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New Books in Gender

Darts and Lasers: The Future of Science Fiction, Afro-Futurism, and Feminist Speculative Fiction

62 min • 20 juli 2022

It’s stardate 99040.01 and lead producer Jay Cockburn is temporarily taking over command of Darts and Letters for an episode.

For this episode, as part of the week’s theme of “ideas in strange places” we boldly go into the strange new worlds of science fiction, revealing how it’s long been a vehicle for radical thought. We dig into post-scarcity, Afrofuturism, and feminist speculative fiction as we set our phasers to fun and go where no podcast has gone before.

This episode is a rebroadcast from our catalogue. We’re revisiting some of our favourites until the new season of Darts and Letters launches on September 18th.

  • First (@10:54), Cory Doctorow is a journalist, activist, blogger, and author of many books including the post-scarcity speculative fiction novel Walkaway. He takes us through the idea of a post-scarcity world as he breaks down the idea of abundance and what we might do with it, or not.
  • Then, (@34:52), Nalo Hopkinson is a science fiction writer, editor, professor, and author of Brown Girl in the Ring. She talks to us about Afrofuturism as a critical lens and different ways of seeing the future for different communities — and re-imagining the present. Plus, be sure to read her own recommendation: Sister Mine.
  • Finally, (@49:43), Batya Weinbaum is a poet, artist, professor, and the editor of FemSpec, an academic journal of feminist speculative fiction. She charts the history of feminism in science fiction and how art, including novels, helps drive social, political, and economic change.


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—————————-CREDITS—————————-

Darts and Letters is hosted and edited by Gordon Katic; this episode our guest host and lead producer is Jay CockburnGordon Katic is our editor. Our managing producer is Marc Apollonio. Our research assistants for this episode were Addye Susnick and David Moscrop. Our theme song was created by Mike Barber. Our graphic design was created by Dakota Koop.

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