and Women’s, Gender, and Sexuality Studies at Emory University. Her previous books and articles engage questions about the complex relationships between gender, race, ethnicity, and political representation, primarily in and around legislative institutions in U.S. states.
Dr. Kirsten Widner is an Assistant Professor of Political Science at the University of Tennessee at Knoxville. As a lawyer, she represented children in the child welfare and juvenile justice systems, and taught in the public policy and legislative advocacy clinics at Emory Law School. She helped advocate for laws in Georgia to address child abuse, human trafficking, and adoption. As a political scientist she focuses on how laws and policies that affect marginalized groups are made with a particular interest in the political representation of people without the right to vote – children, noncitizens, and people disenfranchised due to criminal convictions or mental incapacity. Her work has been published in both political science journals and law reviews.
Thank you to Nadia E. Brown for suggesting the book and Daniella Campos, the senior editorial assistant for New Books in Political Science.
Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.
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Impure Migration: Jews and Sex Work in Golden Age Argentina (Rutgers UP, 2019) investigates the period from the 1890s until the 1930s, when prostitution was a legal institution in Argentina and the international community knew its capital city Buenos Aires as the center of the sex industry. At the same time, pogroms and anti-Semitic discrimination left thousands of Eastern European Jews displaced, without the resources required to immigrate. For many Jewish women, participation in prostitution was one of very few ways they could escape the limited options in their home countries, and Jewish men facilitated their transit and the organization of their work and social lives. Instead of marginalizing this story or reading it as a degrading chapter in Latin American Jewish history, Impure Migration interrogates a complicated social landscape to reveal that sex work is in fact a critical part of the histories of migration, labor, race, and sexuality.
Mir Yarfitz has lived in each of the four corners of the country as well as South and Central America. His enthusiasm for Latin America grew from his college study abroad experience in Nicaragua; his time as a Fulbright School in Argentina; and his work with migrant farmworker labor unions in Washington, Oregon, and Georgia. Teaching and research interests include US-Latin American relations, cultural production, social movements, dictatorship and resistance, racial hierarchies, migration, gender, sexuality, masculinity, and transgender studies.
Makena Mezistrano is the Assistant Director of the Sephardic Studies Program in the Stroum Center for Jewish Studies at the University of Washington. She holds an MA in Biblical and Talmudic studies from Yeshiva University.
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Kirsten Williams Lawson used to work with rocket scientists at NASA. Now she writes books for curious kids. Kirsten is the author of the picture book released several months back, A TRUE WONDER: The Comic Book Hero Who Changed Everything, illustrated by Katy Wu (Clarion, 2021). She is also author of WOOD, WIRE, WINGS: EMMA LILIAN TODD INVENTS AN AIRPLANE, illustrated by Tracy Subisak (Calkins Creek, 2020), and THE FIRE OF STARS: The Life and Brilliance of the Woman Who Discovered What Stars Are Made Of, illustrated by Katherine Roy (Chronicle, 2023), and the middle grade, graphic nonfiction, THE LIGHT OF RESISTANCE, illustrated by Barbara McClintock, (Roaring Brook, 2023). Kirsten lives near Los Angeles with her husband, lhasa-poo, and two curious kids. Her house is filled with LEGOs, laughter, and lots of books!
Mel Rosenberg is a professor of microbiology (Tel Aviv University, emeritus) who fell in love with children's books as a small child and now writes his own. He is also the founder of Ourboox, a web platform that allows anyone to create and share awesome flipbooks.
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Camilla Fitzsimons is an activist and a member of the Dublin West Pro Choice group. She works at Maynooth University and is the author of Community Education and Neoliberalism. Sinéad Kennedy is the co-founder of The Coalition to Repeal the Eighth and an executive member of Together for Yes. She works at Maynooth University and is the co-editor of The Abortion Papers, Ireland.
In this interview Fitzsimons and Kennedy discuss their new book Repealed: Ireland’s Unfinished Fight for Reproductive Rights (Pluto Press, 2021), a celebration and analysis of a 35-year long grassroots movement that successfully overturned the ban on abortion in Ireland
In 1983, the Eighth Amendment to the Irish Constitution created defined legal protections for the “unborn” and led to the Republic of Ireland having one of the strictest abortion regimes in the world, at a time when the rest of western Europe was liberalizing abortion access. In 2018, this constitutional ban that equated the life of a woman to the life of a fertilised embryo was overturned and abortion was finally legalised. This victory for the Irish Repeal movement set the country alight with euphoria. But, for some, the celebrations were short-lived – the new legislation turned out to be one of the most conservative in Europe. People still travel overseas for abortions and services are not yet fully commissioned in Northern Ireland. Repealed traces the history of the origins of the Eighth Amendment, which was drawn up in fear of a tide of liberal reforms across Europe. It draws out the lessons learned from the groundbreaking campaign in 2018, which was the culmination of a 35-year-long reproductive rights movement and an inspiring example of modern grassroots activism. It tells the story of the “Repeal” campaign through the lens of the activists who are still fighting in a movement that is only just beginning.
Aidan Beatty is a historian at the Honors College of the University of Pittsburgh
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Today we are with Katherine Harvey, author of The Fires of Lust: Sex in the Middle Ages (Reaktion Books, 2021). An illuminating exploration of the surprisingly familiar sex lives of ordinary medieval people. The medieval humoral system of medicine suggested that it was possible to die from having too much--or too little--sex, while the Roman Catholic Church taught that virginity was the ideal state. Holy men and women committed themselves to lifelong abstinence in the name of religion. Everyone was forced to conform to restrictive rules about who they could have sex with, in what way, how often, and even when, and could be harshly punished for getting it wrong. Other experiences are more familiar. Like us, medieval people faced challenges in finding a suitable partner or trying to get pregnant (or trying not to). They also struggled with many of the same social issues, such as whether prostitution should be legalized. Above all, they shared our fondness for dirty jokes and erotic images. By exploring their sex lives, the book brings ordinary medieval people to life, revealing details of their most personal thoughts and experiences. Ultimately, it provides us with an important and intimate connection to the past.
Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
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As the first state to legalize same-sex marriage in Asia and host the first annual gay pride in the Sinophone Pacific, Taiwan is a historic center of lesbian, gay, bisexual, transgender, and queer culture. With this blazing path of activism, queer Taiwanese literature has also risen in prominence and there is a growing popular interest in stories about the transgression of gender and sexual norms.
Since the lifting of martial law in 1987, queer authors have redefined Taiwan’s cultural scene, and throughout the 1990s many of their works have won the most prestigious literary awards and accolades. This anthology provides a deeper understanding of queer literary history in Taiwan. It includes a selection of short stories, previously untranslated, written by Taiwanese authors dating from 1975 to 2020. Readers are introduced to a wide range of themes: bisexuality, aging, mobility, diaspora, AIDS, indigeneity, recreational drug use, transgender identity, surrogacy, and many others. The diversity of literary tropes and styles canvased in this book reflects the profusion of gender and sexual configurations that has marked Taiwan’s complex history for the past half century.
Queer Taiwanese Literature: A Reader (Cambria Press, 2021) is a timely and important resource for readers interested in Taiwan studies, queer literature, and global cultural studies.
Howard Chiang is an associate professor in the Department of History at the University of California, Davis. He is the author of After Eunuchs: Science, Medicine, and the Transformation of Sex in Modern China and Transtopia in the Sinophone Pacific. He is also the Editor-in-Chief of the Global Encyclopedia of Lesbian, Gay, Bisexual, Transgender, and Queer History.
Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
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In Confidence Culture (Duke UP, 2022), Shani Orgad and Rosalind Gill argue that imperatives directed at women to “love your body” and “believe in yourself” imply that psychological blocks rather than entrenched social injustices hold women back. Interrogating the prominence of confidence in contemporary discourse about body image, workplace, relationships, motherhood, and international development, Orgad and Gill draw on Foucault’s notion of technologies of self to demonstrate how “confidence culture” demands of women near-constant introspection and vigilance in the service of self-improvement. They argue that while confidence messaging may feel good, it does not address structural and systemic oppression. Rather, confidence culture suggests that women—along with people of color, the disabled, and other marginalized groups—are responsible for their own conditions. Rejecting confidence culture’s remaking of feminism along individualistic and neoliberal lines, Orgad and Gill explore alternative articulations of feminism that go beyond the confidence imperative.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at [email protected].
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Kristin Waters' book Maria W. Stewart and the Roots of Black Political Thought (U Mississippi Press, 2021) tells a crucial, almost-forgotten story of African Americans of early nineteenth-century America. In 1833, Maria W. Stewart (1803–1879) told a gathering at the African Masonic Hall on Boston’s Beacon Hill: “African rights and liberty is a subject that ought to fire the breast of every free man of color in these United States.” She exhorted her audience to embrace the idea that the founding principles of the nation must extend to people of color. Otherwise, those truths are merely the hypocritical expression of an ungodly white power, a travesty of original democratic ideals. Like her mentor, David Walker, Stewart illustrated the practical inconsistencies of classical liberalism as enacted in the US and delivered a call to action for ending racism and addressing gender discrimination.
Between 1831 and 1833, Stewart’s intellectual productions, as she called them, ranged across topics from true emancipation for African Americans, the Black convention movement, the hypocrisy of white Christianity, Black liberation theology, and gender inequity. Along with Walker’s Appeal to the Coloured Citizens of the World, her body of work constitutes a significant foundation for a moral and political theory that is finding new resonance today―insurrectionist ethics.
Jane Scimeca is Professor of History at Brookdale Community College.
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Electrifying athletes like Olga Korbut and Nadia Comaneci helped make women’s artistic gymnastics one of the most popular events in the Olympic Games. But the transition of gymnastics from a women’s sport to a girl’s sport in the 1970s also laid the foundation for a system of emotional, physical, and sexual abuse of gymnasts around the world.
In Degrees of Difficulty: How Women's Gymnastics Rose to Prominence and Fell from Grace (University of Illinois Press, 2021), Dr. Georgia Cervin has written “one of the first books to examine the history of women’s gymnastics as an international sport. It aims to do this in the context of international sport and global politics, as well as the social norms that have been constructed within the sport. Hence, the book fluctuates between looking inwardly at the sport and outwardly at gymnastics’ place in the world. It reviews the origins of gymnastics and its position in the Olympic movement, how it was governed and the reasons behind the rules, where the sport fits into nationalism and international relations, who teaches gymnastics and how they do so, and what it all represents about class, gender, and race…This book thus offers insights into how and why women’s gymnastics developed the way it did, including insights into how dangerous sporting cultures are created, as well as challenging what we know about the Cold War and international relations throughout this period.”
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Dr. Melcher is also a long-standing gymnastics fan.
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Scholars Esther De Dauw and Daniel J. Connell have assembled an array of chapters that explore the idea of masculinity in the realm of contemporary heroes and superheroes. Toxic Masculinity: Mapping the Monstrous in Our Heroes (UP of Mississippi, 2020) examines not only the presentation of masculinity in which we are constantly immersed in the superhero narrative in films, television, and comics, but also how this translates into our expectations as to what is the model for heroism. The editors and authors unpack this concept of hegemonic masculinity, and how it generally incorporates hypermasculinity and toxic masculinity, and how it also, by definition, tends to reject femininity, thus bifurcating gender and gender performances and images into two distinct silos. This reification is communicated in so many of these superheroic narratives and is re-absorbed by the audience. The contributing authors to Toxic Masculinity interrogate these presentations and continue the conversation that is active in the academe. This conversation, according to the research, is also quite active within superhero fandom.
The first section of the book specifically examines masculinity and the pop culture superhero artifacts. The second section of the book examines the contrast to masculinity—namely those who embody a different gender or sexuality but are still superheroes. If masculinity itself is a kind of fan service in this superhero genre, the question arises as to what it is that non-male characters must do for fan service. How are consumers of superheroes satisfied if the superhero isn’t hard bodied in the same way? The final section of the book focuses on unexpected heroes, who play with gender a bit more than the hypermasculine heroes who dominate so many of the contemporary superhero films and television shows.
Toxic Masculinity examines both the male and the female gaze in the way that we see and interpret these superheroic narratives. This is a fascinating book, for scholars, for fans, for anyone interested in our current popular culture environment and questions of gender.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at [email protected] or tweet to @gorenlj.
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How does Ultra-Orthodox Jewish literature describe the male body? What does the body represent? What is the ideal male body? In The Male Body in Ultra-Orthodox Jewish Theology, published in 2021 by Pickwick Publications, Yakir Englander presents a philosophical-theological exploration of the different images of the male body in Ultra-Orthodox literature since the holocaust. The body is not incidental to this community but is the axis by which it tries to understand its meaning and its role in life.
In the first part of the book, Englander explains the “problem of the body” and the different ways that Ultra-Orthodox theology deals with it. These different and even contradictory voices can teach the reader about the shifting of ideas inside Ultra-Orthodox thought in the last decades. The second part of the book focuses on the image of the ideal body and describes how the rabbis train their bodies to reach ultimate form.
Yakir Englander is a scholar and an activist who teaches at the Academy for Jewish Religion and is also a host on the New Books Network.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020).
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The overwhelming majority of tea practitioners in contemporary Japan are women, but there has been little discussion on their historical role in tea culture (chanoyu). In Cultivating Femininity: Women and Tea Culture in Edo and Meiji Japan (U Hawaii Press, 2019), Rebecca Corbett (USC East Asian Library) writes women back into this history and shows how tea practice for women was understood, articulated, and promoted in the Edo (1603–1868) and Meiji (1868–1912) periods. Viewing chanoyu 茶の湯 from the lens of feminist and gender theory, she sheds new light on tea’s undeniable influence on the formation of modern understandings of femininity in Japan.
Corbett overturns the iemoto 家元 tea school’s carefully constructed orthodox narrative by employing underused primary sources and closely examining existing tea histories. She incorporates Pierre Bourdieu’s theories of social and cultural capital and Norbert Elias’s “civilizing process” to explore the economic and social incentives for women taking part in chanoyu. Although the iemoto system sought to increase its control over every aspect of tea, including book production, eighteenth- and nineteenth-century popular texts aimed specifically at women evidence the spread of tea culture beyond parameters set by the schools. The expansion of chanoyu to new social groups cascaded from commoner men to elite then commoner women. Shifting the focus away from male tea masters complicates the history of tea in Japan and shows how women of different social backgrounds worked within and without traditionally accepted paradigms of tea practice. The direct socioeconomic impact of the spread of tea is ultimately revealed in subsequent advances in women’s labor opportunities and an increase in female social mobility. Through their participation in chanoyu, commoner women were able to blur and lessen the status gap between themselves and women of aristocratic and samurai status.
Cultivating Femininity offers a new perspective on the prevalence of tea practice among women in modern Japan. It presents a fresh, much-needed approach, one that will be appreciated by students and scholars of Japanese history, gender, and culture, as well as by tea practitioners.
This book is now available for free in open access at DOAB, ProjectMuse, and JSTOR.
Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience.
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Today I talked to Suzanne Cope about her new book Power Hungry: Women of the Black Panther Party and Freedom Summer and Their Fight to Feed a Movement (Lawrence Hill Books, 2021)
In early 1969 Cleo Silvers and a few Black Panther Party members met at a community center laden with boxes of donated food to cook for the neighborhood children. By the end of the year, the Black Panthers would be feeding more children daily in all of their breakfast programs than the state of California was at that time.
More than a thousand miles away, Aylene Quin had spent the decade using her restaurant in McComb, Mississippi, to host secret planning meetings of civil rights leaders and organizations, feed the hungry, and cement herself as a community leader who could bring people together--physically and philosophically--over a meal.
These two women's tales, separated by a handful of years, tell the same story: how food was used by women as a potent and necessary ideological tool in both the rural south and urban north to create lasting social and political change. The leadership of these women cooking and serving food in a safe space for their communities was so powerful, the FBI resorted to coordinated extensive and often illegal means to stop the efforts of these two women, and those using similar tactics, under COINTELPRO--turning a blind eye to the firebombing of the children of a restaurant owner, destroying food intended for poor kids, and declaring a community breakfast program a major threat to public safety.
But of course, it was never just about the food.
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.
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Today I talked to Colleen Ammerman about her new book (co-authored with Boris Groysberg) Glass Half Broken: Shattering the Barriers That Still Hold Women Back at Work (HBR Press, 2021).
The statistics are annoying, exasperating: choose your adjective. The proportion of female CEOs struggles to break 10%. On Fortune 500 boards, only about 0% of the seats are held by women. The problems with achieving gender fairness go on and on. Fortunately, my guest Colleen Ammerman covers many potentially solid ways of addressing the injustices still present. They include not tolerating bad behavior from “rainmakers”—even to the point of disallowing severance pay or other benefit if terminated due to sexual misconduct. Declining invitations to events that don’t prioritize gender diversity among speakers is another avenue of applying some pressure for change. From job interviews being structured before, to ensuring mentors are available, Ammerman offers a wealth of ideas. For anybody who wants to witness both structural changes and cultural changes within companies, this episode is well worth a listen.
Colleen Ammerman, the director of the Harvard Business School Gender Initiative. She’s also a researcher with Life and Leadership After HBS.
Dan Hill, PhD, is the author of nine books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His new book is Blah, Blah, Blah: A Snarky Guide to Office Lingo. To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
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In Dressed for Freedom: The Fashionable Politics of American Feminism (University of Illinois Press, 2021), Einav Rabinovitch-Fox examines how clothes empowered women, and particularly women barred from positions of influence due to race or class. Moving from 1890s shirtwaists through the miniskirts and unisex styles of the 1970s, Rabinovitch-Fox shows how the rise of mass media culture made fashion a vehicle for women to assert claims over their bodies, femininity, and social roles. She highlights how trends in women's sartorial practices expressed ideas of independence and equality. As women employed new clothing styles, they expanded feminist activism beyond formal organizations and movements and reclaimed fashion as a realm of pleasure, power, and feminist consciousness. Dressed for Freedom examines how fashion and clothing are everyday feminist practices.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
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My conversation with Laurie Lambert, author of Comrade Sister: Caribbean Feminist Revisions of the Grenada Revolution (University of Virginia Press, 2020). This book asks us to rethink the Grenadan Revolution through the literature of authors including Merle Collins, Dionne Brand, Derek Walcott and others. Lambert's attention to gender offers new narratives through which to consider the relationships between violence, memory, trauma, and colonialism. We talk about her writing process and methods, and about the broader implications of her book to Caribbean historiography.
Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany.
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What does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In The Play in the System: The Art of Parasitical Resistance (Duke UP, 2020), Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism, a tactic of complicity that effect subversion from within hegemonic structures.
Anna Watkins Fisher speaks to Pierre d'Alancaisez about the underhand tactics of the parasite - artists like the collective Ubermorgen, Núria Güell, the writer Chris Krauss, or Roisin Byrne - by which it appropriates the logic of their hosts - Amazon, the Spanish State, Dick, and in the case of Byrne, Watkins Fisher herself.
Anna Watkins Fisher is a cultural and media theorist whose research spans the fields of digital studies, performance studies, visual culture, environmental humanities, and critical theory. She is an associate professor in the Department of American Culture at the University of Michigan, Ann Arbor.
The Play in the System is available as an open-source download.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
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In 1963, sisters Barbara Ann and Rosa Hawkins and their cousin Joan Marie Johnson traveled from the segregated South to New York City under the auspices of their manager, former pop singer Joe Jones. With their wonderful harmonies, they were an immediate success. To this day, the Dixie Cups’ greatest hit, “Chapel of Love,” is considered one of the best songs of the past sixty years. In Chapel of Love: The Story of New Orleans Girl Group the Dixie Cups (University Press of Mississippi, 2021), Rosa Hawkins and Steve Bergsman discuss the ups and downs of one of the most successful girl groups of the early 1960s. Telling their story for the first time, in their own words, Chapel of Love reintroduces the Louisiana Music Hall of Famers to a new audience.
Podcast guest Steve Bergsman is a longtime journalist who has written over a dozen books. His most recent book was a biography of Screamin’ Jay Hawkins.
Emily Ruth Allen (@emmyru91) holds a PhD in Musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama’s Carnival celebrations.
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Sanctified Sex: The Two-Thousand-Year Jewish Debate on Marital Intimacy (Jewish Publication Society, 2021) draws on two thousand years of rabbinic debates addressing competing aspirations for loving intimacy, passionate sexual union, and sanctity in marriage. What can Judaism contribute to our struggles to nurture love relationships? What halakhic precedents are relevant, and how are rulings changing?
The rabbis, of course, seldom agree. Underlying their arguments are perennial debates: What kind of marital sex qualifies as ideal—sacred self-control of sexual desire or the holiness found in emotional and erotic intimacy? Is intercourse degrading in its physicality or the highest act of spiritual/mystical union? And should women or men (or both) wield ultimate say about what transpires in bed?
Noam Sachs Zion guides us chronologically and steadily through fraught terrain: seminal biblical texts and their Talmudic interpretations; Talmud tales of three unusual rabbis and their marital bedrooms; medieval codifiers and mystical commentators; ultra-Orthodox rabbis clashing with one another over radically divergent ideals; and, finally, contemporary rabbis of varied denominations wrestling with modern transformations in erotic lifestyles and values.
Invited into these sanctified and often sexually explicit discussions with our ancestors and contemporaries, we encounter innovative Jewish teachings on marital intimacy, ardent lovemaking techniques, and the art of couple communication vital for matrimonial success.
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In Making Women Pay: Microfinance in Urban India (Duke UP, 2022), Smitha Radhakrishnan explores India's microfinance industry, which in the past two decades has come to saturate the everyday lives of women in the name of state-led efforts to promote financial inclusion and women's empowerment. Despite this favorable language, Radhakrishnan argues, microfinance in India does not provide a market-oriented development intervention, even though it may appear to help women borrowers. Rather, this commercial industry seeks to extract the maximum value from its customers through exploitative relationships that benefit especially class-privileged men. Through ethnography, interviews, and historical analysis, Radhakrishnan demonstrates how the unpaid and underpaid labor of marginalized women borrowers ensures both profitability and symbolic legitimacy for microfinance institutions, their employees, and their leaders. In doing so, she centralizes gender in the study of microfinance, reveals why most microfinance programs target women, and explores the exploitative implications of this targeting.
Smitha Radhakrishnan is Professor of Sociology and Luella LaMer Professor of Women’s Studies at Wellesley College. Her research examines the cultural, financial, and political dimensions of gender and globalization, with particular focus on India, the United States, and South Africa. Her most recent book, Making Women Pay: Microfinance in Urban India, examines exploitative anti-poverty practices that target women. Radhakrishnan’s previous book, Appropriately Indian: Gender and Culture in a Transnational Class (Duke University Press 2011) is a transnational ethnography of Indian IT professionals. She has previously researched the cultural politics of post-apartheid South Africa. Her articles have appeared in World Development, Gender and Society, Theory and Society, and Signs, among other prominent journals. She received her PhD in Sociology from University of California, Berkeley.
Saronik Bosu (@SaronikB on Twitter) is a doctoral candidate in English at New York University. He is writing his dissertation on South Asian economic writing. He co-hosts the podcast High Theory and is a co-founder of the Postcolonial Anthropocene Research Network.
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In Intersectionality in the Muslim South Asian-American Middle Class: Lifestyle Consumption beyond Halal and Hijab (Lexington Books, 2021), wherein Ternikar theorizes the everyday consumption of South Asian Muslim American women through case studies of their food, clothing, and social media presence. Through feminist, intersectional, and sociology of consumption theories, she provides excellent insights into the nuanced ways that these women negotiate their gendered, classed, racial, and religious identities. Far from being simply a book about the clothing styles, dietary habits and preferences, and social media presence of Muslim American women of South Asian backgrounds, it is an excellent exploration of the ways that this group of American women maintain, form, and re-invent new identities through consumption while maintaining and re-negotiating inherited ethno-religious traditions.
Farha Bano Ternikar is an associate professor of Sociology and director of Gender and Women’s Studies at Le Moyne College. She has an MA in Religious Studies and a PhD in Sociology. Her publications include “Feeding the Muslim South Asian Immigrant Family" in Feminist Food Studies (2019), “Constructing the Halal Kitchen in the American Diaspora” (2020), and “Hijab and the Abrahamic Traditions” in Sociology Compass (2010). Her publications “Ethical consumption and Modest fashion” is forthcoming in Fashion Studies Journal (Spring 2022), and “The Changing Face of Arranged Marriage irl and online in the Muslim Diaspora” in the Politics of Tradition, Resistance and Change (summer 2022).
In our interview today, we discuss the main contributions and findings of her book Intersectionality in the Muslim South Asian-American Middle Class: Lifestyle Consumption beyond Halal and Hijab, her choice to focus on upper-middle class South Asian American women, her respondents’ complex ideas of hijab, modesty, and halal consumption of food, and their presence on and consumption of social media.
Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. She earned her PhD in Islamic Studies with a focus on gender from the University of Texas at Austin in 2018. Her dissertation research explored questions of change and tradition, specifically in the context of gender and sexuality, in Islam. She can be reached at [email protected].
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In the second edition of her book, The Sisters Are Alright: Changing the Broken Narrative of Black Women in America (Berrett-Koehler, 2021), Tamara Winfrey Harris interviews over 100 diverse Black women about marriage, motherhood, health, sexuality, beauty, and more. Winfrey Harris examines the Mammy, Sapphire, and Jezebel stereotypes that persist in American popular media and culture.
Winfrey Harris explores the evolution of stereotypes of Black women, with new real-life examples, such as the rise of blackfishing and digital blackface (which help white women rise to fame) and the media’s continued fascination with Black women’s sexuality (as with Cardi B or Megan Thee Stallion).
The second edition includes a new chapter on Black women and power that explores how persistent stereotypes challenge Black women’s recent leadership and achievements in activism, community organizing, and politics. The chapter includes interviews with activists and civic leaders and interrogates media coverage and perceptions of Stacey Abrams, Vice President Kamala Harris, and others.
Winfrey Harris exposes anti–Black woman propaganda and shows how real Black women are pushing back against racist, distorted cartoon versions of themselves. She counters warped prejudices with the straight-up truth about being a Black woman in America.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
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When Rebecca Lester was eleven years old--and again when she was eighteen--she almost died from anorexia nervosa. Now both a tenured professor in anthropology and a licensed social worker, she turns her ethnographic and clinical gaze to the world of eating disorders--their history, diagnosis, lived realities, treatment, and place in the American cultural imagination.
Famished: Eating Disorders and Failed Care in America (U California Press, 2019), the culmination of over two decades of anthropological and clinical work, as well as a lifetime of lived experience, presents a profound rethinking of eating disorders and how to treat them. Through a mix of rich cultural analysis, detailed therapeutic accounts, and raw autobiographical reflections, Famished helps make sense of why people develop eating disorders, what the process of recovery is like, and why treatments so often fail. It's also an unsparing condemnation of the tension between profit and care in American healthcare, demonstrating how a system set up to treat a disease may, in fact, perpetuate it. Fierce and vulnerable, critical and hopeful, Famished will forever change the way you understand eating disorders and the people who suffer with them.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at [email protected].
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The idea that a woman may leave a biological trace on her gestating offspring has long been a commonplace folk intuition and a matter of scientific intrigue, but the form of that idea has changed dramatically over time. Beginning with the advent of modern genetics at the turn of the twentieth century, biomedical scientists dismissed any notion that a mother--except in cases of extreme deprivation or injury--could alter her offspring's traits. Consensus asserted that a child's fate was set by a combination of its genes and post-birth upbringing.
Over the last fifty years, however, this consensus was dismantled, and today, research on the intrauterine environment and its effects on the fetus is emerging as a robust program of study in medicine, public health, psychology, evolutionary biology, and genomics. Collectively, these sciences argue that a woman's experiences, behaviors, and physiology can have life-altering effects on offspring development.
Tracing a genealogy of ideas about heredity and maternal-fetal effects, Sarah S. Richardson's The Maternal Imprint: The Contested Science of Maternal-Fetal Effects (U Chicago Press, 2021) offers a critical analysis of conceptual and ethical issues--in particular, the staggering implications for maternal well-being and reproductive autonomy--provoked by the striking rise of epigenetics and fetal origins science in postgenomic biology today.
Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies.
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In a nation deeply divided by race, the "Karens" of the world are easy to villainize. But in Nice White Ladies: The Truth about White Supremacy, Our Role in It, and How We Can Help Dismantle It (Seal Press, 2021), Jessie Daniels addresses the unintended complicity of even well-meaning white women. She reveals how their everyday choices harm communities of color. White mothers, still expected to be the primary parents, too often uncritically choose to send their kids to the "best" schools, collectively leading to a return to segregation. She addresses a feminism that pushes women of color aside, and a wellness industry that insulates white women in a bubble of their own privilege.
Daniels then charts a better path forward. She looks to the white women who fight neo-Nazis online and in the streets, and who challenge all-white spaces from workplaces to schools to neighborhoods. In the end, she shows how her fellow white women can work toward true equality for all.
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Eighteen months after Iran’s Revolution in 1979, hundreds of thousands of the country’s women participated in the Iran-Iraq War (1980–88) in a variety of capacities. Iran was divided into women of conservative religious backgrounds who supported the revolution and accepted some of the theocratic regime’s depictions of gender roles, and liberal women more active in civil society before the revolution who challenged the state’s male-dominated gender bias. However, both groups were integral to the war effort, serving as journalists, paramedics, combatants, intelligence officers, medical instructors, and propagandists. Behind the frontlines, women were drivers, surgeons, fundraisers, and community organizers. The war provided women of all social classes the opportunity to assert their role in society, and in doing so, they refused to be marginalized.
Despite their significant contributions, women are largely absent from studies on the war. In Iranian Women and Gender in the Iran-Iraq War (Syracuse UP, 2021), Farzaneh chronicles in copious detail women’s participation on the battlefield, in the household, and everywhere in between.
Mateo Mohammad Farzaneh is associate professor of history and the Principal of the Mossadegh Initiative at Northeastern Illinois University in Chicago. He is an expert in the history of Iran and the modern Middle East. His first book, The Iranian Constitutional Revolution and the Clerical Leadership of Khurasani won the National History Honor Society Best First Book Award in 2016. For more info visit https://www.mateofarzaneh.com.
Amir Sayadabdi is a lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism.
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Gender and Food: A Critical Look at the Food System (Rowman and Littlefield, 2019) synthesizes existing theoretical and empirical research on food, gender, and intersectionality to offer students and scholars a framework from which to understand how gender is central to the production, distribution, and consumption of food.
Shelley L. Koch is professor of sociology at Emory & Henry College. She is the author of A Theory of Grocery Shopping: Food, Choice, and Conflict and co-editor of Food, Masculinities and Home: Interdisciplinary Perspectives. Her areas of specialization include gender, food studies, the environment, and consumer society. She also teaches in courses in the Women and Gender Studies and Food Studies programs. She received the HOPE Award in 2018 for her work on sustainable local food systems, and tends a garden and raises chickens in Washington County.
Amir Sayadabdi is a lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism.
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Bogdan Popa’s De-Centering Queer Theory: Communist Sexuality in the Flow During and After the Cold War (Manchester University Press, 2021) seeks to reorient queer theory to a different conception of bodies and sexuality derived from Eastern European Marxism. The book articulates a contrast between the concept of the productive body, which draws its epistemology from Soviet and avant-garde theorists, and Cold War gender, which is defined as the social construction of the body. The first part of the book concentrates on the theoretical and visual production of Eastern European Marxism, which proposed an alternative version of sexuality to that of western liberalism. In doing so it offers a historical angle to understand the emergence not only of an alternative epistemology, but also of queer theory's vocabulary. The second part of the book provides a Marxist, anti-capitalist archive for queer studies, which often neglects to engage critically with its liberal and Cold War underpinnings.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at [email protected].
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Mediatized Taiwanese Mandarin: Popular Culture, Masculinity, and Social Perceptions (Springer, 2021) explores how language ideologies have emerged for gangtaiqiang through a combination of indexical and ideological processes in televised media. Gangtaiqiang (Hong Kong-Taiwan accent), a socially recognizable form of mediatized Taiwanese Mandarin, has become a stereotype for many Chinese mainlanders who have little real-life interaction with Taiwanese people. Using both qualitative and quantitative approaches, the author examines how Chinese millennials perceive gangtaiqiang by focusing on the following questions: 1) the role of televised media in the formation of language attitudes, and 2) how shifting gender ideologies are performed and embodied such attitudes. This book presents empirical evidence to argue that gangtaiqiang should, in fact, be conceptualized as a mediatized variety of Mandarin, rather than the actual speech of people in Hong Kong or Taiwan. The analyses in this book point to an emerging realignment among the Chinese towards gangtaiqiang, a variety traditionally associated with chic, urban television celebrities and young cosmopolitan types. In contrast to Beijing Mandarin, Taiwanese Mandarin is now perceived to be pretentious, babyish, and emasculated, mirroring the power dynamics between Taiwan and China.
Chun-Yi Peng is an Associate Professor at Borough of Manhattan Community College, CUNY. His primary research interests are in the fields of sociolinguistics and linguistic anthropology.
Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
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Should we love work? In The Trouble with Passion: How Searching for Fulfillment at Work Fosters Inequality (U California Press, 2021), Erin Cech, an Associate Professor of Sociology at the University of Michigan, demonstrates how having passion for work fosters and reinforces a wide range of social inequalities. Drawing on extensive fieldwork and data analysis, the book combines qualitative and quantitative data to elaborate and theorise ‘the passion principle’ that underpins how the more advantaged justify the inequalities associated with education and the labour market. Alongside revealing who benefits, and who suffers, from the ideology that people must be passionate about work, the book gives strategies and ideas on how to challenge and change the passion principle. The book will be essential reading across academia and for anyone interested in contemporary working life.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
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In his new book Fantasy, Online Misogyny and the Manosphere: Male Bodies of Dis/Inhibition (Routledge, 2021), Jacob Johanssen takes us on a journey into the dark masculinist recesses of the internet. He analyses original data from online communities of Involuntary Celibate (Incel) men, women-denigrating “Men Going Their Own Way”, anti-porn crusading NoFap users and the manifestos of mass shooters. By making use of the work of Willhelm Reich, Elisabeth Young-Bruehl and Klaus Theweleit, he is able to construct a convincing and sinister portrait of this dis/inhibited online culture, in which intermingling fantasies of victimhood and destructive annihilation of the feminine Other create a seething mélange of hatred and misogyny. It is testament to the power of the psychoanalytically informed approach of gathering “identificatory knowledge” that Johanssen does not stop at painting a damning picture of these men, but tries to grasp the psychodynamics at play in their polarized and fragmented world views and identities. As unlikely as it seems, there is even a glimmer of hope at the end of the book. Johanssen applies Jessica Benjamin’s concept of recognition to the men discussed - a possible way out of the dead end of the obsessively intensified hate of the manosphere? We discuss this question and many more in the interview.
Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at [email protected].
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Since the turn of the millennium, American media, scientists, and environmental activists have insisted that the global population crisis is “back”—and that the only way to avoid catastrophic climate change is to ensure women’s universal access to contraception. Did the population problem ever disappear? What is bringing it back—and why now? In On Infertile Ground: Population Control and Women's Rights in the Era of Climate Change (New York University Press, 2018), Jade S. Sasser explores how a small network of international development actors, including private donors, NGO program managers, scientists, and youth advocates, is bringing population back to the center of public environmental debate. While these narratives never disappeared, Sasser argues, histories of human rights abuses, racism, and a conservative backlash against abortion in the 1980s drove them underground—until now.
Using interviews and case studies from a wide range of sites—from Silicon Valley foundation headquarters to youth advocacy trainings, the halls of Congress and an international climate change conference—Sasser demonstrates how population growth has been reframed as an urgent source of climate crisis and a unique opportunity to support women’s sexual and reproductive health and rights. Although well-intentioned—promoting positive action, women’s empowerment, and moral accountability to a global community—these groups also perpetuate the same myths about the sexuality and lack of virtue and control of women and the people of global south that have been debunked for decades. Unless the development community recognizes the pervasive repackaging of failed narratives, Sasser argues, true change and development progress will not be possible.
On Infertile Ground presents a unique critique of international development that blends the study of feminism, environmentalism, and activism in a groundbreaking way. It will make any development professional take a second look at the ideals driving their work.
Dr. Nicole Bourbonnais is an Associate Professor of International History and Politics and Co-Director of the Gender Centre at the Graduate Institute of International and Development Studies in Geneva, Switzerland. Her research explores reproductive politics and practice from a transnational historical perspective. More info here. witter: @iheid_history and @GC_IHEID
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When Cassandra Lane finds herself pregnant at thirty-five, the knowledge sends her on a poignant exploration of memory to prepare for her entry into motherhood. She moves between the twentieth-century rural South and present-day Los Angeles, reimagining the intimate life of her great-grandparents Mary Magdelene Magee and Burt Bridges, and Burt's lynching at the hands of vengeful white men in his southern town.
We Are Bridges: A Memoir (Feminist Press, 2021) turns to creative nonfiction to reclaim a family history from violent erasure so that a mother can gift her child with an ancestral blueprint for their future. Haunting and poetic, this debut traces the strange fruit borne from the roots of personal loss in one Black family--and considers how to take back one's American story.
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Several high-profile cases of sexual harassment and assault have helped the #MeToo movement in China continue to make impacts on a society that is highly controlled and surveilled. Most recently, tennis star Peng Shuai’s saga has accused former top Chinese Communist Party leader, Zhang Gaoli of sexual assault. Although Peng did not say that she is part of the #MeToo movement, her speaking out has given fresh impetus to the campaign.
Joining us to talk to Julie Chen about the #MeToo movement in China is Dusica Ristivojević, Kone Foundation Bold Initiatives Senior Researcher at the University of Helsinki. Dušica works in the areas of interdisciplinary Chinese studies, media studies, and international relations. Recently, she published a co-authored journal article on the #MeToo movement in China. See Jing Xiong and Dušica Ristivojević (2021) #MeToo in China: How do the Voiceless Rise Up in an Authoritarian State? in Politics & Gender.
Julie Yu-Wen Chen is Professor of Chinese Studies at the Department of Cultures at the University of Helsinki (Finland). Dr. Chen serves as one of the editors of the Journal of Chinese Political Science (Springer, SSCI). Formerly, she was chair of Nordic Association of China Studies (NACS) and Editor-in-Chief of Asian Ethnicity (Taylor & Francis). You can find her on University of Helsinki Chinese Studies’ website, Youtube and Facebook, and her personal Twitter.
The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University.
We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.
Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast
About NIAS: www.nias.ku.dk
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In this Postscript, Susan Liebell and Lilly Goren review this morning’s U.S. Supreme Court decision in Texas SB-8, the oral arguments in last week’s Mississippi abortion case, and the wider issues of the Court’s legitimacy, electoral backlash, ripple effects beyond abortion to marriage equality or protection of sexuality, the effect of a ruling on electoral politics, and the effectiveness of grassroots organizing. We are joined by Dr. Rebecca Kreitzer (Associate Professor of Public Policy and Adjunct Associate Professor of Political Science at the University of North Carolina at Chapel Hill), Dr. Andrew R. Lewis (Associate Professor of Political Science at the University of Cincinnati) and Dr. Joshua C. Wilson (Professor of Political Science at the University of Denver).
Daniella Campos assisted with this podcast.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.
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Dances and balls appear throughout world literature as venues for young people to meet, flirt, and form relationships, as any reader of Pride and Prejudice, War and Peace, or Romeo and Juliet can attest. The popularity of social dance transcends class, gender, ethnic, and national boundaries. In the context of nineteenth- and twentieth-century Jewish culture, dance offers crucial insights into debates about emancipation and acculturation. While traditional Jewish law prohibits men and women from dancing together, Jewish mixed-sex dancing was understood as the very sign of modernity––and the ultimate boundary transgression.
Writers of modern Jewish literature deployed dance scenes as a charged and complex arena for understanding the limits of acculturation, the dangers of ethnic mixing, and the implications of shifting gender norms and marriage patterns, while simultaneously entertaining their readers. In It Could Lead to Dancing: Mixed-Sex Dancing and Jewish Modernity (Stanford UP, 2021), Sonia Gollance examines the specific literary qualities of dance scenes, while also paying close attention to the broader social implications of Jewish engagement with dance. Combining cultural history with literary analysis and drawing connections to contemporary representations of Jewish social dance, Gollance illustrates how mixed-sex dancing functions as a flexible metaphor for the concerns of Jewish communities in the face of cultural transitions.
Amber Nickell is Associate Professor of History at Fort Hays State University, Editor at H-Ukraine, and Host at NBN Jewish Studies and Eastern Europe.
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Barbara Rosenwein talks about her new book Love: A History in Five Fantasies (Polity Press, 2021) today on the podcast.
We make sense of love with fantasies, stories that shape feelings that are otherwise too overwhelming, incoherent, and wayward to be tamed. For love is a complex, bewildering, and ecstatic emotion covering a welter of different feelings and moral judgments.
Drawing on poetry, fiction, letters, memoirs, and art, and with the aid of a rich array of illustrations, historian Barbara H. Rosenwein explores five of our most enduring fantasies of love: like-minded union, transcendent rapture, selfless giving, obsessive longing, and insatiable desire. Each has had a long and tangled history with lasting effects on how we in the West think about love today. Yet each leads to a different conclusion about what we should strive for in our relationships.
If only we could peel back the layers of love and discover its “true” essence. But love doesn’t work like that; it is constructed on the shards of experience, story, and feeling, shared over time, intertwined with other fantasies. By understanding the history of how we have loved, Rosenwein argues, we may better navigate our own tumultuous experiences and perhaps write our own scripts.
Barbara H. Rosenwein is internationally recognized for her work in the history of emotions, a field she helped to pioneer. Her books explore the many ways in which different groups have experienced, valued, and expressed emotions over time. There are no universal, “basic emotions,” but all of us have feelings shaped by (and shaping in turn) the “emotional communities” in which we live. Rosenwein has taught and lectured around the world, but her home is near Chicago, where she lives with her husband, Tom.
Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
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For a majority of African women, the “colonial encounter” occurred at the maternity ward, the health centre, or Maternal and Infant Welfare Centres. In Être mère en situation coloniale: Gold Coast (années 1910-1950) (Editions de la Sorbonne, 2020), Anne Hugon analyzes the consequences of colonialism on colonized women, through a history of maternal and child health institutions in the Gold Coast (present-day Ghana). How were colonial biomedical interventions around pregnancy and childbirth implemented? How did the women who sought care in these centres perceive and repurpose such interventions? By relying on administrative archives of medical services, oral history with retired midwives, private archives, and newspapers, this book sheds light on the multifaceted experiences of African mothers in a colonial context.
Anne Hugon is an Associate Professor of African History at Paris 1-Panthéon Sorbonne and a member of the Institut des Mondes Africains (IMAf).
Thomas Zuber is a PhD Candidate in History at Columbia University.
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Pink Revolutions: Globalization, Hindutva, and Queer Triangles in Contemporary India (Northwestern UP, 2021) describes how queer politics in India occupies an uneasy position between the forces of neoliberal globalization, on the one hand, and the nationalist Hindu fundamentalism that has emerged since the 1990s, on the other. While neoliberal forces use queerness to highlight India’s democratic credentials and stature within a globalized world, nationalist voices claim that queer movements in the country pose a threat to Indian national identity. Nishant Shahani argues that this tension implicates queer politics within messy entanglements and knotted ideological triangulations, geometries of power in which local understandings of “authentic” nationalism brush up against global agendas of multinational capital.
Eschewing structures of absolute complicity or abject alterity, Pink Revolutions pays attention to the logics of triangulation in various contexts: gay tourism, university campus politics, diasporic cultural productions, and AIDS activism. The book articulates a framework through which queer politics can challenge rather than participate in neoliberal imperatives, an approach that will interest scholars engaged with queer studies and postcolonial scholarship, as well as activists and academics wrestling with global capitalism and right-wing regimes around the world.
Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).
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How do Black women entrepreneurs in South Africa play off westerners’ fear and desire for impoverished townships through home-based tourist accommodations? This episode’s guest is Dr. Annie Hikido, Assistant Professor of Sociology at Colby College. She tells us how her racialized experiences growing up as a Japanese-American woman in California pushed her to become an ethnographer and race scholar. She then describes the ethnographic experiences behind her wonderful new article in Qualitative Sociology, “Making South Africa Safe: The Gendered Production of Black Place on the Global Stage,” in which she stayed with Black women in marginalized South African townships who open their homes to mostly-white tourists. She explains both these women’s public-facing performances of themselves to their visitors, as well as the behind-the-scenes and community efforts that went into presenting the townships as a safe space. She then reflects on how the women and community members understood her as an Asian-American woman and researcher, before describing her ongoing relationships with the women and the current state of her research given the pandemic.
Alex Diamond is a Ph.D. candidate in sociology at the University of Texas, Austin. Sneha Annavarapu is a postdoctoral researcher at the University of Chicago.
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Yael Levy examines the underexplored antiheroine of early twenty-first century television in Chick-TV: Antiheroines and Time Unbound (Syracuse UP, 2022). Levy advances antiheroines to the forefront of television criticism, revealing the varied and subtle ways in which they perform feminist resistance. Offering a retooling of gendered media analyses, Levy finds antiheroism not only in the morally questionable cop and tormented lawyer, but also in the housewife and nurse who inhabit more stereotypical feminine roles. By analyzing Girls, Desperate Housewives, Nurse Jackie, Being Mary Jane, Grey’s Anatomy, Six Feet Under, Sister Wives, and the Real Housewives franchise, Levy explores the narrative complexities of “chick TV” and the radical feminist potential of these shows.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
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In The Work of Rape (Duke UP, 2021), Rana M. Jaleel argues that the redefinition of sexual violence within international law as a war crime, crime against humanity, and genocide owes a disturbing and unacknowledged debt to power and knowledge achieved from racial, imperial, and settler colonial domination. Prioritizing critiques of racial capitalism from women of color, Indigenous, queer, trans, and Global South perspectives, Jaleel reorients how violence is socially defined and distributed through legal definitions of rape. From Cold War conflicts in Latin America, the 1990s ethnic wars in Rwanda and Yugoslavia, and the War on Terror to ongoing debates about sexual assault on college campuses, Jaleel considers how legal and social iterations of rape and the terms that define it—consent, force, coercion—are unstable indexes and abstractions of social difference that mediate racial and colonial positionalities. Jaleel traces how post-Cold War orders of global security and governance simultaneously transform the meaning of sexualized violence, extend US empire, and disavow legacies of enslavement, Indigenous dispossession, and racialized violence within the United States.
Work of Rape is the recipient of Duke University Press Scholars of Color First Book Award.
Rana M. Jaleel is Associate Professor in the Department of Gender, Sexuality, and Women's Studies at the University of California, Davis, where she is also the Faculty Advisor for the Sexuality Studies Minor.
Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies.
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On this episode of Queer Voices of the South, I talk with Shelby Criswell, whose book Queer As All Get Out: 10 People Who've Inspired Me (Street Noise Books, 2021) follows the daily life of one queer artist from Texas as they introduce us to the lives of ten extraordinary people.
The author shares their life as a genderqueer person, living in the American South, revealing their own personal struggle for acceptance and how they were inspired by these historical LGBTQIA+ people to live their own truth. Featuring biographies of Mary Jones, We'wha, Magnus Hirschfeld, Dr. Pauli Murray, Wilmer "Little Axe" M. Broadnax, Sister Rosetta Tharpe, Carlett Brown, Nancy Cardenas, Ifti Nasim, and Simon Nkoli.
Shelby Criswell is a queer comic creator and graphic designer thriving in San Antonio, TX. They studied studio arts at the Santa Fe Institute of Art and Design as well as illustration at Academy of Arts University. They have been creating comics and drawing since childhood and haven't found anything more fulfilling to take its place. When Shelby is not creating comics or working on graphic design projects for clients, they are playing banjo, going on overnight bike trips, or drinking far too much coffee.
Shelby has had work in a few comic anthologies including Sweaty Palms, Everything is Going Wrong, and is in the Ignatz and Ringo Award-winning book Be Gay Do Comics. Shelby made their debut into mainstream comics as the artist on TERMINAL PUNKS published by Mad Cave Studios. They have also illustrated online comics for Oh Joy Sex Toy and The Nib.
Morris Ardoin is author of Stone Motel: Memoirs of a Cajan Boy (2020, University Press of Mississippi), which was optioned for TV/Film development in 2021. A communications practitioner, his work has appeared in regional, national, and international media. He divides his time between New York City and Cornwallville, New York, where he does most of his writing. His blog, Parenthetically Speaking, can be found at www.morrisardoin.com. Twitter: @morrisardoin
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Brazil markets itself as a racially mixed utopia. The United States prefers the term melting pot. Both nations have long used the image of the mulatta to push skewed cultural narratives. Highlighting the prevalence of mixed race women of African and European descent, the two countries claim to have perfected racial representation-all the while ignoring the racialization, hypersexualization, and white supremacy that the mulatta narrative creates.
In Imagining the Mulatta: Blackness in U. S. and Brazilian Media (U Illinois Press, 2020), Jasmine Mitchell investigates the development and exploitation of the mulatta figure in Brazilian and U.S. popular culture. Drawing on a wide range of case studies, she analyzes policy debates and reveals the use of mixed-Black female celebrities as subjects of racial and gendered discussions. Mitchell also unveils the ways the media moralizes about the mulatta figure and uses her as an example of an "acceptable" version of blackness that at once dreams of erasing undesirable blackness while maintaining the qualities that serve as outlets for interracial desire.
Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at [email protected] and on twitter @MickellCarter
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In this episode, I interview Gila Ashtor, a practicing psychoanalyst and critical theorist, about her new book, Homo Psyche: On Queer Theory and Erotophobia (Fordham University Press, 2021). This book proceeds from the perplexing observation that for all of its political agita, rhetorical virtuosity, and intellectual restlessness, queer theory conforms to a model of erotic life that is psychologically conservative and narrow. Even after several decades of combative, dazzling, irreverent queer critical thought, the field remains far from grasping that sexuality’s radical potential lies in its being understood as “exogenous, intersubjective and intrusive” (Laplanche). In particular, and despite the pervasiveness and popularity of recent calls to deconstruct the ideological foundations of contemporary queer thought, no study has as yet considered or in any way investigated the singular role of psychology in shaping the field’s conceptual impasses and politico-ethical limitations.
Through close readings of key thinkers in queer theoretical thought—Eve Kosofsky Sedgwick, Leo Bersani, Lee Edelman, Judith Butler, Lauren Berlant, and Jane Gallop—Homo Psyche introduces metapsychology as a new dimension of analysis vis-à-vis the theories of French psychoanalyst Jean Laplanche, who insisted on “new foundations for psychoanalysis” that radically departed from existing Freudian and Lacanian models of the mind. Staging this intervention, Ashtor deepens current debates about the future of queer studies by demonstrating how the field’s systematic neglect of metapsychology as a necessary and independent realm of ideology ultimately enforces the complicity of queer studies with psychological conventions that are fundamentally erotophobic and therefore inimical to queer theory’s radical and ethical project.
Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email.
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Over the course of the twentieth century, campaigns to increase access to modern birth control methods spread across the globe and fundamentally altered the way people thought about and mobilized around reproduction. This book explores how a variety of actors translated this movement into practice on four islands (Jamaica, Trinidad, Barbados, and Bermuda) from the 1930s-70s. The process of decolonization during this period led to heightened clashes over imperial and national policy and brought local class, race, and gender tensions to the surface, making debates over reproductive practices particularly evocative and illustrative of broader debates in the history of decolonization and international family planning. Nicole C. Bourbonnais' book Birth Control in the Decolonizing Caribbean: Reproductive Politics and Practice on Four Islands, 1930–1970 (Cambridge UP, 2016) is at once a political history, a history of activism, and a social history, exploring the challenges faced by working class women as they tried to negotiate control over their reproductive lives.
Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany.
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Tanya L. Roth's Her Cold War: Women in the U.S. Military, 1945–1980 (University of North Carolina Press, 2021) explains that while Rosie the Riveter had fewer paid employment options after being told to cede her job to returning World War II veterans, her sisters and daughters found new work opportunities in national defense. The 1948 Women's Armed Services Integration Act created permanent military positions for women with the promise of equal pay. Her Cold War follows the experiences of women in the military from the passage of the Act to the early 1980s. In the late 1940s, defense officials structured women's military roles on the basis of perceived gender differences. Classified as noncombatants, servicewomen filled roles that they might hold in civilian life, such as secretarial or medical support positions. Defense officials also prohibited pregnant women and mothers from remaining in the military and encouraged many women to leave upon marriage. Before civilian feminists took up similar issues in the 1970s, many servicewomen called for a broader definition of equality free of gender-based service restrictions. Tanya L. Roth shows us that the battles these servicewomen fought for equality paved the way for women in combat, a prerequisite for promotion to many leadership positions, and opened opportunities for other servicepeople, including those with disabilities, LGBT and gender nonconforming people, noncitizens, and more.
Jane Scimeca is Professor of History at Brookdale Community College. You can watch Professor Scimeca's YouTube channel on Women's History here.
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Vulnerable narratives of fatherhood are few and far between; rarer still is an ethnography that delves into the practical and emotional realities of intensive caregiving. Grounded in the intimate everyday lives of men caring for children with major physical and intellectual disabilities, Worlds of Care: The Emotional Lives of Fathers Caring for Children with Disabilities (U California Press, 2021) undertakes an exploration of how men shape their identities in the context of caregiving. Anthropologist Aaron J. Jackson fuses ethnographic research and creative nonfiction to offer an evocative account of what is required for men to create habitable worlds and find some kind of “normal” when their circumstances are anything but. Combining stories from his fieldwork in North America with reflections on his own experience caring for his severely disabled son, Jackson argues that care has the potential to transform our understanding of who we are and how we relate to others.
Aaron J. Jackson is a Lecturer in Anthropology at Victoria University. His research focuses on fatherhood, care, and disability.
Alize Arıcan is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City & Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography.
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Over the past decade, effective prevention and treatment policies have resulted in global health organizations claiming that the end of the HIV/AIDS crisis is near and that HIV/AIDS is now a chronic but manageable disease. These proclamations have been accompanied by stagnant or decreasing public interest in and financial support for people living with HIV and the organizations that support them, minimizing significant global disparities in the management and control of the HIV pandemic. The contributors to David A. B. Murray's Living with HIV in Post-crisis Times: Beyond the Endgame (Lexington Books, 2021) explore how diverse communities of people living with HIV (PLHIV) and organizations that support them are navigating physical, social, political, and economic challenges during these so-called “post-crisis” times.
Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).
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In the wake of labor market deregulation during the 2000s, online content sharing and social networking platforms were promoted in Japan as new sites of work that were accessible to anyone. Enticed by the chance to build personally fulfilling careers, many young women entered Japan's digital economy by performing unpaid labor as photographers, net idols, bloggers, online traders, and cell phone novelists. While some women leveraged digital technology to create successful careers, most did not. In Invisibility by Design: Women and Labor in Japan's Digital Economy (Duke UP, 2020), Gabriella Lukács traces how these women's unpaid labor became the engine of Japan's digital economy. Drawing on interviews with young women who strove to sculpt careers in the digital economy, Lukács shows how platform owners tapped unpaid labor to create innovative profit-generating practices without employing workers, thereby rendering women's labor invisible. By drawing out the ways in which labor precarity generates a demand for feminized affective labor, Lukács underscores the fallacy of the digital economy as a more democratic, egalitarian, and inclusive mode of production.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
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Following Tunisian independence in 1956, President Habib Bourguiba centered women’s liberation as part of the identity of the new nation. In Tunisia’s Modern Woman: Nation-Building and State Feminism in the 1960s (Cambridge University Press, 2021), Amy Aisen Kallander uses this political appropriation of women's rights to look at the importance of women to post-colonial state-building projects in Tunisia. She explores how the notion of modern womanhood was central to a range of issues from economic development and family planning to intellectual life and the growth of Tunisian academia. Looking at political discourse, popular culture, the women's press, fashion, and ideas about love, the book traces how this concept was reformulated by women through transnational organizing and in the press in ways that proposed alternatives to the dominant constructions of state feminism. Situating Tunisia within broader Afro-Asian networks and global Cold War politics, it highlights comparisons with other state-feminist projects, and how women served as symbolic envoys for the new Tunisian state in the international arena.
Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks.
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Today I interview Lisa Marchiano. Marchiano is a mother of two children. She’s also a Jungian analyst and a host of the podcast called This Jungian Life. She brings these experiences together in her new book Motherhood: Facing and Finding Yourself (Sounds True, 2021). It’s a fascinating and deeply insightful book that draws on the universal wisdom of fairy tales and myths to illuminate how motherhood offers mothers a rich opportunity for psychological exploration and growth. And the wonderful thing about Marchiano’s approach is that she fully recognizes that this opportunity comes amid all sorts of struggles, from spilled juice to adolescent outbursts to the complicated and sometimes ugly feelings that mothers experience. Her book recognizes and names these difficulties and shows how they might, in the end, lead to unexpected riches.
Eric LeMay is on the creative writing faculty at Ohio University. He is the author of five books, most recently Remember Me. He can be reached at [email protected].
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In Emergent Masculinities: Gendered Power and Social Change in the Biafran Atlantic Age (Ohio University Press, 2019), Ndubueze L. Mbah argues that the Bight of Biafra region’s Atlanticization—or the interaction between regional processes and Atlantic forces such as the slave trade, colonialism, and Christianization—between 1750 and 1920 transformed gender into the primary mode of social differentiation in the region. He incorporates over 250 oral narratives of men and women across a range of social roles and professions with material culture practices, performance traditions, slave ship data, colonial records, and more to reveal how Africans channeled the socioeconomic forces of the Atlantic world through their local ideologies and practices. The gendered struggles over the means of social reproduction conditioned the Bight of Biafra region’s participation in Atlantic systems of production and exchange, and defined the demography of the region’s forced diaspora. By looking at male and female constructions of masculinity and sexuality as major indexes of social change, Emergent Masculinities transforms our understanding of the role of gender in precolonial Africa and fills a major gap in our knowledge of a broader set of theoretical and comparative issues linked to the slave trade and the African diaspora.
Ndubueze L. Mbah is an Associate Professor of African History at SUNY-Buffalo.
Thomas Zuber is a PhD Candidate in History at Columbia University.
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At his 1994 inauguration, South African president Nelson Mandela announced the "Rainbow Nation, at peace with itself and the world." This national rainbow notably extended beyond the bounds of racial coexistence and reconciliation to include "sexual orientation" as a protected category in the Bill of Rights. Yet despite the promise of equality and dignity, the new government's alliance with neoliberal interests and the devastation of the AIDS epidemic left South Africa an increasingly unequal society.
Prismatic Performances: Queer South Africa and the Fragmentation of the Rainbow Nation (U Michigan Press, 2020) on the queer embodiments that both reveal and animate the gaps between South Africa's self-image and its lived realities. It argues that performance has become a key location where contradictions inherent to South Africa's post-apartheid identity are negotiated. The book spans 30 years of cultural production and numerous social locations and includes: a team of black lesbian soccer players who reveal and redefine the gendered and sexed limitations of racialized "Africanness;" white gay performers who use drag and gender subversion to work through questions of racial and societal transformation; black artists across the arts who have developed aesthetics that place on display their audiences' complicity in the problem of sexual violence; and a primarily heterosexual panAfrican online soap opera fandom community who, by combining new virtual spaces with old melodramatic tropes allow for extended deliberation and new paradigms through which African same-sex relationships are acceptable. Prismatic Performances contends that when explicitly queer bodies emerge onto public stages, audiences are made intimately aware of their own bodies' identifications and desires. As the sheen of the New South Africa began to fade, these performances revealed the inadequacy and, indeed, the violence, of the Rainbow Nation as an aspirational metaphor. Simultaneously they created space for imagining new radical configurations of belonging.
Dr. April Sizemore-Barber is Associate Professor of the Practice in Women’s and Gender Studies at Georgetown University.
Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg.
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What does ‘sexual citizenship’ mean in practice for people with mobility impairments who may need professional support to engage in sexual activity? Sexual Citizenship and Disability: Understanding Sexual Support in Policy, Practice and Theory (Routledge, 2021) explores this subject through empirical investigation based on case studies conducted in four countries – Sweden, England, Australia and the Netherlands – and develops the abstract notion of ‘sexual citizenship’ to make it practically relevant to disabled people, professionals in disability services and policy-makers. Through a cross-national approach, it demonstrates the variability of how sexual rights are understood and their culturally specific nature. It also shows how the personal is indeed political: states’ different policy approaches change the outcomes for disabled people in terms of support to explore and express their sexualities. By proposing a model of sexual facilitation that can be used in policy development, to better cater to disabled service users’ needs as well as furthering the theoretical understanding of sexual rights and sexual citizenship, this book will be of interest to professionals in disability services and policy-makers as well as academics and students working in the following subject areas: Disability Studies, Sociology, Social Policy, Sexuality Studies/Sexology, Social Work, Nursing, Occupational Therapy and Public Health.
Julia Bahner is a postdoctoral fellow at the School of Social Work, Lund University, Sweden, and was formerly Marie Curie Individual Fellow at the Centre for Disability Studies, School of Sociology, University of Leeds, UK. She holds a PhD in social work and has worked extensively with disabled people’s organisations, sexual rights organisations and disability service organisations to develop better policies and practices around sexuality, disability and support.
Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies.
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In the early 2000s, mainstream international news outlets celebrated the growth of Weblogistan—the online and real-life transnational network of Iranian bloggers—and depicted it as a liberatory site that gave voice to Iranians. As Sima Shakhsari argues in Politics of Rightful Killing: Civil Society, Gender, and Sexuality in Weblogistan (Duke UP, 2020), the common assumptions of Weblogistan as a site of civil society consensus and resistance to state oppression belie its deep internal conflicts. While Weblogistan was an effective venue for some Iranians to “practice democracy,” it served as a valuable site for the United States to surveil bloggers and express anti-Iranian sentiment and policies. At the same time, bloggers used the network to self-police and enforce gender and sexuality norms based on Western liberal values in ways that unwittingly undermined Weblogistan's claims of democratic participation. In this way, Weblogistan became a site of cybergovernmentality, where biopolitical security regimes disciplined and regulated populations. Analyzing online and off-line ethnography, Shakhsari provides an account of digital citizenship that raises questions about the internet's relationship to political engagement, militarism, and democracy.
Sima Shakhsari is Associate Professor in the Department of Gender, Women & Sexualities Studies at the University of Minnesota. They are interested in transnational feminist theory, transnational sexuality studies, non-Eurocentric queer and transgender studies, Middle East studies, empire, militarism, neoliberal governmentality, biopolitics, digital media, refugees, diasporas, and political anthropology. They earned their PhD in Cultural and Social Anthropology at Stanford University and have held postdoctoral positions at the University of Pennsylvania’s Wolf Humanities Center and the Women’s and Gender Studies Department at the University of Houston. Before joining UMN, they were Assistant Professor of Gender, Sexuality, and Women’s Studies at Wellesley College.
Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies.
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Near Tijuana, Baja California, the autonomous community of Maclovio Rojas demonstrates what is possible for urban place-based political movements. More than a community, Maclovio Rojas is a women-led social movement that works for economic and political autonomy to address issues of health, education, housing, nutrition, and security.
Border Women and the Community of Maclovio Rojas: Autonomy in the Spaces of Neoliberal Neglect (U Arizona Press, 2021) tells the story of the community’s struggle to carve out space for survival and thriving in the shadows of the U.S.-Mexico geopolitical border. This ethnography by Michelle Téllez demonstrates the state’s neglect in providing social services and local infrastructure. This neglect exacerbates the structural violence endemic to the border region—a continuation of colonial systems of power on the urban, rural, and racialized poor. Téllez shows that in creating the community of Maclovio Rojas, residents have challenged prescriptive notions of nation and belonging. Through women’s active participation and leadership, a women’s political subjectivity has emerged—Maclovianas. These border women both contest and invoke their citizenship as they struggle to have their land rights recognized, and they transform traditional political roles into that of agency and responsibility.
This book highlights the U.S.-Mexico borderlands as a space of resistance, conviviality, agency, and creative community building where transformative politics can take place. It shows hope, struggle, and possibility in the context of gendered violences of racial capitalism on the Mexican side of the U.S.-Mexico border.
David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements.
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Dominican women being seen--and seeing themselves--in the media Rachel Afi Quinn investigates how visual media portray Dominican women and how women represent themselves in their own creative endeavors in response to existing stereotypes. Delving into the dynamic realities and uniquely racialized gendered experiences of women in Santo Domingo, Quinn reveals the way racial ambiguity and color hierarchy work to shape experiences of identity and subjectivity in the Dominican Republic. She merges analyses of context and interviews with young Dominican women to offer rare insights into a Caribbean society in which the tourist industry and popular media rewards, and rely upon, the ability of Dominican women to transform themselves to perform gender, race, and class. Engaging and astute, Being La Dominicana: Race and Identity in the Visual Culture of Santo Domingo (University of Illinois Press, 2021) reveals the little-studied world of today's young Dominican women and what their personal stories and transnational experiences can tell us about the larger neoliberal world.
Rachel Afi Quinn is an associate professor in Women's, Gender, and Sexuality Studies and Comparative Culture Studies at the University of Houston.
Reighan Gillam is an assistant professor in the Department of Anthropology at the University of Southern California.
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A ’90s time capsule buried inside a coming-of-age memoir set against the neon backdrop of the San Francisco Bay Area's rave scene, Raver Girl (She Writes Press, 2021) chronicles Samantha’s double life as she teeters between hedonism and sobriety, chaos and calm, all while sneaking under the radar of her entrepreneur father—a man who happened to drop acid with LSD impresario Owsley Stanley in the ’60s.
Samantha keeps a list of every rave she goes to—a total of 104 over four years. During that time, what started as trippy fun morphs into a self-destructive roller coaster ride. Samantha opens the doors of her mind, but she's left with traumas her acid-fried brain won't let her escape; and when meth becomes her drug of choice, things get progressively darker. Through euphoric highs and dangerous lows, Samantha discovers she’s someone who lives life to the fullest and learns best through alternative experience rather than mainstream ideals. She’s a creative whose mind is limitless, whose quirks are charms, whose passion is inspirational. She’s an independent woman whose inner strength is rooted in unwavering family ties. And if she can survive high school, she just might be okay.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
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How did reproductive justice—defined as the right to have children, to not have children, and to parent—become recognized as a human rights issue? In Reproductive Rights as Human Rights: Women of Color and the Fight for Reproductive Justice (New York University Press, 2020), Zakiya Luna highlights the often-forgotten activism of women of color who are largely responsible for creating what we now know as the modern-day reproductive justice movement.
Focusing on SisterSong, an intersectional reproductive justice organization, Luna shows how, and why, women of color mobilized around reproductive rights in the domestic arena. She examines their key role in re-framing reproductive rights as human rights, raising this set of issues as a priority in the United States, a country hostile to the concept of human rights at home.
An indispensable read, Reproductive Rights as Human Rights provides a much-needed intersectional perspective on the modern-day reproductive justice movement.
Dr. Nicole Bourbonnais is an Associate Professor of International History and Politics and Co-Director of the Gender Centre at the Graduate Institute of International and Development Studies in Geneva, Switzerland. Her research explores reproductive politics and practice from a transnational historical perspective. More info here. Twitter: @iheid_history and @GC_IHEID
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Today we are joined by Rebecca Joyce Kissane, Professor of Sociology at Lafayette University, and Sarah Winslow, Professor of Sociology at Clemson University, who together are the authors of Whose Game?: Gender and Power in Fantasy Sports (Temple University Press, 2020). In our conversation, we discussed why people play fantasy sports, how men and women experience fantasy sports differently, and what possibilities might exist for real transformation of the masculinist sports world.
Whose Game is an incisive analysis of the classed and gendered politics of fantasy sports. Kissane and Winslow take fantasy sport seriously and unpack the ways in which fantasy sports reify and reproduce the class and gendered relations of power in social networks, workplaces and families. They argue that fantasy sports privilege behaviours typically coded male such as competitiveness, the pursuit of dominance, and the need for control. They examine how those elements of fantasy gameplay shape men’s and women’s experiences of playing fantasy sports.
Kissane and Winslow develop the concept of jock statsculinity, as a mediated form of fantasy sports masculinity that challenges more normative notions of hegemonic masculinity. Through fantasy sports, a wider range of men can participate in traditionally masculinity activities, including competition and banter, without regard to their physical capabilities. Fantasy sports thus open normative masculinity to a wider range of people than hegemonic masculinity. At the same time, Kissane and Winslow stress that not all men have equal access to jock statsculinity – white, professional men are much more likely to take part in it.
Women who want to participate in the fantasy sports world learn to navigate the space as a powerfully masculine and hetero normative space. Fantasy sports ostensibly offer women an opportunity to compete with men on a level playing field, but those spaces and the common behaviours there are coded as male. Women who play fantasy sports may face harassment, but they almost always experience marginalization and belittlement. Nevertheless, for many women, fantasy provides a way to win some of the social benefits of masculinity and/or transgress them.
Fantasy sports offer both men and women new opportunities to build connections with their relatives, co-workers, and people with similar interests, but in the realm of fantasy sport, both men and women prioritize building relationships with other men. At the same time, as Kissane and Winslow point out, even though they occupy a privileged position in the fantasy sports world social structure, men also suffer from their engagement with jock statsculinity. Men report much higher rates of emotional impact from fantasy sport. Many men spend considerable amounts of time – perhaps too much time away from their loved ones - setting their line-ups and researching matchups.
Whose Game is a wide-ranging analysis and discussion of many of the key issues facing both male and female fantasy sports fans from two leading sports sociologists. Their work will be of general interest to sports fans, but particularly useful for people teaching about sports sociology, gender and politics.
Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history.
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In Affect, Narratives and Politics of Southeast Asian Migration (Routledge, 2021), Carlos M. Piocos explores the politics of gendered labor migration in Southeast Asia through the stories and perspectives of Indonesian and Filipina women presented in films, fiction, and performance to show how the emotionality of these texts contribute to the emergence and vitality of women's social movements in Southeast Asia. By placing literary and filmic narratives of Filipina and Indonesian domestic workers in Hong Kong and Singapore within existing conversations concerning migration policies, he offers an innovative approach towards examining contemporary issues of Asian migration. Furthermore, through rich ethnographic accounts, the book unpacks themes of belonging and displacement, shame and desire, victimhood and resistance, sacrifice, and grief to show that the stories of Filipina and Indonesian migrant women don't just depict their everyday lives and practices but also reveal how they mediate and make sense of the fraught politics of gendered labor diaspora and globalization. Contributing to the "affective turn" of feminist and transnational scholarship, the book draws insight from the importance and centrality of affect, emotions, and feelings in shaping discourses on women's subjectivity, labor, and mobility. In addition, the book demonstrates the issues of vulnerability and agency inherent in debates on social exclusion, human rights, development, and nation-building in Southeast Asia. Offering an innovative and multidisciplinary approach to analyses of Asian migration, this book will be of interest to academics in the fields of Asian Studies, literary and cultural studies, film studies, gender and women's studies, and migration studies.
Carlos M. Piocos III is a professor in the Literature Department at De La Salle University. He has published widely on gender and transnationalism in international peer-reviewed journals and his monograph, Narratives, Affect and Politics of Southeast Asian Migration, was published in 2021.
Clara Iwasaki is an assistant professor in the East Asian Studies department at the University of Alberta.
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Called “powerful and provocative" by Dr. Ibram X. Kendi, author of the New York Times bestselling How to be an Antiracist, Ruby Hamad's White Tears/Brown Scars: How White Feminism Betrays Women of Color (Catapult, 2020) is a breakthrough work of history and cultural criticism. The book reveals how white feminism has been used as a weapon of white supremacy and patriarchy deployed against Black and Indigenous women, and women of color.
Taking us from the slave era, when white women fought in court to keep “ownership” of their slaves, through the centuries of colonialism, when they offered a soft face for brutal tactics, to the modern workplace, White Tears/Brown Scars tells a charged story of white women’s active participation in campaigns of oppression. It offers a long overdue validation of the experiences of women of color. Discussing subjects as varied as The Hunger Games, Alexandria Ocasio–Cortez, the viral BBQ Becky video, and 19th century lynchings of Mexicans in the American Southwest, Ruby Hamad undertakes a new investigation of gender and race. She shows how the division between innocent white women and racialized, sexualized women of color was created, and why this division is crucial to confront.
Connect with Ruby Hamad (she/hers) @rubyhamadwriter on Instagram and click here to read Ruby's breakaway opinion piece for The Guardian.
Connect with your host Lee Pierce (they/them) @rhetoriclee on Instagram and Twitter.
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The female form has been a fraught site of filmic meaning – of desire and violence, of sex and death – from the very beginnings of cinema. But how deep do these meanings travel? How are our understandings of gender and sexuality not the stuff of screen representation but shaped by film technology and culture as well?
Published in November 2020 by Fordham University Press, Genevieve Yue’s Girl Head: Feminism and Film Materiality, “in rich archival and technical detail… examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.”
In this discussion, Dr. Yue articulates her relationship to interdisciplinary research, traces her personal journey from dissertation to book, and argues for the centrality of material culture in feminist film studies.
Genevieve Yue is an assistant professor in the Department of Culture and Media and director of the Screen Studies program at Eugene Lang College, the New School. Her essays and criticism have been published in October, Grey Room, The Times Literary Supplement, Reverse Shot, Artforum.com, Film Comment, and Film Quarterly. She is also an independent film programmer and serves on the Board of Trustees for the Flaherty Film Seminar.
Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, Ms., and Camera Obscura.
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Is there gender equality in Buddhist traditions? What do Buddhist texts say about women? How have Buddhist women responded to misogyny? Alice Collett's new book, I Hear Her Words: An Introduction to Women in Buddhism (Windhorse, 2021), reviews both recent scholarship and original writing in an accessible and compelling format. She shows that core Buddhist doctrines provide no justification for the notion that women are inferior to men. But Buddhism was born and took root in societies that held traditional views of women, and social norms positioning women as inferior to men have found their way into Buddhist tradition. This book tells the stories of many inspiring Buddhist women who overcame attempted constraint to gain liberation and become esteemed teachers. Not only do we hear about them in this book, but we also hear from them in their own words. An ideal introduction to gender studies in Buddhism and the history of women in the tradition.
Bruno M. Shirley is a PhD candidate at Cornell University, working on Buddhism, kingship and gender in medieval Sri Lankan texts and landscapes. He is on Twitter at @brunomshirley.
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Cori Simon (Assistant Professor, University of Oklahoma) speaks with Sarah Eppler Janda (Professor, Cameron University) and Patricia Loughlin (Professor, University of Central Oklahoma) about their new edited volume, This Land is Herland: Gendered Activism in Oklahoma from the 1870s to the 2010s (University of Oklahoma Press, 2021).
This collection of essays documents the impact of women activists on the history of tribal nations and the state of Oklahoma, and is the first book in a new series “Women and the American West,” at the University of Oklahoma Press. The chapters showcase the stories and strategies of thirteen individuals, including Indigenous, Black, and white women, who strived to transform their communities through political, economic, or civil action. Progressive reformer Kate Bernard, civil rights activist Clara Luper, or Comanche leader LaDonna Harris might be known to some readers. But contributors highlight less-famous Oklahomans as well: including Cherokee historian and educator Rachel Caroline Eaton, NAACP organizer California M. Taylor, and Equal Rights Amendment (ERA) advocate Wanda Jo Peltier Stapleton. In this conversation, we learn about how the editors—colleagues and friends—conceived of the volume, recruited contributions from scholars at all stages of their careers, and modified the plan in response to feedback from contributors, colleagues, students, and readers. They provide an orientation to the volume’s structure and briefly discuss each chapter before turning to reflect on how the history of women in Oklahoma intersects with broad national and global political movements for racial justice, gender equality, and sovereignty.
Davis Cline is Associate Professor of History, University of Oklahoma and Co-Editor, Journal of Women's History
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Infertility Comics and Graphic Medicine (Routledge, 2021) examines women’s graphic memoirs on infertility, foregrounding the complex interrelationship between women’s life writing, infertility studies, and graphic medicine.
Through a scholarly examination of the artists’ use of visual-verbal codes of the comics medium in narrating their physical ordeals and affective challenges occasioned by infertility, the book seeks to foreground the intricacies of gender identity, embodiment, subjectivity, and illness experience. Providing long-overdue scholarly attention on the perspectives of autobiographical and comics studies, the authors examine the gendered nature of the infertility experience and the notion of motherhood as an ideological force which interpolates socio-cultural discourses, accentuating the potential of graphic medicine as a creative space for the infertile women to voice their hitherto silenced perspectives on childlessness with force and urgency.
This interdisciplinary volume will be of interest to scholars and students in comics studies, the health humanities, literature, and women’s and gender studies, and will also be suitable for readers in visual studies and narrative medicine.
Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies.
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Exploring the relationship between gender and events, Doing Gender in Events: Feminist Perspectives in Critical Event Studies (Routledge, 2021) delivers an ethnographic analysis of the celebration of gender equality in the context of the culture-led event. Drawing upon Critical Event Studies, Anthropology of the Festive, and Gender Studies, it provides a comprehensive understanding of the entangled, conceptual entities of gender and events. Through a gendered analysis of the Hull UK City of Culture 2017, it expands epistemological perspectives relevant to the study of events.
Dr. Barbara Grabher investigates the intersections of Gender, Urban and Critical Event Studies. She currently works as a postdoctoral researcher in the Institute of Geography and Regional Sciences at the University of Graz, Austria.
Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg.
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Both a symbol of the Mubarak government’s power and a component in its construction of national identity, football served as fertile ground for Egyptians to confront the regime’s overthrow during the 2011 revolution. With the help of the state, appreciation for football in Egypt peaked in the late 2000s. Yet after Mubarak fell, fans questioned their previous support, calling for a reformed football for a new, postrevolutionary nation.
In Egypt’s Football Revolution: Emotion, Masculinity, and Uneasy Politics (U Texas Press, 2021), Carl Rommel examines the politics of football as a space for ordinary Egyptians and state forces to negotiate a masculine Egyptian chauvinism. Basing his discussion on several years of fieldwork with fans, players, journalists, and coaches, he investigates the increasing attention paid to football during the Mubarak era; its demise with the 2011 uprisings and 2012 Port Said massacre, which left seventy-two fans dead; and its recent rehabilitation. Cairo’s highly organized and dedicated Ultras fans became a key revolutionary force through their antiregime activism, challenging earlier styles of fandom and making visible entrenched ties between sport and politics. As the appeal of football burst, alternative conceptions of masculinity, emotion, and politics came to the fore to demand or prevent revolution and reform.
The book is available for purchase for customers in Europe and the Middle East from Combined Academic Books. Quote CSFS2021 at check-out for 30% discount; and for customers in the US at the University of Texas Press. Quote UTXROMEGY at check-out for 20% discount.
Paul Knepper used to cover the Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at [email protected] and follow him on Twitter @paulieknep.
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In Political Science, we are very familiar with the work of scholars who try to unpack why the ERA failed to get the required states. But Gendered Citizenship: The Original Conflict over the Equal Rights Amendment, 1920-1963 published by the University of Nebraska in 2021 interrogates how earlier debates on the ERA transcended traditional political divides and ultimately redefined the concept of citizenship in the United States. By using a rich collection of public and private sources, Dr. Rebecca DeWolf shows that support for and opposition to the ERA was not tied to either conservatism or liberalism. Instead unusual allies coalesced around two competing views of citizenship – what DeWolf calls the emancipatory and the protectionist. Gendered Citizenship argues that the early conflict over the ERA changed the definition of rights -- and the catalyst for that change was the 19th amendment. Those opposing the ERA provided a modern justification for separate and distinct standards of rights for men and women citizens -- and that formulation still haunts 21st century politics.
Dr. Rebecca DeWolf is a historian focused on gender and women’s history, politics, and United States' constitutional culture. She has received the Dirksen Center Congressional Research Grant as well as grants from American University to do her archival research on the ERA. Her writing has appeared in the Washington Post, History News Network, New America Weekly, and Frontiers.
Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.
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Alluring, nurturing, dangerous, and vulnerable, the yamamba, or Japanese mountain witch, has intrigued audiences for centuries. What is it about the fusion of mountains with the solitary old woman that produces such an enigmatic figure? And why does she still call to us in this modern, scientific era?
Co-editors Rebecca Copeland and Linda C. Ehrlich first met the yamamba in the powerful short story “The Smile of the Mountain Witch” by acclaimed woman writer Ōba Minako. The story revealed the compelling way creative women can take charge of misogynistic tropes, invert them, and use them to tell new stories of female empowerment.
Yamamba: In Search of the Japanese Mountain Witch (Stone Bridge Press, 2021) represents the creative and surprising ways artists and scholars from North America and Japan have encountered the yamamba.
Matthew Hayes is the Japanese Studies and Asian American Studies Librarian at Duke University and a researcher in the area of early modern Japanese Buddhism. You can find him on Twitter at @_matthewhayes_.
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Today I talked to Viviana MacManus, author of Disruptive Archives: Feminist Memories of Resistance in Latin America’s Dirty Wars published by the University of Illinois Press in 2020. It has just received Honorable Mention for the 2021 Gloria E. Anzaldúa Book Prize. The National Women's Studies Association awards the prize for groundbreaking scholarship in women's studies that makes significant multicultural feminist contributions to women of color/transnational scholarship.
Viviana McManus is at the department of Spanish and French Studies, Occidental College in Los Angeles. Her current research focuses “on feminist uses of horror in contending with gender state and racialized violence in Latin American film and literature”. In Disruptive Archives, Macmanus throws light on the many women activists who survived the years of repression in Argentina and Mexico and who have been relegated to the category of the unseen or are portrayed as underlings to the men who they fought alongside with. She also discusses how human rights texts and masculinist Left accounts of dictatorships have made women’s struggles invisible as they have remained silent and consequently helped post dictatorship regimes who have a vested interest in brushing uncomfortable truths under the carpet.
Minni Sawhney is a professor of Hispanic Studies at the University of Delhi.
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In her scintillating new book, The Beauty of the Houri: Heavenly Virgins, Feminine Ideals (Oxford UP, 2021), Nerina Rustomji presents a fascinating and multilayered intellectual and cultural history of the category of the “Houri” and the multiple ideological projects in which it has been inserted over time and space. Nimbly moving between a vast range of discursive theaters including Western Islamophobic representations of the Houri in the post 9/11 context, early modern and modern French and English Literature, premodern Muslim intellectual traditions, and popular preachers on the internet, Rustomji shows the complexity of this category and its unavailability for a canonical definition. The Beauty of the Houri is intellectual history at its best that combines philological rigor with astute theoretical reflection. And all this Rustomji accomplishes in prose the delightfulness of which competes fiercely with its lucidity.
SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize and was selected as a finalist for the 2021 American Academy of Religion Book Award. His other academic publications are available here. He can be reached at [email protected]. Listener feedback is most welcome.
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Eileen Hunt Botting is a Professor political science at the University of Notre Dame. Dr. Botting is a widely published and cited scholar on the thought of Mary Wollstonecraft, the eighteenth-century author of A Vindication of the Rights of Woman. As editor of a two-volume collection, Portraits of Wollstonecraft (Bloomsbury Academic,2021), she offers primary sources of criticism, literature and representation in portraiture, from the early international reception to Wollstonecraft’s present global influence. Through well curated selections, we see Wollstonecraft in new light. From the iconic portrait painted by John Opie in 1797, to Sarah A. Underwood’s essay Heroines of Free Thought in 1876, to references by modern feminists including Simone de Beauvoir, Betty Friedan, and the artist Judy Chicago, the reader discovers the many implications of Wollstonecraft’s ideas. This two-volume collection is sure to be of interest to anyone curious about Wollstonecraft’s contribution to political philosophy, literature, and feminist thought.
Lilian Calles Barger is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current writing project is on the intellectual history of women and the origins of feminism seen through the emblematic life and work of Simone de Beauvoir.
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We’re celebrating our one-year anniversary with this interview, and so I wanted to introduce a special guest for today: Nur Nasreen Ibrahim, talented writer, journalist and dear friend.
We’re going to talk—mostly—about Nur’s latest work: an essay for the collection Horse Girls: Recovering, Aspiring, and Devoted Riders Redefine the Iconic Bond (Harper Perennial: 2021), edited by Halimah Marcus.
Horse Girls confronts, investigates, and fleshes out the trope of the “horse girl”: the idea that all a young girl wants is to learn how to ride a horse, famous in from “Black Beauty” to “My Little Pony”. And Nur’s essay talks about her experiences riding horses growing up in Pakistan: bringing in themes of colonialism, the urban-rural divide, and growing up.
But, also, we’ll talk about Nur’s experience as a writer, both in the United States and in Pakistan, and her path to literature.
Nur is a journalist, writer, and producer based in New York City. Originally from Lahore, Pakistan, she writes speculative and literary fiction, as well as personal essays. Her fiction and nonfiction has been included in anthologies and collections from Harper Perennial, Catapult, Hachette India, Platypus Press, The Aleph Review, Salmagundi magazine, Barrelhouse, and more. She is a two-time finalist for The Salam Award for Imaginative Fiction. She is a 2021-2023 recipient of the Lighthouse Writers Book Project Teaching Fellowship.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Follow on Facebook or on Twitter at @BookReviewsAsia.
Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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Superman, Batman, Captain America, and Iron Man are names that are often connected to the expansive superhero genre, including the multi-billion-dollar film and television franchises. But these characters are older and have been woven into American popular culture since their inception in the early days of comic books. The history of these comic book heroes are histories that include bulging muscles, flashy fight scenes, four-color panels, and heroic rescues of damsels in distress. Esther De Dauw’s new book,
Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic (Rutgers UP, 2021),analyzes these characters with a critical lens to explore what exactly these figures teach the readers and the public about identity, embodiment, and sexuality. De Dauw, a comics scholar, focuses her research on the intersectionality of race and gender in comic books.
Hot Pants and Spandex Suits takes the audience through the 80-year evolution of comic books to discuss the changes in identity and culture, and explore what these heroes say about and to the American people. As an expert in Comic Studies and Cultural Studies, De Dauw uses theories of structural power relations to explain the disenfranchisement of women, LGBTQIA+, and the Black community in comics. As she notes, superheroes are often metaphors for the concerns of the dominant culture, and are informed by the dominant gender ideology and the American cultural landscape. Hot Pants and Spandex Suits unpacks superhero actions to examine who these heroes are serving, how, and what this has to say about American culture and identity. These questions frame the discussion throughout the book as De Dauw traces the changing perceptions of identity, cultural, and historical shifts through comic books and their many different heroes. A significant avenue of analysis focuses on the fragility of white masculinity, and how the superheroes essentially became an antidote to the cultural sense that white men were “losing” in American society. With a fascinating tour of the history of comic books, De Dauw welcomes both the academic community and comic-book lovers to venture through this analysis to better understand the role of superheroes within our culture and our politics.
Shaina Boldt assisted with this podcast.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at [email protected] or tweet to @gorenlj.
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(Re:) Claiming Ballet (Intellect Books, 2021) by Dr. Adesola Akinleye explores the history of movement through ballet, representation, and the future of dance. Though ballet is often seen as a white, cis-heteropatriarchal form of dance, in fact it has been, and still is, shaped by artists from a much broader range of backgrounds. This collection looks beyond the mainstream, bringing to light the overlooked influences that continue to inform the culture of ballet. Essays illuminate the dance form’s rich and complex history and start much-needed conversations about the roles of class, gender normativity, and race, demonstrating that despite mainstream denial and exclusionary tactics, ballet thrives with “difference.”
With contributions from professional ballet dancers and teachers, choreographers, and dance scholars in Europe and the United States, the volume introduces important new thinkers and perspectives. An essential resource for the field of ballet studies and a major contribution to dance scholarship more broadly, (Re:) Claiming Ballet will appeal to academics, researchers, and scholars; dance professionals and practitioners; and anyone interested in the intersection of race, class, gender, and dance.
For her choreographic work, Akinleye has been awarded ADAD Trailblazer, Bonnie Bird, New Choreography Award and One Dance UK Champion Trailblazer. For her work in community dance and education she was awarded Woman of the year in Community Dance by the Town of Islip, New York. She is a Fellow of the Higher Education Academy (FHEA), Royal Society of Arts (RSA). She holds a PhD from Canterbury Christ Church University, and MA (distinction) in work-based learning Dance in Community and education (2007), and an MA in Film (distinction) 2020 from Middlesex University. Akinleye is also a certified Gyrotonic® and Gyrokinesis® instructor.
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What is the future of care? In The Care Crisis: What Caused It and How Can We End It? (Verso, 2021), Emma Dowling, an associate professor at the Institute for Sociology University of Vienna, introduces the extent of the global crisis of care. Drawing on a feminist perspective, the book thinks through the multiple ways that care is rendered invisible in contemporary society, subject to a public storm of privatisation and austerity. The crisis is exacerbated by broader social trends, from the monitoring and exploitation of precarious workers to the individualisation of self-care. Most crucially, the book offers ways to properly value care, democratising and de-financialising this most important part of society. The book is essential reading.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
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Oceans are inextricably linked to the climate. Today, oceans are warming far more rapidly than they have in the past 65 million years, placing the spotlight on the important nexus between climate change and the ocean.
While there’s no doubt that climate change affects all people across the board, its effect is manifold among socioeconomically vulnerable communities, and among women in particular.
In the third episode of our new themed series Survival by Degrees, Prof. Nilufer Oral, Director of the Center for International Law, National University of Singapore, and member of the United Nations International Law Commission, takes a closer look at the place of gender in relation to climate change and oceans, in the context of her work “Climate Change, Oceans and Gender”, published by Brill.
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In 2015, the world witnessed an Irish social revolution. In a historic referendum vote, the Republic of Ireland voted to extend the constitutional right to marriage to same-sex couples. Thirty years before, sex between men was illegal. From the 1970s, LGBT rights activists advocated tirelessly for decriminalization, fair treatment laws, protection from discrimination, and, most recently, marriage equality. In one of the most Catholic countries in the world, it was never easy. In her book The History of Marriage Equality in Ireland: A Social Revolution Begins (Manchester UP, 2020), Sonja Tiernan charts the long road to the 2015 referendum in one of Ireland’s most recent civil rights movements. Join us as we chat about Constitutional Conventions, the power of social media, the so-called “Pantigate,” and that overwhelming moment on May 22, 2015 when the people of Ireland said “Yes” to marriage equality.
Avrill Earls is the Executive Producer of Dig: A History Podcast (a narrative history podcast, rather than interview-based), and an Assistant Professor of History at Mercyhurst University.
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The mass shooting at a queer Latin Night in Orlando in July 2016 sparked a public conversation about access to pleasure and selfhood within conditions of colonization, violence, and negation. Queer Nightlife (U Michigan Press, 2021) joins this conversation by centering queer and trans people of color who apprehend the risky medium of the night to explore, know, and stage their bodies, genders, and sexualities in the face of systemic and social negation. The book focuses on house parties, nightclubs, and bars that offer improvisatory conditions and possibilities for “stranger intimacies,” and that privilege music, dance, and sexual/gender expressions. Queer Nightlife extends the breadth of research on “everynight life” through twenty-five essays and interviews by leading scholars and artists. The book’s four sections move temporally from preparing for the night (how do DJs source their sounds, what does it take to travel there, who promotes nightlife, what do people wear?); to the socialities of nightclubs (how are social dance practices introduced and taught, how is the price for sex negotiated, what styles do people adopt to feel and present as desirable?); to the staging and spectacle of the night (how do drag artists confound and celebrate gender, how are spaces designed to create the sensation of spectacularity, whose bodies become a spectacle already?); and finally, how the night continues beyond the club and after sunrise (what kinds of intimacies and gestures remain, how do we go back to the club after Orlando?).
Dr. Kemi Adeyemi is assistant professor of gender, women, and sexuality studies and director of The Black Embodiments Studio at the University of Washington.
Dr. Kareem Khubchandani is the Mellon Bridge assistant professor in theater, dance, and performance studies, and women’s, gender, and sexuality studies at Tufts University.
Dr. Ramón Rivera-Servera is Dean of the College of Fine Arts and Professor of Theatre and Dance at the University of Texas at Austin.
Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg.
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How have Black women lead a digital revolution? In Digital Black Feminism (NYU Press, 2021), Catherine Knight Steele, an assistant professor of communication at the University of Maryland, places digital Black feminism within the longer-term context of Black feminism and Black women’s experiences in America. The book considers examples from the Black feminist blogosphere and offers a comparative analysis of early Black feminist pioneers and key contemporary voices. Posing questions as to the dangers of commodification and the limits of the digital sphere, as well as celebrating Black feminist success, the book is essential reading across the humanities and social sciences and for anyone interested in digital life today.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
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A century ago, it was a given that a woman with a college degree had to choose between having a career and a family. Today, there are more female college graduates than ever before, and more women want to have a career and family, yet challenges persist at work and at home. This book traces how generations of women have responded to the problem of balancing career and family as the twentieth century experienced a sea change in gender equality, revealing why true equity for dual career couples remains frustratingly out of reach.
Drawing on decades of her own groundbreaking research, Claudia Goldin provides a fresh, in-depth look at the diverse experiences of college-educated women from the 1900s to today, examining the aspirations they formed—and the barriers they faced—in terms of career, job, marriage, and children. She shows how many professions are “greedy,” paying disproportionately more for long hours and weekend work, and how this perpetuates disparities between women and men. Goldin demonstrates how the era of COVID-19 has severely hindered women’s advancement, yet how the growth of remote and flexible work may be the pandemic’s silver lining.
Antidiscrimination laws and unbiased managers, while valuable, are not enough. Career and Family: Women’s Century-Long Journey toward Equity (Princeton UP, 2021) explains why we must make fundamental changes to the way we work and how we value caregiving if we are ever to achieve gender equality and couple equity.
Marshall Poe is the founder and editor of the New Books Network. He can be reached at [email protected].
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In The Political Economy of Stigma: HIV, Memoir, Medicine, and Crip Positionalities (Ohio State UP, 2021), Ally Day offers a compelling critique of neoliberal medical practices in the US by coupling an analysis of HIV memoir with a critical examination of narrative medicine practice. Using insights from feminist disability studies and crip theory, Day argues that stories of illness and disability—such as HIV memoirs—operate within a political economy of stigma, which she defines as the formal and informal circulation of personal illness and disability narratives that benefits some while hindering others. On the one hand, this system decreases access to appropriate medical care for those with chronic conditions by producing narratives of personal illness that frame one’s relationship to structural inequality as a result of personal failure. On the other hand, the political economy of stigma rewards those who procure such narratives and circulate them for public consumption.
The political economy of stigma is theorized from three primary research sites: a reading group with women living with HIV, a reading group with AIDS service workers, and participant observation research and critical close reading of practices in narrative medicine. Ultimately, it is the women living with HIV who provide an alternative way to understand disability and illness narratives, a practice of differential reading that can challenge stigmatizing tropes and reconceptualize the creation, reception, and circulation of patient memoir.
Dr. Ally Day is Associate Professor in Disability Studies at the University of Toledo.
Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies.
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Muslim South Asia is widely characterized as a culture that idealizes female anonymity: women's bodies are veiled and their voices silenced. Challenging these perceptions, Siobhan Lambert-Hurley, University of Sheffield, highlights an elusive strand of autobiographical writing dating back several centuries that offers a new lens through which to study notions of selfhood. In Elusive Lives: Gender, Autobiography, and the Self in Muslim South Asia (Stanford University Press, 2018), she locates the voices of Muslim women who rejected taboos against women speaking out, by telling their life stories in written autobiography.
To chart patterns across time and space, materials dated from the sixteenth century to the present are drawn from across South Asia – including present-day India, Pakistan and Bangladesh. Lambert-Hurley uses many rare autobiographical texts in a wide array of languages to elaborate a theoretical model for gender, autobiography, and the self beyond the usual Euro-American frame. In doing so, she works toward a new, globalized history of the field. Ultimately, Elusive Lives points to the sheer diversity of Muslim women's lives and life stories, offering a unique window into a history of the everyday against a backdrop of imperialism, reformism, nationalism and feminism. In our conversation we discuss autobiographical writing, travelogues, letters, diaries, interviews, low literacy rates, the social and physical geographies of authors, reasons Muslim women narrated their life, the role of editors, translators, on publishers, intended and unintended audiences, the actress Begum Khurshid Mirza, and gender difference across autobiographies.
Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected].
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Welcome to The Academic Life! In this episode you’ll hear about:
Today’s book is: The Turnaway Study, which asks what happens when a person seeking an abortion is turned away. Dr. Diane Greene Foster and a team of scientists, psychologists, epidemiologists, demographers, nurses, physicians, economists, sociologists, and public health researchers conducted a ten-year study on the outcomes of a thousand pregnant people across America, studying both those who received abortions, and those who were turned away. Dr. Foster analyzes impacts on mental and physical health, careers, and romantic relationships, offering the first data-driven examination of the negative consequences for pregnant people who are denied abortions.
Our guest is: Dr. Diana Greene Foster, a professor and demographer who uses quantitative models and analyses to evaluate the effectiveness of family planning policies and the effect of unwanted pregnancy on women’s lives. She led the Turnaway Study in the US, and is collaborating with scientists on a Nepal Turnaway Study. Dr. Foster also worked on the evaluation of the California State family planning program, Family PACT, demonstrating the effectiveness of the program in reducing the incidence of unintended pregnancy and the effect of dispensing a one-year supply of contraception. Dr. Foster created a new methodology for estimating pregnancies averted based on a Markov model and a microsimulation to identify the cost-effectiveness of advance provision of emergency contraception.
Our host is: Dr. Christina Gessler, co-producer of the Academic Life. She is a historian of women and gender.
Listeners to this episode might be interested in:
You are smart and capable, but you aren’t an island and neither are we. We reach across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring on an expert about something? DM us on Twitter: The Academic Life @AcademicLifeNBN.
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Dr. Erica R. Edwards's The Other Side of Terror: Black Women and the Culture of US Empire (New York University, 2021) reveals the troubling intimacy between Black women and the making of US global power.
The year 1968 marked both the height of the worldwide Black liberation struggle and a turning point for the global reach of American power, which was built on the counterinsurgency honed on Black and other oppressed populations at home. The next five decades saw the consolidation of the culture of the American empire through what Erica R. Edwards calls the “imperial grammars of blackness.” This is a story of state power at its most devious and most absurd, and, at the same time, a literary history of Black feminist radicalism at its most trenchant. Edwards reveals how the long war on terror, beginning with the late–Cold War campaign against organizations like the Black Panther Party for Self-Defense and the Black Liberation Army, has relied on the labor and the fantasies of Black women to justify the imperial spread of capitalism. Black feminist writers not only understood that this would demand a shift in racial gendered power, but crafted ways of surviving it. The Other Side of Terror offers an interdisciplinary Black feminist analysis of militarism, security, policing, diversity, representation, intersectionality, and resistance, while discussing a wide array of literary and cultural texts, from the unpublished work of Black radical feminist June Jordan to the memoirs of Condoleezza Rice to the television series Scandal. With clear, moving prose, Edwards chronicles Black feminist organizing and writing on “the other side of terror”, which tracked changes in racial power, transformed African American literature and Black studies, and predicted the crises of our current era with unsettling accuracy.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelledmonds.com.
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Today I talked to Michelle Caswell about her new book Urgent Archives: Enacting Liberatory Memory Work (Routledge, 2021).
What is the place of archives in our society? In archival studies, an answer to this question often presents an idea of linear, progressive temporality. A common trope goes: We learn history to have a better future. That is why history, and archives as a site of historical evidence, is important. In her thoughtful, groundbreaking work, a feminist archival studies scholar Caswell challenges the white imaginary of linear, progressive time embedded in our conception of archives. Pointing out how community archives from different ethnic communities across the US present cyclical temporalities where oppressions repeat, Caswell emphasizes the importance of activating the archives for their liberatory potential in the present. Over a year has passed since the murder of George Floyd and the beginning of the global pandemic that has highlighted not only structural inequality, but also an ongoing material and symbolic annihilation of Black Americans. As Michelle Caswell argues in her book, imagining liberatory memory work is an urgent project that needs to happen in the now.
In the introduction, Caswell begins with the question of the liberatory potential of community archives. Chapter 1 outlines the cyclical conception of time in critique of chronoviolence of white, dominant linear temporality. In chapter 2, Caswell draws from four focus groups to show how different ethnic groups use community archives to address repetitive oppressions by constructing corollary records. Chapter 3 focuses on her work with the South Asian American Digital Archives (SAADA) and the road to discovering the importance of liberatory activation. In Chapter 4, Caswell pushes back against the idea of archivists as passive technicians and repositions them as liberatory memory workers. In the conclusion, Liberation Now! Caswell emphasizes the need to disrupt the dominant narrative on future by embracing the joy of advocacy in the present. Urgent Archives will be an excellent resource for anyone who is interested in critically re-evaluating archives in academia and beyond.
In the interview, Caswell recommends following two readings to the listeners:
SAADA. Our Stories: An Introduction to South Asian America. Philadelphia: SAADA, 2021.
"The Chronopolitics of Racial Time," Time & Society, Special Issue: The Social Life of Time, 29, no. 2 (May 2020): 297-317.
Michelle Caswell is an Associate Professor in the Department of Information Studies at the University of California, Los Angeles, and the co-founder of the South Asian American Digital Archive.
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Today I talk to Mark Beehre about his new book, A Queer Existence, published by Massey University Press New Zealand 2021.
A Queer Existence is a major documentary project that uses photographic portraiture and oral history to record the life experiences of a group of twenty-seven gay men born since the passing of the Homosexual Law Reform Act in 1986. In New Zealand, discrimination in work was outlawed in 1993, same-sex relationships were granted legal recognition in 2005, and marriage equality followed in 2013. In 2018 Parliament apologised to those whose lives had been blighted by criminal prosecution for expressing their sexuality.
As a result, these men have life experiences very different to earlier generations of gay New Zealand men. Even so, gay men growing up today may continue to feel stigmatised, and for many coming out is still a major hurdle. Candid, powerful and affecting, the first-person narratives of A Queer Existence form a valuable and unique insight into how gay men continue to have to step out of the mainstream and face their own challenges as they forge their queer identities.
Mark Beehre initially trained as a specialist physician and worked for several years in medical practice before studying photography at the Elam School of Fine Arts in Auckland and Massey University. If you want to explore the fantastic work by Mark Beehre, please visit http://www.markbeehre.co.nz/
Ed Amon is a Master of Indigenous Studies Candidate at the University of Auckland, New Zealand, a columnist at his local paper: Hibiscus Matters, and a Stand-up Comedian. His main interests are indigenous studies, politics, history, and cricket. Follow him on twitter @edamoned or email him at [email protected]
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If the United States has been so hostile to Marxism, what accounts for Marxism's recurrent attractiveness to certain Americans? Marxism and America: New Appraisals (Manchester University Press, 2021) sheds new light on that question in essays engaging sexuality, gender, race, nationalism, class, memory, and much more, from the Civil War era through to 21st century cultures of activism. This book is an invaluable resource for historians and theorists of US political struggle.
I was joined for this interview by editors Christopher Phelps and Robin Vandome (both University of Nottingham), and contributors Mara Keire (Oxford University) and Andrew Hartman (Illinois State University).
We discussed the impetus behind the book and its broader scholarly context, before turning to Mara's chapter ("Class, commodity, consumption: theorizing sexual violence during the feminist sex wars of the 1980s") and finally Andrew's chapter ("Rethinking Karl Marx: American liberalism from the New Deal to the Cold War"). We hope you enjoy our conversation as much as we enjoyed recording it!
Catriona Gold is a PhD candidate in Geography at University College London, researching security, subjectivity and mobility in the 20-21st century United States. Her current work concerns the US Passport Office; she has previously published on US Africa Command and the 2013-16 Ebola epidemic. She can be reached by email or on Twitter.
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Social and political conditions, in association with the self, can hardly be explained by one factor. Instead, they are shaped by several factors in diverse, mutually influencing ways. This is the essence of intersectionality, a concept that helps us understand the complexity of the human experience.
In the third episode of our new themed series Across the Rainbow, catch us in discussion with Dr. Shanon Shah, Visiting Research Fellow in Theology and Religious Studies at King’s College, London, and author of the article “Ethnicity, Gender and Class in the Experiences of Gay Muslims”.
Drawing from the well of personal experience, Dr. Shah delves into the ways in which multiple axes of social division, such as religion, ethnicity, gender, and class, interact differently in Malaysia, where Islam is the majority and official religion, and in Britain, where it is a minority religion, to produce varied outcomes for gay Muslim men and women in both countries.
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In Complaint! (Duke UP, 2021), Sara Ahmed examines what we can learn about power from those who complain about abuses of power. Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Ahmed explores the gap between what is supposed to happen when complaints are made and what actually happens. To make complaints within institutions is to learn how they work and for whom they work: complaint as feminist pedagogy. Ahmed explores how complaints are made behind closed doors and how doors are often closed on those who complain. To open these doors---to get complaints through, keep them going, or keep them alive---Ahmed emphasizes, requires forming new kinds of collectives. This book offers a systematic analysis of the methods used to stop complaints and a powerful and poetic meditation on what complaints can be used to do. Following a long lineage of Black feminist and feminist of color critiques of the university, Ahmed delivers a timely consideration of how institutional change becomes possible and why it is necessary.
Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).
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A dramatic, revelatory account of the female inmate firefighters who battle California wildfires for less than a dollar an hour On February 23, 2016, Shawna Lynn Jones stepped into the brush to fight a wildfire that had consumed ten acres of terrain on a steep ridge in Malibu. Jones carried fifty pounds of equipment and a chainsaw to help contain the blaze. As she fired up her saw, the earth gave way under her feet and a rock fell from above and struck her head, knocking her unconscious. A helicopter descended to airlift her out. As it took off, she was handcuffed to the gurney. She was neither a desperate Malibu resident nor a professional firefighter. She was a female inmate firefighter, briefly trained and equipped, and paid one dollar an hour to fight fires while working off her sentence. As California has endured unprecedented wildfires over the past decade, the state has come to rely heavily on its prison population, with imprisoned firefighters making up at least 40 percent of Cal Fire’s on-the-ground fire crews. Of those imprisoned workers, 250 are women.
In Breathing Fire: Female Inmate Firefighters on the Front Line of California's Wildfires (MCD, 2021), Jaime Lowe expands on her revelatory work for The New York Times Magazine to follow Jones and her fellow female inmate firefighters before, during, and—if they’re lucky—after incarceration. Lowe takes us into their lives, into the prisons and the women’s decisions to join the controversial program, into the fire camps where they live and train, and onto the front lines, where their brave work is unquestionably heroic—if often thankless.
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When we give women the same respect and opportunities as men, we give the world its best chance for peace, prosperity, and survival.
Laurie Levin's Call Me a Woman: On Our Way to Equality and Peace (One More Page, 2021) begins with a personal story of Levin's early years. She describes how the loss of her mother and multiple sexual assaults, including rape, led to her life's calling. Inside you'll discover:
Personal interviews with: Lynn Povich, first woman senior editor Newsweek magazine; Maxine Clark, founder Build-A-Bear Workshop; Gloria Feldt, former CEO and President Planned Parenthood Federation of America, NY Times Best-Selling Author; Mark Levin, biotech industry leader, founder, and CEO; Zaron Burnett III, investigative journalist and writer.
Call Me A Woman: On Our Way to Equality and Peace provides real life experiences, global studies, and insights, and the 7 Habits of Equality that will reshape the world into one where all children have equal opportunities, from the beginning to the end of their lives.
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In Black Women, Citizenship, and the Making of Modern Cuba (University of Florida Press, 2021), Dr. Takkara Brunson examines the political strategies used by Afro-Cuban women between 1886 and 1959 to call for greater rights and opportunities for Afro-Cubans. Afro-Cuban women channeled their energy for Black rights through letter writing, sitting for photographs and comportment, founding their own organizations, and seeking and winning political offices in the Communist Party, to name a few of their strategies. While pursuing the political avenues available to them, Black women also navigated and had to contend with patriarchy and racelessness. In putting together this compelling story, Brunson undertook research in archives in Cuba and the United States. She hones in on the lives of particular women in each chapter to show how they advanced calls for Black citizenship and rights. Brunson builds on the work of Latin American and Cuban history as well as Black feminist scholarship to center Black women as critical protagonists in the struggle for Black rights and freedom.
Dr. Takkara Brunson is an Associate Professor in the Department of History at Texas A&M University.
Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.
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Academia has a big problem. For many parents—especially mothers—the idea of "work-life balance" is a work-life myth. Parents and caregivers work harder than ever to grow and thrive in their careers while juggling the additional responsibilities that accompany parenthood. Sudden disruptions and daily constraints such as breastfeeding, sick days that keep children home from school, and the sleep deprivation that plagues the early years of parenting threaten to derail careers. Some experience bias and harassment related to pregnancy or parental leave. The result is an academic Chutes and Ladders, where career advancement is nearly impossible for parents who lack access to formal or informal support systems.
In The PhD Parenthood Trap: Gender, Bias, and the Elusive Work-Family Balance in Academia (Georgetown UP, 2021), Kerry F. Crawford and Leah C. Windsor reveal the realities of raising kids, on or off the tenure track, and suggest reforms to help support parents throughout their careers. Insights from their original survey data and poignant vignettes from scholars across disciplines make it clear that universities lack understanding, uniform policies, and flexibility for family formation, hurting the career development of parent-scholars. Each chapter includes recommendations for best practices and policy changes that will help make academia an exemplar of progressive family-leave policies. Topics covered include pregnancy, adoption, miscarriage and infant loss, postpartum depression, family leave, breastfeeding, daily parenting challenges, the tenure clock, and more. The book concludes with advice to new or soon-to-be parents to help them better navigate parenthood in academia.
The PhD Parenthood Trap provides scholars, academic mentors, and university administrators with empirical evidence and steps to break down personal and structural barriers between parenthood and scholarly careers.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at [email protected].
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How does emigration affect those left behind? The fall of Yugoslavia in the 1990s led citizens to look for a better, more stable life elsewhere. For the older generations, however, this wasn't an option. In this powerful and moving work, Ivana Bajic-Hajdukovic reveals the impact that waves of emigration from Serbia had on family relationships and, in particular, on elderly mothers who stayed.
With nowhere to go, and any savings given to their children to help establish new lives, these seniors faced the crumbling country, waves of refugees from Croatia and Bosnia-Herzegovina, NATO bombing, the failing economy, and the trial and ouster of Slobodan Milosevic. Can You Run Away from Sorrow?: Mothers Left Behind in 1990s Belgrade (Indiana UP, 2020) poignantly depicts the intimacy of family relationships sustained through these turbulent times in Serbia and through the next generation's search for a new life. Bajic-Hajdukovic explores transformations in family intimacy during everyday life practices-in people's homes, in their food and cooking practices, in their childcare, and even in remittances and the exchange of gifts.
"Can You Run Away from Sorrow?" illustrates not only the tremendous sacrifice of parents, but also their profound sense of loss-of their families, their country, their stability and dignity, and most importantly, of their own identity and hope for what they thought their future would be.
Anna Domdey, M.A., studied Cultural Anthropology and Gender Studies at the University of Goettingen and is currently doing professional training in the field of museology, but she still likes to engage with compelling anthropological research.
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The new collection, Perspectives on Crazy Ex-Girlfriend: Nuanced Postnetwork Television (Syracuse University Press, 2021) by Amanda Konkle and Charles Burnetts explores the hit series with an off-putting title and a decidedly retrograde premise. The CW dramedy Crazy Ex-Girlfriend is a surprising choice for critical analysis. But, loyal viewers quickly came to appreciate the show’s sharp cultural critique through masterful parody, and this strategy has made it a critical darling and earned it several awards throughout its run. In ways not often seen on traditional network television, the show transcends conventional genre boundaries—the Hollywood musical, the romantic comedy, the music video—while resisting stereotypes associated with contemporary life. The essays in this collection underscore the show’s ability to distinguish itself within the current television market. Focusing on themes of feminism, gender identity, and mental health, contributors explore the ways in which the show challenged viewer expectations, as well as the role television critics play in identifying a show’s “authenticity” or quality.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
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In Domestic Contradictions: Race and Gendered Citizenship from Reconstruction to Welfare Reform (Duke UP, 2021), Priya Kandaswamy analyzes how race, class, gender, and sexuality shaped welfare practices in the United States alongside the conflicting demands that this system imposed upon Black women. She turns to an often-neglected moment in welfare history, the advent of the Freedmen's Bureau during Reconstruction, and highlights important parallels with welfare reform in the late twentieth century. Kandaswamy demonstrates continuity between the figures of the "vagrant" and "welfare queen" in these time periods, both of which targeted Black women. These constructs upheld gendered constructions of domesticity while defining Black women's citizenship in terms of an obligation to work rather than a right to public resources. Pushing back against this history, Kandaswamy illustrates how the Black female body came to represent a series of interconnected dangers-to white citizenship, heteropatriarchy, and capitalist ideals of productivity -and how a desire to curb these threats drove state policy. In challenging dominant feminist historiographies, Kandaswamy builds on Black feminist and queer of color critiques to situate the gendered afterlife of slavery as central to the historical development of the welfare state.
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Minna Salami's book Sensuous Knowledge: A Black Feminist Approach for Everyone (Amistad/HarperCollins, 2021) is a collection of thought provoking essays that explore questions central to how we see ourselves, our history, and our world.
-What does it mean to be oppressed?
-What does it mean to be liberated?
-Why do women choose to follow authority even when they can be autonomous?
-What is the cost of compromising one’s true self?
-What narratives particularly subjugate women and people of African heritage?
-What kind of narrative can heal and empower?
As she considers these questions, Salami offers fresh insights on key cultural issues that impact women’s lives, including power, beauty, and knowledge. She also examines larger subjects, such as Afrofuturism, radical Black feminism, and gender politics, all with a historical outlook that is also future oriented. Combining a storyteller’s narrative playfulness and a social critic’s intellectual rigor, Salami draws upon a range of traditions and ideologies, feminist theory, popular culture—including insights from Ms. Lauryn Hill, Beyoncé, Audre Lorde, Toni Morrison, and others—science, philosophy, African myths and origin stories, and her own bold personal narrative to establish a language for change and self-liberation.
Sensuous Knowledge inspires reflection and challenge us to formulate or own views. Using ancestral knowledge to steer us toward freedom, Salami reveals the ways that women have protested over the years in large and small ways—models that inspire and empower us to define our own sense of womanhood today.
In this riveting meditation, Salami ask women to break free of the prison made by ingrained male centric biases, and build a house themselves—a home that can nurture us all.
Learn more about author Minna Salami at the MsAfropolitan blog.
Lee M. Pierce (she/they) is an Assistant Professor at SUNY Geneseo specializing in rhetoric, race, and U.S. political culture. They also host the Media & Communications and Language channels for New Books Network and their own podcast titled RhetoricLee Speaking.
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Welcome to The Academic Life. You are smart and capable, but you aren’t an island and neither are we. So we are reaching across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring on an expert about something? DM us on Twitter: The Academic Life @AcademicLifeNBN.
In this episode you’ll hear about: Dr. Ginetta Candelario’s path from journalism-major-hopeful to sociologist, how her family history shaped her intellectual questions, what inspired her to return to Smith after campus racism drove her out, a model for building an intentional community, editing a journal dedicated to the scholarship and voices of women of color, and a discussion of Meridians: 20th Anniversary Reader.
Our guest is: Dr. Ginetta Candelario, who is a faculty affiliate of the Latin American and Latina/o Studies Program, the Study of Women and Gender Program, and the Community Engagement and Social Change Concentration at Smith College. She is the founding vice president of the National Latin@ Studies Association, and a founding executive committee member of the New England Consortium for Latina/o Studies, and was appointed by the American Sociological Association to its Committee on Professional Ethics for 2017–20 and to the Finance Committee for 2021-2024. Dr. Candelario is widely published, serves on editorial boards, and is a peer reviewer. Her research interests include Dominican history and society, with a focus on national identity formation and women’s history; Blackness in the Americas; Latin American, Caribbean and Latina feminisms; Latina/o communities (particularly Cuban, Dominican and Puerto Rican); U.S. beauty culture; and museum studies. She has been a Fulbright Scholar in the Dominican Republic twice, and has been the editor of Meridians: feminism, race, transnationalism since July 2017.
Our host is: Dr. Christina Gessler, the co-creator and co-producer of the Academic Life podcasts. She is a historian of women and gender.
Listeners to this episode may be interested in:
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Teri A. McMurtry-Chubb is the author of Race Unequals: Overseer Contracts, White Masculinities, and the Formation of Managerial Identity in the Plantation Economy, published by Lexington Books in 2021. Race Unequals takes a look at the complex relationship between enslavers and overseers in order to explore the ways in which the “white South” was not a monolithic identity, but one in which white male identity was constantly created, contested, and compromised over. By examining contracts, public law, and plantation management, McMurtry-Chubb shows how the plantation not only created one of the nation’s first class of managerial people, but how this system stymied upward mobility, created and controlled social boundaries, and furthered white supremacy.
Teri A. McMurtry-Chubb is a Professor of Law and Associate Dean for Research and Faculty Development at the University of Illinois Chicago Law School.
Derek Litvak is a PhD candidate at the University of Maryland—College Park. His dissertation, "The Specter of Black Citizens: Race, Slavery, and Citizenship in the Early United States," examines how citizenship was used to both bolster the institution of slavery and exclude Black Americans from the body politic.
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Shlomit Naim Naor’s poetry is a unique voice in Israel. She is inviting the readers to delve deeper and engage in a dialogue with the Jewish religion and texts which are relevant to the most banal, everyday life. In her poetry, Naim Naor searches for places to which the Divine is NOT welcome, like abortions or the Oncology Department. She openly speaks about the (un)meaningful lives of single (religious) women and more. In her sensitive way she shares with us her personal journey as an Orthodox Jewish woman who lives in Jerusalem, but her words speak universally to all of us. In this podcast we will focus on her books: No End in Sight (2016) and The Things We Are Not Talking About (2020).
Shlomit Naim Naor is a poet, an educator and a religious feminist. She lives in Jerusalem with her partner and their three daughters.
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Today’s Postscript (a special series that allows scholars to comment on pressing contemporary issues) engages the latest chapter in American abortion politics as the United States Supreme Court has just allowed a Texas statute banning abortions after 6 weeks to go into effect. Lilly Goren and Susan Liebell have assembled a panel of experts in political science and law to interrogate the construction of the Texas law, the Supreme Court ruling, and how these cases map onto the wider political landscape.
Dr. Renée Ann Cramer is a Professor of Law, Politics, and Society at Drake University -- and the author of Birthing a Movement: Midwives, Law, and the Politics of Reproductive Care from Stanford University Press, 2021.
Dr. Rebecca Kreitzer is an Associate Professor of Public Policy and an Adjunct Associate Professor of Political Science at the University of North Carolina at Chapel Hill -- and the author of some of the most downloaded articles in political science on the policy environment in which abortion laws are passed. Her most recent work, “Anti-Abortion Policymaking and Women’s Representation” (co-authored with Reingold, Beth, Tracy L. Osborn, and Michele Swers) appears in Political Research Quarterly.
Dr. Andrew R. Lewis is an Associate Professor of Political Science at the University of Cincinnati and the author of The Rights Turn in Conservative Christian Politics: How Abortion Transformed the Culture Wars (Cambridge, 2017). He writes at the intersection of politics, religion, and law in America with expertise in Evangelicals and politics, conservative legal activism, and rights politics.
Dr. Joshua C. Wilson is Professor of Political Science at the University of Denver -- and the . author of The Street Politics of Abortion: Speech, Violence, & America’s Culture Wars and The New States of Abortion Politics both from Stanford University Press 2013 and 2016. His article “Striving to Rollback or Protect Roe: State Legislation and the Trump-Era Politics of Abortion appeared in Publius last summer.
Dr. Mary Ziegler is a Stearns Weaver Miller Professor at Florida State University College of Law. She is the author of Abortion and the Law in America: A Legal History, Roe v. Wade to the Present (Cambridge University Press, 2020) and has a forthcoming book Dollars for Life: The Antiabortion Movement and the Fall of the Republican Establishment expected from Yale University Press, 2022).
Daniella Campos assisted with this podcast.
Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI.
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Women performers played a vital role in the development of American and transatlantic entertainment, celebrity culture, and gender ideology. In Starring Women: Celebrity, Patriarchy, and American Theater, 1790-1851 (U Illinois Press, 2020), Sara E. Lampert examines the lives, careers, and fame of overlooked figures from Europe and the United States whose work in melodrama, ballet, and other stage shows shocked and excited early U.S. audiences. These women lived and performed the tensions and contradictions of nineteenth-century gender roles, sparking debates about women's place in public life. Yet even their unprecedented wealth and prominence failed to break the patriarchal family structures that governed their lives and conditioned their careers. Inevitable contradictions arose. The burgeoning celebrity culture of the time forced women stage stars to don the costumes of domestic femininity even as the unsettled nature of life in the theater defied these ideals. A revealing foray into a lost time, Starring Women returns a generation of performers to their central place in the early history of American theater.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
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Today I talked to Angelica Malin about her new book She Made It: The Toolkit for Female Founders in the Digital Age (Kogan Page, 2021).
Female entrepreneurs don’t tend to receive the same funding assistance as do their male counterparts, but in turn they have the advantage of often connecting more effectively with their target markets. It’s their soft skills, in effect, that can see them through observes Angelica Malin. Plus one should never forget the power of having a greater purpose, a sense of mission by, for instance, by addressing a need that other, often male entrepreneurs may overlook. This guest has no fear of public speaking, whatsoever – and it shows. This is a very engaging episode as Angelica gives crisp, lively answers to questions like: why it helps to be personal and quirky in addressing journalists, how Instagram has changed in recent years, and how Taylor Swift helped make She Made It possible.
Angelica Malin is the Editor-in-Chief of About Time Magazine and the U.K.’s rising voice for championing women founders and entrepreneurs. She’s appeared on the BBC News and LBC Business Hour and has been featured in The Telegraph, Forbes, and Real Business.
Dan Hill, PhD, is the author of nine books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His new book is Blah, Blah, Blah: A Snarky Guide to Office Politics. To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
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Gender, and regulations of and discourses on it, have historically been a cornerstone of the conservative Christian belief system. The stance of the Catholic Church on feminism, for instance, has often been criticized for being reductive and exclusionary. As Christianity has exerted a profound influence on the government and principles of the United States from the time of its founding, in this modern age, it is natural to examine the extent of its influence on LGBTQ-related, and particularly trans-related legislation.
In the fourth episode of our themed series Across the Rainbow, Dr. SJ Crasnow, Assistant Professor of Religious Studies at Rockhurst University, Kansas City, and author of the article “The Legacy of ‘Gender Ideology.” Dr. Crasnow talks to us about the current state of anti-trans legislation in the U.S., and the role played by conservative Christianity in shaping it.
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Maiko Masquerade: Crafting Geisha Girlhood in Japan (University of California Press, 2021) explores Japanese representations of the maiko, or apprentice geisha, in films, manga, and other popular media as an icon of exemplary girlhood. Dr. Jan Bardsley traces how the maiko, long stigmatized as a victim of sexual exploitation, emerges in the 2000s as the chaste keeper of Kyoto’s classical artistic traditions. Insider accounts by maiko and geisha, their leaders and fans, show pride in the training, challenges, and rewards maiko face. No longer viewed as a toy for men’s amusement, she serves as catalyst for women’s consumer fun. This change inspires stories of ordinary girls—and even one boy—striving to embody the maiko ideal, engaging in masquerades that highlight questions of personal choice, gender performance, and national identity.
Dr. Jan Bardsley is Professor Emerita of Asian Studies at the University of North Carolina, Chapel Hill.
Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.
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In Between Subjects: A Critical Genealogy of Queer Performance (Routledge, 2021) is a study of the connected ideas of "queer" and "gender performance" or "performativity" over the past several decades, providing an ambitious history and crucial examination of these concepts while questioning their very bases. The book traces how and why "queer" and "performativity" seem to belong together in so many discussions around identity, popular modes of gender display, and performance art. Drawing on art history and performance studies but also on feminist, queer, and sexuality studies, and postcolonial, indigenous, and critical race theoretical frameworks, it seeks to denaturalize these assumptions by questioning the US-centrism and white-dominance of discourses around queer performance or performativity.
Dr. Amelia Jones is Robert A. Day Professor and Vice Dean of Academics and Research at the Roski School of Art & Design at the University of Southern California. Her recent publications include Seeing Differently: A History and Theory of Identification and Visual Arts and Otherwise: Imagining Queer Feminist Art Histories, co-edited with Erin Silver. The catalogue Queer Communion: Ron Athey, which she co-edited with Andy Campbell, and which accompanies a retrospective of Athey’s work at Participant Inc. (New York) and ICA (Los Angeles), was listed among “Best Art Books 2020” in the New York Times.
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There are two problems that are typically siloed in the era of #MeToo and mass incarceration: sexual and gender violence, on the one hand, and the state’s unjust, ineffective, and soul-destroying response to it on the other. Is it possible to confront the culture of abuse? Is it possible to hold harm-doers accountable without recourse to a criminal justice system that redoubles injuries, fails survivors, and retrenches the conditions that made such abuse possible?
The Feminist and the Sex Offender: Confronting Sexual Harm, Ending State Violence (Verso, 2020), by Judith Levine and Erica Meiners (Verso Books, 2020), develops an intersectional feminist approach to ending sexual violence. It maps with considerable detail the unjust sex offender regime while highlighting the alternatives we urgently need.
Judith Levine is a longtime journalist and author of countless articles and commentaries in popular media and the author of five books, including Harmful to Minors: The Perils of Protecting Children From Sex, which won the LA Times Book Award.
Erica Meiners is a professor of education and women's and gender studies at Northeastern Illinois University and the author of several books, most recently For the Children? Protecting Innocence in a Carceral State.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
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In Entitled: How Male Privilege Hurts Women (Penguin Random House, 2021), Cornell philosopher Kate Manne offers a radical new framework for understanding misogyny. Ranging widely across the culture, from Harvey Weinstein and the Brett Kavanaugh hearings to “Cat Person” and the political misfortunes of Elizabeth Warren, Manne’s book shows how privileged men’s sense of entitlement—to sex, yes, but more insidiously to admiration, care, bodily autonomy, knowledge, and power—is a pervasive social problem with often devastating consequences.
In clear, lucid prose, Manne argues that male entitlement can explain a wide array of phenomena, from mansplaining and the undertreatment of women’s pain to mass shootings by incels and the seemingly intractable notion that women are “unelectable.” Moreover, Manne implicates each of us in toxic masculinity: It’s not just a product of a few bad actors; it’s something we all perpetuate, conditioned as we are by the social and cultural mores of our time. The only way to combat it, she says, is to expose the flaws in our default modes of thought while enabling women to take up space, say their piece, and muster resistance to the entitled attitudes of the men around them.
With wit and intellectual fierceness, Manne sheds new light on gender and power and offers a vision of a world in which women are just as entitled as men to our collective care and concern.
Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in art and culture from the eighteenth through the early twentieth centuries.
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Why We Lost the Sex Wars: Sexual Freedom in the #MeToo Era (University of Minnesota Press, 2021) helps us to understand not only the history of the “sex wars” in the 1970s, 1980s, and 1990s, but it also helps to guide our understanding of the contemporary #MeToo Movement and the complexity of critiques about sex positivity in historical and current contexts. Bracewell revisits the history of the sex wars in the United States, and the different critiques and layers that made those battles much more complex and nuanced than the simplistic two sided “cat fight” that is often cast as the only dimensions of those debates. Why We Lost The Sex Wars re-examines the history of the debates in the late 1970s about pornography that would come to divide feminism as a movement. This history, especially the way that the narrative became entrenched as this two-sided fight effectively erased the voices and positions of feminists of color and international feminists, who had other perspectives on sexual politics that were voiced at the time but were not integrated into the history of the sex wars. Bracewell’s discussion is a clear critique of the way that these other, more marginalized voices were written out of the sex wars debate. She reintegrates these perspectives and voices, building more dimensions to the debates around sex and feminism during the period that spans the so-called second and third waves of feminism.
At the basis of Bracewell’s analysis is a framework grounded in the ideas of classical liberalism and this commitment to individual rights and autonomy. Bracewell asks “[h]ow did sexual-political possibilities not tethered to liberal notions of individual rights, civil liberties, due process, and personal privacy come to be as anathema to sex-positive progressives and feminists as they are to traditionalists and conservatives?” (Bracewell 4). This question also arises in context of the #MeToo Movement. In discussing the #MeToo movement—which is predicated on the concept that so many women (and some men) have experienced sexual harassment, inappropriate sexual advances, or rape, and that by disclosing that they too have this experience, others will come forward with their own experiences—Bracewell notes that this more contemporary movement about sexual autonomy and freedom does not always encompass everyone it necessarily should, explaining that many celebrities who have disclosed their experiences receive support for coming forward, but those harassed or assaulted who are not celebrities, those who have much more precarious jobs or positions, remain unnoticed and they may well suffer job loss or other detrimental consequences. Why We Lost the Sex Wars: Sexual Freedom in the #MeToo Era knits together the actual sex wars during the earlier years of the contemporary feminist movement and the more recent debates that have surrounded the #MeToo Movement, teasing out why these dialogues about sex are connected to each other and still quite relevant today.
Eli Levitas-Goren assisted with this podcast.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at [email protected] or tweet to @gorenlj.
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Ella L. J. Bell Smith and Stella M. Nkomo, Our Separate Ways: Black and White Women and the Struggle for Professional Identity (Harvard Business Press, 2021)
Ella Bell Smith is a professor of business administration at the Tuck School of Business. She’s also the founder and president of ASCENT: Leading Multicultural Women to the Top. Stella M. Nkomo is a professor in the Department of Human Resource Management at the University of Pretoria. She was the founding president of the Africa Academy of Management.
A “glass ceiling” that holds women back from attaining the top levels of management within a company is a familiar term. But how about a “cement wall”? That’s how these two authors describe the struggle that confronts women of color and often African-American women particularly as they try to rise through the ranks. What black women must deal with is often a lack of both visibility and authority. This episode explores why it is that so little progress has been made so far in the 21st century. While white female professionals now occupy about 1/3rd of all management roles (still not enough), black women’s share amounts to 4%. How can diversity be realized more organically, rather than through a series of lectures that likely won’t “move the needle”? Listen to this episode to find out.
Dan Hill, PhD, is the author of nine books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His new book is Blah, Blah, Blah: A Snarky Guide to Office Politics. To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
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In Queering Femininity: Sexuality, Feminism and the Politics of Presentation (Routledge, 2019), Hannah McCann asks, “how can we consider femininity in a way that best attends to people’s experiences of, and attachment to, feminine styles?” McCann takes readers through popular and scholarly feminist commentary to understand, and critique, how embodied feminine styles are comprehended as effects of an oppressive system which also plays a significant role in upholding and perpetuating this system. Instead of positing that femininity is necessarily empowering or essentially good, McCann insists that femininity is neither inherently disempowering, nor it is necessarily bad. McCann contests the idea that those who appear, embody or perform femininity are not “cultural dupes labouring under false-consciousness” but are agentic in their own right as they navigate life and negotiate with power structures and navigate life and their own becoming in it. There is acknowledgement in the book about the messiness of gender and recognition of the fact that masculinity and femininity are rarely coherent and uniformly expressed or articulated.
McCann uses the term “femininity” to illustrate “style of the body” or appearance, which is a “non-inevitable normative descriptor” that demands attention to more complexity than what is accrued to norms and descriptions. It considers how femininity as a “bodily property” has been conceived of in feminist discourse and how such conception figures in the lives of those who inhabit such styles and the identities that accompany them. It does not dismiss femininity as irrelevant, and does not reject its embodies styles, even as it does not place emphasis on representation as exclusively having the power to bring about political transformation. McCann enquires, “What can the body as feminine do? And What might utopian femininity” look like, while prefacing it with the statement that these questions can be asked instead of feminine embodiments being rendered intelligible only as oppressed. McCann explores queer femininity with attention to her conviction that “feminine styles and accoutrements deserve attention outside of evaluations of their presumed representational significance.”
Dr. Hannah McCann is Senior Lecturer in Cultural Studies in the School of Culture and Communication at the University of Melbourne. Her research in critical femininity studies explores feminist discourse on femininity, queer femme LGBTQ+ communities, beauty culture, and queer fangirls. She has published in various journals including European Journal of Women’s Studies, Women’s Studies Quarterly, and Signs: Journal of Women in Culture and Society. Her monograph Queering Femininity: Sexuality, Feminism and the Politics of Presentation was published with Routledge in 2018, and her co-authored textbook Queer Theory Now: From Foundations to Futures with Red Globe Press in 2020.
Sohini Chatterjee is PhD Student in the Department of Gender, Sexuality, and Women’s Studies at Western University. She works on queer cultural studies, trans and queer activism, and resistance movements.
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Lynne Huffer, the Samuel Candler Dobbs Professor of Womens and Gender Studies at Emory University to speaks widely about the body of her work, including her her new book, Foucault’s Strange Eros, out in 2020 with Columbia University Press.
What is the strange eros that haunts Foucault’s writing? In this deeply original consideration of Foucault’s erotic ethics, Lynne Huffer provocatively rewrites Foucault as a Sapphic poet. She uncovers eros as a mode of thought that erodes the interiority of the thinking subject. Focusing on the ethical implications of this mode of thought, Huffer shows how Foucault’s poetic archival method offers a way to counter the disciplining of speech.
At the heart of this method is a conception of the archive as Sapphic: the past’s remains are, like Sappho’s verses, hole-ridden, scattered, and dissolved by time. Listening for eros across fragmented texts, Huffer stages a series of encounters within an archive of literary and theoretical readings: the eroticization of violence in works by Freud and Eve Kosofsky Sedgwick, the historicity of madness in the Foucault-Derrida debate, the afterlives of Foucault’s antiprison activism, and Monique Wittig’s Sapphic materialism. Through these encounters, Foucault’s Strange Eros conceives of ethics as experiments in living that work poetically to make the present strange. Crafting fragments that dissolve into Sapphic brackets, Huffer performs the ethics she describes in her own practice of experimental writing. Foucault’s Strange Eros hints at the self-hollowing speech of an eros that opens a space for the strange.
Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
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Both Russia and Turkey were pioneering examples of feminism in the early 20th Century, when the Bolshevik and Republican states embraced an ideology of women's equality. Yet now these countries have drifted towards authoritarianism and the concept of gender is being invoked to reinforce tradition, nationalism and to oppose Western culture. Gökten Dogangün's book Gender Politics in Turkey and Russia: From State Feminism to Authoritarian Rule (Bloomsbury, 2019) explores the relationship between the state and gender equality in Russia and Turkey, covering the Bolshevik Revolution of 1917 and the Republican Revolution of 1923 and highlighting the very different gender climates that have emerged under the leaderships of Putin and Erdogan.
The research is based on analysis of legal documents, statistical data and reports, as well as in-depth interviews with experts, activists and public officials. Dogangün identifies a climate of 'neo-traditionalism' in contemporary Russia and 'neo-conservatism' in contemporary Turkey and examines how Putin and Erdogan's ambitions to ensure political stability, security and legitimacy are achieved by promoting commonly held 'family values', grounded in religion and tradition. The book reveals what it means to be a woman in Turkey and Russia today and covers key topics such as hostility towards feminism, women's employment, domestic violence, motherhood and abortion. Dogangün provides the first comparative study that seeks to understand the escalation of patriarchy and the decline of democracy which is being witnessed across the world.
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The history of how a deceptively ordinary piece of office furniture transformed our relationship with information The ubiquity of the filing cabinet in the twentieth-century office space, along with its noticeable absence of style, has obscured its transformative role in the histories of both information technology and work.
In The Filing Cabinet: A Vertical History of Information (U Minnesota Press, 2021), Craig Robertson explores how the filing cabinet profoundly shaped the way that information and data have been sorted, stored, retrieved, and used. Invented in the 1890s, the filing cabinet was a result of the nineteenth-century faith in efficiency. Previously, paper records were arranged haphazardly: bound into books, stacked in piles, curled into slots, or impaled on spindles. The filing cabinet organized loose papers in tabbed folders that could be sorted alphanumerically, radically changing how people accessed, circulated, and structured information. Robertson's unconventional history of the origins of the information age posits the filing cabinet as an information storage container, an "automatic memory" machine that contributed to a new type of information labor privileging manual dexterity over mental deliberation. Gendered assumptions about women's nimble fingers helped to naturalize the changes that brought women into the workforce as low-level clerical workers. The filing cabinet emerges from this unexpected account as a sophisticated piece of information technology and a site of gendered labor that with its folders, files, and tabs continues to shape how we interact with information and data in today's digital world.
Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.
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Noted for their haunting melodies and enigmatic lyrics, Bauls have been portrayed as spiritually enlightened troubadours traveling around the countryside in West Bengal in India and in Bangladesh. As emblems of Bengali culture, Bauls have long been a subject of scholarly debates which center on their esoteric practices, and middle class imaginaries of the category Baul.
Adding to this literature, the intimate ethnography presented in Kristin Hanssen's book Women, Religion and the Body in South Asia: Living With Bengali Bauls (Routledge, 2020) recounts the life stories of members from a single family, shining light on their past and present tribulations bound up with being poor and of a lowly caste. It shows that taking up the Baul path is a means of softening the stigma of their lower caste identity in that religious practice, where women play a key role, renders the body pure. The path is also a source of monetary income in that begging is considered part of their vocation. For women, the Baul path has the added implication of lessening constraints of gender. While the book describes a family of singers, it also portrays the wider society in which they live, showing how their lives connect and interlace with other villagers, a theme not previously explored in literature on Bauls.
Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com.
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From the nostalgic landed estate with its backward gaze to the present-focused and efficient urban apartment to the utopian communal dreams of a Soviet future, the idea of time was deeply embedded in Russian domestic life. I sat down with my mentor, Rebecca Friedman to talk about her new book, Modernity, Domesticity and Temporality in Russia: Time at Home which was published in August, 2020 by Bloomsbury Publishing. Dr. Friedman is Associate Professor of History and Director of the Wolfsonian Public Humanities Lab at Florida International University. She is the author of Masculinity, Autocracy, and the Russian University and co-editor for a number of volumes about gender in Russia.
Dr. Friedman is the first to weave together these twin concepts of time and space in relation to Russian culture and, in doing so, this book reveals how the revolutionary domestic experiments reflected a desire by the state and by individuals to control the rapidly changing landscape of modern Russia. Drawing on extensive popular and literary sources, both visual and textual, this fascinating book enables readers to understand the reshaping of Russian space and time as part of a larger revolutionary drive to eradicate, however ambivalently, the 19th-century gentrified sloth in favor of the proficient Soviet comrade. As Modernity, Domesticity and Temporality in Russia explains, amidst such public turmoil Russians turned inwards, embracing and carefully curating the home in an effort to express both personal and national identities.
This was a wonderful and engaging conversation about the past, the present, the future, and the Russian-ness of it all. Enjoy!
Rozzmery Palenzuela Vicente is a PhD Candidate in the Department of History at Florida International University. Her dissertation examines the cultural and intellectual politics surrounding black motherhood in twentieth-century Cuba.
Twitter: @RozzmeryPV
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The US military camptowns were established shortly after the Second World War in 1945, appropriating the Japanese comfort stations. The Korean government actively supported the creation of camptowns for its own economic and national security interests. Utilizing the Japanese colonial policy, the US military and the South Korean government sought to control camptown women’s bodies through vaginal examinations, isolation wards, and jails, monitoring women for potential venereal diseases. Denigrated as a “traitor” for “mixing flesh with foreigners,” camptown women and their labors were disavowed in Korean society.[1] However, the Korean government also depended on camptown women for its economic development: camptown women’s earnings accounted for 10% of Korea’s foreign currency.[2] Speaking against this silence, Grace Cho’s new memoir, Tastes Like War (Feminist Press at CUNY, 2021), brings to light not only the pain and trauma of militarized violence as experienced by her mother who worked as a camptown woman in the 1960s and 1970s, but also the beauty and poignant resilience of her life.
In Tastes Like War: A Memoir (Feminist Press, 2021), Cho explores the connection between food, war, trauma, family, and love. After marrying a merchant marine, Cho’s mother moved to a white town of Chehalis in Washington in the 1970s. Abundance, social mobility, and progress – America promised Cho’s mother what seemed beyond her grasp in Korea. However, the daily traumas of racialized violence and institutionalized abuses at her workplace furthered her fragmentation as a Third World subject whose body and subjectivity were created by complex ties between the histories of empire, militarized and sexual violence, and racialization. To understand the roots of her mother’s schizophrenia, Cho delves into this history, focusing not only on the traumas but also on hope, strength, beauty, and resilience as embodied by her mother. The everyday acts of cooking Korean meals and foraging for mushrooms and blackberries signaled her mother’s will to survive no matter the condition set by the global empire. Through the act of writing, Cho reconstructs the fragments of her mother’s life – illustrating her mother’s persistent and creative drive for life despite the historical violence that continued to condition her present and the future.
[1] First quote is from Cho, Haunting the Korean Diaspora, 94 and second quote is from Cho, Tastes Like War, 93.
[2] Park, Emmanuel Moonchil, dir. Podŭrapge (Comfort). 2020; Seoul, Korea: Independent, 2020. Vimeo.
Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at [email protected].
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The first African nurse was certified in the Ciskei region of South Africa during the early decades of the twentieth century. Since then, African nurses have played a key role in the expansion and development of healthcare services in South Africa, particularly in rural areas. Using the stories of retired African nurses who worked in the Ciskei between 1950 and 1980, Leslie Anne Hatfield documents and contextualizes the achievements of these remarkable women. Their stories were prefaced by the last decades of British colonialism and shaped by the rise of apartheid and the creation of African homelands. In spite of the racial and economic injustices that Africans experienced under apartheid, nursing allowed many African women to pursue careers that gave them a sense of purpose and some measure of agency, while providing them with a stepping stone into the middle class. The stories collected by Hatfield speak of the rigorous training, long hours and minimal resources that African nurses endured while working in rural clinics; the role they played as brokers between biomedical and Xhosa medical approaches; and as pioneers in the expansion of gender roles, both as nurses and professional women who had to care for families of their own. A Bold Profession. African Nurses in Rural Apartheid South Africa (University of Wisconsin Press, 2021) deftly illustrates how the everyday challenges and triumphs of African nurses amounted not only to a substantial expansion of healthcare services in the Ciskei, but were also important in the continuous move towards increasing the opportunities available to African women.
Esperanza Brizuela-Garcia is an associate professor of history at Montclair State University.
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As ongoing controversies over commercial sex attest, the relationship between capitalism and sexuality is deeply contentious. Economic and sexual practices are assumed to be not only separable but antithetical, hence why paid sex is so often criminalized and morally condemned. Yet, while sexuality is highly politicized in moral terms, it has largely been overlooked in the discipline devoted to the study of global capitalism, international political economy (IPE). Likewise, the prevailing field in sexuality studies, queer theory, has frequently sidelined questions of political economy. Nicola J. Smith's Capitalism's Sexual History (Oxford UP, 2020) calls for critical scholarship to challenge the dichotomy as it not only structures disciplinary debates but is part and parcel of capitalism itself. By exposing the historical mechanisms through which the economy/sexuality dichotomy has been constituted, the book opens up new space for critical inquiry into the intersections between sex, work, and economic and sexual injustice.
Nicola Smith is senior lecturer at the University of Birmingham, and a political economist working on feminist and queer theory, neoliberalism and austerity, sex work and reproductive labour, and the history of the British body politic.
Victoria Holt is a PhD student and a sex worker activist. Her research explores sex workers' experiences of domestic violence.
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Translocas: The Politics of Puerto Rican Drag and Trans Performance (U Michigan Press, 2021) focuses on drag and transgender performance and activism in Puerto Rico and its diaspora. Arguing for its political potential, Lawrence La Fountain-Stokes explores the social and cultural disruptions caused by Latin American and Latinx “locas” (effeminate men, drag queens, transgender performers, and unruly women) and the various forms of violence to which queer individuals in Puerto Rico and the U.S. are subjected. This interdisciplinary, auto-ethnographic, queer-of-color performance studies book explores the lives and work of contemporary performers and activists including Sylvia Rivera, Nina Flowers, Freddie Mercado, Javier Cardona, Jorge Merced, Erika Lopez, Holly Woodlawn, Monica Beverly Hillz, Lady Catiria, and Barbra Herr; television programs such as RuPaul’s Drag Race; films such as Paris Is Burning, The Salt Mines, and Mala Mala; and literary works by authors such as Mayra Santos-Febres and Manuel Ramos Otero. Lawrence La Fountain-Stokes, a drag performer himself, demonstrates how each destabilizes (and sometimes reifies) dominant notions of gender and sexuality through drag and their embodied transgender expression. These performances provide a means to explore and critique issues of race, class, poverty, national identity, and migratory displacement while they posit a relationship between audiences and performers that has a ritual-like, communal dimension. The book also analyzes the murders of Jorge Steven López Mercado and Kevin Fret in Puerto Rico, and invites readers to challenge, question, and expand their knowledge about queer life, drag, trans performance, and Puerto Rican identity in the Caribbean and the diaspora. The author also pays careful attention to transgender experience, highlighting how trans activists and performers mold their bodies, promote social change, and create community in a context that oscillates between glamour and objection.
Dr. Lawrence La Fountain-Stokes is Professor of American Culture, Romance Languages and Literatures, and Women's and Gender Studies at the University of Michigan.
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“We know what we want, and one day, our prince will come,” says Toby, the bicycle-shorts-wearing, double ententre-making, unacknowledgely-gay neighbor in RTE’s Upwardly Mobile. Though the first queer characters in Irish entertainment television were tropes and stereotypes, they represented an important shift in LGBTQ visibility in Irish media. The road to early representations in entertainment media was a hard road paved by gay rights activists, AIDS stigma, and production teams looking for sensationalism. In LGBTQ Visibility, Media, and Sexuality in Ireland, Páraic Kerrigan explores the dynamics of queer visibility and sexuality in Ireland through televised media between 1974 and 2008. Tune in for our chat about Gay Byrne and the Late Late Show, queer soap stars, the AIDS crisis and globalization of Ireland, and the LGBTQ rights tug-of-war that played out in turn-of-the-century television.
Avrill Earls is the Executive Producer of Dig: A History Podcast (a narrative history podcast, rather than interview-based), and an Assistant Professor of History at Mercyhurst University.
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Although hip hop culture has widely been acknowledged as a global phenomenon that has spread far beyond its roots in American African-Caribbean-Latinx cultures, there are few studies that have examined the participation of women in global hip hop, and even fewer that examine the reception of female artists by other women. Angela Williams's book Hip Hop Harem: Women, Rap and Representation in the Middle East (Peter Lang, 2020) explores the social reception of seven prominent female rappers from the region: Shadia Mansour (Palestine), Malikah (Lebanon), Soultana (Morocco), Soska (Egypt), Myam Mahmoud (Egypt), Amani (Yemen), and Justina (Iran), who use their music and personal styles to give voice to themes of self-determination and liberation within their own lives.
Easily accessibly by undergraduates, Hip Hop Harem is an important work that allows Middle Eastern Muslim women to participate in knowledge creation about themselves in the western academic tradition, rooted in Third Wave Feminism and post-colonial theory.
Christopher S Rose is a social historian of medicine focusing on Egypt and the Eastern Mediterranean in the 19th and 20th century. He currently teaches History at St. Edward's University in Austin, Texas.
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How did states come to monopolize control over migration? What do the processes that produced this monopoly tell us about the modern state? In Indian Migration and Empire: A Colonial Genealogy of the Modern State (Duke UP, 2018), Radhika Mongia provocatively argues that the formation of colonial migration regulations was dependent upon, accompanied by, and generative of profound changes in normative conceptions of the modern state. Focused on state regulation of colonial Indian migration between 1834 and 1917, Mongia illuminates the genesis of central techniques of migration control. She shows how important elements of current migration regimes, including the notion of state sovereignty as embodying the authority to control migration, the distinction between free and forced migration, the emergence of passports, the formation of migration bureaucracies, and the incorporation of kinship relations into migration logics, are the product of complex debates that attended colonial migrations. By charting how state control of migration was critical to the transformation of a world dominated by empire-states into a world dominated by nation-states, Mongia challenges positions that posit a stark distinction between the colonial state and the modern state to trace aspects of their entanglements.
Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).
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Worlding Postcolonial Sexualities: Publics, Counterpublics, Human Rights (Routledge, 2021) demonstrates how late twentieth century postcolonial print cultures initiated a public discourse on sexual activism and contends that postcolonial feminist and queer archives offer alternative histories of sexual precarity, vulnerability, and resistance.
The book's comparative focus on India, Jamaica, and South Africa extends the valences of postcolonial feminist and queer studies towards a historical examination of South-South interactions in the theory and praxis of sexual rights. Analyzing the circumstances of production and the contents of English-language and intermittently bilingual magazines and newsletters published between the late 1970s and the late 1990s, these sources offer a way to examine the convergences and divergences between postcolonial feminist, gay, and lesbian activism. It charts a set of concerns common to feminist, gay, and lesbian activist literature: retrogressive colonial-era legislation impacting the status of women and sexual minorities; a marked increase in sexual violence; piecemeal reproductive freedoms and sexual choice under neoliberalism; the emergence and management of the HIV/AIDS crisis; precariousness of lesbian and transgender concerns within feminist and LGBTQ+ movements; and Non-Governmental Organizations as major actors articulating sexual rights as human rights. This methodologically innovative work is based on archival historical research, analyses of national and international policy documents, close readings of activist publications, and conversations with activists and founding editors.
This is an important intervention in the field of gender and sexuality studies and is the winner of the 2020 Feminist Futures, Subversive Histories prize in partnership with the NWSA. The book is key reading for scholars and students in gender, sexuality, comparative literature, and postcolonial studies.
Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers.
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Every day millions of Tamil women in southeast India wake up before dawn to create a kolam, an ephemeral ritual design made with rice flour, on the thresholds of homes, businesses and temples. This thousand-year-old ritual welcomes and honors Lakshmi, the goddess of wealth and alertness, and Bhudevi, the goddess of the earth. Created by hand with great skill, artistry, and mathematical precision, the kolam disappears in a few hours, borne away by passing footsteps and hungry insects. This is the first comprehensive study of the kolam in the English language. It examines its significance in historical, mathematical, ecological, anthropological, and literary contexts. The culmination of Vijaya Nagarajan's many years of research and writing on this exacting ritual practice, Feeding a Thousand Souls: Women, Ritual, and Ecology in India--an Exploration of the Kolam (Oxford UP, 2018) celebrates the experiences, thoughts, and voices of the Tamil women who keep this tradition alive. You can visit the book's website here.
Vijaya Nagarajan is currently the Chair and Associate Professor of the Department of Theology/Religious Studies and in the Program of Environmental Studies at the University of San Francisco.
Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com.
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Outlove: A Queer Christian Survival Story, written by Julie Rodgers was published in 2021 by Broadleaf Books Publishing Inc. In this honest and vulnerable book, Rodgers takes us through her journey from ex-gay theology to radical inclusion and self-acceptance as a queer Christian.
After decades of bouncing between hope and despair, Evangelical, Baptist-raised Julie Rodgers found herself making a powerful public statement that her former self would have never said: "I support same-sex marriage in the church."
When Rodgers came out to her family as a junior in high school, she still believed that God would sanctify her and eventually make her straight. Wanting so intensely to be good, she spent her adolescent and early adult years with an ex-gay ministry, praying for liberation from her homosexuality. In Outlove Rodgers details her deeply personal journey from a life of self-denial in the name of faith to her role in leading the take-down of Exodus International, the largest ex-gay organization in the world, to her marriage to a woman at the Washington National Cathedral. Through one woman's intimate story, we see the larger story of why many have left conservative religious structures in order to claim their truest identity.
Outlove is about love and losses, political and religious power-plays, and the cost to those who sought to stay in a faith community that wouldn't accept them. Shedding light on the debate between Evangelical Christians and the LGBTQ community--a battle that continues to rage on in the national news and in courtrooms across the country--this book ultimately casts a hopeful vision for how the church can heal.
Meg Gambino is an artist and activist currently working as the Director of Outreach for an addiction recovery center. Her life mission is to creatively empower others by modeling reconciliation between communities of people and people on the margins. Find her work at reconfigureart.com.
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Women's emancipation through productive labour was a key tenet of socialist politics in post-World War II Yugoslavia. Mass industrialisation under Tito led many young women to join traditionally 'feminised' sectors, and as a consequence the textile sector grew rapidly, fast becoming a gendered symbol of industrialisation, consumption and socialist modernity. By the 1980s Yugoslavia was one of the world's leading producers of textiles and garments. The break-up of Yugoslavia in 1991, however, resulted in factory closures, bankruptcy and layoffs, forcing thousands of garment industry workers into precarious and often exploitative private-sector jobs. Drawing on more than 60 oral history interviews with former and current garment workers, as well as workplace periodicals and contemporary press material collected across Croatia, Macedonia, Serbia, Bosnia-Herzegovina and Slovenia, Women and Industry in the Balkans charts the rise and fall of the Yugoslav textile sector, as well as the implications of this post-socialist transition, for the first time.
In the process, Chiara Bonfiglioli explores broader questions about memories of socialism, lingering feelings of attachment to the socialist welfare system and the complexity of the post-socialist era. Women and Industry in the Balkans: The Rise and Fall of the Yugoslav Textile Sector (I. B. Tauris, 2021) is important reading for all scholars working on the history and politics of Yugoslavia and the Balkans, oral history, memory studies and gender studies.
Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life.
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In Writing Kit Carson: Fallen Heroes in a Changing West (UNC Press, 2020), Susan Lee Johnson braids together lives over time and space, telling tales of two white women who, in the 1960s, wrote books about the fabled frontiersman Christopher Kit Carson: Quantrille McClung, a Denver librarian who compiled the Carson-Bent-Boggs Genealogy, and Kansas-born but Washington, D.C.- and Chicago-based Bernice Blackwelder, a singer on stage and radio, a CIA employee, and the author of Great Westerner: The Story of Kit Carson. In the 1970s, as once-celebrated figures like Carson were falling headlong from grace, these two amateur historians kept weaving stories of western white men, including those who married American Indian and Spanish Mexican women, just as Carson had wed Singing Grass, Making Out Road, and Josefa Jaramillo.
Johnson's multilayered biography reveals the nature of relationships between women historians and male historical subjects and between history buffs and professional historians. It explores the practice of history in the context of everyday life, the seductions of gender in the context of racialized power, and the strange contours of twentieth-century relationships predicated on nineteenth-century pasts. On the surface, it tells a story of lives tangled across generation and geography. Underneath run probing questions about how we know about the past and how that knowledge is shaped by the conditions of our knowing.
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Hijras, one of India’s third gendered or trans populations, have been an enduring presence in the South Asian imagination—in myth, in ritual, and in everyday life, often associated in stigmatized forms with begging and sex work. In more recent years hijras have seen a degree of political emergence as a moral presence in Indian electoral politics, and with heightened vulnerability within global health terms as a high-risk population caught within the AIDS epidemic.
Hijras, Lovers, Brothers: Surviving Sex and Poverty in Rural India (Fordham UP, 2021) recounts two years living with a group of hijras in rural India. In this riveting ethnography, Vaibhav Saria reveals not just a group of stigmatized or marginalized others but a way of life composed of laughter, struggles, and desires that trouble how we read queerness, kinship, and the psyche.
Against easy framings of hijras that render them marginalized, Saria shows how hijras makes the normative Indian family possible. The book also shows that particular practices of hijras, such as refusing to use condoms or comply with retroviral regimes, reflect not ignorance, irresponsibility, or illiteracy but rather a specific idiom of erotic asceticism arising in both Hindu and Islamic traditions. This idiom suffuses the densely intertwined registers of erotics, economics, and kinship that inform the everyday lives of hijras and offer a repertoire of self-fashioning beyond the secular horizons of public health or queer theory.
Engrossingly written and full of keen insights, the book moves from the small pleasures of the everyday—laughter, flirting, teasing—to impossible longings, kinship, and economies of property and substance in order to give a fuller account of trans lives and of Indian society today.
Hijras, Lovers, Brothers is the winner of the 2021 Joseph W. Elder Prize in the Indian Social Sciences.
Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).
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Elite white women have branded feminism, promising an apolitical individual empowerment along with sexual liberation and satisfaction, LGBTQ inclusion, and racial solidarity. As Rafia Zakaria expertly argues in Against White Feminism: Notes on Disruption (W. W. Norton, 2021), those promises have been proven empty and white feminists have leant on their racial privilege and sense of cultural superiority. Drawing on her own experiences as an American Muslim woman, as well as an attorney working on behalf of immigrant women, Zakaria champions a reconstruction of feminism that forges true solidarity by bringing Black and brown voices and goals to the fore.
Ranging from the savior complex of British feminist imperialists to the condescension of the white feminist-led "development industrial complex" and the conflation of sexual liberation as the "sum total of empowerment," Zakaria presents an eye-opening indictment of how whiteness has contributed to a feminist movement that solely serves the interests of upper middle-class white women.
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Olga Tufnell (1905–85) was a British archaeologist working in Egypt, Cyprus, and Palestine in the 1920s and 1930s, a period often described as a golden age of archaeological discovery. Tufnell achieved extraordinary success for an “amateur” archaeologist and as a woman during a time when the field of professional archaeology was heavily dominated by men, typically with university training.
Olga Tufnell’s 'Perfect Journey': Letters and Photographs of an Archaeologist in the Levant and Mediterranean (UCL Press, 2021), edited by Jack Green and Ros Henry, presents, for the first time, letters and photographs by Tufnell primarily during her pioneering work in the 1920s and 1930s. From the Palestine Exploration Fund archive, these records not only shed light on the discoveries made by Tufnell and her colleagues, but are also a window into the past, often narrating contemporary events, and revealing a great deal about the way in which Olga Tufnell viewed the rapidly changing, often contentious world around her.
With expert commentary and annotation by the editors that situate these records in their historical and archaeological contexts, this book is a crucial addition to the growing bibliography on the history of archaeology around the world, and the Levant specifically. This text can be read well as an archaeological account, a historical primary source reader, or a travelogue from a past age.
Samuel Pfister is the collections manager at the Badè Museum in California's East Bay.
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Historian Eszter Varsa’s new book Protected Children, Regulated Mothers: Gender and the 'Gypsy Question' in State Care in Postwar Hungary, 1949–1956 (Central European UP, 2020) examines child protection in Stalinist Hungary as a part of twentieth-century East Central, Eastern, and Southeastern European history. Across the communist bloc, the prewar foster care system was increasingly replaced after 1945 by institutionalization in residential homes. This shift was often interpreted as a further attempt to establish totalitarian control. However, this study—based on hundreds of children's case files and interviews with institution leaders, teachers, and people formerly in state care—provides a new perspective.
Rather than being merely a tool of political repression, state care in postwar Hungary was often shaped by the efforts of policy actors and educators to address the myriad of problems engendered by the social and economic transformations that emerged after World War II. This response built on, rather than broke with, earlier models of reform and reformatory education. Yet child protection went beyond safeguarding and educating children; it also focused on parents, particularly lone mothers, regulating not only their entrance to paid work but also their sexuality. In so doing, children's homes both reinforced and changed existing cultural and social patterns, whether about gendered division of work or the assimilation of minorities. Indeed, a major finding of the book is that state socialist child protection continued a centuries-long national project of seeking a “solution to the Gypsy question,” rooted in efforts to eliminate the perceived “workshyness” of Roma.
Eszter Varsa is a post-doctoral researcher in the ERC project ZARAH: Women's Labour Activism in Eastern Europe and Transnationally, From the Age of Empires to the Late 20th Century at Central European University, Vienna.
Leslie Waters is Assistant Professor of History at the University of Texas at El Paso and author of Borders on the Move: Territorial Change and Ethnic Cleansing in the Hungarian-Slovak Borderlands, 1938-1948 (University of Rochester, 2020). Email her at [email protected] or tweet to @leslieh2Os.
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En liten tjänst av I'm With Friends. Finns även på engelska.