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A free webseries exploring the fossil record and the evolution of life on Earth.
The podcast Palaeocast is created by Palaeocast. The podcast and the artwork on this page are embedded on this page using the public podcast feed (RSS).
An ecosystem can be described as all the interactions that occur between organisms and their physical environment. The processes acting within an ecosystem operate on a wide range of spatial and temporal scales and include both biotic and abiotic factors.
Ecosystem engineers are those species that have a significant impact on the availability of resources to other species and can be responsible for the creation, maintenance, modification or destruction of an ecosystem. The introduction, or even removal, of such a species can have profound effects on both physical and biological elements of an ecosystem.
Whilst we can recognise the impact of ecosystem engineers in modern systems (e.g. the introduction of an invasive species), we don’t fully understand what happens when an entirely new ecosystem engineering behaviour evolves. This has undoubtedly happened numerous times throughout geological time with the Great Oxygenation Event and the Cambrian Substrate Revolution being notable examples.
Joining us for this episode is Dr Tom Smith, University of Oxford, who has been using a computational approach to try to model what happens when an ecosystem engineer is introduced into an environment. The open access study is available to read here.
Found in the fossil record between the Jurassic and the middle Miocene, Notosuchia was a highly diverse and strange group of crocodylomorphs, most notable for their terrestrial lifestyle.
Joining us for today’s episode is Dr Yohan Pochat-Cottilloux from the Laboratoire de Géologie de Lyon, who specialises in the study of crocodylomorphs. Together, we will explore the wide range of scientific methodologies that have so far been used to study the lives of these strange reptiles and discuss how they may have looked and behaved.
The field of evolutionary biology has been greatly influenced by the development of modern genetic methodology. The understanding of genes, genomes and the molecular mechanisms key to life on Earth are all goals of evolutionary biology in the 21st century, yet its potential applications seem to be near limitless. Palaeontology and evolutionary biology continue to be closely related and both, with their deeply rooted origins, have been essential to our understanding of macroevolution (major evolutionary change over long periods of time) ever since the major development of the theory in the 19th century.
In this episode, Prof. Erica Bree Rosenblum introduces us to this diverse and constantly evolving field. We cover fundamental questions such as: what are genes and genomes and why does understanding them matter; which evolutionary roles do environmental and genetic mechanisms play; and what ultimately causes the rise and fall of species. In order to better understand life on Earth, we show how evolutionary biology brings together the fields of genetics, biochemistry, ecology, palaeontology and more.
In 12 years of podcasting, we have never actually taken the time to address the fundamentals of our field. Such questions could include: what is palaeontology, what is a fossil, how does one become a palaeontologist, and why is palaeontology important?
For what should have been our very first episode, we've invited Prof. Roy Plotnick, University of Illinois Chicago, to help us outline everything you need to know about the field of palaeontology. Roy has had a long and varied palaeontological career, he maintains a blog all about the field, and he is author of the book Explorers of Deep Time.
It's been two centuries since the first dinosaur, Megalosaurus, was named by William Buckland and to commemorate the date, the Natural History Museum hosted '200 Years of Dinosaurs: Their Rise, Fall, and Rebirth'. This international conference provides a snapshot of dinosaur research in 2024, demonstrating just how far our understanding of this group has come since 1824.
In our coverage of this event, we speak to many of the leading palaeontologists in the field, as we look back over the last 200 years of research and consider what the next 200 might reveal.
The Middle Jurassic is incredibly important to our understanding of pterosaur evolution; however, the remarkable rarity and incompleteness of Middle Jurassic pterosaurs has long hampered scientific understanding of the lineage.
Joining us this episode on the other side of the microphone is one of Palaeocast’s own team members, Dr Liz Martin Silverstone, a Technical Specialist at the University of Bristol who has recently described Ceoptera evansae, a darwinopteran pterosaur from the Isle of Skye. Together, we explore the new specimen, how it fits in to the group, and the insights it can give us in to pterosaur evolution.
Originally mounted in 1907, the Carnegie specimen is the best example of the sauropod dinosaur Diplodocus, and perhaps the most famous dinosaur skeleton in the world. Casts of the specimen, including the London example known as “Dippy”, were distributed around the world during the early 1900s, and a final concrete cast was even created in 1957 for the Utah Field House at Vernal.
Although the moulds used to create these casts were lost sometime during the 1960’s, new ones created from the concrete skeleton have allowed second generation casts to be made, with some elements being incorporated into other iconic mounts.
LOOP 8.4: LOOP Showrunner Dan Tapster returns to give a retrospective on the series and its production. We look at went well and address criticisms; is it possible to keep everyone happy? We finish this series by discussing the show’s take-home messages and Dan’s hopes for Life On Our Planet’s legacy.
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 8.3: Episode 8’s producer, Sophie Lanfear, joins us again to describe how difficult it was to wrap the series up, having to balance telling the story of the last ice age with conveying the message of the series. We speak about climate change and the 6th mass extinction and try to find any positives. Ultimately, if documentaries keep having to make this point, is the message really getting through?
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 8.2: Prof. Danielle Schreve, Royal Holloway University of London, joins us to cover the last 2 million years of Earth’s history. We explore the periodicity of glacials and interglacials and the control Earth’s orbit around the sun has on climate. She then places the Holocene’s megafaunal extinctions and major palaeobiogeograpical events within this climatic context. We finally look at the impact of human radiation on the world and the lessons we can learn from this time.
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 8.1: Dave and Tom introduce episode 8 and round of this special series on Life On Our Planet. We talk about our favourite scenes and reflect on our time working on the documentary and how our perspectives of documentary making has changed. We’d love your feedback on this podcast series.
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 7.3: We’re taken into the field to film snow leopards by episode 7’s Assistant Producer, Darren Williams. He reveals how difficult it is to get just a few minutes of video, both logistically and practically. We get to know the ‘old male’ snow leopard, trace his movements, and learn of his importance to the community. Darren then speaks about the emotional conflict of capturing his final moments on film.
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 7.2: Prof. Christine Janis, University of Bristol, outlines mammalian evolution and focusses on the global events that governs their radiation. We look at why mammals survived the K-Pg mass extinction and how the archaic mammals radiated immediately after. We end by looking at how mammals, similar to what we learned about birds, are relatively insignificant to today’s ecosystems.
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 7.1: In the introduction to episode 7, Dave and Tom just about keep it together whilst reflecting on the most emotional scene of the show. We also celebrate the inclusion of the Antarctic Circumpolar Current in the series, before giving it a little rebranding to make the science even more approachable.
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 6.4: Prof. Anjan Bhullar continues his overview of avian evolution with a look at how the birds fared after the K-Pg mass extinction. What was it that allowed birds to survive when the non-avian dinosaurs died out? Why didn’t they just become dinosaurs again? What have birds been able to achieve in the time since and how important are they to modern ecosystems. Not an episode to be missed (unless you’re Prof. Dan Field).
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 6.3: Documentary research takes you down a lot of unexpected avenues. If you’re recreating something like the Chicxulub impact and the K-Pg mass extinction, then you need to be able to provide answers for things you didn’t even know were questions. What colour was the asteroid? How bright was the flash? How long does it take to cook a Triceratops to death? Silverback Films researcher Edd Dyer returns to discuss the difficulties of finding such information.
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 6.2: Dr Anjan Bhullar, Yale University, returns to speak further about dinosaurs. He’s pressed on where he’d draw the line between dinosaur and bird, or whether there should even be a distinction between them at all. At what point does flight evolve and was it ‘ground up’ or ‘tree down’? We find out that none of these questions are simple.
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 6.1: Dave and Tom introduce us to episode 6 of Life On Our Planet and the pair touch upon the Chicxulub impact and the radiation of birds into the Cenozoic. Dave curtails the introduction with one of his worst puns yet.
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 5.3: We’re exploring feather evolution with Dr Anjan Bhullar, University of Yale. We trace feathers up the theropod family tree and question whether or not they would be present in ALL dinosaurs. Anjan does NOT sit on the fence with this question or any other. Were dinosaurs brightly coloured? How intelligent were they? Do not miss some of these mind-blowing insights!
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 5.2: Producer Barny Revill returns to talk about his second episode. With the public spotlight firmly fixated on the dinosaurs, how much effort had to go into their GCI models and does the reputation of the series depend on getting them right? In light of this, how much room is there for telling the stories of other groups of organisms?
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 5.1: It’s episode 5 and Dave and Tom are pronouncing dinosaur names all wrong. Does any actually pronounce it “Deinonychus”? Dave reveals why Netflix chose Morgan Freeman as narrator over himself, Tom talks about the complexity of producing CGI feathers and we address T. rex controversies. Finally, we’re served up a confusing ‘dinosaur sandwich’ metaphor.
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 4.3: Prof. Peter Falkingham, Liverpool John Moores University, was the consultant biomechanist for the series. He introduces us to the importance of biomechanics in CGI, but more widely in determining the physical capabilities of different animals. You need to have a full understanding of the anatomy of the animal, yes, but also the context on the media through which it is moving.
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 4.2: We get down to details with Producer Barny Revill and analyse some of the different elements of episode 4: What were the challenges of working in such inhospitable environments? How do you recreate a flood of biblical proportions? How did you guide Industrial Light and Magic in the creation of their CGI models?
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 4.1: Against the odds, we’ve all made it through the PTME. It’s now time to focus on episode 4, with the reptiles and their adaptation to different environments. We touch upon biomechanics and crank up the VFX dial to 11.
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 3.4: With researcher Ida-May Jones, we explore the Venn diagram of academic and documentary research. She introduces us to the strawberry dart frogs and the extraordinary lengths that mothers will go to to care for their young. With such high-tech equipment to record behaviours, it’s unsurprising that something new might be encountered!
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 3.3: Prof. Mike Benton, University of Bristol, gives us an overview of the major events in tetrapod evolution. He reveals some of the surprising traits that lobe-finned fishes ‘pre-possessed’ that were re-purposed for use on land. But were the biggest hurdles to terrestrialisation oxygen, moisture or gravity? We follow through the evolution of tetrapods into their many groups before the ‘Great Dying’ almost ends it for all of them.
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 3.2: Producer Sophie Lanfear gives us our first insights into how documentaries are shaped. She tells us about the enormous scope of episode three and the difficulty of trying to fit in so many significant events. We analyse her use of emotion throughout the episode and she explains why she opted to use comedy. Finally, we look at the problem of anthropomorphism in documentaries.
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 3.1: We introduce episode three of Life On Our Planet and discuss one of the most significant stories in the series. We’re in agreement that lichens are the unsung heroes of the whole series and that Arthropleura is the crunchiest animal to ever exist. We talk about the ‘fishapod’ Strepsodus and its locomotion.
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 2.4: Silverback researcher Edd Dyer joins us to introduce us to his part in the creation of the series. The title ‘researcher’ really doesn’t do justice to the incredible scope of his role which includes far more than just looking up facts. We talk about his route into the industry and the necessary skills for the job.
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 2.3: Hydrodynamicist Dr Tom Fletcher, Silverback Films, returns to explore the science behind Dunkleosteus. How much of the fossil is known? How does the model compare to the latest reconstruction of the animal? How much of the design is dictated by hydrodynamics? and is Dave ironically cool?
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 2.2: Prof. Christian Klug, University of Zurich, is our first academic guest. He introduces us to the Cambrian explosion, the Great Ordovician Biodiversification Event and the Late Ordovician Mass Extinction. Christian is an expert on cephalopods and he tells us more about their biology and his thoughts on the vertical orientation of Cameroceras in this series.
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
LOOP 2.1: We introduce episode two of Life On Our Planet and discuss our roles in its creation. We’re down deep in the geological time with all the “crunchy and squishy” organisms. We talk about our favourite scenes, jellyfish reproduction and the proper pronunciation of cephalopod.
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.
Image courtesy and copyright of Netflix.
In LOOP 1.2 we are joined by showrunner Dan Tapster. He’s the one responsible for pulling everything together, designing the story and creating the best production team. We learn about how LOOP first got started, why both CGI and modern footage was used, and how to cram billions of years of evolution into just 8 episodes.
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. We will be releasing batches of interviews, each relating to an episode of LOOP.
Images courtesy of Netflix.
Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.
This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.
And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.
In this series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. We will be releasing batches of interviews, each relating to an episode of LOOP.
In episode 1.1, we introduce ourselves and explain our roles in the documentary. We look forward to the release of the series and discuss the scope of episode 1 and some of the 'rules of life'. Images courtesy of Netflix.
Following up on an initial discovery of ice-age remains in Byron, New York, in the 1950's, Dr Richard Laub took on the task of systematically excavating the 'Hiscock Site' for the Buffalo Museum of Science. Fieldwork commenced in 1983, but as more and more fossils were discovered at the site, the 'Byron Dig', as it became known, would continue for almost three decades. In that time, countless numbers of significant Late Pleistocene and Holocene discoveries were made, including those of mastodon, caribou and bird remains, as well as a rich record of Paleoindian tools.
The Hiscock site proved to be incredibly challenging, not just in terms of physical excavation in its water-logged sediments, but also in developing an understanding of how this complex deposit had formed and evolved over the last ≈13,000 years. In many cases, it took years to figure out some of the details and whilst we have a good understanding of the site 40 years on, several questions still remain unanswered.
In the second part of this interview, Dick continues to look back at his time leading the Byron Dig. As we work our way through each distinct layer of the deposit, he reconstructs the local environment for us and paints a picture of the flora and fauna of the relatively recent past.
Further details about the Hiscock Site, the Byron Dig and the history of its study can be found in Dick's recent book: Two Acres of Time.
Following up on an initial discovery of ice-age remains in Byron, New York, in the 1950's, Dr Richard Laub took on the task of systematically excavating the 'Hiscock Site' for the Buffalo Museum of Science. Fieldwork commenced in 1983, but as more and more fossils were discovered at the site, the 'Byron Dig', as it became known, would continue for almost three decades. In that time, countless numbers of significant Late Pleistocene and Holocene discoveries were made, including those of mastodon, caribou and bird remains, as well as a rich record of Paleoindian tools.
The Hiscock site proved to be incredibly challenging, not just in terms of physical excavation in its water-logged sediments, but also in developing an understanding of how this complex deposit had formed and evolved over the last ≈13,000 years. In many cases, it took years to figure out some of the details and whilst we have a good understanding of the site 40 years on, several questions still remain unanswered.
In this interview, Dick joins us to look back at his time leading the Byron Dig. As we work our way through each distinct layer of the deposit, he reconstructs the local environment for us and paints a picture of the flora and fauna of the relatively recent past.
Further details about the Hiscock Site, the Byron Dig and the history of its study can be found in Dick's recent book: Two Acres of Time.
A new Ordovician lagerstätte (site of special fossil preservation) has just been described from Llandrindod Wells, Wales. The site contains the remains of well over 150 different species, most of which are entirely new to science. It is dated to around 461 million years old, placing it at a critical point in life's evolution: the Great Ordovician Biodiversification Event. This is even more significant, considering the relative sparsity of lagerstätten of this time.
We are joined in this interview by Drs Joe Botting and Lucy Muir, who discovered the Castle Bank site a short walk from their house whilst fossil collecting during covid lockdown in 2020. From them, we're able to learn what it's like to discover a new site of international significance and we question why the fossil from this site are so small.
Part 2. Caecilians, sometimes known as ‘blind worms’, are a lesser-known group of lissamphibians (all living amphibians). Most modern caecilians are all fossorial (burrowing) and are restricted to the moist soils and leaf litter of tropical forests. Adaptation to this specific ecology has led to radical modification of their bodies, from fusion of the bones in the head and the function of the jaw, to the loss of limbs and development of unique sensory organs.
The fossil record of caecilians is incredibly poor, with only 10 specimens available for researchers to piece together their evolutionary history with. This is further problematic because without a firm understanding of caecilian evolution, we can’t understand the origins of lissamphibians, which includes the ecologically significant groups of frogs and salamanders.
Published in Nature today, a new study led by Ben Kligman, Petrified Forest National Park and Virginia Tech, details numerous specimens of a new fossil caecilian. Discovered within a Triassic deposit, Funcusvermis gilmorei is not only the oldest known caecilian, but it also displays a unique combination of anatomical characteristics that helps illuminate the evolutionary origins of caecilians and all lissamphibians.
Whilst this discovery goes some way to answer some of the bigger questions, other problems that are raised, most notably why there is such an over-representation of Funcusvermis‘s lower right jaw.
Caecilians, sometimes known as ‘blind worms’, are a lesser-known group of lissamphibians (all living amphibians). Most modern caecilians are all fossorial (burrowing) and are restricted to the moist soils and leaf litter of tropical forests. Adaptation to this specific ecology has led to radical modification of their bodies, from fusion of the bones in the head and the function of the jaw, to the loss of limbs and development of unique sensory organs.
The fossil record of caecilians is incredibly poor, with only 10 specimens available for researchers to piece together their evolutionary history with. This is further problematic because without a firm understanding of caecilian evolution, we can’t understand the origins of lissamphibians, which includes the ecologically significant groups of frogs and salamanders.
Published in Nature today, a new study led by Ben Kligman, Petrified Forest National Park and Virginia Tech, details numerous specimens of a new fossil caecilian. Discovered within a Triassic deposit, Funcusvermis gilmorei is not only the oldest known caecilian, but it also displays a unique combination of anatomical characteristics that helps illuminate the evolutionary origins of caecilians and all lissamphibians.
Whilst this discovery goes some way to answer some of the bigger questions, other problems that are raised, most notably why there is such an over-representation of Funcusvermis‘s lower right jaw.
Palaeontology (dinosaurs in particular) are incredibly well represented in nearly all forms of popular media today. From documentaries and films to computer games and even specialist podcasts. But where did the public fascination in dinosaurs come from? Has it always been there, ever since the existence of dinosaurs was first revealed, or has interest grown cumulatively with every public engagement milestone.
This third and final part examines the need for modern films and documentaries to be able to substantiate their claims. How do we know whether or not the scenes they depict are based on palaeontological facts? The series then ends by stepping back and considering what the point of this kind of science communication is anyway.
Palaeontology (dinosaurs in particular) are incredibly well represented in nearly all forms of popular media today. From documentaries and films to computer games and even specialist podcasts. But where did the public fascination in dinosaurs come from? Has it always been there, ever since the existence of dinosaurs was first revealed, or has interest grown cumulatively with every public engagement milestone.
In this second part of a special three-part episode, Vicky Coules talks all about dinosaurs in films and animation, but examining titles from within their original historical scientific and social contexts. How have such titles been influenced by the world around them? But equally, how were these titles able to influence science?
Palaeontology (dinosaurs in particular) are incredibly well represented in nearly all forms of popular media today. From documentaries and films to computer games and even specialist podcasts. But where did the public fascination in dinosaurs come from? Has it always been there, ever since the existence of dinosaurs was first revealed, or has interest grown cumulatively with every public engagement milestone.
In this special three-part episode of Palaeocast, guest host Dr Suresh Singh interviews Vicky Coules about the history of palaeontology in pop culture. Vicky is a PhD student at the University of Bristol, but has a background in art, engineering and documentary production. Her current research focuses on the interrelationship between palaeontology as a science and as an art, with a focus on late 19th and early 20th century America.
Computer games are a colossal industry, eclipsing those of both film and music combined. With so many people playing games, and with so many titles focussing on palaeontological themes, should we be concerned about the accuracy and quality of their content?
Joining us for the second part of this interview are Thomas Clements and Jake Atterby, lead authors on a paper in which they address this issue as communicators of science. We discuss what some of the most common negative tropes within these games are, whether or not games should be used to teach palaeo, and why any of us should care anyway.
If you like this content and wish to see full reviews of many of these games (and lots more), please check out the Palaeocast Gaming Network channel on YouTube.
Scleromochlus is an animal that has been known for over 100 years, and has been frequently suggested as being an ancestor to pterosaurs. It hails from the Late Triassic of Scotland, and there are fewer than 10 specimens known. Unfortunately the preservation of this small reptile means that it is very difficult to interpret. However, thanks to the wonders of modern technology and CT scanning, new evidence from Scleromochlus reveals new anatomical insights, and further supports Scleromochlus as a lagerpetid, the group most closely related to pterosaurs.
In this episode we discuss these new discoveries with the lead author of the study Dr Davide Foffa who is currently a postdoctoral fellow at Virginia Tech, though this work was part of his previous position at the National Museum of Scotland (NMS). This is part of a larger project looking at the Late Triassic 'Elgin Fauna' along with collaborators Richard Butler (University of Birmingham), Stig Walsh and Nick Fraser (NMS), Steve Brusatte (University of Edinburgh) and Paul Barrett (Natural History Museum, London).
This year marks the 175th anniversary of The Palaeontographical Society. Having been established in 1847, PalSoc is the world’s oldest Society devoted specifically to the advancement of palaeontological knowledge in existence. The primary role of Pal Soc is to promote the description and illustration of British fossils, which it does through monographs.
In the first part of this two-part episode, we speak to Dr Victor Monin a historian of science who specialises in the history of palaeontology, especially palaeoart. How did PalSoc influence how fossils were visually represented in scientific literature?
Bolca is a site of exceptional preservation of fossils (termed a konservat lagerstätte) located close to Verona, Italy. This 50 million year old limestone was deposited in the Eocene Epoch and contains over 500 species of plants, arthropods terrestrial vertebrates and most notably a lot of fish! The preservation at Bolca is so detailed that even the external colouration of the skin and internal anatomy of many of these fossils can be seen.
Exploring the taphonomy (the processes that occur to a body between death and discovery) and palaeoecology (how fossil organisms lived and interacted with other organisms and their surroundings) of some of the fish from Bolca is Dr Valentina Rossi from University College Cork, Ireland. In this episode, we look at how colour patterns are preserved in a fossil moonfish and look at what that can tell us about how the species lived.
In the last few years there has been lots of new work on the iconic Spinosaurus - was it aquatic? What about its relatives? What kind of evidence can we look at to tell us this answer? In this episode we speak with Dr. Matteo Fabbri, from the Field Museum of Chicago, who has been working on Spinosaurus and other relatives and has recently published a detailed study supporting the idea that some spinosaurids were likely a swimming, aquatic dinosaur at least part of the time. He walks us through the evidence for spinosaurids being semi-aquatic and tells us why they think they could swim.
Marrellomorphs are the group of early Paleozoic arthropods that get their name from the well-known Burgess Shale fossil Marrella splendens. They have for a long time been considered to be closely related to the trilobites, based on similarities in their gills, but numerous studies have since suggested they are closer related to mandibulate arthropods (crustaceans, insects & myriapods), although their strange appearance means other relationships might still be plausible.
Since they have a soft exoskeleton, marellomorphs have a very poor fossil record and so the discovery of any new specimens outside of the Burgess Shale can be incredibly significant. In this interview, we speak to Joe Moysiuk of the University of Toronto and Royal Ontario Museum about his newly described species Tomlinsonus dimitrii.
Sloths (or do you pronounce it “sloths”?), are a group of tree-dwelling xenarthrans from South and Central America. They are well known for their sedentary lifestyles where they just hang around and seemingly do fairly little. But has this always been the case? When we look back at the fossil record of sloths, what kinds of ecologies do we see? How far back does their fossil record actually go?
In this episode, we speak to Dr Robert McAfee (Philadelphia College of Osteopathic Medicine) about his research looking into the fossil record of sloths in all of its “beautiful absurdity”. His work has been focussed on the island of Hispaniola (Haiti and the Dominican Republic) and the remarkably rich cave deposits found there.
The end-Cretaceous mass extinction was a cataclysmic asteroid impact that ushered in the end of the non-avian dinosaurs and forever changed the course of evolution on Earth. But what can we say about the timing of the event, other than it happened 66 million years ago?
Well, it turns out that Tanis, a relatively-recently discovered fossil site in North Dakota, is full of lines of evidence that are allowing earth scientists to piece together when the impact occurred.
In this episode, we’re joined by Melanie During, Uppsala University, who has been examining the details of the bones of fish to say more about the world either side of the event.
Continuing our mini series on Burmese Amber, we now turn our focus to the ethics of working on this fossil material. Can possessing or working on amber from Myanmar ever be considered ethical?
In the first part of this episode, we examined the political context, work around Myanmar’s fossil exportation laws and follow the money back through the trade routes. Now, in the second part, we discuss why it’s currently unethical to study Burmese amber, what palaeontologists can do about that, and whether the situation might change in the future.
Joining us to guide us through this process are Nussaïbah Raja (Friedrich-Alexander University Erlangen-Nürnberg) and Dr Emma Dunne (University of Birmingham).
Continuing our mini series on Burmese Amber, we now turn our focus to the ethics of working on this fossil material. Can possessing or working on amber from Myanmar ever be considered ethical?
In the first part of this episode, we examine the political context, work around Myanmar’s fossil exportation laws and follow the money back through the trade routes. In the second part (released in two weeks), we’ll be discussing why it’s currently unethical to study Burmese amber, what palaeontologists can do about that, and whether the situation might change in the future.
Joining us to guide us through this process are Nussaïbah Raja (Friedrich-Alexander University Erlangen-Nürnberg) and Dr Emma Dunne (University of Birmingham), authors of a soon-to-be-released study looking at exactly these issues.
In this episode we talk to Professor Christine Janis about mammal palaeontology, and her career. Christine is one of the world’s foremost experts in mammal palaeontology and mammalogy. She has authored dozens of scientific papers, and has been co-author of the major textbook Vertebrate Life for the last 20 years.
Christine has had a long and distinguished career, and is currently a researcher at the University of Bristol in the UK. Her work is particularly focused on mammal locomotion and ecology. We’ll be talking about some of the research Christine has led, including on hoofed mammals, sabre-toothed South American ‘marsupials’, and Australia’s extinct giant kangaroos. We’ll talk about the use and limits of comparative anatomy, the importance of direct observation of specimens in the discipline of palaeontology, and how things have changed for researchers during her lifetime.
It can be argued that palaeoart is the single biggest hook for getting people interested in prehistoric life. It takes the complex scientific terminology and data found within the academic literature and translates it into a reconstruction of an extinct organism. It is only through palaeoart that we can visualise some extinct organisms (particularly the vertebrates, and dinosaurs in this instance, whose external tissues are rarely preserved as fossils) and show some of the behaviours they might have possessed. Any kind of reconstruction that attempts to accurately depict an extinct organism as a living one could be considered palaeoart and this covers all forms of media, from traditional painting, to animation, 3D models and even how skeletons are posed in a museum.
In this episode, we speak to behavioural geneticist and palaeoartist and Dr Emily Willoughby, University of Minnesota. We take a look at what palaeoart is, how to go about making your own artwork and the release of her new book ‘Drawing and Painting Dinosaurs‘.
Burmese amber is well known for preserving fossils in exquisite details. This amber is dated to around 100 million years old, representing the Albian - Cenomanian ages of the Cretaceous period, so would have been deposited whilst non-avian dinosaurs still walked the land.
Fossils preserved in this amber include representatives from numerous different groups including arachnids, insects, vertebrates, and plants. Whilst the amber itself (as fossilised tree sap/resin) is produced in a terrestrial environment, some marine species have been caught up in amber. This includes such animals as ostracods, snails and surprisingly even an ammonite!
In the first part of this series, we speak to Dr Javier Luque, Harvard University, about the discovery of a crab in amber. We put this discovery in context by first examining what crabs are, before turning our attention to their fossil record. In the next episode, we'll take a look at the details of the discovery.
Following on from this, we will discuss the political situation in Myanmar and question whether or not working with Burmese amber is currently ethical.
Burmese amber is well known for preserving fossils in exquisite details. This amber is dated to around 100 million years old, representing the Albian - Cenomanian ages of the Cretaceous period, so would have been deposited whilst non-avian dinosaurs still walked the land.
Fossils preserved in this amber include representatives from numerous different groups including arachnids, insects, vertebrates, and plants. Whilst the amber itself (as fossilised tree sap/resin) is produced in a terrestrial environment, some marine species have been caught up in amber. This includes such animals as ostracods, snails and surprisingly even an ammonite!
In the first part of this series, we speak to Dr Javier Luque, Harvard University, about the discovery of a crab in amber. We put this discovery in context by first examining what crabs are, before turning our attention to their fossil record. In the next episode, we'll take a look at the details of the discovery.
Following on from this, we will discuss the political situation in Myanmar and question whether or not working with Burmese amber is currently ethical.
After rodents, bats are the second largest group of mammals, representing a staggering 20% of all mammal species. They can be found all over the world, with the exception of cold climates, where they often play incredibly important ecological roles. Their ecologies (ways in which they live) go well beyond the cave-hanging, moth-eating stereotypes and diets can also be based on fruits, nectar or even blood. In fact, some tropical plants rely solely upon bats for pollination!
But when did bats evolve and who are their closest relatives? Do they have a good fossil record? Is vampirism an effective feeding strategy?
In this episode, we're joined by Dr Nancy Simmons, Curator-In-Charge of Mammalogy at the American Museum of Natural History, who introduces us to the wonderful world of bats and their fossil record.
Whether it be because of their unique shape, comical walking or extreme ecology, there can be no denying that penguins are incredibly popular and charismatic animals. But what actually makes a penguin a penguin and how are they different from other birds? Have penguins always been, well, 'penguiny'?
Joining us for this interview are Simone Giovanardi and Daniel Thomas who have just described a new species of giant penguin from New Zealand. Together, we explore penguin evolution and how their new species Kairuku waewaeroa fits into this story.
One of the factors that makes palaeontology such a popular science is its constant ability to surprise us. It seems almost every week that a new study is released that significantly adds to our understanding of ancient life. This could be in relation to a new species, a new analysis or new fossil locality. In this episode, we discuss a new discovery that not only yields a new species, but also provides direct dietary evidence and has us re-evaluating the potential for food to be preserved in coprolites (fossilised droppings).
Joining us for this interview are Drs Martin Qvarnström and Martin Fikáček of Uppsala University and National Sun Yat-sen University, respectively. Both were part of a team that identified and described a new species of beetle preserved within a dinosaur coprolite!
In this second part of this interview, we take a look at both the coprolite and the beetle in closer detail and ask what is the significance of this association for the study of both? We also consider the potential for coprolites to be micro-lagerstätten.
One of the factors that makes palaeontology such a popular science is its constant ability to surprise us. It seems almost every week that a new study is released that significantly adds to our understanding of ancient life. This could be in relation to a new species, a new analysis or new fossil locality. In this episode, we discuss a new discovery that not only yields a new species, but also provides direct dietary evidence and has us re-evaluating the potential for food to be preserved in coprolites (fossilised droppings).
Joining us for this interview are Drs Martin Qvarnström and Martin Fikáček of Uppsala University and National Sun Yat-sen University, respectively. Both were part of a team that identified and described a new species of beetle preserved within a dinosaur coprolite!
In this first part of the interview, we provide the context for the discovery, discussing the study of coprolites and of beetles. Part 2 of the interview will be released soon.
In this episode, we talk to our very own Dr Elsa Panciroli about her new book Beasts Before Us. In it, she tells the untold story of mammalian evolution, tracing the origin of synapsids back to the Carboniferous. You’ll be taken to fossil sites around the world to meet some of these pioneering animals and some of the palaeontologists that discovered them.
For this interview, we’ll give you an overview of the early evolution of synapsids and dispel many of the misconceptions about what our ancestors were really like.
We’ve got a couple of copies of the book to give away, so look out on our social media channels for details of the competition! For everyone else, Beasts Before Us is available to buy online and in all good book shops.
Crocodiles are often referred to as “living fossils”, but if we compare modern and ancient species, does that label hold up? What different kind of morphologies (shapes) did past crocs have and how did they live? How quickly did this past diversity arise and why are we left with so few species today? What’s to stop them from diversifying again?
In this episode, we speak to Dr Tom Stubbs, University of Bristol, about his recent work analysing changes in crocodylomorph disparity through time. We look at some of the weird and wonderful crocs of the past and work through his methods for calculating their rates of evolutionary innovation. Part 2 of 2
Crocodiles are often referred to as “living fossils”, but if we compare modern and ancient species, does that label hold up? What different kind of morphologies (shapes) did past crocs have and how did they live? How quickly did this past diversity arise and why are we left with so few species today? What’s to stop them from diversifying again?
In this episode, we speak to Dr Tom Stubbs, University of Bristol, about his recent work analysing changes in crocodylomorph disparity through time. We look at some of the weird and wonderful crocs of the past and work through his methods for calculating their rates of evolutionary innovation. Part 1 of 2
Terrestrial life as we know it couldn’t exist without soil. Soil, as we know it today, is a layer of minerals, organic matter, liquids, gasses and organisms that not only provides a medium for plant growth, but also modifies the atmosphere, provides a habitat for animals and retains and purifies water.
This kind of soil hasn’t always existed, so in order to understand early conditions on land, we first need to understand what can be constituted as a soil and when these first appeared. Is there soil on the Moon? Can soil fossilise?
Since most terrestrial ecosystems are rooted in soil, if we want to understand how life established itself on land, we first need to know how soils form, how they have changed over geological time and which kinds of plants and fungi can live without it.
Joining us in this episode is Dr Ria Mitchell, Experimental Officer in X-ray Computed Tomography at the University of Sheffield, UK.
Part two of our interview with Dr Larisa DeSantis of Vanderbilt University on the 'dietary ecology' of Smilodon.
Smilodon is probably one of the most iconic mammalian apex predators with its extended upper canines and robustly-built forearms. In fact, when we compare Smilodon to modern cats (felids), we don't see these same characteristics. So what were they used for? Was Smilodon specialised for any particular behaviour?
Owing to the unique preservation of the tar seeps at Rancho La Brea, Los Angeles, USA, we can find an overabundance of predators, including Smilodon fatalis, Canis dirus, Panthera atrox and Puma concolor. This allows researchers to reconstruct the predatory landscape of the area in the Pleistocene. Who was eating what? Was there any competition between predators?
Smilodon is probably one of the most iconic mammalian apex predators with its extended upper canines and robustly-built forearms. In fact, when we compare Smilodon to modern cats (felids), we don’t see these same characteristics. So what were they used for? Was Smilodon specialised for any particular behaviour?
Owing to the unique preservation of the tar seeps at Rancho La Brea, Los Angeles, USA, we can find an overabundance of predators, including Smilodon fatalis, Canis dirus, Panthera atrox and Puma concolor. This allows researchers to reconstruct the predatory landscape of the area in the Pleistocene. Who was eating what? Was there any competition between predators?
All of these questions feed in to the ‘dietary ecology’ of Smilodon and here to discuss that, and more, is Dr Larisa DeSantis of Vanderbilt University.
It wouldn’t be outlandish to state that many a fossil collection has started with the acquisition of an ammonite. Their planispiral shells (termed a conch) are instantly recognisable and since that conch was originally composed of the relatively hard mineral aragonite, they better lend themselves to the fossilisation process.
But how much do we actually know about the animal that produces the conch? We might be able to make superficial inferences based on comparisons with the modern Nautilus, but ammonites are actually closer related to squid and octopuses.
So could you recognise an ammonite without its shell?
Prof. Christian Klug of the University of Zurich has recently described just that: a naked ammonite. In this episode, we learn about ammonite soft body anatomy and sink our teeth into the mystery of how this ammonite lost its shell.
The Soom Shale is an Ordovician lagerstätte in the Western Cape of South Africa. Whilst it lacks the diversity of organisms seen in other lagerstätten, such as the Burgess Shale or Chengjiang, it more than makes up for it in the fidelity of preservation.
The taphonomic pathway to the fantastic preservation in the Soom Shale is long and complex, reliant not only on local conditions, but also ties into global climatic events. It’s vitally important when interpreting fossils to understand the taphonomy as it provides so much context as to what you can see in fossils and, as equally important, what you can’t.
Joining us for this episode is Prof. Sarah Gabbott, a taphonomist from the University of Leicester, UK.
Piecing together the early lives of dinosaurs is difficult due to a lack of fossils from juvenile and embryonic stages. In this episode, Elsa Panciroli talks to Dr Kimi Chappelle, a postdoctoral fellow at the Evolutionary Studies Institute, part of the University of Witwatersrand in Johannesburg, South Africa. Chappelle specialises in sauropodomorphs – the precursors of the giant sauropod dinosaurs like Diplodocus. Her recent work is helping build a picture of their growth and development.
Chappelle is a champion of South African palaeontology and nominated as one of the Mail and Guardian’s top 200 young South Africans in Science and Technology. With her colleagues she has published a stunning new study of sauropodomorph embryos from a fossil nest site in South Africa. This new paper visualises and describes their tiny skulls using synchrotron scan data. These fossils provide new information on dinosaur developmental processes, and places South African fossils at the heart of our understanding of their early evolution. Chappelle also talks about the latest work she’s involved with in Zimbabwe, and future research into the growth patterns of the largest dinosaurs to have ever lived.
Lack of diversity is one of the major issues in the sciences in recent times. We’ve discussed diversity in palaeontology in previous podcasts, but in this episode Elsa takes a look at the legacy of racism and colonialism in palaeontology and museum collections, and what efforts are being made to address these issues.
Colonial attitudes towards people of non-European descent have meant that their natural heritage was often plundered and sent back to Europe and the United States to fill museum shelves. Researchers continue to benefit from these resources. How should we change our scientific practice to recognise this legacy and avoid making the same mistakes now and in the future?
In the first part of the episode, Elsa speaks to Christa Kuljian, a historian of science and author of Darwin’s Hunch, based at the University of the Witwatersrand in Johannesburg. She’ll examine the legacy of racism in science, focusing on palaeoanthropology in South Africa, including figures like Robert Broom and Raymond Dart. We’ll hear how attitudes toward different races shaped the research and conclusions of past generations of scientists.
In the second part, Rob Theodore, Exhibitions and Displays Coodinator at the Sedgewick Museum in England, talks about the legacy of colonialism in museum collections. We’ll find out about the ways in which specimens were collected in the past, and how this was related to contemporary events and attitudes. We’ll also find out what moves being taken to decolonise museums and refocus public outreach to recognise the past and move positively into the future.
When we think about the Ice Age or the Pleistocene, we generally think of large animals: wooly mammoths trudging through snow, sabre-tooth tigers taking down their next meal, and big bison out on the steppes. These are really interesting things to think about, but what else can we learn from the Pleistocene other big animals and their extinction?
We can also use the Pleistocene (which is relatively similar to the modern world in terms of continental layout, landscapes, and ecological niche availability) to explore questions of palaeoecology, biotic interactions and how changes in the environment can affect the local fauna. The relatively young age of the Pleistocene means that the available data is very different to palaeoecological studies of the Cretaceous or Eocene. This means that it is more appropriate for drawing comparisons to what's happening today or what might happen in the future with climate change.
Joining us in this interview is Dr Jacquelyn Gill, an Associate Professor at the University of Maine, who works in palaeoecology. We talk about the different data available, the importance of understanding palaeoecology, including a recent paper from her group on seabird ecology in the Falklands, and what this might mean for the future.
Part 2.
Diatoms are a major group of algae found in waters all around the world. As photosynthetic phytoplankton, they are hugely important ‘primary producers’, integral to nearly every aquatic food chain. They are responsible for a large proportion of the world’s oxygen production, with estimates ranging between 20 and 50%.
Diatoms are unicellular plants that produce their cell walls, termed frustules, out of silica. These intricate frustules are what we find preserved in the fossil record and they can contain an absolute wealth of information.
In this interview, Prof. Anson Mackay, University College London, joins to discuss his work on the diatoms from Lake Baikal, Siberia. We learn why lakes are such special ecosystems and what diatoms can tell us about the world through studies of their palaeoproductivity over thousands of years.
Diatoms are a major group of algae found in waters all around the world. As photosynthetic phytoplankton, they are hugely important ‘primary producers’, integral to nearly every aquatic food chain. They are responsible for a large proportion of the world’s oxygen production, with estimates ranging between 20 and 50%.
Diatoms are unicellular plants that produce their cell walls, termed frustules, out of silica. These intricate frustules are what we find preserved in the fossil record and they can contain an absolute wealth of information.
In this interview, Prof. Anson Mackay, University College London, joins to discuss his work on the diatoms from Lake Baikal, Siberia. We learn why lakes are such special ecosystems and what diatoms can tell us about the world through studies of their palaeoproductivity over thousands of years.
Part 2 of 2.
The horseshoe crabs (Xiphosura) are a group of large aquatic arthropods known from the East coast of the USA, and the Southern and Eastern coasts of Asia. Despite their name, they are not actually crabs at all, but are chelicerates (the group containing spiders and scorpions). As a group, the horseshoe crabs possess an extremely long fossil record, reaching as far back as the Ordovician Period, some 480 million years ago. Since that time, they would appear to have undergone very little change, leading the horseshoe crabs to become the archetypal ‘living fossils’.
Joining us for this two-part episode is Dr Russell Bicknell, University of New England, Australia. We discuss what makes a horseshoe crab, before taking questions from our listeners as to all aspects of horseshoe crab ecology and what we can infer from them about other extinct arthropods.
The horseshoe crabs (Xiphosura) are a group of large aquatic arthropods known from the East coast of the USA, and the Southern and Eastern coasts of Asia. Despite their name, they are not actually crabs at all, but are chelicerates (the group containing spiders and scorpions). As a group, the horseshoe crabs possess an extremely long fossil record, reaching as far back as the Ordovician Period, some 480 million years ago. Since that time, they would appear to have undergone very little change, leading the horseshoe crabs to become the archetypal 'living fossils'. Joining us for this two-part episode is Dr Russell Bicknell, University of New England, Australia. We discuss what makes a horseshoe crab, before taking questions from our listeners as to all aspects of horseshoe crab ecology and what we can infer from them about other extinct arthropods.
With palaeontology as popular as it is you will never be short of content online, whether that be articles, blogs, podcasts (of which there are now many others you should also be listening to) or videos. This allows you, the public, to enjoy learning about past life on demand and in a format that best suits you. The only issue with having so many sources of information/entertainment is that the quality can be highly variable and it can be difficult to determine whether any given outlet/channel values more the accurate communication of palaeontological science or the number of viewers/ad revenue they get.
Amongst some notable exceptions to this issue is the YouTube channel PBS Eons, who have produced a hugely successful series that also stands up to scientific scrutiny. In this interview, we're joined by Eons host Kallie Moore who discusses everything to do with the show, from how it is researched and shot, to the benefits of using YouTube for outreach.
The end-Cretaceous (or K-Pg) extinction is one of the best known mass extinctions in Earth's history, primarily because that is when non-avian dinosaurs disappeared. Although the popular idea is that an asteroid impact was what caused the extinction, the science hasn't actually been that clear. More recently, a second hypothesis has challenged the idea asteroid as the main culprit, suggesting that huge volcanic eruptions in what is now India called the Deccan Traps was responsible. It has also been suggested that dinosaurs were already in decline when these things happened, speeding up the inevitable.
In this interview, we speak with Dr Alessandro Chiarenza, a research associate at University College London about his new paper published today in PNAS showing that it really was the asteroid impact that killed the dinosaurs. This new study, based on research he did during his PhD at Imperial College London, uses a large amount of data put into climatic models to analyse different scenarios caused by an asteroid impact, the Deccan Traps volcanism, and a combination of the two. This study showed that the asteroid caused a prolonged impact winter, causing the extinction of the dinosaurs.
In this episode, in conjunction with the Society of Vertebrate Paleontology (SVP), we investigate issues of diversity in palaeontology, through interviews with Jann Nassif (PhD student at Ohio University, USA) on being transgender in palaeontology; Professor Taissa Rodrigues (Universidade Federal do Espírito Santo, Brazil) and Dr Femke Holwerda (Dr Betsy Nicholls Postdoctoral Research Fellow at the Royal Tyrrell Museum of Palaeontology, Canada) about women in palaeontology; and Gabriel-Philip Santos (Collections Manager and Outreach Coordinator at the Raymond M. Alf Museum of Paleontology at The Webb Schools) about racial diversity. We also spoke with Professor Jessica Theodor (University of Calgary), the Vice President of SVP about what they are doing to increase diversity and address these issues. This episode was recorded in 2019 at the SVP meeting in Brisbane, Australia, but for several reasons has taken us a little while to complete. Given the current discussions and anti-racism activism going on around the world, we thought this was a good time to reflect on some of the issues within our science and the ways in which they are being addressed.
One of the great themes in palaeobiology is the water-land transition, or how and when the ancestors of today’s four-legged terrestrial animals moved to land. Lines of questioning have included understanding the anatomy and biomechanics of the axial skeleton- head and vertebrae (focusing on biting and swallowing) and the appendicular skeleton (focusing on how the earliest tetrapods walked or swam). Our picture of this story has drastically changed in the last three decades, as new fossils have filled in crucial gaps in the tetrapod evolutionary tree. This changing picture really came to the fore with the work of the late Professor Jenny clack, who’s work at Cambridge in early tetrapods from Greenland and elsewhere brought the water land question back in fashion. Joining us to discuss Jenny Clack's Legacy in this episode are Prof. Mike Coates and Ben Otoo both of the University of Chicago.
Early tetrapods include the earliest animals to grow legs, and their closest ancestors. Moving from the water to land required a number of changes within the skeleton and muscular system, related to moving from swimming to crawling, greater pressure on the body after experiencing further effects of gravity without buoyancy, and the difference in feeding with and without water. This transition is commonly referred to as the 'water-to-land' transition. While a significant amount of work has been done on the anatomical changes through this period, there has been less study on the biomechanics. What has been looked at tends to relate to the mechanical changes related to walking on land and the limbs. However, less has been done looking at the skull mechanics and feeding.
Early tetrapod work was pioneered by Professor Jenny Clack. She did a lot of early field work and description, understanding this transition better than anyone. Sadly, Professor Clack passed away in March, but has left behind a legacy of other professors, post docs and students around the globe which she inspired. In this episode, we talk to Dr Laura Porro from University College London about her work on early tetrapod feeding and skull mechanics, and how the skull changed over the water-to-land transition, work which was done with and inspired by Jenny.
Updates about the show and discussion of recent events
Plesiosaurs are some of the most easily recognisable animals in the fossil record. Simply uttering the words ‘Loch Ness Monster’ can conjure a reasonably accurate image of what they look like. Thanks to palaeoart, it’s also fairly easy to envision how they lived: swimming through the open Jurassic seas, picking fish, ammonites and belemnites out of the water.
What we don’t imagine are plesiosaurs at the South Pole, nor would we ever picture them swimming amongst icebergs or poking their heads out of holes in the ice to breathe. We’d never think to find them in freshwater either. Even more surprising is that the evidence for this radical vision of polar plesiosaurs is found preserved in the precious mineral opal.
In this interview, we’re joined by Dr Benjamin Kear, Curator of Vertebrate Palaeontology at the Museum of Evolution, Uppsala University in Sweden. He paints for us a picture of life at the South Pole and the importance of polar habitats in driving the evolution of the plesiosaurs.
Part 2.
Names can provide a large amount of information about the heritage of an individual, the purpose of a product or even the characteristics of an organism. With so much in a name, are there rules governing what you can and can’t name an animal? Can you name an animal after yourself or a celebrity? Can you sell the rights to a name? Which names are forbidden?
Every year 2,000 genera and some 15,000 species are added to scientific literature and providing the guidelines as to how these animals are named is the International Commission on Zoological Nomenclature (ICZN). We invited one of the ICZN’s commissioners, Dr Markus Bertling (Universität Münster), on to the show to discuss how the organisation functions and how its code applies to Palaeontology.
Names can provide a large amount of information about the heritage of an individual, the purpose of a product or even the characteristics of an organism. With so much in a name, are there rules governing what you can and can’t name an animal? Can you name an animal after yourself or a celebrity? Can you sell the rights to a name? Which names are forbidden?
Every year 2,000 genera and some 15,000 species are added to scientific literature and providing the guidelines as to how these animals are named is the International Commission on Zoological Nomenclature (ICZN). We invited one of the ICZN’s commissioners, Dr Markus Bertling (Universität Münster), on to the show to discuss how the organisation functions and how its code applies to Palaeontology.
Herpetology is the study of reptiles, amphibians and caecilians. This includes frogs, salamanders, crocodiles, snakes, lizards and tuatara, to name just a few. These cold-blooded tetrapods have an evolutionary history that reaches back to the Carboniferous. For many of these groups, questions remain about their evolutionary relationships and patterns of diversity through major extinction events. New fossil discoveries are helping address some of these outstanding mysteries.
Prof. Susan Evans studies the evolution of ‘herps’ at University College London. She joins us in this episode to give an overview of the field, and the research she is carrying out with colleagues around the world. We explore the elusive origins of crown amphibians, and what recent fieldwork in Scotland could reveal about their emergence in the Jurassic.
Herpetology is the study of reptiles, amphibians and caecilians. This includes frogs, salamanders, crocodiles, snakes, lizards and tuatara, to name just a few. These cold-blooded tetrapods have an evolutionary history that reaches back to the Carboniferous. For many of these groups, questions remain about their evolutionary relationships and patterns of diversity through major extinction events. New fossil discoveries are helping address some of these outstanding mysteries.
Prof. Susan Evans studies the evolution of ‘herps’ at University College London. She joins us in this episode to give an overview of the field, and the research she is carrying out with colleagues around the world. We explore the elusive origins of crown amphibians, and what recent fieldwork in Scotland could reveal about their emergence in the Jurassic.
Australia has many fossils from all ages, including several dinosaurs known exclusively from this time and place. However, they are not well known for their pterosaur fossils, having only a handful of specimens, and up to now just two named species from this large continent. Last month, the most complete pterosaur from Australia was described, a new species called Ferrodraco lentoni.
At the Society of Vertebrate Paleontology in Brisbane, Australia, we were able to sit down with Adele Pentland, lead author on the study published in Scientific Reports, to talk about this exciting new find. Adele is a PhD student at Swinburne University of Technology in Australia, and Research Associate at the Australian Age of Dinosaurs Natural History Museum.
The Ediacaran Period is host to the first large and complex multicellular organisms known in the fossil record. This 'Ediacaran Biota' has long eluded definitive placement on the tree of life, seemingly falling between even the most fundamental of its branches. At the core of this taxonomic issue are their unique body plans, not seen replicated in any other kingdom.
Amongst the researchers trying to unravel the mystery of these organisms is Dr Frances Dunn of the University of Oxford. Frankie has been researching the developmental biology of the Ediacaran Biota in the hope that we can learn more from how these forms grew, as opposed to what they eventually grew into.
Terror birds, or phorusrhacids as they are known scientifically, are a group of large, flightless birds that lived during the Cenozoic, and truly lived up to their name. Known for their large, powerful skulls, and enormous beaks, these birds are unlike the flightless birds we have alive today. Despite their strange appearance and unique morphology, terror birds aren't well known in popular culture. What were they doing? How big did they get? What did they eat?
In this episode, we talk to a leading terror bird expert, Dr Federico "Dino" Degrange from the Centro de Investigaciones en Ciencias de la Tierra (CICTERRA) in Córdoba, Argentina to get answers to these questions. We discuss some of his recent research, and what we know (and don't know) about phorusrhacids today.
Between the weird and wonderful rangeomorphs of the Ediacaran Period and the world-famous palaeocommunities of the Burgess Shale, the 'Early Cambrian' is host to a 'waste basket' of fossils untied by their small size and shelly construction.
These small shelly fossils (SSFs) aren't just a single group of animals, but represent several different invertebrate phyla. Further compounding the difficulty of their identification, each SSF, termed a 'sclerite', is part of a larger composite skeleton known as a 'sclerotome'. Whilst some complete sclerotomes have been preserved, many SSFs still represent multiple jigsaws thrown together and the pictures lost.
Piecing the SSFs back together and building a picture of the Earliest Cambrian is Dr Marissa Betts of the University of New England, Australia. Her work on the SSFs have provided a new framework for the regional stratigraphy of Australia and in this interview, we discuss why this was necessary, how she went about it and finally, what we know about the animals themselves.
Between the weird and wonderful rangeomorphs of the Ediacaran Period and the world-famous palaeocommunities of the Burgess Shale, the 'Early Cambrian' is host to a 'waste basket' of fossils untied by their small size and shelly construction.
These small shelly fossils (SSFs) aren't just a single group of animals, but represent several different invertebrate phyla. Further compounding the difficulty of their identification, each SSF, termed a 'sclerite', is part of a larger composite skeleton known as a 'sclerotome'. Whilst some complete sclerotomes have been preserved, many SSFs still represent multiple jigsaws thrown together and the pictures lost.
Piecing the SSFs back together and building a picture of the Earliest Cambrian is Dr Marissa Betts of the University of New England, Australia. Her work on the SSFs have provided a new framework for the regional stratigraphy of Australia and in this interview, we discuss why this was necessary, how she went about it and finally, what we know about the animals themselves.
Fossilisation of organic material was long thought to result in the complete loss of original content. However in the last 20 years, several high-profile publications reported the discovery of proteins, blood vessels, blood cells and even DNA. But for as long as these arguments have existed, so too has a counterargument as to the validity of the discoveries.
In this episode, we're joined by Dr Evan Saitta of the Field Museum of Natural History, Chicago, lead author of a recent paper seeking to discover and evaluate the preservation of putative original organic materials within dinosaur bones.
One of palaeontology‘s great themes of questioning is the rise of novelty: how new structures and functions arise in specific lineages. In this episode we speak with Neil Shubin, Professor of Organismal Biology at the University of Chicago, who has been studying novelty in the context of the vertebrate transition from water to land.
Neil studies the fossil record of early tetrapods, the first vertebrates with limbs, to understand what changes underpinned this great transition. The other half his lab uses molecular techniques on living organisms to see how changes to the development of appendages (and their underlying genetic architecture) effected the shift from a fin to a limb.
In this interview, we hear about his fieldwork in the Arctic and Antarctic, how palaeontologists decide where to look for key fossils, why development matters, and about his deep involvement in science communication.
Undoubtedly, Megalodon is the world’s most famous extinct shark is and in this episode, we hear everything we know about this taxon, its ecology and how it got to be so big. Its ultimate extinction is also considered, not in isolation, but placed in the wider context of the entire marine ecosystem.
Joining us is Dr Catalina Pimiento of Swansea University.
From 1:1 scale whales to microfossils scaled up to the size of a house, there are few model-building projects that 10 Tons are afraid to take on. At the helm of this business is Esben Horn and in this episode, he joins us to discuss the process of model building, from concept to museum display.
We also talk about some of the exhibitions 10 Tons have led themselves, including the successful ‘Rock Fossils on Tour‘ which showcases some of the different fossils named in honour of rock/metal musicians.
Opsins are the photosensitive proteins in the eye, responsible for converting a photons of light into an electro-chemical signals. Different opsins react to different wavelengths of light, each corresponding to a different band of colour. In humans, the 'visible spectrum' of light (a very anthropocentric term) is covered by three opsins, receptive to red, green and blue wavelengths. Other animals have opsins that are capable of subdividing the 'visible spectrum' and responding to a large number of very specific wavelengths of interest. All in all, the ability to detect light and recognise colour is not the same throughout the animal kingdom.
In this episode, we are joined by Dr James Fleming of Keio University, Japan to discuss the evolution of opsins in the ecdysozoa (the group containing arthropods and a fair few worms). We talk about the fundamentals of light detection and how, using phylogenetics, we are able to tell which colours certain extinct animals were capable of detecting.
Decapods are a group of crustaceans that include such well-known families as crabs, lobsters and shrimp. Whilst crustaceans are known from as early as the Cambrian, we don't see the first decapods until Devonian. Over the course of their evolutionary history, decapods have remained relatively conservative in their morphology with the exception of some interesting forms in the Mesozoic.
In this episode, Dr Carrie Schweitzer, Kent State University, gives us a run-down of the taxonomy and evolutionary history of the decapods and we explore the Middle Triassic Luoping Biota.
The interaction between plants and atmosphere forms the basis of the carbon cycle and is amongst the most important processes for maintaining life on the planet today. Photosynthesis removes carbon dioxide from the atmosphere and in return forms the base of the food chain and produces the oxygen we, as animals, need to breathe. Equally, the composition of the atmosphere influences the climate and thus the availability of resources, governing where plants are able to survive.
The relationship between the two can be committed to the fossil record by such physical proxies as the number of stomata in leaves and by the palaeolattitude of different species. Other chemical proxies, such as isotopic ratios, can also help elucidate what the atmosphere was like at the time a plant was preserved. Similarly, atmospheric proxies can also be used to make inferences about past plant life in the absence of fossil remains.
Joining us to discuss the link between plants and atmosphere is Prof. Jennifer McElwain of Trinity College Dublin, Ireland.
The Carboniferous was a time of huge swampy forests, big trees, and lots of life both on land and in the ocean. One world-renowned fossil site from approximately 300 million years ago is the Joggins Fossil Cliffs, located on the Bay of Fundy in Nova Scotia Canada. Joggins is one of Canada’s five palaeontology-based UNESCO World Heritage Sites, and is one of the best places in this world to find fossils from this time period.
Why are the Joggins Fossil Cliffs so important? What makes this locality unique?
In this episode, Liz speaks with Dr. Melissa Grey, the curator at the Joggins Fossil Centre to learn more about why this region is so important. We discuss the variety of fossils, from plants to invertebrates to vertebrates, and how the interesting preservation has resulted in virtually an entire ecosystem being preserved.
Palaeontology has an ability to grab the public’s attention like no other subject. Perhaps it’s the size and ferocity of something like a T. rex, or maybe it’s the alien nature of something like Hallucigenia. Irrespective of whatever it is that makes the subject interesting to any given individual, it’s important because palaeontology is a great gateway into STEM subjects and is, in itself, one of the few ways in which we can understand about the evolution of life and the planet.
But how has the public’s perception of palaeontology changed with the times? Was it more popular in its infancy, when huge questions were still left unanswered, or is it more popular now, in the era of Jurassic Park, where animatronics and CGI can bring fossils ‘back to life’?
Joining us to discuss how palaeontological outreach has been conducted and received throughout its history is Dr Chris Manias, King’s College London. Chris is a historian of palaeontology and founder of the ‘Popularizing Palaeontology‘, a network of scholars, scientists, museum professionals, artists, etc. who reflect on trends in palaeontological communication and build future collaborations.
Welcome to this special series of podcasts relating to a fieldtrip that I have been invited on by Dr Martin Brazeau of Imperial College London.
I’m being flown out as the Palaeozoic arthropod “expert” of the team and I’ll be there to deal with all the eurypterids and phyllocaridids we come across, along as documenting the whole process for outreach and hopefully your enjoyment.
In all, this trip will last around 6 weeks, during which time I’ll have no internet, electricity, running water or even any toilets. It’s going to be a gruelling trip, but hopefully one that will give you an insight into what life is like in the field. You will join us as we discuss the science, prepare for the trip, arrive in the field, go out digging and finally wrap things up. You will experience all the highs of discovering new and exciting fossils and the lows of when we’ve just all had enough. This expedition is a unique opportunity to share with you a single research project from start to finish, rather than just the results. We now move on to discussing the logistics of the trip. How do you go about making this kind of expedition happen? What are some of the challenges we will face? What will life be like in the camp? and how will we get our priceless fossils home?
Welcome to this special series of podcasts relating to a fieldtrip that I have been invited on by Dr Martin Brazeau of Imperial College London.
I’m being flown out as the Palaeozoic arthropod “expert” of the team and I’ll be there to deal with all the eurypterids and phyllocaridids we come across, along as documenting the whole process for outreach and hopefully your enjoyment.
In all, this trip will last around 6 weeks, during which time I’ll have no internet, electricity, running water or even any toilets. It’s going to be a gruelling trip, but hopefully one that will give you an insight into what life is like in the field. You will join us as we discuss the science, prepare for the trip, arrive in the field, go out digging and finally wrap things up. You will experience all the highs of discovering new and exciting fossils and the lows of when we’ve just all had enough. This expedition is a unique opportunity to share with you a single research project from start to finish, rather than just the results. In this first episode, we contextualise why we’re going into the field. What is the current lay of the research landscape? What we already know? and what are we aiming to find out about the early evolution of the jawed vertebrates, a group to which we ourselves belong?
Squamates are a group of reptiles that include lizards and snakes, with the earliest fossils occurring in the Jurassic, despite molecular studies dating the group back to the Triassic. The study of their origins has been contentious because of this gap, and the lack of fossils during this time period.
However, a new look at a previously-known fossil has changed our view of squamate origins, and discussing this animal and what it means about reptile relationships and squamates is Dr. Tiago Simões of the University of Alberta. This episode is based on a new paper published in Nature by Dr. Simões and colleagues.
The Appalachian mountains, span the Eastern margin of the United States of America. They are predominantly composed of Paleozoic rocks, but Mesozoic marine sediments (formed adjacent to the Appalachian continent at the time) can be found along the Eastern coast. It is within these deposits that the remains of a unique dinosaur fauna can be found.
Joining us to paint a picture of the vertebrate faunas of Appalachia during the Mesozoic is Chase Brownstein, research associate at the Stamford Museum and Nature Centre.
Bird evolution has long fascinated palaeontologists. Despite crown-group birds (birds giving rise to modern lineages today) evolving during the Cretaceous, there are relatively few fossils from this time, making it difficult to understand this key time period and just exactly how modern birds came to be.
Dr Daniel Field, 50th Anniversary Prize Fellow from the University of Bath, studies bird evolution, particularly how crown-group birds evolved. In this episode, we discuss his recent paper on an exceptionally preserved Ichthyornis specimen, and it’s significance in understanding how modern birds came to be.
Tooth shape and arrangement is strongly linked with diet, and palaeontologists often use teeth to determine what kind of food an animal may have been eating. Carnivorous teeth are generally more simple, while herbivorous teeth are more complicated. We know that herbivory evolved later, but how did the dentition of herbivores evolve? What kind of variation exists in herbivorous dentition?
In this episode, we speak with Dr Aaron LeBlanc, a Killam Postdoctoral Fellow at the University of Alberta. His research focuses on the evolution and development of teeth in amniotes, including some of his PhD work on the development of the dental system in herbivores, which we discuss in detail here, as well as the evolution of the mammalian system, which earned him the Alfred S. Romer Student Prize at last year’s SVP in Calgary.
The buculum is a bone present in the head of the penis of most mammals. Whilst a few mammals, like us, don't possess a baculum, some have greatly reduced versions and many have very elaborate shapes. Despite this variety in expression of the baculum, its function remains elusive, though many theories exist.
Investigating the function of this bone is Dr Charlotte Brassey, Manchester Metropolitan University, UK, and she joins us for this episode to give us a crash course on penile anatomy and to reveal to us how little we know about genitals.
Archaeopteryx is perhaps one of the most iconic taxa in the fossil record. Exclusively found in the Late Jurassic Solnhofen Lagerstätte in Bavaria, Germany, it is a crucial taxon for understanding the relationship between dinosaurs and birds. Furthermore, it is critically positioned to inform us how flight evolved in this group.
Now, a new study published in Nature Communications, has been inferring how Archaeopteryx was able to fly by examining details of its bones. In this interview, we are joined by lead author Dennis Voeten, Palacký University, who shares with us his hypotheses, methods and results.
The Carboniferous (Latin for ‘coal-bearing’) is a period of the Paleozoic named after the massive accumulations of coal that were formed globally during this time. These coal deposits were the fuel for the Industrial Revolution and continue to be an important economic resource to this day.
For this interview, we asked Standford University’s Prof. Kevin Boyce to introduce us to coal production and to tell us how it’s formed and what it’s made of. We then concentrate on determining why the Carboniferous was the period with the largest coal deposits when we know that forests existed in other periods too. Finally, we look at the impact that coal production and subsequent exploitation have had on the planet.
Ichthyosaurs are large marine reptiles that existed for most of the Mesozoic Era. The most familiar forms superficially represent dolphins, but some earlier ichthyosaurs were more eel like. They could attain huge proportions, with some genera reaching up to 21m long. They were active predators feeding on belemnite, fishes and even other marine reptiles!
In this episode, we talk to Dr Ben Moon and Fiann Smithwick, researchers at the University of Bristol, UK. Both have recently been involved in producing a documentary with the BBC entitled ‘Attenborough and the Sea Dragon’, so we have used this as an opportunity to discuss in great detail what ichthyosaurs are and get insights into the kind of work required to produce such a documentary.
In this episode, we interview Dr Leigh Anne Riedman, University of California, about life during the Neoproterozoic Era, the most recent of the Precambrian Eon. This time interval is far from straight forward; not only were there changes in oceanic and atmospheric chemistry, but also dramatic shifts in climate and the formation and subsequent rifting of the supercontinent Rodinia. The Neoproterozoic also saw major biological innovations and ended with the appearance of the enigmatic Ediacaran Fauna.
Leigh Anne studies acritarchs, relatively simple, single-celled walled microorganisms and by examining their diversity and abundance, she is able to comment on how life fared during this turbulent time.
Professor John Long is an early vertebrate researcher at Flinders University, Australia. He is most famous for his work on the three-dimentionally-preserved fish from the Gogo Formation, North West Australia.
In this interview, Dr Tom Fletcher (who you'll remember from Episode 76) got the chance to speak to Prof. Long during a field trip to the world-famous Burgess Shale.
Coccolithophores are tiny unicellular eukaryotic phytoplankton (algae). Each is covered with even smaller calcium carbonate plates called coccoliths and it is these that are commonly preserved in the fossil record. In fact, coccoliths are so small, and can be so common, that they have been able to be employed in areas other than academia.
Joining us is Dr Liam Gallagher, Director Network Stratigraphic Limited and a nannoplankton specialist. In this episode, he explains what coccolithophores are and we explore some case studies of how their coccoliths are being utilised.
This episode discusses details of recent and high-profile murder case. Whilst focus is placed on the scientific investigation, the latter part of this episode may not be suitable for all audiences.
We've covered how palaeoart is made on Palaeocast before, but never what daily life is like for a professional palaeoartist. What does it take to get started, when can you say no to a commission and which factors come in to play when deciding how much to quote?
Joining us for this episode is Bob Nicholls of Paleocreations
The transition of fins to limbs is one of the most significant in the history of vertebrate evolution. These were the first steps that would eventually allow tetrapods to go on to dominate so many terrestrial ecosystems. Fossils that help fill the gaps in this crucial time are invaluable, so how do we go about finding them and what happens when we do discover one?
Joining us to give an overview of some of the fossils involved in this transition, and to provide insights into the fieldwork that goes into finding them, is Dr Ted Daeschler, Academy of Natural Sciences of Drexel University.
When thinking of palaeontology in Asia, most people think of Mongolia and China, but there is actually a significant palaeontology community in Japan. Japan has many fossils, starting in the Ordovician, and ranging from everything from bivalves and trilobites to dinosaurs and mammals. In this episode, we speak with Dr. Makoto Manabe, the Director of the Centre for Collections and Centre for Molecular Biodiversity Research at the National Museum of Nature and Science in Tokyo. Makoto introduces us to Japanese palaeontology by walking Liz through the Japan Gallery at the museum, starting from the earliest fossils found up to more recent cave deposits.
The proboscideans are a group of animals that contains the elephant and mastodont families. Many of us will be well-aware of these groups, but what of some of the lesser-known proboscideans? One such family are the gomphotheres and in this episode we’re introduced to them by Dr Dimila Mothé, of the Federal University of the State of Rio de Janeiro, Brazil.
The shape of an animal is a reflection of the way it interacts with the physical world around it. By studying the mechanical laws which influence the evolution of modern animals, we can better understand the lives of their ancestors. Hydrodynamics examines the movement of water in contact with an organism, and can include everything from body shape to blood flow. In this episode we spoke to Dr Tom Fletcher, University of Leicester, about hydrodynamics in palaeontology, and his research looking at fossil fishes and modern sharks. Tom and others have published a paper on the hydrodynamics of fossil fishes, and he continues to work on the biomechanics of fossil animals.
Palaeontology is a constantly evolving field; when new methods and techniques are invented, they allow us to revisit old fossils and test our previous observations and hypotheses. Recently, an exciting new method called ‘Laser-Simulated Fluorescence’ (LSF) has been gaining popularity in palaeontology and we speak to its inventor Tom Kaye during a visit to the University of Bristol, alongside Dr Michael Pittman, Research Assistant Professor, The University of Hong Kong.
In this episode, we hear all about how LSF is allowing fossils to be seen under a completely new light. We discuss how the fluorescence is produced, how it’s currently being used and what possible applications it might have in future.
We have a pretty good idea about how different dinosaur groups evolved, and how they are related (although anyone who has been following the recent dinosaur relationship shake-up knows this is not quite as clear as previously thought), but we don't have a good idea of how their ancestors, early dinosauromorphs and other early archosaurs, evolved. When did these groups first appear? What lead to their diversification?
In this episode, we speak with (recently promoted!) Professor Richard Butler from the University of Birmingham and Academic Keeper of the Lapworth Museum of Geology about the evolution of this group, and early archosaurs in general. We also discuss a new, important species from the Middle Triassic of Tanzania described today in Nature by Nesbitt, Butler, and colleagues called Teleocrater rhadinus.
Ask anyone to list all the senses and they'll probably stop at five. Touch, taste, sight, smell and hearing are all important to humans, but in the animal kingdom, there exist others. In this interview, Prof. Kenneth Catania, of Vanderbilt University, Nashville, Tennessee, joins us to talk about some of the other ways in which some vertebrates sense their environment.
Las Hoyas is a Early Cretaceous lagerstätte (site of special preservation) located close to the city of Cuenca, Spain. In this episode, we welcome Ángela Delgado Buscalioni and Francisco José Poyato-Ariza, both from the Universidad Autónoma de Madrid, to discuss the details of this remarkable site. Angela and Francisco have recently edited a comprehensive overview of the Las Hoyas site.
Like most lagerstätten, Las Hoyas is most famous for its vertebrate fossils, but what other taxa can we find there? What was the palaeoenvironment like? And which processes have governed the preservation of the fossils?
Las Hoyas is a Early Cretaceous lagerstätte (site of special preservation) located close to the city of Cuenca, Spain. In this episode, we welcome Ángela Delgado Buscalioni and Francisco José Poyato-Ariza, both from the Universidad Autónoma de Madrid, to discuss the details of this remarkable site. Angela and Francisco have recently edited a comprehensive overview of the Las Hoyas site.
Like most lagerstätten, Las Hoyas is most famous for its vertebrate fossils, but what other taxa can we find there? What was the palaeoenvironment like? And which processes have governed the preservation of the fossils?
This year, the 76th Annual Meeting of the Society of Vertebrate Paleontology was held in Salt Lake City, Utah, USA. We sent Liz and Caitlin there to report on events at the conference.
This year, the 76th Annual Meeting of the Society of Vertebrate Paleontology was held in Salt Lake City, Utah, USA. We sent Liz and Caitlin there to report on events at the conference.
Graptolites are small colonial organisms, each made up of many tiny, genetically identical zooids joined together by tubes. They've been around since the Cambrian and at times in Earth's history have been very morphologically and taxonomically diverse. Now there is just one living genus, but they are very common in the fossil record, often appearing as a 'sawtooth' pattern flattened on surfaces of deep sea sedimentary rocks.
In this episode Laura talks to Dr David Bapst, a postdoctoral scholar at UC Davis and adjunct assistant professor at the South Dakota School of Mines, about extinct graptolites - the Graptoloidea - and how these animals have changed in the 520 million years since they originated. We find out about major events in their evolutionary history including the transition from sea-floor dwelling benthic species to plankton that floated in the water column, and the reduction through geological time of the number of branches from many branching dendritic forms to the single 'stick' monograptids.
The last 10 years has shown a large increase in the number of new species and new discoveries of dinosaurs, as well as the number of papers written. It seems that almost every week there is a new species or significant find in the news. Why is that? Is this likely to continue? What can we expect for the next 10 years?
We sat down with Dr. David Evans, Temerity Chair in Palaeontology at the Royal Ontario Museum and Associate Professor at the University of Toronto to talk about this so-called ‘Golden Age of Dinosaur Discovery’. Dr. Evans is a well known dinosaur palaeontologist who has worked on many groups all over the world, focusing particularly in southern Alberta and the US.
Plants, Animals and fungi; these are all three of the Kingdoms of life we’re all most familiar with, but what you might not know is that fungi are more closely related to animals than they are to plants. Stranger still is that the vast majority of terrestrial plants live in a symbiotically with fungi.
In this episode, we interview Prof. Marc-André Selosse, Muséum National d'Histoire Naturelle, Paris. We discuss this symbiotic relationship and how it helped both groups overcome the massive challenge of adapting to life on land. We further go on to look at exquisitely-preserved fossils which display cellular details and reveal the first evidence of this relationship and discuss the potential identity of a particularly enigmatic giant fossil. We end the conversation theorising about what benefits a true understanding of this symbiosis could have on the future of agriculture.
This relationship between plants and fungi is something that has shaped the evolution of life on land and so this discussion is most definitely not one to be missed!
The Bighorn Basin in Wyoming has been an important area for research into terrestrial ecosystems for decades. The basin formed as part of the uprising of the Rocky Mountains in the west of North America, and sediment from the surrounding mountain ranges was transported into it for millions of years, building up a huge thickness that has fossils from all kinds of life on land preserved within it. Rocks from many different time periods are now exposed in the basin, but a particularly important one is the Paleocene Eocene thermal maximum (PETM) which occurred around 56 million years ago. At this time a huge amount of carbon was released into the atmosphere very quickly, causing a sharp (by geological standards) increase in temperature and dramatic effects on life. Palaeontologists and geologists are particularly interested in studying the PETM as it can potentially give us lots of information about how life and earth systems might respond in the near future to the large quantities of carbon being released into our atmosphere now by humans.
In this episode recorded in the field we talk to Dr Scott Wing, who is curator of fossil plants at the Smithsonian in Washington DC but has been coming to the basin every summer for decades. We chat about the geology and history of the area, what it's like to work in the Wyoming desert every summer, how to find and collect fossil plants, and what years of research by many people in the basin has told us about the PETM.
Blue Beach is a locality in Nova Scotia, Canada that is well known for it's fossils from the Lower Carboniferous. In particular, it is significant for being one of few sites in the world that has fossils from this time period, known as 'Romer's Gap', significant for it's apparent lack of tetrapod fossils, despite the presence of animals like Ichthyostega and Acanthostega before this time. Significant work in recent years has been done on Romer's Gap, including on the tetrapod fossils found at Blue Beach.
In this episode, we spoke to University of Calgary Associate Professor Jason Anderson about these tetrapod fossils from Blue Beach, an area he has been working on for many years. Jason and others published a paper in 2015 on some of the early tetrapod finds from Blue Beach.
Mongolia is a vast country with fossils from almost every period in the history of life. Important specimens representing the origin of birds, the origin of mammals, many unique dinosaur species, and the first dinosaur eggs to be identified, have all been found within it’s borders. For this reason it has long been the focus of field expeditions by Mongolian and international academics, but the remote nature of many of the sites has lead to fossil trafficking – where Mongolian specimens are illegally shipped out of the country, often labelled as something else entirely. In this episode we speak to Bolortsetseg Minjin, a Mongolian palaeontologist who is helping bring many important stolen specimens back home, including the tyrannosaur Tarbosaurus bataar. We chat to her, and her colleague Thea Boodhoo, about the history of palaeonotlogy in Mongolia, and about several projects they are running to spread knowledge to Mongolian people about the importance of the rich natural history heritage of their country. We also find out about their moveable museum and plans for a big fossil outreach tour this summer in the Gobi desert, for which they are currently trying to raise funds.
Mongolia is a vast country with fossils from almost every period in the history of life. Important specimens representing the origin of birds, the origin of mammals, many unique dinosaur species, and the first dinosaur eggs to be identified, have all been found within it’s borders. For this reason it has long been the focus of field expeditions by Mongolian and international academics, but the remote nature of many of the sites has lead to fossil trafficking – where Mongolian specimens are illegally shipped out of the country, often labelled as something else entirely. In this episode we speak to Bolortsetseg Minjin, a Mongolian palaeontologist who is helping bring many important stolen specimens back home, including the tyrannosaur Tarbosaurus bataar. We chat to her, and her colleague Thea Boodhoo, about the history of palaeonotlogy in Mongolia, and about several projects they are running to spread knowledge to Mongolian people about the importance of the rich natural history heritage of their country. We also find out about their moveable museum and plans for a big fossil outreach tour this summer in the Gobi desert, for which they are currently trying to raise funds.
“Saurian is a video game focused on providing the most captivating prehistoric experience ever developed for commercial gaming: living like a true dinosaur in a dynamic open world through intense, survival based gameplay. Players will have the opportunity to take control of several different species of dinosaur in their natural environment. You will attempt to survive from hatchling to adult, managing physical needs, while avoiding predators and environmental hazards in a dynamic landscape reflecting cutting-edge knowledge of the Hell Creek ecosystem 66 million years ago.”
Can video games be educational? If they portray ancient life accurately, could they even be considered palaeoart? We put such questions and more to Saurian project lead, Nick Turinetti.
Please visit the Saurian website for more details about the game and contribute to the Saurian project via their Kickstarter campaign.
Around 250 million years ago, the largest biotic crisis the world has ever known occurred. The Permo-Triassic Mass Extinction (PTME) was an event that saw the loss of up to 95% of all species. The extinction forever changed the face of life on this planet, but what caused it? How long did the PTME last? Who were the big winners and losers? And how long did it take for life to recover?
Prof. Mike Benton, University of Bristol, joins us to discuss these questions in more.
Science is a process and so the door to the revision and refinement of hypotheses must always be left open. From the research discussed in our last episode, the newspapers would have you believe that the mystery of the Tully Monster had been solved once and for all. Yet only a couple of weeks later, another new study has weighed in on the identity of this enigmatic fossil.
This episode is released to coincide with the publication of a new paper in Nature and lead author Thomas Clements, University of Leicester, joins us to discuss his new insights from looking into the eyes of the Tully Monster
Dr. Larry Witmer’s lab at Ohio University studies the anatomy of modern animals to make interpretations regarding the functional morphology of extinct vertebrates. WitmerLab incorporates anatomical studies with cutting-edge technology, allowing for the reconstructions of soft-tissue structures no longer present in fossils (including respiratory apparatuses, brains, and inner ears). These reconstructions allow Dr. Witmer and his students to study the original physiology, biomechanics, and evolutionary adaptations of creatures long extinct.
Diet is perhaps the most important aspect of ecology. As such, understanding the diet of extinct animals is crucial if we wish to reconstruct the ecosystems of the past. However, determining what was on the menu for extinct animals, known only from fragmentary fossils, is far from straight forward. We spoke to Dr David Button, from the University of Birmingham, to learn about the techniques palaeontologists use to deduce diet from fossils.
Beneath the city of Chemnitz, Germany, exists a entire fossilised forest. This whole ecosystem was preserved in life-position during a series of volcanic events. The forest is from the Permian period and thus represents a fantastic snapshot of life during a period where terrestrial fossils are notoriously rare.
Joining us to discuss the flora and fauna of the Permian of Germany is Dr Ronny Rößler, director of the Museum für Naturkunde Chemnitz.
One of the most difficult aspects of palaeontology is understanding how extinct animals moved around. It’s one thing to find a fossil and reconstruct it’s morphology, but it’s completely another to put that morphology into action and understand the locomotion or behaviour. One reason for this is because of the lack of soft tissue and muscles. The field of biomechanics can help with this by looking at the actual physics of these structures to help understand things like the forces exerted on the bones or tendons of an animal.
Professor John Hutchinson of the Royal Veterinary College of the University of London is an expert in biomechanics of both living and extinct vertebrates. He has worked on many aspects of the tetrapod tree including early tetrapods up to birds. This episode focuses on how we can use biomechanics to understand locomotion in extinct animals, including dinosaurs, early tetrapods, and how modern animals relate to this question.
Laura interviews Dave about Palaeocast's new project: The Virtual Natural History Museum.
The Virtual Natural History Museum (V-NHM) is a project designed to make digital palaeontological resources accessible like never before. This website will integrate fossil multimedia from museums worldwide and bring them together in the one place, creating a kind of ‘master museum’. All of this data will be exhibited inside of a ‘computer game-style’ museum, allowing you to virtually explore the rich biological history of our planet, as told by the world’s best fossils.
Preparators are specialist staff working in museums and universities worldwide. They perform a very wide variety of tasks from fieldwork excavations, to specimen conservation. Any fossil has to be prepared for use, whether its to expose specific parts so that they can be studied, or to preserve and reconstruct a specimen so that it can be displayed in a museum gallery. Vertebrate preparation is an increasingly professionalised field that plays a huge part in the process of modern palaeontology.
This year the annual meeting of the Geological Society of America was held in Baltimore, Maryland. This is one of the largest conferences that palaeontologists attend, with over 6000 attendees from all fields of Earth Sciences. Caitlin and Laura went along and talked to many of the palaeontology researchers who had come to present their work on posters and in talks.
Pterosaurs were the first vertebrates to achieve powered flight, and lived in the skies above the dinosaurs during the Mesozoic. They're often mistakenly identified as dinosaurs, but are in fact a separate, closely related group. This group has recently undergone a revival, with more research on pterosaurs happening now than ever before. Where are they found? How diverse was this group? How did they evolve?
Research associate and palaeoartist Dr. Mark Witton from the University of Portsmouth is well-known in the pterosaur community, and answers some of these questions and more in this episode. He's also provided us with a number of spectacular images below, so make sure you check them out! If you want to learn more about pterosaurs, check out Episode 42 with Colin Palmer on Pterosaur Aerodynamics.
The last part of our coverage from the 75th annual meeting of the society of vertebrate paleonology. In this part Caitlin speaks to Professor Christopher Smith about the history of the society, how it was recorded and archived, and how this information is being collected and maintained into the future.
In the second part of our SVP coverage we have interviews with some of the researchers on the scientific content of their posters and conference presentations.
The Society of Vertebrate Paleontology annual meeting is the largest conference each year for the world's vertebrate palaeontologists to present their work, network with each other, and find out what everyone else is up to. The first part of our coverage from the 2015 meeting in Dallas Texas includes interviews with palaeontology educators and museum specialists.
The ‘Crystal Palace Dinosaurs’ are a series of sculptures of extinct animals including dinosaurs, other extinct reptiles and mammals, which can be found in the grounds of the Crystal Palace in London. Commissioned in 1852, these are the earliest examples of dinosaur sculptures in the world. In fact, the first dinosaurs had only recently been discovered some 30 years earlier. Why were these models built? And what do they tell us about early scientific hypotheses of dinosaurs and other extinct animals? To answer these questions we talk Joe Cain, Professor of History and Philosophy of Biology at University College London.
Ankylosaurs are a group of non-avian dinosaurs best known for their armour, tank-like bodies, and sometimes large tail clubs. First appearing in the Jurassic, they were common in Late Cretaceous ecosystems, with several species known from around the world. But how different were these species really? And just where did they evolve from? What was that tail for?
Dr. Victoria Arbour of the North Carolina Museum of Natural Sciences is one of the leading experts on ankylosaurs, and has published a number of papers, including a recent study on how the tail club evolved. We spoke with Victoria about these dinosaurs and she answered some of these questions for us.
Melanin is a pigment that is found across the animal kingdom. Melanosomes, the organelles that contain melanin, have been found preserved in fossil feathers and melanosome shape has been used to infer the original colors of birds and dinosaurs. Today we’re talking to Caitlin Colleary whose paper - on her Masters research at the University of Bristol - delves into detail regarding the structural and chemical preservation of melanin and describes the color of a fossil mammal for the first time.
The Symposium of Vertebrate Palaeontology and Comparative Anatomy (SVPCA) annual conference was held at the University of Southampton National Oceanography Centre at the beginning of September. This is the first year we've covered this event, and covered a wide range of topics in vertebrate palaeontology. We spoke to several people, which you can listen to here, including information on Romanian and Hungarian fossils, ceratopsian dinosaurs, ankylosaur histology, sesamoid bones, and more.
Eurypterids, or ‘sea-scorpions’ are an extinct group of chelicerates: the group containing the terrestrial arachnids (such as spiders and scorpions) and the aquatic ‘merostomes’ (represented today solely by the horseshoe crabs). They bear a gross-morphological resemblance to scorpions (hence the informal name) but, in being aquatic, may have shared more in common with horseshoe crabs. They inhabited the waters of the Paleozoic Era and were typically scavengers or predators. Most eurypterids were quite small and unremarkable, but some genera, such as Pterygotus and Jaekelopterus grew to incredible sizes; the latter reached an estimated 2.5m (8’ 2”) and is still the world’s largest-known arthropod.
Described today in BMC- Evolutionary Biology is the oldest-yet-described eurypterid Pentecopterus decorahensis and we've got lead author Dr James Lamsdell, Yale University, to introduce us to the eurypterids and to discuss the significance of this new genus.
On today's episode we're revisiting Mistaken Point, Newfoundland, Canada. At this lagerstätte it is possible to find large bedding planes full of Precambrian organisms called rangeomorphs. These are an enigmatic group, which still can't be placed on the 'tree of life'.
We are joined by Dr Emily Mitchell of the University of Cambridge, who's recent paper in Nature was able to show that you don't need to be able to fully understand the anatomy of an organism to discern some of its most intricate details.
Synapsids are one of the major groups of terrestrial vertebrates. They first appear in the Carboniferous period and since that time have gone through many radiation and extinction events. But what did these first stem-mammals look like, how did they live and how do they differ from modern mammals? These may sound like simple questions, but there is an underrepresentation of terrestial deposits from the Permian. How then can we understand larger-scale evolutionary patterns when so much data is missing?
The Burgess Shale is probably the world's most famous lagerstätte (site of special preservation). Discovered in 1909 on Mt. Stephen, in the Canadian Rockies of British Colombia, Canada, this locality provided an early representation of the true biodiversity of the Cambrian Period. For decades, discoveries from this site have helped palaeontologists better understand the 'Cambrian Explosion' and the origins of modern lineages. Since that time, many more early lagerstätten have been discovered, so we asked Prof. Simon Conway Morris, from the University of Cambridge, if this well-studied locality still holds its relevance to modern palaeontology.
It's been quite a week for lobopodians!
First off, we've had the redescription of Hallucigenia by Dr Martin Smith. This enigmatic fossil from the Burgess Shale typifies the difficulty palaeontologists have had in interpreting some of the earliest animals in the fossil record. It has famously been reconstructed upside-down and is now shown to also have been back-to-front too! Dr Smith joins us to tell us about the observations, including some new anatomical characters, that put an end to the uncertainty of the orientation of this animal.
Secondly, there's a older and more heavily-armoured lobopodian from the early Cambrian Xiaoshiba biota of China that we've got the exclusive on. Collinsium ciliosum is described today and we're also joined by one of the lead authors Dr Javier Ortega-Hernández.
The world is currently undergoing a massive biodiversity crisis, and many people have said that we are in the next major mass extinction event, with species going extinct each day. Unfortunately, we don't currently understand what aspects control biodiversity, and how the past can help us understand the present and the future.
Associate Professor Lindsey Leighton of the University of Alberta discusses his work combining research of modern invertebrate marine fauna related to biodiversity and ecosystems with studies of the fossil record in order to further understand this problem.
The Cretaceous-Paleogene (K-Pg) mass extinction was the latest of the 'big five' events. Approximately 75% of species went extinct, with the most notable victims being non-avian dinosaurs. But what happened afterwards? By which methods were some of the survivors able to spread to fill vacant niches?
The University of Bath's Dr Nick Longrich joins us to hypothesise about the dispersal mechanism of a very unusual group of ground-dwelling predatory reptiles called amphisbaenians (worm lizards).
We've covered ichnology before, in Episode 14, but it's time to revisit trackways with a high-tech approach. We talk to ichnologist and computer expert Dr Peter Falkingham, from Liverpool John Moores University, who's been looking at footprints using state-of-the-art techniques.
After the success of last year’s palaeoart competition we’re stepping up a gear and launching an even bigger and better contest. This time we've got three times as many prizes to give away courtesy of Cider Mill Press, Palaeoplushies and Paleocreations.
We're running the competition on Facebook and Twitter between the 1st May and 1st June using #palaeocastart.
DNA (deoxyribonucleic acid) is a molecule that encodes the genetic information within every species of life on earth. The information contained within the sequence of base pairs determines how any given organism develops and biologically functions.
DNA is not just limited to the biological world, but is also now being utilised in palaeontology. But why is DNA not normally preserved? What's the oldest DNA we can recover? And what can we learn about fossil animals from their DNA? We spoke to ancient DNA expert Dr Ross Barnett in order to get answers.
Palaeontology is more than just going out into the field, digging up bones, and putting them back together. A good understanding of biology, geology, and even engineering can help to figure out how extinct animals lived and especially how they moved around.
To further comprehend how we can use knowledge of engineering in palaeontology, especially with respect to understanding extinct animal flight, we spoke to Colin Palmer from the University of Bristol, and the University of Southampton. His background in engineering provides a unique set of skills and angle to studying pterosaur flight.
Insects are the most abundant and diverse group on animals on the planet today. Would they therefore also be expected to have the richest fossil record? When did they first evolve and how rapid was their diversification? Do we give enough attention to the evolution of insects?
To get answers we spoke to Dr. David Penney, honorary lecturer at the University of Manchester and founder of Siri Scientific Press. Dr. Penney has just recently published an overview of palaeoentomology entitled 'Fossil Insects'.
Insects are the most abundant and diverse group on animals on the planet today. Would they therefore also be expected to have the richest fossil record? When did they first evolve and how rapid was their diversification? Do we give enough attention to the evolution of insects?
To get answers we spoke to Dr. David Penney, honorary lecturer at the University of Manchester and founder of Siri Scientific Press. Dr. Penney has just recently published an overview of palaeoentomology entitled 'Fossil Insects'.
Brachiopods are some of the most common fossils to be found in rocks worldwide. Their thick, hard and (often) calcareous shells make them preferentially preserved in the fossil record. We probably all have found one, but how many of us overlooked them at the time? What can a brachiopod tell us? How big a role have they played throughout geological time?
In this second part of a two-part episode we continue our interview with Prof. Lars Holmer, University Uppsala, Sweden, all about the humble brachiopod.
Brachiopods are some of the most common fossils to be found in rocks worldwide. Their thick, hard and (often) calcareous shells make them preferentially preserved in the fossil record. We probably all have found one, but how many of us overlooked them at the time? What can a brachiopod tell us? How big a role have they played throughout geological time?
In this two-part episode we speak to Prof. Lars Holmer, University Uppsala, Sweden, all about the humble brachiopod.
Alberta, Canada is one of the world’s richest areas for dinosaur fossils, and especially fossils from the Late Cretaceous. Iconic dinosaurs like T. rex, Triceratops, and Parasaurolophus, as well as numerous other dinosaurs and fossils can all be found in this region.We had a chance to chat with Professor Phil Currie of the University of Alberta at the Society of Vertebrate Paleontology meeting where we talked about Alberta and why it is such a fantastic place for dinosaur fossils.
Ceratopsians are some of the most iconic dinosaurs that we recognise today including animals like Triceratops and Styracosaurus, with their big horns and frills. But is that what all 'horned dinosaurs' looked like? In fact, early ceratopsians were small and horn-less, sharing other characteristics with their larger, more derived relatives.
At the The Society of Vertebrate Paleontology 2014 we met up with Dr. Andy Farke from the Raymond M. Alf Museum of Paleontology in California and discussed ceratopsian diversity and a new species he was involved with naming and describing.
Theropods are what we would classically recognise as the meat-eating dinosaurs of the Mesozoic Era. They are best known from genera such as Tyrannosaurus and Velociraptor but the group is much more diverse and includies herbivores, beaked and ostrich-like forms. It is however the link between theropods and birds that has long-caught the public's attention and perhaps represents one of the most scrutinised evolutionary transitions. As more dinosaurs are discovered with feathers, should we still be asking where the cut-off point is between the two groups and not if there should be a distinction?
We caught up with Dr. Steve Brusatte, University of Edinburgh, at the Society of Vertebrate Paleontology meeting, who spoke to us about the relationship between theropods and birds.
Welcome to our coverage of the Society of Vertebrate Paleontology annual conference held this year at the Estrel Hotel, Berlin, between the 5th and 9th November.
We're delighted to be back at this event, which is doubtless the biggest dedicated vertebrate palaeontology conference in the world. As per our usual conference coverage, we’re aiming to produce daily multimedia reports to give you an indication of what it's like to attend such an event and also to bring you the latest news in the field.
Welcome to our coverage of the Society of Vertebrate Paleontology annual conference held this year at the Estrel Hotel, Berlin, between the 5th and 9th November.
We're delighted to be back at this event, which is doubtless the biggest dedicated vertebrate palaeontology conference in the world. As per our usual conference coverage, we’re aiming to produce daily multimedia reports to give you an indication of what it's like to attend such an event and also to bring you the latest news in the field.
Welcome to our coverage of the Society of Vertebrate Paleontology annual conference held this year at the Estrel Hotel, Berlin, between the 5th and 9th November.
We're delighted to be back at this event, which is doubtless the biggest dedicated vertebrate palaeontology conference in the world. As per our usual conference coverage, we’re aiming to produce daily multimedia reports to give you an indication of what it's like to attend such an event and also to bring you the latest news in the field.
Welcome to our coverage of the Society of Vertebrate Paleontology annual conference held this year at the Estrel Hotel, Berlin, between the 5th and 9th November.
We're delighted to be back at this event, which is doubtless the biggest dedicated vertebrate palaeontology conference in the world. As per our usual conference coverage, we’re aiming to produce daily multimedia reports to give you an indication of what it's like to attend such an event and also to bring you the latest news in the field.
The Emu Bay shale is a Burgess Shale-type lagerstätte from the Early Cambrian of South Australia. We speak to Dr John Paterson, of the University of New England, all about the locality and the fossils it contains.
Ostracods are tiny crustaceans (relatives of shrimps, crabs and water-fleas), distinguished by having a shell that is easily fossilised. As microfossils, by virtue of a long and rich fossil record, ostracods are extremely useful for determining the age of the sedimentary strata in which they are found, as well as providing clues to the nature of the environments and climates in which those deposits were formed. The first ostracods lived in shallow continental shelf seas during the early Ordovician period nearly 500 million years ago, later spreading and diversifying into deep oceanic as well as continental environments such as lakes and rivers. Today, as living organisms, they are globally widespread and diverse, inhabiting almost every kind of aquatic environment from the abyssal depths of the oceans to freshwater ponds.
Welcome to the final day of our coverage of the 4th International Palaeontological Congress (IPC4) from Mendoza, Argentina.
Welcome to the third day of our coverage of the 4th International Palaeontological Congress (IPC4) from Mendoza, Argentina.
Welcome to the second day of our coverage of the 4th International Palaeontological Congress (IPC4) from Mendoza, Argentina.
Welcome to our coverage of the 4th International Palaeontological Congress (IPC4) from Mendoza, Argentina. The International Palaeontological Congress is a global meeting devoted to Palaeontology throughout the world. It convenes every four years under the aegis of the International Palaeontological Association. Following tree previous editions in Sydney (2002), Beijing (2006) and London (2010), it now comes to the American continent for the first time.
This conference is one of the most important events on any palaeontologist's calendar and so draws in delegates from all corners of the globe. Over the next few days we're going to have a fantastic opportunity to hear about the latest research in the field with more of a focus on the Southern Hemisphere.
Planktonic foraminifera are single celled organisms that are highly abundant in modern oceans and a hugely important part of the Earth’s carbon cycle. Each cell builds a hard calcite ‘test’ around itself in a huge variety of shapes. These tests continuously rain down on to the ocean floor leaving continuous records of how these organisms have changed over millions of years. They form the most complete fossil record we have, and are a very useful tool in everything from the oil industry to understanding how evolution works.
Planktonic foraminifera are single celled organisms that are highly abundant in modern oceans and a hugely important part of the Earth's carbon cycle. Each cell builds a hard calcite 'test' around itself in a huge variety of shapes. These tests continuously rain down on to the ocean floor leaving continuous records of how these organisms have changed over millions of years. They form the most complete fossil record we have, and are a very useful tool in everything from the oil industry to understanding how evolution works.
In this episode we talk to Dr Tracy Aze from the University of Leeds about her research using planktonic forams to understand macroevolutionary change, as well as decoding their record to map major climate events and temperatures throughout geological history.
We now find ourselves embarking upon our third year, but before we do so, we're going to take a look back at last year and see what we've all been up to.
We’re all familiar with canines (dogs, wolves, jackals, foxes, etc), but these are just only one of three sub-families of the larger canid family to survive to the present day. There were also the Hesperocyoninae and Borophaginae, but what did these other canids look like and why did they go extinct? The canid family also falls within the larger suborder Caniformia which includes skunks, bears and seals, but how are all these related?
We're all familiar with canines (dogs, wolves, jackals, foxs, etc), but these are just only one of three sub-families of the larger canid family to survive to the present day. There were also the Hesperocyoninae and Borophaginae, but what did these other canids look like and why did they go extinct? The canid family also falls within the larger suborder Caniformia which includes skunks, bears and seals, but how are all these related?
We've therefore quite a lot of history of the group to cover before we eventually see Canis lupus familiaris become man's best friend. To talk us through their evolution is Dr Xiaoming Wang of the Natural History Museum, Los Angeles.
Anomalocaridids are iconic Cambrian animals, originally found in the Burgess Shale deposits in Canada. From the Genus Anomalocaris, their name translates as 'strange shrimp' owing to their initial misidentification from incomplete remains. In fact, it took until 1985 to realise that three different animals were all actually disarticulated parts of the same animal! Our knowledge of these enigmatic creatures has increased exponentially in recent years owing to many exciting new fossil discoveries, as well as reanalysis of old specimens using new technologies. Researchers are building up a picture of a group of animals far more diverse than previously expected, including apex predators as well as possible filter feeders and scavengers. Their temporal range is surprising too - they survived the end Cambrian extinctions when many other taxa died out, and many questions about their ecology, relationships and extinction remain to be answered.
The celebrate the launch of 'The Paleoart of Julius Csotonyi' from Titan Books we take a look at the field of palaeoart. In this episode, we're joined by Julius himself and ask how his images are produced, why they're produced and to discuss the value of palaeoart. We also run our first competition, please follow using #palaeocastart
One of the longest-ranging and outwardly primitive-looking groups of animals on the planet are the Medusozoa. In consisting of around 95% water, it may be surprising to know that there is a fossil record of jellyfish, however how does one differentiate their fossils from other abiotic sedimentary structures when both look like sub-spherical blobs?
In this episode we speak to Graham Young, Curator of Geology and Paleontology at The Manitoba Museum, Canada, who addressed the identification of jellyfish fossils in a recent paper Young & Hagadorn 2010 The fossil record of cnidarian medusae.
One of the longest-ranging and outwardly primitive-looking groups of animals on the planet are the Medusozoa. In consisting of around 95% water, it may be surprising to know that there is a fossil record of jellyfish, however how does one differentiate their fossils from other abiotic sedimentary structures when both look like sub-spherical blobs?
In this episode we speak to Graham Young, Curator of Geology and Paleontology at The Manitoba Museum, Canada, who addressed the identification of jellyfish fossils in a recent paper Young & Hagadorn 2010 The fossil record of cnidarian medusae.
Echinoderms are characterised by a mineralised skeleton, specialised water vascular system and five-fold symmetry. It is this unusual body plane symmetry that gives the starfish its star-shape. None of these features, however, are possessed by the closest living relatives of echinoderms – the hemichordates. Palaeontology offers a unique perspective into the early evolution of echinoderms, revealing that echinoderm characteristics were acquired in a step-wise fashion from a bilaterally symmetrical ancestor. We speak to Dr Imran Rahman, a postdoctoral researcher at the University of Bristol, about the early evolution of echinoderms, from worms to stars.
One of the most iconic animals to ever have gone extinct is the dodo, Raphus cucullatus. Endemic to Mauritius, this flightless bird was last seen around 1662 and is thought to have been driven to extinction by invasive species brought along by humans. Despite their relatively recent extinction, few dodo specimens remain. Discovering new material is therefore vital for our better understanding of this bird.
One dodo-bearing locality is the 'Mare aux Songes', a marsh on the South-East of the island. Here Dr Hanneke Meijer, Institut Català de Paleontologia, has been excavating bones as part of the Dodo Research Programme.
Mammals are an incredibly diverse and highly successful group of animals. They include some of the tallest, heaviest and fastest animals around today, as well as our own species. For over 100 years, biologists have attempted to build mammal evolutionary trees using anatomical data. This work has provided the basis for our understanding of mammal relationships. Within the last 30 years, new technologies have enabled scientists to cheaply sequence molecular data (e.g. DNA and amino acid sequences) from thousands of mammal species. Interestingly, molecular trees reveal close relationships between some very different looking mammals. To guide us through this mammal renaissance, we are joined by Dr Robert Asher from the Department of Zoology at the University of Cambridge, UK.
Continuing our look at Australia's marsupials, we speak to Dr. Karen Black, also of the University of New South Wales. Here, we discuss Riversleigh fossil site, what fossils it contains, how they preserved and what's it takes to excavate them.
Marsupials are a group of mammals best known from Australia, but are also present in South America and up to the southern and eastern parts of the USA. Despite their current geographical distribution, metatherians (the group containing marsupials and other marsupial-like mammals) were once much more cosmopolitan; the earliest fossil evidence being from the Cretaceous of China, in the Northern Hemisphere.
The story of marsupial evolution is therefore much more complex than is first apparent: When did metatherians and eutherians (placental mammals) diverge? Why are eutherians much more common? Why are metatherians restricted to the Southern Hemisphere? To answer some of these questions we spoke to Dr. Robin Beck, an expert on marsupial and metatherian phylogenetics, from the University of New South Wales, Sydney, Australia.
What are Mass extinctions, how are they quantified, what are the driving forces behind them, how bad were the ones in the past and will we have more in the future?
To answer these questions we are joined by mass extinctions specialist Prof. Paul Wignall of the University of Leeds, UK.
The Society of Vertebrate Paleontology are this year holding their annual conference in the Westin Bonaventure Hotel, Los Angeles. The SVP were formed in 1940 by thirty-four paleontologists, the society now has more than 2,300 members representing professionals, students, artists, preparators and others interested in vertebrate paleontology. It is organised exclusively for educational and scientific purposes, with the object of advancing the science of vertebrate paleontology.
At this event, we’re aiming to continue our daily reports, following on from our coverage of GSA, bringing all those who can't attend a flavour of the conference.
The Society of Vertebrate Paleontology are this year holding their annual conference in the Westin Bonaventure Hotel, Los Angeles. The SVP were formed in 1940 by thirty-four paleontologists, the society now has more than 2,300 members representing professionals, students, artists, preparators and others interested in vertebrate paleontology. It is organised exclusively for educational and scientific purposes, with the object of advancing the science of vertebrate paleontology.
At this event, we’re aiming to continue our daily reports, following on from our coverage of GSA, bringing all those who can't attend a flavour of the conference.
The Society of Vertebrate Paleontology are this year holding their annual conference in the Westin Bonaventure Hotel, Los Angeles. The SVP were formed in 1940 by thirty-four paleontologists, the society now has more than 2,300 members representing professionals, students, artists, preparators and others interested in vertebrate paleontology. It is organised exclusively for educational and scientific purposes, with the object of advancing the science of vertebrate paleontology.
At this event, we’re aiming to continue our daily reports, following on from our coverage of GSA, bringing all those who can't attend a flavour of the conference.
The Society of Vertebrate Paleontology are this year holding their annual conference in the Westin Bonaventure Hotel, Los Angeles. The SVP were formed in 1940 by thirty-four paleontologists, the society now has more than 2,300 members representing professionals, students, artists, preparators and others interested in vertebrate paleontology. It is organised exclusively for educational and scientific purposes, with the object of advancing the science of vertebrate paleontology.
At this event, we’re aiming to continue our daily reports, following on from our coverage of GSA, bringing all those who can't attend a flavour of the conference.
This year sees the GSA celebrate its 125th anniversary, having formed in 1888. It's a massive event with thousands of attendees. There are literally hundreds of talks to hear and posters to see, so we're hoping to bring just a sample of it to you.
Each day we’ll be posting interviews and pictures from the conference, giving you a flavour of what it’s like to attend.
This year sees the GSA celebrate its 125th anniversary, having formed in 1888. It's a massive event with thousands of attendees. There are literally hundreds of talks to hear and posters to see, so we're hoping to bring just a sample of it to you.
Each day we’ll be posting interviews and pictures from the conference, giving you a flavour of what it’s like to attend.
This year sees the GSA celebrate its 125th anniversary, having formed in 1888. It's a massive event with thousands of attendees. There are literally hundreds of talks to hear and posters to see, so we're hoping to bring just a sample of it to you.
Each day we’ll be posting interviews and pictures from the conference, giving you a flavour of what it’s like to attend.
Most people would consider fire to be an entirely destructive process, however given the right circumstances organic materials can be exquisitely preserved by charcoalification. We no doubt all know charcoal from the BBQ, but how many of us stop to consider what it actually is?
Charcoal is formed when organic material is subjected to high temperatures in the absence of oxygen. In this situation oxidation (burning) is not possible, however water and volatiles are driven off leaving behind a carbon-rich residue. This thermochemical alteration not only increases the preservation potential of the material in the fossil record, but can also preserve details down to a cellular level as a 'carbon skeleton'.
In this episode we discuss the importance of this greatly overlooked source of palaeontological information with Professor Andrew C. Scott of the Department of Earth Sciences, Royal Holloway University of London.
In this episode we talk to Jørn Hurum, Associate Professor of Vertebrate Paleontology at the Natural History Museum Oslo, Norway. Jørn has varied research interests including dinosaurs and mammals (being one of the team of researchers who described Darwinius masillae, more commonly known as 'Ida'), but perhaps his most productive work has been with the Spitsbergen Jurassic Research Group. The Jurassic sediments of the Svalbard archipelago, north of mainland Norway, are rich in fossils of marine reptiles.
As Palaeocast celebrates it's 1st Birthday, we take the chance to look back over the past year and review our highlights. We also look towards the future and discuss our plans to attend some upcoming palaeontology conferences. We introduce a new member of the Palaeocast team and hear a little about the scientific work of all our members.
The Great Ordovician Biodiversification Event, or 'GOBE', describes one of the most important increases in biodiversity in the history of life on earth. During a relatively short time span of some 25 million years, an explosion of new species, genera and families appeared. This increase in diversity was accompanied by an increase in ecosystem complexity. Plankton and suspension feeding organisms rapidly diversified and became important constituents of the food web. At the same time, large predators, such as the orthoconic nautiloids, evolved to exploit them. This biodiversity 'explosion' coincided with a dynamic period in earth's history during which continents were shifting, mountains were raised and massive volcanism occurred.
Joining us to try and untangle the causes and consequences of this complex and fascinating period is Prof. David Harper of Durham University, UK.
Trilobites are one of the most instantly recognisable groups of fossils. They were present from the very start of the Paleozoic and went on the fill a great number of ecological roles before going extinct at the Permo-Triassic mass extinction event 252 million years ago. They ranged from the very small to the very large, from the most basic appearance to the most elaborately ornamented.
We were lucky enough to get the opportunity to speak to Prof. Richard Fortey of the Natural History Museum, London, all about trilobite morphology and ecology.
Ammonoids are a diverse group of cephalopods, a group of molluscs that include squid, octopuses, cuttlefish and nautiloids. They lived for over 300 million years (from the Early Devonian – the end Cretaceous) and survived multiple mass extinctions. They finally succumbed to the mass extinction event at the end of the Cretaceous, the same event that killed the Dinosaurs. Ammonoid fossils are found abundantly around the world and offer palaeontologists a exceptional opportunity to study the evolution, life history and ecology of these fascinating invertebrates. Today we will be talking to Dr Kenneth De Baets from the Palaeontology Section, GeoZentrum Nordbayern about what we can learn about ammonoid ecology from the study of their fossils, and what this tells us about the evolution of living cephalopods.
One of the most significant events in Earth’s history has been the oxygenation of its atmosphere 2.45–2.32 billion years ago. This accumulation of molecular oxygen in Earth’s atmosphere was so significant that it is now commonly known as the Great Oxidation Event (GOE). The long-reaching effects of the GOE were literally world-changing; the compositions of the atmosphere and hydrosphere were altered, and through various redox reactions (where atoms have their oxidation state changed), the nature of the continents and global climate changed too. However, and perhaps from an anthropocentric viewpoint, the most important effect would be upon the biosphere: the GOE paved the way for the evolution of aerobic (oxygen respiring) organisms, including our earliest ancestors.
It is possible to track the GOE through geochemical traces left in the rock record. However, one thing we're still uncertain about is whether or not this event represents either a sharp increase in oxygen production or a reduction in oxygen sinks - the jury is still out on that one. With this level of ambiguity over the dynamics of the GOE, it may be a little surprising to know that there has been a long-standing consensus on how the oxygen was actually produced: photosynthetic organisms called cyanobacteria (blue-green algae, so named after the pigment they produce).
In this episode we discuss with Dr. Bettina Schirrmeister (University of Bristol) about the evolution of cyanobacteria and the role they played in the GOE.
Perhaps one of the most overlooked areas of palaeontology, within the public eye, is micropalaeontology. Micropalaeontology is an umbrella discipline, covering a diverse range of organisms, with representatives from many of the highest level biological groupings. Although small in size, microfossils prove invaluable for research into palaeoclimatology and are also one of the most commercially applicable groups of fossils.
In this interview we speak to Dr. Giles Miller, Senior Curator of Micropalaeontology at the Natural History Museum (NHM). As each individual group of microfossils could warrant an entire series, this episode serves as an introduction to micropalaeontology. We discuss what it is and some of its applications, all within the context of how the micropalaeontology collection at the NHM is used.
Ichnology is the study of trace fossils (also termed ichnofossils). Opposed to body fossils, the physical remains of an organism, trace fossils are the fossilised interactions between an organism and the substrate/sediment and include such things as trackways, excrement, burrows, bite marks and borings. Both body fossils and trace fossils are important when studying an organism and especially so in determining palaeoecology (how an organism interacted with its immediate environment). Body fossils can only inform us of the anatomy of the dead organism and its physical constraints, from which we can infer modes of life. Trace fossils, on the other hand, record the activity of organisms in life; it can be possible to see evidence of how certain communities functioned, or how an organism interacted with its environment. However one drawback is that the producer of a trace fossil is not always known, or we can't be certain that any one organism produced a specific trace.
In the second part of this two-part episode, we speak to Prof. Anthony Martin from Emory Euniversity, USA, archosaur burrows, the feasibility of dinosaurs over-wintering on the South Pole and Paleo-Barbie.
Ichnology is the study of trace fossils (also termed ichnofossils). Opposed to body fossils, the physical remains of an organism, trace fossils are the fossilised interactions between an organism and the substrate/sediment and include such things as trackways, excrement, burrows, bite marks and borings. Both body fossils and trace fossils are important when studying an organism and especially so in determining palaeoecology (how an organism interacted with its immediate environment). Body fossils can only inform us of the anatomy of the dead organism and its physical constraints, from which we can infer modes of life. Trace fossils, on the other hand, record the activity of organisms in life; it can be possible to see evidence of how certain communities functioned, or how an organism interacted with its environment. However one draw back is that the producer of a trace fossil is not always known, or we can't be certain that any one organism produced a specific trace.
In this first of a two-part episode, we speak to Prof. Anthony Martin from Emory Euniversity, USA, all about trace fossils, why they are important and how they can be used.
Every palaeontologist needs to put their feet up once in a while, and what better place to do so that the Best Western Denver Southwest? This hotel is located just a stone's-throw away from Dinosaur Ridge, one of the world's most famous fossil sites. It was here that many of the house-hold dinosaur names such as Apatosaurus (formerly Brontosaurus) and Stegosaurus were first discovered during the 'Bone Wars' between Edward Drinker Cope and Othniel Charles Marsh in the late 19th century. The hotel is currently being re-branded, by science-advocate owners Greg and Meredith Tally, as a celebration of the rich paleontological history of the local area, both recent and ancient. Museum displays, fossil replicas and even a swimming pool shaped like the Western Interior Seaway are all planned, not only to excite the inner-child in each of us, but also to educate. We managed to catch up with Greg and Meredith, on a break from the construction, to talk all about their designs and the inspiration behind their re-branding, a story that strangely begins with Physicist Nicolai Tesla and a cartoon on theoatmeal.com.
Fossils, at the best of times, are difficult to interpret. Palaeontologists attempt to reconstruct organisms from what little remains are left. This can be relatively simple for groups that we are familiar with today; you can easily make comparisons between a fossil lobster and a living one. But how do you interpret a fossil that has no modern counterpart and is not clearly related to any other organism? We speak to Dr Jakob Vinther of the University of Bristol about his experience of interpreting some of the oldest and most cryptic specimens in the fossil record. We look at molluscs, worms, worm-like molluscs and mollusc-like worms.
Sexual selection is responsible for much of the astounding diversity in morphology and behaviour that we can see in animals and plants today, but how can we reliably recognise it in the fossil record? We speak to Dr. Rob Knell of Queen Mary University of London.
The first animals came onto land sometime before 425 Ma. These early colonizers were members of a group called the arthropods - probably early relatives of the millipedes first. However, early land animals - especially those from the Palaeozoic era (542 - 252 Ma) - are relatively rarely preserved as fossils. The Carboniferous period (350-299 Ma) is an exception to this rule. During the Late Carboniferous, there is a window in which land animals are found preserved within the iron carbonate mineral siderite. This kind of preservation allows palaeontologists to use 3D reconstruction techniques - such as high resolution CT scanning - to investigate this unique insight into early land-based ecosystems. We talk to Dr. Russell Garwood - an 1851 research fellow at the University of Manchester - about the Carboniferous, the land animals which were around at the time, and the techniques he uses to study these.
The 16th to the 18th December 2012 saw University College Dublin host The Palaeontological Association (PalAss) 56th annual general meeting. Palaeocast were present at the conference for quite a few reasons: firstly, it's always good to try and keep on top of the latest research in the field and conferences are the places to be for hearing a lot of ideas, covering a diverse array of topics, in a short period of time; secondly, we wanted to promote ourselves to the delegate in the hope of securing further interviews for the coming year; and thirdly, we wanted to drum up support for our 'Palaeo101' initiative which should finally be taking off this year.
The Mesozoic Era saw the spectacular rise and fall of many groups, particularly in terrestrial vertebrates. These include birds, squamates, crocodiles, and pterosaurs, who wove a complex tapestry of evolution through the 185 million years of the Mesozoic, some even persisting until now. Dave Hone, now of Queen Mary in London, has extensively studied the ecology of many of these now-extinct organisms, especially theropod dinosaurs, to gain rare insights into how they would have lived millions of years ago. You can keep track of his research by following his blogs at the Guardian and Archosaur Musings webpages.
We can observe colour to be highly important for animals today. It can be used for many different purposes, including camouflage and signalling, and produced by many different methods. What is true of colouration today is also likely to have been so in the past, however the fossilisation process replaces tissues with minerals, so finding hints of colour in fossils is very unlikely. There are however certain colour producing structures that can survive the fossilisation process. We visit the University of Bristol to talk to Maria McNamara, a post-doctoral research assistant, to learn more about the preservation of colour in the fossil record.
Vertebrates are one of the most diverse and successful groups of animals on the planet. Modern vertebrates come in an astounding array of sizes and shapes and can be found anywhere from the deepest oceans to the highest mountains. Yet vertebrates did not attain such success from the outset; their rise to dominance was gradual. The early evolution of vertebrates was a dynamic and, at times, a turbulent interval which, through studying the fossil record, we are able to understand in increasing detail. We talk to Dr Lauren Sallan, who is an Assistant Professor at the University of Michigan studying early vertebrate evolution, biodiversity and ecology.
The biota of the Ediacaran period (635 - 541 ma) is of critical importance to our understanding of the origin of animals because it immediately precedes the Cambrian fauna, from which all subsequent animal life evolved. Localities of this age are justly famous for the exceptional quality of preservation of soft-bodied organisms. One of the best known and most important Ediacaran localities is at Mistaken Point, Newfoundland, Canada. We got to talk to Dr. Alex Liu, a research fellow at the University of Cambridge, about Mistaken Point, and the nature of its biota.
We interview Professor William Stein of Binghamton University about the world's first forets at Gilboa, NY, USA. We talk through the history of the research at this famous locality covering the destruction of the village of Gilboa and some of the 'paleontological difficulties' the researchers found themselves in. We discuss the palaeobotany and palaeoecology of the forests and the effect the evolution of such communities had on the world.
We got a chance to talk to Dr. George Poinar of Oregon State University about his work in amber. We discuss what it is and how it forms, but also talk about the organisms that are preserved within and the organisms within those organisms. From identifying genuine from fake amber, to parasite behaviour modification and palaeopathology, this episode has it all!
You may be forgiven for having missed the news of NASA's Curiosity rover, or Mars Science Laboratory (MSL), having landed on Mars, given all the coverage the 2012 Olympics had been getting.
To try and even this up, we got in touch with Dr. Leila Battison, a palaeontologist from the University of Oxford, UK, who is currently working at NASA, researching the earliest life in the fossil record and the conditions it needed to survive. We discussed NASA's mission to Mars and explored what kind of things we could expect from any signs of life on another planet based on what we know about early life on Earth from the fossil record.
En liten tjänst av I'm With Friends. Finns även på engelska.