Not A Diving Podcast with Scuba

What are we all doing here anyway? That's a question I've asked myself recently, not in purely existential terms so much as continuing to pursue some sort of platonic ideal of dance music. Something that means so many different things to so many different people.

Truncate is a key man in the world of Techno, a producer who i suspected might have been the most played artist on Aslice (he denies this), and a key DJ who spins all over the world. He's also a man of opinions and observations and therefore a great guest for this show.

We talk about topical stuff like the Aslice thing, the prevalence of DJ tools, and the influence of DJ tech on the music, as well as digging into his history and local scene in southern California.

I use far too much profanity in this episode, but don't worry about that - this was a fun with a key man in the scene and you're gonna enjoy it!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

This is an unedited recording of our LIVE EPISODE at Lost Village Festival in the UK last month featuring Hot Chip's Joe Goddard.

We rarely do these live episodes, so sign up to our Discord server to tell us what you think!

The next regular episode of the show will be out on the normal schedule of next Tuesday.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

If the medium is the message then surely anyone closely involved with Ableton over the past couple of decades can justifiably claim to have changed the world of music in that time.

Since our guest this week is a co-founder of the company, then his contribution should probably be described as world-changing. And not just electronic music, since all music today is to some extent running on tech. Ableton has done more than any other emergent piece of technology to enable vast, previously unprecedented numbers of people to make records.

But is that a good thing? We find out in this conversation.

Of course we also discuss Robert's contributions as an artist, in particular his new album as Monolake, entitled 'Studio'. We get into the process of making it, and the differences from his previous album projects. And we talk about the challenges and pressures of making music over time.

We also get deep into his story, moving from Munich to Berlin in 1990 and gradually developing the projects which would... well, change the world.

This is as good as I'm making it out to be, so make sure you get all the way through it!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

The potential of NFTs to save musicians was always pretty tenuous, and the more excitable proponents of the whole thing always sounded a bit too much like they were either trying to convince themselves about it. Or maybe that they were just scamming.

Our guest this week is deep in the world of digital art, but doesn't make any bold claims to be even linking it in much of a way to his first area of creative interest which was, of course, music.

Agoria is an important name in the history of the French scene, with a long career releasing records on the full spectrum of labels, throwing parties (including the key festival Nuits Sonores), and DJing all over the world. He's also a thoroughly nice chap who I've had the pleasuring of hanging out with a playing a good few b2b sets with over the years.

We discuss the whole web3 thing, his involvement in the digital art scene more generally, the Paris olympics, meeting President Macron, the Presidential art collection, the future of dance music, and a lot more besides.

I loved this conversation and you're going to too!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

In 2020, our guest this week was named an Artist in Residence at the Search for Extraterrestrial Intelligence (SETI). Thus we are finally able to continue the theme established on episode 84 with Matthew Dear, a line of enquiry which I know many of you were keen to see more fully interrogated on the podcast.

Daedelus has been making music since the 90s, releasing albums (on labels including Brainfeeder and Ninja Tune) almost every year this century, and performing with such virtuosity that they are now a professor of electronic music performance at Berklee's Electronic Production and Design Department.

So we had much to discuss during this conversation, including the nature of extra terrestrial communication, government efforts to support the creativity, intellectual property and sampling, the making of albums, and the views and expectations of the new generation of musicians.

This is a good one...

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

I'm on holiday currently but since we never actually take days off here's an unprecedented episode of the show with two guests and two separate interviews!

Gregor Tresher is DJ and producer from Frankfurt, Germany who's been releasing music since the 90s under his own name and under the Sniper Mode alias. We focus on production in this conversation, and specifically collaboration since much of his output in recent years as been working with other people, perhaps most notably in co-writing and producing Sven Väth's 2022 album Catharsis.

Juliet Fox is a breakthrough DJ from Australia who has been riding the wave of the current techno boom since the pandemic. We chart her journey from Adelaide, to Melbourne and on to Europe where she now lives in London, having enjoyed the customary spell in Berlin too.

Both of these conversations include discussion on the challenges facing the current dance scene, and the reasons to be optimistic. We get some interesting divergences AND convergences of opinion of the various issues, making this a pretty effective double header.

Stick it on by the pool!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Mike Parker is one of the most singular practitioners of the discipline of Techno as is possible to identify. His biography describes his approach to music as 'experimental and ritualistic' and on detailed listening you'd have to agree.

He's also a professor of fine art at Daemen College in Buffalo, and a graduate of the art school at Carnegie Mellon University.

So this is an episode about Techno, but not typical of nominally similar episodes of recent weeks.

We discuss recording, work in the studio without a computer, his early experiences in bands, the influence (or not) of EDM, and the mid 90s east coast warehouse scene.

And we also get a definition of 'art' from someone who actually knows what they're talking about!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Stream the video version of this episode: https://youtu.be/WoQuHAjWYMs

And listen to Triple Transit: https://push.fm/fl/tripletransit

This is the first in a new series entitled Studio Stories, in which I'll be sitting down with a producer and discussing a release in detail.

Today I'm talking to Praveen Sharma, aka Braille, about his awesome new LP Triple Transit which was released today.

We get into the technical challenges of making the record, incorporating modular synths and designing an efficient workflow, as well as the emotional journey Praveen embarked upon in the period that he was making the tracks.

This is a great insight into an excellent piece of work and you're gonna enjoy the conversation!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

What is future music anyway? And is it any different from the future OF music?

Simon Reynolds is one of the most influential music writers of the last two decades, authoring such seminal works as 'Energy Flash' (on acid house and rave, 'Rip It Up And Start Again' (on the post-punk era), and 'Retromania' (on the obsession of popular culture with the past).

His latest book, the recently published 'Futuromania', is a discussion of future music, past and present. And over the course of this conversation we dig deep into its contents, written at various points since the early 2000s.

Also covered in the discussion are the current landscape of musical influence in culture, the changing nature of the global dance scene, the rise and fall of Autotune, Lady Gaga and Charli XCX, Burial and Omni Trio, and the influence of Skrillex.

I was looking forward to this one and it didn't disappoint!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

What do you call a music scene with no name?

The lack of a commonly-accepted moniker for the mid-to-late 90s movement centred around Ninja Tune and Gilles Peterson amongst others is a real anomaly in contemporary music. One of the most interesting insights from our guest this week, Mr Scruff, is the revelation not even the DJs themselves referred to it as anything in particular. That's pretty crazy!

This is a great conversation, a classic episode even. We discuss Manchester, sampling, tape editing, record collecting, as well as the AI stuff and the general making of ones way in the music scene.

You're gonna love this one...!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

The pandemic is a topic of conversation we studiously avoided for the first year or so of the podcast, it just seemed a bit boring and predictable. It was shit, basically, and there's only so much you can say about being locked inside for 18 months.

But what if you suddenly became a successful DJ in 2019? That was some of the worst timing possible, and must've posed a series of challenges to keep it going, both professional and psychological.

This week's guest had to deal with exactly that scenario, and he just about managed to come out of the other side. The pressures of success aren't intuitively easy to imagine from the outside but this particular case probably isn't that hard to empathise with. Work for years to achieve your dreams, manage to do it, and then face the prospect of it all going up in smoke through the most bizarre social circumstances in living memory.

Don't worry though, it's not all Covid chat this week, we also get into the music, some technical stuff, more discussion of the state of Techno today (the main theme of the show in recent weeks), and some much-needed detail on the scene in Spain.

Regal is a great guy and you're gonna enjoy this one!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Afro House is not something we've covered in depth on the show to date, but this week we welcome one of the UK's foremost exponents of the form.

Kitty Amor was born in London, but cut her musical teeth running nights as a student Nottingham where she and her associates were instrumental in bringing the second wave of Grime, Funky, and other key London genres out of the capital.

Her sound as a DJ was also developed during that stint in the midlands, and upon returning to London she made a success in establishing herself on the scene, and put herself in a great position to kick on when the international opportunities came knocking as they inevitably did.

We discuss the challenges of getting started in the industry, the influence of musical parents, the peculiarities of running student nights, taking advantage of the time in lockdown, and the nature of the scene today.

Kitty has some great stories and you're gonna enjoy this episode!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Join us at the D:U:2 listening party -> https://scubaofficial.bandcamp.com/merch/d-u-2-listening-party

Listen to the awesome Laurus Ascending EP by Bodhi -> https://ingrv.es/laurus-ascending-ya4-9

It's been a while since we had a promoter on the show, and this week's guest is one of the most influential in Europe since the turn of the century.

Having spent his 20s servicing in the military and fire brigade, Danny Whittle joined the Renaissance team direct from the job centre and since then has been running parties mostly in Ibiza but in other places too, including a memorable detour to Bondi Beach on Millennium Eve.

We get deep into his legendary 14 year stint running Pacha were he essentially invented the enduring trend of season-long DJ residencies on the island, and all of the benefits and problems which have come with that approach to music polices on the island. And we talk about his current job, programming the 'small' 1500 cap venue Chinois.

As well as interrogating the pros and cons of the current dance scene, we discuss the parallels with the late 90s, and of course cover what was one of the few major successes of what was supposed to be the biggest party night ever, that Bondi Beach rave with Carl Cox.

Danny is a real legend of the European club scene and we get a lot of info here that you can't get anywhere else!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Are we partying like it's 1999? I mean what it was actually like in 99, not how Prince imagined it might be back in 1982.

Millennium eve was supposed to be the best thing ever. I was beside myself with excitement for months beforehand, possibly years. But when push came to shove, my group of friends didn't even bother going to a rave and spent an underwhelming evening drinking warm champagne on Brighton Beach before attending a number of deeply boring house parties.

The subsequent inquest carried out in the pages of Mixmag, DJ Mag, and the rest suggested that our experience wasn't unusual. Promoters lost unfathomable amounts of money that night and the overall impression was that an enormous bubble had prematurely burst with the least fanfare possible.

The current landscape lacks a similar finishing line, but the bug-eyed faux enthusiasm and lip-smacking commercialism which seems to define everything in the dance scene right now definitely has a similar feel to the end of the 90s. But what, if anything, is going to let the air out this time? 1999 was also the time that our guest this week, Steve Bug, and some of the Superstition Records gang from Hamburg started Poker Flat Recordings, one of the labels that would define the minimal sound that emerged from the wreckage of Millennium Eve.

Steve has been pretty outspoken in his interviews of the last few years on above topics, so of course I wanted to get him on the podcast to talk about it. This conversation dovetails nicely with last week's episode with Radio Slave, in which I noted that 'if something is shit, then you should say it's shit, and this [the current dance scene] is shit'.

There is a reasonable degree of constructive comment in this episode though, as well as the doom. I think there is anyway!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

At what point does criticism of changes in culture become overly reactive? This is a question I've wrestled with continuously over the past couple of years, but I can't get past the conclusion that if something isn't good then pointing that fact out is never really a bad thing... right?

My conversation with Radio Slave this week doesn't pull any punches on what is wrong with dance music currently. It's no longer cool. Social media is rewarding the wrong stuff. The history of the thing is being trampled on and turned into something that bears no resemblance to the original vision.

But over the top of all that is a sense that good things are still happening, and that maybe it wouldn't take much for the forces of commercialism too be swept away and something great to emerge. Kind of like what happened after the turn of the millennium, a period which felt quite a bit like it does now.

We also discuss the new Radio Slave album, the changing nature of running a label in this space (Rekids, in this instance), and try to anticipate how it's all going to develop... positive or negative!

Matt Edwards is a don of the scene and you're going to enjoy this conversation!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

It's the week after the week before.... no guest this week, but a deep dive into my experiences with live electronic music in the audience as well as being on stage myself.

And on stage I was, last week in London, Bristol, and Manchester. Huge thanks to all of you who attended the shows, had so much great feedback it's been a bit overwhelming actually. If you missed it then there will be more later in the year!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

D:U:LIVE is coming this week!! My first live shows since 2013.... London / Bristol / Manchester - all tickets: scubaoficial.io/live

How many proper recording studios are there left in big cities in 2024? And how many of those are used regularly for making proper dance music?

Probably not that many but one of them is run by this week's guest, a recoding engineer with a ton of house and techno credits and one half of the Lost Souls Of Saturn alongside previous NDP guest Seth Troxler.

Phil Moffa is a born-and-raised New Yorker, with the accent to prove it. He's also a great person too discuss many of our favourite topics with, including the historic club scene of NYC, the ethics of music technology, and the current state of house and techno.

We also get deep into Phil's journey through music as a DJ, engineer, and lecturer.

This is a good one!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

D:U:LIVE is coming in June! My first live shows since 2013.... London / Bristol / Manchester - all tickets: scubaoficial.io/live

We've been covering techno quite a lot on the show recently, but mostly from a legacy perspective. This week we are joined with one of the last few years' breakdown names on the production side.

Based in Krakow, Poland, Karol Mozgawa aka Deas emerged largely via the Audio River festival, a truly world class event which is now its seventeenth year. Releases on CLR, Dynamic Reflection, Planet Rhythm, Materia and others have cemented his name in the DJ sets of the biggest and best techno jocks on the circuit.

Karol is a proper studio guy, with a room full of kit in his house outside Krakow, so we get into the weeds a bit with audio interfaces and outboard gear in this conversation.

But we also delve into more familiar territory too, addressing the state of the current scene, the good points and bad, as well as some scene-specific stuff in Poland too.

This is a good one, you're gonna enjoy it!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

D:U:LIVE is coming in June! My first live shows since 2013.... London / Bristol / Manchester - all tickets: scubaoficial.io/live

Tom Vek is a solo artist from the UK who has been signed to majors, indies, and been self released. He was in the news recently in the debate surrounding James Blake's Vault platform, penning an opinion piece on the subject in the Guardian.

So obviously we discuss all that stuff in this conversation, as well as his own contribution to the music distribution development conversation - the Supercollector blockchain platform.

We also get into his journey as a musician, from his extremely great first album 'We Have Sound' through a difficult period on Island/Universal, via his various excursions in tech and up to the present day.

Tom is a great guy whose music I've been a fan of for many years and you're gonna enjoy this conversation!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

D:U:LIVE is coming in June! My first live shows since 2013.... London / Bristol / Manchester - all tickets: scubaoficial.io/live

Is it possible for the music to do the talking in 2024?

Maybe, but probably not the extent that Paranoid London managed it for the first few "vinyl-only, no interviews" years of their career. Quinn joins us on this episode for a chat that includes a lot more laughter than usual for an episode of this podcast. But that's a good thing!

And we talk about some interesting stuff too, like their new album, the effect of playing on big stages, how great London is right now, recording techniques... and a lot more.

This is a good one, you're gonna enjoy it.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

D:U:LIVE is coming in June! My first live shows since 2013.... London / Bristol / Manchester - all tickets: scubaoficial.io/live

Ceri is a DJ, producer, Find Your Own Records label owner, and Find Your Own Sound music production masterclass host.

A former resident of the legendary after hours party Jaded in London, she has really taken off on the circuit since the pandemic with recent debuts at Panorama Bar and Blitz Munich.

She's also an Ibiza resident and a long-time participant in the scene there, with a full season as a worker under her belt... so we talk a lot about Ibiza in this episode.

We also discuss technique vs creativity, selling vinyl in 2024, and the Kendrick / Drake beef... kind of!

Check out her recent mix appearance on the Blitz Club podcast https://soundcloud.com/blitzclub/blitzcast-019-ceri

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

D:U:LIVE is coming in June! My first live set since 2013.... London / Bristol / Manchester - all tickets: scubaoficial.io/live

Radio is not something we've covered massively on the podcast to date but this week's guest is often (and somewhat lazily) referred to as the Irish John Peel, so this is a step towards rectifying that.

Cian Ó Cíobháin has been curating his 5-nights-a-week show An Taobh Tuathail on the Irish state broadcaster RTE RnaG for 25 years. That longevity is an achievement in itself, but doing a great music show for that long is a very rare thing indeed.

Originally from Gaeltacht in Co Kerry, he's been based in Galway since 1993, and has been a big part of the music scene ever since as a DJ and club promoter, bringing acts like Erol Alkan, Andrew Weatherall, and Justice to the city.

Cian is a real legend of underground music in Ireland and it's great to have him on the show!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

D:U:LIVE is coming in June! My first live set since 2013.... London / Bristol / Manchester - all tickets: scubaoficial.io/live

How could we possibly follow last week's episode with the techno legend Luke Slater? Well, with another legend of techno of course!

Laurent Garnier is, in fact, and all-time great of dance music PERIOD. He was playing the Hacienda before acid house really got going. He can plausibly claim a large amount of the credit for the sound gaining popularity in France. And he continues to be one of the best DJs on the planet.

So it's a slightly daunting prospect to welcome him to a humble podcast such as ours, but welcome him we absolutely do.

Discussion topics include: what are the challenge facing the current scene, and the grounds for optimism. We talk about Paris as a dance music city, and the role of venues such as the Rex Club and Concrete. And we talk about his relationship with music, as a DJ and also as a producer.

This is a great conversation with a man who many claim to be the GOAT. You're gonna enjoy it...

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

D:U:LIVE is coming in June! My first live set since 2013.... London / Bristol / Manchester - all tickets: scubaoficial.io/live

If you were discussing, as people sometimes do, the possible identity of ' the best techno producer of all time' then Luke Slater would surely be mentioned in that conversation. At least if I was involved in the debate it certainly would be.

Is anything else necessary to say here?

Well, he has a new album coming under his LB Dub Corp alias, which is usually closer to deep house and this time features vocals from Kittin, Robert Owens, and Paul St Hilaire amongst others.

And we talk about techno, acid house, and the state of the current scene. What more could you want from an episode of the Not A Diving Podcast?

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

D:U:LIVE is coming in June! My first live set since 2013.... London / Bristol / Manchester - all tickets: scubaoficial.io/live

We haven't covered Drum n Bass anywhere near as much as I'd like. dBridge was an early guest, and we've also had Fracture, Chris from Hospital, and Krust. So that's not even 5% of the episodes so far, and DnB really is a fascinating topic.

Doc Scott was there from the very start. A teenage attendee of acid house raves like Sunrise, he was on the dancefloor at Rage, and a regular on the decks at one of the most legendary club nights of all time of any genre - Metalheadz at the Blue Note.

An important producer in the 90s, including the all-timer Shadow Boxing, he hasn't released a tune in over 20 years, but still runs his label 31 Recordings and DJs all over the world.

We talk about the history of the scene, those acid house raves, the detailed story of the Rage - Jungle Fever - Speed - Metalheadz progression. And we get deep into the DnB scene today, which he regards as being as good as ever.

This is a great conversation, and hopefully the first of more DnB coverage coming up!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Sign up for London / Bristol / Manchester Scuba live shows! scubaoficial.io/live

What's it like to mediate a disagreement between members of one of the biggest bands in history? And to do that while you're trying to produce their new record?

This is a question which is answered in this week's episode, in which our guest is one of the most prolific producers of Big UK Acts of the last two decades.

As well as being a member of Simian Mobile Disco, James Ford (occasionally with his middle name included) has a production credits list which includes Depeche Mode, Blur, Arctic Monkeys, Pet Shop Boys, and Beth Gibbons.

If that's not going to yield some good podcast content, then the blame should fall squarely on the host.

We discuss the role of the record producer today, as well as how that role has changed over time. Regular questions like the one about AI are covered. And we also get into detail about some specific projects, including the making of the brand new Pet Shop Boys record in James' home studio.

This is a highly illuminating discussion on a topic that isn't particularly well understood. One of the best episodes so far, and a worthy follow-up to Steve Davis last week!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a credit or debit card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.

Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

How many elite sportsmen know their way round a modular synthesiser?

Steve Davis was the first modern star of snooker. He dominated the game in the 1980s, winning six world titles, appearing in 8 of the 9 finals between 1981 and 1989. He was ranked number one in the world for seven consecutive years, posted the first ever 147 maximum break in official competition, and was easily (Alex Higgins hipsters aside) established as the best player ever to play the game by the end of that decade.

As well as being the most successful player at that point, he was also the first snooker player to do product endorsements, and fully participate in the emerging business of sports entertainment, guided by the legendary manager and promoter Barry Hearn.

What brings him to the Not A Diving Podcast is his second career as a DJ and member of The Utopia Strong, an experimental band in which he plays modular synth.

That's a late-career curve ball if ever there was one. But since he's also been President of the British Chess Federation and competed in serious poker tournaments, it's perhaps not as much of a surprise as it might be.

I was incredibly excited to talk to Steve, and he didn't disappoint... the first NDP guest to have appeared on I'm A Celebrity is always going to be a good episode isn't it?

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a credit or debit card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Coming to you from Dehli, India.... via dodgy mic in a hotel room so don't watch the sound quality!

I play Vent in Tokyo this Friday, and will be making my debut in Shanghai this Saturday.

On the show this week...

What makes an Ibiza DJ? And does anyone want to be one anymore?

Chloé Caillet is always talked up that way in the press, but there's a lot more to her than a residency at Circo Loco. One of house music's breakthrough DJs of the post-pandemic era, Chloé has really become a big name on the circuit in a way that transcends the pigeonholing that, in fairness, just about everyone in this position has to deal with to some extent.

We discuss her formative years in Paris and Bristol, as well as her time in New York going to party's like former NDP guest Taimur's Blkmarket Membership.

Chloé is a classically trained musician so we get deep into that debate. We also cover the AI-in-music questions, the looming changes in music tech and the wider industry, as well as the more recent ones too.

I hadn't met Chloe before this conversation and it was great to be able to shoot the breeze with her on some crucial stuff. You're gonna enjoy the conversation!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a credit or debit card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

For the dance producer, a move into scoring film and TV is often a secret (or not-so-secret) career aspiration. Hardly anyone manages to pull it off though. How do you do it? And what is the work and life actually like if you make it?

Nathan Micay has released singles and albums on labels including Aus Music and Lucky Me, but now spends most of his time writing music for projects for Netflix and the like. His CV in that area now includes Industry, the new Sexy Beast series, and HBO's Reality.

So he's a great person to get into the details of the above questions with... and on this episode we do just that. 

We also talk about the dance stuff too though, and get some great stories about Berlin, Berghain, and music making generally. 

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a credit or debit card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

What connects hair metal on the sunset strip with Burning Man, the Dotcom Bubble, and Planet E Communications?

On this this week's episode we find out, with the man who was formerly label manager for Carl Craig's imprint, grew up in the Bay Area and was in the first group of employees and AskJeeves.com...!

Monty Luke is a great DJ and producer who has been around the block a few times. We therefore had much to discuss, including the aforementioned journey from dive bars in LA in the late 80s, through early years as a DJ in California rave scene, emerging as a character in the industry to eventually ending up in Berin.

And we discuss his new album on Rekids too.

This is a great conversation with a man who has stories for days, you're gonna enjoy it!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a credit or debit card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

The Orb are the biggest ambient act of all time - that's probably true but they were certainly THE ambient band of the 90s, selling enormous amounts of records, touring a live show which drew breathless comparisons to Pink Floyd, arguably inventing the concept of Chill Out, and generally occupying a unique space as a truly experimental group in the mainstream of music. 

Alex Paterson is the only constant member of The Orb, who last released an album in 2023, and has the scars of litigation to prove it - their 90s catalogue is till being argued over with its owners, Universal, and the lawsuits over uncleared samples have been numerous and acrimonious. 

So we talk about all that, plus his formative years as an unofficial member of and sometime roadie for The Killing Joke, doing A&R for E.G. Records in the 80s, starting The Orb with KLF legend Jimmy Caughty, DJing at the legendary UFO in Berlin the night the wall came down, and of course his new record with his other project, Sedibus. 

Some parallels here with the episode we did with Adrian Sherwood... it took a fair bit of work to get this one into shape, but I think it was worth it. You're gonna enjoy it!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using a credit or debit card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

I think this might be a classic episode in the making... it's a really fun and interesting comversation about scenes, new music, new tech, and being a musician. 

T.Williams is a UK house don, a close friend and long-time recommendation of previous NDP guest Roska, who has done all sorts of stuff over a long career covering multiple genres, touring with Disclosure, releasing a great new album, but starting all the way back in the early Grime scene as a member of the Black Ops crew in West London. 

Here's his album, Raves Of Future Past - Spotify and Bandcamp 

You're going to enjoy this one, it's a banger.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Welcoming Danny Daze back for a second appearance on the podcast. Danny graced us with his presence on episode 32, but a lot has happened since then both in the scene generally and in Danny's life too. 

We get deep into his recent album and visual project, Blue, which is a great piece of music but also a really interesting example of how to build a truly engaging visual element into the album format. We talk about constructing spatial audio mixes, Dolby Atmos, the audience perception of albums, and the music itself... it's not a dancefloor record, but is it IDM?

Additionally, we also discuss topical issues in the scene... developments in music AI, and also (deep breath) the return of NFTs and the crypto market!

So this one's definitely worth checking. 

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

And we're back! Thanks so much for you patience - the last couple of weeks have been a total nightmare for me actually but I'm happy to say that normal service can now be resumed. 

Head over to the Hotflush Bandcamp where we have unveiled a new policy of 'Pay What You Feel' for all catalogue items! Vinyl, CD, tapes, tees, mugs... Name your price on everything. This does NOT cover new releases, as we don't want to be undermining the record shop ecosystem, and digital downloads still have a floor price - but you get free downloads with the physical item anyway. Get involved!

Fracture is a London DnB vet who cut his teeth in the early Jungle clubs and has been playing on pirate since the late 90s. He was involved in the early Dubstep scene as part of Compound One, and been running a great label called Astrophonica since 2009. 

On that label they've released some really great music from important producers including Sully, Sam Binga, and Nikki Nair. 

We talk about his musical philosophy, the pros and cons of the DnB scene, and the problems with underground music more generally today. We also discuss his pirate radio history project, '0860'.  

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

The ongoing travails with my lower back have now eased somewhat, but not in time to record a new episode for this week's show. That IS HAPPENING today however, so there will be a brand new piece of content for you next Tuesday. Or this Thursday if you sign up on Patreon in the meantime, as episodes go live early over there.

But in the meantime let's take the opportunity to revisit one of the best episodes of the podcast so far... the one with Dave Clarke.

--

From episode 022 (June 2022):

Musicians can be broadly assigned one of two categories - those who are willing to say what they think, and those who are not. There is an element of risk and reward at play in this dynamic - and it might be a calculated strategy or purely a reflection of a given person's ability (or otherwise) to express themselves.

This week's guest, Dave Clarke, is a reliable representative of the former group. He is frequently interviewed, and those interviews often cover topics which have little to do with music - international politics is a common point of discussion.... which leads us to the disclaimer that there is quite a lot of non-music related chat on the show this week.

BUT THAT'S OK. DJs shouldn't be limited to talking about kick drums, and we cover topics here including living abroad, Brexit, energy policy, cultural conservatism, as well as the disappearance of counter-culture, the perils of record deals, and the secret sauce of hardware compressors.

This was a conversation I was looking forward to having and it did not disappoint.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

I have been laid up with a serious back problem for nearly two weeks now and haven't been able to record a new episode in that time. But fear not, because we are taking this opportunity to revisit one of absolute my favourite episodes of the show, all the way back to February 2022.

Fingers crossed we will be back with a new episode next week!

--

From episode 006 (Feb 2022):

dBridge is an unequivocal legend of Drum n Bass.

From his work as part of Future Forces Inc. on Renegade Hardware in the mid 90s, through the supergroup Bad Company and the Autonomic project with Instra:mental, right up to releasing 4 albums since 2018 on his own Exit Records label, he has been right at the cutting edge of the genre, and of electronic music generally for more than 25 years.

We talk about the early Jungle scene, subgenre fragmentation, DnB politics, the tyranny of rewinds, and making peace with your own musical output.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Regarding the brevity of the intro... which actually wasn't that brief because I was able to use some audio I'd already recorded to pad it out. The bout of sciatica that I was suffering from last week has got significantly worse and I'm typing this while lying on the floor, where I have been for the majority of the last three days. So that's not great - it may affect the podcast schedule next week but let's hope not. Apologies in advance if it does. And now, on with the show...

--

Would you get “tech house” tattooed on your butt?

Me either, and in fairness I don’t think our guest this week actually has, despite the title of one of the tracks on her 2020 EP ‘Pleasant Stay But I Won’t Come Back’.

Machine Woman has emerged as a really great producer with releases on Ninja Tune’s Technicolour, Delsin, as well as her own label Take Away Jazz Records. And she is also a character with an interesting story.

We discuss the challenges of moving to a new country as a teenager, navigating through musical gender stereotypes, the scene in different cities, and much else besides.

This was a fun conversation with one of the more irreverent characters of the dance scene, and you’re gonna enjoy it!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Happy new year! A couple of weeks break for me has turned into a bit of a sciatica ordeal, but fear not - the inconvenience of stabbing pains in my legs doesn't stop me recording podcasts.

DJ Paulette is an actual legend of the game - a resident at the legendary Flesh night at the Hacienda in the early 90s, she has enjoyed a truly varied and successful career since in many areas of the industry.

All of it, or the amount that could fit into 200 pages, is documented in her forthcoming book, Welcome To The Club. But we talk about lots of it here too.

This was a great conversation with someone who has genuinely done it all in the dance scene.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Happy Holidays! Normal service will resume on Tuesday 16 January.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Two guests on the show this week - first of all, Ben Morris (Kudos Distribution, and previously heard on NDP episode 63) joins us to discuss the SAULT phenomenon and their already-legendary show in London last week. If you're not familiar with the act then check all of the 11 albums released since 2019 here.

After that, it's time for...

James Jackson, known in the industry as Jacko, is managing director of radio, club and streaming at Listen Up, one of the bigger UK agencies focused on dance music.

The dream of hearing Pete Tong read out your name as he cues up your latest track through that unmistakable compression algorithm on BBC Radio 1 is one held my many an aspiring producer. But how does the dream become a reality?

We haven't discussed radio much on the show previously, but we remedy that this week with one of the UK's top men in the sector.

As well as working many of the dance scene's biggest tracks, as well as some very credible underground ones too, Jacko works UK radio for global stars including Doja Cat, and has a complete view of the radio landscape.

This is a great insider look into a fascinating aspect of the industry, you're gonna enjoy it.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Where do you go when you reach the top at the age of 15?

The world of turntablism can seem somewhat murky to the untrained eye. What's up with all that competing? Where does it fit in to the culture of dancefloors and clubs? And what has the decline of vinyl DJing meant for the whole thing?

A-Trak won the DMC World Championship way before he was old enough to set foot in a nightclub. He then embarked on a truly unique career which has seen him supporting Usher in arenas as Kanye West's tour DJ, produce genuine hit records with Armand Van Helden, and maintain a top level status on the international circuit for over two decades. As well as running a label for 15 years. 

So there was lots to talk about, and we dig into the details of turntablist culture, the challenges of maintaining a varied music career, the changing nature of the industry, and a lot of other things too. 

This conversation touched on areas which we haven't covered on the podcast before, and includes some really fascinating insights into a slightly different culture. 

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Speedy J is a key figure in the history of Techno, most recently with the development of his improvisational collaborative project Stoor.

Check out some of the epic ADE performances: 

2023 JakoJako x Karenn (Blawan & Pariah) x Surgeon x Speedy J - https://www.youtube.com/watch?v=h9D0sPIaSY4 

2022 Dasha Rush x Rod20 x Rødhåd x Surgeon - https://www.youtube.com/watch?v=yMfbX6714j0 

So of course we discuss that, but also the 30th anniversary of his landmark album Ginger. Released as part of the Warp Records Artificial Intelligence series, it was a key plank in the run of releases that made such a huge impact on electronic music. And an album that I smoked a lot of weed to as a teenager. 

This is a bit shorter than usual, but it's a good one... you're gonna enjoy it. 

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

The 2023 Annual Not A Diving Podcast Pledge Drive is here... for ONE FINAL WEEK!

For the next week, support the show and receive special benefits...

Option 1 - Patreon Musicality Tier (£8.50 per month)

Pledge Drive Bonus = the 2024 Musicality t-shirt! Free of charge, postage and packing covered

Option 2 - Patreon Solidarity Tier (£3.50 per month)

Pledge Drive Bonus = a 50% off voucher to use on a basket containing any items at the Hotflush Bandcamp Store

Option 3 - a one-off donation of £8.50 or USD$10.00

Pledge Drive Bonus = a 25% off voucher to use on a basket containing any items at the Hotflush Bandcamp Store

Thanking you in advance for your support!

What is culture anyway? This is a question which is delved into in depth on this week's episode, with a man whose work since the 1980s has covered many different areas.

Trevor Jackson is a storied designer of album covers and sleeve art, a prolific producer and remixer, and the man behind Output Records who helped ease acts including LCD Soundsystem and Four Tet into the public consciousness.

So there was lots to talk about, and in addition to the culture question, we tackled areas including the pre-Acid House London scene, Thatcherism, working in different art forms, counter-culture, UK Hip Hop, and a lot more...

This was a great conversation, straight into the classic episodes list. You're gonna enjoy it!

Join us in the Hotflush Discord Server.

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

The 2023 Annual Not A Diving Podcast Pledge Drive is here... for one extra week.

For the next week, support the show and receive special benefits...

Option 1 - Patreon Musicality Tier (£8.50 per month)

Pledge Drive Bonus = the 2024 Musicality t-shirt! Free of charge, postage and packing covered

Option 2 - Patreon Solidarity Tier (£3.50 per month)

Pledge Drive Bonus = a 50% off voucher to use on a basket containing any items at the Hotflush Bandcamp Store

Option 3 - a one-off donation of £8.50 or USD$10.00

Pledge Drive Bonus = a 25% off voucher to use on a basket containing any items at the Hotflush Bandcamp Store

Thanking you in advance for your support!

Lockdown was a weird time for all of us. So many good intentions, so many regrets afterwards at not having done much except put on weight and watched a ton of Netflix.

NIKS, our guest this week did not fall into the Duolingo trap in 2020, and was instead a leading member of the team who launched Black Bandcamp which subsequently became the Black Artist Database.

So of course we discuss that, and also many of the issues around why such a thing is necessary. But we also get deep into her backstory as a station manager on student radio, working the door at key venues in London, and learning the ropes as a producer.

This is a great conversation with someone who makes things happen... you're gonna enjoy it!

Join us in the Hotflush Discord Server.

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

The 2023 Annual Not A Diving Podcast Pledge Drive is here!

For the next week, support the show and receive special benefits...

Option 1 - Patreon Musicality Tier (£8.50 per month)

Pledge Drive Bonus = the 2024 Musicality t-shirt! Free of charge, postage and packing covered

Option 2 - Patreon Solidarity Tier (£3.50 per month)

Pledge Drive Bonus = a 50% off voucher to use on a basket containing any items at the Hotflush Bandcamp Store

Option 3 - a one-off donation of £8.50 or USD$10.00

Pledge Drive Bonus = a 25% off voucher to use on a basket containing any items at the Hotflush Bandcamp Store

Thanking you in advance for your support!

On the show this week we welcome a true legend of UK music, and a legend of Dub... it's Adrian Sherwood!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Here's a bonus pod to give you a taste of what being a subscriber is like, because...

The 2023 Annual Not A Diving Podcast Pledge Drive is here!

For the next two weeks support the show and receive special benefits...

Option 1 - Patreon Musicality Tier (£8.50 per month)

Pledge Drive Bonus = the 2024 Musicality t-shirt! Free of charge, postage and packing covered

Option 2 - Patreon Solidarity Tier (£3.50 per month)

Pledge Drive Bonus = a 50% off voucher to use on a basket containing any items at the Hotflush Bandcamp Store

Option 3 - a one-off donation of £8.50 or USD$10.00

Pledge Drive Bonus = a 25% off voucher to use on a basket containing any items at the Hotflush Bandcamp Store

Thanking you in advance for your support!

There's a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

The 2023 Annual Not A Diving Podcast Pledge Drive is here!

For the next two weeks support the show and receive special benefits...

Option 1 - Patreon Musicality Tier (£8.50 per month)

Pledge Drive Bonus = the 2024 Musicality t-shirt! Free of charge, postage and packing covered

Option 2 - Patreon Solidarity Tier (£3.50 per month)

Pledge Drive Bonus = a 50% off voucher to use on a basket containing any items at the Hotflush Bandcamp Store

Option 3 - a one-off donation of £8.50 or USD$10.00

Pledge Drive Bonus = a 25% off voucher to use on a basket containing any items at the Hotflush Bandcamp Store

Thanking you in advance for your support!

This week on the show we enter the world of modular synths. Think a Eurorack rig is going to kill your productivity and mean you'll never finish another tune? Well, think again.

Praveen Sharma is one half (with Machinedrum) of mega Hotflush duo Sepalcure, and also makes music as Braille on Hotflush, Rush Hour, Friends Of Friends, and other labels too. He also works a regular shift at the most valuable company in the world.

We discuss modular of course, but also more general issues including social media as music distribution, and music in New York, as well as his evolving approach to making music over the years.

This was a great conversation, and it was very nice to have an interlocutor after two weeks of solo pods. You're gonna enjoy it!

Join us in the Hotflush Discord Server.

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

It's Bandcamp Friday this week! And we have a 50% sale on everything on the Hotflush Store. Head over there and cop some amazing limited edition vinyl.

Use the code nov50 to cop that discount.

We are late and in a confused state on the podcast this week... where are the guests?! That's the question I've been asking too over the last 10 days or so.

But luckily there have been developments in the Bandcamp story and there's lots to talk about there, so I have taken the opportunity to do so. The trade union movement is so emotive isn't it? We get into that side of things in detail this week, possibly too much detail.

And additionally, we announce this year's Pledge Drive! It starts next week so don't worry too much about it now... but if you're not already a supporter then the coming weeks will be the time to get started.

This month's show on SWU FM is here.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Solo pod today... thoughts on the developing situation over at Bandcamp, both on the platform itself and its position in the ecosystem.

I read a whole load of stuff so you don't have to:

https://components.one/posts/bandcamp-the-chaos-bazaar

https://components.one/posts/tactility-and-experience

https://www.fastcompany.com/90951664/bandcamp-spotify-vinyl-renaissance

https://www.midiaresearch.com/blog/recorded-music-market-2022-reality-bites

https://pitchfork.com/thepitch/is-bandcamp-as-we-know-it-over/

https://firstfloor.substack.com/p/first-floor-190-waiting-for-the-other

https://firstfloor.substack.com/p/bandcamp-anxiety

https://www.wired.com/story/tiktok-platforms-cory-doctorow/

https://www.theverge.com/23899461/discogs-sellers-vinyl-cds-community-fees

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

We now have a facility for one-off donations to the podcast... to make such a donation using either a credit or debit card, or with Paypal, head over to scubaofficial.io/support.

Presave my forthcoming Digital Underground mixtape: push.fm/ps/digitalunderground

Ever considered making an album using only the skeleton of a horse you managed to buy off ebay? Or perhaps a statement about the UK's departure from the European Union via the contributions of over a thousand musicians?

I didn't think so, but the catalogue of this week's guest is notable for the fact that those projects are not outliers. Making a political point through music, as he might put it, isn't an option but rather a necessity.

We discuss the musical landscape of today, the joy of working with highly proficient instrumentalists, the lack of crossover between that proficiency and other forms of musical accomplishment, the potential AI revolution in music, and the contributions of Timbaland and Missy Elliott.

Matthew Herbert is a unique person in music, and his contributions over the past couple of decades are unlike anything else. This was a great conversation that you're going love.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 (£3.50) a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 (£8.50) a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

We now have a facility for one-off donations to the podcast... to make such a donation using either a credit or debit card, or with Paypal, head over to scubaofficial.io/support.

We've been talking development and mentorship on the podcast in recent weeks, and the theme continues with a man whose experience covers albums on labels as diverse as Brainfeeder and Ostgut Ton, running a label for well over a decade, and chronicling the legend of Goldie's Timeless record.

This is not a narrow discussion however, and as well as his mentorship programme we tackle topics including AI, the nature of art and creativity, the relative importance of concept and technical skill, the influence of football on dance music culture, and a lot more besides.

Martyn is a thoughtful guy with things to say, so that's always going to to be a good episode of this show.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

We now have a facility for one-off donations to the podcast... to make such a donation using either a credit or debit card, or with Paypal, head over to scubaofficial.io/support.

Record labels, music journalism, artist careers, and the historical developments of the dance scene have maybe been the most enduring themes of this podcast to date. And they all get discussed on this episode.

Tom Lea has been running the excellent Local Action label since 2010, and is also, since 2021, label manager for Peggy Gou's Gudu imprint. His CV also includes stints as Editor In Chief of Fact Magazine, and as manager to artists including I.Jordan.

So there was plenty to talk about this week, and we got stuck into topics including the travails of the dance press, the pros and cons of Boiler Room, and the role of labels.

We also discuss whether the 2010s was a bad decade for music, the AI conundrum, and what it's like to work with Peggy.

This is a good one, get involved!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Berlin is the centre of the European dance scene. It's changed almost beyond recognition in the past two decades but its influence has steadily grown in that time, and while those two things mean that some people will inevitably be sniffy about it, the reality is that it's still the place to be.

Paul Hanford literally wrote the book on coming to Berlin as an outsider, and even though the path is extremely well-trodden at this point, the experiences continue to develop. The stories in his book are similar to my own experiences of moving over from London in 2007, but there are points of culture and geopolitics which distinguish the narratives entirely.

Paul is also the host of the Lost And Sound podcast, a musician with major label releases to his name, the former head of music at Secret Cinema, and a lecturer the BIMM Institute. So additionally to the book and Berlin, we discuss a range of topics including alternative media, cancel culture, and politics and populism in modern culture.

This is a good one, you're gonna enjoy it.

A reminder that the vinyl-only release of Hardcore Heaven II is imminent - grab a copy here.

And here's some more info about my forthcoming mixtape 'Digital Underground'.

Grab a preorder of Digital Underground here. (will be live shortly)

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

A quick thank you to everyone listening in the UK... we made it into the top 10 music podcasts for the first time last week! Non-UK listeners: tell your friends so we can get up those international charts too!

What is creativity? Why do we value it so much as a society? And how do you unlock it?

These were not questions I was anticipating a deep dive on when I started researching this episode. As a long-time Krust fan, I was looking forward to talking about early Jungle and the Bristol DnB scene. And we do that in this episode, but quite a lot more as well.

After going on a multi-year hiatus in the early 2010s, he launched a coaching and consultancy business called Adapt The Canvas through which he works with a wide range of people to help unlock their creativity.

So we discuss all of that, as well as his own creative process, his last album The Edge Of Everything (which was released on previous NDP guest Damian Lazarus' Crosstown Rebels), the experience of touring himself into the ground with Reprazent, and the development of Jungle and DnB.

This is a good one, a worthy follow-up to last week's episode which was the most popular we've ever done!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Catch myself b2b with Chloé Robinson at the Skreamizm weekend takeover at fabric in London on 21 October!

---

A lot of artists complain about the way success and the weight of expectation affects their output. But what about people who've been scrutinised in public since they were a teenager?

This week's guest has spent every weekend since he was 15 in clubs, and been the headline DJ for most of that time. There's not many other people who can say that.

It's almost impossible to describe Skream without resorting to cliche. Dubstep poster-boy. Legendary hell-raiser. The amount of rubbish that has been written about him over the years is quite amazing, even by the standards of the music press.

Some of it was true though, and on this week's show we dig into everything from stage invasions and tour bus fires, to record shops, school suspensions, and parenthood. We also discuss Autonomic, the nature of success, the compelling nature of music-making, and being marketed as a certain image.

This is worth it for the Benicàssim story alone!

Check Skreamizm 8 here.

Hardcore Heaven II vinyl preorder: scubaofficial.bandcamp.com/album/hardcore-heaven-ii

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

What connects the overnight success of Oliver Anthony with alien landings in Brazil? This week's podcast will give you the answer.

Matthew Dear is a musician, producer, and DJ, who also teaches at the University Of Michigan. He's also very much a part of the Ghostly Int. label, which he has in common with recent guest Sam Valenti.

As the above might suggest, this was a wide ranging discussion also covering many of the AI-related issues I talked about with Mat Dryhurst last week, as well as minimal, Detroit, and sampling.

Check this one out, you might learn something!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

When I make a specific effort to talk to people about AI, the responses range from the occasional Chat GPT enthusiast to a much-more-common feigning of indifference, hinting at a deep insecurity and probably-quite-pronounced fear.

This week's guest is perfectly placed to offer a degree of reassurance, or at least a bit more of a balanced view on the coming storm. And make no mistake, it is coming.

Mat Dryhurst, along with Holly Herndon, has long been engaged in important work at the intersection of music and emergent tech, from the Holly+ project with its AI and web3 interaction, to haveibeentrained.com, which enables artists to opt out of Large Language Model training datasets, and the Interdependence podcast.

We discuss aspects of those projects, as well as the more general trends and developments that will impact musicians and creative people over the coming months and years.

This is an important one, covering some really crucial areas, but it's still a highly enjoyable listen... so get involved!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Regular listeners will have noticed my frequent references to the comedy podcast circuit, which is a great ecosystem and rewards repeat appearances by guests and conversations which deviate from the sort of profile-type interview which music shows (including this one) often resolve into.

So this week we welcome our first return guest, Recondite, who appeared all the way back on episode 002. We discuss his involvement in the phenomenon of Afterlife, the Ibiza incarnation of which he played last week and which he has been associated with since the beginning, and the changes in the wider scene which have seen that party and label gain so much popularity.

And we also, amongst other things, discuss the coming AI revolution in some detail, particularly in the personal reaction of musicians and people generally to something which seems to be real but the details of which are very much still up in the air.

This is a good one, definitely worth the repeat visit!

My appearance on the Willy Joy podcast can be checked here.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

We do like a history discussion on this show. And who better to discuss the history of DJing with than the co-author of the most authoritative book on the subject?

'Last Night A DJ Saved My Life' was originally published in 1999, but there's a 2022 edition and I highly recommend getting hold of a copy. It's a genuinely important work and something every fan of the culture should be familiar with.

Actually my conversation with Bill Brewster is probably more about him than DJing at a wider level. We talk about his journey into dance music in the 1980s, and his time exploring the 90s New York club scene while working for DMC.

But we do touch of some really interesting angles to the history too, including the influence of a certain disgraced former BBC personality, the impact of Thatcherism on the developments in the UK (and therefore the wider culture), and the more recent forces of technology and commercialism which arguably define DJing and dance music today.

This is a great episode, worth taking a holiday for!

Here's Chuck Klosterman's book 'The 90s', which I reference in this week's episode.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to much of the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Despite the appearance given by my conversation with Sam Valenti, I was on holiday last week. I've latterly decided to extend my break by another seven days, just because I realised that I really need it. So to fill the podcast gap we present my appearance on the Will Clarke podcast from a few weeks ago.

We discuss many familiar issues, including the music press, social media, and the running of record labels. It was a fun conversation to have and an illuminating look into the running of one of the few other podcasts of this sort that goes out every week.

Back on schedule next Tuesday with a full ep... and I'm pretty sure it's going to be a good one!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Any person who has run a label for knocking on a quarter of a century is someone I want to talk to.

Ghostly International was launched in 1999 by Sam Valenti with a single by fledgling producer Matthew Dear which would go on to be sampled on a global hit by Fedde Le Grand. You know the one.

This episode is actually almost a sequel to episode 077 with Shawn Reynaldo. Of course we discuss Ghostly, and particularly the early period of the label, but I really want to pick Sam's brain on a few of the key issues which came out of that episode from a few weeks ago.

So we discuss issues including the decline of local scenes, the value of gatekeepers, the comparative lack of anthems in contemporary music, as well as his substack project Herb Sundays.

This was a good one, you're gonna enjoy it!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Paris is rarely cited (somewhat unfairly) as one of the key cities of electronic music, but the influence of French musicians is absolutely huge. You know the names, and you definitely know the tracks. But there's a lot more to it than Daft Punk and Justice.

Chloé Thévenin has been a key figure in Paris for the last two decades, as resident at the hugely important night Le Pulp, and at Rex Club, while also developing a reputation as a highly technical producer operating in different styles and in collaboration with a range of musicians.

We discuss all of the above, plus delving into her journey as a musician from beginnings in the Paris club scene in the early 90s, recent developments in AI and spacial audio, and the cultural importance of clubs in the development of electronic music and culture.

This is a good one, and you're going to enjoy it!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Is music journalism in as bad a place as people say it is? I've certainly said it... really quite a lot. Maybe to the extent that I've been a bit unfair on the overall quality of music writing today, and having a total ban on music writers on the show was also possibly taking things a bit too far.

Today though, the ban is lifted. Shawn Reynaldo is a former editor of XLR8R, and contributor to many of the august music publications we all love to hate, but now operates mostly out of his First Floor platform on Substack. He's just released a book entitled First Floor Vol 1, and we spend most of this week's episode digging into some of the issues covered in it.

These include... streaming platforms, musical gatekeepers, media snobbery, the commercialisation of dance music, local scenes, and a lot more meaty stuff besides.

I love this sort of conversation, and you're definitely going to enjoy listening to it.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

We haven't done a solo pod since the 'Thoughts On Releasing Music' two-parter which covered episodes 58 and 59. Those two were really popular, surprisingly so... to me at least. I enjoy doing these because it forces me to get my thoughts together in a way that I sometimes struggle to usually. And the topics we're covering today definitely require some clear thought.

Obviously the episode title is a bit provocative. It could totally be happening though. Generative AI and LLMs are things we're going to be discussing a lot in the coming weeks and I thought it would be useful to get my fairly-uneducated intuitions on the subject down on record. Clearly I'm hoping to learn a lot more about this area from having long conversations on the show people who actually know what they're talking about - that usually helps.

And then we get into something that I did a really bad job of addressing on my recent appearance on Beats In Space. The decline in the cultural importance of music, that is. I'm not sure if I do much of a better job here, and I think writing an article or something is going to be the best way of really describing it. But I have a go.

Anyway, this is a different sort of solo pod to the last ones but I hope it'll be as enjoyable. Or at least provoke a few thoughts anyway.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Welcome to Episode 75 of the Not A Diving Podcast. That's quite a lot of episodes, and probably more than I thought we'd get to at the outset but it's been a highly enjoyable ride and we're not slowing down any time soon.

This week on the show we welcome a former resident of one of my favourite clubs, Smartbar in Chicago. Alinka is an Ukraine-born, American expat in Berlin, a great DJ and a producer making some really interesting music.

We discuss her journey in music from the early 2000s, via a hiatus and subsequent rebirth with the Twirl parties and label in collaboration with Shaun J. Wright, formerly of Hercules and Love Affair. We also cover scene attitudes towards politics, the legacy of Chicago, the rave scene, and lot more besides.

This is a good one, you're going to enjoy it!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

In the storied days of vinyl, snooty record shop staff, and white label promos, the diligent producer would cultivate many aliases, seemingly at least one for every nuance of his studio output. With DSP tagging and the endless collaborations that are a featured of today's recorded music, does that approach make sense anymore?

That is a paraphrasing of my first question to Kevin McHugh, aka Ambivalent, aka LA-4A, on today's podcast. You'll have to tune in to get his answer in full, but let's just say he feels justified in his recently-released album under that second alias, entitled Folio.

It's a great piece of work, and we discuss it, in addition to continuing the conversation in recent episodes on the topic of Minimal, the state of the Techno scene today, nostalgia in dance music, and much else besides.

This was a great conversation in which I learnt a lot about Kevin as a producer and as a person. You're going to enjoy it!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

The majority of DJs spent the pandemic mostly of stood in front of a camera, attempting to perform the impossible task of transplanting a rave into the bedrooms of the few people lucky enough to be watching at the other end of a fibre optic cable.

We are only beginning to come to terms with the implications of what the failure of that approach have had for our culture, but DJ Bone did something completely different.

'Further' was a hugely successful series of events which combined music, talking, and a bit of socially-distanced vibing out. At Radion in Amsterdam, there was a real effort made to add something extra within the constraints of some of the most draconian lockdown measures anywhere in the world.

DJ Bone just released an album of the same name as those events, which he sees as jumping off point to his career even at this relatively advanced stage. We discuss that in detail, as well as those events, and what they mean in the context of what he's done in music since the 90s.

We also discuss his roots as a party-goer in Detroit, the wider state of Techno and dance music generally today, and what needs to change to get back on track after a few years of real turmoil.

This was a great conversation in which we dig into some really meaty areas, and get some incredible detail on the birthplace of Techno. You're going to enjoy it!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

What does it mean to run an underground dance label for twenty years? Admittedly I should have the answer to this question but in reality every label is different and every story is different too.

Damian Lazarus launched Crosstown Rebels in 2003, having previously worked at FFRR and run City Rockers with Phil Howells. It quickly became one of the most important house labels and has released an enormous amount of significant and generally great music over the years.

He also runs the Get Lost party in Miami and Day Zero near Tulum, and we actually spend most of the conversation discussing these events and Damian's experiences at Burning Man which partly inspired them.

We also discuss the changing nature of the scene, the importance of certain substances, and hedonism generally, as well as what it means to run a label twenty years after having started one.

This is a great episode and you're definitely going to love it.

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Is minimal the same as mnml? What about minimal techno? Microhouse? At least it's not HARD TECHNO anyway. That's the worst.

Well maybe not the actual worst, but bad enough to spawn a popular musical movement in direct opposition to it. What that movement actually consisted of is more of a difficult question than you might imagine though. Just look at that first paragraph.

Jeremy P Caulfield is a Toronto guy who moved to Berlin in 2003, just when the minimal sound of that particular city was beginning to really incubate. Through his label, Dumb Unit, production work, and DJ sets, he was a big part of that sound as it emerged to briefly dominate the European clubbing landscape.

Personally, I really love the music of that era and it was a great opportunity to sit down with Jeremy to pick his brain on the whole thing, from the boom to the bust.

We also talk about the contemporary techno scene, similarities with the 90s, his hiatus from music, mental health, and a lot more besides.

This was a great conversation which you're definitely going to enjoy!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

It's all Business Techno now isn't it? Well, maybe. And who better to confirm or deny that statement than the man who coined the term itself, Guy Brewer aka Shifted.

Prior to entering the Techno arena, Guy was part of the storied DnB combo Commix. They released some great music in the 2000s, before the call to Berlin became impossible to resist and the lure of late evenings in Kreuzberg discussing the nuance of kick drums proved just too strong.

As we discover in this week's conversation, the above isn't even that much of a caricature of the real events. We discuss the pleasures and benefits of really good localised scenes, how market forces have distorted and commodified the more 'underground' parts of the dance scene, and whether music tech has really been as much of a disaster for creativity as I have tentatively argued in recent weeks.

We also discuss Guy's new project, Carrier, and the more general, ongoing challenges of creativity. This was as really rewarding conversation and one that you're going to enjoy!

If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.

Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!

In other news, the Hardcore Heaven EP is now SOLD OUT on vinyl. Hope all of you who managed to grab one are happy with the product. Two of the tracks will be available digitally in the coming weeks, different versions to the ones that appear on the vinyl though. Grab em here.

But we DO still have copies of the Hotflush 20th anniversary 3 x 12" gatefold vinyl available. You can grab one of those here.

Finally have a listen to a release from our friends over at Echorex. It's a Big Miz original remixed by the fantastic Niina... take a listen here.

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Daniela Caldellas is an electronic musician from Brazil. Having broken through as part of Digitaria on DJ Hell's International DeeJay Gigolo Records and latterly on Jamie Jones' Hot Creations, she launched Terr as a solo project in 2016 and has just released a debut album entitled Consciousness As A State Of Matter under that name via Phantasy Sound.

We discuss her journey from Bela Horizonte to Berlin via Barcelona, the culture shock of the touring lifestyle, trying to keep your perspective while working as an artist, and the importance of other interests.

Daniela is an interesting person who just released a great record - dig into the conversation and then check the album!

Degradation by Yoikol ft. an SCB edit of the title track is OUT NOW.

Grab a copy of the HF20 compilation on 3 x 12" gatefold sleeve vinyl HERE.

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

One of my most vivid memories as a DJ was the first Blkmarket Membership party I played in 2010. It was at a disused gym in lower Manhattan and managed to evade the notice of the authorities til the rapid approach of Sunday afternoon.

Our guest this week, Taimur, ran those parties from 2006 until 2017, booking some of the world's biggest 'proper' DJs to play in incredible locations across NYC.

He now resides in Miami, runs a record shop called T Bag, and runs a vinyl-only label called Blkmarket Music.

This was a wide ranging discussion covering the state of the vinyl market in the US, and the underground scene more generally, as well as digging into Taimur's career as a promoter in New York - which was as eventful as it was unusual.

How did they manage to get away with those crazy warehouse parties anyway? We get some of the answers, and some great stories too. You're going to enjoy this one!

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

This is final part of our series of podcasts recorded at the International Music Summit in Ibiza, better known as IMS.

Cocoon was a the first party to bring Techno to Ibiza. Sven Väth was a huge name in 1998 but bringing the real sound to what, up til that point, been a musical landscape that was probably best described as light-hearted was a big risk. But they made it work at twenty seasons later a legend had been born.

Johannes Goller was there from the very start, and despite youth and inexperience was soon the main man for Cocoon in Ibiza. He has the stories to prove it.

This was a wide ranging discussion covering Ibiza today, and Johannes' new party Trip, but going all the way back to the very first season of Cocoon and the challenges of bringing a fresh sound to the island.

We also discuss after-parties, local politics, the changing nature of Techno in the 2000s and beyond, and much else besides.

This was a great way to wrap up our IMS series. Next week we'll be back on a regular schedule.

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Last week we were lucky enough to be invited to record three podcasts at the International Music Summit in Ibiza, better known as IMS.

In the second of these three conversations, we welcomed the Head Of Music at the Night League to the stage. Leslee Tatman is, amongst other things, responsible for the full season of programming at Ushuaia and Hi (formerly Space), and is as such a very important voice in Ibiza nightlife.

We discussed a wide range of topics including the closure of Space in 2016, her involvement in Pete Tong's attempt to change the image of San Antonio a few years before that, the development of Ushuaia, and her parallel involvement with the music scene in Bali.

This was a great conversation that could've sat on the main feed without any special preamble. You will enjoy it... as you will part 3 which will drop next Tuesday.

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Join us in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Last week we were lucky enough to be invited to record three podcasts at the International Music Summit in Ibiza, better known as IMS.

We'll be posting each of these conversations over the next week, starting with today's episode which features a genuine Ibiza legend, DJ Pippi.

A man with a real claim to having been the first DJ to play House music on the White Island, he held residencies at Pacha and Ku (later known as Privilege) during the 1980s and has been a fixture on the scene ever since.

Recording these conversations live, and in front of an audience, is a totally different proposition to a one-on-one chat in a studio or on the phone and this episode reflects that. But we get some great stories, and the definite sense that Pippi is a charismatic performer with an incredible history.

You'll definitely enjoy each of these three live recordings, and this is a great place to start.

Huge thanks to Ben Turner and the whole IMS team for inviting us to be part of the conference.

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

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Why do musicians seem to be so depressed all the time? One of the many interesting takeaways from Tamsin Embleton's recent book 'Touring And Mental Health' is that people who go into music have been shown to be disproportionately susceptible to certain mental health problems.

I found this book really fascinating and was very excited by the opportunity to talk about it with Tamsin, who edited it and contributed a large amount of the text itself. The conversation did not disappoint.

A psychotherapist who had a previous career in the music industry, Tamsin was the perfect person to pull this kind of project together. We discuss issues including the '27 Club', cancel culture, the fetishisation of creativity, and Tamsin identifies some of the easiest wins to improve mental health on the road.

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

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MJ Cole's seminal track 'Sincere' is a true classic. In this clip from Episode 26 of the Not A Diving Podcast, he breaks down how it was made, and how it developed as a dance scene phenomenon.

Listen to the full episode here (all platforms).

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

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Hosted on Acast. See acast.com/privacy for more information.

We've talked about distribution in underground music quite a lot on past episodes. Distributors have historically played a significant role in building labels and artists, but many of the prior guests on the show have a horror story about a distro going bust and taking their money with it.

Kudos Records is an example of a modern distributor serving the underground the right way, and Ben Morris is a key member of staff there. That makes him a great person with whom to discuss the vinyl market over recent years, and the slow march of streaming.

We dig deep into supply and demand shocks affecting wait times for vinyl projects, the significance (or not) of major label orders, and the importance of streaming revenue for even the smallest labels.

And we also discuss the twitter account @b_nmrrs and it's uncanny knack for a pithy turn of phrase.

This was a great conversation which gained insights which haven't been covered on the show before, and you're going to enjoy it.

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

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Everyone is creative. They really are! As a society we fetishise creativity, as if it's a unique gift, but everyone is capable of using their imagination - and that's really what creativity is.

I just came up with that last bit, but the general sentiment is a key topic of discussion in this week's episode.

Sebastian Mulleart is a noted electronic musician and live performer who for the past few years has been embarked upon a distinctive improvisational project in collaboration with many other artists called Circle Of Live.

We discuss all that, as well as his mentorship program, In Bloom, the nature of improvisational performance, and what motivates him

We also discuss his history as a recording artist including with Son Kite, and his brushes with the psytrance scene.

An awesome conversation you're going to enjoy as much as I enjoyed participating in it!

Listen to Circle Of Live recordings.

Get hold of the Hotflush 20 triple vinyl gatefold.

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Collaboration is a blessing and a skill. In this cut from Episode 8 of the Not A Diving Podcast, Machinedrum shares some tips from his vast experience on how best to get the most out of working in the studio with other people.

Listen to the full episode here (all platforms).

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

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Very few techno records cross over. A ridiculously small number given the mountain of cookie cutter nonsense that gets spewed out in to the ether every week. But every now and then you get one that catches the imagination of a wider audience.

'We Do What We Want' by this week's guest was probably 2016's biggest festival tune, and Alan Fitzpatrick has been hiding from it ever since. Or at least that's the impression he gives on this week's episode - I hadn't really given what must be the quite-considerable-associated-baggage much thought, but when there's a track that big next to your name it definitely changes people's perception of you.

So we discuss all that this week, as well as the DJ circuit and the pros and cons of hitting it as hard as possible, and his extremely-good lockdown album, Machine Therapy.

We also discuss the state of contemporary techno, the legacy of Drumcode, and Alan's formative years on the south coast of England.

Alan Fitzpatrick is one of the good guys of the techno scene, and it was awesome to have him on the show.

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

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Music and politics don't really mix do they? Stick to music!

Obviously we don't think that. Music SHOULD be political. One of the reasons that music is less culturally important than it used to be MUST be the fact that it isn't political ENOUGH!

Tijana T is from Belgrade, and everything in Belgrade is political. Everything in Serbia is. Everything in the Balkans is.

So we talk a lot about politics on this week's show. We also talk about music, and how the two things interact. Other things are discussed too, but the politics is the important stuff.

This was a highly enjoyable episode, it's the kind of conversation that I really enjoy. But you know that by now.

Join us in London this week for HF20 at Venue MOT!

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

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DJs get better with age... don't they? Are DJs artists? And is DJing even an art form anyway? In this cut from Episode 37 of the Not A Diving Podcast, Patrice Bäumel breaks down these issues in his unique style.

Listen to the full episode here (all platforms).

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

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This week's show is follows on from last week, where we left off in 2010 at a cliff hanger where the underground music scene was about to change significantly.

We follow the narrative up to the present day, discussing the development of Hotflush Recordings, my own journey from imposter syndrome to bad attitude, and end up by identifying five important things to get right if you want to make a career in music.

There's a lot of self-examination, a few things discussed in detail, and a few things that get glossed over. But we make it through in the end.

Back to the regular format next week with a guest.

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

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As you know, we're in the midst of celebrating 20 years of Hotflush Recordings.

I've done a few interviews to co-incide with that recently, but I am very rarely satisfied with how an interview turns out in print. Luckily I do a weekly podcast and am taking the opportunity to interview myself (kind of) over a two part podcast, the first half of which is this week's episode.

I talk about the motivations for starting a label twenty years ago, the problem with A&Ring your own material, the key developments in the period up to 2010, and the invaluable help and guidance from a man called Chris Parkinson.

This episode refers to Episodes 10 (Appleblim), 27 (Chris Goss), 28 (Joe Nice), 54 (Distance).

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

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The pandemic caused havoc across the music industry, but are we making a mistake in laying the blame for the epidemic of show cancellations in particular at the door of COVID-19? In this cut from Episode 41 of the Not A Diving Podcast, Elijah details his analysis of the problems in the live space and why digging deeper always makes sense.

Listen to the full episode here (all platforms).

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

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Untitled Group is Australia's largest independent music & events company, running a list of key festivals including Beyond The Valley and Pitch, and selling over 400k tickets per year in the process.

Our guest this week, Fil Palermo, is a co-founder and director of Untitled, which he and his partners built from teenagers running DIY club nights into a world class promoter of large festivals booking some of the worlds biggest acts.

Australia is a distinctive corner of the global music industry, and Fil guides us through the details and distinguishing features of the local market. We also discuss the mechanics of running a festival, the learning curve required to get up to speed from a knowledge base of not-that-much, diversity and variety on festival lineups, and a whole lot of other stuff as well.

Untitled is a great example of an organisation showing it's possible to be serious about music, show real attention to detail in large events, and build something great without the need for corporate backing.

This was a great conversation and an episode you're going to enjoy!

A quick heads up that the second in the HF20 Scuba mix series will out this Friday. It's called 'Post Whatstep?' and unsurprisingly features a lot of Post-Dubstep. Tunes from Mount Kimbie, Untold, and George FitzGerald, amongst many others.

It also features my single 'In Yr Dreams' which is OUT NOW. And a recent collab I knocked up with Nikki Nair called Expression which is out as a single on Friday too.

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

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Electro, IDM, techno, Warp, Rephlex, all that stuff. We talked about this stuff with Ned Beckett on episode 34 - it was a really interesting and fertile corner of the UK underground in the late 90s and early 2000s.

It was also the entry point into music for this week's guest, Josh Doherty, as half of Posthuman and promoter of illegal raves in tube stations and other unusual locations. Since then, he's spent well over a decade running the I Love Acid party and Balkan Vinyl label, as well as keeping up his production output and externalising his thoughts prolifically on twitter.

We discuss that electro/techno UK crossover point, the parties back then, and the parties now, the influence of the pandemic, and how the music and the scene has developed in the recent past.

Josh is an underground warrior who does things his way, with little-to-no compromise. It's an approach that has served him well, and makes for good listening - you're going to enjoy this episode!

In other news, we have announced some shows to celebrate the twentieth anniversary of Hotflush. Full details and all ticket links for shows in Tel Aviv, Bristol, Munich, Barcelona, London, Berlin, Lyon, Copenhagen, and Glasgow are here: hf20.news/events

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Political stands have become a key weapon in the arsenal of music marketers. The level of cynicism and virtue signalling is beyond belief. In this cut from Episode 22 of the Not A Diving Podcast, Dave Clarke and I discuss that phenomenon, and why it's so important that when musicians talk about politics that it comes from a position of sincerity.

Listen to the full episode here (all platforms).

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

What did you do with your lockdown holiday? I was intending to learn a language and ended up just gaining a bunch of weight.

Our guest this week - Detroit native Eric Cloutier - was a bit more productive than that - he embarked upon a project to reacquaint himself with a record collection that he'd been adding to for over 20 years, which ended up being broadcast to the world in a series of ten mixes entitled The Arsonist & The Architect.

I highly recommend checking out those 20 hours of mixes, in addition to the two that you're going to spend on this week's episode - they are collectively a real example of a top DJ exploring a range of styles in a highly skillful manner.

We discuss the project in the conversation, in addition to more prosaic matters such as the politics of the Detroit music scene, the inspirational nature of Berlin, and attempting to tease out the positive developments in the wider dance scene since the pandemic.

This was a highly enjoyable conversation with someone who I know well socially, but provided me with a lot to chew on and a lot to think about. You're going to enjoy it too!

As hinted at last week, we are celebrating 20 years of Hotflush Recordings this year. I started the label in 2003, so that's where we are.

Already out is a collaborative single I produced with last week's guest, Distance... that's called Opposites and you can listen to that here.

This Friday, a mix entitled 'Hotflush Origins' will be dropping across all platforms. You can probably guess what kind of thing that's going to be, but be sure to check it out - it's a mix I'm really happy with.

And going forward over the next few weeks there will be a series of more singles and mixes - five singles in total, and four mixes. All the info for that can be found at hf20.news - there will be regular updates there, so keep hitting F5.

Finally, there will be a run of shows announced this week so keep an eye out for that. If your city isn't included then fear not - there will be more shows across the world throughout the year!

Patrons will be guest-listed up on request, so don't hesitate to reach out on that.

It's gonna be a lot of fun and I hope to see you all for a dance at some stage before the year is out.

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

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Hotflush Recordings turns 20 this year. There'll be an announcement later this week but we're pre-empting it here with an episode featuring the first 'external' artist ever to release on the label.

Something I totally forgot to mention in the intro is that we've actually also made a new track, with more than half an eye on those early days of Dubstep, which is out on Friday - get it here.

Always so organised on this show.

Since his first Hotflush release in January 2004, Distance appeared on the legendary Mary Anne Hobbs Dubstep Warz Radio 1 show, and went on to release albums on Planet Mu and Tectonic, as well as a further 12" with us.

He also played three times at our SUB:STANCE parties at Berghain, and has been a mainstay of the biggest Dubstep raves in the UK, including FWD>> and DMZ.

He is, in short, a Dubstep legend.

We discuss all that, as well as his more recent work with Riz Ahmed, adapting his artistic output during the pandemic, juggling family life, and much else besides.

This was a hugely enjoyable conversation for me, and you're gonna love it too.

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

You could also support by buying direct from us (and wearing) a Hotflush Musicality t-shirt!

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

The music scene of the North-East of England is often overshadowed by, or sometimes even conflated with, the North-West. Everyone knows about the music of Liverpool and Manchester but there are no equivalents of The Beatles or Oasis on Tyneside.

Despite that, and putting aside for one moment quite-famous names like Mark Knopfler and Neil Tennant, Newcastle has in recent years produced some of the biggest names in club music, from Patrick Topping to Richy Ahmed.

On this week's episode we welcome another native of the region - Geoff Kirkwood, aka Man Power, aka Bedwettter, a dance music expert who recently completed a stint as artist-in-residence at the internationally renowned Sage Gateshead, which included the composition of a symphony in collaboration with Fiona Brice and the Royal Northern Sinfonia.

We discuss his journey from self-taught house producer to performance in world-class concert halls, as well as a wide range of topics from the effect of deindustrialisation on music, to speculating what contemporary music might be performed in a couple of hundred years from now.

He has releases forthcoming on Nocturne and Echocentric, and can be seen DJing back to back with Paul Woolford at King Street Social Club on 25 Feb.

Geoff is a singular character overflowing with insight and stories, and you are going to love this episode.

Some release news... one of our favourite producers, Anna Kost drops her full debut Hotflush release, See Life Better EP, this Friday. It's a smasher, get it here.

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

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Hosted on Acast. See acast.com/privacy for more information.

Why should the DJs get all the money?

And there is a lot of it. Over a billion dollars in fees paid to arguably the least popular members of the music industry every year, mostly for "adding value" to a live event by playing other peoples' music.

This week's guest, DVS1, has led a team which seeks to address that financial imbalance by providing an elegant mechanism for DJs to give some of their astronomical remuneration back to the producers whose hard work they make a living free-riding on.

It's called Aslice, and you should join it right NOW. Whether you're a DJ, wracked with the guilt of stiffing so many people for so long, or a producer, hoping to pick up some of that revenue that's yours by right.

You might think the above is somewhat hyperbolic, but I can stand behind the broad thrust of it. This really is a serious imbalance in the market, and correcting it will do so much good on so many levels. Which is one of the topics of this week's conversation.

In addition to that, we discuss my interlocutor's roots in the Minneapolis rave scene, building the ideal party, and the relationship between his DJing, producing, and promoting.

There will be NO PODCAST NEXT WEEK, so check back in on Tuesday 17 Jan.

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

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Hello from Tokyo... I am playing at Vent on 28 Dec and in Hakuba on 29 Dec.

On New Year's Eve I will be playing all night in Toronto at Sub Division. Pretty sure that's gonna sell out so grab a final-release ticket quick.

I recorded this on 24 Dec so didn't have a chance to mention the incredibly sad passing of Shaun Roberts, a really important figure in UK Underground music who gave opportunities to so many key artists, particularly through his role at fabric. RIP Shaun.

This week on the show we're rounding up some of the best music of 2022, as picked by members of the Discord community and some by myself too.

I also mention the best DJ set I witnessed this year, and talk a bit about the recent football World Cup and its implications for artists boycotting political regimes (yay!).

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

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Episodes of this podcast tend to hover around the ninety minute mark, maybe an hour forty-five. That seems to be the natural length for this kind of format, but sometimes they just acquire a life of their own and end up a fair bit longer and quite often those are my favourites.

My conversation with the noted American DJ and producer Fred P this week is one of those longer ones, and it was one that found really rewarding. That's not an uncommon experience in recording these podcasts, but Fred is a genuinely thoughtful and insightful guy who is dedicated to his craft in a way that is really striking.

We talk about his roots in New York City, the different approaches to owning and distributing your own music these days, and overcoming life's challenges to reach a place where you can express yourself fully.

As you can probably tell, I love this one and I think you will too !

If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

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Running a club properly, like really, really well, requires an attention to detail that is rarely appreciated by the average attendee. During his time at Bob Beaman and BLITZ in Munich, David Muallem has shown an unusual flare in that department and delivered a couple of really special venues.

He is also a highly accomplished DJ who has rocked many of the most notable dancefloors across the world.

This is the first time we've welcomed a guest who has this level of hands-on experience with the running of venues, and as such we get a level of insight here which is really exciting. David is a hugely thoughtful guy who continues to make a huge contribution to the underground dance scene.

So we talk about all that, as well as his formative experiences in clubs and record shops around the world, door policies, and the outlook for the industry over the coming years.

If you like what we're doing here then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

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Moving far outside of your musical comfort zone is a seductive move in theory but one which regrettably few producers feel able to execute in practice.

Drew Lustman, aka FaltyDL, is fearless in his approach to breaking down his own stylistic parameters. His new album, A Nurse To My Patience, is the most striking example to date of that feature of his work.

This is an artistic trait which I much admire, and I was looking forward to the opportunity to sit down and discuss it at length without someone who I count as a friend, but one with whom I haven't spent anywhere near as much time one-on-one as I'd like.

So we discuss the above, and much else including his encounters with Kanye West, his collaborations with Mykki Blanco, releasing on Planet Mu and Ninja Tune, and much else besides.

If you like what we're doing here then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

After an unexpected hiatus last week, the Not A Diving Podcast returns with former RA Top 100 DJs Poll winner, a unique character, and a man of sharp opinions and broad horizons.

If that sounds like three guests then it's purely a failure of prose, because Seth Troxler is a titan of modern house music who brings much more to the table than the ability to accumulate poll votes.

This was a highly enjoyable conversation in which we cover the broad topics of the dance scene in detail, along with Seth's journey from the Detroit scene to playing Panorama Bar at 19, and his more recent work in some of the more storied art galleries of the world with his collaborative project Lost Souls Of Saturn.

We are back on the weekly track and this was a great way to return!

If you like what we're doing here then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

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Hosted on Acast. See acast.com/privacy for more information.

My last job as a civilian was working on educational research projects for an exam board, and the very last thing I did there was a trial of innovative maths teaching methods in schools.

Which isn't something you'd expect to hear about on this podcast, but we get pretty close to it in my conversation with former Oye Records counterman Tallmen785 as his current area of work combines the teaching of music and maths to kids in an interesting way.

You may be familiar with Tallmen techno jams, but Brian Mitchell originally trained to a high level in Jazz guitar. His move from the US to Berlin took him to SUB:STANCE parties and a complete change of his musical outlook.

We discuss all of the above, as well as the joy of record store work, and revisiting the topic of theory in electronic music.

This week is a two-part episode, and after the conversation we dive into a Singles Club-esque format featuring the top 10 streamed Taylor Swift tracks, as requested by Janetpak in the Discord.

If you like what we're doing here then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

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Changing the direction of a music career is one of the most difficult tricks to pull, and changing your stage name is another thing entirely. Particularly if your stage name is DJ Barely Legal.

Chloé Robinson has managed to do all of the above, and is now one of the most in-demand acts at the cross-section of UK bass music and European house and techno. We've been trying to align our calendars to make this episode happen for a good few weeks, and I'm extremely happy to say that it's now here.

We discuss all the issues surrounding her career shift, plus the changes in UK music since she first broke through ten years ago, the challenges and opportunities presented by running your own label, and maintaining a hectic touring schedule while coping with a serious health condition.

This was an episode I was looking forward to for what seemed like forever and I think you're going to enjoy it.

If you want to support the show then it's your lucky day - we have extended our pledge drive on Patreon for another week, where new signups get some cracking bonus presents, including the awesome black-on-grey "Musicality" t-shirt.

Even if you're not supporting financially you can get involved via the Hotflush Discord Server. There is however a private area in that server for Patrons... you won't know about that until you're signed up though.

Join us in the Hotflush Discord Server

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It's Pledgedrive Week over on NDP Patreon. So if you love the show then this is the week to start supporting...

Solidarity tier signups get a 50% off voucher for Bandcamp.

and...

Musicality tier signups get a FREE T-SHIRT!

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Every producer wants to be an auteur. The legend of the isolated guy (it's almost always a guy) turning out hits without any outside help is as potent a narrative in the culture as there has ever been.

Totally Enormous Extinct Dinosaurs, aka TEED, aka Orlando Higginbottom is doing exactly that, and has made one of my favourite albums of recent memory with When The Lights Go.

He's also a thoughtful and insightful chap who recently wrote an article for Billboard which exhibited those qualities and provided the perfect basis for the discussion on this week's episode of the podcast.

Amongst other things, we talk about his journey from major label to self-releasing, the wonders of classical music, the challenges facing artists, and the need to challenge received music industry wisdom.

This was a conversation I was looking forward to immensely, and it did not disappoint.

If you want to support the show then this the best week to do so - we are running a pledge drive on Patreon where for one week only new signups get some cracking bonus presents, including the awesome black-on-grey "Musicality" t-shirt.

Even if you're not supporting financially you can get involved via the Hotflush Discord Server. There is however a private area in that server for Patrons... you won't know about that until you're signed up though.

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

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Having a conversation in front of an audience, it turns out , is a bit different to speaking on the phone.

This is the first time we've done a 'LIVE' episode, and we can thank the good people of the Amsterdam Dance Event for helping us make it happen. As part of the conference we took over a room of about 80 people for an hour and talked to a real legend of Berlin techno - Ellen Allien.

A resident of many of the most important clubs in the city ever since the wall came down, Ellen was there at E-Werk, Tresor, WMF, and all the rest of them. So it was fascinating to dig into that incredible history, as well as her career as a DJ, producer, and label owner.

There will be more live episodes, but the first one is always special... and this was a lot of fun.

Support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

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Better late than never! We had all sorts of problems with getting the podcast out this week, not helped by a trip to ADE in Amsterdam to record an episode with Ellen Allien which (all things going well) will be on your feed next week.

But right now on the show we have a very interesting and important person in the underground music scene of the UK - Elijah.

You may remember his work in the grime scene with Skilliam, you may remember his label, Butterz, if you're in the industry you may know him as an artist manager. But most likely you'll know his Yellow Squares project which has recently brought him a lot of attention as he leads a broad discussion of how the industry works, and how artists should conduct their careers.

So given our mission on this podcast, the man is an ideal guest and you are going to get a lot out of this conversation. We cover a range of topics including the cancellation of shows, transparency and the idea of making your income public, as well as getting into the history of the grime scene too.

An awesome episode which I think was worth the wait.

You can check his 'Close The App, Make The Thing' lecture here.

Support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

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What happens when you discover a new form of music being made thousands of miles away, but there’s nowhere to dance to it in your city? Or even your country?

If you’re Dave Q, you go right ahead and put on a party, which is what he did when he held the first Dub War event in New York City during the summer of 2005. 

That makes him an extremely important person in the development of bass music in North America, and while we heard a lot about this from Joe Nice, one of the resident DJs at Dub War, it was Dave’s relationship with the music that really made this happen. 

So what we have here is a crucial addition to the story of Dubstep. We talk about all that of course, in addition to the challenge of juggling it all with another career, pilgrimages to DMZ in London, and the effects of 9/11 on the music scene in New York. 

After an 8k mile round trip to Infrasound Equinox Festival in Minnesota last weekend, I am feeling pretty fried. To the extent that I actually get the name of the festival wrong in the intro to this week's show... but that's what touring does to you ! Great to meet so many nice people, loved the vibes. Mental note to stay a bit longer next time...

Support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

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The feedback to Episode 26 of the show with MJ Cole was overwhelming. But we came away from that episode without the real insider story of the UK Garage scene being told - what we got instead was the MJ Cole story, which was amazing in itself, but missing some of the key details as to how this unique genre of Dance Music unfolded.

This week we welcome one of the absolute best people around to fill in those gaps and really dig into the development of UKG, and that man is none other than DJ Spoony.

As part of the Dreem Teem (with Timmi Magic and Mikee B) he presented the key UK Garage show on BBC Radio 1, was resident at arguably the most important UK Garage night in Twice As Nice, and was a general ambassador for a sound that took over the UK charts and radio waves in the late 90s and early 2000s.

So we get the full Garage story here, as well as discussing the effect of institutional racism on the UK music scene, his early years as a DJ pre-UKG, and his other career in football broadcasting.

I had high expectations for this episode but I think it exceeded them... you're gonna love this.

Support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

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Can a DJ influence government policy? Sunil Sharpe has certainly tried, and through various campaigns going back to the mid 2000s his voice in the development of nightlife policy in Ireland has been a significant one.

That makes him a great guest for the show and we dig into some of the machinations of policy-making, as well as the more directly music-related issues of DJing with vinyl, crowd behaviour, the changing nature of how electronic is viewed, and much else besides.

Sunil is a man who likes to talk and this was a highly enjoyable conversation.

After the conversation I also give a rundown of my thoughts on the techno twitter viral event of last week... you know the one :D

Support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

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Groupthink is everywhere, but rarely found in a more pronounced form these days than in the dance scene.

Patrice Bäumel is not a fan of this phenomenon and, to his credit, he is willing to challenge received wisdom and orthodoxy. That approach to life makes him an ideal guest for this show and it was a pleasure to dig into some thorny topics with him over the course of a two hour conversation.

In addition to the topic of groupthink itself, we discussed the definitions of freedom and art, community living at Burning Man, and the legendary Amsterdam club known as Trouw.

I was very much looking forward to this episode, and I think we managed to keep a musical grounding to a discussion which covered many areas of culture, politics, and even some economics.

Here's the KLF book by John Higgs that I reference.

Support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

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Releasing your own music can be liberating, but it also involves challenges. How keen are you on self-promotion? Well you better get used to it if you're self-releasing.

Steffi is a long running resident of Berghain/Panorama Bar, and an alumnus of their label, Ostgut Ton. For her forthcoming album, The Red Hunter, she has taken over those responsibilities with a new imprint called Candy Mountain.

We discuss all that at length, plus taking the opportunity to dig into her background in the Netherlands, what it means to be underground, the challenges of production, and the possible future paths of the dance scene.

This was a conversation I have been waiting for since we launched the pod, and it did not disappoint. Steffi is great and you will love this episode.

Support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

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This week I'm taking the opportunity to evaluate what we've been doing on the show during the 19 weeks since I last did a solo pod. That also ties in neatly with a weekend I just spent in Berlin where we held a Hotflush party at Æden, and also collabed with HÖR on sets from me, Anna Kost, Roska, and Closet Yi.

Support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...

...in the Hotflush Discord Server

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We have been angling for a booking agent to guest on the show since launching the podcast, and finally we have one!

Ned Beckett is the founder of the Little Big agency, represents Aphex Twin, and is as well placed as anyone to make the case for the contribution made by agents to the careers of artists and live music as a whole.

We discuss his formative period with Warp Records, the development of electronic music in the live space, and the challenges of founding an agency when you have no idea what an agency does.

Ned is a super interesting guy and this is a great conversation... a different perspective to previous guests, you will enjoy this one.

We would be extremely grateful if you would support the show on Patreon. There's two tiers... one which gets the show ad-free plus at least a couple of bonus podcasts each month, and a higher tier which additionally gets you all the music we release on Hotflush ahead of time and in HD formats. And also some extra music that you can't get anywhere else. We think it's great value, so if you can do it... we'd love you forever.

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Electronic music and DJing are intrinsically linked, so what happens when your studio output shifts from being explicitly designed for mixing to something far less functional?

Performing live is a challenge many DJs have taken up, but few as comprehensively as George FitzGerald who fully embraced the live experience after signing to Domino Records and releasing music which was a step away from the UK-bass inflected house bangers with which he initially made his name.

We discuss all that, before embarking on a much wider discussion on the recent changes in the music industry and potential developments that may or may not transpire over the coming decade or two, including the possibility of a VR Berghain, and speculating on why private jet selfies aren't treated in the manner they surely deserve.

Those of you who have followed my career will be aware that George and I go back a long way, but fear not: this episode manages to avoid descending into bro-down territory and was nonetheless an extremely enjoyable and illuminating conversation to have.

We would be extremely grateful if you would support the show on Patreon. There's two tiers... one which gets the show ad-free plus at least a couple of bonus podcasts each month, and a higher tier which additionally gets you all the music we release on Hotflush ahead of time and in HD formats. And also some extra music that you can't get anywhere else. We think it's great value, so if you can do it... we'd love you forever.

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Miami is one of those places whose reputation precedes it. South Beach, basically. Which anyone with any smarts will reassure you is far from the whole story.

Danny Daze is a second-generation Cuban who is Miami to the core. He's a former pro-level tennis player who spends his time running TR808s through an Eventide H9000, and is currently preparing to perform his forthcoming album in a planetarium. He also has strong opinions on just about everything.

We discuss topics including the aforementioned legendary FX processor, the unintended consequences of diversity riders, why Web3 is going to change the lives of musicians, and what it's like to accidentally become a Tech House star with no prior knowledge of Tech House.

Danny is a dude with a deep voice and stories to tell, and this is an awesome conversation.

Support the show on Patreon! There's never-to-be released SCB track going up there this week...

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We are now live on Patreon! Support the show and get tons of extra content right here.

Pirate radio as part of underground music is commonly seen as a London phenomenon, but in the early 90s Kiss FM in Berlin was a key part of the emerging landscape.

Anja Schneider played an important role in that extremely exciting period in the development of dance music, and has gone on to have a varied and successful career running labels, making tracks, presenting radio shows, and of course DJing.

We discuss topics including the position of radio today, the development of record labels in the dance scene over time, a 1991 Wu Tang Clan appearance in Berlin, and of course we get into some detail on the topic of the history of Berlin clubs.

Anja is an awesome person and this was a great conversation!

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The touring lifestyle is not for everyone. It's the classic case of something which appears to be endlessly glamorous from the outside, but the reality of which is something else entirely. Everyone wants to be a part of it, few manage to sustain it for very long.

At this point Ali Shirazinia, aka Dubfire, might (without too much of an emphasis on 80s imagery) be described as a road warrior. Touring hard internationally since the mid 90s as part of Deep Dish, he seemingly never lets up and is absolutely a creature of that way of life. His reinvention as a solo artist over the past 15 years have taken him everywhere and put him at the forefront of all the changes in the live side of electronic music over that time.

Our conversation covers his forthcoming album, his experiences in the New York club scene of the 90s, dealing with social media, and why high-end tasting menus are kind of like an open-to-close DJ set.

In other news, we are now LIVE on Patreon! Join us to support the show and help us develop it into something bigger. The entry level tier is just $4 or £3.50, and there is a $10 tier which gets you all of the music released on Hotflush and affiliated labels early, and in the best quality formats.

Bonus content on Patreon includes extra podcasts, the first of which is available now.

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Prince taught us all the importance of controlling your own music, and that is a concept which this week's guest has taken to heart over the course of his career. A label-owner, publisher, and spinner of DJ sets featuring exclusively his own material, Levon Vincent is a producer's producer and a proper hero of the underground.

In this conversation we get pretty deep into his roots in Newark and New York City, covering his formative musical years in the late 80s, through his experiences as an opening DJ at the legendary Limelight club, through to the Giuliani era which brought New York clubbing to an abrupt halt.

We also discuss topics including the life-affirming experience of Berghain, the difficulty of coming up with original titles (or even DJ names), and the importance of sound checks.

This week 'OneZeroFive', the second part of my collaboration with Bakongo aka Roska is out on Hotflush, also featuring a remix of 'Over Again' by Hassan Abou Alam.

We have also announced a Hotflush label event at Æden in Berlin on 2 Sept... Get involved!

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Dubstep Wars is a series we're incorporating into the show which takes a serious look at the development of Dubstep in the US. How it got there, how it grew, and what happened then. This is the second in the series, but we've got so much more than that on this episode.

Joe Nice is an actual hero of underground music in North America. Justifiably regarded as the first person on that side of the pond to push the Dubstep sound, he's also a political activist of deep knowledge and passion.

Regular listeners will know that I love digging into political matters with music people and we absolutely do that here, including on whether musicians have a duty to be political, the differences between the US and Europe, and the issue of censorship in the media.

We also discuss topics including the cutting of dubplates, AOL Instant Messenger, and the legendary NYC Dubstep institution that was Dub War.

This is our longest conversation to date on the show and one that I absolutely loved having. Joe is an awesome guy and I can guarantee that you will love his stories and energy.

No releases on Hotflush labels this week but we just announced the next collab between myself and Bakongo, which also includes a remix from the totally awesome Hassan Abou Alam.

And don't forget to check the new Anna Kost EP if you haven't already. It's really good.

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Hospital Records is one of the biggest labels in Drum n Bass, but its origins came out of the musical crossroads in the mid 90s which involved Acid Jazz, Broken Beat, elements of UK Garage, and of course Jungle.

Chris Goss was a co-founder, a key part of London Elektricity whose music Hospital was in part set up to support, and now runs the label and all of its constituent parts as the MD.

We talk about the history of the label, how it functions today, the relative importance of the Hospitality live events side of the business, and go down many peripheral rabbit holes relating to all of that stuff.

Hospital was a real inspiration to me in setting up Hotflush, so I was very excited to have Chris on the show... he did not disappoint!

On Hotflush and affiliated labels this week we have the return of the hugely exciting young artist Anna Kost with her new EP on Who Whom entitled Waste Of Skin.

And the special talent that is Jayson Wynters returns to Rhythm Nation with Exit Wound, also featuring remixes from the amazing James Welsh.

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Should you bother to learn music theory if you want to make dance music? This is a rare area in life where ignorance is quite often openly celebrated. That's not to be sniffy about those who can't pick out the sixth note of a minor harmonic scale, but the arguments used to justify the lack of knowledge do lend themselves to a suspicion that the people involved are either kidding themselves or seeking to do as much to everyone else.

In the introduction to an interview with MJ Cole, the term 'classically trained' is reliably invoked - notwithstanding the opening paragraph this is an epithet which can justifiably be met with some trepidation. In this case however, the briefest acquaintance with his late 90s, genre-defining UK Garage classic 'Sincere' instantly banishes any such worries.

This is a maker of tunes with the highest level of sophistication in terms of knowledge and technique, but also the chops to know when to let those things get out of the way.

I was intending to have something of a deep dive into the development of UK Garage during this conversation, but instead we got a snapshot of a career defined much more by a personal approach to music than fitting into a given genre, even though the MJ Cole name is synonymous with the aforementioned style.

We also discuss other stuff including that first question about the value of technique in making club music, engineering tunes for DJs, and the relationship between UK Garage and Jungle/DnB.

This is an awesome conversation with a really important figure in UK music. You will enjoy it!

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What constitutes a hit record? In the underground dance world the definition can be very different to one that, say, a major label exec living in LA might use. A genre-defining club track is not a "hit" on everyone's terms. But this week's guest has made records which can unambiguously be associated with the H-word.

Since starting out in the mid 2000s on Tiga's Turbo label, Duke Dumont has established himself as perhaps the leading UK exponent of what might be called 'pop house', and having decamped to Los Angeles a few years ago, he is able to give us a slightly different perspective on the industry to previous guests on the show.

We discuss topics including the mental bandwidth war in social media, the debilitating nature of depression on creativity, soundtracking experiences, and the freedom of writing albums.

This was a great conversation, you will enjoy it!

On Hotflush and affiliated labels.... this week Closet Yi drops the full release of her 'Simmer' EP. Check it out, it's awesome!

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At this point the argument over NFTs probably seems a bit tired. But the fact is that very often the real benefits, theoretical though they might be, can be absent from the conversation as a whole.

When Jacques Greene effectively sold the publishing rights to a track via the blockchain he was hinting at a world which currently doesn't exist, but the reality of which would unquestionably be a huge improvement to musicians. That is a world where contracts automatically execute without the need for legacy institutions which operate with extreme opacity and questionable efficacy.

So clearly the subject needed to be addressed during this conversation, and on this episode we get fairly deep on all that stuff.

Additionally to the NFT debate, we cover topics including the minutiae of 808 kickdrums, his experience with a major label, and the effect of high and low rents on the productivity of musicians.

This was a super-interesting conversation with someone with whom I have many mutual friends but had previously never talked to directly. You will enjoy it!

On Hotflush and affiliated labels.... a reminder for last week's drop of the James Welsh Sound Exchange Remix of Jayson Wynters' Lost City.

This week we have Biemsix dropping the second half of his latest EP with 'Highway High Way Too High' - proper techno.

And over on YAEL trip, Glaskin present their full remixes EP featuring me + Etapp Kyle, Baby T, Uncrat and Isaac Reuben... also out on Friday.

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When you're trying to get started in music there is a tendency to find yourself doing all sorts of stuff just for the privilege of being involved. One of the first things I ever did was conduct an extremely poorly-researched interview with an up-n-coming DJ and producer who was making tunes every dark garage DJ wanted (it wasn't quite called Grime yet). He called himself Plasticman.

A few years and one letter from Richie Hawtin later, Chris Reed aka Plastician was spinning on Radio 1, and shortly after that became one of the busiest DJs of the Dubstep explosion of 2006.

Fast-fwd another fifteen years and he is still DJing, making tunes, and running his label Terrorhythm, while also heavily involved in the Friends With Benefits DAO, and a firm advocate of the web3 space as a whole.

As the above would indicate we discuss a wide range of topics, including the end of UKG as we knew it in 2000, what exactly a DAO is anyway, and the legendary DJ Hatcha.

We also get pretty deep into the challenges of making a living out of music over the course of multiple decades, and the many different opportunities that present themselves along the way.

Chris is a true soldier of the UK underground and you will enjoy this conversation!

On Hotflush this week the 'Iceberg' EP from Bakongo drops, featuring the 'Over Again' collab with *me* which first dropped a few weeks ago.

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Musicians can be broadly assigned one of two categories - those who are willing to say what they think, and those who are not. There is an element of risk and reward at play in this dynamic - and it might be a calculated strategy or purely a reflection of a given person's ability (or otherwise) to express themselves.

This week's guest, Dave Clarke, is a reliable representative of the former group. He is frequently interviewed, and those interviews often cover topics which have little to do with music - international politics is a common point of discussion.... which leads us to the disclaimer that there is quite a lot of non-music related chat on the show this week.

BUT THAT'S OK. DJs shouldn't be limited to talking about kick drums, and we cover topics here including living abroad, Brexit, energy policy, cultural conservatism, as well as the disappearance of counter-culture, the perils of record deals, and the secret sauce of hardware compressors.

This was a conversation I was looking forward to having and it did not disappoint.

On Hotflush this week we have the second single from Closet Yi's 'Simmer' EP, entitled Red Comet. It's a cracker.

And my remix of Glaskin's amazing track Hydrogroove I is also out on Friday. 140bpm breakbeat action !

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Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

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Since the pandemic hit, no part of the music scene has been dissected so minutely by people with less direct knowledge than the club and festival circuit. That was inevitable - everyone loves to party and far too many take an unhealthy pleasure in the misfortune of others. Thankfully on this week's show we have some actual expertise to draw upon.

Rich McGinnis has an inordinate amount of experience of the area in question, going back to the early days of the rave scene in Northern Ireland, working at Amnesia in Ibiza, to being one of the key players in the seminal North-West parties Chibuku Shake Shake, Circus, and The Warehouse Project. He's also found time to play a key role in festivals including Parklife and Lovebox.

We talk about all of the above, plus the perils of chaperoning the denizens of Big Beat, why it's not always wise to build a DJ their own special booth for one gig, how ecstasy can change international politics, and much else besides.

Rich is a raconteur with stories to tell and you will enjoy this episode!

On Hotflush affiliated labels this week, Biemsix returns to Who Whom with the first part of a 5-track EP of signature deep and energetic techno.

Join us in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

House music all night long is a fine adage for the feckless youth of no responsibility, but try delivering the aforementioned while breastfeeding a newborn and facing the prospect of doing the same thing tomorrow in a different country.

Cassy has unquestionably done the 'DJ thing'. Formerly resident of Circoloco and graduate of the inaugural Panorama Bar class, she's played all the shows anyone serious about House music ever wanted to.

We talk about all of that stuff, and also dig into some of the less glam aspects of DJing, like the limitations of being part of a highly-insular community like the dance scene, the increasing pressures to conform to the norms of that community, and the deficit of authentic voices in the scene. We also discuss making music, the influences of Prince and most notably James Brown, and address the crucial question of whether DJing is a form of art.

Cassy is a true original, and you will enjoy this conversation!

On Hotflush this week I drop a collaboration with Bakongo, aka former podcast guest Roska.

Join us in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport

Hosted on Acast. See acast.com/privacy for more information.

Techno is a functional form of art, one which on first glance might seem highly formulaic but upon closer inspection reveals itself to be almost infinite in the number of variants in which it can appear while still feeling fresh.

Chris Liebing is a master of the style. From a starting point in the early-90s Frankfurt scene, through launching his recently-relaunched label CLR in 1999, up to his present position as one of the world's best-known Techno DJs, as comfortable playing Coachella as he is at Berghain, he has moved with the times while staying true to his self-confessed obsession with the kick drum.

In this conversation we discuss the continuing importance of record labels, the increasing irrelevance of albums (even as he releases them on Mute), the origins of Techno, the enduring appeal of DJing, the phenomenon of Tiktok, and much else besides.

Chris is such an interesting guy, with huge knowledge and experience - you will love this episode!

This week on Hotflush we welcome Closet Yi, dropping the first track from her forthcoming EP this Friday. And we celebrate the full release of Psyk's Scattered EP on Who Whom. Get involved on Bandcamp.

Discuss the show in the Hotflush Discord Server

Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist

For more links and other info visit the official Scuba website

Follow Scuba: twitter instagram bandcamp spotify apple music beatport