In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Baldwin Lee discuss the first-ever publication of his work, eponymously titled, Baldwin Lee, published by Hunters Point Press. Baldwin and Sasha talk about his childhood years in Chinatown in New York City and then later studying with some of the most famous photographers of the times: Minor White and Walker Evans. They also have a provocative conversation about leaving photography behind once you believe you have completed your best work.

https://www.baldwinlee.com https://www.hunterspointpress.com/product/baldwin-lee

Baldwin Lee was born in Brooklyn, New York in 1951. In 1972 he received a BS from the Massachusetts Institute of Technology, where he studied photography with Minor White, and in 1975 received an MFA from Yale University, where he studied with Walker Evans..

In 1982, he became an art professor at the University of Tennessee, where he founded the university's photography program. He then decided to take a tour of the deep south, covering 2,000 miles over the course of ten days. During this trip, Lee widely photographed the people, landscapes, and cities of the south. After developing his photos, he realized that he had a particular passion for the African-American communities he had interacted with. He took numerous tours of the southern United States from 1983 to 1989, producing roughly 10,000 photographs. The majority of this work focused on the lives of low-income black Americans. When Lee arrived in a new town, he would visit the police station and let them know that he was planning to take photos with expensive photography equipment, so they could warn him about the poorer, redlined parts of town. Lee would then make a point of visiting these neighborhoods, since they had the highest concentration of black residents. In his work, Lee strived to represent his subjects as individuals with vibrant personalities, rather than reducing them to stereotypes or emphasizing their poverty. Lee retired from teaching in 2014, and is currently professor emeritus at University of Tennessee. He authored the monograph Baldwin Lee (2022), which was edited by Baeney Kulok and published by Hunter Point Press.

Lee has received recognition for his contributions to American photography. Imani Perry wrote that "Lee has a sensitive eye for both poverty and dignity", describing him as "a witness to those at the bottom of U.S. stratification, and their refusal to swallow that status". In a 2015 article in Time Magazine, photographer Mark Steinmetz wrote that Lee "produced a body of work that is among the most remarkable in American photography of the past half century". Lee received a Guggenheim Foundation Fellowship in 1984, and a National Endowment for the Arts Fellowship in 1984 and 1987.

This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

In this episode of PhotoWork with Sasha Wolf, guest Carla Williams talks about her 2023 publication, Tender, a book of 80 self portraits made between 1984-1991, and additional guest Carolyn Drake talks about her 2023 publication, Men Untitled, a book of 54 portraits, mostly of men, both published by TBW Books. Sasha, Carla, and Carolyn discuss how the books approach portraiture through personal exploration while also referencing, recontextualizing and questioning their many influences from the canon of famous works.

https://www.carlajwilliams.net https://tbwbooks.com/collections/single-titles/products/tender

https://carolyndrake.com https://tbwbooks.com/collections/single-titles/products/men-untitled

This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

Carla J. Williams

Carla J. Williams

Carla Williams was born in Los Angeles in 1965 in the front seat of a ‘65 Buick station wagon. She became interested in photography in college receiving her BA in photography from Princeton University and her MA and MFA from the University of New Mexico.

During her years in school her self-portraiture was made using mostly Polaroid 4 x 5 and instant 35mm film formats. The immediacy of results allowed her to interact with the images at the time of the sitting rather than wait for the darkroom process, lending both an energy and technical looseness to the photographic finish. These images reflect Williams’ creative urgency, her desire to render the likeness in the moment. It would become a signature style in her work. Her professor Emmet Gowin called her graduating thesis show the best thesis show in his thirty-six years of teaching.

After graduating, Carla declared her retirement feeling disillusioned with the prospect of becoming an artist. She spent the next decades working independently as a photography historian, writer, and editor. She has occasionally participated in publications and exhibitions, but never pursued a creative career.

William's first monograph, Tender (TBW, 2023) is a selection of her self-portraiture made between the years of 1984 and 1999 and kept mostly to herself for more than thirty years.

Carolyn Drake

Carolyn Drake works on long term photo-based projects seeking to interrogate dominant historical narratives and creatively reimagine them. Her practice embraces collaboration and has in recent years melded photography with sewing, collage, and sculpture. She is interested in collapsing the traditional divide between author and subject, the real and the imaginary, challenging entrenched binaries.

Drake was born in California and studied Media/Culture and History in the early 1990s at Brown University. Following her graduation from Brown, in 1994, Drake moved to New York and worked as a interactive designer for many years before departing to engage with the physical world through photography.

Between 2007 and 2013, Drake traveled frequently to Central Asia from her base in Istanbul to work on two long term projects. Two Rivers (self-published ,2013) explores the connections between ecology, culture and political power along the Amu Darya and Syr Darya rivers and earned a 2010 Guggenheim fellowship. Wild Pigeon (self-published, 2014) is an amalgam of photographs, drawings, and embroideries made in collaboration with Uyghurs in western China. This work was presented in a six month solo exhibition at SFMOMA in 2018 and earned the Anamorphosis Book prize. Following this, in Internat (self-published, 2017), Drake worked with young women in an ex Soviet orphanage to create photographs and paintings that point beyond the walls of the institution and its gender expectations. This work was awarded the 2018 HCP fellowship curated by Charlotte Cotton and later exhibited in several festivals in Europe. This project was followed by Knit Club (TBW Books, 2020), which emerged from her collaboration with an enigmatic group of women in Mississippi. Knit Club was shortlisted for the Paris Photo Aperture Book of the Year and Lucie Photo Book Awards and exhibited at McEvoy Foundation in San Francisco and at Yancey Richardson Gallery and ICP in New York.

Drake now lives in California and is currently developing self-reflective projects close to home. Her latest work, Isolation Therapy, was exhibited at SFMOMA’s show Close to Home: Creativity in Crisis in 2021 and at Yancey Richardson Gallery in 2022. Her work has also been supported by Peter S Reed Foundation, Lightwork, the Do Good Fund, the Lange Taylor prize, Magnum Foundation, the Pulitzer Center, and a Fulbright fellowship. She is a member of Magnum Photos and represented by Yancey Richardson Gallery.

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Jim Goldberg discuss his new book, Coming and Going, published by MACK, which is a very personal story but also a book about storytelling itself. Jim talks about his lifelong interest in social justice and Sasha and Jim connect Jim's work to both Jazz and Punk music. Sasha also announces the first ever participants in the PhotoWork Foundation Fellowship.

https://jimgoldberg.com/ https://www.mackbooks.us/collections/frontpage/products/coming-and-going-br-jim-goldberg

Jim Goldberg’s innovative and multidisciplinary approach to documentary makes him a landmark photographer and social practitioner of our times. His work often examines the lives of neglected, ignored, or otherwise outside-the-mainstream populations through long-term, in depth collaborations which investigate the nature of American myths about class, power, and happiness.

A prolific and influential bookmaker, Goldberg’s recent books include Ruby Every Fall, Nazraeli Press (2014); The Last Son, Super Labo (2016); Raised By Wolves Bootleg (2016), Candy, Yale University Press (2017), Darrell & Patricia, Pier 24 Photography (2018) and Gene (2018).

Goldberg has exhibited widely, including shows at the Museum of Modern Art, New York; SFMOMA; the Museum of Fine Arts, Boston; the Corcoran Gallery of Art; the Los Angeles County Museum of Art; and the Yale University Art Gallery. His work is also regularly featured in group exhibitions around the world. Public collections including MoMA, SFMOMA, the Whitney Museum of American Art, the Getty, the National Gallery, LACMA, MFA Boston, The High Museum, Nelson-Atkins Museum of Art, Library of Congress, MFA Houston, National Museum of American Art, and the Art Institute of Chicago.

Goldberg has received three National Endowment of the Arts Fellowships in Photography, a Guggenheim Fellowship, the Henri Cartier-Bresson Award, and the Deutsche Börse Photography Prize, among many other honors and grants.

Goldberg is Professor Emeritus at the California College of the Arts. He is represented by Casemore Kirkeby Gallery in San Francisco. Goldberg joined Magnum Photos in 2002.

This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

In this episode of PhotoWork with Sasha Wolf, Sasha and Anna Walker Skillman, Co-Owner & Creative Director of Jackson Fine Art, have a behind the scenes talk about representing artists and connecting their work with collectors. They discuss the nuts and bolts of running a successful gallery amidst changing technology and perceptions about photography. Anna and Sasha also have an in-depth conversation about what makes a collector and whether or not photography collectors are an endangered species.

https://www.jacksonfineart.com

Jackson Fine Art is a world-renowned gallery with a 33-year history of supporting artists and collectors. The gallery cultivates and guides both emerging and established collectors to the best fine art photography of the 20th and 21st century, across both traditional and innovative photo-based mediums. Working closely with collectors, curators, consultants, and designers, JFA provides expertise in a warm, welcoming space in the Buckhead neighborhood of Atlanta, GA. The gallery is led by Co-Owner & Creative Director, Anna Walker Skillman, and Co-Owner Andy Heyman, Founder, ASH IP& ASH Atlanta. The duo is celebrating twenty years of partnership in 2023.

In the spring of 2023, Jackson Fine Art expanded into a custom-built, 4000 square-foot gallery located directly across the street at 3122 East Shadowlawn Avenue. The new gallery retains the comfortable, home-like ambiance of the much-loved former gallery but now with expanded exhibition, office, inventory, library and meeting spaces to keep pace with the growing clientele and opportunity to exhibit large-scale works. The new space responds to the evolution of contemporary art. In addition to 9-12 exhibitions annually, Jackson Fine Art participates in international art fairs including: Paris Photo; The Photography Show (AIPAD) in New York; Art Miami; and Intersect Aspen. The gallery is a member of the Association of International Photography Art Dealers (AIPAD) and Ms. Skillman is a former member of the board of directors.

This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Irina Rozovsky talk about her gradual realization that photography was going to be her life's work. They discuss how Irina's process has changed since becoming a partner and mother, and relocating to the South. They also discuss The Humid, "An educational space committed to the practice of rigorous and ambitious photography", that Irina started with her husband, Photographer Mark Steinmetz. Irina's work is included in, A Long Arc: Photography and the American South since 1845 at the High Museum of Art in Atlanta, Georgia where this episode was recorded.

https://www.irinar.com https://high.org/exhibition/a-long-arc/ https://www.thehumid.com

Irina Rozovsky (b. 1981, Moscow), makes photographs of people and places, transforming external landscapes into interior states. She lives in Athens, Georgia, USA and runs the photography space The Humid with her husband Mark Steinmetz

Irina Rozovsky captures her contemplative, cinematic photographs from dramatic vantage points and with a deep sense of empathy. Her work highlights people and the surroundings that influence them, ranging from scenes of contemporary Israel to more personal moments with family in her native Russia. In Rozovsky's series One to Nothing, images of Israel are varied and consist of desert landscapes or sparkling views of cityscapes, often with obscured glimpses of community members engaged in daily rituals. As the sense of place figures prominently in her repertoire, for This Russia, Rozovsky took haunting images of life today in the place of her birth, while My Mother and Other Things from the Sky depicts intimate scenes of domesticity within the photographer’s own family. Meanwhile, her photographs of Brooklyn, New York for In Plain Air portray a cross-section of life in Prospect Park, near the photographer's current home.

Rozovsky’s work has been published and exhibited internationally. Solo and group shows include those staged at Smith College in Northampton, the Carpenter Center for the Visual Arts at Harvard University in Cambridge, the Breda International Photo Festival in the Netherlands, the Philadelphia Museum of Art, the Haggerty Museum of Art in Milwaukee, the Chelsea Art Museum in New York, the Southeast Museum of Photography in Daytona Beach, the Noorderlicht Festival in Groningen, the Netherlands and A Long Arc: Photography and the American South since 1845 at the High Museum of Art in Atlanta, Georgia. Rozovsky participated in Light Work’s artist-in-residence program in August 2012.

This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

In this episode of PhotoWork with Sasha Wolf, Sasha and Michael travelled to the High Museum of Art in Atlanta, GA to speak with Keough Family Curator of Photography​, Gregory Harris and photographer, Rahim Fortune about the amazing show, A Long Arc: Photography and the American South since 1845, up through January 14, 2024. Greg talks about how he and Sarah Kennel --curator of Photography at Virginia Museum of Art-- collaborated on the curation of the exhibition, some of the history behind the work, and the practical and curatorial decisions needed in order to narrow down the breadth of work made in the south from 1845 to today. Rahim shares his process of writing the afterword to the exhibition catalog, with Dr. Shakira Smith, published by Aperture, and shares his response to the work in the show along with its historical significance to the history of Black photographers in the American South.

https://high.org/exhibition/a-long-arc/ https://aperture.org/books/a-long-arc-photography-and-the-american-south/ https://high.org/person/gregory-harris/ https://www.rahimfortune.com

Rahim Fortune uses photography to ask fundamental questions about American identity. Focusing on the narratives of individual families and communities, he explores shifting geographies of migration and resettlement, and the way that these histories are written on the landscapes of Texas and the American South.

Rahim has published two books of his photographs. His work has been featured in exhibitions worldwide and is included in many permanent collections, including those of the High Museum in Atlanta GA, The LUMA Arles, Nelson Atkins Museum and The Boston Museum of Fine Art.

“Fortune’s calm and striking photographs provide a compelling glimpse into the daily rhythms of the community, revealing its deep humanity and dignity, at a time when his own personal pain resonated with the experience of the nation. But his images also capture the pain, tensions and relentless everyday reality that have influenced the lives of these people. His portraits are so grippingly engaging because he finds the necessary balance between thoughtful compassion and hard truth.” - Collector Daily

Gregory J. Harris is the High Museum of Art’s Donald and Marilyn Keough Family Curator of Photography. He is a specialist in contemporary photography with a particular interest in documentary practice. Since joining the Museum in 2016, Harris has curated over a dozen exhibitions including Mark Steinmetz: Terminus (2018), Paul Graham: The Whiteness of the Whale (2017), and Amy Elkins: Black is the Day, Black is the Night (2017). For the Museum’s 2018 collection reinstallation, he surveyed a broad sweep of the history of photography through prints from the High’s holdings in Look Again: 45 Years of Collecting Photography. His collaborative projects have included Way Out There: The Art of Southern Backroads (2019), a joint exhibition with the High’s folk and self-taught art department.

Harris was previously the Assistant Curator at the DePaul Art Museum in Chicago, where he curated exhibitions including Sonja Thomsen: Glowing Wavelengths in Between (2015), The Sochi Project: An Atlas of War and Tourism in the Caucasus (2014), and Studio Malick: Portraits from Mali (2012). He also organized and authored catalogues for the exhibitions We Shall: Photographs by Paul D’Amato (2013), Matt Siber: Idol Structures (2015), and Liminal Infrastructure (2015).

Harris also held curatorial positions at the Art Institute of Chicago, where he organized the exhibitions In the Vernacular (2010) and Of National Interest (2008). His essay “Photographs Still and Unfolding” was published in Telling Tales: Contemporary Narrative Photography (McNay Art Museum, San Antonio, 2016). Harris has contributed essays to monographs by Amy Elkins, Matthew Brandt, Jill Frank, and Mark Steinmetz. He earned a BFA in photography from Columbia College Chicago and an MA in art history from the School of the Art Institute of Chicago.

This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

In this episode of PhotoWork with Sasha Wolf, Sasha is joined by photographer John Gossage to discuss John’s long and storied life in photography. John talks at length about his encounters, both positive and negative, with some of photography's towering historical figures from Lisette Model to Edward Steichen. John discusses the origins of his renowned work, The Pond, and how getting the book published was a real challenge.

http://stephendaitergallery.com/artists/john-gossage/

John Gossage (1946- ) born in Staten Island, New York is an artist who has, more than most contemporary photographers, become noted for his intellectually engaging, subversive and well-crafted artist books and other publications. In them the artist utilizes under-recognized elements of the urban environment: unused and abandoned patches of land; refuse and detritus; barbed wire; graffiti and the like, to explore themes as disparate as surveillance, memory and the relationship between architecture and power. “ Gossage is always about the luxuriance of what goes unnoticed, what goes unseen until his pictures call your attention to it,” wrote Gus Blaisdell in The Romance Industry, ( Nazraeli Press, 2001). Gossage photographs that which has just occurred, from markings on a wall to a table after a meal, to remind us that we may have already forgotten it happened or that we were there. By asking us look at what we have misplaced or abandoned he brings us face to face with the present as it becomes history. Throughout the 1980s Berlin became Gossage’s overriding focus. Berlin, with its Wall, and unwanted histories – both forgotten and remembered – became the place where Gossage first explored the ideas that have come to symbolize his very personalized style of photographic storytelling. BERLIN IN THE TIME OF THE WALL was published by Loosestrife Editions in 2004.In 2010, Aperture re-issued and updated The Pond, a groundbreaking visual meditation on Thoreau’s stay at Walden Pond.

This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Lois Conner talk about the importance of being prepared for and understanding the history of a place before setting out to photograph while at the same time letting go of what you think you know. Lois talks about some of her most important teachers and mentors, from Helen Levitt to Richard Benson, and how they helped shape her process and practice. And, of course, they discuss Lois's dedication to large format from 8x10 to 7x17!

https://www.loisconner.net

Lois Conner has been based in New York City since 1971, working for the United Nations through 1984. She was awarded a Bachelor in Fine Arts (photography) from the Pratt Institute and a Master’s degree from the Yale School of Art.

Conner has received numerous grants, exhibits widely, and features in many publications. She was awarded the Pollock-Krasner Award for Artists (2020) and the Rosenkranz Foundation Fellowship for Photography (2019). She is currently part of the inaugural exhibition at the renovated Museum of Fine Arts in Houston and the traveling exhibition Civilization, The Way We Live Now at the National Gallery in Melbourne, Australia. She has also had many solo shows in Asia and United States. Her work has been featured in the Metropolitan Museum of Art, New York, and at the Museum of Modern Art, New York in Pictures by Women: A History of Modern Photography. Her recent books include: Lotus, Trees and the Jiangnan Landscape, Hangzhou, 2019; A Long View, Shanghai Center of Photography, 2018; Lotus Leaves, Wairarapa Academy, New Zealand, 2018. Survey books from 2019 include Civilization, The Way We Live Now by William Ewing and Keeper of the Hearth, Picturing Roland Barthes's Unseen Photograph by Odette England, both are catalogues for traveling exhibitions. Conner has been teaching photography for over thirty-five years, including over a decade at the Yale University School of Art. Other venues include Princeton University, Sarah Lawrence College, Cooper Union, Bard College, Stanford University, the New School and the School of Visual Arts. She taught at The China Academy of Art in Hangzhou, China, and is currently a visiting artist at Fordham University.

This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

In this short non-episode episode of PhotoWork with Sasha Wolf, Sasha, Taylor, and Michael announce the PhotoWork Fellowship! The PhotoWork Fellowship serves early career photographers in developing a body of work and refining their visual voice and their creative process through the guided mentorship of a select group of established photographers working within the post-documentary tradition.

Selected Fellows will receive:

• Monthly one-on-one mentoring with a dedicated Mentor.
• $1,000 USD stipend to aid in the production of their work.
• $2,000 USD value of in-kind photographic services with picturehouse + the small darkroom.
• One-hour, individual, post-production mentoring session with experts from picturehouse + the small darkroom.
• Online exhibition on PhotoWork Foundation website of work produced during Fellowship.
• Dedicated PhotoWork Podcast episode with Sasha Wolf in conversation with Fellows & Mentors.

Applications Open: September 15, 2023

*Ten short-list applicants will receive a portfolio review with an industry expert chosen by the PhotoWork Foundation. Short-list applicants’ application fees will be waived for the following Fellowship application period.

Deadlines, details, and application are at: https://photowork.foundation/fellowship

This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, John Divola discuss his observational process of working, his dedication to long term projects and his openness to exploring new ideas and technologies, even knowing that they may never truly develop. John is an icon of the conceptual art world and he shares his process openly and generously.

http://www.divola.com https://www.yanceyrichardson.com/artists/john-divola

Spanning over 40 years, John Divola’s work has consistently questioned the limits of photography, interweaving sculpture, installation, and performance to highlight the inherent tensions within the medium. Divola’s imagery often examines the Southern Californian landscape, including urban Los Angeles or the nearby ocean, mountains, and desert. Initially inspired by Minimalist and Conceptual work while in college, which he accessed predominantly through photographic reproductions, Divola was one of the first artists to highlight the role of photography in mediating our experience of the world and our surroundings.

Born in Los Angeles in 1949, Divola earned an MFA from University of California, Los Angeles in 1974, where he studied under photographer Robert Heinecken. Since 1975 he has taught photography and art at numerous institutions including California Institute of the Arts (1978-1988), and since 1988 he has been a Professor of Art at the University of California, Riverside.

Since 1975, Divola’s work has been featured in numerous solo exhibitions in the United States, Japan, Europe, Mexico, and Australia, including Galerie Marquardt, Paris, 1990; Laura Bartlett Gallery, London 2012: Kunstverein Freiburg, Germany; Los Angeles County Museum of Art, 2013; Wallspace Gallery New York, 2014; and Palm Springs Art Museum, 2019. His work can be found in numerous public collections including Centre Pompidou, Paris, France; Getty Museum, Los Angeles, CA; Metropolitan Museum of Art, New York, NY; The Museum of Modern Art, New York, NY; Victoria and Albert Museum, London, England; and The Whitney Museum of American Art, New York, NY. Among Divola's Awards are Individual Artist Fellowships from the National Endowment for the Arts (1973, 1976, 1979, 1990), a John Simon Guggenheim Memorial Fellowship (1986), a Fintridge Foundation Fellowship (1998), a City of Los Angeles Artist Grant (1999) and a California Arts Council Individual Artist Fellowship (1998).

This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer and educator, Andrew Moore take a deep dive into the history of Andrew's ever evolving processes and practices. Andrew talks about his varied influences from both the modern and post-modern art world movements. Sasha and Andrew also discuss how his photography kept moving him closer and closer to home culminating in work made in the Hudson Valley where he resides.

LINKS HERE https://www.andrewlmoore.com https://www.yanceyrichardson.com/artists/andrew-moore

American photographer Andrew Moore (born 1957) is widely acclaimed for his photographic series, usually taken over many years, which record the effect of time on the natural and built landscape. These series include work made in Cuba, Russia, Bosnia, Times Square, Detroit, The Great Plains, and most recently, the American South.

Moore’s photographs are held in the collections of the Metropolitan Museum of Art, the Whitney Museum of American Art, the National Gallery of Art, the Yale University Art Gallery, Museum of Fine Arts Houston, the Smithsonian American Art Museum, and the Library of Congress amongst many other institutions. He has received a fellowship from the John Simon Guggenheim Memorial Foundation in 2014, and has as well been award grants by the National Endowment for the Humanities, the New York State Council on the Arts, and the J M Kaplan Fund.

His most recent book, Blue Alabama, with a preface by Imani Perry and story by Madison Smartt Bell was released in the fall of 2019. His previous work on the lands and people along the 100th Meridian in the US, called Dirt Meridian, has a preface by Kent Haruf and was exhibited at the Joslyn Art Museum in Omaha. An earlier book, the bestselling Detroit Disassembled, included an essay by the late Poet Laureate Philip Levine, and an exhibition of the same title opened at the Akron Museum of Art before also traveling to the Queens Museum of Art, the Grand Rapids Art Museum, and the National Building Museum in Washington, DC.

Moore’s other books include: Inside Havana (2002), Governors Island (2004) and Russia, Beyond Utopia (2005) and Cuba (2012). Additionally, his photographs have appeared in Art in America, Artnews, The Bitter Southerner, Harpers, National Geographic, New York Review of Books, The New York Times Magazine, The New Yorker, TIME, Vogue and Wired.

Moore produced and photographed "How to Draw a Bunny," a pop art mystery feature film on the artist Ray Johnson. The movie premiered at the 2002 Sundance Festival, where it won a Special Jury prize.

Mr. Moore was a lecturer on photography in the Visual Arts Program at Princeton University from 2001 to 2010. Presently he teaches a graduate seminar in the MFA Photography Video and Related Media program at the School of Visual Arts in New York City.

This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

In this episode of PhotoWork with Sasha Wolf, we rewind to episode 6 where Sasha and photographer, Todd Hido, have a wide-ranging conversation about Todd's roles as an artist and an educator. Todd shares his ideas about how students should follow the John Cage rule and “ Find a place you trust and try trusting it for a while”, and how, as a student himself, he had to push back against a critique to make his work less subjective! Todd and Sasha find common ground through cinematic influences and the desire for hope as a motivator to keep working. There is much to love and learn from in this episode as Hido is extremely generous with his hard won wisdom.

http://www.toddhido.com

Todd Hido is a San Francisco Bay Area-based artist whose work has been featured in Artforum, The New York Times Magazine, Eyemazing, Wired, Elephant, FOAM, and Vanity Fair. His photographs are in the permanent collections of the Getty, the Whitney Museum of Art, the Guggenheim Museum, New York, San Francisco Museum of Modern Art, the de Young Museum, the Smithsonian, the Los Angeles County Museum of Art, as well as in many other public and private collections. Most notably, Pier 24 Photography holds the archive of all his published works. He has over a dozen published books; his most recent monograph titled Excerpts from Silver Meadows was released in 2013, along with an innovative B-Sides Box Set designed to function as a companion piece to his award-winning monograph. Aperture has published his mid-career survey entitled Intimate Distance: Twenty-Five Years of Photographs, a Chronological Album in October of 2016. His latest book, Bright Black World, was released by Nazraeli Press in 2019.

In addition to Hido being an artist, he is also a collector and over the last 25 years has created one of the most notable photobook collections. His library was featured in Bibliomania: The World’s Most Interesting Private Libraries in 2018 by Random House.

This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

For part 2 of Sasha's conversation with writer Rebecca Bengal and photographer Kristine Potter, Rebecca talks about her short story, Blood Harmony which is part of Kristine's book, Dark Waters co-published by Aperture with Images Vevey and The Momentary. Kristine and Rebecca discuss how a piece of fiction, in this case, a short story, can function within a photo book. Sasha and Rebecca also talk about Rebecca's new book, Strange Hours, published by Aperture, a collection of her essays on photography, and how you assemble essays written independently of one another into one book.

https://www.rebeccabengal.net https://aperture.org/books/coming-soon/strange-hours-photography-memory-and-the-lives-of-artists/

http://www.kristinepotter.com https://aperture.org/books/coming-soon/kristine-potter-dark-waters/

Rebecca Bengal is a writer of fiction, essays, and documentary journalism about art, literature, film, music, and the environment. A regular contributor to Aperture, her writing has been published by the Paris Review, Vogue, Vanity Fair, the New York Times, Oxford American, Southwest Review, the Believer, the Guardian, and the Criterion Collection, among many others. She has contributed stories and essays to books by Carolyn Drake, Justine Kurland, Kristine Potter, Paul Graham, Danny Lyon, and Charles Portis. A MacDowell fellow in fiction and a former editor at American Short Fiction, DoubleTake, and Vogue, she holds an MFA from the Michener Center for Writers in Austin. Originally from western North Carolina, Bengal lives in Brooklyn.

Kristine Potter (1977) is an artist based in Nashville, Tennessee, whose work explores masculine archetypes, the American landscape, and cultural tendencies toward mythologizing the past. Her first monograph Manifest was published by TBW Books in 2018. Her second monograph Dark Waters is being published by Aperture in the summer of 2023. Potter was awarded a Guggenheim Fellowship in 2018 and was awarded the Grand Prix Image Vevey for 2019-2020. Potter’s work is in numerous public and private collections including that of The High Museum of Art, The Georgia Museum of Art, the Swiss Camera Museum, and Foundation Vevey. Potter is currently an Assistant Professor of Photography at Middle Tennessee State University.

This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

For part 1 of this 2 part episode, returning guest, photographer Kristine Potter, and first time guest, writer Rebecca Bengal, talk to Sasha about how they each started down their career paths, the similarities in their upbringings and how their early interest in music influenced the way they think about visual art. Sasha and Kristine discuss the history of "murder ballads" used to reference the casual violence against women in Kristine's new book, Dark Waters, published by Aperture which includes a short story by Rebecca. In part 2 of this episode, Sasha and Rebecca will talk about her short story and her new book, Strange Hours: Photography, Memory, and the Lives of Artists, also published by Aperture.

http://www.kristinepotter.com https://aperture.org/books/coming-soon/kristine-potter-dark-waters/

https://www.rebeccabengal.net https://aperture.org/books/coming-soon/strange-hours-photography-memory-and-the-lives-of-artists/

Kristine Potter (1977) is an artist based in Nashville, Tennessee, whose work explores masculine archetypes, the American landscape, and cultural tendencies toward mythologizing the past. Her first monograph Manifest was published by TBW Books in 2018. Her second monograph Dark Waters is being published by Aperture in the summer of 2023. Potter was awarded a Guggenheim Fellowship in 2018 and was awarded the Grand Prix Image Vevey for 2019-2020. Potter’s work is in numerous public and private collections including that of The High Museum of Art, The Georgia Museum of Art, the Swiss Camera Museum, and Foundation Vevey. Potter is currently an Assistant Professor of Photography at Middle Tennessee State University.

Rebecca Bengal is a writer of fiction, essays, and documentary journalism about art, literature, film, music, and the environment. A regular contributor to Aperture, her writing has been published by the Paris Review, Vogue, Vanity Fair, the New York Times, Oxford American, Southwest Review, the Believer, the Guardian, and the Criterion Collection, among many others. She has contributed stories and essays to books by Carolyn Drake, Justine Kurland, Kristine Potter, Paul Graham, Danny Lyon, and Charles Portis. A MacDowell fellow in fiction and a former editor at American Short Fiction, DoubleTake, and Vogue, she holds an MFA from the Michener Center for Writers in Austin. Originally from western North Carolina, Bengal lives in Brooklyn.

This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer and publisher Matt Eich discuss the intricate play between personal work and universality, the importance of varied artistic inspiration, and the deep understanding and responsibility needed when working with communities as an outsider. Matt also expresses the necessity of having trusted voices help in the editing process.

https://www.matteichphoto.com https://www.littleoakpress.com

Matt Eich is a photographic essayist working on long-form projects related to memory, family, community, and the American condition.

Matt’s work has received numerous grants and recognitions, including PDN’s 30 Emerging Photographers to Watch, the Joop Swart Masterclass, the F25 Award for Concerned Photography, POYi’s Community Awareness Award, an Aaron Siskind Fellowship, a VMFA Fellowship and two Getty Images Grants for Editorial Photography. His work has been exhibited in 20 solo shows, in addition to numerous festivals and group exhibitions. Matt’s prints and books are held in the permanent collections of The Portland Art Museum, the Museum of Fine Arts Houston, The New York Public Library, Chrysler Museum of Art, Ogden Museum of Art, and others. Matt was an Artist-in-Residence at Light Work in 2013, and at a Robert Rauschenberg Residency in 2019.

Eich holds a BS in photojournalism from Ohio University and an MFA in Photography from Hartford Art School’s International Limited-Residency Program. He is the author of four monographs, Carry Me Ohio (Sturm & Drang, 2016), I Love You, I'm Leaving (Ceiba Editions, 2017), Sin & Salvation in Baptist Town (Sturm & Drang, 2018) and The Seven Cities (Sturm & Drang, 2020). He has one forthcoming monograph scheduled for Fall 2023. Eich self-publishes under the imprint Little Oak Press and resides in Virginia.

This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

In preparation for our first live gathering that we are calling PhotoWork Mixtape, May 24 at 7:00pm ET, featuring Bryan Schutmaat, we rewind the show to our very first episode of PhotoWork with Sasha Wolf where Bryan was the guest! Along with mention of the Mixtape, Sasha & Michael kick things off by discussing our exciting line up of upcoming guests.

Sasha speaks with Bryan Schutmaat who, in 2020, received the John Simon Guggenheim Memorial Fellowship. She and Bryan talk about his process and practice as well as his thoughts about the art world in general and what it means to call yourself an artist.

REGISTER FOR PHOTOWORK MIXTAPE: https://photowork.foundation/photowork-mixtape/

https://www.bryanschutmaat.co

Bryan Schutmaat is a photographer based in Austin, Texas whose work has been widely exhibited and published. He has won numerous awards, including a John Simon Guggenheim Memorial Fellowship, the Aperture Portfolio Prize, and an Aaron Siskind Fellowship. Bryan’s prints are held in many collections, such as Baltimore Museum of Art, Museum of Fine Arts, Boston, Pier 24 Photography, Rijksmuseum, and San Francisco Museum of Modern Art. He co-founded the imprint, Trespasser. Read below for more.

This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

In this non-episode episode, Sasha, Michael and Taylor talk about the upcoming Mixtape gathering featuring Bryan Schutmaat. Sasha and Michael also talk about our first upcoming multi-guest episode.

Register for PhotoWork MIXTAPE at: https://photowork.foundation/photowork-mixtape/

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Carolyn Drake discuss her celebrated book Knit Club, published by TBW Books, as well as her other bodies of work. Carolyn talks about her complex reasons for leaving and then returning to the United States, after many years, and the importance of being connected to the place you are photographing.

https://carolyndrake.com/

Carolyn Drake works on long term photo-based projects seeking to interrogate dominant historical narratives and creatively reimagine them. Her practice embraces collaboration and has in recent years melded photography with sewing, collage, and sculpture. She is interested in collapsing the traditional divide between author and subject, the real and the imaginary, and challenging entrenched binaries.

Drake was born in California and studied Media/Culture and History in the early 1990s at Brown University. Following her graduation from Brown, in 1994, Drake moved to New York and worked as an interactive designer for many years before departing to engage with the physical world through photography.

Between 2007 and 2013, Drake traveled frequently to Central Asia from her base in Istanbul to work on two long term projects. Two Rivers (self-published ,2013) explores the connections between ecology, culture and political power along the Amu Darya and Syr Darya rivers and earned a 2010 Guggenheim fellowship. Wild Pigeon (self-published, 2014) is an amalgam of photographs, drawings, and embroideries made in collaboration with Uyghurs in western China. This work was presented in a six month solo exhibition at SFMOMA in 2018 and earned the Anamorphosis Book prize. Following this, in Internat (self-published, 2017), Drake worked with young women in an ex Soviet orphanage to create photographs and paintings that point beyond the walls of the institution and its gender expectations. This work was awarded the 2018 HCP fellowship curated by Charlotte Cotton and later exhibited in several festivals in Europe. This project was followed by Knit Club (TBW Books, 2020), which emerged from her collaboration with an enigmatic group of women in Mississippi. Knit Club was shortlisted for the Paris Photo Aperture Book of the Year and Lucie Photo Book Awards and exhibited at McEvoy Foundation in San Francisco and at Yancey Richardson Gallery and ICP in New York.

Drake now lives in California and is currently developing self-reflective projects close to home. Her latest work, Isolation Therapy, was exhibited at SFMOMA’s show Close to Home: Creativity in Crisis in 2021 and at Yancey Richardson Gallery in 2022. Her work has also been supported by Peter S Reed Foundation, Lightwork, the Do Good Fund, the Lange Taylor prize, Magnum Foundation, the Pulitzer Center, and a Fulbright fellowship. She is a member of Magnum Photos and represented by Yancey Richardson Gallery.

This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Tommy Kha discuss his latest book, Tommy Kha: Half, Full, Quarter published by Aperture. Tommy shares his thoughts about how photography is a language and a way to get to know people. Tommy and Sasha also talk about his life and work in Memphis and the obstacles he had to overcome to figure out his place as an artist there.

http://tommykha.com https://aperture.org/prints/reassemblies/

Tommy Kha was born in 1988 in Memphis, Tennessee, and lives and works between Brooklyn, New York and Memphis. The artist received a BFA from the Memphis College of Art in 2011, and an MFA from Yale University in 2013. With a humorous and poignant touch, Kha examines how we construct belonging and otherness through photography, inventing new models for self-portraiture with a critical eye toward the medium’s long history of absences and erasure.

Growing up as a Chinese-American boy in Memphis, Kha had often been made to feel he was different. Now as an adult the artist locates a place for himself, both within the American South and the tradition of photography. Critical of the ways in which photography has been used to assert truths and historical narratives that exclude or misrepresent, Kha has found a model of picture-making through which he maintains agency as a subject of photography and questions the construction of the “self.” In his ongoing project I’m Only Here to Leave (2015 – Present) the artist creates cardboard cut-outs and prosthetic masks of his own face and photographs them, complicating and fracturing his representation. Kha has also reproduced his image as a puzzle and layered his photographs atop one another in exhibitions, furthering feelings of dislocation evoked by his work.

Kha’s work often returns to his family’s history; Soft Murders (2014 – Present) is a collection of ongoing and related projects partially inspired by his mother’s own snapshot photography from a photoalbum she gifted him. Soft Murders maps the connections between the artist’s family, their history, and his hometown through staged photographs featuring himself (as well as cardboard cut-outs of himself), his mother, and signifiers of the Mississippi Delta Chinese Community. Kha has included his mother’s personal photography – self-portraits of a young woman confidently posed, smiling at the camera – within the project. These stand in contrast to Kha’s intentionally theatrical photographs, which balance precariously between comedy and tragedy, being and performing, and the mundane and the absurd. Representing experiences of Asian Diaspora and images of iconic Americana, the artist asks how photography, a tool which has been used to other people who look like him, might become a means by which he can be truly seen.

This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, writer and educator, Tim Carpenter discuss his book, To Photograph Is To Learn How To Die, published by The Ice Plant. Tim also talks about the importance of seeing a place over time as a way of seeing how you, yourself, have changed over time and how he let go of the idea of subject matter.

https://www.timcarpenterphotography.com https://theiceplant.cc/product/to-photograph-is-to-learn-how-to-die/

Tim Carpenter (Illinois, 1968) is a photographer, writer, and educator based in Brooklyn and central Illinois. He is the author of several photo books, among them A month of Sundays (TIS books); Christmas Day, Bucks Pond Road (The Ice Plant); Local objects (The Ice Plant); township (collaboration with Raymond Meeks, Adrianna Ault, and Brad Zellar; TIS/dumbsaint); Bement grain (TIS/dumbsaint); Still feel gone (collaboration with Nathan Pearce; Deadbeat Club Press); Illinois central (Kris Graves Projects); The king of the birds (TIS books); and A house and a tree (TIS books). Local objects was included in the 2018 exhibition “American Surfaces and the Photobook” at the Museum of Modern Art, New York, and was listed for the Kassel Photobook Award 2018. Carpenter received an MFA in Photography from the Hartford Art School in 2012, and in 2015 co-founded TIS books, an independent photobook publisher. He is a faculty member of the Penumbra Foundation Long Term Photobook Program, serves as a mentor in the Image Threads Mentorship Program, and is a co-proprietor of Distant Zine. Carpenter’s book-length essay “To photograph is to learn how to die” was published by The Ice Plant in Fall of 2022.

In this episode of PhotoWork with Sasha Wolf, Sasha and artist, Meghann Riepenhoff discuss her book Ice, published by Radius Books. Meghann talks about how she makes work collaboratively with the environment and how she uses moments of failure as a signal that she is moving in a new direction.

http://meghannriepenhoff.com https://www.radiusbooks.org/all-books/p/meghann-riepenhoff-ice

Meghann Riepenhoff’s work has been exhibited and is held in the collections at the High Museum of Art, the Museum of Fine Arts (Houston), the Museum of Contemporary Photography (Chicago), and the Worcester Art Museum. Additional collections include the Albright-Knox Art Gallery and the San Francisco Museum of Modern Art, which holds Riepenhoff’s 12’x18’ unique cyanotype. Additional exhibitions include Yossi Milo Gallery, Jackson Fine Art, Galerie du Monde, Euqinom Projects, the Aperture Foundation, San Francisco Camerawork, the Denver Art Museum, the New York Public Library, and the Museum of Fine Arts (Boston). Her work has been featured in ArtForum, Aperture PhotoBook Review, The New York Times, Time Magazine Lightbox, Wall Street Journal, The Guardian, Oprah Magazine, Harper’s Magazine, Wired Magazine, and Photograph Magazine. Her first monograph Littoral Drift + Ecotone was co-published by Radius Books and Yossi Milo Gallery.

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Shirin Neshat discuss her latest multimedia project, Land of Dreams which combines photographs, video installation, and a feature length film. Shirin and Sasha talk about what brought Shirin back to making art after an 11 year hiatus and how Shirin thinks about her identity as an Iranian artist.

https://www.gladstonegallery.com/artist/shirin-neshat/ https://www.instagram.com/shirin__neshat https://www.radiusbooks.org/all-books/p/shirin-neshat-land-of-dreams

Shirin Neshat is an Iranian-born artist and filmmaker living in New York. Neshat has held numerous solo exhibitions at museums internationally including the Pinakothek der Moderne, Munich; Modern Art Museum of Fort Worth; The Broad, Los Angeles; Museo Correr, Venice, Italy, Hirshhorn Museum, and the Detroit Institute of Arts. Neshat has directed three feature-length films, Women Without Men (2009), which received the Silver Lion Award for Best Director at the 66th Venice International Film Festival, Looking For Oum Kulthum (2017), and most recently Land of Dreams, which premiered at the Venice Film Festival (2021). Neshat was awarded the Golden Lion Award, the First International Prize at the 48th Biennale di Venezia (1999), and the Praemium Imperiale award for Painting in (2017). She is represented by Gladstone Gallery in New York and Goodman Gallery in London.

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Andrea Modica discuss Andrea's latest book, Theatrum Equorum, published by TIS. Andrea and Sasha talk about the great women artists in her life that helped open doors for her and how not knowing if anyone would ever be interested in her work allowed Andrea to make the photographs she wanted to make.

http://www.andreamodica.com https://www.tisbooks.pub/products/theatrum-equorum

Andrea Modica was born in New York City and lives in Philadelphia, where she works as a photographer and teaches at Drexel University. She is a Guggenheim Fellow, a Fulbright Scholar and the recipient of a Knight Award.

Her books include Treadwell (Chronicle), Minor League (Smithsonian Press), Barbara (Nazraeli), Human Being (Nazraeli), Fountain (Stinehour Editions) and most recently As We Wait (L’Artiere), now in its second edition. Her most recent monograph is a collection of portraits of Mummer Wenches, titled January 1 (L’Artiere). Upcoming is a book of photographs made at a horse clinic in Italy, titled Clinica Equina Bagnarola (Tis Books).

Her photographs have been featured in many magazines, including the New York Times Magazine, the New Yorker, Newsweek and American Photo.

Modica has exhibited extensively and has had solo exhibitions at the San Francisco Museum of Modern Art, the Cleveland Museum of Art and the San Diego Museum of Photographic Arts.

Her photographs are part of the permanent collections of the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Brooklyn Museum, the Philadelphia Museum of Art, the Smithsonian American Art Museum, the International Museum of Photography and Film at the George Eastman House, and the Bibliotheque Nationale.

In this episode of PhotoWork with Sasha Wolf, Michael Chovan-Dalton fills-in for Sasha as she was away taking care of some family matters. Michael and photographer, Vanessa Winship, have a wonderful conversation about two bodies of work she made in the United States, She Dances on Jackson, published by MACK, and her most recent book, SNOW, published by Deadbeat Club. Vanessa talks about how both of these books began, the former as a proposal and the latter as an assignment. Vanessa also describes her experience of traveling around the United States and witnessing both beauty and turmoil.

https://www.vanessawinship.com https://deadbeatclubpress.com/products/vanessa-winship-snow

Since 2005 Vanessa Winship is a member of Agence VU. After leaving Britain in 1998 she worked in long term projects in the Balkans and countries surrounding the Black Sea along with her husband, photographer George Georgiou. She is the author and subject of six photographic monographs, Schwarzes Meer (Mareverlag GmbH 2007), Sweet Nothings (Foto8/Images En Manœuvres 2008), she dances on Jackson (MACK/HCB 2013), Vanessa Winship (Fundación MAPFRE 2014), And Time Folds (MACK/Barbican 2018) Sète#19 (Le Bec en L’air / Images Singulières 2019) and a box set, Seeing the Light of Day (B-Sides Box Sets 2020)

She is the recipient of a number of awards, including two World Press Photo prizes, 1998 and 2008, Sony photographer of the year, 2008, and the Henri Cartier Bresson foundation prize, 2011.

She has exhibited at numerous festivals and institutions, nationally and internationally including the Barbican Art gallery in 2018, Sete, 2019, Cumbria, 2021

Her first mid-career-survey show was held at Fundación MAPFRE, Madrid, Spain, 2014.

With George Georgiou she teaches a number of photography workshops, and separately as guest speaker, reviewer, curator, editor and mentor.

In this episode of PhotoWork with Sasha Wolf, Sasha and founder of CLAMP gallery, Brian Clamp, discuss Brian’s leap of faith in starting a gallery in New York City and figuring out how to turn it into a sustainable and successful business. Brian and Sasha also talk about the ups and downs of being an art dealer, especially when the economy takes a dive. Brian discusses his recent addition to the roster and how he makes those complicated decisions.  

https://clampart.com

Owner, Brian Paul Clamp, has over twenty-five years of experience in the field. He holds a Master of Arts degree in Critical Studies in Modern Art from Columbia University, and is the author of over forty articles and publications on American art to date.

Established in 2000, CLAMP is located in the Flower District in the Chelsea neighborhood of Manhattan.

CLAMP represents a wide range of emerging and mid-career artists of all media with a specialization in photography.

In addition, the gallery carries a large selection of modern and contemporary paintings, prints, and photographs from the early 20th century to the present.

CLAMP has placed artwork in numerous important public collections, including the following among many others.

In this episode of PhotoWork with Sasha Wolf, we revisit episode 35 where Sasha and photographer Curran Hatleberg discuss his journey from studying painting in undergrad to receiving his MFA in photography at Yale. They discuss his upcoming monograph due out this spring in 2022, as well as the books he's already published, as solo monographs and in concert with his partner, the artist Cynthia Daignault. They drill down on the importance of working collaboratively, both with his photographic subjects, as well as with his wider support group.

https://curranhatleberg.com https://tbwbooks.com/products/rivers-dream

Curran Hatleberg received his MFA from Yale University in 2010. His work has been exhibited nationally and internationally, including recent shows at the Whitney Museum of American Art, MASS MoCA, Higher Pictures, and Fraenkel Gallery. Hatleberg has taught photography at numerous institutions, including Yale University and Cooper Union. He is the recipient of a 2020 Maryland State Arts Council Grant, a 2015 Magnum Emergency Fund grant, a 2014 Aaron Siskind Foundation Individual Photographer’s Fellowship grant, and the 2010 Richard Benson Prize for excellence in photography. Hatleberg’s work is held in various museum collections, including the Whitney Museum of American Art, SF MoMA, KADIST, the Center for Contemporary Photography, the Davison Art Center at Wesleyan University, the Williams College Museum of Art, and the Yale University Art Gallery. Lost Coast, his first monograph, was released by TBW Books in fall 2016. Somewhere Someone, a collaborative artist book with Cynthia Daignault, was released by Hassla Books in fall 2017. His second monograph, will be published by TBW Books in 2021.

Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, David Benjamin Sherry have a deeply personal and moving conversation about the decisions and influences that lead David to pursue photography and to work in the uniquely exuberant and process forward manner that he does.

https://davidbenjaminsherry.com

David Benjamin Sherry (Santa Fe, NM) is an artist whose work is both challenging and reinvigorating the American Western landscape tradition. His work revolves around interests in environmentalism, queer identity and alternative analog film processes. He’s best known for his colorful landscape work, brought upon by the desire to explore the last remaining wilderness in America. Through numerous projects, Sherry’s work expresses deep concern for the rapidly changing environment, while continuing to sustain a queer sensibility in the hetero-male dominated canon of landscape photography. Sherry has referred to himself as a “nostalgic futurist” and currently uses a large format 8x10 film camera in order to reflect and understand our connection within the contemporary American landscape.

Sherry was born in 1981 in Stony Brook, NY and lives and works in Santa Fe, New Mexico. He received his BFA in Photography from Rhode Island School of Design in 2003 and his MFA in Photography from Yale University in 2007 where he was awarded the Richard Dixon Welling Prize. In 2010 he received the Rema Hort Mann Foundation Visual Arts Grant. Sherry taught Western Landscape and Large Format photography as a distinguished faculty member at the San Francisco Art Institute in 2018. In the fall of 2020, joined the Yale MFA Photography program as a Visiting Critic.

A multi-part installation of his work was exhibited in Greater New York 2010 at MoMA PS1, New York, a survey show organized by Klaus Biesenbach Connie Butler, and Neville Wakefield. His work has been exhibited in numerous solo presentations and also included in many group presentations including: The Anxiety of Photography, Aspen Art Museum (2011), New York Minute at Garage Museum of Contemporary Art, Moscow (2011), Out of Focus at Saatchi Gallery, London (2012), Lost Line, LACMA Los Angeles County Museum of Art (2013), What is a Photograph? at ICP International Center for Photography, New York (2014), Fotofocus Biennial, Cincinnati, Ohio (2014) Color Fields at MassArt Museum (2015) and Ansel Adams In Our Time, Museum of Fine Arts, Boston (2018).

His work is in permanent collections at The Whitney Museum of American Art, NY, The Nasher Museum of Art, Durham, NC, Walker Art Center, Minneapolis, MN, Wexner Center of the Arts, Columbus, OH, Los Angeles County Museum of Art, Los Angeles, CA, The Saatchi Collection, London, UK, The Alfond Collection of Contemporary Art, Cornell Fine Arts Museum, FL, and The Marciano Foundation, Los Angeles, CA

Sherry’s work has been featured in many prominent international publications, including Artforum, Aperture Magazine, Architectural Digest, Art in America, Interview Magazine, The New Yorker, New York Magazine, and The New York Times, among many others. In September 2014, his work was featured on the cover of The New York Times Magazine. In the spring of 2019, his work was featured on the cover of Aperture Magazine for the Earth issue.

There are four monographs of his work: It’s Time (Damiani, 2010); Quantum Light (Damiani, 2013); Earth Changes (Mörel Books, 2015) and his most recent monograph, “American Monuments” (Radius, 2019) features essays by top environmentalists and activists Terry Tempest Williams and Bill McKibben.

David Benjamin Sherry is represented by Salon 94 Gallery, New York and Morán Morán Gallery, Los Angeles.

Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Raymond Meeks have a very open and frank conversation about staying true to yourself as an artist while also exploring new ways of making work. Ray talks about how he started in photography and it is a beautiful and moving origin story.

http://www.raymondmeeks.com https://www.mackbooks.us/products/somersault-br-raymond-meeks?_pos=1&_sid=9a0d89916&_ss=r

Raymond Meeks (Ohio) has been recognized for his books and pictures centered on memory and place, the way in which a landscape can shape an individual and, in the abstract, how a place possesses you in its absence. His books have been described as a field or vertical plane for examining interior co-existences, as life moves in circles and moments and events—often years apart—unravel and overlap, informing new meanings.

Raymond Meeks lives and works in the Hudson Valley (New York). His work is represented in private and public collections including the National Gallery of Art, Washington D.C., Bibliotheque Nationale, France, and the George Eastman House, with recent solo exhibitions at Casemore Kirkeby in San Francisco and Wouter van Leeuwen in Amsterdam. Raymond Meeks is the sixth laureate of Immersion, a French-American photography commission sponsored by Fondation d’entreprise Hermès. He will be mentored by David Campany, artistic director of the ICP, and will carry out his residency in France in 2022.

Raymond Meeks is a 2020 recipient of a Guggenheim Foundation Fellowship in Photography and was awarded a Pollock-Krasner Foundation Grant in 2022.

Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha and publisher and founder of TBW Books, Paul Schiek, have a real insiders' discussion about working with artists and the trust they look for when creating that relationship. Paul talks about what he looks for when deciding whether or not to publish a book and he reveals his approach to the business side of publishing which is not all about business.

https://tbwbooks.com

Born in Fond du Lac, WI, Paul Schiek received a BFA in photography from California College of the Arts and Crafts in 2005, after which he started the publishing company TBW Books. Since then, Schiek’s work has been shown both in the US and internationally. His work has also been the subject of many books and publications.

Find out more at https://photowork.pinecast.co

To start off season 3 of PhotoWork with Sasha Wolf, Sasha and photographer, writer, curator and educator, Aaron Schuman discuss Aaron's monographs including, SLANT and his latest, SONATA, both published by MACK. Aaron reveals how he was approached to create a Masters program at the University of the West of England and how the idea of research is more than just a singular conscious effort to pursue an idea but a lifelong endeavor that permeates your work.

https://www.aaronschuman.com/index.html

AARON SCHUMAN is an American photographer, writer, curator and educator based in the United Kingdom. He received a BFA in Photography and History of Art from New York University's Tisch School of the Arts in 1999, and an MA in Humanities and Cultural Studies from the University of London: London Consortium at Birkbeck College in 2003.

Schuman is the author of several critically-acclaimed monographs: SONATA, published by MACK in the summer of 2022; SLANT, published by MACK, which was cited as one of 2019's "Best Photobooks" by numerous photographers, critics and publications, including The Guardian, Internazionale, American Suburb X, Photoeye (Jason Fulford / Rebecca Norris Webb), Photobookstore (Vanessa Winship / Mark Power / Robin Titchener), and Deadbeat Club Press (Raymond Meeks / Brad Feuerhelm); and FOLK, published by NB Books, which was cited as one of 2016's "Best Photobooks" by Alec Soth (Photoeye), Sean O'Hagan (The Guardian), and Jason Fulford (TIME), and was long-listed for the Deutsche Börse Photography Prize 2017.

His work has been exhibited internationally - at institutions such as Tate Modern, Hauser & Wirth, Christie's London, Christie's New York, the Institute of Contemporary Arts London, the Ethnographic Museum Krakow, Format Festival and elsewhere - and is held in many public and private collections, including the Museum of Fine Arts Houston, The British Library, the National Art Library, and the Museum of Modern Art Library.

In addition to to his own photographic work, Schuman has contributed essays, interviews, texts and photographs to many other books and monographs, including Matteo Giovanni: I Had to Shed My Skin (Artphilein, 2022), OK No Response (Twin Palms, 2021), Keeper of the Hearth: Picturing Roland Barthes' Unseen Photograph (Schilt, 2021), Photo No-Nos: Meditations on What Not to Shoot (Aperture, 2021), Amak Mahmoodian: Zanjir (RRB, 2019), Aperture Conversations: 1985 to the Present (Aperture, 2018), Another Kind of Life: Photography on the Margins (Prestel / Barbican, 2018), George Rodger: Nuba & Latuka, The Colour Photographs: The Color Photographs (Prestel, 2017), Alec Soth: Gathered Leaves (MACK, 2015), Visions Anew: The Lens and Screen Arts (University of California Press, 2015), Storyteller: The Photographs of Duane Michals (Prestel / Carnegie Museum, 2014) and The Photographer's Playbook (Aperture, 2014), amongst many others. He has also written and photographed for a wide variety of journals, magazines and publications, such as Aperture, Foam, ArtReview, Frieze, Magnum Online, Hotshoe, The British Journal of Photography and more.

Schuman has curated several major international festivals and exhibitions, including: In Progress: Laia Abril, Hoda Afshar, Widline Cadet, Adama Jalloh, Alba Zari (Royal Photographic Society, 2021), Indivisible: New American Documents (FOMU Antwerp, 2016), In Appropriation (Houston Center of Photography, 2012), Other I: Alec Soth, WassinkLundgren, Viviane Sassen (Hotshoe London, 2011), and Whatever Was Splendid: New American Photographs (FotoFest, 2010). In 2018, he served as co-Curator of JaipurPhoto Festival 2018. In 2014, he served as Guest Curator of Krakow Photomonth 2014 - entitled Re:Search, the main programme featured solo exhibitions by Taryn Simon, Trevor Paglen, David Campany / Walker Evans, Clare Strand, Forensic Architecture, Jason Fulford and more.

Schuman was the founder and editor of the online photography journal, SeeSaw Magazine (2004-2014).

He is Associate Professor in Photography and Visual Culture, and the founder and Programme Leader of the MA/Masters in Photography programme, at the University of the West of England (UWE Bristol).

Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Paul Graham discuss his self-taught beginnings in photography and what it's like to see your work become historical with the passage of time. Paul and Sasha talk about Paul's more recent, and more personal, work and Paul shares his thoughts on the ethics of photographing outside of one's own community. They discuss these topics and many more in this season ending episode of the podcast.

https://www.paulgrahamarchive.com https://www.mackbooks.us/search?q=Graham%2C+Paul&type=product

Paul Graham has played an essential role in dissolving the barriers between the worlds of documentary and fine art photography. Starting in the early 1980s, Graham’s use of color in the role traditionally occupied by black-and-white documentary was a radical challenge to the unwritten rules of engaged photography. Troubled Land (on the Northern Ireland conflict) and Beyond Caring (addressing unemployment in the time of Margaret Thatcher) shifted the debate on how such issues could be visually articulated. With an extraordinarily long and active career of four decades, Graham has published eighteen monographs and three survey books. He moved to New York in 2002, and has worked in the United States since then. Most notably, a shimmer of possibility was published as a set of twelve books and presented as a solo exhibition at MoMA, New York. He is represented by Pace Gallery in the United States, and galleries in London and Berlin.

Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha talks to photographer, D'Angelo Lovell Williams about the experiences they had at the various art schools they attended as well as their rapid ascent in the art world at large after joining the roster of Higher Pictures Generation gallery. D'Angelo has a new brand new book out with Mack Books, Contact High, and they touch on many of the images in this new monograph.

https://www.dangelolovellwilliams.com https://www.mackbooks.us/products/contact-high-br-d-angelo-lovell-williams

D’Angelo Lovell Williams (b. 1992, Jackson, Mississippi) is a Black, HIV-positive artist expanding narratives of Black and queer intimacy through photography. They earned their BFA in photography from Memphis College of Art in 2015, an MFA in photography from Syracuse University in 2018, and are a 2018 Skowhegan School of Art alum. They live and work in New York City. D'Angelo Lovell Williams has had four solo exhibitions with Higher Pictures in 2017, 2018, 2019 and 2020. The 2020 exhibition, Papa Don't Preach, was presented in collaboration with Janice Guy at her gallery in Harlem.

Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Wendy Red Star discuss how making work that is meaningful, informative, and healing is not the same as making work that has to explain everything to the audience, especially when there may be expectations that you are a representative of a larger group of people. Wendy and Sasha also talk about the excitement of creating her first monograph, Delegation published by Aperture.

https://www.wendyredstar.com https://aperture.org/books/wendy-red-star-delegation/

Paris Photo/Aperture Foundation PhotoBook Awards Entry Initiated in November 2012 by Aperture Foundation and Paris Photo, the Paris Photo–Aperture Foundation PhotoBook Awards celebrate the photobook’s contribution to the evolving narrative of photography, with three major categories: First PhotoBook, PhotoBook of the Year, and Photography Catalogue of the Year. https://aperture.org/calls-for-entry/photobook-awards/

Wendy Red Star lives and works in Portland, OR. Red Star has exhibited in the United States and abroad at venues including the Metropolitan Museum of Art (New York, NY), Brooklyn Museum (Brooklyn, NY), both of which have her works in their permanent collections; Fondation Cartier pour l’Art Contemporain (Paris, France), Domaine de Kerguéhennec (Bignan, France), Portland Art Museum (Portland, OR), Hood Art Museum (Hanover, NH), St. Louis Art Museum (St. Louis, MO), Minneapolis Institute of Art (Minneapolis, MN), the Frost Art Museum (Miami, FL), among others.

Her work is in the permanent collections of the Museum of Modern Art (New York, NY), the Metropolitan Museum of Art (New York, NY), the Whitney Museum of American Art (New York, NY), the Amon Carter Museum of American Art (Fort Worth, TX), the Denver Art Museum (Denver, CO), the Ruth and Elmer Wellin Museum of Art at Hamilton College (Clinton, NY), the Baltimore Museum of Art (Baltimore, MD), the Fralin Museum of Art at the University of Virginia (Charlottesville, VA), the Nasher Museum of Art at Duke University (Durham, NC), the Birmingham Museum of Art (Birmingham, AL), the Williams College Museum of Art (Williamstown, MA), the Memorial Art Gallery of the University of Rochester (Rochester, NY), and the British Museum (London, UK), among others.

She served a visiting lecturer at institutions including Yale University (New Haven, CT), the Figge Art Museum (Davenport, IA), the Banff Centre (Banff, Canada), National Gallery of Victoria in Melbourne (Melbourne, Australia), Dartmouth College (Hanover, NH), CalArts (Valencia, CA), Flagler College (St. Augustine, FL), and I.D.E.A. Space in Colorado Springs (Colorado Springs, CO). In 2017, Red Star was awarded the Louis Comfort Tiffany Award and in 2018 she received a Smithsonian Artist Research Fellowship. Her first career survey exhibition “Wendy Red Star: A Scratch on the Earth” was on view at the Newark Museum in Newark, New Jersey through May 2019, concurrently with her first New York solo gallery exhibition at Sargent's Daughters.

Red Star is currently exhibiting at the Museum of Contemporary Art Chicago (Chicago, IL), The Broad (Los Angeles, CA), Santa Cruz Museum of Art & History (Santa Cruz, NM), The Drawing Center (New York, NY), The Rockwell Museum (Corning, NY), amongst others. Her new solo exhibition American Progress is on view at the Anderson Collection at Stanford University (Stanford, CA) through August 2022.

Red Star holds a BFA from Montana State University, Bozeman, and an MFA in sculpture from University of California, Los Angeles. She is represented by Sargent's Daughters.

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In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Mimi Plumb talk about the experience of organizing and editing work from over 30 years ago into books that are meaningful and relevant today. They also discuss the political and autobiographical nature of Mimi's work and how that still motivates her to make work today.

https://www.mimiplumb.com https://www.instagram.com/mimi_plumb/

Aperture PhotoBook Club with Wendy Red Star: https://aperture.org/events/aperture-photobook-club-wendy-red-star-delegation/

Mimi Plumb is part of a long tradition of socially engaged photographers concerned with California and the West.

In the 1970s, Plumb explored subjects ranging from her suburban roots to the United Farm Workers movement in the fields as they organized for union elections. Her first book, Landfall, published by TBW Books in 2018, is a collection of her images from the 1980s, a dreamlike vision of an American dystopia encapsulating the anxieties of a world spinning out of balance. Landfall was shortlisted for the Paris Photo/Aperture Foundation First Photobook Award 2019, and the Lucie Photo Book Prize 2019. Her second book, The White Sky, a memoir of her childhood growing up in suburbia, was published by Stanley/Barker in September 2020. The Golden City, her third book, published by Stanley/Barker in March 2022, focuses on her many years living in San Francisco.

Plumb is a 2022 Guggenheim Fellow and a 2017 recipient of the John Gutmann Photography Fellowship. She has received grants and fellowships from the California Humanities, the California Arts Council, the James D. Phelan Art Award in Photography, and the Marin Arts Council. Her photographs are in the collection of the San Francisco Museum of Modern Art, Art Collection Deutsche Börse in Germany, Los Angeles County Museum of Art, Pier 24, Museum of Fine Arts, Boston, Daum Museum of Contemporary Art, and the Yale University Art Gallery. Plumb received her MFA in Photography from SFAI in 1986, and her BFA in Photography from SFAI in 1976.

Born in Berkeley, and raised in the suburbs of San Francisco, Mimi Plumb has served on the faculties of the San Francisco Art Institute, San Jose State University, Stanford University, and the School of the Art Institute of Chicago. She currently lives in Berkeley, California.

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In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Ron Jude discuss his most recent book 12Hz as well as some of his previous publications, Alpine Star, Emmett and Lick Creek Line. Ron talks about his inclination to create unsentimental photographic works while keeping within the traditional practice of photography and his drive to bend and upend narrative structure.

https://www.ronjude.com https://www.instagram.com/ron_jude/

Ron Jude’s recent work explores the relationship between place, memory, and narrative through multiple approaches ranging from the use of appropriated images to photographs that echo traditional documentary methodologies.

Jude earned a BFA in studio art from Boise State University, Boise, Idaho, in 1988, and an MFA from Louisiana State University, Baton Rouge, Louisiana, in 1992. His photographs have been widely exhibited nationally and internationally and are held in the permanent collections of the George Eastman House, Rochester, NY; the J. Paul Getty Museum, Los Angeles; the Museum of Fine Arts, Houston; and the San Francisco Museum of Modern Art, among others. Jude is the author of twelve books, including Emmett (2010); Lick Creek Line (2012); Lago (2015); Nausea (2017); and, most recently, 12Hz (2020). He has received grants or awards from Light Work; San Francisco Camerawork; /Users/mcd/Desktop/1-Pods/PhotoWork/44 Ron Jude/text.txtthe Aaron Siskind Foundation; and the Friends of Photography and was the recipient of a John Simon Guggenheim Memorial Foundation Fellowship in 2019.He is a professor of art at University of Oregon and lives in Eugene with Danielle Mericle and their son Charley.

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In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Alec Soth talk about his new book, A Pound of Pictures published by MACK. Alec and Sasha dig deep into a process heavy conversation about working within a tradition and finding your voice. Alec also announces a new Aperture project near the end of the show.

https://alecsoth.com/photography/ https://www.mackbooks.us/products/a-pound-of-pictures-br-alec-soth

Alec Soth is a photographer born and based in Minneapolis, Minnesota. He has published over twenty-five books including Sleeping by the Mississippi (2004), NIAGARA (2006), Broken Manual (2010), Songbook (2015), I Know How Furiously Your Heart is Beating (2019), and A Pound of Pictures (2022). Soth has had over fifty solo exhibitions including survey shows organized by Jeu de Paume in Paris (2008), the Walker Art Center in Minnesota (2010) and Media Space in London (2015). Soth has been the recipient of numerous fellowships and awards, including the Guggenheim Fellowship (2013). In 2008, Soth created Little Brown Mushroom, a multi-media enterprise focused on visual storytelling. Soth is represented by Sean Kelly in New York, Weinstein Hammons Gallery in Minneapolis, Fraenkel Gallery in San Francisco, Loock Galerie in Berlin, and is a member of Magnum Photos.

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In this non-episode show, Sasha and Michael announce their 5-week hiatus and their lineup of guests for when they return on May 19, 2022.

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In this episode of PhotoWork with Sasha Wolf, Sasha and photographer and recently retired Professor of Photography, Barbara Bosworth have a warm and wide-ranging conversation about teaching, choosing locatioo make work, using the 8x10 camera, working in black and white and color, Barbara's expansive definition of landscape and making books, including Barbara's upcoming book, The Sea published by Radius Books.

https://www.barbarabosworth.com https://www.radiusbooks.org/all-books/p/barbara-bosworth-the-sea

Barbara Bosworth is a photographer whose large-format images explore both overt and subtle relationships between humans and the rest of the natural world. Whether chronicling the efforts of hunters or bird banders or evoking the seasonal changes that transform mountains and meadows, Bosworth’s caring attention to the world around her results in images that similarly inspire viewers to look closely.

Bosworth grew up in Novelty, Ohio. She currently lives in Massachusetts, where she is a professor emeritus of photography at the Massachusetts College of Art and Design in Boston. Over her long career, Bosworth has photographed in both black and white and color. Her single images display a generous attention to small facts, while her large-scale triptychs reveal a panoramic awareness, one that lets viewers glimpse relationships between frames across a wide field. While all of Bosworth’s projects remind viewers not only that we shape the rest of nature but that it also shapes us.

Bosworth’s work has been widely exhibited, notably in recent retrospectives at the Denver Art Museum in Colorado, Peabody Essex Museum in Salem, Massachusetts, the Smithsonian American Art Museum in Washington, D.C., and the Phoenix Art Museum in Arizona. Her publications include, The Heavens (Radius Books, 2018), The Meadow (Radius Books, 2015), Natural Histories (Radius Books, 2013), Trees: National Champions (MIT Press; Center for Creative Photography, University of Arizona, 2005) and Chasing the Light (Nightwood Press, 2002).

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In this episode of PhotoWork with Sasha Wolf, Sasha and MACK Book Designer, Morgan Crowcroft-Brown discuss the role of the book designer, the intricacies of working with artists to try and elevate their work, and the joys of being on press. Morgan and Sasha also nerd out discussing various technical details and material choices.

https://morgan-cb.com https://www.instagram.com/_morgram/ https://www.mackbooks.us

Morgan Crowcroft-Brown is the designer and production manager at MACK. She has worked with artists including Raymond Meeks, Moyra Davey, Teju Cole, Stephen Shore, Justine Kurland, Dawoud Bey, the Luigi Ghirri archive, Guido Guidi, Gregory Halpern, the Peter Hujar archive, Jess Dugan, and Irina Rozovsky. 

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In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Jess T. Dugan discuss Jess's new book, Look at me like you love me, published by MACK. Jess speaks in very personal terms about the process of bringing this book together and living more authentically as an artist and a person.

http://www.jessdugan.com https://www.mackbooks.us/products/look-at-me-like-you-love-me-br-jess-t-dugan

Jess T. Dugan is an artist whose work explores issues of identity through photographic portraiture. Dugan’s work has been widely exhibited and is in the permanent collections of over 40 museums throughout the United States. Dugan’s monographs include Look at me like you love me (MACK, 2022), To Survive on This Shore: Photographs and Interviews with Transgender and Gender Nonconforming Older Adults (Kehrer Verlag, 2018) and Every Breath We Drew (Daylight Books, 2015).

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In this episode of PhotoWork with Sasha Wolf, Sasha and art collector and curator, Dr. Kenneth Montague discuss As We Rise: Photography from the Black Atlantic published by Aperture which is a compilation of work selected from Dr. Montague's famed Wedge Collection. Dr. Montague pieces together the experiences of being an immigrant son, living on the border of Canada and the U.S. and seeing the work of James Van Der Zee that all lead to this collection which is dedicated to artists of African descent.

https://www.wedgecuratorialprojects.org https://aperture.org/books/as-we-rise-photography-from-the-black-atlantic/ https://www.instagram.com/drkmontague

Dr. Kenneth Montague started the Wedge Collection in 1997 to acquire and exhibit art that explores Black identity. In addition to the Wedge Collection, Montague founded Wedge Curatorial Projects, a nonprofit arts organization that helps to support emerging Black artists. A Toronto-based art collector, Montague has been a member of the Art Gallery of Ontario’s board of trustees since 2015. He has served on the African acquisitions committee at Tate Modern, London, and is an advisor to the Department of Arts of Global Africa and the Diaspora at the Art Gallery of Ontario.

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In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Rahim Fortune explore his origins, how his family and where he is from has influenced his work, and the role certain people have played in his development.

https://www.rahimfortune.com

Rahim Fortune was raised in Chickasaw Nation of Oklahoma. His documentary photo practice focuses on culture, geography and self expression in the American landscape. He currently lives and works between Austin Texas and Brooklyn NY. He has made two books of work in the Southern United States: Oklahoma (2020) and I Can't Stand to See You Cry (2021).

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In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Christopher Anderson discuss his transformative journey from news and conflict photography to becoming the photographer he is today. Christopher and Sasha also talk about some of the books he has made after stepping away from conflict work.

https://christopherandersonphoto.com

Christopher Anderson was born in Canada and grew up in west Texas. In 1996, he became a contract photographer for U.S. News & World Report. There he began documenting social issues such as the effects of Russia’s economic crisis. Also, the situation of Afghan refugees in Pakistan and the election of Evo Morales in Bolivia. He first gained recognition for his pictures in 1999 when he boarded a handmade, wooden boat with Haitian refugees trying to sail to America. The boat, named the Believe In God, sank in the Caribbean. In 2000 the images from that journey would receive the Robert Capa Gold Medal.

He is the author of five monographs of photography.

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In this non-episode, episode of PhotoWork with Sasha Wolf, Sasha and Michael give a few updates for the upcoming year but really just want to say thank you for your support of the show and wish everyone a healthy and Happy New Year.

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In this episode of Photowork with Sasha Wolf, Sasha talks with the writer director Craig Zobel about his journey from film school at the University of North Carolina School of the Arts to directing the Emmy winning HBO show, Mare of Easttown. Craig recounts some of the unexpected ways that his projects have gotten off the ground and he and Sasha wonder if some recurring themes are forever preoccupations. Sasha asks about specific shots and visual language employed in Mare of Easttown and Craig breaks down the different camera angles and shooting methods employed by him and his DP, Ben Richardson. Special thanks to Kristine Potter for introducing Sasha and Craig and for sharing her portrait of him used for this episode.

https://www.zobotprojects.com https://www.instagram.com/craigzobel/

Craig Zobel is an American filmmaker and actor whose work includes music videos, film, and television. He has directed the films Compliance, Z for Zachariah, and The Hunt. On TV he has directed episodes of The Leftovers, American Gods, and Westworld. In 2021, he directed the miniseries Mare of Easttown on HBO.

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In this episode of PhotoWork with Sasha Wolf, Sasha and photographer Curran Hatleberg discuss his journey from studying painting in undergrad to receiving his MFA in photography at Yale. They discuss his upcoming monograph due out this spring in 2022, as well as the books he's already published, as solo monographs and in concert with his partner, the artist Cynthia Daignault. They drill down on the importance of working collaboratively, both with his photographic subjects, as well as with his wider support group.

https://curranhatleberg.com https://tbwbooks.com/products/rivers-dream

Curran Hatleberg received his MFA from Yale University in 2010. His work has been exhibited nationally and internationally, including recent shows at the Whitney Museum of American Art, MASS MoCA, Higher Pictures, and Fraenkel Gallery. Hatleberg has taught photography at numerous institutions, including Yale University and Cooper Union. He is the recipient of a 2020 Maryland State Arts Council Grant, a 2015 Magnum Emergency Fund grant, a 2014 Aaron Siskind Foundation Individual Photographer’s Fellowship grant, and the 2010 Richard Benson Prize for excellence in photography. Hatleberg’s work is held in various museum collections, including the Whitney Museum of American Art, SF MoMA, KADIST, the Center for Contemporary Photography, the Davison Art Center at Wesleyan University, the Williams College Museum of Art, and the Yale University Art Gallery. Lost Coast, his first monograph, was released by TBW Books in fall 2016. Somewhere Someone, a collaborative artist book with Cynthia Daignault, was released by Hassla Books in fall 2017. His second monograph, will be published by TBW Books in 2021.

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In this episode of PhotoWork with Sasha Wolf, Sasha and photographer and filmmaker Diana Markosian discuss her ICP exhibition and accompanying first monograph, Santa Barbara, published by Aperture. Diana and Sasha talk about the reconstruction of Diana's childhood both in Russia and the United States in this staged and scripted documentary style project as well as the emotional experience of revisiting some painful childhood memories.

https://www.dianamarkosian.com

Diana Markosian (born in Moscow, 1989) takes an intimate approach to her photography and video storytelling, in work that is both conceptual and documentary. Her projects have taken her to some of the remotest corners of the world, and have been featured in The New Yorker, Vanity Fair and Vogue Magazine. She holds a Masters of Science degree from Columbia University in New York. Her work is represented by Galerie Les Filles du Calvaire in Paris, France and Rose Gallery in Los Angeles, California. Episode Notes

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In this episode of PhotoWork with Sasha Wolf, Sasha talks with photographer, film maker and Yale MFA Senior Critic in Photography, (as well as interim Acting Director of Graduate Studies) John Pilson. They discuss John's artistic journey, how he landed at Yale as a grad student himself and the Yale graduate program as it is today.

https://www.instagram.com/johnpilson/

John Pilson lives and works in Brooklyn, NYC and teaches in the Yale School of Art’s Graduate Studies in Photography Program where he is a Senior Critic. He has exhibited his work at P.S.1 Contemporary Art Center and at the Museum of Modern Art. Mr. Pilson has been an artist-in-residence at the Harvestworks Digital Media Arts Center and the LMCC World Views Program. At the Venice Biennale in 2002 he was awarded one of four prizes given to artists in the International Exhibition. Pilson was the editor for volume one of A New Nothing published by Sleeper Studio in 2021 and he is a contributor to the upcoming book, Object Lesson: The Influence of Richard Benson, to be published by Aperture in 2022.

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In this episode of PhotoWork with Sasha Wolf, Sasha and returning guest, Gillian Laub discuss her brand new book and exhibition, Family Matters, published by Aperture and on view at ICP. Gillian explains why she asked her editor, Lesley Martin, to delay the publication of the book, just how crucial it was to her to get the text right, and her fears about releasing work that was so intensely personal. 

http://www.gillianlaub.com https://aperture.org/books/gillian-laub-family-matters/

Gillian Laub (born in Chappaqua, New York, 1975) is a photographer and filmmaker based in New York. She received a BA in comparative literature from the University of Wisconsin–Madison, before studying photography at the International Center of Photography, New York. Her works include the book Testimony (Aperture, 2007) and the book and HBO film Southern Rites (2015). Laub received a New York Foundation for the Arts fellowship in 2019.

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In this episode of PhotoWork with Sasha Wolf, Sasha and Magnum photographer Alessandra Sanguinetti discuss her books, On the Sixth Day and The Adventures of Belinda and Guille and the Meaning of their Enigmatic Dreams. Alessandra and Sasha discuss what informs her work, from her rural beginnings and desire to be a storyteller to illness and a moment of questioning her own abilities.

https://alessandrasanguinetti.com

Sanguinetti was born in New York in 1968, and brought up in Argentina where she lived from 1970 until 2003. Her interest in photography began aged 9 when she poured over her mother’s collection of books by Michael Lesy, Dorothea Lange and others. She studied Anthropology at the University of Buenos Aires and General Studies at the International Center of Photography.

In 1996 she began working on a series eventually titled, On the Sixth Day, which explored the complex relationship between man and domesticated animals in the countryside in Argentina. Three years into this project, she turned her attention to two nine-year-old cousins, Belinda and Guille, whose grandmother’s farm had been the subject of Sixth Day. Sanguinetti followed the two girls’ for five years, taking pictures embarked on a life long project, collaboratively photographing the two girls as they grew up and presently as adult women. The first five years culminated in a much-acclaimed monograph, The Adventures of Belinda and Guille and the Meaning of their Enigmatic Dreams (2010).

Sanguinetti is a recipient of a Guggenheim Foundation fellowship and a Hasselblad Foundation grant. Her photographs are included in public and private collections, such as the Museum of Modern Art (NY), the San Francisco Museum of Modern Art, the Museum of Fine Arts in Houston, Museum of Fine Arts, Boston. She has photographed for the The New York Times Magazine, LIFE, Newsweek, and New York Magazine and is currently based in San Francisco

Sanguinetti has been a member Magnum since 2007. She is currently based in California.

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In this episode of PhotoWork with Sasha Wolf, Sasha and Photo Director Jackie Bates discuss her work with The California Sunday Magazine and Pop Up Magazine, a live magazine meant for a live audience. Sasha and Jackie also talk about some strategies for photographers to use when approaching an editor for assignment work.

https://www.californiasunday.com https://www.instagram.com/popupmagazine/

JACQUELINE BATES is Photography Director of The California Sunday Magazine, which won the National Magazine Award for excellence in photography two years in a row, in 2016 and 2017, and Pop-Up Magazine. Previously, she was senior photo editor of W Magazine and worked in the photo departments of ELLE, Interview, and Wired. Bates holds an MFA in photography from the School of Visual Arts, and her work has been exhibited internationally.

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Tropical Storm Ida created some delays for us. We will be back next week.

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In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Tim Davis discuss his book, I'm Looking Through You, recently published by Aperture. Tim and Sasha share some of their experiences from working in Los Angeles and Tim talks about some of the different modes of working he employed for this project.

http://www.davistim.com

https://aperture.org/books/coming-soon/tim-davis-im-looking-through-you/

Tim Davis (born in Blantyre, Malawi) lives and works in Tivoli, New York. He received a BA from Bard College, where he teaches, and an MFA from Yale University. He has presented solo exhibitions at the Samuel Dorsky Museum of Art, SUNY New Paltz, New York; White Cube, London; Knoxville Museum of Art, Tennessee; and Museum of Contemporary Photography at Columbia College Chicago. Several monographs have been published of his work, including The New Antiquity (2010) and My Life in Politics (Aperture, 2006). He is recipient of the 2007–8 Joseph H. Hazen Rome Prize and a 2005 Leopold Godowsky Jr. Color Photography Award.

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In this episode of PhotoWork with Sasha Wolf, Sasha and photographer Catherine Opie discuss Cathy's new comprehensive, survey monograph just published by Phaidon, the pivotal role a family friend played in Cathy's artistic trajectory, the impact her iconic picture Pervert had on her life and the reactions from those who first saw the work at the 1995 Whitney Biennial, including Sasha's own reaction.

https://www.phaidon.com/store/photography/catherine-opie-9781838662189/ https://www.regenprojects.com/artists/catherine-opie

Opie received a B.F.A. from San Francisco Art Institute in 1985, and an M.F.A. from CalArts in 1988. Solo exhibitions of her work have been organized at the Plug In Institute of Contemporary Art, Winnipeg, Canada (2020); Marciano Foundation, Los Angeles, CA (2019); Princeton University School of Architecture, Princeton, NJ (2018); Henie Onstad Kunstsenter, Oslo, Norway (2017); Nova Southeastern University Art Museum, Fort Lauderdale, FL (2017); Los Angeles County Museum of Art, Los Angeles, CA (2016); Museum of Contemporary Art, Pacific Design Center, Los Angeles, CA (2016); Hammer Museum, Los Angeles, CA (2016); Wexner Center for the Arts, Columbus, OH (2015); Long Beach Museum of Art, Long Beach, CA (2012); Socrates Sculpture Park, New York, NY (2012); Institute of Contemporary Art, Boston, MA (2011); Portland Art Museum, Portland, OR (2010); Solomon R. Guggenheim Museum, New York, NY (2008); Museum of Contemporary Art Chicago, IL (2006); Walker Art Center, Minneapolis, MN (2002); and the Saint Louis Art Museum, Saint Louis, MO (2000).

Opie has received numerous awards and fellowships, including the John Simon Guggenheim Memorial Foundation Guggenheim Fellowship, Photography (2019), Aperture Foundation Award (2018), Smithsonian Archives of American Art Medal (2016), Women’s Caucus for Art President’s Award for Lifetime Achievement (2009). United States Artists Fellowship (2006), San Francisco Art Institute President’s Award for Excellence (2006), Larry Aldrich Award (2004), and the CalArts Alpert Award in the Arts (2003). She has been a professor of fine art at the University of California, Los Angeles, since 2001 and serves on the board of directors of The Andy Warhol Foundation for the Visual Arts and the board of trustees of the Museum of Contemporary Art, Los Angeles.

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In this episode of PhotoWork with Sasha Wolf, Sasha and 2021 Aperture Portfolio Prize Winner, Donavon Smallwood discuss his prize winning work inspired by the history of Seneca Village, A 19th Century Black community destroyed to make way for what is now known as Central Park. Sasha and Donavon also talk about the importance of mentors and the influences of art and literature.

http://donavonsmallwood.com https://aperture.org/editorial/2021-aperture-portfolio-prize-winner-donavon-smallwood/

Donavon Smallwood is a self-trained photographer who grew up in a household that emphasized literature and deep engagement with the tradition of art. For him, photography—like all art and creation—is a communion with the divine; and he uses the medium as a means of exploring humankind, imagination, essence, and nature. Smallwood holds a BA from Hunter College, New York. His first monograph, Languor, is forthcoming in June 2021.

Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, publisher and editor Jason Fulford discuss his latest book, Photo No-Nos: Meditations on What Not to Photograph, published by Aperture. Jason and Sasha discuss the inspiration for the book and read some of their favorite excerpts.

https://www.jasonfulford.com https://aperture.org/books/coming-soon/photo-no-nos-meditations-on-what-not-to-photograph/

Jason Fulford is a photographer and cofounder of the non-profit publisher J&L Books. Fulford’s photographs have been featured in Harper’s, New York Times Magazine, Blind Spot, and Aperture magazine. He has published many books of his work, including Raising Frogs for $$$ (2006), The Mushroom Collector (2010), Hotel Oracle (2013), and Picture Summer on Kodak Film (2020), as well as coedited The Photographer’s Playbook (with Gregory Halpern, Aperture, 2014). He is a 2014 Guggenheim Fellowship recipient.

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Sasha takes a short break from the show this week but we will be back to our regular schedule in July. In the meantime, maybe you can catch up with an episode you missed or loved so much you would like to listen to it again.

https://photowork.pinecast.co

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In this episode of PhotoWork with Sasha Wolf, Sasha and photographer-curator, Paul Graham discuss the exhibition, "But Still, It Turns: Recent Photography from the World" which Paul curated for the International Center of Photography. Paul explains why he wanted to create a showcase for the type of lyrical or post- documentary photography that he feels passionately about. They discuss the way the show came together and the 9 artists included. 

https://www.paulgrahamarchive.com

Paul Graham has played an essential role in dissolving the barriers between the worlds of documentary and fine art photography. Starting in the early 1980s, Graham’s use of color in the role traditionally occupied by black-and-white documentary was a radical challenge to the unwritten rules of engaged photography. Troubled Land (on the Northern Ireland conflict) and Beyond Caring (addressing unemployment in the time of Margaret Thatcher) shifted the debate on how such issues could be visually articulated. With an extraordinarily long and active career of four decades, Graham has published eighteen monographs and three survey books. He moved to New York in 2002, and has worked in the United States since then. Most notably, a shimmer of possibility was published as a set of twelve books and presented as a solo exhibition at MoMA, New York. He is represented by Pace Gallery in the United States, and galleries in London and Berlin.

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In this episode of PhotoWork with Sasha Wolf, Sasha and Sarah Meister, the new Executive Director of the Aperture Foundation, discuss Sarah’s tenure as a curator of photography at MoMA, including her extensive research on Dorothea Lange for her major exhibition, Dorothea Lange: Words and Pictures. Sasha and Sarah also discuss Sarah’s new position at Aperture and how she might bring her particular skill set to the organization. 

https://aperture.org/editorial/a-message-from-aperture-foundations-new-executive-director-sarah-meister/ http://www.sarahmeister.net

Sarah Meister is now the Executive Director of Aperture Foundation and was previously a Curator in the Robert B. Menschel Department of Photography at the Museum of Modern Art, New York, a position she has held since 2009. She has spent over twenty years of an exceptional career at MoMA, organizing a range of critically acclaimed exhibitions, publications, and public programs and securing a wide array of landmark acquisitions for the museum’s collection. She was the lead instructor for the popular online course “Seeing Through Photographs” (offered on Coursera), and is codirector of the August Sander Project, a research initiative hosted by MoMA and Columbia University. The project’s fifth and final gathering will take place in September 2021.

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In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Matthew Pillsbury discuss how important the individual image is regardless of how it might fit into a body of work and how this allows Matthew to stay open to unanticipated possibilities and suggestions while making the work. Sasha and Matthew also talk about how an artist’s identity can be understood or perceived in their work even when it’s not overtly referenced. 

https://matthewpillsbury.com

Drawing on inspiration from Hiroshi Sugimoto and Abelardo Morell, Pillsbury's photographs invite viewers to reflect upon how they choose to fill their spaces and time. Demonstrating a talent for making the familiar seem strange, Pillsbury draws attention to the fundamental ingredients of existence, transforming overlooked aspects of reality into both subject and object.   Matthew Pillsbury graduated cum laude from Yale University in 1995 and received his MFA from the School of Visual Arts in 2004. In 2007, he was awarded the Fondation HSBC pour la Photographie award in France, and is also a recipient of the 2014 John Simon Guggenheim Memorial Foundation fellowship. In 2013, Pillsbury published his monograph City Stages with Aperture. His work is represented in more than twenty-five permanent collections, including the Museum of Modern Art, New York; Guggenheim Museum, New York; Museum of Fine Arts, Boston; High Museum of Art, Atlanta; Musée du Louvre, Paris; and many others.

Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha and Gregory Harris, Associate Curator of Photography at the High Museum of Art in Atlanta, discuss the collaborative and intricate processes of crafting a museum exhibition and the steps involved when museums acquire new work for their collection.  Sasha also asks Greg if art dealers, like herself, are a nuisance, with their endless attempts to sell curators work.

https://high.org/person/gregory-harris/

Gregory Harris is the High Museum of Art’s Associate Curator of Photography. He is a specialist in documentary photography best known for his work with emerging artists. Harris was previously the Associate Curator at the DePaul Art Museum in Chicago, where he curated exhibitions including Sonja Thomsen: Glowing Wavelengths in Between (2015), The Sochi Project: An Atlas of War and Tourism in the Caucasus (2014), and Studio Malick: Portraits from Mali (2012). He also organized and authored catalogues for the exhibitions We Shall: Photographs by Paul D’Amato (2013), Matt Siber: Idol Structures (2015), and Liminal Infrastructure (2015). 

Harris also held curatorial positions at the Art Institute of Chicago, where he organized the exhibitions In the Vernacular (2010) and Of National Interest (2008). His essay “Photographs Still and Unfolding” was published in Telling Tales: Contemporary Narrative Photography (McNay Art Museum, San Antonio, 2016). Harris also wrote the introduction for Black Is the Day, Black Is the Night (2016), by Los Angeles–based photographer Amy Elkins, which was shortlisted for the Aperture First Photobook Prize.

Harris is a founding editor of the photobook press Skylark Editions and serves on the Board of Directors for LATITUDE, a community digital lab in Chicago. He earned a BFA in photography from Columbia College Chicago and an MA in art history from the School of the Art Institute of Chicago.

Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer and teacher, Janet Delaney discuss how living and working as a photographer has changed since the 1980’s when books and shows were only for the very few photographers and finding women mentors was much more difficult. Sasha and Janet also spend a good amount of time talking about Janet’s South of Market and SOMA Now work, so do yourself a favor and take a look at those two projects before listening to this episode.

http://www.janetdelaney.com

Janet Delaney uses research, interviews and photography to record the untold stories of cities in transition. Her first project bore witness to the 1980s gentrification of a working-class neighborhood in San Francisco and was published as South of Market (MACK, 2013). In Public Matters (MACK, 2018), Delaney documented daily life as it unfolded alongside protests and parades in Reagan-era San Francisco. She is currently completing SoMA Now, a record of San Francisco’s rapid transformation into an international center of technology and all of the consequences these new riches have wrought. Both honest and poetic, her approach straddles the line between documentary and fine art.

Delaney is a 2020 Guggenheim Fellow. She has received numerous awards, including three National Endowment for the Arts grants. Her photographs are in collections of the San Francisco Museum of Modern Art, the de Young Museum, the Pilara Foundation, the Oakland Museum of California and the Smithsonian Museum, among others. She has shown her photographs nationally and internationally and is represented by Euqinom Gallery in San Francisco, California. Delaney received her MFA from the San Francisco Art Institute in 1981. She has taught widely and held a faculty position at the University of California, Berkeley for 15 years.

Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha talks with Ashlyn Davis Burns, co-founder of the new agency and creative studio, Assembly. They discuss how events and opportunities lead her from an American Studies degree to her 5 year post as the Executive Director of the Houston Center for Photography. Ashlyn talks about co-founding Assembly with Shane Lavalette (former Director of Light Work) as a platform committed to representing diverse artists in both the fine-art and the commercial world.

http://www.ashlyndavis.com

Ashlyn Davis Burns is a writer, editor, and curator and the Co-founder of Assembly, a gallery, agency, creative studio, and art advisory focusing on lens-based artists that launched in early 2021. From 2015 - 2020, she worked at Houston Center for Photography as the Executive Director & Curator as well as the chief editor of spot magazine. She earned her BA in Art History from Pratt Institute and her Master's Degree in American Studies at the University of Texas with a focus on American photography and culture. 

Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, publisher, and teacher, Peter Kayafas, discuss his process of following his camera to move through and explore the world. Peter and Sasha also talk about the different ways in which Peter has found professional satisfaction outside of making photographs and how that has allowed him to continue his work free of the pressures and demands of the art world. Be sure to listen all the way through to the end for a bonus conversation between Sasha and Peter about how Sasha got started as a dealer and the pivotal role Peter played in that origin story.

https://peterkayafas.com   Peter Kayafas is a photographer, publisher, curator and teacher who lives in New York City where he is the Director of the Eakins Press Foundation. He is a Guggenheim Fellow (2019), and his photographs have been widely exhibited, and are in the collections of the Museum of Modern Art; the Brooklyn Museum of Art; The New York Public Library; the San Francisco Museum of Modern Art; the New Orleans Museum of Art; and the Art Institute of Chicago, among others. He has taught photography at Pratt Institute in Brooklyn since 2000 and is Co-Chair of the Board of Directors of the Corporation of Yaddo. He has published four monographs of his photographs—The Merry Cemetery of Sapanta (2007); O Public Road! Photographs of America (2009); Totems (2012)—and The Way West (2020) with an essay by Rick Bass.   “Kayafas manages to pack a lot of history — of photography and, implicitly, of America’s real and imagined images of itself — into each of his photos. For some viewers, these pictures may merely offer an abbreviated, reportorial glimpse of what a once-fabled region looks like today. For others, they may allude to a more expansive, Whitmanesque concept of America as a big, diverse place that is also a big, diverse, national family. In doing so, the vision and spirit of Kayafas’s broad body of work, of which The Way West represents only a small sampling, may even begin to point a way home.” —Edward M. Gomez, Hyperallergic, May 24, 2014   “Kayafas is an artist who keeps his strength in check.… [His photographs are] as initially unassuming as they are ultimately powerful. Kayafas’s pictures are rich in knowledge…. Candid is just the beginning.” —Boston Phoenix, March, 2005   “His pictures are crisp and direct, and the best of them vibrate with understated graphic tension.” —The New Yorker, March, 2005   “Kayafas’s images have a timeless quality. They’re simple and spare, yet quietly overpowering with their evocation of a history on a scale beyond that of individual human lives.” —Mark Feeney, The Boston Globe, January 2012

Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha returns as the guest of the show to talk about the behind the scenes, goings-on at Sasha Wolf Projects. Michael asks about her decision to represent two new artists and why they are in a slightly different category than her other artists. Sasha discusses some of the projects she is currently most focused on and Michael inquires as to whether or not the state of art sales during Covid is returning to normal.

https://sashawolf.com

Use code PHOTOWORK30 to get 30% off your book purchases at aperture.org/shop. Discounted books may be excluded.

Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Mark Steinmetz discuss the early influences on his work, including the cinematic influences. Mark talks about his relationship to Garry Winogrand, who he spent time with in Los Angeles, and talks in detail about the ways in which his different projects have evolved and taken shape. 

https://www.marksteinmetz.net

Mark Steinmetz resides in Athens, Georgia. He was recently awarded a commission from the High Museum of Art, Atlanta as part of their Picturing the South series, which will be exhibited at the museum in 2017. Steinmetz graduated from Yale’s MFA photography program in 1986, and he spent a year photographing alongside Garry Winogrand in Los Angeles during the late 1980s. He has taught at numerous prestigious colleges including: Harvard University, Yale University, Sarah Lawrence College, and Emory University.

Mark Steinmetz’s work has been exhibited in many major institutions, including Museum of Modern Art, New York; Whitney Museum of American Art; Museum of Contemporary Art, Georgia; Art Institute of Chicago; Museum of Fine Arts, Houston; and Los Angeles County Museum of Art. Public collections featuring his work include Metropolitan Museum of Art, New York; Whitney Museum of American Art, New York; Museum of Modern Art, New York; Art Institute of Chicago; San Francisco Museum of Modern Art; Yale University Art Gallery; and the Los Angeles County Museum of Art. Nazraeli Press has published nine monographs of his work, including South Central (2006); South East (2008), Greater Atlanta (2009), The Players (2015); and Angel City West (2016). Among other awards, Mark Steinmetz was the recipient of a John Simon Guggenheim Memorial Foundation Fellowship.

Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, curator, and writer, Jon Feinstein discuss the evolution of Humble Arts Foundation, the organization he co founded with Amani Olu, and how Humble represents Jon’s strong desire to democratize the art world and create opportunities for more people. Jon and Sasha also talk about some of the recent events in Jon’s personal life that has made his own work more urgent and emotional. They also reminisce about the first time they met and mutual affection abounds. 

http://www.jonfeinstein.com

About Jon Feinstein:

Jon Feinstein divides his time between making photographs, writing about photographs, curating photographs, and raising his daughter.  

Since 2019, he has been directing content/marketing strategy for The Luupe, a new platform connecting women photographers with big brands to change the still-backward narrative. 

In his spare time, he runs Humble Arts Foundation, a non-profit dedicated to supporting up and coming art photography. He works with photographers on collaborative interviews to make their photos shine.

Feinstein has curated over 50 exhibitions online and IRL, sometimes with curatorial heroes like Lumi Tan, Charlotte Cotton, Natalia Sacasa, Roula Seikaly, and Mickalene Thomas, landing press in HyperAllergic, Aperture, FeatureShoot, The New York Times and The New Yorker. 

Feinstein won the 2019 Blue Sky curatorial prize with Roula Seikaly, and also recently, curated his first museum show at The Ogden Museum in New Orleans. 

His writing on photography has appeared in VICE, Slate, Daylight, Aperture, Adobe, Hyperallergic, Photograph, and Time, and his weekly stories and interviews on Humble's blog have helped get photographers press, representation, and sell their work. 

His own photographs have been featured in Vice, Booooooooom, Paper Journal, Business Insider, Bon Appetit, Lenscratch, and (strangely) Fox News (no regrets).

Find out more at https://photowork.pinecast.co

For the 15th episode of PhotoWork with Sasha Wolf, Sasha and photographer, Zora J Murff have a conversation about the myriad of discriminatory practices embedded in the art world that have worked to exclude artists of color and how the current push for inclusion leads one to wonder if newly created opportunities are really here to stay. Zora discusses how the pandemic has lead to new ways of engaging students and looking at their work and how we should hold on to much of what we have learned during this time.

http://www.zora-murff.com

Zora J Murff is an Assistant Professor of Art at the University of Arkansas. He received his MFA from the University of Nebraska—Lincoln and holds a BS in Psychology from Iowa State University. Merging his educational experiences, Murff uses his practice to highlight intersections between various social systems and art. He has published books with Aint-Bad Editions (PULLED FROM PUBLISHER) and Kris Graves Projects. His most recent monograph, At No Point In Between (Dais Books), was selected as the winner of the Independently Published category of the Lucie Foundation Photo Book Awards. Murff is also a Co-Curator of Strange Fire Collective, a group of interdisciplinary artists, writers, and curators working to construct and promote an archive of artwork created by diverse makers. Murff is represented by Webber Gallery, London.

In 2020 Aperture and Baxter St at the Camera Club of New York, with the generous support of 7|G Foundation, announced Murff as the inaugural winner of the Next Step Award.

Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Kristine Potter discuss the various choices Kristine made that lead to her studying with and working for Mark Steinmetz and Philip-Lorca diCorcia, both significant relationships to her artistic practice, and the ways in which her eventual move to Nashville, Tennessee afforded her room to breath, leading to increased creativity. Kristine discusses her Dark Waters project and its connection to the Murder Ballads of the region and her penchant for subverting gender expectations in her work. 

http://www.kristinepotter.com

Kristine Potter is an artist based in Nashville, Tennessee, whose work explores masculine archetypes, the American landscape, and cultural tendencies toward mythologizing the past. Her first monograph Manifest was published by TBW Books in 2018. Potter was awarded a Guggenheim Fellowship in 2018 and was awarded the Grand Prix Image Vevey for 2019-2020. Potter’s work is in numerous public and private collections including that of: The Georgia Museum of Art, 601 Artspace, Swiss Camera Museum, and Foundation Vevey. Potter is an Assistant Professor of Photography at Middle Tennessee State University. 

Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Doug DuBois talk about the influence photographers Larry Sultan and Jim Goldberg had on Doug’s artistic development while he was in grad school in San Francisco.  Doug discusses his long term project, My Last Day at Seventeen and the complex, always evolving, responsibility he feels for how the teenage subjects, now adults, were represented. Doug’s openness, honestly and good humor bring warmth and breadth to this conversation.

http://dougdubois.com https://aperture.org/books/my-last-day-at-seventeen/?post_type=product&p=12198/

Doug DuBois’ photographs are in the collection of the Museum of Modern Art in NY, SFMOMA in San Francisco, J. Paul Getty Museum and LACAMA in Los Angeles, The Museum of Fine Art in Houston, the Library of Congress in Washington DC and the Victoria and Albert Museum, London. He has received fellowships from the John Simon Guggenheim Foundation, the MacDowell Colony, Yaddo, The National Endowment for the Arts, SITE Santa Fe, Light Works and The John Gutmann Foundation. Doug DuBois has exhibited at The J Paul Getty Museum in Los Angeles; The Aperture Foundation, The Museum of Modern Art and Higher Pictures in New York; SITE, Santa Fe; New Langton Arts in San Francisco; PARCO Gallery, Tokyo, Japan, Museo D’arte Contemporanea in Rome, Italy and The Irish Museum of Modern Art, The Crawford Art Gallery and the Gallery of Photography in Ireland.

He has published two monographs with the Aperture Foundation, My last day at Seventeen (2015), All the Days and Nights (2009); exhibition catalogues including Where We Live: Photographs from the Berman Collection (2007) with the J. Paul Getty Museum, The Pleasures and Terrors of Domestic Comfort (1991) with the Museum of Modern Art; as well as features in Double Take, The Picture Project, The Friends of Photography, and in magazines including The New York Times, Time, Details, GQ, The Telegraph and Financial Times of London, Monopol in Berlin and Outlook Magazine in Beijing.

Doug DuBois received his MFA from the San Francisco Art Institute and is an associate professor at Syracuse University and on the faculty at the Hartford Art School’s International Limited Residency MFA program in photography.

Find out more at https://photowork.pinecast.co

The Missing Guest

On this mini, no guest episode, Sasha and Michael joke around about their missing guest, try to confirm that Michael is indeed who he says he is, since Sasha has not actually seen him in a year, and share the photography books they are both currently reading. Sasha also advises listeners to preview the work of their next guest, Doug DuBois.

Books mentioned in this episode:

Migrant Mother, Migrant Gender - Sally Stein https://mackbooks.co.uk/products/migrant-mother-migrant-gender-sally-stein?_pos=1&_sid=62776877e&_ss=r

On Photographs - David Campany https://mitpress.mit.edu/books/photographs

Seeing Deeply - Dawoud Bey https://utpress.utexas.edu/books/dawoud-bey

The Locusts - Jesse Lenz https://charcoalpress.com/shop/the-locusts

A Parallel Road - Amani Willett https://www.overlapse.com/catalog/a-parallel-road/

Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer / filmmaker, Gillian Laub, talk about the patience needed to let a certain type of project take shape.  Gillian discusses her HBO Documentary, Southern Rites, and explains why still photography alone was not enough to tell that story, and she reveals the importance of trusting her editor in the book making process and making hard cuts to beloved images. This is an incredibly warm and cozy talk between two old friends who share lots of thoughts and feelings with one another and, of course,  the listeners. 

http://www.gillianlaub.com http://www.southernritesproject.com

Gillian Laub (b.1975, Chappaqua, New York) is a photographer and filmmaker based in New York. She graduated from the University of Wisconsin-Madison with a degree in comparative literature before studying photography at the International Center of Photography, where her love of visual storytelling and family narratives began.

Laub spent over a decade working in Georgia exploring issues of lingering racism in the American South. This work became Laub’s first feature length, directed and produced, documentary film, Southern Rites that premiered on HBO.  Her monograph, Southern Rites (Damiani, 2015) and travelling exhibition by the same title came out in conjunction with the film and are being used for an educational outreach campaign, in schools and institutions across the country. Southern Rites was named one of the best photo books by TIME, Smithsonian, Vogue, LensCulture, and American Photo. It was also nominated for a Lucie award and Humanitas award.

Laub recently recieved the Distinguished Alumni Award from the University of Wisconsin-Madison and was honored as a NYSCA/NYFA Photography Fellow in 2019.

Laub has been interviewed on NPR, CNN, MSNBC, Good Morning America, Times Talks and numerous others.  Laub contributes to many publications including TIME , The New York Times Magazine and Vanity Fair. Laub’s work has been widely collected and exhibited, and is included in the collects of the Harvard Art Museums, Cambridge MA; Museum of Fine Arts, Houston; Terrana Collection, Boston; Jewish Museum. New York; Rose Art Museum, Brandeis University; Brooklyn Museum, New York; Corcoran Gallery of Art, Washington DC (now American University Museum Collection in Washington, DC), and a wide range of corporate and private collections.

Episode Notes

For our 10th episode of PhotoWork with Sasha Wolf, Michael plays host while Sasha answers some of the burning questions that our listeners have been sitting on for 9 episodes.  Below we have linked to some of the resources that we mention in this episode. Thank you to everyone who submitted questions and feel free to keep them coming through our DM on Instagram.

DM your questions here: https://www.instagram.com/sashawolfprojects/ https://www.instagram.com/realphotoshow

Here are some links to resources mentioned in the show:

Kris Graves Projects https://www.krisgravesprojects.com

TBW Books https://tbwbooks.com

TIS Books https://www.tisbooks.pub

Paris Photo https://www.parisphoto-newyork.com/en-gb.html

Society for Photographic Education https://www.spenational.org

Lenscratch http://lenscratch.com

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Alejandro Cartagena, talk about finding motivation from within and not counting on the art world at large to propel or inspire your creative output. Alejandro talks about how his early work as an archivist has come back around to be a key part of his current practice and how he juggles multiple bodies of work at once. Alejandro's incredible passion for his craft, his good humor and high spirits keep this conversation moving at warp speed.

https://alejandrocartagena.com

Alejandro Cartagena, Mexican (b. 1977, Santo Domingo, Dominican Republic) lives and works in Monterrey, Mexico. His projects employ landscape and portraiture as a means to examine social, urban and environmental issues. Cartagena’s work has been exhibited internationally in more than 50 group and individual exhibitions in spaces including the the Fondation Cartier pour l’art contemporain in Paris and the CCCB in Barcelona, and his work is in the collections of several museums including the San Francisco MOMA, the Museum of Contemporary Photography in Chicago, the Portland Museum of Art, The West Collection, the Coppel collection, the FEMSA collection, Museum of Fine Arts in Houston, the George Eastman House and the Santa Barbara Museum of Art and among others.

Alejandro is a self publisher and co-editor and has created several award wining titles including Santa Barbara Shame on US, Skinnerboox, 2017, A Guide to Infrastructure and Corruption, The velvet Cell, 2017, Rivers of Power, Newwer, 2016, Santa Barbara return Jobs to US, Skinnerboox, 2016, Headshots, Self-published, 2015, Before the War, Self-published, 2015, Carpoolers, Self-published with support of FONCA Grant, 2014, Suburbia Mexicana, Daylight/ Photolucida 2010. Some of his books are in the Yale University Library, the Tate Britain, and the 10×10 Photobooks/MFH Houston book collections among others.

Cartagena has received several awards including the international Photolucida Critical Mass Book Award, the Street Photography Award in London Photo Festival, the Lente Latino Award in Chile, the Premio IILA-FotoGrafia Award in Rome and the Salon de la Fotografia of Fototeca de Nuevo Leon in Mexico among others. He has been named an International Discoveries of the FotoFest festival, a FOAM magazine TALENT and an Emerging photographer of PDN magazine. He has also been a finalist for the Aperture Portfolio Award and has been nominated for the Santa Fe Photography Prize, the Prix Pictet Prize, the Photoespaña Descubrimientos Award and the FOAM Paul Huff Award. His work has been published internationally in magazines and newspapers such as Newsweek, Nowness, Domus, the Financial Times, The New York Times, Le Monde, Stern, PDN, The New Yorker, and Wallpaper among others.

For the eighth installment of PhotoWork with Sasha Wolf, Sasha and artist, Dannielle Bowman, talk about Dannielle’s amazing trajectory, from almost giving up on making photographs, to being invited to work on the New York Times 1619 Project. Dannielle, who was awarded the Aperture Portfolio Prize this year, speaks at length about her work, and explains why and how she looks to create real ambiguity in her pictures. Dannielle discusses how shooting for the 1619 Project has had a lasting impact on her personally and on her work. The episode ends with a brief discussion of Dannielle’s experience at Yale in the MFA program and the strong bonds she formed there with her fellow students and professors.

https://danniellebowman.com

Dannielle Bowman received a BFA from The Cooper Union and an MFA from the Yale School of Art, where she was awarded the 2018 Richard Benson Prize. In 2019, she was a contributor to the New York Times Magazine’s The 1619 Project, and in 2020 she was awarded the Aperture Portfolio Prize. Bowman has been an artist in residence at Baxter St at the Camera Club of New York; the Center for Photography at Woodstock, New York; and PICTURE BERLIN. Bowman has exhibited in the US and internationally. She lives and works in New York.

In this episode of PhotoWork with Sasha Wolf, Sasha talks with the Creative Director of Aperture, Lesley Martin. Sasha and Lesley take a deep dive into the world of photo book publishing, discuss the long process of getting a book made, from start to finish, and how up-and-coming photographers might approach publishers. Lesley talks about how she wound up at Aperture, the highs and lows of working collaboratively and about her extensive work on the publication, Stephen Shore's Selected Works, among other. They also talk about the joys of book details such as vertical gatefolds and what’s better to show editor—a PDF or a maquette. They end with some deep talk about legacy and express their mutual admiration.

Lesley A. Martin is creative director and publisher of The PhotoBook Review, a newsprint journal dedicated to the evolving conversation surrounding the photobook. Her writing on photography has been published in Aperture, American Photo, FOAM, and Lay Flat, among other publications, and she has edited over seventy-five books of photography, including Reflex: A Vik Muniz Primer; On the Beach by Richard Misrach; Paris • New York • Shanghai by Hans Eijkelboom; Tokyo by Takashi Homma; Paul Strand in Mexico; Illuminance and Ametsuchi by Rinko Kawauchi; and Enclave by Richard Mosse. She has curated several exhibitions of photography, including The Ubiquitous Image, part of the inaugural New York Photo Festival in 2008; the New York Times Magazine Photographs, cocurated with Kathy Ryan (2011); and in 2012, Aperture Remix, a commission-based exhibition celebrating Aperture’s sixtieth anniversary. In 2015, she was named a visiting critic to the Yale MFA Photography program.

https://aperture.org

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Todd Hido, have a wide-ranging conversation about Todd's roles as an artist and an educator. Todd shares his ideas about how students should follow the John Cage rule and “ Find a place you trust and try trusting it for a while”, and how, as a student himself, he had to push back against a critique to make his work less subjective! Todd and Sasha find common ground through cinematic influences and the desire for hope as a motivator to keep working. There is much to love and learn from in this episode as Hido is extremely generous with his hard won wisdom.

Todd Hido is a San Francisco Bay Area-based artist whose work has been featured in Artforum, The New York Times Magazine, Eyemazing, Wired, Elephant, FOAM, and Vanity Fair. His photographs are in the permanent collections of the Getty, the Whitney Museum of Art, the Guggenheim Museum, New York, San Francisco Museum of Modern Art, the de Young Museum, the Smithsonian, the Los Angeles County Museum of Art, as well as in many other public and private collections. Most notably, Pier 24 Photography holds the archive of all his published works. He has over a dozen published books; his most recent monograph titled Excerpts from Silver Meadows was released in 2013, along with an innovative B-Sides Box Set designed to function as a companion piece to his award-winning monograph. Aperture has published his mid-career survey entitled Intimate Distance: Twenty-Five Years of Photographs, a Chronological Album in October of 2016. His next book titled Bright Black World will be released by Nazraeli Press in the fall of 2018. In addition to Hido being an artist, he is also a collector and over the last 25 years has created one of the most notable photobook collections. His library will be featured in Bibliomania: The World’s Most Interesting Private Libraries forthcoming in 2018 by Random House.   http://www.toddhido.com

For the 5th installment of PhotoWork with Sasha Wolf, Sasha and photographer, Jess T. Dugan, speak with one another from their respective recording booths, better known as closets. Jess and Sasha discuss why Jess went to Columbia College Chicago specifically to study with Dawoud Bey, how working at a museum when she was younger has been beneficial to her subsequent career as a fine artist, and just how much people can really know you through your art work. Jess and Sasha also have a candid conversation about the strengths and differences between Jess’s two most well known bodies of work.

Jess T. Dugan (American, b. 1986 Biloxi, MS) is an artist whose work explores issues of identity through photographic portraiture. They received their MFA in Photography from Columbia College Chicago (2014), their Master of Liberal Arts in Museum Studies from Harvard University (2010), and their BFA in Photography from the Massachusetts College of Art and Design (2007).   Dugan’s work has been widely exhibited and is in the permanent collections of the Smithsonian National Portrait Gallery, the International Center of Photography, the Museum of Fine Arts, Boston, the Museum of Fine Arts, Houston, the Minneapolis Institute of Art, the St. Louis Art Museum, the Museum of Contemporary Photography, the Library of Congress, and many others throughout the United States.   Dugan’s monographs include To Survive on This Shore: Photographs and Interviews with Transgender and Gender Nonconforming Older Adults (Kehrer Verlag, 2018) and Every Breath We Drew (Daylight Books, 2015). They are the recipient of a Pollock-Krasner Foundation Grant, an ICP Infinity Award, and were selected by the Obama White House as a 2015 Champion of Change.   Dugan teaches workshops at venues including the Anderson Ranch Arts Center in Snowmass Village, CO, the Fine Arts Work Center in Provincetown, MA, and Filter Photo in Chicago, IL. In 2015, they founded the Strange Fire Artist Collective to highlight work made by women, people of color, and LGBTQ artists. They are represented by the Catherine Edelman Gallery in Chicago, IL.

http://www.jessdugan.com

In this episode of PhotoWork with Sasha Wolf, Sasha and guest, photographer, Adam Katseff, have a conversation about influence, the tricky part of trying to identify oneself as an artist, and the importance of acknowledging your own successes. Sasha and Adam talk about the process of creating his exquisite landscape series’, The Dark Landscapes and Rivers and Falls, and its connection to both early western landscape photography in the U.S, and abstract expressionist painting. In our introduction, Sasha and Michael talk about why Sasha is in her closet and how New Jersey is one step from the great beyond.   Visit https://www.adamkatseff.com to see Adam's work.   Adam Katseff was born in North Andover, Massachusetts and currently lives in Brookline, MA. He received a BFA from Massachusetts College of Art before going on to receive his MFA from Stanford University. He has been the recipient of the Murphy and Cadogan Contemporary Art Award as well as the Anita Squires Fowler Award, and his work has been shown around the country, including at the San Francisco Arts Commission Gallery, Berkeley Art Center, Hearst Galleries, and the Michael and Noemi Neidorff Gallery at Trinity University. In May 2015, Katseff won the INFOCUS Sidney Zuber Photography Award; as part of the win, his work was displayed at the Phoenix Art Museum for two months. In 2015 Katseff was also included in a major survey exhibition of photography, architecture and contemporary art dedicated to the Sierra Nevada region, mounted by the Nevada Museum of Art. The featured work was from his ‘Dark Landscape’ series and was acquired by the museum following the exhibition. Katseff’s work has received press from a number of notable publications, including The New Yorker and Collector Daily.

Katseff had his inaugural show with Sasha Wolf Gallery, In The Course of Time, in October 2014, enjoyed a number of successful art fairs with the gallery, including AIPAD and a solo booth at Art on Paper in March 2015 and had his second solo exhibition, Rivers and Falls, in April 2015. He’s also represented by Robert Koch Gallery in San Francisco and had a solo show at Koch in September 2017.   Please subscribe and rate the show on Apple Podcasts, Spotify, or Stitcher.

For the first episode of Photo Work with Sasha Wolf, Sasha speaks with Bryan Schutmaat who, in 2020, received the John Simon Guggenheim Memorial Fellowship. As Sasha likes to describe the show, it's a talky and touchy-feely version of her book, Photo Work: Forty Photographers on Process and Practice, and she and Bryan talk about his process and practice as well as his thoughts about the art world in general and what it means to call yourself an artist.