Paper Talk

Marieke de Hoop runs PapierLab in Rotterdam, the Netherlands. She has been making and experimenting with paper for the past 40 years using traditional papermaking techniques. De Hoop works with other artists and makers to create unique, beautiful and sustainable papers and products.

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Therese Zemlin has worked in a range of media, including paper, welded steel, light, digital media, and natural materials. Her work ranges from small sculpture to installation and is inspired by elements and phenomena of the ever-changing natural world. She has exhibited her work nationally, and has received numerous grants, including a Southern Arts Federation/National Endowment for the Arts Regional Fellowship, and a Pollock-Krasner Foundation Grant. After earning a BFA from the University of Illinois at Urbana-Champaign, and an MFA from the University of Texas at Austin, Zemlin taught Fibers and Sculpture at the University of South Carolina, Columbia; Appalachian State University in North Carolina; and Phillips Academy Andover. She currently divides her time between Saint Paul and the north woods of Minnesota. 

Jennie Frederick earned her BFA from the Kansas City Art Institute in fibers, followed by an MFA from Indiana State University. She apprenticed with Douglass Morse Howell, Bob Serpa, from Imago, and received her MFA for apprenticing at Twinrocker Handmade Paper. Frederick founded Kansas City Paperworks, Inc. in 1983 and has taught at the Kansas City Art Institute and MCC-Maple Woods, where she developed a Fiber & Papermaking Program. She is currently a full-time artist living in Santa Fe, New Mexico and her current work utilizes techniques/processes that she developed following documentation in the Mexican villages of San Pablito, in Puebla State, and Lacanha and Naha in Chiapas.

Brian Queen has been making paper by hand for 30 years and utilizing a wide range of materials and techniques. His interests span the book arts including hand papermaking, bookbinding and letterpress printing. As a craftsman and toolmaker, he explores how new technologies such as 3-D printing, laser cutters, and CNC machines impact the book arts. Along with his brother, he owns and operates Sensa-Light Ltd., a company that manufactures customs architectural lighting for offices, hotels and restaurants.

Sammy Lee is an artist based in Denver, Colorado. Lee was born and raised in Seoul, South Korea, and moved to Southern California at the age of sixteen. She studied fine art and media art at UCLA and architecture at the University of Massachusetts Amherst. Among her many accomplishments is a performative collaboration with Yo-Yo Ma during the Bach project tour in 2018.

Peter Thomas is a book artist, and a hand papermaker with a special interest in production papermaking. He has been making fine press and artist books in collaboration with his wife Donna Thomas since 1977. All of the books they make us their own handmade paper, and some of their books relating to papermaking include Beater Time Tests (1987), A Collection of Paper Samples from Hand Paper Mills in the United States of America (1993), Paper from Plants (1997), The History of Papermaking in the Philippines (2005), Tuckenhay Mill: People and Paper (2016), and Paper Samples (2022). Peter Thomas has written books and articles about papermaking and the book arts, produced a documentary/educational video titled “The Ergonomics of Hand Papermaking, and been active in the leadership of IAPMA (International Association of Papermakers and Paper Artists), and the Friends of Dard Hunter (now North American Hand Papermakers).

Madonna Yoder started folding origami tessellations after taking Erik Demaine's Geometric Folding Algorithms class at MIT and she has designed over 300 new tessellations since 2018. Yoder helps aspiring tessellation folders to deeply understand tessellations so that they can fold from crease patterns, reverse engineer from photos, and even start designing their own tessellations through online videos and courses with her business, Gathering Folds. And unlike most origami instructors, she doesn't focus on individual designs in tutorials, but instead teaches broader structures, theory, and skills so that you can start folding new designs with confidence and get the most out of any tessellation workshop you attend.

Jane Ingram Allen is a sculptor and installation artist who uses hand papermaking with natural materials and collaborative processes to create indoor and outdoor artworks that raise public awareness about environmental issues. Jane has received numerous awards for residencies and community public art projects in the USA, the Philippines, Japan, Nepal, Brazil, China, Tanzania, Taiwan, Turkey, Indonesia and other countries. She was a Fulbright Scholar artist-in-residence in Taiwan in 2004 and 2005 and a Fulbright Specialist in Turkey in 2015. Jane is a former college art instructor and currently teaches workshops and writes about art for SCULPTURE and other art magazines as well as doing independent curating. She was born and raised in Alabama and has lived in 7 different states and in Taiwan for 8 years. Since 2012 she has been based in Santa Rosa, CA, and continues showing her work in the US and internationally.

Margaret Rhein has been involved full time in the art & craft of making paper by hand at her studio, Terrapin Paper Mill in Cincinnati, Ohio for the past 47 years. She has exhibited her paper collages in galleries and craft shows throughout the country and has taught many workshops in papermaking and book arts to adults and children. Over the years, she has made thousands of sheets of handmade paper, experimenting with a variety of fibers, shapes, colors and textures in 2- and 3-dimensional approaches. Rhein works spontaneously using colored cotton & linen pulps and combining patterned fabrics of various textures with other collage elements. on the paper surface. She is inspired by plant forms, landscapes and figurative themes and finds that papermaking lends itself to the collage process – the base fibers in a sheet of fresh handmade paper integrate with the components she applies to its surface. By adding artifacts and autobiographical treasures, paper excels in being a platform for telling stories, capturing memories and bringing deeper meaning to the resulting works of art.

Carol Barton is a painter, paper engineer, book artist and teacher who has published several editions and has organized both local and national shows, including the traveling Books and Bookends show and the Smithsonian Institution’s Science and the Artist's Book exhibition. Her work is exhibited internationally and is in numerous collections, including the Library of Congress, the Museum of Modern Art, and the Victoria and Albert Museum in London. She has taught at elementary, high school, and university levels, and has conducted adult workshops at art centers internationally. She was on the faculty at The University of the Arts in Philadelphia for 35 years and George Washington University’s Corcoran School of Art and Design in Washington, D.C. for four years. She has had residencies at the Bogliasco Foundation in Italy and the Sacatar Foundation in Brazil, GilsfjordurArts in Iceland, and the VCCA residency in France. Her Pocket Paper Engineer workbooks in three volumes are how-to guides to making pop-up cards and pages. She is now producing a series of watercolor landscape paintings for exhibition.

Andrew Dewar was born in Toronto in 1961, and has degrees in Journalism, Japanese Studies, and Library Science. He has lived in Japan since 1988. Since completing his Ph.D. studies at Keio University in Tokyo, he has taught at several colleges, and for the past decade has been principal of Tokai Daiichi Kindergarten as well as professor and Library Director at Tokai Gakuin University in Gifu, Japan. Soon after arriving in Japan, he rediscovered his childhood love of paper airplanes, and has been flying, designing, and publishing for more than three decades. He also teaches papercraft at schools, community centers, and museums around the country. He has more than 40 publications in English and Japanese.

Megan Singleton is a practicing artist, educator, and mother located in St. Louis, Missouri. The investigation of ecological relationships within society and the landscape is the basis of her work. As an interdisciplinary artist, she creates works that resonate with the materiality and rhythms of the natural world. Her creative practice intertwines sculpture, handmade paper, found objects, photography, and books arts. Singleton received her MFA in sculpture from Louisiana Sate University and her BFA in Photography form Webster University in St.Louis. She actively exhibits and was the recipient of the St. Louis Regional Arts Commission Artist Fellowship Grant, the Smelser-Vallion Visiting Artist Fellowship in Taos, NM and has participated in Artist Residencies across the US.

Simon Arizpe is an award winning pop-up book designer, paper engineer and illustrator based in Brooklyn, NY. His work received the 2018-2019 Meggendorfer Prize, the highest honor in pop-up book design, as well as the Award of Excellence from the Society of Illustrators. A graduate of The Pratt Institute, Arizpe worked for over 10 years as the senior paper engineer at several of the top pop-up book studios in the world before opening his own pop-up book studio in 2014. Working on every aspect of pop-up book design: from concept and engineering to mass production and printing on over 35 projects. Arizpe has also designed several award winning holiday cards for Museum of Modern Art Design Store. In addition to his design work, Arizpe is the professor of paper engineering at The Pratt Institute and  Parsons School of Design in New York City.

Helen Hiebert is the author of six instructional books on papermaking and papercrafts and is widely respected as a generous teacher and mentor. Working from her studio in Colorado, Helen hosts classes and retreats, and extends her outreach by teaching online. Her weekly Sunday Paper Blog keeps the field up-to-date regarding a wide range of paper artists and paper-related news. Her monthly Paper Talk podcast series features recorded interviews with papermakers, paper artists, paper engineers, designers, and entrepreneurs. Helen’s contributions as an artist, author, and teacher have had a significant and important impact on the papermaking community.

Susan Ruptash is a Toronto washi artist who works in a variety of paper arts including explorations of handmade heritage washi, printmaking and bookmaking, building on a lifelong fascination with the properties and possibilities of paper. Ruptash’s career as an architect has informed her explorations of structure, form, materiality and process. She is a member of Propeller Art Gallery, Open Studio, and the Canadian Bookbinders and Book Artists Guild. Ruptash’s work often includes embedded efforts that may not be readily apparent on viewing, but contribute to the finished piece through a curiosity and respect for the materials. For this reason, many of her works appear minimalist at first glance.

Roberto Mannino explores form with an abstract, process oriented, non-realistic approach. In Papermaking the very fact that there is a molecular change from liquid to solid implies the presence of natural energies that are embedded in the process itself. His hands-on practice enables him to have a dialogue with the nature of things in relation to his own personal motivations.

Bruce Foster has paper engineered over 65 pop-up books, over 100 pop-up cards, and at least a dozen other unpublished works. Originally from southern Louisiana, Bruce attended art school at The University of Tennessee in Knoxville, earning his BFA with honors and returning later for graduate studies in studio art. Eventually settling in Houston, TX, he worked as a graphic designer and art director before discovering and launching a career in movable books in 1989, although it was not until 2005 that he had enough work to take it full time.

Sara Garden Armstrong is a visual artist whose decades-long practice embraces a wide range of scales and techniques, from large site-specific sculpture to artist’s books. Lyrical, nature-based biomorphic abstraction characterizes the work, focusing on life processes and systems. It addresses organic change and transformation, while exploring properties of materials. Armstrong received her Master of Fine Arts from the University of Alabama and a Master of Art Education from UAB. After living in New York City for 36 years, in 2017 she returned to Birmingham, where she currently lives and works.

Russell Maret is a book artist and letter designer working in New York City. He began printing in San Francisco as a teenager before apprenticing with Peter Koch in Berkeley and Firefly Press in Somerville, Massachusetts. He set up his own press at the Center for Book Arts, New York in 1993 and has been printing and publishing ever since. In 1996 Russell began teaching himself to design letterforms, leading to a twelve year study of letterforms before he completed his first typeface in 2008. In 2011, he began working to convert some of his type designs into new metal typefaces for letterpress printing. Since then he has produced four metal typefaces and four suites of metal ornaments.

Tom Balbo has spent most of his life in and around Cleveland, Ohio. His earliest work was primarily in ceramics and printmaking. As his interest in papermaking grew, his work turned towards expressing his artistic creativity in this area. Over the past 40 years, Balbo's work has been exhibited and shown in a large number of shows and galleries, and he has garnered numerous awards and critical attention for his artwork. In 2008, Balbo founded The Morgan Art of Paper Conservatory and Educational Foundation in Cleveland, Ohio along with other local artists. He continue to work in paper, printmaking, and ceramics and divides his time between creating in his studio and as the Artistic Director at the Morgan Conservatory.

Marianne R. Petit is an artist and educator whose work explores fairy tales, anatomical obsessions, graphic and narrative medicine, as well as collective storytelling practices through mechanical books that combine animation and paper craft. Her interests are in combining technology, traditional book arts, and sequential storytelling to create new forms of narrative for the 21st century. Her movable books can be found in numerous museum and library collections. Her artwork has appeared internationally in festivals and exhibitions, been featured in publications such as Hyperallergic, Make, and Wired, and broadcast on IFC and PBS.

Owen Gildersleeve is an artist specializing in handcrafted illustration, set design & art direction. His unique style honed over the past 12 years brings graphic designs to life through layers of hand-cut paper and a playful use of depth & shadow. His practice ranges from intricate illustrations, to large-scale sets and installations, teaming up with the likes of Apple, LUSH, Penguin Books & NASA.

Gill Wilson's background is rooted in craft practice, and she has had a papermaking studio for over 30 years. She studied papermaking in Japan after University. Since then, she has been a university lecturer and has worked as an advisor for Arts Council England. She was the manager of the Harley Gallery and is currently a director of Gallerytop.

Cathryn Miller has had an interest in making things out of paper since early childhood, and still believes that anything —except, perhaps, internal combustion engines— can be made out of paper. After being sidetracked in adult life by a short career as a theatrical designer, then a twenty year career as a textile artist, Miller returned to playing with paper in 1994. Since then, as Byopia Press, Miller has published limited editions of conventional books and produced multiple artist’s books, altered books, and paper toys. Through the Byopia Press weekly blog, she offers frequent DIY projects for readers as well as sharing her own works in progress.

Molly Grosse is co-founder of Rock Paper Store and an artist who works in a variety of mediums. Prior to founding Rock Paper Store, she worked as a wedding photographer, and her initial explorations with the paper were wedding products, like party favor boxes, invitations or waterproof flowers. Now we’ll be talking about what Rock Paper is, but once Molly dove into the process of making this paper from rocks (which her mother invented), she began exploring the best way to mix colors and create interesting combinations. She had an aha moment when she realized that the unique colors would make her product an ideal art paper, and she’s been focusing on selling sheets of rock paper ever since. Molly learns something new everyday from the wonderful community she has built on social media, and she is always impressed with the beautiful and creative ways that artists are using Rock Paper.

I interviewed Nicole Magistro, the author/publisher and Alice Feagan, the illustrator of the picture book, Read Island. Join a very brave girl and her furry friends on an adventure to Read Island! Through the power of imagination and the pleasure of reading, this curious trio set sail for a magical island made of books. On their way they discover a joyful collection of animals converging by sea and land, just in time for an unforgettable story hour.

Nicole Magistro is the author and publisher of Read Island. She is a professional reader and amateur mother who lives in the mountains of Colorado. She owned The Bookworm of Edwards here in Colorado for 15 years, wrote thousands of book reviews and memorized a few too many bedtime stories. Her favorite place in the world is the real Read Island, which inspired this story. Magistro is also a mentor, journalist, consultant, and community leader.

Alice Feagan is a children's book creator known for her distinct cut-paper collage style in The Collectors and School Days Around the World. Her lifelong love of storytelling and art making led her to the world of picture books where she creates playful illustrations for children's books, magazines, apps, educational products, and games. When she is not making picture books, Alice can be found reading them with her two young sons.

Kelli Anderson is a designer and paper engineer whose work operates in the space between conceptual art, graphic design, and tech. Her whimsical books have featured a working paper planetarium, a pop-up pinhole camera, and a paper record player. Whenever she can, she uses humble, lo-fi materials to expose the invisible magic of the world and make abstract concepts real and tangible. Anderson's work puts forth the idea that lo-fi, handheld experiences can challenge the notion of tech as an inaccessible black box. Her first book, a functional pop-up camera titled, “This Book is a Camera,” was published by the Museum of Modern Art in 2016. Her paper record player invitation, her TED talk, and her work on Tinybop's "The Human Body" are widely-beloved for showcasing the possibility hiding in plain view in our world.

Maro Vandorou is a visual artist of Greek origin, who is living and working in California. Her formal training has a strong interdisciplinary character informed by studies in the visual arts, interaction design, literature, psychology, digital and computer technologies. Her work explores the process of transformation through installations of original photographic material, writings, and artists’ books. Her tools of choice are film cameras, Gampi – a rare Japanese handmade paper – and platinum–palladium printing.

As Storey’s publisher and editorial director, Deborah Balmuth heads up efforts to acquire and publish outstanding, long-lasting nonfiction books that support Story Publishing’s mission of promoting personal independence in harmony with the environment. She works with a group of passionate editors who seek out promotable authors with deep, hands-on knowledge and wisdom on topics ranging from gardening and farming to crafts, cooking, building, outdoor living, natural well-being, and creativity for both adults and children. Since joining Storey in 1993, Deborah has conceived and edited many best-selling titles that reflect her personal interests in herbal medicine, crafts, and nature journaling.

Radha Pandey is a papermaker and letterpress printer. She earned her MFA in Book Arts from the University of Iowa Center for the Book where she studied Letterpress printing, Bookbinding, and Papermaking with a focus on Western, Eastern and Indo-Islamic Papermaking techniques. Her artist’s books are held in numerous public collections, she has lectured and taught workshops on Indo-Islamic papermaking around the world, and she is currently working on an artists book inspired by Mughal miniature paintings of botanicals from the 17th century. Radha splits her time between India, where she grew up and Norway, where she and her partner Johan Solberg run Halden Bookworks.

Susan Kristoferson specializes in surface design processes on paper such as itajime (Japanese fold, clamp, and dye) and hand painted paste papers, She lives and works in Turner Valley, Alberta, in Canada, on hilltop with a view of the foothills and Rockies along with her husband and a small farm of chickens and sheep. Kristoferson is inspired by the long-distance view from her home and studio where she creates unique landscape “paintings” and abstract images using the papers she has made, painted, dyed, and collected during the past 40+ years.

Jerushia Graham is the Museum Coordinator for the Robert C. Williams Museum of Papermaking and a working artist. Graham is interested in creating spaces for socially-minded introspection and empathy through her artwork, workshops, and curatorial projects. The Atlanta-based printmaker, papermaker, book artist, and fiber artist who exhibits both nationally and internationally, and is a member of the Book/Print Artist/Scholar of Color, the Movable Book Society, and the North American Hand Papermakers. Graham served as the first VP of Exhibitions/Curatorial for the North American Hand Papermakers (2020-2021)  She has also been a guest curator for the Zora Neale Hurston Museum in Eatonville, FL and The Hudgens Center for Art and Learning in Duluth, GA.

Nicholas Cladis is an interdisciplinary artist and papermaker who lives and works in Iowa City, IA. He is the papermaking specialist at the University of Iowa Center for the Book, where he lectures and manages the Oakdale paper research facility. Cladis is an active researcher and practitioner of traditional and non-traditional papermaking processes. For six years he lived and worked in Echizen, Japan — an area with over 1,500 years of papermaking history — and continues to maintain an active relationship with the papermaking community there. He regularly contributes to the Future of Craft Villages research group at Fukui Prefectural University, and serves on the executive committee of Imadate Art Field, a non-profit arts organization based in Echizen.

Entrepreneur, educator and origami artist Miri Golan hopes to use her installations as a catalyst to unite people of different religious and cultural backgrounds. Many of her works use the book as a symbol of education, wisdom, and spirituality—ideas that can be used to help bring people on opposite sides of conflicts together. Her sculptures incorporate a variety of spiritual texts in unexpected ways and suggest that despite religious differences, people are fundamentally the same.

She is the founder of the Israeli Origami Center and Folding Together, an organization that encourages Israeli and Palestinian children and adults to fold paper forms as a team, turning origami into a collaborative expression of hope for a more peaceful world. She also designed and developed a mathematics curriculum called Origametria that has been accepted into the curriculum by the Israeli Ministry of Education, in which children learn geometry principles by folding origami models. Enjoy our conversation!

June Tyler has been a visual artist for over 40 years and been involved in papermaking for 32 years. Her studio, Pondside Pulp and Paper was established in 1995 in Norwich, NY, where she has offered workshops during the summer and fall months. Tyler has spent most of her professional career teaching at various colleges, as well as offering workshops at her studio and other venues. Tyler likes to work in a variety of media: Painting, drawing, printmaking, artist books, papermaking, sculpture and mixed media, depending on the idea or imagery she is pondering at the time. Her work has been shown in solo, group and juried exhibitions.

Paul Jackson is a professional paper artist, paper engineer, writer and teacher since 1983, who specializes in origami and the folded arts.  Jackson has written more than 40 books, the first of which were origami books for adults and children, and his more recent books have been about the application of folding techniques into design, a subject he has taught in more than 80 Universities and Colleges in 13 countries, to design students of many disciplines, including Fashion, Architecture, Ceramics, Jewelery, Product Design and Textiles. Jackson was born in England and moved to Israel when he married the Israeli origami artist and educator, Miri Golan, founder of the Israeli Origami Center (1993). Miri and Paul founded the Folding Together project and the Origametria program, which involves using origami to teach geometry.  In 2018, Origametria was accepted by the Israeli Ministry of Education into the National Mathematics Curriculum and is studied weekly by 30,000+ children of Primary School age.

Amy Richard is a native of Miami, Florida. After working for many years as an artist/illustrator, science writer and educator, a fascination with hand papermaking processes led her to complete an MFA in Book Arts at the University of Iowa. Her focus was on Japanese-style papermaking, along with the history, traditions, and the spiritual/ healing aspects of the practice. Heavily influenced by the cycles of life, much of Richard’s work is a response to the metaphysical energy exhibited in nature, particularly within the detritus or "relics" that remain after life is gone. Using the inner bark [bast fibers] from specific plants, Richard strives to capture nature’s vibrancy in her sculptures, prints, paintings and artist books.

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Sierra Nevada-based visual artist Andie Thrams uses watercolors in wildland forests to create paintings and artist’s books that explore mystery, reverence, and delight, while grappling with vanishing habitats. Merging the lineages of illuminated manuscripts and natural history field journals with a contemporary art and science awareness, her imagery weaves intricate botanical detail into rich layers of shape, color, and hand-lettered text to evoke the complex interconnections within ecosystems of the Greater West.

Find the show notes for this episode here.

Jackie Radford is a papermaker and bookbinder working in her studio near Charlotte, NC. Radford’s work is heavily influenced by the texture and sensory nature of the materials she works with — she needs to feel them as much as see them. During the COVID pandemic, she immersed herself in making paper with pure cotton rag, pulling over 5,000 sheets of handmade paper. The slow, meditative practice of papermaking provided an anchor during the turbulence of a global pandemic, and she is now busy trying to keep up with orders on Etsy.

Matthew Reinhart is a world-renowned children's book author, illustrator and paper engineer, known best for cutting and folding paper into gravity-defying pops in his acclaimed pop-up books.

Mindell Dubansky is head of the Sherman Fairchild Center for Book Conservation, Watson Library, The Metropolitan Museum of Art, where she is Preservation Librarian and book conservator. She writes on the book arts, particularly in the areas of 19th century publisher’s bindings, hand papermaking, bookbinding, the history of book-shaped objects and American decorative paper arts.

Erica Spitzer Rasmussen is an artist who creates handmade paper garments and small editions of hand-bound books. Her current work explores family stories and issues of identity. Her work has been featured in such magazines as FiberArts, Surface Design Journal, American Craft and Hand Papermaking.  Rasmussen teaches studio arts as a full professor at Metropolitan State University in St. Paul, Minnesota (USA).  Her artwork is exhibited and collected internationally.

Kelsey Pike is a production papermaker based in Kansas City, Missouri. She learned papermaking and started her brand Sustainable Paper And Craft while attending the local art institute in 2010 and since then she’s sold over 100 thousand sheets of paper. She specializes in papers specifically designed for artists and makers, made from recycled fabric and other sustainable fibers. She’s currently searching for a long term apprentice who will work with her in the studio for the next few years to learn the tedious and back-breaking process.

John Sullivan started Logos Graphics 46 years ago when he moved to San Francisco, CA. The shop transitioned from offset lithography to letterpress in 2000, and it was letterpress printing that sparked Sullivan's interest in the subtleties of paper. As digital presses captured a larger portion of the print market. there was a narrowing of paper texture, color and thickness. Ten years ago Sullivan started saving the off-cuts from Cranes Lettra 100% cotton paper, then beating, coloring and forming that cotton pulp into new paper for short run broadsides. Five years ago, he added a CNC router to the shop, which opened the door to carving 3 dimensional molds for cast paper. After seeing Brian Queen’s 3D printed mold, deckle and laid mold surfaces, Sullivan acquired a 3D printer and has been creating moulds and deckles with interchangeable screen surfaces up to 16 x 20, plus assorted shaped deckles.

Paula Beardell Krieg is an artist and educator who uses paper for drawings, decoration, and building. She loves to explore the internal structure of books, including the patterns of folds, the sewing and knotting of bindings, and how everything fits together. Krieg’s work lies at the intersection of art and math, using color and line to illuminate symmetries and geometry in and on paper. She often collaborates with classroom teachers to design projects for arts-in-education classes and writes about her work in classrooms, as well as her own adventures with paper.

This is Part 2 of my interview with Nicole Donnelly. Find Part 1 here.

Nicole Donnelly is a hand papermaker and visual artist specializing in sculptural paper artworks and invasive plant papers. She is the President of the International Association of Hand Papermakers and Paper Artists (IAPMA), 2015-2021; and the founder of the creative papermaking studio paperTHINKtank. She is master papermaker for The Brodsky Center at PAFA (2019- present) and for The Brandywine Workshop & Archives (2018-present). She teaches paper and book arts at the Pennsylvania Academy of Fine Art and other institutions.

Nicole Donnelly is a hand papermaker and visual artist specializing in sculptural paper artworks and invasive plant papers. She is the President of the International Association of Hand Papermakers and Paper Artists (IAPMA), 2015-2021; and the founder of the creative papermaking studio paperTHINKtank. She is master papermaker for The Brodsky Center at PAFA (2019- present) and for The Brandywine Workshop & Archives (2018-present). She teaches paper and book arts at the Pennsylvania Academy of Fine Art and other institutions.

Rosston Meyer is a designer, paper engineer and publisher who creates pop up books under the name Poposition Press. Working mostly with contemporary visual artists, Rosston has self published over 20 pop up books, cards and pop up art prints since he started Poposition in 2013. Published titles include The Pop Up Art Book, The Necronomicon Pop Up Book and Dimensional Cannabis: The Pop Up Book of Marijauna which is a collaboration with six different paper engineers. He is one of just a handful of people in the world that self publishes pop up books, entirely managing each project from design to production to marketing to distribution.

Susan Joy Share is an Alaska based visual artist, bookbinder and performer. Her passion for the book form, its structural variations, materials and potential for movement blends with her interest in sculpture, painting, sewing and collage. Susan creates an array of wearable books, figures and architectural forms. Her innovative, early performances with foldout sculpture connected the book with the human body.

Meg Black is an artist and art historian who studies historical works of art and connects her work to the great artists who have come down to us through the ages. The subject of her work is nature and its impact on our sensory experience, and she studies how artists have recorded nature, and considers these approaches in her own designs. She doesn’t try to copy the natural world as she sees it but, rather, as she feels it. Black’s paintings and wall reliefs are made with abaca, a fiber that she is constantly discovering the potential for and is challenged by. She finds that the texture of this material provides an almost three-dimensional quality to the surface of her work, mimicking nature in all its splendor.

HELEN FREDERICK is recognized as a distinguished artist, curator, educator, coordinator of international projects, and as founder of Pyramid Atlantic, a center for contemporary printmaking, hand papermaking, and the art of the book. As an advocate for, and an active participant in the Washington, D.C. metropolitan area arts scene, she has served on the directorial boards of alternative art spaces, various local and national boards and national peer-review panels. Her work has been exhibited at The Phillips Collection in Washington, D.C., and the Museum of Modern Art in Kyoto, Japan, and is in collections of the Whitney Museum and Brooklyn Museum in New York, the National Gallery of Art and Smithsonian American Art Museum in Washington, D.C., among many others. She has received theSouthern Graphic Council International Printmaker Emeritus Award, the College Art Association Distinguished Teacher Award, and was invited into the Feminist Art Basearchive, the Brooklyn Museum of Art. Frederick is an alumnus of the Rhode Island School of Design and a Professor Emerita in the School of Art at George Mason University. Throughout her life, Frederick’s passion for diverse cultures and histories has led her to travel to observe the material cultures of many societies, their skills and ideas and to make connections among disparate cultural traditions. She has fulfilled speaking engagements around the world, always emphasizing collaboration across disciplines.  She serves as the organizational curator for the Kala Chaupal Trust, New Delhi, India.

Eugenie Barron was born in 1952, growing up in St. Louis, Missouri. She studied art and anthropology at the University of Missouri, Columbia campus before becoming a piano tuner/technician as well as studying hand papermaking as a craft and an artist. In 1979 she moved to New York City to study with Douglass Morse Howell and further her interest in papermaking. There she developed her skills, lecturing, curating, and teaching, primarily in the city and around the Hudson Valley of NY, where she has maintained several homes and working studios. She is currently semi-retired in Catskill, NY, yet she tries to maintain a connection with her contemporaries in both papermaking and the world of piano technology. Since beginning retirement she has been deviating into Garage Band and singing, which is quite an endeavor, given her voice and computer skills.

Beatrice Coron is a French-born artist who has been living and working in NYC for more than 30 years. I met Beatrice at the Center For Book Arts in NYC when we both took classes and participated in events there in the 1990’s. We talk about how Beatrice developed her unique paper cutting style, which has gotten her everything from illustration gigs to public art commissions in other materials, based on her paper cuts. She discusses her favorite papers and cutting knife, and how she goes back and forth between hand cutting and design on the computer. A theme that seems consistent in her work is how one thing leads to another! Here’s an example: When a show at the museum of art and design inspired her, she contacted the curator, which led to her being a consultant on their exhibition Slashed! Under the Knife, a paper cut exhibition, and she was also an artist in residence during that show. Someone from Alliance Francais saw that show and since Beatrice is French, invited her to give a talk there, where whe met someone who invited her to give a TED talk! And the story keeps unfolding.

You can listen to this episode by clicking on the white arrow above, or subscribe to the Paper Talk podcast in iTunes so you never miss an episode. If you enjoy the show, tell a friend about it! Thank you so much.PaperPaul is a self-employed illustrator, graphic designer and web designer from the Netherlands. His interest in paper engineering started Continue reading PaperPaul