Sixty Scales and the Truth

In this episode of Sixty Scales and the Truth, I welcome the incredibly talented guitarist Alex Misko. From his roots in Krasnodar, Russia, to finding a new home in Germany, Alex opens up about his personal and professional journey. They discuss his transition from classical guitar to fingerstyle, his unique approach to composing music, and the struggles of being a musician in difficult times. Alex also shares his thoughts on why he prefers creating original music over performing covers, the philosophy behind his workshops, and how he found his voice in the guitar community. Thanks for listening! Don’t forget to subscribe and give this episode a like if you enjoyed it.

Recently, I picked up my 4-year-old son from school and struck up a conversation with the father of one of his classmates. Before long, we found ourselves talking about this podcast series. The father mentioned that he was also a guitarist and, moreover, the son of a professional musician. "In my opinion, there’s one guitarist who stands head and shoulders above everyone else," he said. "And that’s Chris Buck."
"Ha!" I replied. "I actually spoke to him just yesterday."

Chris truly is a ‘one of a kind’ guitarist. Every note he plays sounds so beautiful, so precise, so charming, and expressive. His phrasing is incredibly delicate, he crafts his solos masterfully, and he never shows everything he’s got—though you know there’s more left in the tank. That always grabs my attention. And it moves me. Just like that father at the schoolyard.

Speaking of fathers: in this candid conversation, we also talk about family and the influences we carry from the environment in which we were raised. Once again, I’m incredibly grateful for this encounter, the conversation, and the lessons I’ve learned by speaking with someone who masters his craft in such an extraordinary way.

Every now and then, I still discover guitarists the old-fashioned way—not through Instagram, Facebook, or Spotify's algorithm, but simply because they take the stage like a jack-in-the-box, completely unexpected. The phenomenal German guitarist Joscho Stephan is one such artist. I had never heard of him until he joined Tommy Emmanuel for a few songs during a concert in Eindhoven. I don’t often listen to gypsy jazz, but Joscho’s playing completely won me over. He builds a bridge to gypsy jazz for hardcore rock fans—a group I’m part of myself. Like many masters of the genre, Joscho is an incredibly virtuosic musician. He has a fresh perspective, an open mind, and isn’t constrained by the dogmas of gypsy jazz. Even John Petrucci is a fan! I read a few months after that show that Petrucci contributed to Joscho’s new album. Keep an eye on this German phenomenon!

Every guest on this podcast is a legend in their own way, and Al Di Meola is undeniably a living legend. Mention "Friday Night in San Francisco" to any guitarist, and you'll likely spark memories, anecdotes, and a deep sense of admiration. For my conversation with Al, I had planned to gently ask about the heart attack he suffered on stage in Romania last year. However, after simply asking, "Al, how are you?" he shared the entire story in vivid detail. Throughout this candid interview, Al surprised me multiple times. He revealed that rejection was a significant motivator early in his career. He was once kicked out of a band, only to see the group reassembled a week later. He channeled that pain into laser focus and determination. I'm always fascinated by how exceptional guitarists like Al achieve such hyperfocus and push their boundaries. As a bonus at the end of the episode, you'll hear a few questions from Harry Valentino, the guitarist of High Fade. Harry previously shared that Al Di Meola is his favorite guitarist. Thank you, Harry, and thank you, Al, for this inspiring conversation!

Where I used to discover new artists through friends and often by reading the credits in CD booklets, these days I mostly rely on algorithms. It might not sound as romantic, but it does lead to some fantastic discoveries. That’s how, sometime last year, Oz Noy came onto my radar. His name sounds like a character straight out of L. Frank Baum’s famous book. His playing is just as imaginative and adventurous as the journeys through the Land of Oz. At times, it squeaks and grates, but there are always surprises waiting. He was already performing on stage at a relatively young age and took the leap to move to New York in his early twenties. In our conversation, we delve deeply into his connection with that city and explore his collaborations with top-tier musicians. As rich and colorful as his playing is, Oz has a dry way of summarizing life in words: “I remember when I stopped going to school, I was a little freaked out. My parents were freaked out. But I started practicing all the time. Once you practice, you get into a routine, then everybody kind of chilled out.”

Some bands make you smile, give you energy, and make you feel alive. For me, that band is High Fade. 🎶 Playing as a power trio (drums, bass, guitar), they bring raw energy and chemistry to every performance. Guitarist Harry Valentino doesn’t just play; he’s part of the rhythm section with his dynamic, groove-driven style while also shredding incredible solos. 🎸High Fade often takes to the streets for busking gigs, driven by their passion for music and love of connecting with new audiences. Watching their videos, you can feel the joy they radiate—it’s infectious! Their debut album, Life’s Too Fast, is out now, and it’s the ultimate feel-good soundtrack.When I sat down with Harry, he shared some incredible stories about the band and his personal journey. These conversations made me realize that while High Fade is all about fun, but there's so much more to this band. These guys are on a mission, and I can’t wait to see where the journey takes them!

"This is actually my favorite guitarist," I remember Plini saying these words during a show in Nijmegen (yes, the town where Eddie Van Halen grew up) and thought, “Hm, I should check this guy out.” I’m glad I did!

"I'm trying to be less melancholic." These were the words Jakub spoke just before our interview during a workshop at the Guitar Summit in Mannheim, and they resonated in my mind. Why? I asked myself. The music of this fantastic – and I repeat, FANTASTIC – guitarist can indeed be somewhat melancholic at times. But in a beautiful way. It's music you can simply lose yourself in. Jakub composes like a painter creating a canvas: it's rich, colorful music that sounds unlike anything else I know. I'm very grateful to Jakub for how open he was during this conversation, despite mentioning that he's not really a social person. I'm really looking forward to seeing him live again.

News alert!

Scoring scoops isn’t exactly my goal during the conversations for this podcast. When Nick Johnston announced two new projects during the recording, my initial reaction was simply excitement. It wasn’t until the editing phase that I realized: “Hey, this is news!”

Nick revealed that he has started a band with superstar drummer Gavin Harrison (Porcupine Tree, King Crimson). He’s also coming out with a trilogy of solo albums accompanied by a full-fledged novel. I can’t wait for this music to see the light of day.

However, it was another sentence that stuck with me after the conversation with Nick: “I have two brothers, and they’ve never heard my music. They’ve never came to a concert of mine. And they’ve never asked me anything about my music.”

Nick speaks very openly about how this was once painful for him, but he’s managed to put that pain aside. Most of the super guitarists I speak with for this series have families that support them through thick and thin. Nick, however, comes from a background where his passion wasn’t exactly understood. I find it incredibly impressive that he’s broken free from this, found his own path, and walked it, no matter how big the obstacles were along the way.

For those who don’t know Nick: his music can be summed up in five words: un-be-lie-va-ble. The unique way he plays always resonates with me immediately. He also has a gifted sense of harmony and melody. Is he the very best? Of course, that’s a matter of taste. But if you asked me with a gun to my head, there’s a good chance his name would slip out.

It kind of makes sense to release an episode with Tom Quayle right after one with Jack Gardiner in this podcast series. After all, the latter guitarist calls Tom his "second father."

After every conversation in this series, I always need a moment to come back down to earth. With headphones on, it feels like we're diving into our own little microcosm together. I find myself in a sort of hyperfocus, and it amazes me every single time, in a positive way, how openly the guests are willing to share their life experiences.

Toward the end of the conversation with Tom, he mentioned the term "imposter syndrome." It’s something even a ridiculously skilled guitarist like Tom has had to deal with. Choosing to live as a musician is a bold decision. A choice that, alongside the excitement, comes with doubt, introspection, and other uncertainties. Tom openly talks about it.

He also shares stories about his guitar-obsessed family roots and how he mastered the legato technique that brought him global recognition. Tom reflects on his musical influences, the challenges of balancing performance with teaching, and how his love for improvisation shaped his approach to guitar playing.

Tom also provides insights into the influence of jazz theory and the subtleties of his personal sound. In this conversation, he reveals key moments from his career, including his discovery of Dream Theater, his time at jazz college, and the struggles he faced when writing albums. He also gives us a peek into his current obsession—analog synthesizers—and how this unexpected passion has influenced his creative journey.

Thanks again, Tom! It was an absolute pleasure to have this conversation with you. Enjoy the full interview, and don’t forget to subscribe! 😀

Subwoofer Alert! You might want to turn down your subwoofers because when Jack Gardiner speaks, he brings all the bass you need! But if you choose to keep them on, watch out—they might just explode! 🎸 In this latest episode of "Sixty Scales and the Truth," I had the pleasure of sitting down with the incredibly talented Jack Gardiner during the Guitar Summit in Mannheim. We shared some great laughs and dug deep into his journey as a musician. One of the things I truly value while making this podcast series is how openly my guests talk about their life experiences. Jack, despite coming from a musical family, had to make some tough decisions to carve out his path as a professional guitarist—a choice that wasn't always encouraged. Throughout the interview, Jack offers an honest perspective on the struggles of being an artist, the influence of his working-class roots, and how the mentorship from guitarists like Tom Quayle shaped his playing and musical approach. We explore his take on improvisation, the role of muscle memory, and finding that elusive "zen" moment on stage. Plus, Jack gives us a sneak peek into his upcoming album and his exciting collaborations with various talented musicians.

How do you find focus while life keeps rushing by in all its chaos? How do you keep learning fun and, moreover, interesting? And how valuable is it to make music with real friends? These are just a few topics that came up in the conversation I recently had with Richard Henshall, the guitarist of the fantastic British prog rock band Haken. Richard also releases albums as a solo artist—music I personally treasure as beautiful, interesting, surprising, and simply very well produced.Every time I bring a guitarist in front of the microphone for this podcast series, I realize how grateful I am that they take the time for a conversation. Each time I learn something new. And each time I meet interesting, talented, and very kind people. I hope you enjoy this episode as much as I enjoyed the conversation.

From Conservatory to Rock Legend: DeWolff’s Pablo van de Poel Shares His Musical Journey! 

In this Podcast interview, DeWolff’s frontman and guitar virtuoso Pablo van de Poel talks about early struggles at the conservatory, to crafting iconic songs with DeWolff, Pablo opens up about his shift from complex music theory to trusting his gut and instinct.

#DeWolff #PablovandePoel #ClassicRock #GuitarLegend #MusicJourney #Songwriting #LiveMusic #RockInterview #StudioRecording #GuitarHero #MusicalEvolution #AuthenticityInMusic #BluesRock #RocknRoll #BehindTheMusic #MusicLovers #DeWolffFans

After a period of playing less guitar myself, I’ve recently dived back into it with renewed enthusiasm. It’s been fantastic to explore new styles and follow online lessons from guitar legends, trying to catch even a small part of their brilliance. While browsing through True Fire’s offerings, I came across a name that seemed distinctly Dutch: Theo van Niel Jr. Intrigued, I downloaded his course and quickly realized I was dealing with an exceptionally talented musician.

Not long after my ‘discovery,’ Theo released a new album where he masterfully blends rock, fusion, metal, and country in his unique style. I decided to visit Theo at his home, where he also runs his music school, for an in-depth conversation. We talked about his talent, his learning process, teaching, his childhood, and some of his musical heroes.

Get to find out more about this crafty player as we explore Theo’s journey through music, his creative process, and his insights into mastering the guitar.

Many consider Tommy Emmanuel to be the greatest of all time (GOAT), and while music isn’t a competition, I wholeheartedly agree. Tommy is not only a phenomenal musician but also a remarkable human being. I had the privilege of meeting him once before this interview, and what struck me was his presence. He truly connects with everyone around him, which, as he told me, is no coincidence. It’s a state of mind that Tommy deliberately chooses. We discussed how this mindset has helped him as a musician and performing artist. We also delved into his youth, his struggles, the lessons he has learned, and some other anecdotes that only Tommy Emmanuel could share. At the end of our conversation, I couldn’t resist asking if he would play a song. You can hear it in a separate video I’ve posted. Enjoy listening to this one-of-a-kind person.

The more music you’ve heard and the easier it is to access, the harder it is to be truly surprised and captivated by something that you find completely refreshing. Maybe that comes with getting older. Or perhaps it’s a deflation of your listening experience, given that you can hear almost any imaginable music with just a few clicks. This contrasts with the romanticized version etched in my memory from my youth: spending your hard-earned money only on music that truly moves you and then playing it a million times.

When I first heard Plini’s music, I suddenly felt that kick again: I had never heard anything like it. Inventive music, ranging from soothing to hard-hitting, with simply wonderful melodies, amazing rhythmic ideas, and skillful playing. Each new release from the laid-back Australian is a gift.

It's not surprising that Plini can evoke such an experience. When making music, he responds to his impulses like a child, he mentioned in the podcast. This approach avoids clichés and well-trodden paths, sometimes turning everything upside down.

Plini talks about the role of his parents, his architecture studies, and answers a question from Matteo Mancuso, who wanted to know why his productions sound so good.

Plini will be playing on August 17th, a month after the release of this episode at Complexity Fest! Check https://www.complexityfest.com/ for more info and tickets.

What if you are told that you are ‘the best in the world’? A nice compliment. But one that burdens you with a lot of responsibility. At least, that’s how the fantastic Italian guitarist Matteo Mancuso experienced it when the hype around his playing reached its peak. Matteo wanted to practice even more than he already did, he told me during this podcast interview, prior to the Bridge Guitar Festival in Eindhoven.

Anyone who has seen and heard Matteo play knows that you are dealing with an exceptionally talented musician. It’s no small feat to stand out head and shoulders in an era where one top guitarist after another showcases themselves on YouTube.

Apart from the technical feats, he simply makes beautiful music. He is a guitarist who is constantly evolving and someone who lives for the guitar. The way he absorbs and makes styles his own is, in my opinion, unprecedented. Matteo does this with intent. During our conversation, I noticed that the Italian is someone who thinks carefully about what he does and—although the guitar is everything to him—does not get lost in the instrument. One of his goals is also: ‘Enjoy life,’ as he said at the end of the broadcast. Something you can certainly achieve by putting on this guitarist's music.

Music embeds itself in a special way in your brain. Many interesting studies have already been conducted on this topic. Thinking about this, I also recall videos of elderly people with dementia who can do very little. However, one thing they can still do is flawlessly sing or play songs they stored in their memory during their youth.

I experienced the powerful way all that music is etched into your memories when I listened again, for the first time in at least 20 years, to Michael Lee Firkins' debut album from 1990. The melodies he writes are quite complex, yet I could still sing along with all the nuances of "Laughing Stacks."

This is, of course, not only due to my brain but also largely to the talent of this friendly American. I had lost sight of him for a while, despite the great impression his debut album made on me when I became captivated by instrumental guitar music as a teenager. Along with 'Passion and Warfare' by Steve Vai and 'Surfing with the Alien' by Joe Satriani, 'Michael Lee Firkins' was my favorite guitar album. MLF had and still has a tone that you can recognize out of thousands.

After his debut album, he made a lot of music, but he never matched the success of that first album. Although, what is success really? Is it reaching a lot of people with your music? Or making the music you want to make, regardless of the number of listeners? Michael Lee Firkins leans more towards the latter vision. He writes more music than ever, he told me in the podcast interview. However, he doesn’t release much music anymore. The guitarist disagrees with the revenue model behind Spotify and similar platforms.

I consider myself lucky to have finally seen him play live after all these years and that he took the time to talk about his music, his career, and the choices he has made in his life.

Music is a game of tension arcs. Of fulfilling expectations. Or of going in the completely opposite direction. Reinier Baas is good at the latter. Very good. When I first heard the music of the Dutch jazz guitarist, I was constantly on the edge of my seat. One surprise followed another. It quickly became clear to me that I was dealing with a free spirit for whom composing is an adventurous journey.

Last year, I already spoke with Reinier in the run-up to the Bridge Guitar Festival. After that conversation, I realized that I had not yet finished asking my questions.

It intrigued me that such a free spirit like Reinier developed an application that helps him with composing. During the interview at the Amsterdam Conservatory - where Reinier teaches - he explained how restrictions can help him when he composes. When everything is possible, frameworks provide guidance. From that idea, his one-minute-radio compositions were also born.

We also talked about marketing. Being able to create a product is very different from being able to sell a product. Something I struggle with myself at times. Regarding his latest album ‘Relief Party,’ Reinier had some good advice: ‘If you like the album, buy it. If you don’t like the album, buy it for someone you don’t like.’

So, if you like this podcast series: listen to this episode. If you don’t like it, share it with someone you don’t like!

What is a mistake? Do mistakes even exist? I pondered this before speaking with jazz guitarist Julian Lage for the podcast series Sixty Scales and the Truth. Two days before the conversation, a remarkable moment occurred on stage at the beautiful venue De Roma in Antwerp: together with bandmates Jorge Roeder (double bass) and Dave King (drums), guitarist Lage had already been on a roll for about three-quarters of an hour.

Occasionally, Lage would take a mini-pause. He would briefly take his hands off his instrument and seem to sense which note should follow once he touched his Telecaster again. At this particular moment, Lage decided to make a large arm swing that was supposed to result in a loud, sharp, high note. But Lage missed. It doesn't happen to him often. The crackling sound of half-muted strings filled the hall. It didn't faze Lage. On the contrary: Roeder and King laughed, as did Lage himself, who seemed to embrace the miss and casually turn it to his advantage. Typically one of those moments where, precisely through imperfection, perfection is approached in the guitarist's playing.

Anyone who has ever seen Lage play knows how special he is. He has an incredible amount of theoretical knowledge but plays completely by feel. "It's about communicating, about the moment," Lage said in our conversation. In this, a missed note can say more than something that is played perfectly.

Speaking with Lage was a joy. The American spoke openly about how he overcame obstacles and thus allowed his true voice to emerge. Julian discusses the significance of authenticity in his guitar playing, highlighting his unique voice and the balance between being reserved offstage and taking risks onstage. He emphasizes the holistic nature of music and the importance of expressing one's true self. Julian shares insights on communication through music, the role of vulnerability, and the nuances of stage performance.

Pesos, passion, prestige, and pleasure: Reflecting on my conversation with Nili Brosh, these words come to mind. Many people will recognize this: in everything you do, one of these ‘p’s’ resonates more strongly. It's key to find something where all the ‘p’s’ align. Without being a pessimist: this is granted to only a few. Meanwhile, us mortals continue to struggle with finding a balance continuously.

Nili Brosh seems to have found a beautiful balance though: she plays guitar incredibly well, has a variety of clients (including the band of the renowned film composer Danny Elfman, Cirque du Soleil, and the death metal band Dethklok), and writes beautiful compositions and releases her own material, which she tours with. It’s sometimes quite a challenge to put your own passion project at the top of the list, Nili mentioned in the podcast. It’s a good problem to have, she said, but still: how is it that so many things pull at you, making it difficult to follow where your heart truly lies?

A question from the previous podcast guest Paul Masvidal also references this: how do you stay true to yourself when you do so many different things?

Nili turned out to be a super friendly, energetic, and warm personality. It felt like I had known her for much longer. And I'm sure this wasn't the last time our paths crrossed. If you don’t know her music yet: check it out!