20 avsnitt • Längd: 60 min • Veckovis: Tisdag
Screenwriters John August and Craig Mazin discuss screenwriting and related topics in the film and television industry, everything from getting stuff written to the vagaries of copyright and work-for-hire law.
The podcast Scriptnotes Podcast is created by John August and Craig Mazin. The podcast and the artwork on this page are embedded on this page using the public podcast feed (RSS).
John and Craig open the mailbag to answer a swath of listener questions that make Craig’s blood boil. They offer insights and umbrage on when you can turn down projects early in your career, picking the right day job, maintaining visibility when you’re taken off a project, the next steps after a successful short, when NDA’s are necessary, and how to credit unpublished source material.
We also say goodbye to green envelopes as we celebrate the arrival of direct deposit residuals, and follow up on AI training and GitHub for screenplays.
In our bonus segment for premium members, John and Craig abandon their superciliousness look at the English words they kind of know but are too chicken to actually ever use.
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You can download the episode here.
John and Craig welcome back Ryan Reynolds for an in-depth look at his creative process bringing the character of Deadpool to the screen.
As co-writer, producer and star of the Deadpool franchise, Ryan leads us through his first introduction to the character, the rough journey getting to greenlight, and the challenges presented by an often-faceless protagonist. Along the way, they talk tone and dialogue, collaboration and rule-breaking, respect and irreverence, and the importance of listening to the movie. Ryan also has some writing questions for John and Craig.
In our bonus segment for premium members, we look at Ryan’s flair for marketing and the creative freedom he’s found in advertising.
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You can download the episode here.
John welcomes journalist/screenwriter Max Read to look at the emerging sub-genre “halogencore” – stories of corporate malfeasance that are less about uncovering corruption as they are about characters learning to ignore it. They look at the evolution of the sub-genre, how these movies function, and why it’s important to define genres at all.
We also explore the current state of independent journalism and freelance writing, and follow up on Hallmark movies and playwrights turned screenwriters.
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In our bonus segment for premium members, does it feel like time has sped up this summer? Like, even more than usual? John and Max slow it down and find the silver linings of an accelerated world.
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You can download the episode here.
In this compendium episode, John and Craig look at two of the most fundamental building blocks of compelling stories – conflict and stakes.
We define six forms of conflict common in movies, and explore ways to sustain conflict within a scene and throughout a story. We also look for ways to find the root of your character’s stakes, pick the right stakes for the world around them, and the importance of making everything personal.
In our bonus segment for premium members, John and Craig look at Whiplash and how it finds conflict at the perfect tempo.
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You can download the episode here.
John and Craig stand waist-deep in rotten tomatoes and ask, what can we learn from bad movies? Resisting the urge to walk out, they explore ways to evaluate a movie’s problems, interrogate your taste, and turn a real stinker into an opportunity to grow as a writer.
We also follow up on Lifetime movies, colored pages and AI screenwriting, and answer listener questions on weirdo characters and the validity of a ghostwriter.
In our bonus segment for premium members, when is it okay to bail on something you no longer enjoy? We look at when to bounce on books, friendships and more.
Links:
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You can download the episode here.
John welcomes writer-director Betsy Thomas (Superior Donuts, Superstore) to finally discuss writing multi-camera sitcoms. Using famous sitcom scripts as guides, they look at how multi-cam sets itself apart through its unique formatting and production, how it utilizes blocking, its surprising limitations in post, and the live studio audience.
But Betsy is more than just a talented creative – she’s also the secretary-treasurer of the WGA West. Who better to lead us through the WGA annual report and look at writer income and residuals in the wake of the strike? We also follow up on gains for writing teams and un-locked pages, and answer listener questions on flashbacks, punctation, and untrustworthy producers.
In our bonus segment for premium members, Betsy explains to John and Megana what makes golf such a wonderful sport.
Links:
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You can download the episode here.
John and Craig welcome back Megana Rao to look at rituals and what they can tell us about our characters. But what are characters doing deliberately, and what is just routine? They separate routines from rites, and how both can help deepen our understanding of characters and the threats that face them.
We also follow up on un-locking pages, industry software and health insurance for writing teams, before answering a listener question on transitioning from writing plays to writing movies.
In our bonus segment for premium members, John, Craig and Megana talk about coming-of-age rituals, and Craig reveals the theme of his Bar Mitzvah (it’s even nerdier than you think).
Links:
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You can download the episode here.
John and Craig finally become writing partners and edit the opening to one chapter of the upcoming Scriptnotes book live on-air. They wrestle with word choices, adapting the phrasing of a spoken conversation and finding a unified voice as they pass the keyboard back and forth.
We also catch up Craig on what he’s missed since he’s been away, follow up on #payuphollywood, and answer a host of listener questions on personal stories, backstories, sharing credit, Lifetime movies, and disliking your protagonist.
In our bonus segment for premium members, John and Craig deal out their favorite card games.
Links:
Email us at [email protected]
You can download the episode here.
John welcomes back Mike Schur (The Good Place, Parks and Recreation) to ask, how do you fix an overwritten script? They discuss ways to rebuild scenes and restore muddy characters that have become burdened by too many notes, all while making sure your script retains its voice.
We also look at the new IATSE deal with the AMPTP, the WGA’s back-pay settlement with CBS, Skydance purchasing Paramount, and follow-up on our idea of keeping pages un-locked.
In our bonus segment for premium members, John and Mike listen to the AI generated songs named in the RIAA’s current lawsuit and wonder, did they really steal from copyrighted material? (The answer is yes.)
Links:
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You can download the episode here.
John and Craig welcome Aline Brosh McKenna to look at what writers mean by a “voice,” and how it develops.
Some screenwriters’ voice develops long before their craft, leading people to label them as “promising” even though the scripts themselves are a mess. Other writers get all the technical stuff right from the start, but have a hard time finding something distinctive about how they write.
From there, we segue into one of the most contentious Three Page Challenges we’ve ever done, with wildly split opinions.
In our bonus segment for premium members, John the Eagle Scout gives Drew practical advice for wilderness camping in 2024.
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You can download the episode here.
John welcomes Simon Rich (Man Seeking Woman, Miracle Workers) to look at how he crafts a comedic premise. Using his work on SNL, his time writing Inside Out at Pixar and his plethora of short stories, they look at how he develops a funny idea into a story with narrative and emotional punch.
We also follow up on the Harry Potter TV series, and answer listener questions on the downsides of writing in other mediums and adapting your screenplay into a novel.
In our bonus segment for premium members, how do you get your work into magazines? Simon walks through his experience, from rejection letters to being published in the New Yorker.
Links:
Email us at [email protected]
You can download the episode here.
John welcomes back Aline Brosh McKenna to help figure out how to say goodbye… in your story. Using examples from some of their favorite movies, they explore how farewell scenes work, what sets them apart from the average see-you-later, and leaving a lasting effect on your characters and the audience.
We also look at the summer box office, George Gallo’s Bad Boys lawsuit, Sony’s purchase of Alamo Drafthouse, and answer listener questions on bad ex-managers, second steps, NDA’s, fairies, and how to take advantage of downtime in LA.
In our bonus segment for premium members, John and Aline discuss journaling. Should we be keeping track of what we’ve been doing all day?
Links:
Email us at [email protected]
You can download the episode here.
In this compendium episode, John and Craig fast-forward to the third act to talk about endings. How do they work? What makes them great? And how do you fix them when they’re not working?
They look at how to connect your ending to your characters, crafting a twist that surprises (but doesn’t confuse), the function of the climax, the importance of the denouement, and how to make it all satisfying for your audience.
In our bonus segment for premium members, John and Drew welcome back Megana Rao to ask: do we still need reunions in the age of social media?
Links:
Email us at [email protected]
You can download the episode here.
John and Craig decode the current state of software in the film and television industry. With dozens of programs needed for every project, they look at why bad and outdated programs continue to have a hold on the industry, why it’s so hard to build something better, and how these programs find financial success in such a small and specialized market.
Then it’s another round of the Three Page Challenge, where they give their honest feedback on three listener-submitted scripts. They offer insights into quickly establishing information, those scenes that can be written but not filmed, the tricky dynamics of a meet-cute, and why broad comedy demands logic.
In our bonus segment for premium members, John and Craig explore the exciting possibilities that comes from playing D&D campaigns with no magic and other strict constraints.
Links:
Email us at [email protected]
You can download the episode here.
John welcomes Meredith Scardino (Girls5eva) and Jen Statsky (Hacks) to discuss the highs and lows of writing the third season of a hit comedy. But how do you push a series forward without violating the premise or retreading familiar terrain? Are the shows still the shows they pitched? How has streaming changed since their shows first went on the air? And how do you plan for your series’ future?
They also answer listener questions on non-binary characters, past tense emotions in action lines, and how to make the most of a mentorship.
In our bonus segment for premium members: Two years ago John sent a letter to Jen with his predictions for what would happen in the third season of Hacks. That letter has remained sealed until now. Were John’s predictions correct, close, or way off the mark?
Links:
Email us at [email protected]
You can download the episode here.
John and Craig explore one of the most powerful and versatile tools in episodic television: the cold open. But how does it work? What kind of scenes does it showcase best? How can it play with point of view, perspective and time? What makes it memorable? And how do you make it work for your story?
We also discuss new requirements for loan-out corporations, follow up on streaming ads and AI-generated coverage, and answer listener questions on titles, exposition and disabled representation.
In our bonus segment for premium members, John and Craig check out OpenAI’s flirty new chat capabilities and ask, do they have any love for talking to human-like AI’s?
Links:
Email us at [email protected]
You can download the episode here.
John joins Mike Birbiglia on his podcast Working It Out to share direct, practical screenwriting advice that you’ll actually use, whether you’re an aspiring screenwriter or you want to pursue creative work of any kind.
They explore John’s screenwriting process, from defining his expression “breaking the back of the script,” through the different forms of conflict and navigating the murky middle of the story. John shares the best writing advice he’s ever received, the screenplays everyone should read, what he appreciates in standup specials and why cool people aren’t funny. They also revisit the gains made on AI as a result of the writers strike.
Links:
Email us at [email protected]
You can download the episode here.
In this compendium episode, John and Craig demystify the the relationship between writers and the people who represent them, looking at how to acquire, work with and (if necessary) fire your agents and managers.
How do you get an agent or a manager? What are they looking for in a potential client? What frustrates them? How do you position yourself for success? And what should you be looking for in an agent? How should they treat their clients? What is in their job description? How do you navigate disagreements, and what are best practices for when you have to part ways?
In our bonus segment for premium members, John discusses how and why he changed his mind and signed with his first-ever manager just a few weeks ago.
Links:
Email us at [email protected]
You can download the episode here.
Why are things so rough in Hollywood right now? John and Craig look at the industry’s current contraction, its historical analogues, and offer suggestions for what might fix it.
We also follow up on streaming ad breaks and New York accents, before answering listener questions on being paralyzed, whether it’s by your second draft or writing professional emails.
In our bonus segment for premium members, John and Craig wonder what to do with their digital lives once they’ve shuffled off this mortal coil, and how do you keep it from getting creepy?
Links:
Email us at [email protected]
You can download the episode here.
John and Craig investigate what characters know and how we know they know what they know. It’s something that can be as confusing as that last sentence was, but they offer clear guidance on building informed characters, audience expectations, and how to get everybody on the same page.
We also look at how ad breaks in streaming are interrupting established act breaks. But first we follow up on AI transcription and character voice, and answer listener questions on authentic depictions and how to ask for a WGA contract.
In our bonus segment for premium members, how should you act when you meet a famous person? John and Craig have big (but well-concealed) feelings.
Links:
Email us at [email protected]
You can download the episode here.
En liten tjänst av I'm With Friends. Finns även på engelska.