Sound Design Live – Career building interviews on live sound, theatre, AV, recording, and sound system tuning

Show Notes: https://www.sounddesignlive.com/what-we-learned-lv1-loudness-metering-in-dc/ Interview with mastering and live sound engineer Michael Curtis about doing sound for the processional for Joe Biden and Kamala Harris.

Learn more: https://www.sounddesignlive.com/phase-alignment-science-academy/

Show notes: https://www.sounddesignlive.com/make-stage-plot-save-time-and-misunderstanding/ Interview with long-term festival patch monkey Beth O'Leary about audio riders and stage plots. Start supporting Sound Design Live today:https://www.patreon.com/sounddesignlive

Join me on Patreon: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/the-difficult-balance-of-hustle-and-self-care-for-live-event-technicians/ Interview with licensed professional counselor Danielle Bowker about finding balance between road and home. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/women-in-pro-audio-susan-williams/ In this episode of Sound Design Live, I talk with writer and podcaster for SoundGirls and Associate Course Director at Full Sail University, Susan Williams. We discuss sexism in pro audio, remote learning, and constructive criticism. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/what-women-want-how-iem-mixes-differ-by-gender/ In this episode of the Sound Design Live podcast I talk with Anthony Karydis from Mativision about how they accomplish 360º interactive live video streaming with zero crew. We also disucss their proprietary cameras and multi-channel playback hardware and live mixing concerts. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/make-you-sound-as-good-as-possible-nathan-short/ In this episode of Sound Design Live, I talk with technical lead at Void Acoustics, Nathan Short. We discuss setting up sound systems for DJs, an alternative to using compressors out of fear, and paying for sound systems with alcohol. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/right-now-is-the-best-time-to-build/ In this episode of Sound Design Live, I talk with the founder of AV educate, Omar Colom. We discuss getting gigs, losing gigs, and networking. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/gain-before-feedback-is-independent-of-the-level-of-the-talker-jason-romney/ Interview with professor of design and production at the University of North Carolina School of the Arts, Jason Romney. We discuss theatrical sound design, fighting microphone feedback and the Smurf inside your compressor. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/rog-and-nathans-5-hour-show-about-end-fire-vs-gradient-arrays/ Interview with Rog Mogale of Void Acoustics about building an R&D lab in China, 200 mph motorcycles to Tibet, and gradient vs end-fire subwoofer arrays. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/can-you-mix-better-on-speakers-with-flat-magnitude-and-phase/ In this episode of Sound Design Live, I talk with the Co-Founder and VP of Products at Sonarworks, Mārtiņš Popelis. We discuss the magic under the hood of Reference 4, why you can only please 17% of people, and the true test of mixing on a linear system. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/?p=46830 Interview with Associate Professor of Electroacoustics at the University of Derby, Adam Hill, about managing sound exposure and noise pollution, diffuse signal processing to cure power alley, and the effect of stages and other boundaries on directional subwoofer arrays. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/subwoofer-behavior-room40hz-test-it-francois-deffarges/ In this episode of Sound Design Live, I talk with the head of engineering support at Nexo, François Deffarges. We discuss the troubling trend of uncoupled subwoofer arrays left and right of the stage and how to fix it, how to test subwoofer options for better LF results, why asymmetrical horns look upside down, and the time François was publicly shamed (mistakenly) in the French national press. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/?p=46506 In this episode of Sound Design Live, I talk with the co-founder of Audio Test Kitchen, Alex Oana. We discuss entrepreneurship and how Audio Test Kitchen enables you to compare 300 microphones through double-blind listening tests from your own studio. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/?p=46590 In this episode of Sound Design Live I talk with the Field Sales Engineering Manager at Yamaha Global, Preston Gray. We discuss the benefits of finding a mentor, redundant Dante networks, and how scuba diving is like pro audio. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/dave-gunness-passive-cardioid-subwoofers-fulcrum-acoustic/ In this episode of Sound Design Live I talk with the vice president of engineering at Fulcrum Acoustics, David Gunness. We discuss the improved gain-before-feedback with coaxial speakers, the cell phone material that helped crack the code on passive cardioid subs, and ground-stacked vs flown subwoofers. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/?p=46192 Interview with Phillip Peglow about Broadway during COVID-19, if you should go to graduate school, and why you should never use a graphic EQ. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/?p=46189 In this episode of Sound Design Live I talk with the founder of SIA Acoustics and SIA Software and the originator of Smaart, Sam Berkow. We discuss acoustics, sound system design, and audio analyzer pet peeves. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/communication-trust-artists-sound-engineers-ozark-henry/ In this episode of Sound Design Live I talk musical artist Ozark Henry about his new album Paramount recorded in Aura3d. We discuss the challenges and benefits of live recording, being faithful to the artist's vision in your mix, and the one thing Henry wishes more sound engineers would do on every show. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/?p=45686 In this episode of Sound Design Live I talk with the creator of the Sound Bullet, David Scorteccia. We discuss building a habit of logical troubleshooting, how caring less can get you more gigs, and all of the Sound Bullet features. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/how-many-measurements-positions-for-proper-eq-scott-sugden/ Interview with Scott Sugden of L-Acoustics about the sound system tuning automation and the specific number of measurement positions you need to represent an audience for proper output EQ choice. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/?p=45316 In this episode of Sound Design Live I talk with the senior technical support and education specialist at Meyer Sound, Merlijn van Veen. We discuss subwoofer alignment, subwoofer spacing, and M-noise. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/?p=45060 In this episode of Sound Design Live I talk with the president of Rat Sound Systems, Dave Rat. We discuss artistic solutions to technical problems, the best mindset for a finding work and a long fulfilling career, and the time Flea shouted in his face for missing an entrance. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Original video: https://youtu.be/0oj_GDbFj44 Essential Live Sound Training: https://tinyurl.com/y5notvab Guerrilla Mixing: https://gainmedialab.com/guerilla-mixing-course My review of Essential Live Sound Training: https://www.sounddesignlive.com/scott-adamson-essential-live-sound-training-review/ Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/?p=44890 Interview with Erik Rogers about touring with Godsmack, SPL limits, console setup, and event safety. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/?p=44855 In this episode of Sound Design Live I talk with musician and cofounder of Upscale Technology, Francis Masse. We discuss how his app, Uptune, helps musicians mix themselves from the stage. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/?p=44722 In this episode of Sound Design Live I talk with Chris Leonard who is Director of Audio at IMS Technology Services. We discuss his sound system design and mix for the largest public event ever in Philadelphia covering 1 mile for the Eagles Super Bowl Parade, dealing with wide dynamic energy coming through a podium mic, and how to build relationships and get more work with Project Managers. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/?p=44527 In this episode of Sound Design Live I talk with Michael Lawrence who is Document Jockey at Rational Acoustics, Technical Editor at Live Sound International, and a freelance audio engineer. We discuss lots of tips for fighting microphone feedback without a graphic EQ (and without Smaart!) while mixing stage monitors from FOH in a reverberant room. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/?p=44135 In this episode of Sound Design Live I talk with principle teacher at Synergetic Audio Concepts and a co-author of Sound System Engineering, Pat Brown. We discuss the motivation of mistakes, finding clients through retail work, investing in high quality tools, practicing at home, and the biggest mistakes in sound system design and optimization. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/?p=44244 Interview with RF technician Stephen Pavlik about troubleshooting tips for wireless microphone and in-ear-monitor interference as well as RF best practices to avoid dropouts. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/audio-over-it-how-it-works-you-will-fail-bodo-felusch/ In this episode of Sound Design Live I talk with sound engineer, producer, and trainer on network technology and Lake processing, Bodo Felusch. We discuss practicing using your audio analyzer at home without a PA, identifying a comb filter, and the importance of understanding the network your audio is traveling over. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/broadway-rock-n-roll-system-tech-alex-ritter/ In this episode of Sound Design Live I talk with touring system technician and Master Sound Engineer at the Guthrie Theatre, Alex Ritter. We discuss his work as the system technician on the recent tour with Lady Antebellum and Darius Rucker as well as the production process at The Guthrie Theater. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/secret-weapon-profile-sound-like-no-other-you've-heard-before-sean-quackenbush/ In this episode of Sound Design Live I talk with touring FOH mixer and system tech Sean Quackenbush about how he got the job on the Brandi Carlile tour, his input and output setup, system tuning process, and secret weapon to make the Avid Venue Profile sound like no other profile you've heard before. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/best-sounding-target-eq-curve-smaart-chase-benedict/ In this episode of Sound Design Live I talk with touring FOH mixer and system tech Chase Benedict about the challenges of touring, the benefits of starting out at a sound company, the dangers of relying on a single target EQ curve, and that time a lighting fixture fell on his head from 10ft in the air and he had to mix the show with electrical tape holding his face together. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/engineer-production-manager-knew-i-wanted-tour-Michelle-Sabolchick-Pettinato In this episode of Sound Design Live I talk with FOH mixer for artists such as Spin Doctors, Indigo Girls, Styx, Melissa Etheridge, Gwen Stefani, Kesha, Jewel, Mr. Big, Goo Goo Dolls, Christina Aguilera, and Adam Lambert, Michelle Sabolchick Pettinato, about how she went from mixing local bands to international tours. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/robert-scovill-john-cougar-mellancamp-prince/ In this episode of Sound Design Live I talk with Robert Scovill about the importance of good training, subjectivity vs objectivity, the dangers of becoming tribal around a brand, and how to earn the respect of John Cougar Mellancamp and Prince. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/how-to-find-work-and-become-a-freelance-sound-engineer-niclas-jeppsson/ Interview with Niclas Jeppsson about how to find work and become a freelance sound engineer. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://wp.me/p1sfi8-aPW Interview with Andrew Stone from MxU about the moment on tour that changed his whole identity and why he started mixing for himeself instead of everyone else. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.sounddesignlive.com/stop-smaarting-the-sound-system/ Smaarting the sound system has turned into a bad word. It refers to a quick and easy sound system tuning procedure that can ruin your show. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://wp.me/p1sfi8-aNW In this episode of Sound Design Live I talk with Jamie Anderson from Rational Acoustics about how he is able to work faster with Smaart using strategic check points in his sound system tuning process to avoid time consuming errors. Anderson also explains why Smaart is not a silver bullet, the history and future of auto EQ, and why Germans don't laugh at his jokes. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://wp.me/p1sfi8-aJf Interview with Nicholas Radina about reducing stage volume, troubleshooting wireless mics and IEM, recovering from burnout, and how to avoid overwhelm on the job. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://wp.me/p1sfi8-aHj Aleš shares his best tips for getting great results under the worst circumstances in these highlights from Guerrilla Audio. See the entire Live Sound Summit here: https://www.sounddesignlive.com/audio-engineer-training-programs/

Complete Show Notes: https://wp.me/p1sfi8-aF5 In this episode of Sound Design Live, I speak with touring FOH sound engineer, author, and fashion entrepreneur, Dave Swallow, during his stop in Minneapolis on tour with Erasure. We discuss using timecode to trigger scenes on a Venue Profile console, starting a clothing line, why touring sound engineers are working more, but getting paid less, and what to do about it. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://wp.me/p1sfi8-aDX Interview with Chris Leonard on monitors for Tears for Fears, setting up the sound system for the presidential inauguration, and Dante troubleshooting tips. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://wp.me/p1sfi8-aBH In this episode of Sound Design Live, I speak with the inventor of the automatic microphone mixer and CEO at Dan Dugan Sound Design, Dan Dugan. We discuss the origin of the automatic microphone mixer, implementation and best practices, and his favorite locations for soundscape recording. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Video: https://youtu.be/NWJIEgaYEQ8 Course: https://www.proaudioworkshopseeingsound.com/

Video: https://youtu.be/d1pLwsy-584 Course: https://www.proaudioworkshopseeingsound.com/

Video: https://youtu.be/2W9u_wXQFrk Course: https://www.proaudioworkshopseeingsound.com/

Video: https://youtu.be/vIz0506PlWI Pro Audio Workshop: Seeing Sound - https://www.proaudioworkshopseeingsound.com/

See the video: https://youtu.be/zgUR0_mK_qY Learn more about the course: https://www.proaudioworkshopseeingsound.com/

Watch the video: https://youtu.be/MgoOeLyGvyw Learn more about the course: https://www.proaudioworkshopseeingsound.com/

Complete Show Notes: https://wp.me/p1sfi8-atI Interview with Bobby Owsinki about the state of concert sound quality and the three most important qualities for building a lifelong career in pro audio. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://wp.me/p1sfi8-asb Interview with acoustical designer Tim Perry about simple and effective ways to improve the acoustics of small recording studios and concert halls. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://wp.me/p1sfi8-ap1 Interview with FOH mixer Scott Adamson about his approach to EQ, the difference between big sound and loud sound, and the most important mindset that helped his career. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://wp.me/p1sfi8-alO Interview with Chris Tsanjoures, Product Manager and Smaart Instructor at Rational Acoustics, about sound system tuning time saving techniques, microphone placement for main+sub alignment, and the biggest mistake new Smart users are making. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://sounddesignlive.com/everything-feared-digico-consoles-wrong-ales-stefancic Interview Aleš Štefančič, the Technical Director and Monitor mixer for Siddharta and system consultant for MK Light Sound in Slovenia. We get deep into why Digico consoles have always scared me and why I was wrong all along. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://sounddesignlive.com/5-pro-drummers-explain-how-to-make-a-drum-kit-quieter-on-stage In this episode of Sound Design Live, I speak with five professional drummers: Go-Go Ray, Jason Willer, Jonathan Ulman, Russ Gold, and Zil. We talk about how live sound engineers and drummers can work together to control the sound level of shows in small rooms and a lot of psychological and technical hacks to make a drum kit quieter on stage. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://sounddesignlive.com/find-perfect-show-volume-without-spl-meter-chris-huff-behind-the-mixer/ In this episode of Sound Design Live, I speak with Chris Huff from Behind The Mixer and the author of Audio Essentials for Church Sound. We discuss how to find the perfect volume, why your wireless microphones might stop working tomorrow, and what to do when disaster strikes. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Sign up: https://nathanlively.appointlet.com/s/16427 During this powerful one-on-one session, we’ll work together to: 1. Identify the key relationships that you need to get the best gigs. 2. Uncover the communication breakdown that is sabotaging your success. 3. Create a next-step action plan.

Complete Show Notes: https://wp.me/p1sfi8-adX In this episode of Sound Design Live, I'm joined by the world leader in marketing education for freelancers and consultants, Kai Davis. We discuss the biggest mistakes new freelancers make, how to start your first outreach campaign, a simple process to conduct market research, and the Outreach Blueprint. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://wp.me/p1sfi8-adz In this episode of the Sound Design Live podcast I talk with film maker and host of Roadie Free Radio, Larry Milburn. We discuss how to be a self starter in the audio industry and the many career paths of a sound engineer. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://wp.me/p1sfi8-abo In this episode of Sound Design Live, I speak with monitor mixer, educator, writer, and musician Nick Radina from Cincinnati, OH. We discuss his best tips for easy in-ear monitor setup and get deep into wireless frequency coordination and strategies for mixing wireless IEMs(in-ear monitors). Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://wp.me/p1sfi8-a9v In this episode of Sound Design Live, I speak with freelance recording engineer and a sound system tuning expert for automotive audio and electrical consumer products, Shelley Uprichard. She walks me through sound system tuning for car (using mostly free tools and listening!) and how she got started in the automotive industry. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://wp.me/p1sfi8-a05 Interview with Merlijn van Veen on how audio analyzers used in sound system tuning can easily be abused for micromanagement and over EQing and your questions on line array vs point source. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://wp.me/p1sfi8-9Zw Questions from live sound engineers on the topic of verification and placement of speakers in sound system tuning. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://wp.me/p1sfi8-9VC In this episode of Sound Design Live I talk with Behringer X32 expert Drew Brashler. We answer loads of questions about the X32 and discuss his work with Christ's Church of the Valley. I asked: - What are the biggest mistakes you see people making who are new to working with the X32? - What are the main differences between X32 and M32? - How do you set up the X32 for rock-solid wireless control? - How do you use the X32 as a speaker processor? - How do you a complete console backup to USB drive? Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://wp.me/p1sfi8-9Ty I talk to Ableton Live producer Steve Knots about getting great bass with your Ableton Live mixes. We also discuss: - Going to school in NYC - How to get your clients and colleagues to care about sound system tuning - The most important things he learned at music school - The benefits of education - The nuts and bolts of living and working in Prague as a US expat - Steve's number one tip for travelers - Why getting out of NYC was the best decision Steve made for his career - The biggest mistakes new Ableton producers make with their bass tracks - How to find the best teachers Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-9Ko How to design our live sound system for maximum results. Start supporting Sound Design Live on Patreon today for as little as $1: www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-9Kg How to prepare for sound system tuning so that we can be more efficient and save time. Start supporting Sound Design Live on Patreon today for as little as $1: www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-9Kc I just completed the fourth presentation of a live webinar training on sound system tuning. The webinars went well, but there just wasn't enough time to answer all of the question that the 535 attendees sent in. But I don't want to leave those people out in the cold so I have gathered all of the questions and I am going to answer all of here on the podcast. I have organized them into sections, so today we are going to talk about the Why of sound system tuning. Because whether your event is a small corporate event or a large-scale theatrical production, why tune a system at all? Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: https://www.merlijnvanveen.nl/en/study-hall/130-audio-calculators-for-sound-system-tuning Interview with Bob McCarthy, Mauricio Ramirez, Merlijn Van Veen and Daniel Lundberg about the best audio calculators for sound system design and optimization in the categories of desert island, design work, field work, and education. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-9Cg Interview with Mauricio Ramirez, senior seminar instructor at Meyer Sound, on the biggest mistakes he sees people making in sound system tuning. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-9D3 Enter the giveaway: http://sounddesignlive.com/giveaways/1-year-soundgym-pro-membership-giveaway/ In this episode of the Sound Design Live podcast I talk to Noam Gingold, composer, teacher, and founder of SoundGym. We discuss how Noam transitioned from composer to teacher to entrepreneur, and how ear training games can make you a better artist and sound engineer. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Welcome to the bonus lesson! Notes - Most people don't finish online courses, but you did. - Comment below and tell me one thing you would change about the course. - Get an accountability partner. http://sounddesignlive.com/accountability-partner/ - Get a coach or mentor. You can read more about my coaching program here: Success in Sound http://sounddesignlive.com/coaching/ Congratulations on completing the course. Feel free to email me with any questions in the future and I hope you'll keep me updated on your progress. All the best, Nathan

Welcome to Lesson 14! If you missed the previous lessons, please go back to that email or head over to the course page. http://sounddesignlive.com/from-the-sound-up/ Notes - Build your list to 150 contacts. - Schedule time to work on it regularly. - Every 5-6 times that you reach out, ask for a recommendation or referral. Homework 1. Schedule time in the calendar to work on this every day. 2. Add 10 more people to your list. Congratulations on completing lesson 14! -Nathan

Welcome to Lesson 13! If you missed the previous lessons, please go back to that email or head over to the course page. http://sounddesignlive.com/from-the-sound-up/ Notes - Build your list with leads from colleagues in your new city and research by job title and company. Here's the Chrome extension that I used in the video. https://goo.gl/TFtDPt - Use the same guidelines as in the previous lesson. Homework 1. Reach out to 3 potential clients. 2. How do you ask for referrals? Congratulations on completing lesson 13! -Nathan

Welcome to Lesson 12! If you missed the previous lessons, please go back to that email or head over to the course page. http://sounddesignlive.com/from-the-sound-up/ Notes - The audio industry is a little like the mafia. In each country and city there is a circle of trust and to get inside, you need a sponsor. I have found that the quickest way in, is to build relationships with colleagues because they are the most sympathetic to your situation. They've been there and they want to help you. - We should always go for the most effective form of communication, in person. - Our first priority is to get them into a 1-on-1 meeting. - Don't give up. - Tell them what you want and ask them what they think the best way to go about getting it would be. - Before you leave always ask: Can you introduce me to one other person? Is it ok if I follow up with you if I have any more questions later? - A week later, close the loop. - Update their record in your spreadsheet with every interaction. Homework 1. Reach out to 3 new colleagues. 2. What is the best way to reach out to new potential clients? Congratulations on completing lesson 12! -Nathan

Welcome to Lesson 11! If you missed the previous lessons, please go back to that email or head over to the course page. http://sounddesignlive.com/from-the-sound-up/ Notes - When you're young, making friends is easy, more natural. But when you are an adult, it's harder. - Here's why this is important: every time I have moved I have been focused on finding work and a place to live. Because I feel like if I can get that taken care of, I'll be set. But the thing that always creeps up on me, which I always forget about, is my network, because at home, it's something I always took for granted. So then what happens 3 or 4 months down the road is I end up getting depressed. And this is a killer. It will stop all work. - So here's my new plan for my move to Minneapolis: Instead of focusing on work and housing, I'm going to flip the script and focus on making friends. Crazy, right? Because here's the thing, if I have a supportive network of people that care for me, I can weather any storm. If my business tanks or I can't find an apartment, I might feel bad for a bit, but through the support of my network, I'll dust myself off and get back up again. - So my agenda for building relationships in Minneapolis is not to have an agenda. Now, I am going to try to intentionally meet the right people, but after I meet them, there's no plan, except to be as curious about them as possible and listen to what they have to say. - I'll tell them what I'm about, which is going to be super clear and easy because of all of the work at did at the beginning of this course. Then I'll just let the the relationship develop naturally and see how we can support each other. - So what I'm going to do, to get that started, is contact everyone on my list, tell them that I'm moving, and ask them if they can connect me to one new person in my new city. If they work in pro audio, or the performing arts, or event production, great, but at this point, I'm just looking for friends. Homework 1. Contact the first 10 people on your list. Ask them for a contact in your new city. Maybe explain to them how to search LinkedIn or FB to make it easier on them. Hopefully, these are people that you've been in contact with regularly already, but if they're not, you might need to reconnect first before making that request. 2. What is the best way to build relationships with colleagues and ask for their help? Congratulations on completing lesson 11! -Nathan

Welcome to Lesson 10! If you missed the previous lessons, please go back to that email or head over to the course page. http://sounddesignlive.com/from-the-sound-up/ Notes - The audio industry is built on personal referral. - To use the spreadsheet: - - Open this link https://goo.gl/6eJzAk - - File > Make a copy - - Bookmark it - - Open Contacts tab - Put anyone on here that is important to us and the growth of our business who requires regular one-on-one communication. - Start with the people that love and care about you. Those who lift you up and energize you. - - 3-4 family - - 3-4 close friends - - coach, mentor - Then we'll move onto the people directly connected with our business: - - Current (ideal) clients - - Past clients - - Colleagues - Then we can start adding the people that we want to build relationships with in our new city: - - Other local sound engineers and related techs (lighting/video, designers) - - Potential future clients and those who are connected to them. We started identifying them in the last lesson. - - This is also your chance to build a direct to client business that will give you more autonomy over your work and pay higher fees. Homework 1. Add 20 contacts to this list using the criteria that we went over. 2. How do you make friends as an adult? Hit reply on this email and tell me some of your thoughts on the subject. Congratulations on completing lesson 10! -Nathan

Welcome to Lesson 9! If you missed the previous lessons, please go back to that email or head over to the course page. http://sounddesignlive.com/from-the-sound-up/ Notes - So you've made it through the first half of this course. You've verified your positioning statement with me, you have a solid vision of what you want, and now we're ready to talk about how to get it.​ - You need to know where the money comes from so you can clearly direct your efforts. Who is signing the checks and why? Homework 1. Identify the key people who will do the hiring for the kinds of work that you are interested it. 2. Figure out, through 6 degrees of Kevin Bacon, how you're connected to those people. Congratulations on completing lesson 9! -Nathan

Welcome to Lesson 8! If you missed the previous lessons, please go back to that email or head over to the course page. http://sounddesignlive.com/from-the-sound-up/ Notes - At this point, you should have scheduled a check-in call with me to verify your position statement and make sure you are on track for the rest of the course. If you haven't done that, yet, please go back to lesson 7 and schedule that call before going any further. - At the beginning of this course, we talked about what you want and you told me that you wanted to tour with rock bands and start your own studio and grow your rental business. We all want to get lots of new clients, work on fun projects, and make lots of money. Now I want to know why? Why this? Why now? Because if we can connect with a greater purpose in our life, then we can move from ambition to meaning. And when we are deeply connected to the meaning our work has for us, we become unstoppable. - Lots of things are going to change in this new city. Maybe you were planning on starting a business renting high-end wireless mic kits, but then find out that there's no demand for it. I'm planning on teaching about sound system tuning and business in Minneapolis, but maybe after a while, I'll discover that there is a greater need on another subject. Anything could change, but because I'm deeply connected to the meaning of my work to pursue learning, I stay flexible and committed every day, not matter what. Homework 1. Write out these statements in order and put them near your computer or wherever you will see them daily. Read them every day before you start work. a. Goal from Lesson 2: I am creating... b. Financial and time needs from Lesson 3: I am earning... c. Position Lesson 7: I help... d. Purpose: Above all else... 2. Where does the money come from? Who is going to hire you? For the job or business that you want to create in this new city, who is going to pay you for it, or who makes the decision to hire you? Congratulations on completing lesson 8! -Nathan

Welcome to Lesson 7! If you missed the previous lessons, please go back to that email or head over to the course page. http://sounddesignlive.com/from-the-sound-up/ Notes - I help [ideal client] [create valuable outcome or solve primary expensive problem]. Unlike other [job title], [unique]. Homework 1. Schedule a check-in call with me to make sure your positioning statement is solid. https://nathanlively.appointlet.com/s/positioning Congratulations on making it half way through the course! -Nathan

Welcome to Lesson 6! If you missed the previous lessons, please go back to that email or head over to the course page. http://sounddesignlive.com/from-the-sound-up/ Notes - Sometimes it can be easier to describe what you do by talking about how you are different. Homework 1. Come up with 5 things that make you unique and memorable. Research this by looking at colleague's LinkedIn pages, websites, and talking to your clients. 2. Who are you? Do you consider yourself a sound engineer, sound guy, A1, or something different? What do your clients call you when they talk about you with other people? Great job on completing your sixth lesson and I'll see you tomorrow! -Nathan

Welcome to Lesson 5! If you missed the previous lessons, please go back to that email or head over to the course page. http://sounddesignlive.com/from-the-sound-up/ Notes - The better we understand how we fit into our client's business, the easier it will be for us to explain that to potential clients in the future. - This can seem very abstract for sound engineers. Do you create an amazing show? Provide risk mitigation? Bring in new fans? - The best verification would be to have conversations with our clients about this. - If the question seems too obtuse, just tell me what you like doing the most. Homework 1. What is the valuable outcome or result or solution that comes from your work? BONUS: Talk about this with 5 clients. 2. Tell me something unique about yourself. What makes you special? Great job on completing your fifth lesson and I'll see you tomorrow! -Nathan

Welcome to Lesson 4! If you missed the previous lessons, please go back to that email or head over to the course page. http://sounddesignlive.com/from-the-sound-up/ Notes - The more clear you are about what you want, the easier your marketing will be and the easier will be for people to help you. - Your ideal clients are current clients who are receiving the most benefit from working with you, or previous clients who loved working with you -- and you with them. Or they could be friends or acquaintances who aren't clients yet but you believe would gain a lot from your services. -George Kao - It's your responsibility to find your ideal client. Homework 1. Brainstorm a list of qualities and characteristics based on people you know already: Who drains the life out of you? Who do you enjoy spending time with in general? Which of your current clients do you look forward to seeing? Pick the top 5 qualities that define your ideal client. 2. Who are you? Do you consider yourself an audio engineer, AV technician, business owner, freelancer, all around badass? Hit reply and let me know. Great job on completing your fourth lesson and I'll see you tomorrow! -Nathan

Welcome to Lesson 2! If you missed the first lesson, please go back to that email or head over to the course page. http://sounddesignlive.com/from-the-sound-up/ Notes - Be intentional about what you are creating in your new city. - Don't just tell people that you are looking for work. What kind of work? - Up until now, you may have created a career on accident. That won't work fast enough in your new city. Luck is not a strategy. Homework 1. Look at what you've created in your life. What's in your life now that was once a dream? Write down a list of 5. 2. Now look at what you wrote for the last homework assignment and commit to creating it in the new city that you're moving to. Email your new commitment to the 5 people you selected in the last lesson. 3. What are your financial and time needs in this new city? Said another way, how much money do you need to pay the bills and survive? And how often do you want to work? Hit reply right now and let me know. Great job on completing your second lesson and I'll see you tomorrow! -Nathan

Welcome to Lesson 3! If you missed the previous lessons, please go back to that email or head over to the course page. http://sounddesignlive.com/from-the-sound-up/ Notes - Clarifying your financial and time needs is important in guiding you towards the opportunities that are the best fit in your new city. - Example: If I need $3500/month, then I need $875/week, then I need to shoot for a day rate of $438, but I can go as low as $175. Homework 1. Estimate how much your life will cost in your new city per month. I know this kind of research could take a long time, but just come up with a reliable number as quickly as possible. You can refine it later. 2. Estimate how many days/month you want to work, minimum and maximum. Use that to calculate a range for your day rate or hourly rate, as you prefer. 3. Who is your ideal client? Who do you enjoy working with? Who are you most skilled at serving? Hit reply and let me know. Great job on completing your third lesson and I'll see you tomorrow! -Nathan

Sign up here - http://sounddesignlive.com/from-the-sound-up/ Welcome to your first lesson for From the Sound Up ✈️! Watch the lesson and do the homework. Notes - What normally happens is that you naturally build a local network over your lifetime. The audio industry is based on referrals from that network. - When you move, it disappears. - This course has two parts: 1. What do you want? 2. How do you get it? - What I need from you: Take action on every lesson. Give me lots of feedback. Homework 1. I’m going to be sending you a lesson every day for the next two weeks, so right now, open up your calendar and find 15 minutes every day where you will plan to work on it. 2. Email 5 friends. Tell them that you are working on this and ask them to check in on you in 1 week. (This is where is starts to get uncomfortable. Push through!) 3. What do you want? If you could just wave a magic wand and create your ideal in the new city that you're moving to, what would you create? Hit reply right now and be as specific as possible. Great job on completing your first lesson and I'll see you tomorrow! -Nathan

Sign up here - http://sounddesignlive.com/from-the-sound-up/ In one month I will be arriving in Minneapolis with my wife and a moving truck. I’ll have nothing but my wits and a Leatherman to build a new career, from the ground up. I’ve moved 7 times before, but starting over is never easy. Being a sound engineer is not a portable career and I’ll have to build my network all over again. One thing does get easier, though, and that’s my strategy. At this point, I’ve made enough wrong turns that I’m pretty familiar with the path to getting set up again quickly with new gigs, clients, and opportunities. If you’re like me and have recently moved or are considering a move that will take you out of your comfort zone and away from your established network, sign up for this free two-week course where you will discover: - How to position yourself for maximum impact - How to grow your network exponentially and attract your ideal clients - How to get your first gig before you even roll into town Why is it free? This is the knowledge that I want to share before I die. If I get hit by a bus tomorrow, I don’t want these lessons to be lost that could save you some time and pain.

Complete Show Notes: http://wp.me/p1sfi8-9rN In this episode of the Sound Design Live podcast, I talk to Dave Swallow, Merlijn van Veen, Bob McCarthy, Darryn de la Soul and Michelle Pettinato about their best tips to find a touring FOH sound engineer job. Who should I build relationships with to get international touring gigs? Should I work for free to get my foot in the door? Who are the best people to cold call to find touring jobs? Should I approach bands who are on tour about working with them? Should I work for free to get experience? Where is the best place to work to get picked up for a tour? How do I get my name out there for a touring FOH sound engineer job? Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-9rs In this episode of the Sound Design Live podcast, I want to share with you an interview that I did Nate Schneider at AV Shop Talk. We talk about the technical challenges I faced while touring with the Ringling Brothers Circus, how I got my first jobs in the 7 different cities I’ve lived in, and the advice I would give to the 23-year-old me. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-9dr Interview with Thomas Neumann about his dual channel FFT audio measurement software SATLive and his single mic sound system tuning techniques. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-9c9 Nathan Lively, Dale West, and Brian Mohr discuss their biggest takeaways from the Sound Systems: Design and Optimization seminar by Bob McCarthy at Meyer Sound. We talk about calculating phase offset for a frequency range, using lateral aspect ratio to space your front fills correctly, aligning off-axis points of your speakers for even coverage, and debunking line array myths. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-9cM A day in the life of a touring circus sound engineer from load-in to sound system tuning with SIM 3 to opening performance. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-8Pb Interview with Craig Hewitt about adding podcast production services to your business as a sound engineer. Craig helps busy business owners easily produce a regular podcast. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-8Iw In this episode of the Sound Design Live podcast, I talk with Heatherlyn Eagan about how she has managed to book back-to-back tours since university by positioning herself as a stage manager and lighting technician. We discuss electricity, lighting fundamentals, and non-stop life on the road. Plus, these questions: How did you get your first job in lighting? Can you make more money as a designer or a technician? How do you stay busy in the touring world? How do you stay happy and sain on the road? How does cruise work compare to bus and truck touring? What are the basics I need to know to start working in lighting? How do you feel being a woman in the lighting design industry? What are some lighting horror stories? Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-8Gf In this episode of the Sound Design Live podcast, I talk to Nat Koren about his audio career with the San Francisco Opera. We answer these questions: What are the pros and cons of working with the union? How do you mix an opera? What does a sound designer do for an opera? What specialized gear do they use at the opera house? How do they mix the show and operate 12 cameras without any humans in the room? Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-2QW Interview with Ed Gandia from The International Freelancers Academy about how to build a solid networking and referral strategy. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-2N6 Interview with Alan Brymer about using a content marketing strategy to connect with potential clients, build relationships, and establish a niche. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-2BN Interview with Elena Foucher about meditation for busy people and how to build self-confidence for better productivity. Plus, Elena leads a guided meditation starting at 29min. We discuss: Alternative relaxation techniques to traditional, sit-down meditation. How to measure improvement in your meditation practice. How to improve your sleep. The definition of mindfulness and why it seems so hard. Why low self-confidence is so common, and ideas and strategies to improve it. How to recognize stress in the moment, before you spin out of control, Living in Hong Kong. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-2y1 In this episode of the Sound Design Live podcast I talk with Munzie Thind, post-production sound designer at GCRS in London. Thind received the Creative Circle Silver Award in Sound Design for the project National Autistic Society: Sensory Overload. We discuss the career path of a sound designer for advertising in London and the production process of a TV commercial. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://sounddesignlive.com/dont-sell-services-sell-solutions-brennan-dunn/ Interview with Brennan Dunn about how he went from charging $50/hour to $20,000/week by focusing on solving business problems instead of selling tech. Major points covered in this episode: - To be a successful freelancer, you have to understand both the business that your client is in and how they make money. - Stop thinking about yourself as merely a skilled artist and craftsman, and start also thinking of yourself as a consultant. - Being a consultant allows you to make more money and have more creative freedom. - How to use Socratic questioning to discover your client's underlying business problem. - How to gather the information you need to package your services as a solution. Strategies to build confidence and deal with imposter syndrome. - The importance of using case studies to show credibility. - How to start a conversation about your clients about RoI. - Make sure you only work with clients who respect and trust you. - Best habits for growing your business. - The biggest benefit of joining mastermind groups. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-2mf In this episode I talk with Daryl Bornstein about Rock of Ages, the most difficult play he has ever mixed. We discuss: How he first got work on Broadway. How he got the gig with Rock of Ages. The complicated setup procedure before every show. The sound system design and tuning. How to visualize sound in a room. What it takes to learn an intense Broadway musical. The moment of panic on every show. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-2eO In this episode of the Sound Design Live podcast I talk with Rick Goetz, the founder of Music Consultant, about music marketing, promotion, and consulting. Rick has worked with Kid Rock, Matchbox 20, Dream Theatre, and Pantera. We discuss the top career mistakes that musicians make, what it means to create an enduring lifelong career in audio, and how to expand your opportunities to start playing at a higher level. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-2ch In this episode of the Sound Design Live podcast I talk with Tim Holladay about why customer service is so important and how Crowd Mics can solve your wireless microphone problem. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-2a0 Interview with physical therapist Brandi Smith Young on the simple yet surprising tips to prevent back injury at work for live sound engineers. Brandi Smith Young is a fellow at the American Academy of Orthopaedic Manual Physical Therapy and a board certified orthopedic specialist about preventing back injury. She specializes in injury care, injury prevention, and performance training for gymnast, dancers, parkour athletes, and performing artists. We answer these questions: Is your job as a sound engineer breaking your back? Is your job in a chair taking years off of your life? What's wrong with caffeine? Does work count as exercise? How often should you replace your work shoes? We discuss: How to breath for stability. The top ways that people lift wrong. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-1er Are you ready for over an hour of on-the-job training on sound system design for small venues with one of the most experienced sound system technicians in the world? Yeah you are! We will talk about:

1. How to measure sound systems in heavy wind.
2. Dealing with highly reverberant spaces.
3. The precedence effect.
4. When to subdivide your system.
5. The advantages and disadvantages to coupling your subs.
6. How to setup a basic cardioid subwoofer array.
7. How to aim a pair of L/R mains.
8. The next update to SIM3.
9. Combining speakers and microphones with shape and scale in mind.
10. The best way to potty train your dog.

Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-20o In this episode of Sound Design Live I speak with the sound module coordinator at the University of Surrey, Paul McConkey, about the most important skill you need to get stage theatre jobs in the West End of London. We talk about his career path from earning a record contract to building a recording studio to touring with rock bands and finally teaching the professional production skills course that the University of Surrey. We also discuss training the stamina to succeed and how work placements serve the performing arts. Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-23K Interview with Brian Adler about good and bad of being a tour managing FOH engineer and how he lost his passion for audio in the recording studio and rediscovered it in concert sound. We discuss:

• Why getting fired was the best thing that ever happened to his career
• The benefits of working at smaller concert venues
• How to control your relationship with an artist (even if you work at a shitty club)
• One important demand you should make when taking tour managing gigs
• Staying healthy on tour
• Brian's industry secret for optimizing a sound system on tour ;)
• Brian's #1 trick for controlling stage volume
• How to give guitarists and vocalist plenty of volume on stage
• How to double a vocal channel at FOH for separate monitor control

And we answer these questions:

• Do the places you work affect your reputation?
• Should you go after tour managing jobs to get more audio work?
• What are the responsibilities of a tour manager?
• What's it like working at a museum?
• Where do you get the best burritos in San Francisco?

Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-21N In this episode of Sound Design Live, I talk with Mike Rauchfleisch, the owner of Audio Studio Nord in Wilhelmshaven, Germany, about how he built a thriving audio business by working all-night techno parties that no one else wanted. We also discuss: 1. How to survive long events 2. How to differentiate yourself as an audio provider 4. How to offer complete event packages including staging, lighting, and video with strategic partnerships 5. How to promote your AV company through Facebook Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive

Complete Show Notes: http://wp.me/p1sfi8-20o In this episode of the Sound Design Live podcast I talk with Anthony Karydis from Mativision about how they accomplish 360º interactive live video streaming with zero crew. We also disucss their proprietary cameras and multi-channel playback hardware and live mixing concerts. Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

Show notes: http://wp.me/p1sfi8-1YL Original Video: https://youtu.be/r48rwIgXkDY Support Sound Design Live on Patreon: https://www.patreon.com/sounddesignlive For the last three years https://soundcloud.com/moldover has been blending his controllerism skills with his life-long love of Guitar. I interviewed Moldover about the evolution of his controller-guitar, The Robocaster, and his collaboration with Livid Instruments to create The Guitar Wing.

Show notes: http://wp.me/p1sfi8-1X6 Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive In this episode of Sound Design Live I talk with the executive director of the Event Safety Alliance, Jim Digby, who has worked in the entertainment business for over 30 years as a live event and concert production manager for bands like Linkin' Park and Backstreet Boys. We talk about the elements necessary to produce a safe events, what you should know about labor and safety standards in the U.S., and some surprises I discovered in the new Event Safety Guide. We also discuss  employer supported hearing conservation and: Is the rate of event related deaths and injuries going up or down? Who is the Event Safety Guide for? Should sound engineers carry professional liability insurance?

Show Notes - http://wp.me/p1sfi8-1M5 Mind Map - http://www.mindmeister.com/507754582/the-sound-engineer-s-path Pro Audio Business Blueprint - www.sounddesignlive.com/pro-audio-business-blueprint/

Show Notes: http://wp.me/p1sfi8-1H5 Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive In this episode of the Sound Design Live podcast I speak with certified public accountant Rick Norris on creating a strategic plan for your business (which is what you need before a business plan) and who you should have on your team as a small business owner. We also answer the questions: What's the difference between a CPA and a bookkeeper? How do I protect myself from fraud (bogus checks!)? How do I know when I need a book keeper? What percentage of your income do medical bills need to be before you can claim them as a write-off? How do I use independent contractors without coming afoul of labor lays? How do I reduce my audit risk if I take a business loss? Details from the Podcast: All music in this episode by Gold Chains (https://soundcloud.com/topherlafata). Rick's articles and Rick Norris CPA on Facebook and Twitter Stephen Fishman's book and interview Medical expenses example: $100,000 income. 7.5% of that is $7,500. If you have $8,000 in medical expenses, you'll only get to deduct $500. But if you are self-employed then you can also deduct medical insurance payments on top of that. Tip: Tell your bank to alert you any time someone tries cash a check. Never have book keepers in charge of writing checks and doing bank reconciliations The IRS is really coming down on small businesses who improperly classify employees as independent contractors. Quotes: Once you've built the car, you need a map. That's what a strategic plan is. A road map of where you are going to be 10-20 years from now. Most people think that if they are not going out of the black, they're doing fine, but they really don't have a direction of where they are going. Keep one eye on the step in front of you and one eye on the horizon. If you can't measure it, you can't manage it. Once you start going outside of your core competency you lose the risk of losing your vision and then the whole thing just falls apart. The more money you make, the less you can deduct.

Show notes, images, and links: http://wp.me/p1sfi8-1DH Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive In this episode of Sound Design Live I interview Karl Winkler from Lectrosonics. We discuss the basics of frequency coordination, wireless microphone myths, and how the Super Bowl manages 1,000 channels of wireless devices. Karl also explains what a backup frequency is, whether bluetooth devices, microwaves and cell phones will cause interference, and how to prepare for rogue wireless devices. 1. Music in this episode by The Giovanni Quartet, Brodsky Quartet, The Bartok Quartet, and Brentano String Quartet. 2. USC Recording Arts
 3. Karl's principles for success in audio 1. Have a good attitude. If your job is to roll tires from the back of the store to the front, you should be so good that people will pay to see you do it. Don't be afraid of the work or think of it as being beneath you. 2. The basics always matter. Every art and science requires you to know the fundamentals. 3. Really listen. Learn to use use your ears as a troubleshooting tool. See Trouble-Shooting Audio Systems tutorial. 4. SynAudCon - Making Wireless Work
 5. Wireless Workbench
 6. Myths 1. Wireless mics are voodoo. 2. A directional antenna is always better. 3. I can get more range with boosted antennas. 4. Lectrosonics is too expensive. 7. Cavity Filter = Pass band filter. Blocks out bands of frequencies to focus only on the ones you want. 8. Interview with Jim Venable from the Wireless Speaker Association
 9. Axient system from Shure
 10. Spectra Pulse from Audio Technica
 11. Lectrosonics Facebook Group and FAQ page
 12. Words 1. Shark Fins = Directional antennas = LPDA (log periodic dipol arrays) 2. Intermodulation distortion = Occurs when two or more signals mix within an active device and create phantom frequencies. 3. Backup/spare frequencies = Pre-coordinated channels that you don't need at the moment, but are already calculated to fit, preventing guess work. 13. Big Mistakes 1. Not separating your IEMs, comms, and mics into different bands. 2. Bad antenna placement. 3. Not calculating signal loss for long antenna cable. 14. Quotes 1. "Audio is a guilded career. You start as an apprentice. That's how most people get their start." 2. "Your attitude is irreplaceable." 3. "There is something to learn from everything you do in life." 4. "Any time you add an active component, you are potentially raising the noise floor and increasing distortion. It can mix signals and create intermodulation products. You always want a net zero gain between antenna and receiver."

Show notes: http://wp.me/p1sfi8-1AY Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive Jovie Havard Strzelecki  is a Diagnostic and Dispensing Audiologist. We talk about noise induced hearing loss, common hearing loss myths, and what you need to know to stay healthy and protect your most valuable asset. We also discuss vertigo, motion sickness, how to calculate your noise exposure risk, hearing loss rehabilitation, adult stem cell transplant hearing loss, and other alternatives to hearing aids. Details from the podcast: 1. All music in this podcast by Curtis Craig
 - http://curtiscraig.com/Portfolio/Welcome.html 2. Hair cells are the sensory receptors located within the organ of Corti on a thin basilar membrane in the cochlea of the inner ear. -Wikipedia

 3. Types of hearing loss: 1. Mechanical physical injury/trauma to hair cells from impulse sound. 2. Metabolic/chemical injury from build up of calcium during stress, causing hair cell death from the accumulation of noise exposure. 4. Myths 1. If you have hearing loss, things must be louder in order for you to hear them. 2. If you already have hearing loss, you don't need ear plugs. 5. Science Daily article: Sensory hair cells regenerated, hearing restored in noise-damaged mammal ear
 - http://www.sciencedaily.com/releases/2013/01/130109124201.htm 6. BetteringHearing.org
 7. Quotes 1. "Once you have a little bit of hearing loss, especially noise-induced hearing loss, you are more vulnerable to more noise-induced hearing loss." 2. "Hearing tests are almost always covered by health insurance. Hearing aids almost never are."

Original post: http://wp.me/p1sfi8-1iW Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive In this episode of Sound Design Live I talk with Kenneth 'Pooch' Van Druten, the FOH sound engineer for Linkin Park, Alice and Chains, Kid Rock, and System of a Down. We discuss: 1. How Van Druten got his first job in audio. 2. The number one skill that gets him in the door for every job. 3. The value of microphone placement. 4. Why speaker coverage is important beyond anything else. 5. How to set gates using side-chains and virtual sound check. 6. Results and trends from Van Druten's annual hearing health check. 7. Mixing monitors for Pantera. 8. Van Druten's SPL strategy for Linkin Park. 9. How Van Druten managed to record and mix every Linkin Park show for two years solid. 10. Whether mixing live show recordings is a viable second income stream? 11. Good plugins for vocals. Quotes: "One of the things that you have to do to break into this industry is be willing to do anything." "Often someone will ask me, 'How'd you do that?' And I'll say, 'I have no idea.'" "I worked with an engineer that made me spend an entire day moving an SM57 microphone centimeters around a guitar amp." "The only kind of relationship I can have with an artist is an honest one." "Being a great system engineer is a different skill set than the one I have." "Coverage is important beyond anything else." "The entire drum kit is an instrument. Not just the tom or the snare." "There are situations when you just can't win." "I listen to 200 shows a year. It's important to me not to listen to those at 106dB A-weighted." "You mix at 100dB? That doesn't mean anything." "I don't know if you've measured crowds recently. At a Linkin Park show, if there are 11 songs, there are 11 times where it goes to 107 dB A-weighted no problem." "I feel responsible not only for my own hearing, but for the hearing of people that come to my shows." Takeaways: Don't wait till after college to get an internship. Van Druten started as a studio intern at a local recording studio when he entered school and by the time he graduated he was the head engineer. Learn social intelligence and empathy (i.e., how to talk to crazy people) because you have to be able to get along with them before you can get the job. Mic placement is important. Time spent learning it now will benefit you for the rest of your career.

Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive In this episode of Sound Design Live, I speak with the president of the Wireless Speaker Association (WiSA), Jim Venable. We discuss the nuts and bolts of the WiSA wireless audio standard that is currently used in home audio, but has obvious future application in pro audio. We also talk about 802.11a, dynamic frequency selection, and marketing for sound engineers. All music in this episode by https://soundcloud.com/dee-san Link to original post Details from the podcast:

1. All music in this episode by Daniel Sierra.
2. WiSA on Twitter
3. 802.11a (5.1-5.8GHz) - worldwide unlicensed band.
4. AVB - audio video bridging
5. The blog post I referred to in our discussion on marketing for sound engineers: Opening Up The Marketplace To Sound Engineers
6. Quotes
   1. "You'll have to figure out how to market [your] reputation in a global space."
   2. "This is what we call the spousal approval factor."

Interview with Josh Srago on the life cycle of an AV integration project, the value of a CTS certification from InfoComm, and why VGA is still so popular. Show notes: http://www.sounddesignlive.com/av-integration-josh-srago/ Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive In this episode of the Sound Design Live podcast I talk with the owner of Audio Issues, Björgvin Benediktsson. We discuss live sound survival, website design, and the Potluck Conference. He also talks about the Icelandic language, Sigur Rós, and how to deal with the shitty parts of working in live audio. http://sounddesignlive.com/learn-to-become-recording-engineer-online-bjorgvin-benediktsson

Interview with the owner of SoulSound, Darryn De La Soul, about her life's mission to help sound engineers improve employability and find work. http://www.sounddesignlive.com/darryn-de-la-soul-sound-education/ Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

Interview with attorney Stephen Fishman on law and taxes for freelance sound engineers. Business structure, tax deductions, and Obamacare. http://www.sounddesignlive.com/10-critical-tax-questions-answered-sound-engineers-stephen-fishman Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive In this episode of Sound Design Live I interview Dave Swallow, the author of Live Audio: The Art Of Mixing A Show, about how he went from being the in-house sound engineer at a local music venue to mixing at the biggest festivals in Europe. We also discuss why graphic EQs are rubbish, time-aligning stage monitors for better vocal intelligibility, why lead singers use more than one stage monitor, how performers communicate with sound technicians, avoiding hearing damage, and why you should never defeat the ground on a power amp. http://sounddesignlive.com/audio-mixing-live-audio-dave-swallow http://www.sounddesignlive.com/donate/

Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive In sound system design, step one is to define speaker coverage. Lucky for you, Daniel Lundberg and I have created a great new speaker coverage calculator that makes this initial step quick and easy. The calculator will give you a consistent coverage result for any scenario, but unfortunately it's not very smart. It doesn't know about walls and other speakers, so it works best for single-speaker applications like balconies, side fills, and smaller venues. http://sounddesignlive.com/how-to-find-speaker-coverage-calculator-daniel-lundberg

In this episode of Sound Design Live I speak with the author of Sound System Design & Optimization and the Director of System Optimization at Meyer Sound, Bob McCarthy. We talk about variable acoustic architecture, why we must optimize before we mix, and how to prioritize our system check list. We also discuss why graphic EQs are useless, common misconceptions about stereo, the pitfalls of L/R stacked subs, why sound is so difficult to teach, tips for finding on-axis points and relative splay angles between speakers, wireless microphones for measurement, hardware and software measurement systems, and how to get what you want without humiliating the client. http://sounddesignlive.com/sound-system-design-optimization-bob-mccarthy Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive In this episode of Sound Design Live I talk with musician and electronic instrument maker Moldover about the Kickstarter campaign for his new album. Moldover shares the mistakes he made with his first album and the important changes he made this time around. We also discuss new hardware he has been working on, in ear monitors, and the importance of tragedy in art. http://sounddesignlive.com/behind-moldover-kickstarter-success

Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive On this episode of the Sound Design Live Podcast I speak with Wendy Jo Peterson about making good food and drink choices at work. We discuss the best snacks for instant energy, nutrient-rich meals for the road, and common food myths. We also talk about how to recover from a long work day, nutrition apps, and how to analyze your urine to determine your de/hydration level. Hurray! http://sounddesignlive.com/food-drink-at-work-for-sound-engineers-wendy-jo-peterson

Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive This is a MEGA POST! In this episode of the sound design live podcast I compiled an hour of the best clips from my first two years of interviews, which are also included in my new eBook - Sound Design Live: Build Your Career As A Sound Engineer. We talk about online dating, AVB, how to move up in theatre, how to integrate live streaming into your live event, why Mix Magazine sucks, the dying art of theatrical acting, the pros/cons of gigging with a laptop, working in the West End, how to do an ABX blind test, creativity in pro audio, and why being a sound engineer is amazing. http://sounddesignlive.com/sound-design-live-podcast-greatest-hits-v1

Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive Interview with Paul Griffiths about how to find jobs and prepare for interviews in pro audio beyond concert sound engineering. http://sounddesignlive.com/paul-griffiths-job-search-advice-sound-engineers/

Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive Interview with game sound designer Harry Mack about career advice for freelance designers. We talk about the best and worst job hunting strategies. http://sounddesignlive.com/harry-mack-career-advice-for-freelance-designers

Interview with Philip Graham from Ear Trumpet Labs about condenser versus dynamic microphones for live sound, close micing, and stage monitor feedback. Go to the show notes below for a 10% discount on Ear Trumpet Labs mics! http://sounddesignlive.com/ear-trumpet-labs-philip-graham-condenser-vs-dynamic-microphone-live-sound Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

In this episode of Sound Design Live I talk with author and professor John Huntington about his new book on show control systems, who is responsible for audio quality at live events, and practical weather guidelines. We also discuss setting up computers to be show reliable, whether or not you should go to college, and how to do an ABX blind test so you don't over-spend on pricy hardware. "The record industry collapse has been fantastic for the live sound business. You have to tour now to make money." "You don't have to go to school, but you do need to educate yourself one way or another." http://sounddesignlive.com/john-huntington-show-networks-control-systems/ Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive In this episode of Sound Design Live I talk with sound designer and composer Steve Brown about the 2013 World Stage Design and how he went from high-school drop out to head of audio at the Royal Exchange Theatre in Manchester. We discuss the best exhibitions to show your sound design work, new software for live performance, and why your show should rely less on automation and more on skilled operators. "I've made every mistake a sound engineer, a sound technician, a sound designer can ever make, but I think the important thing is that I only made them once." http://sounddesignlive.com/steve-brown-from-highschool-dropout-to-head-of-audio

Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive In this episode of Sound Design Live I talk with Larry Crane about why he started Tape Op, techniques for mixing bands in small venues, and how to be more visible to new clients. All music in this episode by http://soundcloud.com/larry-crane except for ​Coast To Coast​ by Elliott Smith http://sounddesignlive.com/larry-crane-tape-op-magazine/

In today's episode of Sound Design Live I talk with sound designer and project manager Ellen Juhlin about Meyer Sound's D-Mitri, Audio Video Bridging, and working at Walt Disney World. http://sounddesignlive.com/cables-are-dead/ Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

How to Create your Own Webcast with Live Streaming Video for Sound Engineers In this episode of Sound Design Live I speak with Eddie Codel about the state of live streaming and what basic information you need to create your own webcast and offer live streaming services to your clients. I ask him how to communicate with clients about live streaming options, what hardware and software are available, and how he connected with great jobs. All show notes available at: http://sounddesignlive.com/eddie-codel-how-to-internet-streaming-live-event/ Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

In this episode of Sound Design Live Podcast I speak with keyboard studio musician Howie Gordon about gigging with hardware vs. software, the state of live music in Philadelphia, and studying jazz performance at the university level. http://sounddesignlive.com/howie-gordon-laptops-do-not-make-live-sound-simpler Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

In this episode of the Sound Design Live Podcast I talk with SF Music Tech founder Brian Zisk about paying musicians, crowd funding live events, and couch tours. I ask Brian about how he started working with musicians and entrepreneurs, what we can do to raise attendance at live events, and the state of digital content distribution. http://sounddesignlive.com/brian-zisk-internet-broadcast-golden-age Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

In this week's episode of Sound Design Live I talk with Broadway sound designer Nevin Steinberg about playing bass in musicals, moving up the ladder in the theatre industry, and dealing with technological limitations (a.k.a. why won't they let me use the microphones I want to use?!). http://sounddesignlive.com/climbing-ladder-to-broadway-sound-designer/ Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

In this episode of Sound Design Live I talk with Andy Graham about working with Kneehigh Theatre on it's original production, The Wild Bride. We discuss working in the West End, the unique creation process with Kneehigh, and their new theatre called Asylum. http://sounddesignlive.com/designing-without-script/ Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

Moldover on Music Instrument Technology, Design, & Controllerism In this episode of Sound Design Live Podcast I talk with electronic instrument designer, musician, and controllerism evangelist Moldover about music instrument technology, his super cool circuit board CD, and why the hell MIDI still exists. This audio is from the original video post. SEE IT HERE! http://sounddesignlive.com/fun-instrument-design/ Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

Mark Mosher on Music Instrument Technology, Electronic Music, & Ableton Live In this episode of Sound Design Live Podcast I talk with musician, synth expert, and social media addict Mark Mosher about creating compelling live performances with electronic music, music instrument technology, and how he gained thousands of twitter followers. http://sounddesignlive.com/turn-technology-into-performance/ Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

In this episode of Sound Design Live Podcast I talk with Canadian actor, designer, and record collector Brian Linds. Guess what? It pays to design from the actor’s perspective. Also, we finally answer a long-standing question. Yes, there are square-dancers in Canada. http://sounddesignlive.com/design-sound-actors-perspective/ Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

You'll Never Have a Digidesign or a Midas Console and Why You Don't Need One In this episode of Sound Design Live Podcast I talk with sound engineer, software programmer, and entrepreneur Bob Lentini. We talk about mixing with a mouse and how it can give you just as much power as a top dollar mixing console. http://sounddesignlive.com/build-a-100000-dollar-mixing-board/ Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

In this episode of Sound Design Live Podcast I talk with my friend and former classmate Dimitris Sotiropoulos. Based in Athens, Greece, he splits his time as a sound engineer between touring and recording. We discuss the Greek economic crisis, using plugins with an analog console, and why working in the entertainment industry makes you a better person. http://sounddesignlive.com/plugins-analog-console-wireless-control/ Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

In this episode of the Sound Design Live Podcast I talk with busy bay area sound designer Cliff Caruthers. We talk about some of his cool design techniques, the SF Tape Festival, and why LCS is a waste of money. http://sounddesignlive.com/just-add-reverb/ Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

For this seventh episode of Sound Design Live we have a guest post by sound designer, computer programmer, and didgeridoo player GW Rodriguez. He gives us a short intro on the intersection of theatrical sound design and computer programming along with his own speaker processing app. http://sounddesignlive.com/sound-design-meets-computer-programming/ Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

In this sixth episode of Sound Design Live I talk with Aaron Meicht and Daniel Baker, the sound design and music production collective known as Broken Chord. We talk about their sound design for Lynn Nottage's Pulitzer Prize winning play "Ruined." Topics include researching Congolese music, cooperative design, and experimental theatre. At 52 minutes, this is the longest podcast to date, but they had a lot of good things to say plus Daniel's accent is entertainment in itself. http://sounddesignlive.com/sound-design-ruined-broken-chord/ Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

In this 5th episode of Sound Design Live I talk with recording artist, comedy writer, and actor Mark Winslett about using FL Studio and Barbie samples on his new album "I'ma Get Ritch Off This One, Vol. 17" http://sounddesignlive.com/fl-studio-free-barbie-samples/ Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

In this fourth episode of Sound Design Live I talk to Pierre Dupree, the audio supervisor at The Alley Theatre in Houston, TX, about where to go to graduate school, the dying art of theatrical acting, and how they successfully mic their 800 seat theatre with floor mics. Sorry about the sound quality, this is my first interview using skype! http://sounddesignlive.com/mic-800-seat-theatre-with-floor-mics/ Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

In this third episode of Sound Design Live I talked to award-winning sound designer Roy Taylor in Austin, TX about mixing for Emmylou Harris and Patty Griffin, production management for the SXSW music festival, and using technical limitations creatively. http://sounddesignlive.com/mixing-emmylou-harris-roy-taylor/ Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

Nathan Lively talks us behind the scenes of his behind the scenes multi-channel sound installation at ZUGHAUS Gallery. As Portuguese actors are heard moving around the audience their position is reinforced through synchronized subtitles on screen. http://sounddesignlive.com/subtitles-reinforce-sound-localization-nathan-lively-1/ Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive

The creative design podcast about audio in the real world. In it's premiere episode, Gentlemen & Scholars, Nathan Lively interviews DJ, producer, and social media pro William Wardlaw. Topics cover DJ hardware/software, perfect club sound, and the right to party. http://sounddesignlive.com/perfect-club-sound-william-wardlaw/ Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive