61 avsnitt • Längd: 55 min • Veckovis: Tisdag
A weekly podcast hosted by The Ankler’s awards editor Katey Rich, featuring lively and endlessly curious discussion of the film and television awards races and the business that surrounds them. Episodes will also include interviews with top awards contenders and the major players in the races that make Hollywood run.
The podcast Prestige Junkie is created by TheAnkler.com. The podcast and the artwork on this page are embedded on this page using the public podcast feed (RSS).
First Dave Gonzales joins Katey to look at how Thunderbolts fits into the Marvel Cinematic Universe's current existential crisis, and whether Fantastic Four later this summer can keep the good vibes going. Then Matlock creator Jennie Snyder Urman and star Kathy Bates talk about how they crafted a legal procedural for the modern era, and why it was good enough to bring Kathy back from the brink of retirement.
Tom Oyer, an Oscar die-hard and former senior vice president at the Academy, joins Katey to break down the new rules for this year’s Oscars, and explains why the Oscars need so many rules in the first place. Then Katey talks to Hannah Einbinder and Paul W Downs about the latest season of Emmy champion Hacks, and their secrets for the best backlot golf cart rides.
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Katey talks to Ankler colleague Lesley Goldberg about a TV trend that's more promising than it might seem, thanks to spring hits like The Pitt. Then Katey talks to Uzo Aduba about leading Netflix's new White House murder mystery series The Residence, and what it takes to play true genius on TV.
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First, Katey talks to fellow long-time podcaster Karina Longworth about the latest season of her show You Must Remember This, which looks back at how iconic directors like John Huston and William Wyler adapted to the changes in Hollywood in the 1960s — and what we can learn from their struggles. Then, The Wedding Banquet director Andrew Ahn and his co-writer James Schamus talk about their unusual collaboration, working together to remake a film Schamus co-wrote in 1993 with Ang Lee, and update it for a modern audience while maintaining the original's scrappy indie film spirit.
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Live on stage at NAB Show in Las Vegas, Katey talks to the prolific filmmakers about their long friendship, hard-won lessons, and what's next for Hollywood, technology and storytelling.
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First, Natalie Jarvey, the author of the Ankler's Like and Subscribe newsletter, joins Katey to talk about how Hollywood is trying once again to partner with some of the Internet's most popular creators — and why those creators still want Emmy recognition, too. Then Katey talks to Jason Isaacs, fresh off watching the finale of The White Lotus alongside his cast mates, about the wild ride of being on the most talked-about show in television, and some hard-won lessons from a career onscreen.
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Mississippi’s own Landon Bryant— better known on the Internet as Landon Talks— joins Katey to talk about his hometown hero Parker Posey and her divisive, instantly iconic performance on the current season of The White Lotus. They also talk about the actors who have nailed their Southern accents over the years, and Hollywood might be able to work with creators like Landon to truly get it right going forward.
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With splashy TV premieres everywhere you look and many more to come, it really is officially Emmy season, but maybe a little too early to get into the weeds of who will win. So instead we're kicking things off with a look at the world of prestige TV, Ankler-style, with two of our Series Business authors, Elaine Low and Manori Ravindran, joining me to talk about the world of TV overall. How do this year's contenders reflect all the anxiety and contraction we're seeing in the industry? How are so many UK imports making such a splash? And which shows are giving us hope that TV might just be OK after all?
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Chris Feil and Joe Reid return to join Katey for a broad overview of the most exciting films ahead this year, from new work from greats like Paul Thomas Anderson, Celine Song and Yorgos Lanthimos to, yes, Wicked: For Good. They also continue their annual tradition of making irresponsibly early best picture predictions, and share some hopes that Colin Farrell, Paul Mescal, Andrew Scott and even some non-Irish actors will have a huge year ahead of them.
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With the 97th Academy Awards finally in the rearview, Katey gathers a murderers' row of former guests to share their final takeaway from this topsy turvy season. Answering the question "What did you learn from this year's Oscars?" are Esther Zuckerman, Jordan Hoffman, Richard Rushfield, Tyler Coates, Michael Shulman, Sam Adams, Rebecca Ford, Shirley Li, Matt Patches, David Canfield, Chris Murphy, Sean Fennessey, Alison Brower, and Chris Feil. Join us, and then you never have to think about this year's Oscars again.
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Anora wins big, Conan wins over the crowd, and everyone wonders what's next for Demi Moore. It's the morning-after Oscars report with Katey and Tyler, with highlights from the red carpet, the Anora after-party, and everything in between.
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Katey and Joe Reid go through their final picks in all 23 Oscar categories, from the guaranteed wins to the true toss-up categories — and of course, the eternally unpredictable best picture race. Then Katey talks to Oscar executive producers Raj Kapoor and Katy Mullan about the frantic final days before the show, what to expect from Conan O'Brien's first time as host, and how some classic Oscar traditions will be turned on their head this year.
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Dan D'Addario, Variety's chief correspondent and the author of the upcoming book The Talent, joins Katey to take stock of this year's Oscar season as final voting ends, and ponder which actors did the best job of giving what Dan calls "the performance after the performance" on the campaign trail. Dan's new novel The Talent, out in bookstores February 25, follows five best actress nominees across a fictional awards season, which brings up the question: why is the best actress race the one that captivates Oscar obsessives year after year?
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Find out more about Dan's book The Talent.
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Your Guide to the Oscar-Nominated Shorts with Chris Feil, Plus Monica Barbaro's Voice Lessons
Chris Feil and Katey watched all fifteen of the Oscar-nominated short films, and though we recommend you see them yourself in theaters, we've also got a cheat sheet for how to pick them in your Oscar pool. Then Katey talks to Monica Barbaro about becoming a singer to play Joan Baez in A Complete Unknown, and the advice about taking care of your voice that she learned — and if her voice coach asks, she's definitely still following them.
Speaking of Oscar pools! Join the Prestige Junkie Oscar Pool and test your mettle against the Ankler staff and some of our favorite pundits.
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Kyle Buchanan joins Katey, who has lost most of her voice after a big awards season weekend in Los Angeles, to break down three huge recent victories for Sean Baker’s Anora— and what, if anything, might still be standing between it and best picture. They also look back at the outsized role played this awards season by online fans, and whether that will be the new normal going forward.
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David Sims joins Katey to look broadly at the best picture field after the Emilia Perez fallout, the Complete Unknown surge, and everything else that’s made this season so impossible to predict. What actually deserves to win best picture after all this? What will look like a good win in 10 years? We get into all of it.
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After a whirlwind few days of scandal and seemingly endless interviews from Emilia Pérez star Karla Sofia Gascón, Slate's Sam Adams join Katey to figure out how it all played out, how fervent fan bases have played outsize roles in this awards season, and where Emilia Pérez's Oscar hopes can go from here. Then Katey talks to Anora's director, writer, co-producer and editor Sean Baker about his very particular way of making movies, how he challenged himself with Anora and where he'll go from here.
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The Ringer's Joanna Robinson returns to join Katey and look at the Oscar success of not just The Substance but also Nosferatu, and why it's good for everyone when there's a popular genre movie that the Oscars can already embrace. Then, The Brutalist director Brady Corbet calls from London, where he reflects on the long promotional campaign he's still in the middle of, what the future of Hollywood and AI should actually look like, and what he'll do on March 3 when this awards season rush is all over.
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The Ankler's Alison Brower joins Katey from Park City to talk about the highlights from the first few days of Sundance, which as usual is heavy on excellent docs and has plenty of hit-or-miss star vehicles. Luckily for the rest of us, there are at least a few surefire hits to look forward to.
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Katey shares instant reactions to this year’s Oscar nominations with Esther Zuckerman, then shares segments of a Substack Live session with Richard Rushfield, asking some of the bigger questions about what this years nominations mean for Hollywood. Want to be part of our next Substack Live? Become a paid subscriber to The Ankler and join us!
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It feels like an eternity since last week’s Golden Globes, and with all of Los Angeles focused on the wildfires and their aftermath, awards season has taken a backseat— but hasn’t ended entirely. Tyler Coates joins Katey to talk about the impact of all this turmoil, and how awards season might boost the city’s recovery once it finally returns.
Then Katey talks to Robert Eggers, the director of stylish horror films who just had his biggest hit ever with Nosferatu, a movie he’s spent more than a decade trying to get made— and was absolutely worth the wait.
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The Golden Globe-winning star of I’m Still Here on reuniting with Walter Salles for their acclaimed historical drama, and how she learned from her mother how to prepare for a run through awards season.
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Katey and Richard Rushfield continue their look back at the year that was in Hollywood, selecting the year's standout performances in everything from little-seen Sundance indies to some likely future Oscar winners. It's enough good work to even make Richard feel a little optimistic as the new year begins.
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Katey sits down in front of a live audience in Hollywood with the director of the animated sensation, discussing what it took to make his directorial debut after years at Pixar, the many versions of the film that existed before the one we see today, and the emotions driving his console these days.
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Katey reunites with Vanity Fair's David Canfield to break down the highlights of the Golden Globes, which had some surprisingly great winners and a very capable host in addition to some bizarre production snafus. Then Katey talks to Guy Pearce, a Golden Globe and Critics Choice nominee for his role in The Brutalist, about some hard-won wisdom from a long, up-and-down career in Hollywood.
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Richard Rushfield joins Katey to look back at the year in film, which Richard thinks is one of the worst in the history of studio filmmaking — if not the worst — but still scrounged up enough titles to get excited about. The episode also includes Katey's conversation with Javier Bardem about his chilling performance on the limited series Monsters: The Lyle and Erik Menendez Story — and his surprisingly moving motivation for taking on a very different kind of character in a recent, criminally underseen children's film.
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Little Gold Men co-host Richard Lawson reunites with Katey to look at the long list of films opening this Christmas, from the tiny Italian drama that was one of Richard's favorite movies of the year to, yes, Mufasa. Then Katey talks to Glen Powell from his new, temporary home in London, where he reflects on a very busy 2024 and what he learned about Hollywood by making something as unique — and actually good! — as the Richard Linklater-directed Hit Man
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Returning guest Tyler Coates joins Katey to break down the Oscar shortlists in 10 categories, with insight on the ever-chaotic best original song race, the major competition in international feature, and the impossible to predict short films.
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With Golden Globes and Critics Choice TV nominations out there and SaG right around the corner, Joe Reid joins Katey to look at the state of TV awards buzz, from last year's Emmy holdovers still holding court to exceptional fall shows like Nobody Wants This and The Penguin that might go the distance. Then, Katey talks to writer and director Steve McQueen about diving into the past — and into a child's point of view — for his stirring World War II drama Blitz, now streaming on Apple TV+.
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Listen to our first-ever Substack Live, in which Esther Zuckerman, author of the new book Falling in Love at the Movies, and Katey break down Monday's Golden Globe nominations. Then hear Katey's conversation with Marianne Jean-Baptiste, recorded mere minutes after her performance in Hard Truths won her the best actress prize from the New York Film Critics Circle.
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With the New York Film Critics Circle and Los Angeles Film Critics Association set to make their picks this weeks, The Atlantic's Shirley Li joins to explain why critical buzz is so important in this part of the awards race, and maybe even help Katey fill out her own Critics Choice Awards ballot. Then John Magaro, a proud "journeyman" actor who has nonetheless become a major arthouse movie draw, talks about his role in the tense thriller September 5.
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Matt Patches, Katey's old friend and co-host on the Fighting in the War Room podcast, joins to explain the emergence of the Game Awards, why the video game industry cares so much about them, and what Hollywood's awards shows might be able to learn from a much newer version of the format. Then Katey talks to Eddie Redmayne, who is spearheading the ambitious new spy series The Day of the Jackal but also reflecting on the 10 years that have passed since his Oscar win, and what he's learned about his own taste in movies in the process.
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Katey reunites with her former Little Gold Men co-host Rebecca Ford to recap the highlights of Sunday's Governors Awards, where Oscar hopefuls rubbed elbows and the Quincy Jones tribute had everybody in tears. Then Jesse Eisenberg talks about his inspirations for his film A Real Pain, why he only wants to write characters who are different from him, and when he'll find the time to write a song about South Sudan.
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Katey and Richard Rushfield join forces to pick movies from across movie history that are guaranteed to leave you feeling hopeful, no matter what the news has in store. Then Katey talks to The Piano Lesson star Danielle Deadwyler about everything that goes into her tremendous performances, from her knack for stillness to how she built trust with The Piano Lesson director Malcolm Washington.
Katey's list of Movies For Hope on Letterboxd: https://letterboxd.com/kateyrich/list/movies-to-give-you-hope/
Richard's list: https://letterboxd.com/rrushfield/list/movies-to-make-you-feel-ok-when-the-world/
Tyler Coates joins Katey to talk about why the Oscars and politics are so eternally entwined, and how no matter what happens in Tuesday's election, the impact will be felt throughout the season. The episode also includes a conversation with June Squibb, the 94-year-old star of the summertime hit Thelma, who has a lot of wisdom about tackling physical challenges small and large and putting her trust in a first-time director.
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Katey talks to Civil War star Kirsten Dunst about her powerful work in the Alex Garland thriller, and how she decides when it’s worth taking on a movie when she’s got two young boys demanding her attention at home. The episode also features a conversation with New Yorker staff writer and author Michael Schulman about the big narratives driving this year’s awards season, from the breakout stars to the movie that’s a metaphor for the Oscars themselves.
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Listen in on our live panel event at the Montclair Film Festival, featuring awards season speculation from Chris Murphy and Chris Rosen and true insider insight from Sony Pictures Classics co-president and co-founder Tom Bernard. Then Katey sits down with Stephen Colbert, who hosts some of the most high profile onstage events of the festival, and his wife Evie McGee Colbert, the president of Montclair Film.
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With the best picture race still anyone's game, This Had Oscar Buzz co-host Chris Feil joins Katey to ask the big questions that will determine the race, from how international voters play into it to what Clint Eastwood might have in store. Then, Katey talks to Morgan Neville, the Oscar-winning documentarian whose new film Piece by Piece he's calling a work of "creative nonfiction" than a documentary — though he finds all the rules about that pretty silly anyway.
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Now going toe to toe with Colin Farrell in the HBO series The Penguin, Cristin Milioti has emerged on the other side of the Hollywood strikes knowing more about what she wants from this business — even if she knows it's "crazy-making and bad for us all."
The episode also includes a conversation with Vanity Fair's Chris Murphy about his recent cover story on Wicked stars Ariana Grande and Cynthia Erivo, and what to expect from an awards season full of musicals, including Emilia Perez, Moana 2, Mufasa and even the ill-fated Joker: Folie á Deux.
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Chris Sanders, the writer and director of The Wild Robot, explains the groundbreaking technology that allows his animated film to look like it's hand-painted — because it is! Plus, Jordan Hoffman joins for a conversation about the New York Film Festival, the buzz around Nickel Boys and what makes this festival unlike any other in the fall schedule.
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The titular stars of the road trip documentary Will & Harper, Will Ferrell and Harper Steele are reuniting to talk about the film with eager audiences around the country— and they’re still busy trying to make each other laugh, too.
The episode also includes a conversation between Katey and The Ankler’s Richard Rushfield about the biggest burning questions of awards season, from whether this is finally Netflix’s year to the relevance of the Golden Globes.
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Elaine Low joins Katey for a dispatch from Emmys weekend parties, and a look at how this year's Emmy results might tell us where Hollywood is headed next. Then Katey catches up with Emilia Perez star Karla Sofia Gascon, who already won a best actress prize at Cannes for her breakthrough role in the film. She's freshly home from Telluride and Toronto and is gearing up for a lot more attention this season — whether or not she's ready for the red carpet fashion that goes with it.
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Hello TIFF! For Prestige Junkie's inaugural year in Toronto we teamed up with TIFF to present this live edition of the podcast. First Katey is joined by Vulture's Joe Reid to look back at the festival thus far, with plenty of buzzy best actress performances and a coveted audience award on the line. Then Hugh Grant joins Katey to discuss his new A24 thriller Heretic but also so much more, from how he's learned to weather social media storms to the imitation Meryl Streep does of him on set when he's worried about a close-up. Heretic opens in theaters on November 15.
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Katey is joined by Indiewire’s David Ehrlich to run down the highlights of the Telluride and Venice Film Festivals, which already have awards season running at full speed— and we haven’t even gotten to Toronto yet. The episode also includes a conversation with Willa Fitzgerald, the star of the summer’s breakout thriller Strange Darling. She gets into spoilers about this very twisty movie at the 52 minute mark, so be warned!
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The prolific producer, whose new project Fight Night debuts on Peacock September 5, has built a career on entertaining audiences Hollywood often overlooks. He shares a few secrets of how he's done it, and how surviving the TikTok era and the post-strike industry requires some optimism — but also willingness to take risks.
The episode also includes a look ahead to the Telluride Film Festival with guest co-host Sean Fennessey, and some speculation about how Challengers might make a slow awards-season comeback.
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The Emmy nominee and star of Fallout and the upcoming White Lotus season three looks back at what drove him to make a living in Hollywood, how he and Jonathan Nolan crossed paths at the Oscar nominee luncheon years before teaming up for Fallout, and what keeps him coming back to film and TV sets.
The episode also includes a conversation between Katey and Gold Derby's Chris Rosen about the state of play in the Emmys race, the most competitive categories, and how the presence of Meryl Streep upends any awards season.
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The Emmy-nominated talent behind the fifth season of Fargo joined me live in Los Angeles to talk about the connections they built on set and the hit show's new nod to the original movie.
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The Slow Horses Emmy nominee describes the surprising joys of being part of a television show that's already filmed five seasons, with more on the way, and how it brings him back to his roots in the theater. But before that, guest co-host Tyler Coates joins Katey to dig into the true inner workings of awards season, which controversies might still be on the horizon, and why some things about the process may never change no matter what.
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David Canfield joins Katey Rich to look at the films that have already built a strong base of awards season support, from early year standouts like Sing Sing and Anora to upcoming hopefuls like Gladiator 2 and The Wild Robot. Then Katey talks to Nikki Glaser, who earned her first-ever Emmy nomination for her hit standup special Someday You'll Die, and is still trying to figure out what to do with her new level of fame following the Tom Brady roast.
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Chris Feil joins Katey to break down all the premieres announced for festivals in Venice, Toronto and beyond, and go deep on William S. Burroughs's Queer, soon to be a film from Luca Guadagnino. Then, Katey talks to songwriters Benj Pasek and Justin Paul, who are Emmy-nominated for their Only Murders in the Building original song "Which of the Pickwick Triplets Did It". They will be in the extremely rare class of EGOT winners if they take home the Emmy — but they have to get past their friend and collaborator Sara Bareilles first.
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Rob Long, the host of the Martini Shot podcast, joins Katey Rich to talk about what it's really like when you're nominated for an Emmy, and why in an era of endless uncertainty in Hollywood, awards might actually mean more than ever. Then Katey talks to Moses Ingram, the star of the new Apple TV+ series Lady in the Lake, about coming home to Baltimore to make the show, and how her co-star Natalie Portman has shown genuine allyship as they hit the promotional circuit together.
Jordan Hoffman joins Katey Rich to discuss the highlights of this year’s Emmy nominations, from FX getting even better news than expected to the shutout for a recent Oscar winner. Plus, Shogun creators Rachel Kondo and Justin Marks join Katey to reflect on the unlikely road to 25 nominations — and how they wish they were celebrating.
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The star and executive producer of the new film Sing Sing talks about the fearless collaboration required to make the movie, both with the director Greg Kwedar and his co-stars, many of whom were formerly incarcerated members of the theater program at the heart of the film.
The episode also includes a conversation between Katey Rich and Gold Derby’s Chris Rosen about their final Emmy nomination predictions, and which shows might surprise us when the nominations are announced next week.
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The writer and director Michael Sarnoski says that before he said yes to directing the spinoff A Quiet Place: Day One, he had to be certain he could bring something personal to the franchise world created by John Krasinski. On this week's episode he tells Katey Rich how he did just that, and found remarkable box office success in the process.
But before that, The Ringer's Joanna Robinson joins Katey Rich for our first Oscar flashback, celebrating the 35th anniversary of sex lies and videotape and the indie film boom it inspired. Joanna and Katey look back at Steven Soderbergh's autobiographical inspirations, the performances that hold up the best, and why the Oscars weren't quite ready for this movie, even if they would be now.
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Esther Zuckerman joins Katey Rich to talk about Kinds of Kindness, The Bikeriders, and Janet Planet, made by some of the most exciting directors working and with varying levels of hope for hanging around until awards season at the year’s end. Then Katey talks to Julianne Nicholson, the star of Janet Planet, about building the film’s unique world with writer-director Annie Baker.
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Host Katey Rich is joined by The Atlantic and Blank Check's David SIms to take a look at Inside Out 2, what it means for the summer's sputtering box office and the future of Disney, and how it might fit into the next Oscar race. Then Katey talk to two stars of Abbott Elementary, Lisa Ann Walter and Sheryl Lee Ralph, who have bonded closely over everything from union work to TCM.
Katey Rich is joined by The Ankler's founder and chief columnist Richard Rushfield, who has spent a lot of the summer talking about the ways Hollywood is going wrong but consents to some optimism when it comes to the Emmys race. Then, Baby Reindeer Jessica Gunning talks to Katey about the Oscar-winning makeup artist who helped with her Baby Reindeer audition, what it's like when she and co-star Richard Gadd go out together in public now, and what might come next after such a huge breakout performance.
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Elaine Low joins Katey Rich to explain why shows like Emmy heavyweights The Bear, Shogun, and The White Lotus are so hard to replicate, and which successful TV trends might be poised for a cargo pants-style comeback. Then Katey talks to Seth Meyers about 10 years of his show Late Night With Seth Meyers, getting heckled via text by John Oliver, and why when Dolly Parton asks if she can send people your children's book, you say yes.
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Host Katey Rich is joined by This Had Oscar Buzz co-host Joe Reid to discuss the Cannes Film Festival winners, and which titles could follow in the footsteps of The Zone of Interest and Anatomy of a Fall to major Oscar success.
Then, Katey talks to Maya Rudolph about the second season of her series Loot, in which she co-stars alongside Michaela Jae Rodriguez, Joel Kim Booster, Nat Faxon, and more. After coming up on Saturday Night Live and guest starring on virtually every great comedy of the past two decades, Rudolph says “I feel far funnier among funny people as opposed to being the center of something.” As Loot emerges as a true workplace comedy in its second season, it certainly allows her to do just that.
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Host Katey Rich is joined by Sean McNulty to talk about the impact of Shogun moving to the best drama series Emmy race, and why the show’s success is so thrilling even if you’re not an FX or Disney shareholder.
Then Katey talks to Under the Bridge star Lily Gladstone about her busy life post-Oscar nomination, her personal connection to the true story behind the show, and why making a comedy with Bowen Yang is a more logical step for her than you might expect.
Hosted by The Ankler’s Awards Editor Katey Rich, the Prestige Junkie podcast is your weekly guide to all of Hollywood’s awards season, featuring conversations with the biggest talents who make it happen. First episode drops May 21.
En liten tjänst av I'm With Friends. Finns även på engelska.