New Books in Italian Studies

Today I talked to Anthony McElligott about The Last Transport: The Holocaust in the Eastern Aegean (Bloomsbury, 2024).

The deportation of 1,755 Jews from the islands of Rhodes and Cos in July 1944, shortly after the last deportation from Hungary, was the last transport to leave Greece for Auschwitz and brought to a close the last significant phase of the genocide of Europe's Jews (notwithstanding the death marches). Within six weeks of their deportation, the Germans were retreating from Greece and the Balkans as Hitler's empire shrank. This last deportation is frequently acknowledged in Holocaust literature but its significance for our understanding of the Nazi genocide of the Jews remains largely overlooked. The timing of the transport, when it was clear to the German military elite that Nazi Germany had lost the war, raises important questions in relation to long-term ideological Nazi goals and the immediate contingency thrown up by war.

Anthony McElligott, in this account of the last Greek transport of Jews to Auschwitz, tells a compelling story of this previously underexplored event and sheds light on an important aspect of the Holocaust through an in-depth study of one Eastern Mediterranean community.

Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at [email protected]. Twitter and IG: @robbyref Website: www.robertomazza.org

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Mine Is The Golden Tongue: The Hebrew Sonnets Of Immanuel Of Rome (Centro Primo Levi, 2023) contains the first known sonnets written in Hebrew. Their author is Immanuel of Rome, an intensely studied yet little-known 14th-century poet, who adapted the quantitative meter of Arabic and Hebrew poetry from al-Andalous to the syllabic meter of romance poetry. These poems are part of Immanuel’s most studied book, Maḥbarot, a collection of poetic tales conceived between satire and allegory, which combine the Arabic maqama with the stilnovistic poetic form immortalized by Dante. Widely published during its author’s lifetime and in the following centuries, the Maḥbarot as a whole has never been translated into any language.

Immanuel lived in the Papal city during a period of great turmoil between the communal experience and the Papal exile to Avignon. He moved with ease in the Roman Jewish and non-Jewish worlds that were actively involved in translation. Writing in a milieu where Hebrew, Latin, Arabic, Greek, and the vernaculars were concurrent languages, Immanuel left us brilliant verses in Hebrew and vernacular. He was an admired biblical commentator whose references spanned from the Talmud and Maimonides to Aristotelian and neo-Platonic philosophy.

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In the eighteenth century, tens of thousands of travelers journeyed to Italy on the Grand Tour. These travels in the age of Enlightenment contributed to a massive reimagining of politics and the arts, of the market for culture, and of ideas about education and leisure.

A World Made by Traval: A Digital Grand Tour (Stanford UP, 2024) combines —in dynamic format— original research with data and visualizations about the lives and journeys of 6,007 travelers. It reveals the diverse experiences, elite and otherwise, that collectively constituted the eighteenth-century Grand Tour.

This digital publication transforms the foundational Dictionary of British and Irish Travellers in Italy, 1701–1800 (published by the Paul Mellon Centre [PMC] and compiled from the Brinsley Ford Archive held at the PMC) into an interactive and data-rich interface. It introduces more than a thousand new figures, including hundreds of women, servants, workers, and Italians not previously represented among the Dictionary's primary headings. This digital Grand Tour is more inclusive, and it addresses and invites vital questions about a historical phenomenon that has long been studied with a focus on the most elite and well-known travelers.

A World Made by Travel is framed by introductory chapters explaining its digital approach, contains exemplary essays by leading scholars who worked with its data, and offers resources to help teachers bring this wealth of material into the classroom. By opening up pressing questions of scale and representation through its Explorer, it models how digital approaches involving shareable data can facilitate original research and generate new knowledge about the past.

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Famous today for the shops lining its sloped street, the Ponte Vecchio is the last premodern bridge spanning the Arno River at Florence and one of the few remaining examples of the once more prevalent urbanized bridge type.

Drawing from early Florentine chronicles and previously unpublished archival documents, The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence (Brepols, 2024) by Dr. Theresa Flanigan traces the history of the Ponte Vecchio, focusing on the current bridge’s construction after the flood of 1333. Much of the Ponte Vecchio’s original fourteenth-century appearance is now obscured beneath later accretions, often mistakenly interpreted as original to its medieval character. To the contrary, as argued in this book and illustrated by new reconstruction drawings, the mid-trecento Ponte Vecchio’s vaulted substructure was technically advanced, its urban superstructure was designed in accordance with contemporary Florentine urban planning strategies, and its "beautiful and honorable" appearance was maintained by government regulations. The documents also reveal new information about the commission and rental of its famous shops.

Relying on these sources, this study offers a more complete history of the Ponte Vecchio, adding significantly to what is currently known about the bridge’s patronage and construction, as well as the aims of civic architecture and urban planning in late medieval Florence.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Emanuela Trevisan Semi’s Taamrat Emmanuel: An Ethiopian Jewish Intellectual, Between Colonized and Colonizers (Centro Primo Levi, 2018) is an insightful biographical study of a key figure among Ethiopian Jews of the early 20th Century.

Taamrat Emmanuel was profoundly fascinated by European Jewish culture, by Western thought, and by Italy’s language and customs. …His free spirit, his independence and critical thinking, his suspicion of power, his sarcasm, and his irony flowered and were nurtured during his years in Italy as a young man.

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South of My Dreams: Finding My American Home, A Memoir (U South Carolina Press, 2024) by F. K. Clementi follows the adventures and misadventures of Fania, a quixotic heroine, who dreamed all her life of making it big in New York City. Growing up in 1970s Italy, she felt constrained by a stale environment, a corrupt society, and a national culture hostile to women's independence. In pursuit of her childhood fantasy, and heavily influenced by Hollywood films, she leaves everything behind to begin her new life in New York, where she thinks her American Dream awaits. Instead, her American nightmare begins. 

South of My Dreams, published in 2024 by the University of South Carolina Press, is a story of irreparable trauma graced by intense love, faithful friendships, and inspiring mentors. Simultaneously merciless and humorous, Clementi's memoir is an inspiring account of a woman's disillusionment and personal rebirth in the polyglot neighborhoods of New York City, enriched by her portraits of life, love and work. South of My Dreams will resonate with all who fight hard for what they want and refuse to put aside their childhood dreams.

Hosted by Robert W. Snyder, Manhattan Borough Historian and professor emeritus of journalism and American Studies at Rutgers University. Email: [email protected].

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Becoming Modigliani (Rake Press, 2024) is a comprehensive biography that delves into the troubled life of the Jewish-Italian artist Amedeo Modigliani.; Written by Dr. Henri Colt, an internationally recognized lung specialist, the book examines the artist's legend and Modigliani's creative journey from a medical perspective, from his birth in Livorno, Italy, to his tragic death in a paupers' hospital in Paris at the age of thirty-five, presumably from tuberculous meningitis.

Becoming Modigliani sheds light on the young man's chronic illnesses, addictions, and relationships with friends and lovers as he navigated the vibrant yet challenging world of early twentieth-century Bohemian Paris. Beginning with "Modi's" birth in 1884, the narrative is divided into five parts, seamlessly blending biographical elements with medical insights and a critical analysis of Modigliani's work among some of the greatest artists of the time. It also provides thoughtful descriptions of a changing society governed by the impact of infectious diseases, war, and a flourishing of other creative geniuses such as Picasso, Jean Cocteau, and Guillaume Apollinaire.

With thirty-seven virtually standalone chapters, a preface and epilogue, three appendices, and a rich array of illustrations and references, this biography promises a profound and compassionate exploration of Modigliani's embattled world. In Becoming Modigliani, Dr. Colt's aim is to foster empathy and greater understanding by unraveling the intricate layers of Modigliani's existence. The result is a captivating and deeply researched tale that will resonate with a diverse audience of serious readers, art and medical history enthusiasts, sociologists, and anyone interested in the human spirit.

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An understanding of Dante the theologian as distinct from Dante the poet has been neglected in an appreciation of Dante's work as a whole. 

That is the starting-point of Dante the Theologian (Cambridge UP, 2022). In giving theology fresh centrality, the author argues that theologians themselves should find, when they turn to Dante Alighieri, a compelling resource: whether they do so as historians of fourteenth-century Christian thought, or as interpreters of the religious issues of our own times. Expertly guiding his readers through the structure and content of the Commedia, Denys Turner reveals – in pacy and muscular prose – how Dante's aim for his masterpiece is to effect what it signifies. It is this quasi-sacramental character that renders it above all a theological treatise: whose meaning is intelligible only through poetry. Turner's Dante 'knows that both poetry and theology are necessary to the essential task and that each without the other is deficient.'

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The exceptional opening of the archives of the pontificate of Pius XII (1939-1958) in 2020 did not end the controversies surrounding the silence of the pope in the face of Nazi atrocities. But, beyond the controversies, what do these new sources reveal? What do they contribute to our understanding of the Shoah, the Second World War and religious power? Do they allow us to grasp more finely the deep ambivalences of the Vatican, between charity and prejudice, in the face of anti-Jewish persecution?

Based on three years of examining these considerable funds in Rome, Lukewarm Souls: The Vatican facing the Shoah (La Découverte, 2024) probes the motivations and dilemmas of the people involved in this story, their voices but also their silences. Going beyond a classic approach focused on the pope and diplomacy, this work sheds light on the political, humanitarian, religious and cultural issues of the Holy See's choices. The book raises this question in the long duration of relations between the Church and the Jews in order to evaluate the weight of a centuries-old culture of hostility in the Vatican's responses to anti-Semitic persecutions, before and during the war, but also after the Shoah. Has this unprecedented level of violence against a minority shaken the old bedrock of Christian anti-Judaism?

Finally, by making the voices of those on the ground and the persecuted heard, in particular those of mixed Judeo-Christian families, this book questions more broadly the resilience of religion in the face of genocide and the capacity of our civil societies to respond to mass violence.

This book was originally published in French as Les âmes tièdes: Le Vatican face à la Shoah (La Découverte, 2024)

Geraldine Gudefin is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University’s Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.

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With Mussolini's Nation-Empire: Sovereignty and Settlement in Italy's Borderlands, 1922–1943 (Cambridge UP, 2017), Roberta Pergher transforms our understanding of Fascist rule. Examining Fascist Italy's efforts to control the antipodes of its realm - the regions annexed in northern Italy after the First World War, and Italy's North African colonies - she shows how the regime struggled to imagine and implement Italian sovereignty over alien territories and peoples. 

Contrary to the claims of existing scholarship, Fascist settlement policy in these regions was not designed to solve an overpopulation problem, but to bolster Italian claims to rule in an era that prized self-determination and no longer saw imperial claims as self-evident. Professor Pergher explores the character and impact of Fascist settlement policy and the degree to which ordinary Italians participated in and challenged the regime's efforts to Italianize contested territory. Employing models and concepts from the historiography of empire, she shows how Fascist Italy rethought the boundaries between national and imperial rule.

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No city stirs the imagination more than Venice. From the richly ornamented palaces emerging from the waters of the Grand Canal to the dazzling sites of Piazza San Marco, visitors and residents alike sense they are entering, as fourteenth-century poet Petrarch remarked, "another world." During the Middle Ages and Renaissance, Venice was celebrated as a model republic in an age of monarchs. In the seventeenth and eighteenth centuries, it became famous for its freewheeling lifestyle characterized by courtesans, casinos, and Carnival. When the city fell on hard times following the collapse of the Republic in 1797, a darker vision of Venice as a place of decay, disease, and death took hold. Today tourists from around the globe flock to the world heritage site as rising sea levels threaten its very foundations.

Venice: The Remarkable History of the Lagoon City (Oxford UP, 2023) reveals the adaptations to its geographic setting that have been a constant feature of living on water from Venice's origins to the present. It examines the lives of the women and men, noble and common, rich and poor, Christian, Jew, and Muslim, who built not only the city but also its vast empire that stretched from Northern Italy to the eastern Mediterranean. It details the urban transformations that Venice underwent in response to environmental vulnerability, industrialization, and mass tourism. Alongside the city's commercial prominence has been its dramatically changing political role, including its power as a city-state, regional stronghold, and overseas empire, as well as its impact on the development of fascism. Throughout, Dennis Romano highlights the city's cultural achievements in architecture, painting, and music, particularly opera.

This richly illustrated volume offers a stunning portrait of this most singular of cities.

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Redreaming the Renaissance: Essays on History and Literature in Honor Guido Ruggiero (University of Delaware Press, 2024) seeks to remedy the dearth of conversations between scholars of history and literary studies by building on the pathbreaking work of Guido Ruggiero to explore the cross-fertilization between these two disciplines, using the textual world of the Italian Renaissance as proving ground. In this volume, these disciplines blur, as they did for early moderns, who did not always distinguish between the historical and literary significance of the texts they read and produced. Literature here is broadly conceived to include not only belles lettres, but also other forms of artful writing that flourished in the period, including philosophical writings on dreams and prophecy; life-writing; religious debates; menu descriptions and other food writing; diaries, news reports, ballads, and protest songs; and scientific discussions. The twelve essays in this collection examine the role that the volume’s dedicatee has played in bringing the disciplines of history and literary studies into provocative conversation, as well as the methodology needed to sustain and enrich this conversation.

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In fourteenth-century Italy, literacy became accessible to a significantly larger portion of the lay population (allegedly between 60 and 80 percent in Florence) and provided a crucial means for the vernacularization and secularization of learning, and for the democratization of citizenship. 

In Dante's Education: Latin Schoolbooks and Vernacular Poetics (Oxford University Press, 2024), Filippo Gianferrari demonstrate that Dante Alighieri's education and oeuvre sit squarely at the heart of this historical and cultural transition and provide an ideal case study for investigating the impact of Latin education on the consolidation of autonomous vernacular literature in the Middle Ages, a fascinating and still largely unexamined phenomenon. On the basis of manuscript and archival evidence, Gianferrari reconstructs the contents, practice, and readings of Latin instruction in the urban schools of fourteenth-century Florence. It also shows Dante's continuous engagement with this culture of teaching in his poetics, thus revealing his contribution to the expansion of vernacular literacy and education. The book argues that to achieve his unprecedented position of authority as a vernacular intellectual, Dante conceived his poetic works as an alternative educational program for laypeople, who could read and write in the vernacular but had little or no proficiency in Latin. By reconstructing the culture of literacy shared by Dante and his lay readers, Dante's Education shifts critical attention from his legacy as Italy's national poet, and a "great books" author in the Western canon, to his experience as a marginal intellectual engaged in advancing a marginal culture.

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Augustine believed that slavery is permissible, but to understand why, we must situate him in his late antique Roman intellectual context. Slaves of God: Augustine and Other Romans on Religion and Politics (Princeton UP, 2024) provides a major reassessment of this monumental figure in the Western religious and political tradition, tracing the remarkably close connections between Augustine’s understanding of slavery and his broader thought.

Augustine is most often read through the lens of Greek philosophy and the theology of Christian writers such as Paul and Ambrose, yet his debt to Roman thought is seldom appreciated. Toni Alimi reminds us that the author of Confessions and City of God was also a Roman citizen and argues that some of the thinkers who most significantly shaped his intellectual development were Romans such as Cicero, Seneca, Lactantius, and Varro—Romans who had much to say about slavery and its relationship to civic life. Alimi shows how Augustine, a keen and influential student of these figures, related chattel slavery and slavery to God, and sheds light on Augustinianism’s complicity in Christianity’s long entanglement with slavery.

An illuminating work of scholarship, Slaves of God reveals how slavery was integral to Augustine’s views about law, rule, accountability, and citizenship, and breaks new ground on the topic of slavery in late antique and medieval political thought.

New Books in Late Antiquity is presented by Ancient Jew Review

Toni Alimi is Assistant Professor at the Sage School of Philosophy at Cornell University

Michael Motia teaches in Classics and Religious Studies at UMass Boston

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Sharon Kinoshita talks with Jana Byars about her new book, Marco Polo and His World (Reaktion Press, 2024). A lavishly illustrated tour of the famed adventurer's globetrotting travels, written by a celebrated translator of Polo's writings. At the age of seventeen, Marco Polo left his Venetian home on a continent-spanning adventure that lasted for nearly a quarter century. Imprisoned in Genoa five years later, he collaborated with Arthurian romance writer Rustichello of Pisa on a work they called The Description of the World. That book recounted "all the greatest marvels and great diversities of Greater Armenia, Persia, the Tartars, India, and many other provinces," a story that made Polo famous for all time. In Marco Polo and His World, Sharon Kinoshita brings these marvels to life, describing the myriad commodities, plants, people, and animals that Marco encountered and recorded. Copiously illustrated, this book offers a vibrant introduction to Marco Polo's astounding adventures.

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How has migration shaped Mediterranean history? And what role did conflicting temporalities and the politics of departure play in the age of decolonisation? Using a microhistorical approach, Migration at the End of Empire: Time and the Politics of Departure Between Italy and Egypt (Cambridge UP, 2024) explores the experiences of over 55,000 Italian subjects in Egypt during the late-nineteenth and twentieth centuries. Before 1937, Ottoman-era legal regimes fostered the coupling of nationalism and imperialism among Italians in Egypt, particularly as the fascist government sought to revive the myth of Mare Nostrum. With decolonisation, however, Italians began abandoning Egypt en masse. By 1960, over 40,000 had deserted Egypt; some as 'emigrants, ' others as 'repatriates, 'and still others as 'national refugees.' The departed community became an emblem around which political actors in post-colonial Italy and Egypt forged new ties. Anticipated, actual, and remembered departures of Italians from Egypt are at the heart of this book's ambition to rethink European and Mediterranean periodisation.

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A key part of the experience of migration is not being in full control of one’s circumstances and doing. In this episode, Ingrid Piller speaks with Marco Santello about his research with Gambian migrants in Italy. The focus is on Marco’s recent article in Language in Society about migrant experiences of constraints and suffering.

For additional resources, show notes, and transcripts, go here.

Reference:

Santello, M. (2024). Constraints, suffering, and surfacing repertoires among Gambian migrants in Italy. Language in Society, 1-23.

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Peoples & Things host, Lee Vinsel, talks with MacArthur “Genius Prize” winning historian Pamela Long about her long career writing about the history of ancient and Medieval technologies. The pair use Long’s forthcoming book, Technology in Mediterranean and European Lands, 600-1600 (Johns Hopkins UP, 2025), as a launching point but also cover her previous work, especially including Engineering the Eternal City: Infrastructure, Topography, and the Culture of Knowledge in Late Sixteenth-Century Rome (University of Chicago Press, 2018), which, among other things, contains deep reflections on the history of maintenance. Long and Vinsel also discuss Long’s future projects, including a fascinating sounding study of the history of sumptuary laws - regulations on expenditures of luxury goods, including food, clothing, and personal items - and their connection to technological change. GET EXCITED!

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Serena Laiena joins Jana Byars to talk about her new book, The Theater Couple in Early Modern Italy: Self-Fashioning and Mutual Marketing (University of Delaware Press, 2023). 

Who were the first celebrity couples? How was their success forged? Which forces influenced their self-fashioning and marketing strategies? These questions are at the core of this study, which looks at the birth of a phenomenon, that of the couple in show business, with a focus on the promotional strategies devised by two professional performers: Giovan Battista Andreini (1576–1654) and Virginia Ramponi (1583–ca.1631). This book examines their artistic path – a deliberately crafted and mutually beneficial joint career – and links it to the historical, social, and cultural context of post-Tridentine Italy. Rooted in a broad research field, encompassing theatre history, Italian studies, celebrity studies, gender studies, and performance studies, The Theatre Couple in Early Modern Italy revises the conventional view of the Italian diva, investigates the deployment of Catholic devotion as a marketing tool, and argues for the importance of the couple system in the history of Commedia dell’Arte, a system that continues to shape celebrity today.

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Francesco Piraino’s Sufism in Europe: Islam, Esotericism and the New Age (University of Edinburgh Press, 2024) is a vital contribution to the growing field of Sufism in the Global North which often encompasses studies of North America and western Europe. This monograph study, the first focused study of Sufism in Italy and France, uses ethnographic data and sociological analysis to map and situate various Sufi communities in Paris and Milan, along with transnational flows of these communities across Morocco, Algeria, and Cyprus. 

At the heart of these case studies is the question of how to approach and study Sufi communities across an ever diversifying social, religious/spiritual, and political landscape and across categorical commitments such as New Age, New Religious Movements, esotericism, diasporic Islam, Traditionalism and mysticism. Piraino argues for the limitations and utilities of these various categories, and ultimately helps us shift our focus to to the everyday embodied ebbs and flows of a variety of Italian and French Sufi communities to showcase how these terms should be used with fluidity to reflect the lived realities of his interlocutors. This book will be of interest to scholars of contemporary Sufism, sociology of Islam, contemporary Islam, Islam in Europe and much more. 

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How a journey through Italy casts light on secrets, stereotypes, and the manipulation of information in eighteenth-century science.

In 1749, the celebrated French physicist Jean-Antoine Nollet set out on a journey through Italy to solve an international controversy over the medical uses of electricity. At the end of his nine-month tour, he published a highly influential account of his philosophical battle with his Italian counterparts, discrediting them as misguided devotees of the marvelous. Paola Bertucci's In the Land of Marvels: Science, Fabricated Realities, and Industrial Espionage in the Age of the Grand Tour (Johns Hopkins UP, 2023) brilliantly reveals the mysteries of Nollet's journey, uncovering a subterranean world of secretive and ambitious intelligence gathering masked as scientific inquiry.

The advent of electricity was a pivotal phenomenon not only in the history of physical experimentation, but also in the cultivation of popular scientific interest. Nollet's journey was supposedly inspired by the need to investigate, and subsequently report on, claims of the use of electrified "medicated tubes" by their Italian inventor Gianfrancesco Pivati. Motivated by economic interests in the silk industry, Nollet's journey was in fact an undercover mission commissioned by the French state to discover the secrets of Italian silk manufacture and possibly supplant its international success. The event that sparked the medical controversy—the unusual cure of a bishop—was a complete fabrication.

Bertucci insightfully contrasts published accounts of the event with private documents and discusses how eighteenth-century scientists published fictional events and results to bolster their careers, ultimately leading to long-lasting misrepresentations of scientific practice and enduring stereotypes. In the Land of Marvels reveals the constellation of historical actors, from reputed physicists to travel writers and electrical amateurs, who manipulated information to gain authority and prestige.

Paola Bertucci (NEW HAVEN, CT) is a professor in the department of history at Yale University. She is the author of the award-winning Artisanal Enlightenment: Science and the Mechanical Arts in Old Regime France.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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Women of the Mafia: Power and Influence in the Neapolitan Camorra (Cornell UP, 2024) by Dr. Felia Allum dives into the Neapolitan criminal underworld of the Camorra as seen and lived by the women who inhabit it. It tells their life stories and unpacks the gender dynamics by examining their participation as active agents in the organisation as leaders, managers, foot soldiers, and enablers. Felia Allum shows that these women are true partners in crime.

The author offers an innovative interdisciplinary analysis that demystifies the notion that the Camorra is a sexist, male-centric organisation. She links her analysis of Camorra culture within the wider Neapolitan context to show how mothers and women act and are treated in the private sphere of the household and how the family helps explain the power women have found in the Neapolitan Camorra.

It is civil society and law enforcement agencies that continue to see the Camorra using traditional gender assumptions which render women irrelevant and lacking independent agency in the criminal underworld. In Women of the Mafia, Allum debunks these assumptions by revealing the power and influence of women in the Camorra.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Today I talked to Philip Freeman about his new book Julian: Rome’s Last Pagan Emperor (Yale UP, 2023).

Flavius Claudius Julianus, or Julian the Apostate, ruled Rome as sole emperor for just a year and a half, from 361 to 363, but during that time he turned the world upside down. Although a nephew of Constantine the Great, the first Christian emperor of Rome, Julian fought to return Rome to the old gods who had led his ancestors to build their vast empire.

As emperor, Julian set about reforming the administration, conquering new territories, and reviving ancient religions. He was scorned in his time for repudiating Christianity and demonized as an apostate for willfully rejecting Christ. Through the centuries, Julian has been viewed by many as a tragic figure who sought to save Rome from its enemies and the corrupting influence of Christianity. Christian writers and historians have seen Julian much differently: as a traitor to God and violent oppressor of Christians. Had Julian not been killed by a random Persian spear, he might well have changed all of history.

New Books in Late Antiquity is presented by Ancient Jew Review

Philip Freeman is the author of over twenty books and is Fletcher Jones Chair of Western Culture, and Professor of Humanities at Pepperdine University

Michael Motia teaches in Classics and Religious Studies at UMass Boston

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In The Enemy in Italian Renaissance Epic: Images of Hostility from Dante to Tasso (University of Delaware Press, 2019), Andrea Moudarres examines influential works from the literary canon of the Italian Renaissance, arguing that hostility consistently arises from within political or religious entities. In Dante's Divine Comedy, Luigi Pulci's Morgante, Ludovico Ariosto's Orlando Furioso, and Torquato Tasso's Jerusalem Delivered, enmity is portrayed as internal, taking the form of tyranny, betrayal, and civil discord. Moudarres reads these works in the context of historical and political patterns, demonstrating that there was little distinction between public and private spheres in Renaissance Italy and, thus, little differentiation between personal and political enemies. 

Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center.

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A Twist in the Tail: How the Humble Anchovy Flavoured Western Cuisine (Hurst, 2024) by Christopher Beckman takes readers on a tantalising voyage through European and American gastronomic history, following the trail of a small but mighty fish: the anchovy.

Whether in ubiquitous Roman garum, mass-produced British condiments, elaborate French haute cuisine or modern Spanish tapas, anchovies have been enhancing the flavour of many dishes for thousands of years. Yet, depending upon the time and place—and who was eating them—they have also been disdained as worthless little fish, deemed too small, bony and inconsequential for popular or elite consumption. From Western Europe to the USA, Beckman shows how the evolving and ambiguous position of anchovies provides surprising insights into the relationship between food, class and status throughout history.

Drawing on cookbooks, literature and art, this is the hidden story of the diminutive anchovy, and its outsized role in shaping the West’s cuisine.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Tens of thousands of Italian civilians perished in the Allied bombing raids of World War II. More of them died after the Armistice of September 1943 than before, when the air attacks were intended to induce Italy’s surrender.

Allied Air Attacks and Civilian Harm in Italy, 1940–1945 (Routledge, 2023) addresses this seeming paradox, by examining the views of Allied political and military leaders, Allied air crews, and Italians on the ground. It tells the stories of a little-known diplomat (Myron Charles Taylor), military strategist (Solly Zuckerman), resistance fighter (Aldo Quaranta), and peace activist (Vera Brittain) – architects and opponents of the bombing strategies. It describes the fate of ordinary civilians, drawing on a wealth of local and digital archival sources, memoir accounts, novels, and films, including Joseph Heller’s Catch-22 and John Huston’s The Battle of San Pietro.

The book will be of interest to readers concerned about the ethical, legal, and human dimensions of bombing and its effects on civilians, to students of military strategy and Italian history, and to World War II buffs. They will benefit from a people-focused history that draws on a range of eclectic and rarely used sources in English and Italian.

The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

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In Automotive Empire: How Cars and Roads Fueled European Colonialism in Africa (Cornell University Press, 2024), Dr. Andrew Denning uncovers how roads and vehicles began to transform colonial societies across Africa but rarely in the manner Europeans expected. Like seafaring ships and railroads, automobiles and roads were more than a mode of transport—they organised colonial spaces and structured the political, economic, and social relations of empire, both within African colonies and between colonies and the European metropole.

European officials in French, Italian, British, German, Belgian, and Portuguese territories in Africa shared a common challenge—the transport problem. While they imagined that roads would radiate commerce and political hegemony by collapsing space, the pressures of constructing and maintaining roads rendered colonial administration thin, ineffective, and capricious. Automotive empire emerged as the European solution to the transport problem, but revealed weakness as much as it extended power.

As Automotive Empire reveals, motor vehicles and roads seemed the ideal solution to the colonial transport problem. They were cheaper and quicker to construct than railroads, overcame the environmental limitations of rivers, and did not depend on the recruitment and supervision of African porters. At this pivotal moment of African colonialism, when European powers transitioned from claiming territories to administering and exploiting them, automotive empire defined colonial states and societies, along with the brutal and capricious nature of European colonialism itself.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Across the vast expanse of the Roman Empire, anxieties about childbirth tied individuals to one another, to the highest levels of imperial politics, even to the movements of the stars. Birthing Romans: Childbearing and Its Risks in Imperial Rome (Princeton UP, 2024) sheds critical light on the diverse ways pregnancy and childbirth were understood, experienced, and managed in ancient Rome during the first three centuries of the Common Era.

In this beautifully written book, Anna Bonnell Freidin asks how inhabitants of the Roman Empire—especially women and girls—understood their bodies and constructed communities of care to mitigate and make sense of the risks of pregnancy and childbirth. Drawing on medical texts, legal documents, poetry, amulets, funerary art, and more, she shows how these communities were deeply human yet never just human. Freidin demonstrates how patients and caregivers took their place alongside divine and material agencies to guard against the risks inherent to childbearing. She vividly illustrates how these efforts and vital networks offer a new window onto Romans’ anxieties about order, hierarchy, and the individual’s place in the empire and cosmos.

Unearthing a risky world that is both familiar and not our own, Birthing Romans reveals how mistakes, misfortunes, and interventions in childbearing were seen to have far-reaching consequences, reverberating across generations and altering the course of people’s lives, their family histories, and even the fate of an empire.

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The Christianization of Knowledge in Late Antiquity: Intellectual and Material Transformations (Cambridge UP, 2023) traces the beginning of Late Antiquity from a new angle. Shifting the focus away from the Christianization of people or the transformation of institutions, Mark Letteney interrogates the creation of novel and durable structures of knowledge across the Roman scholarly landscape, and the embedding of those changes in manuscript witnesses. Letteney explores scholarly productions ranging from juristic writings and legal compendia to theological tractates, military handbooks, historical accounts, miscellanies, grammatical treatises, and the Palestinian Talmud. He demonstrates how imperial Christianity inflected the production of truth far beyond the domain of theology — and how intellectual tools forged in the fires of doctrinal controversy shed their theological baggage and came to undergird the great intellectual productions of the Theodosian Age, and their material expressions. Letteney's volume offers new insights and a new approach to answering the perennial question: What does it mean for Rome to become Christian? The book is open access at Cambridge Core.

New Books in Late Antiquity is presented by Ancient Jew Review

Mark Letteney is an ancient historian and archaeologist working in the history of incarceration, book history, and the archaeology of military occupation. His second book, Ancient Mediterranean Incarceration (co-authored with Matthew David Larsen) should appear in 2025.

Michael Motia teaches in Religious Studies and Classics at UMass Boston.

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In recent decades, the study of the Eastern Roman Empire, also known as Byzantium, has been revolutionized by new approaches and more sophisticated models for how its society and state operated. No longer looked upon as a pale facsimile of classical Rome, Byzantium is now considered a vigorous state of its own, inheritor of many of Rome's features, and a vital node in the first truly globalized world.

The New Roman Empire: A History of Byzantium (Oxford UP, 2024) is the first full, single-author history of the eastern Roman empire to appear in over a generation. Covering political and military history as well as all the major changes in religion, society, demography, and economy, Anthony Kaldellis's volume is divided into ten chronological sections which begin with the foundation of Constantinople in 324 AD and end with the fall of the empire to the Ottoman Turks in the fifteenth century. The book incorporates new findings, explains recent interpretive models, and presents well-known historical characters and events in a new light.

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For over thirty years, modern Italy was plagued by ransom kidnappings perpetrated by bandits and organised crime syndicates. Nearly 700 men, women, and children were abducted from across the country between the late 1960s and the late 1990s, held hostage by members of the Sardinian banditry, Cosa Nostra, and the ’Ndrangheta. Subjected to harsh captivities and psychological abuse, the victims spent months and even years in isolation while law enforcement and the state struggled to find them.

Ransom Kidnapping in Italy: Crime, Memory, and Violence (University of Toronto Press, 2024) by Dr. Alessandra Montalbano examines this Italian criminal phenomenon. Alessandra Montalbano argues that abduction is a key vantage point from which to understand modern Italy: it troubled the law, terrified society, ignited juridical and parliamentary debates, and mobilised citizens. Bringing together archival and media materials with the victims’ accounts and diverse forms of cultural response, the book examines ransom kidnapping through the lenses of historiography, law, literary criticism, trauma studies, phenomenology, and political philosophy. Ransom Kidnapping in Italy traces how and at what price Italians became aware of living in a country that was being blackmailed by criminal organisations that arguably jeopardised the nation even more than terrorism.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Anthony Di Renzo's Pasquinades: Essays from Rome's Famous Talking Statue (Cayuga Lake Books, 2023) is the most audacious guide to Rome you will ever read. Pasquino, the city’s witty talking statue, will introduce you to the gallant heroes and grotesque villains, humble peddlers and flamboyant nobles, whores and saints and movie stars who have reigned throughout its turbulent history. Life in Rome is a carnival! Let its joy melt in your heart like gelato.

Anthony’s previous books include Trinacria: A Tale of Bourbon Sicily, Dead Reckoning: Transatlantic Passages on Europe and America, and Bitter Greens: Essays on Food, Politics, and Ethnicity. He teaches writing at Ithaca College.

Recommended Books:

• John Keahey, Following Caesar



Chris Holmes writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is forthcoming with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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Grounded in new archival research documenting a significant presence of foreign and racially-marked individuals in Medici Florence, Voice, Slavery, and Race in Seventeenth-Century Florence (Oxford University Press, 2024) by Dr. Emily Wilbourne argues for the relevance of such individuals to the history of Western music and for the importance of sound-particularly musical and vocal sounds-to systems of racial and ethnic difference. Many of the individuals discussed in these pages were subject to enslavement or conditions of unfree labour; some laboured at tasks that were explicitly musical or theatrical, while all intersected with sound and with practices of listening that afforded full personhood only to particular categories of people.

Integrating historical detail alongside contemporary performances and musical conventions, this book makes the forceful claim that operatic musical techniques were-from their very inception-imbricated with racialized differences. Dr. Wilbourne offers both a macro and micro approach to the content of this book. The first half of the volume draws upon a wide range of archival, theatrical and historical sources to articulate the theoretical interdependence of razza (lit. "race"), voice, and music in early modern Italy; the second half focuses on the life and work of a specific, racially-marked individual: the enslaved, Black, male soprano singer, Giovannino Buonaccorsi (fl.1651-1674). Voice, Slavery, and Race in Seventeenth-Century Florence reframes the place of racial difference in Western art music and provides a compelling pre-history to later racial formulations of the sonic.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Karine Varley's book Vichy's Double Bind: French Collaboration between Hitler and Mussolini during the Second World War (Cambridge UP, 2023) advances a significant new interpretation of French collaboration during the Second World War. Arguing that the path to collaboration involved not merely Nazi Germany but Fascist Italy, it suggests that the Vichy French government was caught in a double bind. On the one hand, many of the threats to France's territory, colonial empire and power came from Rome as well as Berlin. On the other, Vichy was caught between the irreconcilable yet inescapable positions of the two Axis governments. Unable to resolve the conflict, Vichy sought to play the two Axis powers against each other. 

By exploring French dealings with Italy at diplomatic, military and local levels in France and its colonial empire, Double Bind reveals the multi-dimensional and multi-directional nature of Vichy's policy. It therefore challenges many enduring conceptions of collaboration with reference to Franco-German relations and offers a fresh perspective on debates about Vichy France and collaboration with Nazi Germany and Fascist Italy.

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Christine Wohar talks about Finding Frassati: And Following His Path to Holiness (EWTN, 2021), her book about Blessed Pier Giorgio Frassati. The book is a biography, hagiography, and delightful conversation about the participation of the Communion of Saints in our lives and how can join hands with them in our daily lives. Like many of us, Bl. Pier Giorgio was a normal guy with a comfortable life, and he did normal fun things available to him a young wealthy, Italian a hundred years ago, like mountain climbing, Alpine skiing, studying at university, and playing pool with his friends. But he also showed extreme love for the Eucharist, care for the poor, evangelization, and chastity—so, normal, and yet extraordinary.

Not only was Bl. Pier Giorgio’s body free from corruption when it was exhumed 75 years after his death, but he also has a couple of astounding miraculous healing attributed to him through his intercession. Christine Wohar talks to me about this remarkable figure in the church and how we can follow in his footsteps.

• Christine Wohar’s organization, FrassatiUSA, on the web.
• Christine Wohar’s book, Finding Frassati from Sophia International Press and also on Amazon.com.
• Kevin Becker on YouTube discussing the miraculous healing through Bl. Blessed Pier Giorgio and also an article about it.

Other Almost Good Catholics episodes that we referred to in this interview:

• Fr. Greg Boyle, SJ, on Almost Good Catholics, episode 17: Eternity Now: Talking about Mysticism with the Apostle to the Gangs of LA.
• Brian Zahnd on Almost Good Catholics, episode 82: The Wood between the Worlds: Why Death on the Cross?

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During the fourteenth century in Western Europe, there was a growing interest in imitating the practices of a group of hermits known as the Desert Fathers and Mothers. Laypeople and religious alike learned about their rituals not only through readings from the Vitae Patrum (Lives of the Desert Fathers) and sermons but also through the images that brought their stories to life.

In Illuminating the Vitae Patrum: The Lives of Desert Saints in Fourteenth-Century Italy (Penn State University Press, 2024), Dr. Denva Gallant examines the Morgan Library’s richly illustrated manuscript of the Vitae Patrum (MS M.626), whose extraordinary artworks witness the rise of the eremitic ideal and its impact on the visual culture of late mediaeval Italy. Drawing upon scholarship on the history of psychology, eastern monasticism, gender, and hagiography, Dr. Gallant deepens our understanding of the centrality of the Desert Fathers and Mothers to late mediaeval piety. She provides important insights into the role of images in making the practices of the desert saints both compelling and accessible to fourteenth-century city dwellers, who were just beginning to cultivate the habit of private devotion on a wide scale.

By focusing on the most extensively illuminated manuscript of the Vitae Patrum to emerge during the trecento, this book sheds new light on the ways in which images communicated and reinforced modes of piety. It will be of interest to art historians, religious historians, and students focusing on this period in Italian history.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Sino-Italian Political and Economic Relations: From the Treaty of Friendship to the Second World War (Routledge, 2024) presents a comprehensive narrative and historical analysis of the political and economic relations between China and Italy from the Treaty of Friendship and Commerce signed in October 1866 to the Second World War.

Utilizing primary sources found in public and private archives, the volume acknowledges the relevance of eminent figures and their roles and contributions in developing the relations between Italy and China. It provides an extensive presentation of the close relations between the Chinese nationalist and Italian fascist regimes and their interaction in the interwar period. The Italian and Chinese governments had a prolonged political and economic dialogue, which lasted for almost a decade and involved the active mediation of politicians, economists, academics, and professionals at different levels and in diverse fields. International historiography mostly neglects the relevance of this period in broader historical contexts. This work overcomes the unjustified oversight and examines, with reliable primary sources, the relevance of this extraordinary season of international relations.

With a valuable exploration of a wealth of sources, this book provides a new opportunity of reflection for scholars and students interested in Sino-European relations and international history.

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Italy's resurrection from 20 years of fascism, three years of war, and two years of civil war is one of the 20th century's great, under-told stories. It's a history of a decade of clashes and compromises between two mass movements - Communism and Christian Democracy - backed offstage by two superpowers.

Above all, it's about the party management of one man - Palmiro Togliatti - and the West-facing vision and cunning of another, Alcide De Gasperi. From the ashes of war, De Gasperi chose a republican government and a market economy, resisted pressure from the Vatican to ally with the far right, and wooed the Americans while acknowledging the unique organisational powers of the Communists until picking the right time to drop them. On top of that, he won Marshall Aid, drove through land reform, and helped found the European communities.

As Professor Gilbert writes in Italy Reborn: From Fascism to Democracy (Norton, 2024): "One need only envision what might have happened had De Gasperi failed to make even one of those calls to see how much his agency mattered for Italy's transition to democracy".

Mark Gilbert is C. Grove Haines Professor of History and International Studies at SAIS Europe in Bologna. Educated at Durham and the University of Wales, he taught history at the universities of Trento and Bath before joining SAIS.

Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack.

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Joseph A. Skloot joins Jana Byars to talk about his new book, First Impressions: Sefer hasimdim and Early Modern Hebrew Printing (Brandeis UP, 2023). First Impressions uncovers the history of creative adaptation and transformation through a close analysis of the creation of the Sefer Hasidim book. In 1538, a partnership of Jewish silk makers in the city of Bologna published a book entitled Sefer Hasidim, a compendium of rituals, stories, and religious instruction that primarily originated in medieval Franco-Germany. How these men, of Italian and Spanish descent, came to produce a book that would come to shape Ashkenazic culture, and Jewish culture more broadly, over the next four centuries is the basis of this kaleidoscopic study of the history of Hebrew printing in the sixteenth century.

During these early years of printing, the classic works of ancient and medieval Hebrew and Jewish literature became widely available to Jewish (and non-Jewish) readers for the first time. Printing, though, was not merely the duplication and distribution of pre-existing manuscripts, it was the creative adaptation and transformation of those manuscripts by printers. Ranging from Catholic Bologna to Protestant Basel to the Jewish heartland of the Polish-Lithuanian Commonwealth, Skloot uncovers the history of that creativity by examining the first two print editions of Sefer Hasidim. Along the way, he demonstrates how volumes that were long thought to be eternal and unchanging were in fact artifacts of historical agency and contingency, created by and for human beings.

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How was the Roman way of war unique, and what were the virtues that defined the Roman Republic? Are there lessons for modern Republics from the Roman one? Annika sits down with 2022-2023 James Madison Program Garwood Visiting Fellow Dr. Steele Brand, a professor of history and director of the Politics, Philosophy, and History Program at Cairn University. Dr. Brand, Professor of History at Cairn University and former U.S. Army tactical intelligence officer to discuss his book Killing for the Republic: Citizen-Soldiers and the Roman Way of War (Johns Hopkins UP, 2019).

Dr. Brand shares why, while serving in Afghanistan, he felt compelled to write a book about ancient citizen-soldiery. He discusses the virtues that defined Roman citizen-soldiers and how these virtues contributed to Rome's resilience and success, how these Classical virtues intersect with modern Christian virtues, and the fall of the Republic. The conversation also touches on the challenges of maintaining these virtues in modern democracies and the parallels between ancient Roman and modern American republicanism.

Steele Brand, 2022-2023 James Madison Program Garwood Visiting Fellow, is a Professor of History at Cairn University, where he is also the director and founder of the Politics, Philosophy, & History Program. Formerly, he has taught at The King's College and The University of Texas at Austin. A former U.S. Army tactical intelligence officer, he has also managed a veterans’ reintegration program in Manassas, VA and directed a military historical training program. He received his Ph.D. from Baylor University and his M.A.Th. from Southwestern Seminary, and is currently completing a manuscript on the conception and early exemplars of late antique statesmanship.

Annika Nordquist is the Communications Coordinator of Princeton University’s James Madison Program in American Ideals and Institutions and host of the Program’s podcast, Madison’s Notes.

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Why and how local coffee bars in Italy--those distinctively Italian social and cultural spaces--have been increasingly managed by Chinese baristas since the Great Recession of 2008?

Italians regard espresso as a quintessentially Italian cultural product--so much so that Italy has applied to add Italian espresso to UNESCO's official list of intangible heritages of humanity. The coffee bar is a cornerstone of Italian urban life, with city residents sipping espresso at more than 100,000 of these local businesses throughout the country. And yet, despite its nationalist bona fides, espresso in Italy is increasingly prepared by Chinese baristas in Chinese-managed coffee bars. In Chinese Espresso: Contested Race and Convivial Space in Contemporary Italy (Princeton UP, 2024), Grazia Ting Deng explores the paradox of "Chinese espresso"--the fact that this most distinctive Italian social and cultural tradition is being preserved by Chinese immigrants and their racially diverse clientele.

Deng investigates the conditions, mechanisms, and implications of the rapid spread of Chinese-owned coffee bars in Italy since the Great Recession of 2008. Drawing on her extensive ethnographic research in Bologna, Deng describes an immigrant group that relies on reciprocal and flexible family labor to make coffee, deploying local knowledge gleaned from longtime residents who have come, sometimes resentfully, to regard this arrangement as a new normal. The existence of Chinese espresso represents new features of postmodern and postcolonial urban life in a pluralistic society where immigrants assume traditional roles even as they are regarded as racial others. The story of Chinese baristas and their patrons, Deng argues, transcends the dominant Eurocentric narrative of immigrant-host relations, complicating our understanding of cultural dynamics and racial formation within the shifting demographic realities of the Global North.

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Although we often think of friendship today as an indisputable value of human social life, for thinkers and writers across late mediaeval Christian society friendship raised a number of social and ethical dilemmas that needed to be carefully negotiated. On Amistà: Negotiating Friendship in Dante’s Italy (University of Toronto Press, 2023) analyses these dilemmas and looks at how Dante’s strategic articulations of friendship evolved across the phases of his literary career as he manoeuvred between different social groups and settings.

Dr. Elizabeth Coggeshall reveals that friendship was not an unequivocal moral good for the writers of late mediaeval Italy. Instead, it was an ambiguous term to be deployed strategically, describing a wide range of social relationships such as allies, collaborators, servants, patrons, rivals, and enemies. Drawing on the use of the language of friendship in the letters, correspondence poems, dedications, narratives, and treatises composed by Dante and his interlocutors, Dr. Coggeshall examines the way they skillfully negotiated around the dilemmas that friendship raised in the spheres of mediaeval Italian literary society. The book addresses instances of inclusivity and exclusivity, collaboration and self-interest, hierarchy and equality, and alterity and identity. Employing literary, historical, and sociological analysis, On Amistà presents a genealogy for the innovative and tactical use of the terms of friendship among the works of late mediaeval Italian authors.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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In recent decades, the study of the Eastern Roman Empire, also known as Byzantium, has been revolutionized by new approaches and more sophisticated models for how its society and state operated. No longer looked upon as a pale facsimile of classical Rome, Byzantium is now considered a vigorous state of its own, inheritor of many of Rome's features, and a vital node in the first truly globalized world.

The New Roman Empire: A History of Byzantium (Oxford UP, 2024) is the first full, single-author history of the eastern Roman empire to appear in over a generation. Covering political and military history as well as all the major changes in religion, society, demography, and economy, Anthony Kaldellis's volume is divided into ten chronological sections which begin with the foundation of Constantinople in 324 AD and end with the fall of the empire to the Ottoman Turks in the fifteenth century. The book incorporates new findings, explains recent interpretive models, and presents well-known historical characters and events in a new light.

Dr. Anthony Kaldellis is Professor of Classics at the University of Chicago. His previous books include A Cabinet of Byzantine Curiosities; Streams of gold, Rivers of Blood; Romanland, and, as translator and editor, Prokopios’ The Secret History. In 2019, he began hosting the podcast “Byzantium & Friends.”

Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master’s in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages.

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Chiara Renzo's book Jewish Displaced Persons in Italy 1943-1951: Politics, Rehabilitation, Identity (Routledge, 2023) focuses on the experiences of thousands of Jewish displaced persons (DPs) who lived in refugee camps in Italy between the liberation of the southern regions in 1943 and the early 1950s, waiting for their resettlement outside of Europe. It explores the Jewish DPs' daily life in the refugee camps and what this experience of displacement meant to them. This book sheds light on the dilemmas the Jewish DPs faced when reconstructing their lives in the refugee camps after the Holocaust and how this challenging process was deeply influenced by their interaction with the humanitarian and political actors involved in their rescue, rehabilitation, and resettlement. Relating to the peculiar context of post-fascist Italy and the broader picture of the postwar refugee crisis, this book reveals overlooked aspects that contributed to the making of an incredibly diverse and lively community in transit, able to elaborate new paradigms of home, belonging and family.

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In the middle of the second century AD, Rome was at its prosperous and powerful apex. The emperor Marcus Aurelius reigned over a vast territory that stretched from Britain to Egypt. The Roman-made peace, or Pax Romana, seemed to be permanent. Then, apparently out of nowhere, a sudden sickness struck the legions and laid waste to cities, including Rome itself. This fast-spreading disease, now known as the Antonine plague, may have been history’s first pandemic. Soon after its arrival, the Empire began its downward trajectory toward decline and fall. In Pox Romana: The Plague That Shook the Roman World (Princeton University Press, 2024), historian Dr. Colin Elliott offers a comprehensive, wide-ranging account of this pivotal moment in Roman history.

Did a single disease—its origins and diagnosis still a mystery—bring Rome to its knees? Carefully examining all the available evidence, Dr. Elliott shows that Rome’s problems were more insidious. Years before the pandemic, the thin veneer of Roman peace and prosperity had begun to crack: the economy was sluggish, the military found itself bogged down in the Balkans and the Middle East, food insecurity led to riots and mass migration, and persecution of Christians intensified. The pandemic exposed the crumbling foundations of a doomed Empire. Arguing that the disease was both cause and effect of Rome’s fall, Dr. Elliott describes the plague’s “preexisting conditions” (Rome’s multiple economic, social, and environmental susceptibilities); recounts the history of the outbreak itself through the experiences of physician, victim, and political operator; and explores postpandemic crises. The pandemic’s most transformative power, Dr. Elliott suggests, may have been its lingering presence as a threat both real and perceived.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Several decades of scholarship have demonstrated that Roman thinkers developed in new and stimulating directions the systems of thought they inherited from the Greeks, and that, taken together, they offer many perspectives that are of philosophical interest in their own right. The Oxford Handbook of Roman Philosophy explores a range of such Roman philosophical perspectives through thirty-four newly commissioned essays. Where Roman philosophy has long been considered a mere extension of Hellenistic systems of thought, this volume moves beyond the search for sources and parallels and situates Roman philosophy in its distinctive cultural context.

The Oxford Handbook of Roman Philosophy (Oxford UP,  2023) emphasizes four features of Roman philosophy: aspects of translation, social context, philosophical import, and literary style. The authors adopt an inclusive approach, treating not just systematic thinkers such as Cicero and Augustine, but also poets and historians. Topics covered include ethnicity, cultural identity, literary originality, the environment, Roman philosophical figures, epistemology, and ethics.

Myrto Garani is Associate Professor of Latin Literature at the National and Kapodistrian University of Athens, Greece. She is the author of Empedocles Redivivus, co-editor with David Konstan of The Philosophizing Muse, and co-editor with A. N. Michalopoulos and S. Papaioannou of Intertextuality in Seneca's Philosophical Writings.

David Konstan is Professor of Classics at New York University. He is the author of Friendship in the Classical World, Beauty, In the Orbit of Love, and The Origin of Sin.

Gretchen Reydams-Schils is Professor in the Program of Liberal Studies at the University of Notre Dame and holds concurrent appointments in Classics, Philosophy, and Theology. She is the author of The Roman Stoics and Calcidius on Plato's Timaeus.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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The marvellous, a key concept in literary debates at the turn of the seventeenth century, involved sensory and perspectival transformation, a rhetoric built on the unexpected, contradictory, and thought-provoking. The composer Claudio Monteverdi (1567–1643) created a new practice in which the expressive materials of music and poetry were placed in concert. This innovative new study of Monteverdi's literary personality integrates musical and poetic analysis to create an approach to text-music relations that addresses scholars of both literature and music. 

Roseen Giles' book Monteverdi and the Marvellous: Poetry, Sound, and Representation (Cambridge UP, 2023) illuminates how experiments in language and perception at the turn of the seventeenth century were influenced and informed by the work of musicians of that era. Giles provides a new perspective on the music and poetry of Monteverdi's madrigals through the poetics of the marvellous. In his madrigals, Monteverdi created a reciprocity between poetry and music which encouraged audiences to contemplate their interactions, and, consequently, to listen differently.

Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: [email protected].

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In this highly original book Land Expropriation in Ancient Rome and Contemporary Zimbabwe: Veterans, Masculinity and War (Bloomsbury, 2022), Dr. Obert Bernard Mlambo offers a comparative and critical examination of the relationship between military veterans and land expropriation in the client-army of the first-century BC Roman Republic and veterans of the Zimbabwean liberation war. The study centres on the body of the soldier, the cultural production of images and representations of gender which advance theoretical discussions around war, masculinity and violence. Mlambo employs a transcultural comparative approach based on a persistent factor found in both societies: land expropriation. Often articulated in a framework of patriarchy, land appropriation takes place in the context of war-shaped masculinities.

This book fosters a deeper understanding of social processes, adding an important new perspective to the study of military violence, and paying attention to veterans' claims for rewards and compensation. These claims are developed in the context of war and its direct consequences, namely expropriation, confiscation and violence. Land Expropriation in Ancient Rome and Contemporary Zimbabwe contributes to current efforts to decolonise knowledge construction by revealing that a non-Western perspective can broaden our understanding of veterans, war, violence, land and gender in classical culture.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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"Fascism" is a word ubiquitous in our contemporary political discourse, but few know about its roots in the ancient past or its long, strange evolution to the present.

In ancient Rome, the fasces were a bundle of wooden rods bound with a leather cord, in which an axe was placed—in essence, a mobile kit for corporal or capital punishment. Attendants typically carried fasces before Rome's higher officials, to induce feelings of respect and fear for the relevant authority. This highly performative Roman institution had a lifespan of almost two millennia, and made a deep impression on subsequent eras, from the Byzantine period to the present.

Starting in the Renaissance, we find revivals and reinterpretations of the ancient fasces, accelerating especially after 1789, the first year of the United States' Constitution and the opening volley of the French Revolution. But it was Benito Mussolini, who, beginning in 1919, propagated the fasces on an unprecedented scale. Oddly, today the emblem has grown largely unfamiliar, which in turn has offered an opening to contemporary extremist groups.

In The Fasces: A History of Ancient Rome's Most Dangerous Political Symbol (Oxford University Press, 2022), Dr. T. Corey Brennan offers the first global history of the nature, development, and competing meanings of this stark symbol, from antiquity to the twenty-first century. The word "fascism" has universal awareness in contemporary political discourse, which thus makes this, the first book to trace the full arc of the fasces' almost 3,000-year history, essential reading for all who wish to understand how the past informs the present.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Today I talked to Mara Josi about her new book Rome, 16 October 1943: History, Memory, Literature (Legenda, 2023).

Rome. Saturday 16 October 1943. This is where and when the largest single round-up and deportation of Jews from Italy happened. 1259 people were arrested by the German occupiers and gathered in a temporary detention centre for two days. They were eventually deported to Auschwitz-Birkenau from a local railway station, Stazione Tiburtina.

From December 1944, literary texts of this event have facili-tated a national and international understanding and recollection of 16 October 1943. They have been bearers of historical awareness, channels of memory; not only outcomes of remembrance but also active ingredients in the process of forging cultural memory. 

In this pioneering interdisciplinary study drawing from literary and cultural memory studies, Mara Josi shows how 16 ottobre 1943 by Giacomo Debenedetti, La Storia by Elsa Morante, La parola ebreo by Rosetta Loy, and Portico d'Ottavia 13 by Anna Foa have operated on the personal and the collective level: in other words, on the reader and on society.

Mara Josi obtained her PhD at the University of Cambridge. Before joining the University of Ghent as an FWO Post-doctoral Fellow, she was an IRC Postdoctoral Fellow at University College Dublin and a lecturer at the University of Manchester.

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In this episode of International Horizons, RBI director John Torpey interviews Marla Stone, a historian of Italian fascism at Occidental College, on the resurgence of the far right in Italy. The conversation delves into the origins of this resurgence and how Italy, a fairly homogeneous society, became a recipient of hundreds of thousand migrants, altering the perceptions of threat on Italian citizens that have been successfully instrumentalized by political movements to bring Giorgia Meloni to power. Prof. Stone also discusses the waning of the Italian left, but sees an optimistic future as an increasing number of Italians are promoting diversity.

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There is a popular notion that the Italian armed forces of the Second World War were an inferior fighting force. Despite the vast numbers taken prisoner, detailed studies of the experiences of these soldiers remain relatively uncommon and the value of this group to furthering our understanding of the Italian experience of war under Fascism is also rarely acknowledged. The existence in the National Archives of hundreds of pages of transcripts of covert British surveillance of Italian POWs has made it possible to engage with their experiences and opinions in much greater depth. The euphemistically termed 'Special Reports' present historians with a unique insight into how all levels of Italian soldiery viewed Fascist Italy's experience of war, 1940-1943. 

Alexander Henry's book War Through Italian Eyes: Fighting for Mussolini, 1940-1943 (Routledge, 2021) examines reactions to Italian political leadership, the progress of the war, as well as Italian soldiers' 'everyday' views on sex, war, the enemy, death, food, their allies, bravery, race, and killing. These fascinating documents reveal the complexity of the outlook of these men, which persistent - and influential - national stereotypes and historiographical trends fail to acknowledge.

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Though commonly used today to identify a polity that lasted for over a millennium, the label “Byzantine empire” is an anachronism imposed by more recent generations. As Anthony Kaldellis explains in Romanland: Ethnicity and Empire in Byzantium (Harvard University Press, 2019), this has contributed to the denial of the ethnic identity that most denizens of the empire had of themselves as Romans. Kaldellis traces the origins of this process of denial to the 8th century CE, with the papacy’s turn to the Franks as their protectors. The efforts by the Catholic Church to de-legitimize the Eastern Empire as the legatee of ancient Rome denied the self-identification of its residents as Romans, one that is reflected in much of the surviving literature from this era. This identity was so widely embraced by the residents of the empire as to make it a largely homogenous state ethnically throughout much of its existence, one that absorbed many of the bands of people from other ethnic groups who migrated to the empire over the centuries of its existence.

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On October 1922 Mussolini became head of the Italian government, a situation that would last for twenty years. That power was obtained was largely due to the widespread violence perpetrated by blackshirts throughout Italy (squadristi). Violence however did not end. Old and new blackshirts played a major role in making Italy a fascist country. Contrary to the claims of many scholars that have depicted blackshirts after the March on Rome only as troublemakers for Mussolini, Matteo Millan's The Blackshirts' Dictatorship: Armed Squads, Political Violence, and the Consolidation of Mussolini's Regime (Routledge, 2022) shows that they played a crucial role in establishing a full and totalitarian dictatorship. Squadristi carried out processes of fascistisation, crushed opponents and convinced bystanders and dubious people, consolidating fascist power in many aspects of social, political and even intimate life. By resorting to new archives, a long chronology and a focus on individual perspectives, this book gives voice to the perpetrators of fascist violence and offers new insights into the lives of squadristi throughout the dictatorship, outlining their beliefs, outlooks and expectations. The Blackshirts' Dictatorship: shows that post-1922 squadrismo was not a side effect of Fascism's twenty-year history. On the contrary, violence represents one of the essential components of any definition of Italian Fascism.

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Neil Bernstein's The Complete Works of Claudian (Routledge, 2022) offers a modern, accurate, and accessible translation of Claudian's work, published in English for the first time since 1922, and accompanied by detailed notes and a comprehensive glossary.

Claudian (active 395-404 CE) was the last of the great classical Latin poets. His best-known work, The Rape of Proserpina, continues to inspire numerous retellings and adaptations. Claudian also wrote poems in praise of rulers, including the emperor Honorius and the regent Flavius Stilicho, which are essential sources for reconstructing politics and society in the late Roman empire. These poems and others are translated here, alongside an introduction offering an overview of Claudian's career, the wider historical and political context of the period, and the poetic traditions in which Claudian wrote: mythological epic, panegyric, invective, and epithalamium. The translations, with explanatory notes, include: The Rape of Proserpina, Panegyric on Olybrius and Probinus's Consulship, Panegyrics on Honorius's Third, Fourth, and Sixth Consulships, Invective Against Rufinus, Fescennines and Epithalamium for Honorius and Maria, The War With Gildo, Panegyric on Manlius Theodorus's Consulship, Invective Against Eutropius, Stilicho's Consulship, The Gothic War, and shorter poems.

The Complete Works of Claudian is a vital resource for students and scholars working on late antique literature, particularly Claudian's work, as well as those studying the history and culture of the western Roman Empire in this period. This accessible volume is also suitable for the general reader interested in the works of Claudian and this period more broadly.

Bernstein joins the New Books Network to read a few excerpts and discuss the challenges and benefits of reading his panegyric and invective poems as well as his writing in more lyrical and epic modes.

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In this first environmental history of Italian fascism, Marco Armiero, Roberta Biasillo, and Wilko Graf von Hardenberg reveal that nature and fascist rhetoric are inextricable. Mussolini's Nature explores fascist political ecologies, or rather the practices and narratives through which the regime constructed imaginary and material ecologies functional to its political project. Mussolini's Nature: An Environmental History of Italian Fascism (MIT Press, 2022) does not pursue the ghost of a green Mussolini by counting how many national parks were created during the regime or how many trees planted. Instead, the reader is trained to recognize fascist political ecology in Mussolini's speeches, reclaimed landscapes, policies of economic self-sufficiency, propaganda documentaries, reforested areas, and in the environmental transformation of its colonial holdings.

The authors conclude with an examination of the role of fascist landscapes in the country's postwar reconstruction: Mussolini's nature is still visible today through plaques, monuments, toponomy, and the shapes of landscapes. This original, and surprisingly intimate, environmental history is not merely a chronicle of conservation in fascist Italy but also an invitation to consider the socioecological connections of all political projects.

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For almost seven centuries, two powers dominated the region we now call the Middle East: Rome and Persia. From the west: The Roman Republic, later the Roman Empire, later the Byzantine Empire. From the East: The Parthian Empire, later replaced by the Sasanian Empire.

The two ancient superpowers spent centuries fighting for influence, paying each other off, encouraging proxy fights in their neighbors, and seizing opportunities while the other was distracted with internal strife. The relationship culminates in an almost-three-decade long war that so exhausts the two powers that they both end up getting overrun by the Arabs years later.

Adrian Goldsworthy gives a detailed account of this long history in his recent book Rome and Persia: The Seven Hundred Year Rivalry (Basic Books: 2023), starting from the (alleged) first contact in 92 BC through to the collapse of Persia in the seventh century. The two of us are going to try our best to talk about this long history in our interview today.

Adrian Goldsworthy is an award-winning historian of the classical world. He is the author of numerous books about ancient Rome, including Hadrian’s Wall (Basic Books: 2018), Caesar: Life of a Colossus (Yale University Press: 2008), How Rome Fell: Death of a Superpower (Yale University Press: 2010), Pax Romana: War, Peace and Conquest in the Roman World (Yale University Press: 2016), and Augustus: First Emperor of Rome (Yale University Press: 2014).

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Rome and Persia. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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As per William Shakespeare, ‘all the world’s a stage’. But what if the human soul was a stage too? What if the stage of the world and the stage of the soul coincided? And what if the soul was also the main character of the play? 

These questions are at the core of Eugenio Refini's book Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy (Legenda, 2022), which explores pedagogical uses of allegorical drama in Italy in the decades around 1600, with a focus on the place of theatre in the education of female orphans in the hospitals of Venice. The consumption of morality plays is looked at as a form of spiritual practice modeled on long-lasting theatrical metaphors. In this context, tropes such as the theatrum mundi not only regained their literal meaning by being actually staged, but also turned into rhetorical devices able to promote the inner staging of the ‘world’ on the ‘spiritual’ stage of the soul.

Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: [email protected].

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In Red Sauce: How Italian Food Became American (Rowman & Littlefield, 2022), Ian MacAllen traces the evolution of traditional Italian-American cuisine, often referred to as “red sauce Italian,” from its origins in Italy to its transformation in America into a new, distinct cuisine. It is a fascinating social and culinary history exploring the integration of red sauce food into mainstream America alongside the blending of Italian immigrant otherness into a national American identity. The story follows the small parlor restaurants immigrants launched from their homes to large, popular destinations, and eventually to commodified fast food and casual dining restaurants. Some dishes like fettuccine Alfredo and spaghetti alla Caruso owe their success to celebrities, and Italian-American cuisine generally has benefited from a rich history in popular culture.

Drawing on inspiration from Southern Italian cuisine, early Italian immigrants to America developed new recipes and modified old ones. Ethnic Italians invented dishes like lobster fra Diavolo, spaghetti and meatballs, and veal parmigiana, and popularized foods like pizza and baked lasagna that had once been seen as overly foreign. Eventually, the classic red-checkered-table-cloth Italian restaurant would be replaced by a new idea of what it means for food to be Italian, even as ‘red sauce’ became entrenched in American culture. This booklooks at how and why these foods became part of the national American diet, and focuses on the stories, myths, and facts behind classic (and some not so classic) dishes within Italian-American cuisine.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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The Roman singer, courtesan, and writer Margherita Costa won prominence and fame across the courts of Italy and France during the mid-seventeenth century. She secured a steady stream of elite patrons – including popes, queens, grand dukes, and influential cardinals – while male poets and librettists wrote celebratory poetry on her behalf. In addition to her appearances as a soprano on the opera stage, Costa published a remarkable fourteen full-length texts across an expanse of genres: burlesque comedy, drama, equestrian ballet, pastoral opera, amorous letters, lyric poetry, and history.

Margherita Costa, Diva of the Baroque Court (U Toronto Press, 2023) brings together close textual readings of Costa’s numerous publications with archival materials detailing her performance itinerary and social-cultural networks. The book progresses chronologically through her life, geographically along the routes she travelled, and thematically via the genres in which she experimented. Jessica Goethals illuminates how Costa was unafraid to leap over the boundaries of decorum that delimited what women should and did write about. More than merely a literary biography, this book is also a portrait of seventeenth-century courts, their concerns, and their entertainments.

Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: [email protected].

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Roman imperial epic is enjoying a moment in the sun in the twenty-first century, as Lucan, Valerius Flaccus, Statius, and Silius Italicus have all been the subject of a remarkable increase in scholarly attention and appreciation. Lucan and Flavian Epic (Brill, 2023) characterizes and historicizes that moment, showing how the qualities of the poems and the histories of their receptions have brought about the kind of analysis and attention they are now receiving. Serving both experienced scholars of the poems and students interested in them for the first time, this book offers a new perspective on current and future directions in scholarship.

Translations:

-Lucan: Jane Wilson Joyce

-Valerius Flaccus: P.J. Davis

-Statius' Thebaid: Jane Wilson Joyce

-Statius' Achelleid: Stanley Lombardo

-Silius Italicus: Neil Bernstein and Antony Agoustakis

Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History.

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Eighty years after the fall of Benito Mussolini, controversy remains about what his dictatorship represented. This reflects the different sides to the Duce's leadership: while adept at nurturing and enforcing his personal political power, Mussolini's lack of insight into the requirements of governance prevented him from converting this power into influence to achieve his goals. His efforts to maintain the support of Italy's conservative elites--economic, social and political--also created tensions with his radical Fascist ambitions, diminishing the momentum behind his regime.

Mussolini is frequently portrayed as a charismatic leader, but his rule was secured principally by coercion, violence and a 'spoils system'. Nonetheless, his personality cult had significant popular appeal, even if based upon a political myth. This enabled him to consolidate his position and to dominate his Fascist colleagues--but at a price of over-centralized, dysfunctional decision-making.

In Duce: The Contradictions of Power: The Political Leadership of Benito Mussolini (Oxford UP, 2023), the first comprehensive English-language study of Mussolini in nearly two decades, Peter J. Williamson brings to life the contradictions within the Duce's leadership. Using a wide range of sources, Williamson reveals how these conflicts impeded the dictator's ambitions, leaving him increasingly frustrated, all while most Italians endured the severe privations of both failure and Fascism.

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This original research on the forgotten Libyan genocide specifically recovers the hidden history of the fascist Italian concentration camps (1929-1934) through the oral testimonies of Libyan survivors. Ali Abdullatif Ahmida's book Genocide in Libya: Shar, a Hidden Colonial History (Routledge, 2020) links the Libyan genocide through cross-cultural and comparative readings to the colonial roots of the Holocaust and genocide studies.

Between 1929 and 1934, thousands of Libyans lost their lives, directly murdered and victim to Italian deportations and internments. They were forcibly removed from their homes, marched across vast tracks of deserts and mountains, and confined behind barbed wire in 16 concentration camps. It is a story that Libyans have recorded in their Arabic oral history and narratives while remaining hidden and unexplored in a systematic fashion, and never in the manner that has allowed us to comprehend and begin to understand the extent of their existence.

Based on the survivors' testimonies, which took over ten years of fieldwork and research to document, this new and original history of the genocide is a key resource for readers interested in genocide and Holocaust studies, colonial and postcolonial studies, and African and Middle Eastern studies.

Jeff Bachman is Senior Lecturer in Human Rights at American University’s School of International Service in Washington, DC.

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Building Mid-Republican Rome: Labor, Architecture, and the Urban Economy (Oxford University Press, 2018), offers a holistic treatment of the development of the Mid-Republican city from 396 to 168 BCE. As Romans established imperial control over Italy and beyond, the city itself radically transformed from an ambitious central Italian settlement into the capital of the Mediterranean world. Seth Bernard describes this transformation in terms of both new urban architecture, much of it unprecedented in form and extent, and new socioeconomic structures, including slavery, coinage, and market-exchange. These physical and historical developments were closely linked: building the Republican city was expensive, and meeting such costs had significant implications for urban society. Building Mid-Republican Rome brings both architectural and socioeconomic developments into a single account of urban change.

Seth Bernard, an Assistant Professor of Classics at the University of Toronto, assembles a wide array of evidence, from literary sources to coins, epigraphy, and especially archaeological remains, revealing the period's importance for the decline of the Roman state's reliance on obligation and dependency and the rise of slavery and an urban labor market. This narrative is told through an investigation of the evolving institutional frameworks shaping the organization of public construction. A quantitative model of the costs of the Republican city walls reconstructs their economic impact. A new account of building technology in the period allows for a better understanding of the social and demographic profile of the city's builders. Building Mid-Republican Rome thus provides an innovative synthesis of a major Western city's spatial and historical aspects, shedding much-needed light on a seminal period in Rome's development.

Ryan Tripp teaches history in California.

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We see notebooks everywhere we go. But where did this simple invention come from? How did they revolutionise our lives, and why are they such powerful tools for creativity? And how can using a notebook help you change the way you think?

In The Notebook: A History of Thinking on Paper (Profile Books, 2023), Roland Allen reveals all the answers. Ranging from the bustling markets of mediaeval Florence to the quiet studies of our greatest thinkers, he follows a trail of dazzling ideas, revealing how the notebook became our most dependable and versatile tool for creative thinking. He tells the notebook stories of artists like Leonardo and Frida Kahlo, scientists from Isaac Newton to Marie Curie, and writers from Chaucer to Henry James. We watch Darwin developing his theory of evolution in tiny pocketbooks, see Agatha Christie plotting a hundred murders in scrappy exercise books, and learn how Bruce Chatwin unwittingly inspired the creation of the Moleskine.

On the way we meet a host of cooks, kings, sailors, fishermen, musicians, engineers, politicians, adventurers and mathematicians, who all used their notebooks as a space for thinking and to shape the modern world.

In an age of AI and digital overload, the humble notebook is more relevant than ever. Allen shows how bullet points can combat ADHD, journals can ease PTSD, and patient diaries soften the trauma of reawakening from coma. The everyday act of moving a pen across paper can have profound consequences, changing the way we think and feel: making us more creative, more productive - and happier.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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How are Roman political assumptions similar to versus different from our own? What did the Founding Fathers get right and wrong about the Ancients? How did Rome deal with class conflict? Is America Rome? Joining Madison's Notes to discuss is Duke Classicist Jed Atkins, a specialist in Roman political thought. The conversation convers important differences between Rome's values and ours, such as their emphasis on hierarchy and honor, the impact of great thinkers like Plutarch and Cicero, and much more.

Jed Atkins is the E. Blake Byrne Associate Professor of Classical Studies at Duke University. He is the author of Roman Political Thought (Cambridge UP, 2018) as well as Cicero on Politics and the Limits of Reason (Cambridge UP, 2020). In November, he gave a lecture at the Madison Program: "Liberalism and the Christian Origins of Tolerance."

Annika Nordquist is the Communications Coordinator of Princeton University’s James Madison Program in American Ideals and Institutions and host of the Program’s podcast, Madison’s Notes.

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Today we have John Christopoulos, Assistant Professor of History at the University of British Columbia, to talk about his new book, Abortion in Early Modern Italy (Harvard University Press, 2021)

In this authoritative history, John Christopoulos provides a provocative and far-reaching account of abortion in sixteenth- and seventeenth-century Italy. His poignant portraits of women who terminated or were forced to terminate pregnancies offer a corrective to longstanding views: he finds that Italians maintained a fundamental ambivalence about abortion. Italians from all levels of society sought, had, and participated in abortions. Early modern Italy was not an absolute anti-abortion culture, an exemplary Catholic society centered on the “traditional family.” Rather, Christopoulos shows, Italians held many views on abortion, and their responses to its practice varied.

Bringing together medical, religious, and legal perspectives alongside a social and cultural history of sexuality, reproduction, and the family, Christopoulos offers a nuanced and convincing account of the meanings Italians ascribed to abortion and shows how prevailing ideas about the practice were spread, modified, and challenged. Christopoulos begins by introducing readers to prevailing ideas about abortion and women’s bodies, describing the widely available purgative medicines and surgeries that various healers and women themselves employed to terminate pregnancies. He then explores how these ideas and practices ran up against and shaped theology, medicine, and law. Catholic understanding of abortion was changing amid religious, legal, and scientific debates concerning the nature of human life, women’s bodies, and sexual politics. Christopoulos examines how ecclesiastical, secular, and medical authorities sought to regulate abortion, and how tribunals investigated and punished its procurers—or did not, even when they could have. Abortion in Early Modern Italy offers a compelling and sensitive study of abortion in a time of dramatic religious, scientific, and social change.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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The Cultural Roots of Slow Food: Peasants, Partisans, and the Landscape of Italian Resistance (Lexington Books, 2023) focuses on the work of a variety of intellectual activists, related food justice literature, and documentary films, and argues that contemporary forms of environmental activism, as they are rooted in local food and sustainable farming, are built on Italian peasant culture and its contributions to the Resistance movement. 

During World War II the Italian Resistance marked an unprecedented encounter between the urban and intellectual resistance and peasant culture, contributing to the creation of a new legacy of organic intellectuals. The organic intellectuals analyzed in this book look to the hinterlands to demonstrate that peasants, by sharing their knowledge of the land and traditional practices, produce their own organic intellectuals. Some examples examined are Alcide Cervi, Nuto Revelli, and Ermanno Olmi. Ilaria Tabusso Marcyan argues that their work, personal experiences, and visions of resistance foreground the roots of the Slow Food international grassroots movement. She posits that today, Slow Food and the food communities of Terra Madre in Italy and around the world represent one of the many examples of these new organic intellectuals committed to rebuild a more harmonious and sustainable relationship with the land.

A title mentioned in the interview is Contesting Extinctions. Decolonial and Regenerative Futures (Lexington Books, 2021) edited by Suzanne McCullagh, Luis Iñaki Prádanos, Ilaria Tabusso-Marcyan, and Cathy Wagner. Wesley Y. Leonard is involved in the Myaamia language reclamation project.

The Nuevos Horizontes podcast is supported by the Mellon Foundation and the graduate program in Estudios Culturales y Humanísticos at the Universidad de Puerto Rico-Mayagüez. This episode was hosted by Jeffrey Herlihy-Mera and Ricia Chansky.

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As this book intriguingly explores, for those who would make Rome great again and their victims, ideas of Roman decline and renewal have had a long and violent history. The decline of Rome has been a constant source of discussion for more than 2200 years. Everyone from American journalists in the twenty-first century AD to Roman politicians at the turn of the third century BC have used it as a tool to illustrate the negative consequences of changes in their world. Because Roman history is so long, it provides a buffet of ready-made stories of decline that can help develop the context around any snapshot. And Rome did, in fact, decline and, eventually, fall. An empire that once controlled all or part of more than 40 modern European, Asian, and African countries no longer exists. Roman prophets of decline were, ultimately, proven correct-a fact that makes their modern invocations all the more powerful. If it happened then, it could happen now. 

Edward J. Watts' The Eternal Decline and Fall of Rome: The History of a Dangerous Idea (Oxford UP, 2021) tells the stories of the people who built their political and literary careers around promises of Roman renewal as well as those of the victims they blamed for causing Rome's decline. Each chapter offers the historical context necessary to understand a moment or a series of moments in which Romans, aspiring Romans, and non--Romans used ideas of Roman decline and restoration to seize power and remake the world around them. The story begins during the Roman Republic just after 200 BC. It proceeds through the empire of Augustus and his successors, traces the Roman loss of much of western Europe in the fifth century AD, and then follows Roman history as it runs through the Eastern Roman Empire (Byzantium) until its fall in 1453. The final two chapters look at ideas of Roman decline and renewal from the fifteenth century until today. If Rome illustrates the profound danger of the rhetoric of decline, it also demonstrates the rehabilitative potential of a rhetoric that focuses on collaborative restoration, a lesson of great relevance to our world today.

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Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood. 

Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe.

Jana Byars is an independent scholar located in Amsterdam.

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European governments are emerging from 15 years of on-again, off-again crises that upended their budgetary positions. From close to balance in 2008, the aggregate budget deficit for governments using the euro is now 3% of output while public debt is up from 66% to 90%.

These "processes happened more forcefully", writes Alice Cavalieri in Italian Budgeting Policy: Between Punctuations and Incrementalism (Palgrave MacMillan, 2023). Since 2008, Italy's primary account excluding interest payments has turned from a substantial surplus to a deficit while public debt surged from 100% to 140% of output. At the same time, Italy’s politics have fragmented – leading to the formation of seven governments in ten years – and, for 15 months in 2018-2019, Western Europe’s first-ever administration run only by populists. 

Italy’s budgetary framework has been tested like no other. “The budget unmasks politicians,” writes Cavalieri. “In contrast to other political documents, the budget cannot be exploited as a mere showcase of policy positions without any future but is rather a litmus test of actual policy priorities. It leaves no room for imagination, as it translates policy commitments into a quantifiable amount of financial resources, listing revenues and expenses for a delimited time period and conveying the services that the state wants to provide to its citizens and what specific services and to what extent citizens are entitled to them. Thus, it is not simply a document, it is a political act".

Alice Cavalieri is a research fellow at the Department of Political and Social Sciences at the University of Trieste. Before that, she spent two years as a Postdoctoral Researcher at the University of Turin, having obtained her PhD at the Scuola Superiore Sant'Anna in Pisa.

*The author's own book recommendations are Political Recruitment: Gender, Race and Class in the British Parliament by Pippa Norris and Joni Lovenduski (Cambridge University Press, 1994) and The Handmaid’s Tale by Margaret Atwood (Virago, 1987).

Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series.

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Paolo Caroli's book Transitional Justice in Italy and the Crimes of Fascism and Nazism (Routledge, 2022) presents a comprehensive analysis of the Italian experience of transitional justice examining how the crimes of Fascism and World War II have been dealt with from a comparative perspective.

Applying an interdisciplinary and comparative methodology, the book offers a detailed reconstruction of the prosecution of the crimes of Fascism and the Italian Social Republic as well as crimes committed by Nazi soldiers against Italian civilians and those of the Italian army against foreign populations. It also explores the legal qualification and prosecution of the actions of the Resistance. Particular focus is given to the Togliatti amnesty, the major turning point, through comparisons to the wider European post-WWII transitional scenario and other relevant transitional amnesties, allowing consideration of the intense debate on the legitimacy of amnesties under international law. The book evaluates the Italian experience and provides an ideal framework to assess the complexity of the interdependencies between time, historical memory and the use of criminal law.

In a historical moment marked by the resurgence of racism, neo-Fascism, falsifications of the past, as well as the desire to amend the faults of the past, the Italian unfinished experience of dealing with the Fascist era can help move the discussion forward. The book will be an essential reading for students, researchers and academics in International Criminal Law, Transitional Justice, History, Memory Studies and Political Science.

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The Power of Protocol: Diplomatics and the Dynamics of Papal Government, c. 400 – c.1600 (Cambridge University Press, 2023) by Dr. David d’Avray asks: How did the papacy govern European religious life without a proper bureaucracy and the normal resources of a state?

From late Antiquity, papal responses were in demand. The 'apostolic see' took over from Roman emperors the discourse and demeanour of a religious ruler of the Latin world. Over the centuries, it acquired governmental authority analogous to that of a secular state – except that it lacked powers of physical enforcement, a solid financial base (aside from short periods) and a bureaucracy as defined by Max Weber. Through the discipline of Applied Diplomatics, which investigates the structures and settings of documents to solve substantive historical problems,

The Power of Protocol explores how such a demand for papal services was met. It is about the genesis and structure of papal documents – a key to papal history generally – from the Roman empire to after the Council of Trent in the sixteenth century, and is the only book of its kind.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Lidia Katia C. Manzo's book Gentrification and Diversity: Rebranding Milan's Chinatown (Springer, 2023) examines lived experiences of making, inhabiting and appropriating space, in relation to the upscale commercial gentrification of the Milan Chinatown. It inquires about the significance of diverse neighborhoods as emerging multicultural spaces? Are we talking about neighborhood entrepreneurs providing services and entertainment to create local urban culture, or are we talking about political/economic forces in the commodification of ethnic and cultural diversity? Starting from these questions, this book uses innovative visual ethnography and critical urban research to understand the relationship between community-based entrepreneurs, local politics, residents’ sense of belonging, and patterns of city branding strategies in Milan, the fashion capital of Italy. This book is intended for researchers and students in the fields of sociology, anthropology, urban studies, geography, and urban planning. Additionally, it is appropriate for practitioners in the fields of urban planning, housing policies, and community development.

Anna Zhelnina holds a Ph.D. in Sociology and works at Utrecht University. To learn more, visither website or follow Anna on Twitter.

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Belisarius and Antonina were titans in the Roman world some 1,500 years ago. Belisarius was the most well-known general of his age, victor over the Persians, conqueror of the Vandals and the Goths, and as if this were not enough, wealthy beyond imagination. His wife, Antonina, was an impressive person in her own right. She made a name for herself by traveling with Belisarius on his military campaigns, deposing a pope, and scheming to disgrace important Roman officials. Together, the pair were extremely influential, and arguably wielded more power in the late Roman world than anyone except the emperor Justinian and empress Theodora themselves. This unadulterated power and wealth did not mean that Belisarius and Antonina were universally successful in all that they undertook. They occasionally stumbled militarily, politically, and personally - in their marriage and with their children. These failures knock them from their lofty perch, humanize them, and make them even more relatable and intriguing to us today.

Belisarius & Antonina: Love and War in the Age of Justinian (Oxford UP, 2023) is the first modern portrait of this unique partnership. They were not merely husband and wife but also partners in power. This is a paradigm which might seem strange to us, as we reflexively imagine that marriages in the ancient world were staunchly traditional, relegating wives to the domestic sphere only. But Antonina was not a reserved housewife, and Belisarius showed no desire for Antonina to remain in the home. Their private and public lives blended as they traveled together, sometimes bringing their children, and worked side-by-side. Theirs was without a doubt the most important nonroyal marriage of the late Roman world, and one of the very few from all of antiquity that speaks directly to contemporary readers.

Dr. David Alan Parnell is an Associate Professor of History at Indiana University Northwest. He is the author of Justinian’s Men (Palgrave Macmillan, 2017) and has worked on numerous articles about the military and social life of the sixth-century Roman Empire. He is also a consultant, recently working on Epic History TV’s documentary series on Belisarius.

Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master’s in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages.

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Richard Carrier's book Mussolini's Army Against Greece: October 1940-April 1941 (Routledge, 2021) analyses why the Italian army failed to defeat its Greek opponent between October 1940 and April 1941. It thoroughly examines the multiple forms of ineffectiveness that plagued the political leadership as well as the military organisation.

Mussolini's aggression of Greece ranks among the most neglected campaigns of the Second World War. Initiated on 28 October 1940, the offensive came to a halt less than ten days later; by mid-November, the Greek counter-offensive put the Italian armies on the defensive, and back in Albania. From then on, the fatal interaction between failing command structures, inadequate weapons and equipment, unprepared and unmotivated combatants, and terrible logistics lowered to a dangerous level the fighting power of Italian combatants. This essay proposes that compared to the North African and Russian campaigns where the Regio Esercito achieved a decent level of military effectiveness, the operation against Greece was a military fiasco. Only the courage of its soldiers and the German intervention saved the dictator's army from complete disaster.

This book would appeal to anyone interested in the history of the world war, and to those involved in the study of military effectiveness and intrigued by why armies fail.

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Leonie Hannan's book Culture of Curiosity: Science in the Eighteenth Century Home (Manchester University Press, 2023) explores the practice of scientific enquiry as it took place in the eighteenth-century home. While histories of science have identified the genteel household as an important site for scientific experiment, they have tended to do so via biographies of important men of science. Using a wide range of historical source material, from household accounts and inventories to letters and print culture, this book investigates the tools within reach of early modern householders in their search for knowledge. It considers the under-explored question of the home as a site of knowledge production and does so by viewing scientific enquiry as one of many interrelated domestic practices. It shows that knowledge production and consumption were necessary facets of domestic life and that the eighteenth-century home generated practices that were integral to 'Enlightenment' enquiry.

Jana Byars is an independent scholar located in Amsterdam.

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How do migrants make sense of migration? In Coloniality and Meritocracy in unequal EU migrations: Intersecting Inequalities in Post-2008 Italian Migration (Bristol UP, 2023), Simone Varriale, Lecturer in Sociology at Loughborough University, explores the experiences of Italian migrants to Britain to critique notions of meritocracy. Combining a rich set of interview data with a deep understanding of theories of colonialism, and inequality, the book rethinks the recent history of migration in the EU. The book challenges existing narratives of both who is a migrant and the meaning of migration, as well as critiquing stereotypes associated with Northern and Southern Europe. The book is essential reading across the social sciences and humanities, as well as for anyone wishing to understand inequality and migration today.

Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.

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What is fascism? Is it revolutionary? Or is it reactionary? Can it be both?

Fascism is notoriously hard to define. How do we make sense of an ideology that appeals to streetfighters and intellectuals alike? That calls for a return to tradition while maintaining a fascination with technology? And that preaches violence in the name of an ordered society?

In Fascism: A Very Short Introduction (Oxford UP, 2014), Kevin Passmore brilliantly unravels the paradoxes of one of the most important phenomena in the modern world--tracing its origins in the intellectual, political, and social crises of the late nineteenth century, the rise of fascism following World War I -including fascist regimes in Italy and Germany -and the fortunes of 'failed' fascist movements in Eastern Europe, Spain, and the Americas. He also considers fascism in culture, the new interest in transnational research, and the progress of the far right since 2002.

Dr. Kevin Passmore is a Reader in History at Cardiff University. His The Right in the Third Republic was published by OUP in November 2012. He has continued to publish widely on fascism since publication of the VSI in 2002, but has also written on the history of the social sciences and historical writing.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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"Within our mandate, the [European Central Bank] is ready to do whatever it takes to preserve the euro. And believe me, it will be enough". With those three words delivered in London on 26 July 2012, Mario Draghi - the ECB's president from 2011-2019 - stopped a contagious collapse of Europe's common currency after just one decade.

Jana Randow and Alessandro Speciale write in Mario Draghi: The True Story of the Man Who Saved the Euro (Rizzoli, 2019): “So simple a phrase, delivered at the right time in front of the right audience, it will hang on as a warning to investors when Draghi is long gone that central bankers in Europe are ready to defend their currency against speculative attacks brought on by people not quite aware of their resolve".

Draghi, who went on to see Italy through the Covid pandemic as its prime minister from 2021-2022, has acquired mythical status. Who is he? What are the skills that allowed him to succeed where others may have failed? How did he manage the ECB's governing council in comparison to his French predecessor and successor?

Books from inside the ECB by Massimo Rostagno and Pedro Gustavo Teixeira have covered the policy-making history of the Draghi years but, so far, only Randow and Speciale have written a fly-on-the-wall account to match Bob Woodward's and David Wessel's books on the Federal Reserve. Jana Randow is Bloomberg’s senior European economics correspondent based in Frankfurt and Alessandro Speciale now heads Bloomberg's Zurich bureau after doing the same in Rome and working with Jana as ECB correspondent from 2013 until mid-2019.

*Jana's book recommendations are Rebel Radio: The Story of El Salvador's Radio Venceremos by José Ignacio López Vigil (Curbstone Press, 1995 - translated by Mark Fried) and Fabian, Die Geschichte eines Moralisten by Erich Kästner - first published in 1931 and translated by Cyrus Brooks as Going to the Dogs: The Story of a Moralist (NYRB Classics, 2013).

*Alessandro's book recommendations are The Magician by Colm Tóibín (Viking, 2021) and Magnificent Rebels: The First Romantics and the Invention of the Self by Andrea Wulf (John Murray, 2022).

Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series.

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In Dante and the Mediterranean Comedy: From Muslim Spain to Post-Colonial Italy (Palgrave Macmillan, 2022), Andrea Celli explores the complex ways in which Dante’s Comedy could be considered ‘Mediterranean,’ ranging widely from Orientalist scholarship to prison wall graffiti in Palermo. He presents both a history of criticism that explores the 20th-century debates around Dante and Islam as well as a novel approach to interrogating Mediterranean possibilities in the reception and appropriation of Dante’s poem. Celli’s Mediterranean Dante is neither given over to the ‘clash of civilizations’ model nor to the idealized notion of a cultural melting pot, but instead to a nuanced perspective that moves beyond traditional binaries and paradigms. In a medieval mode, he draws attention to the possible use of Islamic sources in the punishment of Muhammad in Inferno 28 and explores affinities between Ibn Hazm’s 11th-century Andalusian work Ring of the Dove and Dante’s Vita Nuova. With an orientation to reception, he dwells at length on the 17th-century drawings and grafitti on the prison walls of the Palazzo Chiaramonte-Steri in Palermo that see a blending of high and low culture and connect Dante to broader Mediterranean culture in early modern Sicily. Dante and the Mediterranean Comedy breaks new ground in assembling such materials and critical perspectives; it urges us to both read the Comedy through the heuristic tool of the Mediterranean and to read the field of Mediterranean studies through Dante.

Akash Kumar is Assistant Professor of Italian Studies at the University of California, Berkeley. His research focuses on medieval Italian literature through the lens of Mediterranean and global culture, from the history of science to the origins of popular phenomena such as the game of chess. Recent work on a global Dante has appeared in the volume Migrants Shaping Europe, Past and Present (Manchester UP, 2022), MLN (2022), and the Blackwell Companion to World Literature (2020). Akash also serves as Editor of Dante Notes, the digital publication of the Dante Society of America.

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England and the Papacy in the Early Middle Ages: Papal Privileges in European Perspective, c. 680-1073 (Oxford University Press, 2023) by Dr. Benjamin Savill provides the first dedicated, book-length study of interactions between England and the papacy throughout the early middle ages. It takes as its lens the extant English record of papal privileges: legal diplomas drawn-up on metres-long scrolls of Egyptian papyrus, acquired by pilgrim-petitioners within the city of Rome, and then brought back to Britain to negotiate local claims and conflicts.

How, why, and when did English petitioners choose to invoke the distant authority of Rome in this way, and how did this compare to what was taking place elsewhere in Europe? How successful were these efforts, and how were they remembered in later centuries?

By using these still-understudied papal documents to reassess what we know of the worlds of Bede, the Mercian Supremacy, the West Saxon 'Kingdom of the English', and the Norman Conquest—locating them in the process within a comparative, Europe-wide setting—this book offers important new contributions to Anglo-Saxon studies, legal and documentary history, papal history, and the study of early medieval Europe more widely.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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In Living under the Evil Pope (Brill, 2019), Martina Mampieri presents the Hebrew Chronicle of Pope Paul IV, written in the second half of the sixteenth century by the Italian Jewish moneylender Benjamin Neḥemiah ben Elnathan (alias Guglielmo di Diodato) from Civitanova Marche. The text remained in manuscript for about four centuries until the Galician scholar Isaiah Sonne (1887-1960) published a Hebrew annotated edition of the chronicle in the 1930s. This remarkable source offers an account of the events of the Papal States during Paul IV's pontificate (1555-59). Making use of broad archival materials, Martina Mampieri reflects on the nature of this work, its historical background, and contents, providing a revised edition of the Hebrew text as well as the first unabridged English translation and commentary.

Martina Mampieri has been granted a special mention of excellence in the Alberigo Award 2021 by the European Academy of Religion and Fondazione per le Scienze Religiose.

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Michael Kochenash published his revised dissertation from Claremont School of Theology as Roman Self-Representation and the Lukan Kingdom of God (Lexington Books/Fortress Academic) in 2020. A student of Dennis R. MacDonald, Kochenash has continued to pursue a similar brand of mimetic criticism as his Doktorvater—that is, a branch of source criticism that sees the composition of early Christian and Jewish narratives as deliberate reconfigurations, imitations, and subversions of existing Greco-Roman cultural stories, models, and ideologies of the elite, governing class—with excellent results. Although the positionality of author to empire is more complex than can be characterized in a convenient soundbite, Kochenash argues that the Gospel of Luke and the Acts of the Apostles were written in part from their author’s narrative opposition to certain facets of Roman imperial logic, particularly those expressed in the recorded deeds of Augustus, propaganda spread through numismatic evidence, and in Virgil’s Aeneid, among other places, chiefly to spread an inclusive, pro-Gentile, and universalizing salvific message about the Lukan Kingdom of God. Kochenash joined the New Books Network to discuss all these topics and more from his unique comparison of Luke-Acts to cultural and political themes known to the author that scholars have continued to remember as “Luke.”

Rob Heaton, this episode’s host, has also written a critical review of Kochenash’s book, forthcoming with Rhea Classical Reviews.

Michael Kochenash (Ph.D., Claremont, 2017) is a Radboud Excellence Initiative Fellow at Radboud University (Nijmegen, Netherlands) specializing in the New Testament and early Christian literature. He previously held teaching and research appointments in the United States and China. His research interprets early Christian and Jewish narratives as products of ancient Mediterranean literary production, with a special focus on their use of literary models from Jewish Scriptures and classical Greek literature. Among his previous publications are numerous journal articles and book chapters relating to Luke-Acts and other early Christian narratives, and he also co-edited Christian Origins and the New Testament in the Greco-Roman Context (Claremont Press, 2016), a Festschrift for Dennis MacDonald.

Rob Heaton (Ph.D., University of Denver, 2019) hosts Biblical Studies conversations for New Books in Religion and teaches New Testament, Christian origins, and early Christianity at Anderson University in Indiana. He recently authored The Shepherd of Hermas as Scriptura Non Grata: From Popularity in Early Christianity to Exclusion from the New Testament Canon (Lexington Books, 2023). For more about Rob and his work, please see his website at https://www.robheaton.com.

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Neil Tarrant challenges conventional thinking by looking at the longer history of censorship, considering a five-hundred-year continuity of goals and methods stretching from the late eleventh century to well into the sixteenth. Unlike earlier studies, Defining Nature's Limits: The Roman Inquisition and the Boundaries of Science (U Chicago Press, 2022) engages the history of both learned and popular magic. Tarrant explains how the church developed a program that sought to codify what was proper belief through confession, inquisition, and punishment and prosecuted what they considered superstition or heresy that stretched beyond the boundaries of religion. These efforts were continued by the Roman Inquisition, established in 1542. Although it was designed primarily to combat Protestantism, from the outset the new institution investigated both practitioners of “illicit” magic and inquiries into natural philosophy, delegitimizing certain practices and thus shaping the development of early modern science. Describing the dynamics of censorship that continued well into the post-Reformation era, Defining Nature's Limits is revisionist history that will interest scholars of the history of science, the history of magic, and the history of the church alike.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.

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Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities. 

Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub.

Caleb Zakarin is the Assistant Editor of the New Books Network.

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The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became a living legend.

But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil’s most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil’s dying wish that it be destroyed.

In Vergil: The Poet's Life (Yale UP, 2023), Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil’s own writings in an endeavor to reconstruct his life and personality. Through her intimate knowledge of Vergil’s work, she evokes the image of a poet who was committed to creating something astonishingly new and memorable, even at great personal cost.

Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History.

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Early in the third century, a small group of Greek Christians began to gain prominence and legitimacy as intellectuals in the Roman Empire. Examining the relationship that these thinkers had with the broader Roman intelligentsia, Jared Secord contends that the success of Christian intellectualism during this period had very little to do with Christianity itself.

With the recognition that Christian authors were deeply engaged with the norms and realities of Roman intellectual culture, Secord examines the thought of a succession of Christian literati that includes Justin Martyr, Tatian, Julius Africanus, and Origen, comparing each to a diverse selection of his non-Christian contemporaries. Reassessing Justin’s apologetic works, Secord reveals Christian views on martyrdom to be less distinctive than previously believed. He shows that Tatian’s views on Greek culture informed his reception by Christians as a heretic. Finally, he suggests that the successes experienced by Africanus and Origen in the third century emerged as consequences not of any change in attitude toward Christianity by imperial authorities but of a larger shift in intellectual culture and imperial policies under the Severan dynasty.

Original and erudite, Christian Intellectuals and the Roman Empire: From Justin Martyr to Origen (Penn State UP, 2020) demonstrates how distorting the myopic focus on Christianity as a religion has been in previous attempts to explain the growth and success of the Christian movement. It will stimulate new research in the study of early Christianity, classical studies, and Roman history.

Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History.

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Italian courts and churches began employing castrato singers in the late sixteenth century. By the eighteenth century, the singers occupied a celebrity status on the operatic stage. Constructed through surgical alteration and further modified by rigorous training, castrati inhabited human bodies that had been “mechanized” to produce sounds in ways that unmechanized bodies could not. The voices of these technologically enhanced singers, with their unique timbre, range, and strength, contributed to a dramatic expansion of musical vocabulary and prompted new ways of imagining sound, the body, and personhood. 

Connecting sometimes bizarre snippets of history, this multi-disciplinary book moves backward and forward in time, deliberately troubling the meaning of concepts like “technology” and “human.” Voice Machines: The Castrato, the Cat Piano, and Other Strange Sounds (U Chicago Press, 2023) attends to the ways that early modern encounters and inventions—including settler colonialism, emergent racialized worldviews, the printing press, gunpowder, and the telescope—participated in making castrati. In Bonnie Gordon’s revealing study, castrati serve as a critical provocation to ask questions about the voice, the limits of the body, and the stories historians tell.

Nathan Smith is a PhD candidate in Music Theory at Yale University. Email: [email protected]

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In the generation after Constantine the Great elevated Christianity to a dominant position in the Roman Empire, his nephew, the Emperor Julian, sought to reinstate the old gods to their former place of prominence--in the face of intense opposition from the newly powerful Christian church. In early 363 c.e., while living in Syrian Antioch, Julian redoubled his efforts to hellenize the Roman Empire by turning to an unlikely source: the Jews. With a war against Persia on the horizon, Julian thought it crucial that all Romans propitiate the true gods and gain their favor through proper practice. To convince his people, he drew on Jews, whom he characterized as Judeans, using their scriptures, institutions, practices, and heroes sometimes as sources for his program and often as models to emulate. 

In The Specter of the Jews: Emperor Julian and the Rhetoric of Ethnicity in Syrian Antioch (U California Press, 2018), Ari Finkelstein examines Julian's writings and views on Jews as Judeans, a venerable group whose religious practices and values would help delegitimize Christianity and, surprisingly, shape a new imperial Hellenic pagan identity.

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The fastest-rising force in Italian politics is Giorgia Meloni's Fratelli d'Italia - a party with a direct genealogy from Mussolini's regime. Surging to prominence in recent years, it has waged a fierce culture war against the Left, polarised political debate around World War II, and even secured the largest vote share in Italy's 2022 general election. Eighty years after the fall of Mussolini, his heirs, and admirers are again on the brink of taking power. So how exactly has this situation come about?

Mussolini's Grandchildren: Fascism in Contemporary Italy (Pluto Press, 2023) delves into Italy's self-styled 'post-fascist' movements - rooted in historical fascism yet claiming to have 'transcended' it. David Broder highlights the reinventions of far-right politics since the Second World War and examines the interplay between a parliamentary face aimed at integrating fascists into the mainstream and militant fringe groups which, despite their extremism, play an important role in nurturing the broader far right.

Fratelli d'Italia has retained its hegemony over fascist subcultures whilst embracing a raft of more pragmatic policy positions, fusing harsh Islamophobia and anti-communism with support for the European Union and NATO. As countervailing anti-fascist forces in Italian society wane, the far-right party's mission to redeem historical fascism, legitimize its political heirs, and shift the terrain of mainstream politics is proving alarmingly successful.

David Broder is a historian of the Italian far-right. He is a regular contributor to the New Statesman and Internazionale, writing about Italian politics, as well as Europe editor for Jacobin. His writing has also appeared in the New York Times, the Guardian, the Independent, New Left Review and Tribune. He is the author of The Rebirth of Italian Communism: Dissident Communists in Rome, 1943-44 and First They Took Rome: How the Populist Right Conquered Italy.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.

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Focusing on gender relations, family formation, and marriage patterns in areas peripheral to the England, France, and the Holy Roman Empire, Christian Raffensperger and Joanna Drell argue for a more inclusive understanding of medieval Europe. Their conversation dwells on Kyivan Rus and Norman Salerno in the eleventh and twelfth centuries, but also the present state of medieval history and the importance of thinking beyond Western Europe and talking across language and geographical divides. Raffensperger is author of Reimagining Europe: Kievan Rus in the Medieval World, 988-1146 (Harvard UP, 2012). Joanna Drell is the author of Kinship and Conquest: Family Strategies in the Principality of Salerno during the Norman Period, 1077-1194 (Cornell UP, 2002). Her recent article “The Luxuriant Southern Scene: Textiles as Reflections of Power in the Kingdom of Southern Italy and Sicily” is also a focus of conversation. It is published in Mapping Pre-Modern Sicily: Maritime Violence, Cultural Exchange, and Imagination in the Mediterranean, 800-1700.

Stephen V. Bittner is Special Topics Editor at Kritika: Explorations in Russian and Eurasian History and Professor of History at Sonoma State University.

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The province of Grosseto in southern Tuscany shows two extremes in the treatment of Italian and foreign Jews during the Holocaust. To the east of the province, the Jews of Pitigliano, a four hundred-year-old community, were hidden for almost a year by sympathetic farmers in barns and caves. None of those in hiding were arrested and all survived the Fascist hunt for Jews. In the west, near the provincial capital of Grosseto, almost a hundred Italian and foreign Jews were imprisoned in 1943–1944 in the bishop's seminary, which he had rented to the Fascists for that purpose. About half of them, though they had thought that the bishop would protect them, were deported with his knowledge by Fascists and Nazis to Auschwitz. Thus, the Holocaust reached into this provincial corner as it did into all parts of Italy still under Italian Fascist control. Judith Roumani's Jews in Southern Tuscany During the Holocaust (Lexington Books, 2020) is based on new interviews and research in local and national archives.

Judith Roumani is founder and director of the Jewish Institute of Pitigliano.

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Simona Berhe and Olindo de Napoli's Citizens and Subjects of the Italian Colonies: Legal Constructions and Social Practices, 1882-1943 (Routledge, 2021) is the first book on Italian colonialism that specifically deals with the question of citizenship/subjecthood. Such a topic is crucial for understanding both Italian imperial rule and the complex dynamics of the different colonial societies where several actors, like notables, political leaders, minorities, etc., were involved.

The chapters gathered in the book constitute an unprecedented account of a heterogeneous geographical area. The cases of Eritrea, Libya, Dodecanese, Ethiopia, and Albania confirm that citizenship and subjecthood in the colonial context were ductile political tools, which were structured according to the orientations of the Metropole and the challenges that came from the colonial societies, often swinging between submission, cooptation to the colonial power, and resistance.

On one hand, the book offers an account of the different policies of citizenship implemented in the Italian colonies, in particular the construction of gradated forms of citizenship, the repression and expulsion of dissidents, the systems of endearment of local people and cooptation of the elites, and the racialization of legal status. On the other, it deals with the various answers coming from the local populations in terms of resistance, negotiation, and construction of social identity.

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A new account of the Mediterranean economy in the 10th to 12th centuries, forcing readers to entirely rethink the underlying logic to medieval economic systems. Chris Wickham re-examines documentary and archaeological sources to give a detailed account of both individual economies, and their relationships with each other.

Chris Wickham offers a new account of the Mediterranean economy in the tenth to twelfth centuries, based on a completely new look at the sources, documentary and archaeological. Our knowledge of the Mediterranean economy is based on syntheses which are between 50 and 150 years old; they are based on outdated assumptions and restricted data sets, and were written before there was any usable archaeology; and Wickham contends that they have to be properly rethought.

The Donkey and the Boat: Reinterpreting the Mediterranean Economy, 950-1180 (Oxford UP, 2023) is the first book ever to give a fully detailed comparative account of the regions of the Mediterranean in this period, in their internal economies and in their relationships with each other. It focusses on Egypt, Tunisia, Sicily, the Byzantine empire, Islamic Spain and Portugal, and north-central Italy, and gives the first comprehensive account of the changing economies of each; only Byzantium has a good prior synthesis. It aims to force our rethinking of how economies worked in the medieval Mediterranean. It also offers a rethinking of how we should understand the underlying logic of the medieval economy in general.

Chris Wickham is Chichele Professor of medieval history emeritus at University of Oxford.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.

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The Great Schism divided Western Christianity between 1378 and 1417. Two popes and their courts occupied the see of St. Peter, one in Rome, and one in Avignon. Traditionally, this event has received attention from scholars of institutional history. In The Great Western Schism, 1378-1417: Performing Legitimacy, Performing Unity (Cambridge UP, 2022), by contrast, Joëlle Rollo-Koster investigates the event through the prism of social drama. Marshalling liturgical, cultural, artistic, literary and archival evidence, she explores the four phases of the Schism: the breach after the 1378 election, the subsequent division of the Church, redressive actions, and reintegration of the papacy in a single pope. Investigating how popes legitimized their respective positions and the reception of these efforts, Rollo-Koster shows how the Schism influenced political thought, how unity was achieved, and how the two capitals, Rome and Avignon, responded to events. Rollo-Koster's approach humanizes the Schism, enabling us to understand the event as it was experienced by contemporaries.

Joëlle Rollo-Koster is Professor of Medieval History at the University of Rhode Island. A scholar of the Avignon papacy, she is the author of Avignon and its Papacy, 1309–1417: Popes, Institutions, and Society and Raiding Saint Peter. In 2016, she was made Chevalier de l'Ordre des Palmes Académiques.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.

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The fiftieth anniversary of Helvetica, the most famous of all sans serif typefaces, was celebrated with an excitement unusual in the staid world of typography and culminated in the release of the first movie ever made starring a typeface. Yet Helvetica's fifty-year milestone pales in comparison with the two thousandth anniversary in 2014 of Trajan's Column and its famous inscription--the preeminent illustration of the classical Roman capital letter. For, despite the modern ascendance of the sans serif, serif typefaces, most notably Times Roman, still dominate printed matter and retain a strong presence in screen-based communication. The Eternal Letter is a lavishly illustrated examination of the enduring influence of, and many variations on, the classical Roman capital letter.

The Eternal Letter offers a series of essays by some of the most highly regarded practitioners in the fields of typography, lettering, and stone carving. They discuss the subtleties of the classical Roman capital letter itself, different iterations of it over the years, and the work of famous typographers and craftsmen. The essays cover such topics as efforts to calculate a geometric formulation of the Trajan letters; the recalculation of their proportions by early typefounders; the development and astonishing popularity of Adobe Trajan; type and letter designs by Father Edward M. Catich, Frederic W. Goudy, Eric Gill, Jan van Krimpen, Hermann Zapf, Matthew Carter, and others; the influence of Trajan in Russia; and three generations of lettercarvers at the John Stevens Shop in Newport, Rhode Island. Essays about modern typefaces--including Matinia, Senatus, and Penumbra--are contributed by the designers of these typefaces.

Paul Shaw, an award-winning graphic designer, typographer, and calligrapher in New York City, teaches at Parsons School of Design and the School of Visual Arts. The designer or codesigner of eighteen typefaces, he is the coauthor of Blackletter: Type and National Identity and the author of Helvetica and the New York City Subway System (MIT Press). He writes about letter design in the blog Blue Pencil.

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Samuel David Luzzatto (1800-1865), known by his Hebrew acronym, Shadal, was the leading Italian Jewish scholar of the 19th century. Now, for the first time, an all-English version of Shadal's text translation and unabridged commentary of the book of Numbers, Bemidbar, is available through Kodesh Press. Luzzatto's work was translated and edited by Daniel A. Klein, who also offers copious explanatory notes as well as two appendices, offering translations of Shadal's poetry and letters. Tune in as we speak with Daniel Klein about his recent publication, Shadal on Numbers: Samuel David Luzzatto's Interpretation of the Book of Bemidbar (2023).

Daniel A. Klein is an attorney and legal writer, and a graduate of Yeshiva University and New York University School of Law. His study of Italian as a youthful hobby led to a fascination with Italian Jewish culture and, in particular, the works of Shadal (Samuel David Luzzatto).He and his wife live in Rochester, New York, where he has taught Judaic studies at elementary, high school, and adult levels. Through Kodesh Press, Daniel has also translated Shadal's commentaries on Genesis (2019), Exodus (2015), and Leviticus (2020).

Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus (Peeters, 2012), Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus (IVP Academic, 2015), and Exodus Old and New: A Biblical Theology of Redemption (IVP Academic, 2020). He can be reached at [email protected]

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In the winter of 1873, Nissim Shamama, a wealthy Jew from Tunisia, died suddenly in his palazzo in Livorno, Italy. His passing initiated a fierce lawsuit over his large estate. Before Shamama’s riches could be disbursed among his aspiring heirs, Italian courts had to decide which law to apply to his estate—a matter that depended on his nationality. Was he an Italian citizen? A subject of the Bey of Tunis? Had he become stateless? Or was his Jewishness also his nationality? Tracing a decade-long legal battle involving Jews, Muslims, and Christians from both sides of the Mediterranean, The Shamama Case: Contesting Citizenship Across the Modern Mediterranean (Princeton UP, 2022) offers a riveting history of citizenship across regional, cultural, and political borders.

On its face, the crux of the lawsuit seemed simple: To which state did Shamama belong when he died? But the case produced hundreds of pages in legal briefs and thousands of dollars in lawyers’ fees before the man’s estate could be distributed among his quarrelsome heirs. Jessica Marglin follows the unfolding of events, from Shamama’s rise to power in Tunis and his self-imposed exile in France, to his untimely death in Livorno and the clashing visions of nationality advanced during the lawsuit. Marglin brings to life a Dickensian array of individuals involved in the case: family members who hoped to inherit the estate; Tunisian government officials; an Algerian Jewish fixer; rabbis in Palestine, Tunisia, and Livorno; and some of Italy’s most famous legal minds.

Drawing from a wealth of correspondence, legal briefs, rabbinic opinions, and court rulings, The Shamama Case reimagines how we think about Jews, the Mediterranean, and belonging in the nineteenth century.

Geraldine Gudefin is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University’s Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.

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In this episode, I was joined by Nicholas Scott Baker to discuss his book, In Fortune’s Theater: Financial Risk and the Future in Renaissance Italy (Cambridge University Press, 2021). Professor Baker is an Associate Professor of history at Macquarie University in Sydney Australia interested in the political and economic cultures of early modern Europe and the Mediterranean, with a particular focus on Renaissance Italy.

In this fascinating new book, Professor Baker reveals how Renaissance Italians developed a new concept of the future as unknown time-yet-to-come. As In Fortune’s Theater makes clear, nearly everyone in Renaissance Italy seemingly had the future on their minds. Authorities in important commercial hubs such as Genoa, Venice, Rome, and Florence legislated against overzealous betting on the future. Merchants filled their commercial correspondence with a lexicon of futurity. Famed painters such as Caravaggio, Giorgio Vasari, and Paolo Veronese manipulated the existing iconography of the figure of Fortuna into a moral allegory about unseized opportunity. And seemingly every important Renaissance Italian intellectual including Petrarch, Dante, Christine de Pizan, Poggio Bracciolini, Leon Battista Alberti, Laura Cereta, Giovanni Pontano, Niccolò Machiavelli, Francesco Guicciardini, and Baldassare Castiglione cared deeply about time-yet-to-come.

Baker’s book is a rich, multilayered examination of the problems of risk, fortune, and the future in the Renaissance, and it should have broad appeal to anyone interested in the economic and political culture of early modern Europeans.

Michael Paul Martoccio is an Assistant Professor of History at the University of Wisconsin-Madison specializing in the economic and military historian of the early modern Mediterranean. I am especially interested in how early modern economic practices – consumerism, market culture, and the commercialization of war – shaped notions of sovereignty, territoriality, and political geography. If you have a title to suggest for this podcast, please contact him at [email protected].

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The remarkable, and permanently influential, papal history known as the Liber pontificalis shaped perceptions and the memory of Rome, the popes, and the many-layered past of both city and papacy within western Europe. In Rome and the Invention of the Papacy: The Liber Pontificalis (Cambridge University Press, 2020), Dr. Rosamond McKitterick offers a new analysis of this extraordinary combination of historical reconstruction, deliberate selection and political use of fiction, to illuminate the history of the early popes and their relationship with Rome. She examines the content, context, and transmission of the text, and the complex relationships between the reality, representation, and reception of authority that it reflects.

The Liber pontificalis presented Rome as a holy city of Christian saints and martyrs, as the bishops of Rome established their visible power in buildings, and it articulated the popes' spiritual and ministerial role, accommodated within their Roman imperial inheritance. Drawing on wide-ranging and interdisciplinary international research, Rome and the Invention of the Papacy offers pioneering insights into the evolution of this extraordinary source, and its significance for the history of early medieval Europe.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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After the turbulent years of the Napoleonic Wars and the Congress of Vienna’s attempt to guarantee peace and stability across Europe, a new revolutionary movement emerged in the southern peripheries of the continent. 

In Southern Europe in the Age of Revolutions (Princeton University Press, 2023) Dr. Maurizio Isabella examines the historical moment in the 1820s when a series of simultaneous uprisings took the quest for constitutional government to Portugal, Spain, the Italian peninsula, Sicily and Greece. Dr. Isabella places these events in a broader global revolutionary context and, decentering conventional narratives of the origins of political modernity, reveals the existence of an original popular constitutional culture in southern Europe.

Dr. Isabella looks at the role played by secret societies, elections, petitions, protests and the experience of war as well as the circulation of information and individuals across seas and borders in politicising new sectors of society. By studying the mobilisation of the army, the clergy, artisans, rural communities and urban populations in favour of or against the revolutions, he shows that the uprisings in the South—although their ultimate fate was determined by the intervention of more powerful foreign countries—enjoyed considerable popular support in ideologically divided societies and led to the introduction of constitutions. Isabella argues that these movements informed the political life of Portugal and Spain for many decades and helped to forge a long-lasting revolutionary tradition in the Italian peninsula. The liberalism that emerged as a popular political force across southern Europe, he contends, was distinct from French and British varieties.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Today, fighting with dagger versus dagger, or with knife versus knife, is not a common scenario that people might expect to face. However, it was more common in the Middle Ages and in the Renaissance, when it was normal for people to wear a dagger on their belt. Arguments or fights with daggers could break out; and while duels were more often fought with swords, combatants could also agree to do so with daggers.

Carlo Parisi's Dagger Fencing: The Italian School (Fallen Rook, 2016)is not a book on modern knife fighting; rather, it is a book dealing with the historical knife fighting of Renaissance Italy. The modern blade aficionado will also find material of interest. The book offers several views of short bladed weapons that were developed and tested when cold steel was the king of weaponcraft and when duels were more common than today.

Carlo Parisi was born in Northern Italy in 1974. He has always been interested in weapons and martial arts, and the two met in Historical Fencing, which he began practising in roughly 1998. A few years later, he started doing his own research, and became a member of HEMAC in 2003. Since then, he's been teaching classes at various events in Europe, and set up his own club in 2011. His main interests are sabres and daggers, but he studies a variety of weapons and methods. This is his first book on fencing.

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On the centenary of the fascist party's ascent to power in Italy, Curating Fascism: Exhibitions and Memory from the Fall of Mussolini to Today (Bloomsbury, 2022) examines the ways in which exhibitions organised after the fall of Mussolini's regime to the present day have shaped collective memory, historical narratives, and political discourse around the Italian ventennio. It charts how shows on fascism have evolved since the postwar period in Italy, explores representations of Italian fascism in exhibitions across the world, and highlights blindspots in art and cultural history, as well as in exhibition practices. 

Curating Fascism treats fascism as both a historical moment and a major paradigm through which critics, curators, and the public at large have defined the present moment. It interweaves historical perspectives, critical theory, and direct accounts of exhibitions from the people who conceived them or responded to them most significantly in order to examine the main curatorial strategies, cultural relevance, and political responsibility of art exhibitions focusing on the Fascist period. 

Sharon Hecker and Raffaele Bedarida speak to Pierre d'Alancaisez about the role which post-war exhibitions played in shaping our understandings of Italian Modernist art's relationship with Fascism, their contested curatorial and art historical strategies, and the continuing difficulty of reading political signs in aesthetics. 

• Post Zang Tumb Tuuum at Fondazione Prada
• Maaza Mengiste's Project 3541

On 'fascism' in contemporary art: Larne Abse Gogarty. ‘The Art Right’. Art Monthly, April 2017. Read and weep.

Sharon Hecker is an art historian and curator specializing in modern and contemporary Italian art. She is the author of A Moment’s Monument: Medardo Rosso and the International Origins of Modern Sculpture, and co-editor of Postwar Italian Art History: Untying the Knot and Lead in Modern and Contemporary Art . For her work on Italian art, Hecker has received fellowships from the Getty, Fulbright, and Mellon Foundations.

Raffaele Bedarida is Associate Professor of Art History at Cooper Union, USA. An art historian specializing in transnational modernism and politics, Bedarida focuses on cultural diplomacy, migration, and cultural exchange between Italy and the United States. He is the author of Corrado Cagli: La pittura, l’esilio, L’America and Exhibiting Italian Art in the United States from Futurism to Arte Povera. Bedarida has received fellowships from the Center for Italian Modern Art and the Terra Foundation for American Art.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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In 1578, a fourteen-foot linen sheet bearing the faint bloodstained imprint of a human corpse was presented to tens of thousands of worshippers in Turin, Italy, as one of the original shrouds used to prepare Jesus Christ’s body for entombment. From that year into the next century, the Shroud of Turin emerged as Christianity’s preeminent religious artifact. In an unprecedented new look, Andrew R. Casper sheds new light on one of the world’s most famous and controversial religious objects.

Since the early twentieth century, scores of scientists and forensic investigators have attributed the Shroud’s mysterious images to painterly, natural, or even supernatural forces. Casper, however, shows that this modern opposition of artifice and authenticity does not align with the cloth’s historical conception as an object of religious devotion. Examining the period of the Shroud’s most enthusiastic following, from the late 1500s through the 1600s, he reveals how it came to be considered an artful relic―a divine painting attributed to God’s artistry that contains traces of Christ’s body. Through probing analyses of materials created to perpetuate the Shroud’s cult following―including devotional, historical, and theological treatises as well as printed and painted reproductions―Casper uncovers historicized connections to late Renaissance and Baroque artistic cultures that frame an understanding of the Shroud’s bloodied corporeal impressions as an alloy of material authenticity and divine artifice.

Andrew R. Casper's book An Artful Relic: The Shroud of Turin in Baroque Italy (Pennsylvania State UP, 2021) introduces rich, new material about the Shroud’s emergence as a sacred artifact. It will appeal to art historians specializing in religious and material studies, historians of religion, and to general readers interested in the Shroud of Turin.

Andrew Casper is a professor of art history in the Department of Arts at Miami University

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.

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Costanzo Gioseffo Beschi was an Italian Jesuit who worked in South India from 1710 to 1747. A brilliant scholar of Tamil, his works include hymns, instructions for catechists, and a robust defense of the Catholic missionary approach. His most famous work is Tēmpāvaṇi (The Unfading Garland), an epic re-telling of the early life of Jesus, set in the context of the whole Biblical story, and surprisingly focused on St. Joseph, spouse of Mary and foster-father of Jesus. St. Joseph in South India argues that Beschi’s distinctively Catholic approach draws on methods already familiar in the Jesuit ethical and dramatic literature in post-Reformation Europe. Francis Xavier Clooney's Saint Joseph in South India: Poetry, Mission and Theology in Costanzo Gioseffo Beschi's Tēmpāvaṇi (Brill, 2022) includes a fresh translation of about 300 verses from Tēmpāvaṇi.

Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.

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A form at the origins of Western literature, the epic has always been theorized in contrast to other literary genres, those that would either perfect it (such as tragedy, according to Aristotle) or partially take its place, from the chivalric romance to the modern novel. 

Corrado Confalonieri's Torquato Tasso and the Desire for Unity: Jerusalem Delivered and a New Theory of the Epic (Torquato Tasso e il desiderio di unità: “La Gerusalemme liberata” e una nuova teoria dell’epica) critically traces three different historical phases in the theorization of the epic: the classical poetics of Aristotle and Horace, the debates about poetics and poets in sixteenth-century Italy, and Hegelian philosophy and later twentieth-century theories of literary genres. The point of theoretical and interpretative reference throughout the volume is Torquato Tasso’s epic poem Gerusalemme liberata (Jerusalem Delivered). The book’s final chapter undertakes a careful rereading of Tasso’s magnum opus that overcomes the traditional dichotomy between epic unity and novelistic variety by demonstrating how unity remains a desire rather than a result.

Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the histories of diplomacy and sociality. Her publications have appeared in The Italianist and the Routledge Encyclopedia of the Renaissance World, with forthcoming research on the intersections across affect, masculinity, early modern poetics, and Baroque opera. Email: [email protected].

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Monica Calabritto of Hunter College talks to us today about her new book, Murder and Madness on Trial: A Tale of True Crime from Early Modern Bologna, out this year, 2023 from Penn State University Press. On October 24, 1588, Paolo Barbieri murdered his wife, Isabella Caccianemici, stabbing her to death with his sword. Later, Pablo would claim to have acted in a fit of madness--but was he criminally insane or merely pretending to be? 

In this riveting book, Mònica Calabritto addresses this controversy by reconstructing Paolo's life, prosecution, and medical diagnoses. Skillfully combining archival documents unearthed throughout Italy, Calabritto brings to light the case of one person and his family as insanity ravaged their financial security, honor, and reputation. The very notion of insanity is as much on trial in Paolo's case as the defendant himself. A case study in the diagnosis of insanity in the early modern era, Barbieri's story reveals discrepancies between medical and legal definitions of a person's mental state at the time of a crime. Murder and Madness on Trial bridges the micro-historical dimensions of Paolo's murder case and the macro-historical perspectives on medical and legal evidence used to identify intermittent madness. A tragic and gripping tale, Murder and Madness on Trial allows readers to look "through a glass darkly" at early modern violence, madness, criminal justice, medical and legal expertise, and the construction and circulation of news. This erudite and engaging book will appeal to early modern historians and true crime fans alike.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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The Venice Arsenal: Between History, Heritage, and Re-Use (Routledge, 2022) reviews four decades of debate about restoring an industrial heritage site of inestimable value - the Venice Arsenal. Focusing on the challenges of economic, financial and institutional feasibility, it reveals how failing to address these aspects has undermined potential solutions from both technicians and heritage professionals.

With a deep connection to the city over centuries, the Arsenal was the very basis of La Serenissima's sea power, enabling its economic expansion. Later, it maintained a vital military function through shipbuilding until World War II. But the slow process of abandonment of the traditional site's uses and spaces continues to pose questions regarding its preservation and re-use. Drawing on original research from urban planners, architects and historians, the book provides a critical investigation into the organizational and managerial challenges of this unique site, and crucially, why so little has been achieved compared with potential opportunities.

Featuring numerous color photographs and exploring the particular challenges of restoration and re-use facing the Venice Arsenal, this insightful evaluation of the history of this site provides a uniquely informative case for the discipline of industrial heritage.

Luca Zan, a faculty member at the University of Bologna, teaches and researches in Arts management from different perspectives in Italy, the United States (Carnegie Mellon University, and China (China Academy of Fine Arts). His research has international comparative perspective with fieldwork in China, Turkey, Peru, Ecuador, and Europe. His contributions also include management and accounting in historical perspectives, particularly on the history of the Venice Arsenal.

He has been the author or coauthor of Managerial Rhetoric and Arts Organizations, 2006; The Management of Cultural Heritage in China, 2008; Managing Cultural Heritage, 2016; Heritage Sites in Contemporary China, 2018; The Venice Arsenal. Between History Heritage and Re-use, 2022.

Along side academic activities Zan is actively involved in the management of arts/heritage organizations. 

Bernardo Batiz-Lazo is currently straddling between Newcastle and Mexico City. You can find him on twitter on issues related to business history of banking, fintech, payments and other musings. Not always in that order. @BatizLazo

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Roman blogger and author Maria Pasquale introduces us to Rome’s incredible food through the city’s stories and its people.

The Eternal City is a maze of winding cobblestone streets, where ancient history waits at every turn. Within these storied laneways, Rome’s culinary traditions are honored and transformed by local chefs, pizza makers, cheesemongers, butchers, wine experts, bakers, and more – who make Rome one of the great food capitals of the world.

Maria share insights into the places where Romans eat every day, from the trattoria to the home kitchen, through the dishes that define these locations. With 70 recipes shared by iconic eateries, chefs, and Maria’s family and friends, The Eternal City: Recipes and Stories from Rome (Smith Street Books, 2023) is a love letter to Rome that takes you past the monuments, and into the lives of modern-day Romans. This is an invitation to their tables. Embrace la dolce vita and pull up a chair.

Interview by Laura Goldberg, longtime food blogger at Vittlesvamp.com.

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Christopher Celenza is one of the foremost contemporary scholars of the Renaissance. His ambitious new book The Italian Renaissance and the Origin of the Humanities: An Intellectual History, 1400-1800 (Cambridge UP, 2021) focuses on the body of knowledge which we now call the humanities, charting its roots in the Italian Renaissance and exploring its development up to the Enlightenment. Beginning in the fifteenth century, the author shows how thinkers like Lorenzo Valla and Angelo Poliziano developed innovative ways to read texts closely, paying attention to historical context, developing methods to determine a text's authenticity, and taking the humanities seriously as a means of bettering human life. Alongside such novel reading practices, technology – the invention of printing with moveable type – fundamentally changed perceptions of truth. Celenza also reveals how luminaries like Descartes, Diderot, and D'Alembert – as well as many lesser-known scholars – challenged traditional ways of thinking. Celenza's authoritative narrative demonstrates above all how the work of the early modern humanist philosophers had a profound impact on the general quest for human wisdom. His magisterial volume will be essential reading for all those who value the humanities and their fascinating history.

Professor Christopher S. Celenza is the James B. Knapp Dean of the Krieger School of Arts and Sciences. He is also a professor of history and classics.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.

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A Female Apostle in Medieval Italy: The Life of Clare of Rimini (U Pennsylvania Press, 2022) centers on a fascinating woman, Clare of Rimini (c. 1260 to c. 1324–29), whose story is preserved in a fascinating text. Composed by an anonymous Franciscan, the Life of the Blessed Clare of Rimini is the earliest known saint’s life originally written in Italian, and one of the few such lives to be written while its subject was still living. It tells the story of a controversial woman, set against the background of her roiling city, her star-crossed family, and the tumultuous political and religious landscape of her age.

Twice married, twice widowed, and twice exiled, Clare established herself as a penitent living in a roofless cell in the ruins of the Roman walls of Rimini. She sought a life of solitary self-denial, but was denounced as a demonic danger by local churchmen. Yet she also gained important and influential supporters, allowing her to establish a fledgling community of like-minded sisters. She traveled to Assisi, Urbino, and Venice, spoke out as a teacher and preacher, but also suffered a revolt by her spiritual daughters.

A Female Apostle in Medieval Italy presents the text of the Life in English translation for the first time, bringing modern readers into Clare’s world in all its excitement and complexity. Each chapter opens a different window into medieval society, exploring topics from political power to marriage and sexuality, gender roles to religious change, pilgrimage to urban structures, sanctity to heresy. Through the expert guidance of scholars and translators Jacques Dalarun, Sean L. Field, and Valerio Cappozzo, Clare’s life and context become a springboard for readers to discover what life was like in a medieval Italian city.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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When Pope Pius XII died in 1958, his papers were sealed in the Vatican Secret Archives, leaving unanswered questions about what he knew and did during World War II. Those questions have only grown and festered, making Pius XII one of the most controversial popes in Church history, especially now as the Vatican prepares to canonize him.

In 2020, Pius XII’s archives were finally opened, and David I. Kertzer—widely recognized as one of the world’s leading Vatican scholars—has been mining this new material ever since, revealing how the pope came to set aside moral leadership in order to preserve his church’s power.

Based on thousands of never-before-seen documents not only from the Vatican, but from archives in Italy, Germany, France, Britain, and the United States, The Pope at War: The Secret History of Pius XII, Mussolini, and Hitler (Random House, 2022) paints a new, dramatic portrait of what the pope did and did not do as war enveloped the continent and as the Nazis began their systematic mass murder of Europe’s Jews. The book clears away the myths and sheer falsehoods surrounding the pope’s actions from 1939 to 1945, showing why the pope repeatedly bent to the wills of Hitler and Mussolini.

Just as Kertzer’s Pulitzer Prize–winning The Pope and Mussolini became the definitive book on Pope Pius XI and the Fascist regime, The Pope at War is destined to become the most influential account of his successor, Pius XII, and his relations with Mussolini and Hitler. Kertzer shows why no full understanding of the course of World War II is complete without knowledge of the dramatic, behind-the-scenes role played by the pope.

Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at [email protected]. She's on Twitter @embracingwisdom. She blogs here.

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Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles also known as the long ’68.

Italian Political Cinema: Figure of the Long '68 (U Minnesota Press, 2023) conjures a multifaceted, complex portrayal of Italian society. Centered on emblematic figures in Italian cinema, it maps the currents of antagonism and repression that defined this period in the country’s history. Resmini explores how film imagined the possibilities, obstacles, and pitfalls that characterized the Italian long ’68 as a moment of crisis and transition. From workerism to autonomist Marxism to feminism, this book further expands the debate on political cinema with a critical interpretation of influential texts, some of which are currently only available in Italian.

A comprehensive and novel redefinition of political film, Italian Political Cinema introduces its audience to lesser-known directors alongside greats such as Pasolini, Bertolucci, Antonioni, and Bellocchio. Resmini offers access to untranslated work in Italian philosophy, political theory, and film theory, and forcefully advocates for the continued artistic and political relevance of these films in our time.

Mauro Resmini is associate professor of cinema and media studies and Italian at the University of Maryland, College Park.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.

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In her debut memoir and cookbook, Susan Gravely celebrates 40 years as Founder and Creative Director of VIETRI.

In Italy on a Plate: Travels, Memories, Menus (Vietri Publishing, 2023), she shares the beginnings of VIETRI, a lifestyle brand of Italian artisan-crafted dinnerware and home and garden accessories. The company was founded in 1983 by Lee Gravely and her daughters, Susan and Frances, after a family trip to Italy where they fell in love with the colorful handpainted Italian dinnerware of the Amalfi Coast.

Introducing readers to her professional and personal journey, Italy on a Plate is Gravely’s exploration into what makes Italy so magical: its staggering beauty, unparalleled style, artistic legacy, and incredible food. The close friends Gravely has made during her years of Italian travel have graciously shared their homes and their favorite family recipes, and this book gives a culinary tour of Italy's flavors with recipes you will enjoy with loved ones for years to come.

Interview by Laura Goldberg, longtime food blogger at Vittlesvamp.com.

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Helen Solterer and Vincent Joos edited volume Migrants Shaping Europe, Past and Present: Multilingual Literatures, Arts, and Cultures (Manchester UP, 2022) examines the sustained contribution of migrants to Europe’s literatures, social cultures, and arts over centuries. Europe has never been a continent bounded by the seas that surround it. In premodern times, migrants imprinted the languages, arts, and literatures of the places where they settled. They contributed to these cultures and economies. Some were on the move in search of a better life; others were displaced by war, dispossessed, expelled; while still others were brought in servitude to European cities to work, enslaved.

Today’s immigration flows in Europe are not exceptional but anchored in this longue durée process. Iberia/Maghreb, Sicily/Lampedusa, Calais are the three hotspots considered in this volume. These regions have been shaped and continue to be shaped by migrants; by their cultures; their Spanish, Arabic, Italian, and Somali; their French, English and Mandarin languages. They are also shaped by migrants’ struggles. The scholars and artists who wrote Migrants Shaping Europe, Past and Present compose a new significant chapter in the cultural history of European migration by reflecting on the forces that have put people into motion since the premodern period and by examining the visual arts, literature, and multilingual social worlds fostered by migration. This historically expansive and multilingual approach to mobility and expressiveness makes a crucial contribution: migrants as a lifeblood of European cultures.

Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the histories of diplomacy and sociality. Her publications have appeared in The Italianist and the Routledge Encyclopedia of the Renaissance World, with forthcoming research on the intersections across affect, masculinity, early modern poetics, and Baroque opera. Email: [email protected].

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Since the late twentieth century, the Venetian courtesan Veronica Franco has been viewed as a triumphant proto-feminist icon: a woman who celebrated her sexuality, an outspoken champion of women and their worth, and an important intellectual and cultural presence in sixteenth-century Venice.

In Veronica Franco in Dialogue (U Toronto Press, 2022), Marilyn Migiel provides a nuanced account of Franco’s rhetorical strategies through a close analysis of her literary work. Focusing on the first fourteen poems in the Terze rime, a collection of Franco’s poems published in 1575, Migiel looks specifically at back-and-forth exchanges between Franco and an unknown male author. Migiel argues that in order to better understand what Franco is doing in the poetic collection, it is essential to understand how she constructs her identity as author, lover, and sex worker in relation to this unknown male author.

Veronica Franco in Dialogue accounts for the moments of ambivalence, uncertainty, and indirectness in Franco’s poetry, as well as the polemicism and assertions of triumph. In doing so, it asks readers to consider their ideological investments in the stories we tell about early modern female authors and their cultural production.

Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the histories of diplomacy and sociality. Her publications have appeared in The Italianist and the Routledge Encyclopedia of the Renaissance World, with forthcoming research on the intersections across affect, masculinity, early modern poetics, and Baroque opera. Email: [email protected].

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Today I talked to Kenneth R. Stow about his book Anna and Tranquillo: Catholic Anxiety and Jewish Protest in the Age of Revolutions (Yale UP, 2016).

After being seized by the papal police in Rome in May 1749, Anna del Monte, a Jew, kept a diary detailing her captors' efforts over the next thirteen days to force her conversion to Catholicism. Anna's powerful chronicle of her ordeal at the hands of authorities of the Roman Catholic Church, originally circulated by her brother Tranquillo in 1793, receives its first English-language translation along with an insightful interpretation by Kenneth Stow of the incident's legal and historical significance. Stow's analysis of Anna's dramatic story of prejudice, injustice, resistance, and survival during her two-week imprisonment in the Roman House of Converts--and her brother's later efforts to protest state-sanctioned, religion-based abuses--provides a detailed view of the separate forces on either side of the struggle between religious and civil law in the years just prior to the massive political and social upheavals in America and Europe.

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Thomas Kuehn, Professor Emeritus at Clemson University talks about his new book, Patrimony and Law in Renaissance Italy (Cambridge University Press, 2022) and share's the knowledge produced in a long and fruitful career. Family was a central feature of social life in Italian cities. In the Renaissance, jurists, humanists, and moralists began to theorize on the relations between people and property that formed the 'substance' of the family and what held it together over the years. Family property was a bundle of shared rights. This was most evident when brothers shared a household and enterprise, but it also faced overlapping claims from children and wives which the paterfamilias had to recognize. Thomas Kuehn explores patrimony in legal thought, and how property was inherited, managed and shared in Renaissance Italy. Managing a patrimony was not a simple task. This led to a complex and active conceptualization of shared rights, and a conscious application of devices in the law that could override liabilities and preserve the group, or carve out distinct shares for each member. This wide-ranging volume charts the ever-present conflicts that arose and were a constant feature of family life.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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Jewish Flavours of Italy: A Family Cookbook (Green Bean Books, 2022) is a culinary journey through Italy and a deep dive into family culinary heritage. With more than 100 kosher recipes, Silvia offers readers a unique collection of authentic and traditional Italian-Jewish dishes, combined with stunning photography, practical tips, and clear explanations. With a delicious mix of recipes, family stories and history, Silvia offers a unique insight into centuries' old culinary traditions.

Discover recipes from everyday home-cooked meals to special celebration menus for Jewish holidays. Highlights include recipes such as pasta e fagioli (borlotti bean soup), family favorites such as melanzane alla parmigiana (eggplant parmigiana), as well as delicious Jewish dishes such as Carciofi alla Giudia (Jewish-style fried artichokes), challah bread, and sarde in saor (Venetian sweet and sour sardines).

Silvia's extensive cooking repertoire combined with her life experiences means that her recipes and family stories are one-of-a-kind. She introduces the reader to soup, pasta, matzah, and risotto dishes, then moves on to meat, poultry, fish, and vegetable recipes. Silvia finishes with mouth-watering desserts such as orecchie di Amman (Haman's ears), Roman Jewish pizza ebraica (nut and candied fruit cakes) and sefra (aromatic semolina bake). Even the most sweet-toothed readers will be satisfied!

Each recipe is introduced by Silvia in a friendly and conversational tone that will get readers involved before they even get the chance to preheat the oven. Throughout the book, in-depth features highlight ingredients such as artichokes, zucchini flowers and eggplants. A personal touch shines through and provides a connection with the author. Silvia's enthusiastic and charming personality transforms this collection of recipes into a culinary experience that will be cherished by generations to come.

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Southern Italy was conquered by the Norman Hauteville dynasty in the late eleventh century after over five hundred years of continuous Byzantine rule. At a stroke, the region's Greek Christian inhabitants were cut off from their Orthodox compatriots in Byzantium and became subject to the spiritual and legal jurisdiction of the Roman Catholic popes. Nonetheless, they continued to follow the religious laws of the Byzantine church; out of thirty-six surviving manuscripts of Byzantine canon law produced between the tenth and fourteenth centuries, the majority date to the centuries after the Norman conquest.

James Morton's Byzantine Religious Law in Medieval Italy (Oxford UP, 2021) is a historical study of these manuscripts, exploring how and why the Greek Christians of medieval southern Italy persisted in using them so long after the end of Byzantine rule. The first part of the book provides an overview of the source material and the history of Italo-Greek Christianity. The second part examines the development of Italo-Greek canon law manuscripts from the last century of Byzantine rule to the late twelfth century, arguing that the Normans' opposition to papal authority created a laissez faire atmosphere in which Greek Christians could continue to follow Byzantine religious law unchallenged. Finally, the third part analyses the papacy's successful efforts to assert its jurisdiction over southern Italy in the later Middle Ages. While this brought about the end of Byzantine canon law as an effective legal system in the region, the Italo-Greeks still drew on their legal heritage to explain and justify their distinctive religious rites to their Latin neighbors.

Diki Sherpa is a PhD candidate at the Chinese university of Hong Kong, Hong Kong.

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Wolfgang Muller, Marriage Litigation in the Western Church, 1215- 1517 (Cambridge University Press, 2021). From the establishment of a coherent doctrine on sacramental marriage to the eve of the Reformation, late medieval church courts were used for marriage cases in a variety of ways. Ranging widely across Western Europe, including the Upper and Lower Rhine regions, England, Italy, Catalonia, and Castile, this study explores the stark discrepancies in practice between the North of Europe and the South. Wolfgang P. Müller draws attention to the existence of public penitential proceedings in the North and their absence in the South, and explains the difference in demand, as well as highlighting variations in how individuals obtained written documentation of their marital status. Integrating legal and theological perspectives on marriage with late medieval social history, Müller addresses critical questions around the relationship between the church and medieval marriage, and what this reveals about both institutions.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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Why is it so hard for left wing parties in the West to win elections? Some such as the UK Labour Party have headed to the centre. The history of Labour since 1979 tells the story – their record goes lost, lost, lost, lost, Blair, Blair, Blair, lost, lost, lost, lost. But what does heading the centre consist of? And are their alternative strategies? Listen to Owen Bennett Jones discuss leftist parties and what they need to do to win with Eunice Goes of the Richmond American International University.

Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.

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Stuart Carroll's Enmity and Violence in Early Modern Europe (Cambridge University Press, 2023) transforms our understanding of Europe between 1500 and 1800 by exploring how ordinary people felt about their enemies and the violence it engendered. Enmity, a state or feeling of mutual opposition or hostility, became a major social problem during the transition to modernity. He examines how people used the law, and how they characterised their enmities and expressed their sense of justice or injustice. Through the examples of early modern Italy, Germany, France and England, we see when and why everyday animosities escalated and the attempts of the state to control and even exploit the violence that ensued. This book also examines the communal and religious pressures for peace, and how notions of good neighbourliness and civil order finally worked to underpin trust in the state. Ultimately, enmity is not a relic of the past; it remains one of the greatest challenges to contemporary liberal democracy.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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Robin Vose (St. Thomas University) talks about his new monograph, The Index of Prohibited Books: Four Centuries of Struggle over Word and Image for the Greater Glory of God (Reaktion, 2022), censorship, and the Reformation.The first comprehensive history of the Catholic Church’s notorious Index, with resonance for ongoing debates over banned books, censorship, and free speech. For more than four hundred years, the Catholic Church’s Index Librorum Prohibitorum struck terror into the hearts of authors, publishers, and booksellers around the world, while arousing ridicule and contempt from many others, especially those in Protestant and non-Christian circles. Biased, inconsistent, and frequently absurd in its attempt to ban objectionable texts of every conceivable description—with sometimes fatal consequences—the Index also reflected the deep learning and careful consideration of many hundreds of intellectual contributors over the long span of its storied evolution. This book constitutes the first full study of the Index of Prohibited Books to be published in English. It examines the reasons behind the Church’s attempts to censor religious, scientific, and artistic works, and considers not only why this most sustained of campaigns failed, but what lessons can be learned for today’s debates over freedom of expression and cancel culture.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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In 1912, Italy occupied Rhodes, an Ottoman town inhabited by Greek Orthodox, Muslims, Jews, and Catholics. Rhodes became a territory of Italy's empire in 1923 following the Treaty of Lausanne, only one year after Mussolini seized power in Rome. The Ottoman demise corresponded to the expansion of fascist imperialism in the Mediterranean. Both the Ottoman Young Turks and Italian colonial governors invoked the role of a "new generation" of youth in imperial rule.

Generations of Empire: Youth from Ottoman to Italian Rule in the Mediterranean (U Toronto Press, 2022) investigates the relationship between state and society in light of successive transformations of imperial rule, rethinking Italian colonialism as post-Ottoman history. Andreas Guidi explores how communal life in the town of Rhodes was affected by the transition between these regimes, from an autocratic to a constitutional empire in late Ottoman years to Italian military occupation to fascist annexation. Based on archival sources in five languages from seven different countries, the book investigates generational dynamics in the domains of political activism, the family, education, work and leisure, and mobility. Generations of Empire offers a vivid picture of how a local society navigated large-scale social and political transformations in the modern Mediterranean.

Roberto Mazza is currently an independent scholar. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at [email protected]. Twitter and IG: @robbyref.

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A groundbreaking examination of austerity’s dark intellectual origins. For more than a century, governments facing financial crisis have resorted to the economic policies of austerity—cuts to wages, fiscal spending, and public benefits—as a path to solvency. While these policies have been successful in appeasing creditors, they’ve had devastating effects on social and economic welfare in countries all over the world. Today, as austerity remains a favored policy among troubled states, an important question remains: What if solvency was never really the goal? 

In The Capital Order: How Economists Invented Austerity and Paved the Way to Fascism (University of Chicago Press, 2022), political economist Clara E. Mattei explores the intellectual origins of austerity to uncover its originating motives: the protection of capital—and indeed capitalism—in times of social upheaval from below. Mattei traces modern austerity to its origins in interwar Britain and Italy, revealing how the threat of working-class power in the years after World War I animated a set of top-down economic policies that elevated owners, smothered workers, and imposed a rigid economic hierarchy across their societies. Where these policies “succeeded,” relatively speaking, was in their enrichment of certain parties, including employers and foreign-trade interests, who accumulated power and capital at the expense of labor. Here, Mattei argues, is where the true value of austerity can be observed: its insulation of entrenched privilege and its elimination of all alternatives to capitalism. Drawing on newly uncovered archival material from Britain and Italy, much of it translated for the first time, The Capital Order offers a damning and essential new account of the rise of austerity—and of modern economics—at the levers of contemporary political power.

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Jane Stevenson’s newest book, Women and Latin in the Early Modern Period (Brill, 2022), tracks the history and historiography of women Latinists in the early modern period. She relates how the first early modern women Latinists lived in mid-fourteenth century Italy, and were educated as diplomats. By the fifteenth century, other upper-class women were educated in order to perform as prodigies on behalf of their city. Both strands of education for women spread to other European countries in the course of the sixteenth century: the principal women humanists were either princesses or courtiers. In the seventeenth century Latin lost its importance as a language of diplomacy and was no longer needed at court, but there was still a place for the ‘woman prodigy’, and a variety of women performed in this way. However, the productions of seventeenth and eighteenth-century women Latinists are more extensive and more varied than those of their predecessors, and include scientific writing and ambitious translations. By the mid-nineteenth century the integration of studious women into the wider academy was well under way.

Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe.

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Aomar Boum and Sarah Abrevaya Stein's book Wartime North Africa: A Documentary History, 1934-1950 (Stanford UP, 2022), the first-ever collection of primary documents on North African history and the Holocaust, gives voice to the diversity of those involved--Muslims, Christians, and Jews; women, men, and children; black, brown, and white; the unknown and the notable; locals, refugees, the displaced, and the interned; soldiers, officers, bureaucrats, volunteer fighters, and the forcibly recruited. At times their calls are lofty, full of spiritual lamentation and political outrage. At others, they are humble, yearning for medicine, a cigarette, or a pair of shoes.

Translated from French, Arabic, North African Judeo-Arabic, Spanish, Hebrew, Moroccan Darija, Tamazight (Berber), Italian, and Yiddish, or transcribed from their original English, these writings shed light on how war, occupation, race laws, internment, and Vichy French, Italian fascist, and German Nazi rule were experienced day by day across North Africa. Though some selections are drawn from published books, including memoirs, diaries, and collections of poetry, most have never been published before, nor previously translated into English. These human experiences, combined, make up the history of wartime North Africa.

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When he was in his late 30s, the Italian poet Dante Alighieri got himself into some serious political trouble and was exiled from his beloved Florence. While in exile, he wrote one of the world’s greatest literary works, the Divine Comedy. In the story, Dante, the main character, must pass through the nine circles of Hell, climb Mount Purgatory, and ascend to Heaven to reach salvation. Along the way he meets all sorts of characters including the Roman poet Virgil, various politicians of his time, teachers from his school, and his one true love. Nassime Chida is a Core Lecturer in Literature Humanities at Columbia University. She is the author of Local Power in Dante’s Inferno. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod.

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The Italian Renaissance was an era of rebirth in the arts, sciences, engineering, anatomy, and architecture. But also for literature. One of the most influential works from this period was Matteo Maria Boiardo’s epic poem Orlando innamorato. While read by the literate upper classes, Boiardo’s incredible story of knights-errant, adventure, justice, chivalry, and true love became popular among the public through puppet theatre in Sicily. Boiardo combined genres to create a beloved work of art that continues to influence Italian culture today. Jo Ann Cavallo is a professor of Italian at Columbia University. Professor Cavallo has adapted episodes from Orlando innamorato that have been performed in various regions of Italy and New York City. She is also the author of Orlando Innamorato per ragazzi. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod.

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For much of his life, the Roman philosopher Boethius was exceptionally fortunate. But towards the end of his life, his luck ran out. He was accused of treason, thrown in jail, and sentenced to death. While he was awaiting execution, he began to reflect on his life and how luck had played such an important part. He wrote his thoughts in what would later become one of the most influential philosophical works in history, The Consolation of Philosophy. John Marenbon is a Fellow of the British Academy, Senior Research Fellow, and Honorary Professor of Medieval Philosophy at Trinity College in the University of Cambridge. He is the author of Medieval Philosophy: An Historical and Philosophical Introduction and editor of The Cambridge Companion to Boethius, among other works. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod.

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Today Jana Byars talks to her PhD advisor Guido Ruggiero about his latest monograph, Love and Sex in the Time of Plague: A Decameron Renaissance (Harvard University Press, 2021) over the meaning of love in the early Renaissance. As a pandemic swept across fourteenth-century Europe, the Decameron offered the ill and grieving a symphony of life and love. For Florentines, the world seemed to be coming to an end. In 1348 the first wave of the Black Death swept across the Italian city, reducing its population from more than 100,000 to less than 40,000. The disease would eventually kill at least half of the population of Europe. Amid the devastation, Giovanni Boccaccio's Decameron was born. One of the masterpieces of world literature, the Decameron has captivated centuries of readers with its vivid tales of love, loyalty, betrayal, and sex. Despite the death that overwhelmed Florence, Boccaccio's collection of novelle was, in Guido Ruggiero's words, a "symphony of life." Love and Sex in the Time of Plague guides twenty-first-century readers back to Boccaccio's world to recapture how his work sounded to fourteenth-century ears. Through insightful discussions of the Decameron's cherished stories and deep portraits of Florentine culture, Ruggiero explores love and sexual relations in a society undergoing convulsive change. In the century before the plague arrived, Florence had become one of the richest and most powerful cities in Europe. With the medieval nobility in decline, a new polity was emerging, driven by Il Popolo, the people, fractious and enterprising. Boccaccio's stories had a special resonance in this age of upheaval, as Florentines sought new notions of truth and virtue to meet both the despair and the possibility of the moment.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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There’s nothing better or more important in life than a good friend. For Roman statesman and philosopher Cicero, the emphasis was on “good.” Cicero lived through the assassination of Caesar, one of the most famous examples of betrayal between friends in history. But according to Cicero’s treatise On Friendship, you must be virtuous to be a good friend, and, he argues, bad people cannot really be friends. In this text, Cicero examines true friendship, tough love, social transaction, and affection. Professor Katharina Volk of Columbia University discusses the role of friendship in ancient Rome and how this text in particular has kept Latin alive. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod.

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In this episode of the Vault, we hear Harry Berger’s talk about Leonardo da Vinci and Vassari’s "Lives of the Painters." Harry Berger was a scholar of Renaissance English literature who wrote books about art history, anthropology, and philosophy. He taught at UC Santa Cruz, where he was an emeritus professor until he died in 2021, at age 96.

Since 1977, the New York Institute for the Humanities has brought together distinguished scholars, writers, artists, and publishing professionals to foster crucial discussions around the public humanities. For more information and to support the NYIH, visit nyihumanities.org.

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The Society of Jesus was established in 1540. In the century that followed, thousands sought to become Jesuits and pursue vocations in religious service, teaching, and missions. Drawing on scores of unpublished biographical documents housed at the Roman Jesuit Archive, Camilla Russell illuminates the lives of those who joined the Society, building together a religious and cultural presence that remains influential the world over.

Tracing Jesuit life from the Italian provinces to distant missions, Russell sheds new light on the impact and inner workings of the Society. The documentary record reveals a textual network among individual members, inspired by Ignatius of Loyola's Spiritual Exercises. The early Jesuits took stock of both quotidian and spiritual experiences in their own records, which reflect a community where the worldly and divine overlapped. Echoing the Society's foundational writings, members believed that each Jesuit's personal strengths and inclinations offered a unique contribution to the whole--an attitude that helps explain the Society's widespread appeal from its first days.

Focusing on the Jesuits' own words, Being a Jesuit in Renaissance Italy: Biographical Writing in the Early Global Age (Harvard UP, 2022) offers a new lens on the history of spirituality, identity, and global exchange in the Renaissance. What emerges is a kind of genetic code--a thread connecting the key Jesuit works to the first generations of Jesuits and the Society of Jesus as it exists today.

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In the tradition of The Lady in Gold and The Hare with Amber Eyes, the remarkable history behind one of the world's most beloved paintings, Leonardo da Vinci's Lady with an Ermine More than half a millennium ago, a young woman sat before a Grecian-nosed artist known as Leonardo da Vinci. Her name was Cecilia Gallerani, and she was the fourteen-year-old mistress of Ludovico Sforza, Duke of Milan. Her lover, a ruthless man, was aware that da Vinci's brilliance as a painter would not only capture his mistress's beauty but reflect his own political prowess. Indeed, with this beguiling painting--in which Gallerani holds a strange white ermine close to her breast--da Vinci revolutionized the genre, changing not just what a portrait looked like, but also its purpose. But despite the work's importance in its own time, no records of it from the three hundred years following Gallerini's death exist.

In What the Ermine Saw: The Extraordinary Journey of Leonardo Da Vinci's Most Mysterious Portrait (Doubleday Books, 2022), Eden Collinsworth illuminates the eventual history of this exquisite oil painting, as it journeyed from one owner to the next--from the brutal Milanese Duke to a Polish noblewoman to the Nazis, who added it to Hitler's private collection, to the Czartoryski Museum in Krakow where it is currently displayed. Along the way, Collinsworth reveals a bewildering maze of social alliances and cultural upheavals, polarizing political divisions and territorial fragmentation. Expertly researched and deftly told, What the Ermine Saw is an enthralling account of Renaissance Italy and its actors, a comprehensive study of artistry and innovation, and a reminder that genius, power, and beauty always have a price.

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Formless, mutable, transparent: the element of water posed major challenges for the visual artists of the Renaissance. To the engineers of the era, water represented a force that could be harnessed for human industry but was equally possessed of formidable destructive power. For Leonardo da Vinci, water was an enduring fascination, appearing in myriad forms throughout his work. In Watermarks, Leslie Geddes explores the extraordinary range of Leonardo’s interest in water and shows how artworks by him and his peers contributed to hydraulic engineering and the construction of large river and canal systems.

In this interview, Allison Leigh talks to Leslie Geddes about transforming your dissertation into a book, how one tackles a body of scholarly literature as immense as that on Leonardo, and whether or not the famous Salvator Mundi was indeed painted by Leonardo. Their conversation ranges from what it is like to examine the artist’s Renaissance drawings in person to the power of comparisons within art historical writing and research.

Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries.

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Contesting Race and Citizenship: Youth Politics in the Black Mediterranean (Cornell University Press, 2022) is an original study of Black politics and varieties of political mobilization in Italy. Although there is extensive research on first-generation immigrants and refugees who traveled from Africa to Italy, there is little scholarship about the experiences of Black people who were born and raised in Italy. Camilla Hawthorne focuses on the ways Italians of African descent have become entangled with processes of redefining the legal, racial, cultural, and economic boundaries of Italy and by extension, of Europe itself.

Contesting Race and Citizenship opens discussions of the so-called migrant "crisis" by focusing on a generation of Black people who, although born or raised in Italy, have been thrust into the same racist, xenophobic political climate as the immigrants and refugees who are arriving in Europe from the African continent. Hawthorne traces not only mobilizations for national citizenship but also the more capacious, transnational Black diasporic possibilities that emerge when activists confront the ethical and political limits of citizenship as a means for securing meaningful, lasting racial justice—possibilities that are based on shared critiques of the racial state and shared histories of racial capitalism and colonialism.

Camilla Hawthorne is Associate Professor of Sociology and Critical Race and Ethnic Studies at the University of California, Santa Cruz. She is coeditor of The Black Mediterranean.

Reighan Gillam is Associate Professor in the Department of Anthropology at University of Southern California. 

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You may know the term “Machiavellian,” but where does the word really come from? Niccolò Machiavelli was an Italian diplomat who worked firsthand with Italy’s most powerful politicians. He wrote his famous book, The Prince, as a sort of instruction manual for the Medici princes of Florence. And while Machiavelli’s ideas were shocking to many—and repugnant to some—the influence of his ideas has been profound. James Hankins is a professor at Harvard University where he teaches History, focusing particularly on Renaissance intellectual history and political thought. He is the author of Virtue Politics: Soulcraft and Statecraft in Renaissance Italy. See more information on our website, WritLarge.fm.

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Italian court culture of the fifteenth century was a golden age, gleaming with dazzling princes, splendid surfaces, and luminous images that separated the lords from the (literally) lackluster masses. In Brilliant Bodies: Fashioning Courtly Men in Early Renaissance Italy (Pennsylvania State University Press, 2022), Timothy McCall describes and interprets the Renaissance glitterati―gorgeously dressed and adorned men―to reveal how charismatic bodies, in the palazzo and the piazza, seduced audiences and materialized power.

Fifteenth-century Italian courts put men on display. Here, men were peacocks, attracting attention with scintillating brocades, shining armor, sparkling jewels, and glistening swords, spurs, and sequins. McCall’s investigation of these spectacular masculinities challenges widely held assumptions about appropriate male display and adornment. Interpreting surviving objects, visual representations in a wide range of media, and a diverse array of primary textual sources, McCall argues that Renaissance masculine dress was a political phenomenon that fashioned power and patriarchal authority. Brilliant Bodies describes and recontextualizes the technical construction and cultural meanings of attire, casts a critical eye toward the complex and entangled relations between bodies and clothing, and explores the negotiations among makers, wearers, and materials.

This groundbreaking study of masculinity makes an important intervention in the history of male ornamentation and fashion by examining a period when the public display of splendid men not only supported but also constituted authority. It will appeal to specialists in art history and fashion history as well as scholars working at the intersections of gender and politics in quattrocento Italy.

Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center.

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Italy has just held an election in which it appears that a far-right candidate from a post Fascist Party has won, and his leader will become the next prime minister of the country. What's happening in Italy? What does this election tell us about wider developments in Europe today?

In this episode of International Horizons, Andrea Mammone from Sapienza University of Rome explains the linkages of Giorgia Meloni's party, Brothers of Italy with Fascism and the dynamics of 2022 elections, marked by a generational shift from Berlusconi's leadership. Moreover, Mammone discusses how the victory for the far-right reflects the failure of the Center and Center-Left to consolidate durable coalitions, and the paradox that a more forward-thinking left has not been able to present a woman for elections. Finally, the author discusses the implications of this election for Europe, how the EU has legitimized with their speeches the extreme-right movements in Europe and the challenges that Meloni will face in the economic realm where immigrants can no longer be used as a scapegoat for the problems of Italy.

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From roughly 1346 to 1353, Europe was paralyzed by the most fatal pandemic in recorded human history; the bubonic plague. The plague killed more than 60% of the total population in Eurasia. This is the backdrop of Giovanni Boccaccio’s The Decameron, a collection of short novellas completed in 1353. Robert Pogue Harrison is a professor of French and Italian Literature at Stanford University. He is author of the books The Dominion of the Dead and Gardens: An Essay on the Human Condition. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod.

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Empires of the Normans: Makers of Europe, Conquerors of Asia (Pegasus, 2022) by Dr. Levi Roach is a tale of ambitious adventures and fierce freebooters, of fortunes made and fortunes lost. The Normans made their influence felt across all of western Europe and the Mediterranean, from the British Isles to North Africa, and Lisbon to the Holy Land. In Empires of the Normans we discover how they combined military might and political savvy with deeply held religious beliefs and a profound sense of their own destiny. For a century and a half, they remade Europe in their own image, and yet their heritage was quickly forgotten - until now.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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In February 1937, following an abortive attack by a handful of insurgents on Mussolini's High Command in Italian-occupied Ethiopia, 'repression squads' of armed Blackshirts and Fascist civilians were unleashed on the defenseless residents of Addis Ababa. In three terror-filled days and nights of arson, murder and looting, thousands of innocent and unsuspecting men, women and children were roasted alive, shot, bludgeoned, stabbed to death, or blown to pieces with hand-grenades. Meanwhile the notorious Viceroy Rodolfo Graziani, infamous for his atrocities in Libya, took the opportunity to add to the carnage by eliminating the intelligentsia and nobility of the ancient Ethiopian empire in a pogrom that swept across the land.

In The Addis Ababa Massacre: Italy's National Shame (Hurst, 2017), Ian Campbell reconstructs and analyses one of Fascist Italy's least known atrocities, which he estimates eliminated 19-20 per cent of the capital's population. He exposes the hitherto little known cover-up conducted at the highest levels of the British government, which enabled the facts of one of the most hideous civilian massacres of all time to be concealed, and the perpetrators to walk free.

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Elijah Del Medigo (1458-1493) was a Jewish Aristotelian philosopher living in Padua, whose work influenced many of the leading philosophers of the early Renaissance. His Two Investigations on the Nature of the Human Soul uses Aristotle's De anima to theorize on two of the most discussed and most controversial philosophical debates of the Renaissance: the nature of human intellect and the obtaining of immortality through intellectual perfection.

In this book, Michael Engel places Del Medigo's philosophical work and his ideas about the human intellect within the context of the wider Aristotelian tradition. Providing a detailed account of the unique blend of Hebrew, Islamic, Latin and Greek traditions that influenced the Two Investigations, Elijah Del Medigo and Paduan Aristotelianism: Investigating the Human Intellect (Bloomsbury, 2016) provides an important contribution to our understanding of Renaissance Aristotelianisms and scholasticisms. In particular, through his defense of the Muslim philosopher Averroes' hotly debated interpretation of the De anima and his rejection of the moderate Latin Aristotelianism championed by the Christian Thomas Aquinas, Engel traces how Del Medigo's work on the human intellect contributed to the development of a major Aristotelian controversy.

Investigating the ways in which multicultural Aristotelian sources contributed to his own theory of a united human intellect, Elijah Del Medigo and Paduan Aristotelianism demonstrates the significant impact made by this Jewish philosopher on the history of the Aristotelian tradition.

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The tomato gets no respect. Never has. Stored in the dustbin of history for centuries, accused of being vile and poisonous, appropriated as wartime propaganda, subjected to being picked hard-green and gassed, even used as a projectile, the poor tomato is the Rodney Dangerfield of foods. Yet, the tomato is the most popular vegetable in America (and, in fact, the world). It holds a place in America's soul like no other vegetable, and few other foods. Each summer, tomato festivals crop up across the country; John Denver had a hit single titled "homegrown Tomatoes;" and the Heinz tomato ketchup bottle, instantly recognizable, is in the Smithsonian.

Author William Alexander is on a mission to get tomatoes the respect they deserve. Supported by meticulous research but told in a lively, accessible voice, Ten Tomatoes that Changed the World (Grand Central Publishing, 2022) seamlessly weaves travel, history, humor, and a little adventure (and misadventure) to follow the tomato's trail through history. A fascinating story complete with heroes, con artists, conquistadors and, no surprise, the Mafia, this book is a mouth-watering, informative, and entertaining guide to the good that has captured our hearts for generations.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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The Manifesto of Futurism was published in 1909, on the front page of Le Figaro, the oldest daily newspaper in France. Its author was Filippo Tomasso Marinetti, a 33-year-old Italian writer who was born in Alexandria, Egypt, in 1876 and was educated in Egypt and France. With his Manifesto of Futurism, Marinetti launched a new artistic movement that opposed what he called pastism, the worship of the past. Jeffrey Schnapp is a Carl A. Pescosolido Professor of Romance Languages and Literatures and of Comparative Literature at Harvard University. He specializes in Italian language and culture, art, and media. See more information on our website, WritLarge.fm.

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When the Germans requested an armistice in October 1918, it was a shock to the Allied political and military leadership. They had been expecting, and planning for, the war to continue into 1919, the year they hoped to achieve a complete military victory over the Central Powers. 

In Coalition Strategy and the End of the First World War: The Supreme War Council and War Planning, 1917-1918" (Cambridge UP, 2019), Meighen McCrae illuminates how, throughout this planning process, the Supreme War Council evolved to become the predominant mechanism for coalition war-making. She analyses the Council's role in the formulation of an Allied strategy for 1918-1919 across the various theatres of war and compares the perspectives of the British, French, Americans and Italians. In doing so we learn how, in an early example of modern alliance warfare, the Supreme War Council had to coordinate national needs with coalition ones.

Alex Beckstrand is a PhD candidate in history at the University of Connecticut, an officer in the Marine Corps Reserves, and works in the aerospace industry. Email: [email protected] Twitter: @AlexBeckstrand.

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The Brexit debate has been so all-consuming and filled with so much misinformation that many Brits and others can overlook some the challenges facing the European Union itself. Looked at in broad terms, it has been an astonishingly successful political project, having delivered 70 years of peace and prosperity. But what lies ahead? What issues does it need to tackle to maintain that kind of success? Luuk van Middelaar is a Dutch historian, Professor of EU law at Leiden University. He has worked at the heart of EU institutions and give his observations and analysis of the underlying tensions in the EU and what lies ahead.

Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.

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The human race is on a 10,000 year urban adventure. Our ancestors wandered the planet or lived scattered in villages, yet by the end of this century almost all of us will live in cities. But that journey has not been a smooth one and urban civilizations have risen and fallen many times in history. The ruins of many of them still enchant us.

The Life and Death of Ancient Cities: A Natural History (Oxford University Press, 2020) by Dr. Greg Woolf tells the story of the rise and fall of ancient cities from the end of the Bronze Age to the beginning of the Middle Ages. It is a tale of war and politics, pestilence and famine, triumph and tragedy, by turns both fabulous and squalid. Its focus is on the ancient Mediterranean: Greeks and Romans at the centre, but Phoenicians and Etruscans, Persians, Gauls, and Egyptians all play a part. The story begins with the Greek discovery of much more ancient urban civilizations in Egypt and the Near East, and charts the gradual spread of urbanism to the Atlantic and then the North Sea in the centuries that followed.

The ancient Mediterranean, where our story begins, was a harsh environment for urbanism. So how were cities first created, and then sustained for so long, in these apparently unpromising surroundings? How did they feed themselves, where did they find water and building materials, and what did they do with their waste and their dead? Why, in the end, did their rulers give up on them? And what it was like to inhabit urban worlds so unlike our own - cities plunged into darkness every night, cities dominated by the temples of the gods, cities of farmers, cities of slaves, cities of soldiers.

Ultimately, the chief characters in the story are the cities themselves. Athens and Sparta, Persepolis and Carthage, Rome and Alexandria: cities that formed great families. Their story encompasses the history of the generations of people who built and inhabited them, whose short lives left behind monuments that have inspired city builders ever since - and whose ruins stand as stark reminders to the 21st century of the perils as well as the potential rewards of an urban existence.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Starting in the sixteenth century, Jews in Rome were forced, every Saturday, to attend a hostile sermon aimed at their conversion. Harshly policed, they were made to march en masse toward the sermon and sit through it, all the while scrutinized by local Christians, foreign visitors, and potential converts. In Catholic Spectacle and Rome's Jews: Early Modern Conversion and Resistance (Princeton University Press, 2022), Dr. Emily Michelson demonstrates how this display was vital to the development of early modern Catholicism.

Drawing from a trove of overlooked manuscripts, Dr. Michelson reconstructs the dynamics of weekly forced preaching in Rome. As the Catholic Church began to embark on worldwide missions, sermons to Jews offered a unique opportunity to define and defend its new triumphalist, global outlook. They became a point of prestige in Rome. The city’s most important organizations invested in maintaining these spectacles, and foreign tourists eagerly attended them. The title of “Preacher to the Jews” could make a man’s career. The presence of Christian spectators, Roman and foreign, was integral to these sermons, and preachers played to the gallery. Conversionary sermons also provided an intellectual veneer to mask ongoing anti-Jewish aggressions. In response, Jews mounted a campaign of resistance, using any means available.

Examining the history and content of sermons to Jews over two and a half centuries, Catholic Spectacle and Rome’s Jews argues that conversionary preaching to Jews played a fundamental role in forming early modern Catholic identity.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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A new history explores how one of Renaissance Italy's leading cities maintained its influence in an era of global exploration, trade, and empire. The Grand Duchy of Tuscany was not an imperial power, but it did harbor global ambitions. After abortive attempts at overseas colonization and direct commercial expansion, as Brian Brege shows, Tuscany followed a different path, one that allowed it to participate in Europe's new age of empire without establishing an empire of its own. 

The first history of its kind, Tuscany in the Age of Empire (Harvard UP, 2021) offers a fresh appraisal of one of the foremost cities of the Italian Renaissance, as it sought knowledge, fortune, and power throughout Asia, the Americas, and beyond. How did Tuscany, which could not compete directly with the growing empires of other European states, establish a global presence? First, Brege shows, Tuscany partnered with larger European powers. The duchy sought to obtain trade rights within their empires and even manage portions of other states' overseas territories. Second, Tuscans invested in cultural, intellectual, and commercial institutions at home, which attracted the knowledge and wealth generated by Europe's imperial expansions. Finally, Tuscans built effective coalitions with other regional powers in the Mediterranean and the Islamic world, which secured the duchy's access to global products and empowered the Tuscan monarchy in foreign affairs. These strategies allowed Tuscany to punch well above its weight in a world where power was equated with the sort of imperial possessions it lacked. By finding areas of common interest with stronger neighbors and forming alliances with other marginal polities, a small state was able to protect its own security while carving out a space as a diplomatic and intellectual hub in a globalizing Europe.

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From Octavian's victory at Actium (31 B.C.) to its traditional endpoint in the West (476), the Roman Empire lasted a solid 500 years -- an impressive number by any standard, and fully one-fifth of all recorded history. In fact, the decline and final collapse of the Roman Empire took longer than most other empires even existed. Any historian trying to unearth the grand strategy of the Roman Empire must, therefore, always remain cognizant of the time scale, in which she is dealing. Although the pace of change in the Roman era never approached that of the modern era, it was not an empire in stasis. While the visible trappings may have changed little, the challenges Rome faced at its end were vastly different than those faced by Augustus and the Julio-Claudians. Over the centuries, the Empire's underlying economy, political arrangements, military affairs, and, most importantly, the myriad of external threats it faced were in constant flux, making adaptability to changing circumstances as important to Roman strategists as it is to strategists of the modern era.

Yet the very idea of Rome having a grand strategy, or what it might be, did not concern historians until Edward Luttwak wrote The Grand Strategy of the Roman Empire: From the First Century A.D. to the Third forty years ago. Although the work generated much debate, it failed to win over many ancient historians, in part because of its heavy emphasis on military force. By mostly neglecting any considerations of diplomacy, economics, politics, culture, or even the changing nature of the threats Rome faced, Luttwak tells only a portion of what should have been a much more wide-ranging narrative.

For this and other reasons, such as its often dull presentation, it left an opportunity for another account of the rise and fall of Rome from a strategy perspective. Through a more encompassing definition of strategy and by focusing much of the narrative on crucial historical moments and the personalities involved, Rome: Strategy of Empire (Oxford UP, 2022) promises to provide a more persuasive and engaging history than Luttwak's. It aims not only to correct Luttwak's flaws and omissions, but will also employ the most recent work of current classical historians and archeologists to present a more complete and nuanced narrative of Roman strategic thinking and execution than is currently available.

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The Italian Empire and the Great War (Oxford UP, 2021) by Vanda Wilcox brings an imperial and colonial perspective to the Italian experience of the First World War. Italy's decision for war in 1915 built directly on Italian imperial ambitions from the late nineteenth century onwards, and its conquest of Libya in 1911–12. The Italian empire was conceived both as a system of overseas colonies under Italian sovereignty, and as an informal global empire of emigrants; both were mobilized to support the war in 1915–18. The war was designed to bring about 'a greater Italy' both literally and metaphorically.

In pursuit of global status, Italy fought a global war, sending troops to the Balkans, Russia, and the Middle East, though with limited results. Italy's newest colony, Libya, was also a theatre of the war effort, as the anti-colonial resistance there linked up with the Ottoman Empire, Germany, and Austria to undermine Italian rule. Italian race theories underpinned this expansionism: the book examines how Italian constructions of whiteness and racial superiority informed a colonial approach to military occupation in Europe as well as the conduct of its campaigns in Africa. After the war, Italy's failures at the Peace Conference meant that the 'mutilated victory' was an imperial as well as a national sentiment. Events in Paris are analysed alongside the military occupations in the Balkans and Asia Minor as well as efforts to resolve the conflicts in Libya, to assess the rhetoric and reality of Italian imperialism. Lastly, Vanda has answered a few questions about Italy in the war and General Cadorna.

Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at [email protected]. Twitter and IG: @robbyref

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Where did the idea of sin arise from? In The Origin of Sin: Greece and Rome, Early Judaism and Christianity (Bloomsbury, 2022), David Konstan takes a close look at classical Greek and Roman texts, as well as the Bible and early Judaic and Christian writings. He argues that the fundamental idea of “sin” arose in the Hebrew Bible and the New Testament, although this original meaning was obscured in later Jewish and Christian interpretations.

Through close philological examination of the words for “sin,” in particular the Hebrew hata’ and the Greek hamartia, he traces their uses over the centuries in four chapters and concludes that the common modern definition of sin as a violation of divine law indeed has antecedents in classical Greco-Roman conceptions, but acquired a wholly different sense in the Hebrew Bible and New Testament.

Tiatemsu Longkumer is a Ph.D. scholar working on ‘Anthropology of Religion’ at North-Eastern Hill University, Shillong: India

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Born in Tuscany in 1304, Italian poet Francesco Petrarca is widely considered one of the fathers of the modern Italian language. Though his writings inspired the humanist movement and subsequently the Renaissance, Petrarch remains misunderstood. He was a man of contradictions—a Roman pagan devotee and a devout Christian, a lover of friendship and sociability, yet intensely private. 

In Petrarch: Everywhere a Wanderer (Reaktion Books, 2017), Christopher S. Celenza revisits Petrarch’s life and work for the first time in decades, considering how the scholar’s reputation and identity have changed since his death in 1374. He brings to light Petrarch’s unrequited love for his poetic muse, the anti-institutional attitude he developed as he sought a path to modernity by looking backward to antiquity, and his endless focus on himself. Drawing on both Petrarch’s Italian and Latin writings, this is a revealing portrait of a figure of paradoxes: a man of mystique, historical importance, and endless fascination. It is the only book on Petrarch suitable for students, general readers, and scholars alike.

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Ever wonder about the Roman catacombs? Look no further. Today I talked to William "Chip" Gruen of Muhlenberg College about his article "Roman Catacombs" from the collection The Reception of Jesus in the First Three Centuries (2019) from Bloomsbury.

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Ever wonder about the Roman catacombs? Look no further. Today I talked to William "Chip" Gruen of Muhlenberg College about his article "Roman Catacombs" from the collection The Reception of Jesus in the First Three Centuries (2019) from Bloomsbury.

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The three protagonists of Pasta, Pizza and Propaganda: A Political History of Italian Food TV (Intellect, 2022) are food, television and politics. These are the three main characters that interrelate, collaborate and fight behind the scenes, while in front of the camera the writers, intellectuals and celebrity chefs talk about, prepare or taste the best Italian dishes.

In Pasta, Pizza and Propaganda, Dr. Francesco Buscemi develops a political history of Italian ‘good food’ on national television, and the central role of food in Italian culture. The focus is highly original and this is a unique interdisciplinary study at the intersection between food studies, media studies and politics.

The book retraces the history of Italian food television from a political point of view: the early shows of the pioneers under strict Catholic control in the 1950s and 1960s, the left-wing political twist of the 1970s, the conservative riflusso or resurgence of the 1980s, the disputed Berlusconian era and the rise of the celebrity chefs, which, for better or for worse, makes Italy similar to the other western countries.

The history of Italy since the mid-1950s is retold through the lenses of food television. This lively book demonstrates that cooking spaghetti in a TV studio is a political act, and tries to uncover how it is possible that, while watching on TV how to make pizza, we become citizens.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Dynasties Intertwined: The Zirids of Ifriqiya and the Normans of Sicily (Cornell UP, 2022) traces the turbulent relationship between the Zirids of Ifriqiya and the Normans of Sicily during the eleventh and twelfth centuries. In doing so, it reveals the complex web of economic, political, cultural, and military connections that linked the two dynasties to each other and to other polities across the medieval Mediterranean. Furthermore, despite the contemporary interfaith holy wars happening around the Zirids and Normans, their relationship was never governed by an overarching ideology like jihad or crusade. Instead, both dynasties pursued policies that they thought would expand their power and wealth, either through collaboration or conflict. The relationship between the Zirids and Normans ultimately came to a violent end in the 1140s, when a devastating drought crippled Ifriqiya. The Normans seized this opportunity to conquer lands across the Ifriqiyan coast, bringing an end to the Zirid dynasty and forming the Norman kingdom of Africa, which persisted until the Almohad conquest of Mahdia in 1160.

Previous scholarship on medieval North Africa during the reign of the Zirids has depicted the region as one of instability and political anarchy that rendered local lords powerless in the face of foreign conquest. Matt King shows that, to the contrary, the Zirids and other local lords in Ifriqiya were integral parts of the far-reaching political and economic networks across the Mediterranean. Despite the eventual collapse of the Zirid dynasty at the hands of the Normans, Dynasties Intertwined makes clear that its emirs were active and consequential Mediterranean players for much of the eleventh and twelfth centuries, with political agency independent of their Christian neighbors across the Strait of Sicily.

Matt King is Assistant Professor of Medieval History and Digital Humanities at the University of South Florida. He is also actively involved in National History Day, an outreach program that allows middle school and high school students to conduct original historical research about topics of their choice.

Luka Haeberle is an enthusiastic student of Latin American and medieval history. His main areas of interest are political economy, labor history and political theory. You can find him on Twitter: @ChepoteLuka

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In Masculinity and Dress in Roman Antiquity (Routledge, 2020), Olson argues that clothing functioned as part of the process of communication by which elite male influence, masculinity, and sexuality were made known and acknowledged, and furthermore that these concepts interconnected in socially significant ways. This volume also sets out the details of masculine dress from literary and artistic evidence and the connection of clothing to rank, status, and ritual. This is the first monograph in English to draw together the myriad evidence for male dress in the Roman world, and examine it as evidence for men's self-presentation, status, and social convention.

Reyes Bertolin is a professor of Classics at the University of Calgary.

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For the Freedom of Zion: The Great Revolt of Jews against Romans, 66–74 CE (Yale University Press, 2022) by Dr. Guy Maclean Rogers is a deeply researched and insightful book examines the causes, course, and historical significance of the Jews’ failed revolt against Rome from 66 to 74 CE, including the destruction of the Jerusalem Temple. Based on a comprehensive study of all the evidence and new statistical data, Dr. Rogers argues that the Jewish rebels fought for their religious and political freedom and lost due to military mistakes.

Dr. Rogers contends that while the Romans won the war, they lost the peace. When the Romans destroyed the Jerusalem Temple, they thought that they had defeated the God of Israel and eliminated Jews as a strategic threat to their rule. Instead, they ensured the Jews’ ultimate victory. After their defeat Jews turned to the written words of their God, and following those words led the Jews to recover their freedom in the promised land. The war's tragic outcome still shapes the worldview of billions of people today.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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The Venice Ghetto was founded in 1516 by the Venetian government as a segregated area of the city in which Jews were compelled to live. The world's first ghetto and the origin of the English word, the term simultaneously works to mark specific places and their histories, and as a global symbol that evokes themes of identity, exile, marginalization, and segregation. To capture these multiple meanings, the editors of this volume conceptualize the ghetto as a "memory space that travels" through both time and space.

This interdisciplinary collection engages with questions about the history, conditions, and lived experience of the Venice Ghetto, including its legacy as a compulsory, segregated, and enclosed space. Contributors also consider the ghetto's influence on the figure of the Renaissance moneylender, the material culture of the ghetto archive, the urban form of North Africa's mellah and hara, and the ghetto's impact on the writings of Primo Levi and Marjorie Agosín.

In addition to the volume editors, The Venice Ghetto: A Memory Space That Travels (U Massachusetts Press, 2022) features a foreword from James E. Young and contributions from Shaul Bassi, Murray Baumgarten, Margaux Fitoussi, Dario Miccoli, Andrea Yaakov Lattes, Federica Ruspio, Michael Shapiro, Clive Sinclair, and Emanuela Trevisan Semi.

Amber Nickell is Associate Professor of History at Fort Hays State University, Editor at H-Ukraine, and Host at NBN Jewish Studies, Ukrainian Studies, and Eastern Europe.

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What are the connections between the past and modern politics? In Heritage and Nationalism: Understanding Populism through Big Data (UCL Press, 2022), Chiara Bonacchi, a Chancellor's Fellow in Heritage, Text and Data Mining and Senior Lecturer in Heritage at History, Classics & Archaeology and Edinburgh Futures Institute at University of Edinburgh, explores the uses of heritage by contemporary populist politics. Drawing on ‘big data’ sources, including Facebook and Twitter, along with a deep theoretical engagement with digital humanities and heritage, the book compares and contrasts key political events in Italy, USA, and the UK to show how the ancient world is deployed by both politicians and audiences. The book is essential reading for both humanities and political science scholars, along with anyone interested in understanding the current populist moment. The book is available open access here.

Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.

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In The Invention of Norman Visual Culture: Art, Politics, and Dynastic Ambition (Cambridge UP, 2020), Lisa Reilly establishes a new interpretive paradigm for the eleventh and twelfth-century art and architecture of the Norman world in France, England, and Sicily. Traditionally, scholars have considered iconic works like the Cappella Palatina and the Bayeux Embroidery in a geographically piecemeal fashion that prevents us from seeing their full significance. Here, Reilly examines these works individually and within the larger context of a connected Norman world. Just as Rollo founded the Normandy "of different nationalities", the Normans created a visual culture that relied on an assemblage of forms. To the modern eye, these works are perceived as culturally diverse. As Reilly demonstrates, the multiple sources for Norman visual culture served to expand their meaning. Norman artworks represented the cultural mix of each locale, and the triumph of Norman rule, not just as a military victory but as a legitimate succession, and often as the return of true Christian rule.

Tanja Tolar is a Senior Teaching Fellow at the School of Oriental and African Studies in London.

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Diana Garvin’s Feeding Fascism: The Politics of Women's Food Work (U Toronto Press, 2022) is an expansive and multifaceted look at women’s food work in Fascist Italy. From less-explored archives, Garvin has assembled a diverse set of sources―diaries, work songs, cookbooks, kitchen plans and utensils, factory records, and more―to tell the story of how women negotiated the daily tasks of producing and preparing food under a Fascist regime, its autarkic policies, and, as the war progressed, increasingly dire food rationing and shortages. Feeding Fascism is particularly attentive to the intersections of class, gender, and the politics and realities of women’s food work, as well as to the material culture of life under Fascism and what it says about the dialectic between practicality and patriotism, resistance and consent.

Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.

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As modern empires rise and fall, ancient Rome becomes ever more significant. We yearn for Rome's power but fear Rome's ruin--will we turn out like the Romans, we wonder, or can we escape their fate? That question has obsessed centuries of historians and leaders, who have explored diverse political, religious, and economic forces to explain Roman decline. Yet the decisive factor remains elusive.

In New Rome: The Empire in the East (Harvard UP, 2022), Paul Stephenson looks beyond traditional texts and well-known artifacts to offer a novel, scientifically-minded interpretation of antiquity's end. It turns out that the descent of Rome is inscribed not only in parchments but also in ice cores and DNA. From these and other sources, we learn that pollution and pandemics influenced the fate of Constantinople and the Eastern Roman Empire. During its final five centuries, the empire in the east survived devastation by natural disasters, the degradation of the human environment, and pathogens previously unknown to the empire's densely populated, unsanitary cities. Despite the Plague of Justinian, regular "barbarian" invasions, a war with Persia, and the rise of Islam, the empire endured as a political entity. However, Greco-Roman civilization, a world of interconnected cities that had shared a common material culture for a millennium, did not.

Politics, war, and religious strife drove the transformation of Eastern Rome, but they do not tell the whole story. Braiding the political history of the empire together with its urban, material, environmental, and epidemiological history, New Rome offers the most comprehensive explanation to date of the Eastern Empire's transformation into Byzantium.

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Julius Caesar was no aspiring autocrat seeking to realize the imperial future but an unusually successful republican leader who was measured against the Republic's traditions and its greatest heroes of the past. Catastrophe befell Rome not because Caesar (or anyone else) turned against the Republic, its norms, and institutions, but because Caesar's extraordinary success mobilized a determined opposition that ultimately preferred to precipitate civil war rather than accept its political defeat. Based on painstaking re-analysis of the ancient sources in the light of recent advances in our understanding of the participatory role of the People in the republican political system, a strong emphasis on agents' choices rather than structural causation, and profound skepticism toward the facile determinism that often substitutes for historical explanation, Julius Caesar and the Roman People (Cambridge University Press, 2021) offers a radical reinterpretation of a figure of profound historical importance who stands at the turning point of Roman history from Republic to Empire.

Robert Morstein-Marx is Professor of Classics at the University of California, Santa Barbara.

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In her recent book on the Jewish community of Modena in Italy, Federica Francesconi tells a tale of contradictions. Segregated to the city’s ghetto in the 17th century, the Jewish merchants of the city nonetheless possessed an enormous presence in its economic, governmental and cultural milieu. By the start of the 19th century, these merchants even took center stage in Modena’s political scene following Napoleon’s conquest of Italy and the subsequent abolition of the ghettos themselves. How did this transformation occur? In what ways had life in the Modena – and in the Modenese ghetto – prepared these Jewish merchants to perform such leadership roles and to advocate fluently for the values of the French Enlightenment? To answer these questions, Francesconi tracks the development of the Modenese Jewish community since the arrival of her protagonists in the city in the middle of the 16th century, describing the techniques that merchant family members employed to stay abreast of – and innovate on – Modenese, Italian and European intellectual trends. The reader is not only privy to the economic activities of these figures, but also sees how they acted – for centuries – as cultural intermediaries for the rulers of the Este Duchy, who sought their advice on purchases of art, books and pieces of material culture. The book thus features Jews that do not fit neatly on the dichotomy between assimilation/conversion and communal isolation, but instead embodied aspects of both the ghetto society they dominated and the broader city setting with which they continually engaged.

As the narrative progresses, the archival material that Francesconi has uncovered also gives readers glimpses into the rich social life of an Early Modern Jewish community in the midst of gradual change. The merchants’ personal worship sites became synagogues for the whole ghetto. Their personal libraries – stocked with Kabbalistic masterpieces – were the sites of communal activity. Excluded from official leadership, Modenese Jewish women nonetheless found avenues to participate in shaping their own religious practices and the moral priorities of the community at large. Itself a series of cordoned off houses and living spaces, the ghetto was both “domestic” and a venue that fostered a nascent “civil society”; a “laboratory” that gave the Jewish merchants of Modena their first experiences with governmental practices. 

At once an intellectual, socio-economic, religious and cultural history, Invisible Enlighteners: The Jewish Merchants of Modena, from the Renaissance to the Emancipation (U Pennsylvania Press, 2021) is not only a microhistory of Jewish life over the course of three centuries. It is, moreover, a model for understanding how Jews navigated, interpreted and even co-opted the policies of state institutions that emerged for the first time in the Early Modern period.

James Benjamin Nadel is a Ph.D. student in the Department of History at Columbia University.

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In Destinations in Mind: Portraying Places on the Roman Empire's Souvenirs (Oxford UP, 2021), Kimberly Cassibry asks how objects depicting different sites helped Romans understand their vast empire. At a time when many cities were written about but only a few were represented in art, four distinct sets of artefacts circulated new information. Engraved silver cups list all the stops from Spanish Cádiz to Rome while resembling the milestones that helped travellers track their progress. Vivid glass cups represent famous charioteers and gladiators competing in circuses and amphitheatres and offered virtual experiences of spectacles that were new to many regions. Bronze bowls commemorate forts along Hadrian's Wall with colourful enamelling typical of Celtic craftsmanship. Glass bottles display labelled cityscapes of Baiae, a notorious resort, and Puteoli, a busy port, both in the Bay of Naples.

These artefacts and their journeys reveal an empire divided not into centre and periphery, but connected by roads that did not all lead to Rome. They bear witness to a shared visual culture that was divided not into high and low art but united by extraordinary craftsmanship. New aspects of globalization are apparent in the multi-lingual placenames that the vessels bear, in the transformed places that they visualize, and in the enriched understanding of the empire's landmarks that they impart. With in-depth case studies, Cassibry argues that the best way to comprehend the Roman Empire is to look closely at objects depicting its fascinating places. 

More information along with images from the book can be accessed on the author's new database.

Tanja Tolar is a Senior Teaching Fellow at the School of Oriental and African Studies in London.

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In Ancient Rome, all the best stories have one thing in common—murder. Romulus killed Remus to found the city, Caesar was assassinated to save the Republic. Caligula was butchered in the theater, Claudius was poisoned at dinner, and Galba was beheaded in the Forum. In one 50-year period, 26 emperors were murdered.

But what did killing mean in a city where gladiators fought to the death to sate a crowd? In A Fatal Thing Happened on the Way to the Forum (Harry N. Abrams, 2021), Emma Southon examines a trove of real-life homicides from Roman history to explore Roman culture, including how perpetrator, victim, and the act itself were regarded by ordinary people. Inside Ancient Rome's darkly fascinating history, we see how the Romans viewed life, death, and what it means to be human.

Emma Southon holds a PhD in ancient history from the University of Birmingham. She co-hosts a history podcast with writer Janina Matthewson called History is Sexy and works full time as a bookseller at Waterstones Belfast.

Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.

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At the end of the fourth century, as the power of Rome faded and Constantinople became the seat of empire, a new capital city was rising in the West. Here, in Ravenna on the coast of Italy, Arian Goths and Catholic Romans competed to produce an unrivaled concentration of buildings and astonishing mosaics. For three centuries, the city attracted scholars, lawyers, craftsmen, and religious luminaries, becoming a true cultural and political capital. Bringing this extraordinary history marvelously to life, Judith Herrin rewrites the history of East and West in the Mediterranean world before the rise of Islam and shows how, thanks to Byzantine influence, Ravenna played a crucial role in the development of medieval Christendom.

Drawing on deep, original research, Herrin tells the personal stories of Ravenna while setting them in a sweeping synthesis of Mediterranean and Christian history. She narrates the lives of the Empress Galla Placidia and the Gothic king Theoderic and describes the achievements of an amazing cosmographer and a doctor who revived Greek medical knowledge in Italy, demolishing the idea that the West just descended into the medieval “Dark Ages.”

Beautifully illustrated and drawing on the latest archaeological findings, Ravenna: Capital of Empire, Crucible of Europe (Princeton UP, 2020) provides a bold new interpretation of Ravenna’s lasting influence on the culture of Europe and the West.

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Architecture and the Senses in the Italian Renaissance: The Varieties of Architectural Experience (Cambridge UP, 2021) is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding. Architecture and the Senses in the Italian Renaissance offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of 'experiential trigger' that shaped ways of both thinking and being in the world.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.

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What happened in the years following World War II to create a democratic revolution in the western half of Europe? In Western Europe’s Democratic Age: 1945-1968 (Princeton UP, 2021), Martin Conway provides an innovative new account of how a stable, durable, and remarkably uniform model of parliamentary democracy emerged in Western Europe—and how this democratic ascendancy held fast until the latter decades of the twentieth century.

Drawing on a wide range of sources, Conway describes how Western Europe’s postwar democratic order was built by elite, intellectual, and popular forces. Much more than the consequence of the defeat of fascism and the rejection of Communism, this democratic order rested on universal male and female suffrage, but also on new forms of state authority and new political forces—primarily Christian and social democratic—that espoused democratic values. Above all, it gained the support of the people, for whom democracy provided a new model of citizenship that reflected the aspirations of a more prosperous society.

This democratic order did not, however, endure. Its hierarchies of class, gender, and race, which initially gave it its strength, as well as the strains of decolonization and social change, led to an explosion of demands for greater democratic freedoms in the 1960s, and to the much more contested democratic politics of Europe in the late twentieth century.

Western Europe’s Democratic Age is a compelling history that sheds new light not only on the past of European democracy but also on the unresolved question of its future.

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The Dragoman Renaissance: Diplomatic Interpreters and the Routes of Orientalism (Cornell UP, 2021) is a fascinating study of a crucial early modern cadre of "go-betweens:" the Istanbul-based diplomatic translator-interpreters, known as the dragomans. Blending a creative mix of quantitative methods, prosopography, and the systematic close reading of texts produced or translated by the dragomans, the book shows how, far from being simple intermediaries, the dragomans actively engaged Ottoman elites in the study of the Ottoman Empire, refracting the knowledge thus acquired across Europe.

The book takes a three-pronged approach: it first focuses on the dragomans themselves, exploring how, particularly Venetian dragomans, were recruited, trained, and eventually grew to create an influential cast of subordinate elites enmeshed in both Ottoman and Veneto-Habsburg patterns of representation and consumption. The book then delves into different texts translated or produced by dragomans (relationi, translations of Ottoman charters, grammar books, and even pictorial representations) to examine the self-representation and mediation strategies developed by this specialized cast of interpreters. The final chapters of the book explore the legacy of the dragomans, notably how they contributed to the definition, in Europe, of a Turkish canon of letters that would coalesce into the discipline known as Orientalism.

The Dragoman Renaissance offers two substantial contributions to our understanding of diplomacy, mediation, and even incipient Orientalism in the early modern Mediterranean. First, it challenges Eurocentric assumptions still pervasive in Renaissance studies by showing the centrality of Ottoman imperial culture to the articulation of European knowledge about the Ottomans. By studying the sustained interactions between dragomans and Ottoman courtiers in this period, Rothman, therefore, disrupts common ideas about a singular moment of "cultural encounter," as well as about a "docile" and "static" Orient, acted upon by extraneous imperial powers. Second, Rothman creatively uncovers how dragomans mediated Ottoman ethno-linguistic, political, and religious categories to European diplomats and scholars, showing how these intermediaries did not simply circulate fixed knowledge. Rather, their engagement of Ottoman imperial modes of inquiry and social reproduction shaped the discipline of Orientalism for centuries to come.

Thanks to the Sustainable History Monograph Pilot, the e-book editions of The Dragoman Renaissance are available as Open Access volumes from Cornell Open and other repositories.

Natalie Rothman, associate professor at the University of Toronto, specializes in early modern Mediterranean history, the history of cultural mediation, genealogies of Orientalism, and the relationship between translation and empire. She is currently continuing her research on intermediaries on The Dragoman Renaissance research platform 

Ian F. Hathaway, a postdoctoral fellow at the Leibniz-Institut für Europäische Geschichte (IEG), focuses on mobility, identification, and cross-cultural diplomacy in the early modern Mediterranean.

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Herculaneum Uncovered is based on an in-depth filmed conversation between Howard Burton and Andrew Wallace-Hadrill, Director of Research and Honorary Professor of Roman Studies in the Faculty of Classics at the University of Cambridge. This wide-ranging conversation covers his fascinating archeological work done in Herculaneum and Pompeii, the politics of excavation, and life in the ancient Roman world.

Howard Burton is the founder of the Ideas Roadshow, Ideas on Film and host of the Ideas Roadshow Podcast. He can be reached at [email protected].

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In the wake of the French Revolution, Napoleon Bonaparte, First Consul of France, and Pope Pius VII shared a common goal: to reconcile the Catholic church with the French state. But while they were able to work together initially, formalizing a Concordat in 1801, relations between them rapidly deteriorated. In 1809, Napoleon ordered the Pope’s arrest.

Dr. Ambrogio Caiani, Senior Lecturer in Modern History at the University of Kent, in his book, To Kidnap a Pope: Napoleon and Pius VII (Yale University Press, 2021), provides a pioneering account of the tempestuous relationship between the emperor and his most unyielding opponent. Drawing on original source materials in the Vatican and other European archives, Dr. Caiani uncovers the nature of Catholic resistance against Napoleon’s empire; charts Napoleon’s approach to Papal power; and reveals how the Emperor attempted to subjugate the church to his vision of modernity. Gripping and vivid, this splendid book shows the struggle for supremacy between two great individuals—and sheds new light on the conflict that would shape relations between the Catholic church and the modern state for centuries to come.

Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles.

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Today we speak with Eva Del Soldato about her new book on how the authority of Aristotle was reinscribed and challenged during the early modern period. In his Nicomachean Ethics, Aristotle affirms that despite his friendship with Plato, he was a better friend of the truth. With this statement, he rejected his teacher's authority, implying that the pursuit of philosophy does not entail any such obedience. Yet over the centuries Aristotle himself became the authority par excellence in the Western world, and even notorious anti-Aristotelians such as Galileo Galilei preferred to keep him as a friend rather than to contradict him openly. 

In Early Modern Aristotle: On the Making and Unmaking of Authority (University of Pennsylvania Press, 2020), Eva Del Soldato contends that because the authority of Aristotle—like that of any other ancient, including Plato—was a construct, it could be tailored and customized to serve agendas that were often in direct contrast to one another, at times even in open conflict with the very tenets of Peripatetic philosophy.

Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center. His NBN interview is available at here. 

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Though typically considered oral cultures, ancient Greece and Rome also boasted textual cultures, enabled by efforts to perfect, publish, and preserve both new and old writing. In Editorial Bodies: Perfection and Rejection in Ancient Rhetoric and Poetics (University of South Carolina Press, 2018) Michele Kennerly argues that such efforts were commonly articulated through the extended metaphor of the body. They were also supported by people on whom writers relied for various kinds of assistance and necessitated by lively debates about what sort of words should be put out and remain in public. 

Spanning ancient Athenian, Alexandrian, and Roman textual cultures, Kennerly shows that orators and poets attributed public value to their seemingly inward-turning compositional labors. After establishing certain key terms of writing and editing from classical Athens through late republican Rome, Kennerly focuses on works from specific orators and poets writing in Latin in the first century B.C.E. and the first century C.E.: Cicero, Horace, Ovid, Quintilian, Tacitus, and Pliny the Younger. The result is a rich and original history of rhetoric that reveals the emergence and endurance of vocabularies, habits, and preferences that sustained ancient textual cultures. This major contribution to rhetorical studies unsettles longstanding assumptions about rhetoric and poetics of this era by means of generative readings of both well-known and understudied texts.

Lee M. Pierce (she/they) is an Assistant Professor at SUNY Geneseo specializing in rhetoric, race, and U.S. political culture. They also host the Media & Communications and Language channels for New Books Network and their own podcast titled RhetoricLee Speaking.

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He was the son of a prominent politician, Benito Mussolini’s son-in-law, and viewed by many as the Duce’s likely successor, only to die before a fascist firing squad near the end of the Second World War. In  Galeazzo Ciano: The Fascist Pretender (U Toronto Press, 2021), Tobias Hof examines Ciano’s career for the many insights it has to offer into Italian fascism and Italian politics during the years of its dominance. As Hof explains, Ciano benefited considerably both from his father Costanzo’s political connections during the early part of his career and from his 1930 marriage to Mussolini’s daughter Edda. During the 1930s Ciano enjoyed a rapid ascent to high office, which fueled the belief that he was being groomed to succeed his father-in-law. Yet Hof demonstrates how Ciano’s positions and bourgeois public persona often were at odds with the views of committed fascists, and that he enjoyed little support from either the monarchy or the Catholic Church. Instead, Ciano found himself increasingly marginalized once Italy entered the war in 1940, while his vote to oust Mussolini from his position as prime minister led to his trial and execution less than a year later.

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The fashionable and decorous men whom we recognize in portraits and letters from the Italian Renaissance penned some of the most scathing critiques of the courts in which they served. Such anti-courtly discourse furnished a platform for discussing pressing questions of early modern Italian society. The court was the space that witnessed a new form of negotiation of identity and prestige, the definition of masculinity and of gender-specific roles, the birth of modern politics and of an ethics based on merit and on individual self-interest. In The Court and Its Critics: Anti-Court Sentiments in Early Modern Italy (University of Toronto Press, 2020), Paola Ugolini analyzes anti-courtly critiques using a wide variety of sources including manuals of courtliness, dialogues, satires, and plays, from the mid-fifteenth to the early seventeenth century. The book is the first work of its kind, as it systematically investigates anti-court sentiments across an impressive number of primary sources. At its core, the book reimagines the agency of authors who served in roles they often despised, and it prompts questions of the psychological effect of transforming the self in order to please those in power. An elegantly written study, The Court and Its Critics will be of interest to scholars of the early modern period as well as to those who are curious about the fraught history of the development of the self.

Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center. His NBN interview is available at Moral Combat: Women, Gender, and War in Italian Renaissance Literature.

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As this book intriguingly explores, for those who would make Rome great again and their victims, ideas of Roman decline and renewal have had a long and violent history. The decline of Rome has been a constant source of discussion for more than 2200 years. Everyone from American journalists in the twenty-first century AD to Roman politicians at the turn of the third century BC have used it as a tool to illustrate the negative consequences of changes in their world. Because Roman history is so long, it provides a buffet of ready-made stories of decline that can help develop the context around any snapshot. And Rome did, in fact, decline and, eventually, fall. An empire that once controlled all or part of more than 40 modern European, Asian, and African countries no longer exists. Roman prophets of decline were, ultimately, proven correct-a fact that makes their modern invocations all the more powerful. If it happened then, it could happen now. 

Edward J. Watts' The Eternal Decline and Fall of Rome: The History of a Dangerous Idea (Oxford UP, 2021) tells the stories of the people who built their political and literary careers around promises of Roman renewal as well as those of the victims they blamed for causing Rome's decline. Each chapter offers the historical context necessary to understand a moment or a series of moments in which Romans, aspiring Romans, and non--Romans used ideas of Roman decline and restoration to seize power and remake the world around them. The story begins during the Roman Republic just after 200 BC. It proceeds through the empire of Augustus and his successors, traces the Roman loss of much of western Europe in the fifth century AD, and then follows Roman history as it runs through the Eastern Roman Empire (Byzantium) until its fall in 1453. The final two chapters look at ideas of Roman decline and renewal from the fifteenth century until today. If Rome illustrates the profound danger of the rhetoric of decline, it also demonstrates the rehabilitative potential of a rhetoric that focuses on collaborative restoration, a lesson of great relevance to our world today.

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Stefania Tutino, Professor and Peter Reill Chair in European History at UCLA talks about her new book, A Fake Saint and the True Church: the Story of a Forgery in Seventeenth-Century Naples (Oxford UP, 2021), why history remains relevant and also very fun, and the role of narrative and historical imagination in the development of compassion for our fellow humans. This episode is as much a lively conversation as an interview about some fascinating subject matter. 

A Fake Saint and the True Church uncovers the remarkable story of a fake saint to tell a tale about truth. It begins at the end of the 1650s, when a large quantity of forged documents suddenly appeared throughout the Kingdom of Naples. Narrating the life and deeds of a previously unknown medieval saint named Giovanni Calà, the trove generated much excitement around the kingdom. No one was more delighted by the news than Carlo Calà, Giovanni's wealthy and politically influential seventeenth-century descendant. Attracted by the prospect of adding a saint to the family tree, Carlo presented Giovanni's case to the Roman Curia. The Catholic authorities, however, immediately realized that the sources were forged, and that Giovanni was not real (let alone holy). Yet, it took more than two decades before the forgery was exposed: why?

Vividly reconstructing the intricate case of the supposed saint, Stefania Tutino explores the tensions between historical and theological truth. How much could the truth of doctrine depend on the truth of the facts before religion lost its connection with the supernatural? To what extent could the truth of doctrine ignore the truth of the facts without ending up engulfed in falsity and deceit? How could the absolute truth of theology relate to the far less absolute certainty of human affairs?

This story of a fake saint illuminates early modern tensions. But the struggles to distinguish between facts, opinions, and beliefs remain with us. Examining, as this book does, how our predecessors dealt with the relationship between truth and authenticity guides us too in thinking through what is true and what is not.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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When we think about the process of European unification, our conversations inevitably ponder questions of economic cooperation and international politics. Salvatore Pappalardo offers a new and engaging perspective, arguing that the idea of European unity is also the product of a modern literary imagination. This book examines the idea of Europe in the modernist literature of primarily Robert Musil, Italo Svevo, and James Joyce (but also of Theodor Däubler and Srecko Kosovel), all authors who had a deep connection with the port city of Trieste.

Writing after World War I, when the contested city joined Italy, these authors resisted the easy nostalgia of the postwar period, radically reimagining the origins of Europe in the Mediterranean culture of the Phoenicians, contrasting a 19th-century nationalist discourse that saw Europe as the heir of a Greek and Roman legacy. These writers saw the Adriatic city, a cosmopolitan bazaar under the Habsburg Empire, as a social laboratory of European integration. Salvatore Pappalardo's book Modernism in Trieste: The Habsburg Mediterranean and the Literary Invention of Europe, 1870-1945 (Bloomsbury, 2021) seeks to fill a critical gap in the extant scholarship, securing the literary history of Trieste within the context of current research on Habsburg and Austrian literature.

Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora.

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Samuel David Luzzatto (1800-1865), known by his Hebrew acronym Shadal, was the leading Italian Jewish scholar of the 19th century. A linguist, educator, and religious thinker, he devoted his talents above all to the interpretation of the Bible. As a master of Hebrew grammar and usage, he focused on the plain meaning of the text. Although he was a devout believer in the divinity, unity, and antiquity of the Torah, Shadal approached the text in a remarkably free spirit of inquiry, drawing upon a wide variety of sources, ancient and contemporary, Jewish and non-Jewish. As a result, his interpretations may strike even the modern reader as fresh and novel.

Shadal's treatment of the books of the Torah consisted of his Italian translation of the text and his Hebrew-language commentary. Here, for the first time, is an all-English version of both the text translation and the unabridged commentary. Daniel A. Klein, translator and editor of Luzzatto's commentaries, has supplied copious explanatory notes and a list identifying the sources cited. Through Kodesh Press, Daniel Klein has translated Shadal's commentaries on Genesis (2019), Exodus (2015), and Leviticus (2020).

Join us as we speak with Daniel Klein about Luzzatto's life and commentaries on the Torah!

Daniel A. Klein is an attorney and legal writer, and a graduate of Yeshiva University and New York University School of Law. His study of Italian as a youthful hobby led to a fascination with Italian Jewish culture and, in particular, the works of Shadal (Samuel David Luzzatto).He and his wife live in Rochester, New York, where he has taught Judaic studies at elementary, high school, and adult levels.

Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus (Peeters, 2012), Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus (IVP Academic, 2015), and Exodus Old and New: A Biblical Theology of Redemption (IVP Academic, 2020). He can be reached at [email protected]

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Today we have John Christopoulos, Assistant Professor of History at the University of British Columbia, to talk about his new book, Abortion in Early Modern Italy (Harvard University Press, 2021)

In this authoritative history, John Christopoulos provides a provocative and far-reaching account of abortion in sixteenth- and seventeenth-century Italy. His poignant portraits of women who terminated or were forced to terminate pregnancies offer a corrective to longstanding views: he finds that Italians maintained a fundamental ambivalence about abortion. Italians from all levels of society sought, had, and participated in abortions. Early modern Italy was not an absolute anti-abortion culture, an exemplary Catholic society centered on the “traditional family.” Rather, Christopoulos shows, Italians held many views on abortion, and their responses to its practice varied.

Bringing together medical, religious, and legal perspectives alongside a social and cultural history of sexuality, reproduction, and the family, Christopoulos offers a nuanced and convincing account of the meanings Italians ascribed to abortion and shows how prevailing ideas about the practice were spread, modified, and challenged. Christopoulos begins by introducing readers to prevailing ideas about abortion and women’s bodies, describing the widely available purgative medicines and surgeries that various healers and women themselves employed to terminate pregnancies. He then explores how these ideas and practices ran up against and shaped theology, medicine, and law. Catholic understanding of abortion was changing amid religious, legal, and scientific debates concerning the nature of human life, women’s bodies, and sexual politics. Christopoulos examines how ecclesiastical, secular, and medical authorities sought to regulate abortion, and how tribunals investigated and punished its procurers—or did not, even when they could have. Abortion in Early Modern Italy offers a compelling and sensitive study of abortion in a time of dramatic religious, scientific, and social change.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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In this episode, Steven Fine, Churgin Professor of Jewish History at Yeshiva University, Israel, discusses his new book Arch of Titus: From Jerusalem to Rome—and Back, published in Brill’s Religious Studies, Theology and Philosophy E-Books Online collection.

He explores how the Arch has been a symbol of subjugation as well as empowerment for both Jewish and Christian cultures as they evolved across centuries; how it is a door to the story of the Jewish community’s resilience; how it has inspired other monuments of power over globally; the layers of meaning it contains; and the reverberation, and thus enhancement, of its meaning in the digital age.

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In this wide-ranging and authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original account of the development of art-historical thinking will appeal to readers both inside and outside the discipline.

A History of Art History (Princeton UP, 2019) shows that the pioneering chroniclers of the Italian Renaissance—Lorenzo Ghiberti and Giorgio Vasari—measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however—Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich—struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline.

Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries.

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Federico Fellini’s distinct style delighted generations of film viewers and inspired filmmakers and artists around the world. In Fellini’s Films and Commercials: From Postwar to Postmodern, renowned Fellini scholar Frank Burke presents a film-by-film analysis of the famed director’s cinematic output from a theoretical perspective. The book explores Fellini’s movement from relatively classic filmmaking to modernist reflexivity and then to ‘postmodern reproduction’. Burke moves from analysis of stories told from a relatively ‘objective’ standpoint, to increased concentration on Fellini-as-author and on the cinematic apparatus, to Fellini’s dismantling of authorship and cinematic apparatus, to his postmodern signifying strategies. Grounded in poststructuralist approaches to texts and signification, Burke shows that Fellini is profoundly readable, if extremely complex. Revisiting Burke’s 1996 Fellini’s Films: From Postwar to Postmodern, this new edition includes revised material from the original, plus a new preface and new chapter on the filmmaker’s work on commercials. Elegantly written and thoroughly researched, this book is essential reading for Fellini fans and scholars.

The Wiley Blackwell Companion to Federico Fellini presents new methodologies and fresh insights for encountering, appreciating, and contextualizing the director’s films in the 21st century. A milestone in Fellini scholarship, this volume provides contributions by leading scholars, intellectuals, and filmmakers, as well as insights from collaborators and associates of the Italian director. Scholarly yet readable essays explore the fundamental aspects of Fellini’s works while addressing their contemporary relevance in contexts ranging from politics and the environment to gender, race, and sexual orientation.

Giancarlo Lombardi is Professor of Italian and Comparative Literature at the College of Staten Island and at the Graduate Center of the City University of New York. He has published widely on European and North American serial drama, on Italian Film and Cultural Studies, and on cultural representations of Italian terrorism.

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With thousands of migrants attempting the perilous maritime journey from North Africa to Europe each year, transnational migration is a defining feature of social life in the Mediterranean today. On the island of Sicily, where many migrants first arrive and ultimately remain, the contours of migrant reception and integration are frequently animated by broader concerns for human rights and social justice. 

Island of Hope: Migration and Solidarity in the Mediterranean (University of California Press, 2021) sheds light on the emergence of social solidarity initiatives and networks forged between citizens and noncitizens who work together to improve local livelihoods and mobilize for radical political change. Basing her argument on years of ethnographic fieldwork with frontline communities in Sicily, anthropologist Megan Carney asserts that such mobilizations hold significance not only for the rights of migrants, but for the material and affective well-being of society at large. 

Megan A. Carney is Assistant Professor in the School of Anthropology and Director of the Center for Regional Food Studies at the University of Arizona. Her writing has appeared in The Hill, The Conversation, and Civil Eats. She is the author of the award-winning book The Unending Hunger.

Fulya Pinar is a PhD candidate in the department of Anthropology at Rutgers University. Her work focuses on the refugee women's commoning practices to build sustainable futures in Turkey.

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The Outside: Migration as Life in Morocco (Indiana UP, 2021) traces how migration has come to occupy a striking place in the lives of many Moroccans. A full 10 percent of the population now lives outside the country, affecting individual and collective life in countless unanticipated ways.

In this intimate ethnography of rural Morocco, Alice Elliot considers the experience of migration from the point of view of the families and people, mostly women, who have not (yet) left. Elliot shows how the specter of migration has permeated life, from kinship relations to intimacy between spouses and to the imagination of the future.

The Outside seeks to answer the question, what is migration when it becomes the very foundation on which forms of social and individual life are built? New understandings of migration emerge through its intimate textures as Elliot shows how it has become, in some parts of the world, a distinctive condition of everyday life.

Alice Elliot is Lecturer in Anthropology at Goldsmiths, University of London. She edited (with Roger Norum and Noel B. Salazar) Methodologies of Mobility: Ethnography and Experiment.

Alize Arıcan is an incoming Postdoctoral Fellow at Rutgers University's Center for Cultural Analysis. Her research focuses on urban renewal, futurity, care, and migration in Turkey. Her work has been featured in Current Anthropology, City & Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography.

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Artemisia Gentileschi is by far the most famous woman artist of the premodern era. Her art addressed issues that resonate today, such as sexual violence and women’s problematic relationship to political power. Her powerful paintings with vigorous female protagonists chime with modern audiences, and she is celebrated by feminist critics and scholars.

Artemisia Gentileschi and Feminism in Early Modern Europe (Reaktion Books, 2020) breaks new ground by placing the artist in the context of women’s political history. Mary D. Garrard, noted Gentileschi scholar, shows that the painter most likely knew or knew about contemporary writers such as the Venetian feminists Lucrezia Marinella and Arcangela Tarabotti. She discusses recently discovered paintings, offers fresh perspectives on known works, and examines the artist anew in the context of feminist history. This beautifully illustrated book gives for the first time a full portrait of a strong woman artist who fought back through her art.

Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries.

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What does it mean to “upend a norm,” which is the translation of the title of Sergio Rigoletto’s recent study “Upended norms: essays on gender and sexuality in Italian cinema and television.”

Rigoletto focuses on Italian audiovisual texts from the mid-20th century until today, asking questions about how these media helped mark the boundaries of social norms in Italy as well as chart the threats to those boundaries made by sexually active women, foreigners, drag queens, homosexuals and other queer subjects. How these threats move from the background (Fellini’s La Dolce Vita, 1960) to centerstage, in films like Ferzan Ozpetek’s The Ignorant Fairies (2001) and Luca Guadagnino’s Call me by Your Name (2017). What do these movements tell us about gendered subjects in Italian mainstream and popular media? What do they reveal about norms? These are some of the themes that Rigoletto’s (University of Oregon) Le norme traviate studies.

Ellen Nerenberg is a founding editor of g/s/i-gender/sexuality/Italy. Recent scholarly essays focus on serial television in Italy, the UK, and North America; masculinities in Italian cinema and media studies; and student filmmakers. Her current book project is La nazione Winx: coltivare la futura consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Nicoletta Marini-Maio (forthcoming, Rubbettino Editore, 2021). She is President of the American Association for Italian Studies.

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Back in 1997, when Anthony Valerio’s Conversation with Johnny was first published, the world hadn’t yet seen The Godfather, The Sopranos, or Goodfellas. In this slim volume, Valerio explores two distinct Italian American stereotypes: the dashing man about town and the successful gangster. Nicholas, the descendant of parents who emigrated to America, goes back to the old Italian New York neighborhood where Johnny, the old but still powerful gangster resides, surrounded by acolytes and luxury. The source of Johnny’s power and wealth is assumed to be crime, but he is is a caring and nurturing godfather, listening closely as Nicholas cries about his married, lover calling it quits. He is also a ruthless don who can shower Nicholas with wealth, get him a job as a maître-d at a famous restaurant, or create a retirement home for Italian American Writers. But he can’t promise Nicholas an Italian-American culture that focuses on solely on art as if organized crime never happened.

Anthony Valerio is the author of 12 books of fiction and non-fiction. As a book editor in major publishing houses, including McGraw-Hill, he was fortunate to have edited great writers such as Toni Cade Bambara, Shel Silverstein and others. His short stories have appeared in the Paris Review and have been published in anthologies by Random House, the Viking Press, and William Morrow. He has taught undergrad and post-grad writing at New York University, City University of New York, and Wesleyan University, and he has been a fiction judge at PEN's Prison Writing Committee. He works every day, is a jazz afficionado, and a passionate golfer who tries to get out in nature and on the links. About Anthony Valerio’s work, his friend and legendary children’s book author, the late Shel Silvertein said: "He knows his craft: he gets in, tells his story and gets out. It’s what good writing should be."

I interview authors of beautifully written literary fiction and mysteries, and try to focus on independently published novels, especially by women and others whose voices deserve more attention. If your upcoming or recently published novel might be a candidate for a podcast, please contact me via my website, gpgottlieb dot com.

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