| What can family and individual studio photographs tell us about social life in the early Republic of Turkey? In this episode, Özge Calafato highlights the negotiations between the Kemalist state, the photographers, and the people being photographed that led to classed and gendered representation of modern Turkish citizens in vernacular photography. Calafato analyzes not only the image, but also the context of production and the inscriptions written behind photographs. Looking at photos of subjects as ranging from beauty queens and feminist activists to bank employees and soldiers, she considers the production and circulation of photos not only in urban studios and within families but also in rural areas and within friendship groups.
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