Rock’s Backpages

In this episode we welcome the legendary Penelope Spheeris and invite her to talk us through her extraordinary life and brilliant career.

Barney wastes little time in asking the Louisiana-born filmmaker about the shocking traumas of her childhood and teenage years. We hear about her alcoholic mother's multiple marriages and the family's move to Southern California that led to Penelope putting herself through film school before graduating from UCLA.

Along with the Saturday Night Live shorts she made with actor/comic Albert Brooks, Penelope talks about the pioneering Rock 'n' Reel production company that made '70s videos for everyone from Funkadelic to Fleetwood Mac. We also learn about her conversion to punk rock via Brendan Mullen's Masque club, where she shot SoCal hardcore bands like X, Fear, the Germs and Black Flag, the footage winding up in 1981's thrilling Decline of Western Civilization.

From the first Decline we jump forward seven years to Decline II — and to a discussion of the '80s glam-metal scene that exploded on West Hollywood's Sunset Strip via bands such as W.A.S.P. and Poison. In addition we hear clips from Mat Snow's 1989 audio interview with all-girl quartet Vixen, sparking a discussion of rampant misogyny on the big-hair metal scene.

With Decline II: The Metal Years being our guest's de facto passport to directing 1992's enormo-grossing Wayne's World, we ask Spheeris to recall her not-altogether- felicitous experience of working on the hit Saturday Night Live spinoff with Mike Myers and Dana Carvey. We also consider how the week's featured writer "Metal Mike" Saunders bridged the gulf between metal and punk, tracing his maverick career from a 1971 Creem review of Sir Lord Baltimore's Kingdom Come to the 1978 formation of SoCal hardcore band Angry Samoans.

After Mark offers quotes from recently-added library pieces about electro-pop duo Erasure, rapper Schoolly D and, yes, Penelope Spheeris, Jasper closes out the episode with remarks on articles about El Paso's At the Drive-In and David Bowie.

Many thanks to special guest Penelope Spheeris. Visit her website at penelopespheeris.com.

Pieces discussed: The Decline of Western Civilization, Penelope Spheeris: The "Mad Surgeon" of Film, Vixen audio, Sir Lord Baltimore, A Brief Survey of the State of Metal Music Today, Metal Mike Saunders, Angry Samoans, Annie Nightingale, Erasure, Penelope Spheeris interviewed by Richard Harrington, Schoolly D, At the Drive-In and David Bowie.

In the new episode of the Rock's Backpages podcast we welcome the admirable Andy Schwartz, who Zooms in from upstate New York to reminisce about New York Rocker, the much-missed monthly magazine he edited from 1977 to 1982.

We hear about Andy's early years in suburban Westchester County and his first experiences of live music in Manhattan, which included historic gigs by the Doors, the Dead and Jimi Hendrix. We also learn about Oar Folkjokeopus, the Minneapolis record store where he worked as a student in the mid-'70s, and the local Minnesota publications for whom he wrote his first reviews.

Much of our discussion is taken up with Andy's recollections of New York Rocker founder Alan Betrock, and of his own years at the helm of that essential guide to the CBGB scene that spawned Blondie, Television, Patti Smith, the Ramones and Talking Heads... not to mention Mink DeVille. Clips from Mark "Radio Pete" Bliesener's 1977 audio interview with Willy DeVille include the Mink man's caustic thoughts on the downtown scene and the rock critics who chronicled it.

After our guest recalls his stint as the manager of Smithereens and Beat Rodeo, we hear about his days at Epic Records' Director of Editorial Services and his involvements with artists as diametrically different as Celine Dion and the Allman Brothers. He also reflects on his early involvement with the Rock and Roll Hall of Fame and assesses its problematic standing in today's music industry.

The episode concludes with Mark's quotes from newly-added library interviews with Ray Davies, Bryan Ferry and Carly Simon, followed by Jasper's thoughts on pieces about Scissor Sisters and Bootsy Collins.

Pieces discussed: Andy Schwartz pays tribute to Alan Betrock, Mink DeVille live in NYC, Willy DeVille audio, Ray Davies to Maureen Cleave, John McLaughlin to Dave Marsh, The Eagles' Hotel California, Carly Simon to James Hunter, Bryan Ferry to Jim Farber, Scissor Sisters and Bootsy Collins' Baker's Dozen.

Content warning: This episode contains discussion of sexual violence (22:45–24:55).

In this episode we welcome the excellent Barbara Ellen, who joins us on Zoom all the way from... well, the other side of London, actually. (It's a long story.)

Barbara talks us through her illustrious writing career from zines such as her own Wax Lyrical and Ooh Gary, Gary (a footie zine dedicated entirely to one G. Lineker, Esq.) via ZigZag (in its Goth phase) to the golden decade she spent in the pages and offices of the NME.

Always highly amusing in print, our guest is no less hilarious in (virtual) person – especially when recalling her 1987 interview with Guns N' Roses. But Barbara is also capable of reverence and seriousness, not least when speaking of the revelatory interview Madonna granted her in 1995.

It's back to belly-laughs when we turn our attention to news of the planned sequel to This is Spinal Tap. A clip from Gavin Martin's 2009 audio interview with Tap axeman Nigel Tufnel (a.k.a. the 4th Baron Haden-Guest) has us all in stitches as we debate the wisdom or otherwise of attempting Spinal Tap 2. Another audio clip – of the late Genesis P-Orridge explaining why Santa Claus was originally a shaman – is almost as funny.

After Mark quotes from interviews with Janis Joplin, Neneh Cherry and Thom Yorke, Barney cites splendid conversations with Beatles boffin Mark Lewisohn and power-balladeering songsmith Diane Warren. Finally, Jasper concludes the episode with his thoughts on Sophie Ellis-Bextor, muzak and a Hip Hop anniversary.

Many thanks to special guest Barbara Ellen.

Pieces discussed: Guns N' Roses, The NME, Madonna, Goldberg on Spinal Tap, Staunton on Spinal Tap, Genesis P-Orridge audio, Essra Mohawk by Michael Watts, Essra Mohawk by Max Bell, Janis Joplin, Lester Bangs, Neneh Cherry, Thom Yorke, Mark Lewisohn on the Beatles, Dianne Warren, Sophie Ellis-Bextor, Elevator Muzak and 40 years of Hip Hop.

In this episode we welcome the delightful Daryl Easlea to Hammersmith for a pre-Xmas special on Slade and the sadly-departed Shane MacGowan.

Daryl talks about his Essex childhood: the psychogeography of Canvey Island; his memories of seeing Dr. Feelgood at Southend's legendary Kursaal Ballroom; and how working at Our Price Records led to an eclectic taste palette that stretched from prog-rock to Chic, the subject of his first book in 2004. We jump to Slade, the subject of his latest book, and discuss the legacy of glam-rock's Brummie bovver boys — culminating in the story behind their ageless 1973 hit 'Merry Xmas Everybody'.

From there we sidestep into the parallel '70s stream of prog and public schoolboys Genesis. Clips from Adam Sweeting's 1992 audio interview with that band's former foxhead-sporting frontman Peter Gabriel give us an opportunity to evaluate the achievements of the maverick solo artist and WOMAD founder.

News of Shane MacGowan's death at 65 came in as we were preparing to record this episode. With Daryl's help we do our best to pay tribute to the tragically self-destructive Pogues frontman before Mark recaps on new library pieces about Elton John (1974) and Eternal (1995). Finally, Jasper wraps up with remarks about a 2002 London show by Jack Black's Tenacious D... 

Many thanks to special guest Daryl Easlea. Whatever Happened to Slade? When the Whole World Went Crazee is published by Omnibus and available now..

Pieces discussed: Dr Feelgood, Chic, Mike Rutherford, Whatever Happened to Slade?, Skinhead Slade, Lester Bangs on Slade, Christmas songs, Peter Gabriel audio, Shane MacGowan audio, The Pogues, One More for the Road with Shane MacGowan, Elton John, Eternal and Tenacious D live in London.

In this episode we welcome acclaimed novelist Michel Faber to RBP's Hammersmith HQ and ask him about his new book ... as well as about a 1979 interview he did with the young Nick Cave.

Barney gets the ball rolling by asking the author of Under the Skin and The Crimson Petal and the White what he set out to do with Listen: On Music, Sound and Us. Viewing music through a variety of prisms — from nostalgia and snobbery to racial bias and auditory biology — was the book at least partly an exercise in demystification?

A stimulating conversation unfolds as Michel answers questions about "MOJO-fication", vinyl fetishisation, and live performance. A tangent on tinnitus takes us to his memories of seeing (and hearing) one of the Birthday Party's last shows... and waking up temporarily deaf the next morning. Which in turn leads to discussion of the interview our guest did as a student at Melbourne University with the pre-Birthday Party Boys Next Door, and then to clips from a 1995 audio interview in which Nick Cave answers Andy Gill's questions about Murder Ballads and Kylie Minogue.

Finally the "panel" considers the week's featured artist (and a key influence on the early Birthday Party): the archetypal "MOJO-fied" cult hero who traded musically under the moniker Captain Beefheart — and whose exceptional paintings as Don Van Vliet feature in a new exhibition at Mayfair's Michael Werner Gallery.

After Mark quotes from recently-added library pieces on Little Walter, Sylvester, Ornette Coleman and Björk, Jasper wraps up the episode with his thoughts on articles about the aforementioned Kylie Minogue, Goodie Mob and The Face.

Many thanks to special guest Michel Faber. Listen: On Music, Sound and Us is published by Canongate and available now from all good bookshops

Pieces discussed: 'Revolution 9', David Byrne's How Music Works, Nick Cave: A Boy Next Door, Nick Cave audio, People talk about BEEFHEART!, Captain Beefheart, Don Van Vliet, Little Walter, Joni Mitchell, Iggy & the Stooges, Ornette Coleman, Björk, Phil Everly, Sylvester, McAlmont & Butler, Kylie Minogue, Goodie Mob and The Face.

In this episode we welcome the great Kate Simon, who Zooms in from New York City to answer our questions about her stellar career and the new edition of Rebel Music, her book of classic reggae portraits.

Kate talks about the formative moments that made her a music photographer, plus the 1972 move to London that brought her into the pages of Disc & Music Echo and Sounds. Her hosts quiz her about her timeless shots of David Bowie, Rod Stewart and the Clash before we hear of her first trip to Jamaica in 1976 and the start of her long association with Bob Marley and his fellow Wailers. We also learn more about Kate's friendships with Sounds colleagues such as Jonh Ingham, Vivien Goldman and art director Dave Fudger.

After hearing about Kate's return to her native soil and her '80s work for The Face – as well as her personal preferences as a photographer — we switch coasts to California in order to mark the imminent 80th birthday of Joni Mitchell. Clips from Dave Zimmer's 1983 audio with the First Lady of Laurel Canyon – with her wry observations about Messrs. Crosby, Stills and Nash – prompt more general thoughts on her peerless music from Blue to Hejira to Night Ride Home.

With Mark sipping the last of the summer wine in his beloved Crete, Jasper concludes matters with quotes from — and reflections on — newly-added library pieces about Miles Davis, Rod Stewart and Steve Reich... not to mention a priceless Billy Eckstine reminiscence of gigging with John Coltrane.

Many thanks to special guest Kate Simon. The new edition of Rebel Music: Bob Marley and Roots Reggae is published by Genesis Publications.

Pieces discussed: Kate Simon interviewed by Paul Gorman, Reggae: Black punks on 'erb, Richard Hell, David Bowie, Patti Smith, Joni Mitchell audio, The Seeds, Miles Davis, Rod Stewart, Billy Eckstine, Steve Reich, Queen Latifah and Michael Kiwanuka.

In this episode we welcome acclaimed critic, author and professor Evelyn McDonnell and invite her to discuss her new Joan Didion book, along with the Motels, Britney Spears and California's pop history in general.

Evelyn talks about her early L.A. memories and childhood move to Wisconsin before we hear how she progressed from her college paper in Providence, RI, to becoming the pop critic for the Miami Herald. We also note books such as her Runaways biography Queens of Noise, a suitable jumping-off point for a long conversation about her fellow Californian, Didion.

Mark and Martin reminisce about the impact of Didion's extraordinary essay collections Slouching towards Bethlehem and The White Album, after which we follow her career through to the bestselling Year of Magical Thinking. The L.A. theme continues as we hear two clips from Steve Roeser's 2001 audio interview with Motels singer Martha Davis, putting that band into historical context with discussion of the pre-punk D.I.Y. "Radio Free Hollywood" shows in 1976.

From there we fast-forward to the very different "L.A. Woman" that was and is Britney Spears, which in turn prompts our guest to give her very pertinent take on the [Jann] "Wennergate" debacle of the past month. At a significant remove from all this Hollywood Babylonia was avant-jazz giant Carla Bley, whose death we mark in a conversation about 1971's extraordinary Escalator Over The Hill.

Finally, Mark mentions pieces he's recently added to the RBP library, including interviews with Laurie Anderson and the Byrds' Roger McGuinn, and Jasper rounds the episode off with remarks on pieces about Herbie Hancock and Steve Goodman's Hyperdub label. 

Many thanks to special guest Evelyn McDonnell. The World According to Joan Didion is published by HarperOne and available now.

Pieces discussed: Hollywood Swinging: Joan Didion in '60s L.A., The Runaways, The Motels' Martha Davis audio, Britney Spears at Staples Centre, Britney Spears interviewed by Steven Daly, Carla Bley interviewed by Brian Case, Carla Bley at Queen Elizabeth Hall, Dwight Twilley Band, Dwight Twilley: Magical Mystery Man, Queen Latifah/DJ Mark the 45 King, The Byrds, Laurie Anderson, Steve Goodman & Hyperdub and Herbie Hancock.

In this episode we welcome the left's very own "national treasure" Billy Bragg – beamed in from his adopted Dorset – and ask him about the long and remarkable career that's enshrined in forthcoming box set The Roaring Forty.

Billy revisits his Barking boyhood and early pop and folk influences, culminating in the 1977 formation of Clash-inspired punks Riff Raff. After a brief 1981 detour via the British Army, he explains how he settled on his unique solo style and delivery – and how he wound up on the cover of the NME in January 1984.

Inevitably the conversation turns to politics and the way Billy has managed to retain his charm, humour and compassion in the face of hatred and extremism. An audio clip of Spectator editor Boris Johnson haranguing him at Glastonbury in 2000 is followed by discussion of left-wing patriotism, Jeremy Corbyn's Labour Party and our present-day hyperpolarisation.

Martin recalls the day Billy came to tea to ask about the RBP co-founder's father Bill and uncle Ken – and the catalytic impact Ken Colyer's Jazzmen had on the music Billy chronicled so impressively in his 2017 book Roots, Radicals and Rockers: How Skiffle Changed the World. From the Colyers and Lonnie Donegan we cross the big pond to talk about Woody Guthrie, the agit-folk bard whose lyrics Billy and Wilco turned into 1998's Mermaid Avenue album. Clips from Chris Smith's 1999 audio interview with Woody's daughter (and archivist) Nora Guthrie prompt conversation about the Okie icon's mighty legacy.

After Mark quotes from recently-added articles about the Stooges, Frankie Goes to Hollywood and Dr. Dre, Jasper wraps matters up with remarks on Truth Hurts and FKA Twigs.

Many thanks to special guest Billy Bragg. For more about The Roaring Forty, as well as Roots, Radicals and Rockers, visit his website at billybragg.co.uk.

Pieces discussed: Billy Bragg on the cover of the NME, Who the hell does Billy Bragg think he is?, Billy Bragg comes to tea, Nora Guthrie audio, Billy Bragg's Mermaid Avenue, The Stooges, Frankie Goes to Hollywood, Dr. Dre, Truth Hurts and FKA Twigs.

In this episode we welcome music writer/photographer turned award-winning TV director Mick Gold and ask him to return to the mid-'70s to discuss pub rock, Bruce Springsteen and the wonderful Let It Rock magazine.

Mick explains how he fell in with Let It Rock's "hard-up left-wing intellectuals" after penning a 5,000-word Beatles thesis at Sussex University. We then hear about the magazine and its eclectic agenda, along with our guest's parallel career as a photographer and his 1976 photo-essay book Rock on the Road.

This in turn leads to a conversation about the "pub rock" scene that mushroomed in London during Let It Rock's 1972-75 lifespan. Along with Mick's 1975 Dr. Feelgood interview, Mark, Martin and Barney share their memories of gigs by Kilburn & the High Roads and Chili Willi & the Red Hot Peppers. The gradual transition from Pub to Punk is recalled and analysed with passing reference to Mick's 1976 Street Life interview with Patti Smith.

The mid-'70s theme takes us into clips from a 2016 audio interview in which Bruce Springsteen talks to Vanity Fair's David Kamp about 1975's breakthrough classic 'Born to Run' — and then to a further discussion of the Boss' inclusion in Jann Wenner's controversial new book The Masters.

After Mark quotes from interviews with Dizzy Gillespie, James Brown, Todd Rundgren, Chic and Wham!, Jasper talks us out with his notes on pieces about Nona Hendryx and Rammellzee.

Pieces discussed: The Band, Rock on the Road introduction, Bob Dylan at 60, Brinsley Schwarz, Dr. Feelgood, Pub Rock Proms, Bruce Springsteen on 'Born to Run', Dizzy Gillespie, Ike & Tina Turner, James Brown, Todd Rundgren, Chic, Wham!, Bruce Springsteen, Nona Hendryx and Rammellzee.

In this episode we invite Richard Grabel to reminisce about his long career as a journalist and music-biz lawyer.

We hear how Richard had his mind blown by an early CBGB double-bill of Television and the three-piece Talking Heads — and about his first reviewing efforts as a student at the University of Pennsylvania. He describes how he got his foot in the door at New York Rocker – reviewing one of Lowell George's last shows for editor Andy Schwartz — and then at the NME on a 1978 visit to London.

Richard's classic reports on NYC's early rap scene provide a perfect opportunity for us to ask him about his visits to the South Bronx and his interviews with Kurtis Blow and Grandmaster Flash. He's also namechecked in a clip from Bill Brewster & Frank Broughton's 1998 audio interview with Brit rap promoter Kool Lady Blue, whose legendary nights at the Roxy club in Chelsea he discusses with his hosts.

After reflecting on the rise of the Beastie Boys and the story of how rap's "flash-in-the-pan" novelty status led to the genre's global domination, Richard explains how he became a high-profile lawyer for such alt-rock bands as Sonic Youth and Dinosaur Jr.

After Mark quotes from interviews with Betty Davis, Jackson Browne and George Michael, Jasper concludes the episode with remarks about pieces on Smash Mouth, *NYSNC and the 16-year-old Lorde.

Many thanks to special guest Richard Grabel.

Pieces discussed: Kurtis Blow, The Funky Four + 1, Grandmaster Flash, Kool Lady Blue, Run-DMC, Beastie Boys, Beastier Boys, Beastiest Boys, Jackson Browne, Ray Parker Jr., Betty Davis, George Michael, Smash Mouth, Blue-eyed soul and Lorde.

In this episode we're delighted to invite Vernon Gibbs to look back on his career as a pioneering soul scribe and A&R man.

Vernon begins by describing his early years as a scholarship student who took the G train from Brooklyn to school on Manhattan's Upper East Side — and his formative years at NYC's Columbia University. He describes how he fell in with the counterculture and began writing about music for the Columbia Daily Spectator. A discussion follows of pieces he wrote about the death of Jimi Hendrix and — later, for NME — the decline of Sly Stone. He also talks about contributing to Crawdaddy! and other rock publications in the mid-'70s.

The 50th anniversary of Marvin Gaye's Let's Get It On gives Vernon's hosts a chance to ask about the 1974 interview he did with the Motown superstar for Zoo World. He then explains how he was hired for A&R positions at Mercury and — more notably — Clive Davis' Arista label, where he worked with P-Funk offshoot Quazar and 'Disco Nights' hitmakers GQ.

Vernon's return to music journalism takes us into a discussion of the downtown New York punk scene and a 1983 Creem interview in which Richard Hell defines "the blank generation". This in turn leads to clips from Jim Sullivan's 1996 audio interview with Talking Heads' Tina Weymouth — and Vernon's thoughts on that most un-punk of CBGB bands — in the week when Jonathan Demme's concert documentary Stop Making Sense is given well-deserved a cinematic re-release.

After Mark quotes from archive interviews with Philly International legend Kenny Gamble (1976), L.A. bete noire Kim Fowley (1979) and smoooooth jazz man Kenny G (1988), Jasper rounds off the episode with his thoughts on Lloyd Bradley's celebration of London's Harlesden scene (2001), Def Jam rapper Ludacris (2005) and "jazz-rock" trio the Bad Plus (2013).

Many thanks to special guest Vernon Gibbs.

Pieces discussed: Jimi Hendrix, Sly Stone, Marvin Gaye, Let's Get It On, Richard Hell, Talking Heads' Tina Weymouth audio, Gamble & Huff, Kenny G, Kim Fowley, Do the Harlesden Shuffle, Ludacris and The Bad Plus.

In this episode we welcome NME legend Charles Shaar Murray, beamed in from his adopted Ipswich to reminisce about his career from Oz magazine to his John Lee Hooker biography Boogie Man.

We start by discussing Charles' 1970 interview with the mighty Muddy Waters, his "favourite singer since I was 12 years old". Our guest talks about the Oz "School Kids" issue and the other underground publications for which he wrote before he was recruited by New Musical Express in the summer of 1972.

We hear how "CSM" became NME's unofficial David Bowie correspondent and how — under Nick Logan's editorship — the paper radically broadened its rock remit to embrace film, literature and politics. Taking the story into the early '80s, we discuss the continuing passion for blues that led to years of research for Boogie Man. Clips from Tony Scherman's 1992 audio interview with its subject Mr. Hooker prompt our guest's memories of coaxing information out of the veteran bluesman.

From John Lee and Muddy Waters we turn our attention to a Canadian guitarist who fell heavily under their spell: Robbie Robertson, whose death we learned about the night before recording this episode. After we hear audio of the Band man talking in 1991 about his "musical brother" Levon Helm, we discuss what the proto-Americana quintet meant then and now. We also pay tribute to punk artist Jamie Reid and Mexican-American cult hero Rodriguez.

Wrapping up the episode, Barney quotes from late '70s interviews with Ted Nugent and Bruce Springsteen, after which Jasper talks us out with his thoughts on pieces about Monie Love and Beyoncé...

Many thanks to special guest Charles Shaar Murray. His books, including Boogie Man: The Adventures of John Lee Hooker, are available from all good bookshops.

Pieces discussed: Muddy Waters, David Bowie, Crosstown Traffic, John Lee Hooker, John Lee Hooker audio, Robbie Robertson, The Second Coming of Robbie Robertson, Jamie Reid, Rodriguez, Ted Nugent, Bruce Springsteen, Monie Love and Beyoncé.

In this episode, we invite acclaimed New York writer Jim Farber to tell us about his 50-year career and his experiences of "growing up gay to a Glam Rock soundtrack", to cite the title of a superb 2016 piece he wrote for The New York Times.

We start by asking the former Chief Music Critic of the New York Daily News about his Scarsdale childhood and his formative musical memories. He explains how Alice Cooper's 'I'm Eighteen' became a portal to both obsessive fandom and the urgent need to write about rock for Creem, Circus and Rolling Stone. Additionally he recalls interviewing Robert Fripp for Creem in 1978 and then being reunited with King Crimson's prog-rock dissident in 2022 when the extraordinary In the Court of the Crimson King film came out.

After Barney quotes from "The Androgynous Mirror", Jim's brilliant essay for the 1998 book Rolling Stone: The Seventies, we discuss Glam Rock and listen to clips from Keith Altham's 1971 audio interview with T. Rex's Marc Bolan. A brief digression about Queen and Freddie Mercury leads to Jim's thoughts on the openly gay, overhyped and ill-fated Jobriath, who died 40 years ago this week.

The awful loss of Sinéad O'Connor on the eve of this episode's recording prompts reflections on the Irish singer's blazing talent and turbulent life — particularly from our guest, who interviewed her three times for the Daily News.

Finally, Mark quotes from newly-added library interviews with John Lennon and Kraftwerk's Ralf Hütter, while Jasper wraps things up with notes on the Strokes (and the White Stripes) and Belle & Sebastian (and Norah Jones).

Many thanks to special guest Jim Farber. Follow him on Twitter @JimFarberMusic.

Pieces discussed: Growing up gay to a glam rock soundtrack, Soft Cell's Marc Almond, Robert Fripp, Marc Bolan audio, Jobriath, Jobriath @ the Bottom Line, More Jobriath, Glitter rock's lingering shadow, Sinéad O'Connor audio, Skinéad, Lennon & Yoko, Kraftwerk, Primal Scream, Strokes/Stripes, Pet Shop Boys and Belle & Sebastian.

In this episode, Richard Boon joins us to talk about his life in music, taking in the birth of Buzzcocks, the Smiths on Rough Trade and his time as "the world's coolest librarian" in Stoke Newington.

The punk instigator takes us back to 1976, when he went to see the Sex Pistols live in High Wycombe together with a certain Howard Trafford and Peter McNeish. This shock to the system led to Richard inviting them to play his art studio in Reading, plus the near-mythological Lesser Free Trade Hall show that everyone in Manchester later claimed to have been at. Once Howard and Pete re-christened themselves Devoto and Shelley and formed Buzzcocks, Richard fell into managing the group and put out their seminal Spiral Scratch EP on his New Hormones label.

We then ask Richard about his move to Rough Trade around the same time as he brought them the Smiths. Clips from Martin Aston's 1986 audio interview with Morrissey form the backdrop for a discussion of why the band were special, their reluctance to film music videos and their relationship with their fans. 

Following discussion of featured writer Cath Carroll, whose early interview with Morrissey and Marr plus pieces on Linder and New Order round out the Manchester theme, Mark and Jasper finish up on library highlights including Sandy Bull, Yazz, the Spice Girls, and Lewis Capaldi.

Many thanks to special guest Richard Boon.

Please note that this episode was recorded before the death of Jane Birkin.

Pieces discussed: Buzzcocks, Spiral Scratch, Pete Shelley audio, Morrissey audio, The Smiths, Linder, New Order, Sandy Bull, Van Morrison, Little Feat, Yazz, The Spice Girls, Pete Rugolo, Chuck Berry and Lewis Capaldi.

In this episode we invite the inimitable Robyn Hitchcock to reminisce about his heroically nonconformist career from the Soft Boys to 2022's Shufflemania!

After Robyn explains his recent return to London from his adopted Nashville, Barney, Mark and Martin hear about his hippiefied but not entirely psychedelic '60s youth – plus his early immersion in the far-out folk of the Incredible String Band and the songs of his greatest influence Syd Barrett. He talks about how the Soft Boys did – and didn't – fit into the UK's punk scene of the late '70s, but also how they became a totemic cult influence on American acts from R.E.M. to Gillian Welch & David Rawlings.

Clips from John Tobler's 1973 audio interview with '60s folk-rocker turned Asylum Records singer-songwriter David Blue provide an opportunity to discuss the former David Cohen's Greenwich Village buddy Bob Dylan and the huge influence on Robyn of Bobsongs like Blonde On Blonde's 'Visions of Johanna'. Meanwhile the 10th anniversary of the death of underground-press legend and Deviants rabble-rouser Mick Farren takes us back to the revolutionary '60s and the heyday of International Times – as well as to such seminal Farren pieces as 1976's NME rallying cry "The Titanic Sails at Dawn".

Mark rounds off the episode with quotes from newly-added library pieces about 'Terry' hitmaker Lynn "Twinkle" Ripley (Evening Standard, 1964), Motown chauvinist Marvin Gaye (Phonograph Record, 1977), Henry Rollins né Garfield (Washington Post, 1981) and more…

Many thanks to special guest Robyn Hitchock. Somewhere Apart: Selected Lyrics 1977–1997 is published by Tiny Ghost and available now.

Pieces discussed: The Soft Boys, The Soft Boys live, Robyn Hitchock by J. Kordosh, Robyn Hitchcock by Pete Paphides, David Blue, Pop in the Police State, Rock – Energy for Revolution, The Titanic Sails at Dawn, Memories of Mick Farren, Black Flag, Marvin Gaye, Eddie Hinton, The Cramps, Twinkle and Chet Atkins.

In this episode we welcome the very personable Richard Morton Jack to "RBP Towers" and ask him to talk about his monumental new biography of Nick Drake – along with his marvellous Flashback magazine and an audio interview with Small Faces/Humble Pie frontman Steve Marriott.

We commence by hearing how Richard was initiated into pop music (and its freakier offshoots) — and how this led him to the arcane cult figures covered in Flashback, not to mention released on his Sunbeam label. From the underground sounds of Sam Gopal, Mad River and Blossom Toes to the exhaustive undertaking that was Nick Drake: The Life was a major gear-shift for Richard, but one that came with the blessing of the Drake estate — and a foreword by Nick's sister Gabrielle.

In a long and in-depth conversation, we attempt to make sense of the life, death and musical magic of the troubled troubadour, placing him in the context of producer Joe Boyd's Witchseason stable and hearing about a 1970 Jackie interview with Nick that Richard unearthed during his no-stone-unturned research for the book.

A very different legend of '60s/'70s English music can be heard in two clips from Chris Welch's 1985 audio interview with artful rock dodger Steve Marriott. We discuss the Small Faces and then Humble Pie; infamous manager Don Arden and Immediate boss Andrew Loog Oldham; Steve's blue-eyed-soul holler of a voice... and of course 1968's concept album Ogden's Nut Gone Flake. Then we briefly turn our attention to Steve's R&B-boom contemporary Tony McPhee (1944-2023) and the remarkable blues-infused hard rock trio that was the Groundhogs.

Finally, Mark and Jasper talk us out with notes on (and quotes from) newly-added library pieces about — among other subjects – Odetta (1963), Marc Bolan (1970), Motörhead (1981), New York's Collective School of Music (2003) and Congolese street musicians Staff Benda Bilili (2009).

Pieces discussed: Nick Drake by Jerry Gilbert, Nick Drake in Jackie, In Search of Nick Drake, Nick Drake: Exiled from Heaven, Steve Marriott audio, Tony McPhee audio, Odetta, Marc Bolan, Motörhead, Folk albums, The Who, Terence Trent D'Arby, The Collective and Staff Benda Bilili.

In this episode we welcome Lloyd Bradley into our Hammersmith lair and ask him about his career as a journalist and as the acclaimed author of Bass Culture and Sounds Like London — the latter book celebrating its 10th birthday at the time of recording.

We learn what London sounded like to Lloyd as a boy growing up in '60s Hornsey, and how his love for music led to writing for Blues & Soul and then NME and Q. He talks us through some of the key themes of Sounds Like London — his history of "100 years of Black music in the capital" — and particularly the homegrown reggae sub-genre known as "lover's rock" and the rise of grime as a hybrid of UK garage, hip hop, jungle and dancehall.

Discussion of lover's rock leads us to clips from a 1998 audio interview with Steve Barrow, founder of dub/roots-reggae reissue label Blood and Fire — and then to how Lloyd came to write 2000's mighty Bass Culture: When Reggae was King.

After a short discussion of soul legend Bettye LaVette — and her journey from early '60s Atlantic Records to the Anti- label in the mid-noughties — we pay tribute to the late Tina Turner and her epic story of survival and self-reinvention

Mark quotes from highlights of his additions to the RBP library, including Richard Harrington's Washington Post review of the last gig Lowell George ever played and Tony Scherman's exhaustive Musician interview with session drummer Earl Palmer. Finally, Jasper talks us out with his remarks on pieces about Labrinth and London's hyper-eclectic jazz scene.

Many thanks to special guest Lloyd Bradley. For more on Bass Culture and Sounds Like London, visit his website at lloydbradley.net.

Pieces discussed: George Clinton, Beggar & Co, The Growth of Grime, Blood & Fire's Steve Barrow audio, Bettye Lavette, Bettye Lavette vs. Susan Boyle, Thankful N' Thoughtful, Ike & Tina, Tina Turner, Soulful Queen of Rock'n'roll, Tina Turner roars into Rock Hall, Lowell George, Earl Palmer, Labrinth live and London jazz.

In this episode we welcome pop poacher-turned-gamekeeper (turned rockademic) Cliff Jones to RBP's Hammersmith HQ and invite him to talk about his shape-shifting career in music — as well as about Paul Simon and doomed Rolling Stone Brian Jones (no relation).

Barney starts things off with his memories of Cliff coming into the MOJO office circa 1994-5, plus we hear about long-form pieces our guest wrote about Peter Green and (for The Face) the Fugees. We also discuss Johnny Cigarettes' 1999 NME interview with Gay Dad, the band Cliff formed in the wake of Britpop.

Nick Broomfield's new BBC documentary about Brian Jones prompts conversation about the self-destructive blues obsessive who was sidelined by Mick Jagger and Keith Richards — and ditched by Anita Pallenberg — after which we turn our attention to the rather different Paul Simon. Clips from Tony Scherman's 1993 audio interview with the other half of Art Garfunkel are jumping-off points for our collective thoughts on the New Yorker's career from his Brill Building days to the Hearts and Bones album and beyond.

We pay heartfelt tribute to our guest's fellow RBP contributor Pete Silverton, who passed away on May 18th, and recall his crucial early Sounds interviews with the Clash, the Sex Pistols and other punk bands. Among the new library additions discussed, finally, are pieces about Flamingo Club owner Rik Gunnell (1966), Mick Hucknall's Frantic Elevators (1982), hip hop heroes the Jungle Brothers (1989) ... and, from 2007, Lily Allen and Amy Winehouse.

Please note this episode was recorded before we learned of the passing of former Smiths bassist Andy Rourke.

Pieces discussed: Talk Talk talk tech, The Fugees, Gay Dad, Brian Jones by Dawn James, Brian Jones by Greil Marcus, Brian Jones by Carol Clerk, Paul Simon audio, Hearts and Bones, Sex Pistols, Sid Vicious, Rik Gunnell, Average White Band, Danielle Dax, The Jungle Brothers, Frantic Elevators, Dave Matthews, Erykah Badu and Lily Allen/Amy Winehouse.

In this episode, we welcome the excellent Sylvia Patterson to RBP’s Hammersmith HQ and ask her all about her life as a music journalist from Smash Hits to the NME and beyond, referencing her excellent memoirs I’m Not With the Band and Same Old Girl. 

We begin with her start in writing at Dundee publisher D.C. Thomson, including as music editor for the short-lived Etcetera, which led to her applying for a staff job at irreverent pop paper Smash Hits. Sylvia reminisces about what it was like working on a magazine that never took the business of popular music too seriously, reflecting that the lack of a cynical ulterior agenda engendered a fun atmosphere for both the writers and (most of) the musicians.

Touching on Sylvia’s 1987 interview with newly inducted Rock Hall of Famer George Michael, whom she dubbed "the glummest man in pop", we hear clips from an Adam Sweeting audio interview conducted on the same day. The man born Georgios Kyriacos Panayiotou cut a serious figure at the time, contemplating his relationship with the press and the nature of political gestures from pop stars as well as rebuffing "rumours" that he’s gay after Boy George has outed him on the radio. 

Moving on to the 90s and beyond, at which point Sylvia became a freelancer for publications including The Face and the NME, we talk about her experience interviewing The Artist Formerly Known as Prince before discussing the chaos of the Britpop era. Defending her chosen side in the Oasis vs Blur debate, she recounts the hilarity of speaking with the Gallagher brothers in 2001.

To bring Sylvia’s story up to date, we ask her about her new memoir Same Old Girl, published in April, about her diagnosis in late 2019 with breast cancer and the treatment amidst a global pandemic that followed. 

We then spotlight three articles on Donna Summer ahead of a new documentary directed by her daughter and pay tribute to recently departed Canadian singer-songwriter Gordon Lightfoot. Finally, Mark and Jasper quote from a few new additions to the RBP library including interviews with Jet Harris and Chris Cornell and a profile of Christian Scott/Chief Xian aTunde Adjuah.

Many thanks to special guest Sylvia Patterson. Same Old Girl is published by Fleet and available now.

Pieces discussed: George Michael: The Glummest Man in Pop?, George Michael audio, Prince, Oasis, Blur, Donna Summer, Donna Summerer, Giorgio Moroder, Gordon Lightfoot, Jet Harris, Soundgarden, Smokey Robinson, Morrissey, Secret Affair and Christian Scott/Chief Xian aTunde Adjuah.

In this episode we welcome Sounds legends Sandy Robertson and Edwin (Savage Pencil) Pouncey into our Hammersmith lair and ask them about their careers and shared fascination with the occult.

After describing their routes into writing and their days at Sounds, Sandy and Edwin reflect on the dark history of occult rock from Black Widow to Norway's Black Metal scene, via Jimmy Page, Kenneth Anger and Aleister "the Beast" Crowley.

Clips from the late Andy Gill's 1990 audio interview with Liberty/United Artists executive Andrew Lauder give us an opportunity to honour the Hartlepool-born facilitator of musical freakiness and discuss the many acts he signed and/or A&R'd over the course of 50 years, from Hawkwind and the Groundhogs to the Stranglers and the Stone Roses.

After saying our goodbyes to reggae sound-system operator Jah Shaka and small-trio jazz pianist Ahmad Jamal, Mark and Jasper run through their highlights among recent additions to the RBP library, including pieces about Nancy Sinatra (1967), the Eagles (1972) and Kim Deal and Tanya Donnelly (1993)... and a 2011 tribute to hip hop star Dwight "Heavy D" Myers.

Many thanks to special guests Edwin Pouncey and Sandy Robertson. Find their books, including Edwin's Savage Pencil Scratchbook and Sandy's Aleister Crowley Scrapbook, in all good bookshops. 

Please note that we recorded this episode before learning of Mark Stewart’s death. 

Pieces discussed: Mister Aleister Crowley, The Primer: Occult rock, David Bowie: White Lines, Black Magic, Andrew Lauder audio, Sound Systems & Jah Shaka, Ahmad Jamal, April Stevens, The Eagles, Shaun Cassidy, Nancy Sinatra, Kim Deal & Tanya Donnelly and Why Heavy D Matters.

In this episode we welcome author and Guardian journalist Andy Beckett to RBP's Hammersmith HQ and ask him to discuss politics and pop from the late '70s to the present day.

Andy talks about his first musical passions as a teenager in the early '80s, as well as about Rock Against Racism, Red Wedge and the politicised postpunk era in general. He recalls his first pieces for The Independent in the early '90s and explains how his broader interest in popular culture informs his perspective as an op-ed columnist and the author of When the Lights Went Out and Promised You a Miracle. In a week that saw Finland joining NATO and the indictment of Donald Trump, we ask what musicians can and can't do to change the world.

The imminent new album from proto-Woke duo Everything But The Girl gives us an opportunity to address the enduring political ideals of Ben Watt and Tracey Thorn, plus we travel back to 1981 via clips from an audio interview with The Beat's David Steele and Ranking Roger, who talk to John Tobler about youth unemployment and the menace of nuclear weapons.

After we've paid our respects to departed legends Seymour Stein and Ryuichi Sakamoto, Mark talks us through his new additions to the RBP library, including pieces about the Beatles' Sgt. Pepper, Joan Armatrading, Talking Heads and Sun Ra. Jasper then wraps up the episode with his thoughts on a 2002 live review of Queens of the Stone Age and a 2015 piece exploring the influence of Spaghetti Westerns on reggae.

Many thanks to special guest Andy Beckett.

Pieces discussed: Andy Beckett on Dylan, on Simon Reynolds' Rip It Up, on The Face, Everything But The Girl, Peter Paul and Mary, War Between the Generations, Enoch Clapton, Red Wedge, Where are the political pop stars?, The Beat audio, Ryuichi Sakamoto, Seymour Stein, Sgt. Pepper, Joan Armatrading, Talking Heads, Sun Ra, Queens of the Stone Age and dub spaghetti.

In this episode we welcome music-industry legend Rob Dickins and ask him to tell us about his "pop life" in the 27 years he worked with Prince, Madonna and other Warner Brothers superstars.

Rob takes us back to his music-infused youth when his dad Percy worked for Melody Maker and New Musical Express and his brother Barry managed the High Numbers/Who. We hear about his days booking bands as a Social Sec at Loughborough University, and then about his start at Warner Publishing in 1971. Tremendous yarns about Madonna, Cher, Rod Stewart and others follow in rapid succession, along with the mind-boggling account of how Rob became global head of Warner Music… for 24 hours.

A new biography of Leon Russell gives us the perfect excuse to hear clips from Andy Gill's 1998 audio interview with "the master of space and time" — the first about 1970's Mad Dogs and Englishmen tour, the second about the writing of Russell's beloved 'Song For You'. 

After we've said goodbye to former Miles sideman and Weather Reporter Wayne Shorter and to Jackson Browne's virtuoso sideman David Lindley, Mark talks us out with quotes from his favourite new library additions from the past fortnight.

Pieces discussed: Leon Russell audio interview, Wayne Shorter: The Sunny Weatherman, Wayne Shorter: After the Storm, Michelle Mercer on Wayne Shorter, Behind the Curtain: David Lindley, Lynyrd Skynyrd: The 100 Proof Blues, Kraftwerk's Ralf Hütter and Maureen Cleave in conversation with Jack Good.

In this episode we welcome pioneering '60s rock writer Ellen Sander and invite her to discuss her classic 1973 book Trips: Rock Life in the Sixties, reissued in an "augmented" edition in 2019.

Ellen recalls her New York upbringing and initiation into the folk scene in Greenwich Village, then explains how Danny Fields (episode 28) steered her towards writing for Sing Out! and Hullabaloo. With references to David Crosby, David Geffen, Abbie Hoffman and the Monterey Pop festival, she talks about the inextricable relationship between '60s music and the decade's political upheavals. We also hear about her 1968 article on groupies; her troubling experiences on the road with Led Zeppelin; and her relationship with Elektra Records founder Jac Holzman (father of her son Marin), all of which led to the writing of Trips.

Attention then turns to two clips from the week's new audio interview, in which suave Yorkshire-born rock'n'soul man Robert Palmer talks about his love of bossa nova and the fun he had on the sessions for 1974's Sneakin' Sally through the Alley with Little Feat's Lowell George.

After Mark quotes from new library interviews with the Beatles (1963), B.B. King (1968), and Simpsons creator Matt Groening (1993), Barney cites an early Steely Dan piece from 1973 and Jasper recommends articles about emo stars Paramore (2010), Nine Inch Nails' Trent Reznor (2014) and – from 2016 – jazz hybridiser Jacob Collier.

Many thanks to special guest Ellen Sander. Trips: Rock Life in the Sixties is published by Dover and available now.

Pieces discussed: Crosby, Stills & Nash, Robert Palmer audio, Roxy Music, For Your Pleasure, Roxy in retrospect, Chuck Jackson, Chuck Jacksoner, Chuck Jacksonest, The Strokes, B.B. King, The Beatles, Beach Boys, Matt Groening, Steely Dan, Paramore, Trent Reznor and Jacob Collier.

In this episode we welcome the exemplary Fred Goodman and ask him about his journalistic career and highly acclaimed books.

Fred talks about his early years as a jazz columnist for Cash Box, as well as his interest in the business side of popular music. He describes how a stint as a Senior Editor at Rolling Stone led to the idea of a book about "the head-on collision of rock and commerce", subsequently published as 1997's The Mansion on the Hill. Avid fans of that classic tome, Mark and Barney ask their guest about legendary figures such as Albert Grossman, David Geffen and Jon Landau, after which Fred explains why – in an effort to champion the late Mexican-American singer in her native USA – he wrote 2019's Why Lhasa de Sela Matters.

Moving on to Fred's latest book Rock On Film, conversation turns to some of his favourite music movies from A Hard Day's Night to This is Spinal Tap with a nod to Michael Lindsay-Hogg who wrote the foreword to Rock On Film. Clips from an audio interview with the late D.A. Pennebaker lead in turn to a discussion of 1967's Bob Dylan documentary Dont Look Back.

Not long after we've paid tribute to Television's mercurial Tom Verlaine, breaking news comes in that we've also just lost the great Burt Bacharach. Putting ourselves on the spot in real time, we talk about the genius who (with lyricist Hal David) created masterworks from 'Make it Easy on Yourself' to 'Raindrops Keep Fallin' on My Head'.

Finally, Mark talks us out with quotes from pieces about folk trio Peter, Paul and Mary, the Rolling Stones' Beggars Banquet and the late David Crosby, while Jasper concludes the episode with remarks about pieces on Keane and pop's relationship with social class.

Many thanks to special guest Fred Goodman. Rock on Film is published by Running Press and Why Lhasa De Sela Matters is published by University of Texas Press.

Pieces discussed: The Mansion on the Hill, Rock and Roll on Film, Richard Lester audio, 25 Essential Music DVDs, The Harder They Come, Michael Lindsay-Hogg, Spinal Tap, Metallica's Some Kind of Monster, D.A. Pennebaker audio, Television, Tom Verlaine, Burt Bacharach, Peter, Paul and Mary, Beggars Banquet, David Crosby, Keane and Class.

In this episode we welcome the excellent Gary Kemp to RBP's Hammersmith HQ and invite him to talk about Spandau Ballet, the New Romantics and Pink Floyd.

After describing the pop baptism that was watching David Bowie sing 'Starman' on Top of the Pops, Gary recalls seeing the Sex Pistols at the Screen on the Green; the Bowie nights at Billy's; Steve Strange and the Blitz kids; and the formation of the band that became Spandau Ballet. With special reference to Betty Page's Sounds pieces on Spandau, we discuss the New Romantics and their complex relationship with the music press.

From Spandau to Floyd is not a segue anyone would have made back in 1979, but Gary explains how he saw the half-century-old Dark Side of the Moon played live at Wembley's Empire Pool in 1974 and how he later joined forces with Floyd drummer Nick Mason in Saucerful of Secrets. In the course of a conversation about Dark Side, we hear clips from Jim Sullivan's 1997 phone interview with the late Rick Wright, who reflects on the state of Syd Barrett and his own (temporary) firing from Floyd.

With a nod to Rockonteurs — Gary's own great podcast with Saucerful of Secrets bassist Guy Pratt — we pay tribute to the late David Crosby, who was the duo's guest in early 2020. Mark then talks us out with quotes from pieces about the Beatles (1966), the New York Dolls (1973) and Joni Mitchell at the Troubadour (1968 and 1973), after which Jasper concludes the episode with quotes from reviews of Björk's Homogenic (1997) and a Manchester "Gods of Rap" show starring Wu Tang Clan, De La Soul and Public Enemy...

Many thanks to special guest Gary Kemp. Visit his website at garykemp.com and find the Rockonteurs at rockonteurs.com.

Pieces discussed: A Manifesto for the Eighties, Spandau Ballet, the New Romantics, Rick Wright audio, Pink Floyd, Dark Side of the Moon, Nick Mason, The Byrds' David Crosby, A Hippy out of Hell, A Long Strange Trip, The New York Dolls, The Beatles, Joni Mitchell at the Troubadour in 1968 and then in 1973, Björk and Gods of Rap.

In this episode we welcome the truly legendary Pamela Des Barres, all the way from her native San Fernando Valley, and invite her to reminisce about the all-girl GTOs, Frank Zappa, Lowell George... and plenty more besides.

The bestselling author of 1987's groupie confessional I'm With The Band describes how she entered the Laurel Canyon orbit of ringmaster Zappa, and how the motley troupe he christened Girls Together Outrageously came into being. The former Miss Pamela talks about her fellow "Misses" Mercy and Christine, then describes the sessions for the group's unruly 1969 classic Permanent Damage. This leads on to a discussion of the Groupie phenomenon and its problematic nature in the #MeToo era. In passing, we hear about Rodney Bingenheimer's English Disco and 1974's Hollywood Street Revival and Trash Dance show.

The somewhat different — yet not entirely unrelated — L.A. domain of the canyon singer-songwriter crowd is considered as we hear clips from co-host Barney Hoskyns' 2003 audio interview with James Taylor/Linda Ronstadt producer Peter Asher. Following discussion of Ronstadt, Joni Mitchell and their mutual paramour John David Souther, we circle back to the GTOs and the guest appearance of the late Jeff Beck on Permanent Damage. We then pay extensive tribute to Beck's eclectic genius and unique technique.

We conclude with quotes from notable RBP library additions, including pieces about Bonnie Raitt recording at Bearsville, L.A. session bassist Carol Kaye and apocalyptic jazz trio Comet Is Coming.

Many thanks to special guest Pamela Des Barres. Visit her website at pameladesbarresofficial.com for details of her podcast, books and more.

Pieces discussed: The GTOs by Miles, A Requiem for Miss Christine, Girls Together Outrageously, Miss Mercy, Los Angeles Clubs, Rodney Bingenheimer, The GTOs live, Peter Asher audio, Jeff Beck audio, Jeff Beck by Eden, Jeff Beck by Alan Light, Jeff Beck by Kate Mossman, Bonnie Raitt, Ethel Merman, Carol Kaye, Compiling by gender and The Comet is Coming.

In this episode we welcome bestselling author and screenwriter Nick Hornby to RBP's Hammersmith HQ and ask him to talk about his new book Dickens & Prince: A Particular Kind of Genius.

We start by asking Nick if his original plan was to become a music journalist, then proceed to his first awareness of Prince in 1979. A broad discussion of the Minneapolitan marvel – and the parallels with Charles Dickens's "no off-switch" prolificacy – takes in his first London show in 1981, his mastering of multiple overlapping genres, his (and Dickens's) "weakness for women"... and the profound shock of his death in 2016.

The imminent reissue of Boz Scaggs's 1969 debut album provides the opportunity to hear clips from the late Andy Gill's 1997 audio interview with the blues-soul smoothie. Among other things, Nick, Barney and Jasper touch on Muscle Shoals, Silk Degrees and Boz's spine-tingling version of Richard Hawley's 'There's a Storm Comin''.

After Jasper offers his thoughts on newly-added library pieces about the Human League and British hip hop, we indulge in a brief chat with the Fever Pitch author about football's World Cup, which at the time of recording had reached the semi-final stage. Find out who Nick wanted to win...

Many thanks to special guest Nick Hornby. Dickens & Prince: A Particular Kind of Genius is published by Penguin and available now.

Note that this episode was recorded on December 14th, four days before the sad news came through that we'd lost Specials/Fun Boy Three star Terry Hall.

Pieces discussed: Betty Page sees Prince live at the Lyceum, Prince airs his Dirty Mind to John Abbey, Prince in Pieces by Chris Heath, Boz Scaggs audio interview, The Human League do Christmas and Stevie Chick on how UK hip-hop got its groove.

In this episode we welcome writer, curator and consultant Paul Gorman and ask him about his new book Totally Wired: The Rise and Fall of the Music Press.

In a loose and free-ranging conversation, our guest reflects on various eras and aspects of all that Rock's Backpages is about, from the launch of Melody Maker almost 100 years ago to the online ecosystem of Instagram and Tik Tok in the present day.

Along the way we cover everything from Crawdaddy! to Smash Hits via marginalised women writers and feuds between musicians and journalists. (Listen out for the unsettling sound of Nick Cave describing his new "hate" song 'Scum' to interviewer Mat Snow.) We also hear clips from Frank Broughton's 1998 audio interview with Time Out's late founder Tony Elliott.

By way of paying tribute to the late Christine McVie, there are further audio clips in the episode, this time from John Pidgeon's 1977 interview with Fleetwood Mac, plus we bid a sad farewell to Stax Records co-founder Jim Stewart.

Mark selects his highlights from recent additions to the RBP library, quoting from pieces about Marianne Faithfull, Ravi Shankar, Alexis Korner and the mighty Pat Benatar, after which Jasper concludes matters with remarks on articles about Odd Future and the brilliant Billie Eilish.

Many thanks to special guest Paul Gorman; Totally Wired is published by Thames & Hudson and available now from all good bookshops. Visit Paul's website at paulgormanis.com and follow him on Instagram at _paul_gorman_.

Pieces discussed: US indie mags, The Decline and Fall of the UK Music Press, From NME to Smash Hits, How to be a Rock Critic, Rock Critics Rule..., Tony Elliott audio, Fleetwood Mac audio, Stax Records, That Memphis Sound, The 1973 Rock Writers Convention, Marianne Faithfull, Alexis Korner, Ravi Shankar, Pat Benatar, Odd Future and Billie Eilish.

In this episode we invite esteemed author RJ Smith to tell us about his career, his adopted Los Angeles, and his new biography of Chuck Berry.

We start in Detroit, where RJ was raised on a diet of AM radio, the Stooges and Creem magazine, then follow him to New York and his decade of writing for the Village Voice. He talks about the impact of Lester Bangs and Robert Christgau before explaining why he followed the Voice's executive editor Kit Rachlis to California and the L.A. Weekly. We hear how he became fascinated by the pre-rock history of African-American L.A. and how that led to the publication of The Great Black Way (2008). His fourth book, Chuck Berry: An American Life, gives us the opportunity to discuss the problematic brilliance of St. Louis's "Black bard of white teen angst", a half-century after the creepy novelty comedy of 'My Ding-a-Ling' gave the Black-rock pioneer a No. 1 hit on both sides of the Atlantic.

We return to our L.A. theme to hear clips from a 1991 audio interview in which Tracy "Ice-T" Marrow talks to Andy Gill about the birth of gangsta rap and his thrash-metal side project Body Count. RJ recalls his own writing about West Coast hip hop before we say a sad goodbye to the great Wilko Johnson and hear the-then Dr. Feelgood guitarist speaking to Mick Gold in 1975.

Mark quotes from some of the pieces he's added to the RBP library, including interviews with Long John Baldry and Olivia Newton-John, after which Jasper wraps matters up with remarks on articles about Deadmau5 and Asian Dub Foundation.

Many thanks to special guest RJ Smith. Chuck Berry: An American Life is published by Omnibus in the UK and Hachette in the US and is available now from all good bookshops.

Pieces discussed: Chuck Berry, Chuck Berrier, Chuck Berriest, Interview with RJ Smith, Charles Brown, N.W.A., Ice-T audio, Dr. Feelgood, Wilko Johnson, Rab Noakes, Long John Baldry, Free, Captain Beefheart, B. Bumble and the Stingers, Simon and Garfunkel, Olivia Newton-John, Deadmau5 and Asian Dub Foundation.

In this episode we welcome the splendid Holly Gleason, all the way from downtown Nashville, and invite her to tell us about her life as a country music writer and publicist.

Holly explains how, as a teenage championship golfer, she first became enamoured of country in her native state of Ohio, later writing about it (as well as about rap and R&B) for the Miami Herald. Tying in the episode's main theme with Woman Walk the Line – the wonderful essay collection she assembled and edited in 2017 – Holly's hosts ask her about her favourite female artists from Emmylou Harris to Taylor Swift. Along the way she gives us the inside lowdown on "Music City" – having just attended 2022's CMA Awards – and talks fascinatingly about Lil Nas X and Billy Ray Cyrus.

The week's new audio interview, with the late great Guy Clark, gives us a chance to discuss that unpigeonholeable singer-songwriter, his complicated friendship with Townes Van Zandt, and his influence on disciples such as Steve Earle and Rodney Crowell. Two clips from John Tobler's 1986 interview with Guy prompt tearful memories of Holly's friendship with the Texan troubadour.

After we've said our own sad goodbyes to Melody Maker mainstay Colin Irwin, Low's Mimi Parker and Nazareth frontman Dan McCafferty, Mark and Jasper talk us out with their favourite new additions to the RBP library including interviews with Patti Smith and Little Simz.

Many thanks to special guest Holly Gleason; visit her website at hollygleason.com and find Woman Walk the Line at all good bookshops.

Pieces discussed: Women in country, Taylor Swift, Holly Gleason in conversation with John Prine, Guy Clark audio, Guy Clark: Randall Knives, Desperados & Homegrown Tomatoes, Colin Irwin articles, Low, Nazareth, Patti Smith, Bobbie Gentry and Little Simz.

In this episode we welcome the legendary Billy James, all the way from the Bay Area, and tap him for his memories of working with Bob Dylan, the Doors and more.

We start with Dylan and the interview the young Minnesotan gave to Billy in October 1961 in the latter's capacity as a Columbia Records publicist. Billy reminisces about his early interactions with the kid born Zimmerman; we hear a snatch of that 1961 audio, plus two clips from Eric Von Schmidt talking to Larry Jaffee about his friendship with Bob in that same period. In passing, we mention two great Dylan pieces by the week's featured scribe Greil Marcus, author of a new Bob "biography in seven songs" entitled Folk Music.

From the early Bob years we switch coasts to California, where Billy worked in Columbia's Hollywood office and fell in with the Byrds between arranging press conferences for Patti Page, Percy Faith and his beloved Tony Bennett (pictured in the photo Billy is holding above). Finally, he talks about Terry Melcher, Elektra Records, the Doors, and the significant part he played in putting Laurel Canyon on L.A.'s pop map after moving up there from Beverly Hills in 1965...

Many thanks to special guest Billy James; you can book his Airbnb in Redwood City here.

Pieces discussed: Bob Dylan, Bob Dylan audio, Dylan #2, Eric Von Schmidt, The Billy James Underground, Billy James interviewed by Richie Unterberger, Time Out of Mind, Preemptive Obituaries and Prince's Dirty Mind.

In this episode we welcome the delightful Kid Congo Powers, all the way from his home in Tucson, and ask him to talk about his former lives in the Gun Club, the Cramps and the Bad Seeds — as detailed in the riveting new memoir Some New Kind of Kick.

The man born Brian Tristan looks back to his teen fanboy years from Frank Zappa to the New York Dolls, plus his memories of the L.A. glitter scene at Rodney's English Disco. He describes how it felt — as a gay Mexican American — to be a misfit among mainly white misfits on the punk scenes in L.A. and New York. He also explains how the Gun Club was conceived after he met Jeffrey Lee Pierce while queuing for a 1979 Pere Ubu show at the Whisky. We hear how Kid was then headhunted by the Cramps' Lux and Ivy, and what it was like to be part of their ghoulish B-movie aesthetic. We similarly learn how he was recruited (and "cast") as one of Nick Cave's drug-addled Bad Seeds in mid-'80s Berlin.

From the decline and premature death of Jeffrey Lee Pierce — via Kid's own eventual long-term sobriety — we shift into the rarefied and erudite world of Brian Eno, an iconic glam influence on the young Brian Tristan. Clips from Mark Sinker's 1992 audio interview with pop's resident egghead are heard, leading in turn to discussion of Eno's collaborations with Robert Fripp and Toby Amies' remarkable new King Crimson documentary.

Mark talks us through pieces about the Stones' 'Jumpin' Jack Flash' (1968), classic-blues septuagenarian Victoria Spivey (1975), the Police (1979) and Joe Bataan & Arthur Baker (1996) after which Jasper concludes the episode with quotes from pieces on bodyguard-to-the-stars Michael Francis (2003) and the "rise and rise" of Pharrell Williams (2015).

Many thanks to special guest Kid Congo Powers; Some New Kind of Kick is available this week in all good bookshops. For more Kid, follow him on Twitter and Instagram @kidcongopowers.

Pieces discussed: The Cramps, The Gun Club, Art Laboe, Brian Eno audio, Robert Fripp, The Stones, Arthur Baker, 'Jumpin' Jack Flash', Victoria Spivey, The Police, The Cramps live, Joey Ramone, Kiss and Cher's minder, Pharrell Williams and Jon Hopkins.

In this episode we welcome the dynamic transatlantic duo of Luke Haines & Peter Buck and invite them to discuss their splendidly-titled new album All the Kids are Super Bummed-Out.

Luke and Peter reflect on their musical partnership, working methodology, and relationships with music journalists — sometimes fractious, occasionally fruitful. Peter recalls growing up as a New York Dolls fan in the Allman Brothers country of his native Georgia, then listens to 1992 audio of himself and bandmate Mike Mills telling Ira Robbins about R.E.M.'s rise and decision not to tour the imminent Automatic for the People. Luke then reflects on his early preference for Sounds (over NME and Melody Maker) and the postpunk writing of the late Dave McCullough.

Mark & Jasper pay fulsome tribute to the departed Pharoah Sanders, with both guests pitching in on the music of the intrepid jazz man — and we also bid farewell to 'Gangsta's Paradise' rapper Coolio. Marks then talks us through his highlights among the latest articles added to the RBP library, including pieces about the Beatles in America (1964), Otis Redding at the Whisky (1966) and Leon Russell at the Royal Albert Hall (1971) — the greatest gig he ever saw, he claims — and Jasper wraps matters up with quotes from articles about Harry Styles (2017) and Rose Royce (2021)...

Many thanks to special guests Luke Haines and Peter Buck; their new album All The Kids Are Super Bummed Out is out October 28th on Cherry Red.

Pieces discussed: Rock Criticism and the Rocker: Peter Buck in conversation with Anthony DeCurtis, Simon Price on the Auteurs, Peter Buck and Mike Mills audio, Don Snowden's tribute to Pharoah Sanders, Coolio Like That, The Beatles in New York, Graham Nash, The Beach Boys, Leon Russell, Otis Redding, Arif Mardin, Harry Styles and Rose Royce on making 'Car Wash'.

In this episode we welcome the great Richard Goldstein and invite him to relive his days as the Village Voice's "Pop Eye" columnist in the '60s — and his heady experiences in New York and California in that tumultuous decade.

Richard takes us back to his Bronx youth and the early discovery of writers such as Joyce, Dostoyevsky and Voice co-founder Norman Mailer. He also recalls his subsequent exposure to Tom Wolfe and Susan Sontag — both of whom he knew — and explains their influence on his very personal writing style. The second piece he ever wrote for the Voice gives us the chance to discuss that most outré of '60s girl groups, the fabulous Shangri-Las, and to hear clips from Tony Scherman's 1993 audio interview with the trio's mentor-producer George "Shadow" Morton.

From the "Las" we turn our attention to the Byrds and the dawning "rock" revolution Richard chronicled so adroitly. We also discuss his immersion in San Francisco's Haight-Ashbury scene — plus the attraction to hippie heroes such as Grateful Dead guitarist Bob Weir that indirectly led to his coming-out and to his militant fight for gay rights as he subsequently rose to the position of Executive Editor at the Voice.

Notwithstanding his marvellous 2015 memoir Another Little Piece of My Heart — frequently cited in this episode — Richard poignantly explains how the deaths of Janis Joplin and others made it almost impossible to write any longer about music.

Many thanks to special guest Richard Goldstein; find him at richardgoldsteinonline.com and buy his books, including Another Little Piece of My Heart, at any good bookshop.

Pieces discussed: Pop Eye: Soundblast '66 — The Byrds @ Yankee Stadium, The Shangri-Las: The Soul Sound from Sheepshead Bay, Shadow Morton audio, Thinking about the Sxities and Talking Heads Hyperventilate Some Clichés.

In this episode we welcome legendary Island Records founder Chris Blackwell and invite him to reminisce about key moments in his career at the helm of one of the UK's great independent labels.

Chris describes his youth in Jamaica, his early exposure to Kingston's sound systems, and his move back to England in 1962. From Millie's 1964 smash 'My Boy Lollipop' to Island's expansion from ska and blue beat into rock and folk, the Harrow-educated mogul reflects on the vital importance of artists such as Steve Winwood, Free, John Martyn and of course the Wailers, the band that made roots reggae a global phenomenon. Clips from a 1988 audio interview with Bunny Wailer prompt reflections on the "Blackheart Man" and his role within the group. A discussion of the Compass Point studio Chris built in the Bahamas takes us to the Island reinvention of Grace Jones and the stunning early '80s albums she made there with the immortal rhythm section of Sly Dunbar & Robbie Shakespeare.

References to the week's featured writer Rob Partridge — Island's head of press from 1977 to 1991 — leads to recall of the label's biggest act, U2, and the eventual sale of Island to Polygram... not forgetting Chris' signing of the singular Tom Waits in 1983.

Many thanks to special guest Chris Blackwell, whose autobiography The Islander is published by Nine Eight Books and available now.

Pieces discussed: Maureen Cleave on Ska and Blue Beat, Chris Blackwell in conversation with Richard Green, Richard Williams on Island Records, David Toop on the sale of Island Records, Rob Partridge on Free, Rob Partridge on Reggae and Bunny Wailer in conversation with Mark Sinker (audio).

In this episode we invite former Creem editor and Newsday critic Wayne Robins to reminisce about his journalistic journey from the Berkeley Barb to NYU's graduate school of journalism — and to hold forth on his (and our) beloved Steely Dan.

Wayne recalls the suburban East Coast childhood he had in common with the Dan's Donald Fagen — and the music that set them both free from it. Jumping forward to 1969, he describes the Rolling Stones show he saw in Oakland a month before Altamont. He also paints a vivid and amusing picture of Bard College, the upstate New York institution he attended at the same time as Fagen and Dan co-founder Walter Becker. Clips from RBP audio interviews with the duo and original Dan member Denny Dias accompany an in-depth discussion of every rock egghead's favourite group, not to mention Fagen's 40-year-old solo album The Nightfly.

The episode concludes with a swift survey of recent additions to the RBP library, including  pieces about Juliette Gréco (1961), James Booker (1976), Mark E. Smith (1990), Limp Bizkit (2000), Soul Train's Don Cornelius (2012), Rolling Stone's Jann Wenner (2017)… and the "atomic" Count Basie (2020).

Many thanks to special guest Wayne Robins. Sign up for his newsletter Critical Conditions at waynerobins49.substack.com.

Pieces discussed: Rolling Stones, Steely Dan, Steely Dan II, Donald Fagen audio, Denny Dias audio, Donald Fagen, Steely Dan III, Juliette Gréco, The Beach Boys, David Bowie, Culture Club, James Booker, Tom Petty, The Sixties, The Fall, Jann Wenner, Among the Mooks, Don Cornelius and Count Basie. 

In this episode, we invite Jason King to tell us about his multi-faceted career, from his Canadian upbringing to his chairmanship of Brooklyn's Clive Davis Institute of Recorded Music.

Along the way, Jason talks about his writing on LGBTQ icons from Sylvester and Luther Vandross to Queen's Freddie Mercury, of whom he is writing a major biography. Jason recalls writing for Vibe and the Village Voice in the Noughties, listens to clips from Bill Brewster's 2002 audio interview with Boy George and discusses the brilliant career of — and new album by — Beyoncé.

After Jason and his co-hosts pay homage to revered Warner-Reprise chief Mo Ostin, Mark quotes from newly-added library pieces about John Lennon, the Jam, AC/DC and Primal Scream. Jasper rounds things off with remarks on a 1998 interview with Mo Ostin signing Prince, then known as "The Artist Formerly Known as..."

Many thanks to special guest Jason King. Find him on Instagram and Twitter @jasonkingsays.

Pieces discussed: Little Richard, Queen, Pop's great awokening, Gay soul, Boy George audio, Destiny's Child, Beyoncé, Beyoncé in the movies, Mo Ostin, John Lennon, The Jam, Joan Jett, Primal Scream, Newport Folk Festival, Tim Buckley, AC/DC, Radiohead and Prince.

In this episode we welcome "gamekeeper-turned-poacher" Steven Daly, who Zooms in from his adopted Brooklyn to tell us about drumming in Orange Juice and his stellar writing career in America.

Steven revisits his musical youth in '70s Glasgow and his first encounters with Edwyn Collins and Postcard's Alan Horne. He talks about the creative divergences within Orange Juice, his eventual move into writing for The Face and Edinburgh's Cut magazine, and the decision in the late '80s to base himself in New York. His hosts focus on three of his pieces, written over the course of 15 years for Spin, Rolling Stone and Vanity Fair, with Steven reminiscing about meeting Joni Mitchell and Sugar Hill matriarch Sylvia Robinson.

Clips from Steven's May 1993 audio interview with Suede's Brett Anderson and Mat Osman provide a good excuse to discuss the emerging "Englishness" of post-grunge Britain and the abiding fantasy of UK bands "taking America". Staying Stateside, Jasper praises the week's featured artist Lizzo, with reference to pieces about the funk-pop star that stretch back to 2013. Mark then pays tribute to former Miles Davis bassist Michael Henderson, who died on July 19th, and talks us through his favourite library additions from the past fortnight — including pieces about Yoko Ono, Pink Floyd, Juan Atkins and the aforementioned Miles Davis. Barney mentions pieces about Canned Heat and World of Twist, while Jasper concludes the episode with his thoughts on D'Angelo and the great Black-owned record labels...

Many thanks to special guest Steven Daly; visit his RBP writer's page for more on him and his writing.

Pieces discussed: Orange Juice, Joni Mitchell, Deee-Lite, Sugarhill Gang, Suede audio, Suede, Lizzo profile, Lizzo live, The Year of Lizzo, Michael Henderson, David Dalton podcast, Pink Floyd, Joni Mitchell, Robert Fripp, Juan Atkins, Yoko Ono, Dusty Springfield, Canned Heat, Earl King, World of Twist, D'Angelo, Black Artist-Owned Labels and Sean Paul's teenage obsessions.

In this episode we welcome the very engaging Robert Gordon "all the way from" his hometown of Memphis and ask him to talk about the music of his city from Sun and Stax to Alex Chilton and Big Star.

Robert tells us about his childhood, along with the blues epiphany that was watching Furry Lewis support the Rolling Stones on the Memphis leg of their 1975 U.S. tour. Moving on to Stax, we look back at a great 1988 interview Robert did with the Memphis Horns' Andrew Love and Wayne Jackson — and then forward to the Wattstax festival, staged in L.A. 50 years ago this summer.

Clips from the week's new audio interview — Tony Scherman asking Billy Gibbons about Robert Johnson — afford us the perfect excuse not just to discuss ZZ Top and their imminent new album but to revisit our guest's exhaustive 1991 essay on the "plundering" of Delta blues legend Johnson's estate.

Mark talks us through a selection of newly-added library pieces about Frankie Lymon, Alma Cogan, San Francisco's Trips festival, Syreeta, Gang of Four and Lester Bowie's Brass Fantasy. In the absence of a vacationing Jasper, Barney wraps things up with quotes from articles about rock scribe R(ichard) Meltzer, the Specials and — circling back to Stax — Booker T. Jones recalling co-writing Albert King's brooding 'Born Under a Bad Sign' with William Bell...

Many thanks to special guest Robert Gordon; the 25th anniversary edition of It Came From Memphis is published by Third Man Books and available now. Visit his website at therobertgordon.com.

Pieces discussed: The Memphis Horns, The plundering of Robert Johnson, It Came From Memphis, Wattstax, Wattstax, Wattstax, Billy Gibbons audio, Frankie Lymon, Andrew Loog Oldham, Syreeta, Punk magazine, XTC, Lester Bowie's Brass Fantasy, Alma Cogan, Trips Festival, Sly Stone, Gang of Four, Richard Meltzer, The Specials and Booker T. Jones.

In this episode we welcome dynamic duo Bill Brewster and Frank Broughton to Hammersmith as they prepare for the publication of a newly expanded edition of their mighty Last Night a DJ Saved My Life.

Bill and Frank talk about the original mission behind the book, as well as their different routes into dance music. They recall how they met and combined forces in '90s New York, where DJs such as Frankie Knuckles and Junior Vasquez proved transformative figures. Co-host Mark recalls seeing Bill and Frank DJ'ing at Fabric in 2000 and then reading the original edition of Last Night…

Recalling their first articles for Mixmag in the '90s, the DJ History duo reminisce about the late Dom Phillips, the magazine's former editor who was so brutally murdered in the Amazon this month. They praise the courage Dom showed in confronting Brazilian president Jair Bolsonaro and exposing the criminal gangs behind much of the Amazon's deforestation.

Bill and Frank discuss the process of researching and writing Last Night…, barely knowing if figures such as Bronx hip hop legend were even still alive, and explain what turned clubs like Larry Levan's Paradise Garage into "religious" experiences.

The week's new audio interview – Bill and Frank's own 2005 quizzing of drum and bass legend Fabio – proves infectiously enjoyable as they hear themselves asking the Brixton-born DJ about Crackers and Spectrum.

The episode concludes with thoughts on Elvis Presley and the new biopic made by Baz Luhrman, after which Mark talks us through library pieces he's added about Bill Haley (1957), Billie Holiday (1959) and Buffalo Springfield (1968), while Jasper concludes proceedings with quotes from pieces about Kanye West (2016) and Arlo Parks (2019).

Many thanks to special guests Bill Brewster and Frank Broughton. The new edition of Last Night a DJ Saved My Life is published by White Rabbit and available to pre-order now.

Pieces discussed: House, Rave, DJ Kool Herc, Dom Phillips, Fabio audio, Elvis, Comeback Special, Elvis and Black Music, Billie Holiday, Bob Dylan, James Brown, Bob Marley, Bill Haley, Buffalo Springfield, Kanye West and Arlo Parks.

In this episode we welcome heavy metal expert Deborah Frost, Zooming in from her native New York City, and invite her to talk about her career as a writer and musician.

Deborah reminisces about the all-girl "female Dolls" Flaming Youth, in which she drummed in the early '70s, and then explains how she came to write her first pieces for Circus in 1977. She talks about her love of hard rock and heavy metal, and about contributing to Rolling Stone and the Village Voice — including her acclaimed 1985 Voice piece 'White Noise: How Heavy Metal Rules', with its unflattering descriptions of the drug-and-groupie-addled Mötley Crüe.

From the Crüe we segue into another great "umlaut" metal band, one beloved of Deborah's co-hosts Barney, Martin & Jasper. Yep, we're talking about Blue Öyster Cult, to whose drummer Albert Bouchard our guest was once married. After Barney & Martin attempt to do justice to what made the Cult so uniquely brilliant, we hear clips from 1978 audio interviews with the group's Allen Lanier& Eric Bloom, while Deborah talks about the "rock-critical" role played in the BÖC's development by Sandy Pearlman, R(ichard) Meltzer & punk poetess Patti Smith.

An abrupt shift takes us into the amazing world of Grace Jones and her curation of the 2022 Meltdown festival in London. Guest and hosts alike celebrate the iconic Jamaican transgressor, focusing particularly on the Island albums she made at Chris Blackwell's Compass Point studios in the early '80s. Deborah also dumbfounds us with a story about getting naked in a New York sauna with Grace and her beefy boyfriend Dolph Lundgren.

There's bonus audio in the form of Foals frontman Yannis Philippakis, talking in 2015 to Coup De Main's Pip Williams. Foals fan Jasper introduces the clips and — in the week that sees the release of their new album — explains why he rates his fellow Oxonians so highly. After that, he takes us through recent RBP library pieces added by the holidaying Mark Pringle, including Max Jones' 1959 Melody Maker homage to the departed Billie Holiday and Calvin Bush's 1998 Muzik profile of Jungle king Goldie.

Many thanks to special guest Deborah Frost. Find out more about her and her writing on her RBP writers page.

Pieces discussed: How Heavy Metal Rules, Rock Criticism as Brain Surgery, Allen Lanier audio, Eric Bloom audio, Grace Jones in 1977, Grace Jones in 1980, Chris Blackwell's Compass Point studios, Foals' Yannis Philippakis audio, Billie Holliday R.I.P., Goldie and Odell's disco.

In this episode we welcome the great Robert Greenfield, beamed in from his home in Carmel, California, and ask him about his early '70s adventures with the Rolling Stones that inspired the seminal book S.T.P..

Robert recounts his journey from Fusion and Boston After Dark, via Rolling Stone's London bureau, to his stellar career as an author and biographer — including his celebrated books about Bill Graham, Jerry Garcia and Augustus "Owsley" Stanley III. He describes how he showed up at Keith Richards' Villa Nellcote in August 1971, during the recording of the now-50-year-old Exile On Main St.. After this we hear about the defining 1972 pieces he wrote for Rolling Stone about that album's final overdub/mixing stages in L.A., and about the start of the "Stones Touring Party" trek through North America. We also hear a 1997 audio clip of Keef looking back on Exile and its gradual rise to acclaim as the group's greatest album, plus there's a digression on photographer-filmmaker Robert Frank, whose Cocksucker Blues was (like S.T.P.) a key document of that triumphant 1972 tour.

From there we go to clips from the week's new RBP audio interview, which features John Tobler in a 1992 conversation with folk-country legend Jerry Jeff Walker, the object of veneration on Steve Earle's new album Jerry Jeff. The genial and engaging Mr. Walker talks to Tobler about the difference between Nashville and his adopted Austin, his beloved 1968 song 'Mr. Bojangles', and (in the episode's outro) his encouragement of fellow troubadour Guy Clark — another object of Earle's Texan veneration.

After valedictory reflections on Dylan crony and "stars' superstar" Bob Neuwirth, Microdisney/Fatima Mansions frontman Cathal Coughlan, and Greek prog-electronic deity Vangelis — news of the deaths of Depeche Mode's Andy Fletcher and former Yes drummer Alan White came in after the recording of this episode — Mark Pringle quotes from his favourite new additions to the RBP library. These include pieces about Scott Walker, the Wailers, choreographer Cholly Atkins and self-proclaimed "bedroom bore" Aphex Twin, after which Jasper weighs in with remarks on the Streets and Shontelle.

Many thanks to special guest Robert Greenfield. Find his books, including S.T.P.: A Journey Through America With The Rolling Stones, in all good bookshops.

Pieces discussed: Exile on Main Street, The Rolling Stones tour, Keith Richards audio, Ahmet Ertegun, Jerry Jeff Walker audio, Al Aronowitz on Bob Neuwirth, Cathal Coughlan, Vangelis, Scott Walker, Cholly Atkins, The Wailers, Aphex Twin, The Streets and Shontelle.

In this episode we are joined by the droll and charming Chris Roberts, who looks back on his career as a journalist, author and musician.

Chris recalls the seminal early experience of first hearing T. Rex's 'Metal Guru' and explains how this led eventually to his writing for Sounds and then Melody Maker in the '80s. After detours via the ill-fated Ikon magazine and the fascinating Idle Worship anthology, we get to Chris' Uncut years and hear an audio clip of him being very cheeky to Debbie Harry. This brings us up to the present day and the publication of his fine new study of the Velvet Underground.

We then turn to the week's featured artist, the divine Missy Elliott, and discuss her 25-year-old debut Supa Dupa Fly, reviewed by Chris for the Maker — and the "Misdemeanor" gal's amazing career in general. Another album turning 25 is Radiohead's towering OK Computer, which affords the perfect excuse to hear clips from not one but two audio interviews — the first with Thom Yorke and Colin Greenwood from 1993, the second with Phil Selway from 1997, shortly after OK Computer's release. Chris reminisces about two Radiohead shows he saw, including a Royal Festival Hall gig he reviewed in 2000.

Mark then runs through the articles he's most enjoyed adding during the previous fortnight, including pieces about the Ronettes, the Impressions, Ray Parker, Jr. and A Guy Called Gerald. Jasper finishes things off with remarks about interviews with Fall Out Boy and Grandmaster Flash.

Many thanks to special guest Chris Roberts. His new book The Velvet Underground is published by Palazzo and available now.

Pieces discussed: Debbie Harry audio, Chris on Supa Dupa Fly, Missy Elliott, Radiohead audio: Thom Yorke & Colin Greenwood and Phil Selway, The Ronettes, John Mayall, Stonewall riots, Popol Vuh, Guy Called Gerald, The Impressions, Ray Parker Jr., Fall Out Boy, Grandmaster Flash and Ayo.

In this episode we mark the 40th anniversary of the death of arguably the greatest — and certainly the most "almost famous" — writer in the history of music journalism.

Two of Lester Bangs's closest Creem colleagues (both wonderful writers in their own right) join us from California to reminisce about the man and his work. Jaan Uhelszki, who started in the Creem office the same day as Lester, gets the ball rolling by putting Detroit's "anti-Rolling Stone" in context. Robert Duncan, who arrived two years later in 1974, adds his recollections of "America's only rock'n'roll magazine" [sic] before paying tribute to Lester. Respect, laughter and sadness ensue as Robert & Jaan discuss their friend's gonzoid genius, his exasperating foibles and the addiction that killed him at 33, six years after Robert persuaded him to move to New York.

Seminal New York duo Suicide — beloved of Bangs — are the subjects of the week's new audio interview, clips from which feature pioneering electropunks Alan Vega & Martin Rev talking in 1998 about their "confrontational" live act, their introduction of the word "punk" into NYC's music scene in 1971… and Vega's love of British comedy The Full Monty!

Finally, Mark talks us through his highlights among the articles recently added to the RBP library, including pieces about the Righteous Brothers, Laura Nyro, Jeff Beck at the Fillmore East, Pharoah Saunders and England's miserable Bickershaw festival. Barney notes a 1988 Paul Morley rumination on, yes, music journalism… and Jasper quotes from a John Doran "review" of Aphex Twin's Collapse.

Many thanks to special guests Robert Duncan and Jaan Uhelszki; you can visit Robert's website at duncanwrites.com and find more of Jaan's writing on her RBP writer's page.

Pieces discussed: Lester on RBP, Lester Bangs and Almost Famous, Richard Riegel on Lester, Robert Duncan, Lester on the MC5, Lester on how to be a rock critic, Lester on Astral Weeks, Lester on punk/jazz, Suicide audio, Righteous Brothers, Laura Nyro, Pharaoh Sanders, George Jones, Grateful Dead & Jeff Beck Group, Bickershaw festival, KISS, Divine, Paul Morley on the rock press and Aphex Twin's Collapse.

In this episode we welcome the wonderful Vashti Bunyan — all the way from her home in Edinburgh — and ask her about her magical music and the remarkable memoir she's just published.

The "freak folk" legend — though she strongly disavows the "folk" tag — begins by talking of her early musical memories, among them meeting an unhappy Cliff Richard backstage in Blackpool in 1961. She describes her dream of becoming a pop singer in mid-'60s London, and how that led her to the Mayfair office of Stones manager Andrew Loog Oldham. Briefly and unhappily typecast as "a dark-haired Marianne Faithfull", she recalls the session for the Jagger-Richards song 'Some Things Just Stick In Your Mind', backed up in the studio by Jimmy Page & Nicky Hopkins.

Vashti explains how she felt equally adrift in the world of folk, eventually dropping out of the London music scene to travel to the Outer Hebrides in a horse-drawn wagon. This is the journey she writes about so vividly in Wayward, leading circuitously to Joe Boyd producing her 1970 album Just Another Diamond Day. After a discussion of that exquisite record, she talks about why she neither wrote nor sang another song for 30 years… then admits how much it meant when younger admirers like Joanna Newsom and Devendra Banhart discovered the album in 2000, subsequently appearing on her Lookaftering (2005) and Heartleap (2014).

With Nick Drake's final album Pink Moon turning 50 this year, we take Vashti back to the awkward afternoon she spent trying to write a song with him after Joe Boyd had introduced them. Along the way we hear clips of Joe speaking to Gerrie Lim about Nick's guitar playing and "romantic doom" in 1994.

After paying our respects to Saints frontman Chris Bailey, we touch on highlights among the 120+ articles just added to the RBP library, including pieces about Charles Mingus (1962), Dusty in Memphis (1969), the Smiths (1987) and Fatboy Slim (1997). Jasper's selection of a recent Michael McDonald interview gives us the perfect excuse to explain to Vashti what "Yacht Rock" is… after which we hear a final clip from the Boyd interview.

Many thanks to special guest Vashti Bunyan; Wayward is published by White Rabbit and available now. You can visit Vashti's website at anotherday.co.uk.

Pieces discussed: Vashti Bunyan, Heartleap, Robert Kirby, Lost Ladies of Folk, Joe Boyd on Nick Drake, The Saints, Chris Bailey, Muddy Waters, Jimi and Janis, The Smiths, Fatboy Slim, Charlie Mingus, Dusty Springfield, Robyn, Ry Cooder, Duke Ellington, ESP Disk, Michael McDonald and Phil Collins.

In this episode we welcome the excellent Devon Powers — beamed in from Philadelphia — and ask her to talk about The Village Voice, Red Hot Chili Peppers, the White Stripes… and music journalism since the turn of the century.

Devon begins by talking about the music she loved when growing up in her native Michigan — and her first awareness of "rock critics". We hear about her move to New York City in 1999, her early pieces for the PopMatters site, and the Anglophilia that led to umpteen pieces about the likes of Clinic, Starsailor, Badly Drawn Boy and, yes, even Ocean Colour Scene. Citing a great 2003 piece she wrote about Red Hot Chili Peppers, who released a new album the week of this recording, we ask Devon what those punk-funk Californicators meant to her in the '90s and noughties.

After a brief discussion of Devon's 2004 thinkpiece 'Is Music Journalism Dead?', we turn our attention to Writing the Record: The Village Voice and the Birth of Rock Criticism, the 2013 book which came out of her doctoral dissertation at NYU. She talks about the vital New York weekly paper, and the "rock critics" who were such a key part of its arts coverage — particularly Richard Goldstein, several of whose '60s Voice pieces we have on RBP. We then pay tribute to another Voice contributor, John Swenson, lost to us a few days before this recording, as well as to Foo Fighter Taylor Hawkins and Mighty Diamonds frontman "Tabby" Shaw.

Two clips from Ira Robbins' 2001 audio interview with the White Stripes prompt a general chinwag about Jack, Meg, blues etc., after which Mark zips through the most notable of the interviews & reviews he's just added to the RBP library, including pieces about the Kingston Trio, Paul Revere & the Raiders, Canned Heat and Teddy Pendergrass. Barney then rounds things off by flagging up pieces on Marc Bolan, the Prodigy, Tony Hatch, Jack Good and the Descendents.

Many thanks to special guest Devon Powers; visit her website at devonpowers.com and find Writing the Record in all good bookshops.

The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.

Pieces discussed: The Village Voice and the Birth of Rock Criticism, PJ Harvey, Is Music Journalism Dead?, Red Hot Chili Peppers audio, Blood Sugar Sex Magik, Rick Rubin, The White Stripes audio, Taylor Hawkins audio, Foo Fighters, Crawdaddy, The Mighty Diamonds, Alexis Korner, Paul Revere, Disco, Teddy Pendergrass, Little Richard, Steve Paul, Canned Heat, Curtis Mayfield, Oasis, Marc Bolan audio, The Prodigy, Tony Hatch, Jack Good and the Descendents.

In this episode we invite SST legend Joe Carducci to join us — all the way from Las Vegas — and talk about his life and career in music from the mid-'70s to the present day. 

We hear about Joe's childhood in Illinois, his move to L.A. in 1976 and his first pieces for Eurock and anarchist rag The Match! From there we learn about his forming record distributor Systematic in Portland; his working with Rough Trade US in Berkeley; and his helming of Black Flag's SST label from 1981 to 1986. Following his reminiscences of SST producer Spot and photographer Naomi Peterson, we hear clips from a 1994 audio interview with Henry Rollins — including the former Black Flag frontman's thoughts on his old band and its influence on the recently-deceased Kurt Cobain. Joe also discusses his controversial 1990 book Rock & the Pop Narcotic, as well as the legendary Sing Out!/Circus/Rolling Stone writer Paul Nelson and the vital importance of his Little Sandy Review fanzine (1959-1967).

After paying our respects to Timmy ('Why Can't We Live Together') Thomas and NME/Daily Mirror journalist Gavin Martin, we hear from Mark about pieces on Country Joe & the Fish, Bette Midler and the Sex Pistols' famous Screen On The Green gig; from Jasper about Chicago's Tortoise and French pop; and from Barney about Little Feat's Lowell George, Texan "artlaw" Boyd Elder and Canadian rock'n'roller Jack Scott.

Finally we hear a third clip from the Rollins audio, in which Henry harks back to his teenage infatuation with Ted Nugent.

Many thanks to special guest Joe Carducci; find his blog at newvulgate.blogspot.com and his books, including Rock & the Pop Narcotic, in all good bookshops.

Pieces discussed: Meat Puppets, The Descendents, Black Flag/SST, Henry Rollins audio, Paul Nelson, Timmy Thomas, Gavin Martin, Stiff Little Fingers, Bette Midler, Nirvana, Rolling Stones, Country Joe & the Fish, Sex Pistols/Slits, Tortoise, French pop, Lowell George, Boyd Elder and Jack Scott.

In this episode we welcome the legendary — and highly amusing — David Dalton to join us all the way from his rural retreat in upstate New York.

We start by comparing our shocked reactions to Vladimir Putin's horrific invasion of Ukraine before asking David how he moved to America from England in 1961. He tells us about his mid-'60s adventures as a photographer of British Invasion acts like the Animals — with assistance from a pre-Beatle Linda McCartney — and then about his mid-stream switch to profiles of James Brown and Janis Joplin for Jann Wenner's nascent Rolling Stone.

We revisit the award-winning 1970 Stone piece David co-wrote about Charles Manson and the Family, hearing along the way about Manson's connections with the Beach Boys. This leads almost seamlessly into clips from the late Andy Gill's 1988 audio interview with Dr. Eugene Landy, the shrink who "saved" Brian Wilson only to abuse his professional trust by inveigling his way into the singer's music and business affairs.

We then return to the horrors of Manson when we ask David about the influence of Beatles tracks on the man who orchestrated the Tate-LaBianca killings. Our guest reminisces about working with Rolling Stone colleague Jonathan Cott on Get Back, the only book the Beatles ever commissioned, and we discuss with him the Fab Four's unhappy last days in the context of Peter Jackson's recent documentary of the same name.

After David brings his American story full circle with memories of hanging out with Andy Warhol in 1961, Mark talks us through newly-added library pieces on Muddy Waters (1958), Brian Epstein (1963), the Who (1967) and Jerome "Doc" Pomus (1982), while Barney quotes from a review of a 1990 book about Eastern Bloc rock and Jasper mentions 2012 pieces about Kendrick Lamar and Green Day's American Idiot musical...

Many thanks to special guest David Dalton; find his excellent biographies at any good bookshop and read his writing on RBP.

Pieces discussed: David Dalton, Charles Manson, Eugene Landy audio, The Beatles, Muddy Waters, Bob Dylan, The Who, Brian Epstein, Johnny Mercer, "Doc" Pomus, Kendrick Lamar, Green Day musical, Rock around the Bloc.

In this episode we invite the great Peter Guralnick — Zooming in from his native Massachusetts — to discuss his "adventures in music and writing"… to quote the subtitle of his wonderful 2020 collection Looking to Get Lost.

Peter takes his hosts back to his discovery of Delta blues giants Skip James and Robert Johnson in the early '60s — and to the first pieces he wrote for Paul Williams' Crawdaddy! in 1966. He explains his approach to the masterful profiles he collected in Feel Like Going Home and Lost Highway, and the friendships with Charlie Rich and Bobby "Blue" Bland that resulted from them. Conversation leads from Howlin' Wolf to Solomon Burke and southern soul, and from there to the use of Val Wilmer's remarkable photos in Peter's books.

Talk of Memphis and Muscle Shoals prompts Mark to introduce the first of three clips from Barney's 1985 audio interview with Atlantic Records legend Jerry Wexler. Peter reminisces about his relationship with "Wex" (and with Ray Charles), then follows up with riveting recall of Joe Tex and Jerry Lee Lewis. Pieces by Memphis writer Andria Lisle — one of many Guralnick disciples — brings us on to discussion of Bobby Bland and the late Hi Rhythm section drummer Howard Grimes. We also remember the brilliant Betty Davis and Syl ('Is It Because I'm Black?') Johnson.

Finally, Mark quotes from newly-added library pieces about John Lee Hooker, Nik Venet, the Nazz and Simon Napier-Bell, while Jasper notes articles about Norah Jones and Robert Glasper. Bringing things full circle, Barney quotes from Peter's friend Bill Millar's tribute to recently-deceased soul specialist Bob Fisher.

Many thanks to special guest Peter Guralnick. Looking to Get Lost is published by Little, Brown, and you can visit his website at peterguralnick.com.

Peter Guralnick interviewed by Bob Ruggiero and by Maud Barthomier, Sweet Soul Music, Jerry Wexler audio, Andria Lisle on Memphis, Mick Hucknall meets Bobby "Blue" Bland, Hi Rhythm, Betty Davis, Syl Johnson, John Lee Hooker, Nik Venet, The Nazz, CBGBs, Hoagy Carmichael, Simon Napier-Bell, 'River Deep, Mountain High', Stephanie Mills, Norah Jones, Robert Glasper and Bob Fisher.

In this episode we welcome the excellent Kate Mossman to our state-of-the-art recording suite and ask her about her writing career and musical passions. She talks about working with Mark Ellen at The Word and about her current employer the New Statesman, and Jasper quotes from a recent Statesman piece she wrote about her secret passion for jazz fusion.

Kate's interview with "mean old daddy" Cary Raditz affords her the chance to talk about her beloved Joni Mitchell and the classic Blue song Raditz inspired. Joni's request to follow Neil Young's lead and have Blue and other albums removed from Spotify prompts discussion of the streaming platform's headaches in the wake of Joe Rogan's COVID disinformation.

Another of Kate's Statesman pieces, about Lou Reed, gives her and co-hosts Mark & Barney the perfect excuse to riff on Reed's notoriously sadistic treatment of British interviewers — and the cue for Mark to talk about Martin Aston's 1989 audio interview with the ex-Velvets man. From there we turn to Lou's fellow contrarian Morrissey and the "severed alliance" between him and former Smiths bandmate Johnny Marr. With the latter releasing a new album this month, Kate and the RBP crew reflect on the very different personalities (and values) of the two Mancunians.

After noting the passing of folk matriarch Norma Waterson, Mark references recently-added library pieces about Sam Cooke, Todd Rundgren and the late Janice Long. Jasper then finishes things off with observations on pieces about Glass Animals and Adele.

Many thanks to special guest Kate Mossman; find her writing in the New Statesman and on RBP.

Pieces discussed: Jazz fusion, Carey Raditz, Lou Reed, Lou Reed audio, Johnny Marr, the Smiths, Morrissey, Norma Waterson, Sam Cooke, Scott Walker, Steve Paul, Nona Hendryx, Vicki Wickham, Black Sabbath, Todd Rundgren, Janice Long, Laura Barton's heckler's guide, Glass Animals and Adele.

In this episode, Barney, Mark & Jasper invite counterculture chronicler and "father of country punk" Michael Simmons to join them in RBP's virtual cupboard… all the way from his Culver City lair in small-hours Southern California.

Michael talks very entertainingly about his dad Matty's '60s "hippie mag" Cheetah and about National Lampoon, the satirical '70s institution that succeeded it. Yarns about John Belushi and chums lead into Simmons Jr.'s unlikely but lifelong love of country music; his New York band Slewfoot; depping for George Jones at the Bottom Line; and his late '70s stint as one of Kinky Friedman's self-styled "Texas Jewboys".

We also hear about our guest's parallel writing career and his move to Los Angeles, from whence he has long contributed to such outlets as the L.A. Weekly and (from the mid-noughties on) MOJO. He reminisces about his teenage Greenwich Village obsession with Bob Dylan, and talks about the liner notes he's penned for three of Bob's Bootleg Series box sets.

Mention of a Van Dyke Parks piece Michael wrote in 2013 takes us into clips from John Tobler's long 1973 audio interview with that eccentric L.A. genius & Beach Boys/Randy Newman acolyte. At the end of the episode you will hear amusing banter between Van Dyke and a passing Lowell George (who'd just been interviewed next door by Pete "Family Trees" Frame).

After paying our respects to departed heroes Ronnie Spector and Michael Lang, Mark & Jasper take us out with quotes from their favourite new additions to the RBP library. Mark mentions the late Maureen Cleave's 1965 interview with Nina Simone, Lon Goddard's 1970 encounter with Joni Mitchell & Ed Jones' 1975 review of Motörhead at the Roundhouse, while Jasper cites a Simon Reynolds special on "digital maximalism" and Mark Sinker's reflections on COVID and rock nostalgia.

Please note that this episode was recorded before news of Meat Loaf's death reached us.

Many thanks to special guest Michael Simmons; find his writing on RBP as well as in the Huffington Post and LA Weekly. Follow him on Twitter @the1stmunz.

Pieces discussed: I was a Texas Jewboy, Bob Dylan turns 70, Van Dyke Parks keeps on cyclin', Van Dyke Parks audio, Nina Simone, Linda Ronstadt, Mick Jagger, The Band, Joni Mitchell, Motörhead, Fleetwood Mac, Maximal Nation, Covid & pop culture nostalgia and Ronnie Spector.

In this episode we welcome the legendary Pete Wingfield to Hammersmith to discuss his career as a keyboard player, record producer and music journalist.

We start by asking Pete about Soulbeat, the fanzine he started at Wellington College, and about the network of R&B fans in mid-'60s Britain. From there we learn about Mike Vernon's Blue Horizon label (and Chipping Norton studio); about Pete's 1967 trip to America, where he met Otis Redding at Stax studios; and about the Breakfast Special album that produced his big 1975 hit 'Eighteen with a Bullet'.

Fast-forwarding to 1981, Pete tells Barney, Mark & Jasper about Sylvia Robinson, the Sugarhill Gang, and cutting Mel Brooks' rap hit 'It's Good to be the King' in a basement studio in Mortlake — the same place where he produced Dexys Midnight Runners' No. 1 hit 'Geno'. A brief discussion of Dexys and Searching for the Young Soul Rebels leads into recollections of touring with the reunited Everly Brothers, producing the Proclaimers' '500 Miles' and playing on Paul McCartney's 1999 covers album Run Devil Run.

Clips from Cliff White's 1980 audio interview with New Orleans great Lee Dorsey provide the perfect excuse to express our abiding love of Lee and of Allen Toussaint's Crescent City soul sound. Staying in a southern vein, we mark the passing of country-soul king Joe Simon, who died in December. We also bid a sad farewell to beloved Radio 1 deejay Janice Long.

Mark talks us out with quotes from pieces about Kathy Kirby, Van Dyke Parks, Prince's Controversy and Shelby Lynne, while Jasper brings us up to date with his thoughts on Taku Sugimoto, Wolf Alice and Sampa the Great.

Pieces discussed: Pete Wingfield, Twenty Essential Soul Records, The Sugarhill Gang, Dexys Midnight Runners, Searching for the Young Soul Rebels, Lee Dorsey audio, Wingfield on Toussaint, Joe Simon, Janice Long, George Harrison and Eric Clapton, The Band, Prince's Controversy, Kathy Kirby, Van Dyke Parks, Shelby Lynne, Taku Sugimoto, Wolf Alice and Sampa the Great.

In this episode we invite Holly George-Warren — beamed in from upstate New York — to tell us about her long and distinguished career as a journalist, author and editor.

Holly revisits her North Carolina childhood and early infatuation with pop radio, then talks about her move to New York City in the early '80s, her East Village bands Clambake and Das Furlines, and her long tenure at Rolling Stone Press. Barney, Mark and Jasper ask her about the latest of her many books — her acclaimed 2019 biography of Janis Joplin — and tie this in with two clips from a 1984 audio interview with Peter Albin of Big Brother & the Holding Company, including his account of Joplin's impact on the band in 1966.

Conversation turns to the passing of Michael Nesmith, the Monkee who walked away from pop fame to commence life as an eccentric country singer-songwriter. We hear a clip of the lugubrious Texan speaking about the Monkees in 1974, then discuss "America's Beatles" [sic] and Nesmith's own singular musical legacy.

Mark and Jasper talk us out with their reflections on new library pieces about John Peel (1969), the Cockettes (1971), Daft Punk (1997) and artist Jean-Michel Basquiat (2000).

Many thanks to special guest Holly George-Warren; please visit her website hollygeorgewarren.com for details about her books, including Janis: Her Life and Music.

Pieces discussed: Janis Joplin, Peter Albin audio, The Monkees, Michael Nesmith, Mike Nesmith audio, Marc Bölan, John Peel, The Cockettes, Ronnie Scott, The Sex Pistols, The Life and Work of Basquiat and Christmas singles.

In this episode we welcome the wonderful Norman Jopling to join us in RBP's sleek Hammersmith recording suite (yeah, right) and reminisce about his days as a budding "pop reporter" on Record Mirror.

As a rhythm 'n' blues obsessive in early '60s London, Norman was the first music journalist to write about the "Rollin' Stones" — in May 1963 — and he tells Mark, Barney & Jasper about the Sunday night in Richmond when he first saw and heard Mick, Keith, Brian, Bill & "Charles Watts" blow the roof of the town's Station Hotel. He also talks about his Record Mirror colleagues Peter Jones, Ian Dove & the legendary Guy Stevens; about giving the 19-year-old Eric Clapton a lift on his scooter; and about the interviews he later did with Aretha Franklin and Jimi Hendrix.

From there we return to the episode's broadly Stonesy theme, hearing audio clips from Robin Eggar's 1997 audio interview with the late Charlie Watts and discussing the man's unique drumming style and endearingly unpretentious personality. Also sadly lost to us this year — this week, to be precise — are reggae icon Robbie Shakespeare and "freaky deke" critic Greg "Ironman" Tate; we pay tribute to both these giants.

With Norman pitching in, Mark talks us out with his thoughts on newly-added library pieces about Phil Spector and Burt Bacharach (both Maureen Cleave interviews from 1964) and Columbia's Clive Davis (a Loraine Alterman interview from 1974). Jasper rounds things off with remarks on Sophie Heawood's 2009 Snoop Dogg interview and Michael Gonzales' retrospective piece on Common's Electric Circus album.

Many thanks to special guest Norman Jopling; keep an eye out for his book Shake It Up Baby.

Please note that this episode was recorded before the death of Mike Nesmith, so we'll be paying tribute to him in the next episode.

Pieces discussed: Rolling Stones, The Yardbirds, London R&B, The Beatles, Aretha Franklin, Jimi Hendrix, Charlie Watts audio, Sly and Robbie, Greg Tate, Phil Spector, Union Gap, Carol Grimes, Clive Davis, Gary Numan, Burt Bacharach, Keith Richards, The Smiths, Lisa Roxanne, Snoop Dogg, Common and John Miles.

In this episode, we welcome Davitt Sigerson, all the way from his native New York City, to talk about his stellar career from Black Music magazine in 1975 to being made chairman of Island Records in America in 1998. Along the way we hear about his passionate love of disco, his two albums for ZE Records, and plenty more besides.

Davitt also weighs in with thoughts on Chic, Prince, David Bowie's Young Americans, the late Mick Rock and a newly-added audio interview with Bootsy Collins, conducted in June 1978 by Davitt's sometime Black Music colleague Cliff White. Davitt proves to be a witty and erudite guest, as comfortable holding forth on Robert Musil as on Cloud One's 'Atmosphere Strut' — and with fascinating recall, to boot.

Among the new library articles added by the RBP team, Mark & Jasper focus on pieces about the Clash, Vivian Stanshall, Cecil Taylor, Randy Newman, Amy Winehouse and — bringing the episode neatly full circle — disco "mix master" Tom Moulton.

Many thanks to special guest Davitt Sigerson, whose remastered demos are coming soon to a streaming service near you.

Pieces discussed: Davitt on Disco, Tom Moulton, Chic, Prince, Barney meets Davitt, Bootsy Collins audio, Young Americans, David Bowie, Mick Rock, Elton John, Cecil Taylor, The Clash + Johnny Thunders, Rough Trade and Factory, Randy Newman, Sister Rosetta Tharpe, Otis Redding, Noel Redding, Viv Stanshall, Terry Southern, Amy Winehouse, Cameron Carpenter and Tom Moulton.

In this episode, we welcome the great Lenny Kaye — all the way from NYC — and ask him to reminisce about his New Jersey youth; the revelation that was rock 'n' roll; his exposure in 1966 to Crawdaddy! and other pioneering music zines, and of course his first encounters with the inimitable Patti Smith. Along the way we hear about his landmark 1972 anthology Nuggets, and about his thrilling new book Lightning Striking.

Clips from John Tobler's 1978 audio interview with Patti prompt Lenny to relive key moments from the '70s, including the pair's engagement with the British punk scene on their band's first London visit in May '76. To mark the 50th anniversary of Led Zeppelin IV, he also talks about his rave Rolling Stone review of that album, a piece he stands by to this day. His hosts also note the imminent release of the follow-up to Robert Plant & Alison Krauss' Americana classic Raising Sand.

The RBP team pays its respects to Maureen Cleave, whose crucial early pieces on the Beatles made her part of Fab Four folklore. Lenny mentions his New York mentor Danny Fields (episode 28) whose syndication of Maureen's "more popular than Jesus" Lennon interview sparked an unholy fundamentalist backlash across America. Mark & Jasper talk us out with remarks about "new and notable" library pieces on — among other subjects — Patti Smith (1972) and Led Zeppelin (1969)! And several more great interviews and reviews besides…

Many thanks to special guest Lenny Kaye. Lightning Striking is published by White Rabbit and available now.

Pieces discussed: Lenny Kaye on music in the '60s, Nuggets, Patti Smith, Patti Smith audio, Lenny on Led Zep IV, Barney on Led Zep IV, Robert Plant and Alison Krauss, The Beatles, John Lennon, Pete Makowski, Thelonius Monk, Maurice White, Anita Baker, The Rolling Stones, Led Zeppelin at the Fillmore West, Patti Smith, Gary Lucas, Vibe magazine and Field Day festival.

In this episode, Michael Zilkha joins us all the way from Houston, Texas, to reminisce about his iconic ZE label — and the extraordinary artists he signed to it, from James Chance & Lydia Lunch to his late ex-wife Cristina and August "Kid Creole" Darnell... not forgetting John Cale, whom we hear in two audio clips talking about Lou Reed, Andy Warhol and the Velvet Underground. Discussion of Todd Haynes' new documentary on the band — Michael's all-time favourite group — follows.

Mark & Jasper round things off by talking us through their highlights among the 100+ new articles added to the RBP library, including a 1966 piece on Mama Cass meeting the Beatles, Nick Kent's 1987 Face op-ed on the Smiths, and a 2018 celebration of Moroccan gnawa by John Lewis.

Many thanks to special guest Michael Zilkha. Visit the ZE Books website at zebooks.com.

Pieces discussed: Mary Harron on Michael Zilkha, Paul Rambali on Michael Zilkha, ZE Records night at Hurrah, John Cale audio, The Cure, Stevie Wonder, Kirsty MacColl, Mama Cass, Mitch Mitchell, Donald Fagen, The Smiths, Wynton Marsalis, Chris Blackwell, Slick Rick, Junkie XL/Elvis, New Orleans Funk and Moroccan gnawa.

In this episode, the legendary Paul Morley joins us to talk about his native Manchester, Joy Division and his epic new biography of Factory Records boss Tony Wilson.

Paul recounts his early pop epiphanies and discovery of the UK's music press, culminating in the one & only issue of his 1976 fanzine Out There — not to mention his first reviews for the NME in 1976. The conversation then turns to "Anthony H." Wilson and the formation of Factory, taking in Paul's championing of Joy Division before leading into a discussion of Martin Aston's 1986 audio interview with New Order's Bernard Sumner and Stephen Morris.

From there we consider the week's featured act Faust, spinning off from pieces about the German enigmas by Ian MacDonald, Andy Gill and David Stubbs, and prompting general thoughts on "Krautrock" from both guest and hosts. After saying goodbye to chief Chieftain Paddy Moloney, and to three veteran RBP writers on soul and R&B (Pete Grendysa, Bob Fisher and Roger St. Pierre), Mark leads us through his personal favourites among the 100+ articles added to the RBP library over the past fortnight, incuding pieces about the Stones' pad in Edith Grove, Lorraine Ellison's volcanic single 'Stay With Me' and Charlie Watts on drummers & drumming. Finally, Jasper talks us out with his thoughts on pieces about Primal Scream's 2000 XTRMNTR and John Sinclair taking The Wire's "Invisible Jukebox" text in 2003.

Many thanks to special guest Paul Morley; his book From Manchester with Love: The Life and Opinions of Tony Wilson is published by Faber and available now. 

Pieces discussed: Paul Morley on Manchester, Joy Division, New Order, Tony Wilson, New Order audio, Faust, Faust IV, Jean-Hervé Peron, David Stubbs' Faustian Pact, Rhythm & Blues, Soul (Style), The Chieftains, Paddy Moloney, The Stones, Pink Floyd, Lorraine Ellison, Iron Butterfly, Patti Smith, 808 State, Dusty Springfield, Charlie Watts, The Sex Pistols, Was (Not Was), Primal Scream and John Sinclair.

In this episode, we welcome the excellent Miles Marshall Lewis to Zoom in from his native New York City. Co-hosts Barney, Mark & Jasper ask Miles about his formative musical experiences in the South Bronx, including the impact of his parents' superhip record collection. The conversation turns to hip hop, and then to the "mashing" of jazz and rap on the first three Tribe Called Quest albums — which leads circuitously to Kendrick Lamar's jazz-infused 2015 masterpiece To Pimp a Butterfly, and then to the biography (Promise That You Will Sing About Me: The Power & Poetry of Kendrick Lamar) that Miles has just published. Jasper asks the author about Kamasi Washington and other guest stars on Butterfly, after which we swing to the opposite end of the jazz spectrum and discuss Tony Scherman's 1996 interview with somewhat divisive traditionalist Wynton Marsalis — the week's new audio offering, from which we hear two clips.

From jazz and hip hop we turn to reggae and to the week's featured artist Bob Marley. Prompted by the imminent London premiere of Marley musical Get Up, Stand Up!, we hear the voice of the Jamaican superstar as he speaks to Karl Dallas about 'I Shot the Sheriff', a mere day after the Wailers blew the roof off London's Lyceum theatre on 18th July, 1975.

After bidding farewell to Status Quo bassist/cofounder Alan Lancaster and to George "Commander Cody" Frayne IV, the RBP team talk us through the 100+ pieces added to our library over the past two weeks. These include Lillian Roxon writing about L.A. in the aftermath of the 1969 Manson killings (before Manson has been arrested); Ronnie Hawkins in hot water with former charges The Band/Hawks (also 1969), Michael Watts in hot pursuit of Iggy Pop in 1977, Mark Rozzo revisiting "ultimate cult album" Big Star Third in 2006, and — bringing the episode full circle — our special guest on Baz Luhrmann's 2016 hip hop drama The Get Down...

Many thanks to special guest Miles Marshall Lewis. Visit his website at mmlunlimited.com and buy his book Promise That You Will Sing About Me: The Power & Poetry of Kendrick Lamar.

Pieces discussed: The Sound in Our Veins: Jazz, Kendrick Lamar, Wynton Marsalis, Wynton Marsalis audio, Bob Marley audio, Bob Marley, Status Quo, Commander Cody, Robert Shelton, Hollywood 1969, Blue Note Records, Ronnie Hawkins, The Band, Iggy Pop, Take That, Big Star, Gorillaz, John Coltrane and The Get Down.

In this episode of the Rock's Backpages podcast, Mark Pringle, Martin Colyer and Jasper Murison-Bowie discuss the writing of Creem legend Jaan Uhelszki, who is the featured writer on the week's homepage. Her open letter to Smokey Robinson, interview with Suzi Quatro, appraisal of proto-punk band Death and onstage escapades with KIϟϟ provide the trio with an opportunity to enthuse about her marvellous, stylish prose. 

On the occasion of the 25th anniversary of the Buena Vista Social Club, they then consider the unusual circumstances that led Ry Cooder and his son Joachim to record with a group of Cuban musicians. Mark and Martin confess their initial scepticism of the project, but admit that it (and various offshoots featuring Rubén González and Manuel Galbán) won them over, while Jasper contemplates its enduring appeal and timeless nature.

The three of them then listen to clips from the week's audio interview, which features Lindsey Buckingham in conversation with Bud Scoppa in 2011, on Rumours, Tusk, and his own solo output, before Mark and Jasper pick out their highlights from their additions to the library. Mark's selections include a reader's letter to Robert Shelton regarding folk vs folk rock in 1966 and Burt Bacharach at the Cow Palace in 1971, plus a review of Paul Butterfield's Better Days that prompts Mark and Martin to wax lyrical about guitarist Amos Garrett. Jasper elects to feature a scathing review of the Killers' Sam's Town, an altogether more positive review of Blood Orange's Negro Swan, and a report on German pyrotechnics-enthusiasts Rammstein.

Pieces discussed: Smokey Robinson, Suzi Quatro, Death, KIϟϟ, Ry Cooder in Havana, Buena Vista Social Club, Ry and son Joachim, Lindsey Buckingham audio, The Who, Folk rock, Sly Stone, Leonard Cohen, Burt Bacharach, Peter Gabriel, The Smiths, Radiohead, Aretha Franklin, Paul Butterfield's Better Days, Jackson Browne, Paul Mathur, Nirvana, Pulp, The Killers, Blood Orange and Rammstein.

In this episode we're thrilled to host Simon Reynolds, beamed in from his adopted Southern California. One of the most outstanding music writers of the past three and a half decades, Simon talks to us about his formative pop years; his own early fanzines Margin and Monitor; and the sea-change he (and others) brought to Melody Maker in the late '80s.

Simon's fascinating and passionate Pitchfork piece 'Worth the Wait' (2014) is the springboard for a general discussion of the peak years of the MM, the NME and the general phenomenon of the UK's weekly music press. The conversation turns to what's been lost in the digital/internet era, but also what's been gained.

One of Simon's fellow Melody Maker scribes was Bob Stanley, which affords us the excuse to rhapsodise about Bob's neo-retro meta-pop trio Saint Etienne. With their latest album I've Been Trying To Tell You due for imminent release, Simon and Barney reminisce happily about the impact of their glorious 1991 debut Foxbase Alpha.

The week's new audio interview — Adam Blake's 1988 conversation with Heaven 17 — takes us even further back in pop time, to the Sheffield group's 40-year-old (and still highly impressive) Penthouse & Pavement album... and to a more general discussion of proto-synthpop and the first edition of the Human League. We hear two clips of (mainly) Martyn Ware speaking: one about the challenges of promoting themselves, the other about their scorn for the Top 40 radio fodder of the day (with particular venom reserved for Messrs. Stock, Aitken & Waterman). There's a brief but related digression on the previous week's audio, Steven Daly's 1990 interview with hitmaker-for-hire Diane Warren.

From there it's a not-so-seamless segue to the sad losses of maverick Jamaican producer Lee "Scratch" Perry and Rolling Stones drummer Charlie Watts, with attendant discussions of dub & roots reggae — and of the central importance of Mr. Watts to everything that was great about peak-period Stones.

Mark talks us out with his thoughts on (and quotes from) new library pieces about Dylan at Forest Hills, Bowie at Winterland, Donna Summer and the Smiths, and Jasper concludes matters with remarks on St. Vincent and the wonderful cover of Marvin Gaye's I Want You.

Many thanks to special guest Simon Reynolds; find his blog at blissout.blogspot.com.

Pieces discussed: Worth the Wait, Saint Etienne, Heaven 17 audio, Diane Warren audio, Lee "Scratch" Perry (Vivien Goldman), Lee "Scratch" Perry (Simon Reynolds), Charlie Watts, Kim Fowley, David Bowie, The Faces, AC/DC, Donna Summer, Bob Dylan, Laura Nyro, The Smiths, St. Vincent, Marvin Gaye and Tessa Violet.

In this episode — the first we've recorded in our London office for over 18 pandemic months — we persuaded long-time RBP contributor Richard Williams (far left) to make his second appearance on "the show", principally so we could pick his brains on two of his favourite musical subjects. We start with a conversation about Laura Nyro, of whom both he and co-host Barney are besotted devotees (fellow co-hosts Mark & Martin can't get past the voice), then move on to the Beach Boys of 1970's Sunflower & 1971's Surf's Up. Richard is particularly fascinating on the role on the latter masterpiece of manager/co-writer Jack Rieley... and at least Martin likes the Beach Boys!

The BBs discussion provides the perfect cue for three clips from the week's new audio interviews: John Tobler's conversations with Mike Love (1976) & Bruce Johnston (1980), both of which prompt further thoughts on the quintessential California band & the doomed "Brian Wilson Is Back!" campaigns of the mid-'70s. We then segue into the work of a quintessential California writer, Deanne Stillman, and her featured RBP pieces about Surf culture & Tom Wolfe's 1965 Phil Spector profile "The Tycoon of Teen".

After paying our respects to Texan country-folk icon Nanci Griffith – with quotes from interviews conducted with her in 1988 & 2012 — Mark talks us through his favourite new additions to the RBP library, including interviews with John Lennon, Sid Vicious & Nancy Spungen & Madonna producer Pat Leonard, while Barney rounds things off with remarks on a 2007 interview with Raymond "Gilbert" O'Sullivan.

Many thanks to special guest Richard Williams; find his blog at thebluemoment.com.

The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.

Pieces discussed: Laura Nyro by Richard Williams, Laura Nyro by Ian MacDonald, Laura Nyro by Rob Steen, Mike Love audio, Bruce Johnston audio, Surf culture, Phil Spector, Nanci Griffith by Adam Sweeting, Nanci Griffith by David Burke, Paper Lace, Sid Vicious and Nancy Spungen, Bow Wow Wow, Pat Leonard, Sandy Bull, Hair, John Lennon, Buck Owens and Gilbert O'Sullivan.

In this episode, Barney, Mark & Jasper invite legendary A&R man David Bates to tell them about his long & distinguished career in music — particularly the years he spent working at Phonogram with the likes of Tears For Fears, Def Leppard & Robert Plant.

David reminisces about hearing the Beatles on the radio in 1962, and how that took him eventually to DJ'ing & to working at Richard Branson's first Virgin megastore in the '70s. A clip from our 1990 Was (Not Was) audio interview prompts recall of the droll duo & of David Geffen, after which our guest talks about the "torturous" process of overseeing Tears For Fears' eye-wateringly expensive Seeds Of Love album. He also recalls reuniting Robert Plant with Led Zep bandmate Jimmy Page for 1994's live No Quarter album.

From there we segue into the week's new audio interview, which features Julian Cope — frontman with David's first major Phonogram signing the Teardrop Explodes — talking to a roomful of French music journalists about 1991's Peggy Suicide album. Two clips from this highly entertaining press conference prompt memories of the inimitable "Saint Julian" from our guest, who also joins in with the RBP team's tribute to ZZ Top bassist Dusty Hill, God rest his beard.

Mark concludes the episode with quotes from his favourite library additions over the past fortnight, including pieces about Joe South and Earth, Wind & Fire, and Barney & Jasper respond with remarks on interviews with Seth Lakeman and Christina Aguilera.

Many thanks to special guest David Bates; find his playlists at dbfinestkind.com.

Pieces discussed: David Bates on life as an A&R man, Was (Not Was) audio, Tears for Fears' Seeds of Love, Julian Cope, Julian Cope audio, John Sinclair, Dusty Hill, Record shops and Hammond B3s, Earth, Wind and Fire, Jerry Lee Lewis, Joe South, Television, Chuck E. Weiss, Seth Lakeman, Christina Aguilera and Arctic Monkeys.

In this week's podcast, Mark and Jasper are joined by the excellent Dr. Jennifer Otter Bickerdike to talk about her new Nico book, You Are Beautiful and You Are Alone: The Biography of Nico. Jennifer shares the story of where the idea for the book came from and contemplates comparisons of Nico with Marianne Faithfull. The three of them also consider her remarkable music from Chelsea Girl to Camera Obscura and her time in the Velvet Underground that led to long-lasting collaboration with John Cale.

They then listen to two excerpts from the week's audio interview with Jackson Browne, in which he reminisces about cheap rents in Los Angeles and learning the piano, plus why he often doesn't write political songs. Following the sad news of rapper Biz Markie's death, the trio pay tribute to his infectious humour and joyful singing.

Talk then turns to what's new in the library, with Mark highlighting pieces about Bob Dylan, Debbie Harry and M People's Mercury Prize success among others and Jasper selecting David Kamp's oral history of the Brill Building and an early Britney Spears review, which sparks discussion of Jennifer's upcoming book Being Britney: Pieces of a Modern Icon and the horrors of Britney's guardianship. 

Many thanks to special guest Jennifer Otter Bickerdike. You Are Beautiful and You Are Alone: The Biography of Nico is published by Faber and available now. Visit Jennifer's website at jenniferotterbickerdike.com.

Pieces discussed: Nico by Jennifer Otter Bickerdike, Nico by Peter Jones, Nico by Clinton Walker, Nico by Geoffrey Cannon, Jackson Browne audio, Cold Chillin' Records/Biz Markie, Bob Dylan: Don't Look Back, John Lennon, Sex Pistols, Radiohead, Young Bob Dylan, The Tremeloes, Blondie, M People, Lyrics not poetry, Britney Spears, The Brill Building, Grime, Lavine Hudson and Women music journalists in America 1920–1960.

In the new episode of the RBP podcast, hosts Barney, Mark & Jasper welcome the great Nelson George into "the cupboard", all the way from his native Brooklyn. Nelson talks about his long and distinguished career, from interning at Billboard via his Village Voice column to his recently-published collection The Nelson George Mixtape, Vol. 1. His hosts ask him specifically about his essential 1988 book The Death of Rhythm & Blues, as well as about hip hop & the Average White Band.

The conversation then turns to the week's new audio interview(s) with Nelson favourites Jimmy Jam & Terry Lewis — and to the Minneapolis duo's peerless productions of Janet Jackson, Alexander O'Neal and the S.O.S. Band. Mark then talks us through new library pieces about Lee Dorsey, Television's Richard Lloyd and Public Enemy, while Barney highlights Sheila Weller's Vanity Fair retrospective on Haight-Ashbury and Jasper quotes from Mal Peachey's 2004 Independent appreciation of Eric Dolphy's jazz classic Out to Lunch.

Many thanks to special guest Nelson George. Visit his website at http://www.nelsongeorge.net/bio for details of his books and other work.

Pieces discussed: Nelson George, The Death of Rhythm & Blues, Hip Hop America, Bruce Springsteen, Arthur Lee, Average White Band, Jimmy Jam audio, Terry Lewis audio, The Who, Byrds, Miles Davis, Germaine Greer, Richard Lloyd, Public Enemy, Lee Dorsey, Suede, Summer of Love, Eric Dolphy and Run the Jewels.

In this episode, hosts Barney Hoskyns, Mark Pringle & Jasper Murison-Bowie welcome the one & only Vivien Goldman to join them live & direct from her beloved Jamaica — and to talk about her life as a writer about postpunk, reggae, dub & her other "outernationalist" passions.

The "Punk Professor" reminisces about her days on Sounds & the UK's other "inkies", and her fight to make women's voices heard in the '70s music press: her 1977 challenging of George Benson's ingrained male chauvinism; her championing of the Raincoats & other "she-punks" of the period; and her own 1981 indie classic 'Launderette'. She brings her musical odyssey up to date by trailing Next Is Now, the new album she's just finished with producer Youth.

After we hear clips from Adam Sweeting's 1988 audio interview with Joe Strummer, Vivien pitches in with her memories of the Clash man — and of the Ladbroke Grove "punky reggae" scene of which she was herself a key part. Mark then talks us through his library highlights from the past fortnight, including a 1966 Melody Maker interview with a young David Bowie; Penny Valentine's Disc review of 'River Deep — Mountain High' from the same year; and Harold Bronson's 1972 Rolling Stone retrospective on Animals/Yardbirds producer Mickie Most. Barney mentions more recent pieces about Britpop, Roy Harper & Willie Nelson, and Jasper wraps things up with a nod to Gary Lucas' memoir of introducing a young Vin Diesel to cult "mixmaster" Arthur Russell.

Many thanks to special guest Vivien Goldman; visit her website at viviengoldman.com.

Pieces discussed: Vivien Goldman vs. George Benson, Raincoats, Punk Renaissance Woman Vivien Goldman, Joe Strummer audio, David Bowie, Nancy Sinatra, Mahavishnu Orchestra, Robert Wyatt, River Deep – Mountain High, Sly and the Family Stone, Mickie Most, Blondie, Wanda Jackson, Britpop, Roy Harper, Willie and the Weed Factory, Labelle and Vin Diesel meets Arthur Russell.

In the new episode of the RBP podcast, hosts Mark Pringle, Martin Colyer & Barney Hoskyns invite David Kamp to reminisce about The Rock Snob's Dictionary, already 15 years old but still wonderfully droll and still very on-the-money about people like, well, Mark, Martin & Barney. We ask David to explain the origins of Rock Snobbery and to revisit his epic Vanity Fair pieces about Sly Stone and the unlikely friendship 'twixt country icon Johnny Cash & producer Rick Rubin.

The week's overaching theme of 1971 — inspired by Asif Kapadia's new Apple TV series — leads to discussion of Sly's dark masterpiece (and rock-snob staple) There's A Riot Goin' On, and then on to the Doors' redemptive swansong L.A. Woman, released three months before Jim Morrison's death in Paris. Clips from John Tobler's 1983 audio interview with surviving trio Ray Manzarek, Robbie Krieger & John Densmore prompt discussion of the Doors' legacy & status in the rock pantheon, after which Mark & Barney talk us through their highlights among the new articles in the RBP Library. These include great pieces on Bob Dylan, Mad Dogs & Englishmen, Rough Trade, Some Bizzare's Stevo, the Stones' Keith Richards, plus a lovely 2008 conversation between Simply Red's Mick Hucknall and the mighty Bobby "Blue" Bland.

Many thanks to special guest David Kamp; visit his website at davidkamp.com.

Pieces discussed: The Rock Snob's Dictionary: An Introduction, Johnny Cash and Rick Rubin, Sly Stone's High Power, The Doors, The Doors audio, Mad Dogs & Englishmen, Van der Graaf Generator, Stevo, Sylvester, Bob Dylan, Scott Walker, Johnny Cash, Rough Trade, Keith Richards, Mick Hucknall meets Bobby "Blue" Bland and Jen Cloher.

In this episode we welcome the distinguished New York writer Carol Cooper and ask her to talk us through her career, from her first pieces for the SoHo Weekly News, via the Village Voice and The Face to her present incarnation as an Adjunct Instructor at NYU's Tisch School of the Arts. Dr. Cooper also talks about her early experiences of live music in NYC & New Jersey, plus the dawn of East Coast hip hop (and the vital importance of Bronx club Disco Fever); the problematic concept of "global music"; and the impact of Jungian psychology of her writing & teaching.

Carol then pitches in on a discussion about Steve Cropper, Otis Redding & the racial politics of Stax Records, as well as reminiscing about her 1983 Musician interview with Eddy Grant as Mark talks us through a 1991 audio interview with the former Equal. There's a general discussion of the Guyana-born maverick's unique genre-blending career and DIY business acumen.

Mark talks us through highlights among the most recent additions to the RBP Library, including pieces on Graham Nash & the Hollies, Aretha Franklin's legendary show at the Fillmore West and Paul McCartney's 1980 drug bust in Japan, while Jasper has his mind twisted by Edwin Pouncey's guide to "occult rock" and Lisa Verrico's advice to Times readers on "how to get hip to rap".

Many thanks to special guest Carol Cooper. Please visit carolcooper.org for more of her writing and to buy her book, Pop Culture Considered as an Uphill Bicycle Race.

Pieces discussed: Black Music Association, Global Music, Disco Fever, Stax Story, Steve Cropper, Stever Cropper audio, Otis Redding, Eddy Grant audio, Graham Nash, Dusty Springfield, Aretha Franklin, Joni Mitchell, Beatles' Magical Mystery Tour, Chelsea FC, Gil Evans, Paul McCartney, Iggy Pop, Neil Young's archives, Top 10 Black clubs, Occult rock, How to get hip to rap and Rick Rubin.

In this episode we invite beloved pop-rock singer-songwriter Marshall Crenshaw to reminisce about his long career, from the 40-year-old Shake single 'Something's Gonna Happen' to the documentary film he's producing about Dylan/Zappa/Velvets producer Tom Wilson. Along the way, Barney, Mark & Jasper ask Marshall about his Michigan upbringing, playing John Lennon in Beatlemania, signing to Warner Bros. Records, and his great influence Buddy Holly.

Holly pops up in a clip from the week's new audio interview, a 1990 conversation with sometime Cricket Sonny Curtis, who tells John Tobler about his friendship with Buddy, the Clash's version of his timeless 'I Fought the Law' and the mysterious 1966 death of fellow Texan singer Bobby Fuller. Yet another Texan, the aforementioned Mr. Wilson, offers the perfect excuse to discuss Bob Dylan, the Velvet Underground and the Mothers of Invention.

From there, we say goodbye to another deep Southerner, R&B legend Lloyd ('Lawdy Miss Clawdy') Price, referencing Wayne Robins' fascinating 2013 interview with the 80-year-old "Mr. Personality". Mark guides us through his favourite library additions of the week, including interviews with Carly Simon, Lamont Dozier and Mel & Kim, and Jasper concludes the episode with passing remarks on Wattstax, Björk and Charles Aznavour.

Many thanks to special guest Marshall Crenshaw; visit his website at http://marshallcrenshaw.com/, and back the Kickstarter for the Tom Wilson documentary.

Rock's Backpages is part of the Pantheon podcast network.

Pieces discussed: Marshall Crenshaw by Iman Lababedi, Marshall Crenshaw by Laura Fissinger, Sonny Curtis audio, Lloyd Price by Bill Millar, Lloyd Price by Wayne Robins, Tom Wilson, Carly Simon, Lamont Dozier, The Replacements, Mel & Kim, Shaun Ryder, Wattstax, Björk and Charles Aznavour.

In this episode we depart from our normal format in order to celebrate the milestone that is our 100th episode. Barney, Mark & Jasper look back over highlights of the previous 99 "shows", listening to amusing clips from interviews with Jennifer Otter Bickerdike, Neil Tennant, Amy Linden, Bernard Fowler, James Fox, Stewart Lee, Caroline Boucher, Loyd Grossman and John Harris. Along the way they relive the podcast's inception and evolution — and the crucial importance of Mark Pringle's inimitable laugh.

The podcast's "power trio" wish a happy 80th birthday to contributor Keith Altham, express their deep appreciation for his support over the past 20 years, and discuss three of his 450 pieces on RBP. They also talk a bit about the Black Keys, R. L Burnside & the North Mississippi hill country blues sound that inspired the Keys' new Delta Kream album. Clips from a 1991 audio interview with Donald Fagen prompt conversation about The Nightfly, the Rock & Soul Revue, and the all-round greatness of Steely Dan.

Finally, Mark regales us with quotes from new library pieces about the Velvets & the Mothers live, the Bee Gees' Barry Gibb and Cameo's Larry Blackmon. Jasper talks us out with remarks on Coldplay live and Lil Jon.

Many thanks to all our guests, contributors and listeners for joining us for one hundred episodes.

The Rock's Backpages podcast is part of the Pantheon podcast network.

Pieces and episodes discussed: Episode 1, Jennifer Otter Bickerdike, Neil Tennant, Amy Linden, Bernard Fowler, James Fox, Stewart Lee, Caroline Boucher, Barbara Charone, Loyd Grossman, John Harris, Keith Altham at 80, Monterey Pop, Marc Bolan, The Beatles, North Mississippi Hill Country Blues, R. L. Burnside and Junior Kimbrough, Billy Gibbons and Dan Auerbach, Donald Fagen audio, the Velvet Underground & the Mothers of Invention, Barry Gibb, Miles Davis, Cameo, Public Enemy, Coldplay, Lil Jon, Junglepussy, Christina Aguilera and Keith Altham.

In this episode we invite Emmy award-winning screenwriter David Quantick to relive his days as a budding pop scribe on the NME – and to share his memories of Paul Weller, Lloyd Cole & the ignominious Morrissey. As someone who's written with Chris Morris, Armando Iannucci and Harrys Hill & Enfield, David is predictably hilarious about '80s pop – as well as about Simon Cowell & many other things. He also offers his tuppenceworth on the week's featured act Teenage Fanclub, and on our 1998 Marianne Faithfull audio interview, clips from which we hear and discuss in this episode.

Mark then talks us through new library pieces about John Lennon's dad, Led Zeppelin and Earth, Wind & Fire; Barney cites Mat Snow's 2009 interview with Mike Oldfield, triggering a Quantick memory of theTubular Bells dude being quizzed by the late Steven Wells; and finally Jasper wraps up the episode with reflections on pieces about the 2001 BRIT Awards, soundtrack composer Mica Levi & jazz titan Kamasi Washington.

Many thanks to special guest David Quantick. Read more about his work at davidquantick.com and pre-order Quantick's Quite Difficult Quiz Book here.

Pieces discussed: Style Council, Lloyd Cole, Morrissey, Simon Cowell, Teenage Fanclub, Teenage Fanclubber, Teenage Fanclubbest, Marianne Faithfull audio, Jimi Hendrix live, Allman Brothers live, Bob Marley & the Wailers live, Freddie Lennon, Led Zeppelin, Rolling Stones at Altamont, Earth, Wind & Fire, Mike Oldfield, Nick Tosches, BRIT Awards 2001, Mica Levi and Kamasi Washington.

In this episode of the RBP podcast, we welcome Melody Maker veteran Chris Welch into the virtual cupboard to talk about his long career — all the way from The Scotsman on Fleet Street in 1958 to editing Metal Hammer in 1989. Chris reminisces about the swinging, thrilling '60s and his essential early pieces on acts such as the Rolling Stones and Jimi Hendrix. He also recalls coining the term "progressive rock", after which he discusses jazz-fusion virtuosi the Mahavishnu Orchestra with Mark, Barney & Jasper.

Attention then turns to Richard Thompson & Fairport Convention, whose Martin Lamble was an acquaintance of Chris' before the 17-year-old drummer was so tragically killed in the band's 1969 crash. There is general discussion of the Fairports — and of folk-rock in general, with special reference to the glorious Sandy Denny — and then of the solo Thompson, who publishes his autobiography Beeswing this week.

From there it's an impossible segue into the life & death of hip hop icon DMX, who died on 9th April, followed by Mark's guide to the new RBP library highlights, including pieces about Sam & Dave, Gloria Gaynor, Boy George and Britney Spears. Barney brings in Chris when it comes to a 2004 piece on singer-turned-mogul Mickie Most, and Jasper wraps up with remarks on Joe, punk rock for kids and Charli XCX.

Many thanks to special guest Chris Welch. Read more about him on his RBP writer's page.

Pieces discussed: Rolling Stones, Jimi Hendrix, Billy Cobham, Backstage life in the 60s, Life after Fairport Convention, Richard Cromelin solo, Electric folk, Simon Nicol audio, DMX, Ruff Ryders, Sam & Dave, Grand Funk Railroad, Boy George, Gloria Gaynor, Britney Spears, Jack Nitzsche, Mickie Most, Amy Winehouse, Joe, Punk for kids, Charli XCX and Auto-Tune.

In this episode of the RBP podcast, we welcome San Francisco Chronicle legend Joel Selvin into the virtual cupboard to talk about Hollywood Eden, his terrific new book about L.A.'s pop scene in the early '60s.

After explaining how he first came to write for "the Chron" at the end of that decade, Joel recalls his early fascination with L.A. as the burgeoning "surf city" celebrated by Jan & Dean and the Beach Boys. Barney & Mark press him for stories about the scurrilous but brilliant "bottom feeder" Kim Fowley, after which we hear three audio clips from John Tobler's 1973 interview with (Jan &) Dean Torrence. (Among those namechecked along the way: Jan Berry, inevitably, and Lou Adler, Bruce Johnston, Terry Melcher & Jill Gibson...)

Staying in a Southern California groove, Joel also reminisces about the troubled Jack Nitzsche, whom he interviewed for Melody Maker in 1978. We discuss Nitzsche's achievements as a producer-arranger, his big influence on the Rolling Stones, and his regrettable decline in the last years of his life. Handily, Joel also turns out to know his stuff when it comes to the role played in Stevie Wonder's synthesized '70s soul by the late Malcolm (Tonto's Expanding Head Band) Cecil, who passed away last week...

Mark wraps matters up with observations on such recent RBP library additions as Maureen O'Grady's 1965 Rave interview with the visiting Byrds; Richard Goldstein's 1968 New York Times profile of the splendidly eccentric Van Dyke Parks; and — from 1980 — Glenn O'Brien's Interview interview with the Marianne Faithfull of Broken English.

Many thanks to special guest Joel Selvin. Hollywood Eden is published by House of Anansi and Joel can be found online at joelselvin.com.

Pieces discussed: Beach Boys, Lenny Waronker, Dean Torrence audio, Jack Nitzsche, Joel on Jack, Jack Nitzsche and the Stones, Stevie Wonder, Stubbs on Stevie, Tonto's Expanding Head Band, The Byrds, Bill Graham, Phil Spector, Phil Spector Again, The Stone Roses, Stash de Rola, Van Dyke Parks, Marianne Faithfull, Madonna, J.J. Fad, Brandy, Mariah Carey and Lenny Kravitz.

Content warning: This episode contains discussion of domestic abuse and violence against women (33:50–37:42). 

In this episode, we talk to the amazing Adele Bertei about her career as a singer, songwriter and the author of two terrific books, Peter & the Wolves & the new Why Labelle Matters. Starting with her wild life as a gay teenager in Cleveland, Ohio, we hear about her friend & mentor Peter Laughner, founder member of Pere Ubu and a tragically self-destructive troubadour who died back in 1977.

Adele then talks us through her move to New York's East Village and her participation in the city's No Wave punk-funk scene as a member of James White & the Contortions — and as the leader of the all-girl Bloods. This leads on to discussion of ZE Records & August "Kid Creole" Darnell, audio clips of whom we hear in a 2016 conversation with Larry Jaffee... which in turn takes us on to Adele's hymn of love for Labelle, the trailblazing trio who morphed from '60s girl group into '70s Afrofuturists. RBP's co-hosts ask Adele about the group's manager Vicki Wickham (hear Vicki's own RBP podcast episode) and about Laura Nyro, Bobby Womack's Poet II, and female power & resistance in the decades before #MeToo.

Finally, after noting the passing of Sally Grossman — widow of Bob Dylan's manager Albert & the "lady in red" on the cover of Bob's Bringing It All Back Home — Mark rounds up the highlights of his recent additions to the RBP Library, including Richard Goldstein's review of The Band's Big Pink, Philip Elwood's prescient 1970 appreciation of a young Bruce Springsteen playing live in San Francisco & the recently-recruited Maureen O'Grady interviewing new Stones guitarist Mick Taylor. Jasper takes us out with thoughts on pieces about white appropriation of Black soul, plus an underwhelming 2000 "chart battle" between (insert polite cough) Westlife & Spice Girls...

Many thanks to special guest Adele Bertei. Why Labelle Matters is published by UT Press and Peter & the Wolves by Smog Veil.

Pieces discussed: Nona Hendryx, Labelle, Bobby Womack, August Darnell audio, Sally Grossman, Woodstock, Pere Ubu/Devo, Kid Creole, Chris Farlowe, The Monkees, The Band, Janis Joplin, ZZ Top, Love's Alone Again Or, Mick Taylor, Steel Mill, Ian Dury, Keith Levene, Millie Jackson, Screaming Lord Sutch, Westlife vs. Spice Girls, Le Tigre and Lily Allen/Joss Stone/Amy Winehouse.

This show is part of Pantheon Podcasts.

In this episode we welcome the great blues & country writer Tony Russell, who talks about his new Rural Rhythm: The Story of Old-Time Country Music in 78 Records — and the joys of the original Americana sound from the '20s to the '40s. Tony also talks us through his writing career from the late '60s to the present, with a particular nod to a 1972 Cream piece about B.B. King.

The focus on the "Old-Time" country of Fiddlin' John Carson & Uncle Dave Macon carries through to discussion of those compelling revivalists Gillian Welch & David Rawlings, big faves of the RBP crew — and then to clips we hear from a 1983 audio interview with Phil Everly of peerless country-pop harmonists the Everly Brothers. Phil talks about the strained relationship with brother Don and the prospect of the Everlys reunion that happened in the fall of that year.

For those less smitten by Appalachia and "high lonesome" close-harmony singing, there are heartfelt farewells to roots reggae icon Bunny Wailer & trad-jazzer turned "Father of British R&B" Chris Barber, both of whom were lost to the music world last week. There's effusive appreciation of the Wailers co-founder's classic 1976 solo debut Blackheart Man, while RBP's co-founder Martin Colyer pitches in with reminiscences of his uncle Ken's bandmate Barber.

Mark talks us through his highlights from recent additions to the RBP Library, including the great Derek Taylor holding forth on the Stones' drug bust in 1967 and the recently-departed Chick Corea discussing his Return To Forever group with Zoo World's John Swenson in 1974. Barney namechecks a Kandia Crazy Horse hymn to the L.A. Canyons from 2009 and Jasper rounds things off with remarks on Danger Mouse's Rome project, from 2011, and London MC Sway's 2006 album This is My Demo.

Many thanks to special guest Tony Russell, whose new book Rural Rhythm is published by OUP and available now.

Pieces discussed: Charlie Poole, Uncle Dave Macon, B.B. King, Gillian Welch, Gillian Welch, Phil Everly, Bunny Wailer, The Wailers, Chris Barber, Chris Barber, Ben Webster, Peter Green, Curtis Mayfield, Roky Erickson, Rolling Stones, Chick Corea, The Time, L.L. Cool J, L.A. Canyons, Dave Edmunds, Valerie June, Sway and Danger Mouse.

In this episode we invite former Disc (and Music Echo) reporter Caroline Boucher to reflect on her journey from the Gravesend & Dartford Reporter to The Observer's Food Monthly supplement — via a stint at Elton John's Rocket label. Barney, Mark & Jasper ask Caroline about being a female pop reporter in that very unwoke era, and press her for stories about her favourite L.A. freaks Frank Zappa and Captain Beefheart.

The Zappa theme leads into clips from not one but two audio interviews with Vince "Alice Cooper" Furnier, the first from August 1969 — when Alice signed to Frank's Straight label — and the second from exactly 20 years later, when Adam Blake talked to him about his new Trash album. Fond recall ensues of 'School's Out' and other Cooper classics.

The conversation turns from freaky California weirdness to pompous English prog-rock, though Mark makes a compelling case for — and defence of — the 50-year-old Yes Album. The "team" pays its respects to the Supreme Mary Wilson, the jazz-fusing Chick Corea, Salsa godfather Johnny Pacheco and Byrds/Smiths biographer Johnny Rogan, after which Mark talks us through his library highlights from the previous fortnight and Jasper signs off with remarks on pieces about Halsey and Pharrell Williams.

Many thanks to special guest Caroline Boucher; for more of her writing, visit her page on RBP.

The Zappa documentary is streaming now on the altitude.film website and all major platforms from March.

Pieces discussed: Frank Zappa, Captain Beefheart, Burgers with Alice Cooper, Alice Cooper backstage, Alice Cooper audio, Yes, Yes, Yes, Mary Wilson, The Supremes, Chick Corea, Johnny Pacheco, Johnny Rogan, The Beatles live, Aretha Franklin, Nick Drake, Sunset Strip groupies, Evan Parker, Chuck Berry, Keith Richards, George Clinton, The Jesus & Mary Chain, Alan Douglas, Al Bell, Pharrell Williams and Halsey.

In this episode we welcome the legendary Nick Kent as our very special guest. Unarguably the most famous British rock writer from the golden era of '70s rock journalism, Nick tells Barney, Mark & Jasper how he began writing for the underground Frendz and then for Nick Logan's super-hip New Musical Express. Recollections of Syd Barrett, Brian Wilson and the Rolling Stones lead inevitably to tales of self-indulgence and self-destruction — and eventually to Nick's sometime drug buddy Iggy Pop, who is heard speaking in March 1977 about his beloved proto-punk band the Stooges and about his new Bowie-produced solo album The Idiot.

The conversation turns briefly to Nirvana and Kurt Cobain before we pay our respects to departed Animals guitarist Hilton Valentine and then — led by a very eloquent Jasper — to the extraordinary electronic producer and trans icon SOPHIE. Among the new library articles Mark highlights are pieces about Cream's Eric Clapton, Charlie Gillett's Sound Of The City, Fun Boy Three and 12" disco master-mixer Tom Moulton. For reasons that will be obvious to many of you, Nick pitches in after Mark quotes from Barry Cain's 1978 Record Mirror interview with PiL's John Lydon and Jah Wobble. Jasper wraps up the episode with passing remarks on Simon Reynolds' 2017 retrospective on Donna Summer's epic 'I Feel Love'...

Many thanks to special guest Nick Kent; his novel The Unstable Boys is published by Constable and out now.

Pieces discussed: Nick Kent on David Bowie, Nick Kent on Brian Wilson, Nick Kent on Iggy Pop, Nick Kent on Kurt Cobain, Chris Salewicz on Nick Kent, Iggy Pop audio, Nirvana, Foo Fighters, Dave Grohl, The Animals, SOPHIE, Sly Stone, Jimi Hendrix, New York Dolls, Eric Clapton, Graham Nash, Sound of the City, Public Image Limited, Fun Boy Three, Tom Moulton, Donna Summer & Giorgio Moroder and Jon Bon Jovi.

In this episode, we welcome the excellent Nick Coleman into RBP's snug virtual cupboard. Barney, Mark & Jasper quiz Nick about his distinctively personal music writing for the NME, Time Out and the Indie on Sunday, with especial reference to his 1986 interview with jazz-soul siren Anita Baker. This leads seamlessly to discussion of his terrific 2017 tome Voices: How a Great Singer Can Change Your Life, as well as to the harrowing experience of hearing loss that inspired 2012's The Train in the Night.

In this episode, it was impossible to ignore the death of monstrous megalomaniac and murderer Phil Spector. After hearing a chilling audio clip of him speaking to Roy Carr in 1975, Nick and his hosts attempt to separate the man from the visionary architect of the "Wall Of Sound". (Now a certified psychotherapist, Nick compares Spector's narcissistic personality disorder to that of Donald Trump, who finally vacated the White House the day before this recording.) We also bid farewell to Ed "Duke Bootee" Fletcher, whose lyric for 'The Message' made rap superstars of Grandmaster Flash & the Furious Five and played a huge part in the birth of "conscious hip hop".

Somewhat less megalomaniacal than Spector is Miles Copeland III, whose rapid-fire voice we hear in audio clips from 1989. The man who seemed fated to follow in his dad's C.I.A. footsteps tells John Tobler how bankruptcy made him switch from Wishbone Ash to Wayne County – and how he launched I.R.S. Records as a home for R.E.M., the Go-Go's and Fine Young Cannibals.

Finally, Mark talks us through his highlights among the 100+ new arrivals in the RBP library, including Dan Nooger reviewing our previous podcast guest John Simon live at Max's Kansas City in 1972; Mary Harron explaining U.K. punk to her U.S. readers in 1977; and Deanne Stillman reporting on America's enduring heavy-metal subculture in 1991. Jasper concludes matters with passing remarks on avant-jazz enigma Albert Ayler and the 1993 Eurovision Song Contest, staged in the tiny Irish town of Millstreet…

Many thanks to special guest Nick Coleman; The Train in the Night and Voices are published by Penguin.

The Rock's Backpages podcast is part of the Pantheon Podcast Network.

Pieces discussed: Donald Fagen, Anita Baker, How to be Keef, Phil Spector audio, Phil Spector, Phil Spectorer, Phil Spectorest, Miles Copeland audio, Herb Alpert, U.K. punk, Blondie, Heavy Metal Mania, Bob Dylan, John Simon, Al Green, CDs vs LPs, Harold Budd, Midlake, Marc Zermati, Ant & Dec, Albert Ayler and the 1993 Eurovision Song Contest.

In the new episode of the Rock's Backpages Podcast, we welcome legendary producer, piano player and songwriter John Simon, beamed in from his winter retreat in the Florida Keys. Mere hours before the shocking assault on D.C.'s Capitol building, John reminisces wittily and insightfully about working with The Band, Janis Joplin, Taj Mahal & Bobby Charles — and about his trenchant musical memoir Truth, Lies & Hearsay. He also joins us as we listen to his sometime fellow Woodstocker Van Morrison talking in 1979 about the classic Astral Weeks. Van/Band fanboys Barney, Mark & Martin ask John about The Last Waltz, for which he served as musical director.

The Joplin connection leads to discussion of famed writer and encyclopaedist Lillian Roxon, the pioneering Australian who became a den mother at NYC's Max's Kansas City in the late '60s — and whose Janis obit is one of her featured pieces on our new home page. The RBP team also pays homage to departed stars Gerry Marsden, Geoff Stephens and masked hip hop maverick MF DOOM. Mark and Jasper wrap matters up with remarks on recent RBP library additions, including pieces about Siouxsie & the Banshees, Bruce Springsteen and his pre-E Street band Steel Mill and "Welsh Wu Tang" Goldie Lookin Chain.

Many thanks to special guest John Simon; please visit his website at johnsimonmusic.net for information about his book Truth, Lies & Hearsay and much else besides.

The Rock's Backpages podcast is part of the Pantheon podcast network.

Pieces discussed: John Simon, The Band, Janis Joplin, Van Morrison, Lillian Roxon on Janis, Merseybeat, Gerry Marsden, Winchester Cathedral, MF DOOM, Nor-Cal Folk-Rock Festival, Paul McCartney, Ska Jump, Kenickie, Divine Comedy, Billy Fury, Reggae in the USA, Siouxsie and the Banshees, Radiohead and Goldie Lookin Chain.

In this episode we welcome The Guardian's John Harris into RBP's virtual cupboard to reminisce about his career as a music journalist and author. Mark, Barney & Jasper look back with John at Britpop and at The Last Party, his definitive 2003 book about it; we also consider the crucial role in the Britpop story of Select magazine, which John edited between 1995 and 1997. Discussion of Britpop's more jingoistic aspects is accompanied by references to contemporary pieces on Blur, Oasis & co. by Jon Savage and Stuart Maconie — and followed by John's thoughts on morphing into one of the Grauniad's most respected political columnists. 

The week's theme leads neatly into clips from a 1980 audio interview with Britpop forefather Paul McCartney, heard talking to John Tobler about his McCartney II album. Seasoned Beatles freak Harris talks about Macca's solo oeuvre and McCartney II's just-released successor… McCartney III! The "team" and their guest then turn their attention to the passing of the remarkable Charley Pride, the Black southerner who — against considerable odds — became a country music superstar.

Mark talks us through some notable new additions to the RBP library, including pieces about the Manson family, the Bee Gees, Kirsty MacColl, the Beastie Boys and Metallica. Barney welcomes California writer Deanne Stillman to the RBP fold with her 2004 piece on the trial of Phil Spector, while Jasper rounds matters off with reflections on Shakira and RBP's Paul Kelly's favourite band Coldplay.

Many thanks to special guest John Harris; visit his website at johnharris.me.uk.

Pieces discussed: Britpop, Britpoper, Britpopest, Paul McCartney audio, Patti Smith, Ramones, Dis-Education of Rock 'n' Roll, Charley Pride, Charley Prider, Charley Pridest, Charles Manson, Ashford & Simpson, Kirsty MacColl, Soft Cell, Beastie Boys, John Lennon, Barry Gibb & the Bee Gees, Kevin Coyne, Human League, Jason & Kylie, Metallica, Phil Spector, Viv Albertine, Shakira and Coldplay.

This show is a part of Pantheon Podcasts.

In this week's episode, we talk to the splendid Kandia Crazy Horse — Zooming in from her apartment in "high Harlem" — about her career as a writer and singer-songwriter; about her abiding love for Southern rock; and about Rip It Up, her 2004 anthology of essays on Black rock from Little Richard to Lenny Kravitz. Along the way we discuss Donny Hathaway, Muscle Shoals, Mad Dogs & Englishmen, Love's Arthur Lee... and Kandia's terrific 2013 country-soul album Stampede.

We then go back to 1969 and hear the first of three clips from Joel Selvin's audio interview with the aforementioned Little Richard, prompting discussion of Mr. Penniman's pivotal role in the story of Black rock ('n'roll).

Mark then guides us through his new library highlights, including Roy Carr & Ian MacDonald debating David Bowie, Nick Tosches on Dolly Parton, Barry Cain on the blower to Sylvester, Sandy Robertson meeting L.A. legend Terry Melcher in London and Mark Rowland talking at length with Tom Waits. Barney mentions Andy Beckett on Peter Hook and Gary Pig Gold on the Shaggs, while Jasper rounds things off with remarks on Jason Gross' piece about Istanbul in the early noughties and Wyndham Wallace's 2010 review of Janelle Monáe performing at Berlin's Postbahnhof.

Many thanks to special guest Kandia Crazy Horse; visit her website at kandiacrazyhorse.com.

The Rock's Backpages podcast is proud to be part of the Pantheon Podcast network.

Pieces discussed: Allman Brothers, Donny Hathaway, Arthur Lee, Black Rock, Black Rocker, Afropunk, Love, Little Richard audio, Muscle Shoals, Grateful Dead, Dolly Parton, Sylvester, Supremes, David Bowie, Terry Melcher, Tom Waits, George Michael, New Order, Shaggs, Istanbul and Janelle Monáe.

In the new episode of the Rock's Backpages podcast, we welcome into RBP's cosy virtual cupboard the BBC's former Head of Music Entertainment — and the co-creator of the enduring Later… with Jools Holland show. Yes folks, Mark Cooper revisits his career as a music writer — from seeing the last Sex Pistols show in San Francisco in 1978 to interviewing N.W.A. in South-Cental L.A. 1989 — and talks about his long TV career and the hatching of Later in 1992.

Mark's 2008 interview with Neil Young sparks a discussion of the Canadian giant's so-called "doom" years from 1972 to 1976, boxed up this month in the second volume of his monumental Archives project. With special attention to 1975's dark masterwork Tonight's the Night, we hear clips of Neil speaking in 1985 and 2005, then discuss Don't Be Denied, the documentary Mark made about him with director Ben Whalley.

There's yet more audio in the episode as we celebrate the 70th birthday of Steve Van Zandt (or, if you prefer, Miami Steve, Little Steven… or indeed Silvio Dante) with clips from a 1982 interview. The E Street Band legend and subsequent Sopranos star talks to John Tobler about the bands he and his buddy Bruce Springsteen led in mid-'60s New Jersey, after which Mark and his co-hosts compare views on SVZ's side band the Disciples of Soul.

Finally, Mark (Pringle, that is) talks us through his highlights among the week's 50+ new library articles, including great pieces on the Four Tops, David Bowie, Hound Dog Taylor, Dan ('Instant Replay') Hartman and Sheryl Crow … after which Barney quotes from interviews with Prince and Ani DiFranco, talking about Woody Guthrie and Donald Trump's odious dad Fred. That just leaves Jasper to wrap things up with closing remarks on Simon Cowell's ill-fated Girl Thing and former X-Factor contestant Cher Lloyd.

Many thanks to special guest Mark Cooper.

Rock's Backpages is proud to be part of the Pantheon podcast network.

Pieces discussed: Neil Young, Sex Pistols, NWA, Neil Young, Neil Younger, Neil Youngest, Crazy Horse, Steve Van Zandt audio, Four Tops, David Bowie, Hound Dog Taylor, Dan Hartman, Culture Club, Mantronix, Sheryl Crow, Prince, Ani DiFranco, Girl Thing and Cher Lloyd.

In this episode we welcome acclaimed playwright Jez (Jerusalem) Butterworth into RBP's virtual cupboard to talk mainly about The Band – but also about Dolly Parton and other musical tastes shared with hosts Mark, Barney & Jasper. 

Barney gets the ball rolling by asking Jez how an early '90s conversation with Malcolm McLaren led to his first play Mojo – and how music has long played a part in his work. A Butterworth screenplay based on John Niven's peerless novella Music from Big Pink prompts discussion of The Band, taking in clips from Barney's 1991 audio interview with Al Aronowitz, the New York Post writer who first visited Big Pink to report on Bob Dylan's former backing group.

A tangent takes the episode into the terrain of Jerusalem, not to mention Brexit and the rural vs. urban polarisation exemplified by the U.S. presidential elections (still bitterly undecided at the time this episode was recorded). A neat segue leads to a deep appreciation of Dolly Parton, about to publish her autobiography Storyteller. An early Parton interview on RBP's home page provides a perfect springboard for consideration of her unique voice, her politics (or lack thereof), and her cosmetic augmentations.

There's no easy pivoting from Parton to Perry Farrell: suffice to say that – in 1996 audio clips about his Lollapalooza festival and the "spirits" of heroin and cocaine – the former Jane's Addiction and current Porno for Pyros frontman is barmy, brilliant and typically engaging. 

Last but far from least, Mark talks us through his personal highlights from the week's new intake of great interviews and reviews from the golden age(s) of music journalism – including the Daily Express' Ivor Davis dropping in on John Lennon during his "lost" L.A. weekend in 1973, the Village Voice's Richard Goldstein on the "meaning" of Bette Midler in 1975, NME's Paul Morley coaxing quotes out of Joy Division's Ian Curtis in 1979… and that same rag's Steven Wells lambasting pale and uninteresting Velvet Underground devotees in 1993. Jasper takes us out with quotes from a fabulous early interview with Ms. Amy Winehouse…

Many thanks to special guest Jez Butterworth.

The Rock's Backpages podcast is proud to be part of the Pantheon Podcast Network.

Pieces discussed: The Band, Bob Dylan, Al Aronowitz audio, Dolly Parton, Dollier Parton, Dolliest Parton, Perry Farrell audio, Bob Dylan & the Hawks, Steve Winwood, John Lennon, Bette Midler, Manchester bands, Luther Vandross, Velvet Underground, Public Enemy, Amy Winehouse and Baron Wolman.

In this episode, Barney, Mark & Jasper welcome the great Loraine Alterman — live from New York City! — to reminisce about her journey from '60s "Teen Beat" reporter on the Detroit Free Press to co-producer of a new Broadway show about Motown stars the Temptations. Along the way we also hear about New York's Fillmore and Apollo theatres — and how John Lennon came to be Best Man at her wedding to actor Peter Boyle. Then we head back to the Motor City to discuss the genius of Stevie Wonder as he morphed from '60s Motown prodigy to '70s Moog magician.

After paying their respects to the late Spencer Davis – the R&B "professor" who launched the superhuman lungs of 16-year-old Stevie Winwood on the world — your hosts and their guest hear the first of three clips from a compelling audio interview with Elvis Costello, mainly (but not exclusively) telling Adam Sweeting about his 1995 covers album Kojak Variety. Discussion of pop's own Mr. Eclectic ensues before Mr. Pringle talks us through his favourite new additions to the ever-expanding RBP library — including interviews with Brian Jones, Robert Wyatt, Grace Jones … and mall-pop princess Debbie Gibson. Barney cites a prescient 2014 interview about racism and Confederate flags with Lynyrd Skynyrd's Rickey Medlocke, and Jasper wraps matters up with reflections on Jason Donovan and D'Angelo…

Many thanks to special guest Loraine Alterman. For more information about the International Myeloma Foundation’s Annual Comedy Celebration, please visit comedy.myeloma.org.

Pieces discussed: MC-5, Smokey Robinson, Apollo Theatre vs Fillmore East, John Lennon, Stevie Wonder, Stevie Wonderer, Stevie Wonderest, Spencer Davis Group, Spencerer Davis Group, Spencest Davis Group, Elvis Costello audio, Brian Jones, Soul, Soft Machine, Funkadelic, J. J. Cale, Grace Jones, Debbie Gibson, New Order, Lauryn Hill, Lynyrd Skynyrd, Jason Donovan, D'Angelo's Black Messiah and Parody in Popular Music.

This show is part of the Pantheon Podcast Network.

In this episode we invite James "Midge" Ure to talk us through his wonderfully convoluted career in a conversation that stretches from Slik to Visage — via the Rich Kids, the Blitz club and Live Aid — to his present-day Backstage Lockdown Club. With a special focus on the New Romantics, RBP's hosts ask Midge about Ultravox, whose classic Vienna album is 40 years old this week, and touch on the "manifesto" that Sounds' Betty Page put together with Spandau Ballet in that same year.

Midge also pitches in on the passing of guitar-shredder extraordinaire Eddie Van Halen, whose sad loss prompts a general celebration of the pop-metal band that was Eddie's namesake. We also pay our respects to U.S. soul singer turned reggae ambassador Johnny Nash and to country-MOR singer-songwriter Mac ('In The Ghetto') Davis. 

The week's new audio interview being Steven Daly's 1998 conversation with R&B mega diva Mariah Carey, we hear two clips from this very entertaining chinwag ... and then ponder the pros and cons of Carey's career and oeuvre. Mark then walks and talks us through his highlights of the week's new intake of library articles , including seminal pieces on Otis Redding (1966), Ewan MacColl (1975) and Kraftwerk (1977), while Jasper rounds matters off with remarks on reviews of Ricky Martin, Jack White... and Midge Ure live in February this year!

Many thanks to special guest Midge Ure. Join Midge's Backstage Lockdown Club at www.patreon.com/midgeure, and check out the deluxe 40th anniversary version of Ultravox's Vienna.

Pieces discussed: Visage, Spandau Ballet, New Romantics, Van Halen @ Whisky a Go Go, Van Halen, Van Halener, Van Halenest, Johnny Nash, Mac Davis, Bunny "Striker" Lee, Mariah Carey audio, Otis Redding, Jackson Five, Ewan MacColl, Kraftwerk, ABC, Radiohead, Natalie Imbruglia, Dis-Education of Rock 'n' Roll, Ricky Martin, Lester Bangs, Jack White and Midge Ure.

This show is part of Pantheon Podcasts

In this week's episode, we welcome the wonderful Jude Rogers into RBP's very own Gridworld. Live from her native Wales, the far-from-obscure Jude reviews her career as a music scribe from The Llanelli Star to The Word, revisiting interviews with megastar-in-the-making Adele Atkins and wholly reformed cocaine fiend Tony Bennett. Jude also reflects on a 2008 thinkpiece about the Beach Boys' influence on Fleet Foxes, the latter having just "dropped" a rather fine new album, Shore, with minimum fanfare. Additionally, Jude offers her thoughts on the multifarious splendours of Prince's Sign 'O' the Times, the 1987 "double" album oft regarded as his crowning achievement. Hosts Mark, Barney & Jasper reference contemporary reviews of the record and ponder the influence on the purple maestro of departed Revolutionaries Wendy & Lisa.

After noting the passing of blue-eyed soul man Roy ('Treat Her Right') Head – with nods to a nice 1966 profile of the Texan by Britain's Bill Millar – your hosts and their guest hear the first of three clips from Martin Aston's 1986 interview with Sonic Youth, wherein Kim, Lee, Steve and Thurston (new solo album out this week!) discuss, among many other matters, obscure guitars and their interpretation of fellow Manhattaniite Madonna's 'Into the Groove(y)'. The episode concludes with a round-up of particularly tasty additions to the RBP librarium, including a 1966 report on "psychedelics", a 1972 interview with the impressively recalcitrant Bill Withers, a 1988 Smash Hits encounter 'twixt Chris Heath and wannabe-soul boys Wet Wet Wet...and pieces about neglected Motown siren Kim Weston and "postmodern-cabaret" man Max Raabe.

Pieces discussed: Adele, Tony Bennett, Beach Boys influence, Prince, Princer, Princest, Wendy & Lisa, Roy Head, Roy Head: Club Lingerie, Sonic Youth audio, Psychedelics, Beach Boys, Bill Withers, Sex Pistols, Judas Priest, Wet Wet Wet, Elastica, Louise Criscione, Kim Weston, Salt-N-Pepa and Max Raabe.

This show is part of Pantheon Podcasts.

In this week's episode, we invite cult meta-comedian and out-there-music connoisseur Stewart Lee to discuss the new documentary he's made about Prefects/Nightingales legend Robert Lloyd. Stewart also pitches in on RBP's new audio interview, a 1991 conversation 'twixt the late Andy Gill and everyone's favourite choirboy-voiced Commie Robert Wyatt. In addition we consider the week's featured RBP writer Caitlin Moran, with especial attention to her hair-raising 1994 encounter with Courtney Love. Plus we bid a fond farewell to Kool & the Gang co-founder Ronald "Khalis" Bell and to Simeon Coxe of pioneering '60s oscillators Silver Apples...

Finally, with intermittent interjections from Mr. Lee, Mark picks highlights from the week's trove of new additions to the RBP library, including top pieces on Jimi Hendrix (1967), Rodney "Mayor of Sunset Strip" Bingenheimer (1979), Spandau Ballet (1981) and inimitable drag superstar RuPaul (1993). With Stewart's tastes in mind, Jasper M-B spotlights Wire classics on Laurie Anderson (2001) and Japanese free-music extremist Keiji Haino (2002).

Many thanks to special guest Stewart Lee. Find out more about King Rocker at kingrockerfilm.com.

Pieces discussed: Robert Lloyd, Nightingales, The Prefects, The Chameleons, Robert Wyatt audio, Courtney Love, Kylie Minogue, Spice Girls, Silver Apples, Kool & the Gang, Jimi Hendrix, Johnny Thunders & the Heartbreakers, Rodney Bingenheimer, Spandau Ballet, Brothers Johnson, Sinéad O'Connor, RuPaul, Keiji Haino and Laurie Anderson.

The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.

In this week's episode, Mark and Jasper are joined by the fabulous Vicki Wickham to chat all things pop and beyond, starting with her experiences as producer of TV show Ready, Steady, Go! in swinging sixties London, when Vicki became good friends with Dusty Springfield, through writing for Fabulous and Melody Maker to managing Labelle in the 70s and much else besides.

Vicki talks about how she got her foot in the door of television and reminisces about writing lyrics for Dusty, then tells the story of moving to New York to open a US office for Track Records. We then find out how she masterminded the metamorphosis of Patti Labelle and the Blue Belles into groundbreaking pop trio Labelle, who Mark reckons paved the way for TLC and even the Spice Girls.

Vicki, Mark and Jasper then listen to clips from an audio interview with Morrissey, in which the seeds of his later racism are occasionally audible, and Vicki admits that although she was nominally his manager for a short while, he was mostly interested in hearing the stories she had to tell. (In any case, he turned out to be unmanageable.)

The trio then pay tribute to the Heartbreakers' Walter Lure, singer-songwriter Justin Townes Earle, Jack Sherman of the Red Hot Chili Peppers and R&B singer D. J. Rogers before Mark and Jasper present some of their highlights from the new pieces going into the RBP library. Mark selects pieces on pop television, Led Zep IV and Patti Smith, and Jasper rounds things out with the Scissor Sisters and Merzbow.

Pieces discussed: Vicki Wickham, Ready, Vicki, Go!, Labelle's Nona Hendryx audio, Vicki Wickham's Pop Guide to London, Graham Nash, Ashford & Simpson, Morrissey audio, Jon Savage with the Heartbreakers, Pete Makowski on the Heartbreakers, Justin Townes Earle, Red Hot Chili Peppers, D. J. Rogers, TV pop, Led Zeppelin IV, David Bowie, Patti Smith's Horses, The Germs, Morrissey, Scissor Sisters, Richard Pinhas & Merzbow and Echo & the Bunnymen.

Rock's Backpages is proud to be part of the Pantheon Podcast Network.

In this episode, Barney & Jasper welcome the legendary Alan McGee into RBP's virtual cupboard. The Creation Records founder talks us through his storied career, from his school days in Glasgow to the Creation 23 label of the 21st century. 

Reminiscing about the early '80s Living Room gigs he put on in London, Alan describes the signings of Oasis, the Jesus and Mary Chain another great Creation acts. He also explains how Primal Scream got from Sonic Flower Groove to Screamadelica; how he almost signed Teenage Fanclub's idol Alex Chilton; how My Bloody Valentine's Loveless did (or didn't) almost bankrupt his & Dick Green's baby; and how appalled Sony were by Kevin Rowland's My Beauty album after the company acquired 49% of Creation's shares in 1992.

Slightly cheekily, RBP's co-hosts then force Alan to listen to clips from a 2007 audio interview with Alex James of Oasis's Britpop nemesis Blur — except it turns out he never really hated those soft southern Sassenachs in the first place: it was all the Gallaghers' fault. Quel surprise…

After paying their respects to fallen pop heroes Wayne Fontana, Trini Lopez and Seeds guitarist Jan Savage, Barney & Jasper talk through their highlights of the week's new "library load ". These include Lillian Roxon's 1966 report on "Music City USA" (i.e. Nashville); Michael Goldberg's 1983 report on MTV's exclusion of Black music videos; Joni Mitchell bellyaching in 1981 about being "written out of rock history"; a breathless 2002 review of Scandi garage rockers the Hives live at London's Astoria, and a riveting Aphex Twin interview from 2003…

Pieces discussed: Creation, Creationer, Creationest, Jesus & Mary Chain, Vile Evil from East Kilbride, Primal Scream, Blur's Alex James audio, Wayne Fontana, Trini Lopez, The Seeds' Jan Savage, Death Discs, Nashville, Wizzard, Patti Smith, MTV, Joni Mitchell, Cleveland punk, Jerry Ragovoy, The Hives, Aphex Twin and Beyoncé.

In this episode we welcome the wonderful Mary Harron, director of cult movies I Shot Andy Warhol and American Psycho. After a brief digression on dating Tony Blair at Oxford, the Canadian relives her memories of the punk rock scene at New York's CBGB club, including her interviews with the Ramones and Talking Heads for John Holmstrom & Legs McNeil's pioneering Punk magazine. Mary also talks about her friendship with ZE's Michael Zilkha and her long fascination with Warhol and the Factory. Along with her hosts, she hears clips from Martin Aston's 1987 audio interview with Tom Verlaine, prompting her recall of his seminal band Television and a general discussion of 1977's classic Marquee Moon album. 

Mark & Barney pay heartfelt tribute to tragic blues-guitar hero Peter Green, ruminating on what made the Fleetwood Mac man so much more emotional a player then his UK blues-boom peers. They also say goodbye to the hilarious CP Lee, former frontman with Mancunian satirists Alberto Y Lost Trios Paranoias. After bringing Mary's directorial career up to date – with an aside on the American Psycho soundtrack that affords Jasper a chance to wax lyrical about Huey Lewis & the News – Mark selects his library highlights, including notable pieces about Brian Jones, Labelle, the Bush Tetras and, erm, the Knack. Jasper rounds things up – and brings matters back down to earth – with remarks on pieces about "superstar DJs" and Stock Aitken Waterman teaboy Rick Astley… 

Pieces discussed: Mary Harron on the Ramones / on pop art / on Michael Zilkha, Punk Rock, Talking Heads, Shouting Heads, Tom Verlaine audio, Peter Green, Peter Greener, Alberto y Lost Trios Paranoias, Rolling Stones, Labelle, Disco, Bush Tetras, The Knack, Jeff Beck, Superstar DJs, Rizzle Kicks and Rick Astley.

In this episode we are joined by self-professed "failed musician" and pasta-sauce mogul Loyd Grossman, OBE, to wax nostalgic about the most important years of his illustrious career: those he spent as a contributor to Fusion, Rolling Stone and other American music papers. Loyd reminisces very amusingly about seminal late '60s shows at the Boston tea party, before explaining how he moved to London and reinvented himself as a British national treasure on TV and in every kitchen in the country. He also recounts how he came to play guitar, three times a year, with Jethro Tull. 

After a digression on the sad passing of Fairport Convention's original singer Judy Dyble, Loyd joins his hosts in hearing clips from a 1982 audio interview with Queen's Brian May in which that poodle-headed plank-spanker describes, among other things , working with David Bowie on the classic 'Under Pressure'. Barney drags Loyd into a discussion of the wrath heaped upon his compatriots the (Dixie) Chicks, whose new album Gaslighter affords the opportunity to examine the close links between country music and hyper-patriotism. Loyd turns out to be a country fan and gives a special thumbs-up to the Chicks' defiant 2006 song 'Not Ready To Make Nice'. 

Mark brings the episode to the boil with remarks on new library pieces such as Lillian Roxon's 1966 review of James Brown at Madison Square Garden, Roy Carr's day out in Hyde Park in summer 1970 watching Pink Floyd and Kevin Ayers, and David Keeps meeting Madonna at the Hard Rock Café. Jasper's chosen pieces include Ian Penman on hip hop and John Calvert on OK Go…

Many thanks to special guest Loyd Grossman.

The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.

Pieces discussed: Bonzo Dog Band, Beatles, Pink Floyd, Groundhogs, Queen's Brian May audio, (Dixie) Chicks, (Less Dixie) Chicks, (Least Dixie) Chicks, James Brown, Pink Floyd & Kevin Ayers, Mama Michelle, Archie Bell, Sex Pistols, Madonna, Anthony Wilson, High Llamas, Jackson Browne, Hip hop books and OK Go.

In this week's episode, we welcome former Face editor Sheryl Garratt into RBP's Zoomworld to ask her about rave and club culture – and how we got from disco to acid house to 2020's quarantine raves. Sheryl discusses her newly-reissued/revised 1999 classic Adventures in Wonderland and looks back on her journey from the NME to The Observer. Mark, Barney & Jasper ask her about her seminal 1986 Face piece on Chicago's House scene – and about Ecstasy and 1988's "second summer of love". 

Clips from the week's new audio interview, a 2005 conversation between DJ History's Bill & Frank and Shoom/Boy's Own legend Terry Farley, provide the perfect springboard for further reminiscence of House music and the UK's ever-fecund club scene. Sheryl also pitches in on the week's Free On RBP feature about fellow Brummie Mike (The Streets) Skinner, whose classic track 'Weak Become Heroes' was arguably the greatest elegy for the rave era. We hear a clip of Skinner speaking to Gavin Martin in 2002 and celebrate that year's splendid Original Pirate Material album. 

Among the new RBP library additions considered are Hugh Nolan's Disc report on London's psychedelic temple the UFO club (1967), a slightly unlikely 1989 encounter between David Toop and Bakersfield country icon Buck Owens, and Chris Heath's hilarious 1997 Rolling Stone cover story on the Spice Girls. Jasper takes us out with observations on a pointless Tim Buckley tribute album (2000) and an interview with Public Service Broadcasting's amusingly-monikered J. Willgoose , Esquire … 

Many thanks to special guest Sheryl Garratt; buy Adventures in Wonderland on Amazon and visit her website at sherylgarratt.com.

Pieces discussed: House sound of Chicago, Blackpool Weekender, 1988 and all that, Terry Farley audio, The Streets audio, The Streetser, The Streetsest, UFO Club, George Harrison, Al Green, Buck Owens, Neil Kulkarni's letter to MM, Spice Girls, Tim Buckley tribute, Tim Buckley live, James Blood Ulmer, Public Service Broadcasting and Britney Spears.

The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.

In this week's episode, we welcome legendary Rough Trade founder Geoff Travis into RBP's virtual cupboard. Averse to nostalgia though he is, Geoff looks back on the musical odyssey that took him from suburban north London to San Francisco's City Lights bookstore — and then back to Notting Hill Gate, where the Rough Trade story started in 1976. Mark and Barney ask him about the label's many remarkable artists (from the Fall to the Smiths), the Cartel distribution network he set up, and the company's second coming with the early Noughties signings of the Strokes and the Libertines. 

A timely segue takes us into discussion of early Rough Trade postpunks Scritti Politti, whose frontman Green Gartside is heard in clips from a 2006 audio interview by Adam Sweeting. Geoff shares his memories of — and deep respect for — Green, answering questions about the singer's return to Rough Trade after Scritti's major-label successes of the '80s and '90s.

After a passing nod to pieces by RBP's featured writer of the week Pat Blashill — author/photographer of the splendid new Texas is the Reason — Mark leads us gently through his highlights of the week's library additions. Most pleasingly, he welcomes the work of the late Lillian Roxon to RBP in the form of her 1967 report on the new creatures dubbed "Hippies". Other pieces picked out include Isaac Hayes talking about Shaft in 1971 and a 1977 live review of Sylvester performing at San Francisco's Old Waldorf club. Jasper brings the episode to a conclusion by quoting from pieces about Corinne Bailey Rae and North Carolina's electronic duo Sylvan Esso before a final clip of Mr Gartside in full flow takes us out…

Pieces discussed: Rough Trade, Rougher Trade, Roughest Trade, Scritti Politti's Green Gartside audio, Beastie Boys, America's Rave Scene, Photographs of Texas punks, Hippies, Isaac Hayes on Shaft, Sylvester live, Randy Newman, Corinne Bailey Rae and Sylvan Esso.

The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.

In this week's episode, Mark, Barney and Jasper discuss the role music has played in expressing the pain and rage of Black Americans. Touching on such seminal figures as Nina Simone, Curtis Mayfield and the Last Poets, they listen to clips from a 1976 audio interview with the late Gil Scott-Heron, assessing his militant poetics and the albums he made with Brian Jackson. From there, the RBP team considers interviews with Public Enemy's Chuck D in 1992 and, from 2015, Kendrick Lamar. They also discuss a 1971 piece about James Brown by pioneering Black "rock critic" Vernon Gibbs. 

Mark talks us through such highlights of the week's new additions to the RBP library — Philip Elwood's live review of Judy Garland at San Carlos' Circle Star, Roy Carr's interview with New Orleans piano great Professor Longhair, Michael Goldberg's salute to New York electro-punk duo Suicide and David Toop's tribute to '60s pop Svengali Larry Parnes. Barney cites a timely 2011 interview with Harry Belafonte, wherein the singer-actor reflects on his civil-rights activism, after which Jasper wraps up matters by looking at pieces about the boundary-pushing Peaches, the return of Neneh Cherry and the bizarre artist known formerly as Terence Trent D'Arby. 

The Rock's Backpages podcast is part of the Pantheon podcast network.

Please consider donating to organisations fighting against racism and injustice, such as Black Lives Matter UK and the NAACP/NAACP Legal Defense Fund.

For further resources, readings, and ways to help, please visit https://blacklivesmatters.carrd.co.

Pieces discussed: Gil Scott-Heron audio, Nina Simone, Public Enemy, Kendrick Lamar, James Brown, Indie labels, Judy Garland, Professor Longhair, Suicide, Larry Parnes, Depeche Mode, Charles Brown, Harry Belafonte, Peaches, Alicia Keys, Neneh Cherry and Terence Trent D'Arby.

In this week's episode, we welcome the great Jonh Ingham into RBP's "virtual cupboard". In a fascinating conversation, he revisits the peripatetic childhood that took him to California in the '60s – and to San Francisco's Fillmore West, where in 1971 he reviewed a famous Aretha Franklin show for Creem magazine. Mark & Barney ask him about his return to the UK, where he wrote for NME and then Sounds, championing London's nascent punk scene in early '76 and conducting the first interview with the Sex Pistols. He also reminisces about running the Fake Club in L.A., working in advertising in Tokyo, and ending up as CompuServe's head of content back in the UK. 

After a brief digression on the subject of Stefani "Lady Gaga" Germanotta – with Mark & Jasper almost coming to cultural blows – Jonh offers his thoughts on John Peel, subject of the week's knew audio interview. We hear clips of the beloved DJ talking to Martin Aston in 1989, prompting recall of the great man's self-effacing radio personality and his incalculable impact on all forms of alternative music. Mark talks us through highlights of the week's new library pieces , including Nat King Cole's last-ever interview before his death in 1965 and a 69-year-old Cab Calloway speaking to Philip Elwood in 1976. Jasper concludes matters by discoursing on French quartet Phoenix, Malian master Ali Farka Touré and jazz legend George Russell. 

Many thanks to special guest Jonh Ingham, whose book Spirit of '76 is available online at Blackwell's and all other good bookshops.

The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.

Pieces discussed: Aretha Franklin, Sex Pistols, Punk, Lady Gaga, Lady more Gaga, Lady most Gaga, John Peel audio, Nat King Cole, Hendrix etc., Grateful Dead + Miles Davis, Cab Calloway, Earth, Wind & Fire's Maurice White, Aphex Twin, Phoenix, Ali Farka Touré, Daft Punk and George Russell.

In this week's episode, Mark, Barney & Jasper talk extensively about one of the great record labels — a hallowed home to such groundbreaking acts as Jimmy Cliff, Nick Drake, Roxy Music, (Bob Marley and) the Wailers and, yes, U2. Listening to clips from John Tobler's 1989 audio interview with Island founder Chris Blackwell, RBP's power trio reflect on what made the label such a powerhouse for non-mainstream genres like folk and reggae. Blackwell talks of its transformation after 1967, as well as his first encounter with Marley in 1972.

A neat segue via Lenny Kaye's 1975 overview of the label leads "the team" into a discussion of Sparks, the American art pop duo who've just released their new album, A Steady Drip, Drip, Drip. Mark & Barney reminisce about the Mael brothers' Island years in the '70s, commencing with Kimono My House and its astonishing hit single 'This Town Ain't Big Enough for the Both of Us'. We stay in the '70s, moreover, as the RBP troika considers great Disc pieces — about Lou Reed and Chinnichap — by the splendidly-named Ray Fox-Cumming.

Mark rounds matters off by talking us through new library pieces about Santana, Hamilton Bohannon, John Fahey (1977), Joni Mitchell and N.W.A., while Jasper adds his tuppenceworth on articles about British folk institution Topic Records, the death of the album and Busta Rhymes. And we go out with a clip from Johnny Black's 1995 audio interview with Pretty Things frontman Phil May, who sadly passed away last week...

The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.

Pieces discussed: Chris Blackwell audio, Island Records, Sparks, Ron Mael, Lou Reed, The Sweet, Queen, Santana, Hamilton Bohannon, John Fahey, The Pretenders, Sheena Easton, Roxanne Shanté, NWA: Straight Outta Compton, Robert Johnson, Mark Ronson, The T.A.M.I. Show, Cecil Sharp, Folk field recordings, Death of the album, Busta Rhymes and Phil May audio.

In this week's episode, we welcome special guest James Fox, author of 1982's bestselling White Mischief and the man who, ten years ago, made Keith Richards' Life one of rock's outstanding autobiographies. James talks us through his long and distinguished career as a journalist in Africa, and as a features writer during the golden era of The Sunday Times Magazine. He describes how his friendship with "Keef" was cemented by the pieces he wrote for that publication about the Rolling Stones in 1973 and 1976, answering his hosts' questions about the great man's rhythm guitar playing.

The fantastic Mr. Fox also offers his perspective on Little Richard, whose death last week prompts discussion of the gay black southerner's explosive role in the birth of rock & roll. We hear a clip of the sometime Mr. Penniman speaking in 1985 – as well as one of the late Betty ('Clean Up Woman') Wright owning up to being a shameless show-off in 1978. Handily, James is on hand, too, to reminisce about the importance of Moe Asch's legendary Folkways label – as revisited in the week's new audio interview, a conversation with folk elder Pete Seeger conducted by Tony Scherman in 1987. Clips follow of Seeger talking about Asch and recalling Folkways legends Lead Belly and Woody Guthrie. 

As ever, Mark guides us through his personal library highlights, including pieces about John Coltrane (1965), Deep Purple (1970), Ashford & Simpson (1982) and Billy Idol (1990). Jasper concludes matters with quotes from pieces about Joanna Newsom (2015), JPEGMAFIA (2017) and, erm, James Blunt (2020).

Many thanks to special guest James Fox—visit his website at jamesfox.co.uk.

The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.

Pieces discussed: Keith Richards' guitar playing, Rolling Stones, Papa Wemba, Little Richard, Little Richarder, Little Richardest, Betty Wright, Betty Wrighter, Pete Seeger, John Coltrane Quartet, Velvet Underground and Nico, Kate and Anna McGarrigle, Ashford & Simpson, Billy Idol, Ice-T, Acid House, Joanna Newsom, JPEGMAFIA and James Blunt.

In this week's episode of the RBP podcast, we pay tribute to Kraftwerk cofounder Florian Schneider, along with Afrobeat linchpin Tony Allen and Stranglers keyboardist Dave Greenfield. The excellent Simon Witter joins us to offer essential expertise on Schneider's vital part in making Kraftwerk the hugely influential group they were, with discussion revolving around our guest's epic MOJO retrospective on the electronica godfathers.

RBP's regular triumvirate consider pieces by the week's featured writer Lisa Verrico, commencing with a hilarious 1994 diatribe from the Fall's Mark E. Smith. More-up-to date are her great Sunday Times profiles of cutting-edge stars Billie Eilish and Christine & the Queens, prompting passionate endorsements by "our Jasper" Murison-Bowie. Being a tiny bit older than "our" Jasper, Mark Pringle & Barney Hoskyns steer the conversation towards the week's new audio interview. Clips from John Tobler's 1973 chat with Rick Nelson trigger musings on TV teen Idol Ricky's metamorphosis into a credible rock and roller – and then into the trailblazing L.A. country rocker whose Stone Canyon Band backed him on his wry Top 10 hit 'Garden Party'. 

Finally, Mark walks us through the new library additions that most tickled his interest this week, including Jamie McCluskey III (a.k.a. Eden, a.k.a. Nikki Wine) chatting to the Beach Boys' Brian Wilson in 1965, David Keeps in conversation with Detroit's Was (Not Was) in 1983, and RJ Smith anticipating Trump's America in a prescient 1991 piece about Guns N' Roses. Barney pics Carol Clark's lovely 2001 lament for the inimitable Joey Ramone, while Jasper focuses on – among other items – John Calvert's 2015 dissection of problematic lyrics by Abel "The Weeknd" Tesfaye… 

Many thanks to special guest Simon Witter.

The Rock's Backpages podcast is part of the Pantheon podcast network.

Pieces discussed: Kraftwerk, Kraftwerker, Am Kraftwerksten, Mark E. Smith, Billie Eilish, Christine and the Queens, Rick Nelson audio, Brian Wilson, The Band, Was (Not Was), The D.O.C., Guns N' Roses, Hip Hop in 1998, Joey Ramone, Neil Cowley Trio, The Weeknd and Tame Impala's Slow Rush.

In this week's episode, RBP's very own Terrible Trio are joined by the legendary Jill Furmanovsky for a free-ranging conversation about her long career – and about rock photography in general. Jill describes her lucky 1972 break at London's Rainbow Theatre, talks about shooting Pink Floyd and Bob Dylan, and namechecks fellow snappers Pennie Smith and Barrie Wentzell. Discussion follows about free pieces (on Henry Diltz, Dennis Morris, and Barry Feinstein) by Observer photography critic Sean O'Hagan. 

The first of three clips from a 1975 interview with the late Errol Brown prompts reflections on the delicious Hot Chocolate – and what made Brown such a compelling star of '70s pop. Mark then guides us through new library pieces about Andy Williams (1963), the MC5 (1968), Ringo Starr (1972), and Scritti Politti (1988). Barney spotlights articles on Frankie Goes to Hollywood and the state of music journalism in 2018. Jasper wraps up the episode by considering the post-Velvets careers of Lou Reed, John Cale and co., plus an unlikely 2011 live pairing of Foo Fighters and CeeLo Green… 

Many thanks to special guest Jill Furmanovsky; visit rockarchive.com to see her photography.

We are delighted to launch our exclusive collaboration with Rockarchive at rocksbackpages.com/rockarchive.

The Rock's Backpages podcast is part of the Pantheon podcast network.

Pieces discussed: Jill Furmanovsky's Moment, Jill's Bobquest, Val Wilmer, Dennis Morris, Henry Diltz, Barry Feinstein, Hot Chocolate audio, Andy Williams, The Beatles, MC5, Ringo Starr, Muddy Waters, Scritti Politti, Suede, Fiona Apple, Frankie Goes to Hollywood, Music journalism, Life beyond the Velvets, Foo Fighters/CeeLo Green and Zoot Suit riots.

Content warning: This episode contains discussion of assault (1:02:28–1:05:20) that some listeners may find distressing.

In the 70th episode of our podcast, RBP's Zooming triumvirate talk about the Who's Live at Leeds — "the greatest live album ever made," in many people's H.O. — as it reaches its half-century. Referencing Geoffrey Cannon's unabridged Guardian review from May 1970, Mark & Barney relive memories of seeing the Who live and — with Jasper — explore what made the band such a uniquely powerful live unit.

The two other giants of '60s British pop feature in free pieces by KRLA Beat's Nikki "Eden" Wine, who attempts to explain Beatlemania in 1965 and hangs around a Rolling Stones session in Hollywood in 1966. Mark puts "the Beat" ("America's Pop Music NEWSpaper") into historical context and describes how some of its key female contributors wound up on RBP.

A passionate fan of Ron Sexsmith's for 25 years, Barney intros his own 2011 audio interview with the self-effacing Canadian. There are clips of Ron talking about Interscope signing him at the ripe old age of 31; about his and others' songwriting; and about his painful envy of Neil Diamond's onstage confidence. Finally, Mark & Jasper chew over highlights among the week's new library pieces, including interviews with Chicken Shack (1969), Manitas de Plata (1971) and Creation's Alan McGee (1997); a report on the Jacksons' overblown Victory tour of 1984; a review of Childish Gambino's first London gig (2012); and a 2017 report on allegations of sexual abuse against "queer punk" duo PWR BTTM…