436 avsnitt • Längd: 65 min • Veckovis: Onsdag
What are the The Best 1980s & 1990s Movies? Do you find yourself asking if the movies we loved while growing up were really that good? Have you caught yourself thinking, “why don’t make movies like they use to?” Can you still remember spending your Friday Nights searching for the perfect movie rental at Blockbuster Video? Do you know what Blockbuster Video is? If you answered yes, then this is the podcast for you!
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The podcast Shat the Movies: 80’s & 90’s Best Film Review is created by Shat on Entertainment. The podcast and the artwork on this page are embedded on this page using the public podcast feed (RSS).
This week on the pod, we're diving into the high-stakes paranoia of The Manchurian Candidate (2004), a political thriller reboot that trades Cold War chills for post-Gulf War conspiracy. Denzel Washington stars as Major Ben Marco, a decorated soldier haunted by dreams suggesting something sinister happened during his time in Kuwait. With the help of an eerie performance by Liev Schreiber and a chillingly manipulative Meryl Streep, the film leans hard into psychological suspense but does the tension still land in 2024? Tune in as we revisit this remake, break down its big themes, and ask the ultimate question: Is The Manchurian Candidate still worth voting for?
Plot Summary:In the 2004 political thriller The Manchurian Candidate, directed by Jonathan Demme, Denzel Washington stars as Major Ben Marco, a Gulf War veteran plagued by disturbing dreams and lingering suspicions about his past. A remake of the 1962 classic, the film updates the Cold War paranoia to a post-9/11 world of corporate influence, political manipulation, and psychological warfare.
Marco served alongside Sergeant Raymond Shaw (Liev Schreiber), who has since returned home a decorated war hero and rising political star. Shaw's mother, Senator Eleanor Prentiss Shaw (Meryl Streep), is a powerful and cunning politician pushing her son toward the vice presidency. But Marco begins to suspect that their wartime memories have been tampered with—and that Shaw may be the product of mind control by a shadowy multinational corporation known as Manchurian Global.
As Marco digs deeper, he uncovers a chilling conspiracy involving psychological conditioning, implanted memories, and a plan to manipulate the highest levels of the U.S. government. His grip on reality begins to waver as he races to uncover the truth and stop a sinister plot that could alter the future of American democracy.
Denzel Washington gives a powerful, haunted performance as a man unraveling a web of lies, while Meryl Streep delivers a chilling turn as an ambitious mother who will stop at nothing to seize power. The film blends intense suspense with thought-provoking commentary on political corruption, the military-industrial complex, and the dangers of unchecked influence.
Join our podcast review as we revisit this modern thriller, exploring its performances, themes, and whether this cerebral update of a classic still resonates in today’s political climate.
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Strap in and sip some Wild Turkey as Shat The Movies takes a wild ride with Thelma & Louise! In this episode, the Shat Crew breaks down the iconic 1991 film that redefined the road-movie genre. We explore the unforgettable performances of Geena Davis and Susan Sarandon, the feminist themes that sparked conversations for decades, and the breakout role that put Brad Pitt on the Hollywood map.
Did Thelma & Louise set the gold standard for female-led action films, or is it just a crime spree in a convertible? We discuss the film’s impact, its unforgettable ending, and how it holds up more than 30 years later.
Plot Summary:
When two best friends, Thelma (Geena Davis) and Louise (Susan Sarandon), embark on a weekend road trip to escape their mundane lives, their journey takes a drastic turn. After a terrifying encounter at a roadside bar, the duo finds themselves on the run from the law, leading to a thrilling cross-country escape filled with stolen cars, unexpected romance, and a growing sense of rebellion. With the police closing in and their options dwindling, Thelma and Louise must make an impossible choice that will cement their place in cinematic history.
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This week on "Shat the Movies," we’re heading to Summer School (1987), where a laid-back gym teacher, played by Mark Harmon, ends up teaching a summer school class full of misfit students. Join us as we break down the movie’s fun blend of comedy, heart, and unforgettable characters. Whether you're a fan or a first-time viewer, get ready for a laugh-filled trip back to the '80s!
Plot Summary: In the 1987 comedy Summer School, directed by Carl Reiner, Mark Harmon stars as Freddy Shoop, a laid-back high school gym teacher whose summer plans take an unexpected detour when he’s forced to teach remedial English to a class of underachieving misfits. Shoop, more interested in surfing and relaxing than academics, has no choice but to take the job if he wants to keep his tenure.
At first, Shoop struggles to connect with his students, a rowdy group of slackers, class clowns, and troublemakers, including the horror-obsessed duo Chainsaw (Dean Cameron) and Dave (Gary Riley), the pregnant teenager Rhonda (Shawnee Smith), and the shy but determined Denise (Kelly Jo Minter). With no real teaching experience, Shoop’s unconventional methods involve field trips, bribery, and an anything-goes approach to learning, which earns him the students’ loyalty but draws the ire of the school’s administration.
Meanwhile, Shoop finds himself drawn to Robin Bishop (Kirstie Alley), a fellow teacher who is far more dedicated to her job but amused by Shoop’s antics. As the summer progresses, Shoop begins to take his responsibilities more seriously, realizing that his students need more than just an easy ride to pass their exams. With their academic futures on the line, Shoop and his students must find a way to turn their laziness into success before the final test.
Summer School is a quintessential 80s comedy, blending humor, heart, and a cast of quirky characters into an underdog story that celebrates unconventional teaching and second chances. Join our podcast review as we revisit this feel-good comedy, discussing its humor, memorable moments, and whether its charm still resonates today.
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James Cameron takes us two miles under the sea for an intense, visually stunning, and sometimes completely ridiculous deep-sea adventure in The Abyss (1989). This sci-fi classic introduces us to oil-rig roughnecks, paranoid Navy SEALs, and aliens who can manipulate water—but not basic human communication.
In this episode, Gene Lyons and Big D dive deep into The Abyss’ groundbreaking special effects, the film’s unrelenting tension, and Cameron’s signature mix of brilliance and insanity. Gene wrestles with his newfound fear of liquid breathing, while Big D wonders how Ed Harris survived a death-defying swim in nothing but a t-shirt. Plus, the hosts debate why James Cameron insists on writing dialogue for blue-collar workers when he’s clearly never met one.
From nuclear warheads at the bottom of the ocean to CPR-by-slap techniques, The Abyss is a movie that demands discussion. Is it a masterpiece, a mess, or both? Join us as we explore the depths of one of Cameron’s most ambitious projects.
Plot Summary:
When a U.S. nuclear submarine mysteriously sinks in the Caribbean, a team of deep-sea oil drillers led by Virgil "Bud" Brigman (Ed Harris) is recruited to assist a group of Navy SEALs in the recovery mission. As tensions rise between the rig crew and the increasingly unstable SEAL leader, Lt. Hiram Coffey (Michael Biehn), the team discovers they are not alone in the ocean’s depths.
Dr. Lindsey Brigman (Mary Elizabeth Mastrantonio), the rig’s designer and Bud’s estranged wife, encounters an advanced, non-terrestrial intelligence (NTI) living beneath the waves. Meanwhile, Coffey, suffering from high-pressure nervous syndrome, sets a nuclear warhead to destroy the unknown beings, forcing Bud to embark on a desperate deep-sea dive to disarm it.
Battling crushing pressure, limited oxygen, and human paranoia, Bud reaches the warhead, only to face what seems like certain death—until the NTIs intervene. In a breathtaking climax, the aliens reveal themselves, raising their colossal ship to the ocean’s surface and leaving humanity with a powerful message of peace.
With stunning underwater cinematography, groundbreaking visual effects, and an intense mix of sci-fi, thriller, and adventure, The Abyss remains one of James Cameron’s most ambitious and visually spectacular films.
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In this episode, Big D and a very high Gene Lyons break down After Hours' absurd twists, New York’s bygone grit, and whether Griffin Dunne is the last true everyman leading man. Along the way, they debate Paul’s romantic prospects, the dangers of pre-cell phone nightlife, and whether David Lynch is actually a genius or just weird for weird’s sake.
Join us as we uncover After Hours’ hidden brilliance, discuss why Gene should never be left alone with a paper-mâché kit, and witness the power of 5mg gummies on podcasting.
Plot Summary:
What happens when Martin Scorsese trades gangsters for bagel paperweights, punk rockers, and the strangest night in SoHo history? After Hours (1985) takes us on a surreal, darkly comedic odyssey through late-night Manhattan, where a hapless word processor named Paul (Griffin Dunne) just wants to make it home—but the city has other plans.
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This week on "Shat the Movies," we’re exploring Three Kings (1999), a gritty, action-packed satire set during the Gulf War. Join us as we dive into the film’s blend of humor, action, and social commentary, led by an all-star cast including George Clooney, Mark Wahlberg, and Ice Cube. Whether you’re a fan of the genre or new to the film, get ready for a thought-provoking and entertaining discussion!
Plot Summary:In the 1999 war satire Three Kings, directed by David O. Russell, George Clooney, Mark Wahlberg, and Ice Cube star as a group of disillusioned U.S. soldiers stationed in Iraq at the end of the Gulf War. When they discover a hidden map leading to a stash of stolen Kuwaiti gold, they embark on what they believe will be a quick and easy heist. However, their mission takes an unexpected turn, forcing them to confront the brutal realities of war, morality, and human suffering.
Major Archie Gates (George Clooney), a cynical and seasoned Special Forces officer nearing retirement, leads the operation alongside Sergeant Troy Barlow (Mark Wahlberg), a naive reservist, Staff Sergeant Chief Elgin (Ice Cube), a pragmatic soldier, and Private Conrad Vig (Spike Jonze), an unpredictable and reckless grunt. Initially motivated by greed, the team infiltrates an Iraqi bunker in search of gold bars hidden by Saddam Hussein’s regime. However, as they navigate war-torn Iraq, they encounter civilians desperately trying to escape oppression, revealing the true human cost of the conflict.
As their plan unravels, the soldiers are faced with a moral dilemma: take the gold and escape, or risk their lives to help the suffering Iraqi people. What starts as a self-serving heist turns into an unexpected rescue mission, filled with explosive confrontations, tense shootouts, and moments of dark humor. The film’s unique blend of action, satire, and social commentary highlights the absurdity of war while keeping audiences engaged with dynamic storytelling and stylish cinematography.
Three Kings remains a standout war film, mixing humor, action, and political critique in a way that feels both entertaining and thought-provoking. Join our podcast review as we revisit this unconventional Gulf War adventure and discuss whether its biting satire and gripping action still hold up today.
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The '80s were a golden age for action films, and "The Delta Force" is no exception. Starring Chuck Norris and Lee Marvin, this Cannon Films classic delivers a high-octane mix of military heroism, motorcycle-mounted rockets and one of the most absurdly patriotic finales in cinema history.
Loosely inspired by the real-life hijacking of TWA Flight 847, the film follows an elite commando unit as they take on Middle Eastern terrorists in a testosterone-fueled spectacle that only the '80s could produce.
In this episode, the Shat Crew dives deep into the questionable military accuracy, over-the-top action sequences, and the sheer marketing genius behind "Delta Force "weaponry. Is this a patriotic masterpiece, a jingoistic fever dream, or just a Chuck Norris vehicle gone wild? Strap in as we break it all down—Uzi in one hand, American flag in the other.
Plot Summary:When a commercial airliner is hijacked by terrorists, the elite U.S. military unit known as Delta Force—led by Colonel Nick Alexander (Lee Marvin) and Major Scott McCoy (Chuck Norris)—is called into action. As the hostages are taken to Beirut and divided by nationality and religion, McCoy and his team embark on a daring mission to rescue them
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This week on "Shat the Movies," we’re diving into Romeo + Juliet (1996), Baz Luhrmann’s vibrant, modern take on Shakespeare’s classic love story. Join us as we explore the flashy visuals, unforgettable soundtrack, and the bold performances of Leonardo DiCaprio and Claire Danes. Whether you’re revisiting this unique adaptation or seeing it for the first time, get ready for a fun and thoughtful discussion of this unforgettable film!
Plot Summary: Romeo + Juliet (1996) is a modern adaptation of Shakespeare's classic tragedy, directed by Baz Luhrmann, that reimagines the tale in a vibrant, contemporary setting while preserving the original dialogue. Leonardo DiCaprio and Claire Danes star as the ill-fated lovers, whose passionate romance defies the bitter feud between their families. Blending high-energy visuals, a pulsating soundtrack, and Shakespearean language, the film underscores the timeless, explosive power of young love and the tragic consequences of entrenched enmity.
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Yippee-ki-yay, listeners! The Shat The Movies crew is back with a vengeance—literally—as we dive into 1995's "Die Hard with a Vengeance!"
In this action-packed review, Big D and Gene Lyons debate whether the third installment in the Die Hard franchise holds up or if it's a step down from its predecessors. From Samuel L. Jackson’s unforgettable turn as Zeus Carver to Jeremy Irons’ cunning portrayal of Simon Gruber, we break down the film’s pacing, action sequences, and that controversial alternate ending.
Did Die Hard 3 give us the grittiest McClane yet, or did it lose its way in a bloated second half? Find out as we rate the movie on our patented wipe scale and discuss whether it truly deserves its place among ’90s action classics!
Plot Synopsis: After a New York City department store bombing, NYPD officer John McClane (Bruce Willis) is forced into a deadly game of Simon Says by a mysterious terrorist named Simon Gruber (Jeremy Irons). With the help of reluctant sidekick Zeus Carver (Samuel L. Jackson), McClane races across the city to prevent further destruction while uncovering Gruber’s true plan—a massive gold heist at the Federal Reserve Bank. As time runs out, McClane must outwit his most cunning adversary yet in a high-stakes battle of wits, explosions, and classic one-liners.
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This week on "Shat the Movies," we’re revisiting Die Hard 2 (1990), where Bruce Willis is back as John McClane, this time battling terrorists at an airport. We’ll talk about the high-octane action, memorable one-liners, and how it stacks up against the original. Whether you’re a fan or just in for the ride, get ready for another action-packed, fun discussion!
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Join Gene Lyons and Big D on this week's episode of Shat the Movies, where they dive into the 1986 cult classic "Class of Nuke 'Em High." This Troma Entertainment sci-fi horror comedy directed by Richard W. Haines and Lloyd Kaufman takes us to Tromaville High School, where radioactive drugs and a nuclear power plant turn honor students into violent psychopaths.
In this high-energy episode, Gene and Big D share their personal stories, including Big D’s unique connection to the film as an extra. The hosts explore the film's low-budget charm, quirky characters, and unforgettable special effects. From nostalgic 80s vibes to outrageous mutant antics, this episode delivers a blend of laughter, critique, and trivia that only Shat the Movies can offer.
Whether you're a die-hard Troma fan or new to the world of B-movie madness, this review is packed with insights and humor that’ll make you revisit this bizarre classic. Don’t forget to hit that subscribe button and join the conversation!
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This week on "Shat the Movies," we’re hitting the rink with Slap Shot (1977), the ultimate hockey comedy! Join us as we dive into this rowdy, irreverent film about a struggling minor league hockey team and their eccentric players, led by the unforgettable Paul Newman.
We’ll break down the film’s mix of humor, sports action, and its over-the-top characters. Whether you’re a hockey fan or just in it for the laughs, get ready for a fun discussion about this cult classic that still scores today!
Plot Summary: In the small New England town of Charlestown, the local mill is about to lay off 10,000 workers. The town’s minor league hockey team, the Charlestown Chiefs, is doing no better. After years of failure, this will be the team’s last season. Exasperated player and coach Reggie Dunlop (Paul Newman) lets the club’s recent acquisitions, the Hanson Brothers, play. The brothers’ actively violent and thuggish style of play excites the fans. Dunlop retools the team, using violence to draw big crowds. Commissioned by Jon W.
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Happy New Year’s Eve, movie lovers! This week, the Shat crew bids farewell to 2024 with a truly twisted trip back to 1999 and Joel Schumacher’s descent into darkness: 8mm. Nicholas Cage trades in his bees for smokes, Joaquin Phoenix dons the most questionable crop tops ever filmed, and we discover that apparently, “Are you a cop?” is still the universal password for underground crime rings.
Join Gene Lyons and Big D as they wrestle with the true horrors of the film: not just snuff movies, but also parenting during awkward sex scenes, inexplicably bad investigative decisions, and the economics of murder in an era where a 20-inch shovel costs less than a Big Mac combo. Is 8mm a misunderstood thriller or a time capsule of 1999’s obsession with edgy “dark detective” tales?
Find out if this cinematic black hole ends the year with a bang or just wipes itself out. Spoiler alert: It’s not the bees, but it might be the belly tees.
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This week, the Shat Crew dives into the heartwarming holiday classic: The Muppet Christmas Carol! Directed by Brian Henson and starring the legendary Michael Caine, this 1992 retelling of Charles Dickens’ beloved tale combines Victorian drama with whimsical Muppet humor. But does it still hold up today? 🤔
Join Gene and Big D as they explore the film’s unique blend of festive joy and unexpected darkness, dissect its memorable (and not-so-memorable) songs and debate the modern relevance of Dickens' moral lessons. Along the way, they celebrate Gonzo and Rizzo’s comedic brilliance, reminisce about Christmas traditions, and even reimagine A Christmas Carol with Jeff Bezos as Scrooge.
Whether you're curious about the behind-the-scenes magic (and controversies), this episode promises Muppet mayhem, holiday cheer, and thoughtful commentary on one of Disney’s quirkiest adaptations.
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This week on "Shat the Movies," we’re diving into Thief (1981), Michael Mann’s gritty, neon-lit crime drama starring James Caan. Join us as we explore the world of Frank, a professional thief with a plan, as he navigates loyalty, betrayal, and the high cost of trust.
We’ll discuss the film’s stylish direction, intense performances, and its influence on later crime thrillers. Whether you’re a fan of Mann’s work or new to this classic, tune in for a deep dive into one of the best heist films of the ‘80s!
Plot Summary: In the 1981 neo-noir crime thriller Thief, directed by Michael Mann, James Caan stars as Frank, a skilled safecracker and professional thief who dreams of leaving his criminal life behind to pursue a normal existence. Frank operates with precision and discipline, running his own crew and keeping his operations clean and professional. His ultimate goal is to settle down with his girlfriend, Jessie (Tuesday Weld), and start a family.
Frank's plans take a turn when a powerful Chicago mob boss, Leo (Robert Prosky), offers him a lucrative job with promises of financial security and a quick path to retirement. Initially reluctant, Frank agrees to the deal, lured by the prospect of fulfilling his dream. However, as he becomes entangled in Leo’s web of control, Frank realizes that walking away from the mob may be harder—and deadlier—than he anticipated.
The film features one of its most iconic scenes early on: an intense, wordless safecracking sequence that showcases Frank’s meticulous craftsmanship, set against a haunting score by Tangerine Dream. As the story unfolds, Frank’s moral code is tested, and his determination to break free from his past leads to explosive confrontations with Leo and his henchmen.
Thief is a quintessential Michael Mann film, blending atmospheric visuals, urban grit, and a character-driven story of ambition and betrayal. James Caan’s powerhouse performance captures the complexity of a man struggling to reconcile his criminal skills with his desire for a better life. The film’s themes of independence, loyalty, and personal freedom resonate through its high-stakes narrative and stunning action sequences.
Join our podcast review as we revisit Thief, discussing its intense heist scenes, iconic soundtrack, and whether this neo-noir classic still stands as one of the best in its genre today.
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This week on "Shat the Movies," we’re revisiting Some Kind of Wonderful (1987), a teen romance that’s all about love, friendship, and the search for identity. Join us as we dive into the love triangle between Keith, Watts, and Amanda, and explore how this John Hughes classic flips the typical high school drama.
We’ll discuss the film’s memorable moments, the standout performances, and why it still resonates with audiences today. Whether you’re a fan or seeing it for the first time, get ready for a fun, thoughtful look at this iconic ‘80s rom-com!
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This week, Rob Will Taylor fills in for Dick Ebert to join Gene Lyons in breaking down the 1981 sci-fi thriller Outland, starring Sean Connery.
Often described as "High Noon in space," this overlooked gem takes us to Jupiter's moon Io, where a hard-nosed marshal uncovers corruption, drug smuggling, and explosive (sometimes literally) consequences.
Rob shares why this film is a must-see for Connery fans and '80s sci-fi lovers, while Gene dives into its striking similarities with Alien.
Tune in for lively debates on head explosions, corporate greed and Sean Connery's on-screen marriages—or lack thereof. Did Outland age like fine space wine or burn out faster than a rogue asteroid? Find out in this week's review!
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In this special episode of Shat The Movies, hosts Gene Lyons and Big D take a heartfelt dive into the 2008 romantic comedy "Forgetting Sarah Marshall," honoring Hot Sauce Steve’s late father. With Jason Segel’s vulnerable humor, Kristen Bell’s sharp performance, and Mila Kunis’ charm, this Judd Apatow production blends emotional truths with laugh-out-loud moments.
Join us as we unpack the iconic Dracula puppet musical, Russell Brand's memorable Aldous Snow, and the film’s exploration of breakups, healing, and rediscovery. From awkward dinners to emotional growth, this episode delivers the perfect mix of comedy critique and personal reflection.
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On this week's episode of Shat the Movies, Gene and Big D dive into Steven Spielberg's epic 1987 coming-of-age war drama, Empire of the Sun. Commissioned by loyal listener Jeff S., this film takes us on a journey through World War II-era Shanghai.
Join us as we explore Spielberg’s masterful direction, the stunning cinematography, and Bale's standout performance in what many consider his breakout role. We’ll also discuss the historical significance of the film, its initial reception, and how it holds up decades later. Did Empire of the Sun earn its place as one of Spielberg’s most overlooked masterpieces, or does it fall short?
Episode Highlights:
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This week on "Shat the Movies," we’re diving into The First Power (1990)! Join us as we follow Lou Diamond Phillips’ cop on the hunt for a resurrected serial killer with a sinister supernatural ability.
We’ll unpack the film’s blend of horror, action, and thrills, exploring what makes it a unique ‘90s thriller. Whether you’re a fan or new to the film, tune in for a fun and spooky ride through this supernatural crime drama!
Plot Summary: In the 1990 supernatural thriller The First Power, directed by Robert Resnikoff, Lou Diamond Phillips stars as Russell Logan, a tough Los Angeles detective who captures a notorious serial killer, Patrick Channing (Jeff Kober), known for his ritualistic murders. Channing, dubbed “The Pentagram Killer,” is sentenced to death and executed in the gas chamber. However, Logan soon learns that Channing’s death was only the beginning. The killer made a demonic pact granting him "the first power," a supernatural ability to return from the dead with the power of possession.
Logan teams up with psychic Tess Seaton (Tracy Griffith), whose disturbing visions had helped him capture Channing initially. Now, her psychic abilities reveal that Channing has come back from the grave, more dangerous than ever. Channing’s new power allows him to inhabit the bodies of others, making him an unpredictable and unstoppable force as he resumes his killing spree. Logan, a hardened skeptic, is forced to confront the reality of the supernatural as he battles against an evil far beyond his understanding.
As the possessed Channing terrorizes the city, Logan and Tess must race against time to stop him before he claims more victims. Their investigation leads them through dark alleys, abandoned buildings, and intense confrontations that test Logan’s resolve and Tess’s psychic abilities. The film’s blend of police procedural and supernatural horror keeps the tension high, leading to a climactic showdown between Logan and the malevolent, seemingly invincible Channing.
The First Power combines intense action, horror, and suspense, featuring a chilling performance from Jeff Kober and a gritty portrayal by Lou Diamond Phillips. Join our podcast review as we dive into this 90s thriller, exploring its unique premise, memorable scares, and whether it still delivers the chills today.
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Stressed about the biggest election of our lives? Shat The Movies will transport you back to a time when America was united against global terror and supermodels roamed the runways. Join us for the 2001 Ben Stiller comedy, "Zoolander."
Hot Sauce Steve won the Shat Fantasy Football League last season and chose "Zoolander" as his prize. This cameo comedy is a true time capsule—touching on disposable fashion, millennial celebrities and a few dated jokes.
On this episode, Gene explains why "Zoolander" should be viewed with subtitles. Big D makes the case for reviewing more movies from the 2000s. And Will Farrell proves why he's the funniest guy in every movie he graces.
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"Halloween" is the most-covered franchise in the Shat The Movies catalogue, and this Spooktacular season we're bringing you "Halloween 2," courtesy of listener Rob T.
So what if it this movie mostly takes place in the same small hospital? So what if Michael Myers' backstory essentially is rewritten? This sequel has more of what we loved about the original "Halloween": great boobs, quirky Haddonfield, bloody kills and an absolutely wild Dr. Loomis.
In this episode, Gene and Big D cover dental records, journalism, razor blades in candy, hot tubs, medical malpractice, forced sedation and getting shot in the eyeballs.
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Shat The Movies historically has been less than kind to Stephen King. So this years Spooktacular commissioner, Rob T, challenged us to rewind to the Master of Horror's first work: "Carrie."
Aside from its massive pop-culture impact, this 1976 hit showcased Sissy Spacek's incredible acting skill and Brian De Palma's directorial prowess.
"Carrie" also introduced the Shat Crew to Googly-Eyed Jesus, exercise detention and shockingly effective use of slow-motion while leading us to ask whether the movie poster gave away too much.
Is Stephen King the Hoobastank of authors? How clearly can a person speak while blowing John Travolta? And which utensils are appropriate for killing your mom? We tackle these questions and more, just in time for Halloween.
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Just what does it take to be among Entertainment Weekly's "50 Best High School Movies?" According to "Just One of The Guys," a film needs to be horny, depict decent journalism and have a jaw-dropping fight scene. Bonus points for cross-dressing.
This 1985 adaptation of William Shakespeare's "Twelfth Night" shocked Dick Ebert with its depictions of a boys locker room, delighted Gene Lyons with its outlandish characters and ventured dangerously close to cringe with a surprise James Brown reference.
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This week on "Shat the Movies," we’re sprinting into the energetic world of Run Lola Run (1998)! Join us as we follow the heart-pounding journey of Lola, played by Franka Potente, as she races against time to save her boyfriend in a series of electrifying scenarios.
We’ll explore the film’s innovative storytelling, stunning visuals, and the pulse-pounding soundtrack that keep you on the edge of your seat. From the high-stakes decisions to the alternate realities, this film redefines the action genre in a unique way. Whether you’re revisiting this stylish classic or experiencing it for the first time, get ready for a fast-paced discussion that highlights the thrill of running against the clock!
Plot Summary: In the 1998 German thriller Run Lola Run, directed by Tom Tykwer, Franka Potente stars as Lola, a young woman who embarks on a heart-pounding race against time to save her boyfriend, Manni (Moritz Bleibtreu). Manni, a low-level criminal, loses 100,000 Deutsche Marks in a botched money drop for his gangster boss. With only 20 minutes to find the money and prevent Manni from committing a desperate robbery, Lola is thrown into a frantic quest through the streets of Berlin.
The film's narrative structure is one of its most unique features, unfolding in three different versions of the same story. Each version explores how small changes in Lola’s actions and timing lead to drastically different outcomes. Whether by chance encounters, split-second decisions, or twists of fate, each run has profound consequences, shaping the lives of Lola, Manni, and the people they encounter.
The film masterfully blends live-action sequences with animated inserts, set to an energetic techno soundtrack that drives the relentless pace. Tykwer's innovative use of time loops and alternative storylines keeps viewers on the edge of their seats, turning what could have been a simple rescue mission into a philosophical exploration of fate, chance, and the power of individual decisions.
As Lola sprints through the city, encountering obstacles and allies, Run Lola Run keeps audiences captivated with its kinetic energy, visual style, and themes of love, loyalty, and determination. The film's fast-paced, high-stakes action, combined with its unconventional storytelling, has made it a cult favorite.
Join our podcast review as we dive into this adrenaline-fueled thriller, discussing its groundbreaking narrative structure, stunning visuals, and whether its pulse-pounding excitement still resonates with modern audiences.
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Celebrate Gene! When listener Mike T. heard Shat The Movies desperately wanted to cover "Withnail and I," he stepped up with the funds to make it happen.
On its surface, "Withnail and I" is a simple movie about two out-of-work actors navigating the bleak landscape of 1960s England. Big D didn't realize it was the 1960s; he just thought England looks like that.
But this cult classic inspired millions—including Gene Lyons—with its sharp wit, unforgettable quotes and rich character study.
In this episode, the Shat Crew dissects the film’s themes of friendship, disillusionment and the struggle for identity, all while celebrating the iconic performances of Richard E. Grant and Paul McGann.
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Shat The Movies travels back to 1977 as we dive deep into Steven Spielberg's iconic sci-fi classic "Close Encounters of The Third Kind." Explore the groundbreaking visuals, unforgettable score and thought-provoking themes that have captivated audiences since its release. Dick Ebert and Gene Lyons dissect memorable moments, ask what the aliens were doing with Barry and discuss the film's impact on the genre.
Whether you're a long-time fan or a newcomer to the world of extraterrestrial encounters, this episode is packed with insights, laughs, and nostalgic memories. Tune in to find out how "Close Encounters" paved the way for future sci-fi films and its lasting influence on pop culture.
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In the 1986 French romantic drama Betty Blue (37°2 le matin), directed by Jean-Jacques Beineix, Jean-Hugues Anglade stars as Zorg, a laid-back handyman and aspiring writer living a simple life in a beachside bungalow. His world is turned upside down when he meets Betty, played by Béatrice Dalle, a passionate and impulsive young woman. Their intense relationship quickly evolves into a whirlwind romance filled with passion, creativity, and chaos.
Betty, who is wild and free-spirited, encourages Zorg to pursue his dream of becoming a writer, believing in his talent more than he does. However, as their love deepens, it becomes apparent that Betty’s erratic behavior is a sign of a much deeper emotional and psychological instability. As she spirals into unpredictable bouts of anger and despair, Zorg’s life begins to unravel, and their relationship is put to the ultimate test.
Determined to support Betty, Zorg follows her through a series of wild adventures, including a move to the city and a desperate attempt to get his novel published. Despite their shared moments of bliss and creativity, Betty's mental health deteriorates, pushing Zorg to the limits of love and devotion as he struggles to cope with her increasingly volatile behavior.
Betty Blue is a visually stunning and emotionally charged exploration of love, madness, and the fine line between passion and obsession. The film, set against the backdrop of 1980s France, captures the highs and lows of an all-consuming relationship. Join our podcast review as we revisit this cult classic, discussing its haunting performances, striking visuals, and whether its raw portrayal of love and mental illness still resonates with audiences today.
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In the gritty underbelly of Chicago, Payback serves up a heaping plate of revenge and betrayal—all wrapped up in a slick, neo-noir package. Starring Mel Gibson as Porter, this 1999 hit plunges viewers into a world where loyalty is as rare as a clean getaway.
After being double-crossed by his wife (Maria Bello) and his partner (Gregg Henry) during a heist, Porter finds himself on the wrong end of a bullet and a whole lot of betrayal. Left for dead and robbed of his cut, he rises from the ashes with one thing on his mind: payback. As he navigates a seedy landscape filled with mobsters, corrupt cops, and a femme fatale, Porter’s quest for vengeance becomes a thrilling, action-packed ride.
Directed by Brian Helgeland, Payback is not just a tale of revenge; it’s a study in the moral ambiguities of crime, loyalty, and the lengths one will go to reclaim what’s theirs. With sharp dialogue, brutal action sequences, and a tongue-in-cheek humor that keeps you on your toes, this film is a must-watch for fans of the genre.
Join us as we dive deep into the film's themes, iconic moments, and Gibson's unforgettable performance, breaking down why Payback deserves a spot in your watchlist. Tune in to the Shat The Movies Podcast for an entertaining exploration of this classic revenge flick!
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Join us on this week’s "Shat the Movies" as we dive into the 1988 comedy classic, A Fish Called Wanda! We’ll revisit the film’s hilarious heist and standout performances, promising a fun and entertaining look back at this comedy gem.
Whether you're a longtime fan or new to the movie, we’ve got plenty of laughs and insights to share. Tune in for a splashy good time and see why A Fish Called Wanda still makes waves today!
Plot Summary:In the 1988 comedy A Fish Called Wanda, directed by Charles Crichton, an ensemble cast led by John Cleese, Jamie Lee Curtis, Kevin Kline, and Michael Palin delivers a hilarious tale of crime, deception, and romance. Jamie Lee Curtis stars as Wanda Gershwitz, a seductive and cunning con artist who, along with her lover Otto West (Kevin Kline), a dim-witted, pseudo-intellectual American, teams up with George Thomason (Tom Georgeson), a British gangster, to pull off a lucrative diamond heist in London.
However, when Wanda and Otto double-cross George, hoping to take the diamonds for themselves, things quickly spiral out of control. George is arrested, but not before he secretly moves the diamonds to a hidden location, giving Wanda and Otto no choice but to try to manipulate George's timid and animal-loving accomplice, Ken Pile (Michael Palin), who is fiercely loyal to George and has no intention of divulging the secret.
Wanda decides to seduce George's barrister, Archie Leach (John Cleese), believing he can provide vital information on the diamonds' whereabouts. As Archie, a stuffy, unfulfilled lawyer stuck in a loveless marriage, becomes captivated by Wanda's charms, he unwittingly finds himself caught up in a tangled web of lies, betrayal, and escalating chaos. Meanwhile, Otto, jealous of Wanda's growing attraction to Archie, adds to the pandemonium with his violent outbursts and comically misguided attempts at sabotage.
A Fish Called Wanda combines witty dialogue, slapstick humor, and masterful performances to create a comedic masterpiece that has delighted audiences for decades. Join our podcast review as we revisit this beloved classic and discuss its timeless humor, unforgettable characters, and whether its brilliant blend of wit and farce still entertains today's viewers.
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In this episode of 'Shat the Movies,' we're cranking up the volume and diving into the punk rock chaos of "SLC Punk!" from 1998. Join us as we explore the anarchic adventures of Stevo and Heroin Bob through the conservative streets of Salt Lake City. We'll laugh at the outrageous antics, critique the edgy fashion, and debate whether the film's bold statements about rebellion and conformity still resonate today. It's a raucous trip back to the '90s punk scene you won't want to miss!
Plot Summary: In the 1998 cult classic SLC Punk!, directed by James Merendino, Matthew Lillard stars as Steven "Stevo" Levy, a rebellious young punk living in the conservative heart of Salt Lake City, Utah, during the 1980s. Stevo, along with his best friend Bob (Michael A. Goorjian), navigates the underground punk scene, pushing back against the expectations of their parents, society, and the straight-laced Mormon culture that surrounds them.
The film follows Stevo and Bob as they embrace the chaos of their lifestyle, engaging in anti-establishment antics, getting into fights, and throwing themselves into a world of drugs, music, and countercultural rebellion. While Stevo’s lawyer father (Christopher McDonald) pressures him to follow a more conventional path by attending Harvard Law School, Stevo remains committed to living out his anarchist philosophy, rejecting what he sees as the hypocrisy and conformity of mainstream society.
As Stevo recounts his journey through a series of vignettes, the film captures the highs and lows of a punk's life in a city that's far from a punk haven. His relationships with his girlfriend, Sandy (Jennifer Lien), and the other eccentric characters in the scene, like the junkie Heroin Bob (despite his name, ironically against drug use), add depth and humor to the story.
However, as the reality of their choices begins to take its toll, Stevo is forced to confront the contradictions in his life and the true cost of his rebellion. The film explores the conflict between idealism and growing up, questioning whether it's possible to hold onto one's beliefs in a world that demands compromise.
Join our podcast review of SLC Punk! as we dive into the raw energy, biting humor, and cultural critique of this unique 90s indie film, and explore if its message still resonates today,
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Shat The Movies' Nicolas Cage block continues with a commission for listener Frank F. And if you thought "Con Air" was wild, we dare you to watch "Face/Off." John Woo's stateside directorial debut had Dick and Gene talking about acceptable Dude Wipe usage, the proper order for face-swapping surgery, gratuitous police deaths, and how two women and one man can make a sex sandwich.
Plot Summary: "Face/Off"
In the 1997 action-thriller Face/Off, directed by John Woo, John Travolta stars as Sean Archer, an FBI agent obsessed with capturing Castor Troy, a notorious terrorist played by Nicolas Cage. Years earlier, Troy murdered Archer’s young son, sparking a relentless pursuit. Archer finally captures Troy after a dramatic and intense shootout. However, Archer's victory is bittersweet, as he discovers that Troy has planted a deadly bomb in Los Angeles set to detonate soon, and only Troy’s imprisoned brother, Pollux Troy, knows its location.
To extract the bomb's location, Archer undergoes a radical and secretive surgical procedure to swap faces with the comatose Troy, adopting his enemy’s identity. Disguised as Castor Troy, Archer enters a high-security prison to gain information from Pollux. But the mission goes disastrously wrong when the real Troy awakens from his coma and forces the surgeons to swap his face with Archer’s, taking over his enemy's life. Now, Troy lives freely as Archer, assuming his role in the FBI and infiltrating his family, including his wife, Eve (Joan Allen), and daughter, Jamie (Dominique Swain).
Trapped in Troy's body and on the run, Archer must navigate the criminal underworld to survive, reclaim his true identity, and stop Troy from destroying his life and loved ones. What follows is a gripping game of cat and mouse filled with explosive action, high-speed chases, and intense shootouts. As both men exploit their new identities, they blur the lines between hero and villain, leading to a climactic showdown that tests their limits.
Face/Off delivers a unique blend of psychological drama and over-the-top action, featuring standout performances by Nicolas Cage and John Travolta as they expertly swap roles. Tune into our podcast review to see if this 90s classic still captivates modern audiences with its blend of thrilling action and complex characters
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If Michael Bay movies are orange juice, "Con Air" is orange-juice concentrate—loaded with stars, explosions and plot holes. What else would you expect from Shat The Movies commissioner extraordinaire Frank F?
Simon West's directorial debut had the Shat Crew scratching their heads. The geography makes no sense. The crime makes no sense. The courts make no sense. Even prison had Dick and Gene confounded.
But there was no mystery to the entertainment factor of this summer blockbuster. Cartoon bad guys, over-the-top action sequences, and some of 1997's hottest actors make "Con Air" a standout movie ... even if it isn't a particularly good one.
Plot Summary:
In the 1997 action-packed thriller Con Air, directed by Simon West, Nicolas Cage stars as Cameron Poe, an honorably discharged Army Ranger who is imprisoned after a deadly confrontation defending his wife, Tricia (Monica Potter). After serving eight years, Poe is finally paroled and set to reunite with his family. His trip home, however, takes a dangerous turn when he is placed aboard a prison transport plane, the "Jailbird," filled with some of the most violent and notorious criminals in the country.
John Malkovich co-stars as Cyrus "The Virus" Grissom, a psychopathic mastermind who leads a group of inmates in a daring hijack of the plane. With his fellow convicts, including Diamond Dog (Ving Rhames) and Garland Greene (Steve Buscemi), Cyrus plans to escape to a foreign country, leaving a trail of destruction in their wake. Poe, who wants no part of the escape but is determined to protect his diabetic cellmate, Baby-O (Mykelti Williamson), and a female guard (Rachel Ticotin), covertly works against the convicts while keeping his identity as a free man a secret.
Meanwhile, U.S. Marshal Vince Larkin (John Cusack) races against time on the ground to stop the convicts from reaching their destination. As Poe navigates the chaos on board, he must outsmart the criminals and take control of the plane to ensure the safety of the innocent people onboard and finally make it home to his family.
Con Air is a high-octane ride filled with explosive action, memorable one-liners, and intense performances from its ensemble cast. Tune in to our podcast review as we dissect the film's over-the-top action sequences, unforgettable characters, and the classic 90s charm that has made it a cult favorite. Does this adrenaline-fueled blockbuster still soar with audiences today?
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“The Little Mermaid” sparked the Disney Renaissance of the ’90s, burning unforgettable songs like “Under The Sea” and “Part of Your World” into the memories of Gen X and Millennials alike.
Since then, Pixar and other studios have pushed animated features to levels we never thought possible. Digital framerates, lighting, sound and design are near perfection, making Disney’s 1989 release feel a little dated.
But old isn’t necessarily bad. So listener Jackson M. posed this question to Shat The Movies: Does a 35-year-old “The Little Mermaid” still hold up? And it was a tough one to answer.
Plot Summary:
In this episode, the Shat Crew explores whether Ariel was a nightmare child, why King Triton entrusted her safety to a singing crab and how Disney handled a teen mermaid’s transition into a human girl.
In the 1989 animated musical classic The Little Mermaid, directed by Ron Clements and John Musker, Jodi Benson voices Ariel, a curious and spirited young mermaid princess with an insatiable desire to explore the human world above the sea. As the youngest daughter of King Triton (Kenneth Mars), ruler of the undersea kingdom of Atlantica, Ariel is drawn to the forbidden world of humans, much to her father’s disapproval. She collects human artifacts and dreams of living on land, where she feels she truly belongs.
One night, during a daring exploration, Ariel saves Prince Eric (Christopher Daniel Barnes) from a shipwreck and instantly falls in love with him. Determined to be with Eric, Ariel makes a dangerous pact with Ursula (Pat Carroll), the sea witch. Ursula offers Ariel a chance to become human for three days in exchange for her voice. If Ariel can win Eric’s love and receive a “true love’s kiss” within that time, she will remain human forever; if she fails, she will belong to Ursula.
As Ariel navigates the complexities of the human world with the help of her friends, the lovable Flounder (Jason Marin) and Sebastian (Samuel E. Wright), the Caribbean crab who serves as King Triton’s advisor, she finds herself closer to her dreams. However, Ursula’s treacherous plans threaten not only Ariel’s chance at love but also the entire underwater kingdom.
The Little Mermaid is a timeless tale of courage, love, and self-discovery, featuring unforgettable songs like “Part of Your World,” “Under the Sea,” and “Kiss the Girl,” which won Academy Awards for Best Original Score and Best Original Song. Join our podcast review as we dive deep into Ariel’s undersea adventure to see if this Disney classic still enchants audiences today with its magic, music, and message.
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For years, Dick Ebert has been crowing about "Cloak & Dagger" — the video game angle, the spycraft, the majesty of the San Antonio River Walk. Now it's time to see if this 1984 version of a children's movie still holds up.
Starring the late Dabney Coleman, "Cloak & Dagger" transports us to a world where boys kill grown men, berets stop bullets and little girls can carry bombs through airport security.
If all this sounds fun, it is. But there's a sadder side to "Cloak & Dagger." It's a film that made the Shat Crew realize Henry Thomas was doomed to always play a child from a broken home, some guys get to swear sweatpants to work and the parents of Gen X didn't care very much about their children.
Plot Summary:
In the 1984 adventure thriller Cloak & Dagger, directed by Richard Franklin, Henry Thomas stars as Davey Osborne, an imaginative 11-year-old boy with a passion for spy games and video games. Living with his father, Hal Osborne (Dabney Coleman), a busy Air Force officer and widower, Davey often retreats into a fantasy world where he imagines himself as a secret agent on daring missions, guided by his imaginary friend and video game hero, Jack Flack, also played by Coleman.
When Davey stumbles upon a murder and discovers that a cartridge of his favorite game, "Cloak & Dagger," contains secret government information, he is thrust into a real-life spy adventure. As he tries to convince the adults around him that he has uncovered an international espionage plot, Davey finds himself pursued by dangerous agents who will stop at nothing to retrieve the cartridge. Armed only with his quick thinking and inspired by his imaginary hero, Jack Flack, Davey must navigate a world filled with danger and deception to survive.
Along the way, he is joined by his best friend, Kim (Christina Nigra), and together, they must outsmart the sinister spies who have infiltrated his hometown. As the line between fantasy and reality blurs, Davey realizes that he can’t rely solely on his imagination and must summon real courage to confront the threats facing him and protect those he loves.
Cloak & Dagger is a unique blend of childhood adventure, suspense, and 1980s nostalgia, featuring a story that captures the thrill of espionage while exploring themes of bravery, friendship, and the power of imagination. Tune in to our podcast review to revisit this underrated gem and find out if its mix of fantasy and real-life danger still entertains modern audiences today.
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In this episode of Shat the Movies, we tackle Less Than Zero (1987), where college freshman Clay (Andrew McCarthy) comes back to LA to find his ex, Blair (Jami Gertz), and his childhood buddy, Julian (Robert Downey Jr.), deep into cocaine addiction With Julian owing money to the ruthless dealer Rip (James Spader), Clay's mission to help them clean up reveals the wild side of '80s excess. Join us as we dig into the intense story, killer performances, and the movie's spot in the Brat Pack era, all set to an unforgettable soundtrack.
Plot Summary:
In the 1987 drama Less Than Zero, directed by Marek Kanievska and based on Bret Easton Ellis's controversial novel, Andrew McCarthy stars as Clay, a clean-cut college freshman who returns home to Los Angeles for Christmas break. He is immediately pulled back into the troubled world he left behind, filled with the excesses and temptations of the wealthy, decadent 1980s elite. At the center of this world are his two close friends: Julian (Robert Downey Jr.), a charming but self-destructive young man battling a severe drug addiction, and Blair (Jami Gertz), Clay's former girlfriend who is now romantically involved with Julian.
Clay is quickly confronted with the devastating consequences of his friends' choices. Julian, once a promising entrepreneur, is now deeply in debt to a ruthless drug dealer named Rip (James Spader). As Julian spirals further into his addiction, Clay is torn between his desire to help his friend and his growing frustration with the hedonistic lifestyle that seems to be consuming everyone around him. Blair, caught in her own struggles, pleads with Clay to stay and help save Julian, forcing Clay to face the harsh realities of addiction and the consequences of unchecked privilege.
As the trio navigates a world filled with drugs, parties, and moral decay, Clay must decide how far he's willing to go to save his friends from themselves. The film offers a stark look at the hollow core of a generation lost in the pursuit of pleasure and materialism, set against the backdrop of a glittering but soulless Los Angeles.
Less Than Zero is a haunting exploration of friendship, loss, and the dark side of 1980s excess. Join our podcast review as we examine this gritty drama and discuss whether its portrayal of youthful disillusionment and moral ambiguity still resonates with audiences today.
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Before Hulk Hogan was tearing up shirts at the Republican National Convention, he was a movie star battling galactic threats alongside Christopher Lloyd.
That's why Shat The Movies die-hard Tom (formerly of Crane, Texas) asked us to review "Suburban Commando." And when the time came to crowdfund Tom's commission, Carlos The Mailman led the charge to make it happen.
Fast forward a few years, and it's finally here: Gene and Dick are diving into a movie originally written for Arnold Schwarzenegger and Danny DeVito, loaded with mime jokes and featuring a young Elizabeth Moss and Undertaker.
We dedicate this episode to the late Shelley Duvall, who tragically passed just hours after we recorded.
Watch Live Video Recording: https://youtu.be/gsKRDYWNe4A
Plot Summary:
In the 1991 sci-fi comedy *Suburban Commando*, directed by Burt Kennedy, Hulk Hogan stars as Shep Ramsey, a galactic warrior from another planet on a mission to defeat the evil intergalactic tyrant, General Suitor (William Ball). After a fierce battle, Shep’s spaceship is damaged, forcing him to land on Earth for repairs. Stranded in a quiet suburban neighborhood, he must blend in with the locals while waiting for his ship to recharge. To maintain a low profile, Shep rents a room in the home of Charlie Wilcox (Christopher Lloyd), a mild-mannered architect, and his wife Jenny (Shelley Duvall).
As Shep struggles to adapt to suburban life, he finds himself out of his element, battling everyday challenges like clueless neighbors, malfunctioning appliances, and local bullies. Meanwhile, Charlie grows suspicious of his unusual tenant and tries to figure out what Shep is hiding. Chaos ensues as Shep’s alien gadgets and superhuman strength lead to a series of comedic misadventures that leave the neighborhood in disarray.
Things take a serious turn when General Suitor's henchmen track Shep to Earth, threatening both him and the unsuspecting Wilcox family. Charlie, who has been frustrated by Shep’s presence, must now join forces with the outlandish space hero to save his family and the planet from impending doom. Together, they must overcome their differences and learn to work as a team to defeat the alien invaders.
*Suburban Commando* blends science fiction, comedy, and action, offering a lighthearted take on the classic fish-out-of-water story. With its mix of slapstick humor and superhero antics, the film showcases the charisma of Hulk Hogan and the comedic timing of Christopher Lloyd. Join our podcast review as we revisit this early 90s cult favorite and discuss whether its quirky humor and nostalgic charm still appeal to today’s audiences.
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If you thought “woman football coach in 1986” was the daring part of “Wildcats,” think again. This Goldie Hawn classic was raunchy, sneaky and full of representation.
“Wildcats” got Big D to open up about being a soft child. It gave Gene a chance to talk about his illustrious football career. And it provided a cautionary tale about grownups partying with teens.
In this episode, Dick writes a fanfic mashup of “Wildcats” and “Adventures in Babysitting” while Gene learns how to make children listen. Wholesome!
Molly McGrath (Goldie Hawn) is following her dreams when she quits her cushy girls track coaching position at Prescott High to become the boys football coach at inner-city Central High. Even though she’s faced with both racial and gender prejudices, she whips the team into shape, so they can compete against Prescott High in the final. All the while, Molly is also dealing with her ex-husband, Frank Needham (James Keach), who is trying to get custody of their two young daughters.
Plot Summary:
In the 1986 sports comedy Wildcats, directed by Michael Ritchie, Goldie Hawn stars as Molly McGrath, a determined high school track coach who dreams of coaching football. Molly, who has grown up around the sport thanks to her father’s coaching legacy, is eager to break into the male-dominated field of high school football coaching. Despite her knowledge and passion, Molly faces skepticism and resistance from the school administration and her male colleagues, who doubt her ability to handle a rough sport. When an opportunity arises to coach the Central High Wildcats, a struggling inner-city team with a notorious losing streak, Molly jumps at the chance to prove herself.
The Wildcats are a chaotic group of undisciplined players, led by quarterback Levander ‘Bird’ Williams (Wesley Snipes) and wide receiver Trumaine (Woody Harrelson), who are initially resistant to having a woman coach. Molly faces additional challenges, including managing the players’ antics, dealing with her condescending ex-husband Frank (James Keach), and facing her skeptical male peers. However, Molly brings her own brand of motivation, blending tough love, humor, and innovative coaching techniques to win over her team.
As Molly pushes her players to believe in themselves and each other, they begin to transform from a ragtag group into a cohesive and competitive unit. She not only teaches them the fundamentals of football but also instills values like teamwork, perseverance, and respect. Through ups and downs, the Wildcats rally under Molly’s leadership, defying expectations and striving to turn their season around.
Wildcats is a heartwarming and humorous story about breaking barriers and challenging stereotypes, featuring spirited performances from Goldie Hawn and a young Wesley Snipes and Woody Harrelson. Join our podcast review as we revisit this 80s sports comedy and explore whether its charm and message still resonate with today’s audiences.
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After his family is killed in Japan by ninjas, Cho and his son Kane come to America to start a new life. He opens a doll shop but is unwittingly importing heroin into the dolls. When he finds out that his friend has betrayed him, Cho must prepare for the ultimate battle he has ever been involved in.
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Dick Ebert and Gene Lyons break down the 2009 Oscar hopeful starring Morgan Freeman and Matt Damon. After his 27-year imprisonment and subsequent election as President of South Africa, Nelson Mandela faced the task of unifying a country divided by race. Only months after the end of Apartheid, divisions still exist between the country's whites and blacks, something Mandela notices during an international rugby match. Realizing black supporters cheer on the opposing side when their white Springboks take to the field.
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In today's zombie-saturated entertainment landscape, it's hard to believe there was a time when movie zombies actually ate brains, couldn't be killed and liked to show their boobs. We're taking you back to 1985 for Dan O'Bannon's "The Return of The Living Dead."
Listener Kevin commissioned this wacky approach to the undead, inspiring the Shat Crew to examine whether "The Return of The Living Dead" had a hidden message on immigration, whether gravity is the ultimate weapon against zombies and whether Ernie was actually a Nazi in hiding.
In this episode, we also discuss Trash's legendary striptease and recommend "The Return of The Livind Dead" get the "Rocky Horror Picture Show" treatment.
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A comedic send-up of the grim circumstances of the Middle Ages as told through the story of King Arthur framed by a modern-day murder investigation. When the mythical king of the Britons leads his knights on a quest for the Holy Grail, they face a wide array of horrors, including a persistent Black Knight, a three-headed giant, a cadre of shrubbery-challenged knights, the perilous Castle Anthrax, a killer rabbit, a house of virgins, and a handful of rude Frenchmen.
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Gene Lyons and The King Bee became friends in 1995. Two years later, "The Long Kiss Goodnight" was released on VHS, capturing the heart of a young King Bee who spent the next three decades trying to convince Gene to watch it.
For his 44th birthday, Gene was treated to a pizza and a spot on The King Bee's sofa to experience "The Long Kiss Goodnight" for the first time. And it was eye-opening, to say the least.
Thanks to listener Jeremiah, the two friends sat down in person, mixed a few old-fashioned cocktails and finally recorded a conversation about what might be Samuel L. Jackson's finest work.
They discussed how Gene cannot experience extreme happiness without immediately feeling sorrow. They explored how much fun a family actually can have with produce. They even dove into Craig Bierko's impressive dating history and '90s America's naivety when it came to paramilitary firearms.
Was Geena Davis too old for a shift into sexy action roles? Why didn't police respond to the trail of bodies she left behind? Should Mitch and Charly have ended up together? Who would you cast in a "The Long Kiss Goodnight" remake? And was this movie a waste of good Cox?
Join us for a rare, intimate episode you won't forget.
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Honestly, when listener Eric commissioned "Ordinary People," we were worried the episode would be dry, academic and morose. Instead, this 1980 Oscar winner led to uncontrollable laughs.
The quality certainly is there: A Robert Redford-directed drama starring Donald Sutherland, Mary Tyler Moore, Judd Hirsch and Timothy Hutton. But you know how it goes when the Shat Boys get rolling.
In this episode, the Shat Crew explores Japanese breakfast, whether you can save French toast, "the three lives," and what real therapy looks like. Gene complains that he can't relate to the problems of the rich, and Dick explains why he wants to try everything on the menu.
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One Shat host is a social justice warrior. The other hates Mel Brooks movies. So "Blazing Saddles" seemed doomed from the start. But there's magic in Gene Wilder, Cleavon Little and the old frontier.
Listener Ed took Shat The Movies way back to 1974 for this satirical Western that Gene Lyons argues isn't racist, sexist or even remotely offensive (other than one particular performance).
Dick Ebert was impressed with the "real Hollywood Western" feel of the movie, attributing the incredible cast and chemistry to divine intervention, and also the groundbreaking farts.
In this episode, the Shat Boys discuss the connection between "Blazing Saddles" and "La Bamba," cheer for Slim Pickens and Harvey Korman and wonder at how cleverly the film breaks the fourth wall.
You know those episodes where Gene gets excited and quotes the movie a lot? Yeah, it's one of those.
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Is "PCU" hard to find because it crossed a line or because it's just not a very good movie? Listener Jeff from Nebraska commissioned the Shat Crew to uncover the truth for his 40th birthday.
In a lot of ways, PCU is your typical '90s college movie. The university president is trying to shut down a student house. There's seventh-year senior showing the new guy the ropes. A kegger is the solution to life's problems, and the good guys win.
But PCU is still very much its own film. There's no clear protagonist. No group of students is decidedly popular. There might not even be an actual plot.
In this episode, Big D recalls his days as fraternity president. Ash explains college tours. Gene tells the Legend of Alpha Drive, and Jerry Seinfeld is wrong. The Shat Crew also tackles hazing, dirty talk in the dorms and whether George Clinton was the right choice as musical guest.
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A lot's changed since 1987: Biopics are much more common (and darker). Chicano artists are more mainstream, and Lou Diamond Phillips is a household name. So we acknowledge "La Bamba' was groundbreaking ... and not very good.
Listener Mark C. commissioned this episode and the upcoming "American Me" to celebrate his heritage as a first-generation Hispanic-American. He noted the blockbuster soundtrack, janky lip-syncing and performances from Esai Morales, Joe Pantaliano and Elizabeth Pena. But Mark didn't prepare us for laughably large talismans, breakneck pacing and Ritchie Valens' "golly-gee" persona.
In this episode, the Shat Crew debates whether Ritchie's brother, Bob, got a fair shake in the movie, what really happened that night in Tijuana and how much racism is appropriate for this story. Gene spots a Mystical Mexican. Ash yearns for some Buddy Holly, and Dick wants more details about the plane crash and aftermath.
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Robert Rodriguez blew minds when he created "El Mariachi" for $7,000. The sequel added a brooding Antonio Banderas and sizzling Salma Hayek to rack up $58 million worldwide. But was "Desperado" actually good?
If you're looking for cool cameos, hot sex scenes, bloody bar fights and a strong female lead, then yes. If you're looking for believable gunplay, a plot that makes sense, badass sidekicks or artistic composition, then you're out of luck.
In this episode, commissioned by listener Rachel, the Shat Crew discusses Steve Buscemi always being the same age, Quentin Tarantino always being Quentin Tarantino and henchmen always being unreliable.
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"Krush Groove" is the sort of '80s oddity that can't quite be categorized. Is it a musical? A comedy? A collection of music videos with dialogue sprinkled in between? This time capsule captured rap's infancy and changed the way Big D speaks.
This week's episode, commissioned by listener David B., gave us a newfound respect for Run-DMC, The Fat Boys and, oddly enough, "Purple Rain." Dick Ebert learned why Kurtis Blow is called Kurtis Blow; Ash revealed the depth of her hip-hop knowledge; and Gene explained why he thinks rappers are naturally good actors.
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John Candy is the kind of guy you want as your uncle, your travel buddy or your best friend. But does he work as a private investigator cracking a complicated kidnapping? "Who's Harry Crumb?" rolled the dice to find out.
Falling somewhere between "Fletch" and "Ace Ventura," this 1989 comedy was largely predictable, mostly uninteresting and painfully miscast, but it had its moments.
Absurd disguises, a loveable sidekick, non sequiturs and uncomfortable outfits kept things irreverent and memorable. And for an '80s movie, that's sometimes all you need.
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When people think DeNiro and Scorsese, it's generally mob hits or boxing rings. But 1983's "The King of Comedy" is an often-overlooked exploration of television fame that shows just how funny, dark and thought-provoking the actor-director pair can be in any genre.
Listener Charlie in L.A., who brought us "Boogie Nights," is back with another stellar commission that led to some interesting topics, including when it's OK to ask for an autograph, who the new acting royalty is in Hollywood, whether Sandra Bernhard helped or hurt the movie and when being agreeable becomes creepy.
If you've never thought much of Jerry Lewis, wondered where Todd Phillips got his inspiration for "Joker" or wanted to hear Gene gush over early '80s fashion, this is the episode for you.
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Once upon a time, there was a movie about an unlikeable fancy lad joining the unlikeable crew of a ship called The Filthy Whore after David Letterman tried to sell him a monkey, but at least it had Tim Burton as the director. Until it didn't.
This week, Shat The Movies brings you "Cabin Boy," the 1994 box-office bomb that nearly sank Chris Elliott's career and left the Shat Crew scratching their heads.
On one hand, this movie is terrifically quotable, wonderfully quirky and loaded with comedic talent. On the other hand, viewers might find themselves asking where the budget went, what year it's supposed to be set in and why a flying cupcake is spitting tobacco.
Was "Cabin Boy" horribly marketed? Did the writers run out of material? What would happen if a Viking had sex with a shark? We dive into these questions and more in this week's episode.
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Shat The Movies was made for movies like "Hardbodies," a motion picture originally planned for the Playboy Channel but released in theaters because America needed boobs.
This 1985 skin flick has all the tropes you'd expect: women in bikinis, beach parties, waterbeds and cheesy lines. But "Hardbodies" surprised us with a few unexpected moments: a no-means-no stance on sexual harassment, a heartwarming makeover scene, an exploration of aging and a woman banged so hard she bursts through the roof of a limousine.
In this episode, the Shat Crew explores the charm of bad writing, what qualifies as transactional sex and how marketing ruins everything. Gene marvels at the many kinds of breasts he didn't know existed, and Dick debates with Ash on whether America has gotten fatter or cinema has become more inclusive.
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"Let It Ride" is a 1989 comedy starring Richard Dreyfuss as Jay Trotter, a perpetually unlucky gambler who, after overhearing a tip about a longshot horse, decides to bet all his savings on it. As Jay's luck suddenly turns around, he finds himself on an exhilarating winning streak at the racetrack, encountering various eccentric characters along the way. Despite facing doubts and temptations, Jay chooses to let his winnings ride, leading to a thrilling climax where his faith in luck and optimism are put to the test. The film is a comedic and heartwarming exploration of gambling, optimism, and the thrill of taking risks.
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Discussing race in America is never easy, and it was even harder in 1989 when Spike Lee released "Do The Right Thing," a film filled with ambiguity, tension and Rosie Perez dancing.
This supersized episode, commissioned by listener Grant Leisure, compelled the Shat Crew to take a hard look at police brutality, gentrification, reverse racism and freedom of expression.
But, being Shat, your hosts also took the time to debate proper thermostat settings, what's wrong with Ash's computer and whether Gene Lyons is white.
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Before "Matilda the Musical," "Madeline" and "Coraline," there was Danny DeVito's 1996 adaptation of Roald Dahl's "Matilda," a film the entire Shat Crew enjoyed — for very different reasons.
Ash was the most familiar with "Matilda," having seen it in theaters. Gene had read other Dahl books and knew what to expect. Dick, once again, confused it with another movie.
And that devolved into the tangential conversations you'd expect from the Shat Crew: What constitutes child abuse? Did J. K. Rowling rip off Roald Dahl? Which kid in the movie is cutest? Was Bruce Bogtrotter a hero because was fat? Or was he a hero who happened to be fat?
Was Trunchbull "Eastern Bloc?" Was Matilda a bully? Did Miss Honey's secret really qualify as "dark?" It was all up to debate. As was the question of whether DeVito's choices worked.
One thing's for sure, his casting was spot-on, wrangling comedic talent like Paul Reubens, Jon Lovitz and Rhea Perlman to score this movie some serious Weird Points.
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We've all seen that scene from "Perfect" where John Travolta is humping his way through a Jamie Lee Curtis aerobics class, but there's another two hours to this 1985 box-office bomb. And we had to watch all of it.
Longtime Shat The Movies beer buddy Scott in Friendswood, Texas, was kind enough to commission a film about Gene Lyons' three favorite topics: journalism, fitness and Ralph Waldo Emerson. Not to be left out, Dick Ebert had lots to say about sex with elite athletes. And Ash got into a car accident.
What genre is "Perfect?" Do newsrooms run on self-loathing? How is 2024 gym etiquette different from 40 years earlier, and did we need so much footage of Jamie Lee Curtis driving? Find out for yourself in this week's episode of Shat The Movies.
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"The Legend of Billie Jean" had a little something for each Shat The Movies host. Gene got his Honda Elite scooter. Ash got her Christian Slater. And Big D got Helen Slater with no bra.
But that's not why listener BreAnn M. commissioned this 1985 coming-of-age film. For her, "The Legend of Billie Jean" was an inspiration, a gateway to feminism and a radical view of what kids could do.
In this episode, the Shat Crew debates whether all Gulf Coast states are the same, whether men are as bad as the movie makes them out to be and whether teens are a powerful force or apathetic losers.
Gene offers some tips on how to make a powerful video for the media. Ash rails against the "these darn kids" messaging of '80s films. And Big D describes what would really happen to Billie Jean and her gang in the real world.
Other topics range from the accuracy of police snipers to the plausibility of life in Vermont. And, of course, everyone loves Pat Benatar.
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When listener Rob F. commissioned "Gattaca" in honor of his father, we all remembered it as beautiful, futuristic and distinct. Oddly enough, we couldn't remember much else.
We remembered Ethan Hawke but not his lengthy voiceovers. We remembered Jude Law but not the incinerator scene. We remembered Uma Thurman but not her character's heart condition.
This 1997 sci-fi debut for director Andrew Niccol made some interesting choices, like casting loads of TV talent and pretending Jude Law and Ethan Hawke look anything alike. And it also had some swagger, like pinstripe spacesuits and film-noir vibes.
The Shat Crew was left to debate: Is "Gattaca" a case of style over substance, or is it a visionary film that went underappreciated for years?
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Shat The Movies didn't invent sexual perversion, edgy attitudes and impeccable taste in music, we just perfected it. More than 25 years earlier, Christian Slater inspired teens to "talk hard" in the 1990 box office bomb "Pump Up The Volume."
Ash was delighted when listener Eric commissioned this coming-of-age movie to highlight his belief in the power of listening. Dick Ebert viewed it from a parent's perspective, and Gene was aghast at Happy Harry Hard-on's terrible microphone discipline.
As the Shat Crew debate whether a teen can suffer in the affluent suburbs, they touch on the King of Teen Angst, rites of passage, how to unmask a pirate-radio host, microwave explosions and whether "Pump Up The Volume" is just "Footloose" minus the dancing.
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We noticed all the biggest podcasts seem to have celebrity hosts, murder or hot takes. Shat The Movies lacks star power. And it doesn't have thrilling true-crime tales. So this week we're banking on misguided opinions as we plug into "Short Circuit."
Big D doesn't think Johnny 5 is really alive. Ash believes this is Ally Sheedy's worst performance. And Gene is convinced Ben Jabituya isn't Indian. Two of them are wrong, and Gene wrote this episode description.
Despite their divergent opinions, the Shat Crew agreed on a lot of things about this 1986 Steve Guttenberg comedy: The robot design is classic. The film is oddly paced. And NOVA's security force is a bunch of dicks.
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Before Arizona was the playground of retired athletes and conservative Californians, it was a quiet, spooky place full of Old West ghosts, dusty roads and alien abductions. We're taking you back to the Travis Walton story with "Fire in the Sky."
Released in the same year "The X Files" debuted, "Fire in the Sky" terrified a young Gene Lyons, who went day camping in the same woods where aliens scooped up a logger in 1975, slapped jelly in his mouth and stuck a needle in his eye.
In this episode commissioned by letter carriers Carlos and Natasha, the Shat Crew debates which podcast host is the bravest, when it's OK to leave a friend for dead and why it's so hard to believe aliens exist.
Grown-up Gene and Big D see the film's rebel through new eyes. Ash gushes over David Duchovny (who isn't even in this movie), and everyone agrees Travis' friends and family are idiots. Come to think of it, so is Travis.
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Shat The Movies power couple Carlos and Natasha were kind enough to gift the Shat Crew three film commissions of our choice. So we used the first to fill a glaring omission in the Pantheon of Shat: "Legend."
Nursing a "Hawk The Slayer" hangover, Ash was a bit worried venturing back into her beloved fantasy genre, but she quickly discovered Legend's production value was top-notch. Gene was impressed with dwarven heroics, and Big D felt like he was having a bad acid trip.
But all three Shat hosts agreed on three things: Tom Cruise looked ridiculous, Ridley Scott builds incredible worlds, and Tim Curry is a god.
In this episode, your hosts discuss the difference between alicorn, unicorn and Pegasus while plunging into less critical questions, including: Why does Jack abandon his loot? Was the enchanted dress all that enchanting? How long is too long to play Frisbee with metal platters? Are goth girls dirty, sexy or both? Did Darkness deserve banishment? And which version of "Legend" is the right one to watch?
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Shat The Movies takes its anglophilia to a new level with an English commissioner, an English guest host and a movie that epitomizes the English film renaissance: "Four Weddings and a Funeral."
Rob Will Taylor joins Ash and Gene to discuss the reality of British weddings, why they start so early and why they suck for guests. The Shat Crew also explores the tragic tale of Charlotte Coleman, the charm of Hugh Grant and Ash's favorite sex scene ever.
In this episode, Gene assumes Dick Ebert's mantle of Curious Average American Guy, asking about British phone habits, whether viewers are supposed to hate Andie MacDowell and how sleeping at pubs works. Ash applauds a powerful scene that still packs a punch. And Rob rails against That Fucking Song.
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When listener Joe asked to commission a pair of films for his grandmother's 100th birthday, the Shat Crew never suspected his first choice would be "Hawk The Slayer."
And the surprises didn't end there. This low-budget 1980 sword-and-sorcery fantasy treated us to machine-gun crossbows, a magical fisting sword and Jack Palance in a cape. We also got a Lord Rockingham soundtrack, serious Medieval Times vibes, a draggy dark wizard and a possible cinematic record for Most Improvised Grills In A LARPing Motion Picture.
Can Dick Ebert convince Ash and Gene this Rifftrax-worthy movie deserves anything more than 4 wipes? Listen to find out!
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If you had to assemble a film canon, a collection of movies you'll never outgrow, what would be in it? For listener Shawn, the answer is simple: "Death Becomes Her."
We're kicking off 2024 with cutting-edge computer-generated effects (for 1992), life lessons about immortality and Goldie Hawn in a fat suit.
As Big D explores the appeal of "Death Becomes Her" to the gay community, Ash dives into her skin-care routine, and Gene drools over Isabella Rossellini's ... umm ... mansion.
And what Shat The Movies episode would be complete without references to "Rocky Horror Picture Show," Bruce Willis and hilarious eulogies?
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Proving that we always save the Shat for last, Shat The Movies humbly presents its final film review for 2023: "Philadelphia Experiment 2." It's a movie full of time travel, family drama and big people giving small performances.
Closing out the Month of Mark from Minneapolis, this 1993 sci-fi sleeper has all the feels of a prescription-drug ad mixed with military mistakes, questionable casting and wacky cinematography.
In this episode, Dick argues that "Philadelphia Experiment 2" could have presented a more fun view of a dystopian 1993 ruled by Nazis (Ash thought it was plenty fun), and Gene helps him through a "Roger moment" while earning the Nobel Prize for Explaining B Movies.
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What more do you want from Christmas than some warm fuzzies, friends returning from afar and the miracle of Shat The Movies covering another film from the new millennium? Maybe some Will Farrell.
"Elf" is the rare movie that old people like Dick Ebert and young people like Ash's kids can equally enjoy. It's timeless, hilarious, a bit optimistic and a clever nod to the Christmas classics that came before.
In this episode, the Shat Crew discusses Zooey Deschanel's singing, the perils of an all-sugar diet, New York City peaking in 2005, what makes a good Christmas movie, whether we're losing our holiday spirit, the "Elf" test ending that bombed, Central Park Rangers and the national treasures that are Bob Newhart and the late James Caan.
Merry Christmas, everyone, and thank you for listening.
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The Month of Mark from Minneapolis enters its Christmas phase with the 1999 crime comedy "Go." Or, as we like to call it, "MTV Magnolia."
While Gene praises the film's optimistic attitude toward drug use, he struggles with painful memories of how trivia failed to make him popular. Ash compares director Doug Liman to Quentin Tarantino, and Dick tries to convince his co-hosts that being middle-aged is cooler than being young and dumb.
"Go" provided the Shat Crew with plenty to discuss, including Timothy Olyphant as a sexy drug dealer, unexpected vehicular violence, strip clubs after threesomes, '90s soundtracks, hiding bodies and where to shoot an Englishman.
Special thanks to listener Rob T. for his production assistance on this episode.
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Ash is back! Shat The Movies' "female expert" rejoins the team and breaks the millennial wall to cover her favorite movie: "Eternal Sunshine of the Spotless Mind."
Topics in this episode run the gamut from manic pixie dream girls to breakups to losing pets. Gene airs some personal grievances about ex-girlfriends who needed to talk "right now;" Dick questions why people are allowed to relabel their character flaws as strengths; and Ash asks if "Eternal Sunshine" is the most honest love story ever made.
Does Clementine suck, or does Joel just remember her that way? How close is memory-eraser technology to becoming reality? Does Big D need to do more hallucinogens to work through childhood trauma? We explore these questions and more as Shat The Movies kicks off the Month of Mark from Minneapolis.
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What do "The Quick and the Dead" and NBA Jam have in common? Is loose clothing appropriate for quick-draw competitions? How many flashbacks is too many?
Commissioner Edwin instructed the Shat Crew to drink a few beers and have fun with this episode, and we were happy to oblige. Technically, Big D drank decaf coffee, but Gene made up for it with a few Red Trolleys.
Along the way, Dick Ebert offered explosives advice and narrated "The Quick and the Dead" camera movement. Gene noted moments where he could feel Joss Whedon's influence, and both hosts agreed its pretty cool to see a kid shoot her dad in the face.
For those listeners deeply invested in our chronic discussion of Gene Hackman vs Kevin Spacey, this episode settles the matter once-and-for-all while tipping a hat to Sam Raimi's unmistakable style.
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If you made a mashup of Shat The Movies films, "The Blood of Heroes" might be the result. It has a dose of "Mad Max," a pinch of "Blade Runner," two tablespoons of "Robot Jox" and just a hint of "The Sandlot." Definitely an acquired taste.
Rutger Hauer returns to a dark, wet dystopia in this 1989 sci-fi cult classic that spawned the real-life game of Jugger and reminded Dick Ebert of all the niche sports he discovered in the early days of the pandemic.
"The Blood of Heroes" piqued the Shat Crew's curiosity in a way few movies have, leading to questions about post-apocalyptic aristocracy, water conservation, armor design, measuring time in stones, nerd dream girls and the logistic of carrying large furniture as luggage.
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Of all the '80s movies that needed a sequel, "Young Guns" wasn't one of them. But when you quadruple the budget, beef up the cast and toss in Christian Slater, the Shat Crew (and commissioner Kelly B.) certainly will saddle up.
This 1990 Western is more "The Ballad of Brushy Bill Roberts" than an accurate retelling of the events following the Lincoln County War—with questionable wound care, incredible distances traveled, oddly accurate "wanted" posters, terrible Old Face and the notion that anyone would want to boink William Petersen.
In this episode, hear about Big D's powwow adventure, play "Navajo or Shakespeare," learn how a Jenny Wright nude scene could possibly be a bad thing and decide whether Aragorn really needed to be in "Young Guns II."
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If you aren't a Kathleen Turner fan, haven't experienced a young Nicolas Cage or want to see what would happen if Francis Ford Coppola directed a time-travel fantasy rom-com, "Peggy Sue Got Married" is the movie for you.
Both Shat The Movies hosts went into this 1986 film with low expectations, and each found something to appreciate. Dick Ebert appreciated the life lessons about living "in the now." And Gene Lyons did flips when he noticed the same cast playing the older versions of themselves. Jim Carrey didn't even change his hair!
And you know the Shat Crew can't resist any movie featuring a bootstrap paradox, burrito theory, amazing grandparents and teen sex.
Was "Peggy Sue Got Married" the original multiverse movie? Would you give a finger to be 10 years younger? Do time travelers have an obligation to preserve the future? All these questions are answered in this week's episode.
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Who doesn't love a movie about making a movie? Who doesn't love Eddie Murphy? Who doesn't love Steve Martin? By the end of our "Bowfinger" podcast, you'll find out exactly who.
Along the way, you'll hear Big D downplay the tragedy of Anne Heche's death. Gene will explain his fascination with Gogglebox. And you'll discover this 1999 comedy's connection to the Church of Scientology.
As the Shat Crew considers a move to Michigan, your hosts also reveal what exactly they'd do for a shot at stardom (Big D would do a bit more than Gene would) and reflect back on the pop hit "Boogie in Your Butt."
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This year's Shat The Movies Spooktacular brings you three movies in one: It's the 1985 horror anthology "Cat's Eye." What do all the stories have in common? A cat, Drew Barrymore and a heavy dependence on Stephen King's name recognition.
In this episode, Gene questions why anyone would own a cat. Big D makes the case for rabbits being the ultimate pets, and both hosts admit to using racist terms they didn't know were racist.
The Shat Crew also debate the value of aversion therapy, speculate that Robert Hays has petite feet and consider whether all horror movies should at least be Rated R.
Was that tiny troll a puppet or a dude in a suit? Should you always believe kids? Does Scotland use miles or kilometers? We answer these questions and more while playing Stephen King Bingo. Happy Halloween!
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Shat The Movies has dabbled in films from the 1970s, but we've never reached back this far. More than 50 years ago, a Francis Ford Coppola epic changed the way America viewed organized crime and set a new standard for storytelling. This is "The Godfather."
And who better to commission this film about family than an Italian-American listener from New Jersey with fond memories of sharing mob movies with his dad?
For Matt "Don Chachi" Ciampi, the Shat Crew pays its respects to Marlon Brando, Al Pacino, James Caan, Diane Keaton, Robert Duvall, Abe Vigoda and, yes, even Talia Shire.
Shat The Movies editor Rob joins Gene and Dick as they debate "The Godfather" pacing, dissect the wedding scene and give props to Don Corleone's cat.
Gene explains why Tom Hagen is an absolute badass, while Big D finds heroes in Michael and Vito Corleone. And Rob praises the genius of the dinner scene.
This movie is full of morality questions, and the Shat Crew gets into them: Was Michael a jerk for marrying Apollonia? Were the killings personal or just business? Should Vito have been more generous? Is Michael a villain? And, naturally, could "The Godfather" have been better without all the nepotism?
This is a big one, and we hope you enjoy it. Here's "The Godfather."
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"Sneakers" is to Dick Ebert as "Hackers" is to Gene Lyons. This 1992 thriller doesn't have flashy graphics, funky fashions or a techno soundtrack—but it does have Ben Kingsley, Sidney Poitier, Dan Aykroyd and Robert Redford. In loafers.
With its playful tone, low barrier to entry and established cast, this gateway thriller appeals to the familiar to explain the cutting-edge. And Big D likes that.
"Sneakers" also has unexpected jokes, serious schemes and nostalgic tech. And Gene Lyons likes that.
But the movie isn't perfect. Among its flaws are a cavalier treatment of a superweapon, potential abuse of a blind character, unimaginative demands and a smidge too much predictability.
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"The Warriors" is a movie that many people quote but few truly appreciate, at least not as much as listeners Carlos The Mailman and Natasha The Mail Lady. And for them, Big D faced his childhood fears and ventured back to 1979 New York.
In this episode, Dick Ebert ranks "The Warriors" diverse gangs, highlights their fashion arms race and argues Cyrus' assassination was an inside job. Gene Lyons offers alternative names for The Warriors, breaks down the restroom rumble and explains why his beloved Baseball Furies really let him down.
The Shat Crew also sets the record straight on The Punks, examines the multiple versions of the film and applauds the studio's decision to portray a racially integrated street gang as the film's protagonists.
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Does Big D hate "Spaceballs" or does he hate Mel Brooks? Shat The Movies Fantasy Football champion John decided to settle the question once-and-for-all by commissioning the 1981 ensemble comedy epic "The History of The World, Part I."
Spanning from prehistoric man to the French Revolution, this movie features Brooks in FIVE different roles (although Dick questions just how different they are) and leads to conversations about ice-skating porn, the two kinds of male masturbation and when it's OK to make racial jokes.
Gene opines on using the OTHER F-word, and Edgelord Ebert goes after religious reverence. The Shat crew also discusses the inclusive power of Jews in Space and wonders how a movie so short could drag for so long.
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On a transatlantic odyssey to discover the magic of Bob Hoskins, the Shat Crew instead finds itself wondering "is this Ireland?" and "did all the English look alike in the 1970s?" Come get lost with us in "The Long Good Friday."
In this episode, Gene laments the loss of '70s pub culture and criticizes the film's wasted deaths with no emotional impact. Dick focuses on the "slasher film" vibe of the movie and praises the complexity of Harold Shand. And in a rare moment of cinematic insight, both Shat hosts critique the camera angles, sets, plot and editing of "The Long Good Friday."
Of course, we also make time to talk about Hoskins' sexy shower scene, Helen Mirren's impact on a young Dick Ebert and the technique of dramatic irony.
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Dick Ebert wonders why Damon Wayans wasn't in more movies after filming "Major Payne." Gene Lyons wonders why Damon Wayans was in any more movies after filming "Major Payne."
This 1995 comedy featuring the musical stylings of 2 Live Crew and star power of Michael Ironside and Bam Bam Bigelow had us asking what was wrong with Major Payne's romantic interest (Karyn Parsons) and why any director would allow sped-up motion in his movie.
While Gene bemoaned Major Payne's misrepresentation of JROTC, Big D found some nuggets of truth in the movie's tough-love message. And both agreed Louis Gossett Jr. was the man to take the lead role to another level.
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"Hellraiser" spawned an 11-film franchise that neither Dick Ebert nor Gene Lyons had ever seen because they were too afraid of Pinhead. This week, commissioner Jason B. changed all that.
Join the Shat Crew as we discuss dysfunctional '80s couples, sexual deviance and Clive Barker's thrifty but amateurish abilities as a director.
While Gene asks whether Julia was supposed to be sexy, Detective Ebert searches in vain for misdirection and meaning in the plot. The Shat Crew also explains the uneven nature of the cenobites and wonders why Kirsty is in the hospital.
Was the final battle a letdown? Did Steve even need to be in this movie? Does "Hellraiser" deserve its place on the Mount Rushmore of Horror? Have a listen and let us know what you think.
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If you enjoy spy movies with no spying, romantic comedies with no laughs and Sean Young movies with no sex appeal, you'll love 1987's "No Way Out."
This Kevin Costner thriller spends 45 minutes developing a love affair that goes nowhere, features a computer that can do anything, implicates '80s home decor as the real killer and might just be the prequel to "The Hunt for Red October."
In this episode, Big D advises men to "never cheat down," and Gene gives his tips for visiting Washington, D.C. The Shat Crew also covers when you're responsible for replacing a friend's bedding, Russians targeting a hot-dog stand, what to wear when cleaning up a homicide, the '80s inspiration for The King Bee and one of the worst police squads in the history of cinema.
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When the daughter of a Vietnam veteran asks you to review "Apocalypse Now," you answer the call. Both Gene and Dick agree this movie is epic, but the topic of Marlon Brando's weight sparks an all-out war.
This 1979 adaptation of "Heart of Darkness" is both miracle and masterpiece, expertly depicting drug use (Big D verified) and the convoluted crossroads of the Vietnam War (Gene is a bit of an expert.) The attention to detail, recklessness and introspection hit American audiences with a film unlike any they'd seen before, and the shockwaves still resonate on this 2023 podcast.
Where Dick Ebert sees a disjointed plot, Gene Lyons sees the direct DNA of Joseph Conrad's groundbreaking novella. And where Gene sees a disappointing ending, Big D tells the story of the John Milius ending that never was.
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Shat The Movies is proud to present the film that scared Dick Ebert straight and drove Gene Lyons to realize he wouldn't last a week in prison: 1983's "Bad Boys."
Sean Penn's breakthrough feature film introduced '80s filmgoers to a young Ally Sheedy, a gigantic Clancy Brown and the most dangerous correctional facility in America. It also presented a surprisingly well-developed teen romance, and it taught us all how to use a pillowcase to become barn boss.
In this episode, the Shat Crew discusses how the "Bad Boys" movie poster steals the movie's thunder, how solitary confinement might not be that bad and how the staff of Rainford Juvenile Correctional facility likely was gambling on death matches between children (even though Big D thinks they were doing an OK job).
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We know what you're thinking: "How did it take you 348 episodes to get to Police Academy?" The truth is we just needed one brave citizen to step up against that crime and commission this 1984 comedy giant. Shat The Movie legend Adam R. answered the call.
With the six film sequels and the animated series that followed this movie," it's easy to assume the original "Police Academy" stands strong on its own. Steve Guttenberg is at his hunky Jew best. Kim Cattrall brings some spice to the mix. And G.W. Bailey is hilariously hateable as Lt. Thaddeus Harris.
But this movie has some problems. The Motormouth joke gets old pretty fast. The cadet roster is unnecessarily overloaded. Many of the jokes are tired and predictable. And Big D really didn't care for the ending.
What surprised us most in this 2023 viewing was how progressive "Police Academy" was, how anti-establishment it was for a police movie and how many boobs came out at the bonfire party. One thing's for sure: We'll never look at a lectern the same way again.
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Are you into phreaking for phone sex? Do Rollerblades turn you on? Does the name Captain Midnight mean anything to you? Have you been to Chuck Woolery's Wienerbarn of Science? If so, "Hackers" is the movie for you.
This 1995 box-office bust gave us prime Angelina Jolie, Johnny Lee Miller and Matthew Lillard (plus a sub-prime Fisher Stevens) wearing the best cutting-edge fashion the studio could muster. It highlighted blazing-fast 28.8 kbps modems, sweet online handles and some unnecessarily trippy animations.
In this episode, the Shat Crew discusses Hackers' gratuitous product placement, the movie's incredible two-disc soundtrack, the exploits of the late Kevin Mitnick and the missed opportunity for a "Kids" crossover film.
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In this sci-fi/fantasy sequel, Connor MacLeod (Christopher Lambert) has become an elderly man after losing his immortality. Living in a bleak future where the world is protected from solar radiation by a massive shield, MacLeod regains his youth when he kills two assassins from his home planet. This results in an ongoing battle with the villainous and powerful Gen. Katana (Michael Ironside), but MacLeod receives help when the noble Juan Ramirez (Sean Connery) returns. Commissioned by Ryan P.
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In our first back-to-back reviews of a film and its sequel, Shat The Movies presents "Allan Quatermain and The Lost City of Gold," the 1986 flop that answers the question: "what if leftover French fries were a movie?"
In the second half of listener MoonlitTear's double commission, Gene Lyons boldly declares the movie series that kicked off with "King Solomon's Mines" isn't quite as good as the "Godfather" trilogy. Dick Ebert notes that only four people were credited with the "Lost City" special effects, and both Shat hosts struggle to make sense of an economy that's overflowing with gold but still insists on using slaves.
James Earl Jones did his best to rescue this movie as the anchor to the world's worst Dungeons & Dragons party, while Sharon Stone earned herself a Golden Raspberry nomination for returning to her role as Jesse Huston.
Was "Lost City" a parable for apartheid or just a terribly misunderstood parody? Listen to this week's podcast and decide for yourself!
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"Indiana Jones and The Dial of Destiny" just hit theaters, the fifth installment in the legendary Harrison Ford series. But a lesser-known archeological adventure didn't enjoy the same success. This week, it's Richard Chamberlain in "King Solomon's Mines."
Is it a "Temple of Doom" knock-off? A parody? An homage? We're not sure, but "King Solomon's Mines" is a script with origins more than a century old. Shat The Movies megadonor MoonlitTear drew our attention to this quirky flick featuring a young Sharon Stone, "Indiana Jones" star John Rhys-Davies and loads of horny Germans.
In this first of a two-part podcast special, the Shat Crew learned about The Canon Group, 19th century racism and just how dark Indiana Jones could have gotten. Have a listen and join us next week for the sequel: "Allan Quatermain and The Lost City of Gold."
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We all remember the big explosions and daring stunts in "Speed," but some of the biggest risks had nothing to do with the on-screen mayhem. Hiring Ted "Theodore" Logan as an action star? Casting Jeff Daniels as a grizzled police vet? Letting Dennis Hopper anywhere near explosives?
Mega-commissioner Jackson M. thought it just wasn't right for us to review "Speed 2" without covering the original, and we were more than happy to oblige.
This nonstop thriller is Jan de Bont's solo directorial debut and the film that made Sandra Bullock America's mid-90s sweetheart. It's also a motion picture that displays zero concept of Los Angeles traffic and makes an excellent case for just paying off terrorists.
In this edition of Shat The Movies, Dick Ebert revisits his Blockbuster Video homage to Ron Jeremy and attempts to imitate a person of color for the third episode in a row. Gene learns that Annie Porter was nearly played by Ellen DeGeneres. And Emma Ebert makes a cameo appearance.
We also hear voicemail about Welsh views on "Wayne's World" and Tennessee opinions on the Goblin King's age.
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"Airplane!" ranks sixth on Bravo's 100 Funniest Movies and has more laughs per minute than any other film, but none of that matters. The real question is: Did Gene Lyons like it?
In this episode commissioned by listener Kiki, the Shat Crew covers a long-overdue '80s comedy classic that mixes heavy parody, genius non-verbal jokes and delightfully offensive material.
Dick Ebert explains that every time he watches "Airplane!" he discovers a new punchline. And Gene applauds performances from Peter Graves, Robert Stack and Julie Hagerty. The guys also cover the infamous Otto scene, the line that keeps giving and whether Johnny was gay.
If you enjoy episodes where Big D and Gene disagree, give this one a listen.
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Remember when we covered "Mortal Kombat: Annihilation" and wondered why Christopher Lambert had be replaced as Raiden? This week, we got our answer: Shat The Movies' favorite Frenchman was busy filming "Beowulf."
On paper, this 1999 sci-fi adaptation of the Old English epic poem sounds like a disaster. In fact, movie commissioner Emmet in Orange had never even seen "Beowulf" when he requested a review.
Filmed on a $3 million budget, this Mortal Kombat-style action-adventure is loaded with anachronistic dialogue, comically odd weapons, overcomplicated gadgets, incredible cleavage and combat that mostly consists of doing flips.
This movie's plot armor makes "Game of Thrones" Season 8 seem reasonable. The soundtrack and bring-your-own-costume style feel like we've slipped into a 1990s Romanian rave, and watching poor Rhona Mitra seduce Christopher Lambert hurt our souls.
In this episode, we discuss the monster who could have been beaten by Kevin McCallister, the succubus who stepped right off the set of a Whitesnake video and how Big D gained 24 pounds in just four days of hanging out with Gene.
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Charlie Sheen scored some hits in the 1980s: "Red Dawn," "Ferris Bueller's Day Off," "Young Guns," "Platoon" and "Major League." But only one movie featured him as a resurrected racer with a killer Dodge M4S Turbo Interceptor. It's "The Wraith!"
Independent films in the '80s were wild, and "The Wraith" is no exception. Antifreeze-chugging punks, made-up slang and something called a "digital radio killer" didn't seem strange in a time when Randy Quaid could play an indifferent sheriff, bullies could just own girls and cars could put themselves back together with zero explanation.
In this episode, Big D quizzes Gene on the names of Arizona landmarks; Gene explains how "The Wraith" killed one of its cameramen; and both Shat hosts agree the hero of the movie is a jerk.
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"Tango & Cash" was the final major motion picture released in the 1980s. Like a fish born with legs, this 1989 action-comedy showed signs of evolution into a new age but sucked ass at swimming.
Big D didn't know "Tango & Cash" was supposed to be comedy. Gene wondered why the movie failed so hard at depicting journalism and court proceedings. And both hosts were shocked at the entire prison plotline.
In this episode, The Shat Crew asks A.I. to assist with new action-star pairings (Chuck Norris and Van Damme, anyone?), apologizes to Teri Hatcher, wonders if Jack Palance is OK, and braces for an HBO reboot from the makers of "True Detective."
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If you've ever wondered what went wrong with Fairuza Balk's childhood, listener David D. has the answer. That's why he commissioned the dark-ass 1985 Disney flop "Return to Oz."
Don't be fooled by the made-for-TV movie poster, this sequel to 1939's "The Wizard of Oz" is loaded with terrific effects including an animatronic talking chicken and a princess who can swap out her heads. The sets are amazing, the costumes are at least interesting, and the messages about childhood and mental illness are pretty advanced for a kids' movie.
In this episode, the Shat Crew weighs Oz villains against one another, asks what exactly Wheelers do, suggests design improvements for Tik-Tok, shames Auntie Em and pays respects to an overlooked movie that never got the praise it deserved.
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In a surprisingly educational episode, the Shaw Crew learns that sharks are playful, '70s parenting was utterly irresponsible and Richard Dreyfuss was the original hipster. It's the summer blockbuster that started it all: "Jaws!"
When listener Tracy C. commissioned this Steven Spielberg masterpiece, we knew we'd be talking about Big D peeing his pants, how good the movie looks in UHD, how what you don't show can be as scary as what you reveal and why good horror movies kill children.
But we didn't expect to be praying for Dick's TV to die, groaning over criminal foreshadowing or praising "Jaws" for its character development.
Was the shark a dick or just hungry? Were Brody, Quint and Hooper just bad at hunting great whites? Did you catch those boobs at the beginning? Dive into these questions and more, plus hear voicemail from Hot Sauce Steve, Jimmy J and a Canadian named Ryley who is definitely a man.
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Do you like pirate movies? How about insurance fraud thrillers? Action films with giant sea monsters? Well, one 1998 movie decided to combine them all and cast Famke Janssen as an international master thief. It's time for "Deep Rising!"
In this episode, Big D imagines a world where artificial intelligence writes movie screenplays and has the common sense to keep the monster secret until the characters have been established. Gene notes how the entire cast is made of second-stringers, and the King Bee salutes Shat The Movies' first tentacle-through-a-toilet kill.
The Shat Crew also discusses the M1-L1 Triple Pulse Rifle, overpowered weaponry and how the movie absolutely neglected its most promising character.
The CGI was bad, the continuity was questionable, and the King Kong tie-in was a bit of a surprise, but the Sea Doo stunts might have made the whole experience worth it. Maybe all we needed was Harrison Ford.
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What do you get the mermaid fanatic who has everything? Might we suggest Dick Ebert discussing the sex lives of cryptids and Gene drooling over Daryl Hannah? It's 1984's "Splash!"
In this episode celebrating listener Stephanie Q's birthday, the Shat Crew praises one of the few '80s slow-motion scenes that works, applauds surprisingly well-developed characters, and worries about how long Tom Hanks would survive under the sea.
"Splash" was Touchstone Pictures' first release, allowing Disney to flex some of its adult muscles, and we're grateful. It gave us the chance to talk about The King Bee ghosting Gene on their movie date, Eugene Levy typifying the incels of the '80s, and "The Boys" venturing into utterly unwatchable territory. Through it all, we witnessed a terrific protagonist in Allen Bauer, who had his priorities straight and dove headlong into love.
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In a rare trip to the 1970s, Big D and Gene examine the Jim Henson film that started it all: "The Muppet Movie."
Sharing a respect for the wild characters and expert puppeteering in this 1979 road comedy, the Shat Crew digs into the surprisingly adult themes, delightfully quiet jokes and clever self-awareness. On the other hand, "The Muppet Movie" drags at times before culminating in a gorgeous ensemble ending.
In this episode, the Shat Crew covers a real-life Orson Welles, songs that go on too long, "The Muppet Movie" legacy and whether Animal is overrated.
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We can thank Kevin Costner's "Dances With Wolves" for reinvigorating Westerns for the '90s, leading to other Shat movies like "Tombstone" and "Unforgiven." For '80s kids, it also served as a gateway to exploring American Indian culture and history.
Despite questionable mustaches and a conspicuous score, "Dances With Wolves" was visually stunning, emotionally effective and, in Ash's case, occasionally terrifying. Yes, it still had some corny narration and gratuitous slow-motion. But that's the '90s, baby!
In this episode, Gene applauds Costner for casting a "kinda old" lead lady. Ash hails "Dances With Wolves" as the model of using a simple story to great impact, and Big D asks how John Dunbar became fluent in Lakota. The Shat Crew also discusses the buffalo hunt, the noble savage, brain damage from repeated blows to the head and how much Americans suck.
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"Great song ... great masks ... the plan sucks." That's how Dick Ebert summed up the infamous bait-and-switch horror classic "Halloween III: Season of The Witch," a movie that taught us what happens when you take the slasher out of a slasher series.
Rob in Colchester commissioned this 1982 film, recorded a jingle for it and shared his mind-blowing theories on why a super-hot, grieving daughter would bang an alcoholic doctor, why TV stations would take orders from that doctor and why killer androids let him live.
In this episode, Gene learns about Mr. Beast and immediate hates him. Big D teaches us how to punch dolphins, and Ash wonders what Irishness has to do with the Halloween franchise. The Shat Crew also praises the realness of Halloween III's black characters, suggests casting Jeff Goldblum instead of Tom Atkins and explores the drop-off in kids watching TV.
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"Stripes" surfaced some pretty great Army stories from Big D— including the joy's of kitchen duty, henpecked drill sergeants, incompetent officers and what it means to be a Five-Jump Chump—while giving us a glimpse of '80s comedy giants in their prime.
Bill Murray, Harold Ramis, John Candy, Judge Reinhold, John Larroquette, Sean Young and even Bill Paxton (blink and you'll miss him) brought their youth and talent to this classic war comedy that served up boobs by the dozen.
In this episode, Dick and Gene shred Chevy Chase, offer strip-club advice, champion the underrated EM-50 urban assault vehicle, compare the sex toys of the '80s to our modern arsenal and debate whether "Stripes" should have been split into two movies.
The Shat Crew also fields a voicemail seeking justice for Jean-Claude Van Damme's reputation as a lover. And Big D discovers he has a writing job waiting for him at Marvel Studios.
Donate to Paws For Patrick at https://www.pawsforpatrick.org/
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In our family-friendly, post-Pixar world, it's easy to forget kids of the '90s enjoyed some adult animation—some VERY adult animation. If you're into ultraviolence, overcomplicated plots, fingerbanging, poison kisses and superb boobs, "Ninja Scroll" is the movie for you.
Listener Eric C. encouraged "Shat The Movies" to embrace all those things in the Crew's first viewing of this 1993 Japanese animation classic. And boy did we! Along the way, Ash noted the film's influence on "The Matrix," Dick Ebert felt the comic book nostalgia of his youth, and Gene Lyons asked, "Are the Japanese OK?"
Other topics on this episode include: Are anime characters Asian? Are some superpowers just too much? Do women anime fans exist? And how should you let down a ninja who offers to save your life with sex?
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What do Spin Doctors, Dave Matthews Band, Billy Corgan and Styx have in common? They all get trashed in this episode of Shat The Movies (Cock Sparrer was spared.) It's the 1996 comedy "That Thing You Do!"
Tom Hanks wrote, directed and starred in this squeaky-clean look at the 1960s, so you know it can't be terrible. But was it great? Depends on what you're looking for.
"That Thing You Do!" has a catchy song, a handsome cast, Liv Tyler crying, nostalgia by the truckload, a cute epilogue and family-friendly language. It also has an abundance of foreshadowing, double magical negro and a few plot holes.
In this episode, Ash joins Gene and Dick on the Old Shat Porch, Gene wishes gatekeepers would return to entertainment and Big D demands more sex, drugs and failure.
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"The Name of The Rose" is a movie that features the exact same robe worn by Obi-Wan Kenobi in "Star Wars." It's also the 1986 unholy whodunnit that reinvigorated Sean Connery's career.
Blessed with an incredible set and impeccable sound, plus an all-star cast including Christian Slater, F. Murray Abraham and a very naked Valentina Vargas, this international mystery seemed to have it all—unless you're looking for attractive monks or a plot that differs from "The Phantom Menace."
In this episode, Big D and Gene do their best Ron Perlman impressions and admit they'd bow down to The Inquisition. Gene learns about vagina patches. Dick is faced with an impossible choice, and the Shat boys debate the abilities of elderly ninjas.
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"My problem isn't with this movie: It's with you two." - Dick Ebert
Everyone's favorite everyman was flummoxed this week as his co-hosts drooled over "The Craft," a movie hand-picked for them by legendary Shat The Movies listener Jen D.
When Big D complained that the coven's four witches were "too hot to be outcasts," Ash explained she was a hot outcast. When Big D explained women, Ash countered that she is a woman. And when Big D questioned the friendships depicted in the film, Gene underscored the importance of Bagel Dogs in forging bonds.
Was "The Craft" about female empowerment or just a revenge fantasy? Did it tackle serious topics or fail to find a tone? Can $100,000 really change a life, and what really happens at sleepovers? The Shat Crew explores these questions and how many teeth Fairuza Balk has in this episode of Shat The Movies.
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Ahead of Gene Lyons' big day, Dick and Ash share their married-life wisdom as Shat The Movies travels once again to Australia for the 1994 comedy "Muriel's Wedding."
As expected, this movie led to some fierce debate between Big D, who detests Muriel's selfishness, and Ash, who simply adores pre-glow-up Toni Collette. But both Shat hosts agreed on the greatness of Abba, unexpected darkness of the film and the ridiculousness of wedding fever.
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Until we watched "Near Dark," the Shat Crew was blissfully unaware that vampires' true supernatural power wasn't immortality: It was prudent decision-making and wise investments.
In her 1987 solo directorial debut, Kathryn Bigelow changed the way we viewed bloodsuckers by giving us a dusty, trashy and (much to Big D's horror) irresponsible brood of vamps.
Gene uses this episode to complain about Easter eggs for the stupid. Ash argues that the protagonist is just a crappy Louis de Pointe du Lac. Big D cringes at all the wasted blood. And Bill Paxton just makes the whole thing a lot more fun.
The Shat Crew also covers Six Degrees of James Cameron, when less is more with practical effects, whether blood transfusion could cure vampirism and why you should shut your windows when vampires are creeping around your farm.
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"Shat The Movies" has seen its share of literary adaptations but never one that inspired Big D to draw, Gene to regain his teen mojo and Ash to besmirch the good name of coastal Florida. It's Charles Dickens' "Great Expectations!"
This 1998 drama looks great on paper, boasting a star-studded cast including Robert De Niro, Ethan Hawke, Gwyneth Paltrow, Chris Cooper, Hank Azaria and Anne Bancroft. The killer soundtrack features two original songs by Tori Amos and Pulp (remember that nude posing scene? Yow!) And yet somehow the director, Alfonso Cuaron, was disappointed in how it turned out.
So we re-watched "Great Expectations" for commissioner Rachel C. and came up with our own ideas of where the movie falls short (mainly costuming) and where it really shines (sexy times).
In this episode, find out why Big D hated the art, why Ash loved the sets, why Gene felt weird and how the whole movie did Joe dirty.
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If you love Rhode Island accents, relish period pieces that forget the period and hate Gene Lyons, our "Outside Providence" podcast is the episode for you!
As Ash and Big Dildo dig into this 1999 Farrelly Brothers comedy (written, not directed), they discover the limits of Alec Baldwin's acting, question the movie's pointless inclusion of dark scenes and seriously doubt Shawn Hatosy's sexual prowess.
Ash points out that "Outside Providence" marks the tail end of the Age of Prep School Movies. And Dick offers handy tips on how Ritalin can maximize your fire watch.
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BMX bikes! "Send Me An Angel!" Lori Loughlin in a Mongoose bicycle suit! It's the Shat The Movies episode we've been waiting six months to debut: "Rad!"
Listener Frank Falls commissioned this 1986 bicycle-racing stuntfest, promoted it and put thunder in all our hearts. But in today's Xtreme Games environment, can Cru Jones' speed and tricks still wow a crowd? Does the bicycle boogie still inspire romance? Will Gene Lyons ever learn to bunny hop?
In this episode, Big D questions whether the bad guys really knew anything about making money, praises the town of Cochrane for being so pro-kid and tells the tale of how his dream bike was stolen while he was returning a VHS rental.
Gene adds to the mix by highlighting 1980s hot dog prices, pointing out some gruesome wrecks and pleading with the Shat The Movies audience to validate Cru's race-winning spin move.
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If you've ever wondered how Jean-Claude Van Damme became an international action star, there's one '80s movie you need to see: "Bloodsport."
This episode, commissioned by listener Adam from Texas, calls on Gene Lyons' deep martial arts expertise, Ash's opinions on muscle men and Big D's childhood dream of climbing with ninja claws.
Along the way, the Shat Crew also discusses the efficacy of fighting monkey style, the utility of eight-minute cinematic flashbacks, training vs. torture, how a referee fits into a full-contact tournament, journalistic integrity in the face of sexy splits, what the Army does when an officer goes AWOL and what the hell Forest Whitaker was doing in this movie.
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When Hot Sauce Steve won the Shat Fantasy Basketball title, he decided to give back to the Shat community by commissioning the long-overdue '80s werewolf basketball comedy "Teen Wolf."
Riding hot on the coattails of "Back to The Future," this low-budget comedy timed its release just right, seizing on Michael J. Fox's superstar status (and the fact Scott Howard is basically Marty McFly).
Join Dick Ebert and Gene Lyons as they discuss whether Harold was a responsible dad, whether scoring beer is as hard as the movies make it look and whether Scott's transformation into The Wolf still holds up.
The boys also tackle the ins and outs of wolf sex, question if being a girl's one-and-done is really all that bad and propose streaming services should now offer a soundtrack-swap option.
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When listener Ryley moved out of her parents' house for the first time and needed a comfort movie, "Mortal Kombat: Annihilation" was there. We humbly offer this Shat The Movies review to the elder gods in hopes we all someday discover our inner animalities.
From terrible CGI to imbalanced audio, this sequel to 1995's "Mortal Kombat" proved you can't just swap out the cast, throw in a whole bunch of new characters, rip off Sub-Zero's mask and expect video game fans to accept it.
You also can't make Raiden mumble mumbo jumbo while dressed as a suburban dad or kill off Johnny Cage in the first five minutes without clarifying he's actually dead.
Even Mortal Kombat's legendary soundtrack sagged under the weight of Jax's "urban" dialog and Barraka's rubber blades. And just when we thought we'd seen the worst, the dragon fight everyone had forgotten became the final battle nobody could unsee.
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We have only ourselves to blame for this one. Well, actually, it's pretty much all Big D's fault: Shat The Movies finally found the courage (and the commissioner) to tackle the 1980 space opera "Flash Gordon."
Whether you thought this horny Dino De Laurentiis fantasy was a terrific comic book adaptation or just a crappy "Star Wars" ripoff, it's certainly a film that's instantly recognizable through sight or sound. That Queen anthem, those wild colors and costumes: This is a movie best enjoyed on hallucinogens ... pantless.
Gene found a new personal hero in Topol, the Hebrew Harrison Ford. Dick appreciated the female empowerment. And Ash asked, "How many times can Flash Gordon die?"
In this episode, the Shat Crew also covered Max von Sydow in yellow face, faulty rocket designs, Chekov's pitot-static tube, psychological scarring from the "Wood Beast" and the tragic tale of a trilogy that died in the cradle.
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Dick and Gene agree "Back to School" is Rodney Dangerfield's best movie, but does it deserve mention among the greatest '80s comedies? Not if you ask Ash.
This 1986 college classic, commissioned by a listener who himself is going back to school, reminded the Shat Crew that Dangerfield has crazy eyes, Robert Downey Jr. was an adorable little scamp, and Big D is oblivious to racism in film.
In this episode, we pay homage to Burt Young, learn how to tell if your child is lying, debate appropriate classroom behavior, discover a new kind of jock bully and ask the crucial question: "Where did all the college bars go?"
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Was "Judgment Night" just "The Hangover" for the '90s? Was it just "Adventures in Babysitting" but for bros? Or was this 1993 urban thriller a truly experimental film with a pioneering rap-rock soundtrack to match?
Loading up a cast with Emilio Estevez, Cuba Gooding Jr., Dennis Leary, Jeremy Piven, Stephen Dorff and Everlast (yes, that guy from House of Pain) seems like a safe way to score a box-office hit, but believe us when we say this movie brought out the weirdest parts of their acting abilities.
If you've ever wished your dude friends didn't get married, Waze had never been invented and Chicago's South Side never got gentrified, "Judgment Night" is the movie for you.
If you're the type of person who can't keep quiet while being hunted by killers, this movie will make you feel understood.
If you're a fan of beautiful hair, slasher movies and bringing a belt to a gunfight, you're in luck. Just don't forget your cowboy boots and fishbowl RV.
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How do you ruin a 1981 comedy featuring the talents of Dennis Quaid, Jack Gilford and Shelley Long? Make it about cavemen, and give Ringo the Starr role. Gene Lyons downed an entire six pack while recording this one, so buckle up.
"Caveman" was somehow too childish to be a movie for adults and too adult to be a movie for kids. It had claymation dinosaurs but also a rape scene. It was timid in its surprise lack of surprise boobs yet startlingly evolved on topics of homosexuality and race.
And, of course, this slapstick comedy commissioned by listener Kelly B. generated some unexpected rants including Big D's disappointment in the closed captioning, Gene's understanding of Jane Goodall, genetic diversity among prehistoric peoples of Southern California and Roger Roeper's indictment of Allied Forces in "Saving Private Ryan."
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When Big D and Roger came up with the idea for "Shat The Movies," they knew they wanted to start with all the films that defined the '80s and '90s. Movies like "Big," "Pretty Woman" and, of course, "The Ice Pirates." It took six years, but finally Pirates' ship has come in.
In this episode, Gene notes how "The Ice Pirates" really forgot it was set in space. Dick applauds the movie for being consistent in its crappiness, and Ash critiques Anjelica Huston's swordfighting prowess. The Shat Crew also discusses castration via conveyor belt, the film's dramatic undertones and Big D's theory that "The Ice Pirates" inspired the Burning Man festival.
Cheers to Shat Fantasy Football champ Hot Sauce Steve for the gifted commission. You made one little Shat host's dream come true.
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The Christopher Guest mockumentary that started it all, "This Is Spinal Tap," blended brilliant musical parodies and absurd non-sequiturs well ahead of its time in 1984. It was so convincing that a young Gene Lyons and a drunken Ozzy Osbourne thought Spinal Tap was a real band.
In this episode, Shat The Movies commissioner Scott H. in Friendswood, Texas, treats Ash to one of her favorite comedies. Consider it a Christmas gift full of amazing one-liners, cringe harmonies, jaw-dropping cameos and a strange sense of heart.
We all remember "it goes to 11," but so many other gags make "This Is Spinal Tap" worth rewatching in 2022: Stonehenge, exploding drummers, flower people, Australians' nightmares and "Big Bottoms." Did it make our Top 10 movies of all time? Have a listen and find out.
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At Shat The Movies, we believe representation matters. And it's never been more apparent than when we sat down to review "Austin Powers: The Spy Who Shagged Me." Was Mustafa offensive? Ask Gene. Was Fat Bastard gross? Ask Big D.
And though the Shat Crew all agreed Heather Graham achieved peak hotness in this 1999 sequel, we were divided on other issues. Ash argued workplace hookups are inevitable. Gene argued Dr. Evil's "Just The Two of Us" rap was tasteless. And Dick Ebert argued that he could fight off 20 Mini-Mes.
In this episode, you'll hear the final verdict on whether Mike Myers is funny, why "The Spy Who Shagged Me" might be the most 1999 movie of all time and how Seth Green made the film funnier. Oh, and Big D gives Roger's dick pics a wipe score.
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Guy Ritchie enters the Halls of Shat with the 1998 feature film debut that revealed an unsanitized London to hip American teens and twentysomethings: "Lock, Stock and Two Smoking Barrels."
We all expected the comparisons of Ritchie to Quentin Tarantino, but none of us anticipated where the conversation would go after that: Ash's personality trait test, Big D's tips on knocking people out, and rumors of anal beads helping a chess master cheat.
Is "Lock, Stock" perfect? It might lack women characters, drag at parts and have so much English slang it should be labeled sci-fi, but the Shat Crew can't deny Jason Statham, Lenny McLean and Vinny Jones made the movie a lot of fun.
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To celebrate the 30th anniversary of "A Few Good Men," the Shat Crew dissect the military mentality, relish Aaron Sorkin's flair for dialog and hate themselves for loving Tom Cruise. Big D argues it isn't a court drama while Ash and Gene debate whether the lawyering feels real.
Along the way, your hosts cover "code reds," Demi Moore's outfits, whether Lt. Daniel Kaffee is at all redeemable, whether Jack Nicholson overacted and, of course, how "you can't handle the truth" holds up after three decades.
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Is "Dead Man" the most interesting Western of the '90s, or did Jim Jarmusch just succeed at shooting a really pretty Johnny Depp in black-and-white for two hours? That depends on what you understood of the movie, and Gene didn't understand much.
While Ash struggled to stay awake, an increasingly healthy Big D got really into this 1995 box office flop that sparked conversations on cannibalism, Savage X Fenty, how trains work, Chatroulette, Neil Young's musical score and the Texas Renaissance Festival.
The Shat Crew also took a few minutes to quiz one another on pop culture and duke it out over their taste in TV.
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Before there was "Airwolf," before there was "Fire Birds," one movie stood alone as the epitome of helicopter action: "Blue Thunder." It's the movie that inspired Big D to be a pilot, showed us how to "dust" a perp, and made JAFO a household name.
It also taught a 10-year-old in the UK how to cuss. And that 10-year-old grew up to be Shat The Movies commissioner Omar, who somehow understood "Blue Thunder" was about the surveillance state and police militarization. We just thought it was about naked high-rise yoga.
Starring three legitimate badasses—Roy Scheider, Warren Oates and Malcolm McDowell—"Blue Thunder" illustrated what happens when combat veterans and single moms don't reach out for help, why it's weird to sexualize machines, how to dodge a missile in a crowded urban area and why looping a helicopter isn't all that useful.
Warning: Do not watch this movie while sitting between co-workers on a Southwest Airlines flight. Or, if you do, make sure your tray table is covering your lap.
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Can a movie that scandalized America in 1994 continue to shock us today? Not really, but Oliver Stone's "Natural Born Killers" still has a lot going for it: a perfectly composed cast, a kickass soundtrack and incredible chemistry between Juliette Lewis and Woody Harrelson.
With Quentin Tarantino's fingerprints all over it, "Natural Born Killers" spans everything from sensationalized murders to sweat lodges and somehow manages to effortlessly serve up a love story in the mix.
In this episode, the Shat Crew explores the movie's haphazard use of black-and-white shots that look like they came from a rowboat, why Blockbuster Video employees hated Oliver Stone, Dick Ebert's rules for mushrooms, how artists change when they're clean and why all bald men should shave their heads.
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Gene's comment that he didn't "enjoy Australian cinema" triggered quite a few rebuttals in the form of Shat The Movies commissions. And neo-Nazi drama "Romper Stomper" just might be the one that changed his mind.
Before there was 2000's "Gladiator" or 2012's "Les Miserables," a young Russell Crowe was looking mighty fine while sporting tighty whities, engaging in some ultraviolence, and throwing in a little surprise doggystyle. But make no mistake, "Romper Stomper" was a serious film that straddled the line between zombie movie and "American History X." And it made some points that are incredibly relevant today.
In this episode, the Shat Crew discusses odd editing choices, racist stereotypes, the history of Footscray and the tragic tale of Crowe's co-star Daniel Pollock.
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Shat on TV listeners begging us to cover "House of The Dragon" finally get their wish in this week's Shat The Movies feature: "Arthur." This episode commissioned by David K. also explores what to wear shoplifting and features tons of listener mail.
Dudley Moore and John Gielgud aren't household names in America, but the two English legends created an 1981 comedy alongside the goddess Liza Minnelli that distilled the essence of New York.
"Arthur" led the Shat Crew to conversations about Christopher Cross' theme song for the movie, being stage drunk, surprise tears, unnecessary cruelty, Russell Brand, the pressure of growing up wealthy and how Scotch led to the prevalence of roosters in '90s New Orleans kitchens.
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Few directors have polarized the Shat Crew's wipe scores the way David Lynch has, and few David Lynch movies are as polarizing as "Blue Velvet." With odd peccadillos, unsettling violence, over-the-top symbolism and entrancing dreamlike sequences, this 1986 had Ash gushing and the boys cringing.
But talk about a career-builder! "Blue Velvet" changed the way moviegoers saw Isabella Rossellini, Dennis Hopper, Laura Dern and Kyle MacLachlan. It gave us a more straightforward Lynch tale, and it recalibrated the Shat The Movies definition of surprise boobs.
Whether you view it as a masterful depiction of primal human behavior hidden behind a suburban veneer or just a really weird movie with some of the worst dirty talk ever filmed, "Blue Velvet" is definitely one to watch ... but maybe not rewatch.
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"The Rocky Horror Picture Show" is, without a doubt, a Halloween movie. It's got blood, gore, murders, a creepy castle — what more do you want? And the best way to see it is in a crowd, so Big D flew 5,000 miles to experience his first viewing in a theater with props, a shadow cast and Gene Lyons.
In this Shat The Movies Halloween Spooktacular commissioned by listener Jeremy, Ash joins Dick and Gene to discuss whether the "Time Warp" deserves to be the film's most famous song, whether Dr. Frank N. Furter is hot or dangerous and whether film reviewers should consider audience participation when rating a movie.
The Shat crew also drools over young Susan Sarandon, discovers changes in Big D and retells the story of how this cult classic nearly was a flop.
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Before Rambo was an action figure, cartoon character, and lunchbox cover, Sylvester Stallone starred in "First Blood," an action-drama that spotlights the displaced and disillusioned veterans of the Vietnam War. Big D and Gene recorded this episode live on Twitch.
Of course, the Shat Crew debated the movie's biggest controversy: Did John Rambo kill Art Galt? But the conversation also took us to some unexpected places: Is this an accurate depiction of the veteran experience? What was with Rambo's POW mustache? Is Col. Sam Trautman a hero or a monster? And is the Yamaha XT250 the coolest dual sport motorcycle ever built?
This episode also covers Gene's failed childhood booby traps, the effectiveness of the W.A.N.G., Stallone's meltdown and, of course, the film's theme song, "Long Road."
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Sam Mendes earned an Oscar for his debut film, "American Beauty." But more importantly, he gave the Shat Crew fuel for discussing couch sex, Chekov's dick, the ignorance of youth and world peace through blowjobs.
Longtime Shat listener Lucas passed on a chance to commission "Beastmaster," and instead requested a true masterpiece that explores how parents mess up their kids, what can happen when you fall in love young and grow old, and how flexible Annette Bening is.
In this episode, the Shat Crew discusses The Plastic Bag Scene, Ash's attraction to creepy-ass Ricky, Gene's try-hard tendencies and unexpected parallels to "Uncle Buck."
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Brothers and prolific Shat The Movies commissioners Josh, Adam and Jon R. have always been there for us. When a shooter attacked their beloved Highland Park on July 4, it was our duty and honor to be there for them. Thanks to some very generous Shat listeners, this recording raised $1000 for the shooting response fund.
In this special live episode, the Shat Crew celebrates the 1989 love letter to Highland Park and Chicagoland as a whole: “Uncle Buck.” One of John Hughes’ lesser-known films, this John Candy comedy gave us Macaulay Culkin before his breakthrough role in “Home Alone.” It also touched Big D’s heart as a father and sexually confused a young Gene Lyons.
As always, we dive into unexpected topics like fat shaming, menacing comedians, ‘80s montages, and missed opportunities with clowns.
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We made it to Episode 300! This "Ghostbusters II" review has it all: Ash learns about New Coke; Gene learns he might not like young Bill Murray; Big D teaches us all about "Tears in Heaven;" and a plot summary is so ridiculous we can't stop laughing.
In our second discussion of the Ghostbusters franchise, the Shat Crew examines birthday packages, debates the quality of Vigo's painting, contrasts movie montages, dives deeper into the new Ghostbusters logo, weighs when it's OK to clean your host's apartment, discovers someone's been throwing out her partner's belongings and outlines the appropriate use of children in comedies.
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Shat The Movies has covered "The Silence of The Lambs," but that wasn't enough for film elitists who scoff at the mainstream appeal of Sir Anthony Hopkins' Hannibal Lecktor and Jodi Foster's Clarice Starling. They insisted we review the movie that started it all: "Manhunter."
It was hard to validate this movie without comparing it to everything that came after: Buffalo Bill dancing to "Goodbye Horses," Mads Mikkelsen bringing sex appeal to the series or Frederick Chilton getting some flesh to his character. But that's OK, because those comparisons revealed some of "Manhunter's" subtle strengths.
In this episode, Gene admits he doesn't understand some of Michael Mann's artsy decisions; Big D illuminates some of the guerilla filmmaking that went into "Manhunter;" and Ash gets pissed on behalf of murder victims' families.
The Shat Crew also discusses Brian Cox's version of Hannibal, chuckles at William Petersen's spirited self-talk and explores whether a little romance can help elevate an '80s thriller.
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Big D returns from a booze cruise just in time to tackle a 1998 sci-fi sleeper that explores the nature of individuality, the impact of memories and the allure of Jennifer Connelly's mustache. Pack your bags for "Dark City!"
In this episode, Gene laments the movie's opening spoiler, and Ash ties together the look and feel of pretty much every '90s goth-industrial-hacker-vampire film while drooling over Rufus Sewell. Meanwhile, Big D takes a shot at Kiefer Sutherland, and everyone agrees "Dark City" has some badass set design.
Is there a difference between time travel and the mastery of telekinesis? Are Riff Raff and Mr. Hand the same person? Why wasn't this movie 10 minutes long? We raise these questions and more on behalf of longtime listener and author Ryan C.
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“Reservoir Dogs” isn’t the kind of movie a rookie podcaster should touch. It’s an icon of the ‘90s, the debut of a game-changing director, perhaps even the birth of a new genre. So we waited, and we learned, and we put nearly 300 movies in the toilet before accepting the challenge laid out by listener Jody G: Question whether the 1992 heist flick holds up after 30 years.
Anyone who’s seen “Reservoir Dogs” remembers the nonlinear storytelling, the violence, the snappy dialogue, and the shots that would end up as T-shirts, coffee mugs, car decals. But you almost never hear movie fans talking about Tim Roth’s horrible accent, the long run time or the logical flaws.
In this episode, the Shat Crew discusses how Mr. Blonde inspires Gene to be better in the office, why Big D loves the “Reservoir Dogs” soundtrack, and how Quentin Tarantino saved money while blowing Ash’s mind.
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When a listener dedicates a podcast commission to his late wife, you treat it with respect. When the movie is about death and the afterlife, you add a degree of reverence. When one of your podcast hosts is dealing with a recent loss, you take the whole thing personally. And when Albert Brooks is the romantic lead, you have to throw all of that out the window.
"Defending You Life" is a 1991 romantic comedy destined for a good shatting, and it treated the Shat Crew to some lively discussion of past lives, simpler times, biggest fears, and crimes against Meryl Streep. The podcast also took us to places we never imagined we'd go: highlighting the difference between Albert Brooks and Larry David, worshipping Rip Torn and earnestly drawing parallels between purgatory's legal proceedings and Franz Kafka.
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Shat The Movies has brought us so many dynamic pairings: Riggs and Murtaugh, Goose and Maverick, Dick Ebert and Gene Lyons. It's only fair that we reach back to 1977 for the quickest duo to deliver Coors beer from Texarkana to Atlanta: Snowman and The Bandit.
"Smokey and The Bandit" triggered an explosion in trucker romanticism, CB radio fetishism and Pontiac Firebird Trans Am sales. Stuntman Hal Needham's directorial debut also gave audiences a fresh look at Jackie Gleason and convinced America (but not Gene) that Sally Field could be hot.
It had everything you could ask for in a bootlegger movie: Jerry Reed songs that literally tell you what's happening on screen, '70s style, sexy cars, Burt Reynolds and inexplicable pit stops. But does "Smokey and The Bandit" hold up as a comedy with a pinch of romance? You might be surprised.
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Each Shat The Movies host brought unique insights to shed light on 1997's "The Devil's Advocate." Dick gifted us with his knowledge of Gainesville, Fla. Gene examined the justice system. And Ash explained scripture and social pressure.
And then the conversation quickly devolved into rants about Keanu Reeves' excessive kissing, body hair, Al Pacino's sex appeal, how the Antichrist works, incest, weird boobs, Southern accents and parental controls.
Big thanks to Andy in Norway for commissioning this supernatural horror that proves sometimes a quiet ending is the best ending.
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We've seen what happens when Stephen King's novels are turned into TV miniseries. We've seen what happens when they're directed by nobodies. Now "Christine" is gonna show the Shat Crew how John Carpenter gets down.
Listener Matt the Shat (UK) commissioned this 1983 horror adaptation that had Big D and Gene drooling over car porn and Ash confessing she drives Honda Pilot.
The hosts were split on whether Arnie was cool or cringe, and Gene was confused about some of the schemes and injuries. Meanwhile, the movie's chief bully, Buddy Repperton, had us debating who would win Buddy Bowl. Ash just wanted to know why Christine was alive in the first place.
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All-star commissioner Bralen D. adds to Shat The Movies' Jim Carrey catalog with the 1998 film that spanned a half dozen genres and lent its name to a psychiatric disease: "The Truman Show."
Reality TV expert Dick Ebert leads the Shat Crew through a tangle of topics, including: Jedi healing abilities, being watched 24/7, James and the Giant Cock, Night Owl security systems, M. Night Shyamalan's "The Village," springtime anal and HBO's "Westworld."
To wrap things up, Jim Carrey fans call in about "Liar Liar," and Ash receives a dick vid from a listener.
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With Gene on vacation, Big D and Ash tagged-in Shat favorite, guest host, Kevin Brackett from "Reel Spoilers" to help them tackle the 1999 classic "South Park: Bigger, Longer and Uncut."
This comedy, musical masterpiece led to many topics for our hosts to dissect. Ash argues that Terrance and Phillip give us the best movie song of all time. The trio debunk the dangers of profanity. Kevin and Ash declare that South Park may just be a brilliant tribute to Les Mis. Big D educates on how the film was used by the U.S. Army as a torture device. And the hosts answer the all important question of whether they are team Satan or team Saddam.
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Big D and Gene called up the rootinest, tootinest feller they know to help review 1992's "Unforgiven," and the King Bee delivered with sage cowboy wisdom about big-booty threesomes, the pony economy and frontier law.
This Academy Award-winning masterpiece led to a stampede of topics including: What constitutes a movie room? Is there honor among killers? Can the right woman save you? Would William Munny survive the final shootout? Is Morgan Freeman too dignified to die on screen? And how do you pause Instagram stories?
The King Bee offers a bounty for fictional movies with epilogues, and Dick Ebert gives style safety tips as The Shat Crew laments the fact Clint Eastwood ever made "The Mule" and "Cry Macho."
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Gene Lyons probably will never enjoy the flattery of a biopic retelling his life, but "The Adventures of Buckaroo Banzai Across the 8th Dimension" comes pretty damn close to depicting his life as a eccentric polymath. This 1984 box-office flop was either way ahead of its time or way too much of a mess for any sane person to comprehend.
In this edition of "Shat The Movies," Ash praises the spaceship designs and compares Buckaroo Banzai to Maverick. Big D points out the ridiculous dialogue; and Gene decides he's watching cinematic jazz. The Shat Crew also discusses John Lithgow, John Bigboote, and all the other Johns that make the movie great.
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Gene gets a crash-course in parenting in this week's group-commissioned Jim Carrey hit from 1997, "Liar Liar." Ash cautions against Disneyworld Dads and helicopter parents, while Big D makes the case that falsehoods make the world go 'round.
This uber-informative episode of Shat The Movies also explores the world of lawyering, age-of-consent laws, gas safety, anesthesia protocol and when it's OK to treat kids as adults. The Shat Crew also debates Jim Carrey's use of physical comedy and learns an important lesson: Marriage is what you don't say.
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Ash and Gene ditch the third wheel this week for a romantic stroll along the River Thames and up to "Notting Hill," where they sing along to '90s English ballads, discuss meeting celebrities, and rediscover the magic of Hugh Grant and Julia Roberts.
Shat The Movies commissioner Will commissioned this episode for his British wife, and we sincerely apologize for ruining it by nitpicking why a bookstore owner would carry bad books, why the hair and makeup crew had to go so hard, why people don't appreciate being able to see boobs whenever they want, and why Alec Baldwin was even in this movie.
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Shat The Movies loves a good horror movie, and all three hosts were thrilled when listener Robert in Germany commissioned "Event Horizon." This 1997 space freak-out film combined sci-fi and infernal themes with performances from Sam Neill and Laurence Fishburne, leaving the entire Shat Crew changed.
In this episode, Big D points out filmmakers were entirely too optimistic on Earthlings' space-faring timeline. Gene accuses "Event Horizon" of being an "Alien" ripoff, and Ash cheers the concept of a haunted house in space.
Remember the paper-and-pencil demo of how to fold space-time? The Latin recording with the cannibal orgy? Who could forget! And the jump scares are top-notch, even if a few are a little forced.
"Event Horizon" was a landmark film for so many of us '80s and '90s kids, but does it still hold its place among the spooky greats? Listen and find out.
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After "Wayne's World" scored a near perfect 0.25 Wipe Score, the Shat Crew was drooling over the prospect of covering Mike Myers' follow-up flop with a knockout supporting cast: "So I Married An Axe Murderer." Ash loved it as a kid, and it inspired Gene to perform beat poetry. But Big D has always kept the movie at arm's length.
In this episode, we examine the 1993 romantic black comedy and reminisce about '90s music, coffee shop culture, shabby chic home decor, handsy moms, Alan Arkin's genius, and whether Mike Myers makes Adam Sandler seem romantic.
The Shat Crew also discusses trust in relationships, appropriate honeymoon destinations, whether Charlie even deserves Harriet, and whether Mike Myers can act when he isn't wearing a costume.
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Two old friends of the podcast return this week for Shat The Movies' take on "I'm Gonna Git You Sucka": Black Girl Couch commissioned the 1988 blaxploitation parody, and The King Bee is our guest host.
Keenan Ivory Wayans' directorial debut led us to question the reality of the blaxploitation metaverse, declare every person's right to lampoon their own race, celebrate a knockout cast and determine that Damon is the least funny Wayans brother.
In this episode, the Shat Crew also discusses a black Ryan Reynolds, whether wigs count as lying, whether Gene goes wild when Ash is gone, the comedic power of giant hats, Gene's first fart joke, suicide by soup and choosing your beating.
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Shat The Movies is no stranger to film adaptations of Stephen King books, but this is the first one Big D has actually read. "Needful Things" combines the unexpected star power of Ed Harris and Max von Sydow with the unexpected bosom of Bonnie Bedelia to bring us a movie with a devilishly good premise and abysmal special effects.
Gene felt "Needful Things" was more Muppet movie than a genuine horror flick. Ash begged all the characters to install alarm systems, and Big D pointed out the missing reveal that really would have brought the whole tale home. In the end, the Shat Crew agreed the film simply had to be intended as a horror-comedy.
In this episode, we also discuss: what "needful thing" each Shat The Movies co-host would choose, how the movie did Nettie dirty, materialism, hypocrisy, the slowest cop ever, easily convinced townsfolk who all happen to be trained stunt performers, and how to properly blow up a church.
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We're celebrating Hot Sauce Steve's birthday with the 1998 hit that marked Adam Sandler's transition to romantic comedies: "The Wedding Singer."
In many ways, "The Wedding Singer" was a sign of things to come for Sandler: co-starring with a possibly concussed Drew Barrymore, more subdued roles, nostalgia and mom-safe jokes. But there were still flashes of the Saturday Night Live legend we saw in "Billy Madison" and "Happy Gilmore": the 90ish-minute runtime, the non-sequiturs, and the cameos.
Weddings are the topic of the week in this episode, with the Shat Crew discussing pre-wedding jitters, the cost of weddings, and how much of a role the groom should play. We also discuss Adam Sandler's singing, whether Linda got a bad rap, what constitutes cheating, and how well we can spot a freak in the sheets when we seem her in the streets.
To top it all off, Ving Rhames calls in to discuss "Blood In Blood Out" and Big D gets passionate about vanilla ice cream.
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Can you really call yourself a retro movies podcast without reviewing the epic '80s film flop that refuses to die? At long last, Shat The Movies is digging its glaive into "Krull."
On paper, this movie should have been the next "Star Wars." It has a massive budget, plush set design, a rousing James Horner musical score, freakin' lasers, a handsome lead, a strong princess, a wise mentor, mystical powers, an impenetrable stronghold, galactic consequences, a legendary weapon and Liam Neeson. But "Krull" showed just how hard it is to bring fantasy concepts to the silver screen.
In this episode, the Shat Crew discusses how the "Krull" movie posters misled Big D, how less is more when it comes to special effects, why thieves and brawlers are so eager to join perilous quests, why geography matters in movies, and whether "Krull" delivered the worst action scenes in Shat The Movies history.
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"Blood In Blood Out" didn't just open our eyes to an undiscovered crime epic, this 1993 drama changed the way Gene talks, the way Big D watches film, and the way Ash plots her stabbings.
Whether you first saw this love letter to East Los Angeles on DVD or through a mayonnaise-smeared YouTube screen, "Blood In Blood Out" hit you hard with its graphic violence, unexpected laughs, promising cast, and surprise sexuality. The action wasn't exactly "Heat," but it sure was fun to watch. And who could forget those plot twists spanning a three-hour runtime? It was like The Chicano Godfather.
In this episode, the Shat Crew discusses who would last longest in prison, how far family obligations go, and whether Damian Chapa ruined the movie or was the only man alive who could play Miklo Velka.
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When listener Kev commissioned 1990's "Nuns on the Run," we were ready for a Shat The Movies sleeper hit. Monty Python's Eric Idle and Harry Potter's Hagrid together in a comedy about the English mob and religious orders sounds like a recipe for success. But sometimes too many cooks spoil the broth.
Gene expected another "Withnail and I." Ash wanted something different from "Sister Act," and Big D wanted a romantic montage that lasted longer and meant something. We didn't get any of those things.
But "Nuns on the Run" had its moments: a young Robbie Coltrane explaining the Holy Trinity, a few respectable puns, and some incredible surprise '90s boobs. We also got an overused joke about eyeglasses, an onslaught of tilted cameras and close-ups, a healthy dose of white male mediocrity, an incredibly English car chase, and surprisingly little running.
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When it comes to the greatest Vietnam war movie of all time, two films come to mind: Francis Ford Coppola's "Apocalypse Now" and Stanley Kubrick's "Full Metal Jacket." Longtime listener Hot Sauce Steve was kind enough to commission the latter.
Everyone remembers the belly laughs and jaw-dropping surprises in "Full Metal Jacket," R. Lee Ermey's unforgettable performance, Vincent D'Onofrio's body transformation, and the wealth of dark humor. But we don't always take the time to celebrate the film's sets or dig deeper into Kubrick's themes of dehumanization, indoctrination, and whether man can withstand the unnatural conditions of war.
In this episode, the Shat Crew hears Big D's Sapper School Tales, explores sex-worker inflation, outlines the economics of short-time versus long-time, debates slow-motion deaths, and plans Ash's Chaturbate career.
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Robin Williams has a patchy history on "Shat The Movies." He shined in "Good Will Hunting" (don't tell Gene) and flopped in "Hook." Will "Jumanji" be his redemption?
Sure, the special effects are a bit dated and the rules are a bit silly, but this movie has the nostalgia of the Caledecott Medal-winning book and the staying power of the recently refreshed series. "Jumanji" also has a great villain, a solid cast, and emotional notes that other Robin Williams movies sometimes lack.
In this podcast, the Shat Crew discusses whitewashing the '60s, what jungle life can do to a man, easily frightened girls, indestructible Chevrolets, and the fallout from altering history. And, of course, we tell the world how we'd be so much better at playing a board game.
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"Blade" left a mark on every '90s teen—the music, the fashion, the detailed breakdown of the vampire economy—but many forget it also kicked off Marvel's string of cinematic success. It was darker than any superhero film we'd ever seen, and it had a sense of humor.
With a blazing fast origin story and immediate action, this movie had our attention from the jump, inspiring conversations about the proper way for vampires to age, Wesley Snipes' fighting style, whether vampires should have a living wage, and how an ancient temple ends up in Detroit.
In this episode, Big D volunteers to get "gothed up." Ash explains her undying attraction to Stephen Dorff, and Gene details how vampires are born. The Shat Crew also ranks the four bloodsucking movies it's covered so far: "Blade," "The Lost Boys," "Interview with the Vampire," "From Dusk Till Dawn," and "Bram Stoker's Dracula."
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What would happen if a random group of Hollywood actors at an '80s cocktail party decided to make a Western? We found out with listener Jim Batten's commission of "Silverado."
On paper, this movie has it all. Lawrence Kasdan wrote and directed it. Kevin Costner, Danny Glover, Brian Dennehy, Rosanna Arquette, and Scott Glenn starred in it. And the soundtrack flew off shelves.
But "Silverado" also includes a few interesting casting choices like Jeff Goldblum, John Cleese, Linda Hunt, and Kevin Kline. The good guys grin their way through a "Westworld"-like environment with "Game of Thrones"-level plot armor, and glass is breaking EVERYWHERE.
In this episode, Big D finally gets his training montage, Ash wishes "Silverado" were a TV series, and Gene marvels at pearls of Western wisdom.
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Just when we thought we'd covered every '80s high school movie, listener Jen treated her husband and us to "Three O'Clock High," a sleeper comedy with a lovable hero, a horny teacher, and a climactic fight.
"Three O'Clock High" got it right where lots of its peers got it wrong: Friends and siblings treat each other with genuine care. Each scene delivers on its punchlines. And Tangerine Dream's soundtrack actually makes the movie better.
In this episode, Big D mansplains what "short" means and wonders if Buddy Revell is the king of '80s movie bullies. Ash spreads crack-baby rumors and asks about planned fights. And Gene attacks a Karen. The Shat Crew also discusses whether it's become the "Family Guy" of podcasts and argues that Casey Siemaszko would have made a terrific Marty McFly.
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People are always complaining that Hollywood's run out of ideas: Everything's a remake or a sequel or a comic book movie. But in 1985, things were wild. Wanna make a movie about a guy who turns into a wolf and a chick who turns into a bird so that they can never be together? Go for it; we'll even throw in Matthew Broderick and a score by Alan Parsons.
The Shat Crew's been waiting a long time to do "Ladyhawke," but it took listener Jose to stand up, raise his sword high in the air, and dedicate this medieval fantasy in the name of true love. It's a movie that taught us not to take "Game of Thrones" for granted, a movie that Ash felt needed talking animals, and a movie that made Big D ponder life's big questions, like "Can a crossbow shoot a hawk in flight?" and "How does a werewolf get his clothes back?"
But most of all, "Ladyhawke" was a movie that bet on Rutger Hauer, Michelle Pfeiffer, and Alfred Molina being able to bring a wild-ass tale with a funky-ass soundtrack to life. How did they do? Listen and find out.
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If you thought our "Red Dawn" episode was unpredictable and juvenile, buckle up for "Taps." This military-versus-civilians, young-against-old, leaders-versus-condominiums drama from 1981 introduced the world to Sean Penn, Tom Cruise, Timothy Hutton, and the king of wacky screen deaths, Giancarlo Esposito.
"Taps" also highlighted what was so great about George C. Scott's portrayal of General George S. Patton, what was so terrible about Junior ROTC, how TikTok could have saved Bunker Hill Academy, and why young Gene Lyons always had a coin up his ass.
Hear Judge Ash preside over John Rambo's involuntary manslaughter trial and draw the lines between "Taps" and "Les Miserables." Witness a beloved Gene arguing that "Taps" is basically Shakespeare. And discover the secrets of the Hot Carl and the Stinky Pinky with Dick Ebert.
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If you hate Gene, you'll love our "The Last of the Mohicans" episode. Ash is at the helm, with Dick Ebert and guest host Kevin R. Brackett (Reel Spoilers) rounding out the crew to explore romance, frontier life, and Big D's virginity.
When it comes to period dramas from the early '90s, things often get a little goofy, but "The Last of the Mohicans" stands apart by getting a lot of things right: breathtaking cinematography, animalistic attraction, a killer score, historical accuracy, the chaos of battle, and the pain of sacrifice.
Are the characters a little flat? Maybe. Is Hawkeye superhuman? Debatable. Is the Shat Crew gonna talk about old-timey sex? Oh, absolutely.
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"Shat The Movies" fans are horror fans, so we jumped at the chance to do a scary movie outside October. When longtime listener Carmelita commissioned "Jacob's Ladder," the Shat Crew collectively squealed.
This 1990 Tim Robbins banger did lots of things we'd later see in '90s movies and beyond: non-linear storytelling, the questioning of reality, faceless doctors, and that wiggly head thing from Tool music videos. But it didn't stop there: "Jacob's Ladder" flipped the horror genre on its head by actually addressing death, not just killing.
In this episode, Big D crushes Gene's romanticism about '70s New York City. Ash gives a crash course on the fragility of memory, and all three hosts marvel at just how cute Macaulay Culkin was at 9 years old. What did the ending mean? We'll get into that, too.
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"Friday" wasn't the easiest episode to record, but it's one of our new favorites. After Big D recovered from his Strawberry Festival-induced hospitalization, the Shat Crew convened to debate whether certified stars like Chris Tucker, John Witherspoon, Regina King, "Tiny" Lister, Bernie Mac, and Michael Clarke Duncan could elevate a Zig-Zag-thin plot to a '90s comedy classic.
In this episode, we discuss how Ice Cube and DJ Pooh succeeded in their mission to show a different side of the 'hood, how weed helped Big D "make it a Blockbuster night," and why it sometimes pays to party in dangerous places.
Big D implores today's youth to "live in the moment" as we also cover the bathroom habits of POC, why Ash can't shower alone, "the conditions" in Atlanta, and terrible fight scenes.
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"Tequila Sunrise" commissioner Rachel C. returns with another '90s movie full of sexy people doing confusing things. This week, it's "The Grifters," a 1990 neo-noir thriller that proves even John Cusack, Anjelica Huston, and Annette Bening have their off days.
This movie about con people and the con people who love them led to such classy topics as discount grandmas, boob fingerprints, nostalgia trolls, and the kinds of sexual favors landlords can reasonably expect from tenants attempting to seduce them.
"The Grifters," nominated for multiple Academy Awards, also brought us the most unlikely death in Shat history and possible the worst heist since "Safe Men," proving critics love anything that hearkens back to old timey movies.
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Shat The Movies Fantasy Basketball champion Don Sauce chose a movie he'd never seen before as his prize: "White Men Can't Jump." And what he got was perhaps Woody Harrelson and Wesley Snipes at their best.
Like other Ron Shelton sports movies, this 1992 love letter to Los Angeles blends sex, psychology, and an underlying malaise to take the audience beyond the game and into life itself.
In this episode, the Shat Crew discusses the history of white basketballers, how to get on "Jeopardy!", Rosie Perez' sex appeal, the lush dialogue of '90s movies, why Comic-Con has gone downhill and how to ask for sex in Portuguese.
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Tom Hanks’ “Big” was the ‘80s film that started it all for “Shat The Movies,” a massive hit everyone saw growing up. But a few months before “Big” hit theaters, another child-to-man body transformation movie took a slightly different approach.
“Vice Versa” took an established Judge Reinhold and a brilliant young Fred Savage and shifted the focus to the adult trapped in a child’s body. Along the way, we also got a not-so-iconic music scene, some ‘80s Asian mysticism, very strong arguments for taking PTO, and a glimpse into a Gene Lyons’ day job.
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Is "Stargate" as good as "Star Wars?" Maybe not. Is it every bit as fun? Possibly!
Roland Emmerich's 1994 ode to Ancient Egypt boasts a surprisingly kickass musical score, some super creative costuming, and possibly the secrets to where Saddam Hussein hid his yellow cake. But it isn't without its problems.
Your main villain, Ra, is utterly impractical with his security forces (what's with those helmets?), spacecraft (who flies a pyramid?), and body choice (may we suggest being Rodrigo Santoro next time?).
Your heroes, despite being a hot James Spader and steely Kurt Russell, are hamstrung by terrible tactics (camping out in the open), a useless team (who cast French Stewart as a commando?), and little balls on their berets.
And your main attraction, the titular Stargate, is a giant combination lock that ripped off "The Abyss" and defies any semblance of science.
But none of that matters because this was the movie we all needed in 1994: fast-moving with a little action, a little romance, and a lot of half-naked children.
In this episode of "Shat The Movies," we learn Big D didn't pluck his wife from the jungle, teachers are nerds, and why you should always "sleep with the gift."
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“12 Monkeys” has something for every member of the Shat Crew: An edgy, smart director for Ash, time travel for Dick Ebert, and loads of man butts for Gene. But is it the slick, mind-blowing film we remember from 1995, or does it fall flat in a post-pandemic America?
As the Month of Steve continues, we dig into some tinfoil territory, questioning the nature of reality, whether the powers that be would ruin the world to stay in control, and whether Brad Pitt really deserved that Golden Globe. Is Dr. Reilly one of the worst sidekicks in movie history?
Is the “12 Monkeys” score one of the most underappreciated compositions of the ‘90s? We answer these questions and more in this weeks Shat The Movies.
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The last time Shat The Movies took on a Mel Brooks movie, Big D spoiled Roger's and Gene's fun with a grumpy wipe score.
Will "Robin Hood: Men in Tights" be a parody redemption, or will Dick Ebert's "Spaceballs" gloom spread to the rest of the Shat Crew?
In this episode, commissioned by Hot Sauce Steve, we discuss who Mel Brooks jokes are for, the eternal hotness of Cary Elwes, why amazing songs make comedies even better, how many callbacks is too many callbacks, a young Dave Chappelle, a spicy Amy Yasbeck, an incredible Dom DeLuise, and what happened to the "Robin Hood" writing team after "Men in Tights."
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Shat The Movies is no stranger to Stephen King movies, but we've never done a miniseries before. "It" taught us there's nothing more shat-tastic than mixing television icons like John Ritter, Harry Anderson, Richard Thomas, and Tim Reid with the horrifically bad TV production value of the '90s.
But Hot Sauce Steve's commission wasn't all laughs. There were real scares: Parents not seeing the terrors unleashed upon the children of Derry; Tim Curry's unforgettable portrayal of Pennywise the clown; and of course late '80s home decor.
In this episode, the Shat Crew discuss whether Bill Skarsgard's 2017 Pennywise was better, whether the golden age of communal TV viewing is over, if racial slurs are OK on network broadcasts, and what qualifies as a fat kid.
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Many '80s babies first met xenomorphs in 1986's "Aliens," but there just something special about the 1979 Ridley Scott masterpiece that started it all. It's more suspenseful, more thought-provoking, more groundbreaking. That doesn't mean we can't laugh at it. Face it: Mother is just a room of blinky lights, the ovamorphs look like lady parts, the crew of the Nostromo is hilarously reckless, and the chest-burster kinda resembles a demented Muppet.
Kicking off Hot Sauce Steve's 5 weeks of Shat The Movies commissions, "Alien" inspires the Shat Crew to discuss Disneyworld's Great Movie Ride, Ripley's choice in underwear, why dogs are better that cats in space, and sexy milk people.
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With a joke every 10 seconds, "The Naked Gun: From the Files of Police Squad!" is considered by many the Gold Standard when it comes to '80s comedies. The gags are nonstop and forever burned into our brains, but is this 30-year-old movie based on a single-season TV show still funny?
That depends on whether you like jokes about loud urination, tigers mauling baseball players, ballistic missiles driving into fireworks shops, and full-body condoms. We do.
Other topics in this episode of Shat The Movies include the carefree vibe of the '80s, anti-montage parody montages, Ricardo Montelban's cool, Priscilla Presley's performance, what it means to let a joke breathe, and O.J. Simpson: hot or not?
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It's another Shat The Movies horror-comedy, but this time we have an '80s classic. Longtime listener Rob T. reached out from across the pod to commission the 1981 John Landis masterpiece, "An American Werewolf in London."
Big D's the star this week as we get more Ebert Animal Tips for Safety, hear why he thinks the British make the best horror movie victims, marvel at what it takes to convince Dick a film is a comedy, and learn how to use apartment tours to woo women.
In this episode, we also cheer the practical effects (that transformation scene ... woof), wish for a Naughty Nina spinoff, discover what Bob Dylan and Michael Jackson have in common, and uncover the secret messages about Jewish life in an Anglo world. Plus, Gene and Ash conspire to leave their giant co-host behind in the event of a wolf attack.
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Some commissioners present Shat The Movies with films they admire, hoping for low wipe scores and eternal glory in the Pantheon of Shat. Others serve us straight from toilet, understanding their favorite films are turds and deserve a whole roll of TP. Listener Will C. is the latter.
We're kicking off 2022 with "Masters of the Universe," a movie that makes "Star Wars" look like irrefutable science and makes "Conan the Barbarian" feel Oscar-worthy. This one's a real battle between our love of campy schlock and the hard truth that big budgets don't always mean good cinema.
Was the Sorceress perfection or pointless? Should the movie have focused on Earth or Eternia? Was Dolph Lundgren a god or a goober? Is this Courteney Cox in her prime, and how do you pronounce Frank Langella? The Shat Crew debates all this and more while agreeing on one thing: Fuck Gwildor.
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Just as fans feared (or cheered) Shat The Movies slipping into a pattern of covering '90s blockbuster films, listener Ben in Japan commissioned "Ravenous" to close out the 2021 Shat calendar.
This cannibal Western horror comedy set during the Mexican-American War is about as quirky as cinema gets: a soundtrack by Damon Albarn of Blur, a cartoonish mass murderer, gross-out humor mixed with slapstick giggles. But a killer cast including Guy Pearce, Robert Carlyle, David Arquette, Jeffrey Jones, Jeremy Davies, and Neal McDonough keeps "Ravenous" oddly accessible and strangely fun.
In this episode, the Shat Crew discusses the sounds of bagels and blowjobs, gross goatees, flashbacks that lack mystery, the danger of knives, the incredibly opportunity of being a wendigo in the Old West, and whether "Ravenous" is actually an allegory for repressed homosexuality.
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We dedicate this Shat The Movies episode to those who have served in the U.S. Armed Forces and the people who love them. Oh, and Pauly Shore fans who feel horribly underserved by our existing catalog.
You might think "In The Army Now" offends veterans of the Army and Army Reserve. It's irreverent, inaccurate, and inappropriate. But at least one Shat warfighter, The Colonel, finds it surprisingly ingenious.
Among the cheap gags, inexplicable plot holes, and strange takes on sexuality is a movie showcasing a young Andy Dick, a sorta hot (according to Ash) Pauly Shore, and a pre-"Tank Girl" Lori Petty. There are some smarts, like an "Of Mice and Men" allusion, and some flat-out funny scenes, like a hilarious attack on a Libyan SCUD site. How will the Shat Crew ultimately rule on this movie? The results surprised Gene Lyons.
In this podcast, you'll also hear about Big D's experiences in Basic Training, Gene's regrets about not serving, and Ash's queries about the military's water filtration needs. We also cover Dear John letters, Defense Directive 1304.26, and what it means to be "barracks hot."
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Podcast releases don't get any bigger than this: A heroic band of listeners pulled together a special commission marking the massive milestone of 3 million Shat The Movies downloads on the 24th anniversary of the most epic film to hit theaters: "Titanic."
There's no denying James Cameron's grand vision of capturing the Titanic's disastrous maiden voyage through a love story was a huge risk with a huge budget that broke box office records. But is it just a ghost ship with fond memories, or does Titanic's heart still go on?
Ash is moved to tears. Big D spins up a theory on why Jack's responsible for the entire wreck. And Gene's love life gets supercharged by all the feels.
This episode also includes Gene's story of why he guarded "Titanic" more closely than his virginity, Big D's moist recollection of the naked sketch scene, and Ash's celebration of Kate Winslet's beauty, despite Hollywood thinking the leading lady was overweight.
Listen in for all this, plus the greatest Shat musical voicemail we've ever received. You all make us feel like the king of the world.
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Everyone knows about the Marvel Cinematic Universe, but it's time we gave the DC Animated Universe some love. "Batman: Mask of the Phantasm" marked the first time DC put an animated feature into theaters, and it changed the way we'd see Batman on screen for years to come.
This 1993 release was loosely based on the graphic novel "Batman: Year One" and trade paperback "Batman: Year Two," so it had Gene's attention. And Big D watched a lot of "The Animated Series" while stoned in college. Needless to say, the Shat Crew was excited to visit a Gotham City envisioned by Bruce Timm and voiced by Mark Hamill, Kevin Conroy, Dana Delany, Stacy Keach, and Abe Vigoda.
In this episode, Gene and Big D cover lawn sex, Batman's detective roots, what a weak villain The Phantasm was, a weird romance, bad boy billionaires, the real motivation behind Bruce Wayne dressing as Batman, Alfred's horrid lot in life, the secret intelligence behind the Batcomputer, and flashbacks ... so many flashbacks.
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Big D gets all the goosies while Gene and Ash beg fathers to see their daughters as adults in this review of Steve Martin's 1991 comedy "Father of the Bride."
Along the way, the Shat Crew discusses wedding costs, Martin Short, Subaru commercials, jewelry boxes, Keurig vs. Nespresso, paying attention to lyrics, Brazilian swimwear, the need for post-wedding brunch, and Diane Keaton.
Do you need to meet the parents before popping the question? Should you sell tickets to your wedding? When is it time for a father to let go? We tackle these questions and more in this week's episode that strangely ends in a discussion of "Top Gun: Maverick."
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Is everyone fair game when it comes to comedy? What if the person lampooning an oppressed group is a member of that group? Does it change if it's a mockumentary?
Listener Justin M. knew he was stirring up trouble when he commissioned 1999's "Drop Dead Gorgeous," a movie that looked at "Clueless" and said, "Hold my beer."
Kirsten Dunst, Brittany Murphy, Denise Richards, Amy Adams, and Kirstie Alley had Ash and Big in tears with laughter. But Gene was just sad watching the film mock the poor, small-town folk, young women, the intellectually disabled, and people with eating disorders.
In the debate, the Shat Crew also discussed gun culture, gross-out humor, and the original ending of "Drop Dead Gorgeous," which was much, much darker.
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When a longtime listener requests a movie review for her 16th birthday, Shat delivers. This week's commission is the 1992 baseball classic "A League of Their Own." And while it shines as a comedy featuring some of the '90s hottest names and future stars, there's a little dust on this old reel.
The sibling rivalry is a little overblown. The social commentary is a little dated. And the real women behind the tale are overshadowed by some seriously silly storylines. But that doesn't stop Penny Marshall's $100 million hit from being funny, fun, and absolutely memorable.
Reel Spoilers podcast's Kevin R. Brackett joins the Shat Crew this week to talk about our first cars, "A League of Their Own" the TV series, the debutante system, a loss of manners, prison-yard rules, baseball safety, and whether Dottie threw the World Series.
We also test out movie concepts starring Ash, including a post-apocalyptic Little League drama, and debate whether Bill Pullman's character, Bob, was a war hero or just lame.
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Thanksgiving movies are difficult to find, and quality Thanksgiving movies are even more elusive. Thankfully, listener Adam R. gifted us with the underrated 1991 road trip comedy "Dutch," an experience that revealed just how different your Shat hosts are in their approaches to children.
Gene argues sometimes a kid needs to get punched in the mouth. Ash believes there no reason to hit your offspring, and Big D encourages tough love but draws the line at his mother's rug beater.
Along the way, the Shat Crew cheers Christopher MacDonald, appreciates Ethan Embry, and questions whether "Dutch" is a great Ed O'Neill movie or just an OK John Hughes flick. We also discuss Gene's "horny shivers," Big D's teen virility, Christmas stress, how to help people in need, and Ash's first experience with porn.
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In honor of listener Stephanie Q's beloved cat, Priscilla, we review an Australian film that put drag queens on the global stage and opened the door for Ash to educate Gene and Big D on "reading," "spilling tea," and "fishy queens."
"The Adventures of Priscilla, Queen of the Desert" gave cinema a visual spectacle, a new perspective on homophobia, incredible costumes, and tremendous performances by Hugo Weaving, Terence Stamp, and Guy Pearce. But it also telegraphed its big reveal, marginalized characters based on race and sex, and fell a bit flat in its finale.
In this episode of Shat The Movies, Ash provides a history of drag and feminism. Gene declares that anyone doing a drag show while their bus is broken in the Outback deserves to die. And Big D goes on a pro-ABBA rampage while insisting everyone respect Gene's vagina.
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With more than 240 movies under our belts, Shat The Movies finally feels qualified to review the greatest sports film of all time: "Bull Durham."
A young Tim Robbins, a sexy Kevin Costner, and a ripe Susan Sarandon do the unthinkable in this '80s classic: They surface the joy, sensuality, intelligence, passion, drama, and hard truths about baseball, a sport that's drifted into some very dull times.
In this episode, Big D tells us what he believes in. Ash tells us about trying out for Little League, and Gene finds a new role model in Crash Davis. The Shat Crew also recall our favorite minor-league baseball memories and find one tiny flaw in this otherwise perfect film.
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Big D was so conflicted on his feelings toward "Stand By Me" that he took an extra 24 hours to process the Rob Reiner classic before delivering his verdict. It's not a fun movie, per se, but it generated some honest reflection from the Shat Crew.
Gene was reminded of his childhood friendships, his relationship with The King Bee, and adventures along train tracks. Ash lamented Facebook's refusal to let high school acquaintances fade away, and Big D shared how seeing his first dead body changed his view on death.
Also on this episode, the trio discuss whether parents have favorite children, whether Stephen King is a one-trick pony, how to remove leeches, and a theory on Ace Merrill being turned into David Powers from "The Lost Boys." And finally, Ash confronts Big D about rumors he wants her off the podcast.
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Shat listeners were appalled when we gave "The Goonies" more than two wipes. When they hear our "The Monster Squad" score, they might just try casting us into a demon dimension.
This '80s cult classic taught us what a pastiche was, illustrated how to explode a werewolf, and modeled perfect '80s parenting. We also enjoyed foul-mouthed kids, easy-to-remember character names, an outstanding montage, Dracula blowing up a treehouse with dynamite, and a corny thumbs-up that would make Van Damme blush.
Thanks to listener Christian in Perth, Western Australia, for giving us one more monster movie to celebrate spooky season.
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"Goodfellas" changed the game when it came to mob movies, taking us from the fantasy of mafia bosses to the much more mundane lives of foot soldiers. It showed how a man and a woman could be seduced by a criminal lifestyle. And it put Martin Scorsese's cinematic magic on full display.
In this episode, the Shat Crew reveal their favorite scenes from the 1990 biopic and debate when exactly Henry Hill's life went from glamour to garbage. Also up for discussion are Robert De Niro's performance, when a rat isn't a rat, and whether the film's ending was rushed.
And finally, we answer the question on everyone's mind: Is this movie better than "The Godfather: Part II?"
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"John Cusack is for the boys!" as Big D and Gene tackle one of Rob Reiner's lesser-known comedies: "The Sure Thing."
You can imagine where the conversation goes as The Old Men of Shat cover an '80s flick that includes guaranteed hookups, dorm life, the perfect bar, missed sexual opportunities, performance anxiety, romance, and basic economics.
Find out why Gene turned his living room into a drive-in theater and why Shat listeners as far as Australia tuned in to watch a 36-year-old movie through his iPhone. Then call in and let us know how much we suck without Ash.
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Halloween’s coming a little early this year with a bonus Shat The Movies Spooktacular episode! “Scream” is arguably the biggest horror movie in the world, and it came at a time when slasher films were on life support.
”Scream” fans Ash and Big D enthusiastically explain why the Wes Craven powerhouse is so iconic in its embrace and parody of the genre while “Scream” virgin Gene cheers the infectious invitation for audience participation. This is a movie for shatters!
And while it nodded to the classics, this 1996 movie took some bold steps forward: a strong and smart Sidney, who Ash argues is the greatest Scream Queen of all; a new kind of killer for the next generation of horror fans; and a fresh set of rules for future flicks to honor.
Enjoy the rawest audio we’ve ever released as the Shat Crew also covers the Richard Gere gerbil thing, the Underwear Rule, and whether Matthew Lillard deserves his spot among elite slasher personalities.
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Everyone's been waiting for Dick Ebert to review a Wes Anderson movie. Today is that day. Will Shat The Movies' everyman embrace the whimsy and sophistication of "Rushmore," or will our red-blooded podcast elder scoff at the pretentious eccentricity of a wannabe auteur?
Calling Anderson the "Beck of directors," Big D questions whether he hates the "Rushmore" director or hates himself. Ash explains his distinct style of filming, and Gene argues that Jason Schwartzman's Max is a real dick. They all agree on one point: Bill Murray is absolutely wonderful in this movie.
In this episode, the Shat Crew also share a vocabulary lesson, analyze Anderson's use of slow motion, listen while Gene does math, and debate whether Max's stage productions help or hurt the movie overall.
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Everybody knows the scene where Tom Cruise slides out in his tighty whiteys and lip-syncs Bob Seger's "Old Time Rock & Roll," but we often forget that 1983's "Risky Business" is so much more sophisticated than that.
"Risky Business" is about money, growing up, acceptance, opportunity, materialism, friendship, love, and even nihilism. It treats sex workers and transgender people with respect. And it inspired a young Big D to explore his body for the first time.
This one surfaces a lot of stories for a very drunk Shat Crew, including sexual exploits at Disney World, Gene's concert at his mom's house, and Big D's trip to Amsterdam.
We also give advice on negotiating the price of services, the types of lovers to avoid, refractory periods, and the pressures of getting into college.
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Steven Spielberg famously decided to make "Little Giants" after seeing a McDonald's Super Bowl ad and exclaiming, "I want my 'Home Alone!'"
He didn't quite get a blockbuster children's movie, but Spielberg might have been on to something. When you combine Rick Moranis, Ed O'Neill, and a bunch of misfit kids with football and fart jokes, parents can't help but feel squishy.
But Gene Lyons isn't a parent. He also isn't a moviegoer who will tolerate easy stereotypes, inorganic relationships, dumb training montages, or sports movies with trick plays.
Who will win the day in this review? Will it be Ash with her cutthroat views on child performance? Will it be Big D with his football history? Or will it be Gene hatred of storied sports franchises? It's a gridiron clash here at Shat The Movies!
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With her third "Shat The Movies" commission, listener Lisa triggered some really dark memories and icky feelings from Ash, Big D, and Gene. To say reviewing Larry Clark's "Kids" was difficult would be an understatement.
But we're glad we did because watching this landmark independent film reminded us it's just as disturbing now as it was in 1995.
Chloe Sevigny, Rosario Dawson, and Leo Fitzpatrick turned our guts inside-out in their film debuts. But did Harmony Korine write the story he'd been waiting to tell all his life, or is this just a movie meant to scare suburban moms?
In this episode, we discuss rolling blunts, which drugs can actually ruin your life, the '90s HIV scare, how kids actually talk, why we were pulling for Casper, and whether teen girls are victims or young adults exercising their agency.
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Listener Teddy N. noticed a Richard Pryor-shaped hole in the Shat The Movies library and decided to plug it with an underappreciated classic: "Brewster's Millions."
In this episode, we remember a comedic genius in his prime with a knockout supporting cast. We also find out why Big D hates the Mets, who would play a $30 million Shat on Music Festival, and which Mortal Kombat movie is superior.
Along the way, we also quote Mase, celebrate a spicy John Candy, feed Big D all the rules he can stomach, hear voicemail from Hot Sauce Steve and Don Sauce, and read an "Interview with the Vampire" letter that touched our eternally damned souls.
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When people think of inspirational '90s football movies, one sticks out like a very short thumb. That's why inaugural Shat on Fantasy Football League winner Stephen "Happy Harry" Jenkins decided to commission the 1993 Sean Astin hit "Rudy."
Have the years made us too cynical to appreciate the story of an underdog whose greatest achievement was simply getting on the field, or can the Jerry Goldsmith score and a few outstanding performances still tug at our heartstrings?
Gene questions the casting of a creepy Jon Favreau and the decision to fast forward through Rudy's Vietnam years. Ash reveals how to decode the movie using hairstyles, and guest host Kevin Brackett points out the parallels with 1994's "Forrest Gump."
The Shat Crew also discusses Astin's Samwise typecast, explosive foreshadowing, the misery of Notre Dame, and how close this sweet drama is to being a terrifying stalker film.
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The winner of the first Shat The Movies Fantasy Premier League season, listener Nick Cobs, chose as his prize one of the biggest "holy crap!" plot twists of the '90s: "The Usual Suspects."
We all remember the iconic line-up scene and utterly addictive performances by Benicio del Toro, Kevin Spacey, Chazz Palminteri, and Stephen Baldwin (no, not you Gabriel Byrne). But will the Shat Crew hail Bryan Singer's breakthrough neo-noir flick as a smart, stylish ensemble mystery or dismiss it as the Fedora Guy of movies?
Join us as we take another look at the crappy wig, silly heist, gratuitous vengeance, horrible police sketch, and questionable narrators that make "The Usual Suspects" worthy of the Shat treatment.
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In each of our lives, there's a singular moment when you know you've got one shot to get it right: a wedding vow, a eulogy, naming your first born.
For Ash and Gene, this is that moment. "Interview with the Vampire" was the film that birthed them into the Darkness, a love letter to their sacred New Orleans, and the key to their portals of lust.
But fear not, mortals, Big D is here to guide you through the catacombs of this 1994 gothic horror classic, keeping the podcast grounded lest we sink into Death and never surface.
Is "Interview with the Vampire" timeless and immortal in its perfection, or have the years left it disconnected from a confusingly modern world?
Is Tom Cruise truly Lestat de Lioncourt or just a silly little man in a bad wig? And most importantly: Is Louis de Pointe du Lac a "bitch role," or is Brad Pitt the most gorgeously brooding creature on Earth?
To explore these questions, you won't need a crucifix (we're particularly fond of looking at them), just a strong stomach, an even stronger will, and contraceptives to protect yourself from the flood of infernal sex magic coming your way.
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Self-proclaimed John Cusack lovers Ash and Gene were shocked when listener Scott H. commissioned "One Crazy Summer." A Cusack and Savage Steve Holland team-up we'd never seen? Yes, please!
But Big D knew exactly what we were in for: 1986 was his year to shine, a year when everything was coming up Ebert, and this movie took him right back to those magical days.
In this episode of Shat The Movies, we get into the director's gratuitous use of animation, how hard it is for a kid to make $3,000, a debate on Bobcat Goldthwait, the difference between love and being wanted by women, and Demi Moore's singing career.
Big D points out the glaring similarities between "One Crazy Summer" and "Better Off Dead." Gene questions whether the movie is secretly linked to Tori Amos. And we all shrug at logic being thrown out the window.
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Listener Tom in Crane, Texas, had one wish this summer: Give "National Lampoon's Vacation" the Shat treatment. Shat Nation heard the call and crowdfunded this 1983 road trip classic that reminded us of traveling with our families, the first time Big D saw boobs, singing in the car, and American icon Cousin Eddie.
"Vacation" is full of twists, turns, and clever vignettes that inspired the Shat Crew to discuss a wide range of topics, including Dutch Bros. Coffee, how to treat servers, over-planning, desert survival, crappy funerals, and why Clark Griswold is the worst movie dad.
Big D gets wine drunk on "grinot pigio." Ash defends Walter White, and we all agree that Beverly D'Angelo is an absolute MILF.
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It was only a matter of time before Shat The Movies was asked to provide serious commentary on a film adaptation of a John Steinbeck classic. Thanks to brothers Adam R. and Josh R., we're pitting "Of Mice and Men" against "Interview with the Vampire" in the first Shat on Literature challenge.
This week, we question the wisdom of casting John Malkovich as an intellectually disabled giant, how much force it would take to crush a hand, and why commentary on racism was largely removed in the translation from book to film.
Big D confesses he would not be able to resist a hottie in the barn. Gene drools over the misery of tragic foreshadowing, and Ash puts her professor skills on full display.
Other topics include the artsy pigeon, Ray Walston's missing hand, and how having a budget sometimes hurts a piece of art.
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When Steven Spielberg calls, you take the job. That explains the unbelievable cast of 1991's "Hook" and its $300 million box office take. But updating the tale of Peter Pan takes some serious thinking. Now that he's grown up, do you emphasize the nihilism and domestic horror? Or is this a silly kids movie?
In this episode, Ash explains the literary themes that somehow got lost along the way. Gene posits that Dustin Hoffman is the greatest comedic pirate of all time (yes, even better than Johnny Depp), and Big D makes the case for having children.
The Shat Crew also discusses Thudballing, Maggie Smith's reverse aging, Peter's womanizing, Tootles' doomed future, and how the movie did Rufio wrong.
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Most Shat The Movies features can be summed up as “great ideas gone wrong,” but what about a terrible idea gone right? On paper, 1993’s “The Fugitive” sounds ridiculous: A vascular surgeon is sentenced to death but escapes to find his wife’s one-armed killer while diving, punching, and spying his way to freedom.
But sometimes charm, practical effects, a clever script, and non-stop thrills come together to make movie magic. This episode, the Shat Crew had to ask itself, “Were Harrison Ford and Tommy Lee Jones really that good? Was the dam scene that exciting? Was Julianne Moore really in this movie?” Or were we all fooled by childhood excitement and nostalgia?
Big D explores justice versus vengeance. Ash recalls the psychological scars left by the opening murder. And Gene once again asks why the movie’s smart guy isn’t smarter.
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No '80s movie library would be complete without "Red Dawn," the surprisingly violent movie that pitted American high school kids against a communist invasion, debuted the PG-13 rating, and turned Shat The Movies into a warzone.
While Ash and Gene blast the laughably serious performances and meandering plot, Big D valiantly mounts a counterassault based mostly on Cold War hysteria and a cast that includes Patrick Swayze, Charlie Sheen, Jennifer Grey, Lea Thompson, Harry Dean Stanton, Powers Boothe (minus the mustache), C. Thomas Howell, and Ron O'Neal. Along the way, the Shat Crew battles over child abuse, sexual abuse, emotional abuse, and audience abuse.
They also discuss re-education camp security, a deleted "love scene," mystery supplies, and whether "Red Dawn" was a call to arms or an anti-war movie disguised so well as a pro-war movie that it just made American kids want to go to war.
Stay tuned for the wipe scores at the end. Things get bloody.
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Few sci-fi movies are so shat-tacular that people accuse them of sinking the studios that made them, but "Robot Jox" isn't your average movie.
Described by it's co-writer as, "a child who started out well and then sustained brain damage," this 1990 cult classic nevertheless won the hearts of a few rabid fans, including Shat The Movies mega-donor Jon M.
If you like towering mechs doing battle, "Robot Jox" got it. If you like post-apocalyptic worlds, this is the movie for you. Odd wardrobe choices? You bet. Faithful adaptations of Greek epics? Might wanna check with Ash on that one.
From chauvinism to chainsaw wieners to referees who make FIFA look fair, "Robot Jox" really has something for everyone. Plus you get to see the worst use of a stunt double in any major motion picture. Crash and burn!
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I've you've ever wondered why Richard Grieco never made it on the big screen, this 1991 box office flop might be to blame. But was "If Looks Could Kill" really all that bad?
The supporting cast is fantastic, the parody of James Bond films is a lot of fun, the sex appeal is there, and the memorable one-liners keep you smiling.
But this movie is far from perfect. Grieco's face looks rubbery, he's in his mid-20s, and the plot really doesn't make sense. Who sends their kid to France for failing French?
Hear why Ash thinks Tom Cruise is the last true action star, why Gene shaved his arms, and why Big D made a trip to the public library in this edition of "Shat The Movies."
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Shat The Movies super-supporter Emmett is back with a rare genre of film: apocalyptic religious horror pregnancy porn. "The Seventh Sign" features a young Demi Moore playing the most active mom-to-be in cinematic history, Jurgen Prochnow from "Das Boot" playing (spoiler alert) Jesus, and Michael Biehn from "The Terminator," "Aliens," and "Tombstone" once again refused the hero's role.
Big D takes a crash course in Biblical interpretation. Gene begs for a remake. And Ash cringes at the Hall of Souls. Along the way, we also discuss hot fish, why movie doctors don't try very hard, how easy it is to infiltrate an execution, renting rooms to strangers, and how tough the Seven Seals of God should be.
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Oliver Stone gave the '80s and '90s some of their greatest films, so it's about time Shat The Movie dove into his catalog. And what better introductory film than "Platoon," a movie that combined Stone's artistry and military experience in a brilliant reflection on the Vietnam War.
In this episode, Big D and Ash review the movie and the war through personal tales and family history. Gene digs into the social and racial aspects of the conflict, and the Shat Crew celebrates a knockout cast at its best.
Other topics include the definition of masculinity, how to tell combat veterans from glory thieves, and why "Forrest Gump" is overrated.
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Summer vacations, cabin trips, lakeside living, nature walks, and spending time with family are enough to make the most cynical Shat The Movies listener nostalgic. On this Fathers Day recording, we visit John Candy's "The Great Outdoors," a classic '80s comedy that holds a dear place in many a heart.
Brothers Adam, Josh, and John R. commissioned "The Great Outdoors" in honor of their late father and the childhood memories they built with him. Big D related to being a dad. Ash contrasted the idyllic mood of the movie with her own childhood vacations. And Gene was taken back to his summer fantasies of meeting a mean girl in a denim jacket.
Of course, the Shat Crew also covers The 96er, the endless animal gags, Dan Aykroyd's oddly enjoyable performance, and bear dumps. But the real meat of this movie is laughing at jokes and situations that work BECAUSE we've seen them—and lived them— so many times.
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"Back to the Future Part III" is a master class in how to make a time-travel comedy. It's a love letter to Old Hollywood Westerns. And it's the final note in a legendary trilogy.
Guest host Kevin Brackett (Reel Spoilers podcast) joins Ash and Gene this week to discuss the countless callbacks, outstanding action, and brilliant performances that elevated what some consider the weakest of the Back to the Future series.
We get into Christopher Lloyd's puppy-dog brown eyes, the Back to the Future theme park ride, elaborate dioramas, the movie's "Gilligan's Island" tendencies, Gene's Two-DeLorean Conundrum, and a hotly debated ending that involves a small child pointing at his genitals.
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Before Tom Sizemore and Mickey Rourke made flops of their careers, they starred in one of the most epic box office failures of the '90s: "Harley Davidson and the Marlboro Man." Was the world just not ready for an action comedy that played out like a comic book, or is this movie truly rushed and sloppy?
The Shat Crew was fully divided on this forgotten film, but not in the ways you might expect. A few things we did agree on: Don Johnson is a charming S.O.B., Harley-Davidsons are garbage motorcycles, Daniel Baldwin was cheated by the gene pool, and sometimes you need to just let a movie end.
Listener Lachlan H. commissioned this cinematic collection of life advice from all the way down in Australia, reminding us "it's better to be dead and cool than alive and uncool."
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Think you can identify '80s and '90s movies based on descriptions from Big D's elderly Swedish mom? Put your skills to the test with this special episode of Shat The Movies for your chance to win a free commissioned movie review.
How It Works: Simply listen to Big D’s mother describe 5 actors and 5 movies and decode the correct answers. When you think you know the actors and movies enter them in the form here.
Rules: The single entry with the most correct answers will win one free movie commission. If there are multiple entries with the same number of correct answers, one among them will be selected at random. The contest will end Sunday, June 20th, 2021. One entry per person… so choose wisely.
Before there was "Scream" or "Scary Movie, a little movie called "Student Bodies" pioneered the slasher-film spoof. But was it too far ahead of its time, with too few movies to parody?
In Dick Ebert's estimation, "two out of eight jokes" are funny in this 1981 trailblazer that made him laugh as a boy. Gene and Ash think that's generous as the Shat Crew discusses The Breather, jokes about the differently abled, and the magic of Malvert.
Film commissioner Dan in Park Ridge, IL, makes Shat history with this episode, and we discover the racially charged background of the eggplant.
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Most '80s and '90s cop movies are cheesy, unfunny, offensive, unintelligent, or a combination of the four. But 1990's "Internal Affairs" joins "L.A. Confidential" as a rare police drama that delivers on quality and thrills.
Sporting the worst haircuts of their careers, Andy Garcia and Richard Gere spent two hours trading lethal glares, filthy innuendo, mind games, and silky fabrics. Of course, "Internal Affairs" had the typical '90s slow-mo shots and hideous sets, but all that was balanced by a buffet of beautiful butts and some forward-thinking filmmaking.
Care to guess the wipe score before listening? We think you'll be surprised.
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An '80s movie doesn't have to be the funniest, the most dramatic, or the most action-packed film we've ever seen to be important. It doesn't even need to be popular.
Sometimes, a movie just needs to bring families together, give us a few chuckles, and bridge the gap between the young mind of a child and the memories of a parent.
"Johnny Dangerously" isn't Michael Keaton's best-known film. And it isn't the pinnacle of Amy Heckerling's skills as a director. But it's definitely worth watching.
In the edition, the Shat Crew discusses premarital sex, running gags, eyeliner, John Stamos versus Christian Slater, "Gung Ho" versus "Mr. Mom," and whether crime actually pays.
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Some say Paul Newman is the greatest actor of all time. Some say Martin Scorsese is the greatest director of all time. And some say "The Color of Money" is his greatest film.
We are not those people.
But the Shat Crew is mature enough to appreciate a film with sets you can smell, jaw-dropping performances, and the magic of a young Tom Cruise.
In this edition, we discuss how "The Color of Money" influenced other gambling movies ("Rounders," anyone?) and brought out Dick Ebert's inner detective. Ash explores the art of the hustle, and Gene defines the line between games and sports.
Throw in one of the '80s weirdest montages, an unexpected ending, and the ultimate question of money versus pride, and you'll see why this Academy Award-winning film can be both outstanding and outdated.
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Bust out your surfboards and Stunned Mullets, we're going "Back to The Beach" with Frankie Avalon and Annette Funicello! This 1987 parody of '60s movies packed in appearances from OJ Simpson, PeeWee Herman, the casts of "Leave It to Beaver" and "Gilligan's Island," Dick Dale, Stevie Ray Vaughan, and the "two dollars" kid from "Better Off Dead."
This edition of Shat The Movies explores the importance of following through on threats, deal breakers in dating, Big D's mall walking, and East Coast vs West Coast beaches.
Ash and Big D crush Gene's ideas on parenthood while revealing a fear of losing their identities as they age. Dick body-shames beachgoers and Gene explains why you should seek a partner you fear.
Note: Gene survived a car accident 30 minutes before recording this podcast, then proceeded to down a double whiskey.
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We owe you an apology. In more than 200 movies, Shat The Movies somehow neglected to select a film starring Adam Sandler. Listener Steve W. decided to make things right by commissioning the 1996 golf comedy classic "Happy Gilmore."
Hot on the heels of "Billy Madison," this cameo-filled gut-buster hit the ground running without wasting a minute, made us question what it means to be a winner, championed the everyman, and was endlessly quotable.
Who doesn't love to hate Shooter McGavin? Who doesn't love to love Chubbs? And who ever expected to see Bob Barker kick the crap out of the hero?
"Happy Gilmore" was full of surprises in an era when we thought we'd seen it all. It took a boring game and made it exciting. And it taught each of us to find our happy place.
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The '80s gave us two major movies about shrinkage: "Honey, I Shrunk The Kids" and "Innerspace." The former was a wholesome, heartwarming, at times tragic tale of a family sticking together to survive. The latter—a sci-fi jumble of sexy Dennis Quaid, overly complicated tech, annoying Martin Short, and for some reason, a rabbit— is what we're reviewing today.
"Innerspace" mixed impressive visual effects that gave us all warm fuzzies as we recalled our days at the science museum. And the chemistry between Short and Quaid led to some feel-good moments. But when Quaid was in Meg Ryan's body after being in her body, then saw his own overly developed child in her womb ... man, what the fuck?
You probably haven't seen this movie. You probably won't see this movie. But we did. And we're here to tell you all about it.
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We dedicate this episode to The Purple One on the fifth anniversary of his death. And we celebrate “Purple Rain,” a film he made early in his career that encapsulated his essence like a sexy horcrux.
This podcast has it all: snakes with hands, David Lee Roth, Morris Day, on-screen fingering, and a very confused Dick Ebert.
The Shat Crew navigates some thorny issues on this one, including domestic abuse, the lyrics to “Darling Nikki,” and how the hell “Sex Shooter” was ever recorded.
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Long ago, Roger and Gene begged Shat Nation to commission one of their all-time favorite '90s comedies: "Dirty Work." Heeding the call, listener Jack stepped up and demanded Norm Macdonald have his day in the sun. Today is that day.
But things have turned dark for ol' Norm since his one big shot back in 1998. The world has changed. Humor has changed. Artie Lange's nose has changed. Can a movie filled with gay jokes, hooker jokes, jail rape jokes, and hidden-fish jokes still make us laugh? Surprisingly, yes—but with some caveats.
In this Dirty edition of Shat The Movies, Big D revisits the time he spliced porn into "Speed," Ash longs for Adam Sandler, and the crew discover the real reason Gene rescues animals.
Plus, Gene's hit job on frats and sororities backfires, and Big D's everyman roots ruin the Wipe Score.
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Alright, alright, alright — it's time for the movie that put Matthew McConaughey on the map, turned Ben Affleck into a bully, and taught us all to sizzle like bacon. "Dazed and Confused" gave us a '90s indie movie look at 1976 with a drop-dead-gorgeous cast, hot muscle cars, and one-liners that made their way into all of our lives.
This episode taught the Shat Crew a lot about ass-paddlings, high school sororities, and Texas sports culture. And it reminded us of magical keggers, the older kids who helped us fit in, and what it was like to stay up all night with what felt like an eternity of life ahead of you.
Was Wooderson an ephebophile or a righteous dude? Was life in the '70s better than life today? What did Ash do with boys in the Louisiana swamps? Find out in this edition of Shat The Movies.
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Before you watch the 2021 remake of "Mortal Kombat," test your might (and intestinal fortitude) with the 1995 original.
The Shat Crew settles all the big Mortal Kombat questions: Is Scorpion better than Sub Zero? What exactly are the tournament rules? Where did they find these costumes? And is there tea bagging in Outworld?
While Ash praises the thumping soundtrack, Gene gripes about the laughable martial arts, and Big D searches in vain for justice. We also talk trust falls, Christopher Lambert, and cartwheels.
Discover how Cameron Diaz dodged a bullet, why nobody should be afraid of Goro, and who the hell Art is in this special edition commissioned by our Shappy Hour viewers.
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Enough with the comedies! Let’s get back to naval warfare, the threat of nuclear annihilation, and a time when Jack Ryan was played by a young Alec Baldwin. It’s time to dive deep into the Shatty Sea for the Sean Connery masterpiece "The Hunt for Red October."
Dramas tend to age horribly, but there’s something special about this Cold War mix of politics, personal vendettas, epic music, minimalist set designs, and absurdly agile submarines.
Plus, any war movie that keeps Ash’s attention, subdues Gene’s cynicism and doesn’t force Big D to read subtitles is a winner in our book.
“Come on Big D, fly!”
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Man, "feel good" movies sure have changed since 1997. Back then, all you needed was an economically depressed English town, a nasty divorce, body dysmorphia, erectile dysfunction, and attempted to suicide to create a happy-time blockbuster film like "The Full Monty."
Listener Mike H. commissioned this one from across the pond, giving the Shat Crew the chance to discuss Pulp, male strippers, Arsenal, universal basic income, healthy depictions of homosexuality, and the beauty of marriage.
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When listener James commissioned "The Cannonball Run," we had no idea it would be the podcast episode that launched a dozen new Shat The Movies catchphrases: Boobtastic, Optibra, Gene Lyons Nest Thermostat.
This ensemble road-race movie had one goal in mind: laughs. And it delivered like a 100 mph Hollywood Squares orgy. In the end, Ash drooled for Burt Reynolds, Gene was reminded of his uncle's rich scent, and Big D valiantly attempted to explain the Captain USA joke.
We also found a new appreciation for Dom DeLuise, worried about Nearly Dead Dean Martin, wanted more Jackie Chan, danced our hearts out, and fantasized about the Rocky Horror Picture Show treatment this movie never received.
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When it comes to your 200th movie, you can't just go with any old motion picture. You need something mid-80s with a time-traveling teen, a cool car, a wacky scientist, dangerous enemies, and an awkward romance. That's why Shat The Movies is proud to celebrate its bicentennial with everyone's favorite 1985 time machine movie: "My Science Project."
The shat flies fast and furious as we talk about overused nerd tropes, a psychotic Dennis Hopper, adolescent terrorism, T-Rex abuse, and abysmal costuming.
When Fisher Stevens is the highlight of your movie and even Big D can't get into the sci-fi fun, you know there's trouble. Anyone who's been listening for the past 199 movies knows "My Science Project" is prime Shat material.
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What happens when the dad of the podcast is confronted with the rebellious teen of '90s coming-of-age movies? Will Big D spank "Empire Records," or will this record-store comedy remind him of what it was to be a shoplifting adolescent?
Listener Jen D. added to her list of sterling commissions with the movie that gave us Rex Manning Day, scandalous miniskirts, horrible dancing, and a soundtrack that included Better Than Ezra, Cracker, and The Gin Blossoms. The romances and struggles took Ash back to her wild years and made Gene resurrect his inner music snob.
Find out about that thing on AJ's lip, why Corey panicked over a blowjob, and why Big D hates Lucas so much. Oh, and there's some Harry Styles in there for good measure.
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This episode is cursed. You've been warned.
It killed Ash's Internet access, froze all of Texas, put Big D in the hospital, and aged Gene another 40 years.
Do you really want to risk it all to hear The Shat Crew talk about Kirk Douglas' cool, Martin Sheen's hair, bootstrap paradox, the lethality of flare guns, Japanese fighter planes, and Navy dress standards?
Understand that pressing play is a gamble. What you'll gain is questionable maritime knowledge, even more questionable escape tactics, and some listener feedback. What you might lose is your mind.
Man your battle stations, dear listeners. It's "The Final Countdown."
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Years of Shat The Movies debate were finally settled this week when Ash, Big D, and Gene carefully studied the Jamie Lee Curtis striptease in "True Lies." The song playing in the background wasn't "Leave Your Hat On" or "Cream." Ash was right: It's "Alone in the Dark."
This Arnold Schwarzenegger and James Cameron team-up was the first movie with a $100 million budget, reinvigorated Tom Arnold's career, and might be Bill Paxton's greatest role.
The Shat Crew discusses shitty husbands, nuclear fallout, terrorist tactics, when to deliver the punchline, and the unforgettable Crimson Jihad.
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Boobs.
"Species" is a movie about boobs: great boobs, alien boobs, killer boobs, gooey boobs. But the 1995 movie that introduced the world to Natasha Henstridge is so much more. It made Ash and Big D sympathize with a killer alien. It made Michael Madsen try to be an action star. And it turned Gene Lyons into a sci-fi lawyer.
In this edition, we put on our lab coats and dissect the mating habits and menstrual discharge of human hybrids, debate whether inviting a lady to shower is polite or perverted, applaud terrific police work, question laboratory protocols, evaluate the sex appeal of Alfred Molina, and utterly shatter Dick Ebert's optimistic view of the film's end scene.
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We all remember Christina Applegate as the ditzy Kelly Bundy from TV's "Married with Children," but people often forget she did '90s movies, too. Before starring in "Anchorman" and "Bad Moms," a young Applegate went dark and quirky with "Don't Tell Mom The Babysitter's Dead."
Commissioner Brad N. told the Shat Crew to do its worst on this comedy, not knowing it was an Ash Schlafly favorite and just wild enough to entertain Gene. The big question: What will Big D say?
There's a lot to love with this teen movie, including Bernie Sanders as a babysitter, damaged kids, horrible parenting, Scientology jokes, an adorable romance, and sexy villains. Yes, that is David Duchovny.
Ash makes the case that Josh Charles is hot; Gene mourns the loss of another great stoner; and Big D gives us a lecture on responsibility and respect for the dead.
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Jim Carrey scored a perfect 0 Wipe Score with "Dumb and Dumber" and almost did it again with "Cable Guy." Can "Ace Ventura: Pet Detective" keep the streak alive?
Find out why Ace's look gets Ash worked up. Learn about proper dolphin stewardship from Gene. And reminisce with Big D about Super Bowl XXV as the Shat Crew explores the one-liners, physical comedy, and a surprising abundance of sexual situations that made this 1994 comedy a classic.
We also delve into "The Crying Game," how the animals kept still, famous rappers-turned-actors, Courteney Cox's shortcomings, and what a dork Dan Marino is.
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Ash makes Shat The Movies history as we motorboat our way through a star-studded film with the coolest movie poster of 1988: "Tequila Sunrise."
This is a serious movie with serious cops who seriously love peanuts and throwing coffee while sleeping with witnesses and chatting on gigantic walkie-talkies. We've got saxophones, sunsets, swing sets, and more twists than a bowl of Olive Garden spaghetti.
In this episode commissioned by listener Rachel C., Gene decodes the noises old Iranian uncles make. Big D can't decide if the film is stupid or he is, and Ash puts on her scuba suit to explore underwater hot tub sex.
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When we think of the best '90s horror movies, we think of "It," "Event Horizon," "Jacob's Ladder," and "Scream." Nobody ever brings up "The Silence of the Lambs." Maybe they're too scared.
This cinematic gamechanger introduced us to the terror Anthony Hopkins could unleash and reminded us just how sharp Jodie Foster's jawline really is.
In this brothers' birthday gift to listener Jon R., The Shat Crew settles life-or-death questions, including: Why make a skin dress when a "skin vagina" will do? Who approved these action sequences? How did Buffalo Bill kills so many women when he's so bad at killing? Why is society so interested in how people were killed, rather than why? And what was with the anagrams?
Hear the tale of Big D brutalizing a fellow soldier; learn the history behind Precious the Poodly-Poo, and celebrate this masterpiece with some fava beans and a nice chianti.
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Shat The Movies is no stranger to Nicolas Cage movies and teen movies; it was only a matter of time before the two collided in the '80s classic "Valley Girl," a film that stoked our loins and crushed our hopes.
It's something like "Romeo and Juliet"—in that both scripts have characters and things happen—but calling Randy and Julie star-crossed lovers is a stretch. "Valley Girl" feels more like a mix of "Grease" and "Fast Times at Ridgemont High" (another Nic Cage flick), with some painful lingo to spice things up.
Gene was utterly confounded, asking: Do girls really check out boys en masse? Why didn't hippies turn into cool '80s parents? Why do all the characters look the same age? And is Randy a stalker?
Ash set the record straight by letting us know girls don't dance around in their underwear at sleepovers, radio dedications are romantic, New Orleans parents are super chill, and Nic Cage is a good kisser.
And Big D was the biggest fan of all: excited by the seedy side of Hollywood, cheering for the live music acts, and longing to live in a body small enough for car sex.
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On paper, "Boogie Nights" looks destined to fail: A new, 27-year-old director Paul Thomas Anderson gambling on making a period drama about porn ... starring Marky Mark and Burt Reynolds ... based on a short film about a guy named "Dirk Diggler" that Anderson made when he was 18.
But instead of a campy tits-and-ass disco disaster, "Boogie Nights" turned out to be a breakout film powered by picture-perfect camerawork, a mind-blowing soundtrack, a swirl of emotions, and a dynamite cast including Philip Seymour Hoffman, Julianne Moore, Heather Graham, William H. Macy, John C. Reilly, and Don Cheadle.
Seriously, all those people were in one movie that featured a prosthetic dong, crappy kung fu, and bell bottoms.
Ash, Dick, and Gene naturally swooned over this masterpiece of '90s cinema, which brought up conversations about vintage porn, the darkness of the '80s, drug PSAs, Thomas Jayne, and of course that time Ash commissioned Shat the Movies to cover "Magnolia."
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Canadian listeners Denis and Jillian commissioned this year's Shat Christmas comedy, "Trading Places," explaining that it's been their holiday comfort movie for years.
Upon viewing, we're not sure it's a Christmas movie, or a comedy, or particularly comforting. But Trading Places made some bold social statements, helped elevate Eddie Murphy to one of the hottest names in Hollywood and got Jamie Lee Curtis topless.
Join the Shat Crew on this holiday romp as we discuss power suits, the difference between "True Lies" and "The Full Monty," frozen orange juice concentrate, stolen valor, and the horrible disguises of '80s cinema.
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Most Shat films can only hope to be as funny now as the day they were released. "Office Space" might actually have gotten funnier over the years.
That's probably because we're grown-ups now and can relate to commuting, quitting a job, getting laid off, and regurgitating corporate buzzwords.
In this episode, commissioned by listener Don Sauce, you'll hear career advice from Gene Lyons, music advice from Ash, and why Big D will never leave his job.
The Shat Crew also covers toxic positivity, Gene's workplace tantrums, Ash's fear of Y2K, past lovers, and the surprising role Jennifer Aniston played in getting "Office Space" made.
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"The Transformers: The Movie" put us in a very strange position. Should we view the movie as children of the '80s, as adults in a 2020 pandemic, or through the eyes of Gen Z?
And that led to more questions: Why do Autobots turn into cars at the worst times? Is something creepy going on with Rodimus Prime and Daniel? Is Spike the worst dad in the galaxy?
Sometimes, a movie is just meant to be fun and sell toys. Sense of scale doesn't matter. Storylines are secondary, and the deaths of beloved characters just lead to really detailed dance scenes.
"The Transformers: The Movie" had everything: a puckering space butthole, dozens of named characters that basically looked the same, a kick-ass butt-rock soundtrack, Orson Welles, Leonard Nemoy, Judd Nelson, Frank Welker, Robert Stack, Scatman Crothers, and the Micro Machines Man.
As the theme song goes, this one was more than meets the eye.
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Here at Shat The Movies, we pride ourselves on seeing beyond nostalgia, beyond our personal memories, and really asking ourselves, "Does this '80s movie actually hold up?"
That solemn task has never been harder than when Big D and Gene were forced to stare their own childhoods in the eye, tip their sombreros, and honestly dig into "Three Amigos."
With Ash asking, "What is this movie?" and Randy Newman in the writing credits, there were moments Dick and Gene had their doubts: Is Chevy Chase capable of being funny? Was Martin Short the right choice for Ned Nederlander? Is this comedy good or just memorable?
"No!" Big D bravely shouted. "This is a classic movie of sight gags, of talented actors, and ... rich backstories?"
Listen as the Shat Crew wonders who B.J. Novak is, ponders whether Galaxy Quest was funnier, guesses how Billy The Kid would fare in Santo Poco, and spills a little tea in the mix.
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Team Shat is no stranger to Coen Brothers movies, but "Fargo" stands apart for its perfect casting, delicious darkness, and unmistakable backdrop.
Listener Eric J. made Ash's year by choosing this almost-true-crime film that made Big D weigh the pros and cons of living in North Dakota and made Gene recall the tragic tale of a sexually frustrated stallion.
Questions that came up this week include: Would you take the money? Does carrying a gun make you safer or more at risk? What should a pregnant woman eat? And what sets Big D's fighting style apart from a normal man's?
Stick around until the end to hear Ash make Shat The Movies history and listener mail about "Clerks."
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Mention John Cusack, and most people think of "Say Anything," "Better Off Dead," or "High Fidelity," but Gene would argue Cusack's best film is the oft-forgotten "Grosse Pointe Blank," a movie that brought out the best of every actor in it.
Thankfully, listener David from North of England was inspired by the movie's music and painful depiction of a 10-year high school reunion, giving us an excuse to discuss Ash's fear of hotel rooms, Dick's fear of never leaving his home town, and Gene's fear of never being able to go home again.
This episode also explores masterful improvisation by a killer cast, real bonds between old friends, subverted expectations, emotional rollercoasters, teen love, strong women, the makings of great shootouts, and the goddess who is Joan Cusack.
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It's been a while since Shat The Movies covered a John Hughes movie, and this time we're going back to where it all started for the quintessential '80s director: "Sixteen Candles."
This high school comedy cemented the roles Molly Ringwald and Anthony Michael Hall would play for the next decade, and it gave us some of the most iconic scenes in '80s cinema.
In this podcast, the Shat Crew debates girls' underwear, where to draw the line between flirting and harassment, the right number of bathrooms for a house, the importance of birthdays, whether Ringwald is actually pretty, what to do with perverts in the family, and whether the lead man is an asshole.
Ash and Big D discuss penis sizes, while Gene recalls the time he tried to get sexy with a typewriter. Plus, the gang shares its fan fiction on what comes after the candles are blown out.
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"Clerks" put director Kevin Smith on the map and taught '90s kids we all could be directors with just a roll of black-and-white film, a few friends, and a credit card.
The conversations were witty, fast-paced, and perhaps a little too cheeky. The actors were unseasoned and awkward. The situations were edgy for 1994. And buried in all of it was a different style of storytelling that would blossom into the View Askewniverse.
This landmark independent film brought us Berserker, blowjob counts, rooftop hockey, Jay and Silent Bob, and a snapshot of a world somewhere between the unabashed fun of the '80s and the slick production of the new millennium.
If you're a fan of Big D and Gene ganging up on Ash, this is the episode for you.
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The 1978 "Halloween" was a hit with the Shat The Movies crew, so we were overjoyed when loyal listener Tom C. in Texas chose its sequel "Halloween 4" as this year's Spooktacular special.
"The Return of Michael Myers" has everything we loved about the original, minus the spectacular boobs, plus some great '80s special effects. Michael is deadlier. The town is more violent, and Dr. Loomis is a lot more Dr. Loomisy.
Perhaps the scariest part is a look back at parenting in the '80s. Why did our parents let us eat what we ate? Why did they leave us alone when we needed them most? Why did they let us wander around town in the dark on Halloween night, visiting strangers' homes and mingling with adults wearing disguises? Why didn't they make us wear pants?
Really, it's a miracle any of us lived to see 2020. So let's celebrate life by cheering for deaths. That's the true spirit of the season.
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Shat The Movies is proud to complete it's first film trilogy, and what better series than "Indiana Jones," whose original three movies began and ended in the Shatacular '80s.
The Nazis are back, the leading lady is sly, and we are treated to the super, sexy, scandalous, slippery, scientific Scotsman Sean Connery in one of the best comedic pairings of the decade.
"The Last Crusade" gave us back the Indy we love: a grave desecrating, German killing, clumsy nerd who just happens to always come out on top. But it's not without nonsense. The Shat Crew explores inconsistencies in the Holy Grail's legend, problems with the tank scene, and the criminal misuse of sidekicks.
Commissioners Candice and Andy loved the movie so much, they named their daughter Indiana. We hope you'll dig it, too.
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Back in 2017, we awarded "Raiders of The Lost Ark" a perfect wipe score. The magical combination of Harrison Ford, Steven Spielberg, Lawrence Kasdan, and Karen Allen was irresistible and timeless.
But change the writing, change the villains, and change the lead lady, and you wind up with a very different movie in the 1984 prequel—one with xenophobia, ridiculous physics, bloated scenes, and a very different Indy.
Missteps aside, "Indiana Jones and The Temple of Doom" remains a classic with its action sequences, creative set design, quotable lines, lovable characters, and that ultra-fun mine cart escape. Plus, the organ removal, child slavery, and gratuitous body count basically led to the invention of PG-13 Movies.
Is "Temple of Doom" the weakest movie in the "Indiana Jones" franchise, or are Big D and Ash justified in their love for a misunderstood film? Listen and judge for yourself.
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Every child of the '80s remembers "Maximum Overdrive," that cool horror movie where cars come alive and a green goblin semi-truck tries to kill Emilio Estevez.
What we don't remember is how high Stephen King was when he decided to write and direct a film in which guns aim themselves, kids get run over by steamrollers, and aliens attempt to use cosmic broom against mankind.
Still, there's a lot to enjoy about "Maximum Overdrive": the AC/DC soundtrack, a murderous soda machine, truck stop love, newlyweds, Big D's selfishness, and of course the beautifully weird color of '80s blood.
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In a year when seeing concerts became impossible, listener Chris T. commissioned a movie about four teenagers doing the impossible to see the greatest show of their lives: "Detroit Rock City."
You wanted the best? You got ... the Shat Crew talking dead siblings, paper concert tickets, shitty moms, cutting class, dream Volvos, Detroit landmarks, Gene's old band, shaking your wee wee, Amanda Finch, and of course KISS.
Will Shat The Movies give "Detroit Rock City" the respect it never got at the box office, or is it time to acknowledge this Edward Furlong movie flopped for a reason? Time to paint your face, pour some cold gin, crank up the pod, and find out.
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If you love soccer and the world's nicest Nazis, then "Escape to Victory" is the movie for you. Listener Joe T commissioned this World War II POW tale from across the pond, then was kind enough to call in with the most professional voicemail we've ever received.
"Victory" is a movie that proved actors want to be footballers, and footballers want to be actors, and the French Resistance always gets the short end of the stick. Hear Gene's frustration with the shower scene, Big D's disappointment in Pele, and Ash's indignation with butchered French.
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"Fast Times at Ridgemont High" did everything an '80s high school movie was supposed to do. It did it first, and it did it best. The cast of young actors grew up to be some of the biggest names in Hollywood, Cameron Crowe went on to write "Jerry McGuire" and "Almost Famous," and director Amy Heckerling changed America's view of teens again when she created "Clueless."
Find out how "Fast Times" taught Big D about women's struggles; why Ash's mom calls it "the abortion movie," and why Gene thinks shopping malls will make a comeback.
Also ... the bikini scene ... yeah, it still holds up.
Roy Nemerson Articles: https://variety.com/2001/scene/people-news/roy-e-nemerson-1117850384/ https://ew.com/article/1994/06/24/selling-scripts-mean-money-maybe-not-fame/
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"Regulators, mount up!" Few words inspire more '80s Western nostalgia, and few movies manage to mix hot young actors with dusty old history the way "Young Guns" did.
This film about the Lincoln County War has it all: Emilio Estevez in a likable role, Keifer Sutherland looking like a dream, Charlie Sheen being sorta normal. The kill count is high, the complexity is low, and through it all runs a wild vein of '80s teen pluck.
Big D loved the peyote scene but hated Lou Diamond Phillips' performance. Ash turned up her nose at the beginning but bought in by the end. And Gene busted out his gunslinging history books like any good Arizonan would.
Get ready for gratuitous slow-motion, questionable escapes, an unnecessary wedding, and Old West sex. Reap the whirlwind!
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"Fear and Loathing in Las Vegas" might be the movie the Shat crew was born to cover: Gene's a career journalist. Ash launched an entire podcast on addiction and recovery. And Big D really, really, really likes hallucinogens.
So it's no surprise we had a lot to say about Johnny Depp's unforgettable performance as Hunter S. Thompson chronicling an insane assignment at Las Vegas motorcycle race. The surprise came in how much meaning we found—more than two decades later—in a film largely dismissed as disorganized, unfocused, pointless, and immature.
"Fear and Loathing" changed listener Kipp's life enough to warrant a Shat The Movies commission, and it gave all three Shat hosts a lot to think about—even if some of those things were a bloated Benicio del Toro, a balding Tobey Maguire, the deep symbolism of vomit-covered cars, or the many nights chemicals erased from our memories.
Find out what happened to Dick Ebert's clothes, what Ash discovered about adrenochrome, and why Gene wants to remodel in this edition of Shat The Movies.
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Do you love adventure films? Sexy guys and gals on camelback your thing? Do you pine for the golden age of Brendan Fraser’s film career? If the answer to any of those questions is yes, listener Ryan G commissioned just the movie for you- 1999’s “The Mummy.”
In this episode, Big D walks us through how to avoid death by quicksand. Gene swoons over Anck-Su-Namun’s golden painted body. And Ashley pines for Ardeth, face tattoos and all.
Also, the crew talks about the movie’s missed opportunities to weaponize cats (catpacks, anyone?), the benefits of camels over horses, the sketchy motivations of the Pharaoh’s priests, and whether Imhotep is the victim, not the bad guy.
In the end, we ask, “Is ‘The Mummy’ a great movie?” Maybe not. But it sure is one heck of a fun ride on this week’s Shat the Movies.
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Sequels can be hit or miss but return commissioner Adam decided to take the chance on the 1989 sequel to a classic Chevy Chase film, “Fletch Lives.” A critical failure but box office success, “Fletch Lives” revives the role of the costume-wearing reporter as he goes to Louisiana to claim a surprise inheritance.
The movie harkens back to a time of journalism past where reporters made actual money, had company cars, and endless supplies of disguises. From the cover art to jaw-dropping musical numbers, the Shat hosts were surprised by many of the movie's turns including totally underappreciated actors, completely incorrect accents, and a seemingly angry leading man.
Big D, Gene, and Ash try their best to answer the many questions “Fletch Lives” leaves with its viewer. Was any woman in this film attracted to Chevy Chase? Does God want his followers to worship him by going to amusement parks? And was Fletch fooling anyone with those get-ups? Discover the answers to these questions and more as the Shat crew goes down South on this episode of “Shat the Movies.”
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In 1999, the world stood on the brink of massive change: a new millennium, a new reality, the future of our dreams sitting right on our doorstep. Big D had just joined the Army. Roger readied himself for deployment to sleep away camp, and Mister C was just a boy. On the horizon, launching movies into a new era, was "The Phantom Menace."
Star Wars' first film after 16 years frozen in carbonite was a prequel, and nobody thought to question at the time what a strange paradox we were about to experience. Episode I promised to show us how it all began by adding big-name actors, mind-blowing computer effects, and exciting new characters.
And while that promise was fulfilled, "The Phantom Menace" also opened a sarlacc pit of missteps—inconsistent Jedi powers, an unsatisfying Anakin Skywalker, reckless parents, an abused C3PO, unnecessary characters, and the hyper-animated elephant in the room: Jar Jar Binks.
How could a movie with such rich lineage stumble so horribly out of the gate? The cringe-worthy love story, impotent Jedi council, confounding battle scenes, and objectionable politics hit us out of nowhere, overshadowing a valiant performance by Liam Neeson and betraying other success stories in the Star Wars franchise.
Any movie worthy of Fan-Tom Edits is worth of the Shat treatment, and our crew was up to the job. With lightsabers bright and prospects dim, let us begin the Star Wars saga where it started ... before it started ... again.
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We all know the "Adventures in Babysitting" cover art, but do you really know what this 1987 comedy is all about?
It's Elizabeth Shue at her feel-good-movie best. It's also the major motion picture version of an afterschool special about the dangers of the city. It might even be an attempt to lampoon the fears of '80s suburbanites.
Putting Christopher Columbus' box office debut under the Shat microscope reveals a lot of things: like a horribly miscast Vincent D'Onofrio, a hidden hero, and the fact Big D no longer likes fun.
This anniversary gift of a Shat The Movies episode takes us back to a simpler time when Playboy magazines were the center of young boys' world, girls pretended their hairbrushes were microphones, Thor didn't need big muscles, parents partied in skyscrapers with open windows, and blue clubs catered to teens who couldn't dance.
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These dark times call for dark movies, and '80s comedies didn't get any darker than "Heathers." The Winona Ryder and Christian Slater box office flop found a way to laugh at teenage suicide, bulimia, date rape, homosexuality, religion, hypocrisy, cynicism, sex, and murder in a way that made Big D blush.
Gene Lyons and Ash Duke join Shat The Movies to relive their high school years, forced emotional outpourings, and Shannen Doherty's face on this episode commissioned by longtime listener Dan Fletcher and spooky podcaster Carmelita Valdez McKoy.
How did Stanley Kubrick impact "Heathers"? Was the pep rally scene inspiration for "Smells Like Teen Spirit"? Why did young Ashley own a monocle? And most importantly: Is Heathers a truly groundbreaking film or just a cult classic. Find out in this week's "Shat The Movies."
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Can a movie based on commercial relationships be so bad, it's excellent? That was the question posed by Jim B & family when he commissioned the 1988 rip-off of ET, #MacAndMe.
Big D uses a sick day, so Rog invites his cohosts of @TheFloridaMen, Benny & Mister C to review the film that Paul Rudd turned into a cult classic through his numerous appearances on the Conan O'Brien Show.
Benny admires the interior decorating skills of the young alien while filmmaker Mister C theorizes MAC's alien race went extinct due to vacuum cleaners. All three hosts feel cheated that neither Ronald McDonald nor the San Francisco 49ers showed up to their birthday parties.
So, sit back, grab a straw, and enjoy the healthy products of our corporate overlords. It's the latest episode of STM.
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Could the best adaptation of Jane Austen's "Emma" be the version that explores the lifestyles of over-privileged rich teenagers living in Beverly Hills during the mid-90s? That was the question raised by listener Sarah L when she commissioned the 1995 hit comedy, #Clueless.
Ash joins Rog & Big D to break down the film that defined fashion trends throughout the decade. Ash fawns over Amy Heckerling's screenplay and the new direction of teen movies while Big D questions whether Cher's manipulation methods create an unhealthy double standard when it comes to gender roles. All three hosts get lost in the nostalgia of the soundtrack.
So, let's hop in our Jeep, kiss our ex-stepbrother, and head to the valley for a ragin' house party...it's the latest episode of STM.
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If we sealed 90’s pop culture in a time capsule and opened it up 30 years later, the result would be a VHS tape of the 1992 film, #WaynesWorld. As a birthday present to himself, listener Steve W commissioned the that inspired numerous comedies throughout the decade. Classic features like “It’s Pat” and “Stuart Saves His Family”…..NOT!
Rog & Big D record from their Mom's basement studio while reacquainting themselves with early 90’s vernacular such as “Schwing,” “Party On,” & “Ass Sphincter.” Big D revels in breaking the 4th wall while Rog gives credit to the real hero of the movie: Director Penelope Spheeris. The OG Shat Duo share personal stories of how Wayne's World inspired them to find each other and create an underground entertainment show.
So, let’s hop in the MerthMobile & crank up the volume on Bohemian Rhapsody, it’s time for the latest episode of STM. Party time, excellent!
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Teenage coming-of-age films saturated the 80's box office, but only one combined an oversexed virgin, wrestling singlets, and Madonna: #VisionQuest. Long time Shat the Movies listener Nelson commissioned the 1985 film that some have described as "Rocky w/ Nosebleeds."
AEW Wrestling Superstar, QT Marshall (aka Mike Cuellari), accompanies Rog & Big D to breakdown Louden's journey. QT explains the insecurity of being in the ring wearing underwear while Rog finds himself strangely attracted to State Champion, Brian Shute. Big D rewrites the ending to lead into a much darker sequel. All three hosts wish they had a father figure like Elmo in their life.
Zip up that sauna suit and let's go for a run, it's the latest episode of STM.
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We all agree that these are pretty turbulent times. Appropriately, it was with great anticipation that we circled our calendar for the 1994 Oscar-winning juggernaut, #ForrestGump. Commissioned by listener Joshua R, the film that solidified Tom Hanks as an American Icon was a welcomed respite from the cynical nature of today's movies.
Kevin Bracket of Reel Spoilers joins Rog & Big D on a nostalgia trip through what some have called "a baby-boomer version of Disney's America." Kevin swoons over the double-disc soundtrack while Big D questions whether the song selections were too "Randy Newman-like" for his taste. Rog discloses his desire to go forth on an adventure with just his thoughts. All three hosts proclaim Sally Field deserved an award for her performance.
So, lace up those tennis shoes and take a piece of chocolate from the box. It's time for the latest episode of STM.
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When it comes to cult musicals, we typically think of Rocky Horror Picture Show, Little Shop of Horrors, & This Is Spinal Tap. However, a little film about the T-Birds, Pink Ladies, and overt references to sexual intercourse has quietly become a new generational cult movie. No...not that Grease, we're talking about Grease 2!
Listener Mike from Norfolk is part of that new Rydell High School crew that stopped hand-jiving and started bowling. He even went so far as to build a replica of the "Cool Rider's" Honda Scrambler. It was fate that he commission Shat The Movies to review his favorite obsession.
Fellow Grease 2 enthusiast, Ash joins Roger & Big D to debate whether the sequel is better than the original. Ash swoons over the empowering female character of Stephanie, while Big D explains the rules of being a Pink Lady. Rog discounts Ash's favorite song as nothing more than a B-Side recording from Meatloaf. All three hosts cringe during the "Let's Do It For Our Country" performance.
So, put on a leather jacket without a shirt underneath and get ready to jump the luau pool. It's the latest episode of STM.
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When you want a hitman, you hire the best. When you want a review of your favorite 90's film, you hire Shat the Movies(?). That's the conclusion Mike from Quincy reached when he commissioned the 1994 English-language French action thriller, #TheProfessional.
Shat on TV's Rookie of the Year, Ashley Schlafly joins Roger & Big D in Little Italy to follow a reserved Jean Reno, a sadistic Gary Oldman, and a younger-than-we-remembered Natalie Portman in a movie that was robbed by "Wild Reeds" at the 20th Cesar Awards.
Ash explores the complexity of Matilda's relationship with Leon while Rog explores the purity symbolism of milk in classic cinema. Big D asks the question: "Is Leon slow, or is he just foreign?". All three hosts swim in the uncomfortableness of that scene with the dress. You know the one.
So, let's head to the corner bodega for two quarts. It's the latest episode of STM.
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Listener Scott O was disappointed to see #RepoMan (1984) excluded from the Pantheon of Shat. As a result, he mailed in an envelope of money initially earmarked for his son's graduation to hear the Shat Crew review the coming-of-age film for suburban white punks.
Rog and Big D steal a 1964 Chevy Malibu and cruise the streets of Los Angeles, searching for hidden messages of a movie that's best known for its surreal overdubs of profanity when broadcasting on basic cable. Rog praises the training program at Helping Hands Acceptance Corporation while Big D confesses his addiction to watching tow truck repossessions on YouTube. The Shat Duo both respect Miller's quest for the truth concerning extra-terrestrials.
So, strap on your most oversized earrings and cue up your favorite punk album as we travel to the United Fruitcake Outlet for the latest STM episode.
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With previous reviews of The Big Lebowski and Dumb & Dumber, STM listener Jake V felt the timing was right to commission the 1996 Farrelly Brothers' gutterball, Kingpin.
Rog and Big D embark on a road trip through a memory montage that transports the duo to a simpler time when the local bowling lanes were as greasy as the snack bar pizza.
Big D reminisces on his time spent in junior bowling leagues. Rog recollects the time Amish teenagers tried to lure him into an abandoned Pennsylvania cabin. The OG shat twosome fawn over the embodiment of coolness, Bill Murray.
Plus, we explore proper ball fitting, prosthetic hand attachments, and whether or not Chris Farley would have been a better Ishmael. These topics and more in the latest episode of Shat the Movies.
p.s. - Do you have thoughts on ANY of our past movie reviews? Can you change our mind on a previous Shat score? We want to hear from you! Send us an email to [email protected] or leave a voicemail at 914-719-SHAT. Include "The Drop Box" in the title.
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What would be worse? Getting attacked by a 16-foot crocodile...or enduring a cross country road trip while listening to the entire back catalog of Shat The Movies? This question was raised by a Canadian couple, Andrew & Sarah C., as part of their commission review of the 1986 hit, Crocodile Dundee.
Roger, Big D, & Ashley embark upon an adventure into the rugged outback of the Northern Territory to review the movie that Aussie listener, Bruce describes as "...pretty accurate, for the most part."
Rog finds comfort in the cultural similarities of his Floridian childhood, Big D explains the meaning of "Stubby Holder," and Ashley longs for the days of adventure journalism delivered in a tangible newspaper. All three share their encounters with Aussies in the wild.
Plus, we examine high-fashion of the '80s, how to be #Crocwise, and which Shat Host could survive a 56-day walkabout in the bush of what Big D calls "Tropical Canada."
p.s. - yes, we know Roger screwed up the story of Rod (not Ron) Ansell. C'mon, though...it's Roger...what did you expect?
Be #Crocwise https://nt.gov.au/emergency/community-safety/crocodile-safety-be-crocwise
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We’re heading down to Arkansas for some french fried potaters and off-color street jokes as the Original Shat Trio review Billy Bob Thornton’s magnus opus, Sling Blade. The 1996 Academy Award Winner is the 3rd commission from long-time listener, Greg R.
Gene reminisces about small-town living, Big D questions the pacing early on, and Rog petitions Hollywood to send him the stylist responsible for BBT’s post-Sling Blade “glow-up”.
So, Spread some on mustard on your biscuits and join us for the latest installment of Shat the Movies.
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Can you fly, sucka? It’s time to load up our 1980’s era Japanese pick-up truck with vault poles and fishing dynamite as we head to the desert town of Perfection, Nevada for the scariest game of “hot lava” with giant landshar—um—graboids.
As a birthday present to himself, listener Mac E commissioned the 1990 cult horror-comedy film, Tremors, that spawned SIX(!) direct-to-video sequels as well as a short-lived television show.
Ash LeBeck joins desert natives Gene Lyons & the King Bee as they explore Kevin Bacon’s sex appeal, the town economy, and earthworm anatomy. Additionally, learn why the studio delayed the film for 2 months, ensuring Tremors would be played on basic cable for the next 30 years.
After the review, be sure to stick around for some of the strangest shat-outs we’ve ever received. These topics, and so much more, on this week’s episode of Shat The Movies.
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Get ready because the Shat crew is going international for the first time. Listener Lisa sent in a very persuasive email that convinced us to take on the 1995 French science fantasy film, The City of Lost Children, our inaugural foreign language review.
In this episode, Ashley defends the decision to let her children watch this movie, even if it makes them weird. Gene pines for an alternate life in New Orleans and using his French classes, and Big D talks about the recurring problems with his dreams.
We also break down the music and style choices, the attention to detail from set-pieces to the casting of the child actors, and why this movie should never be remade by an American director.
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Before James Cameron set sail for Hollywood history with Titanic, he almost sank Kathryn Bigelow’s directing career with the giant iceberg of a box office failure, Strange Days.
Listener, Mike S, commissioned the Shat crew to finally answer the question: “How could a movie that accurately predicted America’s collapse into social inequality, police brutality, and obsession with living other people’s lives through technology have failed at my local theater?”
Ash 'Mace' Mason makes her Shat the Movies debut with Gene & Roger as the trio explores Y2K death cults, questionable casting choices, and how much screen time we should give to sexual assault.
Put on your SQUID wig, pop in that Sony Mini-disc, and “jack-in” for the latest STM episode.
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When we recorded this episode, the Coronavirus pandemic had just begun. Four weeks later, listener Jeremy’s commission gives us the timely 1981 post-apocalyptic Mad Max: Road Warrior. In this episode, Gene points out the worst choice of vehicle in a gas shortage. Big D talks driving on the wrong side of the road, and Roger talks Mad Max tinfoil.
Additionally, we discover the science of boomerangs and their connection to a lonely childhood and answer the question of who from the pod would be whom if cast in this movie (beyond the obvious choice of Big D as Lord Humongous).
And, to wrap it all up, we get in a goodbye to every listener just in case the virus overtakes us all before we hit publish.
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You’d be hard-pressed to find a movie critic or cinema-goer that doesn’t love or at least respect Saving Private Ryan. From its iconic opening depiction of D-Day, this is unlike any war movie we’ve covered.
Listener JE Urseth commissioned this 1998 WWII classic to honor all servicemen and women and as a special tribute to his grandfather who served in the Pacific. From the start, Big D and Gene talk about the inspiration they found from the film to serve their country, and Roger talks about his one call back from the marines.
We cover the complexities of war, the film’s violent depiction of battle, and a missed opportunity for a Garth Brooks’ cameo. Roger asks Big D to explain how to blow up a bridge. Gene calls out Spielberg’s sentimentality, and Big D explains the secrets soldiers tell one another in the dark.
We also ask what morality looks like in wartime. What would have happened if Tom Sizemore had not destroyed his career? And did Private Ryan make the right choice at the movie’s close?
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Out of all the board games we played as kids, who would have thought Clue would be the one to produce a movie with a two-hour run time. But this ensemble comedy stands as an example of a film where a group of comedians find a way to share the spotlight equally.
This 80’s classic is so beloved that not one, but two listeners donated their hard-earned dollars to hear us take on the 1985 flick, John S. and Miguel F. While this love is echoed by Gene and Roger, Big D isn’t sold that this is more than just an extended commercial for the game.
In this episode, Roger uses his experience as a high school thespian to analyze the script. Gene talks being sexy to the point of absurdity, and Big D defends Yvette’s honor. We also explore the dangers of living in big houses, making out with dead bodies, and which ending is the most fitting for this cult classic.
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We all love Dick Ebert, but giving him what he wants isn't always the best idea. Big D is a man of strange appetites who suffered through a childhood that left him wishing he could travel time to make friends. And his obsession with "Timerider: The Adventure of Lyle Swann" was bound to end in disaster.
Listener Shawn Green generously commissioned this review of the 1982 sci-fi cult classic as a gift to the Shat Crew. Gene was pumped to see Lyle Swann's sweet Yamaha motorcycle in action. Roger was excited to compare yet another movie to "Star Wars," and Dick yearned to be reunited with Belinda Bauer, the subject of his first self-stimulation experience.
What followed was a lesson in woman-on-man sexual assault, the creative genius of Mike from The Monkees, a bizarre skinny-dipping scene, some incredibly bad marksmanship, terrified Mexicans, and every kind of causal loop wrapped into 100 minutes of film powered by 30 minutes of actual material.
It's weird. It's wild. And it's perfect for Shat The Movies.
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A lot of love went into this "Shat The Movies" episode. And a lot of love was lost.
Listener Danny Jr.'s wife lovingly commissioned "Spies Like Us" as a ninth anniversary gift. And Danny Jr. lovingly dedicated it to his late father, a double-VCR-owning pioneer. And we love the love they share.
But love can be a fickle thing, especially when it comes to Chevy Chase. Roger adored him in "Christmas Vacation," and Big D cheered him in "Caddyshack." But "Spies Like Us" is the movie that broke the Pakistani camel's back.
Where was the funny man we know and love? Why were women acting like Chevy was attractive? What happened to his hair?
Even a young and hirsute Dan Aykroyd, a stoic and steely Steve Forrest, a shapely Vanessa Angel, and cameos galore couldn't deliver this movie that was written for comedians by comedians.
In this episode, the Shat Crew discusses what they'd do with their last minutes on Earth, the Fart Shift Eye Transfer, U.S. foreign policy, military training, the Florida woman who bit a camel's testicles, and why Paul McCartney is the worst.
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That screaming eagle of freedom you just heard is Big D's patriotism soaring through the wild blue yonder alongside the biggest, baddest, ass-kickingest presidential conveyance of all time: "Air Force One."
Listener Jim Hamilton got drunk and commissioned this 1997 Harrison Ford cheesefest that pits love of nation against love of family. It's a movie that freedom flexes in the face of reality and tells American diplomacy to take a hike. There's magical parachutes, impossibly stupid air tankers, a criminal waste of an amazing cast, and an endless parade of tactical errors.
Hear how 2020 presidential candidates would do if their planes were hijacked, learn Farsi with Gene Lyons, explore the reality of military flight with Big D, and get wrapped up in Roger Roeper's love of Han Solo.
Is it "Die Hard" on a plane? Is it "The Fast and The Furious" of the skies? Were we supposed to side with Gary Oldman's Egor Korhsunov (seriously, he was kinda right)?
Pop in your earpods, grab a cold Bud, and buckle up for "Air Force One."
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"Dumb and Dumber" is the king of '90s comedies. Undisputed. End of discussion.
But many moviegoers forget this 1994 screwball comedy is the film that put the Farrelly Brothers on the map and cemented Jim Carrey as the dominant comedic star of the decade.
In this Best of Jim Carrey edition of Shat The Movies, we examine all the little touches and big ideas that put "Dumb and Dumber" head and shoulders above every idiot road trip movie that came before or after: jokes that get better with Google, a brilliant script that took two years to write, the Big Gulp scene, family bonding moments, the definitive '90s soundtrack, and a cast that included undiscovered comedians just waiting to shine.
Learn about Brazilian motel sex from Big D's wife, explore moped magic with Gene Lyons, and celebrate Roger's first LOL since "Spaceballs." We also detail the unedited Sea Bass restroom scene, discover what a Felcher is, Shat on Fast Food, and finally answer "Who's Dumb and who's Dumber?"
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Listener John Enright asked Shat The Movies a year ago to put the Best of John Cusack up for a vote. Then he waited month after month and heard nothing: no "Say Anything," no "Grosse Pointe Blank," no "Sixteen Candles."
Fed up, Enright decided to grease the skis of justice with some hard-earned cash and three words everyone had been dying to hear: "Better Off Dead."
Big D nearly fainted. Gene Lyons squealed. Roger asked, "Is that the one with the boombox?"
"Better Off Dead" truly is a movie that would not get made today: a little-known short-film director named Savage Steve casting an obscure young actor in a lead role about teen suicide, featuring Korean drag racers who only speak Howard Cosell, possible exchange student sex slavery, and stop-motion dancing hamburgers? What could be more '80s?
This warm blanket of nostalgia took us back to Dick Ebert's childhood memories of collecting G.I. Joe Flag Points and throwing piss bombs from his third-floor video gaming nest. And it unearthed Roger's woeful tale of the breakup that ruined him for life.
Meanwhile, Gene tells listeners why jumping is a terrible way to kill yourself and Old Man Dick Ebert rails against paperboy Johnny and his quest for $2.
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It only took 3 years and 108 days, but long-time listener Gillian J. finally commissioned the 1991 movie that asks the question: “Is a light-hearted comedy really the best vehicle to explore the effects of childhood trauma & schizophrenia?”.
“Drop Dead Fred” tells the story of Lizzie (Phoebe Cates), an out of work court reporter that dresses like an evangelical missionary, experiencing a mental breakdown after she catches her uncomfortably-older husband, Charles (Tim Matheson) cheating on her. Charles’ infidelity causes Lizzie to spiral out of control, unleashing her childhood imaginary friend, “Drop Dead Fred” (not Yahoo Serious), after which further chaos ensues.
The Shat Trio explores all the issues you care about. Gene pontificates the virtues of the film if it had been completely recast and took a more sinister approach. Next, Roger dives into whether or not “Drop Dead Fred” is a demon or a just a Tyler Durden for young women. Finally, Big D outlines his plan of action if Emma starts blaming imaginary immigrants for spreading cat poop over the sofa.
These topics and more in the latest episode of Shat the Movies.
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It’s that most wonderful time of year, when hundreds of people flock to a small western Pennsylvania town for the excitement of watching a large squirrel predicting the weather. In honor of our favorite rodent related holiday, Shat The Movies is re-releasing it’s own version of “I Got You Babe” with our review of the 1993 Bill Murray cult classic: Groundhog Day.
In this episode of Shat The Movies:
So put on your winter clothes and meet us in Punxsutawney, it's time to do the Pennsylvania Polka!
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What would an '80s podcast be without the ultimate buddy cop movie? "Lethal Weapon" blew our minds in 1987 and blew the doors off box offices. Listener Bryan Fong commissioned this stereotype-shattering killing spree of a flick that spawned a franchise of three sequels and a TV series.
Growing up with "Lethal Weapon," the Shat Crew never doubted the magic between Mel Gibson and Danny Glover would hold up over three decades. But we had forgotten about the awesome vintage boobs, Vietnam allusions, creep family bath time, and gratuitous sexy saxophone.
Hear Gene Lyons' "Legend of Shovelface," learn Roger Roeper's tips for taking dick pics, and experience the sheer joy Big D gets from the greatest on-screen duo of all time. You're never too old for this shit.
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"The Explorers" had everything an '80s kid could want in a movie: three buddies building a spaceship from a Tilt-A-Whirl, magical computers, teenage aliens, and cool special effects from Industrial Light and Magic. What this 1985 sci-fi adventure lacked was enough time to fully develop.
"Gremlins" director Joe Dante was forced to rush an unfinished film to theaters, dooming an otherwise promising project that starred future superstars Ethan Hawke and River Phoenix. What we got was a movie that's both classic and catastrophe, mixing innocent dreams with eerily sexual spacemen.
Shat The Movies listener James B. commissioned "The Explorers," giving the Shat Crew runway to talk about Big D's Radio Shack shoplifting, Gene's discovery of Catholic sex, King Bee's online harassment skills, and Roger's knowledge of Brazilian Space AIDS. We also recall our failed childhood inventions, including bungee jumping with sewing supplies.
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Listener Brad Nicholas noticed "Shat The Movies" had never done a Chris Farley movie, and he decided to do something about it. To honor a comic genius who died too young, Brad chose "Tommy Boy" as his commissioned film.
It's a movie critics have called "dumber than 'Dumb and Dumber'" and "written by three writers locked in separate rooms," but no child of the '90s can resist quoting every memorable line, dancing to "fat guy in a little coat," or doing the housekeeping voice.
This movie showed us Bo Derek still had it going on and Brian Dennehy could be a lovable dad. And it revealed Big D is a grumpy old man who wanted David Spade to be the hero.
"Tommy Boy" takes us back our golden years, when factory work in Ohio was fun, road trips could happen without planning, and movies could have perfect endings. It unlocked tons of tales from the Shat Crew, including:
Check out Ashley's podcast, "No Need to Argue" https://twitter.com/noneedpod
Help Gene with Hunters of Avalon www.huntersofavalon.com
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Do you remember your first DVD? "Shat The Movies" listener Ken C. does. And he forked out the dollars to share it with you.
"Ronin" was a throwback movie even on the day it was released, feeling more like 1968 than 1998. It was prime Robert De Niro before he started his string of comedies, and it was legendary director John Frankenheimer's final picture, an ode to all his car-chase spectaculars that came before.
Reverence for a bygone era aside, the Shat Crew couldn't help but notice some bumps in the picturesque French roads of "Ronin." Abundant MacGyver tricks, rampant Michael Bayisms, questionable Irish accents, Teflon bullets, and dad-fashion euro dudes.
If ever Dick Ebert sparkled on the "Shat The Movies" review, "Ronin" was it. Big D shares Army stories, breaks down the epic ambush scene, mourns Princess Di, and cringes at French police cars too small to fit his 6'7" frame.
Here's to a movie that threw CGI aside, illustrated the beauty of France, and said farewell to one of the greatest car-chase directors of all time. Enjoy.
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Leave it to an Aussie living in Canada to commission the most anti-intellectual American truckerfest we've ever covered on "Shat The Movies." Listener Fabian threw in his hard-earned green stamps to request "Over The Top," Sylvester Stallone's 1987 attempt to recapture the magic of "Rocky."
Rotten Tomatoes shat on Stallone's attempts to make a movie about arm wrestling that reveals a deeper tale of father-son bonding. But we see the beauty in this old rig, as Roger recounts stories of his truck-driving father, Gene drops some military school knowledge, and real-life daddy Big D frets about child safety.
The Shat Crew also discover what ram-raiding is, explore arm wrestling tournament rules, gasp at the gratuitous product placement, and rock out to a killer soundtrack that includes Kenny Loggins, Sammy Hagar, and synth community darling Giorgio Moroder.
Plus, hear Roger Roeper's theory that grandpa Jason Cutler (Robert Loggia) actually is a drug kingpin. And get Gene Lyons' review of the questionable fashions on display as he and Roger haul cross-country for love, victory, and a void where their dads used to be.
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"Shat The Movies" voters have spoken, and the holiday movie they most wanted to hear in 2019 is "The Santa Clause." Take a magic sleigh ride back to 1994, when Tim Allen was the king of TV and you could still fat shame in the workplace.
Listen as the Shat boys discover the true meaning of Christmas, Big D laments the demise to Black Friday, Gene recalls phreaking phone sex lines as a 12-year-old, and Roger yearns for the era of bungling police in feel-good comedies.
Other topics include the magic of Denny's, St. Nick's occupational hazards, elven uprisings, how Tim Allen changed our hearts, how Bill Murray passed on the role, and how Bernard the Elf grew up to direct porn. Sorta.
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WARNING! Shat The Movies has hit peak adorable, just in time for the holidays, with its first kid-friendly episode: "The Nightmare Before Christmas."
Listener Emmett in Orange decided to reach across the globe to play Santa after hearing young listener Brody calling in from Belfast, Ireland, with one precious question: Is "The Nightmare Before Christmas" a Christmas movie or a Halloween movie?
With that, Emmett gifted Brody a Shat The Movies review of the Tim Burton's stop-motion masterpiece and set in motion the most heart-warming winter miracle we've ever witnessed on the podcast. It made Roger clean up his language, made Gene watch a kids movie, and made Big D update his holiday film collection with something more recent than 1970.
But this review isn't all holiday cheer. The Shat boys uncover hints of racial exclusion, questionable lyrics, underrepresented holidays, and an obvious lack of a quality screenplay.
You'll also hear Dick's idea for a new Hasidionistic musical, "The 8 Days Before Mardi Gras" and find yourself asking if this movie wouldn't have been better as a Beetlejuice holiday special.
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Christmas comes early for Gene Lyons as listener David Petsolt commissions "Bram Stoker's Dracula, the movie that changed the way we see vampires and ruined Keanu Reeves for the better part of a decade.
Francis Ford Coppola's insistence on old-school practical effects, combined with Gary Oldman's intense portrayal of The Count, give this movie and undeniable creep factor, but obviously fake backdrops and silly facial hair are too much for Big D to ignore. As Roger and Gene reminisce over what the vampire orgy scene did to their pubescent bodies, Dick balks at cheesy filmmaking and weak female characters.
The Shat boys discuss absinthe, 19th century fashion, werewolf sex, Tom Waits, and love. Oh, and Gene gets naked in a sleeping bag.
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Shat The Movies listener Ash 'TJ' Partridge is better to us than we deserve. When we're stumped by a movie, she explains it in the context of literature and history. When we're perplexed by a TV show, she's there to save the day. Ash is a die-hard Shatter, and even made us the godparents of her child.
So when she asked us to do "Magnolia" for her husband, Tom, we jumped at the chance. Even though our recording setup stopped working, and Gene caught a sinus infection, and Rog felt too dumb to understand the movie.
Paul Thomas Anderson's epic tale of intersecting lives and compassion was the result of a studio being wise enough to say, "Boogie Nights was dope. Do whatever you want, and hire all the badasses in Hollywood." But does it focus too much on the woes of the privileged or rely too heavily on death as an emotional catalyst?
Hear why Roger and Gene are afraid of parenthood, why the film's enigmatic rap makes little sense, why Persian moms hate long movies, why Big D thinks bad people make good movies, and how Osama Bin Laden's treachery may have led to Shat The Movies' creation.
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Want the Shat Crew to really invest in a movie review? Give us something to relate to! Let Roger the vaper talk about life as a sorta' Cuban. Let Big D talk about the proper use of an M16A1 grenade launcher. Let Gene explain foreign slang and immigration.
Listener Dale commissioned Al Pacino's "Scarface," opening the door to lengthy discussions of naming bongs, laughable riot scenes, questionable audio quality, whitewashed Latin-American roles, and why Roger doesn't do cocaine.
The boys also lament Mary Elizabeth Mastrantonio's melodramatic shitshow of an acting job, talk way too much about the Synth Community, outline how "Scarface" mirrors "The Great Gatsby" and "Macbeth."
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Listener Erika in Connecticut made Gene Lyons' dreams come true by commissioning the little movie that could: Weird Al's 1989 underground comedy "UHF."
This scrappy film mixed corny plot lines with sociopathic humor to remind us all of those strange local stations we watched in our childhood. It was the final role for two very talented actors, and starred several top comedians in their prime: Victoria Jackson, Emo Philips, and Michael Richards.
Find out why Gene Lyons defends UHF's blatant racial stereotypes and hear The King Bee's warning about women stealing car keys. Also discover King Bee's sandwich shop plans, who Tex Earnhardt is, and how you can make some money by identifying one-armed villains.
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Only a Californian can truly appreciate Steve Martin's 1991 labor of love, "L.A. Story." So listener Emmet from Orange, CA, did the honors of commissioning it. And in the grand tradition of Shat The Movies making romantic comedies, things get really personal.
Big D recalls his carefree days and asks, "Why do we let life suck our SanDeE dry?" Roger and Gene drool over a young Sarah Jessica Parker, and Gene point out the one sex scene in all of Hollywood he wishes did happen.
The Shat boys also examine Shakespeare's impact on "L.A. Story," romantic chemistry between TV weathermen and their British grandmas, Patrick Stewart's genius cameo, Richard E. Grant stealing the show, and how the movie really could be Roger's biography.
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Wife of the year Marisa commissioned “Iron Eagle” for her husband, Greg, but really it was a gift to all of Shat Nation. This 1986 Air Force cheese fest holds a special place in the hearts of ‘80s kids and inspired a disturbing number of today’s pilots.
Who knew Top Gun’s ugly cousin—filled with bad effects, a generic Middle Eastern enemy, homoerotic undertones, teenage mass murder, horrific Air Force security, ecological disasters, and the worst chase scene since “Prince of Space”—would hold its place as Louis Gossett Jr.’s most recognizable work?
In this episode of “Shat the Movies,” we discuss Air Force wife swaps, legendary soundtracks, cassette tape players, the ‘80s cinematic tradition of lonely older men grooming teen prodigies, and the phenomenon of creating black characters just to make them dance.
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It's the Third Annual Shat The Movies Halloween Spooktacular and the Third Annual Roger Telling About His Grandparents' Haunted House! In this episode, we cover Stanley Kubrick's "The Shining," a 1980 film staggering in its production value and terrifying in its shooting schedule.
Roger Roeper really shines in this episode, as he opens a portal into the world of psychic friends, imaginary friends, and creepy voices. Big D argues that vaping is the same as farting. And Gene beats his head against the wall trying to understand this hedge maze of a movie.
The Shat boys also examine Stephen King's criticism of the film, applaud the terrific sound editing, lament the rampant misogyny, ponder trusting Scatman Crothers, and reminisce about the comfort of old timey bartenders.
So grab your bowl of candy, queue up the pod, and force every trick-or-treater to listen as Shat The Movies gets spoopy AF.
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Big D just watched his first "Evil Dead" movie and is here to talk about it. That alone makes this episode of "Shat The Movies" worth the price of admission.
Need more? Listener Chris Powers' "Army of Darkness" commission also triggered discussion about how useless we'd be as time travelers, what a world would look like if killing your sex partners cured the STDs they gave you and Bruce Campbell's undeniable charm.
At just 82 minutes, "Army of Darkness" is the shortest movie we've reviewed, but it gave us plenty of material to cover, like Ash's mistreatment of women, when slapstick goes too far, whether campy horror movies should invest in quality special effects, and how much ammunition you should conserve when potentially trapped in the Middle Ages.
Plus, Gene won't shut up about "Evil Dead: The Musical."
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This isn't just a podcast about '80s movies; it's a podcast about FEELINGS. Or at least three guys' ideas on cheating, romantic comedies, and home inspections.
Listener Joe in Alexandria, VA, commissioned 1986's "The Money Pit," in which Tom Hanks plays the same role he played in every '80s movie and Shelly Long is 100% swappable with Shelly Duvall.
In this episode of Shat The Movies, we explore:
Roger Roeper shares his theories on romance. Gene Lyons discusses the psychological sensitivity of his erections. Dick Ebert laments movies with self-referencing theme songs. And the Shat Crew explores the strange mirror universe that exists in Gene's house parties.
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Just when you thought we had covered all the '80s space classics: "E.T.," "The Empire Strikes Back," "The Last Starfighter," and "The Thing," listener John Clyburn takes the podcast where no Shat has gone before with "Star Trek II: The Wrath of Khan."
Star Trek II widely is considered the best "Star Trek" movie ever made, and "Shat The Movies" certainly recognizes why: a chesty Ricardo Montalban, a young Kirstie Alley, and a surprise death that came years before "Game of Thrones" decided anyone was fair game.
But look closer, and you'll see a few cut corners, a few plot holes, and one totally disgusting reason to sleep with cotton balls in your ears. Why do the sets look so cheap in a post-Star Wars era? Why are the deaths to melodramatic? And why doesn't anyone at Star Fleet come up with better security protocols than sending your admiral down to check things out?
If you like nerdy commentary, this is the episode for you.
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Shat The Movies listeners were asked to choose from six of Dick Eberts' favorites for this week's podcast, but their top choices already had been commissioned by other listeners. We get it: You love Dick.
We've done "Demolition Man" and "The Karate Kid," so you're stuck with the film Rotten Tomatoes rated the Greatest Sci-fi movie of all time: "E.T. the Extra-Terrestrial."
Find out how to pronounce Reese's Pieces and how "E.T" made the candy an overnight success. Learn the Shat Crew's bloody history with animal dissections, and debate whether an alien visiting Earth is more likely to be a miracle messiah or a Typhoid Mary.
Gene Lyons praises "E.T." for being secretly spooky, while Roger Roeper and Big D examine the possibly racist undertones of the 1980s Halloween costumes.
We'll also cover why E.T.'s has the voice of a chain-smoking woman, whether the alien's design was brilliant artistry or cheap chupacabra, and how Steven Spielberg beat his own box office record when he made "Jurassic Park."
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Most "Shat The Movies" episodes are commissioned by listeners who want to hear us revisit films they love. But this one was commissioned by a podcaster who wanted to hear us cover one of Big D's favorite movies.
Drew Zakmin, of "One Headlight Podcast," shelled out a few bucks and opened the gates to Michael Bay's greatest cinematic achievement, 1996's "The Rock." It's got everything we've come to expect from a Michael Bay film: explosions, rain, patriotic slow-mo, and even groups of guys in wheelchairs.
"The Rock" is utterly mindless summer popcorn fun, but we're not complaining. Dick Ebert sees the beauty in side characters that gently tug on racial and sexual stereotypes. Gene Lyons takes care to praise the perfect amount of Nicholas Cage-ness while respecting the real star of this movie: the always-destined-to-die-while-wearing-a-headset Michael Biehn. And Roger Roeper explores the bizarre Goonies underbelly of Alcatraz.
If you're a fan of using science to kill rogue Marines, don't like soft-ass shit, and want to see the Sexiest Man Alive in one of his most famous roles, this is the movie for you.
Listen to 1HLpodcast & Follow Drew on Twitter
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"The Boondock Saints" went from the hottest script in Hollywood to a pathetic five-theater release, to one of the biggest cult classics of the late '90s. But does Troy Duffy's underground hit film live up to all the hype, or was it just a weird byproduct of an edgy era?
Listener Jim L. from London wired some money across the pond to commission this shoot-em-up episode of Shat The Movies, exposing Big D to his first taste of The Saints in action.
Did you know Duffy originally wanted Mark Wahlberg, Kenneth Branagh, and even Robert De Niro in this movie? Gene did. Did you know there's some lovely side dick? Rog did. Did you know "The Boondock Saints" paved the way for "John Wick" to be made? It's not a fact, but Gene's pretty sure of it.
Also explore whether "The Boondock Saints" is loosely based on Kevin Smith's "Dogma," what constitutes telegraphing homosexuality, and Duffy's surprisingly artistic use of slow motion.
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Have you ever caught yourself thinking, "I'd like some parenting advice from three male podcasters stuck in the '90s?" If you answered yes, then this is the podcast for you.
Listener Stephanie commissioned "Kindergarten Cop," the ninth Arnold Schwarzenegger title featured on "Shat The Movies" and a perfect portrait of Arnold's awkward shift from action to comedy.
Be there for Arnold's first passionate on-screen kiss, learn the difference between parrots and ferrets, find our why Roger Roeper doesn't want kids, and explore possible ties between "Kindergarten Cop" and the Third Reich.
If that isn't enough for you, the Shat boys also surface Gene's and Big D's fighting days, advise on how to escape killer ex-husbands, and obsess over Schwarzenegger's pube-like facial hair.
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With Big D visiting Gene and Roger in Arizona, this week's "Shat The Movies" keyword is "friendship." And what better movie to exemplify friendship than Jim Carrey's smash '90s hit?
No, not "Dumb and Dumber" (which actually won in listener voting), but "The Cable Guy," a movie Roger Roeper can quote start to finish and Gene Lyons never had seen.
We called an audible this week, actually visited Medieval Times in Scottsdale, Ariz., and immediately recorded this candid review of a dark comedy largely unappreciated in its time.
"The Cable Guy" really caught out attention and unearthed some hot topics, including the ethics of hiring sex workers, the dynamics of one-sided friendships, the genius of Ben Stiller and Judd Apatow, the magic of stolen cable, Big D's dream party, Jim Carrey's gigantic paycheck, multilayered gags, false accusations, and a possible darker side to Carrey's character, Chip Douglas.
Oh, and we're still going to do "Dumb and Dumber." This podcast isn't a dictatorship.
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"Shat The Movies" celebrates 127 successful episodes of lighthearted banter about silly movies by reviewing a 1999 Kevin Smith hit that was labeled "blasphemy" by the Catholic League and bore its own warning label for offensiveness: It's "Dogma,' y'all.
Listener John U. from Minnesota commissioned this controversial comedy, and really he got two movies for the price of one. In one movie, John got an all-star cast including Ben Affleck, Matt Damon, George Carlin, and Alan Rickman. In the other movie, he got pathetic attempts at acting by Chris Rock, Salma Hayek, and Smith.
Roger Roeper tries to convince Gene and Big D that Smith is to comedy what Tarantino is to action dramas. Big D tells tales from anti-masturbation men's groups. Gene rails against schoolgirl outfits for strippers. And Kevin Smith tries to cram every idea he's ever had into 120 minutes of film.
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In Part 2 of our Wondertwins co-commission, younger brother Josh dedicates "The Karate Kid" to big brother Adam. And the Shat Crew gets crazy nostalgic over this 1984 martial arts father-son romance. Gene predictably brings his three decades of martial arts experience to the table, while Roger explores the darker side of Mr. Miyagi's hermit status, Daniel's mischief, and Daniel's mom's conspicuously optimistic behavior.
"The Karate Kid" stands up as a timeless classic, but we noticed a few things we missed as kids: a lackluster score from a legendary composer, hints of racism and sexism, an abundance of soccer, missed food gags, and a real question of who ultimately was the aggressor in the standoff between the bully Johnny and the rebel Daniel. Also, did you know Ralph Macchio was 22 YEARS OLD when this was filmed? Changes the whole movie.
Regardless of whether you loved it or hated it, "The Karate Kid" was long overdue. Strike first. Strike hard. No Mercy.
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What do you buy your twin for his birthday? A "Shat The Movies" review! What does he buy you? The same. Because, y'know, twins.
This week's commission, coming from listener Adam for his brother Josh, is Michael Bay's directorial debut and a '90s action-comedy that confused the hell out of Roger Roeper.
"Bad Boys" is a little too bloody to be a pure comedy. And it's a little too farcical to be a serious cop drama. Instead, you have a movie that touched off a franchise and propelled Martin Lawrence and Will Smith to movie stardom.
Big D rails at the shoddy police work and asks the Shat Crew whether they'd steal from a crime scene. Gene drools over Will Smith and hails Martin Lawrence as a comedic genius, and Rog rewrites the movie to make it darker, more violent, and more mysterious.
Also in this "Shat The Movies" episode:
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Roger Roeper labeled "From Dusk Till Dawn" a tale of two movies, and he couldn't be more correct. Robert Rodriguez directing and Quentin Tarantino writing always equals something special, but is it a gritty shoot-em-up or a campy gorefest? And can a movie successfully be both?
"From Dusk Till Dawn" was commissioned by listener Christian Di Leo and stars an impressive cast include George Clooney in his first starring Hollywood role, Cheech Marin in three different roles, Harvey Keitel, Juliette Lewis, Danny Trejo, Salma Hayek, and Tarantino himself.
Big D quizzes Gene Lyons on vampire killing techniques. Rog connects "From Dusk Till Dawn" with "The Walking Dead," and all three explore the sexual depravity and background behind Salma Hayek's iconic snake dance.
Also, PUSSY PUSSY PUSSY!
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This week, we bid happy retirement to a listener to got the shaft from his employer, then realized he already had enough money to retire. Rob P. has been a longtime listener of both Shat on TV and Shat The Movies, and his film commission is nothing short of stellar.
Boldly going where no Shatter has gone before, Rob chose a movie released in the final week of the '90s. And though "Galaxy Quest" never broke the top 5 in the box office, it might be the greatest sci-fi parody of all time.
Gene Lyons, Roger Roeper, and Dick Ebert break down the difference between Trekkies and Trekkers, celebrate Galaxy Quest's outstanding casting, and contemplate the proper approach to sex with aliens.
Rog and Gene also swap tales from Comic-Con, with Gene recounting how he stole from Lou Ferrigno and Rog worshipping Alec Baldwin's blue-collar roots.
And, of course, we had to imitate Thermians and talk about boobs. Because we're adults.
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This week's Shat The Movies category is Roger's Favorite Movies, and the listeners overwhelmingly chose "Bill & Ted's Excellent Adventure," a film that gave us the opportunity to discuss Gene's music career, Big D's dislike of Southern California slang, and how a lack of dance moves cost Roger the most wanted job at Universal Studios.
Learn about "Bill & Ted's" shoestring budget and imperiled past while the Shat Crew discovers cock rock, scoffs at time travel paradoxes, and worships George Carlin. Things get dicey when Dick recalls history reports in elementary school and Roger reveals how his family stole prime farmland in Alabama.
And of course the podcast covers Napoleon, Joan of Arc, Abraham Lincoln, and all the historical figures kidnapped by Bill and Ted.
Party on, dudes!
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Two dystopian American films from the '80s are huge in Norway: "Blade Runner" and "Escape from New York." We shat all over the former, so Norwegian listener Per T. commissioned the latter.
If you think the Shat The Movies crew doesn't know much about covert missions into futuristic prison islands, think again. Big D brings his military experience, landmine expertise, and New York roots. Gene Lyons explains how to defeat giant wrestlers swinging baseball bats. And Roger Roeper sees his father in every Kurt Russell character.
Other topics on this podcast include:
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Shat The Movies listener Valorie commissioned "The Sandlot" thinking she would get a podcast about the 1993 coming-of-age baseball classic.
Instead, she got a curveball with a little mustard on it as hosts Roger Roeper and Dick Ebert retell their glorious softball history that spans from Singaporean caning to Big D's dribblers to the plate.
Meanwhile, Gene Lyons goes full Social Justice Warrior as he decries Squints' devious assault on Wendy Peffercorn and laments the incomprehensibly cruel treatment of The Beast.
This episode of Shat The Movies also covers when to call your stepdad "dad," whether a man should have to endure his replacement touching his dog, Major League segregation, nicotine gum pranks, and who should have been cast instead of James Earl Jones.
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The story behind this week's commissioned film review could be a movie of its own: The loving wife of a northern England postman secretly saves the money to hire three misfit Americans to surprise him with a podcast about one of his favorite flicks. But what she doesn't tell them is watching "Videodrome" will cause unexpected changes in their minds and bodies!
Dick Ebert immediately begins have strange nightmares. Roger Roeper begins seeing political conspiracies. And Gene Lyons feels the sudden need for sadomasochistic context to achieve an erection.
What else would you expect from a David Cronenberg cult classic starring a young James Woods and a surprisingly gripping performance from Blondie vocalist Deborah Harry.
Big thanks to Shat The Movies listeners Jo and Jim for choosing a movie we had never seen and certainly won't be able to forget.
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Why would anyone pay us to review a 1993 action-comedy starring an aging Sylvester Stallone and over-the-top Wesley Snipes? Because it's incredibly easy to watch and superbly entertaining.
"Demolition Man" is a '90s action movie with '80s action movie in its DNA. It might even be that last true '80s action movie, packed with one-liners and inexplicable explosions. Plus VR sex, Taco Bell, and shot after shot of Stallone slow-motion diving with guns blazing.
Things get weird this week as the original Shat The Movies trio--Roger, Dick, and Gene-- dive deep into cryprison vs. regular prison, hostage raid tactics, foreplay, a world without murder, Sandra Bullock's Sandraness, and the world's worst movie soundtrack.
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How have we gone more than 100 movies without reviewing "The Princess Bride?" It's a travesty of justice, one that Shat The Movies listener Adam R. decided to correct with his generous commission.
Is it a comedy? Is it a romance? Is it an action film, or a fantasy tale? The answer is yes. "The Princess Bride" is all of these things in an infinitely quotable and absolutely unforgettable package.
In this episode, we discuss whether '80s video games were better than today's, why Rob Reiner would hire an actor whose speech he couldn't understand, and how "The Princess Bride" somehow looked better than "Robin Hood: Prince of Thieves" on a fraction of the budget.
Gene explains why the film's politeness sets it apart from other '80s greats. Dick tells the tale of how Billy Crystal and Carol Kane were robbed of even better-improvised scenes, and Roger argues that no other movie has as many stellar performances by as many brilliant actors.
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The original Shat The Movies trio is back! Roger Roeper joins Dick Ebert and Gene Lyons to review the dystopian Detroit crime classic "Robocop." Like most Paul Verhoeven movies, "Robocop" has spoof commercials, gratuitous violence, and co-ed shower scenes. But this 1987 relief carries the distinct honor of being the Dutch director's most coherent blend of action and satire. And it's oh-so-quotable.
If you've ever wondered what was on the X-rated version, why ED-209 was so violent, or whether Officer Lewis had the hots for Officer Murphy, this is the podcast for you. If you ever wanted to know the connection between Robocop and Abraham Lincoln, this is the podcast for you. And if you donated to build a 10-foot bronze statue of Robocop in Detroit, this most definitely is the podcast for you.
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Keanu Reeves' pro-pooch, mega-violent action trilogy is complete with this week's release of "John Wick Chapter 3: Parabellum," and we'd love to review it for you. But our VHS collections only go so far as 1999. What a lot of people don't know is that before there was John Wick 3, there was John Wick 2. And before that, Keanu Reeves starred a little movie called John Wick.
But years before John Wick's 2014 release, we could already sense Keanu Reeves had action movies in his blood. There was "The Matrix," which we've covered. And Johnny Mnemonic, which sucked shit. And "Speed 2," which he wasn't in.
None of those was worthy of our Best of Shat The Movies collection. Only one film brought together all the amazing elements of '90s action, sexy surf bodies, dead presidents, surprisingly affordable food, and the incomparable Patrick Swayze.
Today, we present to you the 1991 homage to extreme sports and reckless gunplay: Point Break.
Thanks so much for listening, and we can't wait to be back with you. Enjoy the show.
.
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This week, our Best Of series takes us back in time to review one of the rare movies Roger Roeper, Dick Ebert, and I all agreed on: "Back to The Future."
If you recently saw "Avengers: Endgame," you know "Back to The Future" is utter bullshit. And if you haven't seen "Back to The Future," you really should. It's an '80s classic that eerily doesn't age, and we think our dissection of it ranks among the best of our 100+ film reviews.
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In honor of the Battle of Winterfell, we're proud to present our recap of a movie that shows some real military tactics, including how to infiltrate a cult, how to fight a giant serpent, how to burn a witch, and how to solve the Riddle of Steel.
"Conan The Barbarian" is a special moment in Shat The Movies history. It's one of Dick Ebert's shining moments and the episode that made Kerri Gross realize she loves Arnold Schwarzenegger movies. Out of more than 100 Shat The Movies episodes, this truly is among the funniest.
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“Road House” invented the good bad movie. But was it actually any good? Patrick Swayze was charming but grossly undersized. The script was quotable but largely nonsense. And did you know Road House is two words?
Whether you relished Sam Elliot’s smooth bass and glorious mane or cringed at the ridiculousness of tearing out throats, one thing is for sure: the boobs, butts, and bar fights were pure ‘80s.
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Predator rocked the barrier between action and sci-fi when Arnold Schwarzenegger battled a new kind of enemy in 1987. This isn't that movie. On its face, taking the thrilling Predator formula and applying it to an urban setting makes for a good movie. Throw in big names like Danny Glover, Bill Paxton, and Gary Busey, and you should have a blockbuster. So how did 1990's Predator 2 fail? We'll tell you how!
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When the royal family is accidentally killed, the heir to the throne proves to be a loutish American named Ralph Jones (John Goodman). Overnight, Ralph goes from sleazy Las Vegas lounge singer to King of England, and it's royal secretary Cedric Willingham's (Peter O'Toole) job to try to civilize him. But it's not easy weaning Ralph off of fast food, and even harder keeping him away from a kindly stripper (Camille Coduri). Meanwhile, the next would-be heir (John Hurt) plots Ralph's demise.
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Kerri Gross prayed for it, and listener CarmelitaValdezMcKoy answered. We’re reviewing the 1985 oddity “Pee-wee’s Big Adventure.”
This groundbreaking movie made Paul Reubens a star, put Tim Burton on the map, and was the first time Oingo Boingo's Danny Elfman worked with Burton on an irresistible film score.
Gene Lyons argues “Pee-wee’s Big Adventure” is the most memorable movie of all time. Who could forget Pee-wee’s legendary bike, Large Marge, Dee Snyder, the singing hobo, the pet shop, or the fact Jimmy Smits was not in this movie?
The Shat Crew touches on Pee-wee’s adult-theater arrest, the failure of Pee-wee sequels, and whether hitch hiking is an Out West thing or a Florida thing.
Kerri recalls seeing Pee-wee live while sitting between Andy Dick and Corey Feldman. Dick Ebert asks how this film is so funny when it shouldn’t be. And Gene applauds Pee-wee’s glorious ensemble ending.
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“The Natural” belongs in any debate over the best sports movie ever. It has Robert Redford in his prime, a stunning Kim Basinger, huffy Wilford Brimley, sly Robert Duvall, powerful Glenn Close, and even a young Michael Madsen. They’re all delivering top-notch performances on a picture-perfect backdrop that feels really real for an ‘80s movie.
Shat The Movies listener Vince commissioned this baseball classic just as hosts Dick Ebert and Drew Zakmin are gearing up for Opening Day. It’s full of iconic scenes that bring us all back to our playing days, when we imagined each of us could swing his own Wonderboy bat and be the greatest that ever played the game.
Everything ages, and “The Natural” aged surprisingly well, but not everything was a home run. Redford is 46 and playing a 19-year-old. His character, Roy Hobbs, seems to leave a trail of death wherever he goes. And the final inning is cornier than a Nebraska farm.
In this episode, you’ll also hear our list of the worst sports-movie actors of all time, find out how a young Big D would get pumped up for high school games, and learn why your mom got a care package from Derek Jeter.
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The most expensive film of its day, "Total Recall" took Arnold Schwarzenegger's career to new heights by adding star power like Sharon Stone, technological wonders like full body scanners, and philosophical questions about the nature of reality.
This 1990 sci-fi rollercoaster didn't sacrifice any of the Schwarzenegger charm. We still get the punchlines, the over-the-top action, the gratuitous use of meat shields, and the "Conan The Barbarian" theme song. No, seriously, check it out. That shit is stolen.
The Shat Crew has the expected debate over whether Quaid's adventures are all implanted memories or a rude awakening. Big D reveals he'd trade a virtual vacation for a virtual babysitter. Kerri Gross just wants virtual sleep. And guest host Drew Zakmin admits to forgetting the names of his friends' children.
Do the three hosts recall Kuato and the three-boobed woman? Totally.
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"Toy Story" won the Best of Disney category, and it's easy to see why this Pixar powerhouse spawned an entire franchise. The characters are unforgettable, the attention to detail is unrivaled, and the voice talent is unbeatable.
This episode is all about Dick Ebert. One second he's perving out over The Little Mermaid, the next he's impersonating Randy Newman. Big D even brought a special guest along for this '90s movie review: Drew Zakmin, of the One Headlight podcast.
Gene Lyons joins them to discuss their favorite childhood toys, the dark side of Woody the Cowboy, Ram Man, Fisto, and parallels between "Toy Story" and its less-popular contemporary "The Christmas Story."
Warning: Do not look directly at Baby Molly's face at any point during "Toy Story." It's like a less terrifying Momo.
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No ‘80s movie podcast featuring Kerri Gross would be complete without covering David Lynch’s sci-fi epic “Dune.” But after more than 100 episodes, Shat The Movies couldn’t seem to make it happen.
In walked listener Greg R. Last year, he wowed us all by commissioning “Rounders” for a Shat review. This time, Greg thought it would be hilarious to saddle us with a movie he simply doesn’t get.
We knew Kerri would love it. We knew Gene would groan. And we knew Big D would stumble over every name in the film.
What we’d forgotten in the years since watching “Dune” was the breathtaking outfits, the inventive technology, and the sheer magnitude of the sand worms. And those were overshadowed by the ridiculously bad combat, the utterly incomprehensible plot, and the persistent whispering of obvious internal monologue.
Dune takes itself very seriously, which makes it even more hilarious. In the midst of galactic warfare between Houses, Gene cheers for Baron Harkonnen. Big D sees sex slaves everywhere, and Kerri Gross connects the dots between “Dune” and Iraq while finding her inner Muad’Dib.
We’re all milking cats in the top floor of the Crazy Town Penthouse. So yank your heart plug and fire up your Weirding Module, Arrakis, here we come!
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When an Army veteran and a nurse who knows nothing about the military review a '90s submarine movie, you know it's going to be crazy. Throw in Roger Roeper's tales of babysitting in an alligator costume, and it's full-on insane.
Listener Rod Phillips paid Shat The Movies good money to cover "Crimson Tide" as a birthday gift to himself. And his choice wound up being one of the funniest podcasts we've ever done.
Kerri wonders how missiles work, Big D dabbles in sailorspeak, and Roger examines which is creepier: magicians or clowns. The Shat Crew celebrates the stellar cast of Denzel Washington, Gene Hackman, Viggo Mortensen, James Gandolfini, Steve Zahn, Ryan Phillippe, and ... Richy Schroder?
Kerri bemoans low standards in the military and medical fields. Big D steals the show by explaining the horrors of dying in a sinking sub, shaming fat sailors, and demonstrating he's downright ruthless when it comes to the Trolley Dilemma. And nuke-spooked Roger wishes he were watching "Top Gun."
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Most sequels give us more of the same. "Back to The Future Part II" changed the game by giving us a world we'd never seen: hoverboards, Pac-Fax, VistaGlide, and filming two sequels back-to-back with cross-promotion embedded in the movie.
But bigger isn't always better. Losing "Back to the Future" stars Crispin Glover and Claudia Wells made some scenes awkward and (with the help of prosthetics) borderline creepy. And why does every 40-year-old in this movie sound like she's 70?
The time travel gets a little sloppy, but we learn a lot about the Shat The Movies crew when it comes to bending the laws of physics. Big D fears losing his daughter to the Butterfly Effect. Roger Roeper believes he'd become Batman, and Kerri Gross just needs some help with her taxes and investments.
Also in this episode:
So strap on your eyebrows, Shat fans, for this early morning recording of "Back to The Future Part II!"
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How much Corey is too much Corey? Between Corey Haim's mouth breathing and Corey Feldman's avalanche of bombing jokes, we'd say "License to Drive" answers that question emphatically.
The Shat Crew expected corny '80s jokes, cheese car stunts, and loads of questionable fashion. But we had no idea "License to Drive" would lead us to tales of severed feet, an Nabokovian hot Heather Graham, and an alternate universe where Gene Lyons laughs at on-screen burps, Roger Roeper mistakenly believe The Fresh Prince's Uncle Phil died of AIDS, and Dick Ebert wishes death upon young and old alike.
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When "Shat The Movies" listener Lucas discovered we wouldn't be doing a Best of Jewish Mob Movies category, he took matters into his own hands. Equipped with $300 and a brilliantly composed email, Lucas convinced Big D we needed to cover the 1998 sleeper "Safe Men."
We were amazed to discover one of the strangest films we've witnessed. The cast is good: Sam Rockwell, Steve Zahn, Paul Giamatti, Mark Ruffalo, Harvey Fierstein, Peter Dinklage. The script is reasonable. But there's just something odd about this movie that created a rollercoaster of a conversation among Dick Ebert, Roger Roeper, and Kerri Gross.
Learn what each of your Shat The Movies hosts like to do while drunk at 2 a.m., what it's like to hang at the VFW hall while elderly women wait to devour your Marine father's wedding potluck, and how Big D talked Roger out of pursuing a career as a professional event DJ.
The gang also discusses the greatest Sega game of all time, Roger's improv comedy past, and the fact Dick Ebert was a melodious Hasidic man in his past life. Mazel tov!
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It's our 100th movie review! And we've been saving one very special movie for this massive milestone. Tear off your shirt, flex your freedom, and GET TO THE CHOPPAH! It's "Predator" time.
Let's go back to 1987, when Schwarzenegger was Apex Arnold, military tactics meant nothing in movies, on-set cocaine binges were an daily occurrence, and Jesse Ventura yelled things no governor would dream of saying.
Discover Gene Lyons' obsession with WWE wrestling, Roger Roeper's obsession with telling everyone they just said what he was about to say, and Billy Duke's obsession with sweating a lot.
Did you know Jean-Claude Van Damme was the original alien in "Predator"? Big D tells about how the Muscles for Brussels tried to turn the Predator into a kickboxer from out of space and why Van Damme told film executives to kiss his balls.
Learn more than you ever wanted to about mini-guns, jungle recon, and thermal imaging. And hear about how Sonny Landham was assigned a bodyguard to protect the natives he encountered.
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Listener Christian commissioned this '80s classic as a tribute to Shat The Movies host Roger Roeper, and Rog defends it against criticism from Big D and Kerri Gross.
Find out what a 2003 Pizza Hut promotion had to do with this 1989 comedy and how much mustaches confuse Kerri. We also cover Big D's Caribbean party life, how hot New York actually gets, and what actually happens to a body after death.
Roger lies about lying to get laid. Big D explains the aphrodesiacal properties of boats. And Kerri reveals that nurses like to play a little game called How Would You Kill Somebody And Not Get Caught?
Plus, you'll get a questionable history of voodoo, learn how the Shat gang will honor Gene when he dies, and receive an invitation to St. Elmo's Party. See you on the beach!
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Big D thought we should do a Best of Rick Ducommun, and you're probably wondering who that is. You're not alone.
Ducommun was in "Spaceballs," "The Last Boy Scout," "Die Hard," "Groundhog Day," and dozens of other '80s and '90s classics. You might say he's Mr. Shat The Movies, and Big D is a big fan.
So it's only fitting that Dick Ebert pop his Shat The Movies hosting cherry by guiding us through the 1989 classic "The Burbs," best known for another actor you might have heard of: Tom Hanks.
Kerri Gross and The King Bee join Big D in discussing nipple hunting on cable TV, "The Burbs" connection to "The Silence of The Lambs," what the hell Corey Feldman is doing in this movie, Tom Hanks' disagreeable side, and how to be an awful neighbor.
Also, learn what Kerri wears when she prowls her block as the Goth Avenger. And Big D pulls off another uncanny celebrity impersonation.
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"The Crow" isn't the greatest movie of the '90s. It's not even the best movie of 1994. But for a lot of thirty-somethings, this movie was a huge part of adolescence. But Shat The Movies has passed it over again and again.
Well, listener Joshua decided that's some bullshit and decided to FIRE IT UP.
Shat The Movies resident goths Gene Lyons and Kerri Gross join misanthrope King Bee to examine Brandon Lee's mysterious death, a cursed movie set, the difference between a crow and a raven, and the miracles of rent in downtown Detroit.
The King Bee asks whether Frank Miller's "Sin City" influenced the hypersaturated, gritty look and feel "The Crow." Kerri evaluates costuming and mysticism. And, in the course of it all, Gene somehow turns into a Crow apologist.
This one goes out to Joshua and his wife. If "The Crow" did nothing else, it brought two little lovebirds together.
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"WarGames" changed the way '80s kids looked at video games, computers, and the threat of nuclear annihilation. But in the age of smartphones and wireless Internet, does this 1983 geek-gasm still hold up?
The original Shat The Movies threesome teams up on this episode to discuss Matthew Broderick's charm, a hotter Ally Sheedy, the difference between code names and acronyms, and drug use among Missile Command personnel.
Gene Lyons gives a history lesson on the 1980 Titan missile disaster, and Roger Roeper goes full Q Anon with his theory that the WOPR supercomputer really was the mind of a sadistic son who felt neglected by his creator.
Big D reveals that he might have forgotten he grew up rich, and we debut our new segment: Shat on Workplace Safety.
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"Jingle All The Way" marked the end of two distinct cinematic eras: Arnold Schwarzenegger's string of comedies and Sinbad's film career. But was it really hot garbage, or does this quirky Christmas satire have some lasting laughs to offer? Big D needed two viewings to decide.
This movie led to a lot of surprisingly spirited Shat The Movies debates, including:
Gene, Roger, and Big D also discuss deja vu, blackouts, sleeping with married women, the '80s trend of must-have toys, the proper order of martial arts belts, and how Gene scammed Service Merchandise out of business.
Big D points out why you shouldn't film a Christmas movie in the spring, and Roger gives a little history lesson on how George Lucas could have avoided a "Star Wars" disaster by just watching Jake Lloyd's performance in "Jingle All The Way."
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Many people forget "Edward Scissorhands" is a Christmas movie. Well, at least it's a movie with Christmas in it. Or is it simply snow? Actually, it's just shave ice. But whatever, it's Christmastime in Shatland, and we're doing the damn thing.
Tim Burton's career has been long and flirted with Christmas several times, but few of his movies came close to achieving the magic he bottled up with "Edward Scissorhands."
It made us laugh with the waterbed scene, cry with the sculpture scene, and marvel at a cast that included Winona Ryder with a heart of gold, Alan Arkin as a loving dad, Dianne Wiest as an angel on earth, Vincent Price in his final role, Anthony Michael Hall as a bully, and of course Johnny Depp.
Gene Lyons and Kerri Gross naturally gushed over this movie, but "Edward Scissorhands" lost a few point with Big D, who loved it as a kid. Where some saw an inventive near-silent performance from Depp, Big D saw an easy acting job. Where some saw Tim Burton at the top of his game, Big D saw the adolescent angst of a suburban guy pandering to counter-culture.
Also on this edition of "Shat The Movies":
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"Good Will Hunting" won the Best of Matt Damon category among Shat The Movies, and we can see why. Damon didn't just star in the movie, he co-wrote it with Ben Affleck when the two were just a couple of fresh-faced actors.
This ode to Boston showed us Robin Williams' dramatic side, which we later realized was tragic foreshadowing, and it introduced us to a young Casey Affleck before his sexual harassment scandal.
To Kerri Gross, "Good Will Hunting" is a moving emotional journey. To Dick Ebert, it's the greatest film Shat The Movies has ever reviewed. To Gene Lyons, it's a brilliant collection of improvised scenes that he predictably wishes were darker.
Other topics covered in this episode of Shat The Movies:
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"Groundhog Day" is the rare movie that became more important than the holiday that inspired it. Many believe it's Bill Murray's greatest work, and Shat The Movies listener Greg has watched it again, and again, and again, and again.
There's always something new to discover in this '90s classic movie, even if you've seen it hundreds of times -- like the fact Phil Connors could be a sexual predator.
In this episode of Shat The Movies:
So put on your winter clothes and meet us in Punxsutawney, it's time to do the Pennsylvania Polka!
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"The Last Boy Scout" is a movie by dirt bags for dirt bags. Producer Joel Silver is a dirt bag who cast his girlfriend as a topless chick in "Die Hard" and never gave her film credits. Bruce Willis plays a disgraced Secret Service agent who appear to be a dirt bag private investigator. And Big D is a dirt bag who loves this movie and cheated on every girlfriend he ever had. But not his wife.
Shat The Movies co-host Gene's a dirt bag who dated a trailer park stripper. Co-host Roger is a dirt bag who doesn't know how commas work. And they all agree that everyone's been cheated on. This episode's a dark podcast for a surprisingly dark movie.
You can thank listener Edwin for commissioning this morally bankrupt podcast.
The movie's opening montage is painfully and perfectly '90s. The opening football sequence is a bizarre use of Billy Blanks, and it just gets weirder from there.
Willis and Damon Wayans struggle to decide who the movie's funny man is, while we all know the real clown is Wayan's wardrobe. And all the while Big D insists Hallenbeck and Dix are among film's greatest buddy pairings.
Oh, and we settle the question of who's the biggest badass: Joe Hallenbeck or John McClane.
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Thanksgiving is a holiday like no other: We don't buy presents. We don't wear costumes. We don't party all night. We just bring our family and friends together to share a meal and reflect on our blessings.
"Planes Trains & Automobiles" is a rare movie in many ways: It's a comedy that makes you cry. It's a John Hughes movie without teen stars. And it's one of the few movies we can think of that celebrates Thanksgiving, one of the most underappreciated holidays on the calendar.
Steve Martin and John Candy created something special that impacted each of the Shat The Movies crew in a different way. Big D immediately hugged his wife and felt a deeper appreciation for life. Gene reflected on his verbal cruelty and picking apart other's weaknesses. And Roger gave thanks for modern technology and improved business travel.
We dedicate this podcast to Roger Roeper's late father, Ronnie, who can't make it to the table this Thanksgiving. Be thankful for your loved ones this holiday season. Tell them you love them. Cherish your time together.
With love,
Gene, Kerri, Roger, and Big D
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Disney's "Tron" digitally dazzled the world as revolutionary work of art: the identity discs, the concept of a computerized world, and visuals that to this day haven't been replicated in their inventiveness and effort.
But one thing sets movies apart from other optical art forms: The Story. And when you read Tron's narrative files, some border on corrupt.
On this podcast, three grown men who worshipped Tron as boys revisit Flynn, Sark, Lora, Dumant, light bikes, solar sailers, the I/O Tower, and the Master Control Program.
Big D brings his Tron toys out to play. Roger questions the sexual undercurrents of the film, and Gene gets just plain mad at the spaghetti bowl of a narrative Disney threw together.
Find out how Tron's artists got those amazing glow effects, why Jeff Bridges was the only actor forced to wear a loin cloth, and how Roger manages to bring religion into even this childish technological tale.
The proof is in the printout.
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Everyone has that phase they'd rather not talk about. For some, it's when they wore JNCO jeans. For others, it's when they thought that two-tone ska tattoo was a good idea; or when dating skaters seemed cool.
If the 1990s were a woman, Steven Seagal would be the phase she wishes she could forget.
But we're braver than that, so we're diving into his best work, "Under Siege," to see if there's anything we can salvage from the murky depths of bad action flicks.
Big D, Roger Roeper, and Gene Lyons also cover masturbating to Cher, stealing tags from lingerie, Gary Busey's magnificent insanity, proper bomb-making, proper accent usage, and improper ways to treat young actresses.
Ponytails, a peacetime military, horrid costuming, and the worst Navy Seals since Panama are pitted against hilarious one-liners, charming Tommy Lee Jones, and bizarre fight sequences in this clear "Die Hard" ripoff.
Seagal sucks at fighting, movie posters, and telling the truth, but we can't entirely hate him. Find out why in this swashbuckling edition of Shat the Movies, and stay tuned for a super sexy Shatout from Gene.
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There isn't a soul in this world or the next who doesn't love "Beetlejuice." It's Michael Keaton at his best. It's Tim Burton at his best. It's Geena Davis at her best. It's Alec Baldwin at his handsomest. And it's the role that made Winona Ryder's career (sorry, Stranger Things).
Beetlejuice is everywhere each Halloween season, which makes it easy to watch the movie without really WATCHING it. Well, we did. And we've got a few things to talk about:
This one starts a little slow, but man does it get going. It's SHOWTIME!
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"Pet Sematary" might be Stephen King's biggest '80s movie hit, but is it any good after 30 years? That depends on whether you value good moviemaking over good writing.
Find out what The Ramones had to do with getting this movie made, why you shouldn't let your cat outside, when it's safe to picnic in Maine, why Fred Gwynne sounds like a '40s detective, and why Cemetery is spelled Sematary.
Kerri Gross, Dick Ebert, and Gene Lyons also cover:
How did nobody call PETA on this one? Was this the first actually scary movie we reviewed? Who the hell edited this thing?
Find out in this week's super-spooky edition of Shat The Movies!
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"Friday the 13th" changed the world of horror movies when in debuted in 1980, picking up the slasher flick genre where "Halloween" left off. The cast's biggest star was an unknown Kevin Bacon, and the budget was a measly $550,000. With that, "Friday The 13th" made Camp Crystal Lake, Jason Voorhees, and "Ki ki ki, ma ma ma" household names.
King Bee guest hosts this episode of Shat The Movies as we compare cultural appropriation with cultural celebration, discuss checking dog dicks to address them by the appropriate title, learn how to jump out of moving cars, and weigh the challenges of strip Monopoly.
Find out why Kerri Gross had to delete the Uber app, why good things are good, how King Bee rescued a 2-year-old girl on his 21st birthday, and what really happens when you're decapitated.
The Shat Crew also examines why one "Friday the 13th" character sleeps all the time, the merits of sex while wearing shoes, and why Wes Anderson should be tapped for the next "Friday the 13th" movie.
Also, Kerri once pulled the wings off a butterfly.
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Halloween is in the air, and the Shat crew is ready to get spoopy! Forty years after "Halloween" introduced America to Michael Myers and one week before Jamie Lee Curtis returns in the 11th installment of the series, we examine the original to see if it holds up.
Big D explains the "Star Trek" origins of the Michael Myers mask and questions the reality of babysitter sex. Gene dives deep into the history of Judith Myers' boobs. And Kerri Gross asks just how far a man can carry a 150-pound headstone in one day.
Other lessons learned from the 1978 "Halloween" include: strip off your clothes if you spill butter, always check the back seat of the car, never rely on children to help you in a crisis, assume small-town sheriffs are useless, don't exit your vehicle if mental patients are roaming around at night, and—most of all—don't audibly cry while hiding from a serial killer.
Is "Halloween" a genius independent film that's worth a four decade legacy? Or is it just an un-scary bump in John Carpenter's resume? Find out as Shat The Movies ventures into a month of horror reviews.
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"Gleaming The Cube" brought skateboard culture to the big screen with one of the weirdest plots we've seen to date: A skater Christian Slater investigates the accidental murder of his adopted Vietnamese brother while Tony Hawk delivers pizza.
The villains are stereotypical. The action scenes defy the laws of physics. The blood looks more like Kool-Aid, and the romance is just plain creepy. But there's something about "Gleaming The Cube" that's made it a cult classic despite what Big D calls a conspiracy to keep it hidden from the world.
Kerri Gross regrets voting for this movie dozens of times from different computers. Roger Roeper defends it as an accurate depiction of skateboarders' lifestyle, and Dick Ebert wishes the Shat Score could go even higher to express what a turd it was.
BONUS CONTENT: Stick around after the end trailer to hear Kerri's tribute to Adam Levine of Maroon 5.
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If you've never fallen in love with a friend, consider yourself lucky. If you've ever fallen in love with a friend, consider this romcom a treasure.
"When Harry Met Sally" used to just be "That Meg Ryan orgasm scene movie" when we were kids. But like the title characters, we've grown up and better understand the intricacies of romance. The question of "Can men and women be just friends?" and concept of "high maintenance" are a lot more relevant at 31 than 13.
Kerri, Big D, and Gene get really real on this podcast. Big D explains what makes a marriage work. Kerri dissects what it is to love a friend, and Gene identifies with romantic ghosting. It's a very personal, a bit reflective, and like nothing we've ever done before.
But we still rain Shat on Billy Crystal's hair, '80s women's obsession with marriage, mismatched couples, fake orgasms, and—of course—happy endings.
Grab a tissue, pull your sweetheart close, and try not to fall in love.
Harry Met Sally Horror Trailer Remix https://youtu.be/gMWpxTK7q2s
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When you think "My Cousin Vinny," you might think "Joe Pesci comedy classic," but there's a lot more to this 1992 North-meets-South courtroom farce.
For Gene, there's Marisa Tomei at her finest: A charming Mona Lisa Vito with a heart of gold and a wardrobe to match. She's the ultimate '90s Italian heartthrob who delivers the best lines of the movie.
For Roger, there's beloved Fred Gwynne in his final film role. TV's Herman Munster brings warm and gentle comedy to Vinny's Judge Chamberlain Haller after an amazing life story that included World War II service.
And for Big D, there's about 100 jokes involving miscommunication, dick jokes, and implied prison rape.
Is that enough to save "My Cousin Vinny" from overly formulaic writing? Does the fact "Vinny" is used in actual law schools help? Or is this just a middle-of-the-road '90s comedy?
Listen in, then tell us what you think at [email protected].
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Arnold Schwarzenegger considered "Last Action Hero" the beginning of the end of his film career. After a string of blockbusters, Arnold had a flop on his hands.
"Last Action Hero" — a self-referential parody of every action movie that made Arnold's career — didn't sit well with fans who didn't know what to make of it. Oh, and it was competing with a little movie called "Jurassic Park."
But there's a lot to love about this cinematic oddity: intentionally painful puns, boundless cameos, purposefully ridiculous action sequences, and Arnold being Arnold.
Gene gets a little too cerebral. Kerri reveals her obsession with fart jokes and hatred for AC/DC, and Big D brings the best Schwarzenegger impressions in the business in this Big Gun of a Shat The Movies episode.
Video: Top 10 Darkest Movie Theories https://www.youtube.com/watch?v=JSIMa4XVgBM
Video: Why 'Last Action Hero' Is Secretly Creepy http://www.cracked.com/video_19246_why-last-action-hero-secretly-terrifying.html
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When "Arachnophobia" was released in in 1990, advertisers were uncertain as to whether they should market the film as a thriller or a comedy. Therefore, television spots promoting the film billed it as a "thrill-omedy". Apparently, nobody saw Ghostbusters or Ghostbusters II.
With Gene out traveling, Big D & Roger welcome back Kerri Gross to the podcast as they relive some of their most harrowing experiences with the movie as well as real-life encounters with arachnids.
Discover the answers to these questions and more in a Shat The Movies recording that will make your skin crawl!
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"Armageddon" showed us exactly what happens when mega-producer Jerry Bruckheimer teams up with ultra-director Michael Bay: Everything's big, loud, and explodey. The 1998 summer blockbuster mixed an all-star cast with top-notch special effects and all the flag-waving that could be crammed into 160 minutes.
Big D, Roger, and Gene blast off for disaster when they discuss the confusing science behind "Armageddon," weigh its merits, and explore if its jokes can still be considered funny in 2018.
Did the Armadillo need a mini-gun? Did Grace need to be at NASA? Did the asteroid have a mind of its own? Find out in a Shat The Movies recording the size of Texas flying into your earhole at the speed of sound.
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“Road House” invented the good bad movie. But was it actually any good? Patrick Swayze was charming but grossly undersized. The script was quotable but largely nonsense. And did you know Road House is two words?
Whether you relished Sam Elliot’s smooth bass and glorious mane or cringed at the ridiculousness of tearing out throats, one thing is for sure: the boobs, butts, and bar fights were pure ‘80s.
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"In The Mouth of Madness" is a cult film that pioneered themes that pushed the boundaries of cinema from 1994 to present day: self-referential film making, Lovecraftian horror, and the general questioning of reality. But does it deserve to be labeled a horror classic?
Every spooky twist on insanity is hamstrung by an awkward acting performance. Every slimy John Carpenter monster is countered by a bizarre herpes kid. This is a movie of high aspirations and stumbling execution. How does it all shake out? Find out from Gene Lyons, Dick Ebert, and Kerri Gross.
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Was "Heat" a star-studded, heart-racing heist movie or a bloated collection of subplots better suited to a mini-series? Michael Mann's masterpiece put Al Pacino and Robert De Niro on the screen together for the first time, and its star-studded cast included Val Kilmer, Tom Sizemore, Jon Voight, Bud Cort, Hank Azaria, Dennis Haysbert, and a young Natalie Portman.
In this edition of Shat The Movies, Big D analyzes the famous Los Angeles shootout (Gene's favorite shootout outside of "The Way of The Gun"), and Roger explains why "Heat" isn't as great as his co-hosts say.
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A 40-year-old, hypersexualized rock star in a codpiece who calls himself a Goblin King steals a baby and tries to seduce the child's 15-year-old sister among dismembered Muppets, roofies, and suggestive lyrics.
Yeah, we're gonna keep this one real professional.
You get ALL FOUR SHAT THE MOVIES HOSTS IN ONE! Roger sees masterful symbolism. Gene hears is gorgeous music. Kerri flashes back to her childhood, and Dick is scandalized by the treatment of children.
Chilly Down with us; do a Magic Dance, and let us Within You.
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Was Chunk fat-shamed or fat-famed? Does foreclosure really need to be explained? What's the proper etiquette for wishing well coin collection? And does One-Eyed Willy's hoard count as buried treasure or a fortune lost at sea? Gene and Big D fight for the honor of "The Goonies" as Roger argues it's childish nonsense.
In "The Gooonies," a band of kids who live in the "Goon Docks" neighborhood of Astoria, Ore., attempt to save their homes from demolition, and, in doing so, discover an old Spanish map that leads them on an adventure to unearth the long-lost fortune of One-Eyed Willy, a legendary 17th-century pirate. During the entire adventure, they are chased by a family of criminals, who also want the treasure for themselves.
The Goonies, Lost Treasure and Maritime: Lawhttp://shatthemovies.com/the-goonies-lost-treasure-and-maritime-law/
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Arnold Schwarzenegger plays the Terminator, a cyborg assassin sent back in time from 2029 to 1984 to kill Sarah Connor (Linda Hamilton), whose son will one day become a savior against machines in a post-apocalyptic future. Michael Biehn plays Kyle Reese, a soldier from the future sent back in time to protect Connor.
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Kurt Russell plays hard-boiled truck driver Jack Burton, who gets caught in a bizarre conflict within, and underneath, San Francisco's Chinatown. An ancient Chinese prince and Chinatown crime lord has kidnapped a beautiful green-eyed woman, who is the fiancee to Jack's best friend. Jack must help his friend rescue the girl before the evil Lo Pan uses her to break the ancient curse that keeps him a fleshless and immortal spirit.
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Like Cristal Connors (Gina Gershon) and Nomi Malone (Elizabeth Berkley) bonding over their shared joy of eating the same brand of dog food, Roger, Dick and Kerri sit down to discuss the 1995 Paul Verhoeven "Classic" Showgirls.
Showgirls promised to expose the inside workings of Las Vegas, stripping, and hooking... but instead all we learn about was the hazards of monkey-poo on stage, unexpected uses for ice cubes and how to get beaten into a coma by a superstar musician.
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Jeff Bridges plays Jeff Lebowski who insists on being called "the Dude," a laid-back, easygoing burnout who happens to have the same name as a millionaire whose wife owes a lot of dangerous people a whole bunch of money -- resulting in the Dude having his rug soiled, sending him spiraling into the Los Angeles underworld.
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Can you really call it a movie "Speed" when it only goes 17 knots? Can you call a movie "Speed" when it doesn't have Keanu Reaves? Can you even call this thing a movie? Impossible physics, premarital bickering, misplaced comedy, pedophilia, and a fundamental misunderstanding of copper poisoning make this one of the worst films Shat The Movies has reviewed. But is it THE WORST? Listen and find out.
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Poker talk, smart voiceovers, Matt Damon in gigantic clothes, Ed Norton as Tyler Durden, John Malkovich butchering an accent, and John Turturro showing his deeper side. "Rounders" is the gold standard for poker movies, and listener Greg R. loves it so much he sponsored this review.
In this episode, Roger reveals his gambling addiction. Gene reveals his heartbreaking struggles with friendship, and Big D gets turned on by jargon. Plus, explore the theory that "Rounders" is just "Fight Club" with cards.
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Spaceballs wins our Best of John Candy category, bringing Roger and Gene together against Big D for the first time ever. Hop aboard the Spaceball One as we blast through the fourth wall, celebrate Rick Moranis, learn about George Lucas' involvement, and debate whether this movie is funny at all.
Roger quotes basically the entire movie. Gene gives in to a rare laughing fit. And Big D assumes he's being punked by their enthusiasm.
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Backdraft taught us to yell at fires, run into burning buildings, cool off our sexy bods by firehose, and never, ever let our estranged sons help us make breakfast. And who knew you could make millions converting firehouses into community centers? There's a lot of wisdom in this 1991 Ron Howard cheesefest, but very little of it has to do with fire.
Big D examines when it's OK to bang your ex-wife. Gene cautions against lit cigarettes at arson investigations, and Roger gives a lesson on commercial real estate economics. Plus we hear from the surprising number of brave Shat The Movies listeners who fight fires for a living.
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A deliciously young Val Kilmer, an even more delicious young Sarah Jessica Parker (played by Gabriel Jarret), a billion lasers, boring montages, horny cosmetologists, unreal liquid nitrogen, unbelievable penis hammering, Jesus in the teeth, Tear for Fears, and the most famous popcorn scene since Troll 2. "Real Genius" (1985) took the '80s nerd genre to new lows but still managed to exude some genuine charm.
Kerri Gross gets hella scientific. Roger does the math of statutory rape. And Gene questions how anyone can party to Don Henley.
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The most iconic scenes in movie history, sexy Jeff Goldblum, goosebumps aplenty, a triceratops turd too high, hyperconfident scientists, unnecessary fence climbs and adorable velociraptors made 1993's "Jurassic Park" a movie unlike any other.
Roger defends the strength of fiberglass. Gene actually has fun for once, and Kerri downs an entire bottle of wine before slurring through the entire Visitor Center action sequence. It's a Shat The Movies 65 million years in the making!
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Premature kilts, revised history, foppish Brits, Crossfit Scots, a 40-year-old Mel Gibson, a hot 9-year-old princess, undying love, and a romance nobody wanted to see. "Braveheart" brought a new degree of violence and complexity to the historical action genre and made 3 hours fly by.
Don't miss Roger Roeper's triumphant and sexually-charged return to Shat The Movies, Big D's baffling discussion of black eyes, and Gene's uncomfortably intimate recollections of his high school science teacher.
Wild Hearts Can't Be Broken, horse video: https://youtu.be/8-ucbJRkm-Y?t=1m4s
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Laughable wardrobes, finding excuses for Jean Claude Van Damme to kick things, gratuitous Belgian sex, gratuitous Belgian sax, an avalanche of one-liners, massive plot holes and The Splits Over Troubled Waters ... it's Timecop!
Gene gets deep into physics and time travel theory. Kerri eviscerates the previously unknown "Timecop is like Blade Runner" crowd, and Big D perfect YET ANOTHER action star accent.
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Soundtrack of the gods, camel-punching, surprise romance, imperfect allies, meaty snakes, cannibalistic orgies, and a unanimous Shat Score.
Conan The Barbarian often is lumped in the same shitpile as other fantasy movies, including its sequel, but this abused gem gets nearly everything right. Hear all the reasons to love this not-quite-blockbuster underdog, including its strange literary origins and historical references, and learn just how dangerous this movie was to make.
Big D impersonates Arnold Schwarzenegger during climax. Kerri Gross endorses Conan from a feminist's perspective, and Gene struggles to keep it together.
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A sparkling Sharon Stone, labyrinth storylines, crappy explosions, loud suits, popping eyeballs, James Woods pimpin', and a Joe Pesci blowjob? When you want it all, "Casino" delivers. And it takes 3 tectonic hours to do it.
Guest host Kerri Gross lends a female touch (sorta), encourages domestic violence (sorta), and tells us about the one time she put a glass pipe where glass pipes shouldn't go.
Gene counters with a tale of his "gooch" and laments the loss of a Robert DeNiro in his prime.
Big D has no idea how to pronounce "Goodfellas."
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"Med students explore to see what might lie beyond death" might be the advertisement, but what we got was the old bait-and-switch. Instead of that exploration, Flatliners gives us pseudo-Freudian analysis delivered by 1990's Brat Pack 2.0... all of which we found surprisingly enjoyable.
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Did you know 1990's Teenage Mutant Ninja Turtles was the highest grossing independent film of all time? It was. Did you know creature master Jim Henson lent his magic to the film? He did? Did you know this is one of the most clever films ever written, inspiring countless other comic book movies? That one's debatable.
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If you're a Quentin Tarantino fan and haven't seen "True Romance," this episode will convince you. And if you're a "True Romance" fan, Roger is about to piss you off. We catalog the phenomenal cast and all the brilliant movies "True Romance" spawned.
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What goes great with a holiday hangover? How about a scathing edition of Shat The Movies? "A Christmas Story" is quoted, celebrated, immortalized, worshiped, and even has its own museum in Cleveland. After careful review, we don't understand why. Kick the year off angry with one of our most explosive podcasts to date.
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Caught in the doldrums between Christmas and New Year's Eve? We've got one more present for you! "Scrooged" might be the sleeper holiday comedy you need this winter. It certainly surprised us. Bill Murray is at his best, and a power-packed cast delivers laughs from start to finish. The visuals are sublime; the jokes are clever, and the humor is fresh -- all without sacrificing some serious heart. It even made Gene Lyons raise a hearty glass of nog and cheer.
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“The Last Jedi” is here and dividing fans like no Star Wars movie before. Gain some perspective by looking back on the high point of the franchise: “The Empire Strikes Back.” We bow down to its brilliance and magnify some of the rusty parts that didn’t hold up over time.
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Judging Kevin Costner's "Robin Hood: Prince of Thieves" requires one simple question: Not "is it a good movie?" but "Is it worse than 'Willow?" And, thank Alan Rickman, Robin hood is just a bit better. Still, horrible scripting, schizophrenic moods, hammy stunts, bad accents, and a mind-boggling 155 minute run time make "Prince of Thieves" the king of wasted potential.
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Anybody can make a slasher flick. And talented directors can pull off thrillers. But "Seven" is a masterpiece only David Fincher could pull off. Brad Pitt, Morgan Freeman, Kevin Spacey and Gwyneth Paltrow round out a powerhouse cast that elevates the grotesque to art. This movie is dark, edgy, poetic, symbolic, and twisted. How the hell was Gene disappointed?
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Easily excitable Neal Page (Steve Martin) is somewhat of a control freak. Trying to get home to Chicago to spend Thanksgiving with his wife (Laila Robins) and kids, his flight is rerouted to a distant city in Kansas because of a freak snowstorm, and his sanity begins to fray. Worse yet, he is forced to bunk up with talkative Del Griffith (John Candy), whom he finds extremely annoying. Together they must overcome the insanity of holiday travel to reach their intended destination.
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Sometimes, a laughable idea makes for a fascinating film. Surf gangs that double as bank robbers? Keanu Reeves as a tough-talking undercover FBI agent who also happened to be a football star name Johnny Utah? Gary Busey swimming? But then something magical happens. And it's called Patrick Swazey.
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Predator rocked the barrier between action and sci-fi when Arnold Schwarzenegger battled a new kind of enemy in 1987. This isn't that movie. On its face, taking the thrilling Predator formula and applying it to an urban setting makes for a good movie. Throw in big names like Danny Glover, Bill Paxton, and Gary Busey, and you should have a blockbuster. So how did 1990's Predator 2 fail? We'll tell you how!
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"A Nightmare on Elm Street" introduced us to a new slasher villain, a new horror universe, Johnny Depp and blood-fountain waterbeds. But 2/3 of our panel was not impressed with how it holds up in 2017. Wild imagination clashed with goofy execution. Classic lines were fumbled by idiot actors. What we're saying is: Nightmare isn't bad, but don't waste Halloween watching it.
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Steven Spielberg made it, and it's widely considered a horror classic. So why is "Poltergeist" just ho-hum? Is it the bi-polar mood of the film? The shoddy acting? The complete misunderstanding of how actual people react to horrifying events? Or are we just haunted by the memories of days when something this hokey seemed scary?
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Surprise: We kinda liked Porky's. Also surprise: It's wasn't because of boobs (hardly any, actually) or jokes (so many bad ones). The 1981 Canadian-American teen sex comedy actually had some depth to it, dealing with child abuse, misogyny, racism, and possibly the fallout of war. Seriously!
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The Matrix changed the world: new camera styles, new visions of violence, new perceptions of reality, and new uses of vinyl clothing. Laurence Fishburne was unforgettable as the enigmatic Morpheus. Carrie-Anne Moss was sizzling as the sleek and deadly Trinity. And Keanu Reeves was the astoundingly empty vessel we needed Neo to be. But the real star, 18 years after The Matrix debuted, is Hugo Weaving as Agent Smith. Let's review what audiences loved, what still holds up, and what ultimately made this masterpiece just short of perfect.
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Theme Song - Die Hard by Guyz Nite
If someone told you "Ghostbusters" was every bit as bad as "Rambo: First Blood Part II," you'd tell him he was crazy. Consider us criminally insane. This iconic '80s classic starring Harold Ramis, Bill Murray, Dan Aykroyd, Ernie Hudson, Rick Moranis and Sigourney Weaver sparked our imaginations and made proton packs a household name, but the years have not been kind.
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Theme Song - Die Hard by Guyz Nite
In this 1980s sci-fi classic, small-town California teen Marty McFly (Michael J. Fox) is thrown back into the '50s when an experiment by his eccentric scientist friend Doc Brown (Christopher Lloyd) goes awry. Traveling through time in a modified DeLorean car, Marty encounters young versions of his parents (Crispin Glover, Lea Thompson), and must make sure that they fall in love or he'll cease to exist. Even more dauntingly, Marty has to return to his own time and save the life of Doc Brown.
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Theme Song - Die Hard by Guyz Nite
In case you were wondering: No, "Rambo: First Blood Part II" does not hold up. Unless you served in the U.S. Army or really hate computers. From unimaginable POW rescues to an impossibly glistening Sylvester Stallone, this 1985 action drama is the Father of All Action Movie Tropes. Find out what song makes Big D cry, what scenes make King Bee cringe, and what Gene Lyons actually liked about this utter betrayal of its "Rambo" predecessor. .
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Theme Song - Die Hard by Guyz Nite
Was 1980's "Blue Brothers" a perfect movie? Special guest and soul music expert King Bee says yes! Blue Brothers transcended the labels of "comedy," "musical," and '80s movie with incredible awareness of city life and urban joy. It also wrecked over 100 cars and had a massive budget for free cocaine.
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Theme Song - Die Hard by Guyz Nite
"Top Gun" is the perfect time capsule for 1986, the only year where you could make a successful "American romantic military action drama." We remember amazing performances by Tom Cruise, Tom Skerritt, Tim Robbins, Val Kilmer, Anthony Edwards, Kelly McGillis, and Michael Ironside. We remember Kenny Loggins and Berlin propelling the soundtrack to 9 million copies sold. But many people forget this movie had flaws the size of a Tomcat. Find out if it stands the test of time, and learn way too much about our sex lives in the process.
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Theme Song - Die Hard by Guyz Nite
We asked your favorite Chevy Chase movie. And you answered "Caddyshack." We groaned. But then, something incredible happened: We kinda liked it. Allow us to wipe the fog of age from your memory and revisit all the moments that made Caddyshack Hollywood's worst great comedy.
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Theme Song - Die Hard by Guyz Nite
"10 Things I Hate About You" introduced us to Julia Stiles, Heath Ledger, Joseph Gordon Levitt, and the unsettling reality that '90s Shakespeare adaptations were a really bad idea. If you remember this movie fondly, you're not alone. If you still think it's good after hearing the podcast, you're a fool.
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This "Independence Day," let's celebrate the 1996 cinematic dumpster fire that made Will Smith a blockbuster action hero and taught us Jeff Goldblum wasn't acting in "Jurassic Park." That's really him. He can actually hack alien computers. Join us as we fly our mother ship of skepticism through plot holes, wildly offensive performances and Randy Quaid's most annoying character ever.
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Theme Song - Die Hard by Guyz Nite
If you've seen "Ferris Bueller's Day Off," you remember every scene. If you've never seen it, you probably still know the quotes, the sets, the characters. This movie distilled everything '80s into a tight, fun, stylish package with a little bit of heart, to boot. But Ferris might not be the clever charmer you thought he was. Memories are funny like that.
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Theme Song - Die Hard by Guyz Nite
Do you like totally gross monsters, psychological thrillers, cute dogs and sexy Kurt Russells? If so, you'll love "The Thing." This John Carpenter classic stands the test of time, despite some glaring plot holes. Never before have Americans so smart done so many stupid things in so little time.
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Theme Song - Die Hard by Guyz Nite
Paul Verhoeven's "Starship Troopers" mixes fun, smarts, action, sex and satire into a star-studded sci-fi package. But a lot of people mistook it for cheeseball macho fluff. Let's relive the terrifying Arachnids, quotable one-liners, Nazi-influenced propaganda pieces and -- of course -- the infamous co-ed shower scene. All hands on deck for Starship Troopers.
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Theme Song - Die Hard by Guyz Nite
Our mission is to answer "Were the movies we loved when growing up really that good?" Indiana Jones and The Raiders of The Lost Ark isn't as good as we remembered: It's better. If you're sick of hearing us complain how other '80s movies fell short of the mark, this is the episode for you. We'll discuss how Harrison Ford was perfect for the Indiana Jones role, Karen Allen stole our hearts as Marion, the action scenes thrilled us, and Steven Spielberg's direction tickled our brains. This movie is downright perfect.
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Theme Song - Die Hard by Guyz Nite
Sometimes, a podcast episode comes along and ruins your entire childhood. This recap of Tim Burton's 1989 "Batman" is that episode. Give us an hour, and we'll convince you Michael Keaton was a ridiculous Dark Knight, Jack Nicholson was an unoriginal Joker, and journalists really aren't bad. On the bright side, Prince did put together a stellar soundtrack, and Kim Basinger is undeniably at the top of her game.
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Theme Song - Die Hard by Guyz Nite
This week's theme was 1990's movies with a twist, and listeners overwhelming selected David Fincher's masterpiece, Fight Club (1999). While Brad Pitt & Edward Norton may have acted in the film, the real star was the story. Join Roger & Big D as they explore what it really meant to be a man growing up in pre-9/11 America as they dive into their own masculine failures and shortcomings in a throwback episode of Shat the Movies!
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Theme Song - Die Hard by Guyz Nite
"Aliens" How did James Cameron make a move this good in 1986? Like, seriously, it's impossibly good. Sigourney Weaver is the perfect warrior woman when such a thing didn't exist in film. The story makes sense. The space Marines are badass. Even Bill Paxton's overacting is endearing. On the eve of "Alien: Covenant," let's bow at the altar of the greatest Installment of the Alien franchise.
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Theme Song - Die Hard by Guyz Nite
"Goldeneye" gave us a new James Bond in Pierce Brosnan and type of villain with Alan Cumming's Boris The Hacker. But the 1995 blockbuster missed a Golden opportunity to reinvent a franchise that was long overdue for some growing up.
Sure, there were highlights: a sadistically sexy Famke Janssen as Xenia Onatopp, another Sean Bean death and a cameo by Minnie Driver. However, the improbable stunts, goofy gadgets, sexism, misogyny were too much for this movie to overcome.
At least there was the video game. Man, that was a fun game.
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Theme Song - Die Hard by Guyz Nite
"Willow" might be the saddest movie of all time, because what's sadder than wasted potential? How do you combine George Lucas, Ron Howard, Val Kilmer, a fantasy universe and a massive budget to create absolute crap?
Start with casting actors strictly based on their height. Next, add recycled plot lines from "Star Wars." And finally, sprinkle the top with talking animals, absurd accents, nonsensical action scenes and the cheesiest villains in movie history.
This is all Gene's fault.
The Wilhelm Scream Explained: https://youtu.be/SzITADosISk
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"Who Framed Roger Rabbit" sets the bar for 80s movie effects. It boasts inventive techniques, tons of heart and neurotic attention to detail. Shocked? So we're we. But Bob Hoskins, Christopher Lloyd and the Disney-Warner Brothers crossover made believers of three grown men.
Also, Rog did way too much research for this one.
Video: Breaking down the brilliant ways Roger Rabbit was animated - https://youtu.be/RWtt3Tmnij4
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The Fifth Element combined the action starpower of Bruce Willis, the sexuality of Milla Jovovich, the comedic genius of Chris Tucker, the incomparable talent of Gary Oldman and the fashion vision of Jean-Paul Gaultier. And it pretty much sucked.
Shocked? So were we. In 1997, we worshipped this movie. In 2017, we were horrified to note the glacial pacing, meandering storyline and awkward fight choreography.
Kevin Brackett, of Reel Spoilers and Review St. Louis, guest hosts and confirms our startling realization: The Fifth Element does not hold up.
Subscribe to Reel Spoilers on iTunes: https://itunes.apple.com/us/podcast/reel-spoilers/id678411082?mt=2
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Theme Song - Die Hard by Guyz Nite
Major League takes us back to a time when baseball was hot, actresses were sex objects, and Charlie Sheen was likable. And despite some racist overtones and plot holes, this 1989 comedy still holds up.
Bob Uecker is still the best play-by-play on film. James Gammon is still the most believable baseball manager in Hollywood. And a shockingly young Wesley Snipes still dazzles in every scene.
Rog loved it. Gene Shat on it, and Dick knows far too much about baseball. Check it out!
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Theme Song - Die Hard by Guyz Nite
"Twister" gave us all a horrifying glimpse into a world where the United States doesn't have any politically correct superpower enemies. Left with no face for our fears, director Jan De Bont made weather itself the enemy, and not even a star-studded cast including Bill Paxton, Helen Hunt, Phillip Seymour Hoffman and Cary Elwes could save the resulting shatstorm.
If you were thrilled by this movie years ago or have warm feelings for the late Bill Paxton, let us teach you to hate everything about this movie ... with good cause.
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Theme Song - Die Hard by Guyz Nite
"Raising Arizona" introduced the world of the Coen brothers, Holly Hunter and Tempe, AZ. It also empowered John Goodman to truly display his abilities. But most of all, it showed us how funny Nicholas Cage could be.
Infinitely quotable and impressively shot by Barry Connenfeld, "Raising Arizona" is a 1987 time capsule that hasn't aged a bit. It's every bit as funny now as it was when we were kids.
Gene wrote this and isn't at all biased by his 25 years as an Arizona resident.
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"Blade Runner" should be a classic sci-fi masterpiece. Should be. Ridley Scott directed it. Philip K. Dick wrote it. Harrison Ford, Rutger Hauer, Daryl Hannah and Edward James Olmos brought it to life.
"Blade Runner" brought dystopian aesthetics to life for American audiences in a way we'd never seen before. And it totally sucked.
Before you cancel your Shat The Movies subscription in disgust, hear us out for an hour. If you could stay awake through "Blade Runner," you can sit through this..
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Theme Song - Die Hard by Guyz Nite
"The Shawshank Redemption" is one of the finest prison movies ever made, worthy of its 1995 Oscar nomination. But does it hold its own against the other cinematic giants of 1994: "Pulp Fiction," "Forrest Gump," "Quiz Show," and "Four Weddings And A Funeral?"
And why did it cost Gene Lyons his first kiss from the girl of his dreams?
Reminisce about the beauty and transcendence of Stephen King's tale, then jump right into our debate over whether Andy Dufresne really was guilty, Tommy was telling the truth and Hadley was a bad man.
Walking Dead fans, subscribe to "Critically Dead" with Rooster & RJ - http://apple.co/2naVBLh
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Theme Song - Die Hard by Guyz Nite
Some say there's no such thing as a perfect movie. We say, "You need to rewatch 'Pulp Fiction.'" Quentin Tarantino's 1994 quasi-noir masterpiece has earned the first-ever perfect score from Shat The Movies.
The mind-blowing cast includes Bruce Willis, John Travolta, Samuel L. Jackson, Harvey Keitel, Uma Thurman, Ving Rhames, Christopher Walken, Tim Roth, Eric Stoltz, Rosanna Arquette, Steve Buscemi and Peter Greene. The mind-blowing script contains too many quotes to list.
Rog loved it. Gene loved it. Big D loved it. Don't watch any other movies, ever.
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Theme Song - Die Hard by Guyz Nite
Is "Highlander" the worst '80s movie? Perhaps. Is it the worst movie Shat The Movies has reviewed? Definitely.
Christopher Lambert can't act. Sean Connery isn't Egyptian or Spanish. We still don't understand why "there can be only one." The movie starts on a high note with Freddie Mercury belting out Queen's "Princes of The Universe," and two very long hours later ends up in the toilet.
"Highlander" had one saving grace: It might have been a veiled legend of a closeted homosexual community coming to grips with its identity. But if it was, none of our gay friends noticed.
Apologies to the entire nation of Scotland and our friends at Great Northern Radio. Brace yourselves for the most vicious review we've ever released.
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Theme Song - Die Hard by Guyz Nite
We all remember "Revenge of The Nerds" as a fun '80s college movie, but there's a much darker side when you watch it today. What we once saw as pig pranks, masked sex, panty raids, crazy house parties and fiery undies now can be viewed as animal abuse, rape, theft, arson, hate crimes and assault.
Does that ruin the movie, or do the jokes still shine through? Do Booger's burps, Ogre's brawn or Takashi's Engrish outshine the creep factor of secret video cameras in Pi Delta Pi sorority house? The Shat the Movies team debates these issues and more in this review of the 1984 classic "Revenge of the Nerds."
BONUS for fans of Big D: He was in a fraternity, and he's got loose lips on this episode.
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Theme Song - Die Hard by Guyz Nite
"Terminator 2: Judgment Day" is the rare sequel that launched a franchise from good to unbelievably great. Does "Terminator 2" hold up after two decades? Absolutely.
This prime specimen of sci-fi action perfection has it all: Edward Furlong escaping in the aqueduct chase. Arnold Schwarzenegger shredding cop cars in the mini-gun shooting gallery. Robert Patrick jamming his finger through countless heads. Linda Hamilton cracking skulls and field-stripping rifles like a pro.
And if all of that doesn't convince you to listen, imagine the joy of hearing Gene, Roger and Big D try to wrap their heads around time travel in a non-determinist universe. "Terminator 2" is God's gift to blockbuster moviemaking, and Shat The Movies worships it.
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Theme Song - Die Hard by Guyz Nite
"Beverly Hills Cop" launched Eddie Murphy's international movie career and was the biggest box office hit of 1984, but is it overrated? No, dummy.
This is the police comedy that brought us the banana in the tailpipe, the synth sounds of "Axel F," the lovable Judge Reinhold at Det. Rosewood and Bronson Pinchot's bizarre accent.
Does Eddie Murphy's laugh get annoying? God yes. Do the action sequences make sense? Hell no. But "Beverly Hills Cop" gets our Shat Stamp of Approval. Find out why, and let us know what you think!
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Theme Song - Die Hard by Guyz Nite
High School was a very different place for teenagers back in 1985. There were no cell phones, lockers were still in use, and there was this strange building on campus called the "Library" that housed books and delinquents on Saturdays.
In this week's review, Rog, Big D, & Gene explore the hit film "The Breakfast Club". We explore whether or not the themes of teenage angst, High School stereotypes, and John Hughes-style diversity still hold up over 30 years later.
The Shatty Trio also share stories of their own High School experience, predict where the characters are today, and tackle the question as to why a movie called "The Breakfast Club" only served lunch.
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Theme Song - Die Hard by Guyz Nite
Give "Commando" some respect! Seriously! This Arnold Schwarzenegger action extravaganza paved the way for watch-based action shows like "24," spawned Arnold comedies like "Kindergarten Cop" and proved you can, in fact, have too much calypso music in a movie.
This episode has something for everyone: Big D wows by using his military experience to backseat drive the world's worst Special Forces operatives. Roger busts out his world-famous Austrian accent, and Gene tells the tragic tale of Val Verde, a nation forgotten because it never existed.
Relive Schwarzenegger's tactical mistakes, marvel at Dan Hedaya's awkward Spanish accent, swoon over the implied homosexuality, and cringe at the veiled pedophilia.
It's all here on Shat The Movies. Sit back, press play, and LET OFF SOME STEAM.
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Theme Song - Die Hard by Guyz Nite
Rocky IV punched its way into the heart of '80s kid by giving us an overload of all the things America loves: a dopy Sylvester Stallone, a terrifying-yet-misunderstood Dolph Lundgren, a sexy robot, Cold War speeches, Carl Weathers' mustache and training montages.
Sure, the punches looked off, the scenes were largely recycled and A GUY DIED IN AN EXHIBITION FIGHT, but after 31 years we're still thrilled by this beefcake brawlapalooza that's tough as snails
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Theme Song - Die Hard by Guyz Nite
The Last Starfighter brought us Rylans, the Kodan, Zando-Zans, Grig, Beta Units and whatever the hell Centauri was. It also delivered childhood dreams of video game supremacy that would carry us to the stars.
But does all that make up for hammy acting, eye-melting CGI and an alien race who look like balding boobs? That's this week's debate, and Shat The Movies' three-man panel is split like never before.
So load up your meteor cannon, strap into your gunstar and get ready to discover a whole lot more about Roger's sex life.
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Theme Song - Die Hard by Guyz Nite
"Tombstone" packed in the stars: Kurt Russel, Val Kilmer, Sam Elliot, Bill Paxton, Dana Delaney, Powers Boothe, Charlton Heston, Jason Priestley, Steven Lang, Billy Bob Thornton and more. And it packed in the action with a relentless shoot-em-up pace. But did it pack as big a punch as we remember?
From historical accuracy to production quality, let's cock the hammer on this 90's western and explore some hot topics, including: how many shells and double-barreled shotgun holds, when it's permissible to seek a new wife, how long after an assassination attempt you must wait to play billiards, and the difference between Doc Holliday and Doc Hollywood.
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Theme Song - Die Hard by Guyz Nite
"National Lampoon's Christmas Vacation" tops nearly every list of favorite Christmas movies and holds a warm place in our hearts. But it isn't flawless.
For every "shitter was full", there's an attic plank hitting Clark Griswold in the face. For every moment Chevy Chase shows his genius, there's a scene where he's forcing a laugh that never comes.
If you're a huge fan of "Christmas Vacation" or a closet hater, this episode of Shat The Movies is for you. Happy holidays from Roger, Gene and Big D. We wish you the hap hap happiest Christmas of all.
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Home Alone is the perfect modern Christmas movie: full of gags, pranks and warm messages about the holiday season.
Or is it?
Take a trip back to 1990 as we explore the parenting skills of the McAllisters, policing in the Chicago suburbs, airport security pre-9/11 and why Uncle Frank is such a dick.
Do you think the polka van was creepy? Do you think Old Man Marley was Jesus? Are you still afraid of the furnace in the basement?
Let Shat The Movies refresh your memory, and relive all Home Alone's classic moments with your three best movie buds.
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This week Roger, Gene, and Dick cook up the perfect receipt for a delicious 1980’s cinematic treat. With all the key ingredients on hand: a cop trapped inside a high-rise, a team of desperate terrorists, an iconic villain with brains and panache, and a group of hostages including the cop's estranged wife and you've got yourself the classic 1998 Die Hard.
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This week Join Roger, Dick and their new friend Gene for a stroll down the Santa Carla beach boardwalk; as they review and rewind the 1987 classic The Lost Boys.
Much like Tim Cappella playing his saxophone interpretation of “I Still Believe” they are each shirtless, muscular, oiled up, and ready to grind their hips for you the listeners.
So let’s all slide on our skin-tight purple pants, leather jackets, while we go find the nearest bridge to hang from... Because it’s time to feed.
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This week Dick & Roger turn Investigative journalists to blow the lid off the lies behind Paramount Pictures decade’s long cover-up of the Zamundian royal family and their atrocities. The film's plot revolves around the discontented Prince Akeem, who is tired of his pampered life and concocts a plan to travel to America with his servant Semmi to find a bide of his choosing. While purporting to focus on the courtship the Prince to the American commoner Lisa McDowell, the film actually turned out to be nothing but pure propaganda.
For over 28 years we have been methodically deceived into believing that King Jaffe Joffer was a benevolent ruler and loving father, but was he? How could a ruler who accessorize his wardrobe with the carcasses of exotic animals and proudly proclaims to have tied his own shoes once, called it "an overrated experience" be anything but ruthless? The King, in fact, rules the throne with unquestioned power and expects complete obedience even when choosing a bride for his son, who has been trained to mindlessly obey the princes every command.
Whether his vast fortune was built from conflict diamonds, worker exploitation, or environmental degradation it’s obvious the people of Zamunda are subject to unspeakable human suffering. So please join us on the sofa while we fire up the old VCS for a revealing expose on the corruption of wealth and power.
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To wet your whistle for the old west we decided to cover the 1973 “Classic” movie Westworld, so put on your chaps and saddle up… it’s going to be a rough ride.
Roger Roeper & Dick Ebert will host a weekly podcast that will cover Westworld the upcoming science-fiction thriller television series created by Jonathan Nolan and Lisa Joy for HBO, based on the 1973 film of the same name, which was written and directed by American novelist Michael Crichton. Nolan serves as executive producer along with Joy, J. J. Abrams and Bryan Burk with Nolan directing the pilot. It is scheduled to premiere on October 2, 2016.
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Marty McFly, a typical American teenager of the Eighties, is accidentally sent back to his hometown of Hill Valley in 1955… Wait same town, wrong movie.
A horde of miniature green monsters tear through the small town of Kingston Falls after a mild-mannered bank teller Billy unwittingly unleashes the destructive powers of his new exotic pet. His failure to follow his pet’s three simple rules: No water (but beer is ok), no food after midnight, and no bright light lead to countless deaths and undoubtedly years of legal battles for the Peltzer family.
So, when your washing machine blows up or your TV goes on the fritz, before you call the repairman, turn on all the lights and look under all the beds. 'Cause you never can tell, there just might be a gremlin in your house, or it just might be Billy Peltzer sabotaging your entire life.
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When it comes to 1990’s chick flicks, Julia Roberts is practically the living embodiment of the rom-com genre. From Steel Magnolias and Nottinghill to Runaway Bride, her body of work is almost universally loved by women, and tolerated by the men in their lives. Yet there is one film in the pantheon of Roberts’ repertoire which all men do secretly love: Pretty Woman.
So this week we dive into the 4$ bin and pull out the supposedly modern-day version of Cinderella. The story of a woman, Vivian (Julia Roberts) forced into the underground world of prostitution as a way to survive in Los Angeles. She becomes a week-long “companion” for an extremely wealthy businessman, Edward (Richard Gere). Sadly after spending a week in Beverly Hills luxury and living the life she'd always dreamed of.... she's forced to return to her sad existence and again sell her body for money. Ok... that’s not how the movie ends, but we all know it should have.
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We fired up the old VCR again this week for the classic Weird Science: The tale of two horny friends Gary and Wyatt who are tired of being social outcasts and not getting any action. With Wyatt's parents gone for the weekend, the two perverts try to create the world’s first real doll.
Using only Wyatt's computer, random photos from their wish boards and a Barbie doll the duo gives birth to their “perfect woman” with the limitless powers of a genie. Hilarity ensues including group showers, new interracial friendships, random bikers, dated sports cars, and a magical sucking chimney. So let’s all kick back with a glass of scotch and remember the time when it was ok to use magic to get laid.
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Our first return to the VHS vaults is the 1988 classic Big: After a wish from a possessed fortuneteller turns a 12-year-old schoolboy into a 30-year-old man, he is forced to hide in New York City alone.
A chance encounter with the owner of a toy company leads to an unlikely high paying job and an illegal sexual relationship with an adult coworker. However, the pressure of living as an adult and the torment of his mother's grief over her missing son begin to overwhelm him, and he longs to return to his simple, former life as a boy.
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En liten tjänst av I'm With Friends. Finns även på engelska.